#but the context for the name change is like

[kurzler]

a quick psa to anyone recently getting into greek mythology and is a victim of tumblr and/or tiktok misconceptions:

-there is no shame in being introduced to mytholgy from something like percy jackson, epic the musical or anything like that, but keep in mind that actual myths are going to be VERY different from modern retellings

-the myth of medusa you probably know (her being a victim of poseidon and being cursed by athena) isn't 100% accurate to GREEK mythology (look up ovid)

-there is no version of persephone's abduction in which persephone willingly stays with hades, that's a tumblr invention (look up homeric hymn to demeter)

-as much as i would like it, no, cerberus' name does not mean "spot" (probably a misunderstanding from this wikipedia article)

-zeus isn't the only god who does terrible things to women, your fav male god probably has done the same

-on that note, your fav greek hero has probably done some heinous shit as well

-gods are more complicated than simply being "god of [insert thing]", many titles overlap between gods and some may even change depending on where they were worshipped

-also, apollo and artemis being the gods of the sun and the moon isn't 100% accurate, their main aspects as deities originally were music and the hunt

-titans and gods aren't two wholly different concepts, titan is just the word used to decribe the generation of gods before the olympians

-hector isn't the villain some people make him out to be

-hephaestus WAS married to aphrodite. they divorced. yes, divorce was a thing in ancient greece. hephaestus' wife is aglaia

-ancient greek society didn't have the same concepts of sexuality that we have now, it's incorrect to describe virgin goddesses like artemis and athena as lesbians, BUT it's also not wholly accurate to describe them as aromantic/asexual, it's more complex than that

-you can never fully understand certain myths if you don't understand the societal context in which they were told

-myths have lots and lots of retellings, there isn't one singular "canon", but we can try to distinguish between older and newer versions and bewteen greek and roman versions

-most of what you know about sparta is probably incorrect

-reading/waching retellings is not a substitute to reading the original myths, read the iliad! read the odyssey! i know they may seem intimidating, but they're much more entertaining than you may think

greek mythology is so complex and interesting, don't go into it with preconcieved notions! try to be open to learn!

[smiirp]

Bad faith? Have you read what you wrote?

Let's take a look at your new example of "50-person art collaboration that will only be affordable to middle class kids with middle class disposable income." None of these things make these kinds of zines "a new and alien graft on an old medium" because none of these things push it out of the "self published magazine" category. It is not "alien" from zines of old because creators can use new technologies and tools to do it, or because there are so many people who want to participate that you have to curate the selection. If Kirk/Spock shippers of the 60s had the means and methods to make bigger, shinier, collaborative zines, some of them probably would have because the spirit is in publishing something yourself with whatever tools are available. We have more tools now, so we have more kinds of zines.

It is is perfectly possible to make a post promoting and discussing more accessible forms of zine-making without also insinuating that other methods are some kind of perversion of the true, pure form. You could also discuss how fairs, festivals, conventions and online spaces force very different zine forms into a shared context where one is devalued over the other. But if you try to start this conversation about these differences and changes in zine format and culture by boldy stating that the new forms aren't actually zines or by claiming people who participate in other forms of zine making "exploit the connotations of amateur, punk production values" of a practice they have equal claim to, you will get people arguing with you about semantics because that's a load of shit.

Zines are not defined by production value, and fanzines cannot "exploit" the name of traditions they are directly carrying on. The examples you posted yourself prove this. They show that there is no "foundational meaning" of the form that you're claiming to preserve because zines are a FORM they are not defined by content any more than any other forms are. And the examples you added are all ancestors of all the shiny, submission based, kickstarter backed projects you hate whether you like it or not.

Hey, If this post reached only 5 people I wouldn't give a shit about your bizarre take, but I don't want people's introduction to zines and zinemaking (which your post now is for some) to give them the false idea that people who make 8-pagers are making the good, pure zines and people who contribute to or organize or buy the more elaborate projects are masquerading as zine makers when they're basically just cousins.

the whole point of a zine is that it's cheap to produce, amateur and homemade. if you're being asked to apply to participate in a print project, it is not a zine. if the final product is being printed and bound professionally, it is not a zine. if you are being asked to enter into any kind of licensing agreement more complex than "my work can be reproduced as part of this publication" it is not a zine. nine times put of ten if the final product costs more than $5 you have left zine country. im so serious about this.

[l1ver25]

Shamura design for AU

Why I have a special interest in Shamura and why I chose certain design features can be read if you open the post in full

English is not my native language

— Why Shamura? —

It started with the banal: Knowledge is close to me. As a result, my AU Shamura turned out to be quite similar to me in terms of views and feelings of the world, so I put special emphasis on them (this does not mean that I forgot about the rest of the bishops, in fact, I like all of them).

— Design —

References

My friend and I assumed that the name ‘Shamura’ has an Indian vibe. I spent some time studying the Indian gods, coming to the conclusion that Shamura somehow resembles Indra in my AU. In addition, ‘Shamura’ sounds like ‘Shakra’, which translates from Sanskrit as ‘mighty’ and is one of the names of Indra.

From this, I decided that it was worth focusing on the Indian style of clothing: collar, ‘dress’, wide trousers. Shamura also has lush curly hair, which is more likely a reference to Kali.

Four hands also refer to Indian mythology: gods are often depicted with two or more pairs of hands.

Features

Shamura from my AU has slightly unnatural, as if constrained movements. The facial structure suggests that expressing emotions will be difficult, since before receiving the crown, Shamura was very stingy about expressing emotions (they did not know how to express them)

Speaking of AU, I want to note that, according to my ideas, references to religions existing in our world are divine features, such as two pairs of hands. That is, before receiving the crown, Shamura, like all humanoid creatures (if they do not have any anomalies), has two hands.

However, the second pair of eyes is an atavism, not a divine feature. They were blind in their mortal lives.

Symbolism

There are some symbols on the clothes, I changed them regarding the game, but each of them plays a different role:

— You may notice that there is an emphasis on double stripes on clothes — this is duality, to some extent, disunity, but I prefer to keep silent about the context.

— The crescent moon sounds more obvious: it is an alchemical symbol meaning the moon or silver. In the future, if there is a desire, I will note that this is a ‘paired’ symbolism with Kallamar, which in turn bears the symbol of the sun / gold.

— A circle with six stripes means the process.

— The cross, a symbol that is present in the game itself, is present in Shamura and Leshy — the closing links of the chain.

[quibbs126]

I didn’t mean for this page to have like, the exact same format as the last one, but it does

I tried to design the kids from that one TFA fanfic I read once because they come into my brain every now and then. I feel like I’m undermining the fic by saying that. It’s part of a collection, called Blessings in Disguise by Quiet_Shadow on Ao3 (idk if they have a tumblr), where basically post Archa 7 and being kicked out of the Academy, Optimus finds out he’s sparked, and later has twins who were sired by both Elita and Sentinel, one for each, and he’s basically raising them with his space bridge crew, since Elita’s supposedly dead and Sentinel keeps ignoring Optimus’ repeated attempts to contact him. The kids are named Ariel and Dion, in reference to the War Dawn characters, and I think are also supposed to somewhat resemble them

I felt I should give a summary for anyone who doesn’t have yesterday’s context. The fics are both relatively short and the second one remains unfinished, but I liked it well enough

But yeah, as alluded to yesterday, I’ve been debating whether or not to draw the kids, and after yesterday I decided “screw it, why not”

As it turns out, the first fic actually did have descriptions for each of the kids, so I had more to work with, which honestly I probably needed

I don’t know how to draw sparklings, so I think I ended up making them look older than they’re supposed to be in the fic. Sorry

And also, while Ariel I think turned out really well, Dion isn’t the best. I actually had to redo him partially because I was trying to give him a Sentinel chin (though far smaller), while also trying to give him a helmet like he was supposed to have (in the fic he has both), but it wasn’t looking right so I changed it to what it is now, which is still kind of wonky. He’s also described as looking a lot like Sentinel, but because I wanted to give him Optimus’ blue skin, among other traits, he ended up resembling Optimus far more than Sentinel

I also gave them both Optimus’ chin thing, initially as coincidence but screw it, shared trait

Ariel was described as pink, so I conceded that she’s pink, but I gave her a more peach tone instead, and overall I quite like her color scheme. Dion too, just not as much

I’m not super sure about the bodies though, particularly the arms. I was drawing that part while bored at work, so it may have affected my creativity. I mean, I guess they’re fine, but I don’t know

But yeah I’m not sure I have more to say, so just know that I did this

Honestly it actually was a lot of fun, at least until the struggle with Dion’s head came into play. I really do need to get around to making my own fankids at some point

And also with this and yesterday, I really do see why people like the TFA style, it’s pretty fun to draw. I need to incorporate it more, but my AU already has another style it’s trying to emulate

*sigh*, if only I had a way to incorporate the TFA style more while also drawing characters and designs separate from the continuity, just borrowing a similar style. I don’t know

[qqueenofhades]

I would love to hear about how you came up with the names for the characters in “Empire of Bones”.

Aha, an EOB question, which is a nice break from the heavy stuff! It may have gotten buried due to the uh, Everything of the last few days, but still. (If you are wondering what this refers to, trot over here and buy my book take a look. Ahem.)

As I think I mentioned in an earlier ask from you, the names and societies in the EOB universe are based on, if not strictly correlated to, their real-world counterparts, and thus we can see how the choices were made in historical and linguistic context. Take the city of Qart-Hadesht (which is just the un-Latinized name for Carthage). Because it's a matriarchal Islamic-equivalent society, the name of a character like Aliyah is based on her matrilineal descent: Aliyah bet Zadia ur-Namasqa. The "bet" particle means "daughter of" as it does in other Semitic languages ("ben" means "son of") and the feminine form of her surname, with an a, is used. Her brother, in this case, would be referred to as Aljafar ben Zadia ur-Namasq, and her father took his wife's last name when they were married. The medieval Arabic way to refer to a family group or dynastic house was as the Banu Family Name, meaning sons of, children of, so I changed that to Batu [Family] to suggest that the family is primarily conceived as matriarchal and thus uses a t (as in bet, daughter of) instead of n (ben, son of). Hence, the Batu Namasqa means "the [matriarchal] Namasqa family or the daughters of Namasqa."

The Meronite characters' names are obviously based on Latin (Lanuvian is a real predecessor language of Latin and is used as the in-universe name for Latin) and imperial Roman naming customs. Ionius is a loose Latinization of the Slavic Ivan; Ion is the Romanian form of John, and thus equivalent to Ivan. Coriolane is an obvious reference to Coriolanus; his second name, Aureus, means "gold." Khasmedeus is a variation of Asmodeus, the demon most famously associated with King Solomon/Tselmun in the kabbalistic tradition and rabbinical literature, and some of Asmodeus's other historical names can be heard when Khasmedeus introduces itself to its various unsuspecting human masters throughout the course of the story. Julian uses two forms of his name; the Ruthynian (Russian) "Julian Janovynich" and the Vashemysh/Yerussalan (Yiddish/Hebrew) "Yulian ben Yanov" to demonstrate how he attempts to navigate his identity and its complexities as an Eastern European Jew (or Ruthynian Vashemite in EOB-verse). Place names such as Qin come from the actual medieval or ancient dynasties; the emperor of China has in the past been known as the "Thearch of Qin," just as they are addressed in the book. "Sardarkhand" is an expy of "Samarkand." And so forth.

(Yes, since you ask. Yes, I had great fun.)

[waifuoftomonori]

Okay, I’ve answered most of these in other posts already, but I’ll go ahead and answer the ones I haven’t. (I’m not sure if this is the usual way to do this, but I doubt anyone’s gonna send me asks and I want to answer the questions anyway.) 1. N/A - no other fictional character brings me nearly as much joy, comfort, or lust as Tomonori of Scarlet Fate

2. Well, when I was a kid, I had a major crush on Farid from Inkheart, if that counts. I haven’t read those books in ages, so he is no longer a blorbo for me, and considering he’s a kid, I don’t know if he would still be if I reread those books. I feel like I might sympathize more with the author, or maybe even get a crush on— what was his name, Dustfinger?— the grown-up thief. …Anyway, due to that combined with the portrayal of certain characters in The Thief Lord, I blame Cornelia Funke for my lifelong obsession with rogues.

3. see my post about the moment of blorbo-ization

4. I have to pick just one? Oh, man. Okay, as impressive and sexy as Tomonori’s composure in the face of various threats is, from a snarling beefy monk to various gods/demons who want to end the world, my favorite thing about him has to be the world-altering potential of his unspoken but deeply passionate love for Shiki. This man was equally willing to cause the apocalypse or save the world for her. That is a choice he canonically laid at her feet. I’ve seen “I’ll end the world in your name / out of love for you” a few times before, and I’ve seen “I’ll save the world for you / because you’re in it” a few times, but this might be the first and only time I’ve seen a character who’s absolutely willing to do either. Who puts his personal opinion of whether the world should continue or end secondary to the opinion of the person he loves, even when he has the power to do either, and gives her that choice instead. That might be the most romantic thing I’ve ever seen a character do in fiction.

5. Do I dislike anything about him? Other than things the writers didn’t fully explain, like whoever decided the role he should play in Gentoka’s route, no. It’s not that I think he’s flawless, but his pettiness and stubbornness and (only sometimes necessary) secretive tendencies and all of that are endearing to me.

6. Uh, I don’t know. The writer in me would be dying to show him my fanfiction and ask, “How would you act if you were in this situation?” or “Is this something you think you would say? How would you change it?” about a million places in the work, but as a person I think that might make him uncomfortable, especially if it came out of nowhere. I do “talk to him” a lot in my journals, and my version of him answers back. We’ve had whole conversations. He can’t seem to stop calling me “Shiki” though; it feels incredibly awkward to have him use my real name for some reason.

7. There’s a fandom other than me? Like, a fandom with collective opinions and stuff? I had no idea.

8. Introvert who’s learned how to read people and interact with them in formal contexts out of necessity. He’ll paste on a smile and say all the right things in public, but if given the choice he’d rather be at home reading.

9. calm, devious, romantic

10. If he’s trying to protect me, yes, absolutely. If that’s not a guarantee and Shiki and Akifusa also exist in this world (mostly Shiki, he’s not quite as protective of Akifusa, who to be fair doesn’t need it from physical threats as much), then I’ll trust him to protect me as long as it doesn’t interfere with their lives or safety.

11. Yup. So many fanfics. Still writing them, in fact.

12. Yeah, my mom, dad, and stepdad all know about him and the extent of my obsession with him. I’d probably gush about him to my brothers more if they were home more often or showed even a trace of interest.

13. Anything I could feasibly see him doing? No. But then I guess if he committed an act that would severely change my opinion of him, he wouldn’t be the same character, would he? So maybe that’s the whole point of the question. …Uh, sorry for clarifying all that. I guess if he raped someone, that would change things.

14. Again: there’s a fandom? Never had that problem. But even if I did, I don’t think I would distance myself from the character, just from the other people. Or if I’d grown close with them, I’d just ask them to stop talking about the character with me, and I’d do the same with them. We’re allowed to have different opinions, but I shouldn’t have to hear them dissing my favorite character if I don’t want to, and I’d hope they would respect that as my friends.

15. Big fandom problems, not mine.

16. Define “canonically”.

17. Hell no. Look, not all writers are sadists who want to see characters suffer. When I do make him suffer, it’s because the story compels me to, or else there wouldn’t be interesting conflict for him (and usually Shiki and/or Akifusa as well) to eventually overcome.

18. Yes. With Shiki and Akifusa, as is doubtless abundantly clear by this point.

19. Short, smartass, scheming, morally complex men who are passionately in love with one woman for the vast majority of their lives. (Or man; I wouldn’t mind reading a gay version of this, I just haven’t found one yet.) Alternate type: thieves, rogues, bandits, cutpurses, pickpockets, footpads, maybe assassins in extreme cases. If the two “types” are combined in one character, so much the better. Also, on a list of fictional characters I find attractive, 4 of the… 20-ish have red eyes, and two of those four are ostensibly human.

20. N/A. …Or, I guess, no. Depending on how one defines “blorbo”. I have favorite characters (and ships) from other works of media, characters and ships of whom I prefer to read fanfiction over fanfiction of any other characters or ships, but I don’t get excited about them the same way I do about Tomonori.

21. N/A

22. I don’t know. I want to say yes, but if he were real I’d feel uncomfortable writing fanfiction about him, since I don’t do RPF. And although I adored him as a character in canon, I think it was through the fanfiction I wrote after that I grew to love him and all his many facets on a deeper level. But I guess if he were real, he’d be dead since he lived in the Heian era, so maybe I wouldn’t have that problem. But I dunno, then I’d have to do even more historical research, and that’s just a pain in the ass. I’d probably still admire him, though.

23. He’s a victim of 1. Gentoka’s route; 2. not appearing in the CD Drama official art that showed the 5 “main” love interests shirtless but apparently Tomonori didn’t matter enough to the writers for that; 3. not getting a nice yukata in the summer festival stories despite the fact that fuckin’ Akifusa got one and from goddess lady’s perspective I would think Tomonori would seem more important and thus more deserving of one, but again, apparently the writers and/or artists didn’t care enough about Tomonori for that; 4. not getting any additional “autumn” stories; and 5. not getting a sequel story. …If anyone does happen to have information that the people in charge of Scarlet Fate released extra bonus stories and/or official art of him wearing anything other than that kimono (or the school uniform for the high school AU CD Drama, but that doesn’t count because it’s not canon and they did it wrong anyway, Shiki should obviously have been childhood friends with Akifusa and Tomonori too, not just some rando girl they instantly crushed on at first sight— leave that to the other love interests)— please let me know, and let me know where I can read or see it.

24. hmmm. I don’t want to change anything. But if I had to? Let’s make him even shorter. Like, 5’0” or something. Even shorter than Shiki.

25. I’m pretty sure they used him in the Scarlet Fate+ app to introduce the player to the game, but of course at that time I didn’t realize who he was. How did I first discover that app? I was playing a bunch of similar otome at the time— well, similar in the sense that you’d spend some version of stamina to read stories for free 5 times a day, or you could pay once to gain access to the full story. I think I gave up on Scarlet Fate+ because it’s really not the kind of story that’s ideally read in small fragments like that, but later I returned to the paid version, bought it, and thoroughly enjoyed Akifusa’s route. (After reading Gentoka’s, which was kinda meh— and I have the problem with it I mentioned above, although I didn’t have that problem at the time because Gentoka’s route is lacking in Tomonori lore so I didn’t have the full context— but helped me realize Shiki’s a badass, and I liked it enough that I wanted to read about other characters. …Anyway, I read Akifusa’s next because Akifusa made me laugh, and I’ve found that’s usually a good sign I’ll enjoy an otome character’s route. Often that character will end up being my favorite. In this case, I fell in love with his best friend instead. Sorry, Akifusa. Look on the bright side, you’re one of the characters I ship with him.) 26. Definitely not. This sounds terrible to admit now, but at the time I thought he was just a tutorial character who they only included because he had a pretty face. Even after you get to see little hints of his personality in the game, I still had no clue. I think the first premonition I had that he might be a more interesting character than I gave him credit for was how he dealt with the “trolley problem” in Akifusa’s route. Possibly.

27. Of course I want more people to know about him. It’s tiring having to explain who he is every time. I joked about making an informational PowerPoint once, but I might seriously consider doing that.

28. Yes. Not for any reason to do with Tomonori specifically, but I have been attacked online for the mere fact that he is a fictional character and I’m obsessing over him. I think I made a post about that too.

29. I’m the only creator of fanfics about him that I know. No, my own fanfiction has not made me cry. It has moved me emotionally on occasion, but not to the point of tears.

30. It’s been six years so far. What’s another three? Sure.

BLORBO ASKS GAME

reblog if you’d like people to send you asks about your Blorbo

who’s the Blorbo that you’ve never posted about on your blog?

who was your first ever Blorbo, who was your childhood Blorbo, and are they still your Blorbo?

was there any specific point / any specific moment that suddenly made this character your Blorbo, or did you slowly grow to love them more and more until they became a Blorbo to you?

what’s the thing you love the most about your Blorbo?

what’s the thing you dislike the most about your Blorbo?

if you could talk to your Blorbo, what would you say to them?

what’s the one thing the fandom gets wrong about your Blorbo?

is your Blorbo an introvert or extrovert?

describe your Blorbo in 3 words

if your Blorbo were real, would you trust them with your life?

have you ever written a fanfic about your Blorbo?

do you talk to your family or in-real-life friends about your Blorbo?

is there any crime, any wrongdoing your Blorbo could commit that would make you stop loving them and remove them from your hyperfixation entirely?

have you ever distanced yourself from your Blorbo / have you ever left a fandom because people in the fandom were being too toxic?

have you ever gotten involved in ship wars?

is your Blorbo canonically alive?

do you like seeing your Blorbo suffer?

do you ship your Blorbo with any character?

when it comes to Blorbos, do you have a type?

if you have more than one Blorbo, do you love them all equally?

if your Blorbo is from a live-action media, are you also a fan of the actor who plays them?

would you still love your Blorbo if they were real?

is your Blorbo a victim of badly written script / bad plot / character assassination in the hands of canon?

if you could change one canonical thing about your Blorbo, what would it be?

how did you first discover your Blorbo?

when you first discovered your Blorbo, did you realize from that moment that they would become your Blorbo?

do you gatekeep your Blorbo? / would you want more people to know about your Blorbo?

have you ever been attacked online just because you liked your Blorbo?

has a fanfic about your Blorbo ever made you cry?

do you think this character will still be your Blorbo three years from now on?

[s30620]

Chapter 1: Mission

Kinda scared to reread Kagurabachi. The translation errors and inconsistencies made it a bit confusing to read during serialization. Hopefully I can get a better grasp of the story and names on a second read!

I have always thought the first chapter of Kagurabachi was very well done. You can really tell the author, Hokazono, takes inspiration from movies and the concept of "show, don't tell," and he does it well. Despite it being an action series, and we do see a glimpse of it on the title page, the first half of the chapter feels like a slice-of-life manga. A boy and his father live a simple life, forging kataka. They have pet goldfish, and old friends come visit occasionally. That is, until a war is mentioned, one that happened around when Chihiro was born. So many connections can be made, and questions pop up just through reading the dialogue.

Plus, how can I talk about Kagurabachi without showcasing the incredible action sequences and art? Looks like they changed the translation of "kuro". It used to be "black", but the original kanji isn't even the color black?? The color black is 黒 while the kanji used when Chihiro summons kuro is 涅, usually used in the context of 涅石 which is a stone used to mull black ink or the act of dyeing something black (from what I can tell).

[citriarchive]

i've been writing a song for a little while now and i just find the progression from naming it "SONGTITLE_ITERATION" to "[song title] is never finished it just stops moving" and "[st]infijsm 2 electric boogaloo" really funny for some reason

this is the one (1) thing keeping me sane rn

[beif0ngs]

alright look, i just wanna know who is the writer that came up with the dumbass idea of replacing the line “Ever since I lost my son, I think of you as my own” with “Lu Ten would have been proud to have you as his father” in this scene for the Netflix live action series???

[eksilipilav]

I don't know why this is hard for writers to admit. Look it's this simple: Hello guys, I'm trying to write fics. I'm new to this. English is not my native language. Even though I'm an English(as a second language) teacher -and especially because I'm a teacher- I KNOW FOR A FACT that my writing is lacking. Hence, I use AI tools (namely Grammarly or Quillbot) to fix my errors, avoid repetitions, and have some fluency in my writing. As a working person, sometimes I write whatever in my native language and translate it to English and you guessed it, it needs editing because not everything in my language sounds authentic when translated. One thing I DON'T do is generate the WHOLE of whatever I write. I stick to editing. I'll not go and share my fic here now; for one, I kind of left it because I'm busy, and the other thing is I don't think it's good so we leave it at that but here are some scanners' results of them:

It's the same chapter, checked on different AI checker websites. As you can see, results vary from 0 to 40 something per cent. What YOU DON'T SEE is a number higher than 50%. Are these AI checkers always accurate? Definitely not. For example:

Some checkers flagged these sentences as AI-written, but in all actuality, they are one of many that haven't been edited or changed from my rough draft. Since I use AI checker tools in my job -sts bringing a lot of AI-generated content like I WOULDN'T KNOW AND UNDERSTAND THE CAPABILITY OF MY OWN STUDENT WITHOUT A CHECKER- I can say with 100% certainty that sometimes if you write REALLY GOOD, like, all grammatical and professional -not good in literature-wise-, these tools flag your writing as AI, but not to the extent of 70+%. In my case, I said my writing is lacking, but it doesn't mean my writing is bad. I'm well-versed in writing skills (in mostly an academic context, I admit). If you put my rough draft and the end result next to each other, you can see the changes clearly; and say, if someone asked me if I used AI editing, I wouldn't deny it and provide both versions. Seriously, it is not that hard if you have nothing to hide.

Let's Talk About Ir Abelas, Da'ean

As some of you may know, I am vehemently against the dishonest use of AI in fandom and creative spaces. It has been brought to my attention by many, many people (and something I myself have thought on many times) that there is a DreadRook fic that is super popular and confirmed to be written at least partially with AI. I have the texts to prove it was written (at least) with the help of the Grammarly Rewrite generative feature.

Before I go any further, let it be known I was friends with this author; their use of rewrite features is something they told me and have told many other people who they have shared their fic with. It is not however, at the time of posting this, tagged or mentioned on their fic on AO3, in any capacity. I did in fact reach out to the author before making this post. They made absolutely no attempt to agree to state the use of Rewrite AI on their fic, nor be honest or upfront (in my opinion) about the possibility of their fic being complete generative AI. They denied the use of generative AI as a whole, though they did confirm (once again) use of the rewrite feature on Grammarly.

That all said: I do not feel comfortable letting this lie; since I have been asked by many people to make this, this post is simply for awareness.

You can form your own opinion, if you wish to. In fact, I encourage you to do such.

Aside from the, once again, high volume word output of around 352K words in less than 3 months (author says they had 10 chapters pre-written over "about a month" before they began posting; they are also on record saying they can write 5K-10K daily) from November until now, I have also said if you are familiar with AI services or peruse AI sites like ChatGPT, C.AI, J.AI, or any others similar to these, AI writing is very easy to pick out.

After some intense digging, research, and what I believe to be full confirmation via AI detection software used by professional publishers, there is a large and staggering possibility that the fic is almost entirely AI generated, bar some excerpts and paragraphs, here and there. I will post links below of the highly-resourced detection software that a few paragraphs and an entire chapter from this fic were plugged into; you are more than welcome to do with this information what you please.

I implore you to use critical thinking skills, and understand that when this many pieces in a work come back with such a high percentage of AI detected, that there is something going on. (There was a plethora of other AI detection softwares used that also corroborate these findings; I only find it useful to attach the most reputable source.)

Excerpts:

82% Likely Written by AI, 4% Plagiarism Match

98% Likely Written by AI, 2% Plagiarism Match

100% Likely Written by AI, 4% Plagiarism Match

Some excerpts do in fact come back as 100% likely written by human; however, this does not mean that the author was not using the Grammarly Paraphrase/Rewrite feature for these excerpts.

The Grammarly Paraphrase/Rewrite feature does not typically clock as AI generative text, and alongside the example below, many excerpts from other fics were take and put through this feature, and then fed back into the AI detection software. Every single one came back looking like this, within 2% of results:

So, in my opinion, and many others, this goes beyond the use of the simple paraphrase/rewrite feature on Grammarly.

Entire Chapter (Most Recent):

67% Likely Written by AI

As well, just for some variety, another detection software that also clocked plagiarism in the text:

15% Plagiarism Match

To make it clear that I am not simply 'jealous' of this author or 'angry' at their work for simply being a popular work in the fandom, here are some excerpts from other fanfics in this fandom and in other fandoms that were ran through the same exact same detection software, all coming back as 100% human written. (If you would like to run my fic through this software or any others, you are more than welcome to. I do not want to run the risk of OP post manipulation, so I did not include my own.)

The Wolf's Mantle

100% Likely Human Written, 2% Plagiarism Match

A Memory Called Desire

99% Likely Human Written

Brand Loyalty

100% Likely Human Written

Heart of The Sun

98% Likely Human Written

Whether you choose to use AI in your own fandom works is entirely at your own discretion. However, it is important to be transparent about such usage.

AI has many negative impacts for creatives across many mediums, including writers, artists, and voice actors.

If you use AI, it should be tagged as such, so that people who do not want to engage in AI works can avoid engaging with it if they wish to.

ALL LINKS AND PICTURES COURTESY OF: @spiritroses

[erinwantstowrite]

thinking about them atm (couldn't focus while writing so i had to doodle)

[rayroseu]

Meleanor and Dawn's dream be like✨✨✨

why make this?? because:

Knight of Dawn deserves to bully Henric for a little bit✨✨✨

and crack theory that what if these two faces actually foreshadows Raverne's or Crowley's face lolol JDHJAJFJW Raverne never skipped mewing even if he went MIA for centuries frfr

[starvingnarcissistmusic]

I've had this drafted forever and I'm not entirely sure why I didn't post it. Oh well, better late than never!

MAL DU PAYS (the song) fun facts:

(Like the original post, spoilers for Act 5 ((and also 2hats)))

- Originally, after finishing the game, I wanted to write a song about Loop. They're one of my favorite parts of the game and I really loved their character, but I ended up scrapping that idea very early on, as I couldn’t really find a personal tie to anchor the song to me. While I did want to write a song about the game, I didn’t want to write something that didn’t resonate with me and my musical “mythos” in some way. It's a fan song, but it's also a Starving Narcissist song, and I felt it was important to strike that balance. MAL DU PAYS (Monophobia) only got released because I felt that it was something that fit into the larger body of my works even without the context of the game. So in the end, I chose to write about Siffrin, as I found them a lot more personally relatable. The final version, lyrically, is almost like I’m using Siffrin as a vehicle to write about my own feelings. Some lyrics are his, some are mine, a few are both of us, it’s a weird sort of style I’ve never really written in before.

I do have some leftover lyrics from the scrapped Loop version, though!

“There’s a you you’ll never be, across the cosmic sea / Who has everything you wanted, now it’s everything you need; is it over yet?”

- I think originally the song had a lot more of an exhausted vibe, but with most of the stuff I write, the tempo usually gets faster the more I play it. At some point in the writing process the song channeled more of a manic energy than I had originally intended it to. Loud and shouty is kinda just my default lol.

(The first ever demo for the song, recorded September 15, 2024. Features some slightly altered lyrics!)

- The title was also subject to change! I think for a while I was going back and forth on just calling it Homesickness, mostly because I was a little nervous that my song’s name was technically a late game spoiler. Half the reason I wanted to even write the song was because I thought MAL DU PAYS would make a great song title though, so in the end I just sucked it up and went with my gut. The alternate title was also not set in stone, I think originally I was considering just calling it Mania or Paranoia, but I thought those would be a bit generic. Eventually, I settled on Monophobia, because I felt it was apt in describing the song as a whole. I write a lot about loneliness, and Siffrin is afraid of being alone, so it felt fitting to name the song after the fear of it. (And also, a bit more superficially, I thought Monophobia made a better song title.)

- The song is the only Starving Narcissist song on a nylon string guitar, and it's also the second song in a completely non-standard tuning (third if you count ITWYW?, but that's just a half step down from standard). MAL DU PAYS (Monophobia) in DADF#BD, with a capo on 1.

- THIS SONG HAD SO MANY REVISIONS. I don't think I've ever had this many versions to a song ever. It got so bad that I made a specific folder just to hold all the different variations I had for the song. They're not all too different from each other, and they're all built on the same take of the song, but I was playing around with mixing and structuring and vocal layering and its a whole mess. Honestly, the fact that it's a song about a timeloop makes it probably the funniest song this could have happened to.

- And that's about it! To end off this little fun fact post, here's a little something I wrote for Genius (where lyrics for this song and all my others are posted! plus annotations I write! <3) about the song. The response to MAL DU PAYS (Monophobia) has been pretty wild, and I'm glad it managed to resonate with people, even some who don't even know the game it's about.

That's all. While I guarantee this year will probably be slower for Starving Narcissist, rest assured that I am working on stuff, just very slowly. There's a very low chance I'll ever do something as flagrantly self indulgent as this song, but whatever I do end up doing, I hope you're around to see it.

In the meantime, stream the song on spotify! or buy it on bandcamp! or even just go watch the lyric video i made for it (please i spent like a week on this)!

Thanks for everything, see you later <333

Happy one year anniversary to In Stars And Time! tldr; i wrote a song about it. if you wanna skip all the gushing and just listen to it, click here. (spoilers for act 5) If not, behold this big rambly mess of a thing i wrote:

So funny story, I kind of wasn’t planning on releasing anything for the rest of the year. The album wore me out, and the only other idea I had sort of fell through, so I was content on just letting the album be the only thing of note I would make in 2024.

… and then, in September, I played a little RPG called In Stars And Time. beat the whole thing over the course of three days, then spent the next couple weeks ravenously consuming all the fan content I could get my hands on. my friends have been forced to stare at my siffrin pfp every day for two months straight at this point and frankly i think they are tired of me talking about it.

i love the art, i love the story, i love the music, i love the characters, i love the world. siffrin sort of immediately became one of my favorite protagonists like,, ever. and it definitely did not help that i am also a scrawny forgetful person who has to regularly fight off the part of my brain that convinces myself that All My Friends Secretly Hate Me.

I’ve never really been so called out by a character before. The spiraling, the deflection, and the agony of being a stranger to yourself. the yearning for something you cant even name, because how could you? you cant even find the words on your tongue. not being able to tell anyone how you feel because its just easier to live with it, easier to let it eat you from the inside out then to bother anybody else. its easier to keep the mask on, stick to your lines, let the show go on.

all that hit just a bit too close to home. so i did what I usually do When Things Hit and wrote about it.

(like i said, spoilers for Act 5; It’s pretty devoid of context but they’re spoilers nonetheless)

MAL DU PAYS (Monophobia) is a song about cyclical burnout, self-estrangement, and homesickness. It’s half about Siffrin, half about me, but mostly it’s a rumination on loneliness and the hell that is the self.

Out now wherever you listen to music.

“How can you be homesick if nowhere is home?"

[premamelody]

how did we get here

[ryssbelle]

Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.

But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.

Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.

Bonus

Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree

Namely Queen Protea who I designed as Poppys grandmother

Named after the Protea flower which part of her design is based off :D

In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.