#but then i remember how insane i also was literally only able to focus on me modding when i had irl stuff to deal with

[ratatattouille]

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

-Vi and Vander: Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends (do you remember how protective she was of Ekko aside from her adopted brothers?) and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She cared for Zaun like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters). Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. The whole reason Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Hemmerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

-Vi and Caitlyn: Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover. The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't entirely wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has never fit into Piltover (and that's also shown in Season 2 act 1-2).

-Vi and Jinx: This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for Zaun, she just wants to take Silco's (and her own) creation--Jinx--out of the equation so it can work. The only reason she agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to get Powder back, while Cait wants to kill Jinx to get her city (mother) back. The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers (and it's already insane that Vi would even agree lmao) is ignored a lot by fandom, especially bc her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx. Every single step of the way. This is barely acknowledged, and every time it might be, it gets shoved aside for romance with Cait. Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child. (ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Where the writers FUMBLE is:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for a more *ahem* American industrial military complex epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes

-Vi herself takes a back seat in most of season 2, and becomes a passive yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). The only reason it was kept was because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative. And it's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

-Viktor and Heimmerdinger: This is one of the biggest fumbles, IMO. Heimmerdinger and Viktor were the most polar of opposites. Heimmerdinger was not only a privileged, ulta-wealthy Piltoverian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

-Viktor and Singed: Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution." While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. Then Jayce blasts him in the chest and that all goes out the window. All this despite Sky being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (despite the fact that his character was one that was consistently willing to sacrifice himself and die in order to not harm others, and Sky's death only solidified that). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator, lmao. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Sure.

-Viktor and Jayce: Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore. Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVERIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them. Children dying of disease and violence in The Lanes was by Piltoverian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell! And don't even get me STARTED on Jayce's trip to other-world hell being some kind of "Jayce seeing the world through Viktor's eyes" bs. Yes, it was good that our idealistic Jayce got to see the dark side of the Arcane as Viktor showed Jayce the beauty of the dream he sought for all people, but whatever message on class struggle Jayce is said to have learned or paralleled in his alternate timeline clearly didn't sink into his head because he still gave that dumbass speech to Viktor. And I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment. Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

Where season 2 FUMBLED:

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her "you guys hunt us down like animals"). Cait knew the humanity of Zaunites was real. She'd seen it. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes.

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. Idc if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

-Jinx and Isha: Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% idc. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Vi still refuses to acknowledge her own hand in creating Jinx in the first place. Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter. To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together, but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Vi had to acknowledge how wrong she was for abandoning Jinx and Zaun (instead of taking responsibility as Vander had taught her). Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others.

-Jinx and Ekko: Timebomb is the only ship that didn't ruin anyone's character, lmao. Because Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others). Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimmerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. Jinx just doesn't have the same faith in her ability to do so as Ekko does, but Ekko manages to convince her for a moment anyways. Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

-Jinx and Silco: This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose and nurtured her talent (one that Vi and their brothers scorned). Silco accepted Jinx (he did not create her, Vi did) even though he weaponized her (which backfired for him). Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

Fumbling points summarized:

-Jinx not being radicalized by Isha's death and the sight of her sister hunting her down with enforcers.

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltoverians instead of herself, which needed to happen to complete her arc.

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Silco's dream (and by extension death) should have been the point of the show, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun (and Silco) gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

-The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

I could go into how the show fumbled Mel, Ekko, Sevika, Jayce and more, but I think they still fare better than the ones I've talked about here. Caitivi has now (narratively) become distasteful, jayvik a joke, and timebomb unnecessary misery porn with little to no reward for all their efforts.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

HUGE EDIT:

I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!

that being said, i think my criticism warrants some criticism as well, and i feel like it would be disingenuous to just edit the post (let it be seen in all its imperfect glory lmao).

so here's my criticism of my criticism:

-Vi and Jinx: Vi did not create Jinx. Well, I mean, not entirely. And Silco did not merely weaponize her. Granted, it is Vi who slaps little Powder across the face and shouts "You're a jinx!" but Vi is also just a child, and would have gone back for Jinx had she not been apprehended by that asshole also known as Marcus. THAT BEING SAID, Vi still feels a measure of guilt for her reaction (and that's not unjustified), and as Vander's daughter, she would still not stand for the Caitlyn S2 BS and would still default to Jinx much faster than she does (because she's all about family, and Jinx is the only family she has left.) Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. It's still too far, lmao. Also, Vi's motivation to team up with Cait had more to do with getting revenge on Silco than restoring peace to Zaun, and I didn't mention that at all.

-Jinx and Silco: This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it. As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life.

-BACK TO MY MAIN POINT: If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?

Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

This is where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.

[jasonntodd]

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[7ndipity]

Just found your blog and LOVE your bts headcanons so much… after having watched Are You Sure?!, I need all your NSFW headcanons for OT7 as your boyfriend… please please please 🔥

Random NSFW Headcanons

Ot7 x Reader

Summary: Random spicy headcanons about the members

Warnings: 18+ mdni, smut, unprotected sex(don’t do this), breeding kinks, mentions of edging, oral(m. & f. receiving), bondage, sensory deprivation, dom/sub dynamics, somnophilia, voyeurism, idk there’s a bunch of stuff lol

A/N: You want my hcs? I’ll give ‘em, hehehe😈 Hope you like them!

Masterlist

°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°

Jin:

Okay, I’m gonna make some of y’all real happy by saying, although I still think he’s mostly switch/sub leaning, he does have a dom streak in him. Like as much as he loves letting you lead him like a puppy on a leash(sometimes literally), nothing quite gets him off the same as taking control and pounding into you until you’re his empty headed baby, only able to whimper is his name.

He’s also a big fan of sensory deprivation, both giving and receiving. Blindfolds, handcuffs, etc. He loves the heightened sensitivity that they create, turning even the lightest touches insanely intense.

Has a major thing for cumming in you that it’s bordering on a breeding kink. Like tell him that you want him to cum in you, and he’ll propose on the spot💍

Yoongi:

He’s definitely into bondage and shibari(he’s been tied up/handcuffed wayy too many times in music videos to not be, lol) tho it would take a bit of coaxing to get him to admit it. There’s just something about trying out different knots and restraint styles, both on him and you, that intrigues and excites him.

Lowkey into angry sex, but not when he’s angry with you. It’s more those days when he comes home frustrated from the studio and he just wants to scream, so he makes it his mission to make you scream instead, hehe.

Has recorded himself getting off for you and thought about sneaking it into the background sounds of one of his Agust D tracks(might have actually done it, but he won’t admit it bc he’s a menace and likes to fuck with your head, so you’re just sat listening to every little detail on his demos, lol)

Hobi:

This boy is a certifiable freak, you cannot convince me otherwise. Like except for a relatively small list of hard no’s, he’s open to playing around and testing out pretty much any sort of kink/scenario that you might be interested in.

Lowkey very into the idea of watching you fuck one of his friends rapline whats up?, guiding them on just how to touch you, watching the way your face scrunches up in pleasure, just to turn around and fuck you into oblivion afterwards.

Man adores having his head between your thighs and actively begs you to ride his face. And don’t even think of arguing that you’re too heavy or whatever, bc he’ll spend the next hour worshiping your body and showering you with so much praise that you won’t be able to think, let alone remember any of your insecurities🫠

Namjoon:

Although we’ve established he’s definitely more of a daddy dom, he definitely has a weakness for you taking the lead or being on top(“pro rider, hohohoho rider” I had to, I'm sorry). Something about him being under you, watching the way your body moves on top of his, feeling the way you take him so perfectly, just makes his brain go hazy🤤

Idk if he’s fully aware that it’s a kink/thing, but he’s definitely into temperature play. Ice cubes, hot wax, even just blowing cool air over his skin makes him tingly in all the right ways. 

He loves to tease you at the worst moments. Like you could be on phone with a friend or whoever, and he’ll let his hands start to ghost along your arms, down your sides, across your chest, between your thighs… seeing just how long it takes before your voice and focus start to waver, quickly hanging up and giving him your full attention

Jimin:

*cough*ropebunny*cough* Sorry, what?

No but fr, he loves being tied up in different pretty styles of shibari, but he treats it like an art form, with different silk ropes and ribbons. He wants to feel pretty and treasured, caressed with soft voices and sweet words, regardless of if you’re teasing and edging him to tears.

Lowkey into semi-public sex, teasing you at dinner with his friends with his hand creeping along your thigh under the table till you’re squirming and begging him to find an excuse for you both to be excused for a minute. Dude will fully have you shaking and seeing stars and then walk out of the bathroom like nothing happened.

Definitely the biggest fan of aftercare out of all the members, like he treats it as more of a sensual spa night for the two of you; candlelit baths together, gentle massages to work out any tense muscles, cuddling in bed that might turn into cockwarming or a very sleepy round two... 

Taehyung:

Definitely into taking photos of the two of you, both on his phone and on his retro film cameras. Man turned his guest room into his own studio/darkroom and learned how to develop film by himself so that no one else but you would see his artwork.

Loses his goddamn mind every time you go down on him. Like if you ever wanna make his mind go completely blank, all you have to do is let him feel your warm, wet mouth close around his length, and he’s absolute putty in your hands.

Feel like he’s very into lingerie, both for you and himself. He loves feeling like a pretty present for you to open and play with, and vice versa. You literally came home on your birthday to him waiting for you in some pretty little silk number with a bow on his head as your gift.

Jungkook:

Although I’ve said before he’s a dom leaning switch, when he subs, he lets go completely. He loves letting his mind shut off and being at your mercy, letting you take control and turning him into a needy whining mess. 

For the similar reason, he has a major dumbifacation kink, both giving and receiving. He loves the idea of being fucked to the point that your mind goes completely blank and all you can think and focus on is how you make each other feel.

Definitely has a thing for somnophilia, again both giving and receiving. The thought of touching and teasing each other, your bodies reacting purely out of instinct, seeing how long it takes for you to wake up so that you can fuck each other properly, the whole thing makes him crazy. His favorite way to wake up, 5 stars, highly recommend🤭

Taglist: @sopebubbles-replies @btsw1fe @this-must-be-my-tardis @whitefoxgirl @bethanysnow @coffeedepressionsoup @feminympho @classicalelephant @dfqcsqueen @mother2monsters @comingupwithacoolnameishard @bo0ghol @universal-travel-er @k4ngelz

[ametrictonofaudacity]

Hi! I love your blog so much. I was hoping you could write what yandere!batfam would do if the reader just barricaded themselves in a room and does everything to make sure batfam can't get in. I hope you have a great day and drink plenty of water.

Thank you! I’m glad you enjoy my blog, and I am absolutely going to do a snippet for this!

Warnings: (implied) hunger striking, captivity, themes of obsession, violence, and threats of restraints as well as physically restraining someone.

“You know that’s only going to hold us out for so long, right?”

It’s Jason. You don’t respond, keeping silent. It was just another trick, you knew, to get you to open the door.

Not that they only needed a door. You’d shoved the massive bookcase in front of the window, shoving your bed in front of it. Your desk, and the final bookshelf, had gone to block the door.

You had no doubt it wouldn’t hold them long. It just had to hold them long enough.

“Come on, kid, think about this. Open the door, and I’ll try and talk the old man down from taking the damn door off it’s hinges.”

You hiss softly in alarm, because you had thought Bruce was gone. You thought he was away, in Nepal, in a business trip. Otherwise there was no possible way you would have been able to pull this off, you knew.

“You didn’t know the old man was back? He got a call from Dickiebird, he’s on his way to the Manor as we speak, kid. You really want him to start breaking down the door? He will, you know it.”

You keep quiet, fingers buried in the soft carpet, and try to focus. Try to breath. Bruce being here changed things. Dick being here changed things.

“Who’s all in the Manor?”

You manage to croak out, and Jason pauses.

“Not sure I should be telling you that, kid. I’ll cut you a deal, though. Tell me why you’re pulling out the anti-siege tactics and I’ll tell you some names.”

You shake your head, before you remember that Jason couldn’t see you. That was fine.

“No deal.”

You weren’t going to be explaining to them that you felt suffocated, more often than not. That they were always there, constantly hovering, a hand on your shoulder or an arm linked around yours. That you had so little agency that you felt you were going insane, on a good day.

“Then guess you’re gonna be in the dark. Head up, though. Golden Boy’s pissed.”

That manages to rip the air from your lungs. Dick was scary as hell when he got angry, scary enough that out of all your siblings captors, his anger would immediately send you into a near frenzy. He got fucking mean when he was mad, and he knew how to use his words to cut to the bone.

“What and you aren’t?” You taunt, frantically trying to stop the way your heart thunders in your ears and the way your blood pulses in your veins.

“Oh no, I’m pissed. Pissed enough I’m keeping this door between the two of us, because I don’t want to traumatize ya.” It’s- it’s almost cheerful, the way he says it, so matter of fact, but the words are phrased in a way that you know they’re true. Every syllable is tense and clipped, not quite grit out and hidden behind the easygoing bluster.

“Yeah, well, I’m also pretty into keeping the door between us.” You snap, because you are impulsive and dumb and holy shit you did not think this through.

You hear the faintest sound from Jason, and when he speaks again, his voice is sharp, sharp enough you cringe back and try not to panic.

“I fucking bet, you brat. What exactly are you planning to get out of this, huh? Planning on going on a hunger strike or something?”

The door rattles in the frame, and you yelp, alarmed.

A sigh, and when Jason speaks again, it’s softer. Cajoling.

“Listen. Bruce and Golden Boy are gonna be here soon. We can do this two ways. You either open the door, apologize to me for being an absolute menace and driving me insane, or it gets busted down, and you leave the room anyways, except with a lot more yelling and a lot higher chance of Bruce not letting you out of his sight for months. Literally.”

You bite your lip, hands fisted in the rug.

“I’m not opening the door, Jason.”

“Fine. Don’t say I didn’t warn you.”

You hear his footsteps leave. For a second, you take a moment to breathe, air whistling between your teeth, the AC loud in the quiet room.

“Open the door.”

You jump, nearly leaping a foot in the air, and the startled sound dies in your chest, eyes wide.

Bruce. Bruce was on the other side of the door, right now, and he was pissed. Pissed enough that his voice had that gravelly, rough quality it got when he was being stern and already mad as hell but trying not to show it.

“No.”

Your voice sounds small, even to you. You try to ignore it.

The door rattles on it’s hinges. It seemed, with a locked door and several heavy oak dressers between you and him, he was determined to move both. It rattles again, this time louder, and you shriek in alarm when the desk creaks. How fucking hard was Bruce hitting it?

“(Y/N), unless you want me to break this door down, open the door.” Bruce sighs after he speaks, and then breathes in, like he was trying to calm himself down.

“I know you’re scared right now. But just open the door and come out, and we can talk about why you did this, okay? I’m sorry I frightened you.”

You feel tears prick at the side of your face, feel the anxiety and the nervousness and the fear. You want to shake your head.

You don’t say anything, and he sighs again.

This time, it’s not just the door that rattles. The desk shudders, straining against the weight thrown against it, and the shelf creaks, then sways.

You’re smart enough to back up and away before it comes crashing down. Not that you don’t doubt Bruce knew you were away from the shelf, or he never would have risked toppling the heavy thing.

When he ducks through the doorway, picking his way over the shattered desk and shelf, you back away, hands trembling. He pauses.

“(Y/N). Why don’t you come over here so we can clean the mess up, and we can talk about this in a bit? Just take a breath, okay? Are you hurt?”

You shake your head. It makes some of the anger drain from his features, that you weren’t hurt, but you don’t get any closer and his lips press into a thin line.

“(Y/N). Come here.”

It’s stern. It reminds you of the same voice he uses every time you try and escape or fight with your siblings. It makes your stomach twist.

Your eyes flick to the door, and Dick, who was standing not far from the door way, sharp blue eyes watching you for any movement.

You make your decision, swallow, and ease forward.

Warm arms wrap around you the second you’re in reach, pressing you against Bruce’s chest, and you feel a bit of the tension in his shoulders unwind, just barely.

“This isn’t happening again, (Y/N). Do you understand me? What if you had gotten hurt, when the shelf came down? What if you had gotten hurt when you were in here and couldn’t say anything?”

Bruce was pissed, and he grips you tightly, tightly enough that you squirm in his hold, which only makes him grip you tighter.

“I wouldn’t have gotten myself hurt! It’s practically an empty room half the time, what could I have hurt myself with?”

God, you hated it when your mouth ran faster than your thoughts.

“That’s not what matters.” Dick cuts in. “The issue is that you could’ve, and we couldn’t have done anything about it!”

He pissed, practically spitting out the words, and you can hear Bruce’s frown.

“Dick, you need to calm down.”

“No! This is the fifth time this month they’ve tried something, you have to do something, Bruce! It’s stressing everyone out!”

You open your mouth to argue, ready to defend yourself because you hadn’t asked for any of this, but Bruce speaks before you can.

“I will.”

And suddenly you are far more preoccupied with trying to prevent Bruce from picking you up, twisting and squirming to get away, but he catches you easily. He presses you against him, this time the action restraining, and lifts, taking your feet off the ground.

The entire trip through the Manor, you are twisting and pushing against him, trying to escape. You nearly get close, once, when he was adjusting his hold and you had snapped your teeth at him, but Dick had lurched froward for a moment and it had startled you so badly that you had frozen, giving him time to readjust.

You’re dumped on a medical cot, and when you see the straps on either side, it nearly takes the both of them to hold you down long enough to get them on. Bruce looks pained the entire time, as you kick and flail, and when they’re both done, your arms are strapped securely enough that yanking on them does nothing.

“Stop. You’re going to hurt yourself.” Bruce frowns, and then sighs, moving the cot. You’re moved with it, and you glare. “This is only temporary until we find a more permanent solution, (Y/N). Until we can trust you not to be a danger to yourself, alright? It won’t last long.”

Dick doesn’t look like he agrees.

You don’t either.

[mo0nfairy]

I gotta see a part of yandere Leon where reader remembers him as they get through los Iluminados maybe some yandere in action lol (at least only if you want to!)

part 1. part 3. part 4.

tw :: obsessive!leon, yandere!leon, mention of drugs, framing, handcuffs, stalking, trauma, guns, wounds, heights, being locked up.

⸺ ooooooo !!! i've been meaning to make a part 2 of my last ask, but had zero idea where to go from where i ended. i also had played a bit of RE2 before the remake came out recently, so a piece of my brain has been kept up in raccoon city for a little while. i would love to express my thoughts and mesh these two games together !!

let's start with where we left off in los iluminados.

upon having your handcuffs taken off by the stranger who is far too close for comfort, you pace backwards, far away as you can get from this insanity of a man. his attitude abruptly shifts into something softer, a major contrast to the emotional breakdown he had just seconds prior. he realizes you're afraid — afraid of him. and as much as the mere thought destroys him to the point of breaking down again, he shoves a sob back down his throat and keeps his distance, despite how desperately he wishes to close it.

6 years. 6 years. he has been waiting over 2,190 miserable days for this single moment. all the sleepless nights spent searching the world for you; all the hopeless nights spent clinging to pillows, praying by some miracle it will somehow become you. every second of these past 6 years has been spent dreaming of this single moment. and even though your reunion wasn't the teary-eyed, passionate kiss in the rain he had hoped for, you are still here with him nonetheless.

and like hell will he let you slip from his grasp again.

with as much time as his needy self would grant him being physically away from you, he is soon at your side. leon then wraps you in his jacket and you swear you hear a harsh gasp escape from him when his finger accidentally makes contact with the skin of your neck. despite your negligence and more-than-obvious discomfort, you do appreciate the new warm embrace after a week of cold rain and damp clothes. it smells exactly like him, as well.

and with that, he's got a gentle hand hovering over your lower back as he guides you through the depths of this hellhole. and piece by piece, memories that had been buried in your brain begin to disinter themselves.

for example, you got a staring problem bro?? for the entirety of the time you spend with leon in los iluminados, there is literally never a single moment where this mans eyes are not on you. half of the time it is to ensure you are unharmed, but the other half consists of him staring in complete and utter awe. it's kind of hard to focus on surviving when leon is constantly staring into your soul. but it has just been so fucking long since he has been able to see you in all of your glory, so please excuse him for any inappropriate behavior on his end.

also, you knew you have lived in raccoon city for a short period of time before the events of RE2 happened, but like everything else that relates to that damned place, you couldn't remember a thing.

except now. leon's gaze uncovers a memory you have of yourself being held in one of the RPD holding cells. the atrocious scent, the uncomfortable bench, the paint peeling from the walls. you try and scrutinize what on earth you could have been arrested for, but your attempts are merely futile. but unbeknownst to you, your arrest was nothing but bullshit. and to say leon has had a crush on you from the second you moved into RC would be nothing short of the truth. so, by pulling some strings, the rookie had managed to lock you up for what he calls 'bonding time'. he'll place a chair backwards in front of your cell, prop his arms on the backrest and admire you with your full attention finally on him (instead of just stalking you around town).

two things you now remember about this man: he was so adorably baby-faced back then and my god, was he awkward. he still cannot talk for shit and i mean this with my whole heart. his sweet, innocent eyes gaze at you while he tries to play it cool, pulling cards like "yeah, i workout" and "you come here often?". all as if he hadn't personally arrested you for possession of illegal substances he planted himself. (nothing will happen to you, obvi. he just desperately needed a second alone with you to show off how charismatic he can be. or try to be, at least).

and for the short second of seeing him after 6 years, his eyes were just devoid of any life. you had assumed the trauma inflicted from that night had caused such a contrast in his physical appearance, and you would be right to assume that. but the soulless eyes, monotone voice, and lackluster personality was entirely due to your disappearance. days upon days of the lonely, eternal torment destroyed his sanity. however, that illustrious boy you can barely remember seems to have returned with your presence.

another thing you can't believe you had forgotten was how intense his stare is. the way he stares is illegible and sometimes overwhelming. he shivers in his stance, whimpers at your every move, and his mind runs rampant with all sorts of obsessive declarations of love. although it may seem creepy to others and especially yourself, do not fret. he has no ill intent towards you, god he could never! this puppy-dog of a man is simply marveling at your sheer existence.

you are able to retrieve another lost memory when you have to jump from a window and into his arms (for those who say he won't be able to catch you, stfu. have ya'll seen how beefy his arms are??? anyways....). the secret agent you have grown to like during your stay in los iluminados jumps down marvelously (most def showing off his james-bond-esque agilities to you). he now watches from below as you stare at the distance beneath you in trepidation. this distrust you have — he is going to travel to the ends of the universe to fix it. no matter what.

you begin to ponder, he has savagely brutalized all threats in your path and held your hand as if he were holding the world all in the same breath. you should trust him, especially after witnessing the pure display of loyalty he has for you.

"don't be afraid, y/n. i'll catch you, i promise!" there is 10000% a way to walk through the house and down the stairs to get to him, but ofc he's not gonna tell you. why would he willingly throw away the opportunity to be your knight in shining armor?

"you will?" your voice is full of apprehension. his stare on you feels like the same bullets he's forced upon your attackers.

"always."

with that, you rip the bandaid off and jump from the ledge. and leon was most certainly not lying. you land safely in his embrace and he wraps his arms tightly around your form. and to finally have you so close, after so, so long of devastatingly praying he could feel you once more.......... if he had a tail, it would for sure be wagging so fast it would morph into a blur. and the way he holds you is different, as if his gentle nature is reserved for you and you only (which it is. this is literally him in a nutshell).

and when you had instinctively buried your face into his neck upon landing, clinging to him out of fear of hitting the ground, he literally melts. i'm serious, he literally just 🫠🫠🫠🫠. the faint hum of laughter and adoration that escapes his throat breaks you out of your state of shock. you made it safely to the ground without breaking every bone in your body, hooray! (as if there is a single reality in existence where leon would ever allow that to happen, but i digress).

you meet his gaze and there is that all-too familiar stare he gives you. leon's arms holding onto you like a lifeline uncovers a memory you have of yourself being held like this all those years ago. you can't recall exactly where in raccoon city you were, but you can remember how humiliated you were when you tripped over a crack in the pavement and ate shit. there was the fairest of scrapes against your shin, but the mortification hurt far more than any wound. while you dust yourself off and attempt to ignore the burning stares of pedestrians, a shout of your name sparks your attention.

the RPD gear and besotted eyes you're met with could be no other than that baby-faced rookie. you ponder of what he was doing on this side of town. was it a simple coincidence you had run into each other? or perhaps, had he followed you? just when you think you can't feel more embarrassed, leon gets down on one knee and dramatically inspects your wound. and my god, he acts like you were shot or something. he visibly shudders from the sight of your leg; people begin to gather around the commotion. with pure ease, he then scoops you into his arms to bring you to safety. you can feel his heart pound like a machine gun beneath the palm of your hand.

despite the humiliation deprived from this event, you fortunately are free from anything mortifying in los iluminados. however, leon doesn't seem to understand when to take a hint.

"uh... you can put me down now." you come out of your memory to thrash in his grasp and avoid his intense gaze, but your prince charming seems to still be caught in his y/n-filled daze.

after a few long seconds, your comment seems to finally reach his brain. "huh?" his response is faint and you almost don't hear it.

you repeat yourself and begrudgingly, leon then slowly puts you back onto your feet, savoring the last few seconds spent with you in his arms. exactly where you belong. you can only fear how much more suffocating affection you'll have to endure before you can finally remember what happened that night.

i think someone legit needs to slap me across the face and bring me back into reality cause holy shit...... i went WAYY too far with this. my brain is a mess thank u for reading.

i have more thoughts about this........ just incase u were curious........ ;)

[cordsycords]

been thinking more about the info about the backgrounds that we've seen, regarding Rook's past, and I really hope we get some reactivity with our companions, especially ones that are in the same faction as us:

shadow dragons - okay, from the single line we get in the prologue from Neve, it doesn't seem like she's specifically heard of/worked with Rook before. This kind of makes me wonder if the Shadow Dragons are a much more decentralized faction than something like the Wardens or the Crows, with multiple cells that are all working together towards the same goal, but keep minimal communication with one another due to secrecy. Might be cool if we have a mission that's like "find the leader of the Shadow Dragons" because no one knows who it is*. The background info from the CC kind of supports this idea, Rook is specifically said to have been "brought to the attentions of the Venatori" and put in time out because of that.

As for reactivity, I guess it would be nice if you could mention that specific mission, and Neve could "oh right I heard of that. You did the right/wrong thing." and just give her opinion on it. I can actually imagine Neve not being really keen on it, as a private investigator she needs a certain amount of discretion to be able to do her job properly, and might not appreciate Rook's brashness if it endangers the wider goal of the shadow dragons.

mournwatch - the mournwatch background is still driving me a little Insane, because what do you mean Rook was found as a baby in the Grand Necropolis. Anyways I kind of assume the Mournwatch is a much smaller faction, because they have a very specific focus, and they only operate in a specific part of Thedas. Since the info specifically says Rook was "raised by necromancers" it would be super cool to see if Rook and Emmrich had a Mentor/Student relationship at one point. Would also be interesting if Emmrich specifically was the one to tell Rook to travel after the incident with the War of the Banners. It would be great to see his response to Rook coming back and suddenly being in charge of this little rebellion, they just can't stop themselves from getting into trouble.

Also Mournwatch!Rook taught Manfred to play rock-paper-scissors. That's my headcanon and you can't take it away from me.

antivan crows - So it seems like Rook is a relatively new antivan crow, and from the little I've gleaned about Lucanis' recruitment mission, it looks like he might have been thought to be dead for the last year or so? Would be cool if Rook has heard a bunch of stories about Lucanis and has some hero worship going on. Would also be funny if we told him all that we had heard, only for him to shoot all the more fantastical elements of those tales down.

grey wardens - This one is also a little up in the air regarding whether Davrin and Rook knew each other before the events of Veilguard. Rook's faction backstory mentions them being in a group along with other Grey Wardens, so it would be nice if Davrin was also on the mission. I would also be really interested to see how Davrin got Assan, and maybe Rook played a hand in that somehow as well. Did Davrin literally find Assan in the middle of nowhere, and maybe Rook was there? Or were the eggs all found and then distributed among the Grey Wardens that were in high favour? Was Rook passed over for a griffon? I do remember one of Davrin's missions from an IGN previwe being specifically about saving the griffons, so it's probably the case that Assan is the only one actively around right now.

Either way, it would be cute to see an encounter where Rook remarks on how much Assan has grown/changed since they've seen them last, if they even know about Assan at all pre-Veilguard

lords of fortune - I think the relationship between taash and a LoF!Rook would be a good case for a slightly more antagonistic relationship. As an organisation of treasure hunters, probably focused more on profit and glory than anything else, it would be cool if Rook got in the way of taash's scores or jobs. Maybe Taash has moved up in the faction since Rook was forced to peace out, and wants to lord her achievements over Rook in an attempt to make them jealous. It could be pretty fun.

veil jumpers - I imagine Bellara and a jumper!Rook would probably be pretty aligned with one another. Reading the background info on Rook in the Veil Jumpers, i can imagine Bellara would probably approve of what Rook had done, while also being just a tiny bit disappointed that the map was lost. It would be cool to see a scene where they traded notes with one another, recounting all the weird things that they've seen in Arlathan, and then maybe trying to figure out why certain anomalies occur, or how they work. Just a bunch of co-nerding out with one another

anyways, I am definitely thinking way too much about this, but there's still 6 weeks to go, so it's not like there's much else for me to do :shrugs:

* it would be equally cool if that leader is a previous char from inquisition. I'm kind of banking on Dorian, or the inquisitor themselves considering the clothing we see them wear in that single shot of them in the CC is shadow dragons casual wear (i believe)

[justanerddummie]

I've got a lot of things to say about s2 so I'll divide them in two posts, spoilers after the cut beware

First thing first, the intro, it's beautiful I love it, it gives us a lot of information about every character and what they're going through, about how each and everyone of them is changing and that's exactly why I think it will change before the end of the season, once everyone is focus. I don't think it will change every act, even though I'd love that but I'd surprised if it didn't change at all.

Now let's talk about the juicy stuff.

Jinx

What I really want to talk about is the figth with Vi and Cait. I really don't think Jinx went there with the intention of dying, I think she went there with the intention of killing both Vi and Powder for good, and also found herself face to face with the monster she created, Caitlyn. When Caitlyn shot her finger off was probably the first time we've seen, Jinx, not Powder, actually being terrified and what is Jinx if not a mask, a persona that Powder has learnt to wear to survive the undercity when she was alone the first time around. Right now Powder needs people more than ever, she needs Ishta and she needs Sevika because Jinx isn't working anymore she needs to find a new way to be able to survive and I think it's the perfect timing for her to become the face of the revolution, because she's ready to accept people in her life once more, because simply surviving by being the baddest bitch around isn't viable anymore, she needs an higher purpose to move her forward and finally bring her out of the metaphorical cage her past rappresents. I can really see Jinx take on the role of protector this season, to the undercity, to Ishta and maybe Vi? After watching her stand up to Cait, literally blocking her bullets with her own body, I think Jinx has realized that even though Vi has made a lot of awful decision, she is still there, she just needs a little push to remember who she is. Let's be real the nothing else to lose clip has basically told us that they were teaming up again, we're getting the sisters back together this is just something that re-enforces the theory.

Sevika and Ishta

Ok, this is rough because I'm just speculating and I have nothing to base this hunch on, but I unfortunately think that Ishta is going to die, and that Sevika is going to betray Jinx. The only thing that supports this insane theory is that Arcane is a story told in cycles the end for how awful it is will never change, it's always the characters making the same mistakes of the past and to whom do we see Jinx being compared to? Vander. And who did Sevika betray? yep Vander. I'm pretty sure I'm wrong but I can totally see Sevika become the next Vander or Silco, by the end of the season, and I guess a lot of people think it's going to be Jinx but as Jinx has said herself to Smeech, "every one that gets close to me dies". Ishta and the people of the undercity are going to be collateral damage and this will prompt Sevika to turn on Jinx.

Ekko

He's the only one who got the assignment. He's the only one who tries to break the cycle of violence, he tries to do it with Jinx even though he gets blown up by a granade as a thank you and he breaks it with Heimerdinger without pointing the finder and this time he manages to get an ally in fighting the arcane pollution. No notes here, Ekko is the bestest boy.

Mel

I think the intro is telling us that by the end of the season Mel is going to be in the position Ambessa was in the blood and tears music video. I might be wrong but I can see her understanding what the fuck is Ambessa up against and choose to take her family side here. She is ready to become both the fox and the wolf (poor Jayce, he's going to get through another divorce). Also hasn't Mel been revealed a mage by the catastrophic promotional campaign? I guess that would explain how she and Jayce are unscathed.

Viktor

Jesus Viktor is kind of hot, I would love to talk about him but he's barely even been shown and I know basically nothing about lol lore. I can't understand if he's a good guy, a bad guy or a secret third option, so far I can only say that if he's able to control the arcane pollution in order to heal people he could be of help to Ekko.

Jayce

He keeps changing his mind on everything as usual, but I personally could have not argued with what he said to Viktor during the divorce. He was right morality means nothing if you have a chance of saving your friend's life. Other than that, I loved the weird glitchy thing at the base of the hex gates and how Ekko basically told him he's to blame for the arcane pollution that is destroying his home. Really hope Jayce owns up to it and does something to actually fix his mistakes.

Ambessa

I loved how she controls the scene while basically being background. The way she regards Caitlyn when she shuts Salo up at the meeting. It's obvious she thinks she's finally found the perfect person for the job, Caitlyn has the power to make Jayce build weapon with hextech, her family name carries way more respect than Salo, and what's more she's a decorated officer, the one who managed to uncover Marcus corruption. I mean she'd be every fascist wet dream, it's pretty obvious that the big houses of Piltover will get behind her without saying a word. Salo on the other hand would have been a much thougher sale, even if safer. Let's be real Caitlyn isn't a coward or an idiot like Salo and for as much as Ambessa will be trying to manipulate her, Caitlyn will be breathing down her neck. It's obvious at least to me that if the leader of a foreign country is offering help she will want something in return and Caitlyn being the daughter of a councilor will at least have had a bit of training in politics and know at least the basics. I can see Cait bend her morality to the limit willingly, but not fall for the manipulation, not completely at least. I really hope she'll not be that stupid, but I guess we'll have to see.

Cait and Vi will get their own post, cause seriously there is just too much to talk about.

[eccentricgrace]

Once Bitten, Twice Shy || IronDad

summary: in the midst of a very high fever, peter accidentally calls tony instead of may.

tags: fluff, sickfic, fevers, humor, hurt/comfort, tony acting as peter parker's parental figure

wc: 3,749

cross-posted on wattpad under the same name!

He hasn't felt like this since he was thirteen going on fourteen, and his muscles ached and he had cold-shakes and he just kept thinking, shit, May just got her new job, she doesn't have health insurance yet— and, oh, he'd been nursing an infected spider bite. Radioactive, specifically.

Giving May a big ol' smile and convincing her that he felt fine, she could definitely work, he'll be okay— and then going unconscious for twelve hours at a time, kind of thinking he was going to die.

Obviously, he didn't die. Actually it felt like he did kind of the opposite, 'cuz then suddenly he had like, abs, and no asthma, and he could sit on the couch and actually see every pixel of May's cheesy medical dramas without having his (broken, taped) glasses.

And also he could do things like avoid bullets. Or not avoid bullets, bleeding all over Flushing Avenue, and still live to tell the tale. This is how, two-ish years later and at the ripe age of sixteen, he knew he'd live through whatever nasty virus this was, too.

Viruses be damned, though, he'd rather take a bullet.

He felt like shit. Capital S-H-I-T. The Bo Burnham song reincarnated into his sweating, fleshy form. His eyes burned, everything ached, and he was pretty much resigned to lying completely still on his lumpy twin-sized mattress and taking shaky, measured breaths until he fell asleep.

He's pretty sure the fever's gotten worse since May left this morning, and he was only able to convince her to leave to begin with because it had been low. A measly 100. Not great, but not the worst either.

May had given strict instructions before she did finally backtrack out the door: keep down as many fluids as he could, and to check his fever every two hours. Call her if he needed anything. And Peter said, "Okay."

Now, he's been so-so with the first instruction. He had a pitcher— literally, a pitcher. The kind that store a gallon vat of iced tea or lemonade, or god forbid iced tea-lemonade in the summer— and he filled it to the brim with water and had just been sipping at it.

This seemed insane, and kind of was, but he didn't want to keep getting up to fill a puny 12oz water glass when his legs felt like they were about to fall off, and his bed was so warm, and the outside world was so cold, and the pitcher worked, damn it.

But he'd finished that an indeterminate amount of time ago, somewhere after 'the-neighbors-are-still-watching-Curb-Your-Enthusiasm' timebut before 'my-eyes-feel-like-they're-not-real' time. Either way, his neighbors have moved on to watching Scrubs, so clearly it's been a while.

As for the second one, the thermometer is on his bedside table, and he thinks he checked his temp a few times, maybe, but he keeps forgetting the results. And he keeps forgetting if he actually checked his temp or if he just thought really hard about checking his temp and his brain decided to keep those thoughts as the word of God. (Also, he really likes the word 'temp.')

He should probably check his fever again. He doesn't really know what time it is— he's been using Scrubs episodes as a clock, and he's may be hallucinating but he's pretty sure he's slept through at least half a season. Or there were a lot more Christmas plotlines than he remembered.

Unfortunately, all the evidence points to the fact that Peter must resort to step three. Call May. So makes a half-hearted series of motions, all shivering violently as the blanket lifts up to expose his skin to the air, and grabs his phone off the charger.

His hand is fumbling blearily through his phone through his contacts, the starred ones, because he can't focus at all and he's pretty sure May is at the top of the list— makes it all easier for him in emergencies.

The phone is ringing and his ears are ringing and his head is ringing and J.D. is monologuing to Dr. Cox about a Super Bowl party he wasn't invited to, and then the line clicks.

"May," Peter greets with as much cheer as he can muster. He can't tell if he's speaking very loudly or very quietly but his throat rasps and it hurts and he wants to go back to sleep. "Hi, May."

"Peter? You sound like you just got hit by a bus," a voice answers, and it sounds muffled, like it's talking through water. But Peter's chest eases at the sound, like he's hearing home, so he smiles and his dry lips crack open a little bit. "Kid? Please tell me you didn't get hit by a bus."

"Haha," Peter says, and yeah, he literally says the word 'haha.' He doesn't have the energy to actually laugh. "I wish!"

He's been hit by a bus before. He's been punched through a bus before. Way more of an enjoyable experience.

"You've what?" The voice slices, a sharpness cutting through on deaf ears. "What the hell? Peter, where are you? Isn't it a Tuesday?"

"Home sick," Peter mumbles, his eyes slipping shut as the sunlight moves just enough to stream in through his blinds.

"You're—" a pause. "You're homesick? For what, kiddo? I— alright, back up a moment. Are you safe?"

Peter groans, shutting his eyes tighter as sunlight continues to infect his little cave. The light stings at his head. "Owww. May, 'm so sorry."

"Hey, talk to me," the voice says, so strong, so parental that Peter can't help but feel equal parts soothed and scolded. "Why're you sorry? Are you hurt? FRI, bring up schematics, vitals—"

"Today was such a big day," Peter says, his tongue feeling numb as he stumbles along each word, going slower than molasses at the speed of which his mind supplies them. "You had to do the thing and then the other... and I told you I'd be okay, but 'm not feeling okay anymore. I need you. 'M sorry."

"Okay," the phone says. "Peter, it's okay. I'm on my way, alright? Are you bleeding?"

"Mm," Peter mumbles a faint disagreement, feeling absolutely miserable. "Jus' tired. I drank all the water already and I can't get up. An' I think they're watching it out of order."

"Who's watching what out of order?"

And Peter can't find the proper words to explain that it's the apartment across from them, who's definitely watching Scrubs out of order, because now J.D. is being locked on the roof of Memorial Hospital, and that's definitely a season one episode.

"Right," Phone says, befuddled. "You're sick, aren't you? Caught the spider-flu?"

Peter groans again. Loudly, to emphasize the misery.

"Okay. I can handle sick. Listen, thank you for calling me, I know that's often difficult for you," Phone seems to laugh, like he's poking fun of Peter about something.

Peter's not amused, as much as he really, really would like to be. Phone seems like a funny guy. Phone seems like he tells really funny jokes, and Peter would love to be laughing at them right now.

"It is," Peter sulks instead, because it's true, andit's not funny, and he wants his aunt.He sniffles. "It is really hard. I don't wanna 'nother spider powers. Ugh, my head hurts so bad..."

"Aw, Pete," Phone chuckles, and sighs. "I know, buddy. Alright, hang in there. I'm gonna send a call to your aunt, quick. Stay there, capiche?"

This is a silly request, because Peter can't go anywhere even if he wanted to— which he resolutely does not. His limbs are so stiff, and heavy, and he's so tired that even twitching a finger is a Herculean effort.

His phone drops lamely from his hand as he waits for something, but he forgot exactly what he was waiting for. He thinks May. May is supposed to come back, right? And take care of him?

He ick-shivers and cold-shivers and listens to the distant muddy voice of Zach Braff and someone singing about Superman to a banjo, and then everything goes blissfully fuzzy.

For the next whenever, he can't genuinely tell what is a dream and what isn't.

A hand soothes over his forehead, and when he flutters his eyes open it's all blurry— someone tells him to go back to sleep. It sounds like Ben. Peter didn't realize he got home from work so early.

"Oh, kid..."

Peter listens to Ben, and dreams again.

The hand returns, this time to take his blankets. A cold shiver racks through his entire body, every notch of his spine. He can feel the sweat gathered at his neck, the crooks of his elbows. He grunts his disproval and grips his fingers onto the fabric, pulling it back towards him.

"I know, but we have to bring your temperature down. Let go of the blanket, Spidey."

"That's a secret," Peter croaks. "'M not Spider-Man. I'm Peter Parker."

"Yeah, well, I'm Iron Man. So you have to listen to me. Let go of the blanket, Peter Parker." Someone tugs again at the duvet.

Peter peaks an eye open again, to verify the identity of his assailant. He blinks a few times, feeling dizzy even with his head pressed back firmly against his pillows.

Iron Man was not in his bedroom.

Tony Stark, however, was.

"Mr. Stark?" Peter furrows his eyebrows, shifting around on the bed. He wants to sit up, even if the thought alone makes him sort of crosseyed. His muscles don't budge more than a few inches before aching again. "Is'ere a mission?"

Tony quickly leans forward, gently guiding Peter back down. "Easy, killer. No mission."

Peter's brain short-circuits momentarily, and then starts the slow process of reboot. He blinks. Then sniffles.

Tony looks amused, his head tilted in a funny way. His mouth quirks up on one side, dimpling at his cheek. He clears his throat, and gestures to the blanket again. "You willing to work with me here?"

Peter starts, and looks back down at the blanket forlornly. "But..."

"I'll trade you. Why don't you go take a shower, and I'm going to change these sheets for you, something I have done maybe once in my life," Tony rattles off. "See? We're good for eachother. Can you stand?"

Peter sluggishly twitches his hand under the blankets. He thinks of all the ways he could say no. (Negatory. No-siree. Nopers. Thumbs-down. Absolutely not. Not gonna happen.)

He squints, and slowly gives Tony an affirmative nod.

Tony's eyes focus very intensely. Peter kind of feels like he's about to explode from the sheer power of his gaze, or like, be blown to bits with lasers.

Peter slowly shakes his head.

"Maybe a bath, then." Tony finalizes. He pulls the blankets off, ignoring Peter's whines, and helps him up. Used tissues fall to the floor, and Tony's nose curls up. "Alright, kiddo. Let's get you to the bathroom."

He lets himself be led into the bathroom, wincing as the lights are flicked on. Tony starts running the bath's faucet, one arm still outstretched like he's ready to catch Peter if he falters. It's kind of humiliating, but as it stands— Peter can hardly stand, and they both know it.

His cheeks burn red.

"I'm not a baby," Peter points out, just so they both remain aware of this fact. He's shivering so hard that his teeth clack against each other.

"I know. That's why I'm not staying in here," Tony says offhandedly. He runs his hand under the water and shakes it off once he's seemingly satisfied with its temperature. "Don't prove me wrong by drowning, will you?"

"I'm cold," Peter complains, trying not to shift from one foot to another. Every movement makes him lightheaded, which really wouldn't prove... whatever point he was starting out with.

"I know, buddy." Tony pulls back from the bath. "You able to get in there on your own? The water's not cold. Rapid cooling is a no-no these days, I got the rundown from FRIDAY on the drive here."

"I'll say thank you to her later," Peter shuffles over to the bathtub and sits down at the edge. He takes a moment to breathe and then nods. "I'll be okay, I think."

"Alright. Yell if you need anything. I'll be just across the hall," Tony says, backing up. "Do you want me to leave the door closed, or open a crack?"

"Does your old ears need it open a crack to hear me if I yell?" Peter asks unthinkingly. A moment of silence passes. Then his mouth opens, and he stares blankly, like a fish. "...Uh..."

Tony's scrubbing at his face, and his eyes are covered but it almost looks like there's a smile pulling at his lips. "I'm going to close the door. You little shit. Don't drown."

Peter smiles weakly and gives a thumbs up. Tony retreats, the door shutting softly behind him, so Peter starts peeling off his sweat-soaked pyjamas. He grimaces, and tosses them to the floor with as much effort as he can (they land about a foot away from him).

The water is not warm. Peter's still shivering when he slides into the tub. It's not as cold as the air, though, so he soaks into it and relishes as the water starts to soothe the ache in his joints. It's nice not to stink like a middle school locker room, too.

He can hear Tony outside the bathroom, rummaging around through a closet, shedding the sheets off his bed, all rustling sounds of fabric— and then the beeping of the washing machine being turned on. His footsteps creak back and forth on the old wooden floors of the Parker apartment.

The realization of his circumstances suddenly seems very, very funny. He accidentally called Iron Man instead of his aunt, and now Iron Man is doing his laundry. Iron Man is probably cleaning up his disgusting snot-tissues. This really is the timeline he's living in.

Anyway, the longer he's in the water, the better he feels. His thoughts are coming back to him a little clearer now, for better or worse, so he scrubs himself head to toe with soap and then lets the bathtub drain.

Tony, apparently, had grabbed a pair of fresh clothes for him before they'd even left his room, which Peter now clocks on the bathroom counter. He tries not to cringe as he pulls on a very old, very faded Stark Expo shirt that Ben bought when he was eight. (Peter begged for an extra extra large adult size, so he would never grow out of it, because "it's limited edition, Ben!")

To add insult to injury, it seemed Tony also picked out the cursed Hello Kitty pajama pants. At least they were warm, but Peter knows that wasn't why they were picked.

He drudges out of the bathroom and pushes open his door. The window's been cracked open, the whole room being filtered with New York's closest approximation to fresh air. Peter's sheets were in-fact changed, and all of the popsicle sticks, tissues, and miscellaneous pill bottles have all been cleared out.

Tony's crouched over, filling a laundry basket with the sporadic mess of clothes strewn across the floor. His head turns up at the door. "There he is. You feeling better?"

Peter answers by crawling into his bed and sighing with all the breath his lungs could hold.

Tony makes an amused noise and sets the laundry basket down. He takes the thermometer from Peter's newly cleared bedside table, and Peter shuts his eyes as the cold plastic smooths over his forehead gently, down the side of his face, stopping at the back of his ear.

It beeps twice in quick succession, which could be worse. Last time Peter remembered it beeping a lot more, and the light was red, which is notoriously not a good colour for a light to be.

"Well, your fever didn't break, but it is significantly lower," Tony clicks his tongue. "Congrats. You're no longer cooking your brain."

"Yippee," Peter says dryly.

"I'm making you tea," Tony decides, putting the thermometer down. "Are you hungry? You want soup? You a chicken noodle guy?"

Peter blinks open an eye, feeling a youthful hope spark up in his chest. "...I think we have cans of minestrone in the pantry?" He says quietly.

"Minestrone? Sure. I'll look for minestrone." Tony clears his throat. "I filled you an actual water bottle. It has ice in it. Drink that, I'll be back."

"Please don't burn down May's kitchen," Peter calls after him, sinking into his pillows. "It's seen enough!"

"We'll see about that!" Tony calls back.

Peter decides to sip at the water for no other reason than he knows he should, and checks his phone while Tony is suspiciously rummaging through cabinets.

Ned has been messaging him all day, talking about things he's missing: a broad spectrum ranging from Spanish quizzes to that squirrel who apparently found its way in the cafeteria again. Peter sends him back a text that (to reiterate) Iron Man is making him soup, because if anybody could understand how bizarre this was, it would be his best friend who had personally seen him in his fanboy phase.

May has been sending him texts, too. Ones that he apparently had already replied to, although he doesn't even remember getting them. He decides not to let her know about that particular detail and goes right on to updating her.

tony came over he's making me soup against my will

LOL. I know, baby. Tony called me.

How are you feeling? You sure you don't need to me come home?

feeling better now

i'm okay, promise

they need you over there! you're too special and important and amazing to leave

😋Alright, that's enough out of you

Drink lots of water. I'll be home soon ❤️‍🩹

i will, larb you!

Larb you too ❤️

He looks at his phone blankly for a measly few seconds before he once again realizes how exhausted his eyelids are from staying open. He sighs and falls backwards onto the pillows, and lets himself drift.

It seems like it's only a few seconds before he's gently shaken awake again, just a hand sweeping over his knees. He makes a grumbly noise and peeks an eye open, and Tony is there again, a mug—(a mug?)—of soup in his hand, and a bottle of pills in the other.

"Take these," Tony says, handing him the bottle. "Take three. Drink your soup so you've got something in your stomach to help digest it." 

"How do you know this stuff?" Peter mumbles, but does so anyways. He pops the pills in his mouth and swallows them down with some water. "Thought only parents knew that."

Like May, his mind suggests.

"May told me," Tony confirms his thoughts as if he had spoken them out loud. Peter nods in understanding. 

He sips at the minestrone, wincing as the liquid passes over his scratchy throat. It's bland from how congested he is, and the steam makes his nose start to run again, but the warmth feels good in his stomach. 

"Why're you here?" He rasps out finally, because his brain is finally catching up now and while Tony being here certainly wasn't unwelcome, he also cannot remember when or how or why he got here. There's definitely some pieces of the story he totally missed due to being only quarter of a functional human.

Tony raises an eyebrow, sitting down on Peter's bed. He kicks his feet up so they're resting on his spinny desk chair. "Why? You waiting to kick me out already?"

"No," Peter rolls his eyes, smiling. "Although you may wanna get out of here while you can. You might catch whatever super-flu knocked me out, and then where would we be? No Spider-Man and no Iron Man? That's like, half the Avengers right there."

"Very funny, kid," Tony says, trying valiantly and in vain to bite back a grin. "You'll be back on your feet in no time. Until then, I don't mind staying around to make sure you don't brain yourself on the windowsill or something."

"I wouldn't do that. The bathtub, maybe. But the windowsill, doubtful."

"Great, well, at least you know your limits." Tony clears his throat. "You should take a nap. Let those meds kick in."

"I've been sleeping all day," Peter complains— and he's not entirely sure why he does it, because yes, he has been sleeping all day, but he really wouldn't mind sleeping for another week. Maybe two weeks. He's really, dreadfully tired, and if a literal coma is what is gonna get him up and swinging around the city again, then it is what it is. 

But Tony is right here, and something about that makes him want to stay awake a little longer. Maybe it's because this situation as a whole is so bizarre and rare that he kind of wants to fiddle with the buttons, mess with some switches, see how far he can take it before Tony calls him out on it. 

"Alright, well you're certainly not gonna be running laps, so," Tony lifts his arms in a 'what'll-you-do' motion, a half-assed cocky shrug that he's really perfected over the years. "You can stay up long enough to drink more water, but then I'm knocking your ass out."

"You'll stay with me?" Peter blurts. Then he feels an immediate wave of regret and embarrassment, and makes the rapid fire decision to just power through. He puts on his best smile, tries not to think of how he probably looks miserable anyways. "We can watch stuff together on my laptop, it'll be fun. I'm just about to start the second season of Scrubs."

Tony scratches at his chin for a moment, and then sighs. "Yeah, alright. Punch it, Chewie."

So Peter drinks the rest of his soup and lets the fever reducers finally settle in his system. His eyes grow heavy with every line the Janitor says— and he's not entirely sure, but before he drifts off, he thinks he feels Tony run a hand through his hair, smoothing down his unruly curls, tucking them behind his ear.

"Thanks for calling me, kid," he thinks he hears Tony murmur.

Peter responds back with two spots of drool on his shoulder. Thank you for answering and I love you.

He thinks Tony will understand what it means.

[autismasgore]

i'm leaving the fandom

so i already posted about this on twitter with a shorter explanation but after a long while of being in the undertale fandom, i've decided to distance myself from it. i'm not sure if i'll ever make a public return on any of these accounts, but for now i've decided that i feel this is what's best for me mentally.

i'm kind of surprised i haven't already, to be honest, but i guess for a good while i was able to focus on the passion and love i had for the game. nowadays, i've been finding it harder and harder to interact with the fandom as a whole - for a multitude of reasons really.

many of you are already aware i went through a stalking incident over asgore discourse, which lasted from late 2019 to 2023. it was the most traumatizing years of my life, and i don't even remember a time where i actually felt at peace with myself during those years. the only time i remember being happy was pouring all of my focus onto undertale even harder, just to try and cope with what was going on. it didn't help that at the time, my abusive family was blaming me for being stalked and telling me i was just doing this all for attention and that i loved the "drama" of it.

i really didn't want to do this, because it feels like such a huge betrayal of everything i've loved for so long (hi, i'm autistic and undertale was my special interest, in case you haven't noticed yet LOL) but at this point i associate too many traumatic memories with undertale, specifically the fandom.

since getting more into steven universe and browsing the fandom casually it made me realise just how toxic the undertale fandom is as a community right now. i mean, let's be real, it's always been this way, but i feel like it's gotten a whole lot more worse lately - more insane.

it honestly felt like such a huge breath of fresh air to go into a fandom tag that Didn't have any toxic sludge or people discoursing about liking certain characters (cough Asgore cough) and whether or not that makes you a bad person. it felt like total whiplash, seeing people discussing a show they liked and sharing fanart instead of seeing constant discourse about it.

i've also been seeing a lot of my friends go through absolute fucking bullshit lately, and it's honestly really stressful because it felt like my stalker incident was becoming a more popularized and public sentiment in the fandom. which... honestly is scary to me. people are becoming more openly hostile, more openly insane with their accusations. i've been trying to remain hopeful and optimistic about the fandom, but the more things that have happened, the less hopeful i feel.

i don't want to be in this sort of community. i don't want to be in a community where people feel glee in hurting others, tearing other people down and slinging around serious accusations because it makes them feel powerful.

i want to be in a community/fandom that makes me feel actual joy, and not a constant source of stress.

there's also another reason why i decided to distance myself online rn as well, and it's not really related, but it was enough that i feel incredibly uncomfortable going by the name "pixie" rn.

last year, a youtuber i knew decided to put me on blast and straight up called me an abuse apologist and that i should be avoided at all costs, all bc i quietly distanced myself from posting publicly about the situation and decided to avoid jumping to conclusions.

i don't entirely blame them, since there's definitely things i feel i could have done better, but a lot of what they said was already privately resolved between us, and they left a lot of that out in order to paint a false narrative about me. i mean they literally had saved hundreds of deleted posts from my deleted old social media accounts. i know this because they've done this before with other people. i also know that this comes from a place of hurt and anger, they're lashing out at a community they felt hurt by, but their way of coping with it isn't healthy.

because they had thousands of followers, i started getting a ton of harassment, from people saying i wasn't trustworthy and calling me an abuse apologist, and even private nasty dms i don't really want to get into.

i didn't say anything at the time bc i was worried i'd come across as attention seeking/manipulative but. i became straight up actively suicidal after this. i was convinced nothing was going to ever get better for me and that i was an active danger to everyone. my mum ended up dragging me all the way to the city literally just to buy me the macbook i wanted in order to try and cheer me up, and even then i felt so depressed that i felt like i didn't have anything to look forward to. honestly the only thing that really kept me going was my friends privately supporting me.

to put it short, it felt like a repeat of my stalker situation and i don't feel comfortable going by pixie anymore because i associate so much trauma with that name right now. i feel like so many people who don't have good faith intentions know me as that name, more than people i'm friends with.

i don't even know if i'll ever post on social media ever again, or at least not in the way i used to. if i do end up making a new social media with a new rebrand, you won't hear from me about it. i want to be more private now.

tl;dr if you're still reading this, thank you for sticking by me for so long. this ended up being a lot longer than i anticipated, but i think i'm done with the name "pixie", and i think i'm done with the undertale fandom for now.

i know i'll be able to move on into a better place once i move forward to this chapter.

thanks for the memories.

[heavenlymorals]

Hi this is the TB!reader anon. Tysm for answering! I agreed with all that you said although one part did made me curious. So y'know how you mentioned that if a doctor recommended going somewhere then he would? I was wondering how do you think that'd work out with the gang? Surely it'd be difficult for Arthur with him being so loyal to Dutch and them. I'm also interested in how the gang would react since Arthur has been such an essential member

You're absolutely welcome, anon ❤️❤️❤️ I'm glad you enjoyed that, I took great pleasure writing it❤️❤️

When I wrote my response, I wrote it in the sense that the gang was out of the picture and I only wanted to focus on Arthur and his partner.

But if the gang was there? Honestly, I think it'd be pretty difficult. I mean, they clearly rely on him and there is also Dutch's guilt tripping.

But given how Arthur talks to John about getting out of there and taking care of his family and all that, there is also reason to believe that he'd ultimately put his partner first, especially if she's dying. Also, when he talks with Mary in their final interaction, he tells her that they will run away together right after he makes sure the gang is ok. Like, that right there shows that he is willing to leave them behind to go with Mary, but he just needs to make sure they are safe.

But this is a different situation. His partner is literally dying- he doesn't have the luxury of waiting and I think that Arthur would find that way more important then staying for Dutch. I mean, the only reason why Arthur stays with Dutch in canon is because of how he has nothing else besides the gang.

And there is reason to believe (just speculation and and a different interpretation, I'm not trying to present this as 100% canon) that Arthur WOULD'VE left the gang for Mary if they did get married but they never did. Remember, he says that Mary wasn't able to marry him because her family looked down on him for his status : "My money, my life, me. I wasn't good enough." And "I wasn't good enough to marry into your family, but it's ok in asking me to save your family?"

And in the next encounter? Arthur almost leaves because he doesn't want to deal with her father, and that's when Mary starts berating his lifestyle to defend her father.

"Surely you can't hate a man for the sin of loving his daughter and wanting better for her then, then-"

"Then me?"

"Then the choices you make!"

No where in the game does it say that Mary leaves him because he was an outlaw and didn't want to leave the gang. She doesn't marry him because her family barred her from doing so, especially her father and she clings onto that reasoning to justify to herself why she didn't marry him.

And also note that Arthur tells Mary that he WILL run away with her just as soon as he makes sure the people he is with are safe, which shows that he ultimately does choose Mary instead of the gang, but he needs to make sure they're safe first before leaving them forever and being with Mary. I mean the gang is in such a high stress situation after Blackwater, it's insane. I feel like a lot of people forget this.

But if his partner WAS in the gang and they are 100% established as being a couple AND she's dying? Yea, I feel like Arthur's priorities are going to shift because SHE'S the main focal point now. That's someone that he must take care of more than his fellow gang members. I mean just look at the way he talks to John about him leaving with his woman and child. Arthur believes that John has the responsibility of taking care of them FIRST and then the gang second because Abi and Jack are his actual immediate family.

So I honestly think he would leave. That's his woman. That's the love of his life and she is DYING. Fuck Dutch and his bullshit, they can take care of themselves, they are grown ass men and women.

I feel like the majority of the gang would be very understanding and accept that Arthur needs to go. Dutch might try to be passive aggressive, but I don't think it'd really go anywhere. Micah is Micah so he'd have a problem with it, but I doubt Arthur cares what Micah thinks.

Would Arthur come back to the gang after she passed away? Maybe. I mean, they let John back in for abandoning them for no reason whilst having a whole child. Arthur would have an actual reason to go and I don't think the gang is as heartless as all that.

Thanks for the ask anon, it has been so much fun and I hope you enjoy it ❤️❤️❤️❤️❤️

[hurtspideyparker]

Why do you love Peter Parker? Do you think he deserves to be happy? (I want him to but no pressure, I’m just curious about what you think)

Peter Parker the light of my life, the gold in the sky and the glimmer at night, my inspiration, my gem, the ache in my heart.

I love Peter because for one he is so nerdy and sarcastic. I adore how quick-witted he is; like obviously he's a genius in physics and chemistry (and just in general), but being able to come up with funny remarks and stabbing insults while in the middle of a fight genuinely makes him so intelligent. And also when he uses his intellect IN a fight, like with Dr. Strange and geometry in the mirror dimension. Don't get me started on comic book Peter because he's created technology worth billions and at times outsmarted Tony Stark, Reed Richards, Hank Pym... he's just insane. 

I also just adore how geeky and awkward he is. He may be an insanely cool and beloved superhero but he also stutters when he talks to girls, geeks over Star Wars, and builds computers for fun. Peter Parker has superhuman reflexes but will also trip over his own feet. It's just incredibly endearing.

Personally I like Tom Holland's Peter the most because of how young and goofy he is. I want to see him be awkward, weird, shy, young, stupid. I enjoy seeing the contrast of inexperience and extreme power he possesses when in battle. It also makes the angst more delicious because that's a literal baby who's just been stabbed, crushed, beaten and bruised. 

The sheer New York of him too. Accent, attitude, proud and polite. He is a friendly neighbourhood hero! He watches out for the little guy! I feel like it's not something we see with many heroes. They usually focus on the big issues and major villains, but Peter is willing to help old ladies cross the street or prevent muggings. It's really sweet and simple. And when New York repays the favour? Top tier!!! He is the people's princess <3. I love that for him it's all worth it- every single person, citizen, problem. It's worth his time. 

Then there's his morality and self-control. One thing about Peter is that he's insanely strong and deadly. He's constantly holding himself back because he doesn't want to kill anybody. So in every fight not only is he battling the sensory overwhelm and keeping track of his enemies attacks, but he's also remembering to hold back his punches and kicks. He's vocally anti-murder and that's always been a really strong theme for him. It's what makes the moments where he does consider murder so much heavier. If a man who's constantly performing self-control and actively choosing to not do harm is pushed so far as to end a life? Terrifying. Peter chooses good over and over again; he spares the villain, sides with redemption, finds the solution- he chooses peace. I enjoy that for all the joyful, sweet, and bright energy he brings, there's this deep rageful darkness within him. The moments it shines through really remind us of how much wrath and trauma he really possesses.

In every universe Peter loses the things he loves most and still somehow keeps moving forward, finds the courage to still be Spider-Man. I think it says a lot about him that he can be beaten and broken so many times and still come out virtuous. His optimism, that hunger and responsibility for good? Just unmatched. So eager to do what's right that it ends up being his hamartia. It's actually pretty beautiful. 

And at the end of the day, Peter Parker is selfless. The hurt, loss, risks. All he does is give and give to make sure others are safe. He'll give up his own opportunities and happiness for the greater good every single time. He's an absolute sweetheart who will never pick himself. That's why I love Peter Parker.

So do I think he DESERVES happiness? UM, NOBODY DESERVES IT MORE THAN HIM. He's done so much for everyone, he's more than earned some happiness in return. He deserves to be happy and healthy for the rest of his life, to be at MIT with his best friends, in love, to have parental figures that DON'T DIE. 

Now do I WANT him to be happy... let's just say he looks really pretty in red and blue.

I want my man bloody and bruised, red rimmed eyes and voice cracking over tears. He's my favourite person in the universe and unfortunately for him I love angst so... yes I want him happy so he can then be sad again >:). No but seriously he deserves to be happy but bro can not catch a break (⁠╥⁠﹏⁠╥⁠)

[beigetiger]

I wanna talk about AU Valkyrie’s soul absorption more, because it’s a pretty big part of Battlescape and I haven’t reeeeally been talking about it.

Basically, Valkyrie’s powerset is even weirder now than previously, because her natural magic is much weaker due to being poisoned by the katehedral energy, she can turn things into dust, and she can, as I mentioned earlier, absorb people’s souls.

First off, she has to make physical contact, usually with the head of a person, in order to absorb the soul of a person she wants. Since she’s actually absorbing them and they’re literally becoming part of her, she’s somewhat particular about who she absorbs. She won’t do it to any random person she’s fighting, but one of her current projects (bordering on an obsession) is collecting and absorbing the souls of everyone who ever mattered to her, based on the idea that she can then keep them safe and she’ll never lose them.

Now, her not losing them isn’t necessarily true. Essentially how it works is that once their soul is fused with Valkyrie’s and their body dies, they start our existing as an entirely separate personality with separate memories and experiences, and Valkyrie can essentially summon them into real life to talk to them (or she can just communicate with them mentally, Darquesse style). However, as years pass, the secondary personality (whoever Valkyrie absorbed) slowly begins to fully mesh with her soul, going from having to ask about certain experiences to being able to flip through those experiences to Valkyrie remembering those experiences as if she lived them. The aspects of them that Valkyrie can summon also then slowly become more distant or faint over time, although they never fade completely. At the end, they are completely meshed with Valkyrie and all of their personality, memories, experiences, and so on are now entirely hers to own and implement. She doesn’t love this inevitable stage, but she’s basically accepted it as the price to pay for never losing someone she loves.

One big thing I should note for this, because it’s important, is that she refuses to do it without the person’s consent, only exception being if they’re actively dying. She has the offer open to a lot of people for her to absorb their souls (most of them in Roarhaven) and it’s very much a point of moral and personal debate for them. Dexter Vex is an absolute disaster, and he’s definitely considered this offer the most. Saracen is pretty much what’s keeping him sane.

Another thing I should probably mention is that Valkyrie could theoretically do this to anyone, dead or alive, but it’s much less complicated to absorb people who are alive (their souls are easier to get ahold of, easier to transport, etc). A huge part of her project is finding a way to get ahold of the souls of those she’s lost or those she feels deserved better so that they can become a part of her forever. These are people like Gordon, Stephanie, Carol, Sanguine, Finbar, Cassandra, Kenspeckle, possibly mr. Bliss, and so on. She’s definitely gotten to a few of them already, but finding out exactly where they are and then getting their souls to join with hers takes a lot of effort, and so the work goes slowly. Her current focus is on Stephanie, which would give Steph the chance to become at least somewhat active and autonomous again.

Skulduggery doesn’t actually mind her bizarre fixation with finding and absorbing souls, and he’s willing to assist her with the process and stops her from going even more insane over the experience overflow that she gets. He’s arrogant and doesn’t really see himself as somebody who will ever be absorbed, but rather someone who will stay by her side but separate from her forever, acting as something real when everything else around Valkyrie is simply an aspect of her many personalities given form.

So…yeah. That’s one of Valkyrie’s many powers. Another power that works similarly but isn’t the same is that she can absorb power from extremely powerful beings and then spread that power around to her followers (which is a very overpowered ability when you regularly get into fights with the Faceless Ones).

Maybe I’ll update this in the future a bit, maybe I won’t. I’m looking forward to writing more details about this ability though 😁

[samuraiondo-mace-1177]

Yakuza/Lost Judgement Headcanons: Sexuality, Gender, and ASD/ADHD

Strap in boys, this is a long ass post (some spoilerish stuff)

(I may not mention certain things since it's side content, and that's written by a separate team of people. However, some things are character accurate, but that's rare)

These are personal views so if you don't HC them aswell, I'm chill w/ that

Kiryu Kazuma - Biromantic Asexual with ASD

Yeah, he's quite gay with Majima, but I feel like a lot of people forget the fact that he's had 3 female love interests in the main story and rizzes up entire cabaret clubs in every game. So, he should probably be called bi instead of gay. As usual, asexual since he shows no interest in sex, seems to be repulsed, and sexual thoughts don't appear easily in this man's head. For ASD, he has some processing issues (socially, not physically), a hyperfixation on Pocket Circuit (knowing everything abt it), barely understands social conventions and how people act, and seems to have some sort of selective mutism.

Little note abt the whole Transmasc Kiryu thing: I'm pretty sure people are confusing the signs of autism with the signs of a transmasc character. Ya see, a lot of trans people are autistic and the signs I've seen people mention have just been signs of autism, not him being trans.

Goro Majima - Bisexual Genderfluid with ASD

The first two speak for themselves. Kiryu and Makoto. Then Goromi. Simple. The ASD tho. I'm aware a lot of people say he has ADHD but I don't think that's the case. See, he shows traits of Autism throughout Yakuza 0 and, at the end, basically says to Sagawa, "nah I'ma be insane for fun." He appears to be masking the ADHD traits. Due to him being able to focus well and remain sitting still in Y0 and not doing that in the mainline titles. There's a lot of stuff I could say, but then this would be a three hour read, lol.

Daigo Dojima - ASD

Literally nothing else other than he's way too much like me and one of my friends (we're both autistic woooooo)

Shun Akiyama - ADHD

(Someone on here told me abt the signs, and I got to Y4. So, I can wholeheartedly say that I agree)

Excessive tiredness is a sign of ADHD, and so is a terrible sleep schedule. He struggles with keeping track of time (a.k.a. time blindness). And obviously, issues with balancing general chores and work.

Ichiban Kasuga - AuDHD (possibly Demisexual or Ace)

He struggles to focus, jumps from a new idea to another, struggles with chores and remembering stuff. He's hyperfixated with Dragon's quest to the point where the first game is just him pretending he's in it. Ichiban also has a lack of personal public perception. Resulting in him not focusing on his own behaviour in public and acting in ways others may see as childish. Other members are shown to play along but may then feel a bit embarrassed after or during. He also doesn't seem to immediately think of sexual thoughts when it comes to things (like when you meet that fortune teller dating app woman in Infinite Wealth). Although, Ichiban appears to think that those sorts of things should only be done with a partner you have a strong bond with (tho, this is from memory. I need to rewatch cutscenes)

Joon Gi Han - ASD

(also information that someone told me)

He lacks an understanding of jokes and sarcasm. Typically speaks out of turn in conversation. Joon Gi is also naturally isolated from the group, showing his disappointment and sadness when this happens.

Takayuki Yagami - Biromantic Bigender Demi/asexual with ASD

The only reasons for the Biromantic and Bigender HCs is just because I've seen way too many clips of Kimura being Flirtatious with men and women, and dressing as both masc and fem, that I can't unsee Yagami as anything else. Demisexuality tho comes from the cutscene in Judge eyes/Judgement where he mentions that he takes relationships slow, and doesn't jump to having sex as soon as possible. Plus, I'm pretty sure there's scenes where he gets incredibly grossed out and sexual related things or doesn't immediately see something as sexual. Alright, this man stims, has issues processing info, hyperfixates, has issues expressing himself, large emotion meltdowns, confused by social behaviour, doesn't know how to comfort others, comfort clothes, repetitive behaviour, lack of sympathy/empathy, MASKS ALL THE TIME.

Makoto Tsukumo - ASD

He is a Hikikomori (a full time shut in basically) and a large amount of those are autistic. He has severe social anxiety, hyperfixations, finds it hard to communicate socially, avoids eye contact, and acts strangely.

Kazuki Soma - AroAce with diagnosed ASD

He follows the same stereotype as me, high intelligence and lack of empathy (I'm getting better at it though!) Soma has a low immune system, having an IgE allergy (prevelant in those with Autism). He blames his failed plans on the execution from the others, and not the plan itself. The AroAce bit tho. Idk, it just felt right for the character. He kinda reminds me of an aroace friend of mine in a sense so uhhhhhh

Note for Soma: You may be aware of the meme I posted of "Can Opener and then Leg Opener" w/ a picture of Soma. That was made out of a joke with the aroace friend that I previously mentioned. It was kinda making fun of the fact that I've seen people drool over that psychopath and there was a level of satireness making the meme. Idk dude, we made it at like 3am or smt, anything is funny at that time

(if you want me to give evidence or elaborate on something, just send me an ask lol)

[number-one-shadisper-shipper]

The Sonic franchise did not have to go so hard exploring dynamics and types of alternate/evil versions of characters BUT THEY DID

Like some media will give you an evil version of a character and be like, "Yeah he's from a mirror dimension so he's evil *le gasp*" and that's fun and all, but there's no depth or intrigue.

And then we have Sonic.

The Sonic franchise has alternate versions of Sonic, Shadow, and other characters. We have freaking SONIC PRIME who's whole premise is exploring alternate versions of characters (beyond just Sonic) and it is absolutely AMAZING. I'm not going to go into Prime right now cuz that's another post or twenty, and I just wanna focus on how each alternate version of Sonic has their own dynamic, personality, and relationship with Sonic. I've never seen another franchise that does THIS MUCH with alternate versions.

(Long ramble and some spoilers under the cut)

To start with, we have the big one, Metal Sonic. Made by Eggman to be able to defeat Sonic. They could've just gone with a basic, "Oh look a robot version of the Main Character now they fight" and not given him any depth, but he hits HARD (without even having a voice box or mouth to show emotions or anything). The fact that he's programed TO SEE HIMSELF AS THE REAL SONIC and has to deal with that, him slowly discovering that he's not, but not being able to break free from his programming so he can create his own destiny, his father/son dynamic with Eggman but also being nothing more than a weapon to him is just MMMMMM YEESSSSSS. And the whole "Strange, isn't it?" and "There is only one Sonic" thing from the OVA is INSANE!!!!

And there's Mecha Sonic, whose backstory I don't really know a lot about, but his arc in the Scrapnik Island miniseries is EPIC and he's showing the potential arc that Metal Sonic could have. After getting thrown away by Eggman, he finally has the chance to start over and has an epic moment that parallels the OVA lava scene.

And then there's Shadow. He's not actually an "alternate" Sonic, he came first and has no actual connection to him. But the fact that when he shows up the first thing Sonic does is call him a faker, and his identity issues won't let him let that go. Because he has to prove he's not a fake, but is he? His memories are real, aren't they? But he remembers "dying" and he sees his own robot versions and a god of darkness taking his form and Infinite creating a fake army of hims, and he can't be a fake himself, right? He has to be the real Shadow. Cuz that name, that identity is all he has. But what is that identity? Ultimately, he is all of him. But even with all of that he still wrestles with who he is and he has to keep calling Sonic "faker" because no matter what the world still sees him as "the edgy version of Sonic," but he's not, he's so much more than that. He has his own arcs and growth and potential.

And there's Scourge, who's the typical "evil Sonic from another dimension", who I know absolutely nothing about since I haven't really read the Archie comics yet, but I saw this panel:

And like I don't care if he has zero other depth besides that because that IS INSANE. Sonic having to wrestle with his own potential for evil, but at the same time, Scourge's potential for good, and and it's literally just the matter of a few choices. This is the battle we all have to face within ourselves every day, even if we don't realize it.

And speaking of Sonic's potential for evil, DARK SONIC??? THE OPPOSITE OF SUPER SONIC? WHAT HAPPENS IF YOU LET THE CHAOS ENERGY FEED ON YOUR DARKNESS RATHER THAN YOUR LIGHT??? and I know it's only one scene but oh my goodness!!! Cuz yes, your best traits can become your greatest weakness, and loving your friends can turn into doing unspeakable horrors if someone hurts them, and maybe the person that has to bring you back to yourself is your arch-enemy, because they of all people know who you really are and that if you fighting from righteous motives is undefeatable, you fighting from RAGE is noting short of terrifying.

And Surge from IDW, whose arc is literally called IMPOSTER SYNDROME??? Again, created to be the Anti-Sonic, to be the one who can finally take him down. And she knows she's not the real Sonic and doesn't want to be, and she knows the only reason she hates Sonic is because her abuser gaslit and hypnotized her into hating him, but she can't escape that programming any more than Metal can. And maybe she doesn't have a reason to hate Sonic but she'll create one because she literally has to have a reason, and maybe she's not the real Sonic but he's the only reason she exists, and he's the only reason she went through all the suffering she went through. And no I can't reach for your hand pulling me to safety because that would be admitting that I don't really have a reason hate you, that I can't escape without your help, that your philosophy of giving villains a second chance is valid.

Anyways that was a lot of rambling but UGH it all just so good and intense and the depth and effort in this franchise is ABSOLUTELY AMAZING thank you for coming to my Ted Talk

[zack-is-silly]

GAH I think if you have seen like two of my posts you know I literally go insane for music like I could write essays on songs and be happy doing so. Soo obsession with music has got me in a chokehold for Hansel and Gretel by Sodikken so I'm ranting and raving a bit

Gretel's song focuses on her point of suffering being her appearance only mentioning her brother in one lyric while Hansel's song is focused on how much he hates that his sister gets more attention and frankly how the lack of love and attention from others drove him to do crazy things risking his life to try and be seen

Hansel's design is a rat with wings something many people call pigeons. With pigeons people tend to overlook them or think they are dirty but on average they are gentle animals giving the lyric "But there's a part of me that's appealing sweet, I'm sure you'd agree if you got to know me" that much more meaning

In Hansel's song it says "Just like flies are attracted to the rotting, are sadists attracted to misery? In this word there is another word for me" and in Gretel's song it says "No, I'm not a masochist" I love these lyrics because it shows how Hansel sees himself as a masochist and Gretel a sadist and also because it connects the songs in another way

Hansel in the lyric video is walking faster and more aggressive while Gretel walks slow and soft Hansel has a very expressive way of singing and more hype tunes while Gretel has a gloomy melody and is quite sad as she sings

Hansel wanted attention, one of the lyrics saying "At least care to see if I'm okay" and finally getting what he wanted after he died saying "Finally a party just for me" and "Gone from living feces to your priority" and "All of this could have been avoided all I wanted was to speak"

Gretel wanted to be left alone

In the lyric video the animation of Hansel/Gretel walking slowly fades because by the end of their song they died in Hansel's song he fades faster because his death was quick, too quick for anyone to stop it just as he had wanted and in death he was surrounded by people how cared for him, while Gretel's death was slow left to bleed out after being stabbed finally being able to be alone for the first time

There are shapes in the lyric videos a star for Hansel has he wanted attention to be the star for someone while Gretel has hearts as she just wanted to be loved

Some of the lyrics in Hansel's song that show him simply doing anything he could if he thought he would get attention "I'm playing with fire you'd better come save me" "I'm gonna bleed all over the floor and more until you remember me" "So, I'll boost the danger times two (or maybe three)" "How I long for your arms again"

Gretels talks about a lot in her song not really having one focus other then her illness like Hansel does but she does say "Take it from me, looks couldn't kill, no, but they can get you disowned"

Hansel at the end of his song pretty much just says "You only care about me because I'm gone" He says "People please you should be smiling if you cared that much should have showed love 'fore I became a piece of meat" and "Now I've been appointed as your new king I decree tagt it'stoo late to start caring about me"

Hansel and Gretel are meant to represent illness Hansel's being mental and Gretel's being physical. Hansel calls Gretel's illness a "pty getting scheme" while Gretel says "You shouldn't be the one suffering, not with all your intact ateries" both see the others illness as something fake and they see their own struggles as worse

I've seen a lot of people saying that Hansel was probably talking about Gretel when he says "How I long for your arms again" and God if tahts true that's beautiful because in the beginning he says he hates his sister and wishes that "green alligators" had eaten her

I also really think it's funny that Gretel's song is longer so even in death she's still getting more attention but Hansel's song is much more popular then Gretel's having been the song used in two popular trends

That's all for now but I'm sure I'll think of more to add later

[dollivication]

hiiii im glad you liked my insane ramblings about guro and OH MY GOD you were so right w the ring finger thing im rotating that concept...i love pathetic men...

speaking of pathetic. kind of springboarding off of what one of the other anons said about Nero but only showing affection when u got them bleeding would make them do some loony shit. you hear hey babe watch this and then dantes intestines are spilling out bc thats the only way he can get your attention and he wants it soso bad. and like they COULD force you to pay attention to them but youre so cold and its so much easier this way because itll just heal later and it really doesn't even hurt that bad anymore? (that is the blood loss talking there are so many stains on the floor that are NOT coming out. perhaps not even just blood teehee)

or like. elbow deep in vergil's guts and hes trying so hard to pay attention when youre naming everything even tho you know hes not gonna be able to focus bc taking an interest in peoples hobbies helps you get closer right?? and really whats more intimate than someone having their hands all up in your organs, no one ELSE has ever touched him there! no one else knows him inside and out like this, its so romantic! especially if you do some freak shit like lick the blood off your hands bc now part of him is in you...utterly delusional i fear

okay last insane thought for now yk how in 3 dante takes a shot to the head like its nothing? imagine asking so nicely and sweetly if you can try it because you wanna see how itll heal and also all the gray matter spattering everywhere. youre not cleaning it up of course its his fault for making such a mess!! also not convinced theres actually brain in there like you are making your insides be on the outside because you want someone to look at you BE NORMAL!!! -☢️

WHEN I READ THIS I WAS GIGGLINH BECAUSE HOLYYYSHIY YU GET ME SO WELL HUGS YOU!!!! LIVE LAUGH LOVE DMC GORE.. cw!!1!1!

THEY ARE BOTH TWO ENDS OF THE FREAKY SPECTRUM AND I AM ABSOLUTELY HERE 4 IT!!! laik omgfgh.. vergil thinks there’s something soww poetic about quite literally giving himself up, all of him, for the person he loves most.

if you decide to laik… cut off his tongue and put it in a jar or just basically any other part of him,, he is going to be over the MOON!!! laik awhh, yu love him so much that you’re preserving a part of him <33 uhm!! please get help! Loony!!!!1!!!1

WHEREAS DANTE IS LAIK.. INITIATING IT!!! comes up to yu laik a kid showing off a bug like hey check out this cool gash you can see my bone!! make it worse pretty please??? you should totally skin me ahahaha…!! LIKE STOP OT YOU CREATURE‼️‼️ JES SO NASTAY he loves the sting methinks..

this is like mary jane 4 him he gets high off this and harder than ever before!!! the only downside for the both of them is that your fascination is often very short-lived… (◞‸◟)

vergil is more likely to wait around until you decide to get hit by another urge to ‘study’ him whereas dante is ALLLWAYS trying to appeal to you. hey, you’ve looked at my ribcage already, look at my brain!! or what about my eye?? YUCK

THE LAST BIT OH MY GODH!!!! it always ends the same! you losing interest after a bit of observing, leaving them to pick up the foul, iron scented mess. auwaaa.. for a split second they probably realize the fucked up situation you’re both in, which i reckon causes them to spiral a bit—before they remember how happy you looked to be squeezing their insides!!…

oh well nobody ever said being together should be a healthy thing! they’ll clean the blood up later,, right now they just need a biiiig nap<3 and the cycle will repeat!!! they can’t wait!

imsosillyimsosillyimsosillyimso