#but that is such a huge part to erase from his character

[cosmic-walkers]

stephen, wolsey and thomas being in proximity to one another is always interesting because they all essentially started from nothing and made something of themselves. like i just realized they were all co-workers and were dealt bad hands in life, but still, they all essentially ran the country at a point.

[lycanr0t]

i feel very frustrated about the trend of giving chil body hair bc if it was any other anime twink i would be thrilled its just that it seems to only be because people are SO afraid of him looking young they have to make him hairy to justify liking him in ships.

meanwhile it does directly go against canon (he literally is supposed to look like a child. this is integral to both his character and his race's lore as a whole and it makes no damn sense that he would be mistaken for a child if he has body hair i mean. cmon.)

and it's like. some men are hairless. some men look young. when youre a trans man in your 20s-30s its especially common to be mistaken for a teenager, even more so if you're not on t. and short. these traits do not make you less of a man or an adult. :/

[light-lanterne]

it always makes me sad when i read an exquisite analysis of the show (tropes, characters, symbolism,,, anything really) and then bam, they get mike's motivations or personality all wrong, or over-simplify his arc / trauma, or straight up omit things / make stuff up about him in order to vilify him or make him less important to the overarching plot or whatever :(

it happens to every character from time to time, but mike mischaracterisation tends to be rather frequent amidst bylers (the clique i interact more often with), whereas other characters don't get as misrepresented as mike does within these circles and it just makes me sad :\

[heilos]

Living Harmony AU relevant character sheets/info: Harmony aka the "Tree of Harmony" Stygian Somnambula Starswirl the Bearded Shadow Lock is actually an official canon character from the IDW comics No. 51-53 and I really enjoyed his mini arc introduction enough to include him as a more significant part of my "Living Harmony" MLP AU animation project. When I found out he's a direct descendant of Stygian, one of the Pillars of Equestria, I had to find a way to work him in and give him a bit of an updated design to fit more into my story setting I have planned. My good friend Ori helped vector my finalized concept redesign in the very top image. Listed below is some character and story context for these sketches provided by my myself and Ori who's been a huge help in fleshing out the world building with this cast of characters I'm using in this AU so far. Shadow Lock's main abilities and canon backstory are expanded upon and/or flavored a bit differently here as well.

Stygian’s distant descendant, the last living branch in his family tree

Lives alone in his family’s castle after they retired to the town of Somnambula

Temporary antagonist to the mane 6 that stems from a fear of the Pony of Shadows returning to plague Equestria

Believed he was descended from a monster and desperately tried to erase any mention of the Pony of Shadows from written history

Was talked down from his history erasing spree by Twilight and ends up traveling around Equestria to find more info on the Pony of Shadows, without trying to erase the knowledge this time, and prevent it from returning

The symbol on the front of Shadow Lock’s cloak is his family crest that dates back to Stygian's time period.

There’s a glamor woven into Shadow Lock’s cloak that enshrouds its wearer’s face.

Shadow Lock’s special talent is the concealment and binding of dark magic. He can effectively bind malevolent “spirits” into vessels where they’re unable to cause harm. This can also be reversed as an unbinding spell. ("spirits" in this context are more like a culmination of lingering, concentrated dark magic that takes on a will of its own)

His family castle used to be quite “haunted”. It’s quieter nowadays, but he does have a large collection of miscellaneous items that most ponies would consider “cursed…”

Always carries a healthy stack of books on his person to read and use as a weapon. His spells can pull fictional characters and monsters from stories to fight for him

Created a spell that can trap a creature into experiencing a historical event on loop by using a small amount of written text. The spell can be broken by doing something significant enough that did not occur during the looped event in history.

Shadow Lock and Stygian are extremely hesitant to meet each other at first in present time. The mane 6 and Harmony step in as mediator eventually to help them work out their issues so they can reconnect as family

Much later in the story, Shadow Lock invites Stygian to live in his castle once their family relationship is repaired, the two becoming inseparable

His original design from the comics:

[dorlilymylovesss]

I want to speak out on a topic that has been really bothering and stressing me out. For several months now, Me and my friends who don't even ship jegulus, but are just Regulus fans have been harassed by Jily shippers. And not just with hateful words, but with specific accusations of fascism.

I want to start by saying that fandoms are a place where people can express their creativity and interpret characters as they like. Fanfics, art, and shippings are forms of self-expression, and they don't have to conform to canon. It allows us to look at characters from different angles, develop alternative plots, and create something new. And I don't judge or hate people for their favorite characters and ships.

I'm a huge Regulus fan even before the Jegulus ship came along. Regulus Black is a character I have a deep interest in for many reasons. Despite his limited appearance in the Harry Potter books, his story and character leave room for a lot of interpretation and thought. And I don't like it when people describe him as a regular Death Eater.

First, Jily fans often argue their dislike by saying that their ship is canonical( of course this is true and no one denies it) and James would never date a death eater. However, it should be remembered that fan art and shippings are inherently activities for the self and the soul. Even if a couple doesn't conform to "official" canon and never even met, it doesn't diminish the right of fans to create their own stories and interpretations.

Second Jegulus shippers are called misogynists.

But they may simply see these characters as interesting dynamics that catch their attention or interesting tropes that can be created. Choosing this ship doesn't necessarily mean they are intentionally excluding female characters and being negative towards them. Yes there are people among jegulus shippers who dislike Lily and exclude her from the story, but they are a minority. Plenty of jegulus shippers love Lily and also ship jily.

The charge of misogyny implies a conscious and systematic disregard for women or female characters. However, in most cases, Jegulus shippers simply enjoy a particular story or interaction between two male characters. This does not preclude an interest in or respect for female characters. Many shippers actively create and support content featuring female characters in other contexts or ships.

There is always a diversity of interests and preferences in fan circles. Not everyone likes the same characters or couples, and that's fine. However, to infer misogyny just based on someone's preference for a certain male couple without considering the overall context of a person's interests is wrong and unfair. Plus, I've seen thousands of Jily fans who were blatantly homophobic towards the marlily and pandalily enjoyers, and called James her only love, and erase her identity, leaving only her relationship with James.

Third, why calling the death eaters fascists is wrong and insulting to the actual victims of the tragedy.

Fascism as a political ideology and movement had specific historical roots and consequences, including brutal repression, genocide, and war. Death Eaters are fictional characters created by transphobic Rowling for a work of fiction, and their actions and motivations are part of a fictional universe.

Using historical examples of real-life suffering and tragedies to compare to fictional characters is disrespectful to those affected by real-life events. Historical tragedies such as the Holocaust require special respect and careful handling. And many Jewish content makers have already spoken out about it.

The kind of hate I've encountered as a Regulus fan is something I wouldn't wish on anyone. That being said, I've always loved jily, but after the hate, stupid accusations I've cooled off to them. You can't treat living people like that because of fictional characters. A lot of people don't care about canon written by a creepy transphobic woman, can you imagine?

Instead of wasting time on conflict and hate I suggest you create content on your favorite ships and leave other people alone. You have no idea how your hating can affect a person.

Not all shippers have the intention to demean or exclude other characters. Many of us simply love a particular dynamic and choose to explore it in our writing. This should not be taken as a threat or insult to other fans.

I love jegulus and jily, but my fav ship is dorlily and it saddens me that fans of the same fandom hate each other so much.

Not all shippers have the intent to demean or exclude other characters. Many of us simply love a particular dynamic and choose to explore it in our writing. This should not be taken as a threat or insult to other fans.

Leave other people alone. If u can't create content for your favorite ship and only can hate others its your f..king problem, it's unhealthy and childish.

I'm deeply sorry for jegulus artists and writers who got hate here and even death treats. I hope you will continue creating something that makes you happy.

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[inupibaldspot]

Curse Me If You Must

Character: Geto Suguru x Reader

Note: Angst! With also major spoilers. I was about to write a Yuta fluff but then I just saw a Geto edit and led me to write this.

You nervously stared at Gojo who was standing confidently with a smile on your face while you held a combination of stationaries; Pens,erasers,a book and a compass while Shoko stared with an amused yet curious look.

“Ready?” You asked but then you didn’t wait for a confirmation from Gojo as you threw them at him; a real battle field would be so much less merciful and you guys learned it the hard way after the star plasma, Amanai Riko was killed. That definitely left a hole in everyone’s heart, everyone who had a heart to care at least.

You let out a sigh of relief as the eraser was the only one who was able to reach Gojo and the other which was much sharper was held at a distance. Shoko let out a impressed whistle. “Me next but then I won’t be telling you when I’m gonna throw ‘em at you.”

“Go for it!” Gojo smirks.

You took a step back and another one before you finally completely turn away and walk towards a figure who was sitting in a bench a distance away. A person who , in the past at least ,always had a ego centric sharp look yet would speak with a teasing tone, a person who you would do everything for. “Suguru, you good?”

Geto finally looks up as if he had been called from a trance. He gives you a small smile as he raises his hand and reaches out for your as he ever so gently he takes your hand and gives your hand a kiss. “Just…” His voice was low as if all the energy was drawn from him. “Thinking…”

You hum. “Gojo seems as if he has mastered his technique. Quite impressive.” You wait for a reply but then it never comes as you peer over to Geto. The last mission seemed as if it took a huge chunk of damage to especially Geto; ever since the failed mission he seemed so distant, his head seemed to be jumbled with thoughts he’d never share to any of them…even you.

“Say Suguru… What does a curse taste like?”

Geto’s posture straightens as he looks at you, his tired eyes widened before a smile from you manages to let the tension leave his shoulders. “It’s fucking disgusting…” he lets out a laugh. “As if a rag had been used to clean up vomit; I have to eat it over and over and over again…”

You look away.

Geto wonders if what he said made you disgusted with him but in truth you were guilty . You said you loved Geto but it took an embarrassing long time to notice how whenever Geto were to swallow a curse call he would hesitate and when he did swallow would have his eyes shut.

When you did notice it , you were scared to ask him as if you were scared that you’d be stepping far too deep into his comfort zone. “Did you swallow one in the morning mission you had to go on?”

“I did…”

You look at Shoko was now fed up on trying to throw things at Gojo and now blatantly trying to break his limitless barrier with the compass; the duo completely distracted. You turn swiftly as you place your hands on either side of Geto as it rests on the bench as you let your lips rest on his. As you back away, he lets in a sharp inhale. “Would this help?”

Geto felt his eye burn as his heart seems to surrender its self; he tastes bit of the lip balm you used on his lips. “It does…” It doesn’t, the disgusting taste was so far deep down that the taste and stench seemed to have made itself home. “Thank you, my love.”

“I’m worried,Suguru…” You intertwine your pinky with his which was resting on the bench. “You’re simply just too kind so I’m worried your filled with guilt and regret. The incident wasn’t your fault, remember that.”

It was though. He thinks. Riko was with him yet she was killed in-front of his eyes not even a step away from him.

“You don’t have to give anything back, Suguru.” Your voice seemed weak and unsure, you were treating him like a ticking time bomb. “Use me, Suguru. If you think I can do anything for you, use me; suck me dry for every part of me is yours…it doesn’t matter if I get hurt in the process or if what you want is something simple as a kiss after you eat a curse.”

Geto almost trembles as he looks at you but you were still looking away,no… you were looking up at the sky but the way your eyes were glistening with tears was obvious. “Let me love you if you must…curse me if you must but please… don’t leave me alone…”

Don’t leave me alone you said. Geto thinks but then now here he stand unmoving; a strong stench of the morgue overcomes his senses but he pays no heed. A mission you had been sent to was a mistake, a curse which should have been to taken down a measly second grade curses escalated into a special grade unregistered curse.

His eyes remains focused on you who now rest unmoving on the morgue, your eyes closed mouth slightly open with the rest of your body covered in a white fabric. Behind him he feels the stare of Gojo and Shoko waiting for a reaction but he gives none. Geto Suguru was simply too tired. I should have also told you weren’t allowed to leave me. A binding vow should have been made. Another drop of regret falls into a bucket which was already too full which makes a ripple.

It was then and there Geto makes a choice; a choice which stirs the jujutsu world for years to come.

[bellalove69420]

My main struggles with the percy jackson fandom, but its an ADHD rant, that ended up being wayyyy longer than i meant it too.

I can't wait for them to do a heroes of olympus show (I hope so), and most of these leo girls are so surprised when he isn't this super hot, conventionally attractive guy, because in the book he isn't supposed to be conventionally attractive. He's supposed to be kinda ugly, that's one of the reasons he's so jealous of Jason.

It's one of the things that frustrates me most about the percy jackson fandom, is some of the erasure that goes on, in lots of characters. I mean so many. Not only Leo, but also Nico, Piper, Hazel, and Frank. People think of these characters in such ways that are so base level.

There are probably many others, that is just off the top of my head. Now there is things that are understandable, like how Hazel is just a cutie pie, but even then, I feel like people erase how truly powerful she is.

Also, minus nico, this happens mostly to the characters that are people of color, and I'm white, so I don't want to speak to much on something I don't understand. But it is something that happens very much, is that people see these characters as what they are on a base level, but not on a deeper level. Whether that is Piper and how she is barely brought up to be Native American anymore, and Rick Riordan hasn't done this, but I feel like this fandom has majorly white washed her. This has also happened with Frank, who, yes, in the book he does say many times "I'm from Canada, I'm not really Chinese" but thay doesn't mean as a fandom we erase that from him entirely.

This also happens with LGBTQ+ characters, I STILL find people writing nico di angelo x FEMALE readers. Which is unexeptable and not okay. That man has been out as gay for 10 YEARS, and people are erasing that as such a huge part of his character. What is wrong with u, there is a whole chapter that made me SOB as a 13 year old, that you people are not going to take away from me. Especially from someone who was outed.

Also, there are so many fanfictions I read where I feel like everyone's ADHD is just gone, like not there at all. What happened to that? That's such a huge part of how people discovered they were demigods. That's coming from someone who struggles from ADHD, also, if you don't know how to write it, do research, Google is free, and easy to use, and there is many good resources for ADHD research.

So, yeah, as a whole for such a wildly inclusive book series, that I love so much, I feel like this fandom needs to work on the erasure of minorities, as a whole.

[aetherialpiplup108]

Edit: Erased mention of the show from this post even if it was originally criticism because in hindsight, I want to avoid mentioning it at all due to the boycott.

What makes the Broken Trio (Annabeth, Thalia, and Luke) so impactful is that their bond is in stark contrast to the individual relationships the three share with their real families. Annabeth went thoroughly neglected by her father and absentee mother. The same for Luke, saddled with a mother who was tragically unavailable whether she wanted to be or not, and a father who never stepped in. And for Thalia, she never knew where she stood with her mother. Did Beryl love her daughter for her, or did she love her because she was proof of Zeus' favor. Did she truly care about Thalia--because from a little girl's perspective, she surely couldn't have cared about Jason all that much, trading his life to Hera in order to save her own--or did she just see her as a bargaining chip for immortality? And is that what love is? Later on, the same sentiment would apply to Zeus as well. Did he save her because he cared for her or because he thought she could be brought back to control the prophecy in his name?

All three of these kids were given nothing but conditional love. They all suffered under the weight of their desires to prove themselves to their parents whether out of spite (Luke, and Thalia to an extent) or love (Annabeth), because that was the only way they'd get the gods' attention, let alone their affection.

That's why it's so so important that when they came across each other and decided to form their own family, they chose to break this pattern. Luke stuck with Thalia knowing she was a magnet for danger with a huge target on her back. Thalia ignored Hal and Zoë's warnings, trusting Luke solely off who he had shown himself to be. And both of them looked at Annabeth, knowing she would slow them down--she was seven, how could she not--and decided to bring her along anyway because she deserved better and if her family wouldn't step up, they would.

These weren't rational decisions because family isn't meant to be rational and they're not Athena. They don't want to be. And we see this emotionality reflected in their choices throughout. Ever logical, strategic Annabeth believes in Luke even when she shouldn't because a long time back, he chose her when he didn't need to. There's a million different interpretations of Luke because, let's face it, his character was messy and inconsistent in canon, but what ultimately sets him apart from the gods or titans is a genuine care for his family, even if he stomps all over it at times. For Thalia, even after Luke poisoned her tree, she maintained faith in him right until the last moment on the mountain. Her breaking point was when he hurt Annabeth, leading her to purge all the good parts of Luke from her memory, forcing herself to only think about the betrayal so she could do what she believed was necessary to protect Annabeth. Not that I don't think she made the right call, but I do think this was far more of an emotional reaction than a purely practical one, which is further emphasized by how Percy (the neutral party, the outsider to this family) had to look at Luke empathetically and from both sides to make his final choice (@ruegarding has a fantastic meta on this that you should definitely check out).

Anyway, the point is: unlike the gods, these three did not perpetuate conditional love towards each other. It's essential that they saw each other, hurt and lonely, and chose to care, which is why it hurts so much when that found family breaks, and why it's the central piece that resolves everything in the end.

[graveyardcuddles]

Some rambling personal thoughts on Astarion's endings since I can't sleep.

I find myself really loving Astarion's spawn endings and ALL of their variations even more the more I think about them (the exception ofc being the cursed af endings where you don't help him AT ALL and he either gets turned into a zombie or is still being hunted by cazador even after the game, but I'm obviously not talking about those).

I think I, like many others who grew very attached to his character, were left feeling very torn over his initial spawn ending before the added epilogue. Because Astarion being free from cazador and learning to truly relish in that freedom AND use it towards more positive ends is the entire point of his spawn endings. But we don't really get the chance to see that fully paid off in the narrative. One could argue that we do see the very beginnings of it with the graveyard scene and the morning after scene and how he makes several comments about never being a slave again after he kills cazador. But then we get a rather painful reminder of the fact that he's still been forced to give up something he's come to love and cherish so much over the course of your journey. And then we just kinda end on that note.

I definitely didn't regret keeping Astarion a spawn, even after that. But I will admit there was a part of me that still really wanted to see more for him. And that's why I really do adore the epilogue. I know people have their issues with it and say it's unrealistic for Astarion to be so "healed" after only 6 months but I disagree with this take because we're literally only seeing a glimpse of him on one really good, happy night, it's not necessarily a reflection of how he usually is. He could very well still be having days where he struggles, and he almost certainly does. But comparing his previous 200 years to his possible (good) spawn endings, it's not really surprising that he's thriving. Same with the "counterweight" comment. He's not saying the 6 months you've been together completely negates and erases the 200 years of torture. He's saying his freedom and your love have been such a HUGE contrast to what he's had to live through for so long that they feel like a counterweight to the horrors.

I think about how far he has to come for him to actually get to those endings. His bounty hunter/adventurer ending? Amazing! He's relishing in violence and living his best rouge life. Leading the spawn in the Underdark? Speaks so much to his character development that he actually cares enough about them to even attempt such a massive undertaking. Lots of potential for healing of course but also: Holy shit the potential for unhinged shenanigans as well. Going to the hells with Karlach? Incredible! He's not just getting to enjoy tearing up cambions all day he's devoted to Karlach and helping her it's literally so beautiful.

Something else I really adore about his spawn ending vs. his ascended ending is that he burns down cazador's palace in his spawn ending. Burns it to the ground and destroys it for good. Whereas ascended Astarion literally moves into the palace and like...sure you can headcanon that maybe he eventually has a new, even grander palace built. But the mental image of Astarion wandering those halls is just so fucking sad to think about. He could go anywhere and do anything but he's still physically occupying the space that hosted so many horrors and tortures for him. And it to me that just screams that he's still there mentally.

I'll always defend people who like the ascended ending because I understand the appeal of it. As a dark romance enjoyer, I very much understand the appeal of the dark consort ending. And I don't even think this is the "worst" ending for Astarion because there's at least still potential for him (as opposed to the endings where he dies or is still being hunted, which ARE the worst endings for him). But it does feel like a step backward for him. And I think the people who go "Well this is just NATURAL character progression for him he's selfish af of course he would want this" Think too little of him or at least underestimate his capacity to care for others.

Because he very obviously DOES care. And allowing him to get to a place where he can foster that sense of compassion for others is truly so beautiful and so profound to see. I'm someone who is easily moved by fiction already but Astarion's story really touches my heart just because of how rewarding it is to see how far he comes in those endings.

[cosmic-walkers]

i think the funniest thing to me is that the iwtv fandom forgot that louis was a pimp that exploited, trafficked and profited from forced sex work of black girls. so whenever people say that making comparisons to him and another pimp adjacent character is racist i just roll my eyes.

and his relationship to other black girls that he had exploited in the past plays a huge role in how he thought he was entitled to cluadia when he dragged her to lestat to turn her into a vampire, and why in his mind, she existed for him and to make him happy and fix his problems. just like other black girls made him financial gain.

louis' relationship with black women, especially those that benefit him is very complex. but a lot of you have overly pacified him and push this 'perfect victim narrative' that whenever people bring up those darker parts of him you get upset.

that's to say, louis is still a victim of lestat and armand but that doesn't really erase the real fact that he is to an abuser, has abused black girls/women in the past by means of being a pimp, and he turned around and objectified and exploited claudia.

[trexiejan]

Why I don't like Barbara being shoehorned into the Titans.

Reasons why:

1. The main reason why she's on the team is because of Dick. Her relationship with the Titans has always been reliant on Dick. She never had any history with the Titans before retcons pushed her and dick together. She has become a character who hates being away from Dick and always wants to follow him in every mission he takes. When she's with the Titans, it only feels like it's because writers don't know what else to do with her other than making her follow Dick around like a dog.

2. It's part of the whole dickbabs agenda and dickkory erasure. Editorial loves to include dickbabs in everything and They hate the idea of Dick being paired or shipped with anyone other than Barbara. They know Starfire is Dick's other huge love interest and their relationship was a huge part of the Titans franchise. They don't like that so they want to erase that by shoehorning Barbara in the Titans and making Dick/Babs the focus on Titans stuff.

3. Barbara dumbs down the Titans so she can shine on their team.

Barbara especially as Oracle tends to be hyped up but the truth is she's not the only hacker or tech user in the entire dc universe. Titans has plenty of tech users. So in reality she's not needed by the Titans. She fills in niches that are already occupied by the Titans.

Dick - leader, martial artist, tactician, detective, tech user, hacker.

Cyborg - tech user, hacker and information broker.

Starfire - team mom

and all of the Titans are active communicators and they all know how to use a computer, and please starfire is an expert pilot, i remember she even owns a spaceship and hacked other alien ships. she knows how to operate a spaceship how much more using a computer 🙄

They don't need Barbara or Oracle's help for them to accomplish something using a computer or for them to be able to communicate to each other and reach out to other heroes.

The Titans can directly talk to each other through their communicators and earpieces and they have a huge computer at titans tower, and cyborg has all the high-tech stuff but when Barbara shows up, the Titans suddenly don't know how to call each other or use a computer, they make them rely on Oracle for communication and tech stuff.

The Titans are dumbed down to make Barbara shine as a tech user and to make her look smarter and useful to their team.

For example look at how Tom Taylor made Dick look dumb here. He had to call Barbara first and ask her to help him reach out to his own teammates when he can just call them right away on his own, it's funny because he wrote that Dick can't call his teammates directly because he lost signal yet he has the signal to call Barbara. Tom Taylor and his dumb excuses indeed 🙂

and look at Cyborg needing to be watched by Barbara as if his high-tech sensors are unable to detect the villains approaching his back, and lol Nightwing just stands there doing nothing while Barbara monitors his own teammates when that is supposed to be his job since he's their leader. He was nerfed into a lazy irresponsible leader that don't talk to his own teammates too much that he didn't even know his own teammate is in australia. He's not even allowed to use the titans computer when Barbara is around him.

and look at Kory, she never calls Barbara while on missions before and suddenly she has no clue what to do without Barbara guiding her move???

The Titans never needed Barbara to accomplish anything on their own. They've fully functioned and communicated with each other for decades without her. They never needed to be babysat by some girl from Gotham. Barbara has never even been mentioned once in the original New Teen Titans comics but they become the most dumbest useless versions of themselves when Barbara is suddenly around, she's written in a way that makes the Titans redundant, stealing their jobs and spotlight to make herself look like a badass hero. Nightwing can't act like a real leader and he can't talk to his own teammates, Cyborg can't be the tech user of the group, Raven can't be the voice of reason, Titans can't use a computer and other tech stuff etc. because she can't shine if they do that. The only way for her to stand out on a team she has nothing to do with her is by dumbing everyone around her.

Barbara should be with her own team Birds of Prey not on a team she has nothing to do with.

4. The Titans become another Batman-related group.

We all know the story of Dick when he joined the Titans. He left Gotham and quit being Batman's sidekick because he doesn't wanna be under Batman's shadow anymore. The Titans helped him be independent from the Bats.

I don't like that Barbara keeps invading his privacy and space. The Titans is supposed to be a place where Dick can be away from the Batfamily and do his own thing.

and the Titans is Dick's own team, I don't like the idea of Barbara overriding his own agency.

She needs to do something on her own without associating herself with Dick 24/7

Plus the Bats are pretty oversaturated in DC, we don't need them overtaking Titans as well.

If another Bat related character has to show up then it has to be just one of the robins since Robin is a titan character.

Batgirl or Barbara has never been a Titan. She only ever wants to show up because of her romance with Dick. I do think Dick/Babs relationship is a mistake and that It shoudn't have happened. It's not a good relationship if you have to shoehorn it in places it doesn't belong in and dumbing down other characters along the way just for it to make sense or make Barbara's presence in Dick's life stronger than it should be.

I wish editorial didn't retcon them into lovers. Their relationship did more damage to their characters and the people around them than when they were not together.

The "His older crush that he outgrew and learned to move on from" trope was already fine. I hate that they changed that story by aging down Barbara to be the same age as Dick so they can be together instead of just letting them move on from each other.

Dick wouldn't have to stay stuck with Barbara 24/7 and Barbara wouldn't have to keep following Dick around like a dog wherever he goes if they just kept it in the past.

[themousefromfantasyland]

The True Themes and Messages of Disney's Wish

Not gonna lie, I feel like the script for Wish is very underdeveloped, which is one of my main negative points about the movie. But is media literacy so bad that people keep missing the obvious points that the movie is literally hitting you in the head over and over again?

Magnifico is not a villain because he doesn't grant everyone's wish. He is a villain because in true Kingdom Hearts fashion, the wishes people give him are literally pieces of their hearts, their biggest and most important dreams and desires, and he uses magic to make everyone forget these huge parts of themselves, leading to severe mental anguish and complicency.

Magnifico is a villain because the wish granting process makes people unable to achieve their own dreams, and makes them extremely dependent on Magnifico for everything. It strips people of any sense of agency.

Magnifico's main motivation is that he must have absolute control over people's lives. That he must be the only source of comfort and hope people can have. That anything else is threat to his power.

The Kingdom of Rosas appear to be happy, but that happiness is shown to be just skin deep. People are unhappy and unfulfilled and only appear happy because of false hope and blind obedience.

Simon is the biggest example of this. Asha's friends are meant to be a homage to the Seven Dwarfs, and he's meant to be the Sleepy of the group. But different from the others, his narcolepsy doesn't appear to be his natural personality, especially since his wish is to be a freaking warrior.

By the way his friends talk, it's obvious the narcolepsy is a relatively new thing that is making them uncomfortable. And it's obvious it's a direct consequence of already have given up his wish to Magnifico.

Simon is the most depression coded Disney character since Eeyore, and it's obvious it's because this huge chunk of his personality was extracted out of him and erased of his mind.

"But people gave their wishes to Magnifico freely", yeah, but just like in a cult, they only did that because they didn't know the consequences, of the downsides, about how much control they were allowing Magnifico to have over their lives.

"But Rosas appear fine." Yeah, Rosas looks pretty idilic, until people start making questions. It only took people making simple questions about Magnifico's system for him to unleash dark magic to beat them into submission.

In the end, he has absolutely control even about his people's dreams. And once he realizes he can use these dreams to be more powerful, to have even more control over them, he absolutely does that.

The people of Rosas traded agency for a false hope, all in name of blind faith on a charismatic leader.

I swear to you, my parents are rabid conservatives and I saw how much trust they put on our own Trump-like figure. The conversation Asha had with Sabino, her grandfather, is the same I had with my parents. Sabino blindly trusts Magnifico so much, he prefers believing his wish is dangerous, that he did something wrong. He drank the kool-aid.

Magnifico's a mixture between politician and religious leader. Even if he built Rosas with good intentions, by the end, making so many people dependent on him corrupted him to his core.

Asha's side is not about granting everyone's wish, is about giving people the choice. To restore their agency. That they do not need to allow charismatic leaders to have absolute control over their lives.

After Magnifico's defeat, Amaya sets people with similar goal and objectives together, so they themselves can achieve their dreams, instead of having to rely sorely on authority figures.

This itself is a great message that I wish more people talked about.

[cbrownjc]

Hey :) just saw your post with your speculation about how much Eric/Daniel will be in S3. And while this isn't a definitive answer or anything, Rolin did address the question of whether or not Daniel would still play a part in the story post-s2 in this interview for the A.V. Club: https://www.avclub.com/rolin-jones-interview-with-the-vampire-season-2-finale-1851566667

I kinda feel like this means we'll see him more than just in a couple of scenes here and there, even in S3 (though he didn't specifically say "in season 3". But I feel like "still" implies this?)

Only it's difficult to judge because any present-day storyline they do with him is a big question mark since they seem to have departed from books (where he only gets turned shortly before the concert and does not part from Armand). What Armand is up to in the present-day is also a question mark imo. At least until the story converges at the concert.

I mean, I'll be real I'm also just trying to convince myself he'll be in it more because I'll miss him otherwise 🥲

Hi!

So, first I want to say that I think the two major pieces of casting that still need to be done are obviously Gabrielle and Marius. And I've long speculated that Marius is already playing a huge part in Daniel's story because I really do believe that Marius was the one to erase Daniel's memories of his past relationship with Armand.

Yes, Marius plays an important role in Lestat's life, but he plays an even bigger one in Armand and Daniel's as well, especially going by the books. In the books, Daniel lived with Marius for almost 30 years -- first healing from his mental issues, and then as companions -- before getting back together with Armand during the Prince Lestat era. All that, plus given what Rolin Jones already said about Raglan James, I don't think Justin Kirk is secretly playing Marius. So Marius still needs to be cast, and I very much expect him to be deeply involved in Armand and Daniel's storyline, going forward.

I just don't see that happening much in Season 3, however.

Because Season 3 is Lestat's story and focus, primarily. Just like Season 1 and Season 2 were mainly focused on Louis.

There is really only one episode in those two seasons where you can say Daniel was focused on -- outside of just interviewing Louis -- and that was episode 2x05. And even then, Louis factored heavily in that episode as well.

Armand and Marius play major roles in Lestat's story. Daniel doesn't. So if Daniel has any type of major storyline in Season 3, it will have to be with those two characters, IMO; as well as the Talamasca, since they were the ones to publish Daniel's book in the first place, and Rolin already said they and Raglan James will play an even bigger role in the show than they did in the books.

But without an episode count yet, I just can't see it being a huge focus. Mostly because characters like Marius still need to be fully set up and established. Also, I already think Armand is being set up to be a false Big Bad in Season 3 (since he's pretty much a villain in The Vampire Lestat), so I think whatever of Armand's POV that we get in Season 3, in the present day, will be very limited too, IMO, if we get it like we did in episode 2x03.

And yet, IMO, the only way we are looking at getting another episode like 2x05 in Season 3 is if it's told from Armand's POV. Because, again, Armand actually ties into Lestat's story, both in the past and in the present. And I think for sure that whatever Armand is up to in the present will have something to do with Daniel, as well as whatever else might be going on in the setup for Akasha rising.

Heck, if my theory is right that Marius was the one to wipe Daniel's memories of his and Armand's past relationship, Armand and Marius might have a present-day scene together, likely discussing Daniel (along with what Lestat is doing).

And yes, while Eric might still be in the top five for the call sheet going forward, that really doesn't say much IMO without knowing the Season 3 episode count. I mean, I'm sure Sam Reid was top 5 on the call sheet in Season 2, but if you look at his screen time in Episodes 2x01 and 2x02, it really wasn't much. And we didn't see him at all in episode 2x05, only heard his voice. And he didn't appear in episode 2x06 until the end.

I thought they found a way to work Lestat into the story of Season 2 very well, expanding on things from the book. But he still wasn't in the first few episodes very much.

And Daniel is even more different because he's not mentioned or referenced in The Vampire Lestat book at all.

So wrt Daniel in the present day, I'm tempering my expectations. Because yes, whatever is going on with Eric's Daniel in the present day is completely off-book. But, with every other facet of the story, the show has very much been on-book, in a rather strict way. Lestat's story is the main story of The Vampire Lestat and therefore will be for Season 3 IMO. And I think, whatever happens with Daniel in the present day is going to have to tie into that story. And that can't really happen via Daniel directly.

Louis' story is already being set up to tie into Lestat's present-day storyline directly, with his challenging all the vampires in the world to come for him if they dare. One of the reasons Lestat even became a rock star in the first place was to try and protect Louis by drawing attention to himself in an even bigger way than Louis' memoir drew attention to Louis.

But there are only two ways I see Daniel's story drawing directly to Lestat, and those are not in a way that directly has to do with Daniel. Because Lestat doesn't even know Daniel, has never met him before or interacted with him. (No I don't think they changed that from the book.)

So it's only through Armand, possibly Marius, and the Talamasca that Daniel ties into the larger story of what's going to be going on with Lestat in the present day. (Maybe a bit of Louis too, but the vampires we heard talking at the end didn't seem to be threatening Daniel, only Louis. Curious.) And, again, without an episode count yet, I just don't know how much time that focus can really get, especially when you have to set up Marius as a character; as well as probably having to set up the Talamasca even more as well; as well as maybe not revealing too soon what Armand is up to in the present day to keep his motives as mystery and have non-book readers wondering if Armand is the Big Bad villain they think he is or not.

And having to do all of this, plus laying preparation for adapting Queen of the Damned next. The book where Daniel actually does get a lot of focus.

And this also lines up with what Assad let slip about Season 4 being when we would see Armand's backstory. (Which is when QotD would start being adapted if TVL isn't split into 2 seasons like IWTV was).

And Rolin Jones flat out said people need to stop jumping ahead because Devil's Minion was "3 books ahead" of where they were now in adapting (which at the time was the 2nd half of the IWTV book), and to "slow down" about it.

So for now, I'm going to listen to RJ and just "slow down" about this.

So, in doing so, while I think we'll see Daniel in the present day in Season 3, I still don't think we'll see him much. And I think when we do, one of the episodes we'll get will probably be a stand-alone episode in the vein of episode 2x05 that focuses on what happened in the past. (Which I think will be an episode that focuses on why Daniel once woke up in a parking lot in Milwaukee not knowing how he got there). And I think for sure he'll be in the Season 3 finale. But other than that? 🤷🏾‍♀️ Again, I'm slowing down and tempering my expectations. Especially if we only get another 7-8 episode count again.

Because right now, for Season 3, Lestat's story is the main focus. Not Daniel, not Armand, and not Devil's Minion. And Daniel's character can only tie into Lestat's story via other people, which is rather limiting but can't be helped.

[tumblingxelian]

The "real" Batman

I see people complain about the emphasis some people put on Batmans more negative character traits a lot.

"That's not the real Batman, that's flanderiztion, fanon, a few bad but popular adaptions, the 90's only" and the like are common refrains and it really gets to me. Cos see, while I am aware no incarnation of Batman is totally one note, I emphasize the more negative sides of Batman for reasons that aren't "Edgy, badass, GRRR, Toxic masculinity woooh" bullshit and I hate being dismissed as such.

So, here's why I do it:

First is because of general frustration at the dismissal of any incarnation of Batman, regardless of popularity, or ongoing presence in the main-line comics and timelines, being invalid. IE, the "HE's not the real Batman so he doesn't count" when he canonically is, & as done stuff like that.

60s/80s Batman smiles after sending a purse snatcher away in an Ambulance, kidnaps & others relies on torture style interrogations. Just like 90s/2000's Batman threatens people with assault in prison & looms over a Mugger he slammed so hard into a wall it left a giant blood splatter.

It is fair to ague that brutality is not all of what he is, that's valid. But that side of him is not something I feel one can just handwaved away as "not canon" & people doing so frustrate me in large part because it feels intellectually dishonest. Its refusing to engage with a metric ton of the canonical lore of a character they are discussing.

Secondly is the fact that a lot of the lore, history, character development, derailment, treatment, tone, framing and more for characters OTHER than Batman relies on him having a history of problematic behavior.

Cassandra basically living in a Bat-Cave with no civilian life or identity because Bruce is giving her what HE wants for himself even though its bad for both of them is just an example of a huge part of their dynamic. One that can be deeply damaging, self destructive and messy, but also makes perfect sense given the characters involved.

How Jason's entire shift in character and framing was done largely to insulate Bruce from criticism over his death, IE, Jason being characterized post death as violent, arrogant, not particularly bright and then coming back as a villain also ties into 20 something years of smearing his name to protect Bruce's.

Stephanie's entire character history begins falling apart if Batman doesn't treat her like the trash he did in canonical mainline comics, and leaves her with only a couple of borderline cameos at best. Hell, even 'new' stuff where he's "nicer" still has him do things like fake therapy appointments to trick her.

Hell, even Dick in a lot of incarnations as well as mainline comics at different times has a lot of issues that came from being raised/trained by Bruce. No, it isn't universal, but it is far too common & recurring of an element to just say "doesn't count!" & declare the discussion over.

& the thing is, when people say they want the "Real" batman or the "Good" Batman, they not only erase these characters histories. They don't replace it with anything worthwhile for anyone but Bruce himself.

If ignoring all that meant replacing it with stuff like Jason never died & or never became Red Hood & is a totally different character. Or Cassandra and Bruce having arcs about their obsessions with vigilantism at the expense of their personal lives, or Stephanie actually getting to be ROBIN. Then it would be something at least somewhat interesting to engage with. But they don't, instead Jason still became a supervillain & is the Red Hood, Stephanie still got fired if she was Robin at all.

They are either forgotten (Cass & Steph) or end up being warped (Jason) so their characters history, everything is different and all to better serve making Bruce look good. I really find it vexing that even in "Batman is not a jerk" stuff, he still warps the narrative to everyone else's detriments.

[that-spider-fan-over-there]

BNHA 430: This wasn’t very “My Hero Academia” of you I’ll be honest—

Okay, where do I begin? Uh. So the story reached its conclusion. Congratulations, and all the best to Horikoshi-san for telling the story he wanted to tell for ten years, loved the characters, the little world he created after the cancellation of his previous works, I will cherish it for the rest of my life.

... but in my opinion: the last seven chapters were so bad- I don't think I can see this ending as anything other than a contradiction of what we were shown. Like, I thought we'd get a twist, everyone would be fine, something would change. I'm wearing the clown shoes already.

So, I'm just gonna treat this as a normal chapter, and not a final one, because I'll be here for days if I open this can of worms, which, I will not lie, is very bad (I'll open it at some point, not now.) I'm posting this on the.. 6th? Because apparently there's an announcement in the 5th and I don't wanna spoil the fun.

So, uh, under the read more are my thoughts on the ending, be warned I'm very, very negative about it.

*sigh* Oh boi, how killing the League made this go from an "underwhelming" to a "tone-deaf" chapter- I mean, Jesus fuck, leaving things open-ended don't erase the fact they can't make a single appearence to prove me wrong, if they were alive, the last five chapters were a waste of emotions and keeping them hidden was a stupidly cruel move.

Funny the narration is just "people aren't equal but it's because of these differences that people find common ground to get along"- THE VILLAINS WERE KILLED OFF FOR BEING DIFFERENT BRO WHAT DO YOU MEAN- "if lending a hand and caring is being a hero then we all became the greatest heroes". Izuku, whatever you're drinking, I'm taking it and drinking it all by myself. You may have cared. But Tenko died. On accident. Because you gave him OFA.

I liked the "Midoriya-Sensei" part. For 5 seconds. It's fitting, he loves learning stuff, he's good with kids, until you say it's only because his embers were gone. Then why use it as a tease for seven chapters only to just get rid of them at the end? Is running to Ochako really the last we get to see him use it? Not even as a part-time hero? (not that it matters at the end-)

Ragdoll works with the WWP, Tsukuachi was head strategist in the final battle, Hawks is the (H)PSC president, why wasn't Izuku hired at an agency? Intelligence was a huge part of his character, yet the moment he was fully Quirkless again, he was out? Men truly aren't created equal...

"Cursed power", "blessing", "special" — the only thing special about OFA was being haunted by a guy whose brother was insane enough to hunt it down for generations. A Quirk's a Quirk; having multiple people/powers in one body isn’t special, Tokoyami and Shoto exist. Izuku made it special using it on his terms. But I guess "meant to save, not kill" was a lie, as eight out of ten people who had it died. Nine out of eleven, counting BNHA: HR. Tenko died because his body couldn't handle the Quirk, but I guess Izuku isn't gonna think about any of it? Katsuki was right about this too, holy shit.

Spinner wrote a book (not a comic, guess he took offense to Izuku. Fair, actually). Mr. Compress got a panel, but no real mention of the LoV? They broke the status quo for months (in-universe), and after all of that, nothing changes? Did Spinner know about Tenko, how he became Tomura? And the people who will read it and pull an MLA? TomurAFO had followers, now he's martyr a lá Re-Destro, I’m hoping Spinner didn’t commit suicide like that guy.

Ochako’s expanding Quirk Counseling. Reform’s implied (it only said expansion), but Himiko still became what Curious wanted her to be: A cautionary tale. And I’m still asking how Ochako knows Himiko went what through, she only told Ochako she was hated because of her Quirk and how she loves. I wanna think she’s reforming it, but nothing else changed, why should I think she’s the exception?

(At least she's seen as a hero on her rights… even if it took 429 chapters, messy writing, her face looking like rubber, and still being a girl recognized as a "caretaker", not a kickass hero).

Shoji's travelling through Japan to solve discrimination and got a prize for it. No foundations or mentions of Spinner being the main reason he did it, just "standing atop those who rose up eight years ago", just solving it peacefully, you sure are, buddy. Like, I'm sure you are being successful but how exactly are you solving this? I mean, you "solved" the hospital fight by fighting Spinner with Koda- Oh wait, time constraints, we can't elaborate how.

Shirakumo showed the noumu state could've been reversed, yet Katsuki, who never killed someone aside from AFO (and he was gonna die anyway), fatally exploded him. I hoped it was a misunderstood panel but no. He died because he wanted to save Tenko. Even fucking Gran Torino was alive by the end of this. Why.

I think Shoto is the only main character I’m not really having a problem with (Ochako's ending required Himiko for it to feel somewhat complete. Sorry, Ochako). I’m weirded out that they mentioned the billboard using the guy whose life was ruined by it as an example, but other than that, he’s doing fine. Wish we saw him talking to his siblings though. But alas. No mention of Fuyumi and Natsuo. And Rei's with Endeavor. Fuck.

Inko got so sidelined when Mitsuki and Masaru got half a chapter, by the way. Just one panel for her, the protagonist's mother.

Schedules not aligning is one thing, but Class A not opening an agency together? They survived two wars together and you're telling me they wouldn't say "WE'RE WORKING TOGETHER AND WE'RE TAKING MIDORIYA WITH US"? Also, where’s the "world where heroes have time to spare" when they look so busy? Were they understaffed or working as celebrities? (if someone says it was for the suit I will point out to the three nepo babies of Class A, Katsuki’s a dumbass if he forgot that detail).

Dude. We wasted pages on a kid that can throw plates from his hair. To tell him he can be a hero. Coming from the guy who had to go when he lost OFA. I'm not taking this parallel seriously.

I wish Izuku wasn't in "everything’s fine" mode until the end. We're really gonna leave him at "implied" mode, not confirm if his mental state's fine? Being open and emotional was an appealing part of him and now we just get “Yeah that’s just how it is”.

This one's petty and irrational, I know, but since I'm letting some of the steam out: I hate Izuku's new design; face scars (the constant "HE FAILED" reminder makes my eye twitch and I wish that was a joke, but also so many characters in BNHA got face scars, it doesn't even stand out), "perfect tie", normal formal attire- where's the character highlights? The things that make Izuku stand out?

But hey: He gets to be a hero again! Not with skills, heart, intelligence, strength, in spite of Quirklessness. No, he has an Iron Man suit! That Class A paid billions for. The government should be paying Class A and B (and Shiketsu and Ketsubutsu) instead, but all they get is a pat on the back. If the suit broke down, hurt or killed him while in it I'd laugh (Hatsume and Melissa worked on it? Oh it's gonna happen). And Toshinori, what happened to him, did he hit his head when he landed on that building!?

Went from: Smiles cover his fear and reassure people, believed saving is about saving body and soul, wanted to help Tenko, only didn't because Gran Torino said it wasn't a good idea. Disliked people were being heroes for fame and not because it's the right thing to do, only used support items as reinforcement and a precaution, never as a full solution, even Iron Might was so he’d have a chance to fight, not a solution.

To: If Tenko died smiling, it wasn't resignation, he was saved, even though he died. Didn't care AFO killed the Shimura - his mentor's - bloodline. Is fine with the billboards existing, even though it caused things like the Todoroki plotline. Now he's giving Izuku a suit, when the last time he did it himself, it didn't save him and his spine was almost snapped? Dude, what?

Also I thought he was paralyzed but I guess he just had a bad back.

... I hated BKDK's conclusion. It's actually so laughable how much I hate it. If it had another outcome, I'd probably be overjoyed. But:

Thematically, Tenko wasn't rescued, it wasn't a perfect victory because AFO still got away with what he did to him. "End of an Era and The Beginning" is hollow, nothing changed for the world they lived in, and it doesn’t look like they stand out among other heroes (these are AM’s successors. How.) What new era is this, really?

Their resolutions and relationship rebuild? Offscreen, but Katsuki was the one with the Iron Man suit idea for Izuku and apparently that compensates for it. Because he’s the one who can solve all of Izuku’s problems now, not motivate him to be better anymore. It wasn’t even Izuku’ idea, it was Class A, and sure it’s a nice gesture but we’ve seen Toshinori barely come out alive even with one.

Izuku barely batted an eye to any of the things he went through - losing his arms and/or OFA? Seeing Spinner's breakdown? Lady Nagant!? Katsuki or Tenko dying!? SOME INTROSPECTION, PLEASE IT’S BEEN OVER 100 CHAPTERS SINCE YOU’VE BEEN THE EMOTIONAL MC—

Katsuki's insecurities were for nothing by the way! Izuku's empathy and heart never mattered, a Quirk was more important to be a hero in the end. BULLIED HIM FOR NOTHING BUDDY- shouldn't have done it at all but wow did it become even more pointless in hindsight. Like Twice's death. Or Katsuki’s death, since “Control Your Heart” meant nothing as well.

Izuku still remembers Tenko, but has he done anything about it? No one wants to remember him, Himiko or Touya. Spinner's book will not be taken seriously, Mr. Compress was sidelined, Twice's death was pointless. They didn't change society, they've returned to the status quo. Pointless as Izuku losing his arms.

That fucking suit- Wow, he really couldn't be a Quirkless hero, the casual rivalry was just erased for an easy way out of Izuku's consequences, there's no catching up because Katsuki paid for Izuku a way to be a hero. He went full on-simp in the most disrespectful way.

And it ends with Izuku seeing Tenko's... Ghost? Hallucination? Vestige? I guess we’ll never know, because Izuku’s following his dreams again! Let's ignore he's doing this during class hours and he definitely should be in UA but who cares, he probably quit and we'd never know, as aside for the BKDK/DKBK fics, being a teacher was clearly a inferior choice for him and he can't do both ignore Aizawa and Present Mic look at him being the world's greatest hero!

It just took 1 year of trauma, scars, following on his mentor's mistakes, losing the thing that "actually" made him be a hero, having the first and the last people he tried to save dying because of his existence (one literally by his hands), proving anyone can be a hero! By ignoring the guilt of those you failed, give hands and sparing your thoughts, having superpowers and/or connections who'll give you a suit! Fuck this shit I swear-

A story about hope bent itself over to give the protagonist an unearned happy ending, when it said it was for every character who wants to connect to that hope, who wants to give that hope. Izuku went from "wanting to be a beacon of hope and save people" to "talk about beacons of hope, but in the end, others are doing this better than you. You had none of the willpower to be one." He's not hope or unity. Act 3!Izuku is just a plot device, I feel nothing for his ending other than irritation.

You could’ve had the BKDK proposal with a double spread handhold, and I'd still think Izuku's ending isn't earned anymore. His "happy ending— actually. BKDK crumbs are compensation for this ending, I feel cheated out of this ship (I feel like I'm shipping the version of them in my head, nott the canon one 424 onwards, and it only got worse from there-)

So. Yeah, those are my thoughts about the ending. I think. I don't know if these are all of them. I feel horrible about hating it, but I've sat on this chapter for days and right now, not a lot can make me like it, especially with the timeskip, which made this "open ending" a rushed and incomplete mess. If you disagree with me, honestly, that is very fair. I'm glad for you if you liked the ending. I'm just disappointed, and wanted to share my opinions. (and I do have more stuff to say about it but I think I've been negative enough)

But for the weeks I spent hoping this wouldn't slap a classic shonen ending in this catasthrophic mess and for making me feel like a dumbass after what we got in the end: Everything after 410 that isn't 421 and 422 is non-existent to me, this epilogue was a freaking waste.

Thank you for reading.