#but the thing they said super did not make the point

[kosher-salt]

Just saw a post that was basically "Hey off of the internet people usually aren't so crazy antisemitic and most of my day to day interactions as a visible Jew are normal, everything is gonna be ok" and I'm making a new post to not derail, but...

I'm super glad, obviously, that this is the case for many of you. But I do think we should be ringing the alarm bells. Because while you enjoy your grocery trips and post office in relative peace (as you ought to), here is a VERY incomplete list of things I have dealt with in the last 11 months.

-assaulted on my way to class, followed, spit on repeatedly (magen David necklace)

-professor took me outside of class and told me I needed to denounce my Judaism (I mentioned in passing my dad's family in an anthropology class)

-same professor refused to accept my final paper for reasons that did not match up with paper, email full of dogwhistles

-same professor told everyone to attend the protests and "teach those zionists to know their place" she is a Black Latina young professor. Yep.

-another professor straight up refused to accept any assignments that mentioned Jewishness (they were assignments about our families). Gave a student who submitted nothing except a picture of a Palestinian flag full marks. Failed me. I am an all As student, btw. Forced to drop.

-the chair of the anthropology department threw my complaints wabout said professors away without due process. His social media is full of blood libel.

-had to miss my finals as I could not physically get to them due to the protests

-followed and harassed in stores

-synagogue was vandalized multiple times

-called a kike while things were thrown at me

-protestors stood outside of my apartment patio with final solution signs

-new apartment, away from campus: friends of roommates harassed me constantly, to the point I could not use common spaces. Roommates told me that's his right because it's his "political view." He didn't even live there.

-new roommate moved in, less than 48 hours before she attempts to stab me, after learning I eat kosher style. "...kosher? kosher?! FUCK YOU" stab stab, etc. Bitch that was my good knife.

-the other roommates tell me to gtfo of the home I'm renting, keeping my rent ("you people can afford to lose money") and destroy a good portion of my belongings while cursing to me random nonsense about Israel. The police took 25 minutes to get there. We live in the middle of the city.

-fun fact: I had never mentioned my political stance to these people and it's not on my face-out social media (very bare bones profiles)

-been disbelieved by everyone I told this to including the police, my school, the leasing company, and my now ex best friend of 7 years

-cursed at in a store when I asked if there was a kosher section

-told nobody likes Jews because we bring down the vibe and have a victim complex. My knuckles are healing just fine after that, btw, thank you for asking! She is not.

I don't know how to request the 7th off from my school without basically incriminating myself with a threat of violence. There is no world where I just sit there when a classmate says "happy October 7th."

Hope this helps.

[yan-randomfandom]

P!Yandere!Pines Family x GN!Teenager!Reader

[PLATONIC] a continuation to this! decided to just make them all yanderes cuz y not lol errmm just subtle ykwim... i'm not proofreading all this so just have my draft

warnings: staring, violence, alcoholics, abuse, blood, implied murder. woah intense

❤️‍🔥

"Then I saved Ford by slicing its eye! You should have seen it!"

You laughed, settling down from your dramatic gestures that you've been making throughout the entire dinner. The entire Pines family watched you in awe, especially Dipper and Mabel, easily captivated by your personality and story.

"Yes, well, they certainly saved my life," Ford chuckled as he fed himself a spoonful of food.

"You have to stop lettin' kids save your life so much," Stan scoffed.

Dipper grabbed a book out of nowhere, clicking his pen in preparation—

"No writing at the dinner table! We talked about this!" Stan called out, earning a sheepish smile from Dipper who immediately drops the book on the ground.

"But what did the monster look like?" Dipper stammered, eventually turning to you with a curious look on his face. He looked eager to learn more. That's what you can tell anyway, if you remove his reddened face, which is most likely from embarrassment.

Mabel, who sat across from you, leaned towards you with the biggest smile on her lips. You grinned back to return her energy. "Bet it was super gross! Was there a lot of blood?! Blaarrrgghhh!!!"

"No gross sounds at the table, pumpkin!" Even Stanley felt like he's tired of his own voice. This is him trying his best to not let you be uncomfortable. Well, he supposed you and his brother brought up the story in the first place.

Speaking of, why were you even here? Ford came back in the mystery shack after missing for a day, only to bring a random teen with him. It's a good thing he cooked extra since he thought Soos was coming over.

But he needed answers fast.

"Ford," Stan whispered firmly, catching his brother's attention. Tilting his head, he tried to signal him to move out, but someone interrupted them before they could do anything.

"Hey! No sneaking out the dinner table!" Mabel exclaimed, pointing a fork at her grunkles.

Stanley stood up and Ford followed his actions. They were already heading out the door with Stan holding his twin's wrist. "Well, sweetheart, VERY REASONABLE EXCUSE!"

As soon as they were out of sight, you and the other kids exchanged looks.

"He did say it's reasonable."

"Yeah, I can live with that."

... You snorted. "You guys are a funny bunch. He literally said the excuse, and you let him go just like that? You must trust each other a lot."

"You have no idea, stranger, you have no idea," Mabel laughed. "Sorry, what was your name again?"

💥

Meanwhile, deep inside the mystery shack, where they were sure there'd be no eavesdropping happening...

"You let the kid stay here without telling their parents?!"

Stanley was freaking out. Yet, he really shouldn't be surprised Ford would do this. Ironically, poindexter would even criticize his behavior, his grunkle methods! How ridiculous is this whole thing, huh?!

"It's more complicated than that! Look, I know this sounds bad—"

"It does!" Stan yelped, his hands clenching. "Their parents must be so worried! And we can't just let them—"

"No, no, Stanley, walk with me here," Ford said, placing his hands on his brother's shoulders. "It's their parents that are the problem."

A few deep breaths from Stan. Alright, okay. This is making more sense now.

"We'll take them to their house first thing in the morning," Ford explained. "Let's see what we'll do from there."

🔥

"I hope my drawing isn't too bad," you chuckled, giving the journal back to Dipper. His eyes skimmed over your illustration of the monster you killed. "It doesn't match yours and Mabel, but..."

"Are you kidding?! It's perfect! Thank you!" Dipper beamed, writing more notes down the rest of the page.

From above, Mabel had her legs folded over the ceiling wood of the house. You looked up and made eye contact, as much as you can anyway. She's upside down.

"Hi! How old are you again?"

How did she even get up there, you wonder. You glanced around, smiling when you realized, and worked your way up.

They stared at you in awe when you climbed right next to Mabel's side. Now you're hanging upside down too. "Cool tricks, Mabel. Hope you don't mind me copying you?"

She doesn't respond, starstrucked. Glancing at Dipper, his jaw was also on the floor.

"Uhhh," you awkwardly smiled, "But I just turned sixteen! You guys are turning thirteen, right?"

"You're the coolest," Mabel whispered, dragging a hand across your face. Okay. That's a bit weird, but it's welcome.

"Thanks," you grinned, manually removing her hand from your face. You looked down at Dipper again. "Hey, Dipper, what time is it?"

He scrambled around and grabbed a watch from somewhere. "Uh, nine o' clock."

"Nine?!" your sudden outburst caused you to fall to the carpet, a pained groan leaving your lips. At least you managed to drop skillfully. "Oh, that hurt."

"Are you okay?!" Dipper rushed to your side, offering a comforting hand on your back.

"Yeah, I just," you paused. "It's nine already? My parents are gonna kill me, man. I gotta go home."

"What!!"

Mabel also dropped down from her outburst, but her landing isn't painful as yours, because you caught her in time. She gazed at you from your arms, stars forming in her eyes.

"Woah. You have fast reflexes!" she squealed as you gently put her down.

Dipper shook his head. "But you can't go home this late at night. Didn't you say you're from outside of Gravity Falls?"

You crossed your arms, pondering. "Yeah, but... Okay, wait, where's Ford?"

Footsteps followed your words. All of you turned to the doorway, seeing the older set of Pines twins. It's kind of amazing, really, you rarely saw twins and this family has two pairs.

"Oh, there you are!" you grinned, walking over to him. Ford blinked at you. "I'm sorry, dude, but I think I overstayed my welcome. I'll go ahead and—"

"Eh, nah," Stanley chimed in, earning your attention, "It's too dark for ya to go out. Let's take you home tomorrow, yeah?"

"But-"

"No butts, they're for sitting," he continued, gently pushing you down on his recliner. You sat down, albeit confused. "Think of it as a sleepover. That's fun, right kids?"

Mabel skipped to your view, an eager grin on her face. "Yeah! We can paint your nails and everything!"

"While I'll show you more of the journals," Dipper beamed, showing one of them to you.

Their ideas were nice, it truly was, but the circumstances are concerning. You couldn't help the frown forming on your lips. They all noticed.

Ford stepped in between them, kneeling and offering you a smile. "Don't worry, kiddo. We'll take good care of you 'til morning. I'm sure your parents will understand."

"I guess I can't really do anything about it," you muttered, eventually accepting the situation. You stood up with a grin. "Okay! Who wants to be unaware of me stealing cool stuff here?!"

"I do!" Mabel screamed, only to pause. "Wait, what?"

"Yeah," Stan squinted, "What?"

You hummed, suddenly behind him, and stared at his wallet. Ford shook his head at you. "You have a very alarming number of IDs. Is this normal? Then again, you're old."

A laugh left Stan as he took his wallet from you. "Oh, I could use that type of skill. Didn't even hear or feel you take it!"

"I can teach you," you smiled.

"Please don't," Dipper groaned.

🌬️

"This journal is amazing! And Ford wrote this? Seriously, no wonder why he was so smart!"

You flipped the book page by page, your jaw dropped the whole time. Sure, a while ago, you saw one page, but only because Dipper told you to draw on it. You didn't expect a whole research surrounding Gravity Falls!

"Interesting enough for you to visit Gravity Falls more often?" Dipper chuckled as he watched you.

"Woah," you smiled, "You like my company that much, Dipper? Don't you have any friends here— oh shoot, wait, I didn't mean—"

A ghost of a frown spread through his face. Why did you have to ask that?! You were just projecting if you had to be honest, but still!!!

"Sorry, that was insensitive," you blurted, closing the book and focusing all your attention on him. "I only said that because I feel that way. I know, that's pretty lame."

He looked surprised. "Really? But you're so cool?"

"Some people think I'm weird is all. But thanks for finding me cool, Dip," you laughed, glancing at Mabel who was snoring. "I find you and your sister cool too. A lot, actually. So it's nice to know you both like me."

Dipper sniffed. "Man. Ditto."

You grabbed a blanket and placed it over Mabel's body, making sure she's covered head to toe. She snuggled up to it unconsciously.

"Welp, bed time," you murmured, reaching for another one. You stretched the blanket, letting Dipper be able to invite himself in. "Come on."

He happily accepted, nestling his head next to your shoulder. Mabel followed him, her head tilting to your chest.

You slept, content.

🌪️

You woke up, disturbed.

The first thing you saw after sleeping is Dipper and Mabel staring at you in silence. As soon as you noticed them, they scrambled away from you and tried to act natural.

Yet, you couldn't forget the small glimpse of their faces. Wide-eyed, a bit of judgment, but most of all, solemn.

Before you could question them, Dipper yelled, "Grunkles! They're awake!"

You winced from the volume of his voice, having just woken up. He immediately apologized to you, but it's all good.

"Visit us again soon! Byeee!"

The next thing you know, you're in the backseat of a car with Stanley next to you. He was pouting, arms crossed.

"This is literally my car. I can't believe it! You won't even let me drive my own car?" he sneered at Ford who sat on the driver's seat.

Ford rolled his eyes. "I can't have you get in trouble by driving again. Think of the kid."

While driving to your address is certainly much faster than walking, it still took a while. You managed to fall asleep, tilting your head on Stan's shoulder. It seemed that you're not alone in being unconscious, because he snored loudly.

Glancing at the mirror, Ford simply exhaled.

You're here.

He parked in front of your house.

Ford nudged Stan awake, who poked you awake next.

You stood up drowsily, holding Stan's hand while walking up to your house. Ford took the lead and knocked on your front door.

To both grunkles' disappointment, things get messy.

Both your parents, drunk, loudly told them off and took you away roughly from Stan. Tears leaked out of your eyes, saying countless apologies to the Pines twins and your parents.

Without much of a fight, Ford forcibly grabbed you back, carrying your body with one arm. He looked at Stan who placed a hand on his shoulder.

"Psst, I'll handle this," Stanley murmured in the midst of your father yapping nonsense. Maybe the professional con-man can knock some sense into your deadbeat parents.

Ford took you back to the car. You sobbed relentlessly, whispering the most saddening things he wished to unhear. He hugged you tightly, muttering sweet nothings until you fell asleep.

After a long while, Stan finally came back.

His eyes were wide. He was shaking.

"I didn't mean to. They started it—I had no choice!"

Gazing down, Ford realized Stan's hands were covered in blood. He swallowed the thickness in his throat.

"...I'll help you clean it up."

[battlecrazed-axe-mage]

While we’re on the subject, what’s the weirdest party finder experience you’ve had?

Oh boy. So this one's a couple years old now, but I will never forget this guy.

We (my fiance and I) were going through MSQ for the first time and were in early Endwalker, I think, and our raid lead wanted to take us through an unsync of E12S. Enough of a savage fight to get a taste for if we wanted to do the real thing, but not too overwhelming for a newbie. At the gear level of the time, you had to do up to Titan phase in phase 1, and all of Basic Relativity/a couple mechs after in phase 2, so she was confident we'd be able to manage it. But we didn't have a whole group together, so we put up a pf for the last couple slots.

Enter Mumbo*.

Mumbo said they had watched a video and understood the strats. It immediately became clear this was not the case. For those who don't play the game or haven't done E12S, let me introduce you to Dwayne the Rock Johnson strat**:

You get a colored shape above your head and the diagram shows you where to go with it; this happens three times, and then you're (probably, depending on your damage) done and the boss phases into a cutscene. It's super doable but it also NEEDS to be done or else the party explodes.

Mumbo could not do this. No matter how many times we reset and tried again, or re-explained the strat, or showed them graphics like that one. Also, after a handful of pulls, our lead noticed something bizarre.

Mumbo was on black mage. Except they were ONLY using ice spells.

For those who don't know, the basic gameplay loop of black mage is: you spend your MP with more powerful fire spells, then get MP back with weaker ice spells. There's lots more to it than that, black mage players are more powerful than I could ever be, but that's the basics. When used properly, it's a pretty powerful job. When used like this...it was gonna be a long fight.

We did make it through phase 1, somehow, getting it just right enough to scrape people off the floor after getting exploded by rocks. Then it was time for phase 2, which you absolutely cannot do by vibes. Especially for the dps role, which is what Mumbo had to do.

At this point we regretfully had to part ways with our new friend Mumbo the Ice Mage. But he lives on in our memories***, to this day.

*not their real character name; it's been long enough that they may have mended their ways, so I don't want to put them on blast

**I don't know why it's called that either. FFXIV savage strats often have silly names

***and is referenced when we find someone else who similarly does not fundamentally know how to play their job; i.e. the two Mumbos the White we met in DT trial 2 who were curefishing for their lives

[strawberrychampayne]

you can't be this oblivious

bradley bradshaw x fem!reader

warnings: none except like one swear word lol.

word count: 1026

summary: oblivious!bradley x affectionate!reader!! reader is super affectionate to everyone but it is different with bradley. She’s sweet to everyone but she isn’t sitting at a table for 30 mins and letting just anyone rant about their day, unless they are rooster.

Y/N Y/L/N, aka Magnet was just that. A Magnet. 

“And then they had me doing pushups because I made a snarky comment according to them.”

Bradley Bradshaw better known as Rooster was someone you would consider a best friend. Though Phoenix would argue he’d be more than that if he wasn’t so oblivious. 

“I mean what did you expect Roo? I would’ve had you doing the same thing.” she giggled into her glass. 

They had been at the Hard Deck for around two hours now, coming right after they got off. It felt like a ritual at this point. Work, Hard Deck, go home and then repeat. There were a million other things they could all do and yet they always came here. Maybe it was the atmosphere that cheered them up after a long day. Or the beer.

What she hadn’t expected was sitting at a table for the last 30 minutes with Rooster ranting about the trouble he’d gotten in earlier, she didn’t mind that though. She could listen to him talk forever. There were very few times that Rooster felt comfortable enough to share things so anytime he did, she took it seriously. 

“You wouldn’t even think to punish me Mag, we both know that.” Rooster replied with a smirk playing on his lips. 

She often thought of what it would be like to kiss him. Would his lips be soft and plushy or more rough like he pretended to be. She liked to believe it would be the first option. She’d never get to really know though as it seemed he never reciprocated the feelings she was putting out. 

“You don’t know what I would do, Rooster. I could make you do 20 pushups right now.” she said

“And I would do them.” he said, a twinkle in his eye or maybe it was the lighting. 

She gasped quietly hoping he didn’t hear. Flirty Rooster only came out after a couple of drinks. She had heard the phrase that drunk words are sober thoughts. Never really believing it though, he never had so much to drink he couldn’t remember saying something so eye raising to his supposed best friend. 

“The worst thing about all this extra work is I feel like I have no time to eat something good. It’s always some fries from here and a couple beers” he continued, brushing past his previous statement. 

Coming back to her senses she spoke quickly, “We could go out together. I mean all I do is drink a couple of beers here.”

She felt him tense up. Preparing for the worst she thought of a way to recover.

“You are truly my best friend. I mean nobody else would’ve offered to do something like that.” Rooster spoke up before she could backtrack. 

Her heart cracked slightly. Best Friend. Who knew two words could hurt so much. Glancing to her right she could see Hangman and Phoenix cringing at the sight. Warmth flooded her body as she began to stand up. 

“Hey where are you going?” he questioned following her up. 

“Yeah um, my head is starting to hurt so I think I’m just going to head home. I’ll see you tomorrow Bradley.” she said as she turned to walk away.

Bradley? She only called him by his first name when she was upset or poking fun at him. 

“Well at least let me take you home? I mean I brought you here.” he rushed out.

“No. It’s fine I’ll call an uber.” she pushed past a few people and walked out the door. 

Shoulders slumping Rooster glanced out the window at the woman. Phone in hand she was true to her word in calling an uber. He felt a pang in his heart watching her. Had he done something wrong? 

A hand clapped against his shoulder. He could smell the cologne and know who it was before even turning his head. 

“Well that was a shit show. I mean come on, Rooster, you can’t be this oblivious.” Hangman said with a cocky smile. 

Shrugging his hand off Rooster turned his head; the muscles in his jaw contracting, “What do you mean, Hangman? Oblivious to what?”

Hangman laughed at him, “You’re meaning to tell me that you haven’t realized that Magnet has been flirting with you ever since she met you? I mean she practically asked you on a date a few minutes ago.” 

Was that a ringing in his ears? Y/N flirting with him? Bradley felt like his head was going to combust where he stood. 

“And there's the look of realization. You really must’ve been oblivious.” Hangman added. 

“I think you’ve gotten this all mixed up. I mean Y/N is close and affectionate with everyone. She leans her head on your shoulder, gossips with Phoenix, and is constantly fixing Bob's glasses. And with me she just leans up against me, compliments me and listens to me rant and she-” Rooster took a pause. “Oh.”

“Yeah, oh. I mean Rooster, Y/N is an affectionate person for sure. But she has never once listened to one of my rants and she’s the only one who'll listen to yours.” Hangman said, an almost serious look on his face. 

“I just watched my future wife walk out that door after asking me on a date.” Bradley said.

“Well hold on nobody said she was-” Hangman started before Rooster talked over him.

“No Hangman, trust me I know. That is going to be my wife. As long as I haven’t ruined everything.” Rooster said, confidence in his voice. 

“Well then I guess you should go get your wife to be.” Hangman said, a small smile on his lips. 

“Yeah I’ve got to go.” Rooster took off out of the bar and to his car. 

“I cannot believe it took him that long to realize that.” Phoenix said, walking up besides Hangman. 

“He’s a little oblivious but we got there. Hope he has a gorgeous ring to propose with. Claims that’s his wife to be” Hangman replied. 

“I don’t doubt that.” Phoenix remarked quietly, watching Rooster peel out of the parking lot.

let me know if anyone wants a part 2!

!!!please don't repost my work anywhere, translate, or bind my works anywhere without permission!!!

[chasing-posts]

People who deserve redemption, according to Thomas Astruc, written from least to worst of a bad character.

Kim Lê Chiến

Dumbass teenage boy who could have killed Marinette with a dumb prank he was completely concious of, and willing to commit. The boy was also a brat/ bully throughout season 1, but after Dark Cupid had apparently decided to be nicer off screen. Became friends with Max and got a girlfriend... BUT still refers to Chloe as the funniest and prettiest girl, IN FRONT of said girlfriend. Sees nothing wtong with what he did to the point of getting upset enough to become akumatized over the issue. He was allowed to be a super hero without even apologizing to Marinette dor over a year, and did a lot of dumb stuff tht was also forgiven just because. Is also one of the most inconsistently written characters in tbe story.

Jagged Stone

Possibly the most likable man on the list. However this man abandoned his twins and didn't contact them for 14 years. He kept his identity a secret and it's not even known if he paid child support before coming back into their lives, and constantly having fights with their mother.

That said he's put low on the list because we don't know if he did or did not pay child support. He's not mean to his children or kids in general, he is legit trying to make up for his absence and he originally left because his life was too chaotic to have custody. There's a lot of ambiguity and behind the scenes drama that is not explored (*cough thought out cough cough*) in this family, and it's even possible the mom fought for full custody to keep him away after a big break up. The situation is too ambiguous to judge.

Sabrina Raincomprix

Sabrina has been Chloe's number 1 supporter and follower for almost a decade. They were childhood friends and wherever Chloe went, she went. She has been supporting Chloe bad deeds and even happily participating throughout most of them. There were two incidents in season 1 where they almost stopped being friends and Marinette made an attempt to leave the friendship once, but for the most part has stuck throigh and done everything Chloe has wanted her to do and loved doing it. This includes stealing, faking notes, doing her homework, coming up with schemes to bully, laughing at all the chaos, making grown women and other teens cry and so much more. She was even given the dog Miraculous in season 4, by Marinette, despite doing nothing to earn it and only being good at soccer and wanting to SAVE Chloe, so they could bully another day.

In the end she's given a redemption arc because she feels bad for stealing (all of a sudden), and because Chloe was becoming friends with Lilah. The fact she's an active participant in bullying who gets off on the power trip of putting others drown, is not brought up again

Alec Cataldi

Alec's career is based on putting other people down, and is responsible for the first akumatized victim in the show back in episode 1. For four seasons, his entire personality was finding people, mocking them, on television or in person, and getting views off it. He's a spiteful man who makes his living off the suffering of others.

However in season 4 we find out that his biggest dream was to become a drag queen when he was little, and he was mocked for it. After that happened he shaved his hair off and started putting down other people's passions, in the same way his had dreams had been squashed. After his first and only akumatization, he has a break down and epithany, decides to live his true self and raise people up instead instead. On paper, he has the best redemption arc so far.

Félix Fathom

Fèlix was introduced in season 3, and his first on-screen acts include destroying Adrien's things, trying to ruin his cousin's reputation and leave him friendless, sexually assaulting Ladybug, and stealing from the Agreste family. He continues his bad deeds in season four with identity theft, and stealing all the Miraculous' from Ladybug and giving them to Gabriel/ AKA Hawkmoth, in return for the Peacock Miraculous.

We learn in season 5 he's a sentimonster who's been acting out due to an abusive father and his fragile existence in the world. He uses his power to remove everyone in the world in a misplaced effort to make him and his cousin happy, before eventually being talked down by Kagami and Adrian.

He eventually starts stalking Kagami and after revealing himself, they start a relationship together. He seems socially inept and yet despite all his knowledge on his, Adrien's and Kagami's situation, he decides to never tell Adrian aboht what's happening and only Marinette in the most awkward dance number ever.

All in all Fèlix had every opportunity and all the power to reveal Hawkmoth's true identy from the start, but never took the steps to reveal his identity and work towards true redemption. And if he decided to tell Chat Noir/ Ladybug the whole story, the three of them could have defeated monarch. And Adrien and Kagami would nit have been forced to goto London.

André Bourgeois

Andrè is a corrupt mayor, who uses his elected title and money to regularly take advantage of the people of Paris. He has fired people without just cause (even his own "friends"), tried to steal things he was denied, abused funds, and enable his daughters worst decisions. He raised Chloe alone since she was 4-6, and has both neglected her emotional needs, refused to parent his child, rewarded her bad behavior with material possessions, and allowed her to idolize her mother, and even encouraged her to model her behavior after her mother she abandoned them, and then abandons her and hands her over to her abusive mother at the end of the series, while taking in her half sibling, who he has not raised and has no legal claim over.

Andrè blames the women in his life for how he's turned out. Claiming he only wanted to be a film director, and only left to be a successful business tirant and corrupt political figure, for his wife Audrey. Who he still stays married to after she cheats on him, and moves away for half a decade, abandoning hik and their own daughter. He chooses to stay married. Chose to stay in that career and chose to constantly rip off and screw over the people of paris. Often being the cause of akumatization, and ruinging big events for his daughter's whims. Keep in mind, the only reason Chloe is like this now, is because of Aundrè's parenting, yet he never takes responsibility for that, and instead decides to abdocate his position, illigally allow his daughter to take control of the city, let her take all the fall for HIS crimes, and then abandon her to live with his step daughter instead.

All this to say that Andrè may be the second worst on the list, but I hate him the most.

Gabriel Agreste

What can't you say about this man. This man loves being evil. He dances through the halls when a scheme looks like it's about to work. His entire power is taking advantage of people at thier worst, enslaving them and then making them do his bidding. His list of victims includes literal babies, children of all ages, the mentally ill, the elderly, and even his own son. The son which he claims to love but whom he actively manipulates, abuses and mistreats throughout the ENTIRE series. He literally controls him to make him do whatever he wants, and when he acts out or says something he does not like, he belittles him and will actively punish him if he gets less than perfect.

Gabriel also disrespects and will backstab all his allies. Has enslaved 2 kwami's and claims everything he does is for his dead wife, whose corpse he keeps locked away in his basement. He is actively going against her wishes to stay dead and manipulates the love of the women around him, like Natalie, to move forward with his evil plans.

Lastly when he says he does it all for his wife, he's lying. Because the when he has the opportunity to go back in time and save his wife, or fight Ladybug, he actively chooses the latter.

He constantly terrorizes Paris, actively makes situations worst for people to make more akumatized victims, destroys property, all while he hides away in the shadows. Then finally in season 5, when he is confronted by Ladybug, he is given the opportunity to reform and really think about what he did. To reflect on all he's done. He uses a moment of vulnerability and weakness to manipulate Marinette and treats her like the puppet she's named after. His last act of the show is stealing the Miraculous, using the cat and Ladybug to destroy and recreate the world how he wills, where he's the hero and no one knows he's the villain, and his son who he abused for 5 seasons and now has left parentless, now sees him as a hero.

[colduncrustable]

the martin antis working so hard to make waves is so funny. like, you are very much allowed to like/dislike any character you please! but making it your whole personality or acting like you’re cooler for it is a little bit silly. you are not morally or intellectually superior for hating on a fiction character.

not to mention all of the characters in tma are very nuanced and complicated, just like real people (!), and erasing all of that to serve a certain narrative is a complete disservice to the entire body of work. jon and martin’s relationship was never meant to be easy, they first and foremost worked closely together as boss/employee, and in a workplace that was actively putting them in dangerous and horrible situations. the whole point is that they’re both super fucked up but they have each other anyway. they both have flaws, they both have gone through a great deal both with and without each other, but they found love anyway. the idea that the dynamic change in s5 is due to martin just being this villain is so wild? like he’s not a doormat anymore but he also loves jon so fiercely and stands by him over and over again?

jon hated him, jon ignored him, was verbally horrible to him again and again, literally sent him on a dangerous investigation and said if anyone had to die might as well be him, jon accused him of murder, screamed at him, jon was on the run, jon died. martin was his number one defender through everything, even when honestly? he didn’t do a lot to prove he deserved it. but martin was strong in his loyalty and did his best to be a supporter anyway. he picked up extra work, he thought of him kindly when no one else did, he mourned him, and he put himself directly in the line of fire for jon. for everyone, yes, but especially for jon, he says that. because after everything, protecting jon is still his number one priority.

it’s so important to his character that he isn’t s1 martin anymore—that he learns to be a real person who has thoughts and feelings and a backbone. jon wanted that, and does it not say something that they don’t work out until martin learns to have a little bite? there’s a difference between being a real complicated traumatized human person, and just straight up being evil, or an asshole. jon had to learn how to be a lot of softer things but martin had to learn how to square his shoulders and stick out his chin. they had different arcs, and that doesn’t make either of them inherently evil or bad. it makes them real and not perfect and very multilayered, yeah.

martin didn’t handle every choice or action perfectly, he made a lot of mistakes, and he never claims to be the best person ever. but jon also fucked up, a lot. it isn’t a competition or a comparison, that’s really not how that works. but they work because of their flaws. that’s a big part of them fitting together. martin represented the humanity they were saving, with all his good and bad. jon was well beyond that, and while that doesn’t inherently compromise his character, it does mean he’s viewed in a much different light.

(meaning i think jon’s sins are seen very very different to martin’s.) (to be clear i think both deserve to be looked at critically, but hating either of them devoutly seems sort of silly.)

i’m not sure how you can listen to tma and all the ways it dissects and reflects on humanity and turn around and run blogs or make posts in the fandom about how you hate one of the main characters for being all of that.

jon never would’ve made it through without martin, even if martin wasn’t the key to everything, he was the reason to push through and not give up. martin is why jon didn’t go full monster mode, why he held onto who he was and his humanity, even with the whole ‘kill bill’ thing. martin gave him a reason to keep going, to try, to care so deeply. obviously there were other factors but jon says it himself, martin you are my reason.

if you can’t handle the fact that martin isn’t a grade a soft boy by the end of the show that’s a lot more about you than it is about him. he grew and maybe not always for the better but he could be a real person for jon instead of some kind of mirror or blank slate to be reflected on. i genuinely don’t understand how he can be misunderstood so deeply.

they’re both fucked up ! and if they are alive Somewhere Else you bet your ass they’re having long talks and going to therapy and fighting and making up and pacing the floors and figuring it all out together. it isn’t clean or easy or necessarily enjoyable all the time, but humanity isn’t either, love isn’t either. they went through unimaginable trauma, and expecting either of them to be holding it together any better than they already are is wild. context, it’s important. but let’s not turn multi-dimensional characters into flat one word answers.

it’s very human to like and dislike, love and hate based off of bias and experiences and perspective. but also opinion does not make fact. everything is relative, everything is subjective, everything everything everything. it’s an open discussion yada yada idk i’m just screaming into the wall about all the nonsense.

and beyond all of that, discourse is so useless. criticism and constructive conversations are really really important but discourse is pointless! oh you ship these people? well that inherently threatens my ship! oh you like this character that i hate? well that makes me feel invalid for hating them. like what you like, hate what you hate, have your feelings. but if you post shit on the internet you will get people who disagree, sorry, that’s how it is. partaking in little arguments over who is right or wrong when it doesn’t actually have to do with anything harmful or unhealthy makes no sense though. posting on the internet about all the hate you have in your heart when the world is already so full of it doesn’t actually do anything but add more bad to an already very large pile of bad.

things can be discussions not arguments sometimes, i promise. it’s not always tooth and nail, and let’s not forget, most of it is over things that never need to be fought over.

[purpledemonlilyposting]

Oh good the Lorch is sending herself asks about me again.

[Lily's Post]

Oh yeah Lily calling marginalized people a "pick me" for not having the same exact opinions as you doesn't make you look bigoted at all.

Unlike you I don't think children's cartoons are activism. And my pointing at that some people like to try to downplay the lesbian themes in Steven Universe, or at least the way lesbians interact with the themes of the show, actually has nothing to do with the show itself.

Hey Lily did you know I also really don't like the word queer being thrown around, refuse to call myself that because it means strange and also dislike "anti-assimilationist" types?

Speaking of which:

[Lily's Post]

Yeah I say that about the kids telling me queer has been "reclaimed" for me. I would think you'd agree, Lily.

Those are two completely different concepts you dumbass. We can have gay content in mainstream media without it being insulting dreck driven by rainbow capitalism.

Lily is the one who basically wants the Hayes Code back. She wants every show and movie to tell her who is good, who is bad, what to think and for the bad guy to get thrown off a cliff at the end.

Lily just because those are the only two pieces of media YOU know I like doesn't mean that's all I like or have ever seen. Have you seen But I'm a Cheerleader? How about Saving Face?

Hey Lily if you'd actually watch my responses to you:

No I sneer at shows with bad depictions of gay characters when they have bad depictions of gay characters. Especially when they break their own spines patting themselves on the back for it.

Are you trying to get ahead of my VOD you falsely struck going back up on Thursday? You know the one where you said an early 2000's flaming queen stereotype in some shitty Alicia Silverstone vehicle was super good "gay rep" because you had some retarded need to paint a narrative that Canadian cartoons "did it first"?

The whole "she's just mad other shows are outpacing things she likes" lol it isn't a competition, dawg. That's you, Lily. That's how you think.

This is how I know its a self ask.

Yeah that's why in my reaction to James Somerton's somehow EVEN WORSE takes on Utena than yours I kept saying things like "Utena isn't really that hard to understand it just tells it's story in a very abstract way".

Also if you think the Sword of Dios is "the sword of patriarchy" you really didn't get it but much like James here I doubt you ever even watched it, Lily. I look forward to your "In a Nutshell" video where you will read out TVTropes with zero context and get everything wrong.

Lily I hadn't watched the show fully in over 15 years when I made my very first video on you. I wasn't even expecting to talk about Utena you just went on a tirade about it in the middle of your 2023 Steven Universe video.

In fact, the reason I even cut that video in the first place is I was so impressed with my own recall of the show. And then it got 5k hits out of nowhere on my then completely unestablished channel because people just hate your takes that much.

And now making fun of you has paid for my new GPU and CPU. No Man's Sky is running great and I'm ready for Dragon Age Veilguard so cheers!

[midnightmah07]

bare with me 😍-

in idia’s vignette, ace 100%, played “20 questions” with her awhile grim was away. And one of his questions were “do you really want to leave twisted wonderland?” Like 😀 girl couldn’t answer she froze but anyway i am going to do a scenario later on

MOVING ON

this song is so bluecherry, like they like each other, but do they LIKE LIKE EACH OTHER???

“And maybe we should stay friends” i think Ace doesn’t want to go out with Winnie bc he thinks that he may screw up and make her sad and making her sad would make him sad and they would part ways 😔 DID YOU GET IT?!?!

Okay onto the next thing:

HIM WAITING FOR HER TO CONFESS BC HE IS KINDA SCARED

bonus points, bc he kissed her to shut her up after their show in VDC (before they lost lol), BUT IT WAS SO IMPULSIVE THAT WHEN THEY NOTICED JAMIL, GRIM, KALIM, DEUCE AND THE OTHERS JUST STARE AT THEM LIKE 😦 and then when Ace was mad bc they lost, she takes his hand and just “^^” WAITING FOR HIM TO CONFESS ANDNTHEN HE FINALLY SAYS IT.

ANOTHER SONG THAT IS SOOOOO THEM CORE

i just imagine ace’s head being this as he finally realizes he likes winnie hehejdgjwhdjsm

they are cute

also small hcs, maybe ooc, but who cares is bluecherry:

Winnie would write small love letters to Ace, before they were dating. But the love was so subliminal that he couldn’t figure so when she asked him if he read her letter he said “yeah, cool poem. you should show malleus.” AND SHE WAS LIKE “:(“

Ace would give her his jackets bc when he gets them back has her smell. Which is fresh fruity scent with caramel notes.

WINNIE ALREADY SLAP ACE, IDK EXACTLY WHEN BUT ITS FUNNY SO SHE DID LOL

she knows how to sing and loves story telling, so ace when ace cant sleep he asks her if he either can come over or she can try to send an audio (she is like an old lady trying to do so)

he doesn’t like pda, surprisingly but he is the type of guy who screams “THATS MY GIRLFRIEND!!!!” Everytime she does something badass 🥹

Ace keeps demanding Whitney could be allowed to join a club instead of cleaning the school with the staff.

HE LEARNED HOW TO BRAID HAIR FOR HER 🗣️🗣️🗣️🗣️

i do think ace ask help for his big brother but he uses “a friend of mine” “you mean you, ace?” “A FRIEND OF MINE😡”

Double date daiggie and bluecherry would be iconic tho, like imagine Whitney and Daisy forgetting they have boyfriends in the middle of the date and start walking alone together awhile talking

@justm3di0cr3 ALSO WE COULD DO A POPEL AND BLUECHERRY DOUBLE DATE

BLUECHERRYYYYYY

*ahem* ok I'm fine I'm normal. ((I'm not

THEY'RE SOOOOOOOO CUTE AND WHOLESOME AND ADORABLE AND ARGH I NEED TO KISS THEIR FOREHEADS. THE HEADCANONS MADE ME GO INSANE. HER SINGING HIM LULLABIES OR TELLING STORIES FOR HIM TO GO TO SLEEP. HER BEING SHY ABOUT PDA. HIM BEING SUPER PROUD OF HER. DAIGGIE + BLUECHERRY DOUBLE DATE WHERE DAISY AND WINNIE FORGOT THEY'RE WITH THEIR BFS BC THEY'RE HAVING SM FUN TALKING.

THEY'RE MY EVERYTHING

[muscosus]

also I'm feeling used and stupid today

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[anna-scribbles]

h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work

unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion

[batsplat]

seen people talk about how marcs 2012 season was the reason the penalty point system was introduced (that made vale start from the back in 2015 which is admittedly absolutely absurdly funny) so here i am to ask my favorite motogp historian for thoughts (and prayers?) mostly about what exactly marc DID to make that happen (kinda funny also that he was branded a track terrorist from day 1 😭) and why they struck it in the mid 2010s?

okay so I'm gonna be lazy here and start out by just including what I put in the marc race recs post:

phillip island 2011 was the worst incident, and marc was criticised by motogp riders too, including valentino and casey. that one was like... it was just straight up dangerous and also incredibly stupid, I mean you're trying to get an extra lap in at the end of fp1 and are putting yourself and other riders in serious danger (definitely a case where you can argue that the penalty didn't go far enough and a race ban would have been warranted). marc can sometimes be pretty bullish in response to criticism while still going away and kinda realising what he'd done was a bad idea, quietly adjusting his behaviour... examples include this, where he had his team appeal the penalty, as well as of course 2018 argentina, where he talked down the 'mistakes' he'd made and said he'd done more wrong in the aleix than the valentino incident (which may be true, but it's the rhetorical equivalent of saying it's better to go up to someone's home and throw bricks through the windows than it is to set it on fire) - he is fairly good at learning from his mistakes, even when he doesn't always fully admit to them

that being said, of course he did continue getting himself involved in a fair bit of controversy during 2012. but it's worth pointing out that the penalty points system wasn't just a case of 'oh this kid is so bad, we've got to do something' - it was also a case of 'yeah this is being handled in a super inconsistent manner, actually'. like, there were times people felt marc should be penalised more, yes, but other times where they felt it was too much... it was just a bit all over the place. luckily, inconsistent stewarding is a problem they've managed to fix in the intervening twelve years, so we never hear about that stuff any more. let's just give a quick summary of the four biggest 2012 flashpoints:

qatar: marc runs luthi off-track in a deliberate and pretty dangerous way and gets a slap on the cooldown lap for his troubles, plus a reprimand from race direction

catalunya: towards the end of a race in which marc made several questionable moves, pol espargaro attempted to overtake marc who had just saved a fall - marc cuts across the track to rejoin the racing line and ends up colliding with pol. he was initially given a controversial penalty in the form of a minute added to his final time, before that was rescinded (which was unsuccessfully appealed by pol's team). see here for valentino and casey's reactions

motegi: marc 'torpedoed' kallio in saturday morning practise, riding into his side while kallio was on the racing line headed into a turn and causing kallio to highside... which he was not penalised for. some responses to the incident below

valencia: marc attempted to overtake corsi in friday practise, causing him to crash. this time, race direction handed out a back-of-the-grid penalty

it's a subtle distinction but an important one so I'll just stress it again: the stated aim of the penalty points wasn't to hold back aggressive riders like marc but to attempt to reduce inconsistency, which had been exposed in part due to how differently these marc incidents were handled. what marc did was create several high profile controversies, in each case prompting some level of frustration with how race direction handled the whole thing. obviously, there were other non-marc-related stewarding controversies, but it is inarguable that he was a significant factor in causing a revamp of the system

by the way, here's valentino's criticism of marc after the valencia incident:

here's a quick explanation of how the penalty points worked:

and, you know, for what it's worth marc did calm down in motogp... he certainly became better at operating in the grey area of the rules, approaching his racing in a manner his competitors didn't always appreciate but was certainly a lot harder to penalise. though there were also incidents that of course people felt marc should be penalised for - say after jerez 2013, jorge did kinda go 'okay but surely you can at least give a few penalty points for this, isn't this what they're for'. but it's not like there was unanimous agreement on that, see the immediate responses of some of the riders:

(bradley smith saying that jorge's last serious race was motegi 2005 - the one he got the race ban for - is a bit of an insane stance to take and doesn't really match up to reality, but it did make me laugh so that's something. of course the general point that during the alien era most of them were avoiding doing much actual racing isn't exactly wrong but. still)

not to make this a riding standards post, but this is the underlying tension when you're trying to decide how to regulate the sport... jerez was the first serious test that system faced - and it's one where race direction ended up calling it a pure racing incident. which is a tough call! I talked about it a bit in the sete post and what his stance was on the jerez 2005 incident, where he feels like this isn't a contact sport and shouldn't be adjudicated as such. it's a fundamental philosophical difference that became very relevant again when marc showed up fresh from his controversial moto2 campaign and woke up the entire class with his own particular brand of racing. from a write-up of the jerez 2013 race:

(motegi 2008 not motegi 2010, which is something I remember because casey's pass also allowed valentino to immediately swoop on through. should be noted that casey may have apologised but he did not give the position back to dani lol. also motegi 2010 is pretty memorable if we're talking about hard racing. fair to say that valentino demonstrated he did not share the approach of his fellow aliens when battling jorge)

and more on the shift marc brought about:

this is the thing, right - a big part of understanding that time period is concerning yourself with what came just before. the general feeling (unsurprisingly not shared by casey, jorge or dani) was that the series desperately needed some new life breathed into it, that the racing had become stale and sterile and far too predictable... there were several factors that contributed to this, from the beloathed 800cc bikes that were only replaced in 2012, to the approach of those three aliens and how adept they'd become at racking up wins by dominating out front, to how valentino (generally considered the most 'exciting' racer of the lot) had taken himself out of the competitive picture... I mean, in all honesty the racing is still not great in 2013 compared to the rossi heyday (it had gotten better by the very end of the 2010s), but of course there's a lot more energy to it than the years before. which meant the sport as a whole was in a tricky place where they both had to be seen to be constraining marc, stopping him from being an active danger to himself and others, while also kind of... letting him loose. a little bit of controversy is hardly a bad thing, after all - love him or hate him, everyone had a take, and that's the kind of thing that's obviously healthy for a sport

marc did get two penalty points that year for ignoring yellow flags in silverstone and crashing in the same place as cal crutchlow had just gone down:

(for obvious reasons, 'ignoring yellow flags' is extremely dangerous, but there's no reason to believe he wasn't being honest here)

he was also given another penalty point for the contact that caused dani's crash in aragon, taking him perilously close to that back-of-the-grid penalty:

and that was basically their position - it's a warning. broadly they wanted him to not completely revamp his approach, but just apply a little more discretion, exercise his judgement. a little more caution, a little more restraint. it's still fundamentally a different philosophy of racing than the one that had been espoused for several years by the other aliens save for valentino - but marc could get to a place where he was engaging in hard racing that generally toed the line without crossing it. a little more detail on the aragon incident and marc's approach to racing in the context of the time period from this write-up:

this is the issue, right, marc was riding on just the right line of acceptable that race direction would not have in any way been justified in slapping out race bans - though you can certainly argue that in some cases, you could have handed out more penalty points, which would then have meant he would have faced more 'real' consequences. in any case, they couldn't actually 'teach him a lesson', because he'd already more or less learned it... if the lesson is 'hard racing and contact is fine, just don't overdo it'. which of course, not everyone would agree with. the odd memorable exception aside, throughout marc's premier class career he's been very aware of that line, and has taken care to avoid bringing the wrath of race direction upon himself too severely

the penalty points thing and sepang 2015... well, first of all let's quickly bring in what the actual ruling was:

honestly, I imagine that if they didn't have a penalty points system, they would've figured out a different way to penalise him, and might have slapped him with a back-of-the-grid penalty anyway. not in a 'oh the fim had it out for valentino rossi!!!!' way, more that they did need to be seen doing something. the penalty points felt like a fairly elegant way of giving a penalty that wasn't that harsh and wasn't making any judgement calls over whether valentino deliberately kicked marc, while also in an indirect way ensuring that valentino would suffer consequences. and yes, it is a nice bit of dramatic irony - but the piece says it, the penalty "had to be severe enough for rossi to feel truly punished". the penalty points happened to be the tool they had available and perhaps with a different set of rules, valentino would have been handed a slightly different flavour of punishment. but really, this is more 'fun historical coincidence' than something that massively changed the events that played out

of course, it was a controversial decision that few people felt 100% comfortable with. on the one hand, if you believe that valentino kicked marc, then you probably would have wanted him to be disqualified - three measly penalty points does not feel enough in that situation. on the other, if you believe that valentino engaged aggressively with marc but without deliberately trying to make him crash, then a back-of-the-grid penalty that essentially decided the outcome of the championship before the final race even started is a tough pill to swallow. (of course there's also a position somewhere in between where valentino didn't literally kick marc but did attempt to run him off track, which would make the penalty 'about right'.) of course, the championship standings should ideally not determine what sort of penalties are being handed out - but equally, it's something that did limit the intrigue going into the race, and over something that felt quite arbitrary. the other penalty point he'd gotten to rack up the four total was about a qualifying incident in misano - which either feels like a silly thing to determine the ultimate outcome of the championship, or instead is a demonstration of how the cumulative nature of the points system is supposed to work. but yes, it did get a lot of criticism in the aftermath, with concerns over whether future title fights could end up being defanged as an indirect consequence of relatively minor incidents earlier in the season

and of course, the penalty points were eventually scrapped in early 2017. here's a bit more on that decision:

basically, sepang 2015 was a contributing factor to broader changes in how motogp was regulated, which down the line had the knock-on effect of getting rid of that penalty system entirely. rightly or wrongly, race direction felt like they had better tools available to penalise riders and this system was now redundant. anyway [insert another lazy gag about how the switch to a stewards panel has completely failed in eliminating controversy from stewarding] [insert pithy closing line] [press post]

[trashcanwithsprinkles]

Do you have any Zhongli/Zhongchi fic recs? I haven’t found any that are nearly as good as yours 😔😔

funnily enough someone already asked this, but it was quite a while ago and tumblr is a mess to search old shit thru so here, this is the post this was asked during the ao3 crisis of- .......last year? i can't remember. either way, the post starts w me saying i don't have all the names and links but dw, after ao3 came back up i edited the post so you should see all authors and links in the recs.

i have to admit that for reasons unrelated to the fandom i haven't been reading many zhongchi fics as of late? so like- bear in mind i don't have an updated mental picture of any of the recs after the post was made. so if one went off the rails or if one of the WIPs finished, i'm not aware;; i also mention in the post that i'd add more recs if i had access to ao3 (which i didn't at the time bc it was down), and while that is true, it's been so long since i read any of them that i wouldn't be able to confidently reccomend them outside of 'i somewhat remember the plot and i remember liking it'. also i don't remember half of their names. so uh- yeah that's the list i think

[lnkedmyheart]

Listen, I like Oda, he's cool and everything but he tells Dazai the exact same thing Verlaine says to Chuuya. Both of these boys were struggling with their identity and believed they didnt deserve to be seen as humans. Where Dazai was desperately distancing himself but positioning himself in a spot where he could still experience humanity, Chuuya was actively trying to be human while also not fully accepting himself as one. Verlaine tried to break Chuuya by reinforcing his lack of humanity by pointing out how nothing and no one could ever fill that lonely void in him and yea sure we all collectively believe that was a nasty thing to say to a child struggling with his identity who had just lost all his friends. But Oda did the exact same thing, I know his intentions were better and he cared about Dazai when he said that and the meaning was distorted because neither actually understood the other enough, but he told a child struggling with his identity who had just lost his 2 closest friends and had no contact with his partner at the time that nothing could fill the lonely void in his soul.

And nobody is ever allowed to question it or criticise it cause Oda has the cool dead guy syndrome where he isn't allowed to be criticised or judged like other characters.

Because Chuuya heard those words at the very beginning of strombringer by someone he hated and later spent the entire book learning that people did in fact care for him and view him as human and finding out about his parents and the scar, it led to him having (slightly) less of a martyr ideology because he no longer isolates himself and tends to seek out genuine connections even if he is painfully reserved and repressed about his own struggles. Meanwhile Dazai was told those exact same words by Oda at the very end of the dark era arc at an incredibly vulnerable moment when he had literally lost everything and seen things and lives fall apart by someone who he idolized to an almost unhealthy level. This leads to Dazai quite literally losing hope (he shows a hopeful nature a few times in 15 and dark era though it is rather subtle, Dazai shows it most in his attempt to stop Oda from going to the final fight) and becoming a martyr who sees no value in his own life outside of a tool. He struggles to create genuine connections even with people who genuinely care for him (the ADA) and repeatedly puts on a mask in front of them.

Chuuya and Dazai both view themselves as people whose lives are only worth what they can do for others in different ways, Chuuya feels the need to protect because he is the strongest and feels need to earn his existence whereas Dazai feels the need to martyr himself because he only finds value in his life and death by saving people.

[averlym]

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