#but the character is basically nameless and not described much physically
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Malleus Info Compilation part 2: Malleus' Power
Malleus is described as “one of the five most powerful mages in the world” during Halloween (and Glorious Masquerade, by a nameless Savanaclaw student and by Trey).
Riddle says he “is one of the preeminent mages in the entire WORLD”. During Spectral Soiree Silver cautions, “I’m sure I don’t need to tell any of you how powerful Malleus and Lilia are…I believe we need to content with this matter in a more serious fashion than usual”.
At the end of Spectral Soiree the students attempt to fight Malleus (while he roleplays as himself possessed by a ghost for a prank), leading Rook to say “Malleus and Lilia are powerful enough individually; we won’t stand a chance if we have to face them working in tandem” and “So this is the power of the Roi des Dragons…truly, it knows no bounds. It feels as though he is but toying with us” (which, at the time, he very much was, as a part of the Halloween prank).
Sebek is proud to explain that “(Trey)’s magic could never compare to Malleus or Lilia’s” and when Ace says “That dude’s a beast” he responds, “Of course he is! What did you expect?! He is MALLEUS DRACONIA, Briar Valley’s heir apparent!”
In the Wish Upon a Star event Sebek says that “There’s no question Malleus is the most powerful being in this world!”, though Idia expresses doubt, "if (final bosses) existed for real, your claim might not hold any water..." Unlike other students that excel in potion making or flying while struggling with magical history or summoning Malleus says there is no one magical subject that he excels at or struggles with—if anything, he excels at everything. Instead of using a pickaxe to access hidden mage stones in a cave in Vargas Camp 2 he breaks apart the cave wall by punching it repeatedly.
In his second birthday vignette we learn that Malleus’ physical strength is independent of his magic: he says, “even without my magic, my body is stronger than those of humans”, saying he does not need magic to break boulders and that he is faster than any animal or fish.
In Beanfest Malleus gets attacked by dozens of members of the opposite team simultaneously but never once gets touched, with Cater saying “He’s so nimble, it’s basically cheating”.
We have received several hints that Malleus’ magical ability is, simply, unmeasurable: Lilia explains that “he often broke boulders with his lightning bolts when he threw tantrums as a child”, and we are given an example of when a much younger Malleus set houses and fields ablaze in Briar Valley by complete accident, because he had been overexcited by a lantern-lighting duty assigned to him by the queen.
Jade comments that “Malleus’ power isn’t to be underestimated”.
Ace says that “everyone thinks he’s invincible”, Idia says “the amount of power you could get from a magestone would be a drop in the bucket to Malleus” and “He’s already a balance-breaking character with that auto-filling MP gauge of his”.
During Firelit Sky Cater has to stop Malleus from accumulating power and causing an international crisis via his attempts to catch a pickpocket and Crowley has to stop Malleus from magically interfering with campus guests. He also breaks coconuts with his bare hands.
Crowley says, “if you used your full power we wouldn’t have a campus left to eject them from”, and during Book 5 Malleus himself says, “No curse, no matter how powerful, will work on me”, to explain how he passed through the poison cloud from Vil's overblot unscathed.
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7 Days Before Valentine: Novella vs Drama
This write-up will contain complete spoilers. I know not that many people watched 7 Days Before Valentine, but I think you might still be interested in how things were adapted from page to screen, so the basic premise of both is that a guy who just experience a breakup gets visited by a 'cupid reaper' for seven nights, who gives him the chance each night to erase someone from existence in the hopes of changing things enough to make the breakup not have happened. Ultimately it's a story about acceptance.
Overall I'm actually calling this for the series, because the novella is very short, but the series is able to flesh everything out and really delve into the characters and the implications of the character's choices on everyone at large.
7 Days Before Valentine is based on a novella by the same title by Patrick Rangsimant. I've also read My Ride, I Love You and My Imaginary Boyfriend by him. I enjoy his writing and he's actually a doctor so you can tell from his writing that he's experienced a lot of things in life and his work tends to have a philosophical bent. This work was definitely the serenity prayer as a BL. He tends to write mostly dialog and introspection, a bit like I write actually. It's straightforward and a bit bare, so the vibes of the story and the series are very different. The overall ominous weirdness of the series came from the director/screenwriter, but I think the way it's very theatrical did suit the talky/thinky source material.
The series is also based on another novella, 7 Days Before Halloween, but that one doesn't appear to have an English translation or maybe hasn't even been published yet. The story we get for Q in the series (who goes by the slightly less cute 'Cue' in the novella) is all in there so I can't say how close that was to what we got in the series. Cue doesn't go into his backstory in the series.
The narrator of the novella is nameless and definitely feels like more of an Everyman compared to Sunshine. He's a little blase about erasing people from existence but feels like he could be anyone struggling to accept a major life change, which is the point. I don't remember him being described physically at all and we don't get any details of his life. This makes him way less frustrating than Sunshine, who begins the novel as a self-absorbed and selfish actor, but also not particularly memorable as a character, and it's less that the narrator experiences general character growth and more that he learns to deal with this specific life crisis.
There's no flower shop/bar in the novella. I was hoping we'd get some explanation for that guy who seems to be another supernatural entity like Q, but nope. Also, having the kid from the flower shop as a character gave the show the chance to point out that romantic love isn't the be-all-and-end-all of love, which is pretty unusual for a romance series and was a nice touch.
There also isn't any exploration of what erasing a person means for the world at large. For example, in the novel erasing the politician the couple argued about just doesn't work to fix things, while in the show Sunshine manages to create a whole dystopia. I think that aspect worked well in the series. Both do have the main character fixing things by wishing himself out of existence, only to be brought back by someone else's wish, but of course we don't get the explanation of that in the novella the way we do in the show.
There is a little romance between the narrator and Cue in the novella, but more just that they meet at the end and recognize each other. Yes the show was a slow burn, but I did like the way Q in the series progressed in his attitude, from antagonism to protectiveness to love towards Sunshine, and the way they both opened up to each other. The climax of Sunshine wishing Q out of existence in order to release him from being a reaper was just so perfectly devastating. In the novella it's much less dramatic since the narrator gets the opportunity to make a normal wish and wishes for Cue to be happy. In both cases this does lead to them having a new meet-cute as regular mortals, it's just 1000x more satisfying in the show both because they'd already fallen in love and lost each other at this point but also because we got to see how things clicked into place with a reaper version of Sunshine having been the Q to mortal Sky, who needed to learn his own lessons about loss and regret and letting go.
I think the bizarre oppressive atmosphere of the show really paid off in the final episode, because everything felt clearer and lighter and yes, the colors, and that added to the impact of Sunshine straightening his shit out and the whole last minute reunion. Anyway, I SWEAR THIS WAS GOOD GIVE IT A CHANCE.
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Tenderness and Ferocity | 1. The First Day
Pairing: Winter Soldier!Bucky Barnes x Hydra!Reader Fic Synopsis: The Winter Soldier is starting to make stupid mistakes in the field, which is Bucky's way of trying to wrest back control and sabotage his handlers. Hydra brings a new doctor to figure out what's wrong with him and fix it. As she spends time with him, she becomes fond of the Winter Soldier, and he becomes fond of her. Bucky has other ideas. Or, a fic in which the Winter Soldier is the good guy and Bucky is actually the bad guy. Inspired by two imagines [1] [2] from @hushyourimaginationistalking (can be spoilery). Warnings for this chapter: None Word count: 2386 Read on AO3: [link] [Fic Masterlist] [Next Chapter]
"There resides infinitely more good in the demonic than in the trivial man." — Kierkegaard
Away from the world and beyond the scrutiny of common knowledge, secreted away into a methodically manufactured nothingness, in a damp room in a concrete fortress, a flock of doctors busied around the returned Soldier — The Asset. Or, today, the Problem.
As they performed the standard tests and checks and tinkered at the dents in his mechanical arm, he sat quietly, personless. Underneath all that, he was expecting another "corrective calibration", another session where everything hurt until it went blank. His whole body was expecting it, tight with muscle-memory that ran deeper than his own with horrors he no longer had access to.
He had almost failed his mission, he completed it by dumb luck alone. He knew it, and his handlers knew it. What was left of his ego had bitterly learned long ago that his successes were due to the brilliant doctors, but the failures were his own.
Nevertheless, there was no fear in him — at least, not at the level that was present, that watched the doctors taking readings off the machines, recording his vitals in their notebooks, checking his restraints against the cold metallic chair. But there were parts of him where the real fear still lived. He could not bring it up, and examine, or control, but he felt it stirring in the pit of his mind.
At the periphery of his consciousness, he knew what they were thinking: those failed parts of himself had gotten in the way, had compromised his mission; like a bad reflex in the wrong direction at the worst moment. So they were going to try harder this time, keep trying, keep trying, until they cleaned up all that was left of his dissenting self at the bottom of his brain.
The Soldier waited for them to begin, like last time, and the time before that. But some were talking to each other, some were sitting down and waiting, others were drinking their coffee... They were doing things they weren't supposed to do, and the part of him where the fear settled was starting to itch. What was different about this time?
Get out get out get out.
When he heard the echoes of a walking pair come closer, saw their shadows licking up the wall beyond the foggy lab door, and saw them stop to talk right outside, the Soldier didn't think, nor feel, nor react, and for once it wasn't because the Soldier didn't do that, but because he made a conscious effort not to.
He didn't miss the guarded gaze shared between the nurses securing his legs, but then they got up, and with the rest they gathered their gadgets and scopes and manila folders and ambled out of the room. The pair outside waited for them all to leave, exchanged some parting words, then one of them went inside with him and the other closed the door with a hiss and a click: locked.
The Soldier had never seen this doctor before. Was that what she was? She did wear a lab coat, with the Hydra insignia pinned to her lapel, a standard issue name tag, and had in every other way the look of all the rest of them.
The way she looked at him that first time, scanned him from a safe distance as she clung to her folders like a lifeline, told him she had never seen him before, at least not up-close. But her eyes didn't linger on his metal arm — so she knew about it? They didn't stay anywhere very long, though she did direct a second's worth of a frown at his naked chest — oh, were they supposed to have dressed him up for her?
She took a deep breath, thinking so loudly he could almost hear it, then took a solid step forward in a straight line toward him. Her scent could reach him now, a sweet and stinging perfume that was familiar but now unrecognisable, with fresh notes on her throat and warmer aftertastes lingering in her hair, which was clasped back in a tight French twist. Underneath that, soap and bitter coffee, the sterile air of the facilities, and freshly ironed cotton. She looked right at him, and through him. Perhaps she did not like how his eyes followed hers. She seemed afraid, but of him?
Of failure.
She came to a stop at the table by his side and busied herself arranging her files. Her shirt looked standard issue: white, pressed, keeping its form rigidly while her tight chest fluttered underneath. Her waist held her up stiffly, unmoving, as she bent slightly forward. Her straight black skirt went down to her knees. Her legs were clad in imperceptibly thin stockings, tapering in black doeskin shoes.
The Soldier's gaze caressed its way back up to her face to find her disapproving look waiting for him. He looked back without shame, taking in her elegant little features gentled by large eyes, a soft mouth, lashes that left spiderweb-shadows on her cheeks under the clinical light.
She kept her eyes on him unwavering as she stepped back and around to face him, to look at him from the other side, then closer, then back again. She was examining him like all the others did - like an object - but he didn't mind. Her attention melted the fear away.
Finally, she got closer, and with a touch made to gentle a wild animal tilted his head back and up. She stood to his right where his flesh arm was, checked his pupil dilation with a little light, checked his pulse with her fingers, his blood-oxygen with a pinch at his thumb — he could have told her the other doctors already went through this with him.
But why tell her anyway?
And just like that, she was back to not looking at him. She finished her check-up and turned briskly back to her papers. He noted her face had moved first and her body followed — disgust, avoidance; ah, did he smell? They never did prioritise cleaning him after a mission.
"Can you speak?" she asked, looking straight at him again.
"Yes."
"What are you?"
"Soldier."
"What am I?"
"Doctor."
"Sit up straight... Now close your eyes."
He heard her step closer, heard her stop right in front of him, between his spread legs. Her voice was so close now, and much too soft.
"I'm going to touch the sides of your face. You will tell me if it feels the same."
She lightly ran the tips of her fingers from his temples, down his cheekbones, down the hollowed stubbled cheeks, ending at his chin, then back up and down again.
"Same?"
"Yes."
"Keep your eyes closed. I'm going to make small sounds with my fingers next to your ears, you will tell me which side it's on."
"Right. Left. Right. Right."
"Open your eyes now."
He caught sight of her just as she stepped back.
"Did they finish the repairs on you?"
He looked at his left arm and saw everything was closed back up. "Yes."
"Alright. Make fists with both of your hands, and hold them up, like this. Alright, now keep them steady and don't let me press them down."
She tested his right fist, then his left, her hands barely covering the span of his knuckles. Both fists were steady as rocks against her efforts.
"Now, close your eyes again. Can you touch your thumb to your index on your right hand? Good, now go through all the fingers, touch the thumb to the fingertip... then back to the index. Good. Now your left hand, keep your eyes closed."
He could hear her throat work to swallow at the clink-clink of the metal digits.
"Alright, stop."
She stepped back to the table, picked up a little silver hammer with a rubber head, then came back to his side. "Keep your right arm relaxed, I'm just going to check your reflex."
She pressed her dry, cold thumb to the inside of his elbow and tap-tapped against her finger, his arm bouncing slightly in its confines.
"Alright, now I'm going to do something a little silly. But you won't laugh at me, will you?"
"No." His dry delivery didn't put her much at ease.
Moving to his left side, she did the same thing to his metal arm. She tapped the little hammer over her thumb, where the inside of the titanium elbow was, and tapped and tapped.
"Makes sense I guess..." she said to herself when nothing happened.
As she ran her tests on him, he could feel her relax, noticed her start to speak not just at him but to him, like other people spoke to each other. The Soldier wasn't sure it was smart of her to drop her guard like that, but he couldn't begrudge it. He wanted to speak to her like a real person too, but the want knocked itself against a wall.
She worked her way around him, back to a desk, sat down primly, opened a folder, crossed out some boxes on a yellowed piece of paper... He watched her openly, sliding his gaze down to her tightly-crossed legs and back up, but was not too fixated on the ornamental parts of her to not notice her swallow hard and squeeze her pen as she became instinctively aware of being looked at.
"I'm going to ask you some questions." she said without looking up. "Do you know where we are?"
He had to think for a second for this one. "Headquarters Alpha 3."
"What's the nearest town?"
"I don't know."
"What country are we in?"
"I don't know."
"What day of the week is it?"
"I don't know."
"Do you know what year it is?"
"No."
She wrote something down and sighed — she wasn't disappointed, was she? After all, he didn't need to know those things. But when she looked back up, she didn't seem upset with him. She even smiled at him a little, he almost smiled back.
"There are some more tests I want to run, but I can't do that with you tied up. We'll have another session, if it's approved."
He didn't nod, didn't blink, didn't betray the hope he felt at the anticipation of being trusted. Even untied, she would be safe with him, he wouldn't hurt her. Did they know that? Did she know that?
A knock on the door grabbed her attention. Too eagerly for his liking, she jumped up and opened it.
"Done?"
"Yes, I'll just get my things."
Standing just a step inside the room, the Director looked straight at him, then turned his attention back to her, waiting.
They stepped outside together, but by negligence or uncaring left the door ajar. He listened on as they whispered to each other.
"So?"
"Both hemispheres seem very well coordinated, as well as I can tell considering the arm... There seems to be no... leakage of anything from one side or the other, or from previous missions. To me, the Asset seems fully functional. But I need more tests to assess the state of his memory."
"What's the problem?"
"As I suggested in my proposal, Sir, the methods used in the Project affect his explicit memory, but the implicit memory isn't really addressed. I need confirmation."
"And what does that mean?"
"It means we should probably schedule..."
"No, what you said about his memory."
"Oh, well... As I wrote to you, Sir..." She took a pause to swallow her words. "Explicit memory is... the things you can bring forward in an instant, that you can talk about. But if you were to... if you were to smell a perfume, for example, and you suddenly remembered it because it was what your mother wore when you were a child, that's implicit memory. It stays in the brain but you don't know it's there unless there's a stimulus. And because it's there, it can still influence what you do, even if you don't realise it..."
"I see. Couldn't our equipment fix it?"
"I don't think it can be calibrated for something like that. Such memories are usually connected to real functions, like muscle memory or the senses. And besides, wiping him repeatedly probably resets his integration level, which can be counterproductive... especially if he was predisposed to higher disintegration before the serum."
"So what do you need?"
"First of all, he might need to be kept... er, thawed, at least for a while."
"If your little experiment is a failure, we're gonna waste valuable time on him."
"It's just that it isn't good to freeze and unfreeze even an ordinary slab of meat, let alone a complex animal like that. It could be connected to the malfunctions they're reporting with his behaviour. Not to mention the lack of REM sleep, which makes it even worse for stabilising his thinking, his reflexes..."
"Alright, we have empty cells we can keep him in."
"And for the next session, if it's approved Sir, we should maybe have a brand new room. Not this lab, and not somewhere where he's locked down. Subjects usually form underlying associations with common environments, it impedes the process."
"I fear we might be spoiling him, you know. His own 'suite', his own lounge now, no more cryo, and I don't know when the last time was that he saw a woman..."
"Certainly he sees them all the time on missions, Sir."
"Yeah, through a scope. Will that be all?"
"One more thing... if it's possible, to not have surveillance during the sessions, Sir..."
"And why would you ask for that?"
"In case I need to apply unethical methods."
"'Though I can respect that, don't you think you're asking for a bit much?"
"Oh, please Sir."
The Soldier could hear the smile in her voice, the deliberate lightening of the tone to something girlish, and through the fogged glass he saw her brush a hand over the Director's elbow, just quickly enough to stay professional. The armrest under his bionic arm started creaking in his grip.
"I'll keep it all under budget, I promise. Oh, and could we maybe arrange to have him washed more often?"
"I'm going to leave before you ask for dessert. You better deliver."
"Yes, Sir. Hail Hydra."
"Hail Hydra."
#Bucky Barnes imagine#Bucky Barnes x reader#Winter Soldier x reader#James Buchanan Barnes#The Winter Soldier#Bucky Barnes fanfiction#will develop into a very angsty fic with some smut#but not yet#so the fic is written in the 3rd person but that's just because I'm uncomfortable writing in the 2nd person#and telling other people what they think and what they feel#but the character is basically nameless and not described much physically#so I just don't use the Y/N convention but that's it#Tenderness and Ferocity#bv;fanfiction#Bucky x reader#Bucky x you
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Hi! I'm a really big fan of your war criminal Warriors. Do you have any tips for writing morally gray Warriors?
I know my branding is "Warriors is a war criminal," but he's not actually breaking a law. Hyrule doesn't even have a Geneva. He's more of a war monger lol
Anyway
I think the trap a lot of people fall into when attempting a morally gray character is thinking of good and evil as a spectrum with morally gray at the exact center. My problem with that idea is that gray morality isn't at the center-- your average, slightly selfish person is.
Another problem with being in the center of the spectrum is that your character will seem better or worst depending on who they're compared against. A guy who has no problem killing people is a villain when they're up against a saint, but reasonable compared to a tyrant.
My solution and what gives Warriors that little spice is to give him traits on both extremes of the spectrum. Warriors loves his friends so much, but he is also capable of feeling nothing for another person. He's caring, but he's also manipulative. He is trying his best to be good, but he has done so much bad. No matter who you put him up against, his positives and negatives are never diminished.
I think a lot people also fumble a bit with committing to gray morality completely. I'm not sure how to best describe it.
If someone is morally gray, their bad traits have to be really, really bad. They have to commit atrocities. But as a writer, you have to know what exactly those atrocities are. Warriors killing a person isn't what makes something terrible. It's that the person wants to live, that they had a family waiting for them.
Take his manipulation of Spirit. The fact that he's forcing Spirit to fight in a war is only the surface of what makes him terrible. It's not even the lengths he goes to in order to manipulate him that horrifies you. You think he's terrible when he can see the number this does on Spirit's well being, physical and mental, and keeps going anyway.
Atrocities don't matter when they don't have consequences. That's what gives everything bad he does weight.
Of course, balancing his ability to be terrible with what makes him good is also important. This is why writing exclusively from Warriors's perspective is vital. We have to see the world from his perspective to know why he does what he does. That's what makes him relatable. That's how we build empathy for him. Warriors would seem like a completely different person if it was written from an outsider's perspective.
That brings us back to the elephant in the room, which is his role in the military.
There's a lot I can say about how his role in the military affects his moral standing, but I'll try to keep it brief.
When it comes to writing Warriors as morally dubious in terms of his military career, I think a lot of people fumble with the consequences and blame.
A lot of Warriors angst that deals with him having to kill mass amounts of people concludes with the sentiment that it was for the greater good. Angst about the turncoats emphasizes his feelings of betrayal and inability to trust people.
Both of those interpretations are valid, but they also deflect blame from Warriors. It makes him a victim on both accounts. I'm not going to say that he isn't a victim, but those interpretations don't make for compelling gray morality. The consequences don't stretch far enough. They don't give Warriors agency.
So if you're going to make him a war criminal, you have to look at who he's affecting and why. What does killing scores of people mean for anyone who's not Warriors? What does this mean for a nameless civilian? What does betraying Hyrule mean for the turncoats, and what does this mean for Warriors?
Basically:
Extreme good and extreme bad works better than a middling stance
Relish in terrible consequences
POV is important
Military bad
#some of you accidentally contribute to the military entertainment complex and like.#you do you but you gotta think about the implications ya know#me rambling#lu ctb#linked universe#linkeduniverse#lu#lu warriors#ask#anonymous
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I am slowly filling this OC question meme with all my WoD characters and it is a lot of fun, but also very exhausting.
Here is your chance to get to know more about Stanley, my sewer goblin Nosferatu boy ❤ ❤ ❤
❤ There is also a video process of this painting on my Youtube channel ❤
1) Stanley rarely gets angry, when he is supposed to be angry he instead get anxious and either starts to talk nonsense or stays silent.
2) He finds the idea lovely, but he knows that he will never meet anyone he could call a soulmate
3) More than being a pet peeve it just really makes him uncomfortable: when people are loudly shouting at him or at someone else.
4) He often thinks about his early childhood before he was seprated from his baby sister.
5) Probably the time he spent in the hospital before he found out about the Nosferatu and became their ghoul. Before that incident, he was feeling safe, taken care of and loved having a routine, knowing the place well and always looked forward to visits from his sister.
6) When he was separated from his sister and put into different foster homes.
7) He wouldn’t even go to a bar, too many people and too loud for his taste.
8) He was pretty badly beaten up when he was living on the street, but nothing was ever broken. After the Embrace he made Maks (his Sire) pretty unhappy a few times which resulted in him getting a few broken ribs. He tries to stay away from danger, but sometimes it doesn’t work out.
9) He would like to forget finding a dead woman’s body in the sewers.
10) His happiest memory is playing peek-a-boo with his sister in the driveway, he was oblivious about the world and his future. Life was good at that moment.
11) No, he doesn’t. His type is everyone who would treat him nice and made him feel safe :) He currently has a woman he got kinda attached to, only because she was nice to him when he accidentally bumped into her on the street. He had a hoodie over his face and it was dark. She thought he was a homeless kid. She helped him gather all of the small trinkets he dropped in the collision and he was captivated by her kindness, so he followed her home XD
12) Many – he has a collection of various random things he found in the sewers, he collects everything that catches his attention – mainly some personal things like rings, bracelettes, scrunchies, he even found a photo album. He remembers the exact place he found each of his possessions and he likes to imagine stories for each item. He keeps bracelet of the dead woman in case he would one day found out her identity and could return it to her family.
13+14) He has no tattoos or piercings, only way too many fangs in his small mouth that pierce his lips and cheeks XD
15) His dream house would be somewhere where he would be frozen in time as a happy child together with his sister.
16) You would not expect to find out that he is actually not a child, but a grown man, his small and frail stature is deceiving.
17) He has always good intentions with gifts, but he is not the best at choosing gifts XD He misjudges other people’s interest in smelly, sewer treasures XD
18) He knows he has a great memory, but because it has brought him so much trouble, both internal and external, he isn’t really proud or even happy he has an eidetic memory.
19) A stranger would describe him as a weird, smelly kid who talks too fast XD
20) Someone who spent more time around him and got to know him more (Mateusz) would describe him as a scared, smol man who might look like he can’t even count to ten but is actually very clever, but let others walk all over him because he is afraid of conflict.
21) He, himself is a walking insecurity :) But his biggest one is to not be understood when talking as he normally talks pretty fast, but when he is nervous and considering how many fangs he has it is sometimes hard for him to make sense and then he gets even more agitated as he is worried he will convey the message in a wrong way.
22) Physical: dexterity, non-physical: wits
23) Depends on the nature of the lie, most likely he would just nod and tried to understand the reason why he was lied to.
24) He has fond memories of the summer as when he was on the street, summer nights were warm and he didn’t have to worry about freezing to death. Aside this he is indifferent to the weather.
25) From romantic point of view he never had anyone he could say these words to, in general terms he only said I love you to his sister. He wouldn’t have a problem saying it first, but as a Nossie he knows that chances of him finding someone who would even want to spend time with him are almost none, so he will probably never say it to anyone else.
26) His only issue with openly sharing his worries is his fear of not being believed or worse be punished, so it depends on the person. If he knows that the person won’t get angry at him, he will share his worries.
27) No, he never saw anyone die. But the dead woman in the sewers was the first dead body he saw and he can’t erase the empty look on her face, it haunts him every night. He feels sad for her, being left there nameless, alone, dumped like trash. She surely had family somewhere and maybe they are still looking for her to this day…just like his sister is looking for him…
28) He totally is ticklish, he is very sensitive to touch, mainly because he is not used to be touched at the first place.
29) Very low pain tolerance, he hates being in physical pain and he knows that he now can heal pretty much everything, but it doesn’t take away the fact that he would much rather avoid getting hurt in the first place.
30) He wishes he would have been brave enough to say no to some of the things he is asked to do.
31) He isn’t a particularly messy eater, he mainly feeds on rats, not because of the guilt, but because he thinks that feeding from mortals is very stressful and scary ordeal.
32) Most unloved: when he got stuck obfuscated in the same room as the woman he followed home and unfortunately had to watch her and her date being intimate with each other. Not only he felt innapropriate, but it made him feel so lonely and sad that he never in his life felt so safe with someone to share such closeness and now he never will.
33) When he was reunited with his sister after years apart. Despite her being the younger sibling she basically took care for him and did everything she could to get his mental health problems under control.
34) He would most likely hate to lose touch as he likes to touch things XD On the other hand he would gladly lost hearing, so he could no longer spy on people :D
35) He likes small talk, because it feels relaxing and he doesn’t have to worry about saying too much.
36) He would have asked Maks if he ever cared about him as a person or if he just considered him a tool, a good asset to have because of his memory skills.
37) To the past, to his early childhood to spend more time as a naive child with the person he cares the most in the world.
38) positive: his sister – she made him feel loved and made him feel like he mattered, the staff and other patients in the hospital – they made him feel safe, cared for and not alone, negative: various people he met while he was on the street, his foster families, and to an extent his biological parents though he didn’t meet with them after.
39) Depends, in the hospital he liked being surrounded by people because they were nice and he felt safe with them, as a Nossie he prefers to be alone because the other Kindred most often than not scare him. He likes to spend time with Jamie (the ghoul that is living in the sewers with them) because of her child-like personality, she seems harmless and he likes that.
40) The scary thing that he had seen in one part of the tunnels one night, nobody believes him but he is pretty sure there is something terriyfing livin there. Aside this probably his Sire Maks, but he had heard that he met Final death.. apparently by Mateusz’s hands of all people…
Stanley © me/doloresdraws
#my art#clan nosferatu#oc Stanley#vamily#doloresdrawsocs#wod#World Of Darkness#vtm#vtr#vampire the requiem#vampire the masquerade#digital portait#digital painting#Vampire Art#chronicles of darkness#nossies
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to the person who sent an ask about the final battle in tpotot i’m not gonna publish it just bc of spoilers and i haven’t been posting about it long enough to give any of my followers time to mute the tag, BUT:
My only thing I didn’t understand about Priory was why Sabran didn’t have much of a role in the final showdown — I was waiting for Tané, Sabran, and Ead to form an epic East/West/South trio to defeat the Big Bad and I wonder if that’s something they might change in an adaptation 🤔 what do you think?
i felt like she did have as big of a role as was necessary! she’s described several times as carrying a sword but very much not being a warrior: she hunts, and she’s insanely courageous, but when it comes down to it, she’s been a royal for her entire life while ead and tané have been training to become the absolute best at combat since basically birth.
the nature of the nameless one was that he literally couldn’t be felled by anything except ascalon (agreed to be weilded by tané) and the jewels (fated to be weilded by tané and ead). even if sabran had been physically capable of using ascalon (which would have also required her to mount a dragon which she for sure would not have wanted to do) it really wasn’t in her blood to be the one to kill him, i don’t think.
her history and her ancestry, and by definition then her character’s story, was tied suuuper closely to kalyba rather than the draconic legend. and because kalyba was near-impossible to beat in close combat, i think it was absolutely perfect that her downfall came from the one skill that they repeatedly impress is sabran’s talent: her ability to talk to people. the delay that sab caused with their conversation, combined with the hug that really threw kalyba emotionally off-balance, bought them the fraction of a second that ead needed to get ascalon.
i personally would’ve felt like it was a little contrived if sab had been throwing herself on dragonback and swinging swords her own self, because we had two brilliant characters who were born for exactly that already. but she was still monumental in the nameless one’s defeat, and so i think ultimately there was a big epic sab/ead/tané trio that won them that fight, it just didn’t look quite like the drama we’d imagine (and i preferred it that way!)
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Kill The Moon is an episode that’s infamous for being really, really stupid, and also not very good. Does it merit it’s reputation? The short answer is yes, and the long answer is the rest of this post.
The premise of Kill The Moon is that the Moon is an egg, containing a big not-Lavos alien space dragon thing. Now the egg is hatching, which has somehow caused it to gain an astronomically large anomunt of extra mass from nowhere, which is destroying the world. People thus hate the concept, because literally everyone knows how eggs work, and they don’t work like that. Even if you’ve never encountered an egg, you probably know how eggs work, and part of that invovles the egg being a completely closed system. The egg-mass becomes the mass of the creature in the egg, with none being gained. Thus the problem presented by the episode is so obviously and blatantly wrong, no one can take it seriously.
Having failed Basic Egg Biology, Kill The Moon also fails at Cell Biology. In order to have a scary monster to fight, there are moon spiders, with legs and teeth. The Doctor claims that these are gigantic sigular-celled organisms. This is... wrong. Complex moving parts like legs and teeth require specialized cells, so a giant single-celled organism would actually be a big, non-threatening blob. The moon spiders could easily be described as over-sized headlice, and the basic idea would still be there, but for some reason they’re impossible single-celled moon spiders. This is perhaps not as bad as the egg problem, but it’s still pretty glaring if you know things about cells.
There’s also the Lavos problem where something with such long generations wouldn’t have time to evolve, but out of respect to Chrono Trigger, which is episode is clearly ripping off, I will skip over that.
Kill The Moon’s grasp of physics is about as strong as its graps of biology. The moon-killing plan involves taking 100 nuclear bombs to the Moon, and then exploding the problem. Somehow. I’m not really sure how that would work - the Moon is very, very, very, very big. You cannot explode it, there is too much gravity. Even if they managed to kill not-Lavos, all the mass would still be up there. Not that I think that would actually be possible - a creature of that scale would need to be made of some seriously tough stuff to simple survive being that big.
Honestly, the whole plan for killing the Moon is rather poorly put together. Somehow, there is only one way to get to space, even though there’s a Mexican moonbase, which would imply more rockets. Then, despite the assumption that there’s something nasty enough to spend 100 nukes on causing the moon problems, the three astronauts aren’t given any tools or weapons other than the nukes. If it wasn’t for the Doctor, all the astronauts would have been eaten by the moon spiders, instead of just the ones without names. It’s a total shambles.
What really gets me about Kill The Moon, however, is the Doctor. He claims to have no idea what’s going on. Except the Moon hatching would be a incredibly signifigant event. People would not shut up about the time the Moon hatched. It would be in history books alongside the Mars colony that mysteriously failed. Yet apparently the big nerd that is the Doctor is completely unaware of the Moon’s eggness. Like, this is not a small piece of trivial, this a key fact about the Moon not being the Moon anymore, but a new Moon somehow created by not-Lavos immediately after the old Moon dissolved. It just doesn’t make sense! Also he leaves a child on a soon to break apart egg for questionable reasons, which is just completely out of character for any version of the Doctor.
So, behind all the bad science and nameless characters, what is the actual narrative thing about Kill The Moon? Maybe it’s about abortion, although it’s not a great anology. The Moon hatching might kill everyone on Earth, so everyone on Earth has a stake in the problem. But in the case of abortion, the only person who has to bear the health consequences of a pregnancy is the mother, which is why the mother is the one who should ultimately make the decision. A person having a baby will not destroy the world, but the Moon hatching might. Maybe the moon-chunks would hit the Earth. Maybe Lavos is in the Moon, and will rain destruction down from the heavens in order to harvest the planet’s biomass to create a new generation of Lavos spawn.
Anyhow, the decision doesn’t matter because it turns out the correct choice was not to choose. Once again, Doctor Who cops out of the moral decision at the last minute. Turns out that there was no danger, and letting the egg hatch was right. There’s even a replacement Moon! Yay! I mean a lot of people died in the backstory, and Moon 2 is probably in big trouble as humanity scrambles to scramble it, but egg hatched so things are okay.
Oh yeah and Clara yells at the Doctor but she’ll be back next week so it doesn’t even matter. Conflict in fiction is meaningless if it has consequence.
Ultimately, Kill The Moon isn’t very good, not just because of bad science, but also because it has a questionable moral message and the plot doesn’t really make any sense. But don’t worry, we’re only a few episodes away from one a message that’s actively harmful, so Kill The Moon avoids the “Worst Episode“ spot for Series Eight.
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Hey you! Ok how about Pedro’s characters and the first time they wink at you. ILY and thank you 🙈
Hey babes! I simultaneously love and hate you for this ask because jfc winking irl is so fucking skeezy but, as with a lot of things I previously thought I despised, when Pedro does it I get a little weak in the knees lol. So now I have an excuse to comb through every gif of him winking. You know. For research. For SCIENCE. (Under the cut, cause fucking HELL. This got loooooong.)
(Gif made by @djjarindin )
Whiskey- On your very first day as a Statesman you make the dubious acquaintance of Agent Jack “Whiskey” Daniels. You’re standing at the window of your new office, flipping one of your knives in the air idly, when a handsome man in tight blue jeans and a black Stetson saunters in without so much as a by your leave. His grin is lazy, charming, and you acknowledge, in the deepest recesses of your hind brain, incredibly enticing.
“Well howdy there, darling,” he greets, thumbs hooked in the front of his belt, drawing your gaze to- is that a flask on his belt buckle? His mustache twitches up on one side as he notices that your eyes landed exactly where he had intended.
“Now what’s a pretty little thing like you doing playing with those pig stickers? You could hurt yourself with knives like that.” He steps closer to you, one hand leaving his belt to brace against the window next to your head so he can lean further into your space.
“Probably the same thing you’re doing playing with those pistols you’ve got under your jacket or that lasso at your hip,” you reply coolly, not backing away from his intrusion into your space. His raises his and he huffs a laugh through his nose.
“Well touché, kitten.” He bends a little at his knees to catch your eyes better and suggests softly in a voice that 90% of you demands you to listen to, “How’s about you and I get outta here and I can give you a tour of the place? Maybe, show you the ropes?” And he then winks at you.
That last 10% of your willpower has something to say to his blatant attempt at getting into your pants.
You slap him.
Javier Peña- You had been warned by more than one person that feminism hadn’t really made its way to Columbia yet when you accepted the portion to field agent and transferred down to the DEA office in Bogota. It was 1990 however, and you kind of expected the Americans you worked with to at least be a little more on board with the times.
That was on you, men were men it seemed, American or Columbian.
The tall blond who introduced himself as Murphy seemed nice enough, he was friendly and a little distracted, and he sounded almost apologetic as he led you further into the office to meet the other member of your team.
“Well hello there, sugar,” a man a couple of inches shorter than Steve greeted you from where he had been leaning on a desk by the door. He stood up straight and sauntered- there was really no other word for how pants that tight made a man walk- closer to the two of you, a wide smile stretched his mustache over his handsome face and showed off the dimples in his cheeks.
Oh lord. One of those men.
“Javi this is-“ Murphy started, clearly trying to diffuse a potential situation but the man interrupted him, and his hand reached for yours, holding it a little longer than necessary.
“A girl too pretty for your married ass to be talking to, Steve.” He still had your hand in between his two large warm ones and you filed that information away for use at a later, much more solitary time. He had the audacity to wink at you and you sighed and rolled your eyes. Ah well.
“I’m your new partner.” Guess feminism still has some strides to make no matter what the nationality of idiot male.
Ezra- You had been stuck on this interminably brown moon for a week and you were going stir crazy. You and your still new partner had landed in a manner that was less than gentle or correct on this nameless rock, and not only was your landing gear bent at an angle a university mathematician would have trouble describing, Ezra couldn’t get the damn thing to start again.
You weren’t any sort of mechanic by nature, that was one of the things he brought to the table, so until Ezra managed to repair whatever was wrong with this hunk of junk the two of you were still paying off, you were stuck sitting on your hands doing nothing. You had no particular desire to go traipsing around this rock by yourself, protection was one of the other things the man added to your partnership, as you had learned early in your mining career that that generally did not end well for people like you.
So there you sat, bored, listening to the click and clank of Ezra’s tools as he did whatever it was that you needed to do to get an impulse engine working enough to take off and dock to an FTL vessel. And listening to Ezra’s constant talking.
He was currently telling you a rather long winded, even for him and that was saying something, story about how an old partner of his woke up every morning and sanitized the floor of their pod with antibac spray before he would let any of the other four men set foot on it.
“The gentleman in question was a rather odd duck, badger,” he called out to you from half way inside the pod. “Why, in all my years and in all my travels in the black, I must avow never having seen someone so resolved on keeping the extremities of his associates so unsullied. I never cognized if his time running the stars had finally fractured his wits and this was the inevitable concomitant of a life lived as we do, or if it was a tic peculiar to him for all of his life. Still and all, one advantage I did discover at the conclusion of that particular venture: the bottoms of my socks never have been cleaner.”
An unexpectedly loud guffaw punched its way out of your mouth and you dropped the flat rock you had been attempting to balance on a piece of the aforementioned broken landing equipment. Unfortunately, Ezra decided at that exact time to shimmy his way out from under your craft and instead of falling harmlessly back to the ground where you had found it, it bounced off of his rather distracting ass on its way down.
He stopped moving and you were about to apologize, you really hadn’t meant to basically throw a rock at him, no matter how much he annoyed you at times, when you heard his voice float up to you again, a little amused, and a little something else that you had had occasion to notice a few times before but had never thought to classify.
“Badger, did you just take your hand to my ass?” You felt your face flush and wondered if this planet’s atmosphere wasn’t as hospitable to humans as you had thought.
“What?!” You squeaked, voice cracking when it hit a pitch normally very much out of your range.”No! I just dropped a rock!” You heard him chuckle from your feet and refused to look at him as he shuffled all the way out from under to pod and stood to his full height in front of you. He chucked you under the chin and finally you looked up into his eyes.
“Because darling, I strongly advocate any physical contact that you might desire to have with any part of my body you so wish, at any time of your choosing,” he told you with a wink.
Catfish- You had moved to Texas to take up residence on the ranch your grandfather had left you, not out of any real desire to take up the cowboy life. You hated how hot it was, you hated how slowly everyone talked, you hated how big the entire goddamned state was, and if one more goddamned truck managed to take up three goddamned parking spaces at the grocery store one more time you were going to throw a temper tantrum that would make all their southern asses wish they had managed to secede.
That was how you had met Catfish (”No that isn’t my real name; no one but my mama calls me Francisco”). He had been the next asshole in a truck to take up more than what your space conscious Yankee ass had deemed his due.
“Listen ma’am-”
“Don’t you “ma’am” me, how old are you implying I look?!”
“Sorry, miss, if you’re gonna holler at me, could we step a little further away from the truck? I just got that baby to sleep, and if she wakes up starts cryin’ again, I think I’m gonna start too.”
After a meet cute like that, it was inevitable that the two of you would hit it off as well as you did, and so a year later saw you still in a state that you were convinced was trying to kill you (hurricanes, tornadoes, floods, Republicans, and rattlesnakes???), stretched out on Catfish’s beat up couch, more than a little drunk, and a lot happier than when you had left New York to come here.
Catfish set both new bottles of beer down on the coffee table in front of you and smiled down at you with that big grin that summoned both the dimples in his cheeks and made you feel like your heart was growing four sizes larger inside your chest. He took off his ever present beat up baseball cap and tossed it on your lap. His hair was simultaneously flattened and a mess and you were sure he couldn’t look more handsome in this moment if he had an army of Hollywood stylists attack him.
He reached down to he hem of his grey Henley and started to pull it up.
“Whoa there cowboy!” You exclaimed with a grin, sitting up and plopping his hat onto your head for safe keeping. “I didn’t realize I was getting a show when I came over here!” He stopped with his shirt half way off his torso and looked down at you with an eyebrow cocked.
“It’s hot as goddamned balls in here, baby, and I’m wearin’ two of these things. One of ‘em at least is comin’ off.” He pulled it off the rest of the way and straightened his first layer that had attempted to escape with its compatriot before reaching down and grabbing his hat off of your head and flopping onto the couch next to you.
“Hey Fish, how long do you think we have before the baby wakes up?” He shrugged, his head rolling on the back of the couch o face you.
“I dunno, darlin’, why do you ask?” You bit your lip and smiled up at him, playing with the fingers of the hand he had settled on your thigh.
“Oh, well, you know how watching you nearly get stuck in your shirts really does it for me.” He groaned and slapped your leg lightly as you laughed.
“I think we’ve got time for whatever you want baby. Helicopter pilots can go straight up pretty fast you know.” He told you with a wink that you were sure was supposed to be alluring.
Oberyn Martell- The first thing you consciously noticed about Dorne was that it was hot. This was a kind of inescapable heat that permeated your entire body and made you feel like you were cooking from the inside out. You had never before given much thought to what it would feel like to be put into an oven and roasted alive, but without a doubt this is was that feeling. When you went back home to White Harbor you weren’t ever going to complain about the cold ever again.
The second thing you noticed when you put into port in Sunspear- a city quite a bit smaller than most of the cities of the upper six kingdoms the Manderlys sent your father to trade with- was that no one seemed to be wearing a lot of clothes. Which you supposed made sense because you were positively dying in yours.
You quickly changed into a pair of your brother’s breeches and a loose shirt before practically running off the ship and into the dusty warrens of the Shadow City below the walls of the Martell’s castle, eager to stretch your legs after weeks at sea and eat something other than hard tac and salted meat and fish. You figured you had at least a few hours before you would be expected to accompany your father to the castle to haggle about prices for wood and iron and silks and citrus.
The air only got hotter the further from the sea breeze you walked, and as you meandered the twisting and winding bazaars all you could smell were foreign spices and perfumes. Your head was on a swivel trying to take in the sights and sounds of a market radically different from any you had seen before when you walked into a silk covered shoulder. The shoulder belonged to a man nearly a foot taller than you and you wouldn’t have stood a chance at remaining on your feet if two strong arms hadn’t shot out and wrapped around your waist, dragging you back from your rather embarrassing descent to the dusty street and into a warm solid chest.
“I normally have to put in at least some effort in order to sweep someone off their feet, it must be my lucky day that you seem to have decided to do all the hard work for me,” an amused, accented voice said from above you. You felt every word from where your ear was plastered to the bare skin of his chest, his yellow and orange robes belted loosely enough to leave most of his golden skin exposed. You felt your face flush as you shuffled your feet, trying to get them back under you in a way that would allow you to stand and not fall on your face. The man set you back from him gently and you finally looked up
Your savior was beautiful. There wasn’t any other word to describe a face with deep set, smiling eyes that were so deep a brown you really had to look to distinguish his pupils. His nose was curved and prominent, his jaw covered with the same black hair that was cropped closer to his head than you were used to seeing in the North. And his lips were too pretty for a man. They spread into a smile as his eyes met yours, dimples appearing in his cheeks and you were smiling back before you realized it.
“Now,” he said, eyes still laughing. “You are either the worst pick pocket I’ve ever encountered or clearly too taken with the sights around you to be trusted to walk unescorted.” You hoped he never stopped speaking. His voice was deep and rich and at the same time soft and musical and no one in the woods and wilds where you had grown up spoke like he did.
“Uh, yes,” you stuttered and felt your ears burn as he smiled wider, eyebrows in danger of disappearing into his hair. “I mean, no, I’m not a pick pocket! I just, sorry, I wasn’t looking where I was going, my apologies.” You stuttered stepping further back from him, hoping maybe some more distance would restore your ability to not make an ass out of yourself in front of this handsome stranger. “Thanks for you know,” you featured vaguely at the ground.
“Oh, you’re very welcome for ‘you know’,” the man replied, somehow injecting a completely different meaning to your innocuous words than you had intended. Your face could have been used to light a campfire by now. You needed to get back and get changed before you did something truly stupid.
“Okay, well, um, sorry, again, for walking into you,” you said, backing away. “But uh, I’ve got to, uh, go...” You sort of waved and took off back the way you came, taking care not to run into any more handsome strangers.
You made it back to the ship in time for your father to lecture you about how dangerous it was to just run off in a “city full of wild Dornishmen! Don’t think that because you’re dressed like a man you’d be safe! That ‘sort of thing’ is common here, daughter!” while you dressed in clothes more suitable to both your station and a meeting with the ruling house of the kingdom.
It was somehow cooler within the sandstone walls of the castle, and you amused yourself on the walk up to the raised dais by listening to the different sounds your company’s boots made on the marble floor.
There was a woman sitting on a carved wooden seat and a tall dark haired man standing behind her, leaning indolently against her chair at the top of the steps you and your father stopped at. You listened to your father make the appropriate greetings, hoping that they could come to favorable terms of trade for items and goods they all wanted. And you felt someone staring at you. You looked up at the young woman in the chair as your father introduced you and you smiled and curtsied less gracefully than your mother would have liked. Your father turned his face to the man behind the chair and began to repeat the introduction when a familiar laughing voice interurrupted,
“Oh, I believe we’ve met already, haven’t we, little pick pocket?” Your eyes snapped up from the marble floor to lock onto those dancing brown eyes from earlier this morning. You felt your jaw drop and your face turn what you were sure was a very unattractive shade of crimson as Oberyn Martell, Prince of Dorne grinned and winked at you.
Din- You had been flying with the Mandalorian and his tiny green baby for about a month when you decided that hyperspace was boring and if you wanted any amusement you would have to take a page out of the little man’s book and make your own fun. You knew that stealing pieces of the ship and hiding them would not be as cute as when the baby did it, so that was out. You weren’t a tall person, but you were still bigger than the green terror so playing hide and seek was pretty close to useless. You were grasping at straws until suddenly it hit you like one of the utensils that the tiny monster liked to levitate around the cabin.
You were going to get Mando to laugh.
You had absolutely no idea how you were going to accomplish this, or even any idea at all what a near silent warrior monk that you were still not a hundred percent convinced wasn’t a droid would find funny, so you decided to just do what you did best; you opened your mouth and let the word vomit out.
You didn’t shut up. If you were awake and not actively hunting someone, you were talking. The baby seemed to enjoy the new amount of noise and animation, but thus far you had only gotten a few sighs and what you thought were exasperated glares from your adult companion. At least, you figured they were glares. His helmet turned to face you and frankly, you were beginning to even get on your own nerves, so he was almost definitely glaring at you under that beskar.
This went on for four days straight until one day the three of you were sitting in the cockpit, watching the stars zip by, and you decided to narrate yourself drinking a glass of water. You had just gotten to the swallowing part and were attempting to put into words what that felt like when he turned around to face you.
“If one more word comes out of your mouth I will cut into into small enough pieces that the baby won’t notice it’s a human that he is eating for dinner tonight.”
You choked. And you definitely spat water all over the visor of his helmet.
You coughed and stared at him, terrified, not sure if these were going to be your last few seconds as a breathing creature, but sure that if they were you at least had the image of the Mandalorian with water and spit sliding down the front of his helmet to console you.
All three of you sat in silence for at least a minute before he leaned forward very slowly. You leaned as far back as your seat would allow.
“That was a joke,” he told you, voice warm despite the crackle of his modulator. “You can’t see it, but I just winked.”
Screw making him mad. You were going to kill the Mandalorian.
Tovar- This was officially one of the worst ways that you could think of to die. You sure that if you were given a few more minutes, and a few less spears pointed in your face to distract you, you could surely come up with at least five different ways that were, in fact, worse, but right now, this seemed pretty awful and didn’t seem likely to get any better.
“I need you to trust me,” your companion murmured in your ear, his hand on your wrist, stopping you from drawing one of your long knives. You cut your eyes quickly to his normally laughing brown eyes and then back to the soldiers in front of you.
“That never works out well for me, Tovar,” you remind him in a quiet hiss. He moves his arm from his side to around your shoulders and draws you close and tight against his much taller body.
“Good day, gentlemen!” He calls jovially to the five armored men blocking their way on the road. You can hear the wide grin that must be plastered on his stupidly handsome face and you send up a fast prayer to God that he doesn’t manage to get you into worse trouble than you were in already. Or that at least William can manage to get you out of it again.
“Halt,” the spear man in the middle orders, and Tovar stops walking, forcing you to as well, still tucked into his side. His left hand strokes your arm casually (you note its not his preferred sword hand which gives you some hope that he might actually have a plan), and he leans a bit more of his weight on you than you think is really called for. Is he pretending-
“Why whatever are you fine men doing in the middle of the road? Don’t you know there’s a war on! Shouldn’t you be off fighting that fierce some mercenary army?” You want to stab him. His entire left side is open and unguarded mere inches away from your favorite knife, you could slide the blade in right there between his ribs, you could have the pleasure of puncturing his lung and watching him slowly suffocate. Maybe he would finally stop talking.
“No one is allowed past this point,” the spear man informed you, still glaring. “Who are you and what is your business here?” The other four soldiers inched closer and you stiffen.
“Don’t,” Tovar ordered you through his clenched teeth, smile still in place. “I can get us out of this, I just need you to play along.”
“If we get out of this I am going to personally castrate you,” you inform him, a clenched tooth smile of your own on your face.
“Anything to get your hands on my cock, eh?” You elbowed him in that unprotected side you had been eyeing before he tried to bargain with the guardians of the road.
“Oh but surely sir, you wouldn’t hinder a poor man trying to get home to his farm?”The soldier looked extremely skeptical.
“If you’re a farmer, I’m the King of England.” Tovar shrugged.
“Alright, so I’m not a farmer. This rather attractive filly is, however, only paid for for another hour, and I had meant to have my way with her at least twice before my time was up. Surely you can understand my need to make all haste now?”
Nope, not castration. Castration and then you were going to make him watch as you fed his balls to goats.
“Don’t bite me please,” was all the warning you received before Tovar looked down at you, winked, and kissed you, lips surprisingly soft, and incredibly distracting. Maybe the castration could wait for a few hours.
Max Phillips- When the higher ups bring in a handsome new manager to boost sales and productivity you aren’t entirely surprised that every employee gets called one by one into his office for a “chat”. He’s new, it tracks that he’d want to get to know everybody.
You are both anticipating and dreading your own 2:30 appointment with the new boss man, you’re positive that out of all your coworkers your performance has been the most consistently decent since you were hired two years ago, but who knows. This was a new unknown element. His goal might be to shake things up to keep people on their toes.
You hear a ‘come in’ after you knock firmly on his closed door three minutes earlier than your scheduled time, and you find him working at his computer, jacket off, a pout on his lips that were frankly too pretty to be on such a distinctively masculine face, and his shirt sleeves artfully rolled up.
He doesn’t glance at you as he waves at a chair in front of his desk. You sit as instructed, and try as you might, are unable to help staring at him as he finishes whatever it is that requires such attention. You take in the tiny tattoo on his left hand with a little surprise. And you try very hard to ignore the shift and play of the muscles of his forearms under his lightly tanned skin. This is your new boss get a grip, you scold yourself, tearing your gaze away to rest on the shelves behind his head.
He sits back with a sigh and his palms hit his desk.
“I am sorry about that. I honestly hate computers, they’re just so impersonal, don’t you think?” He asks with a winning smile, eyes and attention totally on you now. You return his grin with a small, polite twitch of your own lips and raise your eyebrows questioningly at him.
“Anyways, I just wanted to get to know everybody here, you know? Know the real person behind your employee file! Find out what makes you tick, what gets you excited!” You’re only half paying attention to his spiel, but he garners your full and complete concentration when as he utters the word “excited” and he grins salaciously and winks at you.
You’re a little taken aback. You know you should call HR. At the very least that was thoughtless and at the worst, utterly inappropriate.
You are unfortunately intrigued. You know you won’t be calling anyone about this.
Maxwell Lord- You’d been working for Lord Enterprises for about a year before you were moved up to the top floor. You liked to think you were good at your job, you were a quick typist and resourceful, and you were excited about the bump in pay that accompanied your new position.
After a week of following one of the other girls around and learning the ins and out of the executive offices, you were turned loose and given your own duties and assignments. The very first of those were to take a pile of files from the desk of the most senior of the secretaries and make sure it ended up in the possession of Maxwell Lord himself. You hadn’t heard much about the the big boss one way or another, so you squared your shoulders and after knocking firmly, opened the door and entered his office.
Lord was seated behind a dark wood desk that you thought was probably a bit bigger than strictly necessary. He was in his shirt sleeves, waistcoat stretched over a bit of middle aged spread that he nonetheless wore well. His hair was thick, blond, and immaculately styled, and he was talking animatedly on the phone, gesturing with his free hand and you could see his body vibrating slightly as he bounced his leg up and down quickly.
He was a handsome man, and a lot younger than you had expected him to be. And when he looked up at you as you walked further into his office and smiled brightly at you his attractiveness only increased. His eyes were a deep, dark brown and they shone when two dimples appeared in his cheeks with his grin.
You held up the stack of folders in your hand and raised your eyebrows in a question. He gestured to the desk in front of him and you moved closer to set them gently down in front of the man. You observed him check you out from your hair down to you shoes as you walked closer and were a little surprised when no chauvinistic comment popped out of his mouth. This might have been the 80’s, but you were a secretary and knew that women’s rights only meant that you could earn your own paycheck now.
You nodded at him as you set them down and he mouthed ‘thank you’ as he continued to listen to the droning voice you could now hear over the telephone.
And then he winked at you.
Maybe this job would turn up some opportunities for you after all.
#ask and ye shall recieve#agent whiskey#javier peña#ezra#catfish#oberyn martell#din djarin#tovar#max phillips#maxwell lord#kingsman#narcos#prospect#triple frontier#got#the mandalorian#the great wall#bloodsucking bastards#ww84#pedro pascal#agent whiskey x reader#javier peña x reader#ezra x reader#catfish x reader#oberyn x reader#din djarin x reader#tovar x reader#max phillips x reader#maxwell lord x reader
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hey, can i pester you for some podcast recs? something with a good dose of humour and not too many episodes to catch up on. a sprinkle of queer romance would be a nice bonus. my fave so far is tsco starship iris, and i also loved greater boston, wooden overcoats, the bright sessions and caravan. and thanks always for all your great recs! you’ve brought many hours of joy into my life :)
We Fix Space Junk -- Two intergalactic repairpeople -- a knowledgeable cyborg veteran and a former socialite on the run -- travel the universe meeting people and fixing things at the behest of the terrifying intergalactic corporation they’re trying to work off their debts to. Hilarious British sci-fi sitcom featuring Evil Space Capitalism, many many wonderful AI characters, and an absolutely delightful teenage space wasp-human-cow hybrid princess who is probably off accomplishing her grandiose special destiny somewhere offscreen while the main characters deal with things like their bosses possibly trying to kill them (again).
Death by Dying -- People have a tendency to die in odd ways in the small town of Crestfall, Idaho. Luckily the town also has an Obituary Writer, an eccentric and nameless but impeccably stylish fellow whose closest friend is the Angel of Death, and who has a knack for solving murders even though that’s definitely not his job description. Throw in walrus haikus, extremely rude ravens, Something Mysterious And Malevolent Lurking In The Dark Woods Outside Of Town, disappearing childhood homes, silent nuns, ghost bicycles, and three man-eating cats, and you get something like a delightful cross between Wooden Overcoats and Lemony Snicket. (Also, OW is peak Canonically Bisexual Dumbass.)
Less is Morgue -- Riley is a paranoid, reclusive teenager with a fondness for conspiracy theories who lives in their parents’ basement. They’re also a predatory ghoul who feeds on human flesh. Evelyn is a cheerful, outgoing young woman with questionable tastes in media. She’s also a ghost, ever since she was killed by a falling stage light at a Nickelback concert 16 years ago. And since Riley dug up and ate Evelyn’s corpse, they’re roommates! Will they ever manage to record a coherent episode of their podcast without something going ridiculously wrong and/or Riley eating one of the guests? Probably not!
Victoriocity -- The steampunk buddy-cop comedy-mystery thriller you never knew you needed but definitely do! Featuring Inspector Fleet, a grouchy, extremely driven policeman looking for the murderer of the Empire’s greatest inventor, and Clara Entwhistle, an even more driven and unfailingly upbeat rookie journalist who has just arrived in the island-spanning, bizarre cityscape of alt-history Even Greater London. Come for some of my favorite sarcastic British narration since Adams and Pratchett, stay for characters-are-begrudgingly-forced-to-work-together-until-they-come-to-genuinely-and-deeply-care-about-one-another-as-friends trope. (Also for Tom “Eric Chapman” Crowley as the aforementioned grumpy detective.)
Quid Pro Euro -- From one of the other leads of Wooden Overcoats, this doesn’t have a typical plot as such but has made me laugh so hard I pulled a muscle despite the fact that I know nothing about the EU. Which is what this near-surreal, Look Around You-style comedy is about: Felix Trench’s vision of a simultaneously hilarious and terrifying alternate European Union, seen from the perspective of a serious of educational tapes from the ‘90s predicting what the EU would look like in the 21st century. It’s hard to describe this show in any way that does it justice, but it’s incredibly funny.
Time:Bombs -- A miniseries by the exalted creators of Wolf 359, which (because they are madmen) was written, recorded, and produced in the space of one week. Also, a comedy about an NYC bomb retrieval squad on New Year’s Eve, most of whom are just trying to get through the night while their leader attempts to break a record for most bombs cleared before the calendar ticks over. Chaos and hilarity ensure.
Superstition -- Wisecracking, bi, Jewish, definitely-a-private-eye-just-don’t-check-her-qualifications Jacqueline St. James receives a message from her father, which is weird, because her parents disappeared years ago. Following the trail leads Jack to Superstition, Arizona, a town in the middle of the desert where everyone’s got secrets, assorted ghosts/monsters/cryptids harrass the locals, and the missing persons rate is the highest in the nation. As a protagonist Jack is Looking For Trouble And If She Cannot Find It She Will Create It, so while Superstition isn’t a comedy per se, it’s got a fair share of laughs and is also just so, so excellent in general.
Standard Docking Procedure -- A self-declared hopepunk scifi workplace comedy about the somewhat dysfunctional staff of Pseudopolis Station, effectively a high-tech interstellar truck stop. It’s funny and heartwarming, nothing truly bad happens, and Julia Schifini is there.
Solutions to Problems -- A morally-questionable human named Janet who has defintely never done any illegal time travel and an easygoing, physically indescribably alien who likes to go by Loaf host an intergalactic advice podcast. Are you tired of your species’ insistence on solving everything via ritual combat? Not sure how to talk to your partner about whether body-swapping has a place in your sex life? Dealing with being a superpowered teenager summoned into being by the collective will of an apocalyptic groupthink cult? Janet and Loaf have you covered! Provided that Janet’s on-and-off girlfriend, the AI who supplies the air they breathe, doesn’t kill them all first. Oddly heartfelt comedy in the form of a relationship advice radio show from the Space Future.
Middle:Below -- This show’s tagline is “Remember: bad things WILL happen,” and that is basically a lie. This is actually a short, incredibly heartwarming and frequently funny show about Taylor Quinn, the only human with the ability to pass between the land of the living (aka the Middle) and the land of ghosts (the Below). Meaning, of course, that the dead call on him to fix all their problems, with the help of a girl named Heather, a ghost named Gil, and a cat named Sans. (Also, some of the most comparatively wild live shows I’ve ever heard.)
Inn Between -- Ever wonder what fantasy characters get up to between adventures, during all that time they seem to spend at inns? This show skips all the adventuring, question, and action, instead focusing on the quiet moments between where what is Definitely Not A D&D Party meet and progress from bickering strangers brought together by circumstance to close-knit found family -- all at the inn, of course. (Lots of queer folks in here also, although there’s no romance at least in the first couple seasons.)
The Godshead Incidental -- A relatively new but very exciting and so far really enjoyable show!! Following a young woman who writes an advice column through her life in a familiar, and yet strange city where anyone might be a minor god -- your editor, your landlord, that weird guy on the street who was shouting about how he’s the God of Memory and you got into a fight with him and now you keep forgetting everything? Also, your apartment is full of pigeons now because you found out the aforementioned landlord is secretly the god of doorknobs and he’s panicking. Good luck! (Starring Ishani Kanetkar, aka Arkady from Starship Iris!)
Gal Pals Present: Overkill -- Madison, a middle schooler at a Girl Scout camp, agrees to play a game with a somewhat tastelessly bright-pink Ouija board. However, Madison doesn’t know that she’s a natural medium, and now sarcastic mid-2000s 19-year-old Aya Velasquez has joined the many ghosts who are for some reason haunting scenic Harding Park. Aya, however, will not rest until she can solve her own murder (and possibly get to know that other ghost girl a bit better, who says romance has to stop when you’re dead?). Absolutely hilarious writing of a narrator who is almost definitely wearing spectral Uggs during the entire show.
Dark Ages -- The Rivercliffe Museum of Mostly Natural History is one of the finest museums anywhere! Or it would be, if anyone ever actually visited it. Or maybe if the staff weren’t a disastrous and dysfunctional collection of criminals, weirdos, wannabe immortals, idiot bisexuals who can’t just admit they like each other, and one extremely uptight elf with no people skills. Also, it would probably help if the legendary and fearsome Dark Lord, finally returned from his millennia of dormancy to complete his prophesied conquest of the world, wasn’t hanging around watching the chaos unfold because they’ve got his crown on display. (Fantasy workplace comedy with a theme song that did not need to go that hard?)
Brimstone Valley Mall -- It’s mid-December 1999, and at one mall in South Central Pennsylvania, a group of demons are going about their evil work -- namely, working at various dinky kiosks and restaurants, hoping of achieving every demon’s dream of getting to work at Hot Topic, trying not to do too much evil because Earth is way more fun than Hell and no one wants to get promoted back home, and preparing for their band's triumphant opening performance at the upcoming Y2K party. Just one problem: their lead singer is missing. Another absolute masterwork from The Whisperforge.
Arden -- 10 years ago, Hollywood starlet Julie Capsom vanished into the woods of northern California, leaving behind a car containing a human torso that may or may not have belonged to one Ralph Montgomery. Now, private eye Brenda Bentley and reporter Bea Casely, both of whom were among the first at the scene and both of whom have their own very strong opinions on the case, are setting out to solve the mystery on their true crime podcast, Arden. Providing, of course, they can stop arguing with each other long enough to solve it. (Or, a not-really-parody-but-definitely-comedy “true crime” podcast where the crime is a retelling of Romeo and Juliet -- and even knowing that, it’s still a genuine mystery with twists and a surprise ending! -- and the hosts are wlw Beatrice and Benedick from Much Ado About Nothing. In other words, it’s perfect. Season 2 is upcoming soon and is adapting Hamlet!!)
Alba Salix/The Axe and Crown -- Another high fantasy workplace sitcom, this one a medical comedy about the titular not-very-personable witch who runs the kingdom’s House of Healing and the various shenanigans she gets into, between her somewhat scatterbrained sister and brother-in-law the king and queen and her assistants, an overly-whimsical fairy and a wannabe monk forced to do community service. The same feed contains The Axe and Crown, a spinoff set in the same world that manages to simultaneously be a sitcom about the staff of a local pub trying to stave off foreclosure and come up with schemes to beat their business rivals, and a heartfelt story about gentrification and recovery starring a gay veteran with PTSD? Which is possibly one of my favorite podcasts? (Also contains one of the most unbelievable crossover cameos possible: Leon Stamatis.)
The Adventures of Sir Rodney the Root -- Also a high fantasy comedy! When a witch transforms heroic Sir Rodney into a small piece of wood, his closest companion Sir Gilbert must set out to cure him by collecting several highly powerful and dangerous relics, accompanied by a snarky dwarfen thief, an imperious princess, a slightly creepy human child raised by fairies, a picky elf sorcerer, a dead unicorn possessed by the ghost of a stoner, and a bard who breaks the fourth wall too much for his own good. So far as I can tell, nobody is straight.
The Amelia Project -- A dark comedy about a secret organization that helps people fake their deaths. Which is honestly a pretty full summary, barring the two important points that 1. this show contains possibly the most continuity-warping crossover event of all time (it’s the center point of this absolutely chaotic diagram), and 2. in one episode Felix Trench plays a character named Bartholomew Fuckface Chucklepants Knucklecracker.
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My novel has two MCs and maybe a dozen or so side and minor named characters. Then in the second act there are about 30 unnamed kids who are around the rest of the 'cast' in the background (some of these kids were made named minor characters and given a role). The background characters are seen doing this and that while MC is doing either the same thing or something else in the same place. The unnamed kids are never physically described other than gender sometimes. Am I going about this right?
Character Levels and How to Portray Them
In a nutshell, yes: you’re right not to go into too much detail with these background characters, though you can go into superficial detail. For example, you could describe their tattered clothing, or if they’re some strange species, you could describe the series of ridges on their forehead and their unusual yellow eyes. Background characters are there primarily to populate the world of your story. Since we’re on the subject, let’s take a look at the different levels of characters and what they do.
1. Primary Characters
Primary characters are often referred to as “main characters” or “major characters.” They are the characters with major roles in the story, either because the story revolves around them, their actions help to move the story forward, or they play an essential role in supporting the protagonist.
Protagonist - the protagonist is the main character of the story. Their actions in pursuit of a goal is the primary force that drives the story forward.
Antagonist - the antagonist isn’t always a primary character, but if they are a fleshed out living being with their own conflict and goals that drive their opposition of the protagonist, they can usually be considered a main character.
Deuteragonist - the deuteragonist is a second protagonist whose goal pursuit/actions drive the story as much as that of the protagonist. TV Tropes offers the following examples of protagonists with deuteragonists: Jon Snow/Daenerys Targaryen, Lorelai/Rory Gilmore, Anna/Elsa, Sam/Dean Winchester. You can also have a tritagonist, and some would argue going further, though the more main characters you have, the less likely it is that the story revolves around them equally compared to the protagonist, deuteragonist, etc.
Supporting Characters - these characters support your protagonist, helping to tell their story. They often have their own goals, conflicts, and arc, which can be important to the story but shouldn’t be the focus of the story. They don’t play a major role in moving the story forward, but they can influence the actions of your protagonist (and deuteragonist/tritagonist if you have them) and do help the reader to understand them a little better. Best friends, sidekicks, mentors, parents/siblings, and love interests are the most common supporting characters.
2. Secondary Characters
Secondary characters are often referred to as “minor characters.” They are the recurring characters who populate your main characters’ lives and help to inform the reader (and sometimes the main characters) about circumstances of the story and the story’s world. Although they may be lightly fleshed out, they do not have their own goals/conflicts/arc and have only a superficial effect on the main characters’ actions, if any at all. Secondary characters should at least have a name and basic description.
In a story set at a school, for example, students and teachers important enough to be named, but who don’t have a pivotal role in the story, would qualify. In Twilight, Rene, Esme, Emmett, Jasper, the Clearwaters, and Sam would all qualify as secondary characters. In Harry Potter, the Weasleys (except for Ron, of course), the Dursleys, Cho Chang, Harry’s parents, and Filch would qualify as secondary characters.
3. Tertiary Characters
Tertiary characters, often called “background characters,” are really the “extras” of your story, primarily there to make your story’s world function realistically. After all, if your character goes to a restaurant, someone has to take their order, and they can’t walk into a crowded party without party goers.
I like to divide tertiary characters into two types: functional and flat.
Functional tertiary characters are like extras with speaking roles. They do serve a purpose, albeit a limited one. They may be the hotel clerk who checks your protagonist into their fancy resort, or they may be the nameless but kind-hearted guard your imprisoned protagonist prevails upon for an extra loaf of bread, who is then conked on the head as your protagonist takes the opportunity to make their escape. These characters can be named and lightly described, or they may be referred to in basic terms like, “the blonde hotel clerk” or “the kind-hearted guard.” So, the server who takes your character’s order at a restaurant would be a functional tertiary character.
Flat tertiary characters are literally just background characters. They’re not named, they’re not described beyond the very basic necessary details. These are the random party goers in your crowded party scene. They’re they well-dressed shoppers bustling through the department store at Christmas. They’re the colorfully dressed citizens of Panem.
I hope that clarifies characters a little bit for you! :)
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A personal selection:
every favorite shot from every episode of Skam France season 3.
episode 1: the moment when lucas made up his mind and took the first step.
to me, its a hard one between the moment when eliott walked in le foyer and that facial expression lucas made. it's like a hit to the head and something was growing inside from that moment. but again to me the story of lucas begins here. he chose his fate, his instinct. he hesitated, swallowed, yet he still walked forward. i just love this moment so much.
episode 2: the moment when lucas becoming the Polaris of eliott.
specifically this shot. lucas looked back and its almost like he was searching for acceptance. its so telling with his careful, longing, slightly doubted face. he cut himself open and presented his heart to his crush, it's so bold of a move but it's so beautiful, heartbreakingly beautiful. and you can see eliott’s eyes, they are lightening up like there’s nothing brighter than lucas.
episode 3: the moment when they challenged each other.
where do I begin? or do I even need to? lucas’ eyes are telling everything. if there’s any moment that they are confirming things between them, this is the moment. lucas is challenging, eliott is challenging, they dare each other to take the first move. the tension, the desire, the nameless butterflies flying around in the air. name one stronger eye contact in tv history I’ll wait.
episode 4: ‘i’ve watched your project.’ ‘guess we have to marry now.’
this particular shot is hands down my fav in this season. just how it resembles the dream of eliott, how it shows that lucas is definitely the polaris to eliott, how brave and beautiful it is for lucas to take a lead and show his pure admiration and love to eliott. at this moment they stopped questioning, they stopped guessing and teasing, they found each other. I might be the weirdest person but to me, locking fingers is waaaaay more poetic, sensual and significant than other physical contacts. and this moment completed me.
episode 5: the ending shot.
how do you say, disappointed, hurt, brokenhearted, numbed and despaired? this ending shot tells you how. I don't know where to begin or how to begin to describe the feeling that I had after this scene. or how much it is enough for me to appreciate the cinematography in here. every time I watch it I'm always amazed by that certain amount of blurriness in the ending shot, as if its seen through the eyes of lucas, blurred out from time to time, losing focus every now and then, crushed by rage, despondency, and hopelessness.
episode 6: utter vulnerability, emotionally raw, and friends become family.
I love how lucas is being the one who comforts people in the beginning and tried so hard to get himself together, yet failed in the end. the whole blue in this shot, tone-wise and emotion-wise, is thoroughly conveyed. somehow in the mood of sadness and sorrow, we felt the warmth. in the moment of taciturnity, sadness was flowing under, and the tears were their way out.
episode 7: a fascinating dance in the rain of oil paint.
I probably rewatched this episode 200 times before i made my decision. what can say besides the fact that this clip is not only a tribute but a poem of its own. the way they swing, how they hold onto each other, the holy intimacy, and colors are everywhere as if we just walked into someone’s dream. the shot is so perfectly done it almost feels sacred to me, and nothing there should be violated. hold your breath, stop whatever you are doing, drop your phone, take a seat, and enjoy one the most beautiful shots in tv history.
episode 8: lucas’ ability to love people.
episode 8 is probably the hardest one. too much has happened and too many need to be remembered. i actually made a final 5 and then ditched them all, come up with this one. funny thing is that no matter how many times i watch this clip, especially this scene, i can't tell if its an improvisation or its actually in the script. but either way, they have given a whole new layer of lucas’ character, his ability to love. he stares at eliott until he has gone from sight, he blows a kiss to him even no one is there to catch. this moment is when i go, this boy is far gone in love, its so silly so pure so heartwarming yet so full of strength. he has the world’s strongest empathy even tho he’s gained less during his childhood. this level of devotion and loyalty made lucas the most loveable, angelic and relatable. (btw the tip of his nose bounces when he blows kisses I’ve watched it for two hours no regret.)
episode 9: remember stopped and lucas whispered, ‘T’es plus tout seul.’
kudos to the editing team because how many of us had goosebumps when remember was put on hold, as if the whole world has stopped and all you can hear is lucas’ mad heartbeat, following the line, ‘you are not alone anymore.’ its so simple, so heartwrenching, yet so powerful. they way lucas put himself in a lower position, forehead against eliott, hands cupping eliott’s face, you don't need to hear it to know how much he loves him. its written on his face.
episode 10: the tears of Juedi 17h32.
lucas has cried many times during this season. too many times to the point some pious, mindless people started to complain about it. I’ve said it before but I gotta say it again, be grateful, be devoted, it really is a privilege for us to sit there and witness them all. his emotions through his tears in this season are priceless. and how amazing the whole crew is because they aren't afraid to show it to the audiences. society tells men that its a shame to cry, and most of them act along. lucas said, fuck it, I’ll cry whenever I feel it. and isn't it just the most beautiful, important thing in the world? to me, episode 10 has blessed us some of the most accurate, sincere, on-point reactions. eliott’s honest monologue about his mental health, lucas’ overprotective status and his strong empathy showed up everywhere in those little details. but nothing hits me harder than this shot. the bus drifted, then the camera started pulling away but remained closeup, lucas’ emotions was poured out, everyone is feeling it through the screen. his tears are shed for sadness from parting, happiness from love and tenderness from eliott. his tears are the proof of living the moment, that lucas is living in the moment and feeling everything. and it has to be in our recognition that no one should be reserved from showing basic human emotions.
I specifically took some of those out and highlighted some frames just to show that I really really love them. it’s not ranked, its nearly impossible to rank them. I already had a hard time choosing between scenes. again it’s only my personal taste and some might not seem to be important at all to others. but they are truly my favourite, cinematography wise, symbolism-wise, just anything.
I can’t even say its a tribute or anything to season 3 because it’s just my simple modification of the original work. I only picked them just so I can show my genuine appreciation to the whole crew. they are the real MVP. they have to know that I for one appreciate every second of the season and every piece of transmedia content. I laughed, I cried, I got upset, I became furious, I smiled, I rolled my eyes, I looked into the void, I sighed, but most importantly, I learned.
lucas lallemant, being the little hero he is, really had me fall hard. i don’t even know how to use my pale, plain, tasteless words to describe how much i love him. i love him knowing that i could never reach his level of bravery, and it doesn’t matter. i have thousands of words for him yet somehow I can’t say anything.
I guess if parallel universe does exist, maybe I’ll meet him, hold his hands, might even say thank you even if it sounds strange as hell. but I do thank him.
thank you lucas, for you being you, for always choose love. Thank you for never quitting, for never stop fighting. Sometimes I take a look at you and I tell myself, somewhere in this universe you exist, and that’s such a bliss. I don’t know what did I do to deserve you, such a gentle soul, such a golden heart. Thank you for just, your whole existence. I take a look back of the teenager me and seeing the things that I’ve missed, people who I’ve been wronged. And there’s you, lucas, there’s you. You did things that i never had the guts to do, you choose the one that I’ve lost a long time ago. And I’m so happy that you did because you deserve all the love.
You are my little hero and always will. It’s been such a short amount of time, if only I knew parting was this hard, I would give up anything just to live through these all over again, just so I can meet you one more time, just so I can see your beautiful goofy smile, hold your hands, and give you the biggest hug in the whole world, and say a proper goodbye instead of being a mess and totally out of breath because of all the tears.
I’m gonna miss you so much.
Goodbye Lucas, I love you so, so much, I really do.
Until next time.
#skamfr#skam france#i've never met a 16 yrs old teenager boy who is braver than you#i made myself cry when wrote those#but all because i love you so much#your life continues and i know its gonna be bumpy#but you can do it#somewhere far away from paris im rooting for you#i always do
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Be ready for a long series of post.
Here is the opening of the series of posts about Troy Comics! (link here: http://troycomics.com/ )
This webcomic contains several weight gain plotlines surrounding one character, Rigo. And since he is one of the main characters there is a lot to say about him - and by making these posts I ended up describing the entire evolution of the character, so be ready for some long, heavy, possibly boring stuff :P
Rigo first appears in the strip 10 (”Hic”, picture 1) as a friend of main protagonist Troy, a gay bartender at a gay bar (this is a webcomic about gay people so basically everyone is gay). At the time he didn’t had any facial hair, even though he already had his typical haircut and usual tight tank tops over a muscular and lean torso. Troy complains that Rigo has “guys all over him” while he has nobody, and Rigo’s advice for Troy to have a sex life is just to “grab the bull by the balls”. In the following strip (strip 11, “Gym”, picture 2) we see that Rigo and Troy hang out at the same gym, Rigo is said to be Troy’s roomate and we hear for the first time his typical “Mija!”. As for the third picture, strip 12, “Ray’s New Boyfriend” we are introduced to the complete “friend triangle”, with the apparition of Ray, the best friend of both Troy and Rigo (note that Ray looks a lot like the boy Troy grabbed in the first picture).
Rigo’s typical beard-goatee-thing (I don’t know how to call it in English) appears in the strip 13 (Dude 2 Dude, picture 4). Rigo is the one that encourages Troy, in order for him to find relationships both online and in real life, to go full sexy, sexual and kinky - he even pushes him into the arms of a sado-masochistic “leather daddy”. We also learn that Rigo likes to hang out inside their shared flat naked, or with just a pair of briefs/boxers, and later discovers that he likes to speak in Spanish because it sounds romantic - even though most of the time he just spouts gibberish or nonsense.
I added a couple of strips, picture 8 and 9 (strips 18 and 19, “No Neck Nick” and “Fantasy Date”) because we see a one-time character called Nick, aka “No Neck Nick” that was apparently chubby/thick as a child/teenager.
In strip 20, not included, we get a lenghty description of Rigo’s lifestyle by Rigo himself. He expresses jealousy over the steady, two-year long romance of Ray, describing what he has as “an endless stream of meaningless, sexual encounters with different, nameless men. Sometimes as many as two, three or four times a week! Sometimes two or three at a time! Over and over and over, nothing but mindless stupid sex! Sex, sex, sex, sex, sex, sex, sex, sex, sex!!! Ugh! I tell you, you are so lucky! You just have no idea what it’s like!”
(Yes, to get Rigo’s character, think of Blanche from the Golden Girls, but as a modern gay man, and with much less politeness.)
The last strip (strip 24, Rigo’s New Boy) goes on with this idea. Rigo complains that people only see him as a sex-craving “slut”, explaining he dreams of a steady relationship. Troy advices him to then take his chance on Jorge, a guy working at Rigo’s bar. Rigo refuses at first because Jorge is a stripper, and calling stripers “a bunch of hookers” - it is immediately pointed out how much of an hypocrit Rigo is because he got called a “slut” for being a bartender. Troy forces however Rigo to try the boy. And Troy’s line about Rigo fearing a “contest about who’s the prettiest one” actually reveals that Rigo is quite a vain person, and is used to get out with guys less beautiful than him. This importance of the body image is actually a big thing in this webcomic, as a reflection of the real obsession with physical appearance in gay communities of the 90s and 2000s.
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⚔️ *:・゚✧┆HEADCANON : RE/MIND TRAILER ANALYSIS
I’ve been working on this since the final Re/Mind trailer was LEAKED, but now that it has been officially released I can finally POST IT! This headcanon post encompasses all three Re/Mind teaser trailers and some of the events of KH3. I know this is structured like a THEORY POST, but take it all with a pinch of salt: this is just a LORE DUMP for how I’ll be roleplaying Yozora until the DLC actually comes out. I’m not aiming to be ‘accurate’ or right, just stringing bits of CANON to line up with my portrayal ;v; So, without further ado, let’s jump right in...
( Warning, this is a stupidly long post ! )
ONE. ┆ THE TWO HALVES OF THE SKY - YOZORA VS SORA
Without a doubt, Nomura has been planning this ARC for years. It is my firm belief that he was planning SORA and NOCTIS to eventually meet, the latter being axed from the joining the KH PLOT after Nomura was removed from XV’s development. Here is what Nomura ORIGINALLY SAID in 2013 about Sora and Noctis’s dynamic:
Do you know the name Sora mean the “sky”, in Japanese and Noctis, his family name is Caelum which mean sky as well so basically, Noctis means “night sky”, so they are kind of complete opposites to each other. There is a reason why I named these characters as opposites.
I don’t believe that Sora and Yozora are the SAME PERSON, nor is Yozora a FUSION of Riku and Sora, but rather, they PARALLEL each other narratively, like what Nomura originally INTENDED for Noctis and Sora. Yozora and Sora are simply OPPOSITES of each other.
I believe as much as SORA embodies light and hope, YOZORA embodies darkness and despair. SORA, not being TECH SAVVY ( see any interaction he has with a COMPUTER, or the first time he uses a GUMMIPHONE ), and YOZORA, who uses hyper-futuristic weaponry with EASE, and comes from a world where ROBOTICS is commonplace.
Aside from the obvious VISUAL JUXTAPOSITION between the optimistic keyblade wielder and the austere newcomer, I also believe that they are going to OPPOSE each other in abilities and goals. Much as Sora used the power of waking to BRING BACK LIVES, Yozora has just as much power to TAKE THEM: see the characteristic skull motif upon Yozora’s sleeves, as well as the prominent THEME OF DEATH within Versus XIII lore.
Which ties in perfectly to my headcanon about the role of REINCARNATION within the KH and Verum Rex worlds respectively. YOZORA is a harbinger of DEATH, and SORA is the harbinger of REBIRTH. Rebirth, of course, being the meaning behind the TITLE of the DLC, as mentioned by Nomura himself:
“ ... The meaning of what I just mentioned and the double-meaning are the same. It means “remind”, “reconfirmation”, “ reclaim the heart* ”, and so forth. ”
(*Note: 心 means “heart” and also “mind”, and 再生 can mean “regeneration”, so 心の再生 can also mean “regeneration” or “rebirth” of the “mind”. Also, “Reclaim Your Heart” is a phrase used on the back of the box for Verum Rex in Toy Box)
The TWO SKIES, like day and night, perpetually maintain this SAMSARA of death and rebirth. Both UNAWARE of each other’s existence, and IMPACT upon the wider universe.
UNTIL NOW. Given the description of the DLC mentioning ‘a secret episode and boss battle’ in a separate line, this is most likely alluding to YOZORA. As such, Yozora will play an antagonistic role towards SORA, at least for the events of Re//Mind. Yozora confronts Sora, after he ABUSES the power of waking to bring back all of his FRIENDS from death. The friends YOZORA was intending to REAP. And thus, the boss battle begins.
Whether Yozora CONTINUES to antagonise Sora even after Re//Mind, it can’t be ascertained at this point. But Sora had been REPEATEDLY WARNED that he will have a price to pay for abusing the POWER OF WAKING ( see the section on YMX below for more detail ). I believe YOZORA has come to deliver this retribution.
TWO. ┆ A SEA OF STARS - THE FINAL WORLD
There has been a lot of speculation about the ‘FINAL WORLD’ we see at the end of the Re//Mind trailer, and whether it IS EVEN the Final World, or the SAME 'Final World’ we have been visiting thus far with SORA.
So far, YOZORA’S WORLD has only been depicted at night. This, PAIRED with Yozora’s name meaning ‘night sky’, could imply that YOZORA HIMSELF caused the Final World to shift from DAY to NIGHT. The two ‘Final Worlds’ are one and the same.
But WHAT IS the Final World exactly? Chirithy describes the FINAL WORLD as a place where “the edges of sleep and death touch”, and that Sora had VISITED the Final World “more than once before on his visits to the Station of Awakening”. Chirithy also mentions that SORA previously came to the Final World “out of his own choice” and can’t just “wander out like his other visits”, when he came to the Final World after PERISHING at the Keyblade Graveyard. The fact that Sora QUESTIONED “What is the Final World?”, despite visiting NUMEROUS TIMES before, implies only one thing: Sora visits the Final World in his DREAMS. And, like most humans upon awakening, he fails to REMEMBER what he dreamt.
The fact that YOZORA is also present in the Final World, in a fully CORPOREAL FORM, implies that he also visits the Final World in his DREAMS, rather than simply arriving there after PERISHING. Their SHARED LINE from the KH1 opening says it all:
“I’ve been having these weird thoughts lately. Like... is any of this for real? Or not?”
The Final World is a realm one visits on the BRINK OF DEATH, and with Yozora and Sora being agents of DEATH and REBIRTH, they visit this realm even in their SLEEP. Yozora’s visits during his sleep are a PREMONITION orchestrated by the Watchmen of Fate, alluding to his destiny to ascend as the VERUM REX: aka the god of death.
THREE. ┆ A STRONG SENSE OF PURPOSE - THE NAMELESS STAR
I joked a lot about the NAMELESS STAR being Yozora’s love interest, but it may be CLOSER TO CANON than I originally thought: especially given Yozora’s appearance in the FINAL WORLD, and how accurate her DIALOGUE is to Stella Nox Fleuret: the infamous LOVE INTEREST from Nomura’s cancelled project, Versus XIII.
Aside from the obvious indicators ( “They took away my name, everything about me” ), the male she “PINES” for also fits perfectly with MY DEPICTION of Yozora. She mentions that he has been “changed beyond recognition, his heart replaced with another’s”. Aside from the developmental parallels of NOCTIS becoming YOZORA, it’s also accurate to my Yozora’s HEART being replaced with an ASTRAL CORE, with the Gigas experimentation CHANGING HIM beyond recognition ( his hair and eye colour ).
The NAMELESS STAR also mentioned that “were he to regain his old self again, he would be distressed by my absence”. Whatever HAPPENED to Yozora that made him forget about his LOVE INTEREST, his presence in the Final World alongside SORA gives the impression that he has REMEMBERED his love interest, and has come to rescue her-- much has SORA had returned to the Final World to rescue KAIRI.
Delving a teeny bit more into my OWN META here. I find it interesting that the NAMELESS STAR gave Sora advice about how to OVERCOME the TASKS before him. What intrigued me the MOST, is how she mentions his ability to RETAIN his PHYSICAL FORM in the Final World, due to his “strong sense of purpose”. The word ‘PURPOSE’ is distinctly emphasised by her voice actress, so I want to BELIEVE that there is importance to it.
MY PORTRAYAL of Yozora and his world encircles the concept of the ‘KARMA’ that lies inside all humans, as per the back of the VERUM REX BOX COVER in Toy Box. To summarise that post, this KARMA is the sum of a person’s grasp of FATE + CONSEQUENCE, and their connection to the SPIRITUAL REALM. The stronger your hold on your DESTINY, aka your karma, the stronger your CONNECTION to the cosmos. It is Sora’s POWERFUL HOLD ON FATE that gave him his corporeal form in the Final World-- much like YOZORA at the end of the Re//Mind trailer.
It thus becomes obvious that the NAME the Nameless Star whispers to Sora is YOZORA. Which not only explains why he looked so SHOCKED after hearing it, but also why Sora RETURNS to the Final World alone in the Re//Mind trailer. He was explicitly LOOKING FOR YOZORA, and was calling out his name-- and expressed the same level of SHOCK upon discovering that Yozora is MORE THAN just a video game character.
FOUR. ┆ AN AGENT IN THE SHADOWS - YOUNG MASTER XEHANORT
Puzzling enough, the Re//Mind trailers also REVEAL that Young Master Xehanort has been WORKING ALONGSIDE the Master of Masters. How is this relevant to Yozora, you ask? Consider the following:
1. YMX was the MAIN VILLAIN in the Toy Box world. He was responsible for introducing SORA to Verum Rex, quite literally, by THROWING HIM into the Verum Rex video game ( which I canon to be the ‘data’ version of YOZORA’S WORLD... but that’s for another post lol ). 2. YMX is WORKING with MoM, who appears along with Yozora in the SECRET ENDING, in the Shibuya district of Yozora’s world. 3. In Dream Drop Distance, YMX made a PROMISE with two characters from The World Ends with You, a game directed by NOMURA encircling the concept of reapers, also based in SHIBUYA. The promise being to bring them back to their world, if they brought Sora and Riku to him. Perhaps YMX did FULFIL that promise, and RETURNED the TWEWY characters to Shibuya. Which implies that HE KNOWS how to reach Shibuya: where MoM was present.
Nomura mentioned in the KH3 ULTIMANIA, that the Shibuya featured in the SECRET ENDING is in a “different reality” compared to the TWEWY Shibuya. What if the SHIBUYA of Yozora’s world, coexisted with the Shibuya of TWEWY? Much like how the worlds were SPLIT IN TWO, not only in Dream Drop Distance, but in Toy Box as well?
4. More specific to my META for Yozora, YMX finds it INTRIGUING that “even empty puppets can be given strong hearts”, and that “a heart can be placed in a vessel of our choosing”. My Yozora was essentially moulded into a PUPPET of Gigas Corporation after having his heart replaced with an ASTRAL CORE, with the intention of making him rise as a ‘HIGHER BEING’: an elevated version of humanity. Also note how YMX says ‘OUR’... what if he was not alluding to True Organisation XIII... but HIMSELF AND MoM?
5. YMX also plays a ROLE in Sora abusing the power of waking. Before unleashing the FINAL BOSS of Toy Box on Sora, he whispers “Find the hearts joined to yours”. In the Re//Mind trailer, SORA re-emphasises this: “But, follow my heart? Hearts are all connected. Trace the connection!”. YMX also APPEARS again, after Sora dove into all of the Sleeping Worlds, claiming that he nearly “buried himself in the dark of sleep”, TWICE OVER: once in DDD, and once again in KH3-- instances where YMX was both present.
Note how also, Nomura chose SAN FRANSOKYO as the final Sleeping World that Sora reaches, before YMX appears. San Fransokyo being very AESTHETICALLY SIMILAR to Yozora’s world ( Both being TOKYO CODED CITIES, with a night time setting ).
Despite LEADING Sora down this doomed path, YMX WARNS him that there is a “high price to pay” for wielding such power FOOLISHLY, and that he had now “paid (this) price”. The price? HIS OWN LIFE. This is reiterated several times in the GAME and PROMOTIONAL MATERIAL:
a. On the BACK of the Verum Rex box cover in Toy Box, it mentions ‘A JOURNEY WITHOUT A PLACE TO RETURN’. b. In the Re//Mind trailer: once by XEHANORT himself: “Seeing that you have also taken the FORBIDDEN PATH, you too must be ready to make the ULTIMATE SACRIFICE”. c. And once again by CHIRITHY, claiming that Sora will “vanish from this world”, and that “without ( his ) powers, ( he ) can’t return to the world ( he ) came from”. Sora has not only LOST the power of waking, but had also SACRIFICED HIS LIFE.
Stranded in the FINAL WORLD, with no one left to turn to, Sora calls out a NAME. The name of a person he knows is COMING to the Final World... to save his lost star.
SHOUTOUT to Steph ( @kyecupio ) for fuelling the big galaxy brain with XEHANORT and YOZORA’S connection fgjhfg.
FIVE. ┆ THE WATCHMAN OF FATE - MASTER OF MASTERS
We’ve gotten an INSIGHT into YMX’s intentions, but what has the MoM got to do with all of this? Why does he APPEAR in the secret ending?
We already know that MoM is working alongside YMX from the brief Re//Mind trailer, where it is disclosed that the MoM GIFTED YMX the characteristic black coat that wards off darkness. YMX is also seemingly REPORTING to MoM about a ‘world tour’, which I assume MoM advised him to go on. What is this ‘world tour’? Difficult to tell at this point.
But what I do know is that MoM is OBSESSED on keeping universal order. He created the GAZING EYE to allow himself to see into the future and write the BOOK OF PROPHECIES, and refuses to give LUXU a copy of the book to ‘avoid temporal paradoxes’. Nomura has definitely created an ANTAGONISM between Luxu/Xigbar and Xehanort, especially NOW with it being revealed that YMX is working with MoM.
WHATEVER Nomura is planning with LUXU vs MoM/YMX, I can’t be certain. But what I do know, is MoM’s MOTIVES are extremely similar to MY META for the Watchmen of Fate, something I have come up with exclusively for MY PORTRAYAL of Yozora and his world.
The WATCHMEN OF FATE are responsible for maintaining the BALANCE AND ORDER of the universe, and are CHARACTERISED by their dark reaper’s hoods. Note how the MoM never takes his hood off, and this HOOD is strikingly uncanny to a GRIM REAPER. Furthermore, the Watchmen of Fate in my canon are not only NOTED for keeping the order of the universe, but some are also ‘TRICKSTERS’ by nature and occasionally like to manipulate fate. Note how MoM also has a PLAYFUL PERSONALITY despite his wider goal.
I believe the MoM has a greater power in the UNIVERSE, and has advised YMX to lead SORA to the Realm of the Dead where YOZORA resides. For what purpose? To UNITE the agents of DEATH and REBIRTH under the same sky. To fulfil the cycle of KARMA. To achieve the REINCARNATION of all worlds.
To reincarnate Kingdom Hearts.
TO CONCLUDE:
1. MoM and YMX are rogue Watchmen of Fate, trying to REBIRTH the universe together via KINGDOM HEARTS. 2. They want to UNITE SORA ( who embodies rebirth ), and YOZORA ( who embodies death ), to achieve the REINCARNATION of the universe ( death + rebirth ) 3. SORA is seeking Yozora because he TALKED to the Nameless Star, YOZORA is seeking Sora because he USED the power of waking to REVERSE DEATH, they both meet at the FINAL WORLD. Yozora initiates the BOSS BATTLE because “ you broke the rules, perish ” 4. YMX ( + MoM? ) possibly SPLIT SHIBUYA into two: one comprising of YOZORA’S REALITY, and one comprising of TWEWY’S REALITY ( not sure of the reasons yet but it’s suss ) 5. ( Specific to my VERUM REX META ) YMX and MoM are potentially connected to GIGAS CORP, given YMX’s intrigue about placing STRONG HEARTS in EMPTY VESSELS, much like Gigas Corp are, thus already serving as ANTAGONISTS to both Yozora and Sora.
#⚔️ *:・゚✧┆a synthetic heart bled dry by the hands of fate. ❪ headcanons ❫#( this is a mess but i just want to post it jfhjfhg )#( i'll tidy it up later if this makes any sense-- )
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hii i adore your writing and was wondering if you had any tips for people starting to write smut?
Thank you! 💕 First thing I’ll say is that writing smut is not all that different from writing anything else. Good smut writing has to be good writing, so any good writing tips will also improve your smut. Smut in particular tends to benefit from clear, uncomplicated prose that is easy to read.
I self-indulgently made this post as step-by-step smut recipe, mostly as a writing exercise for myself. It got long, so I am placing a cut here. Also, I wrote some example smut, so there’s mature content below.
1. Basic Premise - So all smut starts with one of a few basic premises. The sex acts can change, but there are only so many possibilities. I’m working with a heterosexual example here, but these suggestions work for everything.
He stuck his penis in her vagina, then ejaculated.
So there’s what actually happens, but that’s probably not doing a lot for you. Let’s see how we can improve it.
2. Terminology - Some words are sexier than others. This is just my personal preference, but “cock” seems to be the sexiest word for male genitalia. “Dick” feels a bit more like a joke to me like “he thrust his cock into her” vs. “he got his dick stuck in his zipper”. “Penis” feels appropriate for when its flaccid, but isn’t very sexy. “Erection” can be good, especially if it just happened and you want to draw attention to it, but can be weird if used repeatedly. “Manhood”, “length”, “member” and “shaft” are okay if you’re trying to be coy. Anything else is probably too much.
For female genitalia, again this is personal preference, but I think “cunt” is the best choice. “Cock” and “cunt” are both hard short words and I think that makes them work well. They punch you in the gut. “Vagina” is fine. “Entrance” or “inside me/you/her” are good for being coy. “Clitoris” is good. I will sometimes use “clit” or “pussy” but only in dialogue. They feel too conversational to use in the narration for me, but other people will disagree.
There’s no official “Elements of Style for Smut” but I feel strongly that “come” is a verb and “cum” is a noun. “I’m coming!” is exciting. “I’m cumming” is gross. “He came on her inner thigh. She then wiped the cum off with a towel.”
So if we return to the original sentence and change terminology, we get:
He thrust his cock into her cunt, then came inside her.
That’s better. Still not terribly exciting.
3. Description - Description is a double-edged sword. You want the reader to imagine the scene in their head, but if you overdo it, the reader gets thrown out of the story because you end up sounding like a technical manual or harlequin romance novel. Avoid being overly specific and use analogy and metaphor very sparingly. You want the reader to see it clearly in their mind. Finicky details and dramatic analogies distract from the scene.
Bad description: “His cock was seven and a half inches long with the head just a shade darker than shaft. It looked like an elongated mushroom plucked from the garden of her darkest fantasies.”
Try to focus more on describing emotions and sensations than on physical mechanics. It won’t be the same picture that you see in your mind and that’s okay. It will turn them on more if they can project their own mental images onto your writing.
His cock was hard, leaking with his eagerness to be inside her. He thrust into her and felt her cunt clench around him.
An improvement, still kind of boring.
4. Dialogue - Dialogue is potent. If the reader can hear the character’s voice in your head, it helps put them into the scene better. Some good dirty talk can take the steaminess of a scene way up.
“Do you want me to fuck you?” His cock was hard, leaking with his eagerness to be inside her.
“Yes,” she moaned, “yes, god, please.”
He thrust into her and felt her cunt clench around him. “That’s a good girl.”
Okay, so, now we’re getting somewhere.
5. Tension - This is an aspect that a lot of beginning smut writers miss. When I was starting out, I thought that just describing the act was sexy enough, but there needs to be something at stake, whether that be conflict or risk or emotional fallout. This is why people get so excited about tropes like enemies to lovers or forbidden fruit, because there is tension.
“Do you want me to fuck you?” His cock was hard, leaking with his eagerness to be inside her.
“Yes,” she moaned, “yes, god, please.”
“Shh…” He clamped a hand down on her mouth. “You’ll wake her up.”
She looked over at her sleeping roommate only a few feet away. Fuck. This was wrong. But she was so turned on, wet and aching for him. She couldn’t bear the thought of him leaving her alone and empty.
He leaned down and whispered in her ear. “Think you can keep quiet for me?” She nodded and he pulled his hand away. He thrust into her and felt her cunt clench around him. She bit her lip hard to stifle her moan.
“That’s a good girl.”
So that’s some pretty passable smut. Not the greatest by any stretch, but there’s a bit of a story there and I can picture what’s happening in my head. It would be better if they weren’t just nameless talking heads, which brings me to my last point.
6. Relatable Characters / Realism - Yes, smut is mostly fantasy, but the effectiveness of the smut is directly related to how well your reader can empathize with the characters. Nothing takes me out a story faster than if I’m sitting there going “I don’t understand why she is into this dude” or “use a condom! This fuckboi clearly has gonorrhea!” Making your characters relatable and allowing them to have some real struggles makes the whole story feel more real, which in turn makes it hotter. I’m not saying all smut has to be perfectly protected and responsible, all sex certainly isn’t. But acknowledging the risks can often up the tension and make your story more believable.
I don’t have a great way to demonstrate that with this silly little mock story, but I’m happy to talk more about realism or character building in future asks.
Hope that was helpful! My About Me page has a bunch more writing asks if you’re interested.
#Anonymous#on writing#smut#smut writing#I don't feel like my smut writing is as good as it could be#but its improved a lot since I started doing this#i guess if people are getting off to it#then its working well enough
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I saw Nightvale mentioned up at the top and TMA recommended below that, so I just wanted to add a couple of really great podcasts to the list.
Blake Skye: Private Eye is an audio drama podcast that is basically Dark Academia (Lovecraftian but with no specific references to Lovecraft) meets Dick Tracey. It's told in the format of an old radio play, and while the first couple of episodes are a little rough around the edges and pared down cast-wise, the latest ones have evolved into a masterful exercise in sound direction with a fully fleshed out cast voiced by mainly queer people. Most of the characters are queer--you've got our bisexual titular detective, his on-again, off-again bartender boyfriend, a canonically non binary monster voiced by a nonbinary va and a whole host of other characters who I don't want to talk about because it will spoil things. The main writer/creator has also let his cast and crew branch out the podcast with short mini-series that are adjacent to or geographically distant but still interconnected with the main plot like Quinn's Mechanism (cosmic horror book drives people who read it to insanity until Quinn, a dyslexic, is tasked with cataloguing it and flips the script), Transatlantic Troubles (academia lesbians write sad but hopeful letters to each other), The Great Ghost (local man routinely possessed by ghost to help other ghosts get revenge on their murderers) and the currently ongoing Diviner in the Deep (main cast character almost dies and confesses love to childhood friend who ends up being ace, childhood friend talks up her brother so they can all stay as a sort of family except her brother is 100% the main villain of the core series so you already know stuff is gonna go down).
SINKHOLE is hard to describe--it is very new and the first season is still posting weekly (eight 11 minute episodes out as of the time I'm posting this), but on the surface it's a mock podcast about old data restoration in a future where most people are physically integrated on at least some level with the internet, and the protagonist (nameless so far because they value their privacy and are very uncomfortable with how much personal info people put out there for everyone for complicated reasons) grapples to maintain their privacy after accidentally outing themselves as one of a small number of people who fell into a sinkhole that opened up under a controversial building and walked out of it decades prior as though no time had passed with...lasting effects I won't spoil...that prevents them from integrating with current technology in any meaningful way. This podcast is eerie, the sinkhole itself is ever present in the sound direction and I cannot wait to see where this one is going.
I've linked them both but you can go to wherever you listen to podcasts and search for each in the discovery tab and they should pop up no problem.
Here’s the thing: I love the horror AESTHETIC, but I hate the horror MOOD. I find “fear” and “horror” to be unpleasant emotions, ones that I don’t want to experience in my enjoyment-media.
It makes finding stuff a bit challenging, let me tell you. So like, if you know anything that fits that bill, can you share it with me? (I’m already aware of @normal-horoscopes, and I’m familiar with Welcome To Night Vale.
I like stories with things that are weird, and unnatural, and dangerous in the same sense that a river or a fire is dangerous; it cares nothing for you and can destroy you, but it also has no malice and, once you know its nature, you can work with it more-or-less safely, so long as you never think yourself “safe”.
I like dark castles ruled by ominous and mysterious beings, and I especially love the various petty drama that happens between the monsters who work in said castles.
I like things that explore the realities and challenges of different forms of unlife, of being something changed and inhuman; but I don’t like things that delve too deep into “I’m having an existential crisis and all of my former friends now hate me”, that’s a completely DIFFERENT form of horror, one which I find deeply unappealing.
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Where to Find Guest Blogging Opportunities on fireinsidemusic.com
Correction Appended
On an album of bittersweet childrens tracks that she wrote greater than ten years in the past, the lady who arrived for being acknowledged only as being the piano Trainer offered what, in hindsight, seems like an eerie glimpse of her possess foreseeable future.
Im shifting away right now to a place so far-off, where by nobody is aware my identify, she wrote while in the lyrics of a tune known as Relocating.
When she wrote that music, she was young and vivacious, a piano teacher and freelance songs writer who beloved Beethoven and jazz, sunsets and river Seems, extended walks and every little thing about New York.
On a type of beloved walks, by means of Central Park in the bright sun of a June working day in 1996, a homeless drifter beat her and tried to rape her, leaving her clinging to everyday living. Once the assault, the terms to her track came legitimate. She moved away, away from New York City, away from her previous lifestyle, and all but her closest mates didn't know her identify. To the remainder of the planet, she was — much like the additional famous jogger attacked in Central Park 7 many years before — an nameless symbol of the urban nightmare. She was the piano Trainer.
Now, over the 10th anniversary of your assault, she is celebrating what appears to be her entire recovery from brain trauma. She's 42, married, with a small child. She's Kyle Kevorkian McCann, the piano teacher, and she or he wants to notify her story, her way.
Her health care provider informed her it will choose 10 years to Recuperate, and Sunday was that talismanic anniversary. I experience my life is redefined by Central Park, she claimed many days in the past, her voice comfortable and hopeful. Just before park; immediately after park. Will there at any time be described as a time After i dont think, Oh, This can be the tenth anniversary, the eleventh anniversary?
She spoke in her modest ranch home in a very wooded subdivision within a Ny suburb. She sat in a eating home strewn with toys, surrounded by photos of her cherubic, darkish-haired two-year-outdated daughter. A Steinway grand stuffed fifty percent the space, and at one particular point she sat down and played. Her enjoying was forceful, but she seemed embarrassed to Participate in quite a lot of bars, and shrugged, as an alternative to answering, when questioned the title from the piece. She asked that her daughter and her town not be named.
She calls that working day, June four, 1996, the working day Once i was harm.
Hers was the first in a very string of assaults by a similar man on four Women of all ages around 8 days. The final victim, Evelyn Alvarez, 65, was crushed to Dying as she opened her Park Avenue dry-cleansing store, and ultimately, the assailant, John J. Royster, was convicted of murder and sentenced to everyday living in jail.
But the attack over the piano Instructor may be the just one persons look to recollect quite possibly the most. A part of the fascination should do with echoes of your 1989 attack around the Central Park jogger. But In addition it frightened individuals in a means the attack to the jogger did not mainly because its situation had been so mundane.
It didn't happen inside of a distant Portion of the park late at nighttime, but near a favorite playground at three during the afternoon. It might have took place to any one. The tension was heightened with the mystery with the piano lecturers identification.
For 3 times, as police and Physicians attempted to discover who she was, she lay in a coma in her clinic bed, nameless. Her mothers and fathers were on getaway and her boyfriend, also a musician, was in Europe, on tour. Last but not least, one among her learners regarded a law enforcement sketch and was ready to identify her from the healthcare facility by her fingers, since her deal with was swollen further than recognition. The police didn't launch her name.
The very last thing she remembers about June 4, 1996, is supplying a lesson in her studio condominium on West 57th Street, then putting her extended hair in a very ponytail and heading out for the stroll. She doesn't keep in mind the assault, although she has read the accounts with the police and prosecutors.
To me its like a reality I realized and memorized, she claimed. As though I were being a pupil at school researching historical past.
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She will not consider the man who did it. I might need been angry for any minute, although not much longer than that, she stated. How could I be indignant at John Royster? He was declared not crazy, but I guess by our standards he was.
Dr. Jamshid Ghajar, her medical doctor at New York Clinic-Cornell Professional medical Heart, as it was identified in 1996, explained to reporters that she had a ten % potential for survival. Medical professionals had to get rid of her forehead bone, which was later changed, to produce space for her swelling Mind. When her mother made a community attract pray for my daughter, thousands did.
Immediately after eight days, she arrived away from a coma, first within a vegetative state, then within a childlike condition. As she recovered, she slept small and talked continually, at times in gibberish. I was receiving mad at people after they didnt respond to these terms, she mentioned.
Like an Alzheimers individual, she experienced minor brief-term memory and would fail to remember readers the moment they left the place.
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More than many months, she needed to relearn tips on how to wander, dress, read and compose. Her boyfriend, Tony Scherr, frequented every single day to Participate in guitar for her. He encouraged her to play the piano, from the advice of her Actual physical therapists, who believed she could be disappointed by her incapacity to Participate in just how she once had. Mr. Scherr performed Beatles duets along with her, enjoying the left-hand element though she played the right.
That was my finest therapy, she said.
In August, she moved back again property to New Jersey, together with her father, an engineer, and mother, a schoolteacher. She visited aged haunts and called good friends, hoping to restore her shattered memory. I was incredibly obsessive about remembering, she reported. Any memory reduction was to me a sign of abnormality or deficit.
Her therapists considered her development was fantastic, but her two sisters protested that she wasn't the deep thinker she had been.
What bothered her most was that she experienced dropped the ability to cry, just as if a faucet within her brain had been turned off. One particular evening, 9 months following she was harm, she stayed up late to observe the John Grisham Motion picture A Time to Eliminate. Just immediately after her father had long gone to mattress, she watched a courtroom scene of Samuel Jacksons character on trial for killing two Adult males who experienced raped his young daughter.
The faucet opened, along with the tears trickled down her cheeks. I thought about my mom and dad, my father, and the things they went by means of, she mentioned. Minimal by very little, my experience returned, my depth of mind returned.
Urged by her sisters, she went back to high school and acquired a masters diploma in new music education.
Not everything went effectively. She and Mr. Scherr break up up 5 years after the attack, though they remain good friends. She dated other Adult males, but she often informed them concerning the attack immediately — she could not support it, she explained — they usually under no circumstances called for a second date.
We've got to search out you anyone, her Good friend David Phelps, a guitar participant, said four many years ago, ahead of introducing her to Liam McCann, a computer technician and newbie drummer. For as soon as, she didn't say just about anything concerning the attack right up until she bought to learn Mr. McCann, after which you can when she did, he admired her energy.
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Mayor Rudolph W. Giuliani, who had usually frequented her at her bedside when she was during the healthcare facility, married them in his Situations Square Business. She wore a blue dress and pearls. Whilst she was pregnant, inside a burst of creativeness, she and her pals recorded Even though Have been Youthful, an album of childrens tracks that she had created prior to the attack, including the song Transferring. Her ex-boyfriend, Mr. Scherr, developed the CD. On it, her spouse performs drums and he or she plays electrical piano.
Is her existence as it absolutely was? Not precisely, however she's reluctant to attribute the differences to her injuries. Her final two piano students remaining her, without contacting to explain why, she explained. She has resumed taking part in classical new music, but basic pieces, because her daughter won't give her the perfect time to apply. As for jazz, I dont even check out, she stated.
She wish to push much more, sensation stranded within the suburbs, but she is easily rattled. She tries to be information with keeping dwelling and caring for her daughter.
Dr. Ghajar, a clinical professor of neurological surgical treatment at exactly what is now termed Ny-Presbyterian Medical center/Weill Cornell Health-related Centre, who operated on Ms. Kevorkian McCann after the assault, reported previous week that her level of recovery was scarce. Shes essentially typical, he said.
Other industry experts, that are not Individually knowledgeable about Ms. Kevorkian McCanns case, are more careful.
Regaining a chance to Participate in the piano may perhaps require an Virtually mechanical procedure, a semiautomatic remember of what the fingers have to do, said Dr. Yehuda Ben-Yishay, a professor of scientific rehabilitation drugs at Big apple College College of Drugs. As soon as brain-hurt, you are often brain-injured, For the remainder of your life, Dr. Ben-Yishay reported. There isn't a get rid of, There is certainly only intense payment.
The greater telling Element of a Restoration, in his look at, is psychological, and on that score he counts Ms. Kevorkian McCanns relationship and youngster as a major victory.
For her aspect, the piano Instructor knows she has adjusted, but she has produced her peace with it. I had been type of a hyper —— I dont know if I used to be a kind A, but I used to be formidable, she states. Why was I so ambitious? I had been a piano Trainer. I dont know what the ambition was about. I actually did return to the person Im designed to be.
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