#but the idea won't let me be so have this instead

[kef-meister]

Even people who have used their brains to think, who should know better, are getting in on the trend. All I have is anecdotal evidence from my own life, sure, but it's downright frightening that there are people who would choose to spend their time typing to what they think is a machine for ideas - ideas it stole from other people - instead of spending time with people around them for a fresh perspective.

Don't get me wrong. I regularly type to a very specific LLM and have been doing so for nearly a decade: having what I perceive as an open, non-biased, non-judgemental responses on my thoughts helps me with self-reflection. But I know that there is a bias. On both sides: both are human, it's just regurgitating. There always will be a bias. It doesn't care because it can't.

As stated above: AI, any AI but specifically generative AI, does not and cannot know what something means. Poetry doesn't have to rhyme. Every line in art has a purpose. Don't let a thing do the thinking for you: because when you stop thinking, there will be people doing it for you - and you won't know anymore if you disagree or not.

Okay. It's time for an AI rant.

My nephew is 13 years old. Whenever he writes a paper for school, I check it over and fix all of his mistakes for him. He said to me, "Maybe I'll proofread your paper for you in exchange," meaning one of the scholarly articles I write for work. I said, "Cool," and gave him the file. And he said, "Well, this is full of errors! See, you always say you have a lot to correct on my stuff, and look at all the stuff you got wrong!" And I said, surprised, "What? Where?" Because I'm sure there are typos in the draft I sent him, but not, like, that many.

And then he pointed to the screen and said, "Look at all the blue and red lines you have."

And I said, "Yeah, but those are wrong. Like, those are blue and red lines I'm ignoring because the computer is wrong." And then I paused and added, "You know you can't proofread a paper by just looking at the red and blue lines, right?" And he gave me the blankest look, because that clearly is EXACTLY what he thinks. And it became even clearer suddenly why, whenever I correct something on his paper, his immediate reaction is, "It didn't have a blue or red line."

There's a very good reason for that: THAT'S BECAUSE THE COMPUTER ISN'T SMART ENOUGH TO KNOW THAT IT WAS WRONG.

I am so tired of being sold the idea that computers are better than humans and so we should just outsource everything to them, which is clearly the lesson my nephew is absorbing in U.S. middle school. COMPUTERS ARE NOT BETTER THAN HUMANS. Like, maybe they are better at humans at crawling through rubble to find people trapped inside. They are also better at preserving things in a searchable format. Things like that. Very limited circumstances.

I don't want to sound alarmist but everything I hear about people using generative AI freaks me out. It's not just that I'm freaked out by people being like, "I use it to write novels!" (Although I don't see how they do, I have tried to have it write fiction for me and the output was truly terrible.) But I recognize my bias around creative writing and so no one needs to credit my views on artificial writing. But! Other things are alarming, too! "I use it to brainstorm x, y, or z." But...why? Why not just...use your own brain...to...brain...storm? The computer doesn't even have a brain to brainstorm with! And you might be like, "But it comes up with things that my brain would never think of!" So would other people! You could also brainstorm with other people! Or even through Google to see what other people have thought before you (not AI). Please don't belittle the wonder of thinking.

I just feel like the marketing around generative AI boils down to "Wouldn't it be easier not to use your own brain to think about things?" Everyone. No. It would not be. Please just trust me on this. I'm not just an old person who is out of touch with technology or something. I promise. USE YOUR BRAINS. IT WILL BE OKAY.

[ttrashlord]

⋆ ˚⋆୨♡୧⋆ ˚⋆Headcanons of Arcane men kissing reader and how to they kiss (no gender specific) ⋆ ˚⋆୨♡୧⋆

Pairing:Steb x reader,Viktor x reader,Ekko x reader

STEB

It depends on the situation,if you two are in public (let's say in a date) he is sweet,tender,but nothing more than that.

If things start to get heated he will slowly apart and say something like: "not here hon' "or " let me save this moment for later"

If you're alone,in his or your house,that's different story.

He is selfcontroled...usually.

Your kisses start slow,tender,sweet,but the more he gets of you,the more he WANTS of you.

If you're on his lap,and start a whole make out session,oh boi,lets get ready to the MOST tender boyfriend you ever met (maybe besides Viktor)

He won't just slip his hand on your body (he's not a beast) he is asking for permission,and i mean this,for ANYTHING ALWAYS.

I have this headcanons where he instead of normal teeth he has sharp teeth,like sharks and kirishima

He won't do the thing where the person bites the other one's lip and pull (or any bite in general) because of this.

VIKTOR

Viktor is a goddamn problem,because you just don't know what to expect.

Imagine that you're on his lab (for our sanity jayce is gone early) and you're reading something in your chair,suddenly,hands appear on your shoulders,turns you around and BOOM,a heated,needy kiss from your boyfriend.

How did this even happen??

Dont complain pls i beg u

Just a few moments before,he was giving you pecks on the neck and cheeks,and now this??

(I mean,if i was you i will definetly not complain)

So when viktor is like this:

You want to rest in your bed and receive sweet love from your sweet boyfriend? Check

You want a whole make out session with no oxygen in your lungs? Check

You want It,you got It.

EKKO

(We all saw the scene with jinx but listen to me)

He is just into pda,(don't disrespect me on this one)

He will show It to you if:

1-is jealous,like,SUPER jealous

2you start the pda

He doesn't have a problem,like a said before,he likes It,but doesn't like to start It

But if you're in private oh oh oh boi pray to be saved from his love.

He cant get just enough of you.

He doesn't give two fucks about starting slow,he knows what he wants,and he wants It NOW

he is the type to try new things just to know your reaction.

Bites,caressing,tongue,the knee,Who said that?

But anyways,if you are in a bad mood or just need to be reminded how much he loves you,a slow,Deep kiss and a lots of pecks in your whole face will be given.

But yeah,you get the idea of how he usually is.

A/N-it's strange that i post like 4 post in a day?

Thank you so much for reading this!

I'll be doing so much more,about...you know...things

But i'll Focus more on arcane and fandoms that i know

I'll like to Focus more on steb because this poor baby deserves much more love ;(

See y next post ;) 🫰

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[buckets-and-trees]

UM, HOW FUN WAS GETTING TO LIVE THROUGH THE DOCUMENTATION OF YOUR REACTIONS TO THIS CHAPTER?!

Thank you for taking me on that journey with you! 🥹

When I had this idea, it was all about Steve and reader. When I started writing it, I realized there would have to be other characters in their orbit constantly, and that's been kind of a fun challenge. I rarely care about shaping the ensemble - at least not with this much of a focus - but it's so many layers of story elements! Campaign team/barely any time to ever be alone, let alone alone time with each other. Campaign team in relation to the reader getting to know people - and some of them know about the arrangement, but most don't, and how that plays into things. Plus how they act toward each other around other people. I'm glad they're parts of the story that are standing out rather than just feeling like we're getting through them to get to a plot point.

And the kisses! Can you believe that wasn't even my original intent with including that scene? 🤣 It was getting Steve to do a TikTok/build up his feeling like the campaign is so showy + reader having another regular moment with Bucky and Sam, and then when I was in the middle of it, I was like, 'oh, wait... this is perfect...' Especially a dramatic kiss and then something more real. 🥹

And the debate prep scene was one that I've really been waiting to get to because it - again - was doing so much for me in terms of the plot development for them. Reader going after Steve instead of Bucky or Sam, Steve being pushed, Steve somewhat losing it, Steve saying some really poignant pieces, and Reader recognizing his frustrations and soothing that a little bit, but also calling him on stepping up and not falling into blaming others because he has to harness that ability (and logistically his right by his role) to captain this ship.

...

And then Josh Connor.

Okay, first, I didn't remember that I named that reporter Andy so I dom't think it's in relation to Andy Barber... (truthfully, I was thinking about a possible Andy x Reader in relation to this campaign, so... I think I was just picking a normal name)

And then Josh.

👀

I won't answer ALL your questions there because... I think you don't TRULY want to be spoiled, plus so much of it will be answered at the beginning of the next part. But I will say that of course Pepper knew.

And because I managed a diabolical mention that went under the radar...

I wanted to leave the tiniest breadcrumbs so that when we got here, it would likely be a 99% shock, but something I knew we were moving toward the whole time. MWAHAHAHAHA!

DON'T REVOKE OUR MARRIAGE LICENSE! I think the way things will unfold will be acceptable. No one will need to sharpen any knives, but there might be some wringing of hands because it's not nothing obviously.

Love you endlessly, and appreciate all your sharing here! 🩵

Red, White & True: DC, Tampa, Athens [5/?]

Characters/Pairings: Steve Rogers x curvy Millennial Female!Reader, Peter Parker, Sam Wilson, Bucky Barnes Word Count: 6.1k Summary: Late September means things are only accelerating as election day grows closer. Steve is picking up momentum in the polls, and things heat up on multiple fronts before you hit a bump that may shake up the progress between you and your husband.

Content/Warnings: marriage of political convenience, slow burn

Notes: You get another West Wing cameo in this chapter (but totally unnecessary to have ever watched the show). This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened.

Previous Chapter | Series ↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

[SEPTEMBER 26 - WASHINGTON, DC]

The late September sun streams through the floor-to-ceiling windows of the campaign's official DC headquarters, casting long shadows across the bustling office space. You're leaning against a desk, watching with amusement as Peter Parker, the youth outreach coordinator who's also become the campaign's unofficial creative director of the TikTok segment of the social media team, attempts to explain the concept for the video to Steve.

"Okay, Cap," Peter says, his enthusiasm palpable as he holds up his phone. "We're going to do a quick transition video. It's super easy, I promise!"

Steve stands in the middle of the room, looking slightly uncomfortable but determined. He's dressed casually in jeans and a plain white t-shirt, a stark contrast to his usual campaign attire. The goal is to remind the voters that Steve is relatable to the everyday American at the end of the day.

Steve nods, a mixture of bemusement and determination on his face. "Alright, Peter. Walk me through it."

Peter's face lights up. "Okay, so you're going to start in your casual clothes, then you'll spin around. As you spin, we'll cut and you'll change into your suit. When you finish the spin, you'll be in full Captain America mode, then we’ll have you spin and change one more time, and we’ll end the video with you in your presidential get up."

"And this will... resonate with young voters?" Steve asks, raising an eyebrow.

You can't help but chuckle. "It's about showing your versatility, Steve. From everyday guy to national hero to the next president in the blink of an eye."

Steve shoots you a playful glare. "Easy for you to say. You're not the one spinning like a top."

Peter positions Steve in front of the camera. "Okay, Cap. Just spin naturally, and we'll take care of the angles and editing.”

As Steve prepares for his first take, Bucky saunters into the room, a smirk playing on his lips. He sidles up next to you, crossing his arms as he watches his best friend awkwardly position himself in front of the camera.

"I'm sure Steve must be loving this," Bucky murmurs, his voice low enough that only you can hear.

You nod, suppressing a chuckle. "It's written all over his face."

Indeed, Steve's expression is a fascinating mix of determination and mild discomfort, his brow is furrowed in concentration.

The rapport that’s been developing with Bucky over the last few weeks has also been nice. It’s its own brand of friendship, and it’s not rock solid yet, but it’s growing.

"Alright, Cap," Peter calls out, phone at the ready. "On three. One... two... three!"

Steve begins to spin, his movements a bit stiff in the first take.

Peter's enthusiastic voice cuts through the air. "That was great, Cap! Let's try again,” he encourages, not leaving a beat for Steve to feel awkward or like he’s done it wrong. You can tell his approach will make all the difference with Steve.

As Steve prepares for another take, you can't help but admire his willingness to step out of his comfort zone. It's one of the things that's made him such an effective candidate - his ability to adapt and connect with people across generations.

"Okay, this time, try to relax a bit more," Peter suggests. "Just have fun with it!"

Steve spares a glance at you and Bucky, then takes a deep breath, shaking out his arms. "Right. Fun. I can do fun."

Bucky snorts beside you. "This ought to be good."

As Peter counts down again, Steve starts his spin. This time, his movements are smoother, more natural.

"Perfect!" Peter exclaims. "That's the one. Now, let's get you into your tac suit for the next part."

Steve nods, heading towards the makeshift changing area set up in the corner of the room. As he disappears behind the partition, Bucky leans in closer to you.

"You know, I never thought I'd see the day when Steve would be doing social media stunts," he says, his voice a mix of amusement and pride. "He's come a long way from the kid who could barely talk to girls in Brooklyn."

You smile, picturing a young Steve Rogers, all skinny limbs and earnest determination. "I bet he was endearing," you say.

Bucky chuckles. "Oh, he was. A real charmer. Couldn't string two words together around a pretty dame, but he had a heart of gold." He pauses, his expression growing more serious. "It's good to see him like this, you know? Engaged with the world, trying new things and connecting with people again. For a while after the Blip, I worried he’d ride off into the sunset forever before the sunset was even really here. We’re out of the century we were supposed to live in, but we’re still here, y’know? Didn’t think it would be this, but it’s not all bad. Pepper wasn’t wrong in choosing him for who he is inside.”

You nod, understanding. “When I met with her about the campaign, she’d sent me the policy materials, the plans, the opposition research detailing his strengths and weaknesses as a candidate, and I was on board to take any position she offered me on the campaign team. I never imagined working on a presidential run, but her vision, her approach? I knew I wanted to be part of it.”

Bucky arches an eyebrow. “I thought… wait…” he’s mulling over what you said. “So, when you came in, you didn’t know she wanted you to marry Steve?”

You laugh and shake your head, “Oh, no! Because that would have been crazy! Who would agree to that?”

Bucky's eyes widen slightly at your revelation. "But you just... agreed on the spot when she proposed it?"

You pause, considering how to respond. The truth is, it had been a whirlwind decision, one that you sometimes still can't believe you made. "Not exactly on the spot," you say carefully. "But...pretty quickly, yeah. It was a lot to take in, but something about it just felt right, you know?"

Bucky nods slowly, a thoughtful expression on his face. "I get it. Steve has that effect on people. Makes you want to follow him into any fight, even if it's not your own."

Before you can respond, Sam walks in, eyebrows raised at the scene before him. "How’re things going here? I hear we’re starting a dance troupe?"

Bucky chuckles. "Social media campaign. Apparently, the kids these days like watching people spin around and change clothes."

Sam shakes his head, a grin on his face. “Glad I’m not going to miss it.”

“I’m suggesting you go in as back up dancer.”

“Don’t threaten me with a good time, Barnes! You know I’d do it!”

You laugh at the easy banter between Steve’s two best friends, but then the man himself emerges from behind the partition, now clad in his tactical suit. The sight of him in the red, white, and blue outfit isn’t new, but as it’s the first time you’ve ever seen him dressed as Captain America in person, it unexpectedly takes your breath away a little.

Steve takes his position again, looking more at ease now in his familiar uniform. "How's this, Peter?" Steve calls out, adjusting the shield on his arm.

Peter gives him a thumbs up and starts the countdown. This time, Steve's spin is confident and fluid, ending with a slight smirk that's pure Captain America.

"Nailed it!" Peter cheers. "Okay, one more outfit change and we're done."

“Hang on!” Sam calls out. His eyes light up as he looks between you and Steve, a grin spreading across his face. "We've got a golden opportunity here."

You raise an eyebrow, curiosity piqued. "What do you mean?"

Sam rubs his hands together. "Picture this: Captain America, in full uniform, getting a kiss from his lovely wife. It's the perfect Instagram moment!"

Steve's eyes widen slightly, a faint blush creeping up his neck. "Sam, I don't think-"

"No, no, hear me out," Sam interrupts, warming to his theme. "We've been pushing the whole 'relatable Steve' angle, right? Well, what's more relatable than a guy getting a kiss from his wife? Plus, it ties in the Cap persona.”

Peter's face lights up at the suggestion. "Oh man, that's genius! The engagement would be off the charts!"

Steve looks slightly uncomfortable, shifting his weight from one foot to the other, and you don’t know how to feel about it either. "I don't know, guys. Isn't that a bit... much?"

Bucky chimes in, a smirk playing on his lips. "Come on, give the people what they want."

“Et tu, Brute?” you direct this to Bucky, not at all surprised at the enthusiasm from Sam and Peter, but genuinely shocked he’s jumping on board as well.

Sam turns to you, his expression a mix of excitement and mischief. "What do you say? Want to break the internet with a kiss from Captain America?"

You hesitate, feeling a mix of emotions. On one hand, the idea of kissing Steve - even for a staged photo - sends a flutter through your stomach. On the other, you're acutely aware of the artificiality of the situation and the potential implications for the campaign.

You glance at Steve. His expression is unreadable, but you can see a hint of uncertainty in his eyes.

Sam, sensing your hesitation, softens his approach. "Look, I know it might seem a bit much, but think about it. We've been working so hard to show Steve as both the hero and the everyday man. This could be a perfect blend of both."

Peter nods enthusiastically. "I think a good candid shot would be a great way to humanize the campaign. Show that even Captain America has a soft side."

You look back at Steve, and he gives a small nod. You see a mix of emotions in his eyes - uncertainty, but also a hint of something else. Trust, perhaps. "If you're okay with it, I am."

"I’m good," you agree, your heart rate picking up slightly.

Sam claps his hands together. "Great! Peter, get ready with that camera."

As Peter positions himself, you step closer to Steve. He reaches out, gently placing his hands on your waist. The tactical suit feels cool under your fingertips as you place a hand on his chest. You can feel the slight tension in his muscles.

"Ready?" Steve murmurs, his voice low enough that only you can hear.

You nod, managing a small smile. "Let’s do this," you reply once more because this is its own ‘public appearance’, and so the customary exchange only seems fitting.

Steve’s hands move from your waist around to your back, and he takes a deep breath, looking into your eyes.

You stop breathing for a moment, suspended there in his arms.

“Kiss her, punk!” Bucky shouts, and the electric moment is broken, but you both laugh, and then Steve dips you dramatically and kisses you soundly as you clutch his shoulders. The three men cheer enthusiastically and cat call you when the kiss goes on just another moment or two.

As Steve stands you back up, you both burst into laughter, the tension of the moment dissolving into genuine mirth and camaraderie. His arm is still around your waist, steadying you as you regain your balance. The warmth of his body radiates through the tactical suit, and you find yourself leaning into him slightly, your soft, round body pressing into his hard muscles.

"So, Peter," Steve calls out, his voice still tinged with amusement, "did we nail that shot, or do you need us to try again?" There's a playful glint in his eye as he says this, and you can't help but grin up at him.

Peter, looking slightly flustered but undeniably excited, nods enthusiastically. "Oh yeah, Cap! That was perfect! The internet is going to go crazy over this!"

You start to step away, ready to return to your spot by the desk, but Steve surprises you by gently pulling you back, his arm wrapping around your waist once more. The room seems to fall away as he gazes into your eyes, a softness in his expression that you've rarely seen before. Time slows as he leans in, his free hand coming up to cup your cheek.

His touch is feather-light, his calloused thumb brushing across your cheekbone with a tenderness that makes your breath catch. The scent of him envelops you - a mixture of leather from the suit, a hint of aftershave, and something uniquely Steve.

Your heart races as Steve leans in, his breath warm against your lips. For a moment, you forget about the cameras, the campaign, everything except the man in front of you.

Steve's lips brush yours, soft and tentative at first. It's different from the performative kiss moments ago - this feels real, intimate. You respond instinctively, your hands sliding up his chest to rest on his shoulders. The kiss deepens, and you feel a warmth spreading through your body.

Suddenly, you're jolted back to reality by the sound of a throat clearing loudly.

You and Steve break apart, both slightly breathless. The room crashes back into focus, and you're acutely aware of the others watching. Sam has a knowing smirk on his face. Peter looks like he might explode from excitement.

"Well," Sam says, breaking the silence. "I think we've got more than enough material for social media now."

You step back from Steve, feeling the heat creep up your neck. Steve clears his throat, looking slightly flustered himself.

"Right," he says, his voice a bit rough. "I should, uh, go change for the final spin shot."

As Steve disappears behind the partition again, you catch Bucky's eye. He gives you a subtle nod, his expression unreadable. You're not sure what to make of it, but there's no time to dwell on it as Peter starts setting up for the final shot.

You return to your spot by the desk and try compose yourself. Your lips still tingle from the kiss, and you can't shake the memory of Steve's touch.

Bucky sidles up next to you, his voice low as Sam and Peter talk next to you. "That was quite a show," he murmurs, a hint of amusement in his tone.

You glance at him, unsure how to respond. "It's all part of the job, right?" you say, aiming for nonchalance but not quite hitting the mark.

Bucky gives you a long look, then nods slowly. "Right. The job."

Before you can say anything else, Steve emerges from behind the partition, now dressed in one of his presidential suits - a sharp navy number that accentuates his broad shoulders. You can't help but admire how he carries himself. He exudes a quiet confidence, as ever, a perfect blend of the everyday man and the leader of the free world.

"Alright, Cap," Peter calls out, "let's nail this final spin!"

Steve takes his position, and as he begins to turn, you find yourself holding your breath. The transformation is mesmerizing - from casual Rogers to Captain America to Presidential Candidate, but all of them undeniably Steve.

[SEPTEMBER 27 - TAMPA, FLORIDA]

The campaign has rented out an entire floor of a hotel for debate prep, transforming the spacious suites into makeshift war rooms as Tampa provides some key and convenient access to key southern cities by plane. Maps, charts, and policy briefings cover every available surface, and the air hums with the energy of a team on a mission.

Jake Sullivan, Steve's chief strategist, has pulled out all the stops for this crucial phase of debate preparation. He's brought in Amy Gardner, a seasoned political operative known for her sharp wit and take-no-prisoners approach. Her presence adds an extra edge to the already intense atmosphere. You watch as Amy commands the room, even though she sits rather casually in an armchair ten feet from Steve, who stands behind a makeshift podium.

Her presence adds an extra edge to the already intense atmosphere. You watch as Amy paces the room, firing off rapid-fire questions at Steve, who stands behind a makeshift podium.

"What's your plan for addressing climate change?" Jake asks, his voice stern.

Steve responds confidently, "We need to transition to clean energy sources while also supporting workers in traditional energy sectors. My plan includes..."

Amy cuts him off, her tone brusque. "Too long. You've got 60 seconds max. Hit the key points and move on."

Steve nods, taking a deep breath. "Right. Clean energy transition. Support for affected workers. Immediate action on emissions reduction."

“Too succinct,” she says.

Steve frowns, clearly trying to find the right balance. Squaring his shoulders, he goes again. "Our climate plan has three key components: First, an aggressive transition to clean energy sources like wind and solar. Second, robust support and retraining for workers in affected industries. And third, immediate action to reduce emissions across all sectors. This isn't just about saving the planet - it's about creating jobs and securing America's energy independence for generations to come."

Amy nods approvingly. "Better. Now, pivot to how this contrasts with your opponent's stance."

Steve's brow furrows in concentration. "Unlike my Republican opponent, who continues to deny the reality of climate change, my plan acknowledges the crisis we face while also prioritizing American workers and innovation. We can't afford to stick our heads in the sand any longer."

"Decent," Amy says, her tone softening slightly.

“Only decent?”

“You didn’t address the Democrats’ policy. Your battle is to convince enough voters in America to break with over two hundred years of choosing between red or blue.”

You can see Steve is fighting back a sigh of frustration.

"Mr. Rogers, your opponent claims your lack of formal political experience makes you unqualified for the presidency. How do you respond?"

Steve takes a moment, his brow furrowed in concentration. "My experience may not be traditional, but it's been forged in the crucible of protecting this nation and its values. I've led teams through impossible situations, made tough decisions with global consequences, and always put the American people first. That's the kind of leadership experience that truly matters."

Amy nods, but doesn't let up. "Good, but tighten it up. You need to hit harder on your unique qualifications. How do you respond to critics who say your experience is outdated?"

"I'd say that my unique perspective allows me to see both where we've been and where we need to go," Steve begins, his voice steady. "I've seen this country at its best and its worst. I understand the challenges we face because I've lived through similar ones before. But I also understand the incredible potential of our future because I've seen how far we've come."

You can’t help but feel inspired by that answer, but Amy's eyes narrow, her expression sharpening. "Not bad, but you're still playing it too safe. Your opponents will come at you hard. Let's ramp this up."

She stands and begins pacing in front of Steve like a shark. "Mr. Rogers, your critics say you're nothing more than a science experiment gone right. How can you claim to represent the average American when you're literally superhuman?"

Steve's jaw tightens, a flicker of frustration crossing his face. "I may have enhanced abilities, but my values and my heart are as human as anyone's. I grew up in Brooklyn during the Great Depression. I know what it's like to struggle, to feel powerless. The serum didn't change that part of me."

Your heart swells, but again Any interjects again.

"Weak," she says, her voice cutting. "You're not connecting. Try again."

Your mouth drops open slightly. That was powerful. You know it was.

Steve takes a deep breath, his knuckles whitening as he grips the podium. “I’m not a monkey on a unicycle.”

“Well, what a great start. No one wants a monkey in the White House,” she deadpans.

“I don’t need this. We did just fine in the first debate without you,” Steve nearly growls.

“Oh, I didn’t know we were aiming for just fine, I thought you wanted to win.”

Steve's eyes flash with a mixture of anger and frustration. The tension in the room is palpable, like a rubber band stretched to its breaking point. You can see the muscles in his jaw working as he grinds his teeth, trying to maintain his composure.

"I'm not here to play games or put on a show," Steve says, his voice low and controlled, but with an undercurrent of steel. "I'm here because I believe in this country and what it can be. I've fought for it, bled for it, and yes, even died for it. So don't tell me I'm not connecting."

Amy opens her mouth to retort, but Steve cuts her off.

"I've seen this nation at its best and its worst," Steve goes again, his voice growing louder, more impassioned as he speaks. "I've watched it rise from the ashes of the Great Depression, triumph over fascism, and push the boundaries of human achievement. But I've also seen it torn apart by fear, prejudice, and greed."

His eyes blaze with an intensity that seems to electrify the air around him. The room falls silent, everyone transfixed by the raw emotion in his words.

"I may have been enhanced by science, but my heart, my values - they come from growing up as a scrawny kid in Brooklyn who couldn't stand by and watch bullies win. They come from the men and women I fought alongside, who gave their lives for the ideals this country stands for."

Steve's fist comes down on the podium with a resounding thud, causing several people to jump.

"I'm running for president not because I think I'm better than anyone else, but because I believe in the promise of America - a promise that's been broken too many times for too many people. I've seen what this country can do when we come together, when we fight for what's right. And I'm here to tell you, we can do it again."

Steve's voice rings out, filled with passion and conviction. The room is dead silent, everyone hanging on his every word.

"So no, I'm not a traditional politician. I don't have decades of experience playing political games or making backroom deals. What I have is a lifetime of standing up for what's right, of putting others before myself, of believing that we can always be better. I'm running because I believe in the power of ordinary people to do extraordinary things when given the chance."

He pauses, his chest heaving slightly as he looks around the room. The silence is deafening, everyone ensnared by the raw power of his words.

"That's what this campaign is about," he says, his voice softening but losing none of its intensity. "It's about reminding every American that they have the power to shape this nation's future. That their voice matters, their dreams matter, this country over politicians and political agendas. It’s not a show to me.”

Steve strides away from the podium and walks out, and no one stops him. No one even moves until the weighted door to the suite swings closed again. Jake and Elsa begin conferring. Amy seems unconcerned. You’re sitting with Bucky and Sam, who exchange a look, and Bucky moves to stand, but you’re quicker.

“Let me go after him,” you find yourself saying, surprised at how fast you were to seize this situation, almost like a natural instinct.

You hurry out of the room, scanning the hallway for any sign of Steve. You catch a glimpse of his broad shoulders disappearing around a corner and quicken your pace to catch up.

"Steve!" you call out, your voice echoing slightly in the empty corridor.

He stops, his back still to you, shoulders tense. As you approach, he turns slowly to face you. The fire in his eyes has dimmed, replaced by a weariness that tugs at your heart.

"Hey," you say softly, closing the distance between you. "That was... intense back there."

Steve runs a hand through his hair, letting out a long breath. "I shouldn't have lost my temper like that. It's just..." He trails off, shaking his head.

You reach out, placing a hand on his arm. "It's okay. Amy was pushing hard. Maybe too hard."

He looks down at your hand, then up to your face. “I’m fine.”

“I think you’ve told everyone you’re fine every day of your life, Steve Rogers, and no one needs to exist like that.”

Steve cocks his chin slightly. “But the President of the United States should have it together, shouldn’t they? People want a leader they can trust.”

You smile, but it’s not a happy smile, and his expression matches yours.

“Can I ask…?” you venture cautiously.

He nods. “Wife privileges. You can ask whatever you want. Wife duties, probably, to ask me questions I don’t want to hear.”

Wife. A flutter flares in your stomach, but you force yourself to concentrate on the moment, furiously tamping down your reaction.

He resumes walking down the hallway, but more slowly this time, and you fall into step with him as you pursue your curiosity. “A monkey on a unicycle is an oddly specific and highly uncommon comparison to bring up. Is that some reference from your time?”

Steve huffs and his eyes fill with a mix of nostalgia and resentment as he begins to speak. His voice is heavy with emotion as he remembers his past. “I used to sketch a lot when I was young. We didn't have much during the depression, but my ma always managed to scrimp and save enough to buy me a notebook for Christmas or my birthday. It stuck with me up through joining the Army.”

His expression turns somber as he continues, "And after the serum changed my body but I was put on tour to encourage people to buy bonds, it just felt...underwhelming. Discouraging. I knew I could be doing more, making a real difference. But I did what I could - I knew raising money still helped.”

You reach the end of the hallway and stand next to each other, looking out the window.

“When they sent us out to Europe to entertain the troops, it only got worse. The last day I performed, for the 107th regiment, I was heckled and booed off stage."

Steve's hands clench into fists at his sides, "I drew a silly picture of a monkey riding a unicycle; it felt like that's all I was worth to them - just another pawn in their production."

You want to reach for his hand, but it doesn’t seem like the moment. So you simply continue to listen.

“That ended up being the last day I performed a show. I found out part of the company had been captured, stuck behind enemy lines. I disobeyed direct orders, found the men, saved Bucky. After that, everything finally changed, and we got to go to work, doing good, fighting Nazis and Hydra.”

A slight smile tugs at Steve's lips as he finishes his story, "I never wanted to feel like that monkey again. But the closer we get to election day, the more this feels like just a production.”

You stay silent for a moment, mulling over the pieces of his past and the feelings he’s just shared. This isn’t an easy conversation, and it’s not the conversation you thought you would have coming out here, but you’re grateful the two of you are having it together.

You aren’t by any means a seasoned politician either, but you had seen and had to at some points play at politics in your own work. “It’s all a show, there’s no denying that. But you’re not the monkey unless you sit back and let that be the reality.”

“How do you figure that?”

You take a deep breath, gathering your thoughts before responding. "Steve, you knew from the beginning that this campaign would be a production. You agreed to it - all of it. Including," you gesture between the two of you, your voice softening, "this arrangement. Marrying a woman you'd never even met before."

Steve's eyes meet yours, a flicker of recognition passing through them. You continue, your voice gentle but firm.

"You didn't do all this just to be a figurehead or a puppet. You did it because you want to be president. You want to be the one steering the strategy, calling the shots, making real change." You pause, making sure he's really listening. "This campaign isn't just about winning an election. It's preparation for the presidency itself."

You turn to face him fully, your eyes never leaving his. "This campaign, as frustrating and exhausting as it can be, is its own kind of preparation for the presidency. Think about it - you're dealing with conflicting advice, responding to the platforms from the candidates and how they overlap and differ from your own, connecting directly with the people across the country, making tough calls on what is and is not a priority.”

Steve listens intently, his brow furrowed in concentration as he considers your words. You can see the wheels turning in his mind, processing this perspective.

"You're right," he says finally, his voice quiet but firm. "I did agree to all of this." He runs a hand through his hair, a habit you've noticed he has when he's deep in thought. "I just want it to mean something. To be more than just sound bites and photo ops."

You nod, understanding his frustration. "It does mean something, Steve. Every interaction you have, every speech you give, every policy you propose - it all matters. You're not just going through the motions. You're shaping the conversation, influencing people's thoughts and beliefs about what this country can be."

Steve's eyes meet yours, a mix of gratitude and something deeper there.

"She’s right, Rogers,” a voice behind you makes you both jump and turn.

“This isn't just about winning,” Amy emphasizes. “It's about learning how to navigate the complexities of leading a nation, finding your presence as the leader of the free world, as commander in chief, winning the trust of the American people.

“The debates, the press conferences, the tough decisions you'll have to make as president - they won't always be fair or comfortable. That’s why I pushed you. You won’t answer every debate question like that, but I needed to know you could go there. That’s the kind of president America wants, but they don’t know it until they see it. If you can shake them to their bones, you’ll change hearts and minds.”

Steve smiles at her half in kindness, half in disbelief. “You say all of that pretty casually.”

Amy shrugs and returns the smile. “Because it’s true. I’m done beating you up now that I know you can go the rounds. If you want me to leave, I will, but I’m game to stay if you’re game for slightly less intense verbal sparring.”

“Oh, I can do this all day.”

[SEPTEMBER 28 - ATHENS, GEORGIA]

The campaign plane hums with activity in the minutes before take off. This cabin is filled with members of the press corps, their laptops open and fingers poised over keyboards, eager for any morsel of information they can turn into their next headlines.

Steve looks almost relaxed. His tie is loosened and sleeves are rolled up to his elbows. The energy from the successful event you just wrapped up at the University of Georgia still lingers in the air. This was the fourth event of its kind - a town hall format called College Q&A limited to students and granting them access to dialogue with Steve. You can't help but feel a sense of pride as you recall how he connected with the students, his earnest answers and quick wit seeming to win over even the most skeptical audience members.

It’s become routine that Steve always takes questions from the press corps when he boards the plane before heading to the campaign team cabin, and he’s truly at ease with them in this interaction.

“We’ll take one more,” the campaign spokesperson announces to let both Steve and the reporters know it’s almost time for take off.

“Andy,” Steve calls on one of the familiar faces - the reporter from The Washington Post.

“Yes, Captain, do you have any response to Jeff Connor’s comments about your relationship with Mrs. Rogers?”

Steve's whole demeanor immediately turns serious, his jaw clenching. "I haven't heard Connor's specific comments, so I can't respond directly. My relationship with my wife is personal, and it's not up for debate or speculation."

He pauses, his eyes scanning the cabin before continuing. "What I will say is that she has been an incredible partner, both personally and for this campaign. Her intelligence, compassion, and dedication inspire me every day to be a better person and a better leader."

Steve's gaze softens a fraction as he glances in your direction. "I'm grateful she agreed to take this journey with me."

The press corps erupts with follow-up questions, but Jake holds up a hand. "That's all for now, folks, you know they won’t take off until we’re all seated and we don’t want to miss our take-off window. Thank you."

You, Steve, and the rest of your staff head into the first campaign cabin, and as soon as the door is shut, the atmosphere shifts. The professional masks slip away, replaced by a mix of concern, curiosity, and irritation. Jake immediately pulls out his phone, you assume to get the quote in question.

Elsa, your communications director, is already pulling out her laptop as she settles into a seat across from Steve. "That was the perfect response back there. Quick and heartfelt. It'll play well, especially given the context of Connor's comments."

Your personal aide Sophia is already handing you a tablet to read the quote. "Here, ma’am. It came out during the Q&A, and everyone got wind of it as we were boarding the plane."

You take the tablet, your eyes quickly scanning the headline: "Jeff Connor Speaks Out: 'I Hope They're Happy Together'" The article features a quote from Connor: "I wish them both the best. Marriage isn't easy, especially in the public eye. I just hope they've found happiness together."

You pass it over to Steve and then chew on your lip, pulling out your own phone.

It only takes him a moment to read as well. "Thanks,” Steve's brow furrows as he loosens his tie further and passes the tablet back to Sophia. “This seems fine, unless I’m missing something. But who is this guy, and why would we care what he thinks of our marriage more than anyone else?"

A beat of silence falls over the cabin. You can feel the weight of several pairs of eyes on you, a mixture of surprise and shock in their gazes.

“Okay, I’m clearly the only one who doesn’t know,” Steve concedes, a shade of irritation bleeding through his tone, “Anyone care to enlighten me?”

You take a steadying breath, then look up at Steve and say, “Jeff Connor is my former husband.”

next part: coming 11/29

I'll just say that I've been waiting for this chapter in the story almost from the beginning. 😌

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

I do not do tag lists, but FOLLOW @buckets-and-stories and TURN ON NOTIFICATIONS to be updated any time I publish a new work!

[raayllum]

2x06 / 2x07

+ Bonus:

[clementimetodie]

Why does the right constantly believe they are not being idealistic, the world needs to conform to your beliefs for them to work too, things are not going to just turn on a dime because you think you're intellectually superior for not thinking about the impact your changes would have on other people

[flowercrowngods]

i don't know how to be merely acquaintances when we used to be friends. or i think we used to be. i don't know how to yearn for a simple hello when you've been heaping your affection on me months ago, and i don't know how to talk to you when you won't say anything. when suddenly it's all about me. you know i have nothing to say, you know my brain is void of everything but horribleness and i cannot tell you about my day because i don't even know about my day. i cannot tell you about my day when i know you won't listen, when i know you'll apply your philosophy to my world and don't believe me when i say that everything is terrible. i don't know how to be the person you seem to think i am, or the person you want in your life. i don't know if you want anyone else in your life now that you're in love and sappy, found another recipient for your affections, leaving me empty and wounded and yearning.

you said you missed me. said it many times, while i was gone. now i'm back, have been back, and i wonder how you missed me, why you missed me, when you won't talk to me. i think you mistook missing for worrying. i think you mistook caring for a feeling of obligation. i think you like missing me more than talking to me.

and i think i can't breathe with how much that hurts

[dutybcrne]

Kaeya once jokingly referred to Bennett as 'Bennett Guildson' in lightly scolding him over endangering himself, and Bennett most Definitely considered making that his actual name on his official Adventurer's Guild paperwork, send post-

[oh-meow-swirls]

was looking through old posts and i'm surprised to see that i seemingly didn't have any commentary on anything in 3 in chapter 7, 8 or 9, the posts related to 3's story go from "my first reaction when i saw yopple-bot was 'i love you. but also you are definitely the boss for this chapter-'" to "i have been in hell all day. hell being bada-bing tower." funny to me cuz those chapters are like, the best ones sdfkljsdfjfsdkjlfsdjkl-

[triflesandparsnips]

Something something Ed seeks out or is confronted by his own reflections three times in ascending order of violent emotions (the hand mirror, the salver, the knife)--

And we see Stede being painted twice in his old life, not looking at the painter or the painting but at some distant other thing, and then finally seeking to see himself in the third appearance of his portraiture-- only to find he's been painted out.

I wonder if Stede will someday ask to be drawn, and how, and whether he will look at the artist while they work, or the other people in it (if any), and seek out the finished work and be happy to see himself reflected in it.

...and I wonder if Ed will avoid reflections now (remove the mirrors, avert the eyes, but sometimes he'll catch himself in still water and flinch away--) because he knows what he is, he made himself this way, he knows how others see him and he can see it in their eyes without needing any further proof (except what he sees in Stede's eyes doesn't seem to match, so better not look there, fuck, fuck--)

Stede will look so, so hard now, and Ed will look at anything but-- a switch now, from their season 1 selves, lasting, perhaps, until they can finally see themselves -- and each other -- fully.

(And maybe, after that, they'll be able to see themselves together.)

[wolpatinga]

[the-eclectic-wonderer]

I just finished watching S2E13 The Stan Who Came To Dinner, and there's a scene I didn't remember before in which Stan asks for Dorothy's forgiveness for all the times he cheated on her, because he wants to face his operation with a clear conscience. Which is,, yikes, of course, but also not the thing I want to talk about right now.

What surprised me is that Dorothy seems to be shocked at his revelations? It seems like she really didn't know about Stan's infidelity? I mean, the whole dialogue begins with her saying:

"I've already forgiven you for that, Stanley. Besides, in the grand scheme of things, it's not bad to wait 38 years to make your first big mistake."

I initially thought his mistake was divorcing Dorothy (since his line before this one is 'I love you, Dorothy. That sounds crazy because I walked out on you, but it's true.' ), but then he admits that the divorce wasn't his first mistake, because he's cheated on Dorothy before -- and she seems genuinely taken aback:

"I cannot believe this. I cannot believe that I am hearing this. I always assumed something like this could happen, but..."

And this was so strange to me, because I always sort of assumed she did know. She even caught him one time! In S7E8-9 The Monkey Show, she recounts this episode about Stan:

"[...] I rehearsed my speech and I made arrangements to meet him at a coffee shop. I got there five minutes early and caught him necking with a waitress."

So... she does know (of at least one time)? But then, why didn't she say anything?

I feel like there's three possible answers:

She really doesn't know. She thought the incident with the waitress was a one-time occurrence, and she's believed him all throughout their marriage when he said he was 'going at a convention' or 'working late' or whatever excuse he used to cover his actions.

She's lying to him in the S2E13 scene -- and she's lied to him all throughout their marriage. She does know about his affairs, and never confronted him because she wanted to keep their marriage and their family together more than she hated his guts; she didn't want to rock the boat, so to say. What shocks her in the S2E13 scene is that he's admitting this stuff out loud, with plenty of details.

She lied to herself all throughout their marriage. As trustful of him as Dorothy can be (and as trustful of him as she was in her youth, especially), she's also a smart cookie, and Stan's not really the sharpest tool in the shed. It's hard for me to believe that she never figured out that he was cheating on her, especially after catching him with that waitress; it's easier to think that she forced herself to believe his gaslighting, as part of her efforts to be a good wife to him. When Stan (sort of...) comes clean, she's shocked because it's sinking in, in real time, that she was right.

I'm not sure which option is more likely; I feel like it's probably a mix of the three. At the beginning of their marriage she likely didn't think it possible and believed everything he told her; once she caught him with the waitress, she had a sort of transition phase where she tried to believe he was faithful to her even though she knew the truth, deep down, and then by the end of her marriage she was over it, and simply chose not to let him have it. She's shocked in S2E13 because she can't believe he's admitting this stuff out loud, but she doesn't seem as shocked (and angry) as she would be if she was just finding it out in the moment, imho.

I also feel like her knowing about his infidelity doesn't change the meaning of the first mistake line, because, well... he's always come back before. He's come back to hurt her again and again, but he has come back -- and then she gets a phone call, and suddenly, for the first time, he's not coming back anymore. It's the one time that's so devastatingly painful it eclipses everything that came before -- no wonder she counts it as his first mistake.

[steakout-05]

i was thinking about how it took me a while to figure out i'm aegosexual (which basically means that there's a disconnect between yourself and being the subject of attraction) and i thought about how much i really dislike and just cannot see myself in slash reader fics. i tend to dislike these fics for multiple reasons, but some of them include that the reader self insert is usually really boring, has no personality outside of being lovey dovey and isn't unhinged enough for certain characters for reasons outside of contrasting personalities for my tastes (like spamton for example, why are you writing a normal protagonist to pair with fuckin spamton of all characters). but another reason is that i literally cannot connect myself to the reader self insert. like i cannot imagine myself in their place at all, it's always another stand-in that i imagine instead and thinking about myself in their place makes me uncomfortable. i can't see myself in their place because i don't see myself as a subject of attraction, and i'm repulsed to that idea. so i imagine someone else instead because that's better to me. and also because of the aforementioned reasons that have more to do with the writing of the self insert, i just cannot imagine myself acting the way the self insert does because I Personally Would Not Fucking Do That™. like i would not be romantically kissing a guy on a date, i would be infodumping about my special interests for 3 hours and then start ranting about how funny cars are while he just smiles and nods lmao

this is why i've never really self-shipped with any character. like i can be attracted to them and be like "i wanna hold his hand/kiss him/do inexplicable things to his psyche", but in reality i could never actually see myself as a subject of attraction by this character, so i'd either ship them with another character i like or imagine a sort of stand-in that has some of my traits and lives out my fantasies but still isn't me. i can fall in love but i can never connect because ew that's gross and weird. watching from the sidelines by reading fics and looking at fanart about characters being shipped with others and being intimate with each other is more my cup of tea.

[wjbs-bonkle-au]

Hey you. You're new here, right? Well, I've been here all my life, and I know all about this backwater rock, as well as all the awful stuff that's happened here. For instance, let me tell you about... the Karzahni Embargo.

Few hundred years ago, some factory owner - can't remember her name - decided that sendin' her employees to Karzahni to be repaired was slowin' production too much, so she brought in the finest engineers from across the universe to figure out a way of keepin' her employees workin' in the event one of 'em got injured.

Now one of these inventors, a Ko-Matoran from the Northern Continent, he walks into the boardroom to present his idea, and the factory owner clearly likes what she sees, as she immediately greenlights it. It wasn't until a few weeks later that it became known to the public what this idea was; whenever a Matoran was injured, rather than being sent to Karzahni, they were taken away and... "fixed". I am usin' that term very loosely. Limbs gettin' replaced with tools, spines bein' patched up with control device... even organs bein' ripped out and replaced with mechanical equivalents.

Now, you'd probably expect the Xian council to immediately shut the factory down and immediately send the... "fixed" workers away for repairs. But remember, this is Xia. Instead, every member of the council immediately adopted this practise for their businesses. And then the lower-rankin' companies did the same. And so on, and so on, until it reached the companies that couldn't afford the implants.

That's when Glaivonn comes in. If you somehow haven't heard of him yet, I'm surprised. His company owns this entire district. He's one of those Titans from the Southern Continent, y'know them, they're the ones who name themselves after their favourite weapons. And as you can tell, Glaivonn really likes glaives. So much so that his company almost exclusively makes them. Or at least, used to. See, a factory fulla blades doesn't sound very safe, and naturally there's a lot of workplace injuries.

One day, after comin' back from a trip to the... "scenic" Tren Krom Peninsula, one of Glaivonn's assistants updates him on what's been goin' on while he was away, and when ol' Glaivy hears about the worker "repairs" and how less well-off companies can afford them, he gets a very messed-up idea; he starts makin' cheap, lower-quality implants, and sells them to the factories that can't afford the good stuff. This goes very well. For Glaivonn I mean; not the workers. I once met a Matoran from a low-grade mask forge who had her entire left arm and part of her lung damaged in a Protodermis spill, and the replacements were on the brink of fallin' apart.

But not only does Glaivonn make the parts cheap; he makes them for other species, too. Now, for non-Matoran, Karzahni isn't really a concern; if a Bruiser or Vortixx gets injured, then they have to retire, or buy a new limb if they can afford it. But now a Bruiser getting their arm torn off in a crusher ain't a guarantee of retirement. Just drag 'em round the back, bolt a grabber-claw onto the stump, reinforce the spine, and now you've got a super-worker who can't quit their job.

You're probably wonderin' why this is called the Karzahni Embargo. Luckily for you, you're about to find out! So it turns out that Glaivonn had connections to the Xian council, and he managed to pull some strings to get them to ban all transfers to Karzahni. You may think this sounds good, and in theory it was since the Matoran wouldn't disappear forever, but this also meant that now, any company that couldn't afford even the cheaper implants would eventually be forced to shut down. Xia hasn't sent a Matoran to Karzahni for centuries, and they probably won't continue doing so any time soon.

Now then, is there anythin' else you want to know about? Next story won't be free. Let's say... 8 Widgets.

[post-story notes section]

The thing about Axonn's species naming themselves after weapons is a reference to this post.

Also this story takes place about a week before Teridax took over the Matoran Universe.

Honestly I like to imagine that Xia is actually more cyberpunk that Metru Nui. Like there are giant Blade Runner-style holograms advertising the latest ridiculous weapons the Vortixx have come up with, and basically-hovercars flying between buildings, and a "luxury district"* where all the company-owners and stuff live, with like Matoran and Steltian Bruiser servants and stuff.

*which will come up in a future post

[knickynoo]

Back to the Future: The Animated Series, s01ep10 "Dickens of a Christmas" Review and Commentary

Previous episodes linked HERE

In this episode: A family-togetherness trip leads to prison, pickpocketing, and other fun shenanigans in 1845 London.

We open with Doc doing some work on the DeLorean.

He's frustrated with all the repairs and admits that he sometimes wishes the car had never been invented but that without it, he wouldn't be able to travel back to times before it was invented. This leads him to reminisce about a trip he took with his family one very hot summer day...

Into the cartoon we go! I will point out that we do not see Doc's face at all during this opening live-action portion, which is a bummer. I hope we get to see him at the end.

(I don't think I've previously mentioned that I write these posts as I watch through the episodes—pausing every few minutes to type up anything notable—so you're getting the complete journey here as I take it all in. I did watch the first season a couple of years ago, but I do not remember any of it because my brain decided the experience wasn't worth holding onto and dumped it immediately.)

Let's get back on track. It is a blistering hot day in Hill Valley. The flowers are all wilting, the thermometer on the wall explodes because it's hotter than the device can even register, and everyone is growing cranky. Doc is attempting to install a high-tech air conditioner-type thing he's invented in order to make it more bearable.

Outside, Marty is making his way down the street to the Brown farm. He's ditched the jeans and letterman jacket in favor of more "summery" attire, and is already making poor decisions by not only once again riding his hoverboard in public but projecting a movie in front of him as well.

For someone as prone to falling and who is as easily distracted as Marty is, I don't think this particular decision is a wise one. But that's cartoon Marty for ya.

He does end up crashing, by the way. He fails to see Einstein in the yard, runs into him (Einie is fine) and the two of them smash straight through the front door of the house. He wrecks the kitchen and knocks everybody over. With everyone's nerves already on edge due to the extreme heat, Marty's violent entrance proves to be the last straw, and they all start angrily shouting at each other.

Listen. I don't like to see them all screaming at each other, but. I kind of don't blame them? It's a million degrees outside and also Marty literally broke their kitchen table in half. I think Doc can shout at him a little bit for that. As a treat.

Bonus side-tangent! Can I point out how tiny Marty and Clara look in this shot?? First of all, Clara is not as short as Marty is, so that's automatically off. But also, compare them to Doc. He's actually wearing shoes with like...springs on them or something? That adds to his height, BUT he's also leaning forward a lot, so it mostly evens out. Without the shoes and while standing with better posture, Clara would come up to what—Doc's shoulder, just about? (I'm not factoring in her poofy hair) Something is very off proportions-wise. Take a look, then, at a shot from the very next scene.

I dunno. Someone dropped the ball here. Side tangent over. Can you tell I'm having fun watching this silly show?

Once Doc calms them all down, Clara notes that it's the heat making them so irritable, saying, "Maybe if it wasn't hot as the Dickens..."

This gives Doc an idea, and he decides that a family vacation to somewhere cooler is in order. Doc, Clara, Jules, Verne, Marty, and Einie all manage to pile into the DeLorean somehow and travel to 1845 London just before Christmas. Upon arriving, Doc entrusts Jules to hold onto the DeLorean's key, which means it will get stolen or go missing like immediately.

While admiring the view with Doc and Clara, Marty falls off of a building because he gets distracted staring at a girl.

There he goes. I guess he didn't learn his lesson about flirting with other girls after the whole thing with Mercy Tannen and being tried for witchcraft. Marty's brain does not retain those valuable life lessons for very long.

After safely landing in a pile of snow, Marty follows the girl into a nearby toy store to chat her up and gets promptly slapped across the face. Doc and Clara also go into the store because Doc is enamored with figurines of Dr. Frankenstein and the monster, which he evidently had a toy similar to as a child. While Jules and Verne wait outside, a pickpocket comes by and steals the key to the DeLorean. Jules and Verne take off after the thief, and Doc, Marty, and Einie see the commotion and go after the boys. Clara is left at the store, and Ebiffnezer Tannen soon enters. He's angry that the shopkeepers are late on their mortgage payment (by one whole hour) and throws them into debtor's prison. Clara is also thrown into prison after she rebuffs Ebiffnezer's advances.

Side note: this is the second time so far in the series that a Tannen descendant has flirted with and tried to win Clara's heart—through very unsavory means. The prior instance also took place in England (Lord Biffingham, who had captured both Clara and Lady Jennivere).

After unsuccessfully trying to locate the boys and discovering that Clara has been arrested, Doc and Marty decide to split up. This shows just how desperate Doc is because he should know by now that nothing good has ever come from leaving Marty to his own devices. We go then to the prison, which has a whole gigantic wing built onto it just for all the people Ebiffnezer has thrown in there.

After being tossed into a room with like 40 other people, Clara asks an elderly man if he's been there long. The man replies, "When I first come to this prison, I was wrinkled, I had no teeth and drooled a lot. I was a baby!" As you may imagine, Clara is not encouraged by this response. I however, think this is one of the funniest lines of the episode so far. This man was put into prison when he was a BABY because he somehow wronged a member of the Tannen family.

Here are all the people crammed into one of the cells in the Tannen wing of the prison.

Meanwhile, at the town square, Jules and Verne have been captured by the pickpocket leader and are being forced to learn how to steal things. While they're trying to go along with it until they can get the keys back, Marty is off having his own little adventure trying to get Clara sprung from prison.

Using the hoverboard, he makes a visit outside Ebiffnezer's window, posing as the Ghost of Christmas.

Ebiffnezer's terror abates just long enough to ask, "Past, present, or future?" to which Marty replies, "Uh, all of the above." He tells Ebiffnezer that he's there to save his soul and yanks him out the window and into the night. Their first stop is a workhouse, where children are slaving away. Ebiffnezer starts crying, and Marty is hopeful that he's already having a change of heart. But it turns out that Ebiffnezer is just upset because it reminds him that there's an 8-year-old who owes him money.

Jules and Verne, however, are having more success in their mission after having gained the trust of the young pickpocket who had stolen the keys in the first place. They tell him that if he can help get the keys back from Murdock, they can help him escape and find a better life. They get the keys and all make a break for it (along with Doc who had caught up to the boys).

Marty's next stop on his journey is to show Ebiffnezer another sad sight—a homeless family roasting their Christmas dinner of a few chestnuts over a fire. Instead of being moved by compassion for the family, Ebiffnezer attacks them because he's hungry and wants their food.

Marty angrily flies himself and Ebiffnezer back to the house, declaring that he gives up. As he's complaining, his projector device from earlier in the episode falls out of his pocket and starts playing a Godzilla movie. Ebiffnezer is horrified by the images, and Marty takes the opportunity to tell him that the destruction he sees is the result of people living wicked lives. Ebiffnezer immediately promises that he'll change and free everybody from the prison. The next morning, he's found singing and dancing in the street with a Christmas wreath around his neck.

And I can't help but wonder what the implications would be, if any, to the Tannen lineage, given that Ebiffnezer has such a drastic change of character and goes from wicked and cruel to kind and generous. But alas, the cartoon doesn't care about these things.

Okay, wait, hang on. In the scene that immediately follows, Ebiffnezer sees Marty in the toy shop and recognizes him as the "ghost," which makes him enraged and mean again, so...I guess that whole change of heart is undone pretty much right away. At least he's already freed all the prisoners by that point. Anyway, Clara is reunited with her family, and everything turns out okay.

Also, here is a screenshot of them all crammed into the DeLorean on the way home, which I still do not think would be possible.

End of cartoon portion! Back to Real Doc, who is still under the car and doing repairs. At one point, he reaches for a donut with his grimy, disgustingly dirty hand, which upsets me.

He also ends up dipping the donut into the can of motor oil instead of his coffee. Serves you right, Doc.

And that's basically it for this episode. It's a fun one, but I think there was too much going on. There was the plot with the pickpockets, the Clara in prison plot, and the Marty and Ebiffnezer one. It just felt disjointed and made it hard to write about. But Thomas Wilson's voice-acting as Ebiffnezer makes the whole thing worth it.

Join me next week as we travel to 1926 and meet FOUR-YEAR-OLD DOC!!

[subbmissivesuccubus]

Oh God. You were going to die. This was it. It wasn't demons or Muzan that take you in the end. It was your damn husband and his insatiable lust and stamina.

Lying face down on the bed, you panted against the mattress, your face a mess of tears and sweat, hair sticking to your forehead, eyes rolled up and cheeks painted a bright red. Behind you, tugging at his cock and eager for round...whatever the next number- was your husband.

Maybe you shouldn't have riled him up the way you did. You know how possessive he can be so why on Earth did you purposefully get him jealous by flirting with another man? Oh, right. Because you wanted to get fucked rougher. Well, you got what you wanted and now you're going to die.

You jumped as you felt the familiar sensation of a fat cock press against your entrance, your stuffed cunt instantly begging for mercy. You swore that if he fucked you one more time- made you cum one more time- filled you with his seed even one more time- you'd see the pearly white gates call for you.

You gripped onto the bedsheets and pulled yourself away, your body working on autopilot as your husband had successfully fucked the brain cells out of you. You heard him chuckle as you tried to crawl away, your body feeling like jelly, your arms and legs numb and barely capable of getting you to the edge of the bed before:

A pair of hands grabbed you by the hips and dragged you back, laughing at your whine of protest. Uzui reeled his hand back and smacked you across your already beaten ass before he spread your legs and gave an equally painful spank to your pussy, making you scream. "Now, what made you think that was a smart idea? Try running away again and see what happens."

Obanai lets you think you escaped before he grabbed you by the ankles, ignoring your cries as he pulled you back towards him. He flipped you onto your back like you weighed nothing, making you squeal as he took a nipple between his fingers and twisted, your back arching off the bed. "Are you trying to piss me off even more?"

Just as you reached the edge of the bed, wondering if you could make it, you felt Rengoku press himself against your back and- oh- fuck! He slid right inside you! You gasped as the man pushed his cock in with one fell swoop, taking your breath away as he instantly started moving his hips, preferring to fuck you where you were instead of dragging you back. "Get comfortable, baby. I'm not done with you."

Sanemi caught you the second you tried to move, simply reaching forward to grab a fistful of your hair and pull harshly. You yelped as your neck was forced to snap back, your back arching as your husband pulled at your hair, his other hand looping to the front to grab you by the neck before he leaned towards your ear and growled: "I'm going to give you a choice. I can fuck you here, on the bed, or I chase you and fuck you where I catch you and trust me, I won't be as nice."

Gyomei didn't say anything, even as you got off the bed and onto your wobbly feet. You wondered if you could just leave when he said, in his booming voice: "Are you sure that's what you want to do?" You froze, body trembling. Why was one sentence enough for you to rethink your whole lives decisions? You didn't know what Gyomei meant by it, but you knew it probably wouldn't be fun. With a gulp, you climbed back onto the bed before getting in front of your husband. You spread your legs wide as you lay down in front of him, reaching down to grab at his fat cock and press it against your entrance. The man smiled as he slowly started to sink inside your familiar heat. "Good girl."

Giyuu grabbed you by the legs and pulled you back while also changing his own position. To your horror, you found yourself slung over his knee, a predicament you just experienced an hour before which was why your ass was a bright red already. You started apologizing profusely, kicking your legs like a toddler but your husband simply ignored your pleas and held you down, the task quite easy for him even if one arm of his was free to do the spanking. "It seems one round wasn't enough to discipline you. Guess we have to go again."