#but there is a way to go about it that doesn't rely on people who just need a reason to burn YOU even if you were burning other-

[nothorses]

shinigami eyes is inaccurate sometimes. that doesn't mean it's evil.

I've seen more people talking about the shinigami eyes extension lately, specifically because it seems like some "trans inclusive" radfems have been using it to incorrectly mark anyone who disagrees with their hateful rhetoric as "anti-trans".

the conclusion I see people drawing is that shinigami eyes is full of transandrophobic, exorsexist/enbyphobic, intersexist radfems using their moderation powers for evil.

that's now how this works!

shinigami eyes is crowdsourced. everyone who uses the extension can mark anyone and anything as "anti-trans" (red) or "trans-friendly" (green), or "clear" any current markings they might have.

that input is taken into account when determining how said blog/website/account/whatever shows up to everyone else using shinigami eyes, but you will see things marked the way you mark them immediately.

shinigami eyes claims to have some level of human validation involved when they determine public changes to how things are marked, but it's not clear what that looks like. looking through their (fairly inactive) github community page, I stumbled on this person asking about what to do if they've been incorrectly marked "anti-trans":

which confirms my understanding of how shinigami eyes tends to work.

basically, shinigami eyes isn't actually told why anyone marks anyone else as "safe" or "unsafe". even if/when there is "human validation", they're most likely just making their best guesses based on the information available to them: a cursory glance over the blog/account/website that was marked, and how other people have marked the same thing.

if someone's blog is incorrectly marked red, it's probably because one or more people completely unrelated to shinigami eyes moderation submitted that marking. if there was nothing near the top of that person's blog to indicate that person was vocally supportive of trans people (and not just trans themselves) if/when it was checked by a human, they likely just went with what seemed to be the safest bet.

which means if people are abusing this extension to mark folks as "anti-trans" when they're not, we can take action to fix that!

If someone is marked red/"anti-trans" when they shouldn't be, mark them "trans-friendly" yourself. then tell someone else who uses the extension to do the same. it'll update the public marking eventually.

if you are marked red/"anti-trans" when you shouldn't be, and you want to reverse that & prevent it from happening again, it might be a good idea to put something explicit in your bio- like "trans rights are human rights"- so it's front & center if and when a human at shinigami eyes checks a marking someone submitted.

there's another conversation to be had about how much people should be relying on shinigami eyes in the first place, but it's not evil. it doesn't hate you. it's not even exclusionary, historically speaking.

the one thing I will say is that there is definitely some very valid contention around this specific stance they currently hold:

I understand why they might want to avoid wading too deep into questions about what "counts" as a transphobic slur vs. what does not when it comes to intra-community issues, as a pretty public-facing tool for the trans community broadly speaking. but like, "theyfab" is a pretty explicitly exorsexist term, imo.

still, I think this should probably just be taken to their github issues board, where folks can have more of a conversation than the reviews page allows for. trying to pressure them into compliance isn't going to cut it, and our community deserves better than that anyway.

[infinitelystrangemachinex]

massages forehead So Ambessa hid Mel away because she was a weapon in the literal sense, a mage. But Ambessa came to Piltover for Hextech? And Ambessa had nothing to say to Mel about her powers having visibly awakened? Even when Mel offered to go with Ambessa, giving her the ultimate opportunity to make Mel a weapon for real? And Ambessa made no attempt to find or retrieve Mel - not just her daughter and the remnants of the family Ambessa professes to love, but also her ultimate weapon - when she disappeared? And Ambessa trusted Singed and Viktor on their home turf - neither of them hiding how insane and self-serving they are with every reason to take over Ambessa's soldiers or just blatantly turn on her as soon as it benefits them - more than she trusted Mel? While Caitlyn (and by extension Piltover) was visibly and clearly falling away from Ambessa's teachings before Ambessa's eyes? (as if getting rid of certain people allows piltover to get rid of fascism but we won't get into All That)

Not only do I struggle to be hyped for Mel's powers beyond how amazing and beautiful she looks, but I can't help but feel like Mel is somehow less powerful in season 2 than she was in season 1, and not in an interesting way. As if Mel's ability to bend all of Piltover politics and economics to her will in season 1 now means nothing in season 2? You can argue that Jinx's attack led directly to Mel losing ground in Piltover - because I expected Mel to have to claw back that power without being able to rely on people who are too easily seduced by Ambessa and authoritarianism, and she would have to get creative to go toe to toe with her mother. I expected pushback to her mage identity that she would have to navigate. But instead this went either unwritten, or was ignored or discarded. Instead Mel is removed from the main plot, cutting her off from what made her the most interesting - only for all of Mel's very real talents, her very real powers and abilities, to be not only translated but REPLACED with magical powers she doesn't know how to control, and by the finale, those magic powers are the only powers that are considered real. Mel takes a backseat to Piltover's governing and decisions, a backseat to Jayce of all people who was not only new to politics mere months ago but made poor governing, strategic, and diplomatic decisions when he had that power. In season 1 Mel stayed off the "throne" but she did pull its strings one way or the other, and she makes no attempt at this in season 2

In my least generous suspicions, Mel was gentled and quieted to capitulate to an agenda for other characters who had to be correct and heroic - or wrong and villainous - no matter what the leadup narrative said, given her powers to help sell the game and set up future shows, and was effectively ejected from the Arcane story with faceless soldiers and a role she doesn't want because she was inconvenient there

[dufferpuffer]

(Note: idk the characters OP mentions or what they are from, I wanted to talk about peoples reaction to disability rep in general)

I think it's fantastic when non-disabled people talk positively about disabled characters, even if they do it a little clumsily (though not in the face of disabled people critiquing it... yeesh...) Just like with other marginalized groups. eg: we can be happy about having more PoC characters... even if we might not fully understand the nuances in their representation. We can be taught about that nuance by those who do understand - and that's how we learn to understand better. That's awesome.

The thing that's annoying, as OP describes, is that - especially for disability representation - existence seems to be the bar for entry. They see a prosthetic and go 'Wowee! Good enough :)'

Maybe existing can pass as 'good representation' for some things - like race, gender or sexual orientation (arguably - important: it depends on the particular media) But that doesn't really work for disability.

Depending on the setting and themes of a narrative, being a different race, gender or orientation doesn't alter how you can live. Having a disability, by definition, DOES alter how you live.

Example: Innocent little kids show, where a bunch of kids go on adventures together, doesn't need to display topics like racism, homophobia, transphobia etc. to be good representation. The kids can just exist the same as everyone else - just existing is enough.

But a disabled kid HAS to be disabled. Their life has to be shown as altered in unique ways - otherwise it risks being harmful. It doesn't need to be anything big, or sad, or the topic of an episode... Infact it's often better when it isn't.

+ Have a character wake their friend up early, knocking on her window - she says 'Wait! Let me get my leg on!!' + They go swimming - and she takes her leg off to swim. + It gets really muddy, so she gets a piggy-back from a friend so she doesn't get her leg stuck. + Or it DOES get stuck and someone pulls it out for her. + She's training for a race and she switches her leg to a running one. + Maybe she isn't in an episode - the other characters can't rely on her skills to solve an issue, because its Physical Therapy day.

You don't need to draw attention to it, she doesn't need to suffer - but she has to be different. She has to live with different worries. She can't just be the exact same as everyone else, because she isn't like everyone else. That's what being disabled means.

If she just does everything everyone else does, with no thought put into the fact she has a fake leg other than 'one of her legs is blue'... you are teaching that disabled people don't live differently. But we DO. We HAVE to. A little kid seeing a character never put any thought into the things they need to worry about doesn't feel GOOD. It feels WORSE.

People of minority racial groups, and people of differing identities, dream of a world where that doesn't matter, they can be the same. Disabled people don't get that dream. Having a leg re-grown...? God, even thinking about the physical therapy, training to walk again... It would just be nice if there was more understanding, more facilities and support, that some of us need to live different lives.

...I am not an amputee. My digestive organs are all messed up - and I have PTSD. That is a very different experience to being an amputee. But I can talk about what I think is good or bad representation, even if it might be clumsy sometimes, because: I understand that good disability representation is in how the character is affected by their disability, not by just existing.

And that's what I would want to share with any non-disabled person who feels excitement seeing a disabled character: think about how it affects their life. Think about the choices they make because of it.

Toph from Avatar isn't 'cool disability representation' because her blindness is accurate or realistic. It isn't. It's fantasy blindness. It's cool because she has to live differently. She uses her bending to super-power 'see' - but not in water, or sand, or for flying things... There is no 'fix' that gives her sight back. Only tools to help. ''How does blindness affect how she can live'' has been considered.

So... you have a character 'you didn't even notice had a prosthetic'. Is there no way in which she is shown to act or think differently because of it...? That's not particularly good representation. There can still be cool parts of it that are worthwhile representation, like an interesting history, or design, or function... ...but she isn't disabled unless she is disabled. Yknow...?

I really wish non-disabled folks would stop commenting on weather or not something is good disability rep, especially when people with those disabilities are critiquing the specific things these folks are bringing up as examples of why the character is so good.

I swear, if I hear one more person say "I didn't even realise Neve was an amputee, that's such good representation!" I'm going to scream lol.

Also just to clarify, I don't think Neve is bad, my feelings on her from a disability representation stance are more complicated, but her disability having such a small impact on her that a shocking number of players said they didnt even notice it until she tells you how she lost her leg is NOT what makes her good. "You cant even tell she's disabled" is not a flex. We've talked about this. Twice.

Same goes for the inquisitor and Hezencost but they're pretty minor characters so I'm seeing less of it there.

[ir-abelas-vhenan]

Don't mind me, just revisiting the plot (again) and dying over this line (again). (These screenshots are going to be abysmal, but you'll get the point).

"To stop now would dishonor those I have wronged to come this far."

Yeah he's talking about Mythal (earned or not) and Felassan and Lavellan and Varric...but the way it applies to HIM, too, is what absolutely guts me.

Long post ahead...

Solas realizing that Lavellan doesn't care about how others see him or want to use him under the inquisiton, that HIS motivations as he has shared them are enough for her and worth defending against those who would tell him he's something he isn't. Solas, for the first time, being confronted with the realization that one these new elves he does not see himself in will still go to bat for him.

"You came here to help, Solas, I won't let them use that against you."

(Is he duplicitous? Yes. But intent on working against Corypheus? Undoubtedly).

“How would you stop them?”

“However I had to.”

“...thank you.”

Solas grappling with the fact that it wasn't just a one off, that this Dalish woman being faced with "hypotheticals" he's desperately been trying to get her people to entertain is jumping in head first, pushing back and disagreeing with him but never treating him worse for their differences and always admitting when he's helped shape a changing perspective. Solas daring to ask for help and marveling at the fact that he receives it, that the same woman who asked if it might some day be possible to live alongside spirits, who did not immediately shoot down his critique of THE CHANTRY REFUSING TO ACKNOWLEDGE SPIRITS AS LEGITIMATE BEINGS (GAH), who did not laugh at him for saying he preferred their company most days, this woman, is going to drop time and resources during war time preparations to personally help his friend.

And then, when he is too late and has once again failed someone he considers a friend, he disappears within himself, where he has always gone to exact punishment for the weight of the lives he believes he's betrayed. It almost works, too.

Psych. Lavellan doesn't want him to grieve alone, to stare at the place in the Fade where his friend used to be and think of all he should have done differently.

“The next time you have to mourn, you don’t need to be alone.”

“It’s been so long since I could trust someone.”

“I know.”

“I’ll work on it. And thank you.”

And still she unbalances him, accepts him, wants more. Solas is sharing a personality that brings him the closest he has ever been to his spirit form, and it is ENOUGH for her. Existing as he has always dreamt of is all takes to earn her loyalty, respect, and eventually love.

But does she stop there? No. She doesn't chafe at this random apostate who speaks with certainty and unapologetically delves into a past he believes worth preserving, even at the cost of questioning her culture as it currently stands.

The very woman he once thought of as a mistake that HE unleashed upon the world is asking to be a part of his, not because of what he can bring to the table, not because she needs a right hand man, and certainly not because she thinks he has some well of power and intelligence critical to winning over enemies she’s willing to join for "supervisory" purposes (cough cough hi Mythal). She bears the weight of choices that can and will lead to death, to pain, and when it wears on her she relies on him, not for solutions but so that at the end of it all she might smile with someone who knows her heart and the good she tried to do amidst a sea of terrible options. She wants to be known, no inch of her unturned, and worse, she thinks she knows him. But how could she? This is no longer who he is, it is merely the remnants of what he destroyed to make a world at Mythal's whim.

“You’re an admirable man. Not many people know who they are the way you do.”

“Thank you. Both for saying that and…for seeing that. Few in this world can see me instead of just seeing a pair of pointed ears”

She. Sees. Him. Every part he slowly is realizing he wants to be known for and even a few he thought he could hide. And then he gives it all up. Because he woke to a new world where spirits and elves and mages were so far removed from the role they played in Arlathan that it can only be yet another mistake he caused and must fix, never mind the fact that the dwarves have forgotten why they fled underground millennia ago in the first place.

The friend who tore him from the world he loved, urged him to take physical form? She is dead, too, never mind the fact that she ignored his urging for a different path, nevermind that he killed and tore and hurt in her name because otherwise what was losing the part of himself he loved for?

"A spirit becomes a demon when denied its original purpose.”

“It hurts. It always does, but I will survive.”

“You bound it to obedience, then commanded it to kill. That is when it turned.”

He may no longer recognize where the Dread Wolf ends and where Solas begins, but if he gives up now and permits himself the chance to remember, the pain he caused himself and others means nothing, because he did it all for Mythal and in his final discussion with her, regardless of what Veilguard tries to convey, she does not release him from his position as her agent.

And maybe that's part of why I'm so angry, because EVEN BEFORE TRESPASSER, the fragment of Mythal that ends up in Morrigan could have freed him, but she does not.

"I am sorry." He whispers.

"The failure was mine," he tells her, voice trembling. "I should pay the price."

Silence.

And do we get that "what we did, we did together" psuedo-fake ass-absolution, the one that, if given enough time and safety to put himself first he may have realised he doesn't truly need to pursue the things he deserves, that make him feel finally like himself again? No the fuck we don't.

"As am I, old friend." She murmurs.

Looking through the lens of Veilguard, this isn't an apology, it's a condemnation. It's Mythal tormenting him one more time, twisting the knife deeper, agreeing that it is Solas alone who has brought them to this point, who deserves to be punished. And then she reminds him what they are to each other, what he is supposed to be to her. What he must become again.

"It isn't abuse if I ask," Cole says in his personal quest.

"Not always true," Solas shoots back.

So he recommits to the friend he gave up his nature for, he refuses to let himself remember that Lavellan learned the full truth of his identity and still begged him not to mourn alone. Even so, he still cannot quite forget.

Var lath vir suledin. Our love will persevere.

I wish it could, vhenan.

And so he pushes onwards, spending almost a decade denying himself his true nature and regretting that he ever gave it a chance to come through because now he KNOWS that this world is different and a little broken, but it's a world he could be a part of because of the woman and the friends that made a place for him. It is a world that doesn't necessarily need to be restored as much as it might need renovation, but that is not the world Mythal demanded of him when she let him kill a remaining piece of her. And any solution but that means the hurt of taking a body, of hurting the titans, of time and time again being called on by one evanuris to fix a problem they all caused, was for nothing.

And a Pride of that magnitude, that sinister an origin, has a long, long way to fall.

And then that same uppity little shit has the audacity to tell him it's not too late, that he can turn back.

He kills again. He kills again. He kills again.

He kills a friend.

He fails to prevent the Evanuris from wreaking havoc a second time, wrenches another innocent into his war, and when they ask him about the woman he calls vhenan, he feels the mask stifling him begin to suffocate. But he never lets it fall, because to surrender now is to place her broken heart atop the pile of regrets he's been holding up like Atlas crumbling beneath the weight of the world itself. Because he still thinks it selfish to want the things that make him feel like himself again, so they need to be taken off the board entirely.

"To stop now would dishonor those I have wronged to come this far."

If he gives up now, his entire corporeal life has been a betrayal of many, but worst of all, he will have ruined himself for nothing.

But then she's there. A little older, a little sadder, and still looking at him like she did the night he almost broke and instead carefully removed any suggestion that she had ever belonged to anyone but herself.

"Didn't you hear me?" Her every action screams as she kneels to meet his gaze like he did the day he took her arm (another failure, another sacrifice he cannot let be for nothing).

The tombstone in the fade is his greatest fear, but it is not his fate. Why? She will not let it be. It cannot be his din'anshiral if she is not beside him.

Lavellan may not have understood the depth of exactly WHEN Solas first came somewhere foreign and uncertain to help, but she never once failed to keep her promise. She refuses to let his initial desire to do good be held against him any longer. And when she sees him accept that not-quite-absolution-definitely-more-of-a-power-play from the god that saw what he was capable of and molded him into a weapon, she finds her in to make sure he doesn't walk off alone to mourn again, never again will she lose him to the expectations others have of him. No doubt she wants to find a way to sink the fingers of her good hand into that spectral visage and tear it away like he wishes to do to the veil. But she is not here for Mythal. She is here for her heart, and for the man who has been carrying it since the moment her lips met his in the fade ten years ago.

“No orders to kill, no conflict with its nature, no demon.”

She forces him to see that the only remaining betrayal is to lock himself away one more irreversible time. All that's left to lose is the piece of himself he cherishes more than his greatest victories: all that he has to gain comes from making sure the love that was given to him at Skyhold, in the moment where Varric saw all he was capable of and still tried to bring him back home, was not given in vain.

"There is no fate but the love we share." She tells him as soon as Mythal's too-little-too-late platitudes send shudders through his body.

Banal nadas ar lath'ma vhenan.

It will not be so terrible a place, so unforgivable a betrayal if he can finally dare to put himself first. If, unlike that night in Crestwood, he finally gives in not to break, but to make himself whole.

There's a codex entry in Inquisiton about a spirit of wisdom who is summoned by researchers and only after a very pleasant conversation do they realize they made a mistake and never successfully bound the spirit in the first place, that it chose to speak with them of its own accord.

"I am not certain the spirit would have talked so freely had it been shackled at the time," writes the author of the entry.

I keep thinking about this alongside the datamined line of Morrigan saying, "And so, the Dread Wolf is stopped by, of all things love."

But that isn't quite right, is it?

Because in the end, of course the Dread Wolf could only ever freed by, over everything, love.

[thewistlingbadger]

I noticed the season 2 is AGGRESSIVELY less political than Season 1. So I'm going to examine the ideologies of three zaunites in order to explore this.

Vander: Vander was the first leader of The Undercity and he was given a special focus in season two, so let's look at his ideology. In the beginning, when Vander was a young man, he believed in the idea of The Undercity being it's own independent nation separate from Piltover. We worked alongside Silco to accomplish this goal, as they shared the exact same vision. The two men spent many years of their lives trying to make this happen. However, on one particular night, one of their demonstrations went south. Enforcers came and killed tons of Zaunites who were protesting on the bridge. One of the people lost on the bridge was Felicia, Vander's best friend. He had known her for years and had been around her children as they were growing up, those same kids who were on the bridge that night. From this point on, Vander's entire viewpoint and ideology completely changes on this night. From this point on, Vander abandons the idea of independency in its entirety. He never tries to pursue it again or even make any major changes to Zaun. He actively discourages people from trying to pursue a "better Zaun" because in his opinion, it's not worth the risk of losing people. As a leader, Vander's goal is to maintain the status quo. Nothing he does actively disrupts Piltover's view on Zaun, everything he does plays into that view. Under Vander, nothing changes in Zaun. They're still poor, they're still oppressed. Vander's biggest value is community and protecting everyone, values that are stitched into the fabric of Zaun. In the flashback we see of young Vander and Silco, we see that the last drop is more or less the exact same as it is in act 1 s1. According to Silco's dialogue in season 1 with chem barons, Zaun has always understood the importance of community. He tells them that before Zaun was anything of substance, the only thing that go them by was their loyalty to each other. So even Vander's importance of community isn't unique to him, it was just something he kept fostering that was already commonplace. Vander thinks that if things just stay the same, if they just stick together and keep their heads down, they'll be ok. That is how he leads. He's willing to do anything to keep the makeshift peace between zaun and piltover, and it's not even real peace. It's more akin to mutual tolerance. He has a deal with the enforcers to keep them away, but it's clear that in that deal, Piltover is the one in charge. And when Vander can't offer up his own people, Piltover breaks that deal and sends enforcers to the lanes.

Viktor: Although Viktor was born a zaunite, we mostly saw him in piltover in season 1. However, he's given a special focus in season 2. He spends the season in Zaun and we see how his presence is impacting The Undercity. With his new powers given by the hexcore, he "heals" the zaunites that have the worse afflictions, whether they be disabilities or addictions. He ends up forming a utopia-like community within Zaun, one where everyone is happy and they're self sufficient. This kind of community does challenge Piltover's view of Zaun. In the commune, there is no danger, no dirt, no suffering. Everyone works together, everyone is peaceful, everyone seems happy. This commune doesn't rely on Piltover for anything, they're relying entirely on Viktor on literally every front. However, this commune isn't Zaun. It's a selective place. Viktor isn't making sure all of Zaun has this community, he's only attracting the worst of the worst in a way. He doesn't care about healing zaun, he cares about healing humanity. In Viktor's mind, society would be better if there was no individuality. If everyone was the exact same, then there would be no prejudice, no reason to suffer, etc. Viktor doesn't actually care about fixing the system or even challenging it. He cares about The Glorious Evolution, a world where everyone is equal in every way. But his evolution wouldn't actually fix problems, it would just mask them.

Silco: Silco had no special focus in season two, but he was a significant character in season 1. As a young man, he dreamed of The Nation of Zaun, a world where The Undercity and its citizen are free from Piltover's influence and prejudice. He works with Vander to achieve this goal. However, on one particular night, one of their demonstrations failed. Violence sparked on bridge, and tons of Zaunies who were protesting on the bridge were killed by enforcers . One of the people that died was Felicia, Silco's best friend. Felicia was the one that encouraged Silco and Vander to pursue The Nation of Zaun. She told them that it was worth fighting tooth and nail for not only for them, but for future generations. Felicia's death was a major loss, but it was also a major inspiration. We can draw this conclusion based off some of the things he said in season 1.

"We came from a world were there was never enough to go around, that is why we fight." "You're too young to remember what the undercity was like before it became an 'enterprise'. We had nothing. You know what bore us through those times? Loyalty. Brothers and sisters back to back against whatever the world threw at us. Now I'm forced to share the air with people like you, who leech off their legacies."

Silco was not deterred by the bridge's failure, and he never gave up on the idea of an independent undercity. Even after Vander brayed him and refused to fight, even when he was cast out by Zaunite society. He kept working on his dream. He spent years of planning to make it a reality, until his opportunity came. Everything Silco does directly contradicts Piltover's view of The Undercity. Under Silco, Zaun managed to gain a bit of wealth, industries were established. We can see that overall, Zaun society advanced while Silco was in charge. Silco doesn't operate like a protector like Vander did, or like a messiah like Viktor does. He operates like a politician, because his goal is a free Zaun. Silco is the worst person out of the three men, but he's also the most political and he's the one that combats Piltover's idea of Zaun the most. He was also the most successful out of the three. When Vander died, his community fell apart. Their loyalty was gone and they all suffered. Viktor ends up being defeated in season 2. Silco managed to actually get an offer of independence while he was alive, and when he died, the council voted YES to Zaun independence.

Things do fall apart once Silco dies, but that's because everything was designed around one man and one goal. Silco was the one holding everything together, which is why everything falls apart in the undercity once he's gone. The most devastating thing about his loss, is that his ideas died with him. We don't see a single person speak of Zaunite independence in season 2. The zaunites in season 2 are just fighting against piltover, they're not fighting for independence, The people of zaun have NO IDEA that Silco actually did manage to get them independence. The fact that Sevika gets a council seat at the end of season two means that Zaun is STILL not it's own nation. It's STILL a state of Piltover.

The Nation of Zaun died with Silco.

I'm not sure why season 2 stays away from politics when season 1 was ALL politics- whether it was from Silco or the council. Maybe they got told to stay away from the subject, or they thought it didn't fit with the direction of season two. I don't know. But personally, I think it's a major loss that the show that centered pollical strife no longer cares for politics.

[neyafromfrance95]

i know i have talked about this already, but there is not much else to talk about at this point and i still can't get over how much ick s2's finale gives me when it comes to galadriel's storyline.

everyone except for sauron invalidated galadriel's trauma and treated her like a burden in s1, then they shamed and humiliated her in s2. and it all could have had a good narrative reason... if it hadn't led to a really sexist conclusion.

the whole narrative of the good guy who slut-shamed her "fixing" her, resulting in her putting down the sword and putting on the dress instead? yikes...

i love galadriel's characterization in trop. she is a perfect blend of feminine + masculine. saying this could get me crucified but i think she is much more queer-coded than sauron is; in a way that i can see her being nonbinary-coded. she is gender-nonconforming! she is abrasive and proud and a leader!

and this makes the insinuation of that ending all the more painful - from being this authentic, complex character to being... a tradwife to be.

she did not actually turn into a tradwife ofc. now that would be a real blasphemy against tolkien, lol. as galadriel was always a leader first and foremost, never defined as a wife/mother. but narratively, it felt like that was what happened.

some people will say that it's her transformation, that she must learn not to rely on her sword, yada yada. and sure, it can be a character development. BUT! in what direction? they have to be very careful with this direction if they don't want it to come off as a regressive and bio-essentialist "embrace your inner divine feminine, woman" conservative propaganda. it can be done if they lean into "the witch galadriel" arc.

and man, it's somewhat a similar case to killing eve. one reviewer of ke's finale said that women live their lives told to sit still, be accommodating, be self-sacrificial, and there comes a point in their lives where they have to decide if they are going to conform to all that even if it's inauthentic to who they are. villanelle recognized eve's darkness (which really was her authentic self) and wanted to nourish it. so the framing of eve "surviving" villanelle and being cleansed of her "darkness" felt wrong to many.

in many ways, that's how trop s2 finale felt to me. it's so interesting how haladriel's dynamic turned out subtextually. sauron saw galadriel's trauma, her darkness and yet he alone saw galadriel's greatness in her authenticity, and offered her authority - something that all others stripped her off of. yes, he stabbed her (and villanelle shot eve, btw), but told her that he would make her into an overlord of the universe at the same time, lmao.

worst of all, it doesn't make sense legendarium wise - galadriel is going to continue being a leader; yeah, she is not going to be as abrasive, but she will grow into a stone cold bitch (affectionate) instead; she is going to have a push-pull dynamic with sauron till he evaporates. so what was all that supposed to mean? i do believe they catered to the whiny "make galadriel tradwife again" crowd, and maybe inserted a mormon propaganda where it's the most misogynistic in its' message.

anyways, i still have my fingers crossed that they redeem the story direction in s3 by dismissing the undertones of s2 finale. or else it would really leave a sour taste in my mouth.

[atangledfate]

Lanolin watched Sonic, Belle and Kit enter, with Sonic leaning against a wall, and Kit finding a place to sit. She rubbed the back of her neck looking to Blaze with unsure eyes. It stood to reason that GUN had its network of spies. Two people knew all about Belle outside of the people who worked here. It was easy to assume Rouge and Shadow had given all kinds of reports to GUN though she liked to believe Rouge wouldn't have given those kinds of details.

" It could have been anyone, Both shadow and rouge work for GUN and had full access to this information. But even if we say they wouldn't do that--- plenty of volunteers come and go through the workshop. Any one of them could have overheard her, or us talk about it. Or they could have gained information from the eggnet itself... how isn't important right now. The fact is they know and she's on there radar... honestly this was bound to happen eventually. I think we all knew that... "

Sonic looked at Belle flexing his hands with that anger flashing across his face again. He wasn't gonna let anyone get to Belle, and he'd die before he let them take her. But Belle was right running from GUN was probably the last thing she wanted. This was a mess and worse, it wasn't the kind of mess he could punch away. Eggman was easy to deal with but GUN? Politics sucked! But his eyes went to Kitsunami and he couldn't help but worry how he'd react to Surge's plans, damn how was he gonna do this? His eyes shifted to Rowan as he came back and he smiled!

" Hah! well ring tail! you are doing better then most! you wouldn't believe how many can't hold it down! so kudos to you! "

His thoughts broke as Miles finally made his way up stairs, and Sonic and he shared a fist Bump. At least his mood seemed 10 shades brighter as if the fox mellowed him out. His eyes turned to Lanolin as she got everyones attention now that Miles was there.

" Alright... guess that is everyone but Surge--- Here is the situation! The United Federation of Nations president has personally spoke with me. He's made his stance clear... he sees Restoration as a rogue element... it was fine at first they even commended our work. But taking in Surge, Kitsunami, and Belle seemed to set of red flags. Clutch's deception only cemented there stance... "

" The President ants to shut us down until a full investigation can be performed. It's likely he intends to arrest Surge, and Kitsunami... i can't say what his intent with Belle is yet. The point is... if we fight back we become enemies of the the free world... enemies of gun and we prove them right! I don't trust them either... i doubt Amy would... I think we have to play there game... I don't see another way out of this that doesn't get people killed and our donations cut for good... "

She sighed and rubbed her own cheek looking at Belle and Kit specifically.

" Belle, Kitsunami and Surge i get it if you want to cut and run... i won't stop you. But this ... this is the only choice we have to keep our work going... no matter what i feel about you both, and i've come to see you as friends. I have to look out for the well being of the organization... our work is to important... i hope you understand..."

Sonic let out a deep breath through his nose, he somehow ventured this was the outcome. He hated every word Lanolin said! She was just gonna give up like that? and what let them come in and shut it all down! or worse take control? this was bullshit!

" Oh come on Lanolin you can't be serious! Those guys will make up what ever story they want! just let surge and i kick there butts! and send them packing! "

" No Sonic, she's right... Restoration relies heavily on donations and volunteers. If the United Federation of Nations declares us an enemy of the state or terrorists. We'd lose all funding, and worse people would be to afraid to help out. If we fight we lose, if they come in we still lose but at least there is a chance to fight it in court, or argue our side of things... logically speaking its a risky move but... if we fight we defiantly lose..."

Miles looked over at Belle with a sad look

" It might also be a chance for Belle to finally argue her case to the people and be accepted as a citizen... but, they could also dismantle her or lump her in with eggman. This is a big risk for all parties... especially surge, Kitsunami and belle... they have a tough choice to make..."

" Well, we chaotix have always remained free lance--- but ifin' they do come in and investigate. We can do our own investigation... least have our own evidence to use against them... but as someone who grew up in the hood--- If they gots the right judge you ain't ever gonna win that case... you all sure you wanna go down that road? "

" I know this is bad but ... unless anyone has better plan... i'm out of options... and the clock is ticking. I don't want anyone hurt... we all came together to fight eggman, not the goverment. I just--- i'm open to ideas... its why i called you here... "

"Though from what I know you concealed Belle's creator besides a select few, and I believe given how different her design is only someone used to fighting Badniks could put together who she was made by. In that sense, the mole either has to be one of the volunteer soldiers that's been here a while, or someone in the inner circle." Blaze was more concerned why go after Belle. She's never been seen with Eggman, or his forces. As far as they're concerned she's just an advanced robot living her life.

"I have doubts they'd take it that far, if only because did warn Lupus that attack me is like declaring war against the Sol Empire." It was a scare tactic, though an effective one as she was sure he mentioned it to the president. "If we have too I can simply move Belle, Surge, and Kitsunami to the Sol Dimension and bring them back some place else."

"I don't think Surge or Kitsunami would like that idea very much. I'm not opposed to it, even if I don't want to runway and stand my ground I'm sure that'd be a good idea. Though perhaps convincing them to leave me alone would be better in the long run." Belle was only offering her ideas as she entered the room right after Sonic. The tinkerer didn't want GUN breathing down her neck for the rest of her life.

Rowan would walk back in, looking a bit annoyed. "You know, you could've just asked me to leave for a second to talk to her. I've never moved at high speeds and nearly threw up my lunch." The lemur guessed he was being pushy, though was also trying not to come off too strong. Guess he needs to work on that a bit more, though there are certainly a lot of people her now.

A moment later Kitsunami would walk in, not saying a word to anyone before finding a chair and sitting down. The fennec never expected Surge to be here, sure she was out by the check point as a warning for GUN not to try anything. The tenrec wants him to keep the inside of the base safe so that's what he's going to do. Only intending to assist her if she calls him.

[obsesssedblerd]

ok hear me out: Given what I've already said, I feel like I have to at least submit a defense for why I still think Satoru is redeemable lol. First, I imagine reader already knew he was arrogant before they got together. And I can see a justification for his frustration and why he would lash out, he is under a lot of pressure, people do ask him to do a lot (gojo's daily schedule that gege shared?? crazy), and I'm sure he does feel like he can't take a break w/o someone needing him for something, which is annoying!! And yes he is the strongest and is capable, but that's a mindset thing and everyone has lashed out at someone that felt safe, because you assume they are not going to leave -- it's just unfortunate for him that his consequences ended up being so dire. I just also think those are the only kind of consequences that he would learn from. He doesn't ever really think anything is his fault, and if reader and students hadn't almost died, I don't think he would have really ever change his behavior, just continued on an "apologize for the behaviour instead of work on improvement" path. So obviously the consequences needed to be serious, however their jobs are dangerous and they could technically always die on a mission, so I would also argue that its sort of not.. that serious...? (DONT COME FOR ME PLS) I'm not eloquent enough to explain what I mean by that properly, so that's just gonna have to be enough.

I think that reader would absolutely need space bc who wouldn't?? I certainly wouldn't be able o look at him without resenting him for a while. But without other longstanding relationship issues, I can see a world where I would personally come to accept it? If Satoru expressed genuine remorse (and ideally took some time to think about what his issues are stemming from instead of taking it out on reader...), accepted that space was required, and showed he was more present/attentive with the people who actually rely on him, I would miss him!!! and probably would rationalize "well, technically I could always die". Now, those are a lot of hypotheticals and assumptions that we don't know, I just wanted to provide an example of how/why I think it could still work.

I truly think that depending on a persons priorities, a lot of things can be worked through/forgiven, but of course that is person to person and not everyone is going to feel or think the same way, no matter what the outcome may not be what everyone wants and that's just how it is no one's wrong for wanting one or the other.

omg I'm so sorry for the essay, this could all be completely irrelevant anyone, since you're gonna make what you're gonna make, I just felt like I needed to express its not completely delulu to forgive any of them. I'm just a happy ending kind of person at heart I fully and openly admit I am a sympathizer tho, so there are plenty who would read this and think that's not good enough to forgive lol

some parts of this post were a part of my thought process when writing pt four (and five tbh) 🩷

[diamondkat]

Regarding Alastor being redeemed, I have been seeing some posts regarding how it can happen that trigger an instant ick reaction from me. I have taken time to think about why I keep having such a strongly negative reaction to it. The first thing I took into consideration is that I really do not want my current favourite bad boy to become good. I am first and foremost a villain fan and his becoming good has a high chance of ruining the character for me. This means that there is a chance that I would dislike any theory that ends with Alastor redeemed. A lot of time you see people making arguments for why a ship or character should not be liked when the real reason is they personally don't like it and the reasons are merely support. I try to make sure I am aware of my personal bias.

Regardless of my personal bias, I have decided that there is one particular theory regarding how Alastor can be redeemed that I hate from the bottom of my heart. It is the theory where Alastor after being humiliated, degraded and losing everything including his pride has no choice but to accept Charlie's care and change for the better. Sometimes it involves betraying the hotel first, but generally involves him being unable to deal with the challenges that he faces. I am sure how this works in the minds of those who like this theory makes perfect sense. He can no longer rely on himself, he sees that he isn't capable of anything and now has no choice but to become what Charle wants him to be. I hate it so much. I have kept turning it over in my mind and I think I have figured out all the reasons why separate from my bias.

First, suffering doesn't make people better. It just doesn't. The theory seems to require enough suffering to rewrite Alastor's personality and make him Charlie's puppet. It also reminds me of William Shakespeare's The Taming of the Shrew. The story of how the proud woman was broken down to make her obedient. She might be "better" but it also felt to me like she died and became a puppet. He would be "redeemed" but that wouldn't be Alastor. It would just be something that looks like him. I just feel like fans of Alastor who like this theory don't realise that he would lose everything that pulled them to him in the first place if this happened. Some could not deal with him being less energetic in the main show than the pilot due to him being bored. How would they deal with what would essentially be a hollow creature wearing his face trying to become good because there is nothing left in him?

Second, with a proud character you can't brute force them into letting people in. Part of the idea of the theory is that after he is humiliated and suffers in front of them, he will drop his smile and be forced to let others in. That doesn't make sense to me. We have already seen in S1E8, how Alastor deals with things not going his way. He holds onto what little control he has by refusing to drop his smile and holding onto his pride while going through a breakdown. The best way to get someone like Alastor as far as I am concerned is to deal with him the same way you would deal with a wild animal. Slowly lower their guard. I think Charlie is already doing that whether Alastor knows it or not. Besides, pride is an important part of the character. Pride is part of what drew me to the character in the first place. The kind of pride that makes a person think it is okay to say, "If I wanted to hurt anyone here I would have done so already" in front of the Princess of Hell, is part of what drew me to Alastor. If he lost it, the character would likely immediately lose all appeal to me. So, there is some personal bias there.

It would make sense to me if the theory was more about Alastor learning that he can rely on others and doesn't have to depend solely on himself which leads to him opening up and letting others in. However, the theory leans very heavily into suffering as a way to make him a better person and a complete erasure of everything that makes up the character through suffering to make him into someone who wants and is worthy of redemption. That's fine for fanfiction but I hope it never becomes canon.

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[fromtheseventhhell]

It's crazy that people still uphold show!Sansa as a well-written character and pretend that liking her is the pinnacle of feminism when it would be infinitely more impactful to acknowledge her terrible and misogynistic writing. This is the same character who, while written by two men, was thankful for the abuse she suffered because it allowed her to grow. The same character who we had to be told was smart because the writers were too lazy to develop or show her intelligence. The same character who had to rely heavily on the men surrounding her and ended up accomplishing nothing on her own merit ( and no, thinking that she deserved to be Queen doesn't mean that she earned it). She is not well-written, she is not complex, and she is not a feminist character. Which is fine! If you enjoy her then good on you, but please stop pretending that she's something she isn't just because you feel the need to justify liking her character

[stanestreet]

A sentence I never imagined I’d write: I now think Jeremy Corbyn did Jews in Britain a favour. His time as Labour leader, between 2015 and 2020, was an extremely weird one for British Jews, but eye-opening all the same: I now think it prepared many of us for the Left’s reaction to October 7, whereas American Jews seemed far more surprised. The gaslighting (the attack didn’t happen), the defences (if it did, Jews deserved it), the hectoring moral superiority (how can you care about that when this is so much more important?): all that we saw after October 7, we had seen under Corbyn.

Now is not the place to rehash the many examples of Corbyn’s jaw-dropping attitudes towards Jews, never mind Israel, ideas some of us naively thought had died out with Stalin. Those are specific to Corbyn, whose political relevance is now, thankfully, in the past. But two general truths emerged from that era that would prove extremely relevant after October 7.

The first was how little people across the Left cared when Jews pointed out the obvious antisemitism they saw in the Labour Party. In 2018, 86% of British Jews said they believed Corbyn was antisemitic; and still the Left supported him, and still The Guardian backed him in the 2019 general election. Would they — good Lefties one and all — have done this if the vast majority of another minority said they believed Corbyn was bigoted against them? Would the Left have supported an Islamophobic leader in 2018? A homophobic one? A racist one? It’s hard to imagine. “What are Jews so scared of? It’s not like Corbyn’s going to bring back pogroms,” a prominent figure on the Left asked me. I briefly amused myself by imagining a response: “Why are black people so against the Tories? It’s not like they’ll bring back lynching.” But I stayed schtum. The Left doesn’t care about antisemitism if they deem it inconvenient to their cause. They just call it “anti-Zionism” and carry on, and that was — it turned out — a good lesson to learn.

Hadley Freeman, an excerpt from her essay Blindness: October 7 and the Left, published by Jewish Quarterly

[skrunksthatwunk]

you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.

you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.

so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.

you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.

you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.

you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.

you know you broke the rule by interacting.

but it gets lonely sometimes. you wonder if they know.

[zelda-posting]

tears of the kingdom could have been so good if it were built around like, its story or its characters instead of being a clunky shell to show off the mechanic no one asked for that it forces you to use

[starscreamingg]

Looking back on Detroit become human in the wake of the ai craze is like. The most morbidly funny thing to me One of these days I have to write something on how the story of that game just gets HORRIFYING when you view it through a (more) modern lens. Man

[ramblebrambleamble]

It usually doesn't take much to shoo him off; he's still afraid of her after all these years and her sister isn't here to hide behind.

She doesn't know why he bothers coming. They've never had anything in common and her hospitality is poor. But he comes, like clockwork, every week and sits across the table from her fidgeting with his mug of oversteeped tea and looking at anything but her.

Except if she looks away, and then, his eyes burn. They're pretty, amber-fire-gold. Sometimes brown. Pity about the face, though that's her fault. Magic blowback when they were six. He had avoided her ever since, and hidden behind her sister when he couldn't.

And then her sister was gone.

"It's time for you to get going, don't you think?" The silken tone is practiced, for just these sort of occasions. It's not like he's ever going to actually drink the tea. He probably thinks that it's poisoned.

Perhaps she should poison it, just to make a point.

He's not moving. In fact he's stiff in a stubborn sort of way, like he thinks he's going to stay. She'll soon fix that.

"I said-" she lights her palm aflame "- it's time for you to go."