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hekateinhell · 2 years

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Do you think Armand knows or understands that he was groomed by Marius? I think often about how Marius’ “education” for Armand only served to reinforce old traumas and provide new ones. The healthiest education Armand received in Venice in terms of socialization and emotional well-being was the little time he spent with the other boys.

Also, thanks for your great writing and posts! They always make me smile!

Girl, first of all, thank you so much for your sweet words! Makes my heart happy 💕 not sure how you'll feel about me by the end of this lol but that's Future!Hekate's problem.

Second, you made me reach for the wine at 5pm. How could you?

Tl; dr: Armand does not!

Rambling, long answer below the cut (because apparently my brain chose to ignore my fic-writing plans & do this instead).

Okay, SO… my Marius feelings and takes are complicated (much like Armand’s). But separating from that for a minute, there are a few things I want to break down that hopefully haven’t already been said elsewhere a dozen times (they might be idk I haven’t been active on here that long).

"Does Armand know/think he was groomed by Marius?"

That’s not the read we get from TVA. In fact, up to that point, Venice seems to be the highlight of his very long, tragic life! And it’s understandable.

Even when it upsets me (and it does, often!), when I want to play around in their heads (because tbh once it comes off the page it’s headcanon, so I do what I can to try and get a decent read that makes sense with respect to characterization), I have to make allowances for their individual time periods and experiences.

Armand would have very little reason to know (care about) anything relating to psychology, child development, or trauma, even. Those are human concepts that don’t apply to him. Most of the way he behaves is logic-driven (not that his logic isn’t faulty sometimes lol he’s weird, even by vampire standards). I doubt he would see any sense in exploring this 500 years after the fact, after much worse stuff happened.

"Marius’s 'education'"…

I want to preface what I'm about to say by stating that I have zero stake in this game! This isn’t a ship I write about or want to write about, and I’ve never had any big feelings about what other people ship (it just wasn’t a “thing” back in the day in VC so this is new to me now that I’m rejoining the fandom lol). I’ll enjoy it if it’s well-written in fanon though.

This is the repetitive part: Marius is coming at this from the perspective of being a 1500 vampire. I’ve said many times that I don’t think Armand truly realized how far he was pushing Daniel over the emotional/psychological limits of a human being. I think that applies to Marius and Amadeo as well, to an extent.

Marius thinks that he’s providing Amadeo with a good life, and in a lot of ways, he is—by the textbook definition. He’s getting a very well-rounded academic education, he’s socializing, etc. Marius essentially sees Amadeo as a blank canvas, given from what he can tell from his mind (and again, the concept of trauma wasn’t something that would’ve occurred to anyone a few centuries ago, it just didn’t exist). Adding to this, wasn’t uncommon for brothels at the time to be used to supplement a sexual education, in the most literal sense of the phase. As far as Marius is concerned, he’s going the extra mile to prepare Amadeo for the world (yeah, I know).

As for the traumas themselves, I think I know what you’re getting at (but correct me if I’m wrong!)…

So Amadeo is 15 when Marius rescues him; his mental state is in pieces, and he doesn’t know his ass from his elbow. Marius absolutely sees him as a kid, in the same sense that Armand and the other vampires later see Daniel as a “boy.” He’s not thinking child development here, he’s thinking about what would settle him down and feel good to a messed up human being (having not been one himself for over a thousand years).

Anne was clearly a sex-positive writer, and there’s something to be said for the idea of “replacing” a traumatic memory with a more pleasurable one. Unlikely that Marius was thinking about it in those terms (he was not, we know this), but more as so how to distinguish himself as a “man” that didn’t just want to use Amadeo for his body, but to provide him with pleasure (for the first time in his life). Marius gets literally nothing out of this. He could bite him and induce a swoon, and they’re both happy, no further effort required.

Now, what I think are the Marius traumas...

We know that Marius really Struggles With His Emotions. And he doesn't ever seem to make any real sense of progress there (Pandora and Armand can attest). I've said before (on your post actually lol), Marius is the parent that you don't realize how fucked up they are until you grow up and it's like, "Oh wow, that's why I am the way I am. Whoops!"

Amadeo has human needs and longings for validation, attention, and connection, and Marius just absolutely misses the mark here. The switch scene and the return from Kiev scene are perfect, heartbreaking examples of this (even if Amadeo is a new fledgling in the second instance, his mind hasn’t lived beyond 18 years yet). And Marius does seem to regret his outbursts afterward (it doesn't make it right, but I think it adds a sort of context to the idea he knows he's failing in at least some regard).

And for Armand, it's easy to see how this became his blueprint for what a "relationship" should be. Because he didn't know the behind-the-scenes stuff that was happening with The Parents, he didn't know Marius's own history with kidnapping and cults, etc. And because ultimately, he never had a better reference until much, much later.

In TVA, Armand says he can't claim to never have hated Marius for giving him the Dark Gift, LEAVING HIM IN PARIS, being besties with Lestat... but nothing about their time together factors into it.

By the canon read and my interpretation, Armand doesn't consider himself as having been groomed by Marius in any modern (or otherwise) definition of the word. (And just to throw something else in there, let's not forget what Armand himself did with Denis and the others - now, that's dark!).

~ hekate out

#since this is the week everyone else agreed Vampires are Problematic™️#mildly meta #if y’all think i’m tagging this y’all are nuts

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army-of-mai-lovers · 4 years

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in which I get progressively angrier at the various tropes of atla fandom misogyny

tbh I think it would serve all of us to have a larger conversation about the specific ways misogyny manifests in this fandom, because I’ve seen a lot of people who characterize themselves as feminists, many of whom are women themselves, discuss the female characters of atla/lok in misogynistic ways, and people don’t talk about it enough.

disclaimer before I start: I’m not a woman, I’m an afab nonbinary person who is semi-closeted and thus often read as a woman. I’m speaking to things that I’ve seen that have made me uncomfy, but if any women (esp women existing along other axes of oppression, e.g. trans women, women of color, disabled women, etc) want to add onto this post, please do!

“This female character is a total badass but I’m not even a little bit interested in exploring her as a human being.”

I’ve seen a lot of people say of various female characters in atla/lok, “I love her! She’s such a badass!” now, this statement on its own isn’t misogynistic, but it represents a pretty pervasive form of misogyny that I’ve seen leveled in large part toward the canon female love interests of one or both of the members of a popular gay ship (*cough* zukka *cough*) I’m going to use Suki as an example of this because I see it with her most often, but it can honestly be applied to nearly every female character in atla/lok. Basically, people will say that they stan Suki, but when it comes time to engage with her as an actual character, they refuse to do it. I’ve seen meta after meta about Zuko’s redemption arc, but I so rarely see people engage with Suki on any level beyond “look at this cool fight scene!” and yeah, I love a cool Suki fight scene as much as anybody else, but I’m also interested in meta and headcanons and fics about who she is as a person, when she isn’t an accessory to Sokka’s development or doing something cool. of course, the material for this kind of engagement with Suki is scant considering she doesn’t have a canon backstory (yet) (don’t let me down Faith Erin Hicks counting on you girl) but with the way I’ve seen people in this fandom expand upon canon to flesh out male characters, I know y’all have it in you to do more with Suki, and with all the female characters, than you currently do. frankly, the most engagement I’ve seen with Suki in mainstream fandom is justifying either zukki (which again, is characterizing her in relation to male characters, one of whom she barely interacts with in canon) or one of the Suki wlw pairings. which brings me to--

“I conveniently ship this female character whose canon love interest is one of the members of my favorite non-canon ship with another female character! gay rights!”

now, I will admit, two of my favorite atla ships are yueki and mailee, and so I totally understand being interested in these characters’ dynamics, even if, as is the case with yueki, they’ve never interacted canonically. however, it becomes a problem for me when these ships are always in the background of a zukka fic. at some point, it becomes obvious that you like this ship because it gets either Zuko or Sokka’s female love interests out of the way, not because you actually think the characters would mesh well together. It’s bad form to dislike a female character because she gets in the way of your gay ship, so instead, you find another girl to pair her off with and call it a day. to be clear, I’m not saying that everybody who ships either mailee or yueki (or tysuki or maisuki or yumai or whatever other wlw rarepair involving Zuko or Sokka’s canon love interests) is nefariously trying to sideline a female character while acting publicly as if she’s is one of their faves--far from it--but it is noteworthy to me how difficult it is to find content that centers wlw ships, while it’s incredibly easy to find content that centers zukka in which mailee and/or yueki plays a background role.

also, notice how little traction wlw Katara ships gain in this fandom. when’s the last time you saw yuetara on your dash? there’s no reason for wlw Katara ships to gain traction in a fandom that is so focused on Zuko and Sokka getting together, bc she doesn’t present an immediate obstacle to that goal (at least, not an obstacle that can be overcome by pairing her up with a woman). if you are primarily interested in Zuko and Sokka’s relationship, and your queer readings of other female characters are motivated by a desire to get them out of the way for zukka, then Katara’s canon m/f relationship isn’t a threat to you, and thus, there’s no reason to read her as potentially queer. Or even, really, to think about her at all.

“Katara’s here but she’s not actually going to do anything, because deep down, I’m not interested in her as a person.”

the show has an enormous amount of textual evidence to support the claim that Sokka and Katara are integral parts of each other’s lives. so, she typically makes some kind of appearance in zukka content. sometimes, her presence in the story is as an actual character with layers and nuance, someone whom Sokka cares about and who cares about Sokka in return, but also has her own life and goals outside of her brother (or other male characters, for that matter.) sometimes, however, she’s just there because halfway through writing the author remembered that Sokka actually has a sister who’s a huge part of the show they’re writing fanfiction for, and then they proceed to show her having a meetcute with Aang or helping Sokka through an emotional problem, without expressing wants or desires outside of those characters. I’m honestly really surprised that I haven’t seen more people calling out the fact that so much of Katara’s personality in fanon revolves around her connections to men? she’s Aang’s girlfriend, she’s Sokka’s sister, she’s Zuko’s bestie. never mind that in canon she spends an enormous amount of time fighting against (anachronistic, Westernized) sexism to establish herself as a person in her own right, outside of these connections. and that in canon she has such interesting complex relationships with other female characters (e.g. Toph, Kanna, Hama, Korra if you want to write lok content) or that there are a plethora of characters with whom she could have interesting relationships with in fanon (Mai, Suki, Ty Lee, Yue, Smellerbee, and if you want to write lok content, Kya II, Lin, Asami, Senna, etc). to me, the lack of fandom material exploring Katara’s relationships with other women or with herself speak to a profound indifference to Katara as a character. I’m not saying you have to like Katara or include her in everything you write, but I am asking you to consider why you don’t find her interesting outside of her relationships with men.

“I hate Katara because she talks about her mother dying too often.”

this is something I’ve seen addressed by people far more qualified than I to address it, but I want to mention it here in part because when I asked people which fandom tropes they wanted me to talk about, this came up often, but also because I find it really disgusting that this is a thing that needs to be addressed at all. Y’all see a little girl who watched her mother be killed by the forces of an imperialist nation and say that she talks about it too much??? That is a formational, foundational event in a child’s life. Of course she’s going to talk about it. I’ve seen people say that she doesn’t talk about it that often, or that she only talks about it to connect with other victims of fn imperialism e.g. Jet and Haru, but frankly, she could speak about it every episode for no plot-significant reason whatsoever and I would still be angry to see people say she talks about it too much. And before you even bring up the Sokka comparison, people deal with grief in different ways. Sokka repressed a lot of his grief/channeled it into being the “man” of his village because he knew that they would come for Katara next if he gave them the opportunity. he probably would talk about his mother more if a) he didn’t feel massive guilt at not being able to remember what she looked like, and b) he was allowed to be a child processing the loss of his mother instead of having to become a tiny adult when Hakoda had to leave to help fight the fn. And this gets into an intersection with fandom racism, in that white fans (esp white American fans) are incapable of relating to the structural trauma that both Sokka and Katara experience and thus can’t see the ways in which structural trauma colors every single aspect of both of their characters, leading them to flatten nuance and to have some really bad takes. And you know what, speaking of bad fandom takes--

“Shitting on Mai because she gets in the way of my favorite Zuko ship is actually totally okay because she’s ~abusive~”

y’all WHAT.

ok listen, I get not liking maiko. I didn’t like it when I first got into fandom, and later I realized that while bryke cannot write romance to save their lives, fans who like maiko sure can, so I changed my tune. but if you still don’t like it, that’s fine. no skin off my back.

what IS skin off my back is taking instances in which Mai had justified anger toward Zuko, and turning it into “Mai abused Zuko.” do you not realize how ridiculous you sound? this is another thing where I get so angry about it that I don’t know how useful my analysis is actually going to be, but I’ll do my best. numerous people have noted how analysis of Mai and Zuko’s breakup in “The Beach” or Mai being justifiably angry with him at Boiling Rock or her asking for FUCKING FRUIT in “Nightmares and Daydreams” that says that all of these events were her trying to gain control over him is....ahhh...lacking in reading comprehension, but I’d like to go a step further and talk about why y’all are so intent on taking down a girl who doesn’t show emotion in normative ways. obviously, there’s a “Zuko can do no wrong” aspect to Mai criticism (which is super weird considering how his whole arc is about how he can do lots of wrong and he has to atone for the wrong that he’s done--but that’s a separate post.) But I also see slandering Mai for not expressing her emotions normatively and not putting up with Zuko’s shit and slandering Katara for “talking about her mother too often” as two sides of the same coin. In both cases, a female character expresses emotions that make you, the viewer, uncomfortable, and so instead of attempting to understand where those emotions may have come from and why they might be manifesting the way they are, y’all just throw the whole character away. this is another instance of people in the fandom being fundamentally disinterested in engaging with the female characters of atla in a real way, except instead of shallowly “stanning” Mai, y’all hate her. so we get to this point where female characters are flattened into one of two things: perfect queens who can do no wrong, or bitches. and that’s not who they are. that’s not who anyone is. but while we as a fandom are pretty good at understanding b1 Zuko’s actions as layered and multifaceted even though he’s essentially an asshole then, few are willing to lend the same grace to any female character, least of all Mai.

and what’s funny is sometimes this trope will intersect with “I conveniently ship this female character whose canon love interest is one of the members of my favorite non-canon ship with another female character! gay rights!”, so you’ll have someone actively calling Mai toxic/problematic/abusive, and at the same time ship her with Ty Lee? make it make sense! but then again, maybe that’s happening because y’all are fundamentally disinterested in Ty Lee as a character too.

“I love Ty Lee so much that I’m going to treat her like an infantilized hypersexual airhead!”

there are so many things happening in y’alls characterization of Ty Lee that I struggled to synthesize it into one quippy section header. on one hand, you have the hypersexualization, and on the other hand, you have the infantilization, which just makes the hypersexualization that much worse.

(of course, sexualizing or hypersexualizing ANY atla character is really not the move, considering that these are child characters in a children’s show, but then again, that’s a separate post.)

now, I understand how, from a very, very surface reading of the text, you could come to the conclusion that Ty Lee is an uncomplicated bimbo. if you grew up on Western media the way I did, you’ll know that Ty Lee has a lot of the character traits we associate with bimbos: the form-fitting pink crop top, the general conventional attractiveness, the ditzy dialogue. but if you think about it for more than three seconds, you’ll understand that Ty Lee has spent her whole life walking a tightrope, trying to please Azula and the rest of the royal family while also staying true to herself. Ty Lee and Azula’s relationship is a really complex and interesting topic that I don’t really have time to explore at the moment given how long this post is, but I’d argue that Ty Lee’s constant, vocal adulation is at least partially a product of learning to survive at court at an early age. Like Mai, she has been forced to regulate her emotions as a member of fn nobility, but unlike Mai, she also has six sisters who look exactly like her, so she has a motivation to be more peppy and more affectionate to stand out.

fandom does not do the work to understand Ty Lee. as is a theme with this post, fandom is actively disinterested in investigating female characters beyond a very surface level reading of them. Thus, fandom takes Ty Lee’s surface level qualities--her love of the color pink, her revealing standard outfit, and the fact that once she found a boy attractive and also once a lot of boys found her attractive--and they stretch this into “Ty Lee is basically Karen Smith from Mean Girls.” thus, Ty Lee is painted as a bimbo, or more specifically, as not smart, uncritically adoring of Azula (did y’all forget all the non-zukka bits of Boiling Rock?), and attractive to the point of hypersexualization. I saw somebody make a post that was like “I wish mailee was more popular but I’m also glad it isn’t because otherwise people would write it as Mai having to put up with her dumb gf” and honestly I have to agree!! this is one instance in which I’m glad that fandom doesn’t discuss one of my favorite characters that often because I hate the fanon interpretation of Ty Lee, I think it’s rooted in misogyny (particularly misogyny against East Asian women, which often takes the form of fetishizing them and viewing them only through a Western white male gaze)

(side note: here at army-of-mai-lovers, we stan bimbos. bimbos are fucking awesome. I personally don’t read Ty Lee as a bimbo, but if that’s you, that’s fucking awesome. keep doing what you’re doing, queen <3 or king or monarch, it’s 2021, anyone can be a bimbo, bitches <3)

“Toph can and will destroy everyone here with her bare hands because she’s a meathead who likes to murder people and that’s it!”

Toph is, and always has been, one of my favorite ATLA characters. My very first fic in fandom was about her, and she appears prominently in a lot of my other work as well. One thing that I am always struck by with Toph is how big a heart she has. She’s independent, yes, snarky, yes, but she cares about people--even the family that forced her to make herself smaller because they didn’t believe that their blind daughter could be powerful and strong. Her storyline is powerful and emotionally resonant, her bending is cool precisely because it’s based in a “wait and listen” approach instead of just smashing things indiscriminately, she’s great disabled rep, and overall one of the best characters in the show.

And in fandom, she gets flattened into “snarky murder child.”

So where does this come from? Well, as we all know, Toph was originally conceived of as a male character, and retained a lot of androgyny (or as the kids call it, Gender) when she was rewritten as a female character. There are a lot of cultural ideas about androgynous/butch women being violent, and people in fandom seem to connect that larger cultural narrative with some of Toph’s more violent moments in the show to create the meathead murder child trope, erasing her canon emotionality, softness, heart, and femininity in the process.

This is not to say that you shouldn’t write or characterize Toph as being violent or snarky at all ever, because yeah, Toph definitely did do Earth Rumbles a lot before joining the gaang, and yeah, Toph is definitely a sarcastic person who makes fun of her friends a lot. What I am saying is that people take these traits, sans the emotional logic, marry them to their conception of androgynous/butch women as violent/unemotional/uncaring, and thus create a caricature of Toph that is not at all up to snuff. When I see Toph as a side character in a fic (because yeah, Toph never gets to be a main character, because why would a fandom obsessed with one male character in particular ever make Toph a protagonist in her own right?) she’s making fun of people, killing people, pranking people, etc, etc. She’s never talking to people about her emotions, or palling around with her found family, or showing that she cares about her friends. Everything about her relationship with her parents, her disability, her relationship to Gender, and her love of her friends is shoved aside to focus on a version of Toph that is mean and uncaring because people have gotten it into their heads that androgynous/butch women are mean and uncaring.

again, we see a female character who does not emote normatively or in a way that makes you, the viewer, comfortable, and so you warp her character until she’s completely unrecognizable and flat. and for what?

Azula

no, I didn’t come up with a snappy name for this section, mainly because fanon interpretations of Azula and my own feelings toward the character are...complicated. I know there were some people who wanted me to write about Azula and the intersection of misogyny and ableism in fanon interpretations of her character, but I don’t think I can deliver on that because I personally am in a period of transition with how I see Azula. that is to say, while I still like her and believe that she can be redeemed, there is a lot of merit to disliking her. the whole point of this post is that the female characters of ATLA are complex people whom the fandom flattens into stereotypes that don’t hold up to scrutiny, or dislike for reasons that don’t make sense. Azula, however, is a different case. the rise of Azula defenders and Azula stans has led to this sentiment that Azula is a 14 y/o abuse victim who shouldn’t be held accountable for her actions. it seems to me that people are reacting to a long, horrible legacy of male ATLA fans armchair diagnosing Azula with various personality disorders (and suggesting that people with those personality disorders are inherently monstrous and unlovable which ahhhh....yikes) and then saying that those personality disorders make her unlovable, which is quite obviously bad. and hey, I get loving a character that everyone else hates and maybe getting so swept up in that love that you forget that your fave is complicated and has made some unsavory choices. it sucks that fanon takes these well-written, complex villains/antiheroes and turns them into monsters with no critical thought whatsoever. but the attitude among Azula stans that her redemption shouldn’t be hard, that her being a child excuses all of the bad things that she’s done, that she is owed redemption....all of that rubs me the wrong way. I might make another post about this in the future that discusses this in more depth, but as it stands now: while I understand that there is a legacy of misogynistic, ableist, unnuanced takes on Azula, the backlash to that does not take into account the people she hurt or the fact that in ATLA she does not make the choice to pursue redemption. and yes, Zuko had help in making that choice that Azula didn’t, and yes, Azula is a victim of abuse, but in a show about children who have gone through untold horrors and still work to better the lives of the people around them, that is not enough for me to uncritically stan her.

Conclusion

misogyny in this fandom runs rampant. while there are some tropes of fandom misogyny that are well-documented and have been debunked numerous times, there are other, subtler forms of misogyny that as far as I know have gone completely unchecked.

what I find so interesting about misogyny in atla fandom is that it’s clear that it’s perpetrated by people who are aware of fandom misogyny who are actively trying not to be misogynistic. when I first joined atla fandom last summer, memes about how zukka fandom was better than every other fandom because they didn’t hate the female characters who got in the way of their gay ship were extremely prevalent, and there was this sense that *this* fandom was going to model respectful, fun, feminist online fandom. not all of the topes I’ve outlined are exclusive to or even largely utilized in zukka fandom, but a lot of them are. I’ve been in and out of fandom since I was eleven years old, and most of the fandom spaces I’ve been in have been majority-female, and all of them have been incredibly misogynistic. and I always want to know why. why, in these communities created in large part by women, in large part for women, does misogyny run wild? what I realize now is that there’s never going to be a one-size fits all answer to that question. what’s true for 1D fandom on Wattpad in 2012 is absolutely not true for atla fandom on tumblr in 2021. the answers that I’ve cobbled together for previous fandoms don’t work here.

so, why is atla fandom like this? why did the dream of a feminist fandom almost entirely focused on the romantic relationship between two male characters fall apart? honestly, I think the notion that zukka fandom ever was this way was horrifically ignorant to begin with. from my very first moment in the fandom, I was seeing racism, widespread sexualization of minors, and yes, misogyny. these aspects of the fandom weren’t talked about as much as the crocverse or other, much more fun aspects. further, atla (specifically zukka) fandom misogyny often doesn’t look like the fandom misogyny we’ve become familiar with from like, Sherlock fandom or what have you. for the most part, people don’t actively hate Suki, they just “stan” without actually caring about her. they hate Mai because they believe in treating male victims of abuse equally. they’re not characterizing Toph poorly, they’re writing her as a “strong woman.” in short, people are misogynistic, and then invoke a shallow, incomplete interpretation of feminist theory to shield themselves from accusations of misogyny. it’s not unlike the way some people will invoke a shallow, incomplete interpretation of critical race theory to shield themselves from accusations of racism, or how they’ll talk about “freedom of speech” and “the suppression of women’s sexuality” to justify sexualizing minors. the performance of feminism and antiracism is what’s important, not the actual practice.

if you’ve made it this far, first off, hi, thanks so much for reading, I know this was a lot. second, I would seriously encourage you to be aware of these fandom tropes and to call them out when you see them. elevate the voices of fans who do the work of bringing the female characters of atla to life. invest in the wlw ships in this fandom. drop a kudos and a comment on a rangshi fic (please, drop a kudos and a comment on a rangshi fic). read some yuetara. let’s all be honest about where we are now, and try to do better in the future. I believe in us.

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bookofmirth · 3 years

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If you have the time/energy I would love to hear more of your thoughts about Az's persona! He's such an interesting character to me, and I feel like most of the theories I see about him centre around elain, and how his behaviour is mate behaviour (the double bond thing). Personally I think azriel has a lot of anger, isnt very open with his friends, and also feels like he has to be the one to fix everything (this comes out with elain but also all his relationships).

Can I just start this off by saying “what the fuck” at the double/true/created bond thing. I’ve seen some WILD shit out there in the fandom, wild.

I have been writing and deleting and copy/pasting etc. this post forever and I can’t decide how to approach it, so I hope this makes sense! I didn’t pull out a ton of quotes because tbh it’s a lot of work and I’ve read these books???? So many times. And this is tumblr, not comprehensive exams.

I would agree with your characterization of Azriel!

Anger - this comes out in really inappropriate times, and I wouldn’t be surprised if he turns his anger around on himself. We all know that Rhys described his “icy rage”, and later on his “cruel competitiveness”.

Lack of communication - yeah, when has he had a heart-to-heart with anyone in this series? When he does, it’s not about making himself feel better, or sharing his own feelings. It’s to be of service to someone else. All the IC have described trying to reach out to him in their own ways, and not being successful.

Needing to fix things - yes! I see this as his need to be of service. He’s always the first one to jump into work. It took Mor hundreds of years to get him to go to Rita’s, right? He’s a workaholic in a world with no labor laws. He always wants to be the one in charge of gathering intel, of finding people, or fixing problems. I think this is closely tied to two things: his lack of self-worth, and his anger. If he can stay busy enough and work hard enough, he can prove his worth to other people, if not to himself. This is why he loses it when Rhys or Feyre tell him that he can’t handle something.

Funny thing, but people who have followed my blog since early 2017 know that I shipped moriel hardcore. I just loved it. I wrote so much meta and fanfic. A lot of the arguments that I see now remind me a lot of arguments people used to make about moriel - and it makes sense! Az’s behavior around both Mor and Elain are eerily similar. So I thought I’d compare his behavior towards them because that can tell us about his character!

To me, his treatment of Elain (and Mor) comes down to two things:

What his mother and Mor suffered (and he was unable to prevent), and

His lack of self-worth due to abuse

Azriel and Mor didn’t know one another very long before she slept with Cassian and was left brutalized by her family. This happened when they were all in their late teens, which is not long after Azriel was tortured by his brothers, rarely let outside, and rarely got to see his mother. At the same time that Azriel sees his mother treated so poorly, he then feels intense guilt and rage at what happens to Mor. It’s enough to make him overreact in the future, any time that Mor (or another female) is in danger. So here are a bunch of examples of him being overprotective of Mor and Elain. But mostly Mor.

In acomaf, Azriel has the audacity to tell Mor no, that she can’t go to the human lands (chapter 41)

“I fought in the War, you will do well to remember-”

“No,” Azriel said again, refusing to break her stare. His shifting wings rasped against the back of his chair. “The would string you up and make an example of you.”

At the end of acomaf he is still highly protective of Mor

Azriel’s head lifted from where he was sprawled in his own blood, eyes full of rage and pain as he snarled at the king, “Don’t you touch her.”

Mor looked at Azriel - and there was real fear there. Fear - and something else. She didn’t stop moving until she again kneeled beside him and pressed a hand to his wound. Azriel hissed-but covered her bloody fingers with his own.

Then in acowar, of course, he explodes at the High Lord meeting after Eris says that Mor dresses like a slut:

Azriel stopped.

Eris gasped for air as those scarred hands loosened. As Azriel turned his face towards me-

The frozen rage there rooted me to the spot.

But beneath it, I could almost see the image that haunted him: the hand Mor had yanked away, her weeping, distraught face as she had screamed at Rhys.

And now, behind us, Mor was shaking in her chair. Pale and shaking.

And of course in acowar Azriel goes with Feyre to rescue Elain. This ties together all of his issues with Mor and his mother. IMHO, Azriel sees Elain as a second chance. He saves Elain in a way he failed to save Mor, and so he begins to transfer his need to protect and serve onto her.

Azriel’s refusal to let Mor assist in dangerous situations is similar to how he says no, Elain cannot help.

Azriel stiffened, an outright sign of temper from him as he said quietly, “There is an innate darkness to the Dread Trove that Elain should not be exposed to.”

*Note that it’s an “outright sign of temper” - not an outright sign of protectiveness, or caring, or concern, or worry.

If being protective of another character is “mate behavior” or sign of a mating bond, then Azriel and Mor would be mated. There is far more evidence of him being overprotective of her than of Elain. So while we know that mates are protective (naturally!), Azriel’s protective tendencies are coming from something else - a combination of his failures to protect his mother and Mor.

In acofas, what Cassian jokes is Az being a stickler for manners in forcing everyone to wait for Elain, Rhys explains as being related to Azriel’s mother - not Elain or Cassian.

Rhys took a bite, gesturing with his knife for me to eat. Let’s just say it hit a little close to home. At my beat of confusion, he added, There are some scars when it comes to how his mother was treated. Many scars.

Again, it seems all well and good that Az was thinking about being polite, but Rhys tells us that it’s because of Azriel’s mommy issues! Which are understandable and important, but a clear example of Azriel trying to make up for poor treatment in one woman by overreacting around another.

In the acosf POV, when Az questions why he wasn’t mated with Elain (and he can smell bonds so wouldn’t he smell his own?) it’s not so much about Elain as the fact that he feels he did everything right this time. He saved the damsel. He was of service. Elain is safe and healthy and she seems much more amenable than Mor ever has. So what did he do wrong? This is the source of his anger, combined with his loneliness and desire for a shiny lovely mating bond of his own.

When we think about Azriel’s motivations, it comes down to service and self-worth. He sees his main value or purpose as saving others from harm, and when he was barely into adulthood he failed in that duty for the two most important women in his life. Hence his need to overcompensate around Mor, and now Elain.

#anon #acotar #acosf #morrigan #elain #azriel #antielriel #anti e*riel

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elthadriel · 2 years

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Ohhhh can I ask why you have mixed feelings about the unrequited codywan characterization? I really love that one but I also love how you write Cody now too. I think it’s a good progression but I can see the difference. I just love Cody centric fics though where you get into his head and his feelings so I might be just in love with it for that reason (and because I was low key shipping him and Rex the whole fic tbh)

So I've actually been thinking about this a fair bit recently, so have much more of an answer than you asked for. Putting it under a cut because of that.

So I started that fic before I’d really joined the fandom. I don’t even think I’d finished the show yet. It started as this tiny little thing — that scene where Cody sees Obi Wan with Satine, that was the first thing I wrote — and the rest of the fic grew around it. The problem as it turns out with writing this way, with pretty much no outline while also entering the fandom for the first time, is that I didn’t have a strong idea of who I wanted Cody to be and that I was really susceptible to fanon.

So Cody’s characterisation was mostly decided by what I needed for the themes I was going for. I was thinking a lot about platonic love vs romantic love not just in fiction but in how we frame it in real life too. (I was thinking a lot about possibly being on the aroace spectrum at the time so it was floating around in my head.) Also, I was wanting to play into the age difference a little. Obi Wan is 35 at the start of the war, Cody is the equivalent of 20, not even taking into account the rapid ageing. There is a world of life experience between the two. I wanted the clones to feel like young men, and I placed that over a lot of individual characterisation I would have leaned into if I rewrote this.

And honestly, I think he came out a little boring, and very passive. He doesn’t make a lot of conscious choices throughout the story. I don’t think the plot beats are necessarily bad, but I would want to reframe them, have more space for Cody to think about why he’s choosing not to act on this and what has pushed him into this place of feeling like this? Are Fox and Wolffe entering into romantic relationships and he’s considering the possibility that there’s something wrong with him? And why Obi Wan? In the fic I make a joke that Cody has a thing for authority figures, and Obi Wan is kind, I think that’s mostly it. Does Obi Wan challenge him in meaningful ways? What is different about him and any of the other Jedi Cody encounters?

I like Cody being sharper and more of an asshole. I like him being pragmatic and a practised hand at ignoring what he wants in favour of a sense of duty. Cody can make the same choices not to act on his feelings towards Obi Wan but have more agency in why he’s doing that. I think it also would have made the scene with Satine land better. Cody as written is clear that he isn’t going to say anything to Obi Wan, but if instead he is honest with himself that he’d like to say something but feels he can’t due to his duty or whatever, there’s more of a sense that he’s lost something. I also just like that brand on pining a little more anyway.

And I like Obi Wan being an asshole too. When I’m shipping them I like them just annoying each other until they realise they’ve caught feelings and are utterly exhausted with themselves and what they see as their own awful taste. If I was doing it again, I’d have more Obi Wan and Cody snark for sure.

I while I don’t think it’s bad that Cody is seeking romantic love to prove his humanity, that’s a common trope and I’ve seen real people fall into that trap, but I don’t like that it centres a non-clone in a story that is about clones being people. Ideally I’d have Cody come to most of the conclusions he ends up reaching on his own, or at least hear them when the other clones are saying it. As it stands, I don’t like that Wolffe and Obi Wan say more or less the same thing, but it’s only when a non-clone says it that Cody actually hears and internalises it. This is something that pops up in many Codywan fics (it’s part of why I’ve fallen out of love with the pairing in general) and I don’t like what it implies.

Also, on Codex: I was also lowkey shipping him with Rex (I’m always at least lowkey shipping him with Rex, though this was before I feel headfirst into that ship and drowned in it) but I felt it was important thematically that the ending beat of a story that was about platonic love not end with a different ship. It’s why there weren’t any background ships either, even though I’d have normally had Waxer and Boil be dating. I just wanted conversations around friendship and how bullshit it is that romantic love is treated as the most legitimate form of love.

This was the fic were I really found how I wanted to write Fox though, so I can’t fault it for that.

All in all, I don’t regret writing the fic, and I’m glad people have responded positively to it, but it’s a story that I can’t help but look at and wish I’d done differently. I like unrequited love as a trope, and as much as I enjoy actually requited unrequited love, I wish there was more of it in fandom. I think who we love, even when they don’t love us back the same way, and what we chose to do with that says a lot about us.

#fic meta #I'll probably think of a better tag for stuff like this #but that'll do for now #would people actually be interested in hearing me talk more about fic I wrote?#ask box is open if you are interested I suppose #but I might just post some nonsense unprompted anyway

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itsclydebitches · 3 years

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TBH I think the whole "You didn't have an issue with this in 'insert x show here' but you have an issue with it in RWBY? What are you, sexist?" thing can easily be defused with a simple, "How did RWBY present this plot-point compared to the show I like?"

Sure, technically Cinder Fall and Darth Maul are the 'same' character, but how are the two presented in their respective shows? Cinder eats up screentime and none of it goes anywhere and gets frustrating. Maul is a relatively minor villain that had one season's worth of attention in CW and then was the villain of a few episodes throughout Rebels before getting killed off.

The only reason someone would be confused as to why people like Maul but hate Cinder is if they just read the two's respective wiki pages.

Really the whole "Your issues with RWBY are just subconscious misogyny" is just some people wanting to slap labels onto others so they can feel validated on not agreeing with their opinions.

Generally speaking, I'm wary of any take that boils down to a single sentence, "You're just [insert accusation here]." Not because such accusations are always 100% without merit—with a canon dealing with as many sensitive subjects as RWBY, combined with a fandom as large and diverse as it has become, you're bound to come across some people whose "criticism" stems primarily from bigotry—but because such dismissive summaries never tackle the problem a fan has pointed out. If one fan goes, "Ruby's plan was foolish because [reasons]" and the response to that is "You just can't handle a woman leader," then that response has failed to disprove the argument presented. The thing about "criticism" based in bigotry is that there isn't actually a sound argument attached because, you know, the only "argument" here is "I don't like people who aren't me getting screen time." So you can spot that really easily. The person who is actually misogynistic is going to be spouting a lot of rants about how awful things are... but very little evidence as to why it's awful, leaving only the fact that our characters are women as the (stupid) answer.

And yes, there is something to be said for whether, culturally, we're harder on women characters than we are men. Are we subconsciously more critical of what women do in media simply because we have such high expectations for that representation and, conversely, have become so used to such a variety of rep for men—including endlessly subpar/outright bad stories—that we're more inclined to shrug those mistakes off? That's absolutely worth discussing, yet at the same time, acknowledging that doesn't mean those criticisms no longer exist. That's where I've been with the Blake/Yang writing for a while now. I think fans are right to point out that we may be holding them to a higher standard than we demand of straight couples, but that doesn't mean the criticisms other fans have of how the ship has been written so far are without merit. Those writing mistakes still exist even if we do agree that they would have been overlooked in a straight couple—the point is they shouldn't exist in either. Both are still bad writing, no matter whether we're more receptive to one over the other. Basically, you can be critical of a queer ship without being homophobic. Indeed, in an age where we're getting more queer rep than ever before, it's usually the queer fans who are the most critical. Because we're the ones emotionally invested in it. The true homophobes of the fandom either dropped RWBY when the coding picked up, or spend their time ranting senselessly about how the ship is horrible simply because it exists, not because of how it's been depicted. Same for these supposed misogynists. As a woman, I want to see Ruby and the others written as complex human beings, which includes having them face up to the mistakes they've made. The frustration doesn't stem from me hating women protagonists, but rather the fact that they're written with so little depth lately and continually fall prey to frustrating writing decisions.

And then yeah, you take all those feelings, frustrations, expectations, and ask yourself, "Have I seen other shows that manage this better?" Considering that RWBY is a heavily anime-inspired show where all the characters are based off of known fairy tales and figures... the answer is usually a resounding, "Yes." As you say, I keep coming across accusations along the lines of, "People were fine with [insert choice here] when [other show] did it," as if that's some sort of "Gotcha!" moment proving a fan was bigoted all along, when in fact the answer is right there: Yes, we were okay with it then because that show did it better. That show had the setup, development, internal consistency, and follow through that RWBY failed to produce, which is precisely what we were criticizing in the first place.

What I also think is worth emphasizing here is how many problems RWBY has developed over the last couple of years (combining with the problems it had at the start). Because, frankly, audiences are more forgiving of certain pitfalls when the rest of the show is succeeding. I think giving a Star Wars example exemplifies that rather well. No one is going to claim that Star Wars is without its problems (omg does it have problems lol), but there's enough good there in most individual stories to (usually) keep the fans engaged. That doesn't mean that they're not going to point out those criticisms when given the chance, just that disappointment isn't the primary feeling we come away with. Obviously in a franchise this size there are always exceptions (like the latest trilogy...), but for most it's a matter my recent response to The Bad Batch, "I have one major criticism surrounding a character's arc and its impact on the rest of the cast, and we definitely need to unpack the whitewashing... but on the whole yes, it was a very enjoyable, well written show that I would recommend to others." However, for many fans now, we can't say the same of RWBY. Yang getting KO'ed by Neo in a single hit leads into only Blake reacting to her "death" which reminds viewers of the lack of sisterly development between Yang and Ruby which segues into a subpar fight which messes with Cinder's already messy characterization which leads to Ruby randomly not using her silver eye to save herself which leaves Jaune to mercy kill Penny who already died once which gives Winter the powers when she could have just gotten it from the start which results in a favorite character dying after his badly written downfall and all of it ends with Jaune following our four woman team onto the magical island... and that's just two episodes. The mistakes snowball. RWBY's writing is broken in numerous ways and that's what fans keep pointing to. Any one of these examples isn't an unforgivable sin on its own, but the combination of all of them, continuously, representing years worth of ongoing issues results in that primary feeling of, "That was disappointing."

Looking at some of the more recent posts around here, fans aren't upset that Ruby is no longer interested in weaponry because that character trait is Oh So Important and its lack ruins the whole show, they're upset because Ruby, across the series, lacks character, so the removal of one trait is more of a problem than it would be in a better written character. What are her motivations? Why doesn't she seek answers to these important questions? Why is her special ability so inconsistent? Where's her development recently? What makes Ruby Ruby outside of wielding a scythe and wanting to help everyone, a very generic character trait for a young, innocent protagonist? We used to be able to say that part of her character was that obsession and we used to hope that this would lead to more interesting developments: Will Ruby fix/update their weapons? Is her scythe dependency the reason why others need to point out how her semblance can develop? What happens if she is weaponless? Surely that will lead to more than just a headbutt... but now we've lost hope that this trait will go anywhere, considering it has all but disappeared. Complaints like these are short-hand criticism for "Ruby's character as a whole needs an overhaul," which in turn is a larger criticism of the entire cast's iffy characterization (Who is Oscar outside Ozpin? Why was Weiss' arc with her father turned into a joke and concluded without her? etc.) and that investment speaks to wanting her to be better. We want Ruby to be a better character than she currently is, like all those other shows we've seen where the women shine. Reducing that to misogyny isn't just inaccurate, but the exact opposite of what most fans are going for in their criticisms.

#rwby #rwde #mymetas

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sand-worms · 3 years

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Risotto?

I think the problem with fanon Risotto is that there’s not a lot of information given in canon so there’s not a ton to work with. With all of La Squadra in general we see so little of them (maybe roughly half an hour each?) that most of their characterization is sort of left up to interpretation anyway, but Risotto in particular tends to be a pretty subdued character. And by that I mean he doesn’t really display any traits that are particularly easy to latch onto and build off of like the rest of them seem to (ie Ghiaccio’s anger or Pesci’s low self-confidence/general nervousness). Risotto’s just sort of quiet, observant, and cautious; he’s very even-keel from what we see and that doesn’t really translate into something easily “fandomized,” for lack of a better way to put it.

So instead what people do is they look at his appearance and make assumptions based on that. Mixed in with the fact that he’s easily the most popular member of La Squadra among fandom that tends to lead people to interpreting him as some smooth, kinky BDSM sex god which is just? So bizarre to me. I feel like really often I see both him and Prosciutto (more so Prosciutto tbh) equated to these like? Suave/romantic types, when in reality the two of them would likely be harder to get close to than anyone else in the group (save perhaps for Sorbet and Gelato but that’s so debatable and based on how you personally interpret them if you even pay attention to them at all so I won’t go into it). All we really see of Risotto is that he’s guarded and he’s observant (because he has to be otherwise he would suck at his job), and we DO see in the anime at least that he’s got some genuine sense of care for the rest of his team, no matter how much he tries to hide it or pretend like he doesn’t. So I can see the interpretation that he would be a caring partner but I do not understand where the BDSM thing comes from aside from that harness that he wears. Overall I think that Risotto is literally just some fucking guy but maybe that’s too boring for fandom and they want him to be something more than he is. I also really kind of hate the interpretation that he’s like? Secretly really into cutesy things in contrast to how he looks like it’s just a weird interpretation to me. Like I fully agree that the way someone looks is not indicative of their personality or interests but I don’t think he’d be like. Into hello kitty or stuff idk it’s a weird joke thing to me.

Something else that I tend to see a lot in fanon that personally drives me insane is the interpretation that he recruited one of his teammates (typically Ghiaccio for some reason. I don’t know why I see Ghiaccio get like? Not infantilized I guess but almost treated like he’s someone in La Squadra’s kid or little brother so much) in order to save them from some shitty situation. People do this a lot with Prosciutto and Pesci as well and I don’t understand it. I get that people want them to be like a little found family (and I think they are just not in the way that people tend to interpret them or Bruno’s group for that matter) but I DO NOT think La Squadra works at all similarly to how Bruno’s group does in terms of like. How they all became a team and stuff. But I won’t get into that unless people really want my thoughts on it idk. I just don’t think they need to have prior established relationships in order to care for each other the way that they do.

Last points I COULD get started on shipping stuff but I’m not going to because I’ve already stated in the past I don’t typically care for ships within La Squadra and it’s just like. An entirely different can of worms I don’t want to open. And please don’t get me started on the prevalence of yandere stuff in the fandom especially with Risotto I can’t stand it and I don’t get it.

#answered #hmmmm this might be a little rambly but ohhhhhh risotto my blorbo….#he’s just some little lame ass loser please stop treating him like he’s a sex god or something #I’m not proofreading this if it’s incomprehensible I’m sorry.

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vonkarma2 · 2 years

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deep space 9 for the show ask? (i have not seen ds9 but i still enjoy reading ur thoughts on it)

favorite male character: I think I’m going to say Jake Sisko but Bashir (yeah yeah I know he’s annoying and all which is true but 1) That makes him funny 2) he’s also representation for people who own plushies) and Ben Sisko are close. I like a lot of them though I like Rom, Quark, O’Brien, Odo if you count him as male… Damar even though he’s overrated as all hell. So is Weyoun but at least he was gay. And purple

favorite female character: For main characters I think I’m still going to say Kira even though I feel like they ran out of things for her to do for a while, her whole backstory is very interesting + sympathetic and it’s crazy how they portrayed her as such when just a few years later people would have lost their minds yk. Also she’s a lesbian and all etc etc and her oh outfit and haircut were cool and I really liked her personality. For side characters Lwaxana Troi I loved the fake marriage with Odo episode

least favorite character: besides like the irrelevant boring ones like shakaar bareil eddington etc… I dislike the way they wrote Kai Winn towards the very end I feel like she would have been a better character with more nuance considering everything she went through during the occupation. I dislike the way the Pah-Wraiths subplot ended up being handled in general tbh like it’s not 100% bad but I don’t think they ended up building it up as as much of a threat/as interesting as the dominion so it felt kinda anticlimactic and black and white/contrived in nature. Especially since only Sisko was really involved with it out of the main cast. Don’t get me wrong I think being the emissary is a very interesting part of his character, but there’s not much that interested me abt the plot other than that and that made it feel small and self contained rather than the huge scale of the dominion conflict. Sorry that got off track. Also I hate Sloan for being boring and for being in the CIA. As a person rather than like as a character it’s Gul Dukat and it’s not even close

prettiest character: hmmm it’s close but I have to say Ezri. Wait I take it back it’s Leeta

funniest character: this one’s even more difficult… weyoun and quark are contenders… Sisko sleeper candidate for #1 but even then it’s hard to say. I think everyone has really funny moments at times. I’m going to say Dukat (< even though some things he did were fucked up not in a funny way. But overall he’s just so deranged and out of touch with reality it’s really funny to watch a lot of the time)

favorite season: seasons 5 and 6 were fire I think I’m going to go with 6 though it was amazing lots of great episodes

favorite episode: Rapture is my favorite (Dr Bashir I Presume being second) it’s so good literally look at this

my third place is take me out to the holosuite fourth is in the cards and fifth is just the scenes where Odo had the baby changeling that one time that was so cute. I do hate Dr. Mora though I feel like it’s disengenuous to characterize him as completely sadistic and evil bc yk he was a bajoran living under the occupation and he had no idea what the nature of the sample was at first but he still fucking sucked he was such an asshole me when I refuse to admit I was wrong and don’t ever change or take others’ feelings or experiences into consideration or apologize for physically harming my liquid son. + I feel like the show was way too willing to present him as right when a lot of the time he just was not

favorite romantic ship: I wasn’t on board with Kira/Odo at first at ALL but I was kinda sold on it eventually, although I do have some problems with its execution (mainly I don’t think they focus on Kira’s feelings and perspective nearly enough I really loved the episodes leading up to them getting together. Actually I take it back I still think in concept it is pretty sweet but a lot of what they did with it in execution was not it to me, what I like abt it in the actual show is more abt what it said abt or contributed to or whatever to Odo’s character, it really didn’t add much to Kira’s in my opinion which is very sad bc she was my favorite character in the earlier seasons. So I guess that leaves Lenara and Jadzia as my favorite. I might be biased for obvious reasons but I genuinely really liked their relationship, like the way it was written and acted during the episode. Ofc it only had to last 1 episode so it wasn’t the most in depth or anything but I really enjoyed watching it. Idk if it should be #1 though. Jadzia and Worf were pretty hit or miss, Miles and Keiko I actually liked but they were kinda dragged down by shitty writing on occasion. Sisko and Kasidy I like but I wouldn’t say theyre my favorite I feel like they didn’t have that good of episodes together, like they did have some but there weren’t that many times when they were on the same side which is a shame (and they have the same thing as Kira/Odo where they don’t focus on her perspective enough in my opinion but it’s to a lesser extent). Kasidy was based for helping the Maquis though. Non canon ones I don’t see a lot of evidence for so I’m not including them (like I’m not against them I can see all of them but I don’t think that in the actual universe of the show they are romantic in nature. Well romantic and reciprocal at least Garak was definitely into Julian at least initially). Ok I guess I’m going to say Miles and Keiko whatever whatever they were cute ok I don’t care what people say I liked them. I liked them in Time’s Orphan and the badminton or raquetball or whatever it was episode.

favorite family ship: do I even have to say it Jake and Ben Sisko <33 their relationship was like my favorite part of the show since s1. I haven’t talked abt Worf in this whole post so I’m going to talk about him here, I think it’s funny how he did not parent his son whatsoever. That’s mean I’ve only said negative things abt him on this post I like him. The episode where Jadzia almost fucking died was good and the one where he was babysitting Kirayoshi was also good. The one with like his brother or whatever was bad though

favorite friend ship: julian and miles aren’t my favorite but honorable mention for their strangely gay moments that was great always loved to see it on screen. I like them all it’s so hard to pick just one. Kira and Dax was probably my favorite though I loved like all their conversations and whenever they would just like hang out. They were also kinda gay as well like that holosuite scene

^although ofc I strongly disagree with the she doesn’t swing that way part. I’m referencing homosexuality too many times I swear that’s not the only or main reason I like this show the plot is really good

worst ship: I’ve talked abt this before many times so not to beat a dead horse but Garak and Ziyal makes me cringe he’s so much older than her its so awkward not to mention it’s completely out of character. Jake/Ziyal should’ve happened instead it would have been so cute. I know I just undermined this man’s credibility but he was right to regret this

Also Ezri/Worf (ofc that was only for like 1 episode) and Ezri/Bashir made me very uncomfortable I watched their scenes like this 😐 it sucked that they retconned him being over Jadzia too like I actually really appreciated the way he moved on initially

#this ended up being really long I had a lot to say #but it was very fun thanks for swnding it :)#ds9

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south-park-meta · 3 years

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Kenny!!

Why I like them I think Kenny's a sweet character. He acts out a bit, but really doesn't hurt people the way the other boys can. There's truthfully not a lot of meat to his character in some ways, but I think he genuinely loves his friends, despite knowing that Stan and Kyle will always pick each other and Cartman doesn't really care about him most of the time. There's something soft, sweet, and a bit sad about him being the odd man out in his friend group.

Why I don’t He's another character I don't really dislike even when I roll my eyes at him. But a criticism for his character is that imo he's kind of petty/passive aggressive. It's one of those things that's kind of hard to really critique since his characterization isn't as developed as the other boys, but I do think if he was just kind of annoyed with his friends he'd roll his eyes but say 'nothing' was wrong and then complain about them to the other friends (Cartman if he's mad at Stan or Kyle, Stan and Kyle if he's mad at Cartman).

Favorite episode (scene if movie) Black Friday/ A Song of Ass and Fire/ Titties and Dragons/Coon vs. Coon and Friends/ Coon 2: Hindsight/Mysterion Rises

Favorite season/movie Bigger Longer and Uncut

Favorite line Okay this is a long one but: Kenny My dearest friends,:I am living amongst the natives in the remote and tiny island of Kava'i. What can I tell you of this mysterious island and its people? It is a place of wonder, and yet to the outsider like me, a place of odd tradition. The people here are peaceful and joyous, and seem to care little for the rush and worry of the outside world. Their diet is mostly an odd mixture of coconut milk, pineapple juice, and vodka, which they call the chi-chi. As for Butters, he is quickly learning the ways of his ancestors, and seems to be feeling better with every passing day. He still seems quite angry at times, but luckily his ceremony will finally take place on the morrow. The sheer dramatics plus Stan's "On the morrow"? What the fuck is wrong with Kenny? Really gets me.

Favorite outfit

OTP If I had to pick I'd go with Stenny, more in the capacity of fwb than real dating, but I've read a few fics where I like them as endgame. That said, I don't particularly ship him with anyone and tend to see him as being more into girls than boys.

Brotp Stenny

Head Canon Most of his acting out is to get the attention of his parents. He really, really wants them to take care of him, but is getting more and more resigned to the fact that they won't. He tries to induce a miscarriage in his mom to keep from sharing attention, when he experiments with sex or drugs it's often in his home where his parents SHOULD be the ones noticing, when he acts out in school the pranks are the sort that would probably get his parents called.

Unpopular opinion Tbh idk what the popular takes on Kenny are right now lol. I guess I disagree with Kenny being too good for the other three/that he'll hate it if he finds out about the custody arrangement. I think he'll actually like them treating him like their kid if they keep up their custody roles because it's giving him attention that they usually don't. That said, I also think treating Kenny as completely blameless oddly enough ties into the problems he tends to have in canon. The ways he acts out are regularly ignored by both his parents and his friends-- even when Stan gets pissed at Cartman for the period prank they pulled on their teacher, he's solidly on Kenny's side the entire episode instead of just being done with all three of his friends despite the fact Kenny did it WITH Cartman. The lack of acknowledging when Kenny does things wrong is a problem in the canon to the end that it feeds into him just being straight up ignored entirely, so ignoring them in fandom, interestingly, has the similar problem in that it prevents him from being seen as a whole person.

A wish More character development.

An oh-god-please-dont-ever-happen Killing him off for keeps.

5 words to best describe them Caring, forgotten, silly, theatrical, lonely

My nickname for them None

#kenny mccormick

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bedlamsbard · 3 years

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Writing tag game -- tagged by @lessattitudemorealtitude

how many works do you have on Ao3?

Discounting podfic on which I’m listed as a co-author, 24. My concept writing doesn’t go to AO3 and the vast majority of my Narnia fic was never cross-posted there. (Or reposted there, actually, I think most of it pre-dates the AO3.)

what’s your total Ao3 word count?

1,050,810. oh, huh, I didn’t actually realize I’d passed the one million word mark (probably with Crown).

what are your top 5 fics by kudos?

all of these ended up being Star Wars, which is not a huge surprise. Morning will probably reach Dirt in the next couple of updates, I’d guess.

Immutable, or, Five Times Obi-Wan Kenobi Compromised His Jedi Ethics for Anakin Skywalker -- this is not the oldest Star Wars fic on there, but I think it’s the second oldest. people just really like 5 times fic.

Wake the Storm - did you know that when I started Wake I assumed it was a very niche trope in what was, at the time, a pretty dead fandom? the kudos count on Wake actually outnumbers Gambit by more than 1600 kudos, so the number of people who go from Wake to Gambit is a lot lower than you might think.

Queen's Gambit - a significantly lower kudos count than Wake or Immutable. Gambit’s such a weirdo of a story, tbh, I can’t be surprised by anything about Gambit anymore.

On the Edge of the Devil's Backbone - about 600 kudos less than Gambit, so less difference between Gambit and Backbone than between Wake and Gambit.

Dirt in the Machine - another older fic. I’d rewrite this one if I cared enough to do so, because it’s not at my current standards (Immutable isn’t either, for that matter) and I kind of wince every time I get comments on it. this is the first one of the top five to have below 1K kudos.

do you respond to comments, why or why not?

I’ll usually respond to direct questions, but I very, very seldom respond to comments in general. This is an old standing policy of mine that’s now more than a decade old -- it used to be I’d wait twenty-four hours before responding, then I’d respond right before the next chapter went up, and for a while I’d only respond to comments on the first few chapters of a story. Now I just mostly do not. The reasons for this are: (1) many, many years ago, I lost my temper pretty badly at a comment on a fic of mine (this was pre-AO3, this was back in my LJ days), and after that I moved to the “wait twenty-four hours” response so I didn’t say anything without thinking about it, (2) I do go back and reread comments but I hate rereading my own responses, (3) I prefer to know the comments numbers on my fic are all from actual comments and not from me saying “thanks for reading!”, (4) I can’t take that kind of responsibility for answering every single comment, man.

what’s the fic you’ve written with the happiest ending?

Of stuff I’ve written in the past ten years? (I can’t really remember before that.) Maybe Backbone, because it ends on that pretty upbeat “yay team we’re going to be rebels now!” note. or Devil’s in the Details (other side part 1), though I don’t really want to consider it a finished fic even though it’s technically finished; it has another “yay team we’re back together (minus Ezra)” ending. I tend to end on complicated and reasonably open endings, not like...happy endings.

what’s the fic you’ve written with the angstiest ending?

probably Gambit for the “everything is super fucked up” factor and also the fact that I never wrote the sequel. plus it ended with the entire Wake trio split up in a whole new universe, plus back in the Gambitverse Amidala not able to go back to Naboo, Ahsoka shunned, Palpatine’s new empire, Rex trapped in the Gambitverse, etc.

do you write crossovers?

I did in my Narnia days. I don’t anymore. Working in widespread fandoms like Star Wars or the MCU is basically like writing crossover fic within the same universe, anyway.

have you ever received hate on a fic?

*hysterical laughter*

...yes. yes I have. it’s the reason every time I get a comment notification on Gambit or Wake I freeze in absolute terror. people HATE Wake and Gambit. I hate to say never, but I will probably never write those characters or in that series again.

do you write smut? if so, what kind?

not really? I’ve done relatively non-explicit sex but it’s not something I’m super comfortable writing, especially in recent years. I’m much more likely to do a fade to black.

have you ever had a fic stolen?

I think Gambit got scraped once when it was still in progress and my response was something along the lines of “good luck, bro,” given the whole “still in progress” thing.

have you ever had a fic translated?

I’ve gotten a couple of translation requests but I can’t recall if anything’s ever been translated. (Or if I responded to them...I know a few I forgot to respond.)

have you ever co-written a fic before?

Yes, back in my Narnia days. Some SW concept writing and that ended so badly that I’ll never co-write again.

what’s your all-time favourite ship?

Kanan/Hera, of course!

what’s a wip that you want to finish but don’t think you ever will?

gods, Dust in the Air, my Narnia Last Battle AU. Back when I started it in 2008 or so I didn’t have the self-control or discipline I do now, even if I had a lot of the worldbuilding ability and the ability to conceive of if not execute long plot arcs, and I broke off more than I could chew. If I ever went back to it I’d probably have to do a complete rewrite and it has the unique problem among my WIPs of being the last major fic I wrote in present tense -- I now write exclusively in past tense. The bones of the story are good, I’d just have to go back to the bones and not just pick up where I left off.

what are your writing strengths?

Plot, worldbuilding/environment, action. I also do genuinely think I’m very good at characterization too, but I think they’re all inter-related. (Except the action, that’s me alone. I love writing action and I generally get a lot of compliments on my action scenes.) look, I know it’s conceited, but I’m good and I know I’m good, and I’m good in a pretty well-rounded way for the genre I write.

what are your writing weaknesses?

brevity. can’t do it.

honestly, there are others, but I don’t write stories where they’d come up. I think I have a tendency to get to bogged down in dialogue in a way that I’ve never quite solved. I also let my emotions take over too much and not in the good fannish way, in the “I’m having a fucked up relationship with canon or fandom and it’s affecting my ability to work” way.

what are your thoughts on writing dialogue in other languages in a fic?

please stop having your Asgardians speak Latin for magic, man, that’s my feeling on it.

okay, my feelings on it for me -- I’ve sprinkled bits and pieces of Huttese, Twi’leki, and tee-tiny bits of other stuff here and there in fic. I’d not be comfortable doing more than that because the only other language that I really feel comfortable doing anything significant in is Latin, and even then I’d hesitate. also, like, Latin! not a language that comes up in the fandoms I write in. even then, like -- any extended dialogue should be intelligible to the audience, and I don’t expect my audience to be able read anything other than English; I’d rather just say “they switched to Twi’leki to say” or something similar.

what was the first fandom you wrote for?

like, online? Harry Potter. for things that I didn’t post online because I didn’t know what fic was yet? probably either The 10th Kingdom or The Mummy.

what’s your favourite fic you’ve written?

On the Edge of the Devil’s Backbone. I think it’s the best thing I’ve ever written, I think it’s the most tightly plotted, I think it’s got the best worldbuilding, I think it’s remarkably consistent thematically, and it was, at the time, a fic that I was very devoted to finishing or dying trying, because I was going through it at the time and some of it was connected to the fic.

I don’t tag people, but please go for if you want!

#meme response

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sssn-neptune-vasilias · 4 years

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RWBY vs Comic

Alright, I said I was gonna do this back when the comic first started getting published but I got so frustrated reading it that I couldn’t actually keep up with it enough go through with it. I think I stopped around issue 4 because that was when I just got angry and threw my comic back into the plastic. I figure now’s as good a time as any since I’m actually rereading it now. My whole issue with the RWBY DC comics is that they’re super canon divergent but somehow still canon material. It’s so frustrating that this is the case because we’re supposed to take into account things that happen in the comic as gospel- things like Adam revealing he’d always been genocidal, Bumbleby’s bottlecap, Weiss’ zoo animal arc, etc, but a lot of these different story arcs don’t make sense in our current canon. So I’m gonna talk about them because why not.

Issue #1:

The first issue actually isn’t that bad- mostly because it’s just an intro to the series- but there are still some huge inconsistencies between the comic and official canon.

These two panels are a fucking mess.

1) Ruby was passed out when she was delivered to Patch by Qrow. She’d just used her Silver Eyed Warrior powers for the first time, hurt Cinder, frozen the dragon, and passed out. We were literally forced to listen as Qrow carried Ruby out of the rubble and back home, because she was unconscious. But the comic has her just arriving back home all on her own. “I came back to my dad’s house.” No you didn’t, you literally woke up in your bed after what must’ve been days of being unconscious.

2) We know Blake didn’t get to Menagerie on a little wooden boat. We all watched the episode. It was a decent sized ship with multiple crew members, dozens of passengers, and literal armaments designed to destroy Grimm. Sun can’t hide in a robe for 3+ days on this boat. This boat wouldn’t have survived a Grimm attack in the first place. Idk why they decided to draw this boat instead of just drawing the Pride the way it was designed in the first place, but whatever I guess.

RNJR didn’t tell Taiyang they were leaving. Ruby and her team just left. There was a whole scene dedicated to showing the shock and horror on Tai’s face as he saw Ruby’s letter and ran out of the house hoping to catch up to his daughter before she left. Also not as important but still relevant, RNJR left during winter. There was snow on the ground. I don’t see no snow in this panel- that tree looks real green. That last issue is mostly a nitpick- who cares what season they left in tbh. But the fact that they just wrote this panel into the comic despite the fact canon shows Taiyang had no idea of Ruby’s departure- and the fact that Ruby’s departure is actually really important to a bunch of later scenes in this show is really fucking weird.

Issue #2:

I know we know next to nothing about Raven Branwen, but holy fucking shit do I wanna believe this is ridiculously out of character for her. You’re telling me that Raven actually did come visit Yang and Tai and Ruby, but the one time she ever made her presence known to any of them was to berate and terrify Ruby the one time she’d learned anything about Summer?! Like BRO. This is so fucked up! This is too fucked up! This is straight early 90′s level villainy right here. What was even the point behind this?! This scene tells us that she felt so negatively about Summer Rose that she was willing to break her silent cover just to disillusion Ruby for no other reason than to tell her she was weak. Which makes no fucking sense because when we finally meet her during season 5 Raven has nothing bad to say about Summer at all! What did Qrow say to her after they spoke? “Hey sis why the fuck are you flying around your ex’s home scaring his daughter who just lost her mother? You realize you’re talking shit about the woman who raised your child too right?” Like, this is so wildly terrible, that if we’re meant to take this into account, I don’t see how anyone who reads these comics could say anything positive about Raven ever again. This is strike one, two and three for her entire characterization.

Issue #4:

I’ve said it already but fuck this boat.

Not so much an issue with the comic as it is with RoosterTeeth’s sometimes sloppy storytelling, but we really need an exact age on Adam. Is this man a pedophile? We know Blake is about twelve here, meanwhile- besides looking maybe a little scrawnier- Adam looks the same as he did during the show. How old is this kid right here? Fifteen? Seventeen? Was he 20 during the events of volume 1? Was he 25? I really dislike this specific problem RT has created because at no point during canon were we led to believe that Adam was significantly older than Blake or our other characters, but here in the comic we’re getting huge pedo vibes. Idk if this was RoosterTeeth retroactively trying to throw Adam’s character even further into question but... Idk man, RT y’all need to hurry up and carbon date this kid because I’m really not liking this.

I’m not gonna harp on the whole “Adam as a revolutionary vs Adam as a genocidal maniac” issue again. Most of y’all already know where I stand on this and have either made up your minds that either, yes, Adam’s sudden change towards being genocidal after being forcibly conscripted by Cinder doesn’t make much sense, or, no, Adam’s behavior is entirely in line with what little we’d seen of him up to that point in the story. I’m not trying to change anyone’s opinions on this issue, I’ve got about a dozen other posts for that. My issue with these panels specifically is that this is the moment Blake discovers Adam is genocidal. This is the moment Blake realizes that Adam never wanted peace, never wanted coexistence, never wanted what the White Fang actually wanted in the first place. He wanted Faunus supremacy- a goal entirely removed from the White Fang’s goal of equality between Faunus and humans. This is the moment Blake realizes that his ideology is so far from what it is she herself wants. If this is correct, why does Blake never mention this AT ALL when she’s talking about Adam. When the conversation comes up during season 3, she specifically states that Adam’s change was gradual. Not that he’d been hiding who he really was from her but that he’d become a completely different person from the man she’d originally known. I recognize that a lot of people say that this could be explained away as evidence of Blake’s abuse- oftentimes abusers don’t even realize just how monstrous their abusers are, even after they’ve escaped from said abuse. But this is just such a monumentally larger issue than manipulation and abuse. Adam is outright saying that he wants genocide! He’s not trying to hide it, he’s not trying to lie, he’s not trying to manipulate her! He’s telling her explicitly that he wishes he could kill as many humans as possible. But during the Black Trailer she’s still asking Adam about the crew members as if they hadn’t had this conversation hours ago! During season 2 she’s drawing him in her notebook as if she misses him! During season 3 she’s explaining that he’s simply misguided! This is apologia of the umpteenth level that is absolutely inexcusable. If I’m honestly supposed to be made to believe that Blake knew Adam was genocidal from before the events of the Black trailer and season 1 but still had feelings for him... I’m sorry but I’ve lost any and all respect for her entire character. You can’t have feelings for someone who’s genocidal- who you know is genocidal- and expect sympathy. No amount of abuse would forgive someone for having feelings for Hitler.

I recognize the comics aren’t supposed to be a shot for shot recreation of the show, but what the fuck is this panel? The frame of Adam dismembering Yang was such a good, amazing, impactful frame. The black and red framing, the yellow of Yang’s hair and weapons, the red of Adam’s sword. Why would you not even try to recreate that?

Leaving nitpicks for the end, really wish they hadn’t used “sunflower” here. That’s Yang/Ren. But again, the comic is made by people who aren’t in the fndm and don’t interact with the RWBY community at large in the first place, so of course they wouldn’t know.

Issue #5:

Why does Blake seem so ooc here. Like, the fact that she’s trying to make Weiss feel guilty for “cheating” in a “win by any means necessary” free for all match is really??? Weird??? When we know Blake isn’t above using underhanded tricks herself considering what she did to Reese during the tournament and her Semblance in general??? But whatever, that’s mostly a nitpick as well.

Issue #7:

My issue with this story is that it ends with Yang like, wistfully thinking of spending more time with Blake. But this is before she even put the prosthetic on. This is before she even got to talk with Weiss after meeting up with Raven. This is so early on in her healing process that I find it extremely difficult to believe that Yang is fondly remembering any time she spent with Blake. When Ruby talks to her during 3.12, she was angry that Blake had left her! Abandoned her! And then in the conversation she has with Weiss that happens after this event in the comic she’s still frustrated with Blake for leaving. So like... did she suddenly forgive Blake just a few weeks into her recovery and then relapse back into feeling like she’d abandoned her? Wtf is this?

Issue #9:

I know she’s obviously supposed to be drunk here, and we barely got to know her during the short scenes she had, but like... she never struck me as this kind of person. To literally forget how old her daughter is? Like...???? The same woman who was so perceptive she was able to recognize that Whitley was acting out because he’d felt lonely and abandoned by his sisters? Doesn’t know how old one of her children is? This is silly.

This isn’t the same woman we met during season 7. This isn’t the same quick witted woman who immediately directed Weiss to the cameras she’d hidden around the house when it was time to spring the trap on Jacques. This isn’t the same woman who was so honest when she admitted to her own faults just a few short months after this scene supposedly took place. You could argue that the events of this comic are what led Willow to become the person we meet later on, but like... That’s an absolutely ridiculous amount of offscreen growth you’re expecting me to just assume has happened. These aren’t the same people. This is ridiculous.

Issue #12:

This seems so ooc for Sun. Why is he literally begging her to run away and not face a problem when his entire relationship with Blake up to and past this point is him teaching Blake to love herself enough to face her problems head-on in the first place? This is so weird and gross imo because it just feels like they’re warping Sun’s character to make it look like Yang is the only good influence in her life when that’s simply not the case. Every conversation Sun has with Blake from season 1 to season 6 is him telling her that she deserves happiness, love, and to forgive herself. There are multiple songs about this aspect of their relationship! Sun has helped Blake grow just as much as Yang has. Why is Sun taking this approach to manipulate Blake into staying silent about something that’s bothering her? On top of that, Sun’s never been the brightest banana of the bunch anyway, why the FUCK is he smart enough here to recognize that if Blake tells the truth and makes those people feel bad, that they’d draw more Grimm? He’s never been this intuitive before. It really feels like they made him smarter than he normally is just to make him scummier than he’s ever been so that we could feel that Blake’s relationship with Sun is less than her relationship with Yang. Awful writing and characterization from the RWBY DC team here

Issue #13:

This is so wrong and despicable and manipulative and terrible. Again, this isn’t the same woman we met in the show.

Willow never made excuses for herself or her actions like this. Not once during the entire time she was on screen did she do anything like this. She knew she wasn’t a great mother and she took full responsibility for her actions- and inaction- I don’t know WHY she’s trying to excuse herself here. This is more Cruella De Ville than it is Willow Schnee.

I’m not gonna explain how lumping this “prized menagerie” story with “Faunus slave labor” story together is godawful but just recognize that it’s Black History Month and this plot point they decided to write in is not MLK approved.

Anyway, that’s the whole RWBY DC run. All in all it wasn’t the worst adaptation of an established series, but goddamn. I’d rank this up there with Eragon or Percy Jackson or the end of the Soul Eater anime or something. This is such a slap in the face by people who obviously only ever skimmed through the show for the explicit purpose of writing this series that I’ve read fancomics and fanfiction that handle canon better than this. It’s really frustrating too because this comic run is like, beloved by certain people in the fndm who are only in this for the ships, and people who refuse to see anything wrong with this series ever. The healthy servings of Bumbleby and crumbs of Monochrome and White Rose are apparently enough to make people go “fuck all the inconsistencies, this comic is great.” Cannot express how much these people make me wanna slam my head into a wall.

I did this just to highlight all the issues I have with the run, but I’m sure other people have other issues with this comic than I do. Have fun in the comments I guess.

#RWBY #RWDE

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arsenicpanda · 4 years

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Bughead Appreciation Day 1 Except It’s Day 2

So I spent yesterday nice and cozy in bed and put this off (good choice, tbh, I was very snug as a bug), but now, now comes the time for me to gush about some people in the fandom! This is definitely not a comprehensive list, I have absolutely left some people out because I am very forgetful, but, in no particular order and under a cut because I’m a wordy bitch:

@tory-b: A delight and a dear, leading writer of monsterfucker!Betty, co-runner of @riverdaleprideandjoyzine, a legend and a friend, we have no choice but to stan. Her stuff is so good and varied and just *chef’s kiss* a delight, two favorites of mine are Fangs/com/Match (Betty/dragon!Jughead meet via monsterfucker Tinder, has some great friendship moments with Kevin and Veronica and is v sexy and funny, features the horniest Betty) and Sticky Sweet Serenade ((past)-friends-to-enemies-to-lovers bughead, mixes up some statuses in Riverdale, excellent mystery, I remember reading it and going, “holy shit, a believable take on Northside!Jughead”). I’ve also gotta mention Whats in a Name? (Betty and Jughead meet on tumblr, Betty writes poetry and Jughead is a shitposter, they slowly connect, it’s great) and To Balance the Scales (scientist!Betty/mermaid!Jughead, currently a slow build, I cannot wait for you guys to see the excellent worldbuilding she’s done). I could keep going, or you could binge all her fics today, an excellent use of your Saturday, I assure you, because I’ve left a lot out.

@stillhidden: Always good for some great thoughts on the show, one of the best reasons for my your thoughts on Riverdale please show them to me tag, I get psyched every time I see a Riverdale text post or ask answer because I know I’m in for a good time. Thoughtful and funny and nice, what a combo!

@satelliteinasupernova: So talented! Author, artist, co-runner of @riverdaleprideandjoyzine, funny, haver of good thoughts on Riverdale is there anything she can’t do? No, there is not. Every time I see her art I’m like !!!, the colors! how well-drawn the hands are! the accuracy of their hair! the backgrounds! the way I can see the love in their eyes! I cannot even, there are no words. Also! Her fics! So original! One of my earliest memories in the fandom is reading The town called Riverdale (a sort of mystery about the meta fuckery going down in Riverdale, explores time loops, stories that control lives, the roles the Archie characters are “supposed” to have, a mash-up with concepts in Princess Tutu that requires zero knowledge of Princess Tutu) and going !!! is this a Princess Tutu mash-up? Have I been #blessed enough to see a mash up between Riverdale, a story that fucks with archetypes, and Princess Tutu, one of the shows about fucking with archetypes and the way stories ontrol lives? I was and I am and I raved to my non-fandom but Princess Tutu liker friend about it. Has also wonderfully tackled eldritch horror in return to Eldervair and gothic horror/romance in The Lady of the Manor, does fluff, does angst, does it all, so go check her out!

@go-ldy: An angst and time skip queen, tbh, and always has some great thoughts on Riverdale, another reason I’m glad I have that tag. Every time she answers an ask, I’m like, “Yesss, incoming Good Thoughts, I am HERE for this”. But do not sleep on her as an author! Into the Deep is some delightful dark!bughead, and I’ll walk with you in the shadows is such good time skip angst and a mystery and there’s a certain surprise I love but is a spoiler but you simply must read this, you must. The Time after Time series is giving us that good angst bughead content that season 5 is not going to, and I’m so glad it exists and just thrilled that she trusted me to beta it. I’m leaving a lot of stuff out though, so you should go check her out!

@milajovovich: One of the best gif makers in the fandom, I will fight you on this. Makes absolute miracles with footage, the way she makes season 4 webrips look like they’re actual blurayrips is godly, they’re so crisp and so smooth and the coloring is always great. And like, jesus, the way the bluray footage looks? Fucking outstanding, the talent is off the charts. Go marvel at their gifs, go, go.

@imreallyloveleee: A prolific, talented author and funny to boot! loveleee is one of the people who has been here since the beginning, a mainstay in the fandom, and we are so, so lucky she hasn’t left. How do I even begin to rec you some of her stuff? She can write smut with fics like burn, baby (a 3x16 missing moment of bughead fucking in the car as the trailer burns, what a gift to the fandom, I can’t even), is queen of pining with fics like boy problems (season 1 post 1x05 canon divergence, a bughead get together but with that quality pining) and her i’m just a shot away series (two fics, one from Jughead’s POV and one from Betty’s, that are fully of pining and sexual tension and miscommunication and major teenage vibes, you gotta read them), and writer of one of the funniest fics in the fandom and one of my favorite, like spirits in the night (the core four + Kevin perform a seance to contact Jason Blossom and yes, it is just as funny as it sounds, perhaps even funnier). And there are countless others, so settle in and go check her out because she does it all, fluff and angst too, I just don’t have time to rec them all.

@meditationonbaaal: Absolutely one of my all-time favorite fic authors, like across fandoms, the talent, I cannot even properly describe it, like the quality of the prose, amazing, iconic. the devil’s daughter (a season 2 rewrite with some differences in season 1, jumps back and forth through time in the best way, has the best and creepiest dark!Jughead, has some great smut that includes dom!Betty and dom!Jughead can you believe we are so blessed, such a good rewrite of season 2, and you know how I love season 2, so that is some high praise, let me tell you) is easily in my top 10 all-time favorite fics across the many, many fandoms I’ve read many, many fics of, and you simply must check it out, you will not be disappointed. develop, stop, fix just blew me away as a kink week fic of bughead playing with bdsm in a dark room, the layers, the smut, the trust, the feelings, I cannot even. And doll parts! doll parts is so good, just such an amazing take on drop dead gorgeous, a fabulous Jughead and Betty as per usual, dare I say even better than an already fantastic movie. I am behind on loose lips sink ships, but I can already tell it’s going to be a great exploration of the Stonies and a great take on season 4. Keep an eye on her stuff here and here, do not miss out!

@dieqohargreeves: An icon and legend in gif making, just makes the most beautiful and intricate and creative gifs. The coloring is amazing, the techniques are amazing, that shit is Art, I will fight you on this. You gotta check ‘em out, you just gotta, I can’t do their work justice.

@sullypants: The wit! The humor! The observational skills! The talent, my god! Sully is the genius behind @bettycooperoutfitwatch and @riverdalearthistory as well as a fabulous writer of both meta and fic, yet another excellent reason for me to keep up with others’ thoughts on Riverdale. Her a comic miniverse series is so funny and sweet and such a great take on the Archie Comics version of bughead, and the after-party series (Betty and Jughead attend a, well, prom after party, and the events that happen, and I am not doing it justice, but it is v good, I promise) has such a great vibe and such great characterization. And young adult friction (librarian!Jughead is in a kind of competition with librarian!Betty, it’s so funny and so great) is such a delight, and we do not have time to get into everything great she’s written, but go check it out here.

@lilibug--xx: The queen of bughead smut, can you believe she has graced us with her stuff? It is steamy and it is in character and it is amazing. Dark Cherry Chutney is still a fandom favorite of mine, just some great dark!bughead who are unaware of each other’s darkness (but oh, they find out!) as well as some excellent smut. And Pressed for Time (Betty teasing Jughead with her skirts in an effort to get him to fuck her and he is barely holding on until he isn’t, alternating POVs in the best way) is sexy af but makes you work for it, it’s a delight. And give you mine (Betty and Jughead fuck at work and it is so hot, I can’t even) is so goddamn good, just some of the best dom!Jughead out there. Has also written monsterfucker!Betty, which you know I’m a fan of, in once upon a midnight (werewolf-hunter!Betty/werewolf!Jughead with sex pollen where she does not shy away from some wolfy-ness and it is hot af) and has written monsterfucker!Jughead, a rarity but always a delight, with reap what you sow (witch!Jughead/undine!Betty and Betty is so delightfully otherworldly and it is so sexy but also sweet), and there are countless other smut fics, we would be here all day if I went through them all, so you gotta check her out here. One more thing though: she can also write fluff with Lemon Drops and Chocolate Chips, a sweet fic of Betty and Jughead as neighbors that you should definitely check out.

@thatiranianphantom: Funny and thoughtful and talented and has correct opinions on musicals! Writes such good explorations of post-4x17 (and post-4x17 adjacent) scenarios. Like, the we are a masterpiece series is v good and so interesting, and no one else is singing my song is such great angst as a post-4x17 fic and a great use of Crazy Ex-Girlfriend songs. I am forgetting a lot of stuff, I know I am, and I think I might be behind like a fool, so let’s go check out all her stuff together here, yes? Yes. Also? Great for Riverdale speculation, especially about the season 5 musical episode.

@heartunsettledsoul: So talented, queen of canon missing moments, and funny to boot! I love reading her liveblogging of the episodes, and I cannot recommend her stuff enough. Her Forgotten Moments series of canon missing moments is iconic, you must go read all of it, especially there’s witchcraft in your hips, a post-2x13 fic of Betty and Jughead being such teenagers and Jughead being a dweeb about his cheerleader girlfriend and I am not doing it justice but you gotta go read it, man, you gotta. But the series is full of gems from the beginning with Midnight Silence (Betty and Jughead talk post-1x04 about the Grundy debacle and it’s such a delight) and going all the way through to the most recent it might’ve been a nightmare (a 4x12 through 4x16 fic that gives me a wide range of emotions and is fantastic) and your eyes look like coming home (Betty’s diary entries throughout season 1, simply inspired). But she’s also so good at AUs! a dark world aches (for a splash of the sun) is already looking so good as a bughead mystery with some varchie fun on the side, just some quality core four content, and won’t be the same (if you’re not here with me) is a favorite of fake dating, Christmas, and there was only one bed, just the best tropefest. And there are so, so many more, so you must check her out here.

@lovedinapastlife: She writes such a variety of AUs, I am just in awe of them all! The talent, I am amazed. The dark!bughead in The Society is peak dark!bughead with a simply iconic yandere!Betty, and you are seriously missing out if you have not read it yet. Oh, and there’s some more dark!Jughead with a side of dark!Betty in the key to harm(ony) that you must check out because it’s such a great ride and is sexy, what more could you want? Every movie AU she does really takes the source material and makes it her own from works You Drive Me Crazy (but I'm gonna keep on loving you), based on Drive Me Crazy and definitely better than the movie, to the most recent to all the boys (but especially you), based on To All the Boys I’ve Loved Before and just so sweet. But also can write otherworldly fics like Heart’s Desire with genie!Betty and The Second Coming with fae!Jughead, as well as regular aus like Detention (Betty and Jughead in detention and it gets a little sexy but also quite cute), and pure porn like Eye of the Beholder (Betty and Jughead as sorcerers who hook up over sorcerer Tinder and it is sexy but also sweet), as well as some of the best ABO in fandom with her A/B/O Mine series (alpha!Jughead/omega!Betty in high school and holy shit is it hot as hell). I am only just skimming the surface here, so definitely go check her out!

@kyloren aka @jughead-jones: Mila is so talented at making gifs, like goddamn, and also so funny, but I bet you didn’t know that she also has written some damn good fic! She hides it, but it is out there and it is very good, my favorite being let me hang my hook on your splendor, a fandom fave of a Scooby-Doo au that is so much more thoughtful and clever with its casting, and also very amusing, you must check out the rest of her stuff here.

@elizabethbettscooper: A delightful person and a delightful writer who is largely retired from the bughead fandom but still such a talent, like seriously. Her Twin Peaks Riverdale AU The Past Dictates the Future is so good, you simply must check it out, like you must. And yours was the first face i saw is such a fun AU of “what if Betty’s crush on Archie was a front for her crush on Jughead”, you must go read it. And holy shit, her i may be bad (but i’m perfectly good at it) series is peak dom!Jughead/sub!Betty taking place when they’re in college and fucking in so many varied ways, like if you are into that, you must go read these fics, you must, you will have a great and sexy, sexy time. And there’s so much more good stuff, you gotta go read it all here.

@bettycreeper: She does so much for the fandom and she makes such gorgeous gifs! Like, the coordination she does on the @bugheadfamily server and @bugheadfanfictionawards and @riverdale-events and probably elsewhere cannot be understated, she is such a valuable presence in the fandom. And have you seen her gifs? Gorgeous quality, just gorgeous, and her movie poster gifs for fics are simply inspired. Also? She’s an amazing beta, just outstanding.

@stillscape: A very thoughtful person and excellent writer who I can’t seem to tag. Dianthus Caryophyllus is still one of my favorite fics in the fandom, a high school bughead fic with some amazing pining from Jughead with an oblivious Betty, I can feel it, it’s so good. And of course there’s Ninia, an amazing take on the soulmates trope, just so good, I cannot do it justice, you must check it out. The for the life of me series is also such a good AU for Betty and Jughead getting together pre-Riverdale at a summer internship, I have such fond memories of it. And la peste (the plague)! So good, I cannot even. We don’t have time for everything, except you should make time and go check all of it out here.

@theheavycrown: God, where would we be without Sarah? She does so much work for the @bugheadfamily and @bugheadfanfictionawards and @riverdale-events and @riverdalecentral and I’m probably forgetting some, tbh. And so sweet and talented! Her gifs are fantastic and so are her fics. Like, Rain Comes Down (Betty and Jughead fucking in the car on the side of the road while cars drive by)? Iconic, some amazing exhibitionism. you had me howling(Betty in heat in the woods and then Jughead finds her and fucking ensues)? Fantastic ABO, so horny, so desperate. Beneath the Silver Moon Rising? Excellent dom!Jughead, excellent sexy times. You must go check out all of her stuff here, you must.

@50shades-of-bughead: Just some of the absolute cutest art that you must check out, especially their series of dark!bughead that is just fantastic.

@thepointoftheneedle: The variety of work here is phenomenal, the talent, I cannot. Took my ridiculous double fake marriage/draft-dodging concept and turned it into an excellent, thoughtful period piece with phenomenal characterization and a great mystery with Never No Locomotive, I cannot recommend it enough. And Ghosts and Clouds and Nameless Things (ghost!Jughead/grieving-dead-Jughead!Betty with a side of mystery) gave me so many emotions, I think I almost cried, and I am not a crier, I assure you. Hey Pixie Dream Girl, I’m Coming for Your Man! (Betty in her bookstore saves Jughead from his date with a Manic Pixie Dream Girl) is so delightfully funny, and Sunflowers (Betty and Jughead share a working space and fall in love) is so goddamn cute. I have actually found myself behind on her work, which is a crime, it all looks so amazing and I know it will be, and you must check all of it out with me here.

@hellodinoflower: Such an amazing presence in the fandom, such a delight, so clever and funny. She ran @bugheaddrabblechallenge this past summer and gave us all so much joy in the process, and, while her fics are deleted now (as is her right), I promise you that they were amazing, you all missed out if you slept on her. She’s such a great follow, you gotta follow her.

@bluevelvetvideo: A delighful soul, great character insight, great writing. Like, her smut is fantastic, have you read Arsenal (a double feature of Betty and Jughead fooling around in public and then having some sexytimes back in private with some quality dom!Jughead, let me tell you, v steamy)? Because you should. Christmas Lights (Jughead ties Betty up with their Christmas lights, it’s fantastically sexy) is a delight, and you can’t blame gravity (for falling in love) is a very fun take on soulmates and soulmarks, and you simply must go read it. She is a master of smut, let me tell you, and you must check out all her stuff here. Also? An excellent beta, 10/10, I’m so lucky to have her.

@a-true-janian-reply: Very funny, has excellent thoughts on Riverdale! Like, truly, every time I see an original text post or a reblog from her, I am PSYCHED because it’s always going to be SO GOOD.

@writeradamanteve: Such great talent across genres, really impressive. Drive (illegal drag racing Betty and college student but former-ish Serpent Jughead, just fantastic) is one of my earliest fandom favorites, I remember excitedly telling my non-fandom friend about it because I thought it was so clever, and we all know how good Daemon Bound is, yes? Yes, I’m sure we do. Let’s go make sure we’ve read all her stuff here.

@thugheadjones: Has some great insights, some great responses to dumb anons, and some fantastic art, like holy shit, I cannot even.

@bugggghead: A delightful soul, so nice, so talented. Writes some amazing smut, like, have you read intimately acquainted (alpha!Jughead/omega!Betty, meeting up on an app to help Betty with her heat in a heat retreat, four chapters of excellent smut)? Because you should if you’re even kind of interested in ABO. And en pointe is the bughead knifeplay fic of dreams, you gotta check it out. And there are so many other ones, we do not have time to cover them all. She also does cute fics, btw, and Message Me (fanfic-author-who-is-actually-the -real-author!Jughead/gif-maker-and-fangirl!Betty meet on tumblr and fall in love and it’s great) is such a delight, definitely go check it out. In fact, go check out all her stuff here. Also a fantastic beta, I really owe her for that.

@heavy-lies-the-crown: A talented soul who has written so much high quality fic, from the hilarious red ribbon winner (a Christmas fic comedy that I cannot describe well but I assure you is both hilarious and sweet) to the emotional and moving road to me (Betty and Jughead break up, find themselves, and come back together and it’s perfection) to the heart-ripping angst of apizza (a semi post-4x17-speculation fic of bughead together but apart at Yale and the way they will come back together and it is so good and so angsty) to many, many more. You gotta go check it all out here.

@lurker-no-more: Yet another funny person, we as a fandom are so blessed, you must check them out, you just must.

@iconic-ponytail: Another excellent writer! a revelation in the light of day is SUCH a great slowburn and SUCH a great take on both FBI!Betty and Sheriff!Jughead and the two of them falling in love as adults. Also, the side varchie is fantastic, and the mystery is amazing. I have not yet checked out the nighthawks, but I already know it’s going to be good, I can tell, you can trust this author to be quality, so go check all of her stuff out here.

@soyforramen: Funny! Very funny! Also? Writes some great ficlets that are, I think, exclusive to tumblr, which is a tragedy, tbh, but as is their right. But I do have the link to this genius fic about bughead and a platypus in honor of the platypus anon that was going around this summer. Definitely go check them out!

And now I am very tired, I have used up my energy, and I am so sorry if I forgot anyone!

#Riverdale #fandom #fic recs #I mean they're buried in there but they're THERE #can you tell I ran out of steam at the end?

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kinetic-elaboration · 3 years

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April 14: 2x15 The Trouble with Tribbles

Back to watching TOS on Wednesdays! We’ll see if I can keep this up because I do prefer it to Fridays.

Today’s episode: the Classic (tm) Trouble with Tribbles.

Starting out with a little test for Chekov lol. Just Chekov, his mentor, and his mentor-in-law.

My mom called Chekov “Kirk and Spock’s little project,” which I think is hilarious but also probably true. Only 22 years old and on the bridge crew? Private quiz by the top two people on the ship? Legit interpretation.

“It was just a little joke.” / “Extremely little, Ensign.” Classic Spock burn.

The Organian Peace Treaty--from Errand of Mercy??

I really do feel like Kirk is genuinely amused by Chekov.

You would never guess from this intro about tense diplomatic situations and number-one-top-priority-triple-red-alerts that this was going to be a crack-y episode about space bunnies.

Oh no, a fake red alert! Kirk is really angry now.

Kirk and Spock are very Married today.

STORAGE COMPARTMENTS?? StOrAgE cOmPaRtmEnTs?

WHEAT??

Do not try to imply that Spock doesn’t know things; he is contractually obligated to show off.

Canadian wheat.

Honestly, just let Kirk call it wheat.

Spock is using diplomacy to reign Kirk in. Sarek would be proud. And Spock would be insulted that Sarek is proud.

Kirk is very Sassy today.

Omg the waitresses have little wings.

Spock taking the wheat from behind his back and giving it to Kirk like a magician’s assistant.

I feel like Kirk is bitter about the wheat because it’s the one (1) thing he’s not a nerd about. And he’s from Iowa too!! He should know!

Uhura listening to the salesman; well she IS here to shop, after all.

Is it alive? Is it cute? Oh who am I kidding, I can see it’s cute!

Oh no the tribble is eating the grain.

Uhura is truly adorable.

I can’t believe she just made a joke about never getting any shore leave and here she is, back at her station again.

Can you even imagine AOS Kirk being tasked with protecting a bunch of grain? HE would make Iowa jokes.

And Spock is trying so hard not to laugh.

Tbh I have a real soft spot for these frustrated Kirk episodes. Poor, long-suffering Kirk. So much more serious than all of the nonsense going on around him.

I like this space station design.

Klingons on shore leave. They just want to have some fun. No bowling alleys on their ships!

Technical journal time for Scotty!

“I am immune to their effect....” Sure. What’s funny to me is that Kirk actually is immune to their effect. Truly at no point does he seem charmed or amused by or even interested in the tribbles, except in their capacity as Klingon detectors at the end

“I think they’re old enough [to be adopted].” Lol how can you tell?

One look from Spock reigns Kirk in. #spacehusbands

Oh, you noticed there are 11 tribbles instead of 1? How astute.

“What do you get when you feed a tribble too much?” / “A fat tribble.” This is ACTUAL DIALOGUE. Oh, Kirk.

Honestly McCoy is a medical doctor, so it kind of would make more sense for Spock to be doing these tribble experiments but he has his hands full with Kirk

Kirk is awfully insistent upon Scotty taking shore leave when he should very well remember what happened last time

“You’d think he’d be a vodka man.” And he is!

Klingons don’t understand Kirk at all. He IS a little soft <3

Where’s that post that’s like ‘the AOS writers just listened to this one Klingon speech about Kirk and wrote his character based on that?” I mean... not totally inaccurate.

Actually it is a potentially interesting speech. Is this really how his enemies see him based on his reputation? Or is it just, like, a bunch of generic insults you could apply to pretty much any captain of a group you didn’t like?

Poor Kirk, missing out on this fight scene.

Lol the drink joke. Does it make sense? No, but it’s funny all the same.

“Captain’s log: I am forced to cancel shore leave.”

Angry Daddy!Kirk and his unhelpful children. You’re ALL grounded!!

“No this is not off the record!” Not even gonna debate that Scotty.

This whole Kirk and Scotty scene deserves an Emmy.

Spones + Tribbles

The extra hilarious thing about Spock talking about the uselessness of the tribbles and Bones defending their cuteness as being an end in and of itself is that Spock DOES canonically like soft, pleasing animals. Even in this episode!!

The tribble wants to be captain.

Kirk collecting tribbles lmao.

“Don’t look at me, it’s the tribbles that are breeding.”

The tribbles are bisexual. Just like Captain Kirk. (Yes this is two different uses of the term that mean totally different things and I do NOT care I just like hearing the word “bisexual” in DeForest Kelley’s voice.)

I feel like Uhura must be so lonely.. Trying to talk to Spock about the moon. Meeting shape shifting aliens who become native Swahili speakers just for her. Trying to buy love in the form of small, cute animals.

The tribbles have been taken from their predator-filled environment. I am VERY curious about their native environment now. What eats tribbles?

“It’s you I take lightly.” Honestly this level of sass almost makes AOS Kirk seem IC.

“Licensed asteroid locator and prospector.” Brb changing careers.

“But he is after my grain!”

Kirk saying “au revoir” is funny on its face for how he echoes Cyrano what’s-his-face but also because it reminds me of Shatner saying “I’m from Canada, so I speak French.”

No, the tribbles got in his food! That is the last straw.

It’s hard to tell because it’s covered in tribbles, but Spock appears to have a very odd looking salad. (Or that large piece of fruit is a tribble, really hard to tell.)

Spock’s “fascinating” was so quiet.

“They’re into the machinery all right.” First, lol, and second, isn’t Scotty supposed to be in his room thinking about what he’s done?

You can really see that missing finger.

Gonna beam down some tribbles too.

And now to top off this bad day: the indignity of having a bunch of dead tribbles fall on his head. To wacky music.

“Gorged? On my grain?” It’s more likely than you think.

And like........you realize someone off set is just continuing to throw little puff balls at Shatner's head at regular intervals during this whole scene? One just bounced right off it.

And the answer to the tribble problem is literally “stop feeding them” which is so obvious that I assumed it was just harder than one would think not to feed a tribble. Since no one fed them. And they continued to eat.

I also love how Bones comes into his best friend literally buried in tribbles and doesn’t even blink.

Whereas Spock’s here with his mouth this thinnest possible line, trying not to laugh.

They like Vulcans! They have good taste.

Spock is definitely that type that has secret low self esteem so he builds himself up with confident comments at every opportunity.

“He’s a Klingon, Jim.”

Kirk REALLY likes threatening the Klingons with tribbles.

I feel like leaving Cyrano to single-handedly clean up the tribbles over 17 years is not a punishment that makes sense because like... must the station live with the tribbles until then? Also, where is he to put them?

I think they should be returned to their native habitat to be eaten by predators according to the natural cycle of life.

Are we to understand that SPOCK suggested beaming the tribbles on to the Klingon ship? Perhaps I have underestimated his prank war abilities.

I’ll be honest, this ep is very entertaining and for that reason one of my favorites, but I don’t know that it paints the Enterprise, and Kirk in particular, in the best light.

Like... I am really torn on Kirk’s treatment of the undersecretary. I know he often doesn’t much like administrators and diplomats and other people who don’t seem to have much RL experience, and certainly this Federation official got on his bad side immediately and understandably by misusing the red alert.

But... Kirk isn’t at all subtle about not liking him. I mean he literally says “I don’t like you” and that’s just objectively unprofessional, which he is not. The sassiness was way unsubtle, which could be funny, but it just didn’t seem IC.

I can almost justify it because of the red alert mix up--that’s everything Kirk hates: violating regulations, showing disrespect to him and his crew, uncalled for manipulation--and I think he has the right to be upset about it. But he continues holding this grudge for a long time. It feels like it’s just as much about not personally caring about the grain as about anything else. Like he’s dismissive about the grain because he personally has never heard of it. So obviously it’s not important.

That’s too much that conventional-wisdom arrogant, dumb Kirk for me.

I guess I just don’t understand, why so much hatred for the undersecretary? Because his two biggest sins were the red alert and employing a Klingon. But as I already said, I think Kirk’s ire is disproportionate to the first offense and no one knew about the Klingon until the end--because a tribble, not Kirk specifically, found him out.

Otherwise..this guy was right! The grain was important, losing it or having it sabotaged would have very bad consequences for the Federation, it is Kirk’s job to guard it, and he should do it well. He was also right that the Klingon threat was real!! He’d brought in the Klingon threat but he was still right about it existing. The Klingons did in fact sabotage the grain! And although we hear at the end that there was magically more grain out there... I don’t get how or from where.

Furthermore, he used the red alert specifically because he seemed to think Kirk wouldn’t rush over to protect the grain otherwise, and Kirk is so dismissive of this “just wheat” that he kinda proves the guy right!

Anyway, I can see the grains of this Kirk (lol pun not intended) in his general characterization, but it’s too over the top, to the point where it’s OOC. He does take his job, including the diplomatic aspects of it, very seriously, and I think an IC Kirk would protect the grain, and maybe be only occasionally, subtly sassy to the undersecretary.

But this was such a crack-y episode overall... it was like everyone was turned up to 11 and pushed slightly to the side.

It was a fun ep though with a lot of very classic scenes, and it’s another reminder that Spock likes soft, adorable animals.

I will admit that I actually do not think the tribbles are particularly cute. They kind of weird me out. They’re just lumps of fur.

Next is The Gamesters of Triskelion, which I vaguely remember as a decent but not great episode.

#the year 2021 #2021: star trek #star trek tos #2021: fandom thoughts

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