#but that is another story

[a-yaos-little-murder-beans]

MDZS donghua is on crunchyroll and I found out how to take screenshots in the browser when watching crunchyroll.

I can finally take high quality screenshots again.

[sarasa-cat]

Ugh.

Spent way way waaaaayyyyyy too much time looking online for the inconveniently sized desk organizer shelf thinger that does NOT exist without me having someone custom make it.

Fuck it. Will return to using my very cheap, very ugly one but will try a slightly different arrangement that hides the ugly.

[ask-swatch-deltarune]

MARRY ME [BIRDBRAIN]

-spamton

[eurekq]

Anyways here is the official gofundme set up by sonya masseys surviving family if you have the ability to give her family real tangible support

[ot3]

i dont like the idea that kids these days are doing their fandom rps with ai chatbots. that's how you're supposed to make lifelong friends as a weird really online teen.

[saints-who-never-existed]

“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. 

Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”

–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[hymnoeides]

'Cause I'm stuck with your stories

[nyctosaurid]

don bluth films occupy a weird space because he's both inarguably an auteur who directs very strange, earnest, often "ugly" films but also a guy who near exclusively made movies for 8 year olds in the home video era. so basically everything he's ever done is a grimy, dreamy rumination on death and spirituality and has a direct to video sequel called something like secret of nimh 2: mrs. brisby's holiday adventure

[perplexingly]

I took the text from Frankenstein: A New Musical

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[gotstabbedbyapen]

It's always "Hades isn't bad or cruel, his deeds are just metaphors of the inevitable death" or "Hades kidnapping Persephone represent the premature death".

But when the argument "Zeus has numerous affairs and many children because he represent the fertile rain" is brought up, all nuance is suddenly out of the window and Zeus is just a womanizer who can't keep it in his pants.

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[azulhood]

DPxDC crossover but, instead of Danny being his ghostly-horror self, the justice league believe that he's just some guy.

Danny: *glowing eyes, sharp teeth, aura of eldritch being*

Villain: You're seeing this right?

Justice league: *turns around to find all the ghostly stuff gone* oh that's Danny *waves* hi Danny!

Villain: ...are you being serious right now?

It's not even that he's doing it on purpose, it's just anytime he does ghost things none of the heros are looking, and when they do have him in their sights he's just a normal person.

It probably wouldn't work for batman and his thousand cameras, but let's just say that it never got his attention cause no one in the league thought to mention it and the one time he did check it was just regular dude hours.

To the Justice league Danny is the humanist human to ever human.

Which is why they are so confused as to why this small branch of the government (mad scientist parents optional) is so sure he isn't.

[chloesimaginationthings]

Into the pit is FNAF’s own Coraline story..