#but sometimes telling stories works better

[caughtthedarkness93]

There are better stories that'll give you a similar experience to Harry Potter and won't line the pockets of someone who is doing everything in her power to make the lives of vulnerable people miserable.

For example, I recommended both Persona 5 and Ikenfell a lot around the time Hogwarts Legacy came out.

Persona 5 for capturing the feel of the interplay of daily school life and relationships alongside a big, overarching fantasy mystery with a very different flavor, but a similar appeal to what the Harry Potter stories did. It's an excellent game with themes are similar, but much better executed and more resonant than Harry Potter was. It's not perfect and there is values dissonance, but the story has some incredible twists and turns and the characters are fantastically written.

Ikenfell is much closer to the tone of Harry Potter itself and explicitly about a school that teaches magic. It has a score by the same duo that scored Steven Universe, and within the first few minutes of the game your player character gets hit on by another woman and makes a nonbinary friend. Ikenfell feels like it was made by people who used to love Harry Potter, get fed up with Rowling's bullshit, and made a game that was similar, but downright confrontational in how upfront it is with its queer themes and characters.

You could also watch Mary and the Witch's Flower, a film by Studio Ponoc. It was founded by ex-Ghibli animators and you can very easily tell in this film. The art style, designs, and other stuff feels very Ghibli, and as such, this film feels like what would happen if 90s or 2000s Ghibli made a magic school film. It's breathtaking to look at and a delightful time.

Any of these would be a good pick to watch or play rather than Harry Potter.

Sometimes it is important to let go of the things you love, even things that are important to you. I'm practiced at it at this point. Two of the artists who are incredibly influential to the kind of writer I am - Neil Gaiman and Joss Whedon - both turned out to be people who have done things I cannot abide. Firefly was a huge part of my life for a long time, and I remember finishing The Ocean at the End of the Lane in less than 24 hours because it gripped me so hard. Without these artists I wouldn't be who I am today. In fact, their work is part of what taught me not to tolerate the kinds of things both of these men have done.

If you still like Harry Potter, think about what the text tells you. Do not stand for prejudice and injustice. Do not allow those corrupted by hate to hold power. Stand up to cruelty. Stand against petty bullies.

The values that these stories preach are clear - they say to tell people like JK Rowling to piss off, and to stop ignoring her heinous beliefs.

Welp, if JK Rowling being executive producer and therefore being fully involved in the show wasn't enough for people to boycott, then here's HBO basically saying they don't care JK Rowling is a bigot from hell who literally helped lead a harassment campaign of lies against Imane Khalif in her transphobia and obsession with women being terf's standards of women alongside posting harassment against trans people on twitter at times, they gonna stand by her, while using the excuse, "personal views". Hmm, yes, personal views- that's one way to uh, call what the fuck JK Rowling comes out with a-lot- last I checked personal views do come with consquiences if said out loud....a thousand times in JK's case and still counting....especially if they hurt people, but hey, if it means making another Harry Potter project to milk, just let it fucking be I guess.

[literaryvein-reblogs]

Writing Notes: The Master Fiction Plot

Lester Dent's "Master Fiction Plot", often referred to as the "Lester Dent Formula" is a widely circulated guide to writing a saleable 6,000-word pulp story.

This is a formula, a master plot, for any 6000-word pulp story.

It has worked on adventure, detective, western and war-air. It tells exactly where to put everything.

It shows definitely just what must happen in each successive thousand words.

The business of building stories seems not much different from the business of building anything else.

Here's how it starts:

A DIFFERENT MURDER METHOD FOR VILLAIN TO USE

A DIFFERENT THING FOR VILLAIN TO BE SEEKING

A DIFFERENT LOCALE

A MENACE WHICH IS TO HANG LIKE A CLOUD OVER HERO

One of these DIFFERENT things would be nice, two better, three swell. It may help if they are fully in mind before tackling the rest.

A different murder method could be--different.

Thinking of shooting, knifing, hydrocyanic, garroting, poison needles, scorpions, a few others, and writing them on paper gets them where they may suggest something.

Scorpions and their poison bite?

Maybe mosquitos or flies treated with deadly germs?

If the victims are killed by ordinary methods, but found under strange and identical circumstances each time, it might serve, the reader of course not knowing until the end, that the method of murder is ordinary.

Scribes who have their villain's victims found with butterflies, spiders or bats stamped on them could conceivably be flirting with this gag.

Probably it won't do a lot of good to be too odd, fanciful or grotesque with murder methods.

The different thing for the villain to be after might be something other than jewels, the stolen bank loot, the pearls, or some other old ones.

Here, again one might get too bizarre.

Unique locale? Easy.

Selecting one that fits in with the murder method and the treasure--thing that villain wants--makes it simpler, and it's also nice to use a familiar one, a place where you've lived or worked.

So many pulpateers don't. It sometimes saves embarrassment to know nearly as much about the locale as the editor, or enough to fool him.

Here's a nifty much used in faking local color.

For a story laid in Egypt, say, author finds a book titled "Conversational Egyptian Easily Learned," or something like that. 

He wants a character to ask in Egyptian, "What's the matter?"

He looks in the book and finds, "El khabar, eyh?"

To keep the reader from getting dizzy, it's perhaps wise to make it clear in some fashion, just what that means.

Occasionally the text will tell this, or someone can repeat it in English.

But it's a doubtful move to stop and tell the reader in so many words the English translation.

The writer learns they have palm trees in Egypt.

He looks in the book, finds the Egyptian for palm trees, and uses that.

This kids editors and readers into thinking he knows something about Egypt.

Here's the second installment of the master plot.

Divide the 6000 word yarn into four 1500 word parts. In each 1500 word part, put the following:

FIRST 1500 WORDS

First line, or as near thereto as possible, introduce the hero and swat him with a fistful of trouble. Hint at a mystery, a menace or a problem to be solved--something the hero has to cope with.

The hero pitches in to cope with his fistful of trouble. (He tries to fathom the mystery, defeat the menace, or solve the problem.)

Introduce ALL the other characters as soon as possible. Bring them on in action.

Hero's endevours land him in an actual physical conflict near the end of the first 1500 words.

Near the end of first 1500 words, there is a complete surprise twist in the plot development.

SO FAR:

Does it have SUSPENSE? 

Is there a MENACE to the hero?

Does everything happen logically?

At this point, it might help to recall that action should do something besides advance the hero over the scenery.

Suppose the hero has learned the dastards of villains have seized somebody named Eloise, who can explain the secret of what is behind all these sinister events.

The hero corners villains, they fight, and villains get away. Not so hot.

Hero should accomplish something with his tearing around, if only to rescue Eloise, and surprise! Eloise is a ring-tailed monkey.

The hero counts the rings on Eloise's tail, if nothing better comes to mind.

They're not real. The rings are painted there. Why?

SECOND 1500 WORDS

Shovel more grief onto the hero.

Hero, being heroic, struggles, and his struggles lead up to:

Another physical conflict.

A surprising plot twist to end the 1500 words.

NOW:

Does second part have SUSPENSE?

Does the MENACE grow like a black cloud?

Is the hero getting it in the neck?

Is the second part logical?

DON'T TELL ABOUT IT***Show how the thing looked.

This is one of the secrets of writing; never tell the reader--show him.

(He trembles, roving eyes, slackened jaw, and such.)

MAKE THE READER SEE HIM.

When writing, it helps to get at least one minor surprise to the printed page.

It is reasonable to to expect these minor surprises to sort of inveigle the reader into keeping on.

They need not be such profound efforts.

One method of accomplishing one now and then is to be gently misleading.

Hero is examining the murder room.

The door behind him begins slowly to open.

He does not see it.

He conducts his examination blissfully.

Door eases open, wider and wider, until--surprise!

The glass pane falls out of the big window across the room.

It must have fallen slowly, and air blowing into the room caused the door to open.

Then what the heck made the pane fall so slowly?

More mystery.

Characterizing a story actor consists of giving him some things which make him stick in the reader's mind. TAG HIM.

BUILD YOUR PLOTS SO THAT ACTION CAN BE CONTINUOUS.

THIRD 1500 WORDS

Shovel the grief onto the hero.

Hero makes some headway, and corners the villain or somebody in:

A physical conflict.

A surprising plot twist, in which the hero preferably gets it in the neck bad, to end the 1500 words.

DOES:

It still have SUSPENSE?

The MENACE getting blacker?

The hero finds himself in a hell of a fix?

It all happens logically?

These outlines or master formulas are only something to make you certain of inserting some physical conflict, and some genuine plot twists, with a little suspense and menace thrown in. Without them, there is no pulp story.

These physical conflicts in each part might be DIFFERENT, too.

If one fight is with fists, that can take care of the pugilism until next the next yarn. 

Same for poison gas and swords. 

There may, naturally, be exceptions.

A hero with a peculiar punch, or a quick draw, might use it more than once.

The idea is to avoid monotony.

ACTION:

Vivid, swift, no words wasted.

Create suspense, make the reader see and feel the action.

ATMOSPHERE:

Hear, smell, see, feel and taste.

DESCRIPTION:

Trees, wind, scenery and water.

THE SECRET OF ALL WRITING IS TO MAKE EVERY WORD COUNT.

FOURTH 1500 WORDS

Shovel the difficulties more thickly upon the hero.

Get the hero almost buried in his troubles. (Figuratively, the villain has him prisoner and has him framed for a murder rap; the girl is presumably dead, everything is lost, and the DIFFERENT murder method is about to dispose of the suffering protagonist.)

The hero extricates himself using HIS OWN SKILL, training or brawn.

The mysteries remaining--one big one held over to this point will help grip interest--are cleared up in course of final conflict as hero takes the situation in hand.

Final twist, a big surprise, (This can be the villain turning out to be the unexpected person, having the "Treasure" be a dud, etc.)

The snapper, the punch line to end it.

HAS:

The SUSPENSE held out to the last line?

The MENACE held out to the last?

Everything been explained?

It all happen logically?

Is the Punch Line enough to leave the reader with that WARM FEELING?

Did God kill the villain? Or the hero?

Excerpts from Marilyn Cannaday's biography of Lester Dent, "Bigger than Life: the Creator of Doc Savage" (Bowling Green State University Popular Press, c1990), transcribed by Jason A. Wolcott, 1995.

Sources: 1 2 ⚜ More: Notes & References ⚜ Plot ⚜ Character ⚜ Worldbuilding

[notmorbid]

all-night pharmacy.

dialogue prompts from all-night pharmacy by ruth madievsky.

you're so alive, it's scary.

being a person doesn't come naturally for me.

what's the deal with this place?

you are my best and my worst friend.

are we horrible people?

i like the idea of having someone to come home to.

i can't tell if you're being cruel or if you're just dumb.

these aren't the decisions of a well-adjusted person.

the less you know about my life, the better.

everyone here is a liar and a cheat.

you deserve to have a life of your own.

a person can't be held responsible for what they don't know.

all relationships are transactional.

no one should have that much power over you.

it isn't too late to come back.

you're uninvited from my birthday party.

i love you, but you're such a cunt.

who do you think you are?

forced intimacy makes me lightheaded.

i know you're in there. let me in.

jesus. why do you have a knife?

what happened last night?

it was less embarrassing to pretend i didn't care.

maybe i'm not the mothering type.

i wish i could carry some of this pain for you.

i need a break from feeling so much all the time.

sometimes i can't tell if i'm asleep or awake.

whatever's going on, we'll figure it out.

i don't know what's wrong with me. i'm scared all the time.

this is the most i can imagine for myself.

if you're not asking yourself 'am i ruining my life?' at least once a day, you're not living at all.

you act like you're over it, but it's okay if you're not.

all my life, i've felt like a dead animal with its skin still on.

it's a virtue to rid yourself of anything that doesn't serve you.

i've never had a day of rest in my life.

i chase after you like a dog, leaving pieces of myself behind, and every time, you act like that's how it's supposed to be.

you don't take me seriously. i'm not a real person to you.

i can't play house anymore.

never say that name in front of me.

to you, other people are always the problem.

you can't reach a mutual understanding without spilling blood.

want to make fifty bucks?

the only way to really see a person is to lose everything you have in common.

you don't think we'll get caught?

our loyalty is to story, not reality.

just don't do anything that could result in a lawsuit or a tmz article, and you're fine.

i don't have the energy to keep up with your antics.

our most beloved delusion was that lying to each other was a kind of love.

speaking our fears aloud won't save us.

one day, the mask slipped. i haven't been able to wear it since.

i try not to think about my life at all.

a junkie can spot another junkie without a flashlight.

your voice reminds me of wool sweaters.

boundaries? i don't know her.

i'm just sick of doing the same goddamn thing every day.

you are obsessed with a projection that will never love you back.

think of me as a spiritually connected friend.

i know liars. you don't strike me as one.

you have iconically poor judgment.

has anyone ever told you about your past lives?

you're capable of tolerating a lot. frankly, more than you should.

friendship can be a slow burn. you don't have to consume it like a drink at last call.

i'll give you a clue. i work for myself.

you make me want to feel things again.

criticism is still a cousin of attention.

you don't have to pretend to like something just because i made it.

i know you crave being told what to do.

you don't have to settle for being a person things happen to.

you have desires. act on them.

bitch, does this look like an intro to philosophy seminar?

i thought i had quit you.

my favorite. how did you know?

i feel like my organs are cannibalizing each other.

how did i get here? that's not a rhetorical question. i'm actually asking.

i can't tell if i believe it, or if i'm making excuses for myself.

sometimes i wonder if it's healthy how much meaning you see in things.

you're always waiting for the universe to hurt you or to love you. usually in that order.

that's how it was in my family. reading the room was a survival skill.

where will all the animals go in the rapture?

a bunch of fuckups under one roof doesn't constitute a family.

my little saint.

time passes more slowly as a sober person.

you'd better not pull away from me now.

there's a russian proverb that goes, 'so much is ruined by saying it aloud'.

you wear your emotions like a name tag.

your resting face frightens me.

how are you both the most innocent and the most experienced person i've ever met?

i need you to just be here with me.

our dead deserve to see you happy.

i like the idea of being marked by you.

i don't know what i saw, but it was more than i wanted.

i know what i saw.

i can't tell which of the memories are real, if any.

i can't believe you're mine.

nobody warned me how terrifying it is to get what you want.

you're cute when you're freaked out.

sex is supposed to be unsettling.

there are things i need to atone for.

you can't go back like it's nothing.

i won't live in service of my dead's vision for me.

___ was a real person. a murder isn't a metaphor.

count five things you can see. four things you can touch. three things you can hear. two things you can smell. one thing you can taste.

banish one god, and you'll end up worshiping another.

i want to be with you, but i don't want to keep feeling like this.

you know everything about me, but you won't let me know you.

you aren't someone i can keep at a distance.

i've been reading about intergenerational curses.

resisting something isn't the same as not wanting it.

anything you say stays between us.

i can't decide if i like you.

most people only possess a third of the empathy they think they have.

will it get easier?

hope is a tricky thing: losing it is bad, but so is having too much.

i don't want the future to come. i have a bad feeling about it.

in cartoons, you don't start falling until you look down.

why are you here? where have you been?

how did you know i'd come looking for you?

you never asked what i was going through. you didn't want to know.

i didn't have the language for what was happening to me.

you were supposed to protect me.

there's a lot i don't remember. a lot i don't want to remember.

i wouldn't have looked for me, either.

we belong to ourselves now.

you know where i am, and i know where you are. maybe that's enough.

when i'm down, vigilante justice makes me feel better.

survival is provisional.

[justevelynnnn]

Logan with a cat quirk 🐱

Summary: Logan becomes a “cat” for a few days

Warnings: Tiny bit of cussing, Cat!Logan likes to scratch and hiss

A/N: Hit this idea randomly one day so here we are! Cat!Logan forever 🤍

- It was after a mission when you noticed something off with Logan. You had stayed behind this time because you weren���t really needed.

- Jean came up to you and said he sniffed some weird plant that she’s gonna study but basically he’s been acting like a cat since he did.

- His hair tuffs were a bit bigger…like cat ears

- And his eyes…yeah, okay, he’s definitely like part cat now. Or something is up.

- Logan didn’t talk just looked at you and sniffed. It was very weird. Veryyyy weird.

- Some stuff was cute like how he would cuddle with you more but then he’d lick you. Like a lot. And, apparently, it’s cause he was trying to clean you.

- Either that or he was saying i love in you in cat or some shit.

- He purred when you’d pet him too. And he’d nuzzle up against your hand.

- He also walked on all fours more often. It was weird.

- Scott thought it was hilarious until Logan started hissing at him and even scratched him once when Scott tried to pet him.

- “Geez…Hey, how long you think he’s gonna be like this..?” Scott said to Jean rubbing his hand.

- “Not too long. I analyzed the flower. Long story short, It’s pollen turns anyone who sniffs it into a “cat”. Obviously not literally or even physically too much but definitely mentally.” She points to the enclosed flower. “The smell from the petals is meant to draw people in on purpose. Logan has animalistic qualities so it just worked on him better… From what i’ve seen he should be back between tomorrow or next week.”

- A week? Everyone looked at Logan as he ignored everyone and licked his hand like a cat.

- Professor Xavier was seemingly very calm about all this. He put you and Jean in charge of watching Logan. Everyone else was to leave him be, including Scott.

- The students thought it was very interesting but Logan didn’t like all the new attention and would always run off when a crowd started to form. Sometimes he’d hiss too. Then it wasn’t cool anymore.

- “It’s okay guys. He’s just…overwhelmed..” You reassured. A lot of students liked Logan. And also cats. You told them maybe if he remembered this they could just ask him when he turned back what it was like.

- Cat Logan only ate fish and some other meats now too. Very picky as well. You tried to give him some bacon and he smacked it off the table. He did the same to most vegetables.

- “This just keeps getting funnier!” Scott bursted out laughing as he watch you sigh at another broken plate of food on the ground.

- “Stop it, Scott. Didn’t Charles tell you to leave him alone? Logan’s gonna get you if he remembers this.”

- “You got him a giant litter box too?” He smirked.

- Yes.

- “No. Now? get the hell out of here already!” You shooed him and finally gave Logan a can of tuna which he ate quickly.

- He finally changed back in the middle of the night a couple days later. He was a “cat” for 5 days.

- He was curled in a ball at the edge of you guys bed and fell on the ground when he woke up.

- “Logan?” You looked over the end of the bed. You made those kissy noises people do to get pets attention. “Hey? Logan?”

- “Where am i…and why are you making those noises..?”

- “You’re talking…”

- “Of course, bub. Why wouldn’t i be? Seriously, how’d i get here so quickly?”

- “Jean said you sniffed something during the mission and you’ve been acting like a cat until now.” You said getting off the bed and walking over to him. He stayed seated and stared into space for a second.

- “The fuck?” Logan stood up and finally noticed he was nude. “Why am I naked?”

- “I could only keep cat you in clothes for so long… You torn up a lot of shirts and pants up over there…and also furniture. And scott.”

- Another pause.

- “….get me a fucking cigar. And booze. I want to forget this shit immediately.” Logan sat back down on the bed and put his head in his hands. How could he be so stupid? Sniffing a strange flower?

- You got him what he wanted and sat next to him.

- “I dunno, it was kinda fun…and your “meow’s” were funny sounding.” You said after a moment of silence.

- He just looked at you and shook his head.

- “This didn’t happen.”

- You nodded noteing not to mention the shenanigans you got into with him and pranks that were pulled or pictures you and the others took while he was in his cat like mind.

- Yup, didn’t happen.

Bonus! Headcanons for Cat!Logan

- He scratched anything he could at first. The curtains, the couch, even the carpet. He used his fingernails and also his claws.

- You and Rogue made him a giant scratching post so he could stop. He only used it a day.

- He really only let you pet him for a long time. Others could for a couple of minutes but then he’d try to bite them.

- He liked “cleaning” himself a lot. He had a lot of hair on his chest and arms and legs especially so he licked a lot there.

- Hairballs happened unfortunately and it was…yeah.

- The first time he did it Scott almost threw up. Storm just cringed. The hair ball wasn’t that big but just… there.

- Also, with the only eating fish thing he drank his water like a cat too.

- More licking.

- You got plenty of pictures like that.

- As for the pranks, one time Scott got the idea to use his red beam as a laser pointer and aimed it at different things to get Logan to try and catch it. One time, it was a bunch of bushes. So Logan obviously got hurt trying to get that laser because the bushes were prickly.

- He also aimed it in the pool and like most cats he hated water but still jumped in because what is that freaking red thing???

- He was very upset getting out that water.

- Scott also put pickles and cucumbers everywhere so Logan kept getting scared turning corners and stuff.

- He’d jump really really high it was so silly

- Definitely gave wanna be black cat mysterious but actually a orange cat energy

- Cat Logan also liked to stare. So…that was happening.

- Rogue got the most pictures surprisingly

- She showed almost the whole school by the time he turned back. He was not happy. He wasn’t mad for long tho because it’s Rogue ❤️❤️

[celestemagnoliathewriter]

Euphemia and James - Writer's Notes

Earlier this year I wrote a fic titled "Euphemia and James," a story exploring Euphemia Potter and infertility. This is the most deeply personal story I've ever written, and it took a few weeks to write it because of the emotions it stirred up for me, but honestly, being able to write this took years of processing emotions. I decided to share some of my notes on this fic in this post, and it includes this lovely cover image from @livelaughlovetoread. This story is also unique in that it's written in second person POV. It wasn't intended to come out that way, but that's how it came out. See below the image for my notes:

Euphemia and James came from these lines from the extra-canonical writings on Pottermore/whatever they call it these days:

"[Fleamont] sold the company at a vast profit when he retired, but no amount of riches could compensate him or his wife Euphemia for their childlessness. They had quite given up hope of a son or daughter when, to their shock and surprise, Euphemia found that she was pregnant and their beloved boy, James, was born."

If you don't know anything about infertility, I envy you somewhat. Studies have shown that a diagnosis or experience of infertility is similar to receiving a cancer diagnosis or losing a close loved one. It took me a while to realize that a lot of the feelings I had surrounding infertility was actually grief and mourning.

So, I put it all into this fic. There are a few points I want to highlight, if you decide to read the fic or want to see some lines, and my feelings around it all:

"When you meet Fleamont Potter a year into your job at the apothecary, you have no intention of marrying him."

I more or less shamelessly wrote Euphemia and Fleamont's relationship to be similar to mine with Mr C. In fact, Mr C aka @rawr-gorg-smash read this work and we were both sobbing messes by the end of it.

"It will happen when it happens, they say. It will come when you least expect it, they say. That’s what everyone says, and you’re ready to punch the next person in the face who tells you to just “relax.”"

Infertile people will get advice like this frequently. It's meant to be helpful or sometimes soothing, I think, but all too often it's an empty hope. Sometimes, bodies just don't work right, no matter how much relaxing you do.

"It’s not polite to ask. Everyone knows where magical, adopted children come from. They are Muggleborn children who are delicately extracted from their birth homes and replaced with Squibs, or sometimes not replaced at all."

This part is world building by me - the idea of adoption in a magical world seemed odd to me. How would infertile magical couples adopt if they can't use potions or charms? I wouldn't put it past them to just take a Muggleborn child, modify memories, and go. I won't touch on real world adoption-there's a lot to unpack there-but this idea gave me some thoughts on magical adoption.

"It seems selfish to want more, when you already have so much. You question, for the first time in your life, if you really want a child."

I have heard people say things to this effect: it's so selfish to want your 'own' children or to want children and bring them into this world, or some variation of that. If this is what you believe, you and I are going to disagree and I'm not going to try to convince you otherwise. But it's something I and many other infertile people have considered. The thing is, people have had children and will continue to have children throughout terrible periods of time. Does it make sense? Not necessarily. Human actions don't always make sense. To me, though, it speaks of hope. Hope for a better tomorrow, for a world that we will build that will be better for the next generation.

"Now you wish for a living child. There are no longer any expectations on your baby or the kind of person they’ll be. You want a living, breathing baby in your arms you can dote on, educate, feed, and guide through life."

I'll say that one of the few silver linings of infertility for me has been re-grounding my expectations of what kind of child I might have. It once was wishing for a boy or girl, or a kid who likes to read, or a kid who won't be into extreme sports, but now it's just a kid I want. I want to love them because they exist. That's all.

"It’s a shame that you only got nineteen years with your son, the one you wished had been born twenty years prior, so you could treasure twice as long with him."

One of my fears for having children later in life is not having enough time with them. Then again, young parents die. Even children die. If nothing else, whatever time I do have, I hope I use it to love whatever family I have to the fullest.

That's all I have for now. If you made it this far, read the fic, commented on it, left kudos, or a bookmark, thank you very kindly for your time. Of all the things I've written, this felt most like putting a piece of my heart into the world.

[katerinaaqu]

One can argue that modernity is by definition the absence of form and that everything can change but either way again I completely disagree with the notion that there is no other way it could be successful. And many fans even got disappointed at the changes and all. Again we have so much connected the idea of "retelling" with "forget the plot" sometimes and it shows to all the "modern retellings" how they miss the point of the material they ellegedly adapt by a mile. Is your opinion and good for you to have it but again I disagree big time. It is a matter of marketing sometimes and like I said many people got disappointed at the changes as well. Many even said "we ignored the changes because music was good" and again i disagree. You might claim that and I can counter we shall never know again I disagree that you cannot be lore accurate. That is my opinion that's all.

I never meant to say over 3 hours although i see why it comes out this way. I meant 3 hours is a length that one expects a performance to have. And again I said many times over that he doesn't need to adapt every single moment of the Odyssey and turn it into a 5 hour thing. I said it would be better to be lore accurate. I literally said nothing of speeding up. Where on earth did that come from? On the contrary. In fact the last saga WAS sped up and it showed to the narrative.

Actually they were not to the Odyssey but to epic cycle and AGAIN that is exactly what I said. I said the first two sagas proved that you can have a LOOSE ADAPTATION (not 100% acurate) and STILL be lore-acurate. Astyanax incident was spoken in just one line in the Iliou Persis. It was given a reason in the musical. THAT is what I expect to see in an adaptation; liberties that work WITH the plot and fill in some gaps. Not something that says "fuck the plot I'll do whatever" that is not an adaptation in my mind or at least not a good one but it also depends on the media.

And I never said you did?! 🤷‍♀️ I said that is the feeling I got from some people who loved the musical who couldn't understand my dislike for it. Where did I say you said that? I said that they state their opinion on THAT matter like you express your opinion on THIS matter. And again why can't you accept that someone has a different idea on what a retelling is? You can say it is. I say it isn't because I do not agree in this method and a story that ignores the most basic parts of a plot does not count as a retelling in my book. It is an original story inspired by a material.

I put the emoji for a reason my friend. I was only half serious on that answer. I am honored you enjoyed my posts which is why also I engage with you and I express my opinion sincerely and directly because I believe we can be honest with each other. And when I said "don't expect me to change my mind" I meant that as an emphasis that I respect your opinion but I would continue to express the same thought and say that I disagree. If that offended you in any way that was not my intention. I see that you are passionate on your subject and I am on mine so I only "warned you" that my answer will still be the same. I NEVER said you are trying to push your opinion on me now I believe YOU shouldn't misunderstand me. I only mention that my opinion will continue to be the same.

And I said a hundred times already that I do not say you try to do the same and I also said that I didn't feel like that with most of fans either. You keep insisting on that but again all I said was that I disagree with you. Why do you feel attacked? If my previous reply seemed harsh I am sorry but again I didn't say you tried to push your opinion I only state what I do with mine.

Okay right back at you. I feel that you are not listening what I say. I again said I do not consider it a retelling because it literally respects nothing of the plot. It is not re-telling the story it is a writing of a new one (again that is my opinion). You disagreed and I disagree. Why do you keep saying that I accuse you of something? Also I said a million times you do not need a word for word thing to have a loyal adaptation. I also stated it a hundred times. Cutting is inevitable. THIS amount of change was optional.

I see. You definitely are free to do so. Honestly it is sad that it comes this way but you absolutely can and you have the right to do so. I am sorry you felt this way perhaps that is because I express my opinion too passionately the same as you. It happens. I am sorry that it comes this way. No I do not block people. If others wish to block me is up to them. It wouldn't be the first time. It is up to you. You do not need to earn Mr for it and I do not live for followers or people who block me

I know I am not a pleasant person and never claimed to be. I am who I am. If that is so unpleasant to you that you wish nothing to do with me is up to you really. No need to warn me about it.

You realize that a fandom has gone off the rails or that it has REALLY taken over when you see "Epic the Musical" tagged under images of Achilles and Patroclus! Like...how are two characters who were both dead by the taking of Troy, yet alone by Odyssey who do not appear not even as a mention for the Underworld as they were in the Odyssey, relatable to this?!

Sorry! XD

[demon-witch-cat]

Fun headcanon idea! Most young trolls are soothed with singing but Keith can also be soothed using stories!

That’s such a cute head cannon! And perfect for these two! 

I can see Branch figuring this out one day when the two are hanging out in the woods, and Keith maybe gets hurt. It’s just a small scratch, nothing big, but he’s a little kid, so he maybe starts crying, and in general is just upset. This causes Branch to panic a little, because he isn’t sure what to do to help him calm down. He knows singing can help calm down young trolling's, his brothers and Grandma used to sing to him when they were still around but he doesn’t sing. What can he do to help calm down his little bug? 

So, he sits in front of Keith, and while he cleans and patches up the scratch, he just starts talking. Telling Keith about the time he ran into some critter, who stole his bag, and how he had to spend a good few hours having to track it down to get it back. He’s kind of just rambling, but Keith is soothed, nonetheless. Especially after Branch places the bandage on the scratch. 

By the time Branch finishes his story, Keith jumping around, grinning, insisting they go on a critter hunt right then and there, because that sounds like so much fun! 

Meanwhile, Branch is just in awe that that worked as well as it did. 

[clegfly]

Hey guys would it be cool if I killed myself right fucking now

[puhpandas]

as someone who isnt super excited for sotm for certain reasons I am really glad that like. it's clear that since ruin theyve been setting up for carnival and sotm IS carnival. so now that carnival is finally coming out, afterwards theyll be moving on to other plotlines since the main villain stuff is sorted out

I'm just rlly happy to finally see a clear direction for how the story is gonna be playing out with like "okay these games were leading up to this so after this will be open possibilites" instead of like. absolutely no info about each upcoming game and being left guessing before it releases and just having to wait and see what's in it and if anything you're looking forward to will be in it

it feels like they have a plan and a solid direction for what they're trying to do and after carnival releases thatll be all that buildup coming to fruition. & we already know from the Scott interview that theres another release 'beyond sotm' that's 'super exciting' so maybe thatll be focusing on another big currently untouched (which is basically all of them) plotline, or even the big campaign game that dawko has been calling security breach 2

[autopsytableromance]

Evan kelmp man that you are ……………..

[5eyed]

some recent sprites for "on the flip side" characters (or rather the dimensional doubles of existing characters lol). ive posted characters from this universe a lot over the years, as its my oldest story that i still work on/think about, but ive never really explained who they are! if youd like to explore the setting and characters of "on the flip side" a bit, i made a carrd for it here (its still a wip but im trying to get it all finished within the month! main characters have fully written out bios & backstories, some side characters still just have basic info.) (also this all takes place in a fictional californian city and if you read this and go "wow that is definitely not how things are in california or the us" sorry i dont know shit im french.)

[dawdlecentric]

Man, this doujin isn't fucking around

Meanwhile, Seikuri in the background...

Doujin: Flashbackers by Totobe

[perenlop]

this is gonna sound so backhanded but after 3 letdowns in a row from pokemon (followed by a game which isnt terrible but i dislike because of how much it fucked up the plot of sm), then a game that i genuinely really love and want more in the style of and largely because of how it deviates from the main series, im genuinely so shocked that i love scarlet and violet as much as i do. like when i was going through that tutorial i was just cautious and waiting for the other show to drop and be bored at best, but like, graphic glitches aside, it never came. it stayed really fun and charming

[gothsuguru]

getting an iced pumpkin chai in the morning and then my personal goal is to spend the whole day writing and i hope i can come back to this post tomorrow and rb w how much progress i’ve made!!!

[deviousdiesel]

.

[wizardsix]

it's fun to look through datamined stuff but I need some of you to stop getting mad at larian for scrapping ideas you thought were cool. cool doesn't mean it'll make sense in the overarching story, and maybe larian likes this version better, or sometimes ideas just didn't work well with what they had in mind. I know this first hand from writing stories, I'll have cool ideas but realize later it doesn't fit the original tone of the story. it's okay to scrap stuff, but you can always use it for something else.

also, like it or not, it's larians game first, their story, their characters (I know.), it doesn't matter if we think something is cool, the reality is that not everything works in the end. and that's fine. that's how all art is, it's alive and ever-shifting, it'll go through many, many, versions, to the point where you might get sick of chewing on the same plot, and in the end the final version might not be as good as you thought when you look back in a few months or years. and that's ok. art isn't supposed to be perfect.

everything is subjective and I think fandoms would be a more intellectual place if people learned to critique art for what it is not what it isn't.