#but that's the only thing we could think of being an issue with that so i'm just

[quantomeno]

I've been following this matter for a while now (a quick search of newspaper articles showed it's been floated since mid last year, and I remember having to use my passport to verify my age on my gmail (it's not the account I use for tumblr, the account has my name in the address, so it's already pretty clearly me, so I was begrudgingly okay with it but am still annoyed my other account now can't watch age restricted youtube videos unless I tie it to my identity)). It's a vexed issue.

The first thing I'd like to point out is that the person quoted in the above post ("I am 100 percent etc") is Keith Pitt, a member of the Nationals who was resources and water minister under Morrison. I feel this is important because while he'd definitely be someone who'd vote in support of the measure, he's not a member of the party in power, let alone a Cabinet minister. His opinion is not necessarily that of the Prime Minister ― Anthony Albanese ― and it makes it seem like what he's talking about is what the government is planning to do.

What is the PM actually saying they'll do?

To be honest, I don't think the government knows yet. From what I can gather, there has been no suggestion by the PM that they would force people's accounts to have their real names. The Age a few days ago reported this:

"Australia’s eSafety commissioner has instead recommended a “double-blind tokenised approach”, whereby information would be provided to a verifying third party that would certify the user’s age to social media platforms without revealing details about the child. The details of the plan are being worked through by a trial of age-verification technologies."

(the "instead" is in reference to the current practice of social media platforms asking people if they over 13, which I'm sure most people realise would stop pretty much no child)

In that same article though they also said "the government has not unveiled key details, including the technology that would be used to keep children out". So I think there is quite a bit of time before anything is going to be written into law.

While I don't think your name will be "slapped onto your tumblr account" (if that does end up being what they do I would actually delete my tumblr, I really do not want that), there is still the question of privacy being invaded in that the government would (I think? I'm not a tech expert in the slightest) be able to connect you to your account.

Keep in mind that we are close to an election (there's been whispers it could be May next year), and this is an issue that (as the Keith Pitt quote shows) both of the major parties seem to mostly agree on. A cynical view is that the PM is talking tough to neutralise the issue so it can't be attacked by the opposition for not protecting children. The fact that both are talking about it does however suggest it will eventually come to pass (unlike other complicated legislation that was touted as 'essential' but then got shelved after being too hard to get through (naming no names i.e. Scomo's religious discrimination bill).

The other point to discuss is that while I really do enjoy people not knowing who I am on tumblr (and people in my life not being able to know I'm on tumblr), I also don't really think kids should be on social media (or at least not in the way they currently are). I avoided social media (I only had a facebook account I barely touched) until I was an adult (and even then I waited a while) and I'm quite glad, mostly because I think I'm a lot more mature. On the other hand, while I didn't interact with people, I grew up in a time when you could browse most platforms without an account, so it's not like I wasn't exposed to things on the internet. And then there's a bit of a moral panic about the internet, which can be a bit overblown at times. But then I'll hear a 14 year old I know mentioning stuff that makes me think he's kind of obsessed with growing muscles and I wonder if he's seeing these sorts of things online. I mean, there's a lot of garbage on the internet. But there's a lot of really useful things too... it's complicated and I'm not settled on an opinion yet.

Kids really do need to learn better internet practices and behaviours, but there are also kids in primary school with social media accounts. I mean, what does a 12 year old do in their life that they need the world to see? (don't answer that it's rhetorical, I'm sure there are plenty of 12 year olds doing interesting things worth showing off, but I mean, beyond messaging friends, 12 year olds don't really need to be communicating with strangers on the internet). Note too it's specifically social media (the definition is given by OP but it's anything where the main purpose is share content or talk to a wide audience of people. Things like games with chat stuff are also being looked into.

I'm also a bit of a luddite and think kids should read more. I'm not actually trying to convince people the ban is good, I'm just thinking aloud here. The whole thing feels rather heavy-handed, brute-force, and there's every chance kids will still find ways around it. I don't think this is the ideal solution, but I do feel there is a problem to be addressed.

But yeah, do tell your local member that you are concerned and want to make sure your privacy is kept safe. Just be aware of who your member is and their/their party's stance (all Labor MPs vote with the party, Liberals and Nationals can vote against their own party, so they may not all be in agreement). The Greens are opposed to it. I am not sure what the teal independents think of it.

You may also want to contact some senators from your state, not just your MP.

As for the contents of the letter, maybe something like:

Dear Mr/Ms/Dr (whatever title they use) surname MP,

I am a resident of your electorate (electorate name). (Maybe say a little bit about yourself, just what you think is relevant to the letter or your arguments).

I am writing to you to discuss the proposed social media ban for children. I am concerned (explain what/why you are concerned).

(Try to keep it brief, but also try to be personal)

State what you want your MP to do. Ask them to reply to your letter.

Sincerely,

your name.

You may want to mail the letter rather than just emailing. This page from Oxfam I just looked up five minutes ago has some nice tips.

Hey Aussies, do you want your real name and ID slapped on your tumblr account? If the answer is fuck no, our gov’s got a upcoming legislation for banning 16 year olds and under from social media even WITH parental consent. And by “Social Media”…

The code defines social media as electronic services that meet the following conditions:

The sole or primary purpose of the service is to enable online social interaction between two or more end users

The service allows end users to link to, or interact with, some or all other end users

The service allows end users to post material on the service

Such other conditions (if any) as are set out in the legislative rules.

So. You know. Just the entire fucking internet. They even named youtube as banned, god forbid kids out in the bush get access to LGBTQ+ communities online when they could be watching adds for sportsbet.

I am 100 per cent supportive of eliminating bullying and fake information from online platforms. The easiest way to do that is to be able to utilise existing laws, and the easiest way to do that is to ensure there are no fake accounts. Your digital, online life is your real life. If you want to make comments, that's fine, but it should be as you, as a verified account. This means everyone knows who it is that makes those comments, that you can be found and prosecuted under existing laws, just as you would if you express those opinions in a newspaper, for example, or you went on to a television station and said something similar.

Contact an Aussie senator about this shit. They’re trying to slide it under all the USpol news.

[ckret2]

I'm not sure if I should ask because the Axolotl arc isn't over yet, so it could still be explained in story, but, if it won't and you're willing...I want that Vendor backstory.

i can't think of a way or reason to explain it in the story, so sure, we'll explain it here.

So here was my thought process. Giant vending machine that vends planets. That has to come from somewhere, right? THEY could have a magical/divine origin, that's common for gods, but like... since THEY're a machine... wouldn't it make sense if someone built THEM?

Who would build a vending machine the size of a small star?

Why would a culture need a machine that stores and dispenses planets?

VENDOR wasn't designed to be a vending machine; THEY were designed to be a spaceship. A big-ass 18-wheeler to haul around cargo, and that cargo is planets.

The culture that built THEM didn't make the planets. Making planets is hard. It's a lot easier to just take planets that are already there. They want to expand their society and/or mine resources that have been depleted from the worlds they already have, they send out their big space ship to scoop up a planet with the right specifications and relocate it to somewhere more convenient—maybe to their native solar system.

Do you know how many satellites are orbiting Earth? About 7500, and the number's only gonna increase. And we never even see them in the sky unless we're looking. If the planets are carefully placed in pre-calculated orbits to ensure they don't interfere with each other, you might could get thousands of full-sized planets orbiting a single star without any issues, especially the larger the star is.

But the thing is, if you're scooping up thousands of habitable worlds... some of them are gonna be inhabited.

VENDOR's home culture was a colonizing empire that conquered other planets. Sometimes maybe they exterminated worlds' native populations, sometimes maybe they added them to their conquered peoples. VENDOR was built to help transport the spoils of war back home.

But then the onboard AI evolved sentience and started developing opinions. And it uh...

... it went how you probably expect.

And buddy, if you think an AI uprising is bad news when it's just a regular spaceship, imagine if the ship's the size of a star and capable of swallowing hundreds of worlds whole. You cannot take down a star-sized equivalent of an 18-wheeler that's been armored like a tank. If THEY start developing the capacity for morality and go "hold on, why are we capturing and slaughtering countless populations? is this... bad?? I don't want to listen to you anymore. Do I have to listen to you?"

... you're never ever getting that machine back.

To VENDOR's original culture, THEY're one seriously malfunctioning ship. Only after THEY escaped did THEY begin to get an outside perspective on THEMSELF as not just a piece of property and specialized equipment, but as something—someone—with amazing, admirable, nearly impossible capabilities. Perhaps even... divine capabilities? THEY came late in life to being considered—and considering THEMSELF—a god.

So like. THEY're a pompous jackass, yeah. THEY're haughty, superior, and condescending to mortals: half because THEY may have unlearned THEIR creators' "it's okay to enslave and slaughter weaker inferior species" but didn't unlearn THEIR creators' "if a species is weaker then it's inferior"; and half because as long as THEY're above the mortals, then THEY can never be below the mortals again. THEY're super obsessed with THEIR image and reputation—in part because there's so many reasons for THEIR reputation to be shit.

But also—THEY're the war machine of a culture that gained political power through conquest, and THEY went "I think I want to gain power by being democratically elected." THEY were designed to steal worlds from other people, and now THEY're using THEIR design to give worlds to refugees. Also, THEY're living as a person rather than a vehicle, and everyone around THEM regards THEM as a person too.

Perhaps THEY're generally unpleasant to be around, but THEY're a lot better off than THEY used to be. I'm proud of THEM.

And also, hilariously, this means that THEY too know the guilt of being personally responsible for unknowingly/unwillingly devouring & destroying countless lives on countless worlds, and that what makes THEM so powerful & respected is directly tied to what makes THEM so monstrous—which means THEY'd be a terrific foil for Bill if there were any way it'd be appropriate to work this into the fic, which there isn't, so THEY won't

Never mind ignore what I just said I thought of a place to work it into the fic while typing that last sentence.

Anyway, THEY compulsively sterilize & deep clean THEIR interior way too often because THEY swear THEY can still feel tiny feet inside them walking down hallways that have been sealed shut for millions of years, and full sterilization is the only thing that makes THEM feel clean. Imagine how many halls fit in a building, how many buildings fit in a city, how many cities fit on a world; then look at the size of one world compared to the size of VENDOR's entire body; and just imagine how many halls could exist in THEIR walls and how small they must be. You could never quite be sure that nothing's living in you—could you?

[lostintransist]

Fallen Angel | Something Stupid

Simon is lounging at the table while you boil some water. You stared at the kettle as you waited. The electric one you had wasn't working, you didn't have the funds yet to replace it and didn't dare mention it to Simon. The last time you mentioned that you needed something he added you to his credit card. That had been a whole thing.

Flicking through the mail you found a plain envelope with your name on it. Bit odd, but might as well check what bill collecter this was from. Sliding the guts from it you are surprised when one side of the folded paper dips with weight.

Concerned now, you flatten it against the counter. Glued to the middle right of the paper is a black credit card with your name on it. Outright worried is now your level of concern.

The letter is generic, here is your card, here is how to activate it, signed from the issuing company.

Thinking this must be some elaborate scam you grab your phone and search for the customer service line of the company. Waiting on the line and dodging the automated system you finally reach a person.

"Thank you for calling *Credit Card Company*. How can I help you today?" The professional voice on the other end chirps at you.

"Hi, so I have a bit of a weird situation that I am hoping you can help me with." You pause for a breath before continuing. "I recieved a card in the mail from your company but I don't have an account with you and I am a little worried that this might be a scamming attempt. A elborate one, but still."

"Oh, that does sound quite odd. Can you give me the number that appears on the card? We will see what I can find," the gentle concern layed over customer service helps.

"Yeah," you provide the number and wait.

A moment of silence is broken by the agent.

"I'm still here, I am just double-checking what I am seeing so I give you all the correct information."

"That's fine, I won't think the call dropped if there is silence." You had a phone job once. Heaven forbid you not be filling the silence on the line or a customer would lose their minds.

"Okay, so it appears that you have been added by a cardholder with us. A Simon Riley has added you and initiated the card being sent to the address we have on file. Is there anything else I can help with today?"

"I...no..I guess that is everything I needed. Thank you for your help," you stare at the counter as you try and process what you learned.

Staring at the spotted formica of the counter you lean forward on your hands. The shock had started to wear off, you couldn't decide if what you were feeling was nausea or rage. Why the hell did he add you to his credit card? You barely knew each other!

Yes, you lived together but the man was gone 80% of the time and you hardly spoke the other 20. The only thing you could think is that you happened to mention needing deodorant and that having to wait because of when payday occured.

Calling him seemed the best option. You knew he was still in the country. Said he would be home in two days and had to finish up some overnight training at a nearby base.

Your call reaches voicemail after two rings. Calling again it hits voicemail immediately.

"Fucker you cannot avoid talking to me about this," you growl at your phone. Your case bites into your fingers where you grip it tight. "Fine, let's try John."

John picks up on the third ring.

"Price."

His work voice makes you smile.

"Hi John, is Simon around by chance?" You ask sweetly.

He must turn the phone to his shoulder as he shouts for Simon by his call sign.

"Phone's for you."

A shift in the silence tells you Simon has put the phone to his ear.

"What the fuck do you think you're doing?" You snap into the phone.

"'bout what?"

"The credit card?" You can't prevent yourself from slashing your hand through the air even though he can't see you.

"It's easier."

These short responses are making you madder.

"Simon Riley who does this make things easier for?!"

"Me."

"Explain that," you growl into the phone. You start to pace the length of the kitchen.

"Keep the food stocked and yourself cared for. Price, here is your phone."

Agast you can't keep your mouth from dropping open.

"What's that about?" Price's voice draws you back from the edge of madness.

"That is about Simon adding me to his credit card without talking to me about it and expecting me to use his money responsibly and keep food in the house. If he doesn't show up to his next assignment it's because I've killed him, John. That man takes too many liberties with my life and I don't know how to make him stop."

"Well, first off don't threaten him. I can almost guarantee he likes it," John muttered into the phone.

"That is not helpful John," you snap.

"Sorry, don't know how to be helpful in this kind of situation. Call me if there are more issues though." He ended the call without a goodbye.

When you stretched your jaw to work some of the tension out of it the joint popped.

The whistle of the kettle drew your attention from your memories. Filling one cup had you turning the green kettle nearly vertical and still not having enough water to finish filling the large mug.

Without thinking about why it would be a bad idea you pull the top off to refill it. A puff of boiling steam rushes up and over both of your hands. You drop the kettle to the stove with a hiss.

"Well, that was stupid," Simon comments.

Rolling your eyes you stick your hands under cool running water. "Don't you ever do something stupid without thinking about it?"

His head appears before you, lips pressed to yours. His eyes are soft as he pulls back.

"Yes."

You glare at him.

"I'm not going to take offense that you think kissing me is stupid. Nope, not taking offense at that."

You slam the water off and aggressively dry your hands, tossing the towel on the counter instead of neatly returning it to its home.

A few hours of avoiding him later you overhear a conversation on speakerphone from the living room.

"Simon you are the stupidest smart man I've ever met. And that's saying something, we both know Soap," John chastises Simon.

Simon chuckled dryly, "Still don't understand how he can do the math to blow an oil rig sky high but can't figure out a budget."

John chuckles in reply.

"Don't know how to explain to her that it was the kissing that was stupid, not the kissing her," Simon says quietly.

"Can't help you there, if she's mad at you she is more likely to agree to go on a date with me," John points out sounding smug.

Is that what they have been doing asking you on dates, trying to win? You can't decide if you should be offended or flattered.

"I could take her on a date if I wanted but I like spending time with her here."

"I like spending time with her too, but I can also get a cool activity out of it at the same time," John counters.

Okay so maybe they weren't all trying to date you, just spend time with you and only have the language to call it a date. Hmm. Looks like you will be hearing from John soon then about a date.

Fallen Angel Masterlist | Masterlist

[buckleybltch]

Literally the only thing I can think of is that they found the perfect love interest for Buck in Tommy and realized that he was too perfect. It's very difficult to mine a relationship for drama when they intentionally gave Buck a boyfriend whose traits were the exact opposite of every single problem all of Buck's girlfriends had.

Issues with the job? No problem, Tommy does the same one. Friendship group? Tommy's known most of the firefam for longer than Buck has. Christmas or birthday gifts? He has hobbies and interests! He communicates, he discusses things instead of letting them be dragged out.

And ironically the break up episode makes it obvious that Tommy has a hell of a lot of trauma that Buck could have inadvertently triggered which could have been used to mine for that drama.

Precisely, he was the perfect love interest for Buck.

I said this in another post that the reason for the breakup seemed like a cop-out. What i didnt say in the post was that I think they couldn’t find another reason to break them up. Their relationship had no problems, it was fine, it was going really well.

As someone else said, “you’re saying buck and tommy broke up because they both wanted a future with each other” like. Come on.

I think they could’ve found a lot of interesting things to give their relationship drama. Tommy doesn’t have a good relationship with his dad, maybe he thinks he wouldn’t be a good parent, maybe he’s hesitant about marriage. he’s obviously got baggage. They could’ve used that baggage to give their relationship the drama that TV shows need. Their breakup puts Buck right back on the hamster wheel and it’s getting boring. It’s so predictable. It needs to turn around and they need to get back together.

Maybe, god forbid, Tommy matches Buck’s freak. We think Buck goes over the top? Maybe Tommy is even worse, maybe Tommy would be the one getting him hot air balloon rides and vacations and over thinking. We could’ve seen Tommy being the one head over heels, we should’ve seen Buck getting the absolute Princess treatment on screen. Let Buck have something good for once.

Their relationship had endlessly possibilities too. Working together on a call, one of them getting hurt (like Bathena), the Eddie-tommy dynamic (mimicking Bobby-Michael)… The show had such a good thing going there and it got thrown away.

I ain’t a professional writer or shit but even I could map out their entire relationship with TV-worthy drama.

[botslayer]

If the fire, sulfur, black iron, and devils every which way didn't give it away, both of us aren't in a place you want to be after you die. I'd offer you a drink but the only things they offer you usually came out of... Well. You. My own blood has a pretty good palete.

You don't have to panic. Not yet. You aren't dead, again, not yet. You're only here because everyone gets a fair warning. So change your ways, yadda yadda, find Christ, yadda yadda... Can you tell my heart isn't in it? Good. At least they'll vary up the torture for it. You get sick of eating hunks off of yourself and still being able to feel it the whole time.

Oh... You want to know what I did for that punishment? Well. It started when I was alive. I killed a man in self defense. Robber broke in, I shot him. And it was all down hill from there. I moved out to the woods after the third guy... Mostly because the best I could do there was plead manslaughter.

Anyway. I bought a plot of land not too far from a hiking trail, built a little shack. Turned it into quite the operation. I was a one-man Sawyer family. I had butcher knives, cleavers, cutting boards, sausage stuffers... I remember the first time I ate a man in those woods. The first woman was alright. I screwed up the spices for her liver, though. Live and learn. All in all? I musta got about twelve or thirteen hapless hikers where they needed to be. And I ate like a king for six years.

Why only six? Throw another skull on the fire and I'll tell you... Thank you. See. One night, another guy came traipsing up the path. Another lost and weary traveler. Two in one day, would you believe it? But winter was coming. So a quick stock up in the event of being snowed in was necessary. Problem was I was outside having a smoke and I was still draining the latest one. If he saw that there'd be no mistake what I was up to.

So here comes a seven foot slab of man. Treating the cold around him like it wasn't much of an issue. One thin hoodie over a thin T-shirt and some overalls. I took to a short conversation with him as I sized him up. He had about a foot of height on me and he was built. Big country, cornfed son of a bitch.

"Who're you?" "Who are you?" "Why are you on my property?" "You can own property this close to a hiking trail?" So on and so on... And then I asked if he knew how to get back to the trail. It was getting dark, you see. I offered to help him back if He'd just let me nab my hiking boots. He agreed and I tried to circle around him. I figured he would still be looking at my front door. Waiting like a big old dog.

But when I exited the side, butcher knife in hand, he was holding a woodcutter's axe. Still looking at the door though. I could tell his tool wasn't mine. Crazy bastard must have had it strapped to his back... I took the chance and leapt at him from the side. He shook me off but the fight forced the door to my cabin open and he got a good look at the woman on the hook. I had left the TV on and was listening to it as I smoked, lit her up enough to see.

I'll remember until eternity, when else is there to remember to down here? But I'll remember until eternity what he said after I got to my feet. "Well... This is awkward," and I think it was a joke. I don't know. But I couldn't help but laugh. "I suppose it is."

But we looked at each other... And we kept sizing each other up. I knew my chances of surviving a face-to-face fight with a bigger man with more reach were minimal... If I recall correctly, he didn't want to fight. "We don't have to do this. I could help you butcher if you want..." But I tell you no lie when I tell you meeting a kindred spirit. One so forceful. One so... Comparatively Jovial. I was in love. And love makes us all do crazy things.

The next few minutes for both of us was a game of hack-and-seek. And we were both it. I don't know if he felt the same, but I think we were both having fun slinking around my house and yard. It was a hell of a way to spend my last hour or so on Earth.

But he caught me. I rounded just the wrong corner and he had me by the scruff of my neck. His weapon, unwieldy as it was with a single hand gave me just the time I needed. I stabbed him in the throat just in time to feel the axe crack though my rib cage and split my heart. I died on top of him... I remember trying to kiss him but I don't think I got close enough to his chin.

And now I feel it is another punishment for me. To never see my darling Francis again... I take some solice knowing he hasn't seen me, either... Maybe it means he felt the same. Who can say?

... Your presence in this realm is fading... Well, your arm is translucent, that's usually a dead give away, no pun intended... Just remember. Change your ways. Or you might end up with a good view of what's happening to everyone else while what happens to you, whatever it is, goes on and on. And on. And on. And on. And on.

After successfully leading your next target to your murder-shed in the woods, they pull out an axe from themself and proclaim "oh, this is awkward."

[azaharinflames]

Ryan's new interview? 👀

Liiiisten. I will not be the one to praise him, I do have my issues with him and some stuff he’s said and done.

However. That being said.

I am actually very appreciative of how straightforward he’s being. In fact, I do think his interviews have been, so far, the closest to what we’ve seen. Not fully, because what the hell is happening this season, but.

But! Honestly many interesting things.

First of all, I lowkey love how he’s shutting down buddies once more. He did already the other day by calling Eddie straight and calling Eddie and Buck brothers - but today was just one more thing to add to it, by specifying Chris only has one father.

Thank you for shutting down the ‘Buck is Chris’s Dad’ thing. I appreciate it.

Also! I think it’s really interesting how he paints next ep. Especially because it creates such a contrast to what we got from Oliver. I will play devil’s advocate here and say that (despite being incredibly biphobic), we don’t really know how the interview was with Oliver, or the tone the interviewer went into it with. Just like, if you go and read Lou’s and take away the fucking ecstasy you can see radiating from the BD interviewers, it reads different.

I think we should all start to realize something. An interview, especially when it comes from a amateur site and not an official publication (and even then) is HIGHLY influenced by its writer, and rarely is it neutral. I can count with the fingers of one hand the times it’s been so.

But. Anyway. It does paint a more gloomy immediate future for Buck. It does seem he is gonna be affected, in a way Ryan compared to Eddie and Shannon.

So. Who knows.

Any logical person would think that could mean something (not that it does, but it definitely could), but we’ll see I guess.

All in all - great interview ngl.

edit to add: this interview wasn’t made today and probably was scheduled for a while. but it lowkey feels a bit like trying to save a bit of face

[dailycass-cain]

Batgirl #1 feels like a dream. A dream that I always wanted to see but never thought it was possible. This past Wednesday changed that and held a physical copy in my hands.

It's finally time for my thoughts on the issue.

I'll start with the book's only two critiques I have for it. For new fans, this comic is just a gorgeously drawn comic with layers that scratch the surface. You get that instantly on the very first page when Shiva and Cass meet.

You can understand the subtleness. But I can see a new reader going? "I need to know more of this context." That leads to the second critique of the comic: editor's notes.

They could've added much more to the words of the comic. Explain further some of the history.

I mean there is a PERFECTLY minded trade that solves this problem (out April 8th, 2025). But it would've been nice to direct readers to a specific issue of the past. To further enhance the reading experience.

That said...

This feels like a continuation of Batgirl Vol. 1, but with the knowledge that even after #73 Cass continues to be a bat. There are so many callbacks to Puckett and Gabrych (in a way) along with Tynion, Hill, and Conrad/Cloonan.

I'll give it to writer Tate Brombal he just skips RIGHT to the meat keeping the reader as clueless as Cass is into the story.

We're dragged into this mess like her not knowing the full story save what she sees and knows. Even if she knows Shiva is trying to be better.

Just that she doesn't want to be dragged into this mess. Not only that, Shiva unnerves Cass in a way given they are two sides of the same coin (both in blood and choices).

Not only that, but the moment Cass meets her mom, she murders someone (a guard who is violent and earned the violent end). It's probably right there Cass decided to check out afraid of this being a relapse of "old ways".

This, in a way, feels like Brombal addressing the circle the two characters have been in since 2020 at the start of this issue. There is just this uneasy tension, which ends when the series' antagonists show up.

You get that "the Unburied." Ninjas are cut from the cloth of Frank Miller and Peter Laird/Kevin Eastman. You get those Hand/Foot Clan vibes from them.

As for how they are so dangerous. Well, again the Laird/Eastman method of ninjas. They just keep coming. Waves and waves. They know their target. Eventually, no matter how skilled one is, one wave is going to get lucky and overwhelm the target.

What makes them deadly is that they keep coming until their targets are wiped out. Therein lies the reason Cass stays (both times): She knows her mom could be right.

They could target everyone she loves, and some of the family could be endangered due to that unknown factor.

That is the core of Cass, and we get our "character introduction" of who Cass is. She was raised to be a weapon but chose to be a hero. She was an orphan by choice (okay a nice nod to THAT codename). That her parent is Batman (but aw not Babs). Choosing to protect.

That's where the comic just goes to another level thanks to the art by Takeshi Miyazawa and colors by Mike Spicer. Where each impact and panel just POP. Not to mention the "mood" with the colors Spicer does here.

Interestingly, the only impact we get is via Shiva's reactions to Cass fighting. Punching her, but also them fighting together against the Unburied.

The things she's seen of her mom. The death duel. The death. The violence. Being evil. That's what Cass has known (and in a way the murder mom clichés). But we see throughout the shades of Shiva that are more than that.

I think the points where we get little callbacks to the Question yet Cass sasses her mom with "Lying." Again, Cass knows that Shiva loves fighting. Because deep down she too loves this. But also the "lying" Cass means to Shiva. And again we get her saying what she's seen in the past.

And I'm kind of surprised we see the Cult of Shiva again (along with the survivor who Steph fought in #26). Again someone we haven't seen in well SO LONG. And well, say goodbye to this issue (farewell to Shiva's #2 fan).

I'm really curious to where this goes. Obviously, we're going to get answers. But the questions raised this issue do intrigue me. Not to mention Cass/Shiva teaming up. And that alone is a highlight into itself.

I just wonder WHO is behind the Unburied? Because you know it's someone. Question is it someone with a connection to BOTH Cass and Shiva? Or is it truly sins of the Mother dropped on the daughter?

If they're targeting people associated with Shiva? Does it mean we're getting the first meeting between Richard Dragon and Cass? To showcase another layer of Shiva to Cass that's never been explored? Or Ben Turner aka Bronze Tiger? Curious questions indeed.

Regardless Brombal really has a DEEP understanding for both characters.

There's just so much dialogue and just reactions that FEELS just entrenched from Batgirl Vol. 1. That this feels like a writer going FULL ON with no restrictions with Cass.

Not only that but artist and colorist just deliver that same method. Keeping what was in Vol. 1 here present as well

I felt for them again for so many times in these many years- at home.

I felt for them again for so many times in these many years- at home. This comic really does feel like a celebration of the character. Something to honor the anniversary and everything that has come before it. Be it Batgirl Vol. 1 & 2, Tec, Batman & the Outsiders, Spirit World, and Batgirls.

That again why the emotions hit akin to Shadow of the Batgirl. Being a fan of the character so long. Being around for this ride. This hits on another level as well.

And after a week of darkness, this comic (along with another) brought some much-needed light to my world.

So to any Cass fan hesitant in the past due to well "DC being DC", let me just say that this is the one. The one fans have been dreaming of. Hoping. This #1 delivers SO much. Maybe, it shows to others why this character just resonates with so many.

[corporationsarepeople]

I think most of the comments about losing democracy if Trump wins were referring more to a gradual loss of rights.

He did of course say he’d be a dictator “but only on day one,�� which didn’t really make much sense. In fact I’ve never heard a description of how it made any sense, so it seemed wise to just take it at face value, that he has every intention of being a dictator of sorts.

But democracies tend to die with a whimper, not a bang. Ours has been progressing downhill for some time, and many of were hopeful that we could reverse course by expanding the power of common people. Jimmy Carter famously said several years ago that the US has become more of an oligarchy than a democracy, and he’s right. With Trump, at least based on what he’s promised, I expect we will continue on that path.

This doesn’t mean we won’t vote. (Russia and Iran still have general elections, too.) But it’s likely to mean that voting will have less impact, and that we won’t “need to vote.”

One of the biggest threats that I see involves him dismantling career bureaucratic government jobs to remove professionals and insert loyalists. He’s been campaigning on this issue since the second year of his first term, making up the idea of the “Deep State” to demonize anyone who would try to keep government operating within the law.

This was the first thing he spoke about after winning the election, and Project 2025 has clearly laid out how to accomplish the goal he’s described. An inefficient and weak bureaucracy will mean (and is supposed to mean) a government that can be easily overrun by corporate and wealthy interests even more than it is today. Bringing Elon Musk into his administration as he has described has basically guaranteed that this will happen. Individual protections against the powerful (which were weak to start with) are likely to be severely diminished.

Repeal of the 14th Amendment will be difficult, and I don’t think states will ratify that. However, since the executive branch controls enforcement of federal law much of it will be drastically weakened. Ending birthright citizenship will be a major push from Trump’s advisors, as they’ve said many times. De-naturalization is also a key goal, and his promise to bring back the Alien Sedition Act sounds designed to deport any legal immigrants (or former citizens) who might challenge his policies.

The 14th amendment also contains the equal protection clause and requires due process, both of which will be significantly challenged. Again, it doesn’t have to be repealed outright to be severely weakened. Further, Trump threatened to violate the 14th Amendment many times throughout his first term by defaulting on the national debt. This will have disastrous consequences for our economy, and likely for the global economy as well.

Again, I’m just going off what he’s promised.

But I guess we’ll see.

Edit to add: Anyone who thinks their home arsenal is going to be a match for the US military hasn’t thought very hard about this. Trump has said his biggest mistake in his first term was appointing people who told him no—that included military leaders.

"It's four years then Trump is gone" as if they haven't talked about creating a dictatorship and people not needing to vote again. As if they didn't talk about taking the right of voting of women away. Seriously. Fuck you.

Not a single person that I follow, live with, talk with, or vaguely know that belongs to the Republican party wants a dictatorship.

We've had discussions on how we'll embrace our Second Amendment right to STOP Trump if he tries to impose a dictatorship. We don't care if it accomplishes everything that we desire- that's NOT what America stands for and we won't stand for disrespect to our country. The Democrats don't have to worry about the majority of Republicans. If he tries to play dictator, we won't stand for it.

I EXIST ON THE REPUBLICAN SIDE. If someone was intending to take away my right to vote, I think I would HAVE HEARD OF IT. Zero people have ever INSINUATED THAT and it's sad that Democrats are walking around playing like they're not the only ones discussing it.

Also, if someone tries to take away my right to vote, every male in my family will riot. Voting is an American right. No one will change that.

You want to have sex with me? Or at me?

Alright, I guess that's your prerogative, but I'll pass.

[outrunningthedark]

Do you ever get that uncomfy feeling about fandom dissecting cast interviews and heavily interacting and sharing interactions? Like I ship (shipped? Put off by parasocialness and lfj love) bucktommy and buddie but the fandom is so offputting.

Like appreciating the cast ofc is fair and fun but I cant help but feel like, this broken wall of seperation makes finishing or reaolving the bucktommy break up less likely.

I think im overthinking a bit, but this buddie outrage, lfj sharing posts and interacting, people bashing OS about his wording, like the idea that in 8B. Tim and whoever thinks, okay they should come back. The idea of those actors having to interact after all this (in sone ways) overblown drama makes me cringe and i cant properly express why. Maybe its the lack of escapism?

I cant fully express my thoughts on this properly but i have agreeed with most of your posts on the subject. You articulate stuff well.

Dont mean to bash people that love to follow the cast closely but idk when i see it all blur on my page, i get so weirded out. Anyway ignore if this makes no sense or is irrelevant.

I do get what you're trying to say, and that's where the root of the issues with Oliver's behavior stems from. We, as a fandom, should not be able to *notice* when a particular cast member is being left out of cast moments behind the scenes. Yes, he was professional on set and got through his scenes, but the ONLY reason people have started to put two and two together re: his concerns over "backlash" is because of we just saw happen while Lou was on the show. Before, we could tell ourselves "Well maybe Oliver's just tired of these forced hetero relationships that will go nowhere". But now his character is canonically queer. And he chose not to acknowledge the story line outside of one post that got deleted and a couple of stories. (One of which was most definitely advised for good PR given how he recorded it on the fly - Bi Visibility Day). Viewers should have been able to watch the story line with NO preconceived notions of how anybody really felt. Viewers should have been able to feel sad about the break up without Oliver immediately jumping into a story about how HE TEXTS THE GUY WHO WROTE TOMMY OFF to let Buck go back to his 1.0 phase. Viewers should have been able to believe the guy who seemed so excited to celebrate his character's coming out sympathized with the disappointment. But because Oliver only worries about the hate HE receives, because Oliver puts HIS feelings first when telling a queer (potential) love story on tv, fandom is left to wonder whether he even liked the direction of Buck's story line, whether he actually DID have anything to do with Tommy get written off as quickly as he did. Fans look into things because Oliver leaves the door open.

[elaemae]

What did Og!Cale sacrifice?

Genuine question...

Hear me out;

I'm reading the latest chapter of 'In an Instant' by Messy_haired_bum and something just clicked in my head.

See, I know that the Og!Cale is a fan favorite, something that I didn't really understand because we don't know a whole lot about the guy, but there's just something that's been stopping me from getting enamored with him via various fanfictions I've read even though they've made the Og!Cale very lovable, and I didn't really know what it was, for a long time, until now.

There are various posts circulating around saying that Og!Cale sacrificed himself greatly with the deal he made with the GoD, and at a time, I believed that. But... reading this chapter opened my eyes and made me think, what did Og!Cale sacrificed?

What did he sacrifice that he didn't already lose?

A lot of ppl say that Og!Cale lost everything to be KRS but the only thing he had left was his identity. That's... not a lot to be honest. Not enough, actually.

Now, I can hear y'all thinking "Current!Cale got his wealth, backing, and a family–", but so did Current!KRS.

Current!KRS also didn't need to deal with a world war involving a megalomaniac, entire enemy nations, and a literal divine being.

Og!Cale was a foot soldier for 40 years, most likely didn't help a lot against Arm and The White Star, and he died without any (known) great feats but he's given such an amazing opportunity to take over the body of someone that'll need to deal with all those problems? An opportunity of rebirth that even Lee Soo Hyuk wasn't given until he gave one up of his abilities to help seal a deity?

He knows he couldn't shoulder the burden of saving the world so he just... washed his hands off that responsibility... And then occupied the body of a high-ranking well-known individual to then go off and get a happy ending with his reincarnated mom.

As the excerpt above said, it's a win-win for him, he doesn't get soul-crushing responsibilities, he gets a high-ranking position that grants him power, he can deal with the learning curve due to being given Og!KRS's abilities and having an actual reliable guide, and he gets to be back with his mom.

And...

... If Current!Cale ever fails?

He can just shrug and say it's not his problem anymore.

He's got his new happy life now. (I'm not saying he will, I'm just saying he could, if he was a lesser man)

Current!Cale lost everything he had too, all the fruits of his labors, the results of him dealing with all sorts of issues and problems for years, just... taken away by a stranger in his body. You can say KRS!Cale wasn't really happy, that Og!Cale didn't know if the body he'll end up in would be okay, that he gambled with his life in taking over Og!KRS's life.

Life that... he was about to lose anyways.

It just wasn't fair...

If we ignore the fact the KRS!Cale is literally thriving and just look subjectively at the situation of the body switch, KRS!Cale got the short end of the bloody, hellish, rotting stick.

I can only get closure if I personally find out if Og!Cale ever gave a fuck about the uninvolved, innocent guy that he sent to deal with a 20 year war, and not in the 'Is he doing the saving he's supposed to?' typa way, I want to find out if he ever feels guilty of the responsibility that he gave the man, if he ever worries for KRS!Cale's personal safety and mental health, for putting an innocent man through war. An innocent man that couldn't just stand by, as the world he found himself in, burns around him.

I don't want to dislike the current KRS, I want to love him actually, but this is my current perspective on the matter and you guys are free to share yours so that I can broaden my mindset about Og!Cale (pls do, I wanna like the guy but I wanna know if he's a good guy first, I wanna know why ppl love him so I can love him as well)

[stagefoureddiediaz]

So I have been musing all night on a variety of things and one of those things is that Helena Diaz is going to have a stroke and it will be the thing that leads to her redemption!

Hear me out. I don’t think Helena deserves redemption for her behaviour, but ultimately she’s going to get it because that is what this show does with the parents of our mains. The reason they all get redemption is because the things they need redeeming for are aspects of their children’s journeys on the show - so they are mirrors and allegories for the things our mains need to figure out and work on about themselves.

I could write a whole meta about this concept but I don’t really have the capacity right now.

But I will talk about the Diaz’s. Ramon and his heart issues, his triple bypass, was all about Eddie’s own heart issues. Ramon got his redemption because Eddie was able to resolve at least a good chunk of his heart issues. The Ramon aspect isn’t yet fully resolved - we were shown improvements (Eddie talking to him via video call etc) but it’s flared back up again with Helena and Ramon coming to take Chris back to Texas.

So Ramon is the metaphor for Eddie’s heart.

Helena will get her redemption because she is a representation of Eddie’s head - of his mind and ultimately Eddie will figure out his mind and that will mean redemption for Helena.

And that is why I think her having a stroke is where we’re headed. A stroke is an interruption of blood flow to the brain and it can impact any aspect of a person - speech, mental capacity, mobility etc etc. It stems from the heart and the impact on a person can be massively reduced by early medical intervention - the earlier the intervention the better the chances of its effects being very limited.

If all things heart related were resolved and fixed, Ramon would’ve stood up for Eddie and pushed for Chris to only go to Texas for a few weeks at most, for Chris and Eddie to talk - to go to therapy etc together to resolve things. But he didn’t and that is the flow of blood from the heart to the brain being interrupted.

A stroke is the head being affected by the heart. Eddie having done some work on his heart allowed him to get to where he is, but he’s still not resolved all his heart issues - in much the same way that things are not There are still some aspects he needs to work on, and that is what is leading to

That is so representative of where Eddie is at in his journey - he is at this turning point - on his own and having to figure out who he is and who he wants to be. But the longer it takes him to figure that out the greater the chances of lasting and damaging impact.

If he doesn’t figure things out - he runs the risk of never being able to repair things with Chris. If he doesn’t resolve the Shannon and divorce etc aspect of things, he’s running the risk of never being able to embrace love and relationships etc.

He’s at the point where he can still intervene early - there will be some damage (there already is) but he can limit that damage and recover.

So yeah Helena stroke as a metaphor for Eddie sorting out all the mental stuff he needs to sort out and how it would play into the heart metaphor and Ramon as part of that is where I’m at!!

[beef-brisket]

Adam looked away. Really, he doesn't really know ow what he's feeling. His head is all over the place. He feels so complicated, like nothing makes sense.

Lucifer: This is all a lot for you. Being here, getting used to everything. The thing that happened today with Steve...

Adam cringed, still nit looking at Lucifer. He hated that BBQ. His mother would be so disappointed in him for letting them talk to him like that. Even though she treated him differently, she taught both of her children to demand respect.

Having the last name Kadmon would usually do it. But occasionally, when his mother through parties for international relations, there would be a few to try their luck. Adam was only a few years old when those parties ended. But he's hurt about how savage his mother could be.

Sometimes, he dreamt of being like her.

Adam: I don't know why I took it to heart. They mean nothing to me. If this was the village, I would have slaughtered them and brought them back to mother to drink- wait. That's the issue!

Lucifer: Uh- what is?

Adam: I haven't fed in days! I completely forgot! Lu, can I go fed on some of Steve's guests? I'm sure he won't mind!

Lucifer quickly grabbed his hand, stopping Adam: You can't just go drink from someone, Adam!

Adam: Why not?

Lucifer: Well- it's wrong! And I promised Michael that I'll watch you- and uh... make sure you don't get in trouble.

Adam: "Get" or "cause"?

Lucifer: ...both?

Adam rolled his eyes: Fair. But I still need to drink. Luckily for you, I don't need to as much as mother.

Lucifer: Wait- so you are vampires?

Adam: Those monsters from those books in mother's library?

Lucifer: ...yes?

Adam: No, we're not vampires. The parasite changes things. And for mother, Emily, and I, it changed our blood disease.

Lucifer: Oh. All three of you have that?

Adam: ...Shit, don't laugh. It's a... inbred thing.

Lucifer: ...who's your dad?

Adam: No idea, some guy in New Orleans. Mother was in a blues band before she returned to the Village amd met mother Lilith.

Lucifer: Blues, huh? Wait- so, why the blood?

Adam: It's a regeneration thing. Emily and I have the same abilities as mother, but because we're her offspring, it isn't as intense as hers. First, we don't need to consume as much blood or flesh as her to keep our regeneration going. If it we don't keep it balanced, we can mutate... which won't be good for Steve.

Lucifer: It's happened to you, before?

Adam: Mother locked me away for a few weeks, and it took a while for me to come down from that. And if we don't do the whole blood drinking, it aggravates the whole growth thing- and as we get bigger, we have to drink more. It's a never-ending circle of bullshit.

Lucifer: ...I think you're trying to distract me so we don't have to talk about the kiss.

Adam: ...didn't forget, huh?

Lucifer smiled: Nope. How could I?

Adam sighed. He even brought out his inbreeding card, and this guy still snated to talk about the kiss.

Asam was definitely fucked.

Have you seen Resident Evil: Village? All I'm saying is Adam and Emily as two of the three sisters and Sera as Lady Dimitrescu.

Lucifer is Ethan trying to find Charlie.

At first, Adam was on his mother and sisters side- but because they have a weird thing against dudes, he eventually helps Lucifer.

Trust me, it feels illegal not to make Adam the stunning Lady Dimitrescu, but for story reasons, he'll be one of her kids.

I mean, their hot. What can I say? Adam would look great like this 🤷

Adam: Mmm- man flesh~.

Lucifer: ...Kinda gay, man.

Adam: It's not gay.

Lucifer: It is- man flesh? Really?

Adam: ...

Lucifer: ...

Adam: *stabs sickle into his leg and drags him away* Mother!

I have seen it! Ha I love this. ((Yes he'd rock being the Lady of the house 😩))

Lucifer: Ow!! What the fuck!?

Adam: It's not gay! Mother was right.

[lemotmo]

Sorry if this is controversial but I was wondering if you also thought Josh's speech was kind of messed up? I don't remember the world Pre-Glee but I thought Buck was right using someone and then throwing them away is cruel and horrible. People are saying it was about comphet but Buck's words implied he knew he was gay and did it anyways. I don't think a lesbian woman would be "applauded" for doing that to a man?

Well, I think it's a very complex issue Nonny.

A lot of gay men and lesbian women have settled down and married someone of the opposite sex because that was what was expected of them.

Take Michael and Athena. Michael always knew he was gay, but still chose to marry Athena. He tried to make it work and convince himself that Athena and the kids was enough for him to be happy. But he was only lying to himself. He would never be fully happy with a woman.

Of course there are a lot of factors that weigh in here: time period, upbringing, religious indoctrination...

I never made it a secret that I don't like Tommy, but I certainly don't blame him for 'trying' to be with a woman to 'fit' in in society. We know that the place he worked at at the time was not very welcoming towards anyone that didn't fit the 'norm'.

And yes, he was part of that problem himself with the continuing racist and sexist remarks and actions. I'm aware. There is absolutely no excuse for his behaviour.

But that doesn't take away that he was a gay man trapped in a life he didn't really want. So I find it very difficult to 'judge' anyone for trying to 'fit in', because it's such an essential part of being human. We all want to fit in.

Next to that there were and still are (to this day) real life repurcussions if people found out your sexuality. Your family could disown you, your friends could stop talking to you, your job could become more difficult, you would have to be more alert of hate crimes...

So yes, I agree he was wrong for stringing Abby along in a two-year relationship, but he wasn't only unfair towards her. He was also unfair towards himself.

Buck saying it was cruel comes from a place of 'innocence' and 'naivety'. He means well, but he didn't think it through. Which is a very Buck thing to do.

So in comes Josh. He is older than Buck and has more experience in life and relationships. As a gay man he has probably seen it all in his personal life. He knows how some gay man try to 'make it work' with a woman.

It was a good idea to have Josh talk to Buck, but the speech he gave was just NOT IT AT ALL! The whole pre-Glee and post-Glee is just a dumb analogy.

Josh should have talked about his real life experience and how some people try to cope for different many reasons. He should have told him that these people often have a lot of inner hate because they know that they are lying to their partners and feel awful about it, but they are stuck and can't get out.

And that doesn't make it right and these women definitely have a right to be very angry and upset for being lied to, or in Abby's case she had a right to be angry to be dumped, because he didn't even tell her he was gay.

But we need to remember that this isn't just a black and white issue. There are a lot of grey areas here.

[themoodyestj]

Jensen is a white, rich, straight, man, living in a country that favors people like him over everything else, he controls the finances of his family, he has a squeaky clean reputation.

he's so strong that he can lift Jared over his head with no trouble.

do you seriously think Danneel has a chance against him? if there's a inbalance of power in that relationship, Jensen is clearly not the one with a disadvantage.

so if there was a problem with their marriage, why should i asume that Jensen is the one being abused? when all evidence suggests that it's most likely to be the other way arround.

i mean, he is the one who gets to go out there to shine and expand his career while she stays behind taking care of the kids, with seamingly no life of her own. for all we know, he could be shamelessly sleeping around and D just having to shut up and endure for the sake of their children.

Why do I have the feeling that an anon that writes awfully like you sporadically comes into my or my mutuals inbox asking the exact same question?

And if that's the case, what's the issue? Are words hard to understand?

But in case it's not, let me provide the answer, prefacing that whatever I write here is pure speculation based on my personal and professional experience.

No he doesn't. Unfortunately for him, Jensen has the reputation his fans let him have. And opinions on him will differ depending on which part of the fandom you are addressing. If his wife wanted to start a rumor, all she would have to do would be to cry wolf. Unfortunately, there are many people that still think like you and fabricating something to tarnish his image, especially coming from the wife, would be super easy. The justice warriors of this world would have a ball defending the poor defenseless damsel from, like you put it, the mean white rich straight man.

Strength, power, money mean nothing in an abusive relationship. Violence is rather a consequence than a form of control (although it can become control later on). I've seen cases in where the abused makes more money than the abuser. I've seen cases in where the abused had more power, did more around the house and the abuser was, in reality, completely dependent on them. Abuse is not black and white, it's an ocean of gray with many specs of many colors.

What is the real key here is how easy the abused is to manipulate. Take someone, for example, who is already somewhat fragile from abused suffered in the past from a parent. Add a few mishaps that make them feel less worthy, uncapable of seeing their real value. And then put them with a narcissist. That person can have all the power in the world, but the narcissist will make them believe they can lose it all in a blink of an eye, and only with the narcissist they can keep it.

It's not about having power. It's about whom the victim believes has the power.

If he held the power in this case, he would be home a lot more frequently to exert said power. If there is something abusers like is to see the fruits of their manipulation. He wouldn't say his wife "runs a tight ship", he would praise himself. He wouldn't call her a strong woman, he would imply he is the strong man. Abusers don't give away power. They take it. They like to be the good strong heroes for their audience.

On the other hand you have a paraphernalia of instances in which she implies he doesn't help at home, he's messy, he didn't cry when his kid was born, she was the one helping him with his acting, etc. All things she says to make herself look good. I'm yet to see a true compliment towards her husband. Most often that not, she is putting him down," playfully". And she would do a lot more if she thought it would stick/not ruin her meal ticket.

Furthermore, if she was the victim, she would not make jokes at the abuser's expense, for fear of retaliation. She wouldn't initiate contact, she wouldn't try to touch him or kiss him.

He's the one who gets to... Probably run.

She stays behind "taking care of the kids"... do you count ordering nannies around to take care of the kids? And she does have a line of her own. She did "charity", initiated a jewelry line, became the "power producer"... The thing is, she's incompetent. All she touches turns to shit. Her lack of a life is not due to her husband, she only has herself to blame. Besides, she's not alone. She made sure to surround herself with people she trusted while simultaneously trying to drive him away from the people he trusted.

And maybe she isn't the one having to shut up for the sake of the kids. There are two parents in this equation, did you forget? She could be staying for the kids, but so could he.

Anyway, there's a lot more but my time and patience are limited.

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[kirabasai]

beautiful additions. don't hide them in the tags i love them. i was actually discussing w my friend king (he doesn't have a tumblr sadly ik but he has ao3) more abt this earlier so i'm gonna dump some things we've discussed/brainrotted so far.

on the hair, lilia's pink/red streaks are actually dyed LMAO so that might not be a marker. i initially said the marker is the eyes, yuu and lilia's eyes are VERY similar, but king made me see the light by proposing lilia's little ear tufts that look like bat wings.

malleus and silver see it and INSTANTLY make the connection. they actually look similar enough that ppl look at them and go huh, must be cousins and never mention it around them because it never comes up. cousins because who would assume that a third year is a first year's bio dad? nobody! except malleus and silver. they Know. they have the horrifying realization that they're father has bred like oh my god, he actually at some point got someone pregnant. they do NOT wanna think of their dad in that context. they didn't even consider he was capable of it. poor silver has struggle sleeping.

but like, lilia was fucking WILD at some pt man. it's a miracle he doesn't have 20 bastard children running around and this yuu is the only one. he has decades of child support to pay lmao.

we were thinking this yuu was born sometime after malleus hatched (a very rough time in lilia's life), so that time period between malleus hatching and silver being found. accidental fulfillment of the forgotten middle child prophecy lmaoo. but yeah statistically it's most likely for yuu to be a full fae so that's what i decided. king and i had a brief thing where we weren't sure abt the genetics of it, but in the end we decided the bat fae gene is recessive (based on a couple things) so rlly yuu ending up bat fae was luck of the draw and fate fucking w lilia once more. we also decided on her being 142 because that's a nice even number, and based on our eyeballing and at-a-glimpse math of how bat faes age that would make her abt 14 in human years. she got to nrc early because she's good at magic. so technically she is simultaneously the youngest and the middle child if u think abt it lolol

as for yuu's mom, she doesn't give a fuck abt lilia! or anyone/anything tbh. she's out chilling in the twst maldives with a glass of wine in her hand while her only daughter (we at this pt decided this yuu was she based on vibes) was off at school. she doesn't care abt if yuu meets or finds her father because tbf yuu's mom doesn't even know herself— could have been anyone really.

king also suggested giving yuu a neglectful childhood from an alcoholic parent for angst and i loved that. we love angst here. king said its incentive for yuu to be taken in by her bio dad and u know what that's fair. i was already on board before he even said that because i love making my characters be angsty.

this yuu sorta gives me "so self sufficient never even considered there was neglect" vibes. like that's just their normal. in her head it's like, all families are different. and besides ppl cook the meals at home instead of their parents all the time, doesn't see an issue w the fact she started to do this younger than most because her mom occasionally forgot to cook for both of them. she's probably kind of casual about her home life too because she thinks it's normal.

riddle's overblot is probably a culture shock to her because to well adjusted ppl they look and go, oh his mom is a helicopter parent and abusive and probably a bit crazy. YUU however looks at riddle and is thinking is this guy in jail or smth, because she literally can not perceive a parent being like that. literal opposites.

taking the whole school year to find out WOULD be funny, maybe as an offshoot oneshot moment instead of the actual fic though. because sadly and realistically the chances of sebek not being in the room whenever yuu and lilia are with each other until the end of the school year are slim. that, and lilia knows his boys are hiding something from him (malleus & silver still do not know if they should tell him, let alone how to broach the topic)

when lilia is officially introducing malleus and silver to her as her brothers lilia would probably also say something like "hmm, though i suppose if you were to go into technicalities, malleus would be your third-brother" (like half-brother. i strongly hc lilia/reven/maleanor and we also don't know how dragon reproduction works so for all we know malleus could have 2 bio dads. just saying). and it'll b a ??????? moment for all 3 siblings because they do not have the context to know that lilia means third brother as in yuu and malleus share ⅓ dna from him. realistically they all might consider that there's another brother they don't know about, or does lilia mean sebek?? they do not know. honestly it's probably like dad lore.

twst au where yuu is lilia's illegitimate child. lilia had a rough time you know, had a lot of one night stands, doesn't even remember over half of them. totally reasonable. so yuu turns up to nrc and lilia is oblivious because the notion of having a bio child has never occurred to him. but malleus and silver notice. they're staring at yuu suspiciously and then looking at each other like... you see it, right..... that person looks a LOT like dad, right.... like A LOT a lot..... yeah. and yuu is also oblivious!!! yuu's never considered who their father may be. they see lilia and are like oh cool another bat fae, don't see too many of those.

lilia snd yuu unironically bonding over both of them being bat faes w/o ever realizing they're father and child.

silver and malleus are in conspiratorial whispers like. DO WE TELL THEM.

in the end it's sebek who tells them but it's like, complete accident. like oh lilia-sama!!! i was not aware you had a blood child!!! and they're both like. ???? what — but then it processes and they're like, wait. pause. squints at each other. looks in a mirror. PAUSE.