#but that can’t last

[phoenixkaptain]

One could argue that my obsession with specifically the bloodier sections of Hannibal, the scenes that show humans in excruciating pain, as well as my obsession with Red Dragon’s depiction of Will’s imagination, painful and attractive in the most disgusting way, both paved the way for my becoming obsessed with such properties as Claustrophilia (a novel that honestly reads like Hannibal got his hands on season 1 Will, I’m dead serious, they even mention Silence of the Lambs, like, author knows) and Saw (a property thay pretty much deals exclusively in human suffering)

It could also explain my fascination with the idea inherent within all these properties, that being the idea that a human who is put through immense suffering might then decide to put other humans through the same or worse. Hannibal put a lot of emphasis on Hannibal himself specifically wanting Will to kill with him, to reveal his inner self, so to speak. Red Dragon Will fears killing people immensely for fear that he would be seduced by the bloodlust curdling inside of him. Claustrophilia, I don’t want to spoil if anyone wants to read it, but it shares that same idea. The only character in Saw who survives a Jigsaw trap without either joining a depressing group therapy session or becoming one of Jigsaw’s many (many) protegés is the lady who cut off her arm in, like, movie 6.

It could also explain why I like the idea of obsessive characters. Characters who are obsessed to the point of murder, characters with the internal motivation that if they cannot have something, no one can. The so-called “yandere” character who would rather kill their love than not have them locked in a box in the basement.

(Does Saw fit this frame? I don’t know, man, that one guy’s “trap” was just talking. All he had to do was sit calmly and have a semi-nice chat with another dude. Who sets that trap up without at least a little hint of obsession? And the glass coffin scene, man, I do not even have to go there, we all know. And carrying around the only remaining body part? Even for planting evidence, like, dude. Dude.)

(Does Red Dragon fit this? Yes. Hannibal literally stabbed Will so Will would be permanently physically changed by him. He gives the Dragon of the title Will’s address in hopes that something will happen that will once again change Will’s entire life so he can never forget about Hannibal. The first time Hannibal talks to Clarice in Silence of the Lambs, he asks about Will and, more specifically, Will’s looks. Red Dragon fits this, I cannot emphasize enough how many murderers want to break Will’s back in any way they can, like, it’s practically an epidemic (it’s two people))

What is it that fascinates me so? The blood? The fuel of all life? The changing a person so fundamentally that they can’t move without thinking of the one who changed them? The holding on too tight? The tragedy? The absolutely hilarious AUs that can be written? Yes.

[cliopadra]

Don’t you just love it when horrible people ruin stuff for everyone else

[chloesimaginationthings]

He has no mouth but he must scream in FNAF..

[sevrinve]

Prince Zuko 🔥

[wolfythewitch]

Jon sketch but it’s one of those aus where he becomes a professor post eyepocalypse

[claudiaeparvier]

“Daddy Lou, when am I am gonna grow into this though?”

“We’ll find one in your size.”

[bellwethers]

Boo hoo did someone use spirit magic to blow up your factory?

[silentheiss]

SQQ: Disciple Shen Yuan is weak, useless and is in no way related to this master

SQQ: *catches 14yo SY cursing and kicking cowering SQH behind the woodshed*

SQQ: This master has never been more proud and also, he birthed A-Yuan out of his own body

[verrixstudios]

Last Tribe A Day run cycle was today so I decided to combine them all to show the differences!

ID under the cut

[ID: Seven sketchy animated run cycles, all of the original dragon tribes from Wings of Fire. They alternate sides as they go down, starting with the top one on the left and the second on the right, and so on. The background is a blank white. Each dragon has shaded limbs to help see the differences while in movement. The right wing is the darkest shade, followed by the left wing (closest to the screen), the the right legs are the lightest shaded. Descriptions are in order from top to bottom:

Mudwing: Drawn in a dark red. The thickest dragon by far, opening is mouth in a smile as its front legs hit the ground. Its large wings have four toes as if they were a third set of talons, which is used as another set of legs while running. The wings lift off after the back legs. The entire body bobs with its weight while it runs, lunging with its back legs. One of its back legs disappears while it runs (oopsies) and its large tail flicks with the run.

Skywing: Drawn in a darker red. Much skinnier dragon with longer limbs and larger wings. Its large wings remain slight open above its border, slightly bobbing as it moves. The body itself doesn’t move up and down, instead just twisting with movement of its limbs. Its tail is a little stiff, again just moving up and down. As it runs, one foot touches and leaves the ground at a time.

Icewing: Drawn in a dark blue. Its body and shape is ridgid, its head swooping up and down like it lunges with every time its front talons land. Again, its wings are used as a third pair of legs, however they are mostly used after the other limbs are mid-air. Its talons are visibly sharper, as well as its wings. Sharp spines on the back of its neck and end of its tail are visible as well, which bobs with the movement.

Seawing: Drawn in a dark blue. A thicker, long dragon with short but thick limbs and webbed frills along its spine and sternum. It’s thick tail continues the up and down curve it’s body makes with every move, flicking the end of the frills as it does. Its wings are semi open above its body, bobbing with the running movement and tilting up and down as its spine curves.

Sandwing: Drawn in a warm brown. Long limbs but thicker than skywing. All four feet lift of the air when they’re closest during the run, each foot hitting the ground one at a time. It’s barbed scorpion-like tail bobs up and down at the end. Its wings are folded and stuff near its shoulders, tilted diagonally. A solid frill lines its spine, biggest at the back of its neck and above the back legs.

Nightwing: Drawn in a dark purple grey, and by far the stiffest run cycle. Thick body with short but thinner legs than mudwings or seawings. Spikes line the spine all along its body, longest at the back of the neck and back of the body. Its wings are held stiffly and slightly folded over its body. Other than the legs and tail, most of the nightwing barely moves as it runs, and its legs hit the ground in pairs, front legs then back legs. They don’t even cross between each other at the closest part in the run. Its mouth opens and closes as it runs, not in any particular expression, I was just bored.

Rainwing: Drawn in a muted dark green. By far the bounciest run. It has a thin body and a head I accidentally drew a little big. It’s three-toed wings are used as a third pair of legs, used most right before it’s front legs hit the ground. Its front legs hit the ground at different time, however the back legs hit and leave together. Its tail is by far the longest, curled at the end and slightly unraveling as it flicks up and down. Beneath the curved horns is a frill with two connections that slight opens and closes with the movement. It’s grin also opens and closes with the movement.

END ID]

[lumaspin]

It’s a little bit crazy that it’s specifically because of Mark that The Edge of Sleep was such a hard sell (per his comment here).

Apparently no one wanted to touch it, because of Mark. Because of the stereotype that Youtubers and internet creators labor under. The only reason we have it now is that it got self-published via Prime. There was no marketing for so long because no one owns it. No one was willing to take it on.

And it’s extra crazy that Mark is taking full responsibility for this and trying to overturn that exact stereotype. Not just for the many folks involved with The Edge of Sleep, not just to see Iron Lung finally get pushed through to us, but for every Youtuber, every online creator, and everyone who comes after.

Revolutions don’t happen in a day, or even in a month. But Mark asked us for one small, important goal — to start a wildfire for just thirty days.

Just thirty days.

Can you imagine how much work that Mark has been doing behind the scenes, for years? For TEOS, for Iron Lung, and before that, for In Space with Markiplier, for projects we may not even be aware of? To legitimize his own incredible work? Being constantly brushed off because he started from the bottom and built his talent with his own two hands?

Imagine how many more creators are waiting in the wings with the most incredible things, constantly told no because they’re not considered a “real” artist.

The Edge of Sleep matters so much, to so many people. It’s not the end, either. It’s the beginning of a very long uphill journey. It’s not going to be easy. It’s going to take a very long time and a lot of perseverance to see anything come out of this.

But for right now? It’s just thirty days.

Don’t lose sight of why it matters.

[zipper-vhs]

this was a redraw of a redraw so i’ve been drawing this guy for three years now dang

[tokkimins]

sebastian

[chloesimaginationthings]

The Vanessas and Mikes if they met sooner in FNAF..

[blossomhead]

bitch (affectionate)

[fuusart]

THE BRAIN ✨

[gdn7-dollopole]

So Arthur actually did the thing, you know. That oh so romantic thing described in all fantasy romantic books, where the main character rips a piece of their clothing to bandage their not so lover’s wound.

So like, Arthur ripped his tunic to bandage Merlin’s bicep. And made a silly joke about it, even? “First battle wound :D.” He was so excited, and Merlin was worried about Arthur’s clothes too.

But they’re not canon, apparently, yeah, okay, fine. Believe what you want. *rolls eyes*