#but the humor is also horror

[cozylittleartblog]

gooseworx in the glitchx livestream: i want to see people draw jax in a suit. people should draw him crying

me: sure thing, boss o7

[sweetmapple]

Mostly Hiring manager, but HR manager and PR manager too

[themostdearofspaghettis]

I’m impressed with the ability of Midnight Burger actors to make “okay” convey the entire spectrum of human emotion

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[starry-bi-sky]

I'm having incoherent thoughts about clone danny again from the clone/clone^2 au (when am I not?) but more specifically I'm thinking about his reaction to finding out he's a clone. The standalone clone au digs into that a little more than clone^2, which is more focused on Danny and Damian's relationship. But neither (so far) really get into Danny's issues about finding out he's a clone after 15 years of thinking he wasn't.

Because he resents his parents for not telling him for so long. He resents the way he found out; through a trivial school project rather than a sit-down talk. He resents the fact that, apparently, they had meant to tell him sooner. But forgot. He resents the fact that they never told him because finding out feels like something was stolen from him when it had the chance to not be.

Danny Fenton, just fifteen, cloned not even half a year ago, knows what that personal violation of autonomy feels like. He knows what it's like to be cloned and while he loves Ellie, he does, she's his sister, and in this au his twin. But he is still left with that feeling of unsafety after realizing he'd been cloned. Being cloned is violating. The onset realization that it's so easy to get DNA without the other party noticing, and that what was stopping someone from trying to clone him again?

Followed only after with the rest of the inexplainable mix of feelings of being cloned, the rest of that inner conflict and panic that's an ugly mocktail of emotions that range from horror to fear. Trying to imagine what it's like to be cloned from the cloned party, and I imagine that it leaves you with the feeling of needing to crawl out of your own skin with discomfort.

And then he gets put on the other side of it. Danny Fenton, only fifteen, was cloned not even half a year ago, finding out he is a clone. And reactions, I imagine, can vary from person to person. But to him, it feels like something got stolen from him, like someone took a hole puncher and stuck it right into his chest and stole a chunk of himself from him.

It changes nothing about him and yet it changes everything. It's a betrayal on it's own to just find out he was a clone and they didn't tell him for fifteen years -- it shouldn't mean anything, because he's still Danny, and yet it means everything. It's him, it's him, it's about him. It's his personhood. It's about the fact that a load-bearing rock in his identity just crumbled beneath his feet and now there's a rockslide.

Because then he finds out that they used the wrong DNA. Its like pouring salt in an open wound. He's not even related to his parents or his sister, when for years he thought he was. It's the fact that pieces of his identity that he's been so secure in for so long just got ripped away from him in an instant. Then they tell him -- only through his own horrified prompting -- that the person whose DNA they used -- Bruce Wayne -- didn't even know he existed. That they accidentally used the wrong DNA, then didn't tell the person whose DNA they used.

The betrayal of being lied to for years turns really quickly into horror at his own existence. Something very similar to the horror he felt at being cloned and the skin-crawling discomfort that made him feel like his own skin wasn't really his. And then its not. It's actually not. Nothing but his own name feels like it belongs to him anymore -- not his hair, not his eyes, not his heart or his lungs, nothing feels like his anymore and he didn't know what that felt like until it was gone.

It's a question of Nature Vs. Nurture -- where does the line of "nature" begin and where does the line of "nurture" end? What of him is actually his? What of him is Bruce Wayne's? It's not logical, it's not supposed to be. It's a load-bearing wall on the house of his identity being destroyed and now everything else is caving down in on him. What belongs to Danny, what belongs to Bruce Wayne?

[ilovemesomevincentprice]

As requested by anon, some funny/humorous gifs of Vincent Price. I hope they help, and enjoy! 🖤

[kabukiaku]

The Resurrection of Papa Emeritus IV.

I've been itching to draw Antichrist Copia for a long time now.

bonus happy ending:

also close up of seestor and rain:

[shinechermont]

Choose

Credits under the cut

Outer by 2mi127

Cross by jakei95

Lust by nsfwshamecave

Ccino by black-nyanko

Dust by ask-dusttale

Killer by rahafwabas

Reaper by renrink

Horror by horrortalecomic

Epic by yugogeer012

Error and Geno by loverofpiggies

Nightmare and Dream by jokublog

Swad and Swan by song_a and litemong

Ink by comyet

Sans by tobyfox

[grimalkinmessor]

Not to keep harping on it but Death Note has plenty of fridge horror to go along with the unintentional humor and romance.

Like,,,the ENTIRETY of Wammy's House is such a fucked up concept. An orphanage where they crank out genius kids into the world by...what? What are they doing with those kids? What do you mean one of them died in there? Wait—and the second one is a serial killer? And one joined the mafia? What—WHAT ARE YOU DOING TO THOSE KIDS—

Not to mention the intricacies of L and Watari's relationship. He's seen as a butler/father figure until you find out that he's an inventor/war vet who took in an orphan with the express purpose of making him useful. No wonder Wammy's runs the way it does when the og, the man it is named after sees children as tools and means to an end. And, given that L has already made them so much money playing stocks that it doesn't even matter anymore (Mr. Builds A Skyscraper To House Five People), why is Quillish still with him? To keep an eye on him? To make sure L doesn't forget where he came from? Out of some sort of guilt for never teaching him how to take care of himself because those weren't the skills that Quillish thought it important to cultivate? Or maybe even to keep him dependent on Quillish to keep functioning properly.

And then there's the horror of L himself. Not even the implications of him, but the proof of who he is and what he can do. The thought of a man with so much money and power and influence that if he wanted to make you disappear, if he wanted to torture you or hold your loved ones hostage or kill you and everyone that's ever shaken your hand he could and no one would fucking bat an eye—that's fucking terrifying. (Where the fuck is Beyond—) And, not only does he have the power to do all that; no one would question it because he's part of Law™. His every action can be excused as being part of the Greater Good, despite the fact that L himself has admitted that everything he does is for his own benefit and/or entertainment.

Light, of course, is an obvious horror—but one of the most horrific things about him is glossed over. I'm not someone who personally believes in the Death Note's corruptive powers or aura or whatever, but that's not what I'm talking about. I'm talking about the fact that, once you give up the Death Note, your memories of it are erased. All the people you've killed, all the things that you've seen, you've still seen and done all those things, you just don't remember it. There's a hole in your mind, and all that prickly, thorny mess that grew in you when you were a killer is still there, choking you—you just don't know why. Why are you so unfazed by death? Why don't you cry when your mother dies? Why are you so afraid of being something that looks like you? Will you ever be certain of anything again? Will you ever, truly, know yourself when you can't remember all the atrocities you've committed? Can you ever change and grow again if your roots are gone? Or are you stuck in stasis forever now, your mind stalling in one place in order to keep you from remembering the people you've killed?

[deconstructthesoup]

During the day: Slay The Princess is so fucking good, I'm gonna watch so many reviews and playthroughs and check out all the cool fanart and AUs, this is amazing, I should've been into this ages ago

During the night: I wish I had never heard of this game, I cannot sleep for fear of the Wraith climbing out from under the bed, every time I close my eyes I see the bulging eyes of the Princess before she becomes the Nightmare, I have well and truly fucked myself

[thee-morrigan]

Holland's had the same favorite poet since a writing requirement class in undergrad when the professor made them read Billy Collins. Somewhere between reading "Another Reason Why I Don't Keep A Gun In The House," and "Evasive Maneuvers," she became Fully Enchanted.

[cranberrybogmummy]

"Hi, I'm Nyarlahotep you may know me from such hits as: 'How is my city on fire?' 'Oops! All madness!' and 'Mommy, why are my eyes bleeding?' And I'd like to talk to you about..."

[lycanr0t]

sorry to the person who late night delivered my walmart order of A Single Shovel to my very dark silent house yes it was to dig a grave

[morphean42]

I tell and laugh at 9/11 jokes because the actions of the US Government after the disaster were horrific and we shouldn’t act like the only victims were those who died in the towers. You tell and laugh at 9/11 jokes because you have been brainwashed into thinking it’s just a big meme and doesn’t actually matter. We are not the same.

[actualbird]

ive been reading dungeon meshi lately (so good so fucking good) and aside from it being so good so fucking good i am in AWE at how effortlessly it shifts from being the funniest comedy in existence (like i have literally writhed in bed laughing reading this manga) to being a Horror. to showing The Horrors. thats some unreal fucking tonal control, im DELIGHTED

[theshadowrealmitself]

At all times I am thinking about “person surrounded by robots who inexplicably look like them, so no one believes them when they say they’re not a robot”

Currently it’s taking the form of a person (A) stumbling into a part of the galaxy where there’s a line of robots that coincidentally look almost identical to them, and this person gets snatched up by a group who wants them to use that to go undercover against the group’s opposing enemies

Rn really focusing on one of the opposing group’s leaders (B) really liking the “robot” (even if it makes them feel skeevy for liking a robot of all things so much) and when it comes out that A is actually working with B’s enemies, B is still not aware that A is actually an actual person, instead thinking that the group must have reprogrammed A at some point, and they want them back

It’s about to be a very awkward negotiation meeting for A