#but the fact that they are doesn't make it seem more real?

[instantpansies]

oh my word THANK YOU!!! i've been trying to say this since the wicked movie repopularized all of the "wicked is canon" stuff, but you've put it in a way i wasn't able to. YES. certainly wicked is allowed to be a derivative work that recontextualizes Oz. assuming that whatever is in wicked retroactively and automatically changes details about the story (ie, that the scarecrow and the tin woodman knew each other before the events of Wonderful Wizard and/or the MGM film) is simply incorrect.

i'm all for incorporating a body of work that may not be fully compatible into a coherent canon that works as an alternative parallel to the original. i think it's completely fine and understandable that people are hooked on wicked and will want to understand some characters through the lens of wicked. but assuming that wicked's popularity makes it truly canon, or assuming that the history it presents is accurate to Baum's Oz, is ignorant to both the original context of the Baum books and the long history of Oz adaptation.

i'm also a bit of a hater, as i personally believe that understanding Wonderful Wizard characters through a lens of wicked, especially the musical but also the book, is a less interesting way of analyzing the text and symbolism present in that story than either the Baum novel or the MGM film presents as each stands alone.

wicked is, certainly, its own thing. of course it exists in the context of over a hundred years of adaptation before it, but that context is simply not known by most people. it must be able to stand on its own, and i believe it does. but when this retroactive wicked lens is applied to that context and history uncritically, we will run into problems.

i almost want to blame the seemingly recent, but really just more visible shift in fandom to a need for everything to be canon and confirmed? like, it can be difficult to reconcile in our minds that so many different versions of oz are allowed to exist and don't have to be compatible. wicked "confirms" things viewers are left wondering about after the mgm film, so therefore it must be canon, and therefore it's appropriate to correct people on facts they "get wrong" when they contradict wicked canon. that's how the thinking seems to work, at least in my observation. and that way of thinking seeps its way into the secondary or deeper oz fandom, which has led to (in my view) a sort of soft shift from Baum-centric understanding of oz as a whole to a binary star system where Baum and Maguire are seen as co-creators of a more true or real world and story. i'm exaggerating, certainly, but i've seen this shift occur over time. i hesitate to bring this up bc it sounds like i'm whining about the fandom's natural changes and how things aren't the way they used to be, and i guess i am. i digress.

anyways, your original point. yes!!! while oz became baum's most profitable endeavor, and throughout the series you can see him sort of wishing his other books were more profitable so he could expand in different directions, that doesn't mean he didn't care about continuity or cohesion at all. i'd argue he cared more about cohesion and telling a story that made sense and continued to make sense as it was expanded, than he cared about maintaining particular canon details through the whole series. oz changed as baum's tastes, needs, and audience changed, and that is just as important as the changes that would be added by adaptation later on. (hell, many oz fans don't think of the 1902 musical or the silent films as canon, despite them being created by Baum, both because they're less well-known and because they do change things up to better fit their respective media and contexts). this sense of inconsistency, whether overblown or minimized, doesn't mean that wicked is canon compliant with the baum novels. wicked directly contradicts baum's work in some cases--which again, is completely fine. it's a derivative work that takes certain aspects of the original books and the mgm film, synthesizes them in a grimdark expansion on especially the political aspects of the world, and seeks to tell a unique story that allows you to think about Wonderful Wizard and MGM in a different way. but it is not itself an explanation for Baum's supposedly undercooked or unfinished world. it is not itself a part of the original story (i mean this in the context of canonicity of baum's work. oz fans know how complicated oz canon is.) but instead is--as it claims to be--another branch on the complex tree of oz adaptations.

tldr. wicked does not "explain" anyone's actions in Wonderful Wizard or MGM. it seeks to provide an alternative context, or an alternative explanation, certainly. but it does not retroactively "fix" the story. it's perfectly fine to think about the original story or the mgm film in the context of wicked, if you like the alternative history it provides. policing others' adaptations and understandings of the story, or implying or directly stating that wicked should be incorporated into others' headcanons or interpretations or adaptations, or claiming that wicked is canon simply because baum didn't care about canon so everything is canon, is not helpful or productive or good. in fact, that actively makes oz analysis less fun, in my opinion. i hope my point is made here i've been trying to say this for months but as usual i was completely unable to get my thoughts across until acted on by an outside force (seeing this post). so thanks!!

I've seen a lot of people lately harping about how "Wicked isn't canon to the Oz universe", "it's just glorified fanfiction", etc., and I can't express how silly that is, and how annoyed it makes me every time I hear it, lol. Baum's original Oz books were never meant to be some canonical series — they contradict each other constantly; Baum called it a "fairy story" with loose cohesion at best; and it only became a series at all because the first one got popular enough that Baum felt a duty to the fandom to keep making more (even after he had wanted to end it). And the 1939 film is every bit as much "fanfiction" as Wicked — it changes the story in both major and minor ways, including a complete shift of framing (i.e., making Oz into a dream rather than a real place).

Maguire's great contribution to the overarching legacy and lore of Oz was to harmonize the very weak "canon" of the older works with a different shift in framing: recontextualizing all of the prior Oz material as a revisionist history (going off of Baum's own idea framing of himself as a "Royal Historian of Oz"), and attempting to tell "the true story" behind the other works (fictively of course — we're never meant to literally think Maguire's version preceded Baum's, irl). In literary studies, this is called an urtext. The Wicked Years and its adaptations are as much "fanfiction" as the 1939 film: it's just self-aware of that fact in a way that earlier works weren't, and uses that perspective to deconstruct the material and explore deeper (and darker) themes — not simply adapting or reimagining the original text (as the 1939 movie did), but actively challenging it; interrogating it. It's not meant to be "canon" as such: it asks you to ask whether (and why) there is such a thing, and what that might say about the stories that we are meant to literally believe in, in real life.

[hadesisqueer]

I’m here to be different from the trolls and actually ask you something interesting. Do you agree or disagree with Miguel and the canon events?

Oh boy. Alright.

I sympathize with Miguel, and I find him a very complex and interesting character who, even though he knows his methods are far from exactly right, genuinely thinks he's doing the right thing and everything for the greater good. But no, I don't exactly agree with him when it comes to the whole canon events thing.

I do think canon events are real to some degree, in the sense that they are things that the Spideys in different universes tend to experience. However, I do not think that they all have to happen and if they don't and things go differently then everything is broken and that dimension collapses. Mainly because the logic behind that is flawed.

Miguel explains that when he took over his dead counterpart's place, he broke canon. But what canon events did he even disrupt? He doesn't explain it. Unless his daughter was Spider-Woman there and his death was supposed to be her Uncle Ben moment, it doesn't seem like he actually broke any canon events at all. But his daughter was a little girl and she likely hadn't even been bitten yet, so it seems unlikely because it like the whole canon things happen after you're bitten. It doesn't make a lot of sense.

You can argue that Pavitr's dimension started unravelling after Miles breaking his canon event, but it doesn't make full sense, either. It seems like it took a while for his daughter's dimension to get destroyed after Miguel allegedly broke the canon, and Pavitr's starts immediately after? Right after the stunt the Spot, a multiversal threat with dimensional powers, pulled? Miles was right, it makes more sense to think that that was the Spot's fault than his.

Also, if according to Miguel, Miles should have never been Spider-Man and his whole existence goes against canon, how come his dimension hasn't been destroyed? How come Prowler Miles' dimension is still there if he wasn't bitten like he was 'supposed' to be? Absolutely no canon events have happened in Earth 42, and-- it's fine, no black holes? And why does Miles even have to experience canon events if according to Miguel he's an anomaly? Plus if we're being technical Peter Parker's Spider-Man already experienced those canon events, all that already happened to one of the Spider-Men in 1610, so why do they have to happen twice, now to the kid who again wasn't even supposed to be Spider-Man according to Miguel?

Even in Gwen's case. That's the most subtle yet clearest example of the fact that nothing really happens if canon is 'broken'. He quits and stops being captain. Which means that a canon event isn't going to happen now, because the police captain that was supposed to die was her father. And now he's not captain anymore. Did something happen? Did a horrible black hole open up and started swallowing everything the moment he said those words? No. Nothing happens. And Gwen realizes that, too. And that's when she fully confirms that the whole 'everyone has to experience these canon events by force or everything will go to shit' is actually a bunch of bullshit. Because canon was just technically changed, and everything was still fine.

Again, I think Miguel truly believes he's doing the right thing. But his logic is flawed and he's too blinded by his own grief and guilt to see that.

[holymolyfizzie]

i don't wanna derail @kityana's post about stolas's pill popping, so i'm making a separate one. but something kityana said finally made me think about something: "i'm still not sure if those pills are actually helping him or if they were just given to him to numb him to how shitty his life is"

I've wondered something related to this a lot myself. but Stolas takes his antidepressants with alcohol (and in the aftermath of alcohol, like at the end of The Circus), which is a depressant. taking antidepressants + alcohol at best just cancels out your antidepressants so they don't actually do anything. but both at once, at worst, makes your depression symptoms a lot worse. taking them together is the sort of stuff that college girls get yelled at for, but i guess no one told stolas. i wouldn't be surprised if he's been popping them like candy and upping his dosage because he was told they would help him…and then they don't because of the rampant alcoholism. which is to say that we don't know if the meds even worked for him at all (i'd argue strongly they didn't, considering his alcoholism only ever got worse and he kept taking more and more pills, like they never worked enough) or if they were a placebo while he was taking them

and this might be a bit too nuanced for such a show, but as someone who has suddenly gotten off antidepressants that didn't work at all, the withdrawal symptoms don't always affect mood that much (they did nothing for it to begin with) and they sure as hell don't last a full month after getting off. in fact, going cold turkey off of meds that do work for you shouldn't have withdrawal symptoms that last a full month (if you do, it's a Talk to Your Doctor moment). i just really wonder if Stolas noticed the lack of antidepressants after the first few days beyond the old habit of taking them, and if we really can contribute much of his mental breakdown to getting off antidepressants

but you know what he was taking religiously, that did affect him for sure, and that we haven't seen him touch in a month now? the alcohol. he was drinking during Mastermind, but he clearly hasn't touched it since the trial. Blitz doesn't seem to have alcohol around, and Stolas wouldn't ask for the extra expense -- he's being forced to quit. he passes up Loona's beelzejuice at the Sinsmas party, noticeably. the beelzejuice is brought in, and Stolas immediately goes outside for a smoke instead. he's not drinking anymore. and quitting alcohol cold turkey is an insane process, esp at his level of hard liquor. we're talking about disastrous health consequences and a whole host of withdrawal symptoms -- anxiety, depression, irritability, fatigue, loss of appetite, brain fog, hallucinations, and much worse stuff (in humans, seizures). it's impossible to underestimate the severe damage alcoholism does to your brain and body longterm. and a lot of those withdrawal symptoms stay weeks after stopping cold turkey

like, i don't want to detract from him going off of antidepressants; he needs and obviously wants working antidepressants, he's desperate for them. but i'm gonna be so for real, i've had my experiences going off ineffective antidepressants, and i've watched family members try to quit alcohol. an alcoholic quitting is a brutal, drawn out process that shakes me to my core. there are reasons a person still says "i am an alcoholic" even a decade after quitting. that shit's insidious in a way that antidepressants aren't, and it was affecting stolas noticeably more, surely enough to render his meds useless. if you want him back on antidepressants, then you need a sober Stolas first, and this is what he's FINALLY working on

so i think more emphasis needs to be placed on Stolas's recovery from alcoholism when discussing his mental breakdown, irritability, etc. the fact that he's doing this without rehab or other interventions is miraculous, nearly impossible. i don't want his impressive recovery (so far) from alcoholism to end up getting buried under the antidepressant talk ngl, especially when his getting off of alcohol now means that his antidepressants may actually work in the future and help him. this is something to be so so proud of!!

[shitpostingsapphic]

Hey guys since y'all arcane critical dipshits have a liberal use of the word "fascist", I have a quick question:

If I block people for their shit opinions, am I "controlling media"? Does that make me a fascist?

Y'all sound like Musk with how you misuse political terms and characterize fascism using Caitlyn as a scapegoat. It's a fun little button word for you.

Let's talk about REAL fascism and what it means.

I won't dissect every bullet point because I assume you think yourselves smart and I will give you the benefit of the doubt. You can read for yourselves.

An important distinction to make here is these points much more closely align with Ambessa and the Noxians and their perspectives.

But we aren't talking about them. We're discussing Caitlyn.

And frankly, if you truly want to discuss fascism, I should be seeing a lot more think pieces on Ambessa, but we both know you aren't doing that.

Because you want to put Arcane season 2 in a negative light, and to acknowledge that the actual fascism was never seen as a good thing and that it was properly punished in the narrative, doesn't really help you stick to your whole thing of "Arcane s2 sucks because the big bad wasn't punished".

Now, as I was saying. Caitlyn is NOT innocent. She DOES participate in the system. She IS influenced by extreme emotions and a lack of a proper support team from people like Jayce and Mel, who are missing, and her father, who is too preoccupied by his own grief to tend to his own daughter. But she is STILL accountable for her own actions. All that being said, SHE IS AWARE OF THAT.

She's not proud of the things she's done and feels great shame for them. Being a participant in a system of fascism does not mean you have fascist ideologies. Those of us from American or European countries with a history of such things would all be fascists if that were the case, especially those of us who have military families, especially those of us who have more conservative and/or privileged upbringings.

If you want to talk about fascism, the ideology, the system itself, you should be discussing Ambessa and the Noxians. If you want to discuss the character Caitlyn Kiramman, be a bit smarter. It DOES require more nuance. Intention matters. What you decide to do after committing terrible actions matters. How you choose to move forward matters. The sum of all parts MATTERS. And I know you guys really want to exaggerate what Caitlyn actually does to make her seem worse than she is. I know you want to ignore the fact that Caitlyn DOES choose better and DOES feel remorse. That doesn't erase the fact that she does.

[venusdeluxe]

I've had so many usernames over the years I can't quite remember where all of them came from, but I have like a basic history of the main ones I used. My YouTube channel's name used to be Mardrik10 when I first made it. It was just a combination of my name and Mario lol. Just Mardrik was taken so I added the 10 cus it felt like nice number to stick on the end of it and also I might've been 10 years old?? Later I wanted to get rid of the number, but simply Mardrik felt too simple so I made it McMardrik, which sounded better in my head than it was when people actually read it. Then again a few years later I wanted a change, but I wanted to get rid of the Mardrik name entirely. I recalled how I'd often told people at school that I'm actually from Mars and decided to base it on that. I experimented a bit with McMartian, but I didn't like how that sounded. Eventually I landed on MartianDeluxe or MartianDX. Deluxe just seemed like a cool word and Kirby Triple Deluxe was a game I liked, and I was happy with how it looked when written down. That was my name for years and often people around me on Discord and stuff would just shorten it to Mars so I shortened it like myself too. At some point tho, my struggles with my gender identity caught up with me once again, as it always does, and I wanted to change it again to something that felt less masculine to me. I wanted to retain some continuity tho so Venus seemed like the most elegant option and that's where I'm at today! My YouTube channel is still named MartianDX cus… I dunno, I guess I just wanted to keep it that way. Everywhere else though I'm some variation of Venus.

But that's just one evolutionary path of mine, I've had many other names before and during this time and I won't share all of em lol. On Club Penguin and Roblox and YouTube I had several accounts as I was constantly trying to reinvent myself. I had a period where I was just making up new YouTube accounts with new usernames all the time as I wanted to find some kinda subject or gimmick to base myself around as a YouTube. Most of those I never made a single video for, but on MartianDX I made videos on for a couple years. I don't remember if most of them are private or unlisted or if more of them are public than I realized, but most of them are still there atleast. I know for a fact the first YouTube account I made was one I made at school with the username GreenTheHedghog (I didn't know how to spell hedgehog), but I haven't been able to find and it probably doesn't exist anymore. Mars and Venus sometimes feels like my name more than Fredrik does. I don't even have a particular dislike of that name, I just ingrained myself in my lil communities online that it felt like my real life more than anything. Is that a good or bad thing? You can decide.

Alr, friendship interaction thing!

What is your online alias? How did you get it?

I'll go first, I'm Vice and I got my alias from a Will Wood song (2econd2ight2eer, specifically "Vice versa, vice versus virtue")

[roseofcards90]

this is super random, but did you notice that gekkabijin didn't appear at all in coquelic's flashback/vision(??) of the garden in flora unfurl?

this paired with the fact that gekka technically failed the garden admission test but was let in (for whatever reason i gen forgot 😭) ... do you think that coq doesn't see her as a member of the garden? or gekka doesn't see herself as one? or maybe both???

OH!!! This is so interesting actually, I ended up looking into it because I was also confused on Gekka’s Garden status 😭

I think long story short, she is still considered a member of the Garden (to Coq and the others) while Gekka seems to see herself as a member but she doesn't think she's strong enough to be??? Let me try and explain.

Shown here in Gekka's arrest records, we do know she was defeated by Sumire in the test, but she was still allowed to join the Garden. That would make her a member:

Gekka herself still has her personal goal of trying to become the "number one assassin". She doesn't want to be weak, so she's trying to improve herself and train. Despite being accepted as a member, they think she is still not worthy of joining. Gekka was also the one who chose her own name, not the mentor/Coquelic:

Because of what she says here, it seems like she doesn't really view herself as a "true" member? And that's why she keeps training, why her wish is to be stronger and become a worthy member. Despite this though, she's looped in with the other Garden members in Coquelic's interrogation. She's clearly close with them and treated as a member there.

In Glitchwave Nihil, she is the only member to not become a stand in the real world, and she even remarks on this in the messages you get during the event. She's sad that she was the only one left behind 😭 this seems to suggest that at the very least, she sees herself as a member but still thinks she isn't strong enough.

Because of her voice lines and her ECB text, we also know that the mentor looked down on Gekka while she was there. This is one of the major reasons why Gekka continues to train and why she also doesn't think she's strong enough for the Garden:

"So piteously weak that I don't even want to bother killing you."

The mentor's attitude we see here is noteworthy because it's pretty unclear who the mentor is here (something that the sin website also takes note of). This could be the previous mentor, or it could be Coquelic. I am heavily leaning towards this person being Coquelic, only because that harshness (which often masks the concern she has for her flowers) as a mentor is a trait she's shown to have before in Sumire's interrogation and in general (idk if you've played through Sumire's interro but basically Coq is very harsh there with her because she doesn't want the Chief to betray Sumire and have her get hurt). I don't think it's that farfetched to say this was Coquelic trying to protect Gekka because she wasn't ready to be a full on member yet.

In short, I think Gekka ultimately sees herself as a member, but she is still in the whole "I need to be stronger" mindset so that's probably she seems a bit more distant than the others.

What about Coquelic though?

I also think Coquelic and the others see her as a member, despite her lack of a presence in Flora Unfurl. A lot of this is evident in Coquelic's interrogation, where she is treated as one of them.

Coquelic mentions her along with Sumire, the other Garden member at the bureau at the time when she is trying to get captured by the MBCC:

And she is included with them again when Coq talks about each of her flowers and their wishes. The one for her and Gekka is interesting because it seems to suggest that Coq was the mentor who looked down upon Gekka before (although it could still be the previous mentor who did this tbh. That part is unlcear, but I think it would make sense given Coq's tough love attitude and their relationship)

I'm not exactly sure why Gekka isn't really shown in Coq's vision (assuming you mean this image) but it could just be because she wasn't involved in the Rain Burst/Flora Unfurl story line, so that's why she's not present in this 😭 (kinda sucks that she's being left out yeah but I'm glad they still have her in the interro)

We know that despite not being shown there, she is still included here in Coquelic's interrogation, which definitely suggests to me that she is a member of the Garden to Coquelic and the others.

Also it’s funny that you mention that scene from Flora Unfurl because I also wondered why Gekka wasn’t shown there when I first went through the event fkdjndfj what's even more funny is that in Coquelic’s interro, another similar scene shows up except Thistle is the one not included this time LMAO:

But I think the reason why Thistle isn't here (and also why she doesn’t show up in Coq’s interro like the others and only in a flashback) is probably because they didn’t want to show her new design yet 💀 since Thistle's interrogation takes place before Coq wakes up (and she's in her new outfit there), it's not like they could've shown her here lmao since she released as a playable character after Chapter 13, and Coquelic's interro released way before then (despite the story itself taking place after Chapter 13).

Still mentioned tho!!! Also iirc in Thistle's interro, Coq only began to wake up when all the members of the Garden were present there, another nod to Gekka being considered a member to her!

TLDR: THEY ARE ALL ONE BIG HAPPY FAMILY, COQ IS JUST A GRUMPY OLD GRANDMA ABOUT IT KDJSNDFKJKFD

[rdng1230]

Sorry op, you awoke the writing demon and it must be satiated.

—-

Sal groans into his whiskey, silently asking god why he sent him such an idiotic best friend with it seems, an equally stupid ex boyfriend.

"You asked him to move in with you? Buckley I thought he said you were smart."

Buck can't help the sad smile that invades his face. "He really said that??"

Sal ignores him, tapping on the bar like he's Columbo laying out a case. "So tell me if I got something wrong here. He kisses you, you go on a date, you pull the no homo routine, ask him for coffee, invite him to your sister's wedding, fucking insane by the way, you spend the next what, 5 or so months happy as clams not asking any deeper questions at all and you think you can just jump into cohabitating with a smile and a Stonewall Spiel?"

Sal straightens up and turns to face Buckley full on. "No foolin, is there an actual goddamn gas leak in your apartment?"

Buck stares back at him sheepishly, either shame or booze flooding his cheeks red. "I may have skipped a few steps."

"Boy you skipped so many steps you took an elevator."

Buck bites the inside of his cheek. "Tommy always made your pep talks sound like, you know, actual pep talks."

Sal takes another sip of his drink and signals for another. "Here's the thing I think you've failed to grasp about ole Tommy Boy. There is nothing more baffling to him than a compliment."

The younger man's brow furrows. "What do you mean?"

And this time Sal actually looks sad. Really sad. "I've been his friend for longer than either of us care to remember. I have seen the best and worst of him and I love him more than anyone apart from my girls. I haven't always been good at showing it, but he is my family."

Sal stares at Buck with a strange mixture of vulnerability and laying down a challenge. One Buck desperately hopes he can meet.

"The only thing I would change about Tommy Kinard is that he would believe me when I tell him that. Would believe anyone when they tell him things like that."

Buck reaches out without thinking to grab Sal's shoulder, and surprisingly the old grump doesn't recoil. Buck can't really say Sal and him are friends. In fact they may be far too similar to ever be friends. But Sal wants nothing but the best for Tommy, and for that, they're on the same team.

"The truth is kid, Tommy has a knack for picking roads he knows are dead ends. He was ready to ride the thing with you till the fucking wheels fell off, but he never expects anyone to stick around. There's nothing scarier to him than potential. To him that's the same thing as loss. And believe me, he's lost enough."

Buck stares at the foggy bar mirror. If he wasn't on his second whiskey, Sal would have made an excellent Roman Centurion. Stalwart and intimidating against anyone who would wish harm to the things he cares about. It's probably what makes him such a good Captain.

"How do I make him believe that he's not gonna lose me? How do I convince him that I want to stay."

Sal gives him a sympathetic glance. "I don't know if he'll ever believe it fully. But the best advice I can offer? Stay anyway. Love him anyway. But you gotta love the real him this time, and believe me he will fight you every step of the way on that."

Buck nods sincerely, his whole body singing at the idea of even seeing Tommy, much less being with him. "I'd fight forever if it means getting him back."

Sal grimaces and juts his chin toward the door. "Get the hell out of here and go get your man Buckley, Unless you wanna gimme a toothache on top of this hangover."

Buck grins, tossing a wad of cash on the counter and gunning it for the exit.

Sal goes up to Buck in a badge and ladder bar and asks him what the FUCK did he do to Tommy

And Buck is taken aback and looks so confused as he replies that Tommy's the one who broke up with him?

And Sal juat goes cool, that doesn't answer my fucking question. What the fuck did you do to him?

[deliciouskeys]

Before Christmas, as promised, the last chapter. My holiday gift to people who have been reading this long journey of a fic, thank you so much for taking the time and partaking in my brain's delirious feverdreams.

[If you see errors, typos, annoying word repetition, I apologize in advance-- I self-betaed but... I'm... low on sleep because of work.]

Fic summary below the cut if you don't want to reread to remember what was happening.

Aug 28, 2022

Wherein on the anniversary of Ryan's death, Homelander takes a moment away from grieving to visit Vought Reproductive Labs and first hears about an intriguing solution to his problem

Sept 2&15, 2022

Wherein Homelander visits a super with an ability to reshape flesh and asks to have a very peculiar body modifying surgery

Sept 17, 2022

Wherein Homelander visits Billy Butcher with a very matter-of-fact proposition, delivered with a little more brutality than he intended, but isn't able to achieve his goal.

Sept 18, 2022

Wherein Homelander makes conciliatory gestures towards Billy Butcher and they try again, this time in Homelander's apartment.

Nov 15, 2022

Wherein Billy Butcher finds out that Homelander has achieved his goal and doesn't have any real intentions to leave Vought, and they have a falling out.

Dec 12, 2022

Wherein Homelander pays a visit to Dr. Sonnenberg again and contemplates telling Vought about his condition.

Dec 14, 2022

Wherein Homelander's announcement of his condition falls with a very strange thud in the Vought board room. He realizes they may not have his best interests at heart, and he comes crawling back to Billy Butcher if not for help then at least moral support.

Dec 15 & 24, 2022

Wherein Billy Butcher takes advantage of the rift and arranges for Homelander to cut ties with Vought completely. Homelander is reluctant but has few options. He’s placed under house arrest in Billy Butcher's dingy apartment until the FBI can get a deposition from him about Vought and he adjusts to his new life.

January 24, 2023

Wherein Homelander goes public with his pregnancy announcement, MM is really concerned about Butcher's plan, and Homelander and Billy Butcher continue to look for ways to live together and not strangle each other.

March 2, 2023

Wherein Billy Butcher and Homelander have a blowout fight over Homelander's reluctance to give straightforward testimony about all the abuses he underwent while being raised by Vought and they go to bed not entirely angry but not entirely reconciled either.

March 3, 2023

Wherein Billy Butcher faces the fact that he's grown attached to Homelander and resolves to be more patient and understanding. He and Homelander have a raw heart-to-heart which brings up strong emotions in both, and each of them has a lot of misgivings about how the relationship is really shaping up. Homelander has his first real pregnancy scare and has to break house arrest to tend to it.

March 29, 2023

Wherein Homelander and Billy Butcher are preparing to move into a nicer apartment, Homelander's house arrest ends, Homelander requests a baby shower, and he and Billy Butcher have one last go with his supersuit on before they are required to return it to Vought.

April 14, 2023

Wherein Homelander makes a happy discovery that his baby can see through him, and Billy Butcher brings tidings of a disturbing discovery about Ryan's fate. Something in Homelander snaps and he is newly motivated to fight back against Vought. Billy Butcher records notes for an entirely new deposition with a very different tone.

May 27, 2023

Wherein Billy Butcher's friends and friends-of-friends come over for a baby shower.

July 3-5 2023

Wherein Homelander is overdue and can't wait to give birth, but once the ordeal starts it never seems to end. Homelander goes into a bit of a fugue state before it’s over, but all's well that ends well.

July 8,9,17, 2023

Homelander and Billy Butcher are adjusting to life with a superpowered newborn, and despite difficulties, Homelander makes a concerted effort to return into the public eye and take back control of the narrative from Vought-planted stories about him.

October 18, 2023

Wherein Homelander testifies in a pivotal congressional hearing and fields questions from a hostile group of politicians who don't want to see Vought collapse, but at least Billy Butcher supports him behind the scenes.

August 27, 2025

Wherein Billy's aunt and mum pay a visit to the house in the Catskills where Billy Butcher and Homelander have opted to raise their superpowered toddler in relative seclusion from society, and Homelander has many misgivings about whether he's raising Lena right.

March 19, May 1, 2027

Wherein Billy Butcher contends with anti-supe sentiments and tends to Homelander feeling under the weather during the early days of his second pregnancy. Homelander lays the groundwork for rehabilitating the reputation of superpowered people in the wake of Vought's disintegration and the loss of that support.

October 31, Dec 25, 2027

Wherein Homelander experiences Lena's first trick-or-treating outing and he and Billy Butcher take stock of how they've managed to parent their daughter up until now. With the arrival of the second child, Homelander looks back and considers how grateful he is that his life has taken this sharp turn after a period of horrific grief.

[uncannydevotion]

�� we haven't found one lipstick that's kiss proof! ”

a/n: based on tht one art meme going around iykyk anyways happy holidays, and merry christmas if u celebrate! nd happy day to everyone else! enjoy this lil gift <3 i wanted to get it out today so it might b a little rushed, and definitely shorter than i would like but i still like it so. i'm posting it.

includes: homicidal liu, eyeless jack, jason the toymaker, nina the killer, and jeff the killer.

warnings: gn!reader but it's assumed u wear lipstick, italics my beloved, so much fluff it'll make u sick, lots of kissing. is kiss even a word anymore. it's short, with varying different lengths, and it's sweet this time for real i promise.

HOMICIDAL LIU

Perhaps a bit confused when you ask him to help find some kiss proof lipsticks, but nonetheless willing to help. He just assumes you wanted to go out to a cosmetic store or something to find some.

He's very confused when you drag him over to the couch and tell him to stay put while you gather every tube of lipstick you have.

He's oblivious guys okay you're his first relationship ever how is he supposed to know you're about to smother him to death with kisses?

Liu will be a bit caught off guard when you place the first kiss on his cheek, your lips gentle, mindful of the sensitive skin surrounding his scars.

"What was that for?" He'll ask. And maybe you'll give a cheeky smile and respond with something like, "I'm just testing out my lipstick, babe."

And oh. Oh. That's what you meant when you said you wanted his help.

Liu is nothing if not the greatest boyfriend haver, so even though he gets increasingly more flustered with each kiss you press against his skin, he stays painfully still so as to not interrupt you.

Every time you pressed a kiss against his skin, he'd let out a little sigh. It was rare for him to ever really feel at ease, but it came easy with you.

Sometimes, he wonders if you truly understood the gravity of the love he felt for you.

Each kiss makes his heart race faster and faster, so much so that when you place one last kiss against his lips, he's so overwhelmed by the amount of love he holds for you that Sully thinks he's fucking dying and takes over.

Sully is very confused when he finds that Liu was, in fact, not dying. And you're certainly no help, just smiling and telling him to wash his face off as you clean up.

What.

One look in the mirror gives him the answer he was looking for. His entire face was covered in lipstick stains. This is what had Liu's heart racing so much? Sully really thought he was dying, man.

Turns out the guy is just an idiot in love.

EYELESS JACK

One of the only ones here to really understand what you meant when you asked him for help in finding a kiss proof lipstick, already taking his mask off.

He didn't have anything better to do, and he liked how your eyes lit up when he agreed, so.

He'll sit patiently, watching as you set out all of your lipsticks, setting them out in a color-coded pattern.

Jack will take this very seriously, I think. You won't really be able to get him flustered, because he's determined to figure out if you have any kiss proof lipstick. He's a man on a mission.

Every time you kiss him, he'll pull away from you and look at himself in a mirror to study how visible the stain is. The less he can see it, the better he thinks the lipstick is.

If anything, he'll end up flustering you from the way he'll grab your cheeks and press his thumb against your lip, rubbing the lipstick gently to see how much pressure it takes for it to transfer.

He's not doing this on purpose, he just... doesn't realize the effect he has on you. But between you and me, he's 100% teasing you.

He's the one covered in kisses, and yet you're the one shying away from him and getting all embarrassed. Seems your plan to fluster him backfired.

"You're doing this on purpose, aren't you?" You would ask.

"I have no idea what you're talking about. You're the one who asked for help." Would be his response.

Somehow you end up with more marks on your skin than he does?? Since you get to kiss him a bunch, he doesn't see why he can't kiss you back. And maybe he bites a lil, idk.

This will either end with you scurrying away, or with him pouncing you and abandoning the lipstick. Make your choice.

JASON THE TOYMAKER

He's busy tinkering with a new creation when you enter his workshop carrying every single lipstick you own.

He's too focused on his own work to really pay attention to you, so he just mutters a vague 'yeah' when he hears you ask a question, not really catching anything you said.

Jason's only vaguely aware that you're in the same room as him as he leans forward, brows pinched together as he focuses on stitching up a small stuffed animal.

It's not until he feels you resting your hand on his shoulder, pulling him back slightly and pressing a kiss against his cheek that he's brought to reality.

Just sits there, confused for the longest second, his hand coming up to his cheek where he had felt your lips. He's not against the sudden affection by any means, he's just a bit curious as to why you were suddenly giving him so many kisses.

When you explain how you're trying to find kiss proof lipstick, he lets out a small 'oh' and he goes back to his work.

Or, at least, he tries to get back to his work.

But you continue placing little kisses against his skin every few minutes, and it's making it really hard to focus, and he can feel his face getting hotter and hotter the longer this goes on.

Jason fucking loves you, okay? He tells you it multiple times a day. You are the one for him. So you smothering him with a bunch of kisses has him feeling all soft and gooey inside.

Whatever the hell he was working on before was no longer important to him, his gaze now seemingly glued to you and every little move you make as he leans back in his chair, basking in your attention.

Like hell he'll let you leave when you run out of lipstick.

You doomed yourself the moment you walked into his workshop to even start this little game.

He'll be dragging you down onto his lap and will refuse to let you go until he's had his fill of you. Which could be like... all day. Jason could never get tired of you.

NINA THE KILLER

Hell yeah!! She's been meaning to go through her lipsticks too, so she takes this as an opportunity to do that.

She definitely makes it into a game as well, I think.

You two will trade lipsticks without looking at the labels, and you'd both have to guess who was wearing what lipstick based on the shade and the feel.

The two of you trade kisses, lipstick stains covering her cheeks and your jaw and neck.

She really did just want to find a kiss proof lipstick, but each kiss had her letting out a small giggle.

And she knew you were teasing her, always leaning in for her lips before dodging and pressing another kiss against her cheek.

All that teasing had her feeling flustered, and she just wanted you to stop messing around and kiss her lips already. So when you put on a new thing of lipstick, she doesn't even give you a chance to do anything before she's pulling you closer and slamming her lips against yours.

You probably planned for this to happen, she thinks, but she didn't really care much.

You don't need an excuse to kiss her silly, you just gotta do it.

And when the two of you finally break the kiss, you're both breathless. Lipstick stains your skin, and both of your lips were smeared.

Nina didn't even care about the little game you two had been playing anymore, her hands resting on your cheeks.

She thought you looked stunning like this.

And it's not like you two had any pressing matters to attend to, so she didn't hesitate before leaning in for another kiss.

JEFF THE KILLER

When you had asked him for help with finding a 'kiss proof' lipstick, he honestly didn't understand why. Like... did you want him to put the lipstick on and kiss napkins with you? And why would you need his help doing that anyways?

He would've said no, if you hadn't asked really nicely.

Definitely grumbling about how dumb he thought this was as you get everything together.

Someone would probably assume you had a gun to his head or something from the way he looked as if he didn't want to be there, arms crossed and somehow frowning even though his scars made it look strange.

It really isn't until you place the first kiss against his cheek that he finally shuts up.

Oh. So this is what you had planned?

Truth be told, Jeff wasn't that big a fan of affection unless he was initiating it, but... he supposes he could let it slide, just this once. Especially after you press another kiss to his cheek.

You could never get this man to admit that he's enjoying this, but it's not like he was doing a good job at hiding it, either.

The frown he had was gone, replaced by a smile he was barely able to conceal. Do not point out the smile, he will leave the room if you do.

Each kiss you give him makes his heart race faster and faster, and when you're wiping off the last lipstick you have, talking about how you've yet to find a kiss proof one, Jeff is an utter mess.

He's got his face buried in his hands, cursing to himself for being so weak when it came to you.

Fuck, he really loves you.

[gachagon]

Concerning your theory on Desmond protecting Eloise and knowing her from before the killing game, I think I found something that could be used as evidence for that.

During his introduction in chapter 0, Desmond phrases the fact he never killed anybody in a specific manner : he says

"I only practice on stationary targets. Moving targets are really outside my comfort zone. Believe me, I've never taken a human life."

He never denies having shot somebody, he only says that he never killed someone, and that he doesn't like moving targets.

That seems to be in accord with the theory that Desmond is protecting somebody from before the killing game, as a bodyguard might not have to do any murdering, simply incapacitating any threats.

As for who he protects, I think the scene where Desmond bring attention to the broken locks.

Eloise is quick to understand what Desmond is doing, defending his decision in front of everyone, saying

"I think I get what he's trying to say. You just want to everyone to be honest with each other... so we can cover all our bases... right?"

afterward, Eloise reacts to both Toshiko attempts to choose herself the pairs, and to Ingrid saying they should separate by gender.

While Desmond can keep his calm as it was already established that he was good staying composed, but Eloise, as is shown in her Free time events.

I would also like to hear your opinion on the theory that the organizers of the killing game are previous ultimates. I think we can prove two, and extrapolate two more.

I think Tozu is clearly the ultimate actor, or maybe playwright. He is quite theatrical, and he often makes literary references, from Horace to the bible. He also, in a Inner World (the scenes when Damon sleeps, taking the place of the monokuma theater), he said :

"that's what we in the industry like to call a "cliffhanger"."

Which implies he is from an industry that uses that term, so some form of media.

Mara is most likely an ultimate soldier, or similar, as she uses guns, and dresses similarly to Mukuro.

The two we can extrapolate don't have name, and one doesn't have any known talent.

The one we don't know anything about is the one mentioned in the Inner world about ships. Tozu mentions a "spindly boy with cream-colored hair". I think he is also part of the killing game organizer, even if we know nothing about him, simply because he is described physically.

The second we can extrapolate is the previous ultimate debater. In Wenona's Free time events, we learn that there was an ultimate debater before Damon, who was also more accomplished than him. I think he is part of the killing game organizers mainly because it would fit the theme, as a previous debater but with a more "important" or "real" talent than Damon.

Oh wow I did not think there'd be more evidence to support the idea of Desmond and Eloise being in some form of alliance, but the more clues people bring up the more I'm kind of convinced of it as well. I also noticed that when Desmond said he'd never "killed anyone", he didn't explicitly say he's never actually shot at a moving target, just that he's not that great at it (which I don't believe lol how could you be the Ultimate Marksman if you can't actually hit a moving target?)

However, I think the point in your second theory could have something to do with it. Damon mentions that nowadays the title of Ultimate is just "given to anyone" and has kind of lost it's meaning. And when you think about it, it makes sense when you really examine each character and how they use their talent. Damon is a debater, but he rarely uses it to argue for himself, choosing to instead use it to argue in favor of other people's points.

Eva was the Ultimate Mathlete, but she was clearly good at other things besides math. So if she wanted to, why didn't this Ultimate talent program give her a different title, or one that could encompass all of her actual talents?

Kai is the Ultimate Influencer, but a lot of the people there don't recognize him at all.

Ulysses is the Ultimate Historian but he doesn't even remember everything, and has to write most of it down.

They all are stuck with a talent but either aren't as great at it as you'd expect, or have something holding them back from really excelling in said talent. I wonder if this Killing Game is being put on by truly great Ultimates who lost their titles to the current cast of characters? Imagine you work hard for god knows how long to get recognition, but you lose it all because some kid who's not even that great at it becomes better anyways lol

And from the way Eva described it, being an Ultimate really dictates how people see you in this society. She wrote a lot of papers on other subjects but they were all ignored because "She's the Ultimate Mathlete" and that's all.

[loganwalkerz]

Christmas day with the MacTavish Family.

Ghost gets invited by Soap who pleads with the luitenient to come knowing if he didn't that Simon would spend the Christmas day alone again.

Ghost who is hesitant to agree because he doesn't exactly want to barge into a family holiday without any of them meeting him before. Despite this Soap reassures him that the MacTavish know plenty bout Ghost and are very happy to welcome him.

So when they finally get the approval from Price to leave for the holidays they spend their first night in a hotel together on Christmas eve. Ghost hasn't really celebrated Christmas much before other than the time with Joseph so he's very..anxious.

He wouldn't call himself a grinch but Christmas brings bad memories up for Ghost, he already struggles with nightmares but they tend to get worse closer to Christmas.

But this time it's a little different, he's not alone in some run down hotel. He's with Soap. He's with someone he can trust. He's with family.

Ghost who lays in the bed whilst Soap reads out some traditional Christmas books that his mother always read to him on Christmas eve. A hand mindlessly running through Ghosts hair who is half awake relaxed in Soaps arms listening to him read.

Every so often Soap will check in on Ghost, a soft whisper asking if he's still comfy and Ghost grumbles in reply but snuggles closer. Enjoying the warmth his Johnny provides. Soap smiling in response giving a gentle kiss to Ghosts crown before continuing to read.

And when Ghost is fast asleep Soap finally places the book down and lays quietly at Ghosts side, holding him close before drifting off himself.

Christmas morning Soap takes the lead helping wake Ghost up, being gentle and slow. Soap and Ghost do their own mini gift exchange before getting in a car for the drive to the MacTavish house hold. Ghost wearing the Christmas jumper Soap knitted for him.

Once they arrive Ghost is standing behind Soap and holding his hand, trying to appear less intimidating. Not wanting anything to go off to a bad start. Soap has a big smile as the door opens revealing Soaps older sister who pulls him into a hug before beaming at Ghost. Introducing herself and her younger children.

Ghost settles in quickly, inside the living room where they are quite a few family members. Ghost is quick to pick up on the fact there's no signs of the mum or dad anywhere, not even in pictures on the wall. He doesn't bring it up especially since he can see how happy everyone is.

He gives a soft smile when Soaps nieces and Nephews come in and chat to him, they don't even question who he is. They just yap away. Just like how Soap does. It makes Ghost chuckle even if he didn't admit how adorable the lil family is.

The one taking lead of the cooking was Soaps younger sister who was chatting with her wife who was happy to give Ghost a gift too! Ghost had never felt so..loved before. He has always had Soap, who was his only family. And now he feels like he has others too.

Ghost even gets to talk with Soaps younger brother who seems more concentrated on the game he's playing, telling Ghost about the lore and the characters. He sits showing Ghost some TikToks too! Even if he seemed like a moody teenager he seemed happy to still chat with Ghost

Soap is sat with his oldest sister watching Ghost get to interact with the family, watching the bounce on Ghosts leg begin to stop as Ghost chats away.

His sister leaning to Soap

"You got a real nice guy this time.."

She says softly

Soap smiles a little nodding

"He's..different"

He explained

"Like genuinely this time. He's different."

He spoke, sounding lovesick

And this time his sister nods, smiling. Not the usual worried look or disappointment. This Ghost in her eyes seems like a genuinely good fellow for Soap. And that's all she could ask for

"I like him. I'm proud"

She ruffles Soaps mohawk before going into the kitchen to help out

And Soap smiles to himself, happy that his family has accepted Ghost and that Ghost accepted them. Staring at the little wrapped gift box under the tree, knowing he is more than happy to get onto one knee today. To push things to the next level. Just like he agreed with Ghost months ago. He is ready. This is what love is like.

[geotjwrs]

can I ask for another part of no one's home pls?

beneath of it

Pairings ; Wednesday Addams x Male!Reader

Warning/s ; none

The days following that conversation were even harder than you imagined. Wednesday's request for a second chance lingered in your mind, replaying in an endless loop. Could you trust her again? Could you forgive her? Could you forgive yourself for even wanting to?

The hallways of Nevermore felt colder now. You and Wednesday didn't cross paths often, but when you did, there was always that heavy, unspoken tension between you. She would glance at you, her expression unreadable, but you never lingered long enough to figure it out. You wanted space; you needed it.

Yet, somehow, the universe seemed intent on forcing you two together.

It was late in the evening when Enid, Wednesday's roommate and one of the few people who had noticed the distance between the two of you, found you sitting by the edge of the forest. She approached cautiously, her usual bubbly energy dampened by the weight of concern.

"Y/N?" Enid's voice was soft, almost hesitant. "I've been meaning to talk to you."

You sighed, leaning back against the tree behind you. "If this is about Wednesday, I really don't want to hear it, Enid."

Enid sighed as she sat down next to you, brushing her long, colorful hair over her shoulder. "Look, I know what happened. Not everything, but... enough."

You turned to her, surprised. "She told you?"

She nodded. "Not exactly in a heartfelt, soul-bearing way—she's still Wednesday—but she mentioned that she messed up. That she hurt you."

You rubbed your hands together, feeling the familiar sting of heartache. "She kissed Tyler. She never even kissed me. And then... she called me a burden."

Enid winced. "I'm sorry. That's... yeah, that's harsh."

"It broke me, Enid," you said, your voice barely a whisper. "I don't know how to move past that."

Enid was silent for a moment before placing a hand on your shoulder. "You know, Wednesday isn't exactly the best at handling feelings. She's never been the type to open up or admit when she's wrong. And if she told you she wants a second chance, that's her way of saying she... cares."

You snorted bitterly. "Cares? She cared enough to kiss Tyler."

Enid shook her head. "That was a mistake. A huge one. But Tyler? That's a whole different mess, and you need to know the truth."

A knot of unease formed in your stomach. "What do you mean?"

Enid hesitated, then glanced around to make sure no one was listening. "You know Tyler's the Hyde, right?"

You stared at her, your heart suddenly racing. "What?"

"Wednesday's been trying to figure out who the Hyde is for weeks. She was sure it was Xavier at first, but Tyler... he's the real monster." Enid's eyes widened, trying to make you understand the weight of what she was saying. "That kiss? I think it was part of her plan. Trying to get close to him, trying to learn more about the Hyde. She was focused on the case—maybe too focused. But you have to understand, Y/N, it wasn't about him. It wasn't even about you."

The revelation hit you like a punch to the gut. Tyler was the Hyde. Wednesday kissed him as part of her investigation. But that didn't change the fact that it had still happened, that she had said things to you she could never take back.

"Why didn't she tell me any of this?" you asked, frustration building. "I could've helped."

"Because she thought you were in danger. She didn't want you involved." Enid looked at you with sympathy. "Wednesday doesn't always know how to show it, but she pushes people away when she's scared. She thought the Hyde might come after you if you got too close."

You shook your head, a bitter laugh escaping your lips. "I don't need her protection. I just wanted her honesty."

"I know," Enid said softly. "And maybe she does, too."

The next few days passed in a blur. Your mind was a storm of conflicting emotions. You felt betrayed, but you also understood why she had kept things from you. It didn't excuse her actions, but it added a new layer of complexity to the situation.

Then came the night everything changed.

Nevermore had fallen into a tense silence as word spread that the Hyde had been captured. Tyler had been taken into custody, but the damage had already been done. You hadn't seen Wednesday since the arrest, and part of you was relieved. The space between you still felt fragile, like one wrong move could shatter everything.

But late one night, as you lay in bed, staring at the ceiling, there was a knock at your door.

You didn't have to ask who it was.

You opened the door to find Wednesday standing there, her dark eyes gleaming with something you couldn't quite place. It wasn't the usual cool indifference. There was something deeper, more conflicted.

"I need to talk to you," she said, her voice barely above a whisper.

You sighed but stepped aside, letting her in.

Wednesday stood in the center of your room, her hands clasped in front of her, her usual confidence replaced by something almost vulnerable. "I'm not good at this," she began, her eyes flickering to the floor. "But I know I owe you an explanation."

You folded your arms, waiting.

"I... made a mistake," she said, her voice quieter than you'd ever heard it. "With Tyler. With the case. With you. I thought I was doing what was necessary, but I hurt you in the process."

You didn't say anything, your heart pounding in your chest.

"I thought I could handle everything on my own," she continued, her voice wavering. "I thought I didn't need anyone. But... I was wrong. I pushed you away because I was afraid. Afraid that if I let you get too close, you'd get hurt. Or worse."

You clenched your fists, trying to keep your emotions in check. "You still kissed him, Wednesday. You called me a burden."

"I know," she said, stepping closer, her eyes locking onto yours. "And I regret it. I regret all of it. I didn't mean those things. I just didn't know how to handle... us."

Her admission hung in the air, raw and unfiltered. For a moment, you didn't know what to say. You had wanted this—an apology, an explanation—but now that it was here, you didn't know if it was enough.

"I don't know if I can forgive you," you said finally, your voice breaking. "Not after everything."

Wednesday looked down, her expression unreadable. "I don't deserve your forgiveness. I know that. But I do care about you, Y/N. More than I realized."

The room fell silent, the weight of her words settling between you. You stared at her, trying to make sense of everything. Could you really trust her again? Could you let her back into your heart after everything she had done?

Before you could respond, there was a sudden loud crash outside your window, followed by a low growl that sent chills down your spine. You and Wednesday exchanged a glance before rushing to the window.

The Hyde was back.

But Tyler was in custody. How could this be?

Without thinking, you and Wednesday darted outside, your heart pounding as you made your way into the dark woods. You could hear the growls growing closer, and the realization hit you like a freight train. Tyler wasn't the only Hyde. There was another.

The monster lurked in the shadows, its grotesque form illuminated by the faint moonlight. It lunged at you, but Wednesday was faster, her knife flashing in the darkness as she dodged its attack.

"Stay back," she ordered, her voice sharp. "This isn't your fight."

But you didn't listen. You weren't going to stand by and let her handle it alone—not this time.

The battle was fierce, the Hyde's monstrous strength nearly overwhelming. But together, you and Wednesday fought with everything you had. The creature was relentless, its claws slashing through the air as it tried to tear you apart.

Finally, with a well-placed strike, Wednesday brought the creature down, her breathing ragged as she stood over its fallen body. But before you could catch your breath, the creature stirred, its eyes glowing with fury.

It wasn't dead. Not yet.

The Hyde lunged again, its claws aimed directly at you. But in a split second, Wednesday stepped in front of you, taking the hit.

She gasped, her body crumpling to the ground as blood seeped from her side.

As you rushed to Wednesday's side after defeating the Hyde, you found her alive—just badly hurt. Her breathing was shallow, but she was far from the brink of death.

"Wednesday, hang on. I've got you," you said, your voice trembling with concern.

She opened her eyes, grimacing as she clutched her side. "I'm... fine," she muttered, her pride refusing to let her admit how much pain she was in.

You helped her to her feet, your arm supporting her as she winced. Despite the pain, she refused to show weakness. "We need to get back to Nevermore," you said urgently.

"I can walk," she insisted, her expression cold but faltering for a moment.

Still, you didn't let go. "I'm not leaving you to handle this alone anymore, Wednesday. We're in this together. Whether you like it or not."

There was a pause. Wednesday looked at you, something different in her eyes now—an unspoken understanding. She didn't argue this time.

Once back at Nevermore, the aftermath of the fight lingered in the air. The faculty and other students rushed to deal with the Hyde situation. Tyler may have been caught, but the existence of a second Hyde shook everyone.

In the infirmary, Wednesday sat quietly as a medic stitched up her side. You hovered nearby, refusing to leave her. She had taken a hit for you—something she would never openly admit was driven by care. Yet, there was no denying it. You could see it in her eyes, in the way she had thrown herself in harm's way.

After the medic left, the room fell into silence again. Wednesday looked up at you, her face still pale from the ordeal but her gaze as sharp as ever. "You should've left. I didn't need you getting hurt."

You shook your head. "You don't get it, do you? I wasn't going to let you fight that thing alone."

"Why?" she asked, her voice barely a whisper. For the first time, she sounded unsure. Vulnerable.

"Because I care about you," you said, the words heavy with emotion. "No matter how many times you push me away, no matter how many walls you put up, I still care. And that's not going to change."

Wednesday's expression shifted, her usual mask of indifference cracking just slightly. She looked away, her voice softer than before. "I don't deserve it. Any of it."

You stepped closer, sitting on the edge of her bed. "Maybe you don't think you do, but I still want to give it. I want to try again. But this time, we do it differently. No more pushing each other away. No more lies."

She looked at you then, her dark eyes searching yours. "I won't make promises I can't keep," she said, her voice careful. "But I'll try."

That was all you needed to hear.

Over the following days, things between you and Wednesday began to shift. She was still Wednesday—cold, sarcastic, and not the type to suddenly become affectionate. But there were subtle changes. She would sit with you at lunch, even if she pretended it was because she "needed a distraction." She would find excuses to be near you, even though she claimed it was because you "were less annoying than most people."

And sometimes, late at night, when she thought no one was watching, you'd catch her glancing your way, a fleeting softness in her gaze.

It wasn't a perfect second chance. Wednesday still had her thorns, and there were moments when she reverted to her distant self. But it was different now. You weren't afraid of getting hurt, and she wasn't afraid to let you in—at least, a little bit.

One evening, as you both sat in the darkened library, Wednesday quietly reading while you worked on an assignment, she spoke without looking up from her book.

"I saw you," she said suddenly.

You blinked, confused. "Saw me what?"

"That night," she clarified, still not looking at you. "When I kissed Tyler. I saw you watching."

Your heart skipped a beat at the memory. It still stung, even now. "Yeah. I remember."

"I didn't know what I was doing then," she admitted, her voice low. "I thought it was part of the plan. But when I saw the look on your face... I realized it wasn't just a case. I had hurt you. More than I should have."

You didn't say anything at first, letting her words sink in. This was as close to an apology as you'd get from Wednesday Addams.

"I hated you for it," you admitted softly. "But I hated myself more for still caring."

She finally looked at you then, her expression unreadable. "I won't kiss him again."

It was a strange way of promising something deeper—something more than just avoiding mistakes. But it was enough for now.

You nodded. "Good. Because I'd prefer you didn't."

There was a brief silence before she spoke again, her voice softer. "I've never had this before. I don't know how to handle it."

You gave her a small smile. "Neither do I. But we'll figure it out together. One step at a time."

And for the first time, Wednesday didn't have a sarcastic retort. She simply nodded, closing her book and resting her hand on the table between you—just close enough that, if you reached out, you could touch it.

You didn't yet, but the gesture was enough. For now.

[pigeonwhumps]

Secret Santa Snippet 2024

Secret Santa snippet for @kaiwewi! I hope you like it!

Prompt: A hero and a villain team up to confront a civilian who's writing an insane amount of fanfiction about them

918 words

"Well, hello there."

Civilian jumps at the voice in their ear. The seductive, sultry, melodical tone that fills the videos in the corner of their laptop screen.

They spin around.

Villain's lounging against the doorway, a smirk on his face.

"Am I interrupting something?"

Civilian swallows nervously. "No. No, nothing at all." As Villain shifts slightly, they slam a hand down on their laptop, abruptly remembering its contents. "Can I– can I help you with something?"

"Maybe. You're Civilian, correct?"

Civilian gulps, nods. Villain knows them by name. Why?

There's a low chuckle from someone behind him. Civilian flinches, then feels themself heat up at the absurdity of the reaction. It's just a laugh.

"Stop scaring the civilian, Villain." Hero sounds amused as they push their way past Villain, coming to stand by Civilian's window. Civilian doesn't miss how this covers both of their exits.

Them working together is near-unheard-of in public, but Civilian makes a mental note to include it in something later.

Hero smiles disarmingly.

"Hello, Civilian. How are you doing?"

Civilian swallows.

"Um. Hi. I'm fine."

"Good, good. You're panicking. Don't. We just want a quick word."

"Um. Okay. What about?" They want to deny their feelings but Hero will know. Empathic powers. It's the source of their emotions, all the confessions...

Hero's blinding smile drops into something much more serious, and Civilian's stomach plummets with it. Oh shit. Oh shit. What have they done?

"Your writing habits."

"More specifically, where they regard us." The 'us' is punctuated by a flash of white teeth.

Civilian tries to inch out of their seat, though they know there's no hope against Villain. Maybe they can get closer to Hero...

Villain places a hand down on the table beside them, blocking their exit, and just stares. Somehow, that's the most menacing thing he could do.

"It's just a hobby!" they burst out, babbling. "I just– I just like to write, I don't mean anything by it!"

Villain rolls his eyes and opens up the laptop, scrolling through the open tabs.

"Videos. More videos. Ooh look, a forum. And your *word document*. I wonder what you're writing now."

He bends over to look closer, humming. Civilian wants to sink into the floor. Better still, into the centre of the Earth and scrub this night from their memories entirely.

Hero crosses their arms.

"Villain. *Behave.*"

Villain sighs, but draws back, looking mutinous. In a dim corner of their mind, Civilian wonders what the arrangement was. Neither seems happy with it.

"I– I can stop. If you really want me to."

Villain opens their mouth, receives a glare from Hero, shuts it with a snap. Despite what they said, Civilian starts to make mental notes of all of this, all the minute body language and conversation between them, because this– this could really up the realism. Make everything in their writing so much more real. And it fits so well! They're so accurate!

"It's your private life," begins Hero, "and what you do with it is your own affair. Really, this shouldn't be any of our business, except people just have to keep showing us." A fact Civilian knew, and has never been sure what to think about, but one look at both faces and it's– it's definitely bad. "And wow. You write so much. So–"

"What do you see in us?"

Civilian stares. So does Hero, looking thrown. Civilian is suddenly, 100% certain that this wasn't part of the plan.

"Villain..."

Villain ignores them. "You're by far the most prolific writer. So why do you do it? What do you see? Besides the whole 'enemies-to-lovers' thing, which is ridiculous if that's your only reason, by the way, there's way better tropes out there."

Civilian swallows, throat dry. What do they say? The truth? A lie about it being a joke? Hero would probably see through that. What if their reasons aren't good enough, will Villain kill them? No, no, Hero wouldn't allow that. Would they?

"Stop looking like I'm the last thing you'll ever see and tell me."

Hero rolls their eyes. "I won't let him kill you. Melodramatic much."

Right. Right. No deaths. Not that Hero's words are very reassuring.

"You um. You're always fighting each other. And I mean, you're nemeses but Villain doesn't fight anyone else. You once waited three hours for Hero to turn up, just repelling everyone else with a forcefield, because you wanted a 'proper fight'. You send each other Valentine's Day gifts, and okay they're not what one might call traditional courting gifts, but still. Villain, whenever you're injured Hero avoids hitting that spot, even though it'd be an easy win, and Hero, you always go slow when Villain's ill. There's footage. And when was the last time you monologued for anyone but Hero, Villain? Your displays for everyone else are lackluster in comparison. You clearly enjoy each other's company at the very least. And I know that could all be platonic but just... it's fun to imagine... and..." Civilian trails off uncertainly as the tips of Hero's ears, the only thing visible under their mask, turn bright pink and they rush out of the room.

"Do not move one inch," growls Villain, not even ensuring Civilian will obey before running after Hero.

New writing ideas chase themselves around Civilian's mind, but only as an undercurrent now. Is this real. Is this really, actually, real?

They pinch themself. Ow.

And another thing.

How long is it going to be until Villain gets back?

[thedirtiwalkoniswet]

I've talked in great detail about Ahsoka, Obi Wan and Acolyte, and while I've pointed out many details in Andor I loved, I haven't made a similar lengthy post about it. So get ready.

The writing, the strongest part of the show. Star Wars is so notorious for having bad writing that Andor is in very stark contrast to this. Arguable the most well written show I have ever watched. No other show has captivated me this much with it's dialogues/ monologues as Andor. So many lines stuck with me. I already made a post about my favorite parts, so I will keep it at that. Something that could be criticized, is that it is sometimes very heavy with preachy monologues. On the other hand is it so well written that I don't mind it at all. If it was written worse, it very much could be something to criticize.

It also doesn't hold your hand, it doesn't explain everything right away and you learn organically what they are talking about. It allows it to have a much greater rewatch value.

Next up, the characters. Every single character is full of personality, even when they only have 5 minutes of screen time, in matter of seconds you already know who they are, what purpose they serve, what relationship they have to each other. It's the combination of the fantastic writing and incredible acting. We also see the motivation behind every big decisions a character makes, nothing comes out of nowhere.

Many of the live action star wars shows suffer from having antagonists that feel flat and one dimensional, whose motives are shallow or none existent. When Syril was introduced, we understood why he's doing what he's doing. When Dedra was introduced, you find yourself rooting for her. It was such a genius introduction, seeing her react to the only other woman in the room speak. She is a minority in this room. You watch her fail to someone who in this moment seems more 'evil' than her, so you want her to win. And then you do watch her win, by being smart and cunning (something a lot of star wars villains are not). But then you realize that her winning means others have to suffer, Paak and Bix first and foremost. You don't root for her anymore.

There aren't just the good guys and the bad guys in Andor, they all have layers. Syril obviously belongs to the bad guys, but he doesn't know that, he believes he is doing the right thing. Luthen is ready to sacrifice many lives to destroy the empire. Almost taking this Robespierre approach, where the violence of the rebellion is affecting the allies negatively as well. Making you question if the position of power he has build for himself is going to corrupt him in the future. Which he is aware of and even addresses, something that still differentiates him from the imperials or Saw Gerrera, who refuses to see any flaws in his believes.

Another thing Andor shows, which is missing in many other shows, is culture. It organically integrates parts of Chandrillan or Ferrix culture. The drinks, the way marriages work in Chandrillan culture, the fact that it is very heteronormative. The way people of Ferrix warn each other about imperials, the tradition of funerals, which is an incredible concept by the way. Also seeing how people live, their homes, something you see so rarely in Star wars since so much takes place on ships. Syrils, Mon's and Ma's homes, all widely different and adding so much to the world building, by doing such a small thing. Additionally do you see how the empire works on a more in depth level, without the focus on wars or the elimination of Jedi.

The empire is a real, suffocating threat. The rebels in this show have to go through great lengths just to communicate with each other, they need to slip through tiny cracks to get around the empire. And even then they sometimes fail, like Kreegyr or Bix did. Half of the rebels attacking the garrison died trying. It's not easy, it's messy, dirty, it took great sacrifices.

And that is the main theme of the show - sacrifice. Tying back to the fact that Cassian ends up sacrificing himself for the rebellion. Everyone sacrifices something to help the greater good, wether it's money, relationships, inner peace or lives.

On a more facile note, the costume design is amazing. We all already know that Mon's closet is incredible, but so is the one of her husband or Tay Kolma. The same goes for the people of Ferrix, who have a clear style that adds to the beauty of the planet and culture.

I also think it was a smart decisions not to have aliens among the main cast, since bad make up or cgi can ruin the vibe to a degree. But the ones we do see all look great. They can also save budget focusing on other things instead.

There is so much good in this show, so many details worth mentioning, I could go on forever. It's not going to be the last time I praise this show, that's for sure.

[archduchessofnowhere]

We talk about portrayals of Sisi, but I think that Franz Joseph was, if anything, even more misrepresented by the recent period dramas. How would you rank the portrayals of him you have seen/read (in historical novels)? Is there any piece of historical fiction that actually captures his character accurately?

Hello! YES I always focus on Elisabeth but he is also completely butchered in all these new series. I think I've said it before, but basically it's very hard to reconcile who FJ actually was (both as an emperor and as a person) with him being a love interest we as an audience can root for. Specially in these new adaptations in which Elisabeth is outspoken, mature and actively politically involved in the events of the empire (and not just the Compromise). Why would our Girl Boss protagonist want to be with a man who was bureaucracy made flesh, very conservative, and just kinda boring in general? It doesn't work. Thus, his personality also gets rewritten.

I don't really have a decided ranking, but off the top of my head I'd say these are my least to most favorite portrayals:

Sisi & Ich (2023): Do you hate Sisi adaptations that turn FJ into a horrible, abusive husband in order to make his wife look good? Well, this portrayal does just that. He is only very briefly in the movie but I hated every minute of it, personally I was mostly fine with the movie despite all its inaccuracies but there was one scene from this part that was a deal breaker for me. This movie should've been just two hours of Irma and Elisabeth traveling and nothing else.

Die Kaiserin (2022-): The solution of the screenwriters to the problem of "how do we make FJ likeable?" Basically turning him into his brother Maximilian lol. You see, he has liberal ideas but his evil mother doesn't let him pursue them! Oh, and he had nothing to do with those executions, that was also his mother! In fact everything bad he ever did was all his mother's fault, because he is not even governing, his mother is. By season 2 it almost seems that FJ has absolutely no idea what's going on in his own empire and needs to be explained basic thing like Italian nationalism. This series sanitizes FJ in levels that just aren't seen in any other adaptation, not even the Sissi Trilogy. You are watching the show and can't help but think "who is this guy???". The only thing he has in common with the real FJ is that he loves his wife, but the way their relationship is portrayed is so unlike the real couple that not even that makes him similar to his historical counterpart.

Sisi (2021-2024). This FJ is in the opposite end of the same spectrum as Die Kaiserin's FJ. Season 1 had the original take of not making FJ likeable, but instead they turned him in a borderline cartoonishly evil, violent and smug man. He smiles as he orders executions, he beats his aids for not reason, he openly cheats on his wife and publicly insults her in a fit of jealousy. Honestly I was baffled by this take, because even after all these bizarre changes they still went for a "Sisi and Franz's great love story!" approach for the series. Which was. A choice. They obviously wanted to make him like that so that he could go through a redemption arc thanks to his relationship with Sisi, but it was just not a well written arc, and when his personality does change in later seasons it doesn't feel like earned character grow but simply that the writers decided to tone down their original approach.

Yet I will admit I'm lowkey fond of this portrayal, I liked most of his storyline in season 2 (he spends most of the season bonding with a feral child and also definitely has a thing going on with Andrássy you can't convince me otherwise), and in season 3 I found myself agreeing with him. So yeah, utterly butchered FJ but in an entertaining way at least.

Sissi Trilogy: I'm honestly overall indifferent to this FJ; he is basically the blueprint for every posterior depiction that portrays him as a Prince Charming love interest. Yet, for all the overomantization of Elisabeth's early life, the movies don't shy away from telling us how FJ was directly responsible of the counter revolution executions. We even see how he is still hated in Hungary and Italy (at least until Sissi comes into the scene). A certain show from a certain straming service could learn that it's not necessary to completely sanitize his image and pin all his faults onto his mother to make Franz Josef into a palatable love interest.

Sisi (2009). I feel about this FJ almost the same as I feel about the Sissi Trilogy's FJ, but in this portrayal we do see more of him than just "Sisi's love interest". Also it's not always all the color of roses, he and Elisabeth disagree and fight more than once. His relationship with his brother Max is also really interesting, pity they only interact in like three scenes. Overall a solid take, if a bit romanticized and not particularly remarkable.

Kronprinz Rudolf (2006). Not a bad take but for what I remember they portrayed Taaffe as having this great influence over FJ and putting him against Rudolf. And like no the evil minister was not responsible for FJ distrusting his son He Was Like That.

Elisabeth das Musical: the only depiction on this list that I truly like, and it really proves that the only way to have a good FJ is to not make him into a love interest. He is only a supporting character and yet the musical nails the most important bits of his personality and his relationship with Elisabeth outstandingly well (loved his wife but never understood her, cheated yet still longed for her, let her go but always hoped she would comeback next to him). There's even room to also show his relationship with Rudolfl! The only thing that I don't really like is that they do portray his mother as having a lot of influence over him, but that's mostly because the musical has an outdated take on Sophie (which works pretty well in a storytelling level nonetheless!). Boote in der Nacht is the saddest song in the entire musical, and the musical is not even about FJ and Elisabeth as a couple. Just a great, nuanced and engaging take!

I know I'm missing a lot FJs but these are the ones that came to my mind right now; I don't think I've ever seen Franz Josef in a piece of media that isn't about Elisabeth or Rudolf. Thank you for your question!

[rat-rosemary]

No one's falling for edited screenshots. Everyone believes it because of Karl's mods. They tweeted out hearts and liked replies and not a single one has denied them, even the mods who are literally in the screenies.

If it's fake then Karl's entire mod team would have to be in on it.

I'll be honest, that doesn't make it seem less fake. That seems like the mods are fucking around and laughing because the thread is literally so absurd

And considering they're Karl "i will kill you entire family hehe" Jacobs mods Im not that surprised thats whag they're doing