#but that’s a story for a different day

[queer-reader-07]

went to the depeche mode concert and have come to conclusion that their entire discography is good omens coded

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[poorly-drawn-mdzs]

None of our hands are clean

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[hiruseki]

god i seriously am never getting over That Scene in orv. kim dokja has so little compassion for himself that the only thing he can think to do upon being confronted with the most powerless, frightened, vulnerable version of himself is to try and murder it with his own hands. even when everyone is sobbing and begging him to stop, even when everyone has already forgiven him without reservation, even when yoo motherfucking pilgrim of the apocalypse joonghyuk cannot muster any animosity, kdj will not stop trying to convince them this trembling little boy needs to die. it had been well established by that point that kdj is self destructive and self loathing, but he was good at maintaining some emotional distance from his actions. but the moment he steps off that train, recognizes his own drawings, realizes what's happened, that impassive veneer shatters and he becomes desperate and vicious. this man hates himself so much. seriously, can you imagine how it must have felt to be oldest dream? you're an abused, lonely, depressed child. profoundly alone in this world, betrayed by everyone you've ever loved. you are so frightened of everything you can't bear to live in reality. you meet yourself from the future, but even he has no sympathy for you. no, he hates you. he hates you so much he wants to kill you. he would point a broken sword at his own throat if it meant he could erase you. you don't know what you did wrong. you never do. all you can do is cower from the monster and hope he doesn't get you.

like it's so fucked up. orv is so fucked up.

[kittykatninja321]

My less popular opinion (and what I believe to be implied by the art in Lost Days) is that rather than waking up in a fully grown body Jason didn’t actually complete his puberty until after his Lazarus pit dip while he was on his murder tour. Imagine you’re tied up in a basement in Berlin getting interrogated by a teenager and his voice is cracking the entire time and if you laugh he’s going to shoot you

[ryssbelle]

Thought of this while at work, sorry it's a bit hard to read I sketched it out really fast before my last shift lmao wanted to get it done so I could work on other stuff hehe

If it's any consultation Floyd is mostly talking about himself

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[dollya-robinprotector]

Once upon a time... Reference: Hylas and The Nymphs by John William Waterhouse

[007reid]

hi aine! i love how you write spencer sooo much so i have a short request

i would looove sub/virgin spence where he’s been touch starved so he’s really sensitive and whiny but reader praises him and guides him through it

-🌹

hi rose 🌹 for one of my favorite asks ive ever gotten, i did a horrible job on this one so im so sorry ml 💔and sorry for the wait too...hope this is somewhat worth it😭enjoooyy!!

virgin. spencer reid

pairing: sub virgin!spencer reid x experienced fem!reader. 1k

summary: exactly what the req says

warnings: whining, loss of virginity, riding, creampie, nun too extravagant. yu like the picture?😏😏

"y/n...y/n!" spencer's crying, tears prickling at the corners of his eyes but he's moaning, humming his whines into your neck.

"easy, baby boy," you croon, slipping out of him and slowly lowering yourself on his cock again. spencer's pawing at you desperately, like he's never felt such a thing before.

it's because he hasn't. it’s exciting, being in a relationship with spencer; it’s exciting touching him and seeing him jump or freeze and then melt into your touch. he’s pristine, like a shiny trophy, untouched—touch starved and so unfamiliar to the idea of physical touch or intimacy.

"'s too much," he whimpers pathetically, voice halfway stuck in his throat. "can't, can't--"

"relax, spence," you murmur, pushing back the pieces of hair, damp with sweat from his face. spencer's eyes are squeezed shut, eyebrows furrowed like he's in pain or he's deep thought. you're not to sure which one. your hips continue snapping into his. "look at me baby." it takes a while, but spencer slowly peels his eyes open. they're glossy and his eyelashes are wet, and you're listening out for the word from him to stop but it never comes.

"y/n--" he gasps, right as your pussy clenches tightly around him. his eyes close again. spencer's breathing heavily, little hng, hng, hng's falling out his puffy lips. the sloppy sound of skin slapping against skin and spencer's whines and your quiet moans and the smell of sex clouds the room.

"you're okay," you reassure him, voice shaky trying to soothe spencer's nerves while trying to soothe your own. spencer's big and he practically splits you in half, the tip hitting the little button inside you that makes you want to scream without any maneuvering. he's not even trying, propped up against the bedpost as you ride him, hands pliant at your hips, the little slick of your wetness every time you lift yourself from him absolutely filthy. you lift his chin and he falls forward, planting a miss-aimed kiss at your jaw.

"you feel so good," he bambles. "so warm. i love you. feels so good but so much y/n, i--" he moans, cock pulsating inside you. his thumb flicks at your perky nipples.

"'m so full of you," you say, burying your face in his hair and wrapping your arms around him, trying to get as close as possible. "fuck. make me feel so good. my best boy,"

"best boy," spencer repeats eagerly with a soft little hitch of his voice. the tears resume. "y/n i can't it hurts, stomach hurts y/n please--"

you immediately know what he meant, and fasten your pace, hands on the base of his cock to make sure he won't slip out of you. spencer slides into you easily, your pussy stretched and wet for him and his fingers dig deep into both sides of your waist. spencer's moans cease and his hips starts bucking up to you, arms wrapping around your torso and he wouldn't stop talking. "gonna, think im gonna cum, yn please dont stop it feels so good, fuck!"

"cum in me," you coo, feeling that familiar buzz at the pit of your stomach too. "you got it. cum in me spence, so good for me, such a good boy,"

spencer's sobbing as he cums, warmness blooming at your core as he unloads his cum inside you. you follow suit, pressing at the sensitive nerves bundles at your clit, thighs shaking from the weight of your orgasm. spencer's shaking too, tears shiny on his rosy cheeks and you ride the both of you off your orgasms, the sweat on your skin cooling.

spencer's cum leaks outside the puffy walls of your pussy and down your ass when you pull off of him, pressing yourself at spencer's side and curling your body towards him. his chest is rising and his lips are parted. you watch your boy carefully, how his eyelids starts drooping as his breathing mellowed out. you should've saw it coming that spencer reid is the kind of man to get sleepy after sex.

but you've known him for long enough to know that spencer's mind never stops running, not when he's sleepy, not when he's asleep, not ever. "penny for your thoughts?"

he turn to you, smile debauched and eyes like marbles. he throws the sheets over the both of you and find your hand underneath the blanket, bringing it to his lips. "'m so grateful for you yn," he whispers like he's telling a secret. you strain your ear to listen. "so grateful. luckiest man alive. i love you. love you," spencer takes a long blink, and you know he's drifting off. you smile widely, so endeared. he weaves your fingers together. "i'll make it up to you. swear. after this. i swear."

spencer never speaks in choppy sentences, never speaks unless he's got the entire sentence planned out in his head and now he's babbling on like someone whose speech he would correct. amused, you reach out, smoothing down his hair with gentle fingers. "sleep, spencer," you say affectionately. he never needs to be told twice either, apparently, because his eyes flutter shut and he's out like a light, but fingers still tightly intertwined in yours underneath your blanket.

you'll just have to wash the sheets tomorrow.

[amphibianaday]

day 1821 - half a decade!

redraw of day 1, 364, and 1000, but with a twist - now it's also my frogsona :D

for now i'll be taking a (maybe permanent) break for at least the rest of the year! see you in 2025!

previous versions for comparison below!

[byemambo]

POND PONLAWIT AS HILL

Fourever You (2024) | 1.03

[thebramblewood]

Naomi's a proudly ambitionless burnout who's spent most of her 20s slumming it in Moonwood Mill (and having a hell of a time). Micah's a melancholic introvert with an English degree who's been claiming she's writing her first novel for years. Although third-generation spellcasters, they've never wanted a life of waving wands and brewing potions. Now that they've landed in Ravenwood, will they realize they've been destined to wield their magic in other ways?

*Naomi and Micah will be occupying this amazing build by @theseptembersim! More on how they ended up there soon.

If you're one of the few who's been following me long enough, you might recognize these girls from my legacy family, last seen in Growing Up Uchiyama. Their younger brother, August, is the generation's official heir and we'll be seeing more of his story... eventually. But with five kids in the family, I feel like I never got to know them as well as I wanted, so I thought it'd be fun to use them to explore the new pack! I recently discovered my legacy save got accidentally deleted or overwritten, and rather than be sad about it I've decided to embrace the opportunity for a fresh start. (That save was several years old, after all.)

Anyway, this will be mostly gameplay (I hope) but with elements of story. It's not meant to be an AU or anything, but whatever happens takes place several years after August's currently nonexistent story. Are you confused yet? Good! So are they. They aren't entirely sure why they were sent here or what lies in store or even how long their watcher will stay interested in their adventures. In other words, I have no idea where this is going, but I'd love you to come along for the ride!

[freaky-flawless]

The De Nile sisters!

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[themintman]

DAY 15 RAHHHH

Was gonna do more Jurm but like. The whole point of this for me is to try and draw other characters- BESIDES ILL BE DRAWING MORE KF THEN LMAOOO so have one of the most iconic scenes ever el oh el

Mcsmtober by @bumpkin-bug !!