#but these are the two main theories I have in my mind

[therobotmonster]

I'm one of the artists mentioned previously, specifically the one who does comics (comic) via a lineart-composition-extraction process (full tutorial).

And while having a specific end-point is often my process, I wanted to add that I also enjoy the discovery/brainstorming aspect (That, and tinkering with image generators is a very effective stim for me.)

As to how do you throw a temper tantrum with an image generator?

I don't know. My art doesn't work that way. I tend to create in the aftermath of my emotions when I'm processing them rather than during the event when I'm having them. Attempting to create while I'm in those spaces creates nothing but frustration.

But how does my creative process with AI work?

TyrannoMax, my fauxstalgia-AI-dino-anthro project, uses a blend of the two approaches for my character designs. For most of the "mains" I had a sold or at least semi-solid idea of what I want them to look like. Some, like the Cold Shoulder, are old character concepts I've just updated, some are new ones that were designed to play well with the generator models I have access to...

Some, but not all.

The Generative Duet in Action

Now, the "idea first" method doesn't always take the avenue you expect.

Ape-Tomic Pyle and the whole Tmax concept kind of evolved in the same way. I was making a fake comic cover to try out the compositing process. I'd already done some mini-comics with Dr. Underfang and Mrs. Nautilus, and a very sketchy barely-elaborated on set of screenshots for a 90s movie called "TyrannoMax" where Underfang and Nautilus first showed up.

TyrannoMax, as a name, popped "TriceraBruce" into my head, and I was tickled by the goofy naming scheme. I wanted him to fight something delightfully silver age, so a radioactive ape was the #1 choice.

The US military tests where they marched recruits into mushroom clouds in Nevada were fresh in my mind from another project, so there was my origin story, but the robot did not want to put him in fatigues and instead went for more of a track suit.

But the monkey in the track suit won me over as I played with prompts to get the right look. The suit felt like something scientists post-mutation event would give him to wear and was very 70s.

He needed a name, and my pun-brain put together Atomic Pile, an Ape, and Gomer Pyle into "The Ape-Tomic Pyle." The idea of an extremely violent and revenge-minded creature with an "Aw shucks" personality came together there.

The pompadour was there because anyone writing comics in the 70s would have associated thuggery with greasers, from having been a kid or teenager in the 50s. Old school comics covers usually had dialog and callouts on them, so I went with some traditional import-issue-of-the-70s discussion, and parodied marvel's trade dress.

Once I had the comic cover done, however, that informed the later Wally Man-Moth origin story and the TyrannoMax lore. The series originating in the 70s meant it couldn't have originally featured the meteor-extinction hypothesis, as that wasn't proposed seriously until the 80s.

The majority theory at the time was a deep-space gamma burst, so taking the "how would a 70s comic writer do this" tack, I combined the "blast of radiation from space" and the concept of people's shadows being burned into buildings after an atomic blast, and boom, it's not a hollow earth, but a hollow-earthy pocket universe accessed through "fossilized time."

One off gags, fun unplanned prompt output, if it sparks an idea it goes in the soup. Milhouse was a nameless background character until Bart needed someone to trade lunches with in a Butterfinger commercial, Brainiac is a robot because a toy company sued DC over trademark infringement, you know the drill.

Having a movie in the 90s means a cartoon in the 80s, so everyone gets an action-figurey redesign, including our radioactive ape pal.

The entire process is very wandering, and if I went into the video or music stuff we'd be here for another color of the sky.

But the short version is it draws on the processes I've always used in other situations. One of my favorite hobbies is thinking of how I'd reboot or fix projects that were promising, and if generative AI is anything it is a fountain of interesting idea-combinations that need a lot of fixing.

So what I get out of the process and what process I use varies by the situation, but I see them as extensions of my traditional art processes.

Because I've been doing all of this for years with art elements for my whole artistic life. Such as these comic pages which I made in a very similar way to the Wally Manmoth origin pages, only difference is the source of the public domain images.

The question of how I sort through my source image folders when having a temper tantrum never came up.

so honest question, those AI bros who do the 'prompt to image' thing - do they get the meditative 'throwing my whole mind into it' mindful zen out of it? the feeling of challenge and growth and even getting your feelings out of you along with the images in your head?

cus i feel like that just wouldnt do it for me ykno? throwing some words into a generator wouldnt be enough for me, but with how possessive some of them seem to be of 'their' 'work' ...

[fantasy-nerdddd]

heyyy @fangirlsleep (?) I just finished your Epic Secret Santa one shot, it's a bit short but I hope you like it!

Disclaimer: I haven't listened to the Ithaca Saga. This will probably be the most inaccurate thing in existence. In my mind, it's kind of a different AU of I Can't Help But Wonder

As Telemachus stepped into Ithaca, he couldn't help the feeling of dread that started developing inside him. At his last meeting with Antinous and the other suitors, he had had the worst fight of the year, and ended up with a broken nose. He tried convincing himself he'd be fine. He had his patroness, after all. He'd be fine. He'd be fine.

That's what he told himself as he made his way to the castle. Yet the tightness on his chest told him otherwise. The tension in the air was palpable, so solid you could almost cut through it. Obviously, the suitors were on a ruthless mood today. He was so dead, so dead. He had prepared for the possibility that they had planned to kill him the moment he returned. But it was too real now. Too close. The only thing that gave him some comfort was the light brown owl with piercing gray eyes that made circles around the castle.

The moment he stepped into the castle, he took notice of two things: the tension in the air hadn't lessened, if anything it had gotten worse. And the castle was silent. That's more unexpected than anything. The suitors hadn't been silent since... Never. The suitors have never been silent since they moved almost 10 years ago. He took some wary steps towards the main hall, trying to make sense of the eerie silence while his hands were on his sword. He turned a corner and as he stepped into the next room, he stepped on blood.

Wait... Why would there be blood on the floor? He tried to look at the source - the room, just like the rest of the castle, was frustratingly dark. Maybe it was animal blood? Yes, the suitors must have made a sacrifice to some God. This theory of his was disproven when Telemachus saw Archelaos on the ground, with an arrow lodged in his heart.

Telemachus was more than stunned. How is this possible? Maybe his mother had decided to finally give in and marry the strongest, so the suitors fought for her hand. Gods, he hoped not, since Antinous would win this fight, and if so he'd probably be dead before he could call out to Athena. "It's probably not that" he tried to reason with himself "Mom is too loyal to father to do that." It's the truth, mom has always been more hopeful than he had. And Gods know he had been hoping. Then what?

Telemachus decided that it's pointless wondering, that whatever killed all the suitors is probably a threat to him to. He followed the bodies, hand close to his sword and shooting wary looks all over, as those bodies lead to the main hall. Inside he saw the same thing, bodies all over and the room covered in red blood. Mostly the same thing, as he also saw a figure standing there, holding a sword and his father's arrows. The figure wore a cape, but he could tell it was of a human, considerably shorter than him.

As he approached the figure, it turned back, revealing a man, probably in his late 40s. He had Athena's signature grey eyes - that explained the owl outside, mixed with some red hot fury which would probably make his mentor really disappointed. He'd never admit it, but Telemachus felt kind of frightened, even though the stranger didn't look like he intended to attack him. If anything he felt strangely familiar. Like those people that you remembered their face, without actually remembering why or how. Well, the stranger seemed to recognise him somehow, for his shoulders dropped and he seemed to get a small, hopeful smile.

"Telemachus...?" The stranger wondered out loud. This was getting weird. Really weird. Telemachus didn't have any memory of introducing to this man. But he seemed so happy at the thought, the man wasn't there for trouble. Most likely.

"Yes...?" Telemachus replied wearily. He had never seen someone get so relieved, so instantly, by such simple words. The other man dropped his weapons and reached out to hug Telemachus, making him freeze slightly by the unexpected contact. The man pulled back a little, a wide smile across his face

"My son..." He mumbled. Wait, what? Telemachus was absolutely baffled. Did this man refer to him as son? Looking closer, Telemachus could see a few features similar to his own. He looked like Telemachus expected himself to look when he's older. Much older, but still. Could that really be his father?

"Father?" Telemachus enquired, not getting his hopes up. His father nodded, and Telemachus returned the hug as they embraced each other. His brain was short-circuiting. He didn't even know for how long he'd been hoping, planning what he'd say to his father when he came back. But now that he was actually here, he was utterly speechless.

"I never thought this day would come." His father said a few moments later. Telemachus was glad that father broke the silence. "I never thought that I'd get to meet you. Or your mother, or this land. Oh, I'm so happy to be here."

That wasn't a lot. From the stories Telemachus heard about his father, he knew that he was smart and never shut up. Telemachus assumed that this might as well be a stranger, wanting to take the throne by convincing everyone he is the king. Eh, he'd leave the worrying to mother, she was the one that always did so anyways. He was the hopeful one, looking at the bright side of things.

"I never thought I'd see you again either." He responded "I never thought I'd get to meet you. I heard all of these stories, about how cunning and smart my father was, and I had accepted I'd never talk to him. I was hopeful, like mother, but deep down... I was already mourning." He hated to admit it, but it was the truth. After all of these years, he was mourning a live man.

Father just gave him a sympathetic smile "I never thought I'd get to have such a great son. With those... suitors around here, with all this responsibility... I never thought I'd have such a strong son"

A sense of pride consumed him. Telemachus didn't even want to know what his father must have faced, and there he was, calling him strong. "I never thought I could have such a dedicated father. After all those years, you still came back to us..." He trailed off. It felt impossible.

"I always will" his father answered before he snapped his head towards the door. Soon enough, Telemachus also heard someone coming. Soon enough, his mother showed up, and father's face visibly lit up so much, Telemachus was wondering how tales about how much of a wife-guy his father obviously was hadn't reached Ithaca. When his mother spotted the two of them, Telemachus pulled back completely and exited the room. He really did not want to see that reunion, it'd make this too awkward.

As Telemachus stepped outside of the main hall, looking at all the dead bodies and blood, his mind trailed off. He was sure he should've been worried. After all, all of the tales about the cunning, stealthy Odysseus had one thing in common, and that was the least amount of ruthlessness possible. He wasn't very worried, though. Even if his father had magically turned into a monster of some sorts, he didn't mind if it meant taking out his mother's suitors. He'd leave his mother to do the worrying.

[mifluffy-thoughts]

MLQC & LaDs Comparison: Sylus and Gavin

This is the first post in my planned series comparing the LIs of LaDs to the ones from MLQC. I am doing this as InFold has already shown they have a few things they tend to gravitate towards in their writing, and common themes between the two stories can help better understand both and possibly even come up with theories. Originally, I planned to do a comparison between Sylus and all the MLQC LIs, but I just had too many things to talk about with these two so I'm going to do it one by one. For clarity's sake, the MLQC MC will be referred to as P!MC (producer MC) and the LaDs MC will be referred to as H!MC (hunter MC).

MAJOR SPOILER WARNING FOR BOTH GAMES

General Stuff

Sylus and Gavin are practically polar opposites if looked at from afar. Sylus is a criminal, Gavin is a cop. Sylus loves fancy suits, Gavin absolutely hates them (even if he looks great in them :3). Sylus's main colors palette-wise are black and red, Gavin's are blue and white. Sylus has very particular tastes and will barely touch anything he finds to not be "good enough" (you will not catch this man wearing Shein) meanwhile Gavin just wants his stuff to be functional. Sylus does not have the best musical abilities, while Gavin can play the guitar and sing on-tune. I could go on and on about the things they are complete opposites in, and they are on a surface level, but there's a lot more to look at with these two. Dates and Birds

The first thing that came to mind while I was thinking about this is the fact that they have dates that are terrifyingly similar in concept. When I was reading Sylus's Nightplumes memoria, my jaw hit the fucking floor. The concept is fairly simple. H!MC finds an injured dove and asks Sylus to take care of it when she has to leave Linkon. When she returns, they have a cute romantic moment when they meet up and when they free the dove.

Now, let me tell you the concept for Gavin's Brilliant Date. This date is attached to a card from an event in which the player had to log in daily and do a small task to eventually get the free SSR card. The story behind the event is this: Gavin finds an injured dove and begins taking care of it, however he gets a mission and has to leave, so he asks P!MC to take care of it. The date attached to the card shows their meet up once Gavin comes back and the romantic moments that takes place before, during and after they release the dove.

Sound familiar?

While the romantic moments that take place in the dates (as in, the scene with the snow and fireworks for Nightplumes and the window and rooftop scenes for the Brilliant Date) are very different, the overall concept is practically identical, the roles are just switched. And listen, I don't know if "nursing an injured dove back to health while the character who first found the bird is out of town" is a common trope in Chinese VNs (I have only played LaDs and MLQC. I tried Tears of Themis, it wasn't my jam), but in all other otome games that I've played, and I've played a lot, I have only seen this happen in these two occasions. Please correct me if I'm wrong, tho.

Now, what does this imply about the connections between these characters? Well, I feel like this was mainly just to strengthen both of the characters' bird connections, as they are both associated with birds. Sylus's bird association is much more concrete, with the crow imagery basically being yelled at us every other second. Gavin, on the other hand, is much less connected with one bird but rather all birds (that can fly). Gavin acts a lot like a bird- he eats everything with little complaint, he prefers to enter P!MC's apartment through the window, he is very curious and often gets into shit he shouldn't. As such, these two dates serve to highlight these two characters' "birdiness". Tracking MC and Protectiveness

You read that right, both of these characters track MC (with her consent, ofc), albeit in different ways. Sylus tracks H!MC via Mephisto and Gavin tracks P!MC using his Evol (although at first he tells P!MC it's through a GPS tracker in the bracelet he gifted her, probably because this was only a few hours after she found out Evol existed and didn't want to freak her out even more and to have a easy way to identify her). The reason they track MC is the exact same, to keep her safe. Both of them know their MC is being targeted by dangerous forces, and they are unwilling to risk her getting into danger.

However, there is one major difference in the ways they track MC that show a key difference in their protectiveness. Due to Mephisto having a camera and microphone, Sylus doesn't just know where H!MC is, he also knows what she's doing and what she's saying. This gives him a perfect image of what she's up to and, more importantly, who's around her. Sylus knows H!MC is in extreme danger not just because of her Evol and the aether core and whatnot, but also because she's involved with him. She's a target for countless of people. Not only that, she's a hunter. Her job puts her life on the line constantly as she fights to protect Linkon from wanderers.

Sylus knows how reckless H!MC can get if it means saving others. He's experienced that first hand. He knows the lengths she went to just to save him. Of course, we all know how that ended, since he was willing to do the same. But H!MC way back when they first met didn't love anyone aside from him. Now, there's so many people she loves, and he's terrified of that being used against her in any remotely similar way to how it was used in the past. Gavin, on the other hand, only knows where P!MC is. From what I gather, his Evol lets him "feel" what's in the wind. The bracelet was probably just a way for him to easily know that it's her since it's one-of-a-kind. Once he got used to how she felt, he didn't need it anymore. And while he may be protective of her, and he may be terrified of what could happen to her, he has much less to fear than Sylus.

Unlike Sylus (so far), Gavin knows he's not the only one looking out for MC. At the bare minimum, he knows Lucien will protect her, and implications from chapter 18 show that he might also be aware that Victor and Kiro are also looking out for her. And those are just the strongest. Minor and Anna are also keeping her safe in their own ways. Gavin will protect her the most he can, and is willing to go to any lengths to keep her safe, but his worry is much less about who could be a danger to P!MC, it's about what. When P!MC is about to get shot, who saves her? Gavin. Because he knew where she was and he could feel both the sniper and the bullet. And this happens twice. When P!MC is falling from Loveland TV Tower, who saves her? Gavin. Because he could feel her falling and could save her quickly. And in all but one of these situations, Gavin isn't the only one keeping P!MC safe. The first time someone tries to shoot her, Lucies further protects her with a force field. When P!MC is falling, Kiro is making sure Black Swan doesn't get to her.

So yeah, this is something where they are both extremely similar and also very different.

MC Saving them Through Music

The way Gavin's Evol awakened is pretty iconic (if you're in the MLQC fandom). For those who are unaware, Gavin fell off the roof of his and P!MC's high school. Unless something miraculously broke his fall, he was going to die. But then he heard P!MC playing the piano. Something about the tune she was playing awakened the Evol within him, allowing him to fly by controlling the around him. This made a ton of gingko leaves fly around him, and he was able to survive. Had it not been because of P!MC's song, he would have died.

Then there's Sylus. The way her song saved him is in a much less physical sense, but it was because of her song that he was not only able to begin understanding human emotion, but also get the will to survive for long enough to save H!MC. When he first hears the song on the organ, he is genuinely moved. Up until that point, he thought he was basically unable to feel anything aside from desire. Whether it was the desire for acceptance, the desire for gold or the desire for revenge, that was all he knew. But the song made him feel something different. When he was injured to near-death, it was that song that gave him the will to live. Of course, we all know how this story ends.

Honestly, both of these moments are extremely heart breaking. Neither Sylus nor Gavin really cared about their own lives. Sure, Sylus pretended he was happy just collecting treasure and getting revenge on those who trapped him, but he was absolutely hated by everyone. As soon as his horns started growing, his world fell apart. Everyone attacked him, everyone thought he was a monster and he hated it. And then Gavin was made to feel like dirt by his father. The only reason Gavin was alive was to protect his mother and his brother, but eventually he lost them both. And as soon as his father saw any potential in him, he became just another pawn in his games. Music reminded both of them that there's more to life then just surviving.

Other Stuff

To wrap it all off, I'll just list some other things I noticed about these two that are worth mentioning but don't have enough juice for me to write paragraphs and paragraphs of.

Both of them went through some kind of "rebirth". Gavin had his rebirth with his Evol awakening (keep in mind he thought he had no Evol as far as I'm aware) and Sylus had his dragon rebirth

Both of them learn that justice isn't as simple as it's made out to be in the worst way possible. Sylus through how he was hated by everyone due to being a dragon and how P!MC was tried in court and Gavin through basically his entire arc in S1

Both of their backstories are heavily linked to a plant. Gavin has the ginkgo while Sylus has the datura

Both of them are often perceived to be cruel or monstrous by others, especially when they were younger

Both of them have several occasions where their MC has to patch up their wounds

And that's it! Hope you enjoyed this very thorough comparison. Up next will probably be Zayne and Gavin because I just cannot stop thinking about their similarities. No promises, tho! -Fluffy

[nebula-cluster]

Thinking many normal thoughts and opinions on Rowan’s backstory rn, so here are two/maybe three theories I think about a lot.

- Rowan being related to a royal family

now, this is a theory I think about often, since we don’t know much about her. but re-listening to certain episodes I keep getting thoughts about this theory. In episode 4 around 5 minutes in Jamie mentions how all the party is hiding their identities in one way or another, which seemed to be brushed off because we didn’t know much else (and it was only ep 4).

Another thing that had me thinking was in ep 12 at 35 minutes in, Rowan left the hayloft while Aurelius, Kieran and Neph were talking about taking a role of a leader, or not ready/wanting to rule a kingdom. That’s something I never questioned before I re-listened to it a bit. There was also a few times when I was looking through the playlist beck had made for Rowan to see a few songs such as “Our Word” and “Dollhouse” that started my thoughts on this theory. The only thing we can tell from recent episodes is that her family has a lot shady business(?), not to mention from ep 21 she has been holding onto Junipers hand the whole time and trying to distract from the current mission which is the party going Kruivia. I believe that her family could/is related to the Kruivia Royal family

- Rowan somehow related to the Forsindicated

I don’t know much about this theory myself, but I’ve seen a few post about this theory that she could have some connection to the Forsindicated. All I know on this theory is from what we know about the Forsindicated is they’re a very powerful group that seems to be known throughout the kingdoms. While what we know about Rowan’s family seems to be really shady, and powerful. There could be some connections between this theory but I’m unsure, I would love to hear more about this one though.

That’s all . I made this post really long, but I got so many thoughts and opinions on Rowan lore. I want to know more, I’m gnawing at my enclosure

[peridots-pixiwolf]

[Start ID. A drawing of two scavengers from Rain World, one labelled Sanic and the other one Shrek. Sanic's fur is light brown, with darker extremities, a messy row of pale green spines down its back, and bright blue eyes. They sit contentedly, staring at the screen, with a couple grenades by its feet. Shrek has pale fur, a green head, hands, and feet, and brown eyes. It's facing to the right, with their arms splayed out and an explosive spear on their back. Beside each scavenger are a few woefully-compressed screencaps of their in-game appearance. End ID]

An ode to these silly beasts, who accompanied me on my second visits to Industrial and Chimney

[arolesbianism]

Ive been waiting for ages in oni for my future industrial block to be vacuumed out so I decided to doodle some furry women while I waited (it’s still not done)

[sureuncertainty]

okay here are my thoughts on pj/hazel as a ship (from bottoms which i will probably be hyperfixating on for a bit sorry not sorry)

i guess I appreciate them as ship but i'm having a hard time getting quite on board with it just bc i'm really tired of the trope (idk if it's a trope but I see it frequently) of character A is a total asshole to character B consistently and then like... apologizes once (or not at all) and then B just forgives them immediately and it's fine. like idk i don't like ships where one character is mean to the other, it feels like there's an imbalance there. yeah pj apologized but i lowkey felt like hazel was too quick to forgive her and hazel deserves someone who doesn't make fun of her and is not mean to her 24/7 and who actually shows their appreciation of her and love for her and doesn't make her feel bad about herself, not just someone who enjoys kissing her yknow???

[flimsy-roost]

I realized the other day that the reason I didn't watch much TV as a teenager (and why I'm only now catching up on late aughts/early teens media that I missed), is because I literally didn't understand how to use our TV. My parents got a new system, and it had three remotes with a Venn diagram of functions. If someone left the TV on an unfamiliar mode, I didn't know how to get back to where I wanted to be, so I just stopped watching TV on my own altogether.

I explained all this to my therapist, because I didn't know if this was more related to my then-unnoticed autism, or to my relationship with my parents at the time (we had issues less/unrelated to neurodivergency). She told me something interesting.

In children's autism assessments, a common test is to give them a straightforward task that they cannot reasonably perform, like opening an overtight jar. The "real" test is to see, when they realize that they cannot do it on their own, if they approach a caregiver for help. Children that do not seek help are more likely to be autistic than those that do.

This aligns with the compulsory independence I've noticed to be common in autistic adults, particularly articulated by those with lower support needs and/or who were evaluated later in life. It just genuinely does not occur to us to ask for help, to the point that we abandon many tasks that we could easily perform with minor assistance. I had assumed it was due to a shared common social trauma (ie bad experiences with asking for help in the past), but the fact that this trait is a childhood test metric hints at something deeper.

My therapist told me that the extremely pathologizing main theory is that this has something to do with theory of mind, that is doesn't occur to us that other people may have skills that we do not. I can't speak for my early childhood self, or for all autistic people, but I don't buy this. Even if I'm aware that someone else has knowledge that I do not (as with my parents understanding of our TV), asking for help still doesn't present itself as an option. Why?

My best guess, using only myself as a model, is due to the static wall of a communication barrier. I struggle a lot to make myself understood, to articulate the thing in my brain well enough that it will appear identically (or at least close enough) in somebody else's brain. I need to be actively aware of myself and my audience. I need to know the correct words, the correct sentence structure, and a close-enough tone, cadence, and body language. I need draft scripts to react to possible responses, because if I get caught too off guard, I may need several minutes to construct an appropriate response. In simple day-to-day interactions, I can get by okay. In a few very specific situations, I can excel. When given the opportunity, I can write more clearly than I am ever capable of speaking.

When I'm in a situation where I need help, I don't have many of my components of communication. I don't always know what my audience knows. I don't have sufficient vocabulary to explain what I need. I don't know what information is relevant to convey, and the order in which I should convey it. I don't often understand the degree of help I need, so I can come across inappropriately urgent or overly relaxed. I have no ability to preplan scripts because I don't even know the basic plot of the situation.

I can stumble though with one or two deficiencies, but if I'm missing too much, me and the potential helper become mutually unintelligible. I have learned the limits of what I can expect from myself, and it is conceptualized as a real and physical barrier. I am not a runner, so running a 5k tomorrow does not present itself as an option to me. In the same way, if I have subconscious knowledge that an interaction is beyond my capability, it does not present itself as an option to me. It's the minimum communication requirements that prevent me from asking for help, not anything to do with the concept of help itself.

Maybe. This is the theory of one person. I'm curious if anyone else vibes with this at all.

[kisses4reid]

protect | ·˚ ༘ spencer reid ,,

summary - you get badly injured on a case, and the hospital visit ruins your surprise.

genre - fem!bau!reader x spencer, hurt/comfort, little bit of angst and arguing, fluff, happy ending!! reader can bear children (has female anatomy)

warnings - pregnancy, major injuries, mentions of gross hospital things, r uses she/her pronouns, usual criminal minds violences

w/c - 2.2k

a/n - thank u for the request! loved the idea immediately and this is the first time i’m writing abt pregnancy and stuff so pls do not quote me on anything!!! also this writing isn’t my best, sorry abt that. okay bye have fun reading

request - (@ursuu-la) hihihi idk if you're taking requests, but what if u write something where Spencer and a fem reader are dating and she's pregnant, but she's kinda scared(? or nervous to tell Spencer. And maybe she could tell it to one of the girls of the team to find a way of approaching Reid, but then she gets hurt or something happens to her in a case.

“Oh. My. God.”

You turned your attention from the open manila folder to Garcia’s multiple screens, searching each one for something important, “What?”

“Y/n M/n Reid. You’re pregnant?” Garcia spun in her chair with an angry expression while pointing a ringed finger at the main computer screen. It was your medical history - which you allowed her to search so she could experiment with a new hacking technique - but you had forgotten about your recent discovery.

Your hand was clamped over your mouth as you stared in shock and started rambling through your fingers, “Garcia. I swear, nobody knows - I wasn’t keeping this from just you,” you placed your hands on her shoulders when she stood up in disappointment, sending her office chair to collide with the desk, “Spencer doesn’t even know, please Garcia. Don’t tell anyone.”

Your eyes searched hers for a promise or compromise, but instead you got welling tears.

“Garcia?”

“Y/n, your pregnant with a little Reid! This is amazing- How come you haven’t told him? I’ll have a new little nephew or niece! Y/n!” She squealed and took your hands to spin you in a circle in her small office. You immediately felt nauseous and slowed the excited girl, her hair accessories threatening to fall off in her happiness. You held your stomach and whispered,

“No spinning, I’ll throw up.”

She glanced to her computer screens and shut them down immediately, sitting back down and taking a deep breath. “This is great! Right? Please tell me this is great, you’re already 6 weeks pregnant.”

You bit your lip and nodded, “I mean, I think it’s great but..” You lost yourself in thought.

Last year when you and Spencer got married, you had talked about starting a family many times. But every time you both agreed to wait a few more years in order to save up more money and maybe move into a bigger apartment or even a house. This was not what you planned.

Spencer liked having a plan, it was one thing you grew to love. He was organised and, due to his amazing memory, remembered everything, especially everything about you. And though you two had grown so close you were basically one person, this was the only time you had no idea how Spencer would react if he found out your secret.

“I don’t know how to tell Spencer.”

Garcia grinned, but it was quickly wiped away when she noticed a certain figure in the doorway. You spun on your heel, heart attacking your ribs. Luckily, it was not your husband, but your boss. He stood sternly and started, “We’ve got a case, wheels up in 30.”

You nodded and turned back to Garcia, all she did was wave and whisper, “I’ll text you.”

In the plane, you sat next to Spencer in the aisle seat, stomach feeling queasy and phone vibrating non-stop in your back pocket. You pinched the bone between your eyebrows and squinted at the case files that Hotch had quickly gone over. Morgan was spilling some theories, Prentiss backing him up, when Spencer lowered his head and whispered in your ear, “Are you okay? You seem tired.”

You put on a small smile and nodded, the fact that Spencer had noticed something wrong meant that the rest of the team would notice soon too. You raised yourself and squeezed Spencer’s hand that had been in your lap. You murmured a small excuse me to Hotch and excused yourself to the plane’s toilet.

Spencer began to get worried for your health. The past week and a half, you’d been eating less and then more, and then you’d say you felt sick, and then you were full of energy. You cancelled plans, you slept more, and you had started avoiding Spencer. You were getting sick, and distant, and he hated how you wouldn’t let him help you whenever he asked. He furrowed his eyebrows and shook his head slightly, attempting to focus on the profile.

Sat on the toilet, ready to double over into the bathroom sink, you pulled out your phone and scrolled through Garcias texts.

What about a baby onesie with Daddy’s favourite child on it?

What about a candle lit dinner?

What about donuts that spell out ‘I’m Pregnant!’

I’ve seen people purposefully burn bread and wait until their husbands understand, maybe that?

Maybe. But right now, that was not what you wanted to think about. On top of the case and the whole pregnancy situation, your symptoms were becoming harder to conceal.

A whole day of analysis, interrogating, leads and dead ends led you to a one story run down house with broken windows and an overgrown yard. You threw the FBI bullet vest over your shoulders as Spencer approached you with a tight smile. His hair was shorter these days, after he finally let you start cutting it, but nothing could change his attractiveness. His cologne wafted into your senses as he went behind you, tightening your vest and patting your back and waist down to make sure you were at optimal safety.

You could almost imagine he knew you were pregnant.

“Remember, if he’s in there, keep your distance. He’s a big guy but silent, and not all there.” He furrowed his eyebrows as he did a last check over of your vest, belt, and the position of your gun. You smiled and nodded,

“I know, Spence. I’ve been here too.”

He sighed and nodded, placing a small kiss on your cheek as a good luck.

You were married, but there was no guarantee you’d both make it out of any case. Every movement could be your last, and every interaction could be your last together.

Morgan slipped through the door after a man picked the front doors lock, Prentiss behind him and you behind her. After you, followed Hotch and Spencer.

“Clear!” Morgan called from the kitchen. You turned right down a hallway, Prentiss disappearing into a small room on the right and yelling,

“Clear!”

You entered the small bedroom, gun high and steps careful. It was an adults bedroom, maybe a teenager. There was posters of horror movies, a thin mattress on the floor and shelves of books and wooden cupboard holding what you believed to be clothes.

“Clea-“

The wind got knocked out of you, your shoulder colliding with the wall to your left and a sharp handle being jabbed into your side, as you plummeted against the floor and hearing a loud thump and shattering glass beside you. Miniscule, rainbow, dots clouded your vision, the adrenaline and the concussion you were sure you had numbing the pain coursing through your veins. You screamed in pain, Hotch entering almost immediately.

You lifted your right arm to point out the window, the glass shattered from where the unsub had escaped.

Spencer entered the room in a rush, eyes running over the fallen cupboard that would've been taller than the both of you, and then your small body in the corner. You held out your arm for him, and he placed his hands under your armpits, jolting back when you screeched in pain. "Y/n, your..." His eyes widened in shock and fear at the sight of your dislocated shoulder. Your right hand clutched to your left side - no doubt trying to comfort a massive bruise or worse.

He gulped, helping you up and throwing your good arm around his shoulders. The sudden movements blanked your vision for a few moments, a small lump forming on the front left side of your temple, and your legs trembled in the sudden need to hold yourself up. "Y/n, we just need to get you to the ambulance, alright?" Spencer told you reassuringly. He didn't know how much you could understand, your eyes were cloudy and your movements spaghetti-like, but he continued to reassure you anyways.

The paramedics set into action as soon as they saw your near limp body strung across Spencer's taller build. You were placed in the ambulance on a bed and before you knew it, there was a heavy clamp on your finger and two paramedics touching you and saying unexplainable things to each other. A short one with a beard came close to your vision, obvious aware it was still slightly blurred, "Agent Y/n. We need to take your shirt off in order to fix your shoulder okay? We need to pop it back in as quick as we can."

All you could do is nod, Spencer making most of the choices for you as your husband - he wouldn't put you through something he knew you would disagree with. They asked him questions, and while the voices came in and out of focus, the adrenaline was wearing off and suddenly your senses heightened. "Is she pregnant?"

The question rolled off the paramedics tongue like a rehearsed poem, and Spencer shook his head like there was no possible way you were. But as you saw needles being prepared, your heart started pounding so fast it got the attention of the professionals. "Y/n, are you still with us?"

To Spencer, you looked like you had just woken up to a bad dream, but there was something deeper - you were not unconcious, if anything you looked alert.

"I'm pregnant." The paramedics glanced at each other and Spencer's eyes widened. The one with the needle placed it down carefully on a table, and before you knew it, you were being pushed through hallways and into a awfully bright room.

You passed out, fear and exaustion catching up to you. But Spencer couldn't sleep. On top of the fact that his wife had just gotten her shoulder dislocated and then fixed, and a slight rib fracture, she was also pregnant.

Spencer doubted for the first half hour of waiting for you to wake up that you actually were. You were saying nonsense, you were injured and the adrenaline... usually causes people to tell the truth. He paced and went over everything that had been happening. The change in your behaviour, the tiredness, the sickness. It was all coming together like a puzzle, and he wondered why he didn't realise sooner.

"Spence?" A small voice called out, and he approached the hospital bed almost immediately.

"Y/n." Spencer smiled in relief, overjoyed that you were alright and breathing. He knew you'd be fine, but anything can be unpredictable. Anyone can be unpredictable. "I'm so glad you're okay."

"What happened?" You tried to sit up but Spencers soft hands encouraged you to stay laying down.

"The unsub pushed a cabinet at you. You collided with the wall and dislocated your shoulder." He explained softly, the doctors told him that the specific pain killers they gave you may cause some loopiness. "Oh." You whispered, eyes searching his face like you had never seen it before, and you smiled. You were here, and he was here, and you needed nothing more. Other than more pain killers.

Spencer bit his lip, and sighed, not sure if it was the right time to bring the blindside up at that moment.

"Y/n, darling, are you... pregnant?"

The small grin wiped off your face and you took some deep breaths, nodding and avoiding his gaze in fear of rejection. Spencer sighed, and pushed his hair away from his face, a smile rising onto his cheeks. Tears welled in his eyes from happiness. "This is great, this is... wow Y/n, I can't believe.." He gulped, "I can't believe you didn't tell me sooner."

Confusing his disbelief for anger, tears started dropping down your cheeks as you sat in silence. Spencer started to worry, "Do you... not want to have a baby with me? Or at all? Do you think I won't be a good father? I know that I've had my problems in the past but I promise I can be a good father-"

"Spencer." You called his name in shock, heart aching over his insecure questions. "I do want a baby, especially one with you. And I don't think you'll be a good father, I know you'll be a great one. I just," you wiped your cheeks and he sat down in a chair beside your bed, taking your hand in his. "I'm scared. I thought that you wouldn't want to have one right now because of our... plan. This is really early and we didn't get to save- and- I thought you'd be mad-" You had started blubbering now, the heart monitor becoming a ticking time bomb for a full on breakdown, before Spencer took your face in his hands and smashed your lips onto his.

He pulled back, smile wide, eyes full of adoration and sorrowfullness.

"Y/n, I don't care about that plan anymore. And I'm not mad." He searched your eyes with his, "I just wished you told me earlier. Maybe you wouldn't have been injured, because god knows I wouldn't have let you go out into the field."

"Spencer, I'm so sorry." You sniffled, placing your other hand on top of his.

"Oh, darling. You don't have to be sorry. I've made my injured and pregnant wife cry, I should be sorry."

You giggled, and leant forward to kiss him on the nose. "So it's really okay?"

"Of course. You just have to heal quickly, and I'll do all the rest."

taglist (open!!) - @jeffswh0re @reap3erslov3 @candyd1es @0108s22m

[teambyler]

How the Duffers likely will make the general audience AWARE of Byler and CHEER for Byler

First the TL;DR. They'll probably do it with:

Revealing the Painting Lie

Will comes out to Mike

Will gets bullied for being gay, and Mike must make a choice

Mike and Will face danger together, alone, for the 1st time

And I'll spell out exactly how and why!

We in the Byler fandom have our theories: Flickergate, Lettergate, Churchgate, etc. While totally fun and while it would be amazing if they became reality, they don't answer the question of how the Duffers would manage audience expectations to make them accept and cheer for Byler.

Because we all know the reality: on a surface level, season 4 ended with a grand "love confession" from Mike to El. It appeared to have culminated a four-year arc that started from show's beginning. For the vast majority of viewers, a Byler relationship will be a HUGE SURPRISE.

This isn't just heteronormativity; it's also the fact that in every slow-burn romantic relationship in fiction, the story needs to openly tease "Will they or won't they?" for a while first. The audience needs to start thinking that these 2 characters (1) MIGHT be together, and (2) eventually that they SHOULD be together and cheer for them!

For Jonathan and Nancy, there were a lot of moments suggesting they MIGHT be together in Season 1. Then in Season 2, we had THIS episode that made the audience think Nancy absolutely SHOULD be with Jonathan instead of Steve:

The show then dragged things out MORE before their first kiss.

Anti-Bylers raise a fair point that there "isn't enough time" to replace a relationship that seemed to have been "fulfilled" at the end of s4, with an entirely different one. Of course, the ground has been laid for four seasons, but HOW EXACTLY can the Duffers make the audience accept and cheer for Byler, after seeming to have "built up Mike and El for 4 seasons"?

Showing Byler is POSSIBLE:

First, the most obvious (and elegant) way for the Duffers to accomplish this is by revealing the Painting Lie.

The main things that make the General Audience/GA dismiss the idea that Mike likes Will back are that he (1) confessed "I love you" to El and (2) said things like "it's not my fault you don't like girls" and "we're FRIENDS" that suggest he can't be gay or bi.

The show has to address these two things, and there are ways that are pretty obvious.

The fact that El had no role in the painting COMPLETELY undercuts the "I love you" confession in the GA's mind. Milevens completely underestimate how this will affect Mike and El's relationship and how the audience will view it. El didn't commission the painting. When Will gave the painting, he wasn't describing El, but himself. Mike confessed his love to this false picture of El; one that was actually WILL.

When El finds out, she'll realize that Mike said he loved her based on a LIE. She'll realize that she accurately clocked Mike for not loving her when they argued in s4. It's likely that she'll take the initiative to break up or take a break in their relationship. (El deciding this will assuage concern that Will being with Mike would "betray" his own sister.) Mike might desperately try to repair things. Even if he does, this will show the GA that Mike's struggle for an entire season to say he loved El -- already very concerning for a romantic couple -- was a complete fiasco, and that Mike and El will PROBABLY NOT end up together.

Mike (and the GA) will be confronted with the fact that Mike felt romantic love for the first time because Will described HIMSELF. It will be apparent that Will would be a more suitable romantic interest... if he were a girl. =) It's just too bad that "Mike is probably straight"!

Now how to deal with that misconception?

We come to our OTHER Chekhov's gun that needs to fire: Will comes out to Mike. Will is still closeted at the end of s4, and his right to be out and find happiness is clearly central to his future arc. This HAS to be resolved. And he HAS to come out to his mom and his BEST FRIEND.

When he comes out to Mike, he of course won't spurn Will. Will probably explains he didn't come out earlier because he was afraid Mike would be homophobic because of what he'd said that summer, "It's not my fault you don't like girls":

If Will does, then Mike will have to explain why he said it. First, Mike probably apologizes and makes clear he accepts Will. The show (maybe Mike himself) might remind us that he defended Will from homophobia in s1. But this makes the GA wonder "Then why did he say it then?" And Mike might be exceedingly defensive when explaining himself. Will coming out to Mike is a golden opportunity to show the GA that NOT EVERYTHING IS AS IT SEEMS, and Mike might be dealing with internalized homophobia.

That's one way to signal that Mike might be gay or bi. And there's another!

We've been told that Season 5 returns to Season 1 themes. The Core Four are probably bullied for the Hellfire Club, and Will might be bullied for being gay. Ross Duffer says that s5 will center on Will's "emotional arc" and his "coming into his own as a young man," so his confronting homophobia in an 80s small town is quite likely. Since Mike and Will are joined at the hip in s5, the same accusation could easily extend to Mike. All this means that Mike will be confronted with the CHOICE of whether he'll stand up to anti-gay bullying. (Perhaps this is why there's a BTS pic of Mike with a bruise on his face?) It might be strongly implied to the GA that Mike is standing up, not only for Will, but for himself. Shrewd viewers would see the parallel to Mike defending Will from homophobia in s1, making them rethink that scene as well. (Defending Will would also clearly parallel Jonathan fighting Steve in s1, which showed Nancy that "only love makes you that crazy sweetheart, and that damn stupid.")

How Season 5 can make the GA CHEER for Byler:

Showing Byler is possible is the main obstacle; next is the much easier, and FUN (and agonizing) part!

First, the show has put Will through so much trauma and made clear how selfless he is, that the audience already wants him to have a happy ending. He almost certainly will suffer again in s5. We probably are reminded that as a gay person in the 80s he believes he's "not gonna fall in love." Meanwhile, the show has made clear that his love for Mike is PAINFULLY deep and won't simply go away.

Once the GA sees the POSSIBILITY of a Mike/Will romance as per above, their mental floodgates will open. As Jancy shows, It doesn't take much to get the audience to root for a relationship, after the seeds are planted. And Byler has FOUR SEASONS of seeds for the GA to look back on with fresh eyes!

How to recall those 4 seasons of material? We already know that Will is in danger and we'll see a return of "leader Mike" in s5. This likely will include callbacks (and even flashbacks) to Mike and Will's relationship in s1 and s2. There's the newly-filmed flashback from when they were young kids. This all will bring their long-time closeness to the fore in viewers' minds. But with the artifice of Mike's relationship with El knocked away, they will see it as potentially romantic and realize that this show seems to have secretly been building them up as a romantic couple all along.

Add to all that: we likely will have Will and Mike facing danger together, alone, for the first time:

It was Jonathan and Nancy facing danger together in s1 that made the vast majority of viewers ship Jancy. Mike and Will facing danger will put their LOVE (remember: the audience already accepts them as best friends who love each other!) and their willingness to RISK THEIR LIVES for each other to the fore. Callbacks, flashbacks, and dialogue will remind the GA of their sacrifices for each other: Mike putting Will before everything in s1 and s2, and Will sacrificing his feelings to help Mike be with El. They might hug each other after a near-death experience and have a mutual Gay Panic, which will be a callback (and contrast) to their non-hug at the airport. Millions will say "They should just kiss already."

There are SO MANY WAYS to get the audience cheering for Byler.

Will probably lives in Mike's house because the Byers don't have their own house in Hawkins anymore. Mike, if he doesn't know already at the season's start, will KNOW the painting came from Will and wonder if it was romantic. The tension between them in s5 will make s4 look like nothing in comparison.

When Will comes out to him, Mike might ask, "Is... there anyone you like?"

He'll ask NERVOUSLY, like he once did before:

Will probably won't answer honestly; he might make up another boy! ("I met him in California. We like a lot of the same things. He even likes D&D...") To which Mike says, "COOL." (BTW, this is one way the show could make viewers reassess and understand the awkward airport reunion!) This leads to a new cycle of these two boys thinking their love is unrequited LOL.

Only this time the General Audience will be fully aware of it. The miscommunication trope widely used in fictional TV romances will not only tell the GA that Byler should happen, but WILL happen. Will and Mike become THE "Will they or won't they?" couple that everyone is talking about. Mike's sexuality and his feelings for Will probably aren't officially revealed until mid or late season in order to let the excitement build. If Season 5 is released in more than one volume, there will be a flurry of videos and articles revisiting past seasons, finding evidence of Mike's feelings for Will that we Bylers have analyzed and curated for years. Except for a few vocal homophobes, the show will make the GA (even people who don't watch analysis videos online) fully onboard with a Byler conclusion before it happens; the SHOW ITSELF will set-up and tease it and make the GA desperately want these boys to "just kiss already."

Season 5 will be messy. And glorious. And the most Byler season of all.

-teambyler

[often-daydreaming]

A Quick Chat

'Absolutely not!'

'I'm just gonna talk with him!'

Following the quickly escalating shouts down to the Batcave Bruce found Dick and a heavily armed Tim at each other's throats while their siblings oh so helpfully egged them on.

They were arguing about Wally and their last universal saving mission for some reason and Tim had nearly every contingency he could think of to handle a speedster on him.

-nna talk, that's it!'

'Then you can leave the gear here!'

'What's going on?'

All of his children froze, finally realizing he was here before they started shouting over each other.

'You remem-'

'-ick's trying to-'

'Father Dr-'

'-ng crazy, just because the universe re-'

'Enough!'

'Now, can someone tell me what's going on or do I have to get Alfred?'

And Jason was happy enough to tell him. 'Replacement's pissed because we finally discovered a pretty big difference with the universe after the League hit the reset button.'

Multiple screens on the Batcomputer held information on new heroes, a Junior JLD and everything Tim could dig up on two individuals. The first one was Phantom, a new addition to the Titans and had a number of detailed conspiracy theories tracking his appearances through time while the other held the detailed background information of a recently graduated Daniel James Fenton. Tim had dug up everything from his kindergarten grades to... Oh... Oh no... That explains why they were arguing about Wally.

Most of Daniel's latest online post covered his move to Gotham, his new job offer working in their engineering department and his new boyfriend Bernard. Looking at it all made it painfully easy to piece together that... 'They stole my life!'

And Dick and Tim were arguing again but Bruce knew it wouldn't get too heated and focused his attention on the gathered information. It was easy to see that a number of encounters his kids (mainly his oldest three) should have had with the Titans were adjusted just enough to fit Phantom now and Tim's involvement with the Children of Dionysus had been shifted around to involve Daniel in this new universe.

'-e universe reset doesn't mean you can ruin their lives. Phantom seems like a good kid.'

'Dowd would have left you eventually.'

Dick had to hold Tim back from launching himself at Damien while Jason and Steph stood by egging the two of them on, but then Tim got that look in his eye when Duke brought up the idea of reintroducing himself and everyone noticed.

'No.'

'Come on. Tim, you don't need another restraining order.'

'But it didn't happen in this universe so it doesn't count.'

'It counts if we still remember it!'

But Tim wasn't listening, too busy changing out of all of his gear as a plan quickly started forming together in his mind.

Why waste time with Wally when he can just as easily win over the new couple while ignoring everything else he's learned from his friends.

He'd figure it out one mess at a time. After he won Bernard back he'd figure out the situation between Red Robin and Phantom.

-_- -_- -_-

Reading over the sticky note Danny couldn't help but wonder what Clockwork meant when he wrote 'Have Fun'.

Again, I blame my medication for this, but this came from a couple of different prompts about Tim, Bernard and Danny and I just sort of went with it. Basically the main roster of the League has to stop (Pick a threat) and end up resitting the universe again. The problem is they still remember the old universe so they spend a week or two looking up any big changes and a sleep deprived Tim starts believing he barely knows Bernard in this universe when he's actually dating him and Danny. He just hasn't dug deep enough to figure out his own connection.

[lu-is-not-ok]

two in one theory... i am listening very intently if you ever feel up to share it!!

Alright, so this is gonna be... as close to an Abridged explanation of the theory as I can make, because if I went off on everything about it I would end up writing a whole dissertation or five hour video essay script on this shit.

There are gonna be three main sections to this post - Hong Lu's Daiyuisms, Hong Lu's Themes of Identity and how that connects to the concept of Two in One, and the Daiyu-Baoyu theory itself.

Strap in folks.

Hong Lu's Daiyuisms

If you know anything about my theories in the earlier days of Limbus, you might know that I'm one of the very few people who was convinced Hong Lu is actually Daiyu, due to some evidence I found personally compelling. This has not changed, as we've only gotten just as much extra evidence to this as we have to him being Baoyu. So let me just speedrun through some of these points.

The Fucking Jade Eye

Ok hear me out. This is maybe the least important piece of evidence but I can never stop thinking about it. Hong Lu's jade eye? Not actually fully blue! If you look closely on most of his sprites, you can see that he actually has sectoral heterochromia, meaning his jade eye is both blue and black.

Daiyu's name, quite literally, translates to blue-black jade.

Now, you could claim that this is merely meant to be an easter egg reference to her, but... is that really Project Moon's style? After all, when people speculated on Don Quixote being Sancho or a Bloodfiend partially based on her appearance all the way back since near launch, they turned out to be right.

Hong Lu's Father

As of now, there is only one instance of Hong Lu referencing his Father in Limbus, and it's a voiceline from his Base Identity:

Now, if you know anything about DOTRC, this should already be raising some flags, because if Hong Lu was just Baoyu, he would not fucking talk like that about his Father.

In the book, Baoyu is consistently shown to be afraid of his Father, for a good reason mind you, as he's his main abuser. Baoyu would not be looking forward to introducing his friends to that man.

Even if Hong Lu was trying to downplay the abuse he's recieved, this would still not fit his pattern of behavior. When topics that genuinely bother Hong Lu come up, such as what could make him distort or how rich people would enjoy gifts made of humans, he immediately pivots and tries to avoid the topic at all cost. He would not bring up his main abuser in such a lighthearted manner, he would avoid bringing him up at all cost.

However, there is a character in DOTRC which does in fact have a more positive relationship to her Father, and would likely be the one with an opinion such as that - Daiyu. Daiyu loves her Father, and when he dies she completely disappears from the story for a bit to attend his funeral. If there was anyone who would be excited to introduce their friends to their Father, it'd be Daiyu.

Lasso Hong Lu's Corrosion

I made a whole seperate post about this, but I might as well mention it here as well for the sake of completion. The design choices made for Hong Lu which are missing for Faust are very, very Daiyu-coded.

For one, not only does Hong Lu completely turn into a flower, unlike Faust, his horse also gains a flower in its mouth. For those whose knowledge of DOTRC is zero to none, Daiyu is a reincarnation of a Flower given sentience due to being watered by the Jade. I don't think I have to be the one to connect the dots between those two pieces of info for you.

The second is how the halters become a noose for Hong Lu. This, too, is a very Daiyu thing - Rose Hunter as an Abnormality represents the inability to escape one's fate, and Daiyu's fate is to die - the Jia Family arranging a marriage between Baoyu and Baochai leads to Daiyu falling deathly ill, which in itself could be considered a part of her repaying her Debt of Tears - the debt she swore to repay to the Jade/Baoyu when she was still a Flower.

The hilarity of the fact that this E.G.O came out in the same update as Hong Lu being called Baoyu in-story is not lost on me.

Rose Sign Abnormality Log

The third Log for Rose Sign ends in a very peculiar way.

There's multiple ways one can tie Hong Lu's odd reluctance to talk about flowers and the petals. One is the obvious "he's being reminded of Daiyu because she was a Flower" connection, but there's another one.

One of the most commonly potrayed images of Daiyu relates to a scene in DOTRC where she buries fallen flower petals, weeping for and lamenting the mortality of the flowers and herself. Hong Lu's reaction here to his fellow Sinners being reduced to nothing but petals upon Rose Sign's death feels like a notable parallel to Daiyu's flower burial scene.

Like literally everything about Kurokumo Hong Lu

The title for this is a bit of an exaggeration, but at the same time. I'm serious. Kurokumo Hong Lu is perhaps the most Daiyu Identity out of all the Hong Lu Identities we have, and the way he is designed to stand out among them further makes me go insane.

Kurokumo Hong Lu's most defining trait is his attitude - he often complains about his position and how authority treats him, though he doesn't really act out against them in any major way outside of making snarky or sarcastic remarks.

This is, frankly, an extremely Daiyu thing to do. Daiyu is one of the few characters who audibly complains about her treatment in the household. For example she complains about not being given as many opportunities to show off her poetry skills as her male peers are, and she recognises how, when all the girls in the family are given flowers, she's the last one to recieve them and thus is stripped of the ability to pick, being only given the leftovers.

Then there's the whole. Everything about Kurokumo Hong Lu's visual design. Because once you realize just how Daiyu-like the Identity is, you realize just how weird he is compared to other Hong Lu Identities. I mean just look how he compares to his other Identities.

He's the only Hong Lu Identity with a blue tint to his hair in the combat sprite rather than the usual purple.

He's the only Hong Lu Identity whose hairtie is a ribbon rather than a jade ring (Liu Hong Lu technically has the ribbon in his post-uptie art, but he doesn't have it in his combat sprite so I'm not counting him).

He's the only Hong Lu Identity to not be smiling in his combat sprites.

And he's the only Hong Lu Identity (and one of only four Identities in the game) whose Idle sprite has its body facing away from the opponent rather than facing towards them.

All of those combine to make him stand out like a sore thumb in a Hong Lu Identity lineup in a way that makes it feel intentional, especially since he's also the only Hong Lu Identity with that kind of notable attitude towards authority. Other Hong Lu Identities are either obedient, don't express any opinion, or just straight up are the authority.

The Baoyu reveal is framed in a very weird way

This is, admittedly, less of a Daiyuism and more of a not-Baoyuism, but I thought it'd be important to mention nonetheless.

There are a lot of things about Canto 7's reveal of Hong Lu's name being Baoyu that are very strange, especially compared to how the Canto frames Don Quixote's own reveal of actually being Sancho.

For one, the timing itself - why is such an important piece of info being revealed so early? Again, compare to Donqui - she was revealed to be a Bloodfiend in the Intervallo right before Canto 7, and the Sancho reveal only came in the second half of the Canto.

For two, the framing - Donqui's reveals are treated as what they are, Major Reveals. The Baoyu reveal on the other hand happens in a single off-handed line, with nobody reacting to it in any way. Neither Hong Lu nor the other Sinners seem to hear it after all.

And mind you, it's not like Limbus is opposed to giving us important information in off-handed lines - far from it in fact. Project Moon loves shoving little bits of foreshadowing and reveals you don't realize are reveals until way later in these kinds of off-handed lines. But the way those lines are treated is still very different to how the Baoyu reveal is treated.

Usually, when there's foreshadowing in off-handed lines, it's usually either vague enough to be something a character could say regardless of context (see Yi Sang getting hung up on the Sedatives bit in Canto 2 or Ishmael's comment about Syndicates pretending to be Families foreshadowing her own history with the Middle via Queequeg) or something that is in the middle of a scene that distracts from what is actually being said (like Hong Lu's distortion foreshadowing being in the middle of an important infodump or most of everything in Canto 2 being surrounded by a comedic tone).

None of this is present for the Baoyu reveal. There's nothing to distract you from this information, as the scene is already focused on discussing Hong Lu, meaning you're already likely to be paying attention to what is being said about him. There's also no vagueness about it, there's no way you can brush it off since not only are Wei and Xichun newly introduced characters, but it's a whole ass clearcut namedrop.

The only way I can justify that reveal being there in the form it takes is that it in itself is the distraction. Think about it. Didn't I point it out earlier that this reveal came in the same update as the E.G.O with an extremely Daiyu-coded corrosion design? Wouldn't it make sense for that reveal to be there to lower your guard, make you think you resolved that mystery, only to later on reveal it wasn't the whole story after all?

Hong Lu's Themes of Identity

So this section is a bit more vague than the Daiyuism section, because Hong Lu is the type of guy to just Say Shit all the time. It's basically just. Anything that I find relevant to the idea of Hong Lu's Identity being more complex than him just being a random guy using a pseudonym, with some (but maybe not all) of them directly tying to the idea of Two in One.

"Which one is the real you?"

There are currently two seperate scenes where Hong Lu muses on the idea of someone's identity being in some way vague or obscured.

Is Dante the person or the clock? Is the dreamer the one in the dream or the one who wakes from it? Which you is the real you? Does it even matter if that you will flutter away in the end?

This idea of there being one true self. That even if there are two, there is only one of them that is actually you. Curious, right?

Face-changing dance

During the Canto 2 scene where everyone gives their reasons for whether or not they'd be a good pick for being the one to dance, Hong Lu says this.

Bian lian is a kind of dance literally translated as "face-changing". It involves rapid changes between various masks and make-up to represent different emotions or characters.

Now, it's no secret that Hong Lu is a great actor, as we see in Canto 4, and Canto 7 shows how the comparison to theatre and actors can be used to symbolize one's performance of identity, as it does for Sancho and her Don Quixote persona.

Mind you, this reveal comes in the same scene as Sinclair's dance invoking the image of a bonfire burning all through the night according to the Mariachis, a clear foreshadowing to Canto 3 and the Literal burning down of Sinclair's home.

Hong Lu knowing bian lian could be further foreshadowing to his own skills in deception, and how he too is a sort of actor, not unlike Don Quixote. On the other hand however, it could also be a more literal foreshadowing, that he (Baoyu) Quite Literally changed his face. We won't know until Canto 8, but it is an option you know.

The HamHamPangPang dish(es)

For those who don't know, here is a list of the Sinner-themed dishes that were available at HamHamPangPang.

Now, chances are, not all of them have deep meanings. I don't think there's much of a deep meaning to Heathcliff and Ishmael's dishes, I think PJM just legit don't know much about British/American cuisine so they just picked something recogniseable.

However, not all of them are meaningless picks either. Ryoshu, likely a mother, has a meal literally called "parent-and-child donburi". Don Quixote, a Bloodfiend, has a garlic-based dish. These were clearly done on purpose.

So, what does it say that Hong Lu's dish is actually two different dishes? That he's the only one whose dish is two different dishes? And it's not like the two are in some way inherently connected, since they're of completely different cuisines. Japchae is a Korean dish, not Chinese like the Mandarin rolls.

And just in case you weren't convinced that Hong Lu's choice of dishes is purposeful - another name for Mandarin rolls is flower buns, and one of the special occasions japchae is commonly served for is weddings. If you had read through the Daiyuisms section and somehow have no idea what the significance of that is, I don't know what to tell you.

The Daiyu-Baoyu Theory (finally)

So. I gave some evidence for why I think Hong Lu could still be Daiyu despite being revealed as Baoyu. I gave some evidence for why I think Hong Lu could be a Two in One deal, or that at the very least there's something more complex going on with his identity. But let's discuss the theory itself, how it would recontextualize certain things, and why I think it's an extremely fitting an thematically resonant direction for Hong Lu's Canto to go in.

The Theory

Here's what I speculate is going on.

Daiyu, just like in DOTRC, is someone who was taken in into the Jia Household rather than born in it, and who strongly connected with Baoyu upon meeting him. The two would end up forming a bond strong enough that they would be willing to die for one another (or, if they're in particularly argumentative moods, to kill themselves just to force the other to have to live a long life grieving over them - this is an actual argument they have in DOTRC and I pray to god this is adapted into Limbus because it's too fucking funny).

At some point, Baoyu either dies or is brought to near death, likely through the same circumstances as in DOTRC - being beaten by his Father. To save him, his memories and consciousness would be transferred to his eye, a process not dissimilar to the one Xichun brings up in Canto 7, and implanted into Daiyu's body, causing them to become a vessel for Baoyu. This would be how Hong Lu as he is now is created.

All of the above is the main basis for this theory. Everything else that I might speculate about, such as the exact nature of the two's relationship, Daiyu's more exact background and personality, how their pre-reincarnation lives could be adapted - all of those are things that are purely speculative and ones that I don't really expect to be actually fulfilled. The only bits that I am sure are likely to be true is what I laid out above.

So... what does it all mean for the future? I'm glad you asked!

The Recontextualization

Here's a collection of just a couple of things that Hong Lu has said or is depicted as that would be heavily recontextualized if this theory ends up being true.

Hong Lu surviving despite claiming he didn't fight back when his siblings first tried to kill him: With the context that he used to be two seperate people, the answer to how he survived is made very simple. Baoyu is the one who wasn't fighting back. Daiyu, however, could have still protected him in turn.

The red ribbon on Hong Lu's weapon: There is only one other Sinner who has a similar decoration on their weapon - Ryoshu, who also has a red ribbon on her sword, which could be easily connected to Yuzuki and her death. With the context of Hong Lu being Baoyu occupying Daiyu's body and thus effectively rendering their self non-existent, the red ribbon could be a parallel symbol - a symbol of Daiyu and their 'death'.

How Hong Lu treats his weapon in his base E.G.O: The way Hong Lu holds his weapon in the illustration is more like he's cradling another person. This could be a representation of how he feels about Daiyu's situation. Likewise, in the attack animation, he's not really attacking with the weapon itself, is he? He's simply using it to direct a ribbon (which in itself is missing in the illustration), the part that is actually the attack. If the weapon in the base E.G.O represents Daiyu, this could be a parallel to how Baoyu feels like he's merely directing Daiyu's body to attack, rather than being the one actually attacking.

The duality of Hong Lu IDs: There is a notable pattern among Hong Lu IDs, and that is the focus on his attitude to violence. When he's in a situation where he's obedient towards his Family, he's either uninterested in violence, bored of it, or otherwise given no other choice but to use it as a reprieve from boredom. However, when he's in a situation where he's disconnected from his Family or otherwise questioning the status quo, he's shown to not only be much more aggressive and violent, but to outright enjoy it. With the context of Hong Lu being composed of two people, this duality could represent each of his components - the obedient and violence-averse being more Baoyu-like, while the questioning and violence-favoring being more Daiyu-like.

So, there's a bunch of stuff that would be given new meaning under the premise of this theory being true. But now, what about the future? What would this theory mean for the themes and ending of Canto 8?

The Resolution

I believe this is how the Daiyu-Baoyu theory will affect Canto 8.

At some point, whether before or during the Canto, it will be revealed that Hong Lu is both Daiyu and Baoyu. There will be an attempt to seperate the two, perhaps to implant Baoyu into a more fitting, more Jia Family-approved Vessel. Perhaps because the 'arranged marriage' from DOTRC could be adapted into something more... let's say Fear and Hunger kind of marriage rather than traditional marriage.

This will leave Hong Lu to be returned to their state as Daiyu, who will be revealed to be a very different person to what the Sinners knew Hong Lu as. There is a non-zero chance that Daiyu will be unable to hear Dante or be revived by them due to the one who signed the contract being Baoyu, and so they could end up acting as an uncontrollable ally unit not unlike Xichun in Canto 7.

The climax would then be Daiyu and Baoyu reuniting and being unwilling to part with each other again, even for the sake of returning to being the fake persona that is Hong Lu, leading to a potential duo boss fight/distortion boss fight/duo distortion boss fight.

The ending would be the two of them deciding to embrace their new identity as Hong Lu and truly becoming one, discarding their pasts and the selves that had been forced on them by the Jia Family. This ending would have a twofold meaning regarding how it connects to the DOTRC adaptation.

One - it would be a direct parallel to the ending of DOTRC where Baoyu leaves to become a monk. By becoming Hong Lu and discaring his previous identities, he'd be leaving behind the earthly attachments inherent to being Baoyu and Daiyu and become spiritually whole.

Two - it would be a reflection of the major theme of DOTRC, that being "Truth becomes fiction when the fiction's true. Real becomes not-real when the unreal's real." Hong Lu, as a person, is a 'fake' persona used by the 'real' Baoyu and Daiyu. However, by discarding those two identities and deciding to just be Hong Lu, the fiction of his existence becomes the truth, while his former real selves become not real.

Conclusion?

I could honestly just keep going with this post, but I think I'm going to stop myself here before I'm forced to find out what tumblr's character limit on posts is. Believe me, I was trying to be brief, and still this post is. This fucking long.

I hope this explains why this theory has been the subject of my brainrot for the past however long, and why I feel like it's surprisingly plausible despite being as deranged as it is.

Godspeed and godbless, I have classes tomorrow and I'm spending my time on this.

[notjustjavierpena]

Inés just broke something in the house, what does hubby and wife say????

Mess (Drabble)

Series Masterpost | Main Masterpost | Support a disabled creator

A/N: Such a fun writing project, tysm. I missed them terribly! 

Summary: Inés breaks a lamp. Javier has the scare of his life.

Pairing: Javier Peña x f!reader/you (no y/n)

Tags: Family dynamics, Javier POV, fluff, hurt/comfort, i write to fix my own trauma 

Word count: 1.8k

Link to this work on AO3: https://archiveofourown.org/works/52937182/chapters/137384134

Mess

The stack of folded clothes is growing taller whilst the laundry basket on the double bed is emptying out. Javier is enjoying a weekend with time to get housework done before midterms begin at the local college. He is nervous about guiding his students through the exams for the first time since starting his job as a teacher, feeling like he has only just begun his life as an educator and the responsibilities are overwhelming. You’ve sweetly encouraged him each time he’s voiced his concerns to you, told him that his class is lucky to have him whenever he has mumbled about nerves over dishes or during goodnight kisses. 

With your support, he has found that prepping for the exams is best done accompanied by mindless work and he has gone through several tasks on the list saved in his head; groceries have been bought, gutters have been cleaned, and two full baskets of children’s clothes have been washed and dried. He doesn’t want to admit to you that he thinks about the theories behind criminal behavior while folding Sebastian’s tiny socks. 

You are outside with the boys, enjoying the last months of your pregnancy with a book in your lap, laying in the hammock under the large trees. He checks on the three of you often, spotting that you have put down the book as you sway gently to substitute it with watching your children with a hand on your rounded belly. Lucas smiles brightly as he has Sebastian waddling hurriedly after him on the newly mowed grass. The soles of their feet will be green when they come inside later, marking the floorboards that he has just vacuumed but he doesn’t mind. It is evidence of fun, of love and joy. Messes equals life.

Inés is the only one who refuses to go outside. Her giggles and chatter floated up the stairs not too long again, blending with her little feet making the floorboards creak as she paced around with her hobby horse. It offers a rare kind of comfort to be able to hear her having fun while he packs clothes away into dressers and drawers. 

Until he doesn’t hear it anymore. Instead, it is a sudden crash that comes from downstairs and makes Javier tense up. He freezes to listen for her voice calling for him but only silence follows the loud noise. 

“Inés?” He calls. No answer. The t-shirt that he is in the middle of folding falls to the bed and his heartbeat quickens. 

He walks to the open door of the bedroom, grabs the doorframe, and leans out of it to listen again. He calls her name a second time, this time a little louder and more insistently, but there’s still no response. 

In his chest, his heart has started to pound enough for him to be able to hear it in his ears. Many thoughts go through his head at the sound of silence from the living room, firstly images of broken furniture but then finally the picture of his daughter who has fallen and hit her head. Why hadn’t he paid closer attention to her? Why hadn’t he checked on her sooner? 

He is out the door before he even realizes that he is moving, barrelling down the stairs and taking it two steps at a time. Fuck, maybe he could have prevented disaster if he had gone downstairs the second she had gone quiet. He raises his voice without thinking, knuckles whitening as he grips the banister, “Inés? Answer me now!”

When he stumbles into the living room, he first notices the broken lamp, a shattered bulb lying beside the ceramic base on the wooden floor but with no blood on the shards. Next to it, Inés’ hobby horse lies discarded like it has been thrown in a panicked hurry. He furrows his brow, scanning the room to find her. 

When he spots her through the doorway to the dining room, crouched down under the table, relief floods him. She isn’t hurt, no sign of even a scratch on her, but then he sees the way she has her knees pulled up to her chest and her eyes are fixated on the broken lamp. 

She’s scared not of the crash, he realizes, but of him; his shouting, his loud footsteps, the way he had said her name. She looks like she is bracing herself for trouble - more specifically the anger and disappointment in his voice - and she’s covering her ears with little, trembling hands in a way that is unsuccessful in keeping out noise. The sight of her terrified face makes Javier remember the feeling of being unfairly scolded for accidents horribly well, and his heart sinks.

He walks calmly into the dining room, not even thinking about the broken lamp anymore, and kneels on the floor. With his hands on his thighs, he takes a deep breath to steady himself, “Inés, I’m not mad at you. I just want to know if you’re okay, baby.”

His daughter lifts her gaze to meet his eyes. His chest constricts at the sight of the tears in Inés’ wide eyes, threatening to fall down her cheeks. She looks like a deer caught in the headlights of a car, still immovable. 

“Are you hurt?” He asks softly. 

“I didn’t mean to break it,” she answer in a whisper and shakes her head. She’s always so bold, hilarious, and mischievous but she’s so clearly hiding from him, trying to decide if it’s safe to come out or not. 

“I know you didn’t, mija (my daughter),” he reassures and moves slowly until he holds both hands out to her, palms open towards the ceiling, “It’s just a lamp, okay? Come here, I’m not mad. Just let me take a look at you.”

Javier can only imagine how fast her heart is beating in her chest right now, knowing that he hurried down here with his own racing heartbeat. She must be dizzy from the anxiety just as he is disoriented by his adrenaline. He gestures gently at her, beckoning her to him. 

“I didn’t mean to,” she repeats quietly.

“Lo sé (I know),” he offers her a little reassuring smile, shifting to sit cross-legged on the floor instead, “Can you come out, please?”

With hesitant steps, she moves from under the table and walks straight to him. He expects that he has to ask for a hug but just as she comes to a halt in front of him, she collapses into his arms like they are a harbor in a storm. He squeezes her tightly. 

“I thought you were mad at me, Papá,” she hiccups as her tears wet his shirt. He rests his chin on top of her head, his broad palm stroking her small back. 

“Not at all, baby. You just scared me is all. You didn’t answer and I thought you were hurt,” he explains while pressing gentle kisses to her hair. He inhales slightly, sighing at the way his baby girl smells of love to him. 

“I’m sorry,” she says and practically crawls into his lap. 

“It’s okay,” he replies, cradling her in the same manner as he has done since the day she was placed in his arms for the first time, “It’s just a lamp. Mamá and I can just get a new one but we can’t get a new you.”

“Will you tell her?” She pulls back to look up at him with huge, wet eyes. 

He nods, using his thumb to swipe at the tears on her face, “Yes, I will have to tell her but Mommy doesn’t care about the lamp either. I promise. We care about you. I’ll also tell her that you gave Daddy the scare of his life and made him run down the stairs like a crazy person.”

A tiny, hesitant giggle escapes her and he feels another wave of relief wash over him. She finally smiles and her voice is more steady now, “Silly.”

“Very silly,” he agrees with a smile and runs a palm over her head, threading his fingers through her hair, “But you know what’s not silly though?”

“What?”

“If anything like this ever happens again - if you break something or you get scared - I want you to call for me instead of hiding underneath the furniture. Just say ‘Papá, I need you’ and I’ll be there, okay?” 

She only hesitates for a moment but then nods thoughtfully, “Okay.”

“And hey, te quiero tanto (I love you so much).”

“I love you too, Daddy,” she says, no hesitation this time. 

The two of them stand up from the floor to look at the broken lamp on the floor. Inés makes an uncomfortable face, reaching for Javier’s hand. He holds her hand in his palm, “How about we tell Mom together?” 

“Now?” She widens her eyes but she isn’t crying anymore. 

“Yes now. Watch your feet, alright?” He waits for her to initiate the first step towards the door to the garden. Her eyes are firmly on the floor as they pass the broken ceramic shards. 

Outside, Javier's face is warm in the afternoon sun. There’s a buzz in the air from the cicadas’ singing and the laughter from his two sons. He and Inés find you in the hammock, the book still discarded as you watch your children with fondness but this time, you’ve switched to sitting. 

However, as they approach, your eyebrows knit together when you spot Inés' apprehensive look. You carefully plant your feet on the ground, asking, “Is everything okay?”

Javier glances at his daughter, “Inés has something she wants to tell you.”

She fidgets for a few seconds, looking down at her feet, but when she feels Javier’s hand on her shoulder, she looks up with determination. She confesses quietly but her voice doesn’t waver, “I broke the lamp. I didn’t mean to. I’m sorry.”

“Oh, Inés, baby,” your expression softens instantly. With a gentle touch, you brush a strand of hair out of your daughter’s face, “Are you okay? You’re not hurt?”

She shakes her head, “I’m okay. Daddy said you wouldn’t get mad but it is messy all over the floor.” 

“You’re okay and that’s all that matters,” your gaze flickers to Javier, a look warmer than the sun in your eyes. He feels his heart nearly leap out of his chest but he catches himself in interrupting the moment between you. You continue, “Daddy and I don’t mind messes, do we? As long as everyone is okay.”

“Yes,” Inés nods in grateful understanding. 

“How about you sit here with Mommy while I clean the floor?” Javier finally suggests, “Then the living room will be as good as new and you can play in there again?”

“Yes, please,” she says politely, “Okay.”

“Okay,” he repeats. 

“Okay,” you chime in and kiss him softly on the mouth before he heads into the house once more. 

Yes, messes mean life, and Javier is lucky enough to live in a world where life also means love.

.

.

If you would like to follow my writing then go follow @notjustjavierpena-fics and turn on notifications 💖❤️

[raayllum]

Sometimes it hits just how tonally different The Dragon Prince is from virtually every other kids show on TV and I lose my mind. I'd argue something like Infinity Train gets closest with its emphasis on psychological horror and morality, or even Transformers: Prime (if you know, you know) with its severe focus on war (aka one of the more lowkey episodes is a main character having a suicide bomb forcibly strapped to their chest). Steven Universe Future and Jurassic World: Camp Cretaeceous/Chaos Theory are also probably honourable mentions.

All of these shows have mature content in them, which isn't different from more popular shows like Owl House, She-Ra, or even ATLA, but often times in aforementioned three that content is presented in lighter ways and/or interrupted by bathos (this is true for She-Ra in particular). Most of TOH's heaviness is reserved for S2 Hunter or S3 Luz; ATLA has some episodes that particularly emotionally heavy (The Southern Raiders, Zuko Alone, the Southern Air Temple) or are quite hitting in exploring themes of colonization (Imprisoned, City of Walls and Secrets, Northern Air Temple), but a good deal, I'd say even the majority, are also pretty fun shenanigans, too. To be clear as well, a lighter tone is not a Problem never mind a negative (ATLA has a very strong thematic point to its own about the sanctity of children and childhood amid the horrors of how imperialism strips it away), but it is a tonal difference.

And it's not as though TDP doesn't have episodes where there are fun shenanigans (Callum and Rayla's initial exploration of Xadia in 3x02 is nothing but fluff, Soren and Corvus are a more gay comedic duo in 6x02) but the series more or less operates like "What if every episode was The Southern Raiders?" due to its consistent emphasis on grief and morality. They use words like kill and death and murder all the time.

From the pilot / opening episodes

and to when characters are having breakdowns because they murdered someone (and we're still supposed to like them) or have done horrible things, with the show's heaviness ramping up particularly from S4 onwards.

When loved ones die (and the show has a body count of 20+ named characters who have died, six seasons in, some even being children) the show depicts mourning in all its stages and ugly glory. The sadness, the anger, the revenge, the desperation, shifting blame and cognitive dissonances, thinking you had moved on only for that wound (which never fully healed) to be ripped wide open again.

Characters get tortured by being electrocuted or having their blood frozen in their veins or beaten up (5x08). There are successful assassination attempts (1x03, 3x02). People, even children younger than the main cast of characters, are put on trial with the death penalty (4x06, 6x09). Within the first three episodes, a character is running down stairs and tripping over dead bodies.

Sometimes three different characters in one episode will be having a breakdown or dealing with something absolutely devastating to their emotional state (2x08, 3x07, 6x01, 6x09, 7x01). The magic system is a trolley problem on steroids. Do you kill a monster to feed starving kingdoms, or to save yourself, or to save someone you love? What makes it a monster? What if the monster isn't a monster? What if you have to kill a child? What if it means killing your child? What if it means killing yourself?

There are two characters who canonically have cannibalized other people, one being a blood-drinker / vampire variant.

This doesn't mean the show isn't fun or funny. One character consistently thinks bathroom humour is funny (while being one of the most tragic characters in the entire show). The characters cheer each other up, take care of each other, are goofy, etc. The show is ultimately hopeful.

But the emotional weight afforded to the choices the characters are making, even good-intentioned ones with unforeseen disastrous consequences, the way show focuses on their emotional processing (or lack of) is very unique in the landscape of western animation, especially to this degree, I think. Never mind the increasing amounts of blood. Nor does this make the show inappropriate for children! Tiny me was morbid as fuck at 7 years old, I would've loved it, and I know many kids from ages 7-12 who do in my work as a tutor. But when people say "TDP isn't like most kids shows," I think what that means is sometimes lost in translation in conflating it with what people usually say aren't 'just kids shows,' when TDP... really, really isn't.

The show begins with assassins sent by a grieving mother to execute a father and his child in revenge for the father killing her partner and child, and it never lets you forget it.

[ginnsbaker]

All Of Your Pieces (3 - The Neighbor)

Chapter Summary: Agnes sees the perfect opportunity to stir up some trouble while Wanda deals with her jealousy toward your work assistant, Geraldine. Pairing: Wanda Maximoff x Female Reader Chapter word count: 2.8k+ | Chapter Tags/Warnings: None

A/N: I really have nothing to say except that I enjoyed writing Agatha in this chapter // More author's notes here.

Series Masterlist | Main Masterlist

The team has been at a standstill, figuring out who’s behind this, or how to communicate with anyone trapped inside the town. Every drone they've sent in morphs into something entirely different, thwarting their efforts to gather any useful intel. The people sent underground to scout a safe route through have gone dark, their communication cut off. No one else volunteered to attempt approaching the perimeter after that.

The broadcasts they've been tracking are erratic, cutting out for hours with no warning, making it hard to keep a consistent eye on the town's odd behaviors. But it's during one of these quiet periods when something clicks in Darcy's mind.

“I think I have something,” Darcy blurts out to Jimmy. They’ve been scraping the bottom of the barrel, running out of faces to identify from the snippets of life in Westview they caught on screen. 

“Yeah?” Jimmy gives her a tired look, only half-listening. He can't remember the last time he managed more than an hour of uninterrupted sleep. Even if he could find the time to rest, the bizarre situation they're in won't let his mind relax. 

Darcy sighs and leads him outside the tent.

“So, you’ve seen that radio on Wanda’s kitchen counter, right?”

Jimmy only nods.

Darcy continues, “The next time she’s washing dishes, or whatever—which by my count—happens about once an episode, barf, we’ll shoot a signal to that little guy.” She leads him to a set of computers set up behind a pickup truck. Jimmy doesn’t understand what’s going on with these systems, but he’s hoping Darcy really is onto something.

“This transmitter will mimic the frequency of the broadcast,” she pauses to catch her breath in the cold and to give him time to catch up with her science. “And if my theory is right, it will allow us to speak to her.”

She cuts off any chance for Jimmy to comment and assures him, “This is definitely going to work.”

–

The annual Westview Harvest Festival is in full swing. The town square is packed with booths overflowing with baked goods and fresh fall produce. A small stage is set up for the local band playing tunes from the 70s, while kids dart around in all directions, their faces painted with fanciful designs. Billy and Tommy are with their preschool teachers, who are keeping them and other children their age occupied with arts and crafts that involve tumbleweeds—a material no one seems to think is entirely safe for five-year-olds to play with.

In hindsight, it’s the ideal setting for introductions and mingling. However, everyone here already knows each other—everyone, that is, except for Wanda. She makes an effort to blend in, but apart from a few interactions with the planning committee, which weren’t particularly fruitful, she often remains secluded at home. This makes you, the only one in the household who heads out daily for work, the more socially connected of the two. It’s both amusing and slightly anxiety-inducing to watch you interact with the townsfolk who are essentially strangers to you and to Wanda, if only you knew. You and Wanda never had the opportunity to live a normal life, to settle in a typical city, surrounded by neighbors who could have become integral to the life you might have built together. 

Seeing you interact with these people, she’s realizing it’s harder than she thought to share you with others. Or maybe she’s just as selfish as she’s always been, never really outgrowing it. When you were both part of the Avengers, it was like living in a bubble, surrounded by only a few familiar faces every day. Now, outside that controlled environment, it’s challenging her expectations and stirring up feelings she thought she had under control.

It becomes particularly tough when she sees Geraldine heading towards you, sporting that perpetual, dazzling smile full of perfect white teeth. Wanda's fingers curl into a fist, tiny wisps of red energy leaking from them. You quickly cover her hand with yours, and the effect is immediate—she relaxes slightly, letting you intertwine your fingers with hers, anchoring herself by your side where she feels secure.

“It's so nice to see you outside of the office, just being one of us for a change,” Geraldine says, though she seems to be wearing the same uniform as at work. Not that you're judging, but it does make you wonder why she hasn't changed.

“Definitely beats being stuck behind a desk,” you reply, your attention briefly wandering. Only then do you notice that Wanda has subtly withdrawn her hand from yours, now exploring a booth with homemade apple cider. You hadn't even noticed the exact moment she let go.

“Hello, Wanda!” Geraldine greets her warmly. 

Wanda musters a tight-lipped smile that’s convincing enough, as Geraldine appears quite taken with it. Just then, Geraldine spots Agnes standing a little away from the crowd, lingering behind Wanda with a look that borders on suspicion or disdain. 

Geraldine steps up to her while Wanda continues to busy herself with whatever else is being showcased in the booth. “Hi, I'm Geraldine. Isn’t this a wonderful evening?” She extends her hand to Agnes.

Agnes eyes the offered hand but doesn’t accept it. Instead, she sizes up Geraldine with a quick once-over and nods, foregoing any introductions. Geraldine's smile falters briefly, but she quickly shakes off the slight, tossing a brisk, “See you around, Y/N!” over her shoulder as she heads back to her table.

You wave back and let out a sigh, relieved that you’ve just sidestepped what could have been the most awkward moment of your life. Wanda’s jealousy towards Geraldine seems more serious than you’d realized. You know Wanda can be possessive; it's just been a long time since it's manifested this way. But then, it's also been a while since you've both been in a crowd of strangers like this. Since…

Since when, exactly?

“Y/N, honey?” Wanda’s voice snaps you out of your fog.

You blink. “Hm?”

“I’m thirsty.”

Just like that, you’ve forgotten about your lapse of memory, replaced by a desire to tend to your wife's needs.

“I’ll get us some refreshments. What would you like?” you ask.

“Just some water, please.”

“Water here, too,” Agnes calls out, unsolicited. 

You suppress the urge to roll your eyes. It's great that Wanda's making friends in the neighborhood, but did it really have to be Agnes O’Connor? Ever since you and Wanda moved into this quiet suburb, Agnes has made it her personal mission to be involved in every aspect of your lives. You can’t shake the feeling that there’s more to it than the apparent nosiness of your neighbor.

As you head over to get the drinks, Agnes sidles up to Wanda, her eyes gleaming with an opportunity to stir some pot. 

“Geraldine seems quite taken with your wife.”

It’s not like Wanda doesn’t know what Agnes’s doing, but she finds herself nodding in agreement anyway. Your new assistant does appear smitten with you, and while Wanda gets the appeal—you are, undeniably, crush-worthy—she can't say she's thrilled about it.

“Y/N is her boss,” Wanda murmurs, more to herself than to Agnes.

“Oh, honey,” Agnes laughs condescendingly. “Do you even go to the movies? That's how the steamiest affairs start, you know.”

Wanda bristles at the sound of that endearment from someone other than you. But she keeps herself together—barely. 

“I trust her,” Wanda forces out.

As you're getting drinks, Geraldine joins you, picking up a soda herself. She lets out a light laugh at a joke from the bartender, and you find yourself chuckling too, oblivious to the piercing look your wife is drilling into your back.

Meanwhile, Agnes sees her opening and swoops in, linking her arm through Wanda's with a bit more force than necessary. 

“Of course, you trust her, dear,” she murmurs right by Wanda's ear. “But do you trust her?” She points subtly with her chin towards Geraldine, her lips pursed. “You know what they say, keep your friends close, and your enemies closer…”

Wanda's shoulders tense, her entire frame stiffening. As you return with the drinks, Agnes steps away, leaving Wanda visibly shaken, like she’s teetering on the edge of a panic attack.

“Everything okay?” you ask, handing her a drink. You've noticed before how Wanda's demeanor changes around Agnes; she’s clearly a source of stress for her. It’s going to be a difficult conversation, but it might be time to tell Wanda what you really think about the neighbor.

Wanda takes the water you offer, her fingers trembling slightly as she does. For a moment, she appears distant, disengaged, as if her mind is elsewhere. Then, with a sudden shift, she flashes you one of those smiles that sends a shiver down your spine.

“I'm fine,” she declares, a little too brightly. Then, seemingly out of the blue, she asks, “Is Geraldine here with someone?”

You stop short, realizing you really don't know much about Geraldine beyond work. “I didn’t see her with anyone,” you say.

Wanda nods thoughtfully. Her next suggestion catches you by surprise. 

“Maybe you should invite her over to our table.”

Did you hear that correctly? Had Wanda just done a complete 180 regarding your assistant and was now interested in getting to know her? You shoot a suspicious glance at Agnes. Had she said something to Wanda to change her mind?

“Are you sure?” you ask, puzzled by her abrupt change of heart.

“I am,” Wanda affirms. “It might be nice to make a new friend.”

–

Back at the response camp, Darcy and Jimmy are huddled around the small, grainy television, waiting for the moment Wanda’s in her kitchen so they can send a message through her radio device. However, the usual domestic scenes are conspicuously absent, replaced by static and sporadic cuts to the ongoing Harvest Festival.

“Come on, come on,” Darcy mutters under her breath, shoving her glasses back up her nose. They've been slipping a lot lately, probably because she's been hunching over her work more than usual these past few days.

“It's this festival,” Jimmy says, squinting at the screen. “I think the whole town's out there tonight. I don’t think we’re going to get the chance.”

Their attempts to contact anyone inside the Hex are dwindling, and Hayward's interest leans more towards studying the energy barrier encasing the town rather than resolving the anomaly itself. His latest directive to launch another drone into the barrier feels like a brute force attempt to crack the problem. Jimmy thinks it’s a waste of time—and resources.

“Yeah, and you know what’s worse?” Darcy grumbles. “I have a bad feeling about Agnes. Every time she's around, things just seem to... escalate.”

As they watch, the screen cuts to a shot of Agnes at the festival, linking arms with Wanda, whispering something that makes Wanda’s expression tighten. “See, what did I tell you?” Darcy exclaims, pointing at the screen. “Who’s this Agnes again in real life?” she asks.

Jimmy swivels in his chair, his gaze sweeping across the expansive pinboard filled with photos of Westview residents. Agnes’s face is not among them. 

“No idea,” he says flatly. He had already run a search in the database, but it came back empty.

“So, we've identified Y/N, Monica, and Agnes as outsiders in Westview,” Darcy explains, tallying them off on her fingers. 

“That’s correct,” Jimmy confirms.

“And then there’s Wanda’s sons. But again… we haven’t seen any other children in the show besides the twins.”

Jimmy thinks about it for a while. It had never really occurred to him before. “Maybe they’re bound to show up at some point?”

“Smells fishy to me,” Darcy huffs. Her thoughts circle back to Agnes. “How do you think Agnes ended up here?” she asks, their list of unanswered questions growing daily.

Jimmy shrugs. “She could’ve just been visiting.”

Darcy considers it. It's a possibility, but somehow, it doesn't feel quite right—too simple, too convenient for someone as vibrant and prickly as the character Agnes portrays.

–

It's as if Wanda's animosity toward Geraldine just magically went away. 

They’ve been chatting for almost an hour. Initially, Wanda made sure to include you in the conversation, but as time passed, she and Geraldine started connecting over topics that didn’t involve you as much. Feeling somewhat left out but also at ease that the problem between your wife and your secretary has apparently resolved itself, you decide to check out the festival booths.

This is where Agnes finds the perfect opportunity to get you alone. She starts her approach—to your surprise and discomfort—by acknowledging the elephant in the room.

“I know you don’t like me very much,” she says with a knowing smile. “Maybe we can change that tonight?”

You eye her with suspicion, easily seeing through her blatant attempts to flirt her way into your good graces.

“How exactly are we going to do that?” you ask, crossing your arms in front of you.

Agnes simply laughs off the cool reception you’ve given her. If anything, she revels in it. 

“By getting to know each other, obviously,” she says.

“Right.”

She takes your elbow, and you swear she can feel you recoil at her closeness, yet she doesn’t seem to care. She urges you forward, dictating the pace. Her grip is unexpectedly firm, as if to say you have no choice but to listen—like leaving isn't an option.

With you literally in her grasp, Agnes sets her plans into motion. “So, how did you and Wanda meet?” she asks.

You deliver the narrative precisely as it plays out in your memory, exactly as Wanda implanted it in your mind. “We grew up next to each other. Best friends since we were kids.” 

“How cute,” she says, in that smooth, supercilious tone that usually makes your skin crawl. But this time, with the memories of Wanda filling your head, you hardly notice.

“Yeah, I remember when I first saw her,” you continue, gazing into the distance as if the scene you speak of is right there before your eyes. “It was almost Halloween, and my mom had baked a pumpkin pie to welcome them to the neighborhood. She sent me to deliver it. Wanda answered the door.”

“Love at first sight?”

“More like the opposite,” you say, throwing Agnes a good-natured smile, something you’ve never done before. “She couldn’t stand me, and I felt the same way.”

“Sounds familiar, doesn’t it?” Agnes drawls before accompanying it with a short chuckle. “Who knows? Maybe there’s hope for us yet. You might end up not hating me so much after all.”

“Maybe…” you say, the smile reaching your eyes this time.

“Good, good,” Agnes says. “I can’t think of anything more romantic than growing up with the person you’ll be with for the rest of your life. Almost like it’s… sketched out, no?”

You nod at her, not sure where she’s going with this, but you appreciate the sentiment. You consider yourself lucky to have known Wanda most of your life. 

“So, you've lived in Westview your whole life?” Agnes asks.

“Yes,” you nod without hesitation.

“And you've only ever been to Westview?”

“No, of course not,” you laugh, ready to list off places you've been, but suddenly, you can't name any. The cities and trips that should come easily to your tongue just... don't materialize.

Not a single one.

Agnes watches you struggle with a blank expression. A second later, she begins throwing out suggestions, as if trying to help. 

“Canada?" 

You shake your head. 

“California?” 

Another shake.

“New York?”

No. This time, your eyes sting with the frustration of trying to pull something from the haze, realizing there’s nothing there. 

Have you really never been anywhere but Westview?

“Eastview, maybe?” she offers with a bit of sarcasm as she names the town next door.

“I—”

“How strange,” Agnes muses, driving home the final nail in the coffin of your crumbling peace.

You jerk your arm away from her grip and take a few instinctive steps back. “I need to pick up the twins,” you blurt out, seizing the first excuse that comes to mind. “We should be heading out soon.”

Without waiting for her reply, you start walking away, driven by a sudden, intense need to be with your boys, with Wanda. To hold them close, to find some stability. Because right now, you’re petrified by a fear you cannot name. 

“I heard Australia’s amazing this time of year!” Agnes calls after you.

The idea of not having been anywhere but Westview—it’s possible, right? Some people spend their entire lives in one place. But if this feeling—the one that's been gnawing at you lately—is real, if the world outside of Westview is truly non-existent, then what does that say about your life here?

What does it say about you?

[arolesbianism]

Sigh. Why must you have died Aris, now I have to actually think abt what your abilities are instead of just sweeping it under the rug and calling it good enough