#but still want to tag to be safe

[uncanny-tranny]

Part of harm reduction is recognizing that abstinence or sobriety, whenever these terms are applicable, is not the inherent goal for so many people. Forcing complete abstinence or sobriety can absolutely be detrimental, which is why we must not idealize either one or force it on people. It should be an option, yes, but that does not mean it is the only option or the only option worth pursuing.

[barawrah]

oversaturated little guys

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[monst]

Hopefully there's some Bridgerton fans here:

You know how each season has that one confession scene. I know people would hc Jason as saying Anthony's "Your the bane of my existence and the object of all my desires" but I firmly believe he'd be on that farmer George shit.

"I love you! From the mo- from the moment I saw you try to go over the wall. I have loved you desperately. I cannot breathe when you are not near, I love you, (your name lol). My heart calls your name..."

[yrlocalghost]

i feel like the thing that really gets to me personally about chara undertale specifically is that at the heart of the story, everything is happening because they were just so loved and nobody (except flowey/asriel) knows about why they died.

toriel visits their grave often, and has never really recovered from losing her children. she took their body and carried it all the way back to the ruins. considering monster customs, this is probably the first time she had ever actually buried someone. it’s grim, but it was out of love.

asgore essentially carries out the remainder of their plan, despite never knowing that there was a plan. he declares war on humanity in the name of both of his children. he has golden flowers everywhere, which only started growing after their death.

literally just. everything about flowey. flowey is the core driving force of the plot, and everything he does essentially comes down go being about his trauma and his grief. this should probably be an entirely separate post

AND ALSO the golden flowers are everywhere and so indicative of them and the grief surrounding that. toriel tries to move on, so you don’t really see many in her home but she visits the grave. asgore has them everywhere and when you get to the throne room, its covered. flowey just straight up IS a golden flower.

the other thing that is interesting is that nobody except flowey (and technically alphys) knows why or how they died. and honestly? it does not really matter. knowing wouldn’t change anything. they’re dead either way. asriel had to carry the burden of that knowledge alone, which is another separate post.

but Yes anyways this is getting Long but the point is that it just makes me insane that chara was just so so loved. it didn’t matter that they were troubled or came from a bad situation, it didn’t matter that maybe they “weren’t the greatest person” or anything. they had a place they belonged, they had it really good for a while and they couldn’t handle that but they were very loved and that is the heart and driving force of the story and i

[kuzann]

Idk if anyone's played around with this idea but post-AGIT clone-body Dan visits Amity Park where Dash mistakes him for the real Danny and tries to bully him

which is a huge mistake

because Dan happily gives him the thrashing of a lifetime and strolls away in a really good mood.

Dash tries to blame Danny but no one believes him because Danny Fenton, being able to beat up Dash Baxter?? You've seen how small that kid is right? Dash stop messing around, you got hurt doing something super embarrassing or illegal didn't you? Come on man what was the actual thing you did come on you probably realize that saying Fenton beat you up makes you look worse than whatever thing you probably did right?

Cue Dash trying to prove that Danny is secretly stronger than he actually is, only to be foiled at every turn because Danny and friends caught on to what he's trying to do. Maybe Vlad foils him too cause Dan is supposed to be his responsibility and it was Dan who got Danny into this mess to begin with.

Eventually Dan lets Dash see him with Danny, they explain that Dan is his cousin, but also so Dash doesn't go back to bullying Danny he tells Dash that if he ever touches his cousin again Dan will have to take a hand as recompense.

Dash never bothers Danny again. Maybe he gets to go on a redemption arc where he realizes how trash he's been to everyone below him on the social pecking order and how much those teens hate his guts for it and decides that he wants to change. idk. But he stops harassing Danny.

[autumnlopking]

🔵🔵 😋

Art for a friend! They know who they are lol

[dawnofiight]

Now Presenting: Sophia Rhone

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[lunarharp]

being attached to that moment qifrey held a baby one time and my ideas for the future :)

[shady-tavern]

The Tailors on Baker Street

Warning for implied/referenced domestic abuse and murder. Please take care of yourselves, this is possibly a bit darker than my usual fare.

***

There was a tailoring shop at the end of Baker Street, a small but rather popular store, run by a married couple. They were ever polite and friendly, sharing gossip with mischievous winks and listening to the trouble of their customers. 

Their wares were of good quality and it was said they could fix every dress and coat, no matter the rip. Whatever one needed, they had it and they were said to finish orders swiftly and as desired. Their fine stitches and detailed embroidery were the envy of many.

There was another rumor about them, shared in soft whispers and away from prying ears. When you had fled to your friend, terrified, helpless and bruised, admitting you couldn't take it any longer, she had told you there was a solution to your problems.

Go to the tailors at the end of Baker Street and present them with a daisy, your friend had told you, briefly dipping into her yard to pluck one, shoving the small flower into your shaking hands. Give it to them, they'll know what to do.

And here you were, in front of a modest, well taken care of storefront. A carriage bustled past behind you and you fiddled with the daisy, doing your best not to wear it down with your gut-wrenching anxiety.

It took more courage than should be necessary to set foot into the store, your heart pounding hard enough you felt it beat in your throat. There were some customers, looking over ribbons and fabric, before examining shirts, breaches and skirts, along with coats and dresses on hangers. They barely paid you any mind, too focused on their tasks.

You nearly squished the poor flower in your grip as you lingered by the door, fighting the urge to leave before someone spotted you.

"Welcome and good day, how may I help you?" a woman's pleasant voice made you flinch in surprise and you turned to the lady who had approached you. She was beautiful and well dressed, if simply, for work. Her dark hair was neatly pinned up and pretty earrings reflected the light. 

She wore a brooch, made of three daisies and her eyes held a strange, golden shimmer. You quickly chalked that up to the light falling in through the window. Some people simply had unique eyes, after all, but these held you captive for just a moment despite your body nearly shivering with stress.

"Um." You gestured with your hands, mouth dry and heart pounding. Her gaze fell to the slightly worn looking daisy.

"Oh, how silly of me," she said, stepping back and gesturing for you to walk ahead of her. "You're here to pick up a custom order, aren't you? Forgive me for forgetting, it has been such a busy day."

You wobbled a small, unsure nod and scurried ahead, head kept down. The woman led you to the back of the store, where real custom orders were waiting on a rack, all finished and well made. The space was clean and neat and had two worktables below the windows, one abandoned with a half finished blouse lying neatly on top.

A tall man looked up from the second table, pausing in sewing a silver button onto a dark blue coat. "Has there been an issue with an order, Milly?" he asked, mild and pleasant, voice the nice kind of slightly-deep. He was handsome, his beard and hair neat and well groomed. He was just as well, if simply, dressed as the woman and he, too, wore a brooch made of three daisies.

His gaze fell to the by now somewhat mangled flower in your hands and he hummed in understanding, setting the coat aside. You felt your shoulders hitch up a bit at his undivided attention.

"Please, take a seat," the woman said, gesturing to an empty stool. "We'll be right with you."

As you nervously perched, rather than sat, you saw her set out a sign and close the door to the backroom.

"How can we help you?" the man asked, calm and steady, his hands folded in his lap. 

His face was kind, but there was a glint in his eyes, something as cool and sharp as the scissors lying near his elbow. You noticed a strangely golden shimmer in his eyes as well, but you were too anxious and worried to wonder about that.

"We would love to know who recommended us," the woman added and while she smiled, pretty and charming, she too had eyes of sharp, cold steel. "We love to see our business grow in the right direction, after all."

You glanced between them, wetting your lips. "My friend, Jane Martin, said I should come here." 

Should you leave? Sure, you were terrified to go back home, but could they really help? Would they even believe you? Was it right to get strangers involved, maybe even hurt? 

Lots of people were in your position, stuck with people who mistreated them. Just last week they had fished a dead woman out of the river, face and neck bruised.

At your words, subtle tension eased out of their faces and their eyes lost the sharp coldness. "Miss Martin is a very valued customer," the woman said with a smile that truly looked pleasant now, not just pretty. Something about it made your shoulders relax a little. "Forgive our caution, I am Milly and this is my husband Julius, what brings you to us?"

"You seem a bit haggard," Julius added, a soothing tone to his voice that unexpectedly helped you take a calming breath. "I'll go and make us all a cup of tea."

Milly took a seat by the free table, most likely hers, arranging her skirts in an elegant motion. Their manners were as prim and proper as those of the upper class, though their fingers were callused and you noticed a small scar on Julius' wrist as he prepared tea.

"Take your time," Milly said, voice gentle and patient and you felt your throat tighten all of a sudden, tears blurring your vision. "Speak with us whenever you're ready."

"What about your store?" you asked, an unwanted rough quality to your voice that gave away your emotional state.

"No need to worry." Julius offered you a reassuring smile.

You had no idea how they did it, but their presences felt...pleasant. You usually didn't trust strangers, but looking at them, you found the tight grip around your heart and stomach easing. They did not look at you with pity, and instead their calming steadiness felt reassuring.

Even the guilt and shame felt muted as a gentle floral scent filled the air, sunshine casting everything in soft warmth. Under other circumstances you might have left again, not wanting to bother these kind, unexpectedly pleasant people.

But the fear that had driven you out of your house still sat in your gut like a block of poisoned ice. Once again you wished you had found the courage to back out of the marriage after you had accepted the proposal in front of your family. 

Your parents however had been all-too happy that you had married into a rich family and they did not want to hear anything bad about your spouse. They especially had cut you off mid-sentence when you had suggested going public. They would not want to risk the wrath of a richer family upon themselves.

Your father had suggested that it was your fault that your spouse was...unpleasant. That you weren't sweet enough, kind enough, accommodating enough. That you didn't listen enough, that you talked back too much. You hadn't spoken with your parents since.

You had gone to the police exactly once and you knew better than to do that again. Your spouse was a valued member of higher society after all and had made sure you understood how far their influence reached.

"Here you go," Julius said, handing you the cup of tea, his fingers carefully not brushing yours, and sitting down. "Speak freely, we will believe you."

You met their gazes and they were so steady and earnest you felt breath flow into your lungs properly for the first time in days. You believed that they would believe you. It settled something within you, your withered courage taking root and growing enough to help you speak.

Haltingly you told them the story, clinging to the delicate porcelain cup Julius had handed you. You couldn't bring yourself to take a sip, but the floral fragrance and the heat warming your cold fingers helped.

"Are you safe at the moment?" Julius asked after you finished your story.

"I'm staying with my friend." For now. For as long as she could hide you at her place without your spouse causing trouble.

"If you ever find yourself unsure where to go, come to us," Milly said, gaze serious. "No matter the time. One of us will let you in and you will be safe here."

You inclined your head, hoping you were never forced to take them up on their offer. It was strange, however, that you believed that, too. A part of you, more instinct than rational thought, already felt safer. It shouldn't be possible, not when you knew how powerful your spouse was. That simple tailors couldn’t stand a chance against someone who could crush them in so many ways.

And yet...it felt like fear had no place here. Banished from this room by sunshine and the presence of these two, who had eyes tinged in gold. Who looked at you with so much truth nothing could have shaken it apart. You realized that your fingers had stopped shaking, that your skin no longer felt cold.

There was a thread of calm that had settled within you while you had spoken, easing your heart and soul.

"There is but one thing we need of you," Julius said, drawing your attention. "Would you mind leaving the key to your home with us? You can retrieve it again at the end of the week, at which point you can return home."

"Oh, of course." You pulled the key out of your pocket, handing it over. "What are you going to do?"

Milly's smile could have been reassuring and compassionate at first glance, but all it reminded you of was a razor sharp blade held against an unprotected throat. Not your throat, you still felt that sense of safety, but more like a weapon waiting to drink the blood of its enemy. "We'll take care of things, don't you worry."

You should keep asking. You should ask what they were going to do. If you were a good person, like the priest preached you were supposed to be, you would ask for the key back and request they forget your visit. You should return home, obedient and quiet and accept the place you had been given. The hand fate had dealt you.

But your mouth felt glued shut and the courage rooted within you stubbornly grew a tiny bloom of hope. Fuck fate. Fuck God if this was what He considered just and right. You deserved better, you deserved to live without fear and pain. You handed over the cup when Julius held out his hand for it.

"Let me show you out," Milly said and you found yourself secretly glad to not immediately lose her company. "There is a carriage that will take you back to your friend." When you tried to protest, she silenced you with a sweet, genuine smile. "Let us look after you as long as you're here."

While Julius cleaned up the cups, Milly accompanied you to the front step of the shop and waved over a waiting carriage. "Make sure she gets home safe, Leopold," she said, offering her hand to help you into the carriage. 

"Stay safe," she murmured at last and for just a moment, you swore the gold gleam in her eyes was brighter than ever. You nodded and she closed the door, her gaze holding yours until the carriage lurching into motion. Even then you looked back at her and saw her watching you leave until you rounded the corner.

You gripped the thoroughly mangled daisy tightly and closed your eyes. You didn't dare pray, worried that god might notice and put a stop to things. But deep down, you hoped you would be free soon, no matter how it happened.

*.*.*

You returned to the shop at the end of the week, feeling exhausted and frayed, like an old, worn piece of fabric. Your friend had done her best to distract you and keep you busy, but it hadn't helped against the tension that wouldn't leave you.

It was early when you showed up and Milly had only just opened the store, since both had just finished setting up the last of their wares.

"Ah, good day, my dear," Milly said with unexpected warmth, stepping toward you as though you were truly welcome company. 

You were surprised to see how happy and languid she appeared to be. Her husband moved with the same deep relaxation when he bowed his head respectfully to you, offering a charming smile. 

Strangely enough, they reminded you of well fed cats enjoying a spot of golden sunlight. An air of effortless confidence surrounded them, a quiet strand of power that wove into the sense of safety that lingered all around them.

"I'm not too early?" you asked, your nervously wringing hands claming. Whatever they had done, it had made them very and deeply happy.

Milly's smile morphed into a grin and the gold in her eyes was brighter than ever before. She seemed so radiant you couldn't look away. She was easily the most beautiful woman you had ever seen. "No, of course not. Are you ready to head back home?"

You didn't mention that the house of your spouse had never felt like home. The last time you would have called a place that, you had been a child of eight and had stayed with your aunt and grandmother during the summer months. After the falling-out your father had with his side of the family, you hadn't seen them again.

"I am," you answered anyway. You couldn't continue to live at your friend's place. Even if she didn't mind, she was currently seeing a particularly sweet gentleman and once they became serious about each other, you'd swiftly overstay your welcome.

Julius stepped forward, all fluid grace and pulled your key from his pocket. His eyes too seemed brighter than ever, making your eyes linger on his face. He really was so very handsome.

"All is well," he said, quiet and certain, when handing over the key, his fingertips ever so carefully brushing yours.

"Alright." Your voice was soft and you glanced between them. "Thank you. Do I owe you anything?"

"No, not at all, this was our pleasure," Milly answered, voice as sweet as honey and her smile felt like it was meant just for you. "Anything else we can do for you?"

"No, um, but really, thank you." You gave them a clumsy, heartfelt bow and they elegantly curtseyed back, an amused mischievousness to their smiles. "I'll get out of your hair now."

"Our hair hardly minds," Julius answered. "Please, feel free to come back whenever you like."

"We'll be glad to help in whatever way we can, or just to chat," Milly added, leaning against her husband, both of them looking right at home with each other and within their store. "Be sure to speak to Leopold if you like, he'll take you home."

You couldn't help but smile back a bit and after a last dip of your head, you stepped back outside. An elderly woman bustled past you with her grandson, grandly telling him to pick whatever he liked best for his wedding.

You took a deep breath, so deep it almost ached in your lungs and you clutched the key tight. Was...was it over? Just like that? All your worries and fears could cease to be? Rubbing a hand over your face, you approached Leopold, who was softly talking with the horses, massaging their foreheads.

The young man, just barely out of boyhood, was happy to bring you home, helping you into the carriage and whistling as he started driving. You clung tightly to the key, nerves making your stomach squirm and your heart was beating harder, the closer you came to home. 

And yet, fear didn't claw its way up your throat. You believed the tailors that it was done and dealt with. You...trusted them, as inexplicable as that might be. It was as if a small bit of safety had stayed with you after your visit to their store and it accompanied you even now.

At last, Leopold stopped and you took a deep breath before leaving the carriage. "Thank you," you said, tipping him some money and his face lit up.

"Have a nice day," he said with a cheerful bow of his head, then drove on.

The house looked just like you remembered it, flowers blooming and nothing was out of place. Swallowing and taking another deep breath, you walked up the path to the front door. You unlocked the door, cautiously peeking inside.

Nothing. The house smelled like fresh air and the maid must've been by yesterday, for new flowers filled the vase on a side-table. Stepping past the threshold, you carefully walked onward, your steps sounding too loud in the silent house.

You found your spouse sitting in the study, breathing calmly and not reacting to your presence. The sharp stab of bitter disappointment quickly faded to startled realization. Empty eyes stared ahead unseen, no emotion visible on your spouse's face.

"Um..." You managed to say after a long moment, but it brought you no reaction.

Your mind rebelled, hurrying towards the excuse of drugs and poison and other mixtures, but deep down you knew your spouse was gone. The thing that sat there was an empty shell, no soul remaining, and you had no idea what to do.

In the end, after puttering around nervously for a few minutes, you ended up sending for the family doctor. The older man who showed up usually came for you, making sure you'd heal fine. 

"Oh my, this does not look good," he muttered the moment he spotted your spouse, hurrying onward. "When did you notice something was wrong?"

"I was visiting a friend for a few days," you said and his gaze was knowing when he glanced at you. "I, um, came back this morning and noticed how quiet it was. I was glad at first, but when I went in here to check..." You gestured at the limp, unresponsive body.

The doctor hummed in understanding, already reaching out to find the issue. It didn't take long before they sent for a carriage to bring your partner to the hospital. You were allowed to come along and nurses hurriedly wheeled your spouse away the moment you arrived.

You sat and waited, time passing both too fast and too slow. At last, a doctor approached you, quiet and apologetic. It seemed your partner had suffered an aneurysm and there was nothing they could do. Your spouse would be dead soon.

The tears that rose sharply were seen as tears of grief, instead of the soul-deep relief that swept through you. The staff was very kind, comforting you and letting you sit with your spouse, who didn't even make it through the night. Finally, you were free.

Afterwards you went home, standing in the large, rich house and you realized that it all belonged to you now. The money of your spouse belonged to you. But most of all, you were finally, finally free.

You broke down crying, helpless laughter mixing into the tears and the gasping. Afterwards you took a carriage to your friend's place, forgetting the late hour. You didn't want to stay in that house any longer than you had to. Your friend was startled when she opened bleary eyed, then grimly happy when you told her the news.

"They solve problems like that," she said after holding you in her arms. "The tailors. No one asks how they do it or what exactly they do and we don't rat them out either. I'm so glad they helped."

You fell asleep in her arms and when you woke, the sun shining through the window made you smile. Your heart felt like a newly uncaged bird, almost too afraid to fly and taste that freedom fully.

Hope bloomed like a meadow of wild flowers and you breathed through a new wave of tears. Your future had turned from a grim, dark end into something bright and open. It was all yours, yours to finally do with as you pleased.

The house was soon sold, the art within donated, along with a portion of the money. You fended off your parents, who swept in to try and weasel out money and power for themselves. They deserved nothing after marrying you off to someone they suspected would mistreat you and then left you in the jaws of a metaphorical wolf.

The air was growing cold by the time everything was taken care of and you had moved into a new place, your friend supporting you all the way. 

You only rarely suffered from nightmares these days and you slowly unearthed all the pieces of you that you had buried. The pieces your spouse had not liked, had despised. There was damage done, undoubtedly, and some days it felt like too much, but you had so many reasons to keep going. To keep moving forward.

There were people, however, who did deserve a piece of your newfound fortune. Leaves were crunching beneath your shoes as you approached the store at the end of Baker Street, this time not afraid. No, you were anything but afraid.

Julius was taking care of some customers as you stepped inside, a pleasant scent greeting you. A smile was on your face and you breathed in that steadfast safety that lingered with both tailors present. It eased your heart as it had the last two times and this time you couldn't help but sink into it fully, shoulders relaxing.

Milly approached you after ringing up a lady at the counter, smiling in warm welcome. "How lovely to see you again," she said and there was a brief, hard glint in her eyes. "I hope all went well?"

"Yes." You reached into your pocket, pulling out a small box. "I know you said no gratitude was necessarry, but I still wish to give you this. I, um, picked it myself."

She looked charmed and chuckled softly. "How could I ever refuse such a sweet gesture?"

Her fingertips were warm as they brushed yours ever so gently, while she accepted the box. Your hands tingled and you only realized you had leaned slightly towards her, when you caught yourself.

She held your gaze a moment longer, before glancing down and curiously opening it. A happy smile broke out across her face and her gaze grew warm and soft and this time you could admit to yourself that there was nothing normal about the golden shimmer brightening in her eyes.

"You are truly beautiful, inside and out," she murmured, closing the box again and your breath caught a little at her words. "Thank you, for this sweet gift."

You couldn't help but smile back shyly. Julius joined you in this moment, a satisfied customer leaving with a happy spring in their step. "Oh? Did my lovely wife get something wonderful?"

"Indeed." She grinned up cheekily. "And I am not going to share."

"There, um, there is no need." You pulled another box from your other pocket and Julius' eye brightened, that golden shimmer growing. "If you'd like?"

"I would love anything you'll gift me," Julius said, voice dipping a bit to something private, just for you. 

He accepted the box, his fingertips brushing yours softly as well, warm and slightly calloused. You curled your hands in, as though you could somehow hold both their touch close this way. Your face started to ache a bit with how much you were smiling now.

Julius opened his box, eyes widening slightly, before he looked up, his smile sweet and charmed. "This is wonderful, thank you."

"I hope you like it, both of you. And that I chose well." You resisted the urge to rock a little on your feet, something your spouse had always hated. You paused. Well, now you had to do it, even if it was just to spite the dark memories in your mind. "You gave me back more than I can put into words."

"Seeing a smile on your face is reward enough," Julius said and for a moment you swore he was about to reach out, before catching himself. "Happiness is a lovely look on you."

"I am happy." And you were. For the first time in far too long, you were happy again.

Ever since you had gotten rid of that house, ever since you had gotten your life back, no matter the struggle and darkness that liked to creep through your mind like seeping tar, happiness and light found you. 

It wriggled in through the cracks, surprised you on calm, sunshine mornings and came in the shape of your new, soft little cat. Every time you ate something sweet that had been forbidden before, every time you picked up a book your spouse would have taken away, it felt like you were stitching yourself back together. Crooked maybe, and never like you were before, but...this was already so much more than you had dared to hope for half a year ago.

"We could take a break," Milly offered, gesturing at the currently empty store. "Would you like to join us for tea, darling?"

The question held a tinge of promise and you found you wanted to reach for it. You found you were ready for what might be offered. "I would love to, thank you."

Milly smiled and went to close the store for the afternoon, while Julius guided you to the backroom, his hand a warm, light and most of all, welcome weight at your back.

You didn't care what they were, if they were human or not. You didn't care what they did to people like your spouse. Not when being in their presence made you feel as though you were wrapped in a blanket spun out of gentle, warm sunshine.

*.*.*

Part Two!

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[uter-us]

radfem help !!

2 of my little cousins (14yrs and 15yrs) are both girls dating boys right now, and together we are coming up with a "dealbreaker list" of things they will never put up with from their bfs! and also we are including positives, like so they aren't just looking for the absence of bad things, but actual positive things

what do yall think are the most important things to add? (i put extra info in tags)

Thank you so much!!!

[vehemourn]

went to post this on twitter but i didnt wanna get banned . crazy that u can scrape my entire lifes work and i cant even tell u to die over it <3

[roboraindrop]

Hey plus size or underweight self shippers? Your f/os don't see your weight as a flaw. They love you for all that you are, and that includes everything. Yes, human beings are very flawed. Yes, your f/os do love your flaws as well! But, your weight is not a flaw. Just wanted to make sure you knew that. 💕

[sylenth-l]

Did someone order a horrendously down bad poem from Felwinter's pov? No? Yes you did :))) I think you may need to sit down for this one

(also I am currently reading The Tale of Genji, which has many a beautiful love poem in it—and I couldn't resist adding a line from my favourite in here <3)

the softened edge

Snow drives down and settles, soft

On the sharp mountain stone

But remember, when sent on a knife-wind

these jaunty, fluttering flakes

may cut you to the bone.

One ought to see:

how these melting flurries die

how they wax and wane

how they will return to the sea

and the bitter winter sky.

I'll now put aside my pen, love.

Ah, how boundless, how clear is the air

that surrounds us at the top of the world?

All that drifts through it are whisps of cloud and birds.

I put aside my pen to share, and make sense of,

Your burning boundlessness of mind

The clearness of your eye,

Because I cannot capture you in rhythmic verse alone.

Your soul abounds. It spreads its wings and soars.

Each feather of that bird must be but a multitude of thoughts in your clever head

Each cry from that beak a mere whisper from your eternal mouth

And those whisps of vapour, surely, that must be me.

I cannot put aside my pen until I have you written in the stars, love.

I sit, I watch you,

Holding my book for cover,

And you do not notice, engrossed in your mind as you are.

I keep my pen in my hand, distraction,

twilight glinting off its metal nib through the window

And you hold your own, filled with twilight ink,

your fingers stained with it,

your own book smudged with it.

I hold my book as cover for my brazen eyes

and yet I see you there, reclining:

The fullness of your shoulders, the slope of your back,

you lay in the bed, the thinker, perfect.

The heart-stained sheets around your waist.

The orange pillow behind you, sagging slowly.

All I can see is the burnished sun setting beyond the snow-capped peaks.

There is not enough oxygen up here for me.

I cannot set aside my pen until the star charts show your form in constellation, but I am running out of ink.

I used it all to paint the fathomless depths of your eyes.

And while I was distracted you came close

and tried to warn of danger

But, perhaps, I think you are the true danger:

your hands are near.

Your fingers sink into fur

do you think it is snow?

Or do you somehow seek warmth?

You are so rash. You are the sun-bird.

I have little warmth to give, yet you persist,

and you are more dangerous than a snow bridge.

You are here, and proud of it, and I cannot set aside my pen.

We have spoken much. Recited ancient history,

performed ancient literature.

I should not know poetry.

And yet, I see a verse, and I am struck, when you are gone—

how I wish to see the little boat she of Ise rows

as you fly beyond the mountains without me.

I cannot bear not knowing when I shall see you again.

But back you paddle,

radiant, rising,

and I should not know poetry.

But you have given me a pen.

But, I suppose

the most human thing of all

is the attempt to write the knowledge

of seeing another's soul.

Aaaaaahh you actually did it!!! Yes, it was my order and I... indeed need to sit down... or better lay down actually...

Thank you so much for sharing, that's beautiful! 😭💙 Maybe there's something wrong with me, but to me it doesn't sound down or sad, quite heartfelt, wholesome and full of love actually?? (says the person found curled on the floor in the pool of tears)

[imogenkol]

KINCADE PACK 🐺 (original works) — “The name goes back centuries, and all Miranda cares about is making sure it lasts for many more”

[template by @tommyarashikage]

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