#but then i saw other people's interpretations where they thought it was more of a we'll never see each other again thing and like woah

[planetsstarsandmoons]

Synastry observations (partly) based on personal experience, part 6:

(18+!!)

(Back after a year! Lol🌜🌛)

Moon conjunct mars: can be one sided asfuhck. I’ve seen it play out. Fully accepting that deeply personal intimacy of having someone’s sex aspecting your deepest emotions and/or the other way around is a sort of intimacy that some people just.. don’t…. want with that other person. This comes as a shocker because to most people, having a synastry aspect automatically means you have to like that with the other person, but Some people are just not into the other person like that! Or have trouble with intimacy. And even though the very primal emotional bridge between (possible) intensity of emotions and (possible) intensity of sexuality really ‘clicks’ and hits like no other, it doesn’t mean that the emotions or sexuality of both of the people will be intense within themselves… or that they will be seen in the same way. Many times I’ve seen this aspect play out in two people who worked really well together, were natural kissers and such, had almost iconically amazing fullfilling sex together, but one person wanted to marry and move into the other person and the other person simply did not want that, got the ick maybe, or simply closed themselves off from that meaning to the connection that one party attached to it but they themselves could not get in touch with, and either abused that power dynamic as much as they could or they ran away. Meanwhile thatother person, and I’ve seen both the moon and the mars person in that situation, is left completely addicted and insecure and an unstable mess because of this, because this aspects didn’t cause them so much to be in love, it caused them to have an addiction to this perfectly fullfilling passion and intimacy that they fundamentally lack in their life. They wanted to marry this person because of that. A friend (the mars person) of mine once puked when they saw their recent mars-conjunct-moon-synastey ex (it was a 1,5 month relationship) walk into a room. He later discovered that for some reason, that extremely intense feeling heartbreak didn’t really have anything to do with her, but more about the affection he lacked from an absent parent in his childhood, and the (obvious to everyone else) fact that he was bordering on a complete burn-out. He desperately needed that dopamine and those endorphins. Meanwhile the moon person was nowhere near in the headspace to have that kind of emotional intimacy so fast in her 1st relationship, so she started finding him less and less attractive, and then it was over. I once had an international student (moon) I think fall in love with me (and later stalk me) after 2 dates. He was a lonely international student in this Nordic country and his mother was sick in Egypt. We could not hold an interesting conversation on our own if we tried, but we were -very good kissers-and the almost-sex was extremely good. I didn’t want to cross that line, because for lack of better words I felt like it would go on to mean too much, be too emotional and too intimate and the thought crossing that border with him gave me the ick/ a fight or flight response, like I would just let this man be wayy too intimate with me if it happened, so I cut it off 🤷‍♀️ All the hormones of interpreting yourself to be totally ‘in love’ are there in the synastry, but it’s not *really* that, and most people in the sorry position even secretely know that, even though it’s confusing because they forever remain adamant that there here was something bomb in their connection.. because there was. But imagine: the moon feels emotionally hit in their core by mars’s… sexuality/attractiveness. Mars sees the deepest inner emotions of the moon and feels… turned on. You see where I’m going with this? The intensity and intimacy is great, but for a real love connection you need synastry on things that lead to mental, spiritual and emotional connectivity too. Can you even have a good conversation with this person for longer than 25 minutes? Do you even.. care about them? and vice versa? Would you love them if they were a worm? I have even more stories but they’re for another time 💆‍♀️

Moon trine mars: so. This one is kind of different. What do I mean? Well I believe that in synastry aspects, planetary influence comes to exist in the context of the aspect. Mars conjunct a planet will get all of mars. Mars square a planet will get the worst/most challenging side of mars (brought out by both). Mars opposite will get the antihero kind of mars -the conjunct mars on a possible (and needed) character delevopment journey if you will- and mars trine and sextile will get the harmonious benific, kind of ‘angelic’ sides of mars. He becomes the Aiden from Sex And The City, the soft woodchipper. This mars is in relation to the moon person a 10th house oriented, responsibility taking man who makes you laugh in the form of making you smile. The moon person becomes enamored with the mars person’s standing for something, his way of solving problems, overcoming obstacles, his professionality and his energetic form of taking action. The mars here becomes the kind of mars that is serious about protecting and heartily keeping what he feels is hitting his mars, instead of fighting with it or having sex with it necessarily. The moon’s emotional being becomes like his healthy objective, that he will protect and will fight/work himself up for in a way that he can control. A trine is harmonious which is kind of how you’ll see the mars person get into that civilised and gentlemanly role (to the emotions of the!!👌) moon partner. Where mars squaring the moon is like a mean alcoholic to the moon, the mars trining the moon will be a driven, shaved man in a suit or a spencer, kissing his wife goodbye before going to work. The moon in this aspect is different too: like water, the moons energy decides to flow depending on the factors and tides of the environment: If the moon has no reason to feel stabbed all the time, the moon won’t act overly sensitive or insecure or reactive to every little thing. Being shown the harmonious and safe/secure part of such a powerful planet like mars, the moon person will let their guard down big time. Typically, in this aspect, the moon person opens up, becomes very emotionally comfortable and shows their real and raw private selves to the mars person in a way that even surprises the mars person. There will be lots of oohs and aahs from the mars person who is *absolutely thrilled* to discover that the moon person is actually way softer than they come across in their personality, or more insecure than they wear on their sleeve, or are actually way weirder than anyone would expect. This is like an emotional theme in the relationship for mars. Granted to mars, it actually is a kind of odd way of special, because Real selves are often only shown to others in despair, crisis, moments of survival, very few deep talks, or during sex, but here the moon person is comfortable being their quirky and complete and utter selves with the mars person just during ‘daylight’ so to speak, as if they were alone in their room doing a talk show monologue in the mirror. It’s because mars made themselves this safe haven but is also a good reason to get excited and happy. So this aspect isn’t so much about physical/primary (so sexual attraction) passionate intimacy as you see, it becomes a personality thing of more mental and earthy(?) substance imo. In couples this aspect creates a forever-kind of ‘fondness’ of each other. In this relationship it’s the sex that becomes the highest feat of romantic bonding, not commitment to each other or affirming affection like with the conjunct or the square, which needs those components to make or strengthen the connection as a romantic one.

Mars conjunct mercury: best friends aspect! Being able to talk for hours, do any activity together, spend an entire day doing stuff together or going to a daylong event with just the two of you without it ever being awkward. Being able to do groceries together for a pregame with each other before going to do an activity that you’ll also be doing together. Energy, jokes, and things to talk about never run out. Mars’s energy lets mercury’s thoughts and mind race through multiple subjects and important comments at once, and mercury’s thoughts excite slash fire up mars’s energy. Their response becomes fuel for mercury again and so fort. I know two best friends who have this in double whammy almost exact and they are *always* together. Like in the same day, they would hang out, go to do something else/hang out with someone else, then go hang out with each other again, then in the evening one would visit the other at work. I have this aspect with one good friend that I can talk for hours with. Catching up is never awkward and we constantly learn from each other, plus we’re interested in the same things, because his mind/daily thoughts/the things he pays attention to and tells me (his mercury), fires me up and consistently happens to catch my fixation (mars). And what I *do* in my life, the things that were motivation by nature of taking action, triggers his insight! Isn’t that the perfect combination? This aspect makes you very good and close friends, but this alone doesn’t grant an emotional bond. Those two best friends I talked about lacked in moon connections, so they kept surprisingly much of their feelings and what went on in their life/emotional world private from one another, including crushes they had on mutual friends 💀 like how was that possible?

Moon square moon: a link is a link, an attachment is an attachment, so moon square moon is that too. You will ‘see’ each other for who that person emotionally is from the inside. You will acknowledge it, you can even understand it, but trying to emotionally ‘relate’ or connect to the other’s emotional world causes a short-circuit. This sounds like a finished deal, and marriage it often is. This aspect imo means kind of sacrifing a part of crucial understanding of the other partner. But there is another important part: some people do not have moon to moon aspects in their partnerships. Some people can connect with a moon through their sun mercury venus and mars for example, but not be able to deeply feel the other person next to them with their own moon, like what’s possible in a moon to moon aspect. With moon square moon, the two people deeply *see* each other. It’s hard not to because the friction of the square makes them very neon noticable to each other. One moon person might not be able to touch or soothe the other moon person from and with their own emotional angle, because through the square it will inherently cause a (n immediate often) frictive disconnect, but their presence will be enough. They will learn from each other and with enough respect for the other, (seriously) they will be able to teach themselves how to manually get their moons to relate, by in their empathy intuitively touching and patting to learn what the other person feels, and sleutelingen on their own emotional patterns. With the man I had this with. I completely saw and understood how he was. We, to each other’s emotional automatic ways of thinking, understood each other, but could never relate, so in our most intimate conversations we saw each other raw, but were also like.. damn,, you live like this? you do you! 😂

Male Venus conjunct woman’s moon, but the man has venus square moon natal: so this is really too specific, I know, it’s from my personal life, but the observation is such an almost lawful rule that it needs to be said. So the man has a problem with women in a romantic or otherwise emotionally intimate sense. He either sees them as charmless but safe, emotional, and boring ‘kin’, who fullfills his emotional needs but in a way that cannot fullfill his romantic wants, because they fundamentally clash, or he sees them as these charming, pretty, sexy sensual creative people or muses that fullfill his wants and desires, but cannot fullfill his emotional needs because they fundamentally do not mesh/are able to ‘melt’ with each other. So men with this aspect are doomed to have a lonely romantic life where they deeply hurt a lot of women but in the long run also themselves. This is ofc unless the man is capable of self reflection and is willing to do the work and *respect* the challenge that squares require, but since misogyny is a thing that challenge and perceived radically different worldview of the woman practically never gets respected, found interesting/compelling enough for the man to study, or romanticised like the way in which women will handle a natal moon square mars for example. BUT! If a woman’s moon conjuncts that squared venus, they kind of crack the code in a weird sense!? And become sort of “the only woman that can tame this man blabla that he actually respects”. Because the woman becomes like a domineering mother to him. In his moon square/battle/tension her moon, so where his emotional ‘needs’ are challenged by another person’s needs, his moon yields to the woman’s moon because his venus is enamored by the woman’s moon emotional world. You will get two people who are weirdly intimate friends, because both square moons emotionally ‘acknowlegde’ each other’s emotional life and wavelength, in a kind of bizarre to witness way that will have the woman wear the pants and the often so misogynistic and macho guy follow her and her needs around like a (doggo)💀, acting like each other’s bf/gf, but sitting too close to each other?? Kissing? The thought of having s**?? Will make them revolt. From an astrological standpoint, this may be the most significant planetary relationship with a woman that this man will ever have in his life.

A woman’s venus conjunct that sort of man’s moon I have never seen, only conjunct other planets, but I imagine it would be the same but the other way around at the same time. I think she would be only possible romantically intimate partner for the man, the only girlfriend to exist, only girl that he can wholeheartedly register as ‘girlfriend’, who will hold that *romantic* muse place forever, the only one to forever fullfill his emotional needs like a romantic partner does and can, but he doesn’t like her as a person, he couldn’t be friends with her, can’t talk with her, was never even his type, wants to cheat on her, can’t admire her really. This female venus is the sensual and sexual but disrespected girlfriend to the female moon’s sexless but elevated wife. If that man ruled the world and had all the money and the woman who marries him would win the universe, these were both equally bad but extremley solid places you would want to be in, because you’d be one of the only two women that he will ever seriously consider in his life.

Venus square jupiter: I have this with almost every man I get involved with, because their venus is in that way also conjuncting my scorpio sun and mercury. I’ve found with these people that they are confused if they should be charmed by the grand/optimistic/philosophical side of me, or cringe. Either way they are overwhelmed. Venus in crush-mode will be especially interested in jupiters views and opinions and outlook on situations and jupiter is enthusiastic about the romantic muse that they see in venus and become a kind of a philosophical rant-y person near them, in a good way, because they see venus as an equally inspiring and interesting and beautiful (big ideas and emotions) creative peer of their outlook on life. Venus listens and is in awe. Jupiter is like a positive-energy bomber to venus and venus can be confused, overwhelmed, but gets all the butterflies and wants to be swept in. This is an aspect where the other knows or can relate to what the other is feeling the least, because jupiter is making venus live in their own world and venus is in their head thinking out loud. Astrologers say this easily dies out because of it, like an inflated balloon, but I don’t agree. Don’t let your relationship completely ride on this aspect alone and you’ll be fine and it won’t end with a big bang, but stay flickering like smoldering fire like any other venus or jupiter aspect.

Saturn conjunct moon: saturn wants to snatch moon off the market and moon is like “yeesssss”

Mars overlaying 8th house: it’s true what they say… i won’t elaborate 😶‍🌫️ just kidding I will of course. Having been the 8th house person, it’s actually very straightforward: whenever we talked about serious matters like trauma, (lost) finances, our heritage, and our secrets, fears, that’s when I became most attracted to his masculine/sexual side. Those were the moments I would find myself like ‘daym’, just like a 7th house having mars overlay there would have that during moments of romance and partnership.

Moon opposite mars: I talk about this aspect a lot because it just fascinates me. Moon opposite mars in the context of all the other mars aspects is almost funny because in the beginning, when the insane kind of unsettling attraction is noticed between two people, mars doesn’t really want to be in this situation and moon doesn’t like the fact that it exists at all. I feel like it’s a karmic aspect for mars and somewhat for the moon. Moon will feel every single jab from this aspect but because that jab fundamentally hits them in their *feelings* they will just think: “what was that, what even is that? Who is this mars person making me feel single intense emotion at once?” Even typing this synastry aspect out is making me laugh. It’s moon doing what? Opposing. Oh god. And the lucky planet it’s being opposed is… mars 😂🤦‍♀️🤦‍♀️! Imagine the moon one day going like: “f*ck you! And you, and you, and you,” then pointing to mars “and ESPECIALLY you!” Mars turning around and saying: “what are you saying f*ck me for?” looks at moon, boom, falls in love. Kind of disrespectful, but it isn’t meant that way? Which can in short make the connection even more uncomfortable for the moon, or completely the opposite. The intrigue in this aspect lies in how fundamentally foreign (because they’re opposites!!) these people are to each other. This aspect is an up and down and up and down one, because to have the closeness that they both desire and even need, they have to do the work and understanding to become closer and win each other’s trust and affirmation. Mars is challenged to channel powerful frictive energy from the fixation that the opposition creates into creating an environment that caters to the moon’s emotional needs. It challenges itself to encompass all of mars’s qualities, both the ying (harmonious) and the yang (not necessarily that) in a hyperaware manner, and that’s one of the reasons he comes to have like ‘multiple personalities’ in this aspect. It doesn’t help that mars always manages to come across the wrong way to the moon person, can hurt the moon unintentionally, but can also in a burst of martian energy try to fight with the moon when aggravated (caused by their opposing natures), can come across too sexual and disrespectful by the moon person when they intensely show their attraction and preferred treatment to the moon. When Mars tries to be nice, it doesn’t come natural for them to do that imagining what the completely opposite person would want. When mars succeeds, a very real and mental bond is created that is extremely raw. In the healthy romantic version of this, the moon isn’t really easy sex for mars like I’ve seen male astrologers describe it. I’ve seen men describe it as ‘deer’, which can create reaally different outlooks depending on your respect and goodwill to the more vurnurable person. Goodwill especially can make or break this aspect. I feel like this can either be one of the most pain-in-your-stomach disrespectful cortisol aspects, or the sweetest and most genuine and wholsesome emotionally intimate aspects.

A little story I wanted to share: an astrologer on 27th november 2023 gifted me a moon badge on tumblr and I only opened it on 21th november 2024, because I thought it the little pop-up present on my home page was a tumblr advert 🥲 I almost cried because it was such a lovely present around my birthday and as it goes I didn’t say thank you or acknowledged it for a year even though it was an awfully sweet gesture and I really appreciate her 🩷🩷🩷🩷🩷🩷🩷🩷❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

[fragilefirstchance]

I actually have thoughts about this! I think Ford is a specific type of character.

First of all: Let's talk about fanon!

Something I think that a lot of us forget when we're doing fan analysis is just how caricaturized all blorbos are in canon. This is true of any work of media: the characters aren't real people, they're figments who only exist as we see them on-screen.

Fanon is kind of like those AI image sharpeners that take a blurred photo and make it look like a person's face: yeah, technically that is an accurate way you can interpret the blur, but there are hundreds of faces that would be just as accurate, and not only are they all very different from each other, they don't even agree on the most basic and obvious traits. The same blurry headshot could be a scowling white woman with a square jaw or a smiling black man with sharp features. In a similar way, when we see a character become stressed because they just saw a mouse in a cage, we could say they're scared of mice, or morally opposed to pets, or that they have cage-based trauma - any option that works is plausible.

I think that there are characters who are good characters, characters who are uniquely good subjects for fanon, and a ven diagram between the two. For example, a lot of kids' shows from the nineties are bad, but they managed to produce a really fun and rich fandom. Meanwhile, some really beautiful and culturally important stories don't leave a lot of room for fan works because they've already said what they need to say. I think the absolute best works for fandom are the ones that are objectively good stories, but have really simplified characters: Undertale might be the best example of this, because every single character suggests a rich and beautiful personality while only being on screen for a relatively short time.

So that leads me to part two: Ford!

I think Ford fills a particular fandom niche that was empty for a lot of us.

He's extremely traumatized, and the more we learn about him, the more traumatized he is. He's kind of pushing the limits of what's acceptable from a kids' show, to be honest.

He canonically has a lot of difficulty making friends; this is partly because he's quirky and seemingly neurodivergent, but partly because he has poor social skills. He's not a cartoony, Eeyore-style "has trouble making friends but we love him anyway" character, either; there are tangible, in-story examples of him failing to make friends.

He behaves badly sometimes. This is actually my favorite trait of his - anyone who reads my fanfiction knows how much I love giving people with real flaws a chance to find love and be treated with respect. Most characters have a flaw to overcome, but in his worst moments, Ford actually lashes out and hurts others in a tangible way and not just a child-friendly way. Showrunners don't always like to show that sort of thing.

It is very, very easy to read some severe mental health symptoms into his behavior. Bill is a literal character, but he's also a pretty good metaphor: you can use him to explain hallucinations, dissociative fugues, sudden mood swings, manic episodes, severe depression, paranoia - the list goes on and on.

(That last one is really important. There's a pretty damn big difference between a good metaphor for mental illness and a thoughtful portrayal of that mental illness in a story. It's kind of like how many of us were so starved for queer representation growing up that we read queer metaphors into everything. Well, there still isn't good mental illness representation in most media, so we'll take the metaphors we can get. Ford is a really good metaphor even as he's presented, and there are a lot of holes in his narrative where personality disorder symptoms, manic episodes, delusions, etc. can slot in easily.)

None of those traits make a good Disney character. They only really work because he spends so little time on-screen; the books were only possible because of Gravity Falls's massive commercial success. So, he's a very rare example of a character who's from a light-hearted, positive, optimistic show aimed at children, but who has all of the template features necessary for us to read him as deeply broken in some ways that aren't sanitized or socially acceptable.

So, there are dozens and dozens of Ford AUs in which we project very specific experiences, traumas, and symptom sets into this one man.

How many Ford AUs out there are reflections of our own insecurities, traumas, and just general unresolved issues? Is that, like, his whole purpose in the wider multiverse of alternate Gravity Falls characters? 'Cause I KNOW it isn't just me

[tubbytarchia]

@mcyt-yuri-week Day 5, Rose/Thorns I never stop thinking about SL episode 8 never ever

[tassaonkaikki]

i like treating äijä and kerran sadassa vuodessa as songs where the other person's just off somewhere temporarily but the other line of thinking where that other person is actually gone forever and bro is just in deep denial hits too

[averlym]

which is gayer? SIX or Adamandi (real)

adamandi

[rainbowsky]

These kinds of things involve clownery of the highest order, but they aren't without precedent. The whole SDOC3 thing is practically unwashable in my eyes, for example, and it's one of those stories that if you tell it without any of the accompanying evidence people will think you've lost all contact with reality.

The first thing I thought when I saw that hug in the video, was, "Surely that's Yibo!" Knowing GG and DD, I think there's no world in which either of them would want to pass up a chance like that to clown the entire world while giving DD a cameo in GG's video. I will be shocked if we find out An Huibo is a real person, and this gets washed. It's just so 'something they'd do'.

I don't buy the superstition thing. It's true GG is superstitious, but not to the degree where I could see him missing this opportunity. And besides, surely any 'betrayal' superstition is outweighed by the fact that GG gets to hug his husband right in front of everyone's salad!

There are also so many possible interpretations for that story, and GG and DD are both actors. I just don't buy this explanation at all.

Not saying that it's definitely Yibo, but I'm eating this candy. I've seen a lot of CPN about the songs and other materials for this album and none of it has grabbed me, but when I watched the video for "Wild" I definitely thought it might be Yibo in that shot.

The Golden Rooster Awards mystery man is a different story. It's so hard to make out his features. In the first photo I definitely had a "Wow, maybe it could be GG..." moment - it really does look like him - but when I saw the second photo I immediately had doubts. The eyes in that photo seem large and droopy (although that could be distortion because it's a screenshot caught while the camera is moving), where GG's are more sleek and upturned. I'd really have to see the actual footage to make any kind of informed guess.

I think it's interesting that someone is sitting in the audience wearing casual clothes and a mask. That's a bit 👀 to me, given that no one else is. One of the reasons someone might wear a mask is to conceal their identity. However there are also other people besides GG who might have reasons to hide their identity.

Anyone who's sufficiently curious and feels capable of such a task can feel free to comb through the footage from that night. It's 9 hours long, but I don't imagine if GG made an appearance that he'd be in the seat for most of the night. He'd have popped in for the major awards that "One and Only" had been nominated for. I'm thinking 7:45 onward until the end of the ceremony.

I skimmed through a bit (you can use the arrow keys to move forward and backward), but I didn't see any camera angles that would match the photo.

It really could be anyone - even DD's makeup artist (I don't see why someone who'd been with him for as long as he has wouldn't want to see DD win such a prestigious award). We will probably never know for sure, but we could definitely get a better idea based on the footage and what point of the night it occurred.

If those screencaps were taken at any point prior to 7:45 in the footage, and that person didn't appear anytime after, I'd be ready to totally wash it. I don't see GG sticking around the main area for the entire tedious ceremony.

If GG has downtime I could see him showing up for the awards to be with DD and support him, and also to be there when (because it's only a matter of time before he does) he wins the big award. I could see him hanging out backstage and creeping in just before DD's award. I don't think that's completely outside the realm of possibility, but based on these photos alone I don't think it's him. I'd need to see more than this to convince me.

Anyway, clowning can be fun. 😅

BURN AFTER READING. 🍭🍬

i have never made a post with this title before, but i have shared some cpn/speculation that deserve to be burned after reading. lol. this term is often used by cpfs for a candy or info related to the boys that may be “dangerous” — so you have to get rid of it after reading. but for my version of it, let’s describe it as something that is a level up from galaxy brain cpn. it’s the kind of cpn you will think twice or thrice before making up your mind about. 💫

we have (2) topics here and just a disclaimer that i am not confirming anything here. this content is for cpf only. don’t take it seriously!

(1) Who is An Huibo 安慧博?

fans noticed that there was a “stand in” credited for the we and life of us music videos and that is this person. think of it as a body double. it makes sense cause aside from that scene in WE, there are times that xz’s figure is against a backdrop so maybe they needed someone to do that. the clowning began when people were thinking about, what if the other xz in WE mv is actually WYB ⬇️⬇️⬇️

i can think of a couple of different reasons why this could be false but the strongest explanation for me is that xz will not allow wyb to so something like this. he is very superstitious. even if this is just acting, he will not allow them to act out a scene of betrayal. that for me is enough to shut this all down. but on the flipside, maybe wyb wanted him (xz) to play his first villain role opposite him in this music video.

now we have the reasons why fans think this is something worth looking at:

1. XZ and this An Huibo are the only 2 credited actors for both MVs. so it seems kinda special.

2. The director of this is LIN, the same one who directed WYB’s redmi advertisement. There are some CPNs both were made at the same studio. Which makes sense cause LIN has his own shooting studio. There is another separate CPN about this but the gist is we think this director is familiar with both of them. So XZ may be comfortable enough to bring WYB along and even include him in the video.

3. It may not be WYB himself, but he used that name to troll us. It’s so close, Huibo. Yibo.

4. I saw this explanation as well:

If "Anhuibo" is read according to the French transliteration as An Huibo, it would approximately read:

[ã чi bɔ]

·ã: similar to "ang";

·qi: similar to "wei" in Chinese, but lighter and soft;

·bo: similar to "wave", slightly shorter.

5. As a CPF, it’s so easy for our alarm bells to ring if you read that name. An alias of sorts for Bobo. some are saying he used this kind of jumbled name to combat the bad aura of their scene together. Since he is superstitious, this removes yibo’s name and identity as the stand in who stabbed XZ’s character. if that makes sense.

maybe we will know more when they release the behind the scenes video. that is if they show who this stand in is. let’s add this to the bjyx clowning vault in the meantime.

(2) XZ look-alike in the recent GRA

i was talking to @rainbowsky about this and my initial reaction was, cpn aside, i’m surprised at how people notice these things! which i actually should be used to considering turtle’s attention to detail, but still!

so here is the “evidence”

👀👀👀👀

like all other turtles, i’m someone who has stared at tons of photos of XZ. so i can totally understand why people would look twice at this person. i get i. i was staring at this photo for so long as well. however most of the cpfs comment on this is against this candy and they have valid reasons:

1. Why would he attend and be in the audience? XZ is someone lowkey so if he was there to accompany WYB, he will be backstage. Yes he is brave, but not like this — which seems almost careless.

2. There are names on the chair, so it’s not like anyone can just sit there casually.

3. Even if you believe in the probability, CPFs don’t wanna talk much about it cause it can be anti material. Saying XZ has to hide and can’t show his face in GRA. or why is he even there incognito when he doesn’t even have a project nominated. You all know how it goes, antis can twist the narrative. Plus we don’t want to accidentally expose them if this was true. We should not observe too much and post about it cause it will make it harder for them to do something similar in the future.

4. How did this person go unnoticed? Everyone had to get inside the security and there are cameras everywhere. He should have removed his cap and mask which — it’s impossible for someone to not notice XZ ( or is it? ). another thing is maybe he went to a diff entrance??

5. Some are washing it and saying it’s Yibo’s MUA.

Please take that last point i mentioned and carry it over to the reason why this look alike is sus. People are able to confirm that this is not WYB’s MUA because he was wearing a different cap. Even the hair and daresay the ears are not the same. and why would a MUA even be there? If WYB needs touch ups then they should do it backstage. If for some reason it has to be while the broadcast and recording was not on or was on a break, he should not sit there and act like a guest.

Yibo’s MUA, Wang Yiduo has been with him for years. He has years of experience being around celebrities and attending these events before WYB. So he knows the decorum. He will not sit there and act like a guest just because he feels like it.

I’m curious too, who is this person who can walk in— in an event filled with people that are dressed up and then come in with a mask and casual clothes. To be allowed to sit there. Who is special enough? Probably a celebrity? and that’s why some think it could be XZ. Even the staff and assistants during the event are dressed up which made this person stand out. As for the CPN explanation, it’s nice to think that XZ is so proud of Yibo’s nomination that he has to be there. He will find a way to be in the audience and witness this special moment. 💕

I think this can easily be analyzed more if we have the video but i don’t have time to rewatch the whole GRA and wait for this cut. Cause i wanna know if it’s even there, that’s how much we question things here! 🤣 It’s so sus to me that we only have the screenshots and no video when CPFs are notorious for having concrete evidence. personally, it reminds me of the SDC3 incident but this one is still pretty outrageous considering it is a public event.

take what you want with this information. and as always, when it comes to BJYX: ⬇️⬇️⬇️⬇️

sources: one/ two

[shencomix]

Recently I decided to go to my local fighting game tournament.

Here's how it went.

I had been getting pretty good at Guilty Gear over the past few weeks, to the point where I was getting the input correctly for the Potemkin Buster 1 out of every 4 or 5 times I tried it. So I thought "I might not be the best yet, but, surely good enough for my local" -- and I decided to go.

It took place at a the comic & games store in the town center. The venue was full of people 10-15 years younger than me and even more drastically cooler. They all turned to glare at me as I walked through the door, but as I stood completely motionless like a gazelle hoping to blend into the grassland, their gazes slowly returned to each other and they continued to banter friendlily.

I sat down next to me first opponent, and reached out to shake their hand. They looked down at my hand, and then up at my eyes slowly.

"You're supposed to do that at the end of the match."

"Oh, s-sorry"

I got perfected twice and lost the match. At the end, I reached out again to shake their hand, but they just stood up and walked away.

Because I lost, I got moved down to the loser's bracket, which was literally below the main tournament because it took place in the basement of the comic shop. I could hear footsteps, cheering, and happy conversation in the floor above. Here in the loser's bracket though, the mood was a lot more somber.

My next opponent reminded me a little bit of me. They were equally nervous and disheveled looking. They said "Um, h-hello" and reached out their hand for a handshake as they saw me approaching. I said "you're s-supposed to do that at the end of the match." But as a look of deep sadness came over their face and they slowly put down their hand, I pulled them in for a hug.

I'm not sure why I did that.

I think that some part of me knew that, in this dark, dank, alien place, illuminated only by a single failing ceiling light and the neon glow of a few arcade machines, I had at last found a friend -- someone I understood, and who might understand me too.

They hugged back.

I lost that match by a very narrow margin, and as they jumped up and began dancing around and cheering ecstatically, I began to hate them. This was no friend of mine. A friend would not do this to me. After they were done dancing, they reached out to shake my hand. After a few seconds of pause, I stuck out my hand too, but didn't look at them and refused to close it around theirs as they grasped it. They shook my karate chop.

I thought that at that point, since I had lost and then lost in loser's bracket, I was free to go home. But one of the tournament organizers approached me and informed me that I was going down to sub-loser's bracket in the sub-basement of the store, and pointed me towards a descending staircase.

The people there were fewer, and it was darker. I could faintly hear sobbing in one of the corners, but as I went to investigate, another participant put his hand on my shoulder. He furrowed his brow in a look of pain and shook his head slowly.

"You can't do anything for them."

In sub-loser's bracket I went up against a man in a suit whose face was cloaked in shadow. He spammed May's dolphin move. I lost.

As I went to go back upstairs, one of the tournament organizers held out her palm to stop me, and pointed towards a staircase leading further down instead.

Going down through the levels, I lost to many interesting participants. One player played exclusively by bashing the controller against his face. One player was a mushroom with a few circuit cables clipped onto it, that I later learned was able to play because its bioelectrical signals got sent to a machine that interpreted them as fighting game inputs. One player didn't touch their controller at all, but instead just told me their life story, which was so tragic that I picked up their controller and won for them.

Finally, at the very bottom floor, where construction standards were long abandoned and the stairs and walls were just messily carved out of the earth's stone, I faced my final player. It was a small bit of metal framework, with a controller nestled in it. On it was a tiny piston that just pressed the jab button exactly once every second. I lost.

I hung my head for a moment, then said "close game" and stuck my hand out for a handshake, before remembering that I had played against a metal framework cube with a piston in it and retracting my hand slowly. Then I heard a slow clapping from the darkness.

"No neutral. No footsies."

Out of the darkness slowly walked a woman about my age, clad in a decorative poofy dress that looked more expensive than my entire life savings. She smiled at me warmly, continuing to clap slowly, but there was a hint of mischief in her eyes.

"No meter management. No mixups. No spacing. No learning. No strategy…

…You're perfect."

"Wh-what?"

"You're perfect. I absolutely must have you."

"Have me for…um…for what…"

(Her eyes went wide as her smile grew more manic.)

"WHY, MY MORON FAILSON HAREM OF COURSE."

"Um, I-I"

"Tell me, what do you do for a living? Let me guess, you work at a fast food restaurant? Or, retail?"

"No, I'm a--I'm a comic artist."

"HAHAHAHAHAHAHAHA!! Oh my god, you are PERFECT. What will it take to get you."

"To-to ge--"

"You would be well taken care of, of course. 3 Michelin star dining for every meal. Only the finest, softest sweatpants and sweatshirts, pre-stained with whatever flavor of Takis your little heart desires. You would have access to the entire mansion except for the main foyer when I'm in business calls, and you could make all the comics and play all the fighting games you want."

"I'm uh--"

I knew that I had to think fast here.

"I'm already i-in a moron failson harem."

"Oh, DARN IT!! TELL ME, WHO IS IT??? WHO GOT YOU??"

"I-I think I'm not allowed to s-sa--"

She stomped her foot petulantly, her shoe clacking against the stone floor.

"WAS IT SHUXUAN?? IT'S ALWAYS SHUXUAN HOGGING ALL OF THE GOOD ONES."

"I-I'm sorry," I blurted out, shuffling along the wall to make a wide radius around her and then running up the staircase.

As I got home and began making my standard dinner of Trader Joe's microwave falafel, I thought about her offer. Maybe I should have taken her up on it after all. A 3 Michelin star meal right now wouldn't be so bad.

Then I hopped on Guilty Gear and lost 22 matches in a row.

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

[pollyanna-nana]

One of the most tragic and compelling aspects of Dunmeshi, to me, is that we’ll probably never know (unless Kui tells us lol) how Delgal actually felt about Thistle. I’ve seen people say that he genuinely cared for him as a brother and his journey to the surface was to save him from his madness as much as it was his people. I’ve seen people say that he saw Thistle as nothing more than a fancy accessory or tool that ended up going astray. Others I’ve seen (and personally agree with) say that the truth lies somewhere in the middle. But honestly, I think any one of these interpretations has the potential to be correct… and that’s just heartbreaking.

After all, Delgal is dead. Like, dead-dead. The very first chapter of the manga starts with his spirit leaving this mortal coil, taking that answer with him. And…

How he talks about Thistle here… it’s interesting. He does not ask for him to be talked down, or captured or imprisoned, but instead “defeated”. Which Mithrun interprets as asking for his death… which is reasonable, because that’s likely how the vast majority of adventurers interpreted his words, too. Obviously as he was crumbling to dust he probably didn’t have the capacity to be particularly verbose or explain the complex backstory to how the kingdom ended up this way, but the effect is the same no matter how he may have felt with it. He asked for Thistle to be killed.

But… even in situations where he wasn’t under any such time limit to explain what was going on, he still seemed not to. Most glaringly:

Yaad seemingly has no idea that it was Delgal’s fault that Thistle sought the demon’s power. Obviously he couldn’t talk to him about it because Thistle was, uh, a little out there by that point, but why didn’t Delgal explain? Was he embarrassed? Mournful? Couldn’t find the words?

Delgal was scared of dying. He wanted prosperity at any cost, and how could Thistle possibly refuse? Did he even realize that what he was the one who pushed his own brother— One who basically helped raise him despite being a child himself, and in many ways is still a child— down this path? Or was it like watching an overzealous employee misinterpret directions?

The way Yaad describes things here makes it sound like Thistle simply dug too deep in his studies and fell into madness, but we know that’s not true. Delgal didn’t “suggest” he learn magic, he wanted a mage who could help himself and his people defy death, which he admits to Thistle openly:

So, why? Why not tell his grandson, at least, the truth of the matter? Did he worry it might make the remaining residents more likely to upset Thistle, and therefore suffer the consequences? Did he just not care? For what it’s worth though, Yaad does suspect the truth from Delgal’s behavior.

He “always blamed himself” for his descent into the dark arts. This is just Yaad’s observation, and that’s without knowing that it was quite literally Delgal’s fault Thistle went down this path. So, why? Why was it all kept a secret?

Of course, this made things ripe for the winged lion to manipulate to its advantage. Clearly despite knowing he’d pushed him into using it, Delgal still thought the lion was a force of good that was misused by Thistle as a result of his madness. His face in that last panel is particularly haunting. He looks terrible, gaunt and pale with overgrown hair and missing teeth. Had he gone mad, with grief and sorrow, as well?

Could he no longer see Thistle the way he did when they were younger? No one can ask him, because he died long before the story even began.

To go back to the original question, well, how did Delgal see Thistle? None of the previous points make a definitive answer any clearer, and I think that’s just brilliant. And so, so tragic.

[too-deviant]

The incessant ringing of loneliness (or three weeks part two).

Pairing: Luke Castellan x Apollo!Reader

Summary: Luke is back, officially. But you can’t find it in yourself to be happy about it.

Content: angst, loser!luke makes an appearance, a lil fluff, this one is probably happier than part one

Word Count: 4k

Notes: i can’t thank you guys enough for the love on three weeks :( it really means the world, and i hope you enjoy this one too! i don’t think there’s gonna be a part 3 just because i want the rest of luke and r’s story to be up to your own interpretation - especially since his path to healing is such an important factor and it could go in any way. hope that’s ok with you guys :)

꒷꒦︶︶︶︶︶꒷꒦︶︶︶︶︶꒦꒷

You weren’t very popular at camp.

Despite the fact that you’d been there for longer than most of its occupants, and that you’d bandaged up some of their gnarlier injuries, you just didn’t have what it took to have people know your name upon first glance.

Clarisse had her unbridled aggression — she scared people into knowing who she was. Charles Beckendorf was the guy you went to when you broke a sword and didn’t want Chiron finding out about it, plus he was six foot six and kinda hard to miss. The Stoll Twins were behind pretty much every crazy scheme that ended up in Hermes losing desert privileges. Luke was…well, he was Luke. Need I say more?

Point is, while everyone knew everyone, not everyone really knew you. They knew your face, your parentage, and your overall skill set. But they didn’t know your name, or what made you tick.

Which was fine, really. You liked the alone time you got in the infirmary when your sister would run out to gossip with her friends in Aphrodite whenever she saw them walk by. You didn’t mind that, when your cabin got their hour of free time each day, your siblings would rush off to their friends and you would simply settle down with a good book.

It’s not as if you were entirely lonely — you had your fellow Apollo kids. You, Alina and Lee bonded especially, being the older kids of the group. So you had them — the only difference was that they had other people, too.

Which, again, was fine.

Except when you started to take care of Luke, you finally felt like you had a person. You looked forward to seeing him after meals each day, and you found excuses to linger in his room whenever possible. Call it odd, but you grew to enjoy the fact that nobody else knew he was back. Because that way, you had him, he had you, and that was that.

But then Luke got better.

You didn’t even have time to worry about it — one minute you were scarfing down your breakfast, eager to bring that second plate up to the Big House, and ignoring the strange looks your siblings sent you. Then in a split moment, everyone was cheering, people were standing and suddenly you didn’t feel so crowded anymore.

You heard murmurs of excitement, but people were practically standing on the table around you — unhygienic, much? People are eating here — and you couldn’t see what they were looking at. You tugged on your brother’s leg and he glanced down at your raised brow, then he said, “Luke’s back!”

It was like you were sucked back in time. No — it was like you were sitting in a waiting room, shivering from the cold breeze that whisked in through the automatic doors. And then the doors closed, and you could release the tension in your body because the warmth was already reaching your fingers — only for someone to walk past and make the doors open again, sending the sharp sting of the cold right back to where it was before.

Yes. That’s what it was — the warmth Luke’s eyes on you had provided was suddenly ripped completely from you the second your brother's words reached your ears. Replaced with the blistering cold of nobody ever knowing your name.

So it was back to normal for you. The normal you had grown accustomed to — the normal you liked. The normal you thought you liked, anyway. 

You didn’t even catch a glimpse of Luke’s face as you stood and left the Pavilion, focusing on the floor beneath your feet rather than the crowd forming around him. Oh, but you couldn’t forget that he was back, it was all anybody could talk about. Once they’d done the math and realised he was the patient you’d been taking care of for three weeks, you locked yourself in your cabin to avoid all the questions, and didn’t see him until the very next day. 

The chatter of Luke’s return had died down when you woke up the next morning — a little later than you usually did, Lee having to shake you so you wouldn’t miss breakfast. You rubbed the sleep out of your eyes and pulled a clean camp shirt over your head, stumbling a little due to the fact that you hadn’t fully woken up yet. 

When you were ready, Lee was waiting by the door. A few of your siblings were still getting themselves into a line after his loud Fall in! had woken them up, so you had time to stretch your arms and let out a sigh once you had taken your place beside him. You and Alina always walked with him to mealtimes, even though neither of you were counsellors, and you greeted her with a smile. 

The air was stuffy again — so much so that even Lee let out a wince when the shining glow of the front door hit his eyes. Then he stepped out of the cabin — his usual routine of checking the garden and cabin for pranks before letting them out coming into play. But he stopped. 

“What?”

He swung his head back at you, brows raised and smile growing, “Luke’s back.”

Out of instinct, you rolled your eyes, “Pretty sure we all know that, already.”

“Yeah, but —“ He turned fully then, hands on the doorframe and grin shining, “He’s back, which means the Hermes kids are finally under control again, which means we don’t have to worry about being pranked first thing in the morning!”

“Holy crap.” Alina was grinning now, both of your siblings looking at you and each-other with this excited expression that made you sort of angry – why are they perceiving Luke? They’re not allowed. 

You huffed a sigh as Lee started to lead the line outside, “He got back yesterday, there’s no way he’s already –”

But he was. As you stepped into the sun, the skin on your thighs already forming an uncomfortable layer of sweat, you looked to where the Hermes cabin was filing out of their door, led by the one and only Luke Castellan. You paused. 

He’d been back a day. Sure, his scar had healed nicely, but it was only three days ago that he was struggling to hold his own in a sword fight – if he was back to his counsellor duties, was he going back to teaching sword fighting? You were unsure he should even be in charge of all those Hermes and unclaimed kids so soon, but going back to teaching only days after coming back to camp? There was no way he was ready for that.

Should you say something? Or would he dismiss you, now that he was done with you?

You watched as he walked with Chris, chatting idly as if nothing was wrong. But you saw Chris glance occasionally at the jagged line through his brother’s eye, and you saw Luke attempt to ignore it. 

Should you say something?

You tripped. You were so busy staring creepily at Luke that you tripped over your own feet and tumbled into Lee’s back. He stumbled slightly but righted himself with a huff and a chuckle, turning and asking if you were alright. 

But you had looked straight back in Luke’s direction – he was still talking to Chris. He wasn’t looking at you. 

He wasn’t your person anymore.

Luke was unsure. 

Which didn’t happen often — as one of the oldest campers, and the one everyone else looked to in times of peril, it was sort of essential for him to be sure. He needed to know what to do, to have a solution for every situation, and to be completely calm about it. Otherwise, camp would go to shit. 

That much was obvious — he didn’t know why you hadn’t told him this in the three weeks you spent together, but camp had turned itself upside down in his absence. Apparently nobody was prepared for him to be gone for so long, and they kind of all lost their shit. 

He was happy to be back, don’t get him wrong. He lit up when he saw his brother’s faces again, when he felt their arms wrap around him. He laughed when Travis joked about thinking he was dead, and when Connor quipped that the camp was seconds away from starting a revolution. He nodded at Chiron, smiled amusedly when Mr D rolled his eyes, he scooped Annabeth into his arms, whispered to her that yes, he was alive, and he let himself be whisked to his table, the crowd following like moths to a flame. 

It was slightly overwhelming, but he was well-equipped to deal with it. He liked the feeling — if he ignored the throbbing on the side of his face, it could be like he’d never even left. The quest never happened, the dragon never happened, and people are just happy to see him because he’s their counsellor. Of course they would be. Everything was fine. 

Everything was fine — so he ignored the urge to scan his eyes across the crowd in search of a familiar head of hair. He stopped himself from glancing at the Apollo table, from looking in Lee’s direction, just in case he wasn’t standing alone. 

Because he didn’t need you anymore. Not that he didn’t appreciate all you did for him, but the healing was done. He was better, he was back at camp — he was Luke Castellan again. If he looked for you, if he met those eyes and returned that smile, it would be admitting defeat. Admitting that he wasn’t better, that he still needed his doctor. 

But he didn’t. Because he was back, baby! And he didn’t need to think about that stupid quest, his stupid dad, or his stupid scar ever again. 

He had a short chat with Chiron, who looked a little uneasy when he expressed his readiness to get back to camp duties. He told him that it was fine if he needed time to settle in, but Luke was firm. He didn’t need to settle, he didn’t need to wait. So Chiron sighed, and told him to escort his cabin to the climbing walls for their morning session. 

And that’s how the rest of the day went — climbing wall, arts and crafts cabin, strawberry fields, archery practice. Luke did it all, just like he used to before he left. If people would just stop looking at his damn scar, maybe he could pretend he never left at all. If they stopped murmuring about him being the secret camper, hidden from them this whole time, he could avoid thinking about you and the sweet touch of your fingers on his face. 

The fact that he hadn’t seen you at all since his return helped him on that front — you weren’t around at breakfast, lunch or dinner. You weren’t in the infirmary whenever he peeked through the windows. You weren’t with the rest of your cabin when they were paired with Hermes for hand-to-hand defence practice. 

Not that he was looking for you, or anything.  

“Hey, man.” Chris clapped him on the shoulder as they walked up to breakfast. It had officially been twenty-four hours since Luke’s return, and the chatter had died down significantly. That was good for him, helped him ignore the fact that he was ever not there. 

All he had to do was keep his eyes off you — who had magically reappeared in camp — as you also walked up to breakfast, the Apollo kids trailing behind you, Lee and Alina. 

“Listen, you did great yesterday.” His brother was saying, and he zoned in on it. “It was like you never left.”

Cool, that was the plan. 

“But it’s sword fighting today.” 

Luke raised a brow, “So?”

“So…” Chris sang, awkwardly waving a hand, “You don’t have to jump right back into training us, is what I’m saying.”

He scoffed, running a hand through us curls, “Nah, bro, I’m good.”

“Are you sure? Because —“

“Y’know, Chris,” Luke sent his brother a cheeky look as they took their seats around the Hermes table, “if you’re scared to get back to my gruelling training sessions, just say that.”

Chris’ face fell, appalled, and he put a hand on his chest, “Scared? Dude, you’re the one who should be scared. I’ve gotten good since you’ve been gone.”

And there it was — a reminder that it wasn’t the same. That he couldn’t pretend he had never left, because nobody else was. Whatever, it’d be fine. A couple of weeks and this would all blow over and he would never have to think about it again. 

The Amphitheatre, unlike the rest of the camp amenities, was familiar to him. He didn’t need to stand and take it all in like he did with everywhere else, because he’d been here not even a week ago with —

No. Stop. You aren’t in his life anymore. He never went on his quest. Everything is how it should be. 

The kids gathered around him were letting off a range of emotions as Luke stood before them, sword in hand. The younger ones were giddy, eager to get back to training with their favourite teacher. Some of the older ones, however, were only slightly confused that he’d bounced back so quickly. If he had to spend three weeks in the Big House before even going outside, was he ready to jump right back into sword training? Maybe he’d go easier on them today, take it slow. 

“Alright — if there’s anything I've learnt over the years, it’s that sword fighting is all about reflexes. So, today, we will be working on y’all’s dodging skills. Oliver, get up here!”

Luke was back on Mount Tamalpais. The fiery breath Ladon was shooting at him seared his skin and burnt holes into his shirt. He was ducking out of the way, but there was no room to breathe when another one of his hundred heads came at him with a fierce snarl. His sword felt useless in his hands, every swing being deflected and every jab proving useless compared to the dragon's swift movements. 

He blinked, and he was back at camp. Sparring with an unclaimed kid who’s name was lost on him. Sweat dripped down his brows but he wiped it away with shaky fingers. He gave an off-handed comment on the kids form before calling a water break. 

“Yo— woah, man!” 

Chris looked wide-eyed at Luke. He had tapped him gently on the shoulder and he had responded with an aggressive swing towards him. He stepped out of the arc just in time, but Luke still dropped the sword like it had burnt him. He stepped back, hands shaking, and stared at the ground. 

It was odd — being at Archery in the mornings. You’d spent three weeks skipping the hour in favour of taking food to Luke and ensuring his dressings were changed. Which for most cabins, was what? Three classes a week? 

Not for the Apollo kids — who have always and will always have their first hour spent on the Archery fields. Mainly because it’s when the sun is rising, shining on them in the early mornings and giving them their power to hit the bullseye. You included, even if healing was more your purview. 

So you’d missed probably around twenty classes, give or take a few. Your form was, well, subpar at best. Lee had to spend the entire hour making sure you didn’t accidentally hit one of your siblings — and that was after he had to re-teach you the basics. 

You probably would’ve been better had you not been so distracted — your mind whirring with thoughts of Luke. You wished your brain would just leave it alone, but apparently you weren’t done mulling over the situation. You wanted to slap yourself across the face and say hey, idiot. The three weeks is up, he’s healed. It’s over. But your siblings would probably look at you weird, so you decided against it. 

Instead, you threw yourself into your duties. Archery was a bump in the road, but now you were smooth sailing. You didn’t focus on anything else but what you had to do that day — not taking a moment to breathe because if you did that, you’d start thinking about Castellan again. You didn’t want that, you really didn’t want that. 

It was going really well, too. But then Chiron just had to interrupt your canoeing session, asking you to clear out any medical supplies you left over in the spare room of the Big House since nobody was staying there anymore.

Oh, great. You were thinking about him again. 

And then all the thoughts you’d been suppressing since ten in the morning were overflowing your head, and you thought you might have had to ask Mr D if you were going mad because when you cracked open the door and peeked your head in, Luke was sitting on the edge of the bed like usual and you had to blink to make the hallucination go away. 

Except it didn’t go away. Instead it looked at you and smiled, “Hi.”

Your lips parted, and you stepped in. Your eyebrows curved in on themselves, “Uh, hey. What are you…”

You were still about seventy percent sure that he wasn’t real, but nobody was there to listen to you talk to air, so you replied anyway. Luke clicked his tongue, let out a chuckle, then sighed, “I don’t think I can do it.”

Okay, fifty percent sure. 

“Do what?”

“Go back out there.” He gestured a hand to the window that pointed outside, although it was still covered with the curtain. “I thought…I dunno, I guess I got too excited yesterday. Thought I was ready to jump back into it.”

You stepped fully through the threshold, and he followed you with his eyes as you walked over to the desk. Nothing but a few spare bandages that you scooped into your arms before looking back at him. You tilted your head, “Healing isn’t linear. It’s perfectly normal to feel like you’re on top of the world one day and then like it’s crumbling around you the next.”

He stood, walked over to you. Thirty percent. 

“I don’t want to disappoint them.” 

“You won't.” You shook your head, “You made a big step, coming back to camp. That's it for now, you don’t need to take any more big steps for a while.”

He nodded, “No more big steps.”

“Not until you’re ready.”

Luke’s hands reached out, taking the bandages from where you cradled them to your chest. He put them back onto the desk behind you. Ten percent. 

His eyes bore into yours, “I don’t think I’m done healing.”

You shook your head surely, “I don’t think you are, either. And that’s okay.” 

He nodded, lips clicking when he parted them, “Which means you’re not allowed to leave me yet. You have to stay with me until I’m fully better.”

You shook your head then, stammering, “It’s — that’s not how it works. What you went through, it — you might not ever be fully better.” 

But Luke just nodded like he knew that already, taking a step closer, “I think I’m okay with that.”

“Oh.” You didn’t know what else to say. What the hell do you say to that? “Okay.”

He nodded, pressing his lips together, “So you’re not gonna leave me.”

Five percent.

A shake of your head, “Not until you ask me to.”

“Good.”

He wrapped his arms around you, and you froze. Okay, he was real. He was really there. You were sure. You hugged him back — he buried his face into your neck and whispered something about you never leaving him again and you whispered something in return about how you wouldn’t dream of it.

So, apparently, you severely underestimated what it was like to be friends with Luke.

You’d thought about it — of course you had. You would imagine what perfect golden boy Luke Castellan was like when he didn’t have to be a perfect golden boy. When he could just be a boy, hanging out with his friends like a normal person would. What jokes did he tell? Did he still keep up that Luke Castellan Grin or did he relax into an easy smirk? Did he make his friends follow the rules even when they were alone? Did he follow the rules when he was alone?

You wondered, although you never thought you’d actually find out. But he’d made it clear you were never leaving his side so long as he still needed you — and he was sticking to that. Firmly.

The summer sun was hot on your back — only this time your dad seemed to be going easy on you, as you weren’t completely uncomfortable under the warm cotton of your camp shirt. You still wafted it every now and then, proving some cool air to your chest, but overall you were feeling good.

You walked into the Amphitheatre with the rest of your siblings — who were less than amused that, despite Luke’s return to camp, Tyler P from the Hephaestus cabin was still running sword fighting practice. They heaved themselves onto the tiered seats with dramatic groans, but he simply grinned at them.

You paused from where you were about to sit down next to Alina when a waving hand caught your peripheral. It was Luke, tucked into the very top corner of the steps, smiling at you from the shadows.

“What the hell are you doing?” You asked when you reached him, raising your brow in amusement. He patted the spot next to him and you sat down, just as Tyler began to talk. Luke leaned in.

“I’m watching.” He muttered into your ear, then he smirked at you, “You can’t stop me from doing that.”

“I wasn’t going to.” You murmured, leaning back on your elbows and watching as your siblings paired up reluctantly. “Thanks for pulling me away, though. Gives me an excuse not to take part.”

Luke huffed a laugh, “He can’t be that bad, right?”

“Just you wait.” You smirked.

Turns out, Tyler was that bad. Every ‘new skill’ he tried to teach them either (a) they already knew, something Luke liked to whisper at you with a shake of his head, or (b) he couldn’t even do it himself, let alone teach others how to. Another thing Luke commented on from where he sat beside you, hands aching to get in there and show him what was what.

“Just one tip, and then I’ll go.” He begged under his breath as Tyler dropped his sword for the umpteenth time. “Please.”

“No.” You didn’t even look at him, “Because one tip turns into a demonstration. And a —“

“— a demonstration turns into a class, yeah yeah.” He rolled his eyes, but you just grinned at him. He smiled, “You’re mean.”

“I know.” You said in a faux-sympathetic tone. You pouted at him, “I’m just so cruel, aren’t I?”

His eyes narrowed, and his mouth stretched into a disbelieving grin, “Damn, doc. What happened to you?”

You scoffed amusedly, “You did.”

His mouth dropped open and you smiled, looking away. He poked your side and you shuffled away with a giggle, attempting to ignore his riled up smile. He didn’t relent, for every inch you moved away from him, he scooted right back towards you. You looked at him with a narrowed gaze, “I miss when you were too miserable to talk to me.”

“No you don’t.” He shook his head. He was right, you didn’t.

He let out a slow breath through his nose, and you felt it on your face. That was when you realised how close your faces were — mere centimetres apart. You swallowed thickly, but you didn’t move away. Luke’s smile stretched, and his hand began to inch up your arm.

You squinted, “What are you doing?”

It was his turn to feign confusion, pulling his lips into the same pout you did only moments earlier, “What are you talking about?”

His hand was at your elbow now, sliding higher. You shook your head, a minute movement, “Doctor Patient Fraternising isn’t allowed.”

He gasped, pulling his hand back in favour of placing it dramatically against his chest, “It’s not?”

“Nope.” You grinned amusedly, “Sorry.”

“Damn.” He leaned back, glancing at you for a second before looking back towards Tyler’s shitshow of a sword lesson, “Guess I’ll have to get another doctor.”

You snorted, “You’re a loser.”

You stood up and went to rejoin your siblings, and Luke shouted after you, “I’m your loser!”

“What was that?” Lee asked when you stopped beside him.

“What? Oh,” You glanced back at where Luke was sat, and he averted his gaze from where he had been looking at you. You looked up at your brother, “He’s just happy to be back, is all.”

He chuckled, “Sure.”

Whatever. He was your person again and Lee could suck your dick if he had anything to say about it.

🏷️ @aceofswordsandarrows @cowsandcomics @number-onekidqueen @kestisvrse @m00ng4z3r @mischiefmoons @how2besalty @iinlovewithfictionalppl @lilacspider @l0ve-dov3 @coffi-cake @ironmanbaldes @onecojg @hiraethavis @freaking0utficrecs @delphifarms @wildlyfreemoon @candylandy8173 @sinnercry @featherofthecrow @babellucci @telliette @totallynotnic

[nutmeggery]

I need Neil Gaiman to know that Good Omens 2 made me feel emotions I haven't felt in nearly a decade.

When I heard there was going to be a Good Omens 2 I was looking forward to it, of course. I just wasn't expecting it do anything super special to my emotions. I was sure I'd enjoy it, though. I really enjoyed s1.

But, for the last few years, I watched shows and afterwards basically thought well, that was fun, and I quickly moved on and didn't think much about them. There was only about 3 shows in the last 5 years that had made me feel truly emotional and stayed on my mind to the point where I felt like I needed to engage in fandom for a while. (Good Omens 1 was one of them.)

I wasn't spoiled by the leak. I never even knew there was a leak. So I had no idea what was coming in s2. And oh boy...

See, I'd watched Our Flag Means Death, a show where you don't expect the lead characters to kiss, because, well, that never happens in these types of shows, right? And this is important because when they did kiss, it felt like a door that had been locked with just about all the high security locks in the world had suddenly, inexplicably, been opened. Something switched inside me. It took me months to understand what it was, but when I thought about Good Omens before s2 came out, I realized what it was.

I would never truly enjoy a bromance they're-only-queer/in love-by-your-own-interpreation story ever again. Stories where nothing is confirmed, just subtext that anyone who doesn't want to see it can easily deny and mock those who wish it was more.

While it was clear that Crowley and Aziraphale cared a lot about each other in s1, and were probably in love, it was still just a fun ship for fans to play with in fanfiction and fanart. Do they love each other? Oh sure. In what way? Well, that's up to interpretation. Ok, cool. But it's not quite Our Flag Means Death, is it?

Then I watched Good Omens 2. And from episode 1 I saw my favourite Angel and Demon duo love each other. And I was having the best time. I hadn't had such a good time watching a show in a long while. It was not only right up my alley, it was an alley I wasn't even aware was my alley until I saw it. I enjoyed seeing the old characters, the new characters. Oh, I was wonderful.

It was clear to me that, of course Crowley and Aziraphale love each other, are IN love with each other, showing it in their own way. And I wasn't expecting it to be THIS obvious.

And then when the kiss happened, I couldn't believe it. I covered my mouth with both hands and gasped and sat up straight in my seat. I had never expected it--the heartbreak it added to the already heartbreaking scene--it rewired something inside me.

It was like my emotions had been locked up in a stall like a horse for so, so long, and now the gate had been opened, the stable door kicked down, and the horse was running out onto the large pasture into the daylight, bucking and kicking up grass. Oh my god, I have to take a few minutes to process that entire 6 hour marathon of emotions.

And by a few minutes I meant a few days.

More than a few, actually.

I didn't need a kiss to understand how much they loved each other, but I did need the kiss to understand how intense and heartbreaking their separation is for them after everything.

But more than that, the kiss broke a barrier. They really did it, I thought. They really dared.

Aziraphale and Crowley aren't human males, no, but they're played by male actors. And that is significant. That makes the kiss significant. In the world we currently live in.

Weeks later, I'm still obsessed with the show, re-watching s1 and 2, reading the book again, listening to the audio drama. And I'm on tumblr, seeing people's posts and art to somehow sate my hunger for a s3 that doesn't exist (yet).

And I'm having a wonderful time.

[savanir]

DP x DC prompt [5]

De-age Danny, de-age Ellie and Dan, de-age the entirety of team Phantom. How about we age them up. Give them the Bart and Jon treatment.

Some ancient is annoyed with Ellie causing so much chaos, let’s say… It's the ancient of order. It decides that it is time she grows up a bit and learns some responsibility. She has to understand that her actions have consequences.

So it orchestrates an event where she gets chucked into the DC universe and because the people of the DC universe don't know her in any other way than this mid twenties looking lady the kids gloves are off.

She's confused, upset and a bit worried. But she's not going to let this little setback hold her back, she's going to find people with a mindset more like hers and she'll keep doing what she does best.

I imagine she's gonna end up with the Outlaws.

In the meantime Danny goes after her because he’s worried about his sister, but by doing so also gets hit by the age up effect and sadly for him he loses the 50/50 of aged up characters and the DC universe interprets his existence as someone that has to die so kill events keep happening to him but none of them are enough to fully kill a halfa so he's just known as the extremely lucky disaster guy.

Ellie gets to be Wraith and feel really cool about it. And in the watchtower some members are realizing they have rescued the same guy from really bad almost deadly incidents.

Green Lantern twists the chair around so he can fold his arms on the backrest,

"I swear the guy is from the final destination movies or something, the craziest things keep happening to him but he's fine every time somehow" 

Flash pauses in eating his panini "Yeah cause we rescue him"

"No, well yes but I saw him get shot and I thought, Oh no... but he was just fine somehow"

"Now that you're talking about it. I still don't know how he managed to dodge an entire building. I made note of it cause he very specifically told me he was fine and I didn't have to worry"

"Hmm well at least he's cute"

"What?"

"What?"

[runningfrom2am]

Hi, how’s your day been going? Hoping it was amazing. I just saw your post about needing inspo for Coriolanus fics! I’m not sure if you are taking requests but if you are Could you maybe do a touch-starved Coryo fic? Something fluffy/angsty where Coryo can finally fulfill those needs and be himself and vulnerable with the reader. Thanks!

as long as you need me - c.s

pairing: coryo x fem!reader

wc: 1.7k

tags/warnings: fluff, hurt/comfort, he just needs you and you just want to help.

requests (currently closed- feel free to send whatever but it will be a while before I get to them!)

nav / coriolanus snow masterlist

a/n: ahhh thank you for sending this in! it was so fun to write like stopppp i just want to give him a hug omg. also thought i'd post this to hold y'all off until i post the next part of LTPF. anyway, enjoy!

You had a very stable grasp of the limits of your relationship. What was appropriate, and what was not. You were quite shy, and Coryo always carried himself with a high level of decorum. You would eat together at lunch, and he would walk you home most days. The weekends, your study dates, were always your favourite. He was significantly more relaxed, but you could still tell he was just a little tightly wound. By now, you've just learned that's who he is. Not overly affectionate, but he cares for you and you care for him. 

"I can't stay late today, I'm sorry." You said, genuinely feeling bad for having to turn down the request. In your junior year, you started tutoring for younger grades at the academy and it is something you thoroughly enjoyed.

"I have a test tomorrow! Why can't you stay? Just for a few minutes- I just have a couple of questions." The first year, Aelia whined.

"My boyfriend is supposed to walk me home and he has a tight schedule, but I'll tell you what, I can meet you in the library in the morning before class. That way it will still be fresh in your mind, yeah?" You grinned, and she seemed satisfied as you agreed on a time, not knowing that a few of the girls in your grade were listening in.

"Y/N," Clemensia decided to approach you as Aelia walked off, Arachne and Livia following close behind. "Did I catch you telling someone that you have a boyfriend? Did I hear that right?"

"Oh, well, yes." You answered sheepishly, gathering your things to put in your bag before your next class.

"Really?" Livia chimed in, and you just nodded. "Okay, well, spill. Who is it? Do I know him?"

"Um..." You looked around, deciding what to say. You weren't necessarily keeping it a secret, but you just hadn't felt the need to tell anyone you went to school with. "It's Coriolanus. Snow." You cleared your throat, unsure why you even added his last name. It's not like the name Coriolanus was abundantly common.

"Shut up." Clemensia laughed slightly, eyes widening at you. "You're joking, right?"

"No... We've been together for almost seven months now."

"I just... wow. We had no idea. Seven months! I feel like I've never seen the two of you get closer than two feet apart." You weren't sure whether to interpret this response as teasing or genuine shock- so you just gave them an awkward smile and a small nod before walking away.

At the time, you had never considered how your lack of affection in public could be confusing to people- not that it mattered. Rumors had spread quickly after that, which was to be expected when Livia and Arachne were involved. However, PDA just wasn't your thing. General displays of affection weren't really your thing, either. Both of you always had a lot going on, and having been together for almost a year by now, you knew that you loved him and he loved you. You didn't have to prove it to each other or to anyone, there was no pressure for anything to change. On your end, anyway.

Coryo, on the other hand, was feeling something shift. Leading up to the reaping and more importantly, to the prize. You both were in the running, being in the top twenty-four of your class, and you had no doubt that Coryo was a shoo-in, but you didn't know how extremely anxious it was making him. The now constant thrumming of his heartbeat in his chest and his shaky hands were always less around you, and he can only dream of how much better it would be if he could just hold you.

These days, he'd wake up expecting you in his arms due to a particularly calming dream only to be disappointed. He respected you a great amount and wouldn't want to push your boundaries, however unspoken. Still, he wasn't sure how much longer he could go about his day-to-day without testing his theory that holding you could cure his fears, or at least let him forget about them for only a moment. He would happily take just a second of peace.

Coriolanus usually greeted you outside of your unshared classes, seeing that you tended to stay a few minutes late to ask questions or polish off your notes. He couldn't wait to see you, he needed to.

"Coryo." You smile, walking out of your lecture hall to see him waiting.

"Hi, Love. How was class?" Your boyfriend greets you, joining you on your walk towards the exit of the school.

"It was good. Though, I find the topic of the rebellion kind of redundant at this point." You say, books tucked against your chest under folded arms. "Is it not too soon to discuss it in a history class? I mean, I literally remember what it was like to live in a bomb shelter."

Your joke seemingly lands on deaf ears as he just hums, placing a hand on your lower back to guide you out of the building. This wasn't totally unusual, but with the way he was pushing you, albeit gently, was telling you that something was wrong.

"Is everything okay?" You ask him, looking up at the boy next to you as you reach the bottom of the academy's front steps.

"Fine." Coryo nods, attempting a reassuring smile that he isn't aware falls short.

"Okay, well... If you want to talk about anything, I'm here for you, you know. Always."

"I know. Thank you, Love." He drops his hand from your back to hold your free one, turning in the direction of your apartment.

The next afternoon, you're in the same class, one of the rare ones you don't share with Coryo, taking down notes from the lecture when there's a knock on the door, followed by it creaking open. You pay no mind, taking the opportunity to catch up on everything written on the board.

"May I borrow Y/N, please?" Your boyfriend's voice is scratchy and shakey in a way unfamiliar sounding to you, making your head snap up. You'd never seen him cry before. "Only for a moment."

Your teacher dismisses you, likely on account of your and Coriolanus's mutually spotless records and his red-rimmed eyes. Clearly, you were needed urgently. You leave your bag and your books, ignoring the whistles and heckling of some of your classmates as you rush to the door.

Coryo had reached his breaking point. He was writing his third paper of the week, unable to focus on that and get his mind off of how unlikely it was he would get the prize if the Dean had any say. Sitting in the library, the world had started turning around him. People were talking, laughing, even, and he couldn't take it anymore. The floodgates opened and he had rushed out of the room. He couldn't go home, his attendance would be affected and he'd be throwing away the prize most definitely. He had nowhere to go, except for to you.

You close the door behind yourself, thankful that the hallway is completely deserted during class time. "Hey, what's going on?" You ask, and before you can get a good look at him he's pulling you into a crushing hug, shaking around you.

You're shocked for a moment, pulling yourself out of your head to hug him back. Whatever is bothering him must be bad. He'd hugged you before, but never like this. "Hey, it's okay..." You whisper, rubbing his back. "Let's go outside for a second, yeah? Get some air?" You offer, gently prying yourself from his grasp to look at him.

Coryo can't speak, overtaken completely by the tears flowing down his cheeks and the anxiety flooding every inch of his body. He feels like he could be sick, all he knew that he needed was you. He just nods, trying to regain his composure, if only for the couple of minutes it takes to get outside.

"Okay. Let's go." You smile, trying not to show how worried you are as you wrap an arm around his back, still holding him close to you as if he has a broken ankle and you have to carry him. So far, his theory was proving to be correct. Just having you at his side was calming to him, and mentally he's cursing himself for not voicing his fears to you before they broke him.

As soon as the door of the rarely used back exit to the school is closed, he's essentially collapsing onto the ground, tucking his knees up to his chest and crying into his hands. You're quick to join him, draping an arm over his back and trying to grab one of his hands to hold. Your brow is knit with worry, rubbing his shoulder as he allows you to take one of his shaking hands. "Coryo..." You say softly, trying to get him to look at you but he won't. "What's happening? Talk to me, you can trust me. I just want to help."

He sniffles, looking up at you. "What is it?" You ask again, hoping to prompt any kind of information out of him. When he doesn't answer, you curve your approach to yes or no questions, hopefully, to make it easier on him. "Is someone hurt? Is it Grandma'am? Did something happen?"

He shakes his head slightly with every question, once again avoiding your eyes as he looks down at the ground, occasionally trying to cough out the knot in his throat.

"...Do you want to talk? Or do you just need a hug?" You realize, leaning in so he would look at you again.

He pulls you closer, wrapping both his arms around you awkwardly due to the way you are both sitting. "Just need you here." He mumbles, hardly audible as he buries his face in your shoulder and neck.

Relieved to hear his voice again, you place a hand on his hair and on his back, holding him tight. "I'm here, Coryo. As long as you need me."

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[needle-noggins]

(CW for SA, suicidal ideation) Here we go. My favorite and simultaneously least favorite panel of Vash and Knives.

I've seen a few interpretations of this scene and before we dive into the one that really struck me, let's start with the more... chill one. We're finally introduced to the third gun of Trigun, Vash's angel arm. And the way we're introduced to it involves Knives forcing him to pull the trigger. Of course, since no one knows anything about Knives, the people of Noman's Land blame Vash for Fifth Moon, and Vash likewise blames himself (this is kinda a spoiler but if you've been paying attention, it's just par for the course). However, he's not the one who pulled the trigger, Knives is. It brings up an interesting moral question of blame - do we blame the gun (and Vash, who is being used/objectified as a weapon here), or the person who wanted it to happen? Guns don't kill people, genocidal twins do!

Now for the awful interpretation, the one that makes me cry and wish Vash was real so I could hug him and pay for his therapy. And really highlights how awful Knives is and how far he'd go for his brother in his own, fucked-up way. I touched on this in a previous post about Legato and the Murder Cafe, and the whole time I was thinking about Fifth Moon but didn't want to say anything for the sake of spoilers.

So. Pay attention to the way Vash and Knives are standing. Knives, when he first grabbed Vash's head, was standing in front of him. He moves behind him to better control him and yeah, he's still controlling him via hand on head, and now he's got his other hand gripping Vash's chest, where feathers/wings are manifesting. Knives is assaulting him. If you wanna get crazy with it and say that the angel arm is kinda phallic, you could say... yeah. This is rape. I heard that specific interpretation once and while I accepted it I also don't know if that would be generally accepted or if I'd be called out for it, so I'm trying to tread lightly here.

It also doesn't escape me that of course the angel arm has feminine features like the plants - the plants that, again, humans are exploiting for their ability to create. There's a lot of feminist commentary to be made here but many people have said it better than me. Specifically I'm thinking of this one post I saw about gender fuckery and Tristamp Vash. Anyway.

Also, the atomic bomb/black hole/sun/whatever that is in the middle... It's just so powerful. It's terrifying. The eldritch body horror here is a punch to the gut. What the fuck, Trigun? I thought this was a funky space western!!!

Oh, and here's more commentary on the following few panels:

Vashussy shot, Knives is still right behind him. Yeah, I wasn't kidding about how bad this pose is for them. Knives, you sick fuck.

Vash shoots himself in the leg (a key difference from '98 trigun, lol), because of course he does, but it doesn't free him from the arm.

The arm's getting darker/the light inside is getting lighter! Stampede did an awesome job with their interpretation of the angel arm and I don't think I would have understood it without that. Also, on my first read I didn't notice that Vash is literally levitating, which is cool, but also terrifying because ?? he's not in control of that either??

Finally. A super painful, minimalist, double-page spread. Nightow loves 'em. Vash thinks he's dying (maybe?) and he wishes he had never existed. It's not suicidal ideation per se, but he wishes he didn't exist at all because he's already caused enough suffering. This is a low for him, because he believes so strongly in the concept of the Blank Ticket. (Come on, soupy brain bitch boy, get it together!) He's a monster, it's just how he was born, and he's not in control. Very specifically too, he says "we", and then changes it to "I"... he doesn't blame Knives at all, and that's very him. I want to shake him! Stop playing the martyr, Vash!

[bohoteacher]

Navigating Betrayal: Reconciling Admiration with Disillusionment

Like many Neil Gaiman fans this month, I've been shocked and distressed by the news regarding the SA allegations. I won't go over the details, as they're readily available online. I'll start by saying that I believe the accusers, and even the most lenient interpretation of events is still troubling enough to discredit Gaiman. For a long time, I didn't know what to say. I was just shocked and, somewhat naively, felt betrayed. I don't typically idolize actors, authors, or other public figures—I'm here for the characters, they're who I love and believe in. So, how did I end up believing in this man and his rhetoric?

I only had a parasocial relationship with him, which is to say no real relationship at all. But I took his Masterclass on writing, spent hours taking notes, and learned from him. I feel betrayed by someone I saw as a beloved teacher. I know this is insignificant compared to what the women who came forward experienced, but it's a valid feeling, and I needed time to process it. My initial reaction was to throw out and discount everything he’s ever written or done—of course it was.

This isn't just about my love for Good Omens, although how can it not be? I learned so much from this man—about writing, about not being too hard on myself, about the creative process. I read his books to my middle school classes, and we all learned how to be better people from them. Today, I saw and bought Instructions, a children’s book by Neil Gaiman illustrated by Charles Vess, from the used bookstore where I volunteer. It was a used copy, so no royalties will go to him. It’s a beautifully illustrated book where the main character walks through a land that clearly symbolizes life, learning lessons like saying please and "if any creature cries to you that it hurts, if you can, ease its pain." How could someone write this and then do what he did? I asked myself. "What an evil hypocrite," was my first thought. But then I recalled a line from another author, Stephen King. In The Stand, a character is described as "awake at the lectern, but asleep at the switch," meaning they know the right thing to do and can talk about it, but in the moment of choice, they act without integrity.

I don’t know if I’m making sense, but I think it’s too easy to label Gaiman as simply evil, as if he intentionally manipulated us by saying the right things just to make us read or watch his creations. The reality is likely far more complicated. Within this man is the amazing, thought-provoking, life-affirming wisdom that many of us have tried to live by, but also the hard, thoughtless, selfish cruelty that led him to abuse young, vulnerable women. The wisdom does not justify the abuse, and the abuse does not nullify the wisdom.

I think it's too simplistic to say Gaiman is despicable and always has been, hiding it from us all along. This doesn't acknowledge the complexity of human nature—that there is potential for both good and bad within us all. As it’s said, possibly by Terry Pratchett or possibly by Neil Gaiman, “It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.”

Gaiman is a man who has done some fundamentally good things and some fundamentally bad things. I can’t forget either one.

This is just my opinion. I know some people want to cancel him, while others want to exonerate him. You do you. As for me, I will continue to love Aziraphale and Crowley. I will continue to read and create fan-fiction. I will continue to find comfort and wisdom in books that have meant so much to me over the years. But I will also remember that they were created by a very flawed man whom I can no longer trust.

I understand that opinions on this matter vary widely. I know some people might feel that not discarding everything associated with him is wrong, but this is where I stand. I’m not looking to debate this or be told how I should react. I just needed to process my thoughts in writing and move forward in the way that feels right for me.

[raven-at-the-writing-desk]

OMG RAVEN YOU’RE INTO EVER AFTER HIGH? I love it but can’t talk about it bc none of my friends have seen it 😭 I wish it was talked about more, especially with how deep their lore runs. I love EAH’s dynamics with the complexities of destiny. If twst followed the same logic as eah’s world it would be so interesting. How would you feel if the worlds were to mesh together and how it would work? You can interpret that in any way you want; the characters meeting or twst being bound to the same rules and societal expectations of eah, or whatnot.

Also who’s your favorite eah character compared to your favorite twst character (Leona)?Jade, right?

And have you read the eah books? I haven’t, but I’m going to try to sometime!

Eah alt account when?

I'm still salty that the Monster High x Ever After High crossover movie never saw the light of day-- Part of the reason why I don't like Disney (I mean the faceless corpo, not all Disney products) is because they have such a strong association with fairy tales that it pushes other interpretations out of the market or it leads to people assuming Disney "owns" those fairy tales. Ever After High's lore and themes run so much deeper than most other fairy tale reimaginings I've seen (and I've seen a lot). It's such a shame it doesn't get the respect and recognition it deserves even though EAH is the one out here challenging the status quo whereas modern Disney is content with mediocrity that appeals to the masses.

I think EAH and TWST, at their cores, share similar ideas so combining them would work well. Friendship, self-identity, defining your own future, questioning what "good" and "evil" truly are... It's all there. I'd imagine that if Twisted Wonderland (or at least NRC) followed the same rules as EAH, then everyone would be descendants of their Disney counterparts. (This is actually a common misperception of what TWST was to new fans; people mistakenly believe the TWST characters are children of the classic Disney villains. This has never been canon.) Unfortunately, I'd have to take away the Disney villains being twisted to be "good" guys in Twisted Wonderland's world in order for this to work by EAH rules, so... There's that to consider. This, in turn, can result in the student body splitting into Royals (pro-following one's destiny) and Rebels (anti-following one's destiny). Perhaps RSA and NRC could be one school in this AU...? Just so we have a mix of "good" and "evil" descended children in the same vicinity as one another. A must-have are the constantly bickering Narrators!! It's only really when Yuu shows up that the majority opinion starts to shift. Maybe then Crowley becomes concerned with students rising up and fighting back against the system that relies on them being complacent to keep the cycle of stories going. I've seen some readings of EAH which theorize that Royals guaranteed a happy ending is a stand-in for privilege, and that interpretation leads into very interesting conflicts when we also consider that magic in Twisted Wonderland is a privilege afforded to few.

To cover just the dorm leaders (because covering all the TWST characters would make this post way longer), I definitely see Riddle, Kalim, Idia, and Malleus as Royals and Leona, Azul, and Vil as Rebels. Here's my thought process:

Riddle is pretty self-explanatory. He comes from a background where he's used to being told what to do by his mother and so he also heavily relies on her strict, unyielding teachings to play by the book when he goes out there in the real world. Riddle is inflexible and hesitant to go against the grain--and, more importantly, he fully believes that following the rules will lead to his happiness... that doing as his fairy tale ordains will lead to a happy ending. What happens to the Queen of Hearts is dubious in the end since it's framed as Alice's dream, so I think that vagueness gives Riddle hope that by behaving himself, he'll earn the happiness he desires.

Leona is a Rebel, and not just because that's the aesthetic of his dorm. Being that he is highly intelligent and demonstrates a lot of foresight, he'd be aware of what future is in store for him and aggressively fighting against that. It would make him more desperate than ever to prove his worth, because not only does everyone see his powers as terrifying, but they also see him as a future brother murderer and dictator that will bleed the land dry of resources. It'd make the situation with his family even more strained than it already is, not to mention the extra jealousy he must feel toward Cheka, who is still too young to understand what's going to happen later.

Azul is someone who acts like a Royal but is actually a Rebel. He acts polite and like he plays by the rules, but clearly he doesn't behind the scenes. I see Azul as the kind of Rebel akin to Duchess Swan... as in, he believes he can steal away someone else's destiny for himself. Azul would constantly be looking for loopholes to save himself. He's put way too much stock into becoming a better, stronger person and he'd want to defend this new life he has made for himself. His obsession with protecting his contracts could translate well here.

Kalim is a Royal because he's mega rich and has been sheltered from the concept of bad things that happen to normal people; he has nothing to worry about. It also helps that Kalim is twisted from a character that doesn't meet a bad ending. I think he'd be aware of Jami's doomed destiny, but Kalim is so ignorant that he thinks it'll just be fine and it'll work itself out. Part of his growth could be being forced to reckon with the reality that Jamil is suffering under the legacy assigned to him and accepting the role that he plays in that by not acting.

Idia is a Royal--or at least pre-book 6 Idia is. He's a very pessimistic guy and repeatedly expresses hopelessness about the future, bemoaning the curse he and his family have to bear. Idia doesn't want to try to fight his fate, he's already accepted that it will happen and so closes himself off from others to save himself that heartbreak. Post-book 6 Idia will have swapped over to the Rebel side thanks to Ortho reviving the hope in him.

Vil is a Rebel simply for the fact that he fights social conventions. He's already out here shattering gender roles, but finds it much harder to breach that expectation that villains are just villains and nothing more. Vil keeps getting rejected at every turn, told that it's impossible to rewrite his story, that his frustrations are the natural result of jealousy and an ugly heart that festers in side of him. He steels himself to prove that notion wrong, working himself to the bone to get up on that stage and stay on it, waiting to be lavished with praise that he truly is the fairest one of all. I feel this would be so fascinating for Vil's own arc about self acceptance; maybe he wears himself down emotionally because he HAS to basically be perfect due to his job but also denies himself normal feelings like anger and jealousy because confessing that you have such "ugly" feelings only validates that you're shallow just like the stories say you will be.

Malleus is a tough one, but I settled for Royal in the end. Maleficent is doomed to be slain by a sword, right? So am I saying that THE Malleus Draconia, who is infamously arrogant about his magical abilities, would lie down and take a stab like that? Of course not! However, I do think that Malleus is initially someone who values tradition and living up to noblesse oblige. As the future ruler of a nation, people's stories are relying on him to play his expected role out, which he'd be fully cognizant of. I also think Malleus would be afforded the luxury of not having to face his destiny as soon as his peers are due to his long life span. This is in part because the person destined to slay him doesn't come into his life for literally hundreds of years. Then when book 7 arrives, Malleus has to deal with his loved ones leaving and/or betraying him as well as the realization that this is his destiny: dying alone and unloved. That'd just break him.

ahdbiqwdbqwli I COULD TALK ABOUT THIS AU FOR FOREVER BUT I'LL CUT IT SHORT OR ELSE I'LL NEVER SHUT UP 😭

EAH has so many good characters and interesting storylines, it's hard for me to pick a favorite! I of course love Apple and Raven's dilemmas, but I feel like it's cheating to pick one of them as my favorite. The whole Wonderland gang is also fantastic... I'm a sucker for their aesthetic, but they're so fun and silly in general. Kitty, Lizzie, and especially Madeline are 👌

Mmm, when I think long and hard about it, I think my favorite EAH character has to be Briar Beauty, daughter of Sleeping Beauty. Firstly, I love all the pink, roses, and bramble in her design. Secondly, I love the layers to why she is the way she is. Briar's a party girl not because "lmao, wouldn't that be a funny haha subversion of Sleeping Beauty" but because she wants to live life up before she falls asleep for 100 years and literally loses all her friends and family to the natural passage of time. That's seriously so smart and such an inventive way to think about the trauma a descendant of Sleeping Beauty might have. Seeing Briar transition from one of Apple's besties and biggest supporters to an outright rebel is satisfying as heck. (Gotta take a moment to shout out this classic moment :3)

I don't know if I would compare Briar to Jade since they're entirely different characters. However, looking at the source material, I'm actually surprised I like Briar as much as I do since I have never cared for the story of Sleeping Beauty. A part of me finds this ironic since Malleus harbors a similar fear as Briar (losing loved ones) yet I see Malleus's desire as way more selfish and self-serving than Briar's. I believe that's because Briar doesn't have the same arrogance as Malleus, so I'm more forgiving with her. EAH's actual equivalent to Malleus is Faybelle, daughter of the Dark Fairy, but I don't like her as much as I do Briar (hence why I'm comparing Malleus and Briar, not Malleus and Faybelle).

I haven't read the EAH books but I want to one day! I'd prefer to borrow them since I don't have enough space in my room for more physical books, so as soon as I find copies at a library or something...

This blog has kind of become a place where I occasionally talk about my other interests, generally as it relates to TWST, my main interest. I'd like to keep it like this since managing multiple blogs can be so draining. It already takes quite a bit of time to regularly write responses to asks just on one blog!