#but there is some weird ways they are not writing the canon relationship

[error-dream-was-found]

I just saw your idea about Quackity sucking at torture and I am SO intrigued 👀 Please do tell

(Also I absolutely love love love your writing <3)

Hiii, thank you for asking :)

And I'm happy to hear that you enjoy my writing <3

It's been a while since I came up with that idea and I can't seem to find my notes on it (I found like 15 other half forgotten AUs instead oops) but I'm pretty sure it came from some discussion with Flora.

The basic idea is that everything happens just as it does in canon and Quackity goes to torture Dream. This is where things get sketchy because as I said, this is a 100 % crack idea so ... what if Quackity just somehow managed to fuck up every single torture attempt?

I really wish I could find my notes on this because I know I had some specific ideas written down but let's go with what I remember. During the first visit I think he might've just underestimated Dream who in spite of being in the prison for a while now was still able to dodge Quackity and maybe even disarm him or something just it ends up with Sam having to interfere.

But it's okay! Quackity's got it! It was just a ... a minor inconvenience, nothing more. But ... things are just not working out during his second visit either, nor during the third one or the fourth one.

Dream is totally not giving fuck about what Quackity wants and for the sake of crack Quackity just miserably fails in all his attempts to torture Dream in the most ridiculous ways possible.

Like, he will get his axe stuck in the obsidian and can't pull it out, he drops a harming potion and hits himself instead of Dream, he sets himself on fire on accident (that lava wall had no business being over there!), he fails to realize that Dream is actually good in strategic games and his plan to hurt Dream for losing a game fails when the game drags on for way too long (bonus points if he loses somehow). Just some very weird (and hopefully somewhat funny) stuff happens.

Some time he doesn't even get to try his hand at torture because he gets carried away with wedding preparation and all (just imagine him forcing Dream help with choosing the decorations or something lol)

After his fight with Karl Dream is forced to be the therapist (he has no escape while Quackity cries about the state of his relationship), least to say Dream is very confused why Quackity thought he is the right person to ask about the relationship problems (srsly Q have you seen the state of his relationships???)

At this point Dream himself might try to give him tips, look he is not a fan of getting tortured but this is just sad, okay?

Perhaps he will manage to actually hurt Dream at some point but by then I think he would be too used to failing that it actually freaks him out more than it freaks out Dream himself. Least to say the rest of the "session" was spend fretting over Dream because god man you're bleeding! Dream is just there like ... isn't this what you wanted? And well yeah but also no! (Q has some very mixed feelings)

Overall though I think Q would maim himself in that cell more than he ever did to Dream. On accident of course. I never figured out the logistics of this one but it'd be hella funny if Q somehow managed to idk cut of his own finger or something of the sort which would just end up with him freaking out and Dream having to try to calm him down while also calling for Sam to bring a healing potion

I know that it's supper cannon inaccurate but it's really just a crack idea without any real plot behind it 😅

[hazbinstohell]

When you compare Chaggie to other canon relationships in the universe, like Fizzmodeus, Moxillie... You realize how poor they really are in comparison. The fact that they are already a couple when the show begins is not an excuse, especially when you compare once again to these two canon couples already established that I cited above. Even StaticMoth vague secondary relationship seems more interesting from what little we've seen of it, not to mention the borderline mythological story of Lucilith which is extremely intriguing. Not to mention the relationships in development like Stolitz (frankly epic by the way) CherriSnake and Huskerdust... I mean, compared to all these other main romantic relationships that are already canon, those that are more or less canon but secondary, and those that are currently being developed... Chaggie is no match for me... I heard that they were originally just supposed to be best friends and that the designer changed that at the last minute ? Well if it's true, it shows. And a lot. And it's a shame, because they have great potential. But I don't find it treated well enough... It's very sad to be called homophobic by part of the fandom for this simple difference of opinion.

I agree. I feel like we have both - we have multiple canon relationships that have been done, but they are treated as relationships that are developing or organically working, such as Millie and Moxie. While I understand that Viv decided to make Charlie and Vaggie a thing, it would also seem that from pilot to Season, they could have added some elements that make the relationship much more organic and such. To make Vaggie her “protector” just ruffles me up a lot. Seeing them maybe have more conversation, engaging, flirting, and such would have made more sense. Not “You have to be careful!” Or “Maybe we shouldn’t do something” does not tell me that the relationship is working. Charlie has some grand ideas that Vaggie doesn’t seem to accept.

I really like Charlie, and I want someone who could be supportive.

And then someone out there is going to be like “It isn’t Alastor!” I didn’t say that, however, he has done more for her confidence than Vaggie has, and I absolutely believe he is going to be a big bad for them, but then Charlie is going to lead him down a better path-which, unfortunately people STILL don’t seem to understand that that is the ENTIRE point of Hazbin-Sinners are not EVIL, they have made decisions that are not GOOD, and that Heaven themselves are also not making strict black and white choices with who they are putting there(Adam should be in Hell, change my mind).

Problem is, we have some great, GREAT characters! I love them all in their own way, but relationship mechanics? The story? Meh. I’m having fun with my own ship, and Chaggie can enjoy theirs. It’s as simple as that.

[quietwingsinthesky]

Do you agree w/ the fandom interpretation that john was so homophobic he’d have beaten up and abandoned his sons for being gay? Cause sure, he grew up in the 60s as a mechanic and then later became a marine during the vietnam war, but i also don’t think homophobia would’ve necessarily been a priority for him? Like obviously he’s not gonna be the full on supportive and politically correct loving dad, but i think that the fandom’s general opinion on that is pretty warped by people’s relationships w/ their own fathers

I do think this is one place where people tend to project. I don’t think there’s anything wrong with that; working out our issues through fiction is healthy and good! I don’t think there’s any canon proof of it beyond, as you said, him being a marine from the sixties who would probably not be super knowledgeable about being queer, maybe a little apprehensive about it from what he’s absorbed through the culture he grew up in. I think we’d be correct to point out that if Sam or Dean were queer, he might be uncomfortable about it, he might try to avoid the topic, which is in of itself hurtful.

The thing about me is: I fully disagree that John was ever physically abusive towards his kids. At most, I will bend this interpretation to say he was probably too harsh on them while teaching them to fight and that maybe he and Sam have traded blows before when arguments got too loud (by blows, I mean, probably shoving with the yelling, you know, assertion of physical space. It seems realistic to me that two people who have been using violence for a long time to protect themselves, and for John, his family, down to the hierarchal power he’s put in place of him -> Dean -> Sam, would resort to it when things got too heated.)

(I also think that sometimes fandom’s insistence that John had to be physically abusive can sometimes get a little insulting because it perpetuates the idea that emotional abuse does less harm and can be overlooked and for flattening out John’s character in a way the show very literally pointed to and said He Did Not Do That. This is the entire point of Max’s episode in s1, for the show to point out that their experiences of abuse were different. How well it was handled is arguable, but I take it as clear evidence that when we talk about John’s relationship with his sons, the focus should be on the emotional abuse, the codependency he developed with Dean from a very young age, his neglect of them both, his attempts to suppress Sam, etc. And I appreciate this about the show, because you can’t talk about any of those things without also talking about why they’re happening, why John thinks this is necessary, how he loves his sons and isolates them to protect them and ends up doing more and more damage that will never leave them through their entire lives.

I’m sure there’s depictions of John being physically abusive that handle it with the same amount of nuance that the show handles him being emotionally abusive in canon. I have not seen them, unfortunately. I’ve seen John being physically abusive 90% of the time just being used as shorthand for him being Bad and Evil and A Terrible Father. Which does not interest me. So I will remain here as a staunch defender of He Would Not Fucking Hit His Kids.)

Sorry, okay, we got off topic there this is about gay shit.

The point of All Of That was for me to be able to say, John’s not going to react to his sons being queer by beating them. He’s definitely not going to abandon them. Hello? John Winchester? Abandon his kids? John Winchester, the guy who has been keeping them in warded up motel rooms their whole lives and moving them across the country out of paranoia the demon who killed his wife could find them if they say anywhere too long? John Winchester who only trusted one or two people to ever look after his sons when he went on a hunting trip too long? We think that John would ditch his kid because they’re queer???

Like I said, I think the most realistic reaction for John, (if not just flat out him going ‘that’s fine, now load this gun while I time you because that’s more important for me to know that you can do’, because. He kind of has bigger priorities to worry about here. Like werewolves.) would be discomfort and pushing it out of his view, ignoring it. Which would still fucking hurt! And would have horrible effects on Sam and Dean both, would encourage Dean to repress it if he thinks his dad is ashamed of him, would push Sam away if he trusts John with this fact about himself and can’t be accepted easily.

I just think this is truer to John’s character.

Anyway. If nothing else here persuades anyone reading that John Would Not Fucking Do That, well. He thought his kid was demonspawn, remember? He thought Sam was corrupted and might not be able to be saved. I don’t think you can get more clear queercoding than that, and you know what John’s very telling response was to that information, to finding out something a thousand times more terrifying than Sam being gay ever could be? To refuse to look at it. To insist to himself that whatever Hell wanted with Sam, he wouldn’t let it happen. To tell Dean to take care of it, because even when John is certain that his son might literally become a demon, he could never bring himself to pull the trigger on him. Because he loves Sam.

So like. He literally would not do anything for the much smaller realization that Sam is gay. His son has demon blood that might turn him super evil, and John still wouldn’t hurt him.

I guess what I’m trying to say here is, I try to keep the fact that John loved his sons at the forefront of my mind when I’m writing stuff about him, because I think if you let that slide out of your head, you can very easily make him much worse, much more flat than he was in canon. The real picture of him is just an extremely flawed man in a terrible situation who fucks up his kids as much as he protects them.

And also he wouldn’t care about them being gay because JohnAzazel real and true and they fucked sloppy in that hospital basement-

[merlin-wolfgang-trades-hale]

“I may teeter the line between pretty stupid and pretty beautiful, but the important thing being is that I am always pretty!” a very tipsy but not exactly yet drunk, Steve McGarrett stumbling home wanting a smooch from his husband, having just been delivered by the other now out and proud navy buddied who’s op that night was getting Steve home because it’s the only way to shut him the fuck up about his Danno who he obviously missed so damn much, but it’s very much not Steve’s fault that this reunion fell around the same time Danny was getting back from Jersey after visiting for his sister’s birthday. 

Danny’s listening to him ramble about how one of his friends called Steve pretty annoying but Steve corrected him. 

The imagery could be added with Steve tripping and stumbling to the ground before ninja-ing(tipsy) onto the couch desting his head on Danny’s lap. Trying to get comfy and hug Danny while in this position. Telling him about his night, momentarily forgetting his goal before he’s reminded again and trying his best to get a kiss. 

[desperatecheesecubes]

Every time I see a post making fun of people being afraid to get into comics I think about how when I was first getting into comics I thought it would be fun to read Infinite Crisis because it was a HUGE event and it would give me an idea of what a whole slew of runs and characters were like. I made a post about some panel pretty early into the event (I think it was a build up comic that wasn't even officially part of the Road To Infinite Crisis so EARLY early) and some blog I didn't know made fun of me for not knowing the greater context of the panel I was commenting on. And while I was naively typing up a quick little 'ah sorry I'm new to comics and didn't know that. Thanks for the context!' they had gone through my blog and started doing the same for a bunch of other comics I'd read, and then mocked me for reading IC when I clearly new so little about comics.

Now, obviously, that behavior is ridiculous, and I just blocked them, but it did stick with me. It was one of my earliest interactions with comic fandom and I never forgot it. Most of the people I've intereacted with have been lovely. Even when I have gotten comic cannon wrong corrections are normally very kind. But not all of them are, and the ones who aren't are so vocal about it.

So i actually don't think it's the comics themselves that make getting into comics an unappealing prospect.

[jankwritten]

I suppose the pros of going to a social event that gave me massive anxiety is that it makes me appreciate writing in the quiet of my own room ten times more. three cheers for the small things.

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[fordtato]

Alex Hirsch will imply or say through text and subtext of books about FiddAuthor and BillFord, while Dan Povenmire and Swampy Marsh will just have Perryshmirtz moments on Chibi shorts and tiktoks... and you know, sometimes I'm glad I get to live in this world. (I made this weird train of thought connection through the ending joke in Bill's interview in the book.)

SPOILERS: Look, no matter how one feels about it, Hirsch used terminology associated with romance and breakups throughout nearly every interaction between Ford and Bill. "Attracted-to," "will-they-won't-they," "were we even partners?," starting a conversation after a fight with "Can we talk?", calling Fiddleford a "third wheel," etc. - THESE ARE QUOTES.

Also, Bill uses language that is INCREDIBLY tied to abusive relationships when talking to Ford: "who else will make you feel like this?" etc.

Hell, Bill goes on a drunken bender after the breakup. Mabel calls Ford Bill's ex, and tells him to "get over" her Grunkle.

I've seen some discussion on the timeline on whether or not it's problematic to make BillFord canon and my thoughts are: this book DEPICTING an abusive pairing (or at least using language that echoes an abusive relationship), and then framing it through the lens of an unreliable abusive narrator is not the same thing as glorifying, romanticizing, or supporting the pairing. The people reading this recognize that Bill is a villain and not to be trusted, you know? It isn't even shades of grey, it's 100% depicted as the most ruinous thing in Ford's life. Hell, I think it's just very compelling writing. I love this. I think it's so interesting. Books should be able to tackle this.

And then the Fiddauthor fodder. The FIDDFODDER. He handmakes Ford two xmas presents, and makes nothing for Emma-May??? HE COMES BACK FOR FORD AFTER HIS FIGHT WITH HIS WIFE? AND THEY WERE ROOMMATES IN COLLEGE? AND FIDDS MADE 5 PROTOTYPES TO HANDKNIT FORD GLOVES??

The book also has a reference to Ford possibly being ace. Ford has nightmares about a pop quiz asking him what he's attracted to. He answers "planning and preparation." So, I have layered feelings about these tongue-in-cheek references to asexuality without just SAYING asexuality, you know? Like when it's wrapped in a joke, I think it affects how meaningful it is, but I'm not ace, so it's up to ace people to decide how they feel about this. But I do think it's interesting.

At the very least, this book adds queer undertones to the way Ford and Bill interact. Book of Bill gave more queer undertones in the TEXT, not just subtext, to how Ford interacts with others, and while that experience is translated through an abusive relationship, it's still there.

Y'all, this man is queer. I can't believe I'm not seeing everyone talking about this. Ford is queer. I don't know how to define his relationship with Bill Cipher, but it isn't straight.

[always-just-red]

I loved the Drunked Call with Sylus scenario you made! I like the way you write it and I see you accepting request hehe. Can I request about... Sylus, Zayne and Caleb reaction meeting fem!reader, dates or accidentally met (you name it) and they noticed her long hair has been attached with chewed bubblegum? some kid pulled a prank on her before and she didn't even aware of it

Aw thank you so much!! 💕 I did different pranks for each of the boys just to keep things interesting- I hope you don't mind! They're all equally silly haha, and I had SO much fun writing them. Added Xavier and Raf for good measure, too!

It's Just Not Your Day...

L&DS Boys (& Caleb!) x Reader

Summary: It's you against the kids of Linkon City, and guess what? The kids are winning.

Genre: Humour + fluff!

Warnings/Additional tags: gn!reader, established relationship, swearing, canon pet names, reader gets a little stressed (and with some of these boys you can understand why 🙃)

| Word count: 4k | Masterlist | Opt-in to my taglist here!

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

Xavier ⭐

One of the perks of being a Deepspace Hunter is the way people look at you. You’re used to respect: appreciative nods and gestures, wide-eyed admiration. You’re out in Linkon almost every day, putting your life on the line for everyone in the city. You’re a hero, right?

So why is everyone looking at you so… funny?

“Xavier,” you speak in a hushed whisper, tugging at the sleeve of your partner’s uniform. “I don’t like this. Something weird is going on.”

He yawns. “What do you mean?”

Can he really not see it? Sure enough, a businessman strolls past you, his eyes locked on you as he frowns, mid-telephone call. You think he even stumbles on his words. “Just look around,” you whisper again. Someone is watching you from across the street, their head cocked.   

Xavier is already looking around. You’re on patrol; that’s sort of the point. But he trusts you, so he follows your instruction: casting his sky-blue eyes around a little more carefully. They narrow. “Sorry,” he says, because you’re usually on the same page, “what are you talking about exactly?”

You fold your arms impatiently. “People are looking at us, Xavier.”

“Oh, I…” he seems to hesitate, “I think they’re just looking at you.”

The words could be romantic, but you don’t get the impression they’re intended to be. He’s implying something. He’s uncertain. “What makes you say that?” you ask, hands moving to your hips.

He shifts awkwardly on his feet. “I think it’s your, you know—” his finger waggles in front of his mouth.

You don’t know. “My what?”

“Your moustache.”

“What?”

Your hand shoots to your upper lip, but you don’t feel anything out of the ordinary. Xavier is staring, though, so you reach for your phone and turn the camera on yourself.

A black, cartoon-villain moustache has been sketched onto your face.

You gape at your reflection. “H— how…?” you stutter, tracing your new feature. Then a memory of this morning flashes through your mind: how you’d fallen asleep on the train to work. How there were those two schoolkids, sniggering, when you’d woken up just in time for your stop. Ugh. Really?

Wait— this morning?!

“Xavier!” you exclaim, turning to him like you’d just found his sword in your back. “Why didn’t you say something?”

It’s just gone three in the afternoon, and he’s been with you for hours. “I thought you knew,” he mumbles, rubbing his neck gingerly.

“You thought I…” You’re too bewildered, too betrayed to repeat it fully. Worst of all you feel guilty; how the hell can he look so freaking innocent? You turn back to your phone, desperately trying to rub the ink from your skin. It doesn’t budge. It doesn’t fade.

“Are you ok?” Xavier asks.

Of course you’re not ok, you feel like an idiot. Your cheeks are hot and the redness is spreading to the rest of your face as you fail to reclaim any of your dignity. “No,” you spit back, “honestly, Xavier, how could you just let me walk around like I’m some kind of—”

You glance up to discover he’s no longer listening. He’s not even here; he’s over there, talking to an old man who’s sat completing a sudoku. Great. Wonderful. Why not? At least one of you is making a good impression on the citizens of Linkon City.

With your eyes close to watering, you have one last, futile attempt at wiping the moustache from your upper lip. It’s not working. Gods, you’re gonna be stuck like this, aren’t you?

Someone taps you on the shoulder, and you look up to see Xavier, back at your side. He smiles reassuringly, sporting a drawn-on moustache of his own. The ends of it are curled even more theatrically than yours.

“Xavier…” you half-laugh in surprise, your eyes watering even more. “Why would you—? Now we both look stupid.”

“I look stupid,” he corrects, running a thumb over your wet cheek. “You look really pretty, moustache or not.”

Zayne ❄

“What… happened?”

You sit across from Zayne on a picturesque park bench, like something from a postcard: blue sky stretched above, wildflowers sprouting from the grass below. Birds are singing, butterflies are flittering about, and even the doctor looks perfect— unmarred by the first half of his work day, no matter how stressful it’s been.

It’s a fairy tale you covet: a little reunion with the man you love, on the odd occasion where your lunchbreaks match up and he isn’t drowning in paperwork. And it would be a fairy tale, if it wasn’t for you. You— your uniform soaked and your hair dripping wet. The wooden bench has gone damp beneath you; you’ve literally only just sat down.

“Gee, I don’t know, Zayne,” you hiss, face almost buried in your phone, “what do you think?”

Not too far away from you, some kids are locked in a water-gun battle, their shrieks of laughter loud and infuriating. Zayne glances between you and them, making his deductions. “Why—” he starts.

“Doesn’t matter,” you sniff, wiping your forehead with the back of your sleeve. “They messed with the wrong person, and we’re gonna make sure they know it.”

“We’re going to?”  

“Yeah. Me and you. That a problem?”

You shoot him a glare that sends a shiver down even his spine. “No,” he answers quickly— a survival instinct, uncharacteristically submissive— but his composure returns as you turn back to your phone. “Haven’t you got—”

Another dark look.

“Haven’t we got better things to do than start a war with some children in the park?”

“Not really. Justice is justice.” You shrug before pointing a finger at yourself. “Deepspace hunter.” Then at him. “Cardiac surgeon. Precision is kind of our thing, right? They really don’t stand a chance.” You’re laughing, now: “Gods, I almost feel sorry for them.”

Zayne has been watching your descent into madness with a calmness that does him credit. When he interrupts, it’s gentle. “I don’t think—”

Too gentle; you don’t hear him. “Pick your poison, Dr. Zayne!” Your phone is angled at him to reveal the all-too accessible armoury of an online store. “You’ve got your standard water pistols. Your water blasters.” You’re scrolling and indicating his choices as though you’re the salesman. “This one has two options, single shot or power shot, and— ooh! Look at this one! The AquaJet3000!”

With a soft laugh, Zayne pushes your phone out of his face. He would buy anything you’re selling, although— having seen the prices on your screen— he knows he’d be bankrupt within a week. “Linkon City is fortunate to have you defending it, and whilst I would be honoured, as always, to fight at your side, I was hoping we could… relax. You’re on a break, remember?”

You pout as he peels a wet strand of hair from your cheek. “Justice doesn’t take breaks.”

“Well, justice is going to have to on this occasion, because I said so.”

“Really?”

“Yes,” he chuckles. “Besides, you shouldn’t fight fire with fire, or water with water. A lot of people look up to you, you know. Me included. So, set a better example. Save violence for the Wanderers.”  

It ought to be patronising: him, lecturing you on right and wrong when you’ve already added three types of water-gun to your virtual cart. He’s always so righteous. So collected. So moral. You want to be mad at him, but how can you be when he’s looking at you like that? Like he thinks the world of you, even when you’re plotting revenge against ten-year-olds.

You have a point to make, so you fold your arms and turn your back on him, even though he’s making your heart feel so frustratingly warm and fuzzy.

“I have something for you,” he says quietly.

To hell with the point. “What is it?” you ask, spinning eagerly around.

He smiles as he retrieves something he’d concealed behind him. It’s a small-ish box, pale pink, with patterns printed to emulate white lace. There’s a logo in the centre and you recognise it at once. “No way,” you enthuse, “that new bakery finally opened?”

You’ve both been waiting for months. “I couldn’t resist when I saw it,” he confirms, lifting the lid. Inside sit two unbelievably pretty cupcakes, buttercream icing spiralled high and adorned with sprinkles of gold leaf. Zayne plucks one from the box. “Perhaps—” he offers it to you— “perhaps this can make you feel better? Without us needing to, well… attack children.”

You giggle; it does sound pretty stupid when he puts it like that. “Thanks, Zayne,” you grin, reaching out for your reward. You’re glad one of you is vaguely sensible— those water-guns were expensive.

The cake is an inch from your fingers when a jet of water sends it flying from Zayne’s hand. It lands at your feet with an unceremonious splat, and from somewhere behind you, laughter roars.

The doctor blinks down at it in disbelief, his hand still hovering beside yours. He grieves for a long moment, then looks to you solemnly like you’re a colleague and he’s about to ask for a scalpel:

“The AquaJet3000,” he says.  

Rafayel 🎨

“Rafayel, call me stupid one more time, and I’ll—”

You’ll… you’ll… what? He’s looking back at you with wide eyes, his hands frozen when they had just a moment ago been drying the plate you’d handed him. He has some nerve, pretending he’s the victim when he’s spent the entire evening insulting you. This is supposed to be a wholesome moment of domesticity— doing the dishes together before he has to disappear to a late-night gala— so why is he ruining it? Ever since you got home, it’s been: so how was your day, stupid? Hey, stupid, want a hand washing up?

He said he was fine with you sitting out the gala tonight, but maybe he’s not.

“I’ll do this,” you finish, lifting a palmful of suds from the sink and raising them to your lips, ready to blow.

“Puh-lease, you bought me this suit. You really think I can’t tell when you’re bluff— hey, wait! Stop!”

You do blow the bubbles at him, and he recoils, holding the plate and dishcloth up to defend himself. He blocks some of them, but not all of them. “Honestly, Raf, if you’re not ok with me skipping out on tonight then you can just say so.”  

He puts the plate gently aside. “I mean, of course I’m sad you’re not coming,” he thinks aloud as he sets about sweeping bubbles from his suit, “but I’m ok with it, really. You’ve had, like, a crazy week at work. You deserve a quiet night in.”

Compassion? Really? After you just—? Ugh. “So why were you being so mean, then?” you sigh, taking the cloth from him and dabbing away the bubbles he’s missed.

“Mean?”

“You’ve called me ‘stupid’ like fifty times in the span of, what— three hours?”

“Yeah,” he shrugs innocently. “Because you told me to.”

Huh? You stop what you’re doing. “Since when did I—”

He reaches over your shoulder and you feel fingers on your back. “See?” he answers, bringing a piece of paper in front of you. It looks like it’s been torn hastily from a notebook, and it says, in bold, capital letters: ‘CALL ME STUPID!!’

You take the note from Rafayel sheepishly, your lips parted in surprise. How did it—? Wait. “Those kids!” you exclaim, thinking back on your walk home from work. “Oh I knew they were spouting bullshit when they said they saw a Wanderer!”

Your dish-washing companion doesn’t seem impressed by your lightbulb moment. He’s watching you, confusion etched across his face, but you can see right through it. “Rafayel!” you slap a soapy hand to his chest, “you had to call me stupid that many times before telling me?”

“I thought you wrote it. Pet names can be weird sometimes— I don’t know what you’re into.”

He’s still acting. Still lying. Fine, two can play at that game.  

You fall deathly silent, turning back to the sink to retrieve the bowl you’d dropped in there the last time he’d called you your new ‘pet name’. “I guess it suits me,” you mumble, half to yourself.

“What d’you mean, cutie?”

He can call you cutie as many times as he wants; you’re out for blood. You give the bowl another once-over with a sponge. “Some hunter I am. Can’t even tell when some kids are messing with me.”

Rafayel frowns. “Hey, it’s been a long week, yeah? You’re just tired.”

“Tired,” you echo, and you drop the bowl back into the water with a dramatic plop. “Tired? No. I’m exhausted. No matter what I do, no matter how hard I work, there’s always… something. To make me feel like an idiot. To make me feel… stupid.”

“Hey,” Rafayel tries again, and his voice is fraught with worry. “Don’t say stuff like that. You’re not stupid. I’m stupid. I’m supposed to make you feel better and instead I was just screwing around. I’m sorry, ok? Don’t be sad. Please?”

He wraps his arms around you and pulls you close, resting his chin on the top of your head. You don’t give in, not at first, but then you hug him back. “Thanks, Raf. I’m ok— really.” You hear his phone buzz from where he’s left it on the counter. “You should go. Thomas will kill you if you’re late.”

“Nah, he needs me,” the artist chuckles. “You get first dibs, though. You sure you don’t want me to stay?”

“Yeah,” you laugh quietly back; your heart not quite in it. “Quiet night in, remember? Go on. Go.”

He steps away from you, though not before planting a light kiss on your cheek. “I’ll make it up to you when I get home,” he says, collecting his phone and the rest of his things. He gives you another kiss when he’s done, dodging your efforts to shoo him away. “Miss you already, cutie.”

“Go!”

And he does as he’s told this time, no matter how listlessly. It’s sweet he wants to stay and make things better, but he already has— he just doesn’t know it yet. It wasn’t the hug. It wasn’t the apology. You lean back against the counter with a smirk, savouring the view as he leaves.

It might have something to do with the note you’ve stuck on his back.

…

Rafayel retrieves the note the moment he closes the door behind him, stuffing it smugly into his pocket. He’ll have a story ready for you, by the time he gets home, about just how much you humiliated him. About how he walked around for a good hour before Thomas spotted the note and gave him a lecture about his ‘image’.

He smiles to himself; he’s a really good boyfriend.

Sylus 🩸

“You should know better than to keep me waiting, sweetie.”

Oh, great. This is just what you need.

You peek over the saddle of your motorcycle from where you’re crouched behind it. “Hey, Sylus,” you greet. The man is watching you, his arms folded. “Yeah, sorry.”

“Sorry?” he repeats, an eyebrow raised sceptically. “What— no ‘patience is a virtue, Sylus,’ no ‘oh please, Sylus, we both know you’ve nothing better to do?’”

You had disappeared behind your bike again, but you steal another glance at him. “Wow,” you marvel, “is this what you did before we met? Have arguments with yourself?”

“More or less,” he smiles dryly, then shrugs: “I’m not bad, as far as sparring partners go. You of all people can vouch for that. Besides, what were my other options? Mephisto?” He laughs. “Luke and Kieran?” He laughs harder.

“I’d rate Mephisto above you,” you add distractedly, no longer looking at him.

“Is that right?” he purrs, and it’s very obvious he doesn’t believe you.

He sounds close— too close— so you stand, re-entering his eyeline so he doesn’t come closer. Gods, this is embarrassing. Those stupid kids; he’s gonna have a field day if he finds out. “Yeah.” You wipe your hands slowly with a cloth, disguising the fact that your mind is scrambling. “The things that bird comes up with, just… scathing, honestly. Emotionally devastating.”

“Oh really?” Sylus tuts. “That’s awful. I can’t imagine where he gets it from.”

You smile back at him, resting your hands on your hips. You do feel bad, actually; you’d completely forgotten you were supposed to meet him this morning for breakfast before work. He’d received no texts to cancel. No calls. How long was he waiting at that sweet little café you’d picked out?

Then again, this morning isn’t really going to your plan, either.

“Something wrong with your bike?” he asks, because he’s already figured out that much. “Besides the usual, I mean.”

Your smile drops. Your whole act drops. “It’s nothing, Sylus.”

“You’ve already stood me up this morning, sweetie. Are you really going to lie to me, too?”

You let out an exasperated sigh. Fine. “Some kids graffitied it, ok?”

“This piece of junk? Really?” He toes the front wheel of it, then catches onto the withering look you’re sending him. “Oh no,” he tries again, with absolutely no enthusiasm, “what a dreadful crime against such an advanced, state-of-the-art vehicle.”

Prick. You keep the label behind tight lips as he wanders around the motorcycle to join you, assessing the damage. You’re stood by a bucket of water and the litany of rags you’ve used to try to scrub it clean— each one a testament to your failure. The sight alone makes you want to burst into tears. The skin of your hands is pink. Raw.

You feel cheated; you wish you were at that café right now.

Sylus taps a finger against his cheek, eyes narrowed pensively. They’re spoiled for choice of what to look at: misspelt obscenities, a generous number of crude symbols. All in permanent marker, naturally. “An improvement, wouldn’t you say?”

“I wouldn’t say. No.”

“Art is subjective.”

“Yeah? So is your face.” Not your best effort. Sylus glances up at you, amused. “Shut up,” you dismiss proactively. “Besides, this is my work vehicle. I can’t ride around Linkon on this. It would be—”

“Too staggering a blow to your professional reputation,” he finishes like he’s bored.

“This isn’t funny, Sylus.”

He points at a particularly chaotic drawing of a penis. “It is.”

You smack his hand away. “It’s not.” Your voice wobbles, ever so slightly betraying you. This is serious; you could get in trouble. You stare down at the graffiti, despair setting in.

Keys dangle in front of your eyes. “Here. Borrow my bike.”

“You’re joking, right?” You swat at them. “You really think that’s gonna help? Me— rolling up to work on a bike that costs twice my annual salary?”

“Twice? That’s cute, kitten.”

You glare at him, any guilt you felt about standing him up long gone. “Can you just stop? Being you? For like, two seconds? Please? This is the last thing I need today, Sylus. I’m gonna be late. I’m gonna embarrass myself in front of everyone. And worst of all? I was actually looking forward to seeing you this morning. Before all of this—” you gesture dejectedly at your bike— “all of this shit happened.”

Sylus is looking back at you, his arms crossed again. He does nothing for a few, slow seconds, and it’s just long enough to make you feel like you’re overreacting. Then he leans over, running a hand across your bike, and you watch as the graffiti flakes and lifts, turning to ash under the influence of his Evol.

He brushes his hands together when he’s done, straightening with a hmph and a self-satisfied smirk. Content (more than content— thoroughly impressed with himself) he turns back to you. Your bottom lip has dropped in surprise and he chuckles, reaching a finger to lift your chin. “You can thank me later, sweetie, and I intend to spend the entire day thinking about how you might. Don’t disappoint me, hmm?”  

You’re still silent, and it takes him a moment to realise you’re bristling with something other than awe and adoration. He frowns. “Sweetie?”

The second ‘sweetie’ breaks you, and not in the way he wants. You slap his chest, hard; he doesn’t really feel it.

“Sylus! You could have done that the whole time?!”

Caleb 🍎

“Sit still, dear.”

Sit still? How are you supposed to sit still when you’re brimming with rage? Every inch of your body is tense, waiting, yearning for you to spring into action. It wants you to retaliate. It wants revenge.

“I can’t, Grandma,” you whine, crossing your arms as if to hold yourself back. You’re still fidgeting on the chair as she navigates your hair with her scissors. “This sucks. Everything sucks. The only thing that could make this worse is if—”

You hear the front door swing open, then closed. Why couldn’t you keep your mouth shut?

Sure enough, Caleb strolls into the kitchen mere moments later. “What’s happenin’ here?” he asks, dropping a bag of groceries onto the countertop.

“Nothing,” you mumble. “Grandma’s giving me a haircut, that’s all.”

“Ok. So what’s actually happening here?” he tries again. He’s known you forever, after all; he can tell when you’re lying.

You swing a foot out at his shin as he tries to step closer. Nuh-uh. No investigating. No sticking his nose where it doesn’t belong. “Nothing,” you hiss again. “Gods, Caleb. What’s your problem?”

“You’re my problem, pipsqueak.” He uses his foot to push yours away. “At least Gran’s on my side—” his amethyst eyes seek her— “can you tell me what’s going on? Please? Pretty please?”

A hand breaks their eye contact. “You don’t have to answer that, Grandma.” You glare Caleb down. “The DAA has no authority here.”

“It does.”

“It doesn’t.”

“It does.”

“It doesn’t.”

Grandma sighs; she’s had far too many years of this. “You know Mr and Mrs. Lee’s children? Down the road? Well, they—”

“Grandma!” You round on her. How long did she last— all of three seconds? You bitterly regard Caleb, your voice dark with resentment: “They put gum in my hair, ok?”

“Really?”

“Yeah." He wanted the truth, didn’t he? “They lured me in with some nonsense about a Wanderer. I didn’t realise until, well, until…” You wave at your hair. “Too late.”

He considers the story, then shrugs. It’s clearly not as thrilling as he was anticipating, because he disappears from the kitchen, leaving you and Grandma in peace once more. The silence is as uncomfortable as it is sudden. You’d expected laughter— a lot of laughter. Teasing. Maybe even a shot at how gullible you are.

You release an uneasy breath, resting your head back on the chair.

“Sit still,” Grandma repeats, nudging you, prompting you to sit up straight. “I’ve almost got it. Just one more… here!” There’s a decisive snip.

“Thanks, Grandma.” You slump again, staring up at the ceiling.

You’re not sure what you’re waiting for. Maybe for the blush of your cheeks to cool, or for a Wanderer to spring out of the floor, killing you, so you can be dead and not so embarrassed. You hear heavy footsteps— Caleb returning— and you really wish the Wanderer would hurry up.

“Caleb…” Grandma’s tone is wary. “What are you doing?”

“What does it look like?”  

You readjust your head so you can look at him. He’s clutching what must be a dozen rolls of toilet paper; they’re piled up to just below his chin, almost spilling out over his arms. “How about it, pipsqueak?” he asks as he struggles to balance them. “A little team-up between the DAA and The Association— wanna do your part in reclaiming your neighbourhood?”

Now that’s more like it. “Fuck yes! Sorry, Grandma.”

You’re really as bad as each-other. She tuts reproachfully as you leap out of your chair, and she's disappointed, but not surprised.

[becausegoodheroesdeservekidneys]

In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.

Agreed!

The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.

(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)

Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -

An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.

[yuff7e]

Hii! I have two ideas I don’t mind if only one is written: Could you write head-canons or like anything about Inosuke with a s/o whose love language is physical touch? Or could you write head-canons about Inosuke with an artist gf who maybee has a whole book with drawings of him 🤭🤭? Whatever is easiest tysm!!

⋆˙ inosuke with an artist s/o who loves physical touch !! ⟡♡ headcanons / fluff

gender neutral

omg hi anon !! and yes ofc i can :)) im making this whole thing gender neutral but i can do a separate fic of inosuke with an artist gf and he find out she’s been drawing him since the very start and how he reacts if you’d like ?? anywho, enjoy !! <3

the cuties song -> www.spotify.com

- inosuke and you have a pretty stable relationship tbh

- considering the fact he’s a feral boar man

- since you two have been together, you haven’t noticed inosuke having any hobbies

- like at all besides screaming and challenging people (and sleeping…) (…aaannndddd eating)

- but hey! that’s fine! you have yours and inosuke has… his

- now anywho, you were waking up bright and early for another day of training

- when suddenly you didn’t feel the crushing weight of inosuke on you…

- (he always sleeps on you and waits until you wake up! but today he wasn’t… oh god.)

- “inosuke? inosuke!”

- he had been rummaging around in your things while you were asleep !!!

- you rush over to him and jump on top of him to hide what he might’ve saw

- he lets you take him down and looks at you

- he’s doing that weird gawking giddy thing he does whenever he’s happy

- you just stare back at him

- “what?”

- “WHAT IS THIS BOOK?!”

- he holds up a sketchbook, filled to the brim with drawings of him

- you FREAK OUT

- “inosuke!! this is private stuff!!”

- “so?”

- mans does NOT know privacy

- yalls relationship is a one way street for that matter and he sticks to it.

- so he is veerrryyy adamant about seeing the rest of what’s in that book

- finally, you give in and let him look at it

- he’s amazed by the cool illustrations and doodles you’ve made for him

- “these are me?!”

- “yeah…”

- *cue him flipping through them aggressively*

- “i want this one!”

- “inosuke you can’t just take them! well— i mean maybe you can but i don’t want you to!! i spent a long time drawing these—..”

- “i don’t care!”

- “okay. insouke— seriously..!!”

- once he starts ripping some of the pages you snatch the book

- he tries to fight you but realizes you’re being serious so he stops but is still agitated

- he wants them!!

- now, onto physical touch

- honestly i wouldn’t see him having a problem with it, it’d probably just stroke his ego more knowing he’s got a pretty partner like you by his side caressing his arm while he boasts about how he’s the “king of the mountains”

- a real “i’m on top of the world” moment fr

- but he did kind of freak out when you touched him for the first time

- you were walking through the butterfly mansion, on the way to see inosuke

- you two had planned a little first date type-thing

- (with the help from tanjiro and zenitsu..)

- but you were happy and couldn’t wait to go and see him!!

- once you got there he wasn’t dressed up, just in his casual attire

- no clothes..

- anyway, you walk up to him and touch his shoulder

- he turns around so fast screaming “WHO THE HELL JUST TOUCHED ME?!”

- realized it was you and just stared

- the skin to skin contact got him feeling some typa way

- and ever since then you’ve just been doing the same thing you always do

- “hey inosuke!” you giggle as you hug him and he just freezes

- if he’s in the middle of a screaming fit and you go over and wrap your arms around him he’ll stop IMMEDIATELY

- “er—!! hey!”

—

·˚ ༘ you’re outside training when you hear screaming coming from the inside of the butterfly mansion, and you weren’t too surprised that when you walked in your boyfriend was being quite the sore loser.

kanao had just beat him in one of the training games, and he wasn’t too happy about it. “she was cheating! she’s cheating! let’s do a rematch!! this time i’ll beat you!” we’re all the words you heard from him as he stomped his feet aggressively.

you sigh and look at kanao who’s just staring blankly at inosuke, “i guess we could have a rematch..” she squeaks, inosuke jumping right for her - and of course he loses, again.

he’s defeated, running back over to the side lines and throwing his whole body into the wall - banging his boar mask against it and throwing a few punches. you trot over to him, your arms extending until you fully fall into his side.

he stops what he’s doing and immediately goes to push you off, not realizing it’s you. until he notices your voice, “inosuke! stop screaming! you’ll have another rematch soon.”

he immediately grabs your arms to throw you off (which he could’ve easily done since you didn’t have your guard up) but he just complained while you were practically on top of him. saying things like - “hey! get your hands off of me! i have another match to win!” or “what’s the deal?! can’t you see i’m busy?!”

of course since he hasn’t pushed you off yet you know this is calming him down, and eventually it does. his anger subsides but only for a little bit, the match eventually redos and kanao gets a few good hits in until he wins.

instantly, he’s rushing over to you and tackling you to the ground!! “i did it! ya see that? i knew i could win!” he’s yowling and jumping around and you just smile at him fondly. “congrats inosuke! but i have to go back outside and finish my training—..”

before you could finish inosuke picks you up and twirls you around before setting you back down, patting your head. “alright! don’t be long. i want you to see me beat the rest of these people!” a blush creeps onto your cheeks as you giggle, a little out of breath.

“heh.. alright! i’ll be back.” you kiss his shoulder quickly before jogging away - causing him to freeze and someone catching him off guard and winning another match…

you didn’t hear the end of it later that night!! but it was all okay when you woke up for another day and inosuke was laying on you per usual, not rummaging through your things this time.

—

YAYA I FINISHED !! it’s not as serious as i honestly hoped for but im actually super proud of this i think this is really cute !! hope u enjoy <3

REQUESTS : OPEN

[h0neysp1ce]

Hii

Sorry if this is weird but please can I request some headcanons with Kaveh, Alhaitham and Diluc (Also if you don't write Diluc, Tighnari is good instead) where the Reader has extremely painful period cramps, like to the point where they need to vomit and can't move 🙏

Not at all! here you go 💚🫶

˚୨୧⋆｡˚  Summary: ↑ How does he take care of his s/o when they have very bad cramps?

Characters: Kaveh, Alhaitham, Diluc, Tighnari Tags: Established Relationship (all Separate) Fluff?? Constellation: Head canons Warning(s): Mentions of Period symptoms, nothing graphic reader can be read as gender neutral or Female (Had no clue which one to put so I put both) ˚୨୧⋆｡˚ 

A/N: I tried my best, apologies if Diluc's and Tighnari's Parts are shorter, and hopefully I went into enough detail as you asked , also I hope I titled it in the most un akward way possible, This was my first time writing something like this so I hope its not to bad ^^"

sorta Proof read (will edit later)

Word Count: 1243

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

Kαʋҽԋ 🎨

This man is worried about you the moment you start not feeling great.

There's no need to feel embarrassed or ashamed; he understands that this is something you go through.

It’s nothing new, really. You've been open with him about your cramps being bad, and he understands that.

The first time this happened, it freaked him out because he thought something was wrong with you until you told him what it was, and he calmed down.

Kaveh: "Alright, I'm back with the heating pad and snacks."

You: "Kaveh, aren’t you supposed to be out working with a client today?"

Kaveh: "Oh no, I canceled all my work for today. I’m not leaving you alone and unattended."

You: "KAVEH!!? No, don’t worry about me. You should worry about your work. I know it's stressful and—"

Kaveh: "No, you're more important right now. Please, let me take care of you."

If you end up getting sick, like feeling like you’re about to vomit at any moment, he’ll be there with you, holding your hair back if you're actively getting sick, rubbing circles into your back, and staying with you in the bathroom until you feel better and can get back to bed.

Knowing that you can’t move much in this state, he'll take it upon himself to get you things. Want food? He’ll make you some. Want cuddles? He’ll gladly cuddle you.

He’ll have medicine ready for you along with a glass of water and a heating pad.

This man pampers you 100%.

It pains him to see you hurting and not feeling your best. You won’t see it, but he tends to have a frown on his face when you're hurting. He’s doing everything he can, but he can’t take your pain away completely, and it makes him sad.

He’d take away the pain and discomfort from you if he could.

Most of the time is spent cuddling. It doesn’t matter to him; whatever makes you most comfortable and relieves at least some of your pain is what matters to him.

He’ll kiss your face all over, along with some hand kisses, giving positive affirmations that you’re going to get through it, that it’s going to be okay, that you’re very strong, and that it’s only temporary.

His voice goes soft when talking to you, running a hand gently through your hair. He’ll be looking at you often, always asking if you're alright or if you need anything.

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

Aʅԋαιƚԋαɱ 📚

He’s read plenty of books to know what you’re going through and the best treatments for it.

He knows what it is without even having to ask you, as you’re wrapped around the toilet suffering.

He’ll sit with you and wait until you feel slightly well enough to get back to resting.

He will be honest with you and say that he doesn’t mind or care; there’s no shame or embarrassment. It’s a normal thing you go through.

If you let him, he’ll use his hands to place them on your abdomen. He has warm hands, and he’ll keep them there if it helps relieve the pain and discomfort, even just a little bit.

He’ll pull off his cape and put it on you if that helps comfort you in some way.

If you’re lying down, he’ll make sure to pull you closer. Usually, he doesn’t like being so close, but he’s doing this for you because he cares.

You: "Alhaitham, am I burdening you?"

Alhaitham: "I've told you multiple times already that you’re not a burden. You just need help and assistance right now, and there’s nothing wrong with that. Now go back to sleep." (says this while reading a book)

He’ll carry you or pick you up and take you places since moving by yourself is a no-go.

He’ll be reading a book while you lay with him. In reality, he’s keeping an eye on you, not reading a page of that book, just pretending.

This man would take the pain away from you in a heartbeat if he could.

He’ll be with you the entire time through this tough period.

He’ll make sure you take your medicine every few hours as directed.

In a modern AU, he’d likely turn on a movie or something for you, and you two would stay in bed mostly. He’ll also get you anything you need, don’t worry.

He’s still able to do his job remotely from home as the Akademiya's Grand Scribe. What, did you think this man was going to work while you weren’t feeling your best? Nope! He’s going to take care of you because that’s what partners do.

Even if he shows little affection normally, he’ll make sure to give you some during this time.

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

Dιʅυƈ 🍷

He’s more than aware when he wakes up and finds you not up, as you’re usually up before him.

He’ll ask you, and when you confirm his suspicions, he’ll grab some things (food, whatever you want if you just ask him).

He’ll also make a quick trip to the Tavern and have someone take over for him for a couple of days since he’s going to focus on you right now.

If you allow him, he’ll heat up his hands with his Pryo Vision and place them on your abdomen to ease your cramps slightly. If you’re feeling sick at any point, just tap on him or signal him, and he’ll make sure you get to the bathroom.

He’ll always take one of your hands, pepper kisses all over, and look at you while the two of you are in bed as you relax.

This man is a gentleman (all the men are gentlemen).

Your well-being is a main priority for him.

He’ll shower you with affection and pamper you lots.

He’ll always talk with you and explain that if you need anything at all, just tell him. It’s no bother nor burden. He’ll always assure you that you’re his partner and that he cares about you, giving plenty of reassurance if you need it.

All his duties will be resumed once you’re feeling better completely, so don’t worry about him being behind or anything. He still manages things remotely from Dawn Winery.

Diluc: "Please do tell me if you need anything, anything at all."

You: "Of course I will, Diluc. I love you."

Diluc: "Love you too."

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

Tιɠԋɳαɾι 🌻

He’ll brew up some tea or have you drink a glass of water first when you confirm with him that it’s that time.

He has plenty of medicine and herbs on hand to ease your cramps and maybe the nausea caused by them.

He’ll let you have snacks but will also make sure you have balanced meals, going for the healthy approach.

Don’t be afraid of your mood changes or swings; he understands. He’s not going to be mad if you end up snapping at him.

He’ll try to limit his job as a Forest Ranger so he can keep an eye on you and take care of you.

The first time it happened, he thought you’d come down with some sort of sickness until you told him what was happening. He understood and went out of his way to help you (though he did end up going on a ten-minute ramble about what you already knew and didn’t need to hear).

If you have back pain, he’ll rub your back for you. If you’re feeling any other discomfort, he’ll do whatever he can to help.

He also tends to give you face kisses and affection. He’s a cuddle person and doesn’t mind you being clingy (none of the men mind you being clingy).

Tighnari: "Now remember what I told you, [Name]?"

You: "Tighnari, we’ve been over this five times already." sigh

Tighnari: "I just need to make sure you’re retaining the information."

You: "This is going to take a while."

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

[tremendum]

i've got headaches and bad luck but they couldn't touch you

[not my gif. title from song Of All the Gin Joints in All the World] pairing: joel miller x fem!reader (afab, use of she/her, use of the word girl)    

rating: explicit. (18+. mdni.)      

word count: 4.6k  requested: Could you write something (literally anything really) like mean Joel x feisty Reader but based on the ancient Fall Out Boys song "Of All the Gin Joints in All the World" pretty please? 🥺🥹 I was just listening and I thought the lyrics were perfect for your writing ❤️But as always no pressure and no problem at all if you don't like the idea or anything else. Lots of love! P.S. smut is very welcome btw hihihi summary: “Joel's not one for feelings anymore, but you seem to pull them out of him like it's your goddamn job." warnings: established previous hookups, use of girl/babygirl, established age gap (unspecified but addressed openly), brief mention of oral m!receiving, brief mention of reader and joel’s canon-typical scars. choking, mean!Joel & brat tamer!Joel, brat!reader lol, dirty talk (its joel), degradation, use of the word slut, slight dumbification, spitting, rough sex, unprotected PiV, cum eating, nipple play, slapping (tits, ass). think that's it!

notes: okay finally another mean!Joel for the soul!!! this is super unedited also. tysm for the request, obv inspired by the song Of All The Gin Joints in All the World by FOB. :) this was fun and i hope yall love it! dont b afraid to request anything yall wanna read at all and as always pls comment or reblog :) love u xoxo  

[other Joel fics: mr. miller series fever landmines  ]

★  

Joel Miller isn't sure exactly when all this bullshit started. 

one day, he was introduced to you fleetingly in the cafeteria while you and Maria had an intense conversation - he’s not sure if you spoke for more than ten seconds; but months later and Joel happens to know exactly what your sweaty skin tastes like on the sharpness of his tongue and could probably list his favorite pairs of underwear you own. 

it's nothing, really. 

you patrol together often, and Joel guesses that out of all the insufferable people he's had to deal with, you're definitely not the worst. perhaps your handiness with a trigger - not nearly as inept as his own but definitely a close second - helps; or maybe it's the way your mouth feels wrapped around his cock. 

and he's not stupid; he knows exactly what Tommy was doing when he signed Joel with you for patrol - the same shit he'd been pulling since they were thirty years younger and Joel was fresh out of the relationship with Sarah's mom. but it's different now, because life is not the same - nothing is the same. 

Joel's not one for feelings anymore, but you seem to pull them out of him like it's your goddamn job. 

you are one talkative motherfucker; usually, that'd drive Joel up a wall, but after repeated and incessant exposure to Ellie for such an extended period, his patience has surprisingly grown.

and unlike others, you never acted nervous or scared by him. irritated, maybe, but it's not like he cares much if you get irritated by his attitude; you're worse than he can be.

at first, he thought you were just fucking him because you just didn't know who he really was yet. but months into whatever this shit is, and you're still - for whatever fucking reason - hanging around him, even after everything. he likes it, though, that you fight fire with fire.

and maybe that's why Tommy stuck you two together, because in some ways it was inevitable - maybe it was a good thing, Joel thinks. 

but this morning, as Joel's mind slams against his body, jolting him awake, his aching head makes him double-guess that.

it's weird how different it all is now - before you, Joel was tortured through nights plagued with sweats and memories. blood, pain, loss. he used to dream restlessly of life and all of its unforgiving horrors; but now, to his shock, he finds himself plagued with dreams of you. 

he gasps awake - he's not sure he'll ever stop that. 

but this time, you're next to him in the bed. his skin feels warm as the light filters through the blinds that stay constantly pulled down this time of year to retain the cool air and Joel lets out a shuttered sigh, his head aching.

it's only the second time you've stayed the night. he's never stayed at yours, god forbid - but a small part of him aches this morning when you slide out of his heavy, sleep-addled muscles. in the absence of your heat there is still bliss for a moment, until he's roused fully by your voice. 

"these sheets are dirty." the sound carries into his ears, melodic and fiery. he cracks one eye open, hand raising to rub over his face - a deep, tired sigh. 

"g'mornin' to you too." he snarks, sighing as he pulls himself on aching muscles to blink his eyes open; you stand over the bed, on the side that usually remains cold an empty while Joel thrashes in fits of restless sleep. there's not a single scrap of clothing on your body.  

he feels himself stir at the sight of you, naked, neck painted in a splattering of beautiful marks that'd been pulled forth in moments of ecstasy the night before.

you send him a half smirk, shrugging as you tug on a shirt - his, fuck, his stomach swirls at the sight of you wrapped in him. something primal crawls in his chest as you smile at him, legs almost glowing in their bareness as they knock against the side of the mattress. your fingers brush the fabric to the left of his head. 

"there's stains on the pillows." you shake your head, your face alluring in its tease. he feels himself roll his eyes as he grunts, "you're actin' like it ain't your makeup stainin' it?" 

he stares at the marks on the pillowcase; black, from that shit you sometimes put on your eyes which just makes them all the more beautiful, wide, and alluring. the makeup that's surely expired after all this time but still is something you like to do to, as you'd mentioned once, 'reclaim your humanity.' whatever.

Joel would never admit it to you, but he hadn't even really tried to wash out those stains; something about them gives him a warmth in his chest every morning that he wakes up in this cold bed. 

but when his eyes fall back to you in your silence, you smirk and it hits him: you're fucking teasing him.

he glares at you as your lips curl in a huff of a laugh, shaking your head. "if you keep complainin' about every damn thing, might as well just fuck you on the floor." he mutters, mostly to himself-  but also to see the way your thighs shift, eyes widening slightly as color washes your cheeks. you're squirming at his words, just like that - oh, he's got you pinned.

you'd like that, you dirty little thing.

but you regain your composure quicker than lightning, ready to snap back; yet another tally to add on the list of things he admires about you.

"you're such a gentleman, Miller." you snide, fanning yourself sardonically with one hand as you roll your eyes, searching for your underwear. 

he remembers the first time you'd said that to him -

"why so shy?" you'd purred. the memory of your voice curls around his ears as he huffs, watching you bend over and give him a complete view of your ass as you fetch your panties from the floor.  "c'mon, Joel, you don't need to be such a gentleman. 's nothing you haven't seen before." you'd stripped yourself of your shirt, your pert nipples pebbling in the cold breeze as he'd sat, cleaning his rifle. "the hell's the matter with you?" he'd grumbled; but it didn't stop either of you. you'd been pressed between him and the splitting backseat of the broken down crashed car within seconds, anyways. 

his eyes meet yours as you stand again. 

he snarks, "well you’re givin' me a headache, an' I've only been up for two minutes." he glares at you, swinging to pull his boxers over his hips, standing up to find his shirt. he pointedly ignores the glare you send him at his grumpiness. 

"you're the one acting dumb," you mutter, "acting like I'm the one who gives you headaches." you retort, a teasing glint in your eye; he knows that look. Joel knows you'd never get a headache from him - as much as he pisses you off, he knows you're too fiery, too lucky to get caught up in whatever miserable puddle he's drowning in. 

because Joel's bad luck curls around his fists wherever he goes; the talons reaching out, crawling through every hallway and seeping through every door. you, on the other hand, are like a goddamn firecracker. Joel hates the idea, but you're... somehow gifted in that way.

he's convinced his bad luck couldn't touch you if it tried. 

no matter the dumb shit you pull - forgetting a flashlight, not flipping off your safety that one moment when the clicker had stumbled out of the brush; all of that, and you escape unscathed, nothing but a giggle and a half-shrug from you before you move on to the next stupid thing. 

if you weren't such a goddamn brat, it'd be charming. 

his eyes snap to yours as your words fall from your lips; a burning in his chest at your tone. he watches your legs carry you into his bathroom, and he can't help it when his follow yours.

you haven't even flipped on the lights before he shuts the door behind him - you're already wearing that snarky fucking smile on your face, and he's straining already against his boxers.

he stares down at you, crowding you slowly into the wall. "what the fuck did you just say to me?" he hisses, mouth close to yours. as you turn your chin up towards his face, he can tell that you try your hardest to control your smirk, playing into the tense energy that's emanating from his chest. 

"I said you're acting dumb."

you repeat, tilting your head slightly as you drink in the darkness in his eyes. lord, you'd let that darkness swallow you in a fucking heartbeat. 

speaking of; your own heartbeat thunders in your chest, anticipating. you know what's coming, you can nearly taste it on your tongue. 

"oh, 's that right?" Joel asks, tilting his head to stare down at you. you swallow as you stare back into those deep irises, the small bit of golden light that shines through the small bathroom window illuminating in an ominously heavenly ray.

his hand settles on the crook of your shoulder and neck, sliding gently upwards as you nod your head defiantly, pushing as far as you can to see when he'll snap. his eyes glisten in temptation; daring you to act up more. 

raising your brows, you try to play like it's obvious, "waking up and complaining about your headaches, old man?" you tut gently, shaking your head innocently. "I don't think it's my fault that you fucked me twice, immediately passed out and now your head hurts when you've woken up the next morning. you know better than to push yourself in your old age, Joel. that's stupid." you add coyly, knowing it'll push him over the edge - he loves it when you act like a brat, no matter how much he denies it. 

his response is immediate and exactly what you'd hoped for. 

he's on you in a split second - hand sliding from your shoulder to grip your throat, pushing you back onto the wall of the bathroom. the towel bar digs into your middle-back slightly and you gasp in arousal at the force of his body on yours. you can feel his cock, hard and straining in his boxers, as it presses into your lower stomach. 

"y'wanna play like that, baby?" he growls, "why you fuckin' around with an old man like me, then?" he asks.

your face heats up, arousal flooding your core, your cunt slowly wetting itself at the purr of his voice - the meaner the words, the larger the flame. 

"hm?" he gently pushes, raising his brows as his hand squeezes gently on your throat, nudging you against the wall further; your gasp is slightly rasped under the pressure, your whole body screaming with desire. this is what you love - mean, angry, hungry Joel Miller. "'s it because nobody fucks you like I do, is that it?"

his knee slides between yours, wedging himself high up, rubbing suddenly against your aching pussy, the material of your cotton already soaked with a damp spot that rubs against his thick thigh. 

"Joel, fuck-" you groan, already willing to just do what you can to get him to touch you. his hand on your throat tightens at your word, thigh rutting up to slide against your needy clit, your hips bucking at the feeling. "-'s because nobody else is so easy." your fiery mouth betrays your body; the snarky comment snaps his eyes to yours, a dark breath leaving his lips. 

"that's ironic," he snaps, "comin' from someone who begged me to fuck them for hours." 

your face burns at the memory of the first time you and Joel'd hooked up; your desperate voice hoarse from pleading him to fuck you - out in the middle of the woods, a sleeping bag that, by the end, had rips on it from rocks and twigs and the force of his thrusts; the shyness gone from either of you as your touches made up for all the silence between you.

he hums lowly, watching you as you swallow at the memory, his thigh rutting up again and pulling a yelp of pleasure from your lips. "y'don't feel so high 'n mighty when I fuck you stupid, right baby?" he asks, voice dripping with condescendence as he nods gently, encouraging you to answer him. your core throbs at his words, your mouth going dry. 

his hand leaves your throat; you swallow a gulp of air, staring with wide eyes as he grasps your jaw roughly. "answer me." 

"n-no, I don't." you mutter, voice sounding small; the arousal that pulses through your veins begs your mouth to be smart, do what Joel says so he'll give in to what you want. 

he smirks, hands roughly grabbing the thick of your hips and flipping you around to press you against the counter, your hips bending as he shoves himself just behind you. your eyes meet yourself and his own hawkish gaze in the mirror in front of you; your heated breath fogs up the mirror in the faint morning light. 

his fingers thread through your hair, tugging you back again as he tilts your head back. his upside down face, smirking down at you, has your thighs clenching - "open." he orders, voice stern. 

your tongue sticks out and he wastes no time spitting roughly onto your tongue, moving your head back to stare into the mirror; his eyes meet yours as his spit slides over your tongue and his furrowed brows twitch with a slight smirk. "look at you, doin' what I tell you. now swallow it and say thank you." 

your core flutters at his words deliciously as you do as you're told; swallowing, you take a breath and mutter, "thank you," - though it's more breathless than you expected, Joel seems to approve. he hums, "there are those manners," he mutters into your ear, cock pressing against the swell of your ass. "almost seemed like you'd forgotten you had them." 

"didn't forget." you mutter, face heating up as your pussy aches, fluttering around nothing and desiring for his fingers, his cock - anything. 

one rough palm slides his shirt up your torso, exposing your bare tits to both of you through the mirror. with his face stooped down near your neck, a short inhale of your hair before his hand reaches it's destination - your throat. 

"then why're you actin' up?" he rasps, teeth grazing your shoulder. he squeezes his hand again and your eyes roll back in pleasure, arousal soon slicking your thighs as you think you may die from all the teasing. "you don't wanna cum?" 

your eyes widen, breath halting as you shake your head, "wh- no- no!" you hiss, "I do want to cum, please." 

his other hand raises, slapping your breast harsh and quick; your gasp of shock tapers off into a whine of pleasure, your nipples hard in arousal as his palm comes to soothe over the sting. 

"then why're you acting like this?" he asks again, shaking his head. another slap, this time to your other breast. his eyes follow the skin of your chest; the way you gasp, your whines at the slight stinging and the pleasure that follows. fingers pinch your nipples, teasing in circles before another sharp slap echoes through the room. "just a little brat, y'can't help yourself." he decides, biting on your neck lightly. 

you can feel him rut against you hard, grinding his hips as he lets out a short groan. you let out a low moan, whining slightly when he smacks your tits again, skin glowing with the impact. his eyes meet yours in the mirror. "quit the whinin'," he grunts, rutting his hard cock against your ass, "you'll be stuffed full of me soon enough." he grunts, "then we'll see who's dumb." 

your shaky moan sounds more like a groan, elbows falling to steady yourself as Joel releases your throat, tossing you forward to grab your hips instead. he pulls you back, grinding into you as his head tilts back in how own small groan of pleasure. "this ass." Joel grunts to himself as he palms the curve of your ass in both large hands, one falling to smack harsh onto the left. 

you're dripping down the inside of your thighs as he ruts against you twice more; thick fingers soon slide to thumb at the slick wet of your panties. his fingers tease the wet material that's glued to your pussy with need, tracing over your lips lightly over the fabric. "pretty pussy, just for me." he mutters; you nod, looking up at him through the mirror, "all for you, Joel." you affirm, voice shaking with anticipation. 

"you gonna be good when I fill you up, baby?" he lifts his brow, stern look as he palms himself. fuck, he's so sexy behind you like this, his thumb slowly dragging the material of your panties to the side and exposing your weeping cunt; you nod, "yes, I'll do anything-" 

you're cut off by a sharp gasp as the stretch of his cock's head cuts off your brain. he eases in gently at first which you're more than grateful for - no matter how many times Joel fucks you, his size is always something you have to adjust to; especially after your rounds last night left you barely able to walk straight. 

he lets out a breath, "there y'go, baby, take me." he says it surprisingly gently, easing in inch by inch as you breathe deeply, your soaked pussy easing his cock through your channels. his cock is heavy and aching as he slides into you, sheathing you fully within another few seconds - Joel's hands grip so hard on your ass, splaying you open for him, that you think his fingers will remain there for days. 

he's still only for a moment, letting you accommodate to his size before he's leaning forward to press his chest to your back, "gonna fuck you stupid, baby." 

"please, Joel," you groan, cunt fluttering, begging him to move. "do it." 

it's all that he needs before he's setting a pace that has you whining under him, your breath choking as you brace yourself agains the counter of the sink. 

it's bliss. his hips are sharp, the reach of his cock pressing against the spongy spot inside you, dragging against your pulsing walls. "fuck, so deep-" you hiss, eyes closing in pleasure as he presses himself against you, hips surely going to bruise against the thrusts that shove you into the countertop. 

one hand sneaks over your front, grasping at your tits as his cock reaches up into you deeply. he lets out a grunt, "fuckin'- christ, you're s-so tight," he grunts, "even after fuckin' you all night." 

you moan, the quick bout of his praise causing you to squeeze around him, trapping him in your aching desire. the both of you moan at the feeling and suddenly one hand presses on your spine until you're low to the counter. his hands grab your shoulders, fingers curling around the base of your throat as he changes his pace to hard and rough, the sound of your ass against his hips nearly hitting your ears over your cries of pleasure. 

the noises of your arousal swallowing his cock echo around the room in a familiar, comforting chorus as you both let out shuttering moans; his strong arms pull you back until you're once again pressed against his broad chest. his breath fans over your neck and you whine slightly when his thrusts press you up onto your tip-toes. his lips find your ear, "how's that feel?" your hole flutters from the deepness in his voice - he groans at the feeling. 

your response is a whine of ecstasy as you claw at his forearms, head tilting back until you can almost feel his erratic heartbeat. his chest rumbles with a light chuckle, "look, barely took ya any time to get fucked out on my cock," he praises, hand petting your wild hair, "knew you'd be good for me. always take what I give you, right?" 

you nod, desperate to reach the climax that's easily built within you from the stretch of him deep in you and his voice in your ear. your clit aches from being ignored and your hand snakes down to rub light circles on it; your hips jolt as you gasp raggedly, eyes fluttering shut in pleasure. 

"no." he growls, hand grabbing your jaw sternly as he pounds into you, "when I'm fuckin' you, you keep your eyes on me." he snaps, squeezing your cheeks. "'s that clear?"

you nod in the mirror, whines getting louder as his name falls nearly incoherently from your lips- you see his lips ghost over your neck, the smirk that spreads over his pink lips as you finally get out a strangled, "Joelpleaseplease- s'close-" 

he knows what you need; you and Joel are each other's best escape. he pistons into you hard, chasing your high as he feels it spasming close around him. "easy, huh?" he snarls, hips just as harsh as his words, eyes sharp on yours. "who's easy, baby - me, or the one beggin' like a slut to cum on my cock?" 

for someone so quiet and closed off, Joel Miller has never shied away from using his goddamn words when he's fucking you, that's for sure. his words, his accent - they push you towards the edge and it almost distracts you from his question. his eyebrows raise in the silence as you gasp for words, moans choked  as his fingers slide down from your jaw to squeeze your throat. 

"look at'cha, can't even speak for me," he groans, his hand suddenly snaking down to smack your away from your clit; two larger, calloused fingers replace your shaky ones and you wail at the stimulation, almost too much.

you blink up at him through the mirror, unable to speak, unable to think as you feel the crest of something incredibly blissful growing; you let out a whine of ecstasy. "I'm- I'm easy," you concede, finally able to spit your words out, your voice higher than normal in your pleasure. 

Joel nods, kissing your sweaty hairline, "'s goddamn right you are, babygirl," he hisses, "easy for me. this pretty little pussy is mine, isn't it?" 

you scream, "yours, Joel-" before he barely finishes the sentence.

with your words, he smiles against your neck - the feeling of it sends goosebumps over your whole torso. "you're a lucky girl," he growls in your ear, teeth brushing the shell before licking it gently, "you can cum." 

you barely realize you've hit your orgasm until you’re writhing - a white-hot, searing arousal streaking your vision as your eyes roll back. he fucks you steadily through your orgasm, your thighs closing slightly around his large palm, but his fingers don't stop their motions on your clit. 

you shake and stutter for gasps as he pounds into you, chasing his own high that's been spurred - by your own words or the clenching of your orgasm around him, you're unsure. 

"love how you feel-" he groans, voice weakening as he nears his own orgasm, hips sloppy as he pushes your face down, against the cool tile of the bathroom sink. "fuck, baby, made to take this cock." 

his sentences are choppy, his gasps and grunts of pleasure mixing with the slap of your ass against him as he thrusts, your legs tired as he fills you full and then suddenly pulls out. you gasp at the suddenness of his absence, turning to look at him as if betrayed - but he looks completely gone, eyes dark with need. "gonna cum on your tits, sweetheart." 

your stomach flips at the word - one he's never used before - and you relax into his harsh grip, moving down to the ground on your knees as he grunts, "take this shit off now." 

his shirt is on the ground in half a second, your breasts bare to him as he fists his cock, eyes on you and lidded with pleasure. your hands fall onto his strong thighs, looking up at him in awe as he fists his cock, slick with your sticky spend, tip flushed and veins stretching over the shaft. "please, cum on me, want it so bad, Joel," you whine - his hand caresses your jaw and slips over your lips, sticking his thumb into your mouth. you suck eagerly and he moans your name deep, head tilting back in ecstasy. 

"fuck," he grunts, slipping his thumb out of your mouth before you can even swirl your tongue around it, and then he's hitting his orgasm.

ropes of his cum land on your tits, a small bit gathering on your chin as he slows his hand, letting out a few sharp breaths. he's barely caught his breath before your fingers are gathering a swipe of his thick cum, bringing it to your mouth. his dark eyes follow you through his labored breaths as you slowly suck his spend off of your fingers, "fuckin'- pretty," he mumbles into his hand as he runs a palm over his face, shaking his head. 

you smile, cheeks heating up. the sun is rising and the room is fully golden, bouncing off the mirror and illuminating his tan skin, the scars on his body and yours. he's pretty, you realize. 

you tell him so, quietly - in the silence of the bathroom. his scowl softens and you swear you see a blush forming as he rolls his eyes down at you from where you perch on the linoleum. 

Joel always says you only tell him sweet things to get him to fuck you - but in the afterglow of your actions, you catch sight of your makeup-stained pillowcase back in Joel's bedroom and it makes you grin. you know he doesn't wash it for a reason, the same reason you keep coming back to him. 

and you also know that the way he smooths his thumb over your hairline, the way your own hands in turn soothe over his thighs - those actions, they make up for everything else that's unspoken.

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taglist: @satansgoatt @elissaaa @queerponcho @bbyanarchist @lapricot @umavvitch @asreadbyaj @dinsbaby @cottoncandytomu @onmytallesttiptoess @switchbladedreamz @missannwinchester @abs-2020 @afandomidiot @cosm1c-babe @rogersbarnesxx @carleenphillips-blog @bonnibuckets @nightlovechild @jazzyspasms @girlboybug @cannolighost @pastelnap @userpedros @feministfanboi @frogers @grhowls @daddy-din @gothoppered @totallynotastanacc @robbatlover @casssiopeia @wannab-urs @redhotkitchen @joelapologist2001 @silkiers

message me if i forgot to tag u. i was pretty lazy with this one sorry. requests are open.

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[runawayolives]

So for baby daddy Nate: when they are older and married reader can't handle anymore and they both fight she ask for divorce but the kid hear it.? Hope you write about this.

This isn't canon, I think.

This belongs to Baby Daddy.

"I think we should get a divorce."

"What?"

"I said that I think we should get a divorce."

"I heard you the first time."

The Jacobs' household was soaked in silence, the two young adults in the kitchen after setting their kid to bed. Nate was sitting on the armchair near the kitchen island, while she was cleaning the remaining of dinner. He stood up, walking towards his wife, invading her personal space.

"Can I know where this is coming from?" The faucet had been dripping for a bit, probably because it knew breaking the silence was its new task.

"I don't think we need to be married." Her hand was gripping a damp towel, hyper-focusing in a little circle of coffee from that morning. "We aren't a married couple, we're just two adults living in a house and raising a child."

"Who's fault is that?"

"Don't blame me." The circle was finally gone. "You were the one who married a woman who never wanted you." Their eyes met for the fist time since they put their child to bed.

"Don't say that shit."

"Mommy? Daddy? I'm thirsty." Both young adults turned around to look at the small figure standing by the hallway. The way they were gripping the doorway and their half hidden body proved that the child had been there for longer.

"Mommy will get you some." Quickly she turned around to fill a plastic cup with water. "Here hon. Do you need help going back to bed?"

"I want daddy to do it." Those big brown eyes were too hard to deny, making Nate walk forward.

"Come on, Jojo, I'll read you another story." He lifted his child to his hip, somehow still dwarfing the child, as if they hadn't grown since they were still a baby.

"Goodnight mommy."

"Goodnight, baby."

The staircase was full of picture frames of the young family, at the park, the zoo, on christmas. Endless memories that his stupid wife wanted to throw away because she was a quitter and a coward.

"What were you and mommy talking about?"

"Nothing you have to worry about."

"You were mad. Is mommy in trouble? Should she sit on the step?" Jojo was the most terrifying child Nate had ever met. The big eyes, the big cheeks and their calm nature made them look like a small victorian child that had seen too much. Jojo had a normal childhood, two parents that loved them, friends, and two set of grandparents that spoiled the kid a bit too much. Normal, very normal child.

Nate thought all the weird things that came out of Jojo were her fault. She burdened their child, he knew it. Jojo played like any other kid, Jojo had the same taste buds as any other kid. But Jojo asked uncomfortable questions and would stare at you for a bit too long, as if the five year-old was trying to figure you out.

She spent too much time raising the child, got bored because she's a stupid selfish bitch and decided to treat Jojo like an adult. Too many books, too many paintings and too many museums.

Jojo loved their mom, and Nate was envious. Not because Jojo didn't love Nate, but because looking at them proved what relationships between mother and child could be. Martha hadn't been present, she was home, and she picked him up from school, but his dad was the one in charge of raising him.

Seeing Jojo and Y/N somehow was the Universe or whatever entity rubbing it his face. You had the potential for having this, but you didn't.

The white walls of his kid's room were covered in little scribbles on the wall, something they hadn't bothered in correcting as long as it was only in these walls. The dinosaur lamp was still on, spreading the room in the light green light. Some story books were laying on the ground, and some books. Original versions of classics such as Little Women and To kill a mockingbird laid besides The very humgry caterpillar and The Giving tree.

During the walk up and the small back rubs Nate was giving Jojo, the five-year old had fallen asleep, long eyelashes tickling their cheeks. The toddler was set on the brand new ocean life bed sheets, their latest obsession, and immediately started hugging the handmade-crochet whale they had made with their mom's help.

After setting the kid to sleep and kissing their small forehead, Nate went downstairs. His wife was were he left her, this time with a mug between her hands.

"If you think I'll give you a divorce and let you separate me from my son, you're way stupider than I thought."

[genericpuff]

The excessively passive voice when talking about Minthe being intended to have BPD is hilarious. "It was thought to have her written with BPD"? So weird

Honestly, once you start noticing this passive voice in how Rachel writes and talks, it's kind of hard to unsee.

Like, for starters, the BPD example. It's very non-committal, almost as if to sound like she never actually wrote her with BPD, it was just an 'idea' that she could neither confirm or deny as canon. But then you read the episode with the slap and-

It's- it's literally called "Splitting". It's about as subtle as a brick to the face. This entire episode showcases Minthe having an actual literal episode of splitting and it's plain as day to anyone who can read the title card and put two and two together. So for the wording to be so passive around her characterization... it wasn't "thought" to have her written with BPD, she was written with BPD.

Another example that sticks out in my mind of Rachel's passive writing is far later in Season 3, when Demeter reunites with Persephone and naturally expects her to come back home with her.

This line still fucking bothers me to this day. Besides the fact that it's just really poorly written dialogue, Persephone describes her being in love with Hades as if it's just some coincidental thing that happened to her that she can't avoid and not a deliberate choice she's making. "It would seem" my ass, Persephone is a coward for not being upfront and just talking to her mother like an adult by saying, "Mother, I love you, and I understand why you want me to come home, but I'm in love with Hades and want to stay in the Underworld with him." Instead the way it's worded is almost designed to absolve Persephone of any and all agency in her own decisions and active participation in her relationship with Hades by instead making it out to be just some circumstance that she can't get herself out of.

Again, this isn't quite as egregious as the aforementioned BPD scene, but it's still irritating because Rachel writes like this a lot throughout LO. And it's not just the dialogue either, entire decisions throughout the comic are flip-flopped and kept vague by Rachel so she can give herself plausible deniability over the narrative. I could come up with some of my own examples, but I think she managed to speak for herself just fine in the end-of-series Q&A that left both critics and fans of the series massively confused and disappointed:

LO is full of half-committed plotlines because Rachel herself can't commit to her own decisions. So the decisions she does make are left vague enough that hardcore fans are willing enough to fill in the blanks themselves, but anyone who asks her genuinely what her plan was, she just gives the same wordy "IDK it's up to your interpretation!" response. It's like she thinks people are asking her as just another reader who can only speculate, but she's literally the author, so why is she acting like her guess is as good as theirs?

Well, because that's how she wrote LO. That's how she's always written comics, with vague half-finished thoughts and just enough for readers to do the mental gymnastics of making sense of it all just to give her the credit for "smart writing" that she never actually did because she stopped paying attention after the first sentence. And that method of being vague for the sake of audience interpretation is fine for illustrations or anything that isn't trying to be a concise narrative, but LO did try to be that and it really shows how hard it failed in doing so when its own creator can't even come up with something slightly plausible to explain all the questions people had in the end. "There is some backstory there" but proceeds to not actually expand on said backstory. "I like to imply things without outright telling people", so do I, but the difference is that Rachel is using that as a crutch to not answer the questions she setup for her readers and then didn't resolve after five years. There's not wanting to spoon feed people the plot, and then there's literally refusing to explain your decisions when writing said plot, almost because you don't know any more than they do.

The entirety of LO is rooted in Rachel's passiveness, from her inability to answer questions concisely to every little plot point that was established and dropped throughout the comic's run. Writing a story is a series of decisions, deciding what to keep, deciding what not to keep, deciding what has to be changed, etc. and Rachel just... doesn't seem like someone who's ever been capable of making those decisions, especially when she's writing an actual long form story to the end and doesn't have the luxury of dropping it whenever it feels convenient for her like she did several times with The Doctor Pepper Show. Once she was actually held to a standard, once she was actually signed into a contract that expected her to make those decisions, she failed to and it culminated in one of the messiest conclusions to a story I've seen since Game of Thrones.

LO is kind of like Schrodinger's Cat - a plot point can be or not be whatever it needs to be so that Rachel can be either praised for smart writing she never did or absolved of bad writing that she did do. It's equally parts interesting and vague enough that whatever her readers give her credit for writing, she can give them a thumbs-up and go "you're totally right, champ!" and proceed to take all the credit of being a "good writer" from the efforts of her own audience who had to jump through a million hoops to make sense of her own messy writing.

But when she's put on the spot by those very same readers to answer for her own decisions, she can't.

Because she never made them.

Because there was never anything "deeper" going on, that's just what her style of "distraction writing" made you believe. The plot never lets you stop to think about what you just read long enough before zipping away to the next thing and distracting you with a new twist or a new character or a new plot point, and before you know it, you've gone weeks without reading about the last thing that was established you probably haven't even realized that those questions never got answered. Sometimes Rachel remembers to get back to those things and resolves them within a handful of panels, other times she forgets them entirely and just leaves them to rot in the hopes that no one ever calls her out on it. And when they do... she can just pull the get-out-of-jail-free "Welp, it's up to your interpretation!" card and get that credit all over again for being deep and insightful, meanwhile those who are rightfully dissatisfied with that answer are blanket-accused of "getting mad at Rachel for not writing the story they wanted".

To close out this ask that, per tradition, turned into an essay, I'd like to recall the famous words of fictional detective Benoit Blanc: "Look into the clear center of this glass onion... Miles Bron is an idiot!"

[susansontag]

my guide to lesbian anime both canonic and subtextual

(won’t include every lesbian anime ever, this is a personal list)

the canonic-gay section:

revolutionary girl utena

nothing before or since has ever done it like this. trigger warnings for everything imaginable. loads of homosexuals in this one. gender commentary, fairytale allusions, a lot of kids who are having a hard time growing up and moving beyond their pasts. sword lesbians.

flip flappers

the problematic favourite, in that there’s at least one uncomfortable sexualised shot each episode (roughly speaking; some have none and one has even more, unfortunately), so be warned. but at its heart flipflap is about repressed cocona going on adventures with outgoing and expressive papika, and their exploration of various fantastical lands/inner worlds of people they meet. hugely inventive and pretty, and a core thread is cocona discovering she’s gay.

aoi hana (‘sweet blue flowers’)

the comfort lesbian show, with not a romantic relationship at its heart, but a friendship between two childhood friends who meet again, both of whom are gay (though only one realises this during the show’s run, as it’s based on a manga). one of them dates an upperclassman at her school, and there’s various gay and bi side characters. it’s just very wholesome, lovingly animated, sweet and sometimes painful stuff.

bloom into you

I controversially do not care that much for bloom into you, but as the best, high-production, non-skeevy yuri show in years - that is based on a manga by a woman - it’s worth mentioning. late-bloomer girl dreams of romance, though has never felt it, and finds affinity with a girl who similarly is disinclined to date. that is, until said girl says she fancies her. genuinely moving exploration of developing gay identity at times, only downside is my personal disinterest in the black haired girl. some weird ‘heightened’ moments that feel inauthentic and titillating do arise, but it’s very few - to the point where some would disagree with me on my reading of it, I’d imagine.

sailor moon

the bits which the lesbians are in, etc. it’s a classic. I haven’t watched all of it myself because I don’t care much nor do I have nostalgia for sailor moon, but it’s one of the most notable examples of a butch/masc lesbian in anime, so that’s nice.

o maidens in your savage season

nerdy teenage girls who are part of a literature club make it their quest to discover sex and dating, in various ways (unfortunately, not all of them dealt with well… teacher/student foolery that is fortunately abandoned before it gets worse but is nonetheless handled with mixed results, imo). mostly though it’s hilarious, sweet, silly, and there’s a gay girl in it, but I won’t spoil which one. adults predating on children is also handled much, much better in another of the show’s storylines, and I do appreciate it for trying to tackle that difficult subject matter.

oniisama e (‘dear brother’)

an oldie, based off a shoujo manga by one of the greatest (riyoko ikeda). there’s a central relationship to root for (better articulated in the manga), but it’s mostly just what if we were messy depressed lesbians at an all-girls school and we were also melodramatic and mean as hell.

revue starlight

what if we were at an all-girls dramatic arts school and engaged in utena-like duels to become the top performer? main implicitly gay couple with canonic side gay couples. it’s quite cute. also worth watching if you like takarazuka in any way (prestigious all-female japanese theatre troupe), because the main conceit of the school is very much based on that idea.

the gay-themes section:

sound! euphonium (season one)

in which director naoko yamada’s awesome legacy of writing lesbians and then saying “who’s to say though, ha ha” continued (she did it already with a side character in tamako market). this one is known as the gaybait to end all gaybait, but hear me out: the first, and best, season, is not only a fantastic self-contained story with many great characters and plot points, but it’s main character is undoubtedly lesbian-coded and even has a love interest you can argue about. frankly I think she’s gay-coded throughout the whole show (even when she dates a guy for two minutes), but this feels very “I wanted to focus on this compelling relationship between two female characters but the adaptation’s success meant we had to revert back to the source material in later seasons”. what we got from this is perhaps my favourite lesbian anime of all-time, following utena.

a place further than the universe

this show is about four girls who join an expedition to antarctica, and what if I told you they’re all great, believable dorky teenage characters, and they exist in a well-written and thematically satisfying show… and there’s nice lesbian implication between one of our adult female protagonists and her old (deceased; not a spoiler) friend who was the main teen girl’s mother. there’s some sad here, obviously.

puella magi madoka magica

the well-known, much beloved deconstruction of the magical girl genre is also pretty gay, as it happens (so gay in fact it started a trend of gay-coded pink+black magical girls). it’s not a particular favourite of mine, but it’s visually one of the most notable anime productions ever, so it’s well worth seeing just for that.

NANA

the 2000s manga+show about the two twenty-year-olds who meet on a train and discover they’re both called nana is also pretty gay! to the point where there are heated fandom debates about nana komatsu’s (pink one) possibly being a lesbian. they both have many relationships with guys, but it’s their bond that forms the heart of the show, and the bisexuality (or, who knows, homosexuality) of the leads is pretty undeniable. to the point where you’ll get blasted on the nana subreddit if you try and suggest otherwise.

the wild-card section:

keep your hands off eizouken!

this is a show about three oddball girls who start a club to create anime, but have to pose as the film club instead for various reasons. it’s not even subtextually gay, I just personally think that all three of the leads are gay and the whole thing feels like a very female-centred creative endeavour. hugely fun watch, and very high production values. you wouldn’t regret seeing it.

skip & loafer

these two you see here are side characters. this show is actually about mitsumi, the greatest female protagonist of this kind of shoujo-esque slice of life show, who moves from the countryside to tokyo for high school. here she meets many a misfit, including the pretty blonde and the nerd girl who have undeniable chemistry and form one of the most popular pairings in the show. it’s just a good time.

chihayafuru

I’d get in trouble for this, because the primary romance factor in the show is a famed heterosexual love triangle with chihaya at its centre and her two male childhood friends at the side. but go with me on this. chihaya is oblivious to romance and feminine socialisation, she is obsessed with a card game and with her equally dorky dark-haired rival… she’s anime’s greatest autistic lesbian lead. and you get more than what you pay for, because the two boys I mentioned? a lot of gay stuff going on there too.

the big-screen-cinematic section:

the adolescence of utena

revolutionary girl returns in the sequel of a lifetime, slightly older (sixteen, say) and gayer than ever, to escape this place with the love of her life. cue the impromptu dance sequence (with stars and rose petals)!

liz and the blue bird

the naoko yamada directed gay cinematic universe continues with a gorgeous film starring two of the side characters from sound! euphonium’s second season (not necessary to watch beforehand). that means it has plausible deniability whilst being so crazily gay it’s almost some kind of joke. this is a highly detailed, laser-focused character study of two girls in their high school band club and their ever more strained relationship. yamada never misses.

the summer

this is korean! it’s about two girls who meet at school and start dating in secret, what happens as they grow up and move to seoul, and how their relationship changes and strains when met with the conservatism of contemporary korean society. it was sweet and like aoi hana above for japanese girls, felt pretty frank to the experiences I’d imagine young korean lesbians might have.

puella magi madoka magica: rebellion

if you’re a fan of the show, you probably don’t talk about this movie. sure, it’s a visual feat, sure, it’s insanely entertaining, but it’s also frustrating and upsetting and potentially undermines the neatness of the original as a perfectly-crafted story. BUT. kyouko/sayaka becomes all but canon in it, and everything else aside, that’s all that really matters. but you should definitely watch the show beforehand.