#but there's no other notes and no images so who knows!

[astral-wings]

I wasn't expecting this post to blow up, I really really appreciate it aaaa tysm! So happy other ppl found it helpful!

Here's some more witchy tips from me! This time aimed towards closeted witches who aren't able to be open about their practice

Tips and tricks for broom closet witches! Sincerely, a fellow broom closet witch

Sigils are your best friend. They can be any symbol, image, whatever, as long as they are created and charged with the intention in mind. They can be placed anywhere, from the bottom of your shoe to your body wash to the tags of your clothing. Be creative! You can even trace the sigil using your finger. I personally like to write it on a bit of paper, fold it, dip it in moon water, and then tear it up as a way of activating them.

Speaking of moon water, that's a great ingredient! It's very potent, especially if created under a full moon. Simply place a jar, bottle, or anything that can carry water under the moonlight. This can be done on a windowsill or outside, whichever you prefer (or is the safest). Moon water has endless uses in spells, especially ones that involve protection or warding. It can also lend a power boost. Sun water is similar but is charged during the day and has great cleansing properties.

Charged water in general is just really good for closeted witchcraft because who tf is going to question your glass of water? Other charged waters include crystal water (I recommend quartz and tiger's eye, however do research before randomly dropping your favorite rock in a bowl of H2O. Certain crystals, such as selenite, dissolve in water and can become very toxic. Generally avoid exposing any crystal ending in "-ite" to water!), blessed water from a spirit or deity, and rain water.

If the witch-haters go through your room, I don't recommend having things such as tarot cards, witchcraft books, or anything that screams "I'M A WITCH!!!". Crystals and rocks should be fine. If they ask, just say you think it's pretty

Digitalize everything. I'm serious. Make the notes app on your phone your grimore, download witchcraft books as pdfs (HERE'S AN AMAZING SOURCE I FOUND!!!), keep everything behind a password. Obviously if your device and internet usage is heavily monitored then don't (I completely understand, I was in this position before I turned 18). As a bonus, here's a great moon phase app I use

Spirit work and deities. You don't need an altar to worship/work with them! They will understand. There's other ways to devote yourself to them, such as jewelry, taking your meds, eating dinner, and self care.

You can make a small, inconspicuous area your altar, such as a corner of your desk or windowsill. Small boxes can function like small, on-the-go altars. Outside in the woods is also a great secretive spot!

Astral projection and meditation. Nobody's going to know what you're doing; to them, you're just lying down asleep. The power of the mind is amazing

My final tip is that you don't need tools to be a witch. You don't need all these fancy materials, overly decorated pinterestcore altars, etc. The spirit of witchcraft is using what you have! No crystals? Rock. Go get a rock from outside. No tarot? Learn cartomancy and use playing cards instead. Create your own form of divination. Use spices from your mom's cabinet and gut teabags for herbs. Forage outside! Make showering a cleansing ritual. Hell, you can make flushing the toilet a spell. Be creative! Creating is the "-craft" part of "Witchcraft" afterall :}

Be safe, my fellow witches!

Here's a list of ingredients with various protective and cleansing properties that I've found useful in my closet witch practice! Note that I'm not an expert and these are just my own experiences and interpretations.

Eggshells! Great protection qualities and can also be used for renewal spells as well. A good easy spell would be sprinkling bits of it around the front of your home with the intent of providing protection

Salt, a classic cleansing ingredient that you'll find in your mom's kitchen. Various kinds have slightly different properties. Tip: if you add ashes to it, then it becomes black salt, which in my experience is very a strong cleanser especially if you add a bit of moon water. It becomes a paste and can be used for various things such as sigils

Iron nails. Not only protective, but can deflect back. Like a "back the fuck off" kind of protection. Bonus if it's rusty

Thorny vines, barbs, etc can function like nails

Pinecones. Similar to eggshells, but a bit more spicy (mess with me and I'll nip you back) but not as intense as nails. Also has great renewal properties since it's a seed

Obsidian, a great protective crystal to have on hand

Custom protection sigil, all you need is a pen, paper, and intuition. Or just write it with charged water on yourself

Moon water, especially full moon water. Very strong cleansing

Incense and smoke cleansing, I like using rose. DO NOT USE WHITE SAGE

Enchant jewelry or something you have on you on a regular basis with protective and positive energy properties. It can be as easy as making a sigil for it and activating said sigil by burning or tearing it up or dipping it in charged water. Very secretive!

Pepper! Again, similar to the nails, but with an added kick and slightly different way of carrying out things. Instead of deflecting immediately, it deflects over a slower period of time, like how burns do

Ask a deity or spirit you're working with to bless a charm. Very effective! Can be literally anything!

[emjayewrites]

Private Landing (Lewis Hamilton) (12/15) - Part II

SUMMARY: In the high-speed world of Formula One, Lewis Hamilton subtly introduces a mysterious partner via Instagram after a slight mishap during an interview. Sparking media intrigue, everyone wants to know: who is the enigmatic figure that calls herself Mrs. Hamilton?

INSPO: this post

PAIRINGS: Sir Lewis Hamilton x Aurora "Rorie" Phillips-Hamilton (faceclaim is Justine Skye)

WARNINGS: drama, angst, sexual content, formula one b.s., pre-established relationship (with flashbacks). RATED M (18+)

TAGLIST: @queenshikongo3 @cocobutterqwueen @mauvecherie-writes @a-moment-captured @yeea-nah @lovebittenbyevans @alika-4466 @saintslewis @cherry2stems @liamundi @trinitoldyouso @scorpiobleue @certifiedlesbianbaddie @httpsserene @motheroffae @perfecttrashface @xoscar03 @saturnville @weetjy @pinkcatcus @lewlewlemon44 @cranberryjulce @chaoticcoffeequeen @vile-harlot @periodjosh @melanin-queen369 @destinyg237 @niahxo @purplelewlew @tremendousstarlighttragedy @henneseyhoe @serpenttines-library @f1-football-fiend

A/N: Please let me know if you want to be added/removed from the taglist. The headers/dividers are by @inklore

The warehouse stood inconspicuous amidst the arid Palm Springs landscape, its weathered exterior masking the creative pulse within. Inside, the vast space was a stark contrast - state-of-the-art sound equipment lined the walls, and a professional-grade stage dominated one end of the room. Soft, ambient lighting created an atmosphere conducive to artistic expression, while the air conditioning fought a constant battle against the desert heat.

Rorie stood center stage, her voice resonating through the cavernous space as she ran through the chorus of "The Zone."

"I never meant to make you feel alone, a non-chivalrous tone you've used since I got home..."

Ms. Tee, her vocal coach, nodded approvingly from the side, occasionally calling out suggestions. "Remember to support from your diaphragm on that high note, honey!"

Van, the choreographer, moved in sync with Rorie, demonstrating the fluid movements that would accompany the lyrics.

Rorie nodded, sweat beading on her forehead as she repeated the sequence. The knowledge that Beyoncé had once rehearsed in this very space for her legendary Beychella performance added an extra layer of pressure.

From his seat not far from the stage, Lyric's voice piped up. "Go, Mama!" he cheered, his little hands clapping enthusiastically.

Ms. Tee chuckled, shaking her head. "That baby is too cute!"

"And he knows it," Rorie quipped, shooting a wink at her son.

As they moved into the next song, Rorie's mind briefly wandered to the mysterious text she'd received weeks ago. The sender hadn't responded when she'd asked who it was, leaving her with an unsettling sense of curiosity.

After running through the set twice more, Yael called for a lunch break. The team dispersed, grateful for the respite from the intense rehearsal.

Rorie scooped up Lyric, making her way to a table laden with an array of healthy options. As she settled in next to Yael, balancing Lyric on her lap, she couldn't help but marvel at how surreal this all felt.

"So," Yael began, taking a bite of her salad, "have you given any thought to the Mercedes event? They're really pushing for you to be there for the G Wagon unveiling."

Rorie nodded, helping Lyric with his lunch. "Yeah, I think we can make it work. It's after Coachella, right?"

"Car!" Lyric exclaimed, pointing at Yael's phone which displayed an image of the new G Wagon.

Rorie laughed, ruffling his hair. "That's right, baby. It's a big car."

"He's growing up so fast," Yael remarked, smiling at Lyric. "Seems like just yesterday he was saying his first words."

Rorie nodded, a mix of pride and nostalgia washing over her. "I know. It's crazy how quickly they develop. He's stringing two or three words together now. The other day he said 'Mama sing pretty.' Nearly made me cry right there in the kitchen."

Yael chuckled. "Well, he's not wrong. Speaking of which, how are you feeling about the performance? Three songs is a lot, especially with the choreography."

Rorie took a sip of water, considering. "Honestly? I'm nervous as hell. But also excited. I've never been on a stage that big."

"You've got this," Yael assured her. "The rehearsals are going great, and the crowd is going to love you."

As they continued to discuss the logistics of the upcoming events, Rorie felt a familiar mix of excitement and nervousness. Coachella was a big stage, one that could make or break careers. She absentmindedly stroked Lyric's hair as she listened to Yael outline the schedule for the next few days.

"We've got two more full rehearsals here, then we move to the actual festival grounds for a tech run," Yael explained, scrolling through her tablet. "Lil Yachty's team will join us for the final run-through."

Rorie nodded, her mind already racing with all the details she needed to perfect. "What about wardrobe? Have we finalized the looks?"

"Almost," Yael replied. "The stylist wants to do one more fitting tomorrow. She's got some ideas for a quick change between songs."

As they delved into the intricacies of the performance, Lyric began to fidget in Rorie's lap. "Mama, play," he said, pointing towards the small play area they'd set up in the corner of the warehouse.

"Okay, baby. Just for a little bit," Rorie smiled, setting him down. She watched as he toddled off, his little legs carrying him with determined enthusiasm.

"He's handling all this travel and chaos like a champ," Yael observed, following Rorie's gaze.

Rorie sighed, a mix of pride and guilt washing over her. "Yeah, he is. Sometimes I worry it's too much, you know? But he seems to thrive on it."

"He's resilient, just like his parents," Yael reassured her. "Speaking of which, have you heard from Lewis? How's he feeling about the DNF in Australia?"

Rorie's expression softened at the mention of her husband. "He's frustrated, of course. But he's channeling it into preparation for the next race. You know Lewis, always looking forward."

Yael nodded, then added with a hint of sympathy, "It's a shame he'll miss your performance at Coachella though. The scheduling conflict is unfortunate."

"Yeah, it is," Rorie agreed, a touch of disappointment in her voice. "But he's got the GQ Global Creative Awards in New York that weekend. It's a big honor, and I wouldn't want him to miss that." She brightened a bit as she continued, "Besides, the Biebers will be there, and my sister's coming too. They'll make sure Lyric has plenty of support in the crowd."

"That's great," Yael smiled. "It's good to have your people there. And I'm sure Lewis will be watching the livestream, cheering you on from New York."

Rorie nodded, grateful for the support system she had. "Absolutely. We've always made it work, no matter the distance. This is just another one of those times."

Their conversation was interrupted by the sound of Lyric's delighted laughter. He had discovered a small ball and was attempting to bounce it, his coordination not quite matching his enthusiasm.

"Should we get back to it?" Rorie asked, her eyes still on Lyric.

Yael nodded, standing up. "Absolutely. Let's run through the transitions one more time before we call it a day."

As they made their way back to the stage, Rorie felt a renewed sense of purpose. The nerves were still there, but they were overshadowed by excitement and determination. This performance wasn't just about her; it was about showing Lyric that dreams were worth pursuing, no matter the challenges.

With one last glance at her son, happily playing in his own world, Rorie stepped onto the stage. The music began to play, and she lost herself in the rhythm, ready to give it her all. Coachella was waiting, and she was going to make every moment count.

_____________________________________________

Rorie cruised down the Palm Springs street, the desert sun casting long shadows as evening approached. From the backseat, Lyric's voice joined hers in a sweet, if slightly off-key, rendition of Daniel Caesar's "Get You."

As the song faded out, Lyric piped up, "Bwent!"

Rorie chuckled, shaking her head. "Being toxic isn't cute, sonshine." She skipped to Brent Faiyaz's "Clouded," the smooth R&B filling the car as they pulled up to their rental.

Waving to the security guard at the front gate, Rorie parked and unstrapped Lyric from his car seat. She held his hand as they made their way inside, Lyric gleefully jumping up each step to the front door.

Roscoe greeted them enthusiastically, and Rorie let Lyric play with the dog while she headed to the kitchen. After washing her hands, she pulled out pre-made cookie dough from the fridge.

"You want cookies, baby?" she called out.

"Yes, Mama!" came the eager reply.

Rorie scoffed, muttering, "Of course you do," as she arranged the dough on a cookie sheet.

Struck by a sudden craving, she grabbed a popsicle from the freezer. Then, following an odd impulse, she dug into the cabinet for chunky peanut butter. Scooping some onto the popsicle, she savored the unexpected combination of salty and sweet on her tongue as she slid the cookies into the oven, setting it to 380 degrees.

Just then, her phone rang. Seeing Martin's name on the screen, she hesitated before answering.

"Hello?" she said, her voice cautious.

"Rorie, hi," Martin's voice came through, a mix of nervousness and hope. "How are you?"

"I'm fine," she replied, her tone neutral. "What's this about, Martin?"

"I... I wanted to talk to you. About Athena, about everything. How's Lyric doing?"

Rorie paused, conflicted. "He's good," she finally said. "Growing fast."

"That's great," Martin said, his voice softening. "Listen, Rorie, I was hoping we could meet. I know things are complicated, but-"

"I don't know, Martin," Rorie cut in, glancing at the oven timer. "Things are pretty busy right now."

"Please," he pressed. "I want to make things right. I want to be part of your life, of Lyric's life."

Rorie sighed, the weight of the situation settling on her shoulders. "I need time, Martin. This isn't something I can decide on a whim."

"I understand," he said, a note of disappointment in his voice. "But will you at least think about it? For real this time?"

"I'll think about it," Rorie conceded. "But I can't promise anything."

As she hung up, Rorie leaned against the counter, her mind swirling with conflicting emotions. The timer dinged, jolting her back to the present. She pulled out the cookies, the sweet aroma filling the kitchen.

"Cookie, Mama?" Lyric's voice called from the living room.

"Almost, baby," Rorie replied, forcing a smile into her voice. "They need to cool first."

As she set the tray on the counter, Rorie took a deep breath. Coachella, Martin, the constant juggle of family and career - it was a lot to handle. But as Lyric's excited chatter drifted in from the other room, she knew she'd find a way to navigate it all. She always did.

The desert night hummed with anticipation as Rorie stood in the wings of the Coachella stage, her heart hammering against her ribs. The bass from the previous set reverberated through her body, but the nausea rolling through her stomach had nothing to do with the vibrations.

"Five minutes, Mrs. Hamilton," a stage manager called out, then paused, studying her face. "Hey, you're looking a bit pale. You okay?"

Rorie nodded, though her complexion said otherwise. "I'm good," she managed, willing her stomach to settle. Somewhere in the VIP section, she knew Lyric was watching with Aaliyah, the Biebers keeping them company.

"You sure?" The stage manager pressed. "You look like you might puke...."

"I said I'm good," Rorie cut in, more sharply than intended. She softened her tone. "Just pre-show jitters."

The opening notes of "The Zone" filled the air, and Lil Yachty's voice boomed across the festival grounds: "Y'all make some noise for my girl, Rorie!"

Taking one final deep breath, Rorie stepped into the lights. The crowd's roar washed over her as she emerged, and suddenly, the nausea didn't matter anymore. This was what she was born to do.

Her voice, clear and strong, cut through the night air. The choreography she'd practiced countless times flowed naturally, her body moving in perfect sync with the music. Each transition, each note, each movement came together in a performance that felt both carefully rehearsed and effortlessly spontaneous.

But as the adrenaline of the first song began to fade, that unsettling queasiness returned, stronger than before. Rorie pushed through, determined not to let it show. She had two more songs to go, and she was going to give this crowd everything she had.

The crowd surged with energy as Rorie finished her planned set, their cheers echoing across the festival grounds. Sweat glistened on her skin under the stage lights.

"One more! One more!" The chant built like a wave.

Rorie exchanged a glance with her band, a slight nod passing between them. As the opening notes of another song filled the air, the crowd's roar grew even louder.

But it was the second encore that would become the night's most talked-about moment. Rorie stepped to the microphone, her breath slightly catching as she spoke.

"Y'all have been amazing tonight," she said, her voice carrying across the field. "I want to share something special with you. A few years ago, my husband and I wrote this song together. Some of you might know him as XNDA…"

The crowd erupted at the mention of Lewis's musical alter ego. A smile played on Rorie's lips as she remembered the late nights in their home studio, the two of them writing and rewriting lyrics, finding the perfect melody to express their love story.

The stage darkened, and then a recorded voicemail played through the speakers: "Hey baby, just wanted to hear your voice…" Lewis's distinctive accent filled the space, intimate and warm.

The soft melody began to build, and Rorie's voice floated over the instrumental, telling their story of love found in the fast lane of life. When Lewis's pre-recorded vocals joined in for the chorus, their voices intertwined in perfect harmony, the chemistry evident even through the playback.

"When the world's moving too fast You're the one thing that lasts Through the curves and the breaks You're the risk I'll always take…"

The crowd swayed, phone lights dotting the darkness like stars. Somewhere in the VIP section, Rorie caught sight of Lyric on Aaliyah's shoulders, his little hands waving in the air.

As their voices rose together for the final chorus, Rorie felt tears prick at her eyes. This song, this moment, was everything - their love, their family, their journey, all wrapped up in melody and rhythm.

The final note hung in the air, and for a moment, there was complete silence. Then the crowd exploded, the cheers almost deafening. Rorie took a final bow, her heart full to bursting.

Walking off stage, she quickly checked her phone. A text from Lewis was waiting:

Killed it, baby. Wish I could've been there. So proud of you.

Rorie smiled, the nausea from earlier completely forgotten in the glow of the night's success. This performance would definitely be one for the books.

Following her triumphant performance, Rorie took a long drink of water before her bodyguards escorted her to the VIP section. Aaliyah immediately engulfed her in a tight embrace, tears streaming down her face.

"You were incredible!" Aaliyah sobbed, overcome with pride for her sister.

Rorie's own eyes welled up as Lyric toddled over, clutching a piece of paper in his tiny hands. "Mama!" he exclaimed, holding up his drawing of her on stage. "I love you, Mama," he said, his toddler pronunciation making the words even more precious.

Rorie dropped to her knees, gathering him close as tears spilled down her cheeks. The Biebers joined the group hug, everyone congratulating her on the spectacular show.

After a while, Justin excused himself to prepare for his set with Tems and WizKid. Rorie and Hailey settled into comfortable chairs, falling into easy conversation and shared laughter.

When a waiter approached, Rorie ordered vodka, water, and lime. "What about you, Hails?"

"Just water is fine," Hailey replied.

Rorie shot her friend a questioning look. "When do you ever say no to a drink?" she teased.

Hailey grew bashful, shrugging. "I'm fine with water."

"What's going on, Hails?" Rorie pressed.

Hailey opened her mouth to respond but closed it as the waiter returned with their drinks. Once he left, she gave Rorie a sympathetic look.

"I don't want to talk about it, Ror, especially with what's going on with you and Lew," Hailey explained.

"What do you mean?" Rorie asked, setting down her drink.

Hailey shrugged again. "With you guys going through IVF again… I don't think..."

"It's fine, Hailey. We're fine," Rorie assured her, taking her friend's hands. "It's okay."

"Honestly?" Hailey questioned.

"Yes, Hailey. It's fine."

They stared at each other in silence before Hailey opened her oversized leather jacket slightly, revealing a small rounded belly. "Justin and I are pregnant," she confessed, tears running down her face.

Rorie felt a complex mix of emotions - genuine joy for her friend tinged with a hint of sadness for her own situation. But happiness won out as she pulled Hailey into a tight hug.

"It's still early, though," Hailey said after they separated. "I'm barely ten weeks, but I'm showing really soon for some reason."

"It's a boy," Rorie said instinctively.

"How can you tell?"

"I was showing early with Lyric. It's definitely a boy and he probably has a big head," Rorie joked.

Hailey laughed. "Just like his father."

As their laughter subsided, Hailey grew serious. "I want you to be a godmother. You're an amazing friend and Justin and I love you so much."

"I would love to be the godmother, Hailey. Thank you," Rorie replied, wiping away fresh tears. "Damn, tonight is making me such a sap!" Hailey's smile widened. "But thank you. Seriously. Not only for asking me to be a godmother but sharing this and taking note of everything. I love you so much."

The two friends embraced again, the desert night wrapping around them like a warm blanket, full of joy, hope, and the promise of new beginnings.

The week after Coachella felt like a whirlwind. Rorie scrolled through her phone, taking in the flood of coverage about her performance.

@/MusicInsider: "Rorie's surprise performance of XNDA collab brought Coachella to its knees. The chemistry is undeniable, even through a recording. #PowerCouple"

@/ChartData: "Rorie's Coachella performance garnered over 2M livestream views, highest for a guest appearance this year."

Of course, there were also the less favorable takes:

@/PopCultureTakes: "Sure, she can sing. But is anyone else tired of the Hamilton PR machine? #Coachella"

Rorie rolled her eyes at the last one. Her nausea had finally subsided, and she was grateful to chalk it up to pre-Coachella nerves. With Lewis in Shanghai for his race, she missed him, but they had a packed schedule ahead - the WhatsApp collaboration in New York, Miami Grand Prix, and then the Met Gala. The thought of reuniting made her smile.

Stepping out of her G Wagon onto the black carpet at the Mercedes-Benz G-Class premiere, Rorie was immediately engulfed in camera flashes.

"Mrs. Mercedes! Over here!" "To your left, Rorie!" "Give us that smile, Mrs. Mercedes!"

She couldn't help but laugh at the nickname - an extension of what they called Lewis. As she posed for photos, a familiar figure caught her eye. Miles was making his way down the carpet, pointing at her with an exaggerated gesture. She returned the gesture, and he came bounding over. They posed for several shots together before heading inside, arm in arm.

"I didn't know you were going to be here!" she said as they stopped at the bar.

"Sort of last minute, honestly," Miles revealed. "But look at you, Miss Superstar - that Coachella performance though…"

"How was it?" Rorie asked, genuinely curious.

"Off the fuckin' chain, lil' sis. You did that."

"Thank you," she smiled, taking a sip of her drink.

As Miles and Rorie made their way through the event, they were stopped every few feet by familiar faces. Kendall Jenner pulled Rorie into a warm embrace, gushing about the Coachella performance.

"You absolutely killed it," Kendall beamed. "And that song with Lewis? Everyone's still talking about it."

Before Rorie could respond, Ciara joined them, her megawatt smile lighting up the space. "Girl, when were you going to tell me you were performing again? That was incredible!"

The conversations flowed easily, punctuated by genuine laughter and warm exchanges. Tracee Ellis Ross swept by, wrapping an arm around Rorie's waist as they posed for photos, while Snoh Aalegra complimented her vocal arrangements.

The evening progressed with typical Hollywood glamour - Travis Scott's performance had the crowd energized, the bass reverberating through the space as he commanded the stage. During dinner, Rorie found herself engaged in easy conversation with those around her, the kind of mindless chatter that filled these events.

As the night wound down, Rorie decided to head home early, missing Lyric and feeling the weight of the day settling in her bones. The drive started peacefully enough, the lights of LA streaming past her window as she thought about the upcoming reunion with Lewis.

Then her phone lit up with an unknown number.

Rorie hesitated before answering, but something compelled her to pick up. The moment she heard the voice on the other end, her blood ran cold.

"Rorie—"

"You must have a fucking death wish," Rorie cut in, her voice sharp with anger.

"Please, just hear me out—"

"I'm calling my lawyer," Rorie snapped.

"Wait!" Deja's voice was urgent. "I want to meet in Miami. We need to talk face to face."

"You've lost your rabbit ass mind!" Rorie couldn't believe her ears. After everything - the lawsuit, the leaked information, the media circus - Deja really thought they could just meet? The audacity was mind-blowing. Rorie clenched her jaw, her hand gripping her phone so tightly her knuckles went white. She could almost picture Deja on the other end, probably desperate, maybe even smug, as if she’d thought Rorie would just give in to this little stunt.

Deja doubled down. "I'm not settling until we talk. Face to face."

"I don't give a fuck what you want. We're going to win anyway - you violated my privacy, remember?"

They went back and forth, Deja pleading her case while Rorie's anger mounted. Finally, Deja suggested Rorie bring her lawyer if it made her feel better, but insisted they needed to meet.

"I'll think about it, bitch," Rorie spat before hanging up.

Suddenly, a wave of nausea hit her hard. "Pull over," she managed to tell her driver, who immediately complied.

Rorie barely made it out of the car before emptying the contents of her stomach, her hands braced on her knees.

"Are you okay, Mrs. Hamilton?" the driver asked, concern evident in his voice.

Another wave hit her, and she groaned as a headache began to pulse behind her eyes. "Call my husband, please."

The driver quickly dialed Lewis, putting the phone on speaker just as Rorie retched again.

"Baby, are you okay? You're scaring me!" Lewis's voice rang out.

"It's Deja…" Rorie managed after a moment.

"What about her?"

"I'm going to kill that bitch, Lewis."

Lewis let out an exhausted "Fuck," followed by, "Let me call Julian."

Rorie stayed bent over, the cool night air doing little to settle her churning stomach. This night had definitely taken an unexpected turn, and somehow she knew it was just the beginning of whatever Deja had planned.

The Miami Grand Prix was a spectacle of color, sound, and energy—a vibrant mix of fans, press, and celebrities, all eager to catch a glimpse of the action on the track. Rorie moved through the paddock with an effortless confidence, dressed in a chic Tommy Hilfiger ensemble—a red mini dress paired with a tailored jacket that bore the iconic brand’s colors. As a Tommy Hilfiger ambassador, she was there to represent, but her mind was constantly pulled to her family, to Lyric, who was wide-eyed and curious, soaking in everything around him.

Julian, their lawyer, had been adamant about his involvement from the start. He wasn’t thrilled about the meeting, and honestly, neither was she—but at least they’d agreed that Julian would be there too, ensuring Deja wouldn’t pull any more stunts. When Julian had looked her in the eye and said, "We’re not letting her turn this into another circus," Rorie had felt an odd sense of relief. Knowing he’d be present gave her the peace of mind to enjoy the weekend with Lewis and Lyric.

Rorie’s attention snapped back to the present as she felt a tiny hand tug at her fingers. Lyric was pointing excitedly to the rows of cars lined up, his face lit with pure awe. She bent down to his level, taking in his excitement with a soft smile.

"Vroom! Vroom!"

"Yeah, baby," she murmured, brushing a soft kiss over his braids. "Those are Daddy’s friends’ cars."

"Where Dada?"

Rorie grinned. "He’s around here somewhere."

Just then, as if on cue, she spotted Lewis, looking impossibly focused and handsome in his race suit, his head bent as he spoke with one of his team members. When he looked up and saw them, his face transformed, a wide grin spreading across his features. He lifted a hand in greeting, then broke into an easy jog to close the distance between them.

"There’s Daddy," Rorie murmured to Lyric, moving aside so he could see his father approaching. "Look, sweetheart."

Lewis bent down, scooping Lyric up and spinning him around, making their son laugh with pure joy. Then, Lewis turned to her, his eyes softening as they met hers. "You’re a vision today," he murmured, his voice low and warm.

Rorie smiled, feeling her cheeks flush a little. "All part of the ambassador duty," she teased, tugging lightly on the lapel of her jacket.

The three of them shared a quiet moment, standing close amid the bustling paddock. For a while, it was easy to forget about Deja, about the upcoming meeting, about everything that threatened to intrude on this moment. But she could still feel the tension, a low hum of anxiety that sat just below the surface.

Julian’s text from earlier that morning flashed in her mind: Remember, we’re handling this our way. She doesn’t get to make the rules.

It was a reminder she clung to, something that kept her grounded even as she stole another glance at Lewis and Lyric. This weekend, she’d focus on them, on supporting Lewis and creating memories with Lyric. Whatever Deja had to say could wait—she wasn’t about to let that woman spoil the joy of watching her husband race, of seeing her son’s eyes light up in wonder.

But just as she settled into the moment, she heard a familiar voice calling her name. Turning around, she was greeted by the sight of KiKi, striding over with her typical swagger, dressed in a sharp, stylish outfit that turned heads as she passed.

Rorie raised her brows, genuinely surprised. "KiKi? What are you doing here?"

KiKi grinned, her eyes sparkling mischievously. "Lewis called me in for backup," she said with a shrug, flashing Lewis a knowing smile.

Lewis, still holding Lyric, gave a small, guilty grin. "Figured it wouldn’t hurt to have some extra support this weekend," he said, adjusting Lyric on his hip. "Especially with everything going on."

Rorie couldn’t help but feel a rush of relief. Having KiKi around meant an added layer of support, someone who understood the intricacies of their situation with Deja and who would have her back if things got tense. But she was also wary; KiKi wasn’t exactly known for her subtlety, and Rorie wanted this meeting to be as low-key as possible.

"I don’t know if having you there is the best idea, though," Rorie said, keeping her tone light but firm. "You know how things can get."

KiKi put a hand on her hip, feigning offense. "Girl, please. I can be chill when I need to be," she replied, but the glint in her eyes suggested otherwise.

Rorie sighed, giving her friend a look. "I mean it, Ki. The last thing I want is for this to turn into a showdown."

KiKi held up her hands in a placating gesture. "Promise, I'll keep it cool. I’m just here to have your back. Besides, I’m curious to see what Deja’s got to say for herself."

Rorie gave a reluctant nod, knowing KiKi meant well. She’d always been fiercely protective, and Rorie knew that no matter what, KiKi wouldn’t let anyone disrespect her or her family. Still, she wasn’t entirely sure how Deja would react to seeing KiKi there.

"So, what’s the plan with her anyway?" KiKi asked, lowering her voice slightly. "You really think she’s trying to play nice?"

Rorie bit her lip, glancing over at Lewis, who was now trying to entertain Lyric with exaggerated car sounds. "I don’t know. She claims she wants to talk about boundaries, but I’m not sure I buy it. It feels like another setup."

KiKi snorted. "Wouldn’t put it past her. But hey, at least you’ve got Julian there to keep things on track. And me, if she tries any funny business."

Rorie managed a small smile, grateful for KiKi’s support even if she was apprehensive about the meeting. "Yeah. Julian’s already set some strict ground rules. We’re meeting in a neutral space, and he’s keeping it professional. He won’t let her turn this into another circus."

"Good," KiKi replied, crossing her arms as her gaze turned serious. "Just remember, she doesn’t get to call the shots here. You’re in control."

Rorie took a deep breath, nodding. "Right. I just don’t want her stirring up drama when all I want is to focus on this weekend with my family."

KiKi gave her a reassuring squeeze on the shoulder. "You’ve got this, Ro. And if she steps out of line? Well, I’ll be there, chillin'... but keeping an eye out."

Rorie laughed, the tension easing slightly as she glanced back at Lewis, who had Lyric balanced on his shoulders now, the little boy giggling as he held onto his father’s head.

"Thanks, Ki. I appreciate you being here," Rorie said softly.

KiKi smirked. "Girl, you know I’d be here even if you didn’t want me to. Now, let’s enjoy the day and not let her mess with our vibe. Besides, your little one looks like he’s having the time of his life."

After watching Lewis' Free Practice, Rorie found herself alongside Mick Schumacher at the Tommy Hilfiger pop-up store in the paddock. Their easy rapport made the ambassador duties feel less like work and more like hanging out with a friend.

"The new collection's fire," Mick said, adjusting the collar of his Tommy polo. "But I think Lyric's stealing the show."

He wasn't wrong. Lyric, now dressed in a miniature version of the collection, was charming everyone who passed by.

After wrapping up the promotional duties, Rorie made her way to watch the F1 Academy practice sessions with Susie Wolff. The sight of female drivers commanding their machines around the track filled her with pride.

"It's amazing to see how far we've come," Susie remarked, her Scottish accent warm with emotion. "These girls are the future."

Lyric, perched on Rorie's hip, pointed excitedly at the cars. "Fast! Mama, fast!"

"That's right, baby. They're very fast," Rorie agreed, pressing a kiss to his temple.

Later, they ran into Kevin Magnussen near the garages. Lyric immediately perked up, looking around expectantly.

"L'waura?" he asked, his little face scrunching up in confusion when he didn't spot his friend.

Kevin laughed warmly. "She's with Mommy today, but we can FaceTime her later. Would you like that?"

"Yes!" Lyric clapped his hands excitedly.

The lightness of the afternoon stood in stark contrast to what awaited Rorie that evening with Deja. She wanted nothing more than to end whatever bullshit Deja was on, but she knew that not everything will be easy coming from her.

____________________________________________________

Later that evening, away from the excitement of the track, Rorie arrived at the offices of Ocasio & Associates, one of Julian's trusted colleagues in Miami. The sleek high-rise office space felt appropriately neutral and formal for what was about to unfold.

Julian was already there, reviewing documents when Rorie walked in with KiKi. They settled into the conference room, its floor-to-ceiling windows offering a view of the Miami skyline at dusk.

When Deja walked in with her lawyer, her face immediately darkened at the sight of KiKi. "What is she doing here?"

"I'm here for moral support, honey," KiKi drawled, her tone deceptively sweet.

Julian cleared his throat. "Let's focus on why we're here."

What followed was an hour of increasingly tense discussion. Deja insisted on rehashing her version of events from All-Star Weekend 2017, her voice growing more animated as she described what she claimed was a meaningful connection with Lewis.

"We had something real," Deja insisted, leaning forward in her chair. "Before she came along—"

"You're delusional," Rorie cut in, her patience finally snapping. "You had a drunken hookup - if that even happened - and now you're trying to rewrite history."

"You don't know what—"

"No, you don't know what you're talking about," Rorie stood up, her voice firm and final. "Julian, we're done here. No more settlement talks. Take her ass to court and drag her to fucking filth."

As they left the office building, KiKi fell into step beside her. "You good?"

Rorie nodded, her jaw set with determination. "I'm done playing nice. She wants to live in her fantasy world? Fine. But she's about to learn what reality feels like."

As they walked down the quiet Miami street, the humid evening air thick around them, Rorie suddenly felt her stomach lurch. Without warning, she lurched toward a nearby trash can, barely making it before emptying the contents of her stomach.

"Rorie!" Julian rushed out after them, producing a clean handkerchief from his pocket. He handed it to her as she straightened up, her hand trembling slightly as she wiped her mouth.

KiKi was at her side instantly, one hand rubbing soothing circles on her back. "Girl, are you okay? What's going on?"

Rorie took a deep breath, trying to settle her churning stomach. "I'm fine," she managed. "Just stress, I think. This whole situation with Deja…"

"Nah, you need to calm down," KiKi said firmly, keeping her hand on Rorie's back. "This isn't worth getting sick over. Remember that wine bar we used to hit up when I lived down here? The one with the amazing cheese plates?"

Despite her queasy stomach, Rorie felt a small smile tugging at her lips. "God, that sounds perfect right now."

"Then let's go," KiKi decided, already steering Rorie toward the street to hail a car. "Julian, you good?"

Julian nodded, still looking concerned. "Call me if you need anything. And Rorie? Try not to worry about Deja. We've got this handled."

As they climbed into the car, Rorie leaned back against the cool leather seats, grateful for KiKi's steady presence beside her. Maybe what she needed right now wasn't more strategy sessions or legal talks. Maybe what she needed was just this - a night with her best friend, some good wine, and a chance to remember who she was beyond all the drama.

"Thanks, Ki," she said softly as the car pulled away from the curb.

KiKi squeezed her hand. "Always got your back, girl. Always."

TO BE CONTINUED....

[taesanluv3r]

in my daydreams.

han taesan x reader

yn mentally escapes from her physics class, losing herself in the scenarios in her head (in other words, yn is delusional), follow along her train of thoughts as she crushes hard on her classmate. lowercase intended, cuss words. pls ignore any grammar or spelling errors! enjoyy

wc: 1,448

⋆౨ৎ˚⟡˖

"the law of the conservation of energy states that energy can neither be created nor destroyed. that being said..."

i drowned him out after that - my physics teacher, i mean - i drowned it all out. it wasn't my fault though, it was all on him. it was his fault. no, no! not my physics professor...this is all han taesan's fault.

what did he do exactly? well...nothing. the truth is he never does anything! and that's exactly it. he does absolutely nothing and i still find myself constantly stealing glances at him. at his stupid face, his idiotic light brown eyes, his dumb smile, and his perfectly white pearly teeth...and his honey-like voice...his hair that turned a light brown against the sun...his...ugh!

god fucking dammit

as i sit here, in physics class - which, by the way, i absolutely despise physics class - i can't help but be distracted. just look at him! sitting there, right next to the window...i wouldn't be shocked if a bird distracted itself from it's flock and came flying right through it, if i were a bird i know i would. there was a singular pen in his hand, one of those expensive pens with his name engraved on it - probably a gift from his dad, he's always mentioning his dad. anyways, the pen spun against his fingers, his long and lanky fingers...sometimes i can't help but wonder what they'd feel like between my own; would they warm me up? or would it only feel that way because i'd be blinded by the affection? the pen smacked against his knuckles, they're red now from the friction. then the spinning stopped, and i watched as he began jotting words down in his lined notebook - guess there are notes i should be taking.

my chin rested on the palm of my hands and i look away from him for a moment. i sigh, who turned the air conditioner down? why is it always freezing in physics class? as i pondered, my eyes fell shut - lucky for me, i sat at the very back of the room, a spot the professor's poor eyesight can't reach. i felt my shoulder slouch as i relaxed into the uncomfortable chair, in a second i'm gone.

my mind's blank, but only just for a moment before i'm met with images of him again. seriously, i can't even rest for a moment without his face all up in my business? can't he leave my brain alone? please? i'm saying this like i hate it, but truly i don't - i can't. it's hard for me to hate something i really love more than anything. so, instead of trying to rid of his figure in my mind, my unconscious soul walks towards him.

mmm, i can almost taste him. a sweet smell that i can never put my finger on - i mean, it's woody, like a deep foggy forest...but it almost smells like freshly baked cookies from my grandma's kitchen. it's his scent though, that much i can tell you. he glows in my dreams, like edward cullen - minus the whole vampire thing, my fantasies aren't that weird, he just glowed like one. he looks right at me, this is something that truly only happens in my head. his eyes are so soft, yet there's a cat-like charm to them that makes my stomach turn.

"yn"

he calls out to me, his voice the most hypnotic noise. the figure of myself follows him, an arm linked with mine as he traces his other hand against my face. it wasn't real, but it sure felt like it, i could feel the strange sensation of butterflies in my stomach - it felt so real, i could just throw up. and then he leans in, he never kisses me though. he just pauses there, looking me in the eyes like we were in the middle of some sort of a highly prestigious staring contest. to be honest, if he weren't so insanely gorgeous, i'd think him a creep.

"yn!"

he calls out again, though it's a bit loud for the close proximity that we're in. and he sounded strange...he almost sounds like...my...

physics teacher?

fuck.

"huh? present! um-" i could feel the gazes of my classmates piercing through my skin. "yn, would you like to share with the class what you were daydreaming about?" oh, prof...you know damn fucking well i can't do that...

my teacher said something else, he's probably scolding me or saying something utterly ridiculous to embarrass me in front of my friends, i don't know though, it's not like i listened. i couldn't stop myself from wondering, what if i had just told it straight? what if i had answered my professor's stupid question with an even more dimwitted answer? 'what were you daydreaming about?' and i'd just get up from my seat and scream at the top of my lungs

"taesan"

huh...?

the name that escaped my teacher's tongue brings me back to reality, again. i'm paying full attention now. "taesan...you will be paired with...ah, look at that..." c'mon old man, quit stalling. i don't even know why we're making pairs right now, but i need to know what idiot he has to work with so i can turn them into the enemy in my fantasies and- "our very own daydreamer..." wait, did he say daydreamer? that can only mean one thing...i mean, unless someone else has been referred to as a daydreamer before.

"taesan, your pair is yn. i wish you luck"

ignoring the last bit of the sentence, which was an obvious kick at my lack of physics enthusiasm, i was almost overjoyed. fuck, this might be the actual only time i might like doing something related to this class.

i watched as taesan nodded, his lips were pursed together - i wonder if he was upset...i mean if i were as hot as him, i'd be well over pissed if i was paired with me - no offence. but as i was thinking that, he turned around in his seat to look at me - and i mean actually look at me! and as if this wasn't already a dream come true, he smiled at me! does he know how absolutely insane this drives me?! i mean, quick! somebody pinch me! pinch me and tell me it's fake!

i must've been lost in my head again because the next time i opened my eyes i almost died of shock. low and behold, han taesan right in front of me - like, inches away from me.

"don't know if you know, but we're pairs..." i can't believe it he's actually talking to me! my eyes must've gone wide, and my mouth opened to speak but nothing came out. he laughed at me. he laughed at me. you know that kind of stupid laugh a guy does when he just knows he's causing some sort of chemical reaction in my body right now - or as i like to call it, the absolutely shit-eating asshole laugh.

he's so lucky he's hot.

"lucky for you..." he said, turning the chair from the table in front of mine around to sit and face me. "i actually listened in class, so you don't have to - i know, i know, no need to thank me" asshat, but i can't help the feeling of a fluttering flower blooming in the very depths of my body - lower abdomen, to be specific. i still haven't spoken a word to him - i mean, i'd love to, but i just couldn't seem to.

"so the whole point of this project is to explain everything about motion" i know of other things that could be put into motion...what? ew! yn, get your head out of the gutter! i'm sorry, sir isaac newton definitely did not die for this.

"listen, you're cute and all, but can we save the rest of the daydreaming for later? i kind of need to pass this physics class" he's right, i should stop, this is inappropriate and not very cool of me- wait...did he call me cute?!?!?? ME? CUTE?

"you there?" i finally get myself together. "uh- oh! yeah, sorry about that...what're we doing again?" i just know i looked like an absolute fool. and i swear to whatever being that i was trying to stay professional and calm, but when he laughs and when he smiled at me with that stupid dumbass fucking idiot smile of his, i just can't seem to think straight.

i may not know much about physics, but i know one thing for sure. and it's that for as long as i, yn ln, have to work together with him, han taesan...

i'm completely and utterly so fucking cooked.

the end.

⋆౨ৎ˚⟡˖

i never really write in this pov but i kinda love this 🫢 hope u guys did too!! yn is so me when i have a crush on someone - it's always like i almost hate them so much because of how much i like them lmao 😭 tysm for reading! love, kona.

perm taglist (lmk if u wanna be added)

@en-dream

[hellaarknight]

I promised to protect you

⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️

Genre: Angst

Warnings: swearing and mention of physical and psychological abuse, toxic relationship, mentions of bruises and about laying hands on a partner, some of the content may be triggering.

Author note: I would consider this a heavy fic for some. Do not engage if you think it might be triggering.

Images and art from Pinterest if someone knows the original creators let me know so I can tag them properly

⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️⚜️

" Well he's not always this bad, he's ok..."

Your weak attempt to defend your shity boyfriend only made Chuuya angrier. Why would you let yourself be in the company of that awful guy, he could never understand. You were bright and nice, powerful and determined and yet you got yourself a... A leech. No, it was worse but he was being generous while describing that abomination of a man... That guy had deemed your light in the past 6 months he's dated you and Chuuya hates himself for allowing you to get with him in the first place.

"Are you even listening to yourself right now?" Chuuya extended towards you a glass of wine.

"Listen Chuuya, I know he's not the man I've dreamed of and doesn't have all the qualities I've wanted my partner to have, but I also have to compromise on some things."

"Not on your dignity."

Your gaze fell on the floor a deep sight leaving your lips. Chuuya ran a hand through his hair, very frustrated. He didn't want to say it like that, but he had enough of seeing you suffer, seeing you renounce your hobbies because that guy deemed them "childish" or seeing you lose your spark when talking about what brought you joy just because your boyfriend found them boring. He knew you were smart, always talked about how you will never lose yourself in a relationship so he didn't really understand why and how you got to this point. Chuuya fell in love with you, but couldn't tell you because of his mafia position and him being away for missions a lot, or work trips how he called them in front of you. Then, when he decided he had to come forward and let you decide if you wanted to give him a chance with all that it would have entailed, he was a month too late. He returned from one long, painful mission and found you in a relationship, one that he despised wholeheartedly, so he chose to remain your trusted friend.

"Listen, I didn't want to say it like that...."

"No, that's not true, you did want to say it exactly like that". Your voice was on the verge of cracking. Something bottled up was about to spill if you weren't careful enough and Chuuya noticed it. The man groaned and took a sip of his wine. Maybe it was time to be honest about it.

" Fine. It's exactly like that. Since you started dating that douchebag you lost yourself. All the things you promised not to compromise on in a relationship happened. You lost your bright personality, you stopped rambling about books, anime and flowers. Hell, you even stopped gardening and that was your therapy. You asked me to stop bringing you flower bulbs from all over the places I go on my work trips and you stopped hanging out with me or your other friends. You stopped wearing your signature perfume and your red lipstick you were so fond of. So I'm sorry, but you're not in a fucking healty relationship! And you're defending that stupid fuck who doesn't do anything with his life and stays at your place, without paying any fucking bill! You left yourself to be a mat for that guy, what is wrong with you!?"

You looked at Chuuya stunned. It seemed that the red head had a lot bottled up as well. For some reason his words stung and made you feel worse. He was right and you fully knew it, but you just couldn't let him know... You could not put him in danger.

Chuuya was deeply unaware of your internal struggles. He only knew what he was seeing and what you were letting him know lately, which wasn't a lot that's for sure. He felt relieved to have finally spoken his mind. At the same time, guilt was eating him alive. This was the first time he raised his voice at you in a serious manner, but he couldn't control it, his anger towards the entire situation had the best on him. You looked frightened to say at least and he could swear that he saw you flinch when he was using his hands to express his thoughts.

Something about your crunched posture, your fidgeting fingers, the way you looked very exhausted made him open his mouth.

"Does he hit you?"

Why didn't it cross his mind sooner? What if you were in an abusive relationship? Your boyfriend's controlling behavior was concerning enough, but if it was worse than he imagined and all this time he blamed you for not keeping your ground? A pit formed in his stomach, he was going to be sick.

"What?? What, no... Is not really like that." You avoided Chuuya's scrutinizing gaze and forced a smile.

He gently reached for your chin and turned your head to face him. His voice was soft, barely a whisper, his gentleness making your heart flutter. Was his calloused hand always this comforting?

"Please, please if anything don't lie to me, especially with things like this. I promised you that I will protect you no matter what, remember?"

"I can't" you shake your head "If I'm telling you everything you're going to act impulsively. He's going to hurt you, he said you'd be the first one to suffer, I'm sorry, I can't..." At this point your cheeks were stained by your tears, your hand cupping his near your face.

Chuuya's heart broke at the sight. It was pitiful, he blamed himself for it. If only he wasn't a coward when it came to feelings. He swore to himself that he'd keep you safe from the mafia world, but that did not mean that in other circumstances he wouldn't be there for you. With his thumb he wiped your tears away.

" I am not going to get hurt, I promise you. There isn't any chance for him to lay hand on me. Don't hide yourself from me anymore, please. You're hurting and it's killing me to see you like this."

Chuuya felt as close to you as ever. Even if you kept your distance from him in the last few months, even if you tried your best to hide the hell you were going to. So you just broke down crying.

Chuuya was quick to pull you towards his chest, wrapping his hand protectively around you. He caressed your back and gave you space to let it all out. He was hurting with you, he hated to see you cry, let alone seeing how broken and hurt you were. He felt like the wall that rose between the two of you had finally collapsed.

" Is ok, is ok, you're going to be okay. I'm here now, you're safe, no one is going to hurt you here, I'll make sure of it. You are safe sweetheart, you're safe." He kept whispering sweet nothings and encouragement words until you got to calm down a bit. He used his gravity manipulation powers to bring closer the tissues and then handed you one.

" You' sure you're ok?" Your nod made him feel at ease, at least for a moment. Then he just grabbed one of your hands and intertwined his fingers with yours, squeezing lightly, silently encouraging you to talk.

" I want you to pinky promise that you won't do anything stupid." Your glossy eyes made Chuuya chuckle.

" You know very well that I can't promise something like that, doll. I'm gn'a promise that I won't get hurt, that I can do."

Your glare only made him raise his shoulder, but that will have to do.

" He... He may or may not have raised his hands at me. I definitely do have some bruises over my body, but they appeared from what he calls accidents. I tripped, or I fell into the chairs from the kitchen but he pushed me..." Chuuya silently listened, his blood boiling in his veins. He was ready to hunt the bastard down and bring him into the Port Mafia's torture chambers.

" ... and I kept all this to myself because he's a member in the mafia and said that he would put you on their killing list if I said anything to anyone so I was scared..."

" WHAT!?" Chuuya couldn't believe what he was hearing, your boyfriend was a what and did what? It was like his worst nightmare came to life but in a very twisted way. That was not plausible, the members in the mafia know very well the consequences of using their status to commit shit like this. Unless it was about some weakling, a newbie who got the hands on a bit of power and now thought nothing would touch him. What the fuck happened?

" I know, I know, it was very dumb of me to stay in the relationship, but I was really scared for you and for my family..."

" No, no, that's not it. Tell me his name and what he told you about being in the Mafia. That motherfucker is about to lose his head."

"Chuuya, you promised that you're not going to do anything stupid!"

"No, doll. I promised that I won't get hurt. But that isn't why I'm saying it. The guy can't use his mafia status however he pleases. There are certain rules even in the Mafia."

You looked at him confused.

" How would you know?"

Chuuya inhaled deeply. It was time to come clean with everything.

" Because I'm an executive in the Mafia and I can guarantee that the motherfucker you're dating isn't going to go about his day and live to tell the tale. I'm sorry, I'm going to explain everything afterwards, I promise. He's at your apartment?"

You were so confused, not really registering what he was saying so you just nodded.

" You stay right here until I come back. Go take a shower, take a bath, go in my office and read a book or you can find some manga collections that I have previously prepared in case you happened to stay here. You can find pajamas for you in the guest room. I'll be back later."

" Where are you going?"

Chuuya smiled and placed a kiss on your forehead.

" I'm going to show that bastard what it actually means to be in the Mafia."

[heavysighing-dreamyeyes]

I'm in love with this series!! Jay Todd, my beloved. Just, ah, the world building is so good, and the FEELINGS! Don't even get me started on the smut cause I was fr fanning my face. I talk about my fav parts below the cut!

Jay bursts into the bar, door hitting the wall with a crash, and oh fuck she forgot her helmet at home so she’s gonna have to do this as Jay, without the weight of the Hood’s legend behind her. Taking a deep breath she squares her shoulders and swaggers in.

Plsss, I'm swooning already. Love that she doesn't need the helmet to get shit done.

Jay goes to take the seat next to you but shoulder slams into a body. She turns and raises a single disdainful eyebrow that she knows for a fact has made grown men cower before. “You’re in my seat,” she says, low and bored.

Ah, I'm grinning! You can fr feel her confidence through the screen

Jay very conspicuously wipes the front of her leather jacket with a bar napkin. Looks him up and down and smirks. “I think your conversation was over 30 seconds after you opened your mouth. I bet a lot of things are over in 30 seconds with you,” she tells him coolly.

OOOHHHH!! Get him!! It's over for me. She has my heart and I'm buying her anything she wants

You grow more flustered at that and Jay rolls her eyes at Cala’s interfering. She lays a hand on your bare forearm to get you to stop tearing the napkin in your hands to shreds. “You’re not in any trouble honey,” she says, voice low and soothing.

!!! I've got heart eyes for this fr

Jay’s just so goddamned tempted to press her thumb into the hollow underneath your eyes, see if that’s enough to make the gathering tears of relief spill over. Wants to see your puffy bitten lips wrapped around her fingers rather than your straw. Time just gets away from under you two, Jay too enthralled with the way your hands move as you tell a story, you too drunk under her attention to bother looking at the time.

No notes. I love when two people are equally enthralled with each other

And Jay, Jay doesn’t really have a phone besides a collection of burners but for you she’ll keep one on her. “Could always use another friend,” she says slowly, hands her phone over to you anyway.

aw that's sweet but also only burners my girl? I worry for her lots

Your ensuing enthusiasm sets to right the last of her worries that you’d only offered out of obligation and she sets about monopolizing as much of your free time as she can get away with. Takes you to the movies, to museums, to lunch. Lends you her sweater, her umbrella, her helmet. Actually thinks about buying a second one with how much use you’re getting out of hers.

I've decided that they're married, your honor. Just, ah, I love how quickly they entwine into each other lives! Just finding your person and knowing you want to be with them all the time, do everything and anything with them.

How she’s come with the image of your tear-stained face, fingers buried in her cunt. It’s fine! Jay’s fine. Eventually she’ll learn to stop lusting over her darling best friend who looks up at Jay with such sweet trusting eyes, unaware of what an awful lecher she is.

Oh, it's so fine. They're absolutely just friends and there isn't anything more to it at all and they definitely don't see each other anything but platonic besties

“Oh what’s this, a party?” you ask, hair falling down the nape of your neck in a way that has Jay itching to brush it aside and kiss your spine.

I mean, I'd let her

“You hate the Jimmy Choos,” Jay reminds you. “Always complain they pinch your feet.” “Duh,” you tell her, pushing yourself up. “But they make my legs look like sex so I’m wearing them.” Jay has to swallow a couple of times at that, lost in the last time you’d worn them out clubbing and dragged her with you. Your legs had looked like sex, miles of long yummy skin only ending at your barely there mini dress.

AHH, I'm losing it over this interaction!! and all of it done in each others arms!! INSANE!! It really shows how comfortable they are with each other. I just adore friends to lovers

Your fingers come to her throat and slowly undo the buttons there until only a single button or two above her waistcoat remains done up. Satisfied with your work, you spread the material flat under your palms, right over the swell of Jay’s breasts. “I think you look really nice just like this,” you confess to her. Jay can barely breathe as she says “Fuck the tie, never liked ‘em anyway.” Your slow smile is worth it.

PLEASE! I'm drooling. Reader is better than me cause I would not have made it out of her apartment

Jay is secretly, privately glad that you don’t notice Dick’s eyes lighting up with interest in you as you come in to view. She’s very careful to stamp that light out with a scowl and pantomiming slitting his throat. He’s all charm and smiles when he’s introduced to you though Jay still stomps on his toes for good measure.

I actually love Jay's and Dick's sibling antics

“You just told Mr. Texas Oil Man that you’re here on a date,” Jay says, voice tight and frustrated at having to spell this out for you. “And we–” she gestures sharply at the two of you “–are not on a date.” Your face falls, voice thin and hurt. “We’re not?” you ask softly.

Misunderstanding of century!! But I am eating it up!!! Angst is my kryptonite

“You– you thought this was a date,” she says slowly. “You got all dressed up and wore the heels you hate because you wanted to look good. For me.” You hug yourself tightly and nod, gaze fixed on a spot on the floor.

owwww. The heartbreak. The humiliation. I wanna sink my teeth into it

“Yeah, Jerry,” Jay says, not sure where this is going. “Fuck that guy.” “Gerry short for Geraldine!” you practically howl. “I’ve been practically throwing myself at you ever since, I thought you were just being nice and not saying anything to hurt my feelings,” you yell at her. “I thought– I thought you were finally giving me a chance tonight.” You pant, chest heaving as you reveal this more vulnerable truth.

GERRY! just, oww!! All of this is ow. Fr the pain reads so real and I'm devouring every line

And fuck. Jay’s not about to let the best thing that ever walked into her life just walk right back out. Not without a fight. Eating up the distance with her longer legs, she reaches out and gently clasps your wrist. Turns you around and pins you the door by it, forces you to look up at her with wide teary eyes.

Swooning. This angst is so sick and twisted (but in a good way, I swear)

“Why don’t you tell me what you were hopin’ for with your one big chance, tell me how tonight was supposed to go.” Jay nuzzles the side of your cheek, inhales the sweat and desperation rolling off your skin.

CRUEL and UNUSUAL. I'll take fifteen

Swiftly Jay drops to her knees, so fast she barely recognizes the pain of it. Hooks your leg over her shoulder and starts rucking up your devastating dress to expose your panties. Moaning you scrabble at the door, her hair, anything to keep you upright and balanced.  “These,” she snarls, then licks a fat stripe across the thin fabric of your black lace panties. “I’ve been dreaming of getting my hands on them since I first saw them.” You shiver, bury your hands into her thick hair for balance.

Plssss, chekhov's gun but it's the underwear I knew were gonna come back up. I looove it. And Jay being just as desperate has me feral!!

Spells her own name against your clit, brands her claim on you into your flesh as you wobble and whimper. Slick runs down her face as she grinds her nose into you.

hehe, The way I am giggling and twirling my hair

Jay bites down at the sensitive inner skin of your thigh and suddenly has to drink down the slick of your second orgasm. So her baby girl likes a little pain with her pleasure, she’ll have to remember that for next time.

I think I forgot how to blink reading this. my jaws on the ground

Pulls your skirt back down to hide the utter wreckage she’s made of your panties. Jay scrubs at her chin with her hand, then licks down all the sweet remaining slick she finds there. Grins felinely as you moan at the sight.

!! They're nasty and I love them for it

“I’m taking you home and I’m fucking you until either I pass out or the sun comes up.” “Okay,” you say, voice just verging on a whine. “That sounds better, actually.”

eee I'm obsessed with this!! The way I want to sink my nails into it and never let go. I looove they're dynamic fr. Sunnie you're actually feeding the Fem!Jason enjoyers soooo good 🥰💙

A Fever You Can’t Sweat Out

Part 1: Unexpected Faces in Familiar Places

fem!jason todd x fem!reader summary: jay makes a new friend, now if only she could be something more... tags: sexual harrassment, threats of violence, idiots in love, flirting, swearing, sexual tension, semi-public sex, cunnilingus, fingering rated explicit (mdni) | wc: 4.7k a/n: enjoy! i've been having a really shitty week (even before the election) so i scrapped my original intention to only post once it was fully written and decided to just share this with you all

Jay Todd has the shittiest day to cap off the shittiest week in what feels like forever. Her ribs ache from a hit on Monday that’s still not fully right and she spent most of the day chasing down one of her accountants that had the sheer fucking nerve to try and steal from under her nose. Her knuckles are bloody, she’s on the verge of a stress headache, and all she wants is to drink her goddamn drink in peace. Apparently that’s too much to ask for because she gets a call from Cala down at one of her bars about out of towners harassing the guests and now that just won’t do at all.

Jay bursts into the bar, door hitting the wall with a crash, and oh fuck she forgot her helmet at home so she’s gonna have to do this as Jay, without the weight of the Hood’s legend behind her. Taking a deep breath she squares her shoulders and swaggers in. Zeroes in on the two chucklefucks have that cornered a poor girl sitting at the bar. Notes the way she’s hunched over and pulling down the hem of her skirt to hide her skin from lecherous eyes. Cala buzzes around the scene trying to divert their attention away from poor little miss unlucky but it doesn’t work.

“–m not alone,” Jay hears you say as she strides towards the bar. “I’m waiting on a friend.” 

“That so,” the taller of the two men leer. “Well she can just join us too. Plenty of room for more.” The shorter man makes a crude gesture at his crotch and Jay sees red.

“There you are!” She calls out, shoulders past the men without even acknowledging their presence. “Sorry I’m late, traffic was a real bitch. Did you already order our drinks yet?” You look up at Jay with gratitude and something suspiciously like tears shining in your eyes. Fuck. You’re pretty.

“No I– I didn’t know if you were planning on driving so I just waited,” you play along. 

Jay goes to take the seat next to you but shoulder slams into a body. She turns and raises a single disdainful eyebrow that she knows for a fact has made grown men cower before.

“You’re in my seat,” she says, low and bored. The man’s face starts to go a horrible shade of red that clashes terribly with his hair.

“So you think you can just butt into a private conversation, bitch?” He snarls, spittle flying.

Jay very conspicuously wipes the front of her leather jacket with a bar napkin. Looks him up and down and smirks.

“I think your conversation was over 30 seconds after you opened your mouth. I bet a lot of things are over in 30 seconds with you,” she tells him coolly.

He opens his mouth to respond, vein pulsing in his forehead but the cock of a shotgun stops him. Cala, blessed Cala, had finally had the distraction she needed to grab the shot gun from under the bar and she is using it to maximum effect.

“Out!” She thunders, waving the shotgun in the men’s faces. “Out and don’t you ever come back. This is one of the Hood’s bars, we’re under her protection and there’s gonna be hell to pay for this.”

Enraged the larger one goes to yell back but the shorter one grabs at his shoulder. Whispers at him to look around at all the hostile faces, the other regulars getting to their feet and cracking their knuckles. Tails between their legs the two nuisances scamper out.

Jay nods at Cala and she calls out “Next round’s on the house!” to the cheers of the room.

Job taken care of, Jay goes to leave when a hand around her wrist, just catching her under the hem of her jacket, freezes her in place.

“Wait!” you call. She turns to look at you properly, the wobble of your lip and the shortness of your skirt from where you’re no longer tugging it down. “Please? I just– I’m worried they’ll be waiting outside for me. I was supposed to meet a date here but they bailed on me and now I have to wait for the next bus to come. Would you stay with me for a bit? Please? I’ll– I’ll buy you a drink for the inconvenience.” And well, Jay always was a sucker for a damsel in distress.

“Sure,” she says, slinging herself lazily back into the bar chair. “It’s no inconvenience but I’ll take that drink. Whoever he is, he’s gotta be mad for standing a pretty girl like you up.”

“Oh um,” you fluster at her words. “Thanks?”

Cala sets down Jay’s usual order for when she’s driving in front of her and refills your drink. Waves off your fumbling with your wallet with a “It’s on the house, chérie. Our apology for the bad night. Besides,”  she nods at Jay “the Boss Lady would not let you pay if you tried.”

You grow more flustered at that and Jay rolls her eyes at Cala’s interfering. She lays a hand on your bare forearm to get you to stop tearing the napkin in your hands to shreds.

“You’re not in any trouble honey,” she says, voice low and soothing. “Just needed a little help, that’s all. Now my name’s Jay and I own this little establishment. Why don’t you tell me a little something about yourself too?”

You stutter and start through your own self-introduction, mascara long eyelashes fluttering at all the attention. Jay’s just so goddamned tempted to press her thumb into the hollow underneath your eyes, see if that’s enough to make the gathering tears of relief spill over. Wants to see your puffy bitten lips wrapped around her fingers rather than your straw. Getting you to talk about yourself seems to work though, familiar territory slowly evening you out. You’re surprisingly witty when you’re not flustered, someone fun to have a conversation over beer with. Time just gets away from under you two, Jay too enthralled with the way your hands move as you tell a story, you too drunk under her attention to bother looking at the time.

A stray notification catches your attention, interrupts your story about how this bar wasn’t even in your bottom five. You roll your eyes at the sender name.

“Jerry,” you answer Jay’s inquisitive look. “Apologizing for standing me up, for all the good that’ll do.” With a flourish you tap at your screen, smile and say “Blocked.”

Jay can feel the corners of her eyes crinkle up in return, simple joy and approval for you cutting the trash out of your life. Not that she’s really entitled to an opinion on it. Your smile lasts a half second longer before suddenly descending into panicking, fumbling out your phone and chanting no no no under your breath.

“I missed the last bus,” you breathe out, eyes wide. Jay’s brain stutters at that, there’s no way you’ve been talking together for four hours. Cala catches her eye and jerks her head up at the big clock hanging over the bar. Fuck. It really has been four hours.

Jay knocks back the last of her beer and stands, extends a hand out to you to help you hop off the bar stool that’s just the wrong side of too tall. Even in your heels Jay’s still got quite a few inches on you.

“C’mon,” she says. “It’s my fault you were out so late, I’ll give you a ride home.”

She leads you outside to where her bike is parked, your palm still in hers.

“I don’t have an extra helmet so you just take mine okay?” She says, putting it on you.

“We’re– we’re going on that?” you squeak out, surprise rendering you docile.

“Yep,” she answers, already straddling the bike, thighs flexing. “Hop on and hold on tight.”

Jay more feels than hears your scream as she revs the engine and takes off, corners maybe just a little too fast to be anything other than showing off. Too soon she pulls up at your front door and already she mourns the feeling of your arms wrapped around her middle. She gives you a hand to help you off the bike again and nearly buckles at the brief glimpse of the black unlined lace panties she sees under your skirt as you swing your leg over the bike. The two of you stand there facing each other, moment stretching out until a car backfires a few blocks over.

“Well, I guess I should get going, “ Jay tells you reluctantly.

“I’ve got work in the morning,” you respond, still not moving. “Wait! D’you want my number or something so we can do this again? Not the first bit obviously, but maybe drinks? Maybe coffee next time?”

And Jay, Jay doesn’t really have a phone besides a collection of burners but for you she’ll keep one on her. “Could always use another friend,” she says slowly, hands her phone over to you anyway. Grinning, you see her off into the night, taillights dissolving into darkness.

Jay calls first, asks about coffee with too much casualness in her voice. Your ensuing enthusiasm sets to right the last of her worries that you’d only offered out of obligation and she sets about monopolizing as much of your free time as she can get away with. Takes you to the movies, to museums, to lunch. Lends you her sweater, her umbrella, her helmet. Actually thinks about buying a second one with how much use you’re getting out of hers. Bitches with you about assholes at work – not that she gives you the full story – and bemoaning the state of customer affairs. Makes you dinner at her apartment and makes a spot for herself on your couch. Worms her way into every corner of your life without regret because you’d tell her if her presence was unwanted. Right?

Leave it to Jay to come back from the dead and still fall in love with a straight girl. Dick teases her about how far she’s willing to bend over backwards for ‘just a friend’ and Jay has to show her teeth and snap back that at least she has some. Has to cover up for the fact that her sanity is hanging by a goddamn thread thinner than that single string that had tied the open sides of your top together that one afternoon, revealing bare skin and the hint of a breast if you leaned just right. The way she almost walked into a wall when she realized you weren’t wearing a bra the first time she came over to your place. How she’s come with the image of your tear-stained face, fingers buried in her cunt. It’s fine! Jay’s fine. Eventually she’ll learn to stop lusting over her darling best friend who looks up at Jay with such sweet trusting eyes, unaware of what an awful lecher she is.

A gala invitation has Jay wishing she could shoot lasers with her eyes and incinerate it. Her eye twitches with annoyance and you snatch it up out of her hands before she can stop you.

“Oh what’s this, a party?” you ask, hair falling down the nape of your neck in a way that has Jay itching to brush it aside and kiss your spine.

“A stupid one,” she answers, not really paying attention.

“But you’ll have to get all dressed up for it! Please, please can I come over and watch you get ready? You never get dressed up,” you pout.

Even with your whining and pouting, Jay can’t help but think she’d still have a better time at the gala with you by her side to distract her from pointed glances and whispers. She sighs. Wait.

“There’s a plus one on that invite,” she tells you nonchalantly, studying your face in her peripheral vision. “You could come if you want, get all dressed up too.”

You stiffen at the question. “You really mean it?” you whisper, hardly daring to breathe.

“Course, but only if you want to,” she offers. You squeal, clutch the envelope to your chest and tackle her.

“It’s short so I’ll probably have to rent a dress and oooh I need to think about makeup, maybe a bold lip? Oh! And I can have another excuse to wear the Jimmy Choos...” you babble in her arms.

“You hate the Jimmy Choos,” Jay reminds you. “Always complain they pinch your feet.”

“Duh,” you tell her, pushing yourself up. “But they make my legs look like sex so I’m wearing them.” Jay has to swallow a couple of times at that, lost in the last time you’d worn them out clubbing and dragged her with you. Your legs had looked like sex, miles of long yummy skin only ending at your barely there mini dress. You prance around the room pulling down dishes for dinner and Jay sighs, melts back into the couch cushions as she listens to you chatter a mile a minute about how excited you are.

Jay’s really, really regretting her impulsivity by the time the gala rolls around a few days later. In all her excitement about not going alone for once, she’d forgotten that this meant she’d be going with you. With you, all dolled up and mouth-wateringly gorgeous.

You knock at her door earlier than she’d expected from you when a fancy event is involved and has to do her very best not to drop her jaw on the floor. Gorgeous green silk pools around your breasts in a daring cowl neck, the fabric clinging to your curves, draped to exaggerate them. Skims the plush sides of your hips before falling straight to the floor, a daring slit revealing the warm bare skin of your leg ending in those heaven sent Jimmy Choos. Jay stares, knows she stares for a beat too long but there is quite literally no force on earth that could tear her away. You start to squirm under her attention, still standing half in her doorway.

“That bad, is it?” You laugh self consciously, start to cover your cleavage with your hands. “I knew it was too much.”

“No, no it’s just enough,” she rasps, standing back to let you in. You brush past her so close she can smell your perfume, can tell you’d broken out your special occasions scent in the nice glass bottle. “I just need to fix my tie and do my hair and then we can go.”

“Do you need the tie?” You hum, stepping into her space. Grabbing a hold of one of the loose ends, you tug it out from where it’s tucked under her collar and drape it over the couch. Your fingers come to her throat and slowly undo the buttons there until only a single button or two above her waistcoat remains done up. Satisfied with your work, you spread the material flat under your palms, right over the swell of Jay’s breasts. “I think you look really nice just like this,” you confess to her.

Jay can barely breathe as she says “Fuck the tie, never liked ‘em anyway.” Your slow smile is worth it.

“Can I do your hair too?” You ask shyly.

“Don’t see why not, I was just going to do a ponytail,” Jay shrugs. Delighted you push her down onto the couch and start pulling bobby pins out of your purse. “Wait did you plan this?” She asks.

“A girl should always be prepared for the best outcome,” you tell her primly as you stand behind her and finger comb her riotous hair.

Quickly you separate out a deep side part and Jay memorizes the feeling of your hands in her hair. Hands twisting and pinning, you’re done in only a few minutes, handing her the little mirror out of your clutch to admire your work. Softly Jay touches your work, the way you’ve slicked back one side of her hair and made the waving curly mess look artistic and purposeful.

“Thank you,” she says, making eye contact with you in the mirror. She means it, means it for more than just fixing her hair but for everything else you’ve done since stumbling into her bar and her life all those months ago.

“It’s nothing,” you tell her, hands suddenly occupied with the mechanism of your purse. “We should probably get going, right?”

Jay drives the two of you to the venue in a really nice car you’ve never seen before. She waves away your questions with a tight, “My dad won’t even notice it’s missing.” She parks at the end of the red carpet and the doors haven’t even opened yet but you can already see the camera lights flashing. You look at her, suddenly nervous because you’d vastly underestimated how important this event was. She turns to you and smiles, grips your hand over the car console.

“Hey,” she says, all softness. “Just stick with me and you’ll be fine. I’ll head off the vultures, you just hold onto me and enjoy the canapes, okay?”

You nod, and then suddenly she’s opening up your door, hand extended to help you out. The lights are blinding, flashing so fast the afterburn never gets any time to dissipate. Pasting on a smile you cling to Jay’s strong arm, rock solid even under all her suit layers. Paps shout and scream at you to look their way and you can barely hear them over one another.

Eventually the two of you make it through the front doors of the hotel and you gasp like you’ve been drowning. Rubbing your shoulders Jay moves to cover you, cuts off the private moment from prying eyes that seek and skitter.

“Is it always like that?” You gasp. Fighting to regain your balance.

“Unfortunately,” she says with a rueful smile. “But that’s the worst of it over, now we can really enjoy the night.” Gallantly she offers you her arm and you accept it gratefully, her elbow brushing up against the swell of your breast as you walk.

She introduces you to the night’s hosts – her family – with a whispered apology in your ear. Jay is secretly, privately glad that you don’t notice Dick’s eyes lighting up with interest in you as you come in to view. She’s very careful to stamp that light out with a scowl and pantomiming slitting his throat. He’s all charm and smiles when he’s introduced to you though Jay still stomps on his toes for good measure. She doesn’t know what possesses her to, but she wraps a proprietary arm around the small of your back as she steers you around the room. Helps you to crystal flutes of champagne that make your nose twitch at the carbonation and warns you off the most disgusting canapes.

Jay has just chased down the waiter carrying the mushroom and cheese quiche bites you’d fast declared your favourite when the two of you get roped into a very stilted conversation with some of the fat cats the Waynes are currently trying to drain dry, for charitable reasons of course. She’s tuned out the conversation while she piles all the best looking bites onto a plate for you, horrifically uninterested in whatever Mr. Harold J. Carson, esquire had to say about the Texan economy. She cottons on to something being wrong as your hands tense up around her arm and your laugh gets ever more brittle.

“That’s a very kind offer Mr. Carson–”

“Harold, please,” the great mustached walrus harumphs.

“–Mr. Carson,” you bravely soldier on. “But I’m here on a date and I hope you’re not implying that I’m the type of woman to two-time someone.”

He turns an ugly shade of puce and sputters at the implication, society matrons chuckling behind their glasses at his terrible blunder. Sensing an opportunity, Jay grabs you by the arm and starts leading you away.

“I do think our presence is needed by my family elsewhere,” she says, vowels Diamond District clipped. Her grip around your fingers is strong, tighter than it’s ever been as she leads you down a hallway and into an unused meeting room. Her breaths are coming heavy as she drops your arm like she’s been burned, deposits the plate on the empty table. Jay knows if she speaks now, her voice will shake and she will not have that. FUCK. Fuck, she was supposed to have this under control by now. She’s not your keeper, she’s not gonna stand between you and happiness but fuck it hurts to be used like a ticket into someone else’s bed.

“Jay,” you ask cautiously. “Are you okay? I really wasn’t going to take him up on his offer, I’m telling the truth, promise.”

“Why’d you come with me as a friend when you were already invited as someone’s fucking date?” Jay spits out, unable to contain her jealous anger and pacing to try and burn it off.

“But you invited me,” you answer her, voice trailing off in confusion.

“You just told Mr. Texas Oil Man that you’re here on a date,” Jay says, voice tight and frustrated at having to spell this out for you. “And we–” she gestures sharply at the two of you “–are not on a date.”

Your face falls, voice thin and hurt. “We’re not?” you ask softly.

Jay has to stop pacing because wait what.

“You– you thought this was a date,” she says slowly. “You got all dressed up and wore the heels you hate because you wanted to look good. For me.” You hug yourself tightly and nod, gaze fixed on a spot on the floor. “But you don’t even like women?” And it’s less a painful fact she knows now and more of a question. 

“We met because my date stood me up!” you exclaim.

“Yeah, Jerry,” Jay says, not sure where this is going. “Fuck that guy.”

“Gerry short for Geraldine!” you practically howl. “I’ve been practically throwing myself at you ever since, I thought you were just being nice and not saying anything to hurt my feelings,” you yell at her. “I thought– I thought you were finally giving me a chance tonight.” You pant, chest heaving as you reveal this more vulnerable truth.

“Oh,” she says stupidly, suddenly forced to re-contextualize her entire life for the past few months. You dash an angry hand at your tear eyes and turn to go.

“It was my mistake,” you tell her voice thick with emotion.

And fuck. Jay’s not about to let the best thing that ever walked into her life just walk right back out. Not without a fight. Eating up the distance with her longer legs, she reaches out and gently clasps your wrist. Turns you around and pins you the door by it, forces you to look up at her with wide teary eyes.

“Oh sweetheart,” she croons and you shudder. “Bet you’ve been feeling like I’ve been treating your real raw lately.” She cups your face in her hand, smoothes her thumb over the high plain of your cheekbone. “Why don’t you tell me what you were hopin’ for with your one big chance, tell me how tonight was supposed to go.” Jay nuzzles the side of your cheek, inhales the sweat and desperation rolling off your skin.

“We were– we were supposed to dance,” you confess, head falling back against the door. 

“We can still do that,” she says, curling her fingers into your hair and pulling. She grins at your swift inhale.

“We were gonna dance an’ then, then you were gonna take me home.” You breathe out, pupils blown wide with hunger.

“Was that it baby girl?” She asks. “Playing it a little safe for your one night fantasy, weren’t you?” Jay lets go of your wrist to rest her hand on your shoulder, large hand pressing down on your collarbone.

“Was gonna kiss you goodnight,” you whimper, shivers running across your skin. Slowly, so slowly you can make out the ticking seconds hand of the big clock on the wall, Jay leans in and carefully slots her mouth down over yours. Sucks gently on your bottom lip before releasing it with a sigh.

“Like that?” Jay asks. “You were just hoping for a sweet little kiss on the mouth?” Her own breathing is ragged.

“No–o,” you gasp. “Was hoping– was hoping you’d kiss a little lower too.”

Swiftly Jay drops to her knees, so fast she barely recognizes the pain of it. Hooks your leg over her shoulder and starts rucking up your devastating dress to expose your panties. Moaning you scrabble at the door, her hair, anything to keep you upright and balanced. 

“These,” she snarls, then licks a fat stripe across the thin fabric of your black lace panties. “I’ve been dreaming of getting my hands on them since I first saw them.” You shiver, bury your hands into her thick hair for balance.

“They’re my– my lucky date underwear,” you gasp into the air. 

“And you were hoping to get lucky tonight, weren’t you baby girl?” She coos up at you.

Biting your lip, you nod. Jay sets about tearing your underwear to pieces with her teeth. Your thighs tremble around her ears and she slams your hips back down against the door. Spreads your lips open with calloused fingers, presses a light kiss to your clit in greeting before she starts making out with your pussy. You howl and sag, trusting her to take the full weight of you as your knees turn to jelly.

Jay eats you out with enthusiasm and she eats you out with experience. Does this thing with the slick thrusting muscle of her tongue that has you gasping and begging for more. Can feel the heel of your shoe digging into her back, urging her own, begging her to fuck you harder. Spells her own name against your clit, brands her claim on you into your flesh as you wobble and whimper. Slick runs down her face as she grinds her nose into you.

Sucks your clit, hard, just a hint of teeth as she spears you open on a thick finger. Twists and curls it against your slick wet walls, lets herself affectionately get acquainted with your cunt. Scissors you open with two fingers just to watch your head bang back against the door, eyes shut and tears streaming down your face. Sets an uneven rhythm with her fingers and tongue that has you moaning and trying to ride her face for more. Finger fucks you with wet, squelching vigour as you quiver and shake, walls tightening up as you careen towards climax. Starts putting pressure on your rim with a third finger just to tip you over the edge of it all, pleasure making you stupid. Jay bites down at the sensitive inner skin of your thigh and suddenly has to drink down the slick of your second orgasm. So her baby girl likes a little pain with her pleasure, she’ll have to remember that for next time.

Gently, she takes your trembling thigh off her shoulder and places it back onto the ground. Pulls your skirt back down to hide the utter wreckage she’s made of your panties. Jay scrubs at her chin with her hand, then licks down all the sweet remaining slick she finds there. Grins felinely as you moan at the sight.

“Hoping for a little something like that, honey?” She teases.

Vigorously you nod, head bouncing back and forth like a bobblehead, words still fucked out of your brain. She holds out a hand to you – not the one that’s just been buried knuckle deep inside you – and clasps your hand in her own.

“C’mon, let’s go home then,” she tells you airily, leading you back through the maze of the building.

“But what about the party?” you ask, mascara still smeared around your eyes.

“I don’t care,” Jay bites out. “I’m taking you home and I’m fucking you until either I pass out or the sun comes up.”

“Okay,” you say, voice just verging on a whine. “That sounds better, actually.”

“Good,” Jay smirks. “Because it wasn’t a question.”

series masterlist | part 2

[reneesghostinthelivingroom]

hello! i was wondering if you could do poly!plastic x reader where regina has a condition like anemia or is simply just sick and won't admit that she's sick or needs help till she eventually collapses. sorry if it's too specific and you absolutely don't have to do it if you fon't wanna! :)

The Date-

|| poly!plastics x nonbinary!reader

|| Warnings; mostly Regina's pov, mentions of throw up, Regina's sick and hiding it, Gretchen stands up to Regina (though briefly), Regina blacks out, brief swearing

|| Summary; when Regina wakes up, she finds she isn't feeling well. But holds out for the date later that evening.

Requests closed!

Started; November 13th

Finished; November 13th

+ Anon Request; hey can you do poly!plastics x reader where it's regina being sick or anemic (only her gfs know that) but would never admit if she's not feeling well because she has an image to "uphold." sorry if it's too specific! it's all gopd i you can't 😅

Author Note; i wrote her being sick, since that was easier for me to write 🫶

~~~

It wasn't often Regina George got sick. In fact, there was hardly ever a time where she was. Of course she's faked being sick a number of times, just like every other kid. But today she was not feeling great. Like, at all. Every time she took a step Regina felt like she would throw up. Or pass out. Or both.

But did she take the day off? No. Because there were things she genuinely wanted to do at school and after today. She wanted to see her girlfriends and partner. Plus, Regina was looking forward to their date tonight. She booked them reservations at a nice ass restaurant and it would suck to lose their spot. Considering the next wait was nearly two months. She wasn't about to wait forever again. So, Regina tried her hardest to look okay. She may have over done it a bit on the makeup, but Regina hardly cared right now.

Despite feeling sick, Regina still took the time to pick up all of you. You, Gretchen and Karen. None of you noticed the signs at first. Gretchen thought she maybe saw a grimace, or was it a scowl? Sometimes it was hard to tell with the blonde. She did try keeping an eye on her, though it didn't take long before Gretchen was distracted by Karen's lips.

Being at school was probably the worst part of it. She skipped a lot of her classes. Regina ended up spending most of her day in the bathroom, just in case she threw up. Because there was no way she would be listening to a teacher right now. No matter who told her to. She'd come out for lunch, hanging out with you and the girls. Trying to seem okay enough that no one would ask her any questions.

Regina managed to make it all the way until the end of the day. Where everything went wrong. Regina was walking next to you, on her other side was Gretchen and Karen. The four of you walking together. You held Regina's hand, rambling about whatever your latest interest was. And Regina tried to pay attention. She really, really did. But... everything went black.

She could vaguely hear the sounds of voices, though it was like she was separated by water. It was muffled, groggily. All around impossible to understand. When she finally came to, Regina was in the nurse's office at the school. Bucket at her couch side. You were next to her while Gretchen and Karen watched nervously. Hands and arms linked together. She groaned as she tried to sit up, but you put a hand to her chest. Keeping her down.

"No you don't," You murmured. Regina's eyes locked to yours and you could see the pain and nausea behind her eyes.

"What..?" Regina had started to ask what happened, but you answered before she could speak. Wanting her to save her strength. You gently brushed Regina's hair out of her face, hand cupping her cheek before you spoke.

"You passed out. Nurse said you looked feverish," You explained, Regina scoffed and rolled her eyes. Slowly letting herself sink into the couch a bit. Before her eyes widened.

"The date-" Regina said, once gain thinking about the reservations. You just smiled softly and shook your head. Looking to Gretchen.

"Absolutely not, those reservations aren't as important as your health." Gretchen put her foot down; which was rare for her to do. Especially to Regina. Though Gretchen's worry for her out weighed any fears.

"There were reservations?" Karen blinked, looking at Gretchen. She forgot all about it. Gretchen just sighed.

"Not for tonight." Her tone held a sense of firmness to it that sounded weird coming from Gretchen. Regina challenged her, knowing it usually didn't take much to sway the girl.

"Excuse me? We're going, I paid a shit tone for those spots. Besides, I'm literally fine. You're overreacting." Regina grumbled. Trying to keep hold of her image. She had to be fine.

You frowned at her, deciding to take over when you saw Gretchen tense up," we'll get a refund, baby. Go another time. But like Gretchen said, those reservations aren't as important as your health."

Regina did not look happy in the slightest. But she finally stopped fighting on it, mostly because she threw up in the trash can. And she was smart enough to know there would be no convincing after that.

[nevertoomanyspiders]

it's a Wheeler!

for literally no goddamn reason, have an assortment of Wheelers from various adaptations and depictions ...that aren't John R. Neill's art or Return to Oz stuff, everyone already knows those, haha.

...well ok except this one from the endpaper of Ozma of Oz because it's new to me, at least, and the gutenberg.org copy doesn't have it.

what a dang dork, bless. glad he and Tik-Tok set aside their differences to watch the race.

Illustration

from 1976 Polish edition of Ozma of Oz with art by Zbigniew Rychlicki, via Reddit:

these lads are so stylish and their oversized heads are pretty freaky, dang.

a very 17th century Wheeler from 1970 Japanese edition of Ozma of Oz, art by Sonoko Arai, via Hungry Tiger Talk:

a dang goofy Wheeler by Vlada Stolikovich, 1976. also via Hungry Tiger Talk:

anyway, fuck, um, everything else is under a cut because this post ended up a bit too long oops.

something I have a hard time finding information on beyond that what I assume to be a Korean translation (?) of an Indonesian edition (???) of Ozma of Oz with 3D CGI illustrations. would be fun to see if there's more images within. not a damn clue who made these illustrations, either.

gosh those Wheelers. dunno what the artist was going for but there's a bit of a renaissance vibe. what if this was an animated thing? on that note...

Animated adaptations

the 1987 direct-to-video short Dorothy Meets Ozma of Oz has uh. these fuckers. seemingly there's only two. probably because of low animation budget, lol.

well, I say there's two, but it's just one design with a palette swap one has blonde hair and pink coat, the other has black hair and orange coat or something. also it's not evident from the screenshots but these dorks have long, pretty eyelashes and GAWD the voice acting is. well. hear for yourselves.

one of my favourite moments is Ozma turning up, saying "Enough." and bonking a Wheeler on the head with her scepter. here's the time stamp.

oh yeah I'm sure a bunch of folks have seen the Wheelers as seen in Oz Kids courtesy of this post. they appear in the episode Who Stole Santa. (and no it wasn't the Wheelers, obviously, they're just here to be annoying and trying to prevent the characters from taking a specific path.)

the guy in purple, who I'm calling Squeky Wheel, looks a lot like the Wheeler in this Ozma of Oz chapter art by John R. Neill. poor guy got walloped pretty hard.

anyway only Squeaky talks while his two buddies remain silent. these guys are such pushovers and the kids aren't scared of them at all.

Dorothy and the Wizard of Oz (2017-2020) has these little bobble-headed goobers.

can't say I'm crazy about how they look but their characterization as reckless speedsters is a fun one. in one episode they even make friends with Tin Man after he replaces a busted wheel.

Ozu no Mahotsukai (オズの魔法使い, 1986-1987) has a... very strange interpretation of the Wheelers, but then, the series does play fast and loose with the source material as it is, which I don't mind! an adaptation doing something fun with the source material adds an element of unpredictability which I like... so, I'm not terribly surprised by how much they deviate from the book descriptions.

they wouldn't look too out of place in the B.C. comic strip.

and this segues perfectly to...

Comics

the Marvel comic adaptation of Ozma of Oz by Eric Shanower (writer) and Skottie Young (artist) probably has some of my fav depictions of the Wheelers, and I really like this variant cover (I believe it's by Eric Shanower?)

these guys are utterly freaky but also dang silly. watching these fucked up abominations bumble around defuses the terror.

there he go

so, there's the ones I've seen so far. if there's more that you know of, SEND THEM TO ME I NEED THEM SO BAD HELP

[romchat]

Fangs of Fortune (Ep. 25): Quick thoughts on the visuals

Pretty sure that last scene of Fangs of Fortune's Episode 25 made me feral and has not given me a moment of peace since I saw it (where's the fanfic, y'all???), but it did highlight for me something distinct about Director Guo Jingming's visual storytelling that isn't often discussed: his actor blocking.

Like in My Journey to You, Guo often uses how the actors are positioned in relation to the set and one another to reveal something about their characters, and he then shifts them like pieces on a chess board to signify changes in their mental state and/or relationships. This directing choice really gives his scenes a sense of movement and tension because the characters literally end up in different positions than where they started. We see the change on screen as much as we hear it in the script.

At the beginning of the scene, we see Li Lun looming over Zhou Yichen, reveling in the latter's apparent defeat over being harassed for being a demon.

Even though Li Lun eventually kneels down, it is menacing and just as much a power move as when he was standing up.

But we instantly feel the switch in the flow of power within the conversation when the distance between the two actors gets smaller. It's like Li Lun is both compelled and repulsed by Yichen's defense of humans and his criticism of Li Lun's indiscriminate violence towards them.

So we know that Li Lun has lost control of the situation when he stands up again and leg kabedons Yichen, pinning him roughly against the wall. Unlike earlier in the conversation, he now has to resort to brute strength to repress Yichen, and we see that realization on Li Lun's anguished face.

SIDE NOTE: That little grunt and exhale of air from Yichen at that move? Sorry, my mind wandered. Moving on...

Up until this point, Yichen has been relatively calm, but when Li Lun goes too far by calling him a coward like Zhu Yan (big mistake to insult his man!), Yichen demonstrates his power and blasts him away from into the water.

Not only is Yichen now looming over Li Lun, they're literally not on the same level, the latter isolated and cast in darkness. His resentment and crimes have sunk him to such a level that Yichen can only see him as pitiful.

Li Lun's switch to Bai Jiu's form in the background as Yichen walks away reinforces this. As a child actor, Lester Lin is significantly smaller than Yan An, so the use of his body makes Li Lun look even weaker.

SIDE NOTE: What a devastating use of rack focus from Li Lun to Yichen, showing how his manipulation won't work on Yichen no matter how painful it must feel to see Xiao Jiu. The shallow depth of field weakens Li Lun's image (and therefore power) even further.

Finally, I love how this scene ends with Yichen walking past Li Lun who remains immobile in the water but eventually drags himself in the other direction. It's the perfect bookend to the start of the scene. Yichen moves beyond that barrier (Li Lun's body), looking forward into the future despite the challenges he will face, while Li Lun's stays behind, most likely choosing an even more self-destructive end to his tragic story.

God, I love this director even when his writing drives me up a wall.

[dessdemise]

WOOO YEAHGH.... saw this base on @deepseaspriteblog (who also sprited the dreamer outfits, sorry i forgot to include that on the image!) for the cyclops species by @lucheek and i really wanted to make one.... and was attacked by the Pink Fever. sorgy. planning to take the general notes of this design and apply it to other species (fantroll, fankid and cherubs r def on the planner but if there's ever a lets make a rando guide which is another species by that same creator i will be THERE!!) hence why i made it a rogue of space. i saw somebody describe rogues as "one who shatters their aspect and distrubutes it among other players" n i thought that'd be a fun class for what will esentially be a multi-universe character.

i hope this Girlthing meets the species standards! i didnt see anything abt naming conventions or dreaming moons or symbols or anything so i looked at the few other cyclops designs i could find and tried to work off of that. id love to know if this breaks any species conventions even if it isnt a Sin bc i enjoy designing my characters as closely to the spoken/unspoken rules of a species as possible. my fantrolls will NEVER have eyebrows!!!!!!!! nevaaa /j sorry if this is formatted awkwardly or does not meet tumblr-etiquette standards (am i supposed to tag artists on these posts? or only credit them by name? or tag some sideblog? argghghh) i literally have not a clue on how to use this website. im learning. be patient with me...

[mistriavalley]

Alex with an insecure chubby farmer (gn!farmer)

Note: Got this idea from @hermits-crab. I also had sm fun writing this! I struggle a lot with my own body image so writing these headcanons brought me some comfort :3

TW: negative body image, negative comments from the past, farmer is insecure, mentions of bullying from the past

Masterlist

Alex has never and will never give you any reason to feel insecure or self conscious about your body. He worships not only you, but the ground you walk on as well and he honestly would have never thought that you'd feel bad about your looks. You're perfect in his eyes. Godlike even

But while he rolls out the red carpet for you, you still can't help yourself. Alex is so athletic and fit and you feel like people are judging you for being on the bigger side. Of course no one has ever said anything regarding that in Pelican Town. On the contrary, when you confided in Haley she praised you and your figure

You still can't help, but to wonder what his friends in the city or from gridball practice might be saying when Alex shows them pictures of you though. Are they saying "you lucky bastard" or "as long as you're happy"? It's eating you up from the inside, but you don't wanna bother your partner with that

And when you guys go on a date or shopping in the city, do the people around you actually stare at you and whisper amongst themselves or are you just imagining it? Nevertheless, the thought alone that someone might be judging you makes you wrap your arms around yourself to hide

It takes an embarrassingly long time for Alex to notice anything and even then he only does, because it's painfully obvious in that moment. Like you're out on a beach date and you refuse to get out of your baggy t-shirt even though you're obviously suffering from the scorching heat. That's when it clicks inside his head and his heart breaks

He walks you back to your farm after the beach date and sits down with you to talk about it. He wants you to trust him with these things and for you to know that you can talk to him about anything. When he hears how worried you are about what others might think when they see "someone like him" with "someone like you" he grabs both your hands and squeezes them gently

After he asks why you'd worry about such a thing, you explain how you've gotten comments thrown at you in the past and how every single one stuck with you to this day. It makes him angry and he wishes he would have met you sooner so he could punch every single person who has made you feel bad

Alex knows what it's like though. His father has made him feel like shit his entire childhood, but you've helped him get rid of these negative thoughts and he wants to do the same for you. There is obviously no pressure, because he understands that you can't shake these chains off in one day, but he'll do everything to make you feel loved and appreciated

That evening and every single one afterwards, he leads you to bed where he showers every inch of your body with kisses and praises. Also due to him working out so much and his lifestyle in general, he knows a lot about the human body. So if you stumble upon a "fitness guru" online talking about how unhealthy it is to do this or look like that, Alex is jumping in immediately to correct the person before it gets to your head

"But my BMI-" "No. Don't. BMI is a faulty system in more ways than just one. I'm not in the green area either, because of the weight from my muscles."

Or when he notices that you refuse to get a second serving even though you're still hungry or when you decide not to order a desert when you clearly want one. "You have to eat if you're hungry, baby. You're doing hard physical work on your farm every single day and your body needs the energy."

"I've gained weight again..." "Baby, listen to me. I'm 100%- no 500% certain that those are just muscles. You're lifting, pushing and pulling stuff on your farm from morning to evening. It's fine. You are fine."

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[popponn]

i'm this close to opening discussion whether (is it possible that) kaiser is a playboy or not

[thesilverlady]

Hello, I would like to know some headcanons of Rhaenyra and Alicent, the black queen and the green queen, things like their favorite colors and food, their personal relationships and which father they looked like the most.Did they really get along in the past? Does Alicent always hate her? Were they envious of each other? Which was the most intelligent and beautiful?

hello and thank you for your ask! I'm really digging their rivalry and dynamic and lord knows how much I like to think about the short lived days when they were getting along.

Before starting let me disclaimer: these are just my headcanons. Obviously anyone can disagree and have different interpretations. These are just what I have in mind for these two.

bk Rhaenyra & bk Alicent headcanons/dynamic

food wise I don't have much to say much because I barely pay attention to asoiaf meals but with no proof other than my gut instinct, I feel like Rhaenyra has a serious case of a sweet tooth. Girly loves anything that's on the sweet aide. Meanwhile I think Alicent might have been into some spicy food, both to be contradictory and because she grew to enjoy it.

Did they really get along in the past?

We know from f&b that for a short period of time things were okay between the two. Rhaenyra celebrated when her father got married and Alicent kissed her and called her daughter. So safe to say that's a nice start. We have to keep in mind however that Alicent was only 18 and Rhaenyra was 9. Getting along with that age difference would differentiate compared to how it'd be of they were in the same age range.

Did Alicent always hate her?

This might be a hot take but no, I don't think Alicent always hated her. As funny as it is to poke fun at her having a beef with a child (which she did), i think the hate Alicent grew to have wasn't there from the start.

This is the section we get from f&b:

The amity between Her Grace and her stepdaughter had proved short-lived, for both Rhaenyra and Alicent aspired to be the first lady of the realm…and though the queen had given the king not one but two male heirs, Viserys had done nothing to change the order of succession. The Princess of Dragonstone remained his acknowledged heir, with half the lords of Westeros sworn to defend her rights.

^ This paragraph comes after being told of Alicent giving birth to Aegon, Helaena and Aemond and we find out that in 109 AC Otto who was a hand at the time pushed so far for the "issue" of succession that he was stripped of his chain of office.

This happened a year before Aemond was born, so on terms of timeline I think that's when the "getting along" period run out. I can go into more details into what I believed happened but to keep it short; Helaena was a suitable potential bride for Aegon II. if Rhaneyra wasn't in the picture, Aegon would be the heir, with Helaena most likely his future bride and that would be Alicent's happy end. However, Viserys persisted in keeping Rhaenyra as his heir - even after Alicent gave him Helaena. Alicent could have thought that maybe Viserys simply didn't want Rhaenyra for Aegon for x delulu reasons and thought by giving him a daughter it'd get him to finally see her vision that her son should be the heir since he now has a future bride to be match with.

Viserys' insistence was what set her off. And because it's Westeros and blame always goes on women, in Alicent's twisted mind it was the 12-year-old Rhaenyra who was at fault for being favored.

Does that sound logical? no. But Alicent is a very hypocritical character

were they envious of each other?

In the section I quoted we're old that "both Rhaenyra and Alicent aspired to be the first lady of the realm" and while I can definitely see this developing into a rivalry when Rhaenyra is a teenager. I cannot envision 12 yr Rhaneyra trying to top Queen Alicent in public image.

We know that Rhaenyra was already a very beautiful child who grew into an even more beautiful woman. 12 year of age for Westeros probably counts as a "blooming" age where girls grow into womanhood. So the attention Rhaenyra already had takes a different direction and ofc Alicent is jealous because she's only a human and her stepdaughter's existence pisses her off by that point; her husband is set on keeping her as his heir, everyone sings praises for her only for existing and now they also start desiring her.

in Alicent's mind it's illogical (along with other more insulting phrases) so she tried to compete with working on her own image even more. And of course Rhaenyra eventually noticed it and because they were already in a bad place nothing would keep her from fighting back. But I truly believe their early years of the so called "competition" was Alicent's one-sided beef.

Which was the most intelligent and beautiful?

Most beautiful was hands down Rhaenyra. We have so many moments where her beauty was brought up. If there was even the tiniest of chances of Alicent being more attractive the narrators of f&b wouldn't have missed out. They already attempted something when Rhaenyra gained weight due to her pregnancies and Alicent remained slim.

Still doesn't change the fact that all the songs, titles and fighting was done for Rhaenyra.

Now intellectually, that's a bit of a challenge. I adore Rhaenyra but we never had the opportunity to see her in action.

She made some smart choices when Viserys started getting sicker and she opted for her own people to take care of him (it showed her observation and understanding that something was stirring) but when the war was started she was already so emotionally beat up due to her miscarriage and then lucerys death... And it never got better because her children started dying.

She didn't have the opportunity to shine because emotionally she was getting multiple hits and she was a person acting more on emotion than sense.

So, I don't know. On the other hand, Alicent was smart enough to know to take advantages of moments she could twist in her favor (like Viserys death), she knew instilling hatred for Rhaenyra into her children's minds would pay off, and she knew the spot to hit her step daughter when she'd try to harm her public image. So safe to say the woman wasn't dumb.

Of course Rhaenyra gave back as much as she took. So I truly do think with a clear mind she could show to be smarter. When it comes down to it, Rhaneyra is a very emotional person (hence naturally more vulnerable), whereas Alicent is a guarded person, acting on logic and ambition.

[eleanorfenyxwrites]

WIP Wednesday

So okay I don't know if this is like...a cool thing to do or not, but there's a fic I claimed from the 2022 kink meme list (I couldn't resist, in large part because Tales From Jianghu Shopping Center was listed by the prompter as one of their inspirations for the prompt) that I'm not sure when I'll actually finish writing but I have started it and I'd like to at least acknowledge that I'm doing it even if the prompter won't see this. But the prompt is something along the lines of anything highly specific and niche (like my strip mall AU lol), and I actually happen to have a growing little stockpile of very very niche knowledge about my chosen professional field, which is ceramics! I specialize in wheel-throwing (though I'm also a...passable hand at plaster mold-making/slip casting and handbuilding, I just don't enjoy them nearly as much) so I've started a little something from Lan Wangji's point of view that's a love letter to throwing ♥

--//--

As is tradition, Lan Wangji works in porcelain.

The Lan family have been respected masters of porcelain for centuries, generations stretching back, back, back nearly to the beginning of the imperial kiln production in Jingdezhen. They once produced the enormous pots that adorned emperors’ palaces – there are (very distant) cousins of his in Jingdezhen who still do so for wealthy patrons.

It’s easy to forget such a background when he enters his personal studio on the other side of the world and flicks on the lights to begin the day’s routines. It’s precisely what he wants – a quiet life like this, simple and unassuming, is much more suited to his desire than the weight of tradition that could otherwise press him and his work down into something he would never want to be.

Not that he deviates very far from tradition anyway, but it’s the principle of the thing. Lan Wangji takes quiet pleasure in simplicity, in function that is beautiful in its hard-won mastery. There are very few non-traditional ways to accomplish this that he’s interested in, but he likes having the option should he want to take it. 

Lan Wangji had learned to throw at his uncle’s knee as soon as it was possible to do so. He has continued to do so since childhood with a single-mindedness that once surprised even his uncle. All he’d ever wanted to do was to sit at the wheel for hours and hours on end, only pausing to warm the water in his bowl with a fresh influx from the kettle and to transfer full wareboards (once he was strong enough) to the drying racks in the corner of his uncle’s studio.

Lan Wangji has always struggled to find the words to convey how integral the motion of the wheel and the smooth slip of clay through his finger and against his palms is to feeling like he fits into his skin properly, but his family seems to understand just the same.

Yesterday, as the sun was westering, Lan Wangji had weighed up a few bags of fresh porcelain. The lumps are waiting for him now, tumbled together under their protective sheets of plastic, ready to be molded and shaped by hands and hypnotic motion. There’s enough of a chill in the studio this time of year that there isn’t any condensation on the plastic when he lifts it, so he folds it away neatly and settles into the easy rhythm of wedging his clay to prepare it for the wheel.

There is, in the middle of the studio, a sturdy butcher’s block workbench. He built it himself right there in the studio, the first piece of furniture that had filled the space even before he’d purchased his Shimpo wheel. It’s very likely too heavy to lift – it’s certainly too big to ever get through the door – but he has no intention of ever leaving this studio to begin another, so it suits his purposes just fine.

Wedging the clay on this sturdy, hip-height table is nearly as meditative a process as all the rest of it. A bit more of a workout than sitting at the wheel, but it’s a good way to warm up in the morning, his muscles well accustomed to the push-turn-push-turn-push-turn of spiral wedging that it’s gone beyond second nature, it simply is. His mind wanders pleasantly as he watches the misshapen lumps of pure porcelain become smooth and rounded beneath his palms. Perhaps he’ll spend the day on bowls. They’re quick and simple, suited to his mood today, and he’ll have plenty of them done by lunch when he already knows his typical solitary routine will be interrupted (and can therefore plan for it so far in advance). 

The sun is up properly by the time Lan Wangji finishes his wedging, and once he’s transferred the first batch of prepared clay to the wheel he pauses to stand in the open doorway and look out over the garden that sits between his studio and his home. The grass and the flowers are glittering fresh and dewy in the sunlight as he rolls his shoulders, stretches out his back in preparation to be seated for long hours.

When he returns, the wheel welcomes him, familiar and comforting. He fills an old bird seed bucket with warm water from the tap and arranges the small mirror at the back of the wheel’s tray to the perfect angle to watch his own hands before he settles in and takes a deep breath, sleeves rolled up and apron cinched comfortably tight around his waist as an unnecessary reminder to keep his back as straight as he can while he works.

The first ball of porcelain hits the perfect bullseye of the wheelhead and Lan Wangji leans in to begin centering, the porcelain buttery soft where it runs under his hands. Porcelain, he knows, is notorious for being difficult to work with, particularly for beginners. This far into his career, it’s simply polite and responsive to each confident press of his palms. He cones it first, hands curled around it to coax it in and up; presses it down again with the flat of his hand, every movement focused on the centerpoint of the wheel gliding silently through magnet-powered rotations. 

Up. 

Down again. 

Up.

Down.

Push.

Press.

Lan Wangji loves every part of the throwing process for what it is, but if he were to have to choose only one, this would be his favorite: the moment he can feel the clay running smoothly, perfectly centered the whole way through and ready to become whatever he will tell it to be, the possibilities – for this moment – endless.

[capricornsicle]

In case anyone was wondering how dark Teen Wolf is, here's a side-by-side comparison of unedited vs. edited.

[goddess-of-graphite]

The Great Notes App Exodus: Gothic Dragons

Gotham has always been protected by a Dragon, even before it was ever Gotham.

There was a way about the land Gotham stood upon, that was all twisted magics and darkness and feral energy that never quite fit in man’s modern world. America had but one Guardian Dragon - except for Gotham, which was near a law and country unto itself.

Gotham was a sanctuary for the supernatural, but it was not kind. Those non-humans who risked its dark streets were the brave, or the foolish, or the terribly desperate. Gotham was a dark city, and it’s people adapted or were driven out.

(But should a threat ever come for her, all of Gotham would rise up in response.)

So Gotham had its own Guardian, but the Dragon guarded the world outside from Gotham’s brutality just as much as it shielded Gotham from those that would rend her apart.

But, of course, Dragons were only so many, and new blood must be brought in - human blood, as it often was, and so the trend of Dragon blood “skipping” a generation emerged.

And the bloodline of the Guardian Dragons of Gotham withered, bit by bit, because it is far easier to kill a human of dragon blood than it is to kill a Dragon of human descent.

(And Bruce Wayne has never hated this truth of the world more - because his parents had been Skipped, human, and if they had been dragons, they’d still be there with him.

But they weren’t.

It was just Bruce, a fledgling Dragon, and the butler left to care for him.)

-

Although Gotham had only ever had one Guardian Dragon, it had at one time had a whole lineage of Dragons capable of taking up the mantle. As the Dragons intermarried, however, more and more lines broke off with human kin, occasionally producing dragons.

But the Guardian Line had been reduced to one untrained hatchling. And that hatchling didn’t much care if it was a Dragon or a dragon that was Guardian of the city, just that there was someone to Guard it.

The problem is, of course, that the hatchling needs training - but he cannot get that in Gotham.

So he leaves.

He comes back ready to pull his city back from the brink, by force if (when) necessary.

Here’s the thing - Bruce is no Dragon, because for all that he is the last of the Guardian line he doesn’t adhere to the rules of that duty.

A Guardian’s duty is to the supernatural beings they protect.

Bruce has already decided that that is not enough. Human or Magical Being, if no one else will step in, then he will.

Bruce might have been the Gotham Dragon, but that didn’t mean he was the only dragon in the city.

The thing about dragon blood is that it tended to turn up dragons unexpectedly in families that had been mostly human. A dragon ancestor could have human children, and their children have human children, and then a dragon. It was a recessive trait when introduced into human bloodlines, and especially if it was paired with yet more human lines, but it also was tellingly stubborn - a human may only have a single draconian ancestor hundreds of years back, but they could still unexpectedly turn up a dragon hatchling.

It was just sheer dumb luck that a bunch of said unexpected hatchlings turned up within the span of the same generation.