#but something interesting that has been pointed out is how

[cuinaminute229]

With death comes life

pairing: Agatha x Rio x reader

summary: To fall in love with both life and death is almost impossible. They contradict each other, they are different sides to the same coin. Agatha once managed the impossible. But time and grief can break almost anything, and this time it breaks what feels like everything.

a/n: there will be more parts to this. I find this dynamic rather interesting and I am definitely going to explore it. not a lot of warning in this part except for mild swearing. slightly protective Rio.

...

Life and Death go hand in hand.

One can not exist without the other. 

It’s a partnership that transcends time itself.

Agatha Harkness does not understand this. She can not, because for the longest time all she has ever known is death.

All she has ever done is take. She takes and takes and takes until there is nothing left to give. Until there is nothing left you can give.

Death will love her. Life will despise her. 

That is how it will be for centuries.

…

The witches’ road is a place that does not welcome you. It fights you every step of the way.

It is a graveyard. It takes what it wants without thoughts of sympathy or solace. It digs up fear and trauma like gold. It twists and stretches and tears the desires of witches brave enough to step foot on the road.

You hate it and yet you are summoned.

The dirt between your fingers is a sensation that feels as familiar as holding death's hand. Clawing your way from beneath the earth is not something you're very familiar with.

You're not usually summoned alongside her, this is different.

The echoes of multiple screams ring in your ears as you crawl your way out of a fresh grave, growling through clenched teeth when you finally break the surface.

Your joints and bones pop as you twist and jerk to realign what's been broken. You swear you're going to ring the witch's neck that's summoned you. 

You tilt your head and feel a crack in your neck, you grimace before you jerk your head and relief seeps into your muscles.

With a flex of your fingers you adjust your clothes before the colors of the leaves scattered amongst the ground catches your eye.

Just as the realization settles and you finally understand where you are, a hand that brushes against the length of your back is the only thing that seems to ground you. You lean into her touch with a slow forced exhale.

Rio is here, that is the only comfort you feel. 

You absolutely hate the witches’ road.

When you finally glance up at the witches who were just screaming bloody murder, you notice her right away. 

Her thick brown hair falling against her shoulders, the white button up shirt that complements her dress pants, the locket that’s always with her. 

Agatha Harkness and this coven of four have summoned you and Rio to the road. 

The rage that heats your blood is a sensation that you will never get used to, it burns like the sun and yet it's all you can feel as you glare daggers at her.

The only thing that stops you from lunging at her is Rio’s quick reaction. The hand that was resting on your back has encircled your waist, she tugs you back against her, resting her chin on your shoulder. 

“Easy there tiger.” Her soft chuckle of amusement is not distraction enough from what you want to say. 

“What the fuck are you doing Agatha?” Your words are harsh and yet you feel no sympathy when she flinches at your tone.

“Excuse me?” The witch in the pink dress places a hand over her heart like you personally offended her. 

“You’re excused.” You pay her no mind, your eyes are only on Agatha. “Now answer the question.”

Agatha says nothing. Her eyes look from you to Rio and back like she can barely believe what she’s seeing. Like she didn’t intend for this to happen.

“Cat got your tongue?” Rio teases, her smile predatory, the hold on your waist a touch possessive. 

“How did you—?” This time she points at the two of you. 

“We were in the neighborhood.” Rio interrupts her with a casual response. There is no need to explain further, she will know the truth.

“But uhh,” The youngest member of the coven, a teenage boy, lifts his hand up like he’s waiting to voice his question. You frown at the notion, not quite understanding.

“Yes Teen?” The oldest of the group turns to look at the kid who answers once the attention turns to him. 

“Why are there two of them?” He gestures between you and Rio, his confusion clear as he then turns to look at Agatha like she has all the answers.

You scoff at the thought, she knows nothing. Not when it comes to you and especially not when it comes to Rio. That was made very clear centuries ago.

Agatha glares at you as if this time you truly have offended her but all you do is glare right back.

The moment of eye contact drags on longer than you thought it would. The witch's pride is a strong thing and you know she hates backing down first but you are not in the mood to give in. 

You refuse to give her what she wants.

When fingers dance along the thin fabric that covers your ribs you jerk involuntarily, turn to glare at Rio. She gives you an innocent smile but her eyes burn with something that silently tells you to calm down.

“Doesn't matter.” Agatha's anger is a harsh bite, hiding the vulnerability that comes with seeing the both of you. “We have a green witch. Now let's go.”

The whoosh of her coat is followed by a slow breath that relaxes your shoulders. You can not let your anger get the best of you while here. The road will only take it and twist it until it gets a chance to throw it in your face.

“Being summoned is so much fun isn't it? Just like old times.” Rio teases you, presses a soft kiss to your shoulder in a silent apology. 

Before you can turn and properly question her about why you are here a voice calls your attention. “Uhh hello?” 

You roll your eyes but turn to glance at the three witches that have lingered after Agatha stormed off.

“Hello.” You merely say in return. You owe these witches nothing more.

“So uh did we summon two green witches?” The witch with red in her hair gestures to the two of you. You feel Rio shake her head from where her face is still pressed into your shoulder, her chuckle is low enough that the others do not hear it. 

You find her amusement endearing and annoying.

“To keep things simple, yes.” 

The continued looks of confusion merely make you smirk at the unsuspecting women. 

With one last brush of fingers over your ribs, one last ghost of a kiss that tickles the skin of your neck, Rio steps away. Her smile is bright, the twinkle in her dark eyes promise nothing but mischief and self entertainment.

“We're supposed to walk this thing right?” She steps around you and points toward the road. When she only gets a few shrugs of consensus she hums in response before leaving you behind with these confused witches.

You shake your head with a soft smile, of course she would find a way to ignore all your questions for even just a little bit longer.

“Let's get this over with.”

[quodo-brainrot]

I did an interesting thought exercise with this. Several people in the notes have already pointed out that Odo would have been super OP if he could flawlessly shapeshift into other people like the other Changelings can. (And in the course of the series, we see exactly why it's so OP.)

But! There is one interesting and hilariously simple weakness they could have introduced if they decided that Odo was that good.

Quark is on to something when he starts licking objects to try to figure out if one of them is Odo. You know why? Because Odo doesn't have a sense of smell or taste. I doubt he could replicate something that he can't even sense, so an Odo shot glass would almost certainly taste weird compared to a normal one.

The fact that Quark uses this strategy repeatedly suggests that it has worked at some point, even if we never see it on camera.

I believe that lacking a sense of smell would be surprisingly devastating to any attempts to masquerade as someone else.

Science and speculation under the cut.

As kids, most of us were taught that animals (especially canines) can smell a kajillion billion times better than humans can, but that's a pretty broad statement that has a bit of an 'apples vs. oranges' bent to it.

Humans are actually quite good at smelling the things that are important for us to smell... like each other.

I'm sure you've heard of how blind people are sometimes known to develop a much more keen sense of smell to compensate. Some become capable of identifying people based on scent alone.

Well, it turns out that we don't actually need to go blind to be really good at smelling each other, it's just that a lot of our scent processing is done subconsciously.

With all that in mind, I'm now envisioning a hilarious episode where Odo tries to mimic Rom and Quark just fucking instantly shuts him down because not only has Odo failed to mimic Rom's specific scent, but Quark can also hear that his heartbeat and breathing patterns aren't anywhere near accurate.

Figuring that maybe Ferengi are just an edge case due to their natural hypervigilance, Odo tries to mimic a human and finds that even the humans are suddenly suspicious of him - even if most of them can't put their finger on why.

To the humans, it's very much a classic example of being in the presence of an 'Alternate' - there's something uncanny about this person, but the explanation for why is juuust out of conscious reach.

I think it would be especially funny if humans and maybe Bajorans are the only races who can't really articulate why they feel suspicious. Almost every other race just immediately nails it with 'he doesn't smell right.' I feel like Cardassians would be especially good at it.

Even with this weakness, the storylines with the other Changelings mimicking people wouldn't necessarily need to be altered or removed. You could just write that they isolated themselves enough to avoid too much suspicion, or they simply used their authority to quickly shut down anyone who doubted them.

But poor Odo is absolutely no match for DS9's found family - they all know each other too well, to such a degree that the Station-Wide Polycule is a widely accepted headcanon. They're all so accustomed to the thick fog of pheromones hanging over Ops that they're going to immediately be suspicious when Bashir shows up smelling mostly of nothing (but also faintly of Quark for some weird reason).

Absolutely transcendent move from Star Trek to write a shapeshifter character who's kind of bad at it. You're like, "oh so he can impersonate other characters?" and they're like no he's not very good at faces :(

[tealvenetianmask]

I want to talk about a kind of troubling reaction I've been seeing to both Apology Tour and Ghostfuckers among parts of the fandom. The person is usually a reaction youtuber but sometimes someone writing on tumblr or twitter. They say something along the lines of "oh, I'm glad Blitz is being forced to confront his crimes/traumas/pain. This is the only way he will finally heal."

That's not how healing works.

I know that reaction youtubers don't always have the most developed takes because they're . . . you know . . . reacting in the moment. But I think it's still worth talking about.

I'm going set aside the people who seem to believe that Blitz needs to be punished for his crimes, and address those who genuinely think that getting a tidal wave of his own trauma in his face is what he needs to heal.

There's an attitude in contemporary culture that traumas are something people need to confront. As in, put on a brave face and dive in like a big boy. I blame capitalism, rugged individualism, and all the pieces of media that tie up a character's arc neatly by having them confront their darkest fears and insecurities. It can put a nice bow on things, but it isn't really how healing from trauma works.

Apology Tour:

Blitz gets confronted by a shit ton of people who hate him, at least some of whom are his exes, who he feels he's personally damaged. The decor and party games are all about killing and torturing him. Verosika confronts him about how much he hurt her. Oh, and then he sees the love of his life, who he's just recently pushed away, making out with another guy- proof, in his eyes, that Stolas is happier without him. And this all reflects the underlying fears he already has about who he is as a person (shown to us by Truth Seekers).

So what was the takeaway? Blitz came to the conclusion that he doesn't always want to be like this (good, but like . . . worth this much pain?). He flops on his steering wheel (relatable). He stops trying to reach out to Stolas (uh oh . . . ). He spends A MONTH spiraling in his own misery and making a mess of all aspects of his life until he's dragged out of it by a caring friend.

The party doesn't empower Blitz to change. It knocks him down and fucking traumatizes him (seriously, images of Stolas from the party show up later in his trauma reel) too much for him to be able to do actually work toward said change. I suspect that if left to his own devices, he would have kept spiraling for quite a while longer. It's one thing to want to change, and another to try to do so alone in the aftermath of a pile-on.

Ghostfuckers

After Blitz drags himself out of his hole of cheesy ice cream and despair to "play sex ghosts" (escapism, again, still knocked down by Apology Tour), infester demon Rolando picks him out as an easy target and assaults him, yes, assaults, with horrific images of his worst traumas and fears.

Not to state the obvious, but Rolando isn't interested in helping Blitz heal. He's trying to kill the guy. He wants to engulf Blitz in his trauma to the extent where he's consumed by it and loses the will to fight back. And as some excellent posts by others have pointed out already, he very likely would have succumbed if not for Millie's support.

Millie helps Blitz get through the onslaught by telling him about what makes him great and how he's improved her life and showing him love and care. And by literally beating the fucking infester out of him. Because there's someone in him who's hurting him, who's re-traumatizing him against his will. She takes him away from the reel of horrible memories.

So . . . do I think that confronting traumas can play a role in healing? Sure. But only if it's consensually (which neither of these situations are) and when the person trying to heal is ready. And most likely in small doses. No one's going and successfully confronting every horrible thing that's ever happened to them in one go.

And in my humble opinion, it's not going to work (for anyone, but especially not for Blitz) alone and without a healthy dose of kindness and compassion (both external and internal).

Blitz has a long road ahead of him toward healing, and it's going to be hard work on his part but also require love and support from the people in his life.

In a wonderful moment near the end of Ghosfuckers, Blitz and Millie work together to get Blitz's wrecked van unstuck and push it back through the portal into Hell. I love it because it's so simple and it kind of tells us everything we need to know. This sweet and salty gremlin has a lot of work ahead of him, but he doesn't have to do it alone.

[chrissv4mp]

Hiii so I thought of something that could maybe be good and thought I’d send a request for it. I was thinking something about what happens after the chicken shop date and how Amelia goes on her other date after and Billie is super jealous but the date sucks so she ends up texting Billie the whole time and Billie is still mad but Amelia begs her for another chance and talks her into meeting up after because she realizes she should have just stuck with Billie instead of going on another date and then they hook up. You could make it the reader instead of Amelia if you want I just love the storyline and how flirty and hot Billie was in that interview. For the sex I’d like dom Billie/strap/choking/orgasm denial/squirting if possible but just do your thing hahaha thank youuuh😘

𝜗𝜚 SHE CAN'T COMPARE

WARNINGS: SMUT, sorta angst(?), strap-on sex, choking, orgasm denial, degradation, squirting, dom/sub dynamics, meandom!billie, brattysub!reader.

NOTES: okay woah guys i actually finished this quite fast..

WORDS: 6.2k

SUMMARY: During your "date" with Billie, you accidently let it slip that you have another date after this. However, you can't get the argument out of your head, leading you right back to Billie.

TAGS: @mseilishmwah @sophloveswomen @mxqdii @livialifesblog @devynscomet @her-favorite @cannibalsclass @wiidfi0wer33 @loving1dsworld @tan1shere @fallingforfalll2 @cierraonline @dandelions4us @scarlittt @ifwdominicfike @meliciousmel13 @zayluvss @hrtsdollie

BILLIE EILISH × F!READER

"I'm actually going on a date after this." You blurt with a smile on your face as you take a sip of your drink. When you see Billie's face drop, you almost choke on the liquid, "Sorry."

Billie just crosses her arms over her chest, leaning back in her chair as she stares at you with those intimidating eyes of hers, "What the hell?" She chuckles, glancing at the camera. She didn't look irritated, but you knew damn well that she was.

With all the playful flirting behind the scenes and the soft, quick touches, it wasn't hard to miss that she had at least some interest in you. And it wasn't weird because you've been friends for quite some time before you finally had the courage to ask her to be on the show.

For a few moments, all that consumed the room was silence. Tense silence, to be exact. Billie's gaze spoke to you like nobody's ever did, and somehow, you knew exactly how she was feeling. You bite your lip nervously, eyes moving away from hers as it becomes too much.

"That—it—I didn't mean to say that." You stutter awkwardly, a coy smile on your face for the camera. The whole crew was still here, and you really hoped they didn't notice what was going on between the two of you, "Just a thought I didn't mean to blurt out."

Billie nods her head, "Well, you sure did." She scoffs, sounding more as a laugh to distract the camera crew and the people who would see this when it came out. She tilted her head as you took another sip of your drink to wash away the dryness of your throat.

"Right—shit—Sorry?" You mutter in an apologetic tone, leaning back in your chair to make a little more distance between your bodies. The table didn't even seem to create distance at this point. Her eyes were trained on yours, but yours were nervously tracing the pattern on the tablecloth.

Billie rolls her eyes playfully at your response, fixing her posture and sitting up straight, "So—You're goin' on an actual date after this?" She asks, both literally and just for the cameras. More literally, but nobody has to know.

"No—Billie, it's—This is a real date." You smile, trying to lighten the mood as you giggle softly at her jealousy. She was intimidating, but God, was she childish when she got like this, "I meant like a friend... date. With my girlfriends." You mutter, watching as an amused smile comes to Billie's face.

"Oh, so now you have girlfriends?" She scoffs, tone playful, shaking her head softly as she licks her lips. She adjusts her hat, muttering something too quiet for the microphone to pick up as she reaches for a fry.

You just stay silent, thinking of anything you could say that would change the topic. She was only teasing you now, clearly, "I'm actually just going home right after this. Maybe with you, even." You smile, watching as Billie raises an eyebrow at your harmless flirting.

"But you don't wanna stand up the lucky girl, do ya?" Billie questions, seemingly a joke to the camera, but hitting you very hard in reality. She shifts in her seat again, eyes dragging along your body and silently praying that it wouldn't be caught on camera.

You shake your head as you hopelessly stutter your reply, "I—no—there's no date after this. It was a joke." You play it off terribly, mentally cursing yourself for even blurting the stupid words in the first place, "Y'know, you're really hitting me hard and soft with these replies."

Billie's lips part at your word play on her new album, nodding her head as she chuckles, "Well, maybe next time, don't bring up your other date." She teases. When you glance into her eyes, you can tell exactly what she's thinking. And it's anything but sweet.

"Billie, there's no—I don't have a date, forget I even said that!" You shush, rolling your eyes at her as you take the last sip of your drink. Billie just shrugs nonchalantly, hiding her true emotions as she bites her lip, "Okay."

The camera equipment is slowly getting put away and hauled into the back of some moving van. But, you and Billie are still sitting at the same table you were in the interview. It was getting dark, and you did, in fact, have a real date that you had to be at soon.

Billie stays quiet, finishing up her food and stealing glances at you every now and then. Her thoughts are all over the place, jealousy pumping through her veins as the hand in her lap grips her jeans roughly. Her eyes snap up to yours right when you decide to finally look at her.

"What's her name?" Billie mutters, face even more stern than before when you were both being recorded. Now, she could finally express herself with words that didn't sound light-hearted, "Your date, I mean." She states, taking the last fry into her mouth and waiting for your reply.

You stay silent, almost dumbfounded, that she was still stuck on that topic. It'd been almost an hour and a half since you had that conversation, and yet it was still lingering in the air. A forced chuckle emits from your throat as you sit up straight, "Ms. None-of-your-concern."

Billie perks up at your response, cocking an eyebrow at your words. She'd never seen this side of you, and you really should've known that right now was not the time nor place for you to show her it, "Don't gimme that shit right now. You're acting like a child."

"Yeah, well, were you not acting the same while the cameras were rolling?" You retort, furrowing your eyebrows as the smile on your face slowly fades. She just scoffs in response, rolling her eyes she breathes out some stupid argument.

Your leg bounces beneath the table, mind racing as you check the time. You only had about an hour before your real date, and God, did you want to get away from Billie sooner. You can still feel her eyes burning holes through you, but you pay her no mind, huffing quietly in exasperation.

Billie notices the way you check your phone every few minutes, and it only annoys her further each time she catches you, "Better hurry up. Bet she wants to take you home later tonight, maybe even fuck—"

"Fuck you." You scoff, moving back in the chair as the screeching noise reverberates around the small, empty restaurant. You swiftly grab your jacket before storming out, leaving Billie alone in her seat, fuming.

"But your date's already gonna do that!" She calls angrily, hands clenched into fists as she watches the door slam behind you loudly. Her eyes stay on the glass for a moment longer, almost waiting for you to come back. But, you never do, so she just sits in silence.

Her head lolls back as she closes her eyes, sucking in a deep breath before she huffs out in frustration. Sure, maybe she was in the wrong, but who's to say you weren't as well? You knew how jealous she got. Each time she had a crush, she'd always run to you to complain about their ex's, never hiding her jealousy. And she was sure you didn't forget, you just knew how to push her buttons.

Quiet footsteps caught her attention, head turning in the direction of the kitchen, only to find the owner of the small restaurant approaching her, "We're closing soon, ma'am." He says, the tiredness clear in his tone and eyes. Billie just nods, humming quietly as she grabs her stuff and throws it away on her way out.

The lights hanging above you dimly lit the table and the girl across the table from you, highlighting her ocean blue eyes, quite like Billie's mesmerizing ones—No.

You shift in your seat as you listen to her, nodding at almost each word she says in an effort to seem like you were really listening. But, in reality, all you could hear was the chatter of other people seated around you. All you could even think about was what happened earlier that evening, at the restaurant with Billie.

Maybe that was the one thing that was distracting you, the one thing that made you think this date was going horribly. The girl wasn't even boring or an asshole. She was sweet and genuinely interesting. You just didn't know what was wrong with yourself.

You smile softly as you notice she's stopped talking, toying with the food on your plate, your fork twirling the pasta around it but not exactly bringing it to your lips to eat it. You'd lost your appetite, and you knew it wasn't from the food you ate a few hours prior to this.

"You okay?" She asks, and that's the one thing that pulls you out of your thoughts, eyes snapping to hers. They were swelling with concern, and so was her facial expression. God, you were really blowing it. Maybe you were the asshole.

The fork leaves your hand, clattering against the plate softly as you nod in response, "Yeah, I'm sorry. I just—Need to use the restroom real quick." You mutter, an apologetic look in your eyes as you stare into hers. You knew yourself that you wouldn't come back, so you didn't even bother promising it, instead just smiling at her before quickly rushing to the restrooms.

When you're out of her sight, you grab your phone from your bag, unlocking it as you open the door to the women's bathroom, making your way down to the furthest stall from the door and locking yourself in.

You click the first pinned contact, not even needing to look at who it is before you begin typing, leaning against the tiles of the bathroom wall.

y/n: hey

You bite your lip as you patiently wait for her response, muttering something along the lines of, "Please don't be mad at me, please don't be mad at me, please—."

When the three little dots show up, you let out a breath you hadn't even known you were holding, gripping your phone tighter as your eyes dart all around the screen.

billie: thought u were at ur date?

y/n: bored

y/n: cant stop thinking about our fight

y/n: you keep distracting me. idiot

You can almost feel her own emotions through the device. That sexy chuckle of hers imprinted in your mind. She gives your last text a thumbs down, and then the three little dots begin to bounce again.

billie: good to know im still on your mind tho

billie: also thats not even my fault??? js stop thinking of me then youll be okay 🤷‍♀️

y/n: kinda hard when you teased me the entire fucking interview

y/n: even off camera dude like wtf

Billie shifts on her couch, your words making her heart swell with pride. Even if you did piss her off, she was still happy she was on your mind. But, really, when wasn't she floating around somewhere in there?

billie: sorry for being me, damn

billie: also wtf why are you skipping over that shit that you did at the restaurant?

billie: like ok tell me you have another date after i was clearly flirting with you fr the entire interview

Her lip was tucked between her teeth harshly, biting down almost hard enough to draw blood as she watched the dots begin to bounce in the small grey bubble again.

When you finally sent the text, her facial expression softened.

y/n: im really sorry billie. i didnt know it would hurt you, it wasnt my intention

billie: huh

billie: well it sure as hell seemed like it was

You sigh quietly as your eyes scan over her texts over and over again. Fuck, why did she have to be stubborn?

Your thumbs quickly begin to work on the screen, typing out an almost pathetic apology. No—It wasn't even an apology—It was more of a stupid text begging her to forgive you.

y/n: im really sorry bills

y/n: i dont want us to fight. please

y/n: i didnt even want to come here after it

y/n: you know i hate when ur mad at me

y/n: ill apologize to u a million times more if thats what u want

Her heart beats faster, and she swears it might pop out of her chest any moment now. Her thumbs quickly type out a response, a stupid smile coming onto her face.

billie: dont

y/n: well can you at least pick me up cus u were being an asshole too

y/n: pls can you pick me up i really dont wanna see the look on the poor girls face when she finds me in this bathroom stall texting u

billie: idk i might js make you wait 30 mins so she can find u in there

Your eyes roll at her texts, scoffing at her responses. She was so difficult, and you hated her for it.

billie: hurry to the front im omw dummy

A smile quickly comes onto your face as you read the last text, almost squealing until you remember that she wouldn't be easy when you got in the car. Fuck, this was gonna be a long night.

The car pulls up slowly in the front of the restaurant, and you glance back one final time at the windows before scurrying off the sidewalk and jumping into the passenger seat of Billie's car.

She doesn't even wait for you to put your seatbelt on, quickly driving forward to exit the parking lot of the place. Her eyes trace your side profile as she waits for cars to pass, her gaze going unnoticed as you buckle your seatbelt.

"Have fun?" She mutters quietly, jealousy bubbling underneath her skin and seeping through in her tone as her eyes avert back to the road. You turn your head at her words, sighing in annoyance. She was still going on about it.

Your cross your arms over your chest as you look out of the windshield at the cars passing by, feeling her car jolt forward as she gets onto the main road, "If I did, I wouldn't have texted you, idiot."

Billie scoffs at your name-calling, rolling her eyes as she presses on the breaks at a red light. She takes the chance to look at you again, eyes traveling lower this time and catching onto your change of clothes.

You were wearing a short black dress, the neck cutting low and exposing some of your cleavage. She would've pounced on you right then and there if it wasn't for the traffic behind her. And also if she wasn't still so fucking furious at you.

Her own choice of clothing was the complete opposite of whatever slutty piece of cloth you were wearing, her sweatpants hanging low on her waist and exposing the waistband of her 'HIT ME HARD AND SOFT' boxers.

When the light turned green, it was your turn to admire stare. On her top half, she was wearing a little white tank, the straps thin and almost slipping off her shoulders each time she moved her arms to turn the wheel.

Her nipples were poking through the thin tank, and it felt almost impossible to look away. Until she spoke and you got too nervous to keep staring, "Well, I still wanna know how it went."

Liar. She was only talking about it so that you wouldn't forget the deep shit you were in when you got to your house. Or maybe her house? You didn't know, and you honestly didn't want to. You wouldn't bother asking, either, not wanting to hear the whole, 'why did you change the topic?' rant.

"It was good, actually." You murmur, an idea sparking in your head as you glance at her face again. You can practically see the way her eyes twitches in annoyance, and it only spurs you on to say your next words, "She was so sweet, and she cared a lot. I could tell just by her pretty eyes."

Billie has to stop herself from slamming on the breaks in the middle of the road, instead deciding to breathe in deeply and bite her lip. Her grip on the steering wheel increases in tightness, tilting her head to the side like she always did when she was infuriated.

"Yeah?" She seethes, cocking an eyebrow as she takes another quick glance at you. She catches a glimpse of that stupid smile on your face, and it only makes her angrier. You hum in response.

"Yeah." You reply, giggling quietly as you watch her knuckles turn white from the grip she has on the wheel. She presses down on the gas harder, and the car only accelerates faster down the route to her house, "Flirted with me the entire time, asked me if I needed anything. She even pulled out my chair for me."

Billie nods almost robotically, like she's being forced to listen to you brag about the girl. Because she is. She can't just jump out of the car into the road, even if she really did want to in that moment.

"That's—Yeah, that's nice." She mutters, jaw clenched. Even if you had only said a few sentences about no-name-girl, she was tired of it already. She only started the conversation to maybe undermine you? She didn't even know anymore, all she knew was that she was going to die if you kept talking about this girl.

"And—" Billie couldn't turn onto the street to her house fast enough, speeding down the road as she tried to drown you out. Her eyes burned holes through you, specifically your chest. She didn't understand why you chose to wear that revealing dress for that stupid girl and not for her.

She pulled into the driveway quickly, turning her key and pulling it out after putting the car in park. Her hands rested in her lap as she threw her head back against the headrest, eyes shutting softly as she breathed out.

"Stay there." She whispered, getting out of the car and slamming it with a loud thud. Your eyes followed her as she rounded the car, gaze coming down to see her sweatpants falling down only a little further.

She opened your own door before you could. It made her crazy when you even tried to open it by yourself, so even if she was pissed, she'd never forget to open it for you. When you exited her car, she slammed your door and locked the car, following behind you to the front door.

You type in her code proudly, reaching for the door handle but quickly being swatted away by her own ring-clad hand. You laugh at her gestures, watching as she opens the door for you and lets you go in first.

She's silent the whole time. Even as she closes and locks the door behind her, no words slip from between her lips, only gentle breaths as she rubs her temples. Her eyes basically undress you as you walk down the hall and throw your bag onto her couch, heart beating faster and faster as the seconds pass by.

Her vision is blurred as she follows after your footsteps, time seeming to slow as she looks around at the pictures hanging on the walls. When she finally makes it into the living room, you're sitting down on the couch, legs spread like you owned the place.

And, honestly, it seemed like it after being here 24/7. You even convinced Billie into giving you a key with no hesitation on her part. She grips onto the wall harshly, holding herself up as her eyes take in all that was you. Your scent already fills the room, making her head spin and blurring her vision further.

Her other hand rests inside of her pants, the action normal because of how abnormally cold she always was. But, this time, you see her hand moving beneath the fabric in a repeated motion. Like she's stroking something.

Your lips curve into a smirk at the sides, sitting up taller as you realize. She only comes closer, now leaning against the far end of the couch across from you.

"Thought you were mad." You hum, tilting your head in imitation. You cross your legs, hands running along your thighs through the fabric and making your dress ride up. Billie groans quietly, gaze fixed sternly on you.

A few more steps, and now her hand is holding herself up on the couch cushion you were sitting on. Her lips almost touch your earlobe, breathing on your neck as her small smirk fades. She scoffs, her other hand slowly creeping onto your thigh and squeezing, "I'm fucking furious."

You smile at her words, gasping softly as she squeezes your thigh tighter. She leans back, lips level to yours as her eyes flit down to them, then back up to your beautiful eyes. You're the first one to close the gap, grabbing her face and practically pulling her onto your lap, your lips fitting onto hers so perfectly.

Her hands moved to your hips, quickly flipping your positions so that you were on top of her. As you sat on her lap, you could feel the bulge beneath her sweatpants poking at your thigh, causing an amused smile to creep onto your face, "Predicted this, huh?"

"Shut up." She grumbles, ring-clad fingers wrapping around your neck and smashing your lips onto hers. Your hips slowly grind on her sweatpants, moaning quietly against her mouth as your hands grip at her shoulders, nails digging into her skin.

Billie groans at the subtle pain, pushing her hips up when she feels you begin to rock back and forth on her lap. Her free hand moves down to undo the tie of her sweatpants, finding it difficult with only one hand and her eyes closed, "Ma, take 'em off f'me, would you?"

You don't hesitate, the need to tease her thrown out of the window. For now, at least. Your hands leave her shoulders quickly, pulling away from her lips with hesitancy as you look down to see what you're doing. Billie's eyes are on you the whole time, biting her lip as she feels you tug down her sweatpants and let them pool at her ankles.

Billie bucks her hips against you, and this time, it's like you can feel everything. Your lips part in surprise at her sudden movement, a quiet squeak emitting from your throat at how big her dick feels.

"Gonna sit and stare, or are you gonna take it off?" Billie sighs, her patience wearing thinner than before. It didn't help that you were still fully clothed, either. Her hands leave your neck and hip, moving behind and messing with the zipper of the skimpy black dress that adorns your beautiful body, pulling it down until you could easily slip out of it.

You crawl off her lap, eyes hooded and full of desire as you slowly strip for her. Her hands grip the couch cushions tightly, holding herself back from even saying anything that would elicit a snarky response from your part.

The dress falls to the floor, revealing your naked figure to her. She wanted so bad to call you a slut for not wearing any undergarments, to degrade you until you broke beneath her and finally gave in. But she stayed silent, instead taking in your mind-consuming presence.

When you came closer and dropped to your knees in front of her, she bit her lip. Her hands and thighs trembled as you rested your cheek on the inner part of her thigh, leaving a wet kiss on the bulge in her boxers before you grabbed the waistband of the constricting fabric with your teeth. Her breaths were short and ragged, eyes wide as she watched the silicone cock spring free.

Once her boxers were at her ankles, your eyes found hers again, a mischievous smile tugging at the corners of your mouth as you came closer. Your lips hovered over the tip of her dick, spitting on it before your hand came up to stroke it softly, thumb rubbing at the tip as if she could actually feel it.

"Get up." She breathed, eyes locked on yours as you continued to stroke your hand up and down her dick, listening carefully to each quiet sound that she made, whether it be a whimper or a real moan, "Y/N, fuckin' listen." It was a clear warning, the way her tone changed just an octave lower, a very prominent warning that she wasn't gonna be easy if you disobeyed her again.

But, still, you stayed on your knees in front of her, your hand rubbing the silicone quicker. And, as much as she liked the way you looked on your knees, her hand quickly came down to grab a handful of your hair, tugging at it harshly in yet another warning.

This time, you listened, nodding softly as your hand left her cock, rising to your feet in front of her. Her hand left your hair as you moved up, standing up and stepping out of her sweatpants and boxers, kicking off her shoes and leaving her in only socks and that thin tank top barely covering anything.

"Want you on the bed, Y/N." She demands softly, eyes hooded and irises swirling with lust and anger. You nod, biting your lip as your eyes fall lower on her body, chuckling quietly as you see the fake dick standing tall between her thighs, "And don't make me fucking tell you again." She snarls.

You nod again once her words register in your head, your feet taking you down the hallway and into her room at the end of it. You shut the door behind you softly, scurrying onto the bed and seating yourself in the middle of it, back against the headboard and legs spread just for when she came back.

The time seems to pass way slower as you shift on her dark sheets, your lower back leaning against the pillows that she slept on each night. The room smelled heavily of Billie, her perfume filling all your senses and going straight to your core. This wasn't where you expected to end up tonight at all, but you weren't against it.

The creaking sound of the door is what catches your attention, finding yourself sitting up taller and gripping at the sheets. Billie pushes the door open slowly, hair up in a low ponytail, her tank top gone and revealing her tits.

You're unable to suppress a whine as she comes closer, locking the door behind her and only making you squeeze your thighs together, bucking your hips against nothing but the cool air in the room.

She moves so quickly that it should've been considered inhumane, her hands touching you everywhere all at once. Her hair tickles your shoulder as she tilts her head, lips pressing against your neck so softly as her hands grip at your tits so roughly. Her knee is slotted between your thighs, pressed harshly against your wet pussy and feeling every movement you make.

"She wouldn't kiss you like this," Billie whispers, biting at the sensitive spot just behind your ear, feeling as your body tenses beneath her, throat dry, and lips agape to let out all the pretty noises she was the cause of, "Only me." She finishes her sentence, moving to another part of your neck to scatter kisses and marks anywhere she possibly could.

Her thumbs circle your nipples, nails leaving soft indentations as she tries her hardest not to go absolutely insane on you. Just the thought of that girl fired her up, urging her to just ruin you first and then take it slow. But the bratty attitude you had all day only encouraged her to tease you, break you slowly, and then fuck you hard and rough until you were unable to say anything but her name, "I'm right?" She breathes, kissing your collarbone as she descends your body.

Her teeth nibble at the skin just above your tits, leaving hickeys in the shape of a heart slowly but surely. All you can do is nod in response, body reacting so eagerly to her teasing touches and kisses. She was driving you insane, but if you said anything, she'd only take it slower. It was torture.

"Answer me." Billie demands, biting down particularly hard just above your nipple, smirking against your skin as she hears you yelp softly. It's almost like she can feel your heartbeat on her lips, her head spinning with every idea of what she wanted to do with you tonight, "You were very keen to the idea of fuckin' smart-mouthing me during that interview. In front of people, too?"

"God, you just can't stand being good for more than 5 minutes, can you?" She scoffs softly, voice teasing and playful, but her words were real. She meant everything, and you knew that very well. Her lips wrapped around your nipple when she felt your fingers in her hair, tangling in the dark strands and pulling weakly. You whined at her degrading words, her knee hitting your clit perfectly as you rocked your hips sloppily.

"Bills—Only you, j-jus' you," you confirm, your voice merely a mewl in her ears, but to you, it was using all of the strength you currently had, trembling beneath Billie even though she's barely even touched you yet, "Please..." You beg, eyes fluttering shut as you find the perfect spot on her knee to grind on, hips moving faster.

Billie moves to your other nipple, sucking harshly and nibbling at the erect bud as her hands caress your thighs, nails scratching up and down your skin and making your thighs tremble just that little bit more. She releases your nipple from between her lips with a pop, now hovering over your face, removing her knee from between your legs, guessing knowing that you were close, "Please, what?"

"F-fuck me, Billie—Please—Jus'.. mm." You stumble over your words, mind scattered and unable to say anything to form a real sentence. Billie understands, though, a cocky smirk on her face as she moves her hand to one side of your body, holding herself up as her other hand pulls your thighs apart, lining her cock up with your entrance before she pushes it all in at once.

Your quiet cries are music to her ears, your trembling body cute and meek. Her hand leaves the silicone dick, traveling up your body and leaving a trail of fire up to your neck where she wraps her fingers around your throat, applying more pressure than you thought she would. You gasp quietly, the action only making the whole situation hotter and more intimate. She tilts her head, "You like that, don't you?"

You nod the best you can, whimpering softly as she slowly thrusts her hips, eyes examining your every movement from the way your chest rose and fell with the ragged breaths you took to the way your eyes fluttered each time her dick rubbed you in just the right way. Pathetic pleas for her to go faster slip from your lips, toes curling at her torturously slow pace, hands fisting at the sheets messily.

"Pleasepleaseplease—faster.." Billie's grip on your throat tightens at your words, eyebrows furrowing as she watches your eyes roll back, "Want me deeper, yeah?" She mocks, the fire in her lower abdomen growing as she sees you nod frantically, her hips already slamming into you almost twice as fast than she was fucking you before.

She leans closer to your neck, inhaling your scent and smelling her own perfume on your skin. A chuckle fills your ear, only making you moan louder, the whiny sound reverberating off the walls. Your back arches, chest coming up to brush against hers as you writhe beneath her relentless pace. Grunts fill your ears as she finds the perfect rhythm, muttering the dirtiest things in your ear imaginable. The words she was spitting should've cut deep, but they didn't, only adding to your pleasure and making you physically react.

As you squeeze your eyes shut, you see stars flash behind your eyelids, her strap hitting that sweet spot each time she thrusts into you. Your knuckles are white from the animalistic grip you have on her sheets, your orgasm approaching quicker than you could've imagined. Billie doesn't miss the way your breathing pattern changes, feeling it on her chest and hearing it 10x louder now that your head was turned slightly to the side, "Bill—Baby, fuuckk... plea—!"

"Hm?—Tell me, Mama, tell me." She mutters, almost begging you as her hips slap against yours each time she fully bottoms out. An evil smile is plastered on her face, but you don't know that. You don't even know what she'll say in response to your pleas to cum. But, you honestly don't think you'd be able to hold it either way, "Too fucked out to speak, s'that it? Can't even think, can ya? My dumb girl."

"Cum—Wanna cum, please, need t'cum!" You warn, your voice a mere squeak as you pull at the sheets. Tears streak down your face now, her silence making it impossible for you to keep whatever composure you had left. Billie breathes softly into your neck, kissing your shoulder before coming up to press a sweet kiss to your neck. Much sweeter than the words that fall from between her lips, "I think you can wait, hm? Since you made me wait so fuckin' long for this." She shakes her head in faux disappoint, scoffing.

"Hold it." She snarls, eyes narrow, lips parted and swollen, hips relentless. The headboard hit the wall in time with her hips, bedframe creaking beneath your bodies as she fucks you wildly, making it impossible to obey her commands. You try to squeeze your thighs together, but she doesn't let them close, sighing in annoyance as she gives your throat a warning squeeze, having you gasp for air, "Just a little longer." She groans, almost like she can feel the way your pussy clenches around her dick, walls fluttering from the immense pleasure.

Cries and whines are the only things that can leave your throat, dry from the screaming and moaning you've been doing for almost—Fuck, you didn't even know at this point. All you did know was the size of her dick, the sounds of her groans, and the look on her face as she fucked you recklessly. The bed shook, and you were sure her neighbors would be here in the morning to complain about the noises, but neither of you cared. The only thing either of you cared about was that you finally had each other.

Your vision blurs from the tears in your eyes, trying your best to keep them open but failing in the end as she pushes her body closer to yours—if that was even possible—and hits you at a different angle, the silicone cock sliding deeper between your walls. She's almost surprised at how well you're holding up, a smirk on her face as she tries her hardest to break you, free hand pulling and twisting at your nipple as her other squeezes your throat from time to time.

"Cum." She finally allows. It takes you a moment to register, but once you see her head nod in your blurred vision, you let go. The light, wet ring around the base of the dick only gets whiter as your juices flow onto her, squirting onto your thighs and parts of hers as your body shakes uncontrollably beneath hers. Your back arches further, chest pressing harsher against hers as you cry out her name, lower lip trembling, "Thankyouthankyouthankyou—Mm.." Your words come out in a hurry, thoughts messy and incapable of forming any other words.

Her hips slow, helping you ride out your high before she stops completely. She leans over you, fingers unraveling around your neck and coming up to cup your cheek, thumb caressing your tear-stained cheek with a look of adoration in her ocean blue irises, "Y'think she'd be able to do that?" She teases, giggling softly at your mumbled words, your eyelids fluttering open and closed, clearly sleepy.

"Shh.." You giggle stupidly, pushing her face away weakly. You gasp quietly when you feel her pull out slowly, wincing at the slightly overstimulating feeling. The emptiness makes you frown, whining like a baby as she pulls away from your body completely, "No, no, Ma, m'right here." She coos as she comes back into your blurry vision, strap discarded somewhere on the floor. Her hands wrap around your body, enveloping you in warmth as she cuddles close to you, "She can't compare." Billie whispers, knowing damn well she won the stupid challenge that she made up.

[kaorucup]

Saving A New Wish: One Show with All (Fairly) Odds Against It

Fairly OddParents: A New Wish is a sequel that managed to surprise almost everybody.

At this point, everyone knows the story of how this popular Nicktoon ended up falling off.....hard. So obviously, when A New Wish was initially announced, no one really expected anything good to come out of it.

Fast forward to now, and there's been a new wave of fans that love this series— including me! Maybe like me, some fans out there started caring about FOP was directly because of this sequel! Whether fans started enjoying since the pilot leaked or since Peri made his first appearance, they've all shown the same amount of love they have for A New Wish.

However, there's been many fans, old and new, around the world that have been waiting to be able to properly watch the series. A New Wish is a co-production with Nickelodeon and Netflix, meaning that the latter has the worldwide distribution rights to the series.

Before I mention something very important to this post, let me share a very important story from Ashleigh Hairston, voice of Hazel and co-executive producer:

(If this image should be removed, please let me know.)

There's an important part of this story I'd like to highlight too:

To give a quick idea of how Netflix renews its shows:

Netflix will see how many users actually complete the entire first season, so it would unfortunately matter if the show gets 50 million viewers. Why? Because if only less than 50% of those viewers watch every single episode, the show will not be renewed.

Basically, it's up to Netflix to choose whether the show gets cancelled or renewed.

If you're like me, a person who is worried about another good show being cancelled, you'd support this show. A New Wish is a show made with love, and while it's not perfect, it's one of my favorite shows already. So even if you're interested in this show or not, you can try supporting the show by:

-Watching it all for the first time if you're new!

-Rewatching it all, including episodes you may have missed

-Same as the last, but in your second language's dub!

-Leaving full episodes on as background noise (Just remember to tell Netflix you're still watching, views are views!)

-RATE POSITIVELY IF NETFLIX ASKS YOU TO!!!

-Posting anything with FOP with the hashtag #GreenlightFOPANWS2 and tag @nickelodeon , @nickanimation , and @netflix!!

I truly hope this show gets a second season!! I mean, listen to Peri! You're in for a great time anyway, so please watch every episode on Netflix on NOVEMBER 14TH!!!

(11/5) AN IMPORTANT THING YOU CAN DO IF YOU'RE RESUBSCRIBING TO NETFLIX OR MAKING A NEW ACCOUNT:

PLEASE DO NOT USE YOUR NETFLIX ACCOUNT FOR ANYTHING ELSE UNTIL NOVEMBER 14TH!!! LIKE THE POST SAYS, SHOW NETFLIX YOU CAME BACK FOR ANW

[mythalism]

im so sorry to be a mythal lover like my icon and url suggest but i genuinely think her relationship with solas in this game was one of its best writing moments and specifically their confrontation is the highlight of this game for me and i have to talk about it.

it is so fucked up and tragic and raw. it shows us a side of him we have never seen before. she is so brutal but also somehow kind. she is probably the most complex and nuanced character in the entire dragon age universe. what she did to him was inexcusable and she takes full accountability for it but she also does not apologize. its SO INTERESTING!!! ITS SO INTERESTING!!!!

WHEN HAVE WE EVER SEEN HIM LOOK LIKE THIS>??? HIS FACE??? HIS BODY LANGUAGE????? HE LOOKS TERRIFIED AND WRETCHED. WE HAVE NEVER SEEN HIM LOOK LIKE THIS EVER.

HE WHISPERS HER NAME, AVERTS HIS GAZE. HE CANT EVEN LOOK HER IN THE EYE. HIS NAME IS PRIDE??? HE IS THE DREAD WOLF AND HE IS THE MANIFESTATION OF PRIDE AND LOOK AT HOW HE LITERALLY CRUMBLES IN HER PRESENCE???? HOLY SHIT. THIS IS SO UNLIKE HIM

i love that she does not apologize. it would have been out of character. she isnt sorry and she never was, but she at least takes accountability for what she did to him and the effect it had. she does not offer meaningless platitudes of sorrow. why would she??? she just plainly states the truth.

I RELEASE YOU FROM MY SERVICE. I RELEASE YOU FROM MY SERVICE. HE STILL CANT LOOK HER IN THE EYE. HE IS SOOOO SUBMISSIVE HERE WHAT THE FUCK. honestly i need to make a comparison between their body language here and his body language with lavellan in trespasser but that'll have to be for another time. but i am so obsessed with this line being what she says of all the things she could have said. again no apologies. just catharsis. and she talks to him like a loyal dog, someone under her command, a subordinate, not a lover. did she always see him that way? where did those lines blur? this would have been a good moment for an "ar sala mala revas" but this line is so brilliant on its own i cant complain.

AND THEN YOU HAVE THIS NEXT. THE WAY THEY ARE THE INVERSE. mythal stands over him and looks down upon him, while lavellan literally GETS ON HER KNEES TO SEE HIS FACE. TO LOOK HIM IN THE EYE. BRO THIS IS SO SICKENING. once again it mimics the way they kneel in trespasser, the way they kneel when he removes her vallaslin. and even though he's not kneeling he is bent over in agony and she is quite literally meeting him where he is at ohhhh myg od

and then when it is finally his time to address her directly he looks her right in the eye, his face is calm and not wretched like before when he looked upon mythal, im literally so sick over this look like how long has it been since they stood face to face like this, 8 years????? i havent even gotten into the way his face is bloodied and bruised like this is so vulnerable im literally dying i dont even remember what my point was with writing this i just needed to scream about it. i think mythal's presence here gives so much context to solavellan's dynamic. seeing how he is with mythal versus with lavellan back to back, how mythal speaks down to him while lavellan literally looks up to him. also something something about how lavellan offers him forgiveness while mythal offers him freedom. maybe i can make these thoughts more coherent in like a week from now but right now im running on 3 hours of sleep and pure dopamine. this scene is so fucking crazy i love it.

[sandwitchstories]

Monster In the Middle

Hello, Hello! Here is the next installment in my series of drabbles, headcannons and one shots about Dad!Sukuna!

Dad!Sukuna Series on my AO3 - Here! (No real rhyme or reason here, only things they in common are Dad!Sukuna and fluff)

Authors note: Okay… Look, I know when I started this whole Daddy Duty series I swore there would be no running story but lets face it… now that we named her (Mouse), we have to keep her. So what do you guys say to more adventures in Mouse's Mini-verse?

If you prefer to read on AO3 click here !

Summary: Sukuna has long since grown accustomed to being woken out of his sleep by any number of things. However, this is a first. His position has been usurped, and by none other than his 2 year old daughter.

WC: 750+

CW: Reader is referred to as Mama but not described, toddler dad Sukuna, girl dad!sukuna, true form Sukuna (4 arms), it's pretty much just plain Dilf Sukuna fluff and crack, he thinks she got the sass from you but he's pretty damn sassy if you ask me...

Since the first time Sukuna allowed himself to sleep beside you, he had become accustomed to waking up in a state of confusion. It occurred even more often now that his daughter was an expert at escaping wherever she was put to sleep. (He was pretty sure they couldn't build a prison that would be able to keep her inside at this point. Handy when she was older, frustrating as a toddler.)

The first time he woke in confusion was that first morning he woke up to the weight and warmth of you in his arms. The second time was confusion at your kissing him all over his face because you said (a direct quote etched into his brain forever) that he looked “beautiful.” How could a seasoned and feared warrior with his unique body traits ever forget someone calling him beautiful and meaning it with true sincerity in their eyes and heart?

But not all wake ups were so sweet. He had woken up to you loudly doing things, seemingly just to get to him to wake up. (Many years later he knew it was unintentional. It was just that you were absolutely incapable of doing things quietly.) He had woken up to you shoving him away because of something he did in your dreams. He had woken up to you licking his nose, biting his arm, and many number of other things he couldn't remember now. But suffice it to say you kept his life interesting and your daughter followed in your footsteps.

But still, this was a first... Sukuna, the over 7 foot tall, 4 armed, 4 eyed menace to society, the King of Curses and Deadly Poisons, the strongest sorcerer in history and obviously the big damn spoon was currently displaced... usurped from his rightful position in his own damn bed.

Sukuna… had become the middle spoon.

You were spooned in his arms right where you were supposed to be. But Mouse had maneuvered herself during the night to currently be attached to the back of his neck and shoulders, drooling and snoring away, apparently making baby's first attempt at being the big spoon.

He carefully reached behind himself and removed the adorable goblin before setting her down in your arms. Impressed with himself for moving her without waking her, he settled back down to go back to sleep. But seconds later his revelry was shattered. 

Tiny hands pushed at his arm and then his chest, giving him a stubborn but barely conscious glare. “Move Papa.”

“What did you say?” He asked softly, determined to at least not wake you.

“Move Papa, please,” she repeated, shoving again at his chest.

“That wasn't what I meant, Mouse.” 

If Mouse was anything, she was determined. She clamored over you, carefully for a toddler, and used her feet too. She was on a mission and she was undeterred. 

Sukuna gave up, scooting back just a little and letting her worm her way between the two of you. He watched as she settled down and closed her eyes. Spoiled rotten. That is what she was. 

He gave a little chuckle and closed his eyes. Finally. He could get back to-

“Papa.” 

Are you fucking kidding me? “What?!”

“You're doing it wrong,” his little girl said in a sleepy whine.

“What the hell are you talking about?” He stared at the back of his daughter's head with amazement. She definitely had inherited your audacity. 

Her little hand reached back and fumbled around until she found his hand resting on your hip. She grabbed onto it and pulled at one of his large fingers with her tiny hand. He was about to say something when she rested his hand on your side so his arm was draped over her too.

“Like this, Papa.” She gave a big sigh as if the weight of the world was lifted off her shoulders. “Love you, Papa…”

“And I you, little mouse,” he let out a soft chuckle. 

He rearranged his hands so one remained on your side, his large arm draped over you both, keeping the two of you close. His now free hand ran fingers gently through his daughter's pink hair that matched his own. He laid a gentle kiss to the back of her tiny head before closing his eyes.

While so far it seemed that he had only contributed his pink hair to the tiny menace now sawing logs like a 60 year old man, but he loved her just as fiercely as he loved you. His precious little chaos gremlin. Perfect in every way. Just like you.

[yuurei20]

If it’s alright of me to ask , is there any examples of yuu/prefect having any canon details about them ? such as their height being pointed out by characters or if they are psychically weak/strong?if not that’s alright I’m jus curious :) since I remember a line from Crowley saying they looked “effeminate “?

Hello hello! Thank you for this question! 🦐

I found multiple sources ( 1 | 2 | 3 | 4 | 5 ) that all agree that Crowley seems to mumble a line with no subtitles in Chapter 7 of the prologue about the prefect seeming "effeminate"!

(the subtitles say only "But..." and then ブツブツ, for "mumbling")

While the sources above do not all report the exact same wording (it is difficult to make out what he is saying), it is generally agreed the dialogue is something similar to the following:

「ま、どう見てもこのか弱さは猛獣使いでも、猛獣にパックリとやられてしまいそうな…なんだか少し女性的な感じ…」

"Well, no matter how you look at it, with this frailty, even if they are a beast tamer, they look like they'd be gobbled up in one bite by a beast…a somewhat, slightly effeminate impression…"

For their height, we know that Floyd considers them to be small!

And Grim says that their legs are shorter than Vil's!

Note: this is only for the game-prefect! We know very much what manga prefect look like as we have seen them. The symbolism behind their names has been explained here.

(screenshots from Square Enix's official website: Yuuken | Yuuka | Yuuta )

The novel's Yuuya's physical appearance has been described here.

For non-physical-appearance details the prefect has the option of being either very poor at playing instruments or being adept at playing the flute and/or bugle!

Neither option seems to have any impact on the story, so the prefect being not being able to play flutes/bugles and being able to play flutes/bugles are both technically canon!

And the prefect also canonically knows the holiday "Tanabata"!

It is interesting that both dialogue choices mention Tanabata. The prefect not knowing what Tanabata is is not an option 📝

They also have the option of knowing what American football is! (though the characters in the game do not) 📝

And is this maybe all that has been specified in game? 🧐

Other things get into theory territory! I have seen many ideas in many places (the prefect is maybe a shape-shifting demon? The Chernobog? Will'O the wisps Fae? They don't know who Mickey mouse is, so how they can be from present-day earth? They want to leave Twisted Wonderland, which is the same as the player wanting to stop playing the game--are they not from our world? Are they themselves Mickey Mouse? Are they the mysterious chairman of the school, suffering from amnesia? Are they dead or in a coma?), but we have many more theories than facts ^^ Still fun to think about!

[lonesome-greenery]

I was four at the time and my heel had been sliced open by the edge of a bed so I had a waterproof bandaid on it. This will be important later.

I'd never gone to the ocean or beach for that matter before. That kind of thing just doesn't happen when you live so far inland and have a big family. So this was the first time I'd ever seen something so big and deep. The sand was wet and I was wearing my favorite sun dress. There were some older kids nearby -- I think they were probably ten to twelve years old -- who were building a sand castle with a moat. They had said something about finding a hermit crab and it pinching one of them. I was very careful wading through the water then because I didn't know what a crab pinch felt like, but I imagined it would be quite painful.

My mom was chatting with a circle of adults nearby in some of the deeper water, and I went out to meet her. I was treading water as best I could and the ocean was up to my neck. I say something to her and I'm sent back to the shore because it's too deep for me there and how did I get out so far? Why wasn't my dad watching me?

I get back to the shallows, and I feel something tug on my heel. My immediate thought is a hermit crab having gotten a hold on my foot. It doesn't hurt, but I'm terrified nonetheless and I go running up and onto the shore where the sun has baked the sand to the point that I can't handle the heat.

I'm back in the ocean again with the water around my ankles. I check my heel, and there's an immediate sense of relief. It's just a band aid. A band aid whose adhesive just doesn't work period. It's not a hermit crab, and I'm safe.

Now here's where things get interesting.

I'm standing in the shallows. The wind is picking up and I've just had the adrenaline wear off from being convinced that a hermit crab is attacking my foot. I'm four years old and relatively short.

The wind has picked up.

That means that the waves have started to get bigger. One starts picking up speed as it gets closer to the shore.

I don't know what exactly was going through my mind at that time, but I decide that the best way to handle that is not to go back to the shore (it's too hot on the sand, I'd rather stay in the water), but instead to drop onto my stomach and grab onto whatever stick or ocean greenery is there under the water and let the wave wash over me. I hadn't even taken a breath, but the wave passes over me and I can't get up. I'm sucked under and further out. The water is in my nose and stinging my eyes. I can't breathe. Everything is a murky yellow blue green. I'm no longer holding onto the sand and sticks. Those have slipped through my fingers.

I could very well die in that moment.

I don't realize it at the time. I'm four years old, and this is my first time interacting with a huge body of water.

I'm stuck under the wave for about twenty seconds before someone has grabbed me by the ankle and yanked me out of the ocean. He's one of my parents' friends and had noticed that I'd gone missing. It's the same leg as the heel with the bandaid that he's grabbed. I'm coughing up water and he's setting me upright. My mom and dad are running to check on me. I don't even know quite what's happened.

The guy who pulled me out of the water has sunglasses and assures them that I'm okay. I get told I almost drowned. That I could have died. When you're four, you don't have much of a concept of death. I didn't understand death much less drowning, but I understood the fear in my parents' voices.

I didn't drown, but I could have.

I'm still alive today.

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[mrchoppedslefthand]

[SPOILERS] Homicipher Is Actually Romantic, Convince Me Otherwise [Analysis/Opinion] [SFW]

Word count: 3,025

[Feel free to skip to the last objective "Individual route discussion + what made it romantic" if you want to get straight to the point]

Homicipher is truthfully a romantic game. It is a game that has to be looked at from a different perspective when it comes to love/romance. A game where you have to take in consideration of the characters and the nature of this 'other world'. Today's post will discuss into what I believe made Homicipher an oddly, but romantic game, despite its shortcoming and abrupt ends.

⚠️[MAJOR LORE/CHARACTER ROUTE SPOILERS] ⚠️

Discussion Objectives:

Definition of Love & how it plays into Homicipher

The nature of the 'other world' and ghosts

Individual route discussion + what made it romantic (thoughts)

What Is Love & How Does It Play Into Homicipher?

Love has many layers of definition and associations. Maybe, that is why some may deem Homicipher to be "unromantic" and some disagree on that thought. It also varies based on the type of content/exposure you had consume in the category of love. Traditionally, from a common standpoint, love is a strong attachment or affection for someone. Often from a social standpoint associated with dates, affection, and intimacy. For the sake of a "true" definition of love. I will be using the definition offered by the Oxford Language Dictionary. So, what is love?

Love as a noun is...

"An intense feeling of deep affection"

"A great interest and pleasure in something"

"A person or thing that one loves"

Love as a verb is...

"Feel deep affection for (someone)"

"Like or enjoy very much"

Not long after its release there had been a fair number of comments/reviews criticizing Homicipher for its lack of romance. This claim is NOT entirely wrong. From the expectations of a "normal" Otome/dating sim it doesn't necessarily meet the requirements because of its lack of intimacy, affection and interest from a HUMAN/SOCIETAL perspective. We must remember that romance/love does not necessarily equate to kissing, hand holding, and intimacy especially considering that these are the HUMAN (societal) views on what romance/love is. A concept that had become lost in the 'other world'. So how can we call Homicipher romantic if we have to cross out the influence of our society? The answer is that we can't fully avoid it, HOWEVER, we must be open to a different perspective of what 'their' version of love is. No matter how lacking, dense, twisted and grotesque moments we have spent with these ghosts are. In some shape and form it CAN equate itself to love. I think a lot of people forget that time itself can be equate to some complicated level of love. The fact you spend time with someone, and it develops to something further for worse or better, something that even love may not be able to name, is what this game demonstrates.

Homicipher has a consistent theme, the loss of truth, the acceptance of ignorance and the concept of eternity. Which shockingly is where the romance comes from, since it all seems like a negative outcome. When we allow ourselves to rot in that world. When we ignore the exit and choose to stay, is where the romance comes through. Love is complicated. What can I say?

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

The Nature of the 'Other World' & Ghosts

Alot of the ghosts we encounter can be friendly, but also just as deadly. We hear it from almost all of the casts warning or discussing about how dangerous a lot of the ghosts (including themselves) roam in this world, and in different endings, succumb to this danger ourselves. The longer we stayed in this world, we soon start to become no different. As we, a human, begin to slowly transform into a different entity. We begin to react more violently (though it can be argued that since our MC is a serial killer, she might have just been violent and cruel in general). When angered, or things start not to go her way, she gets filled with bloodlust and takes it out on who she's with. Killing is a common thing to do in this world, especially when experiencing anger, sadness and even boredom. As the game progresses, we learn that some of these ghosts cannot grasp certain concepts (such as love), remember their own name and self, and don't have exact words (sometimes none) for items.

When sometimes even confessing that you like some of the ghosts they question you, and state that they cannot understand you or that feeling. We are in a setting that is beyond the mortal realm, there aren't any exactly "ideal" dates in a place different from the moral realm... so you're going to be stuck in a scary place, having a scary "date".

However just because they cannot understand the concept of love, doesn't meant that they can't feel it. It is something that the body may still feel, and the mind not being able to put an identity to that feeling or even situation, since meanings and concepts get lost within this realm. The fact that we are allowed to spend an eternity in this realm, with our handsome casts of ghosts. Is oddly and sadly romantic. For Mr. Crawling it is his devotion and loyalty to you, it is how he worries and cares for you, it is his affection and attempts to soothe you. For Mr. Silvair it is his care for you (as research of course lol), your usefulness (which is why he is attracted to you), but even then, one of his endings he keeps you as a head, when you had become useless to him. For Mr. Gap he finds you intriguing, he wants to play and follow you around, always asking for parts of you with consent, loves to brag about himself to you. For Mr. Chopped it is his want to rely on you, to feel safe with you, to protect him, to spend time with him. For Mr. Hood it his willingness to help you for an eternity, to roam with you forever, keeping you away from danger. For Mr. Machete it is the fact you both spend an eternity searching for a home together, to suffer boredom together, to suffer within each other's presence. For Mr. Scarletta it is his obsession for you and his willingness to spend an eternity with you.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Individual Routes + What Made Them Romantic

[Not in any particular order]

Mr. Crawling

If I had to rank who had the most "romantic" route overall, it would be Mr. Crawling. With the definition usage of love from the Oxford dictionary, verb and noun he checks all the list. Not only that, but we spend time with him the most out of all the other casts. He was the very first ghost we meet (briefly in the beginning) and got stuck with. We are like a baby bird imprinting on him because we saw him first and spent time with him the most, so of course we might feel the most attached to him compared to the others. As the game progresses Mr. Crawling doesn't fail to let us know that he cares for us and our safety warning us of the dangers that come and how to navigate our way around the danger. He expresses his worries when we disappeared, and he can't find us. He seems to have some concept of love as he admittedly tells us that he likes us and ask us if we like him. He expresses how he wants to follow and protect us. He has so many cute scenes! Scenes where he pats our head, scenes where we lay together, chat a lot together. He is devoted and loyal to us, never harming us even once.

We even get a scene where he gets jealous when we called Mr. Chopped cute with the cat headband! So, he also makes an attempt to be cute too! We are always together with him, and that makes us BOTH happy. Although we don't have our traditional romantic dates like shopping, movie night. We get a bed scene and get to take him back home with us.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Silvair

lt's apparent that Mr. Silvair keeps us as research material and confines us in his lair. He is interested in our body, and also interested in returning our mind/intellect back to its original state. It is this interest in us that makes him "love" us. Does confinement and research count as love? Well...maybe not in terms in human definition but in the Mr. Silvair way, it's the closest thing you can get to romantic. Afterall, the concept of love has become lost in this world.

I believe he still has some attachment to us, because in the ending A Head's Life, he still keeps you as a companion along with Mr. Chopped. He claims that you are no longer useful/capable but that it is okay, as long as danger is no longer here. When you choose to ask him why he did what he did and ask if he likes you, he tells you it was for research and that love is something he cannot understand. He also doesn't understand why you get so angry when he helped you return your intellect back. He still though has some sort of concept of empathy, because in his route when you choose to kill him and hide yourself away. He comes follow you and expresses that he's sorry and tells you a little about himself. He allows you free will, at this point, allowing you to leave him or stay with him.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Gap

Mr. Gap always wants a piece of us, literally. Why does he? Because it's just for fun. The most interaction we get with him is through the multiple crevices within this world and the short route he gets in chapter 4. He takes but sometimes may give. It's hilarious how in chapter 4 when he offers us our crowbar in exchange for the crowbar you can just smack him for it with no consequences. He also likes to brag about himself to you which honestly is a little cute. With his ending Return, we only have him left in the other world. Our comfort lies with him, although he may be a little annoying, he is the only one we have left. We maybe have become a little codependent on him, but maybe he likes that?

God his annoyed/disgusted face is so hilarious, do it again Mr. Gap! He seems to stick around with us mainly just for funsies and being nosy, and honestly, he is so real for that. But it seems he likes to stay around with us at least. In the return end he is with us, and continues to stay lurking, perhaps watching over us until he is needed. Quite handy am I right? Haha.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Chopped

Mr. Chopped is just a head; how can he possibly be or have anything romantic? Well, not necessarily to the level of Mr. Crawling but, we get to have a few small moments with him and spend some time with him. Since he is just a head, he can't help but need to rely on others. Of course, he has to be selectively about it because falling in the wrong hands devastates him.

Mr. Chopped when he gets forced into playing with the deer child, he seems happy to see a familiar face and calls us out to help him. Our poor baby was in trouble!

His ending head hunt is tragically sad but also bittersweet. MC cares so much about Mr. Chopped that she spends an eternity as an entity searching for a lost head, searching for Mr. Chopped who she failed to rescue.

During his own special route Mr. Chopped does his best to help us, but there is only so much a head can do. To make up for his lack of body though, he seems to be more expressive with his mouth and emotions. We get to take him to get a haircut and wash his hair. This seems pretty date like to me. Although our time was abrupt and short with Mr. Chopped. It makes me happy that we get this small, cute scene with him, which makes him much more lovable.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Hood

Mr. Hood protects you from harm, and also heeds your commands. He also carries you around. He means no harm and is there to guide. He cares for your safety and seems to dislike anything dangerous or threatening towards him and others that he protects.

At the end of his route, he states how often you get in danger and takes you with him, telling you that he must protect you since you asked him to (referring to an earlier scenario when you asked him to stay with you, when you reunited with Mr. Crawling and the others, but he leaves). So I would assume he would always be by your side now eternally staying together and protecting you from danger when needed. How cute! Some people are into that. But personally, for me Mr. Hood felt more like a father/brother to me. Maybe it was because he was always willing to guide us? But some people are into the brotherly/fatherly type of men, and hey I don't judge.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Machete

At first, I did not see the appeal to Mr. Machete, he seemed like a ghost that killed for boredom and most of the time we just followed him around aimlessly...WELL after playing his route and letting it soak in my brain. That is entirely the whole point of his character. He is a ghost that had become bored because he had too much time on his hand and continues to search for his home. He is our tsundere dummy macho ghost, and honestly, I love that about him. He could've killed us again like how he tried earlier, but after that first attempt, he reluctantly allows us to follow him. It's funny how much he runs away if the odds are against him, and when he mocks us it's even more hilarious. Mr. Machete likes us if we are strong opponent for him, he even expresses that he thinks we are fun and likes us when we defeat Mr. Hugeface on our own.

Not going to lie, I fell for Mr. Machete right here. We were low on blood, and he just slices his hand, FEEDING us HIS BLOOD. Like OMG that was so hot, he opens our mouth forceful, and we drink his blood. He somewhat cares about us, to be doing all of that for us. We then venture on with him aimlessly searching for his and our home. Torturing each other with our presences. But maybe, just maybe, they can slowly become that home together that they were searching for.

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Mr. Scarletella

I LOVE HIM SO MUCH. At first, he appears to be just any ghost that wants to attack us. It took me a while to warm up to him because of so little we knew about him. I thought he wanted to take our name for fun/or collection, but then it's revealed that he knows us. That he harbors some sort of love and obsession for us and believes that we love him because of all the blood and bodies we "offered" him. In a twisted way, this situation is a cute and romantic misunderstanding. Mr. Scarletella fell in love with us for providing him many blood and bodies. He wants us to spend an eternity with him. He WANTS to spend an eternity with us. He invites us to this other world because perhaps he wants us to become a ghostly being just like him, or maybe he wants to have easier access to us (since his myth that he only appears on rainy days) to meet us. Although we didn't get to have as many interactions with him, that is what makes this love toxic. It is a parasocial love, he fell in love with us from afar. When you piece everything together with your dictionary the words he proposes to you sound like wedding vows when you give your name to him. Which make it all so more lovely, even if he takes our soul away.

(My translation/interpretation of the scene, where he asks for your name)

Chapter 2, Scene 24

Scarletella: "You found your name...?"

Scarletella: "Teach me your name." (ARF ARF WRARF)

Scarletella: "I want you." (YES PLEASE)

Scarletella: "Will you give your name?" (OF COURSE)

Scarletella: "Your name?" (👁️👄👁️)

*You give him your name here*

Scarletella: "I have your name."

Scarletella: "I have obtained you." (YES YOU DID, COME TAKE ME)

Scarletella: "Let's leave together." (ARF ARF WRARFFFFFFFF)

Scarletella: "I love you"

Scarletella: "And you love me."

Scarletella: "You gave it to me...Thank you" (I'LL GIVE YOU IT ALL)

Scarletella: "Forever/eternally together..." (YES SIR)

Scarletella: "Together." (ARF ARF WRARRF ARFA)

He is quite the romancer hehe. It seems like Mr. Scarletella has some form of concept when it comes to love, which is to be together forever, even if you end up as a blood pool. Together is together.

I find it interesting how his two endings: Scarletella and Scarlet Rain parallels each other so well. In the Scarletella ending, we (mc unknowingly) give our consent to being together forever with Mr. Scarletella, but we are still alive. When MC wakes up, she sees a clear umbrella on the floor and picks it up. I believe that we have now embodied or spirited the umbrella, spending eternity with Mr. Scarletella. He owns us now.

However, in the Scarlet Rain end he becomes ours, the umbrella stays red, and we still, eternally are together forever.

[wings-of-fire-confessions]

People like to complain about the scene in the NightWing palace in Darkness of Dragons, but I think it's brilliant how the scene manages to bring out all four characters' (Moon, Winter, Qibli and Kinkajou) biggest flaws, and watch them play off one another.

I think it's pretty safe to say that Winter's biggest flaw is that he's hot-tempered--if you get him mad, he gets very confrontational, and that's what happens here. He gets very rightfully angry that Moon and the others are defending the dragon who took his autonomy and is trying to commit a genocide against his people, and he flies into a rage, eventually knocking over the vase and injuring Moon. I'm not tone-policing Winter here--he had every right to be furious, however in his anger, he hurt his friend. However, he's not the only person whose primary flaws are being brought to the surface here.

Since the very beginning, naivete has been among Moon's flaws, along with a desire to believe the best in people. This is compounded by her mind-reading abilities, as she has the expectation that she understands people. There's a telling moment in MR where Qibli asks her if she loses her faith in dragons since she can see their motivations and thoughts, and she tells him that she actually believes better of other dragons because she reads their thoughts. She's settled into a complacency in her belief that a) dragons are all good at heart and b) she's so used to seeing everything, that she doesn't really compute that people can be hiding things from her or that she doesn't have a full picture. You have to remember that as much as Winter was justified in his anger, Moon didn't know what was going on, because Darkstalker was deliberately hiding what he was doing from her so that she still believed in him. She's reeling from the knowledge that Darkstalker lied to her, broke promises and is trying to do horrible, horrible things, and to her credit, she comes around to understanding Darkstalker's villainy, she just manages to hit Winter's triggers as she does so.

And that brings us to Qibli and Kinkajou, who sided with Moon over Winter. Since the beginning, it's fair to say that Kinkajou has been established as very loyal and also not exactly known for her critical thinking skills, and back in MR, she tells Winter that although he's very handsome, if he hurts Moon, she'll take Moon's part. And Kinkajou does, because Moon's her friend and Winter's angry and she isn't thinking about what she's doing.

Now, it's no secret what Qibli's biggest character flaw--say it with me now--having to be the hero and be universally liked. Now by this point in DoD, Qibli is quite smitten with Moon (something he's competing with Winter over) and she's become the apex of his 'desire to be liked and perceived as A Hero'. So, it's his instinct that when Winter--Qibli's romantic rival--is getting angry and confrontational with Moon, is to side with her against Winter, so that he'll come off as the nice guy, and the hero (and this is coming from someone who is a Qibli fan who ships Moonbli, so I'm not trying to hate on your fave).

I think it's just really interesting to analyse how all of their individual character flaws came together and clashed, creating the conflict.

.

[a-stitch-in-time-and-space]

"Dad," Jake begins, shuffling a bit from foot to foot.

Uh-no, he thinks. He can pinpoint how worried Jake is by the mixture of movement, tone of his voice, and inability to look him in the eye. Did someone die?!

"Yes Jake," he says, giving him his full attention -- earnest and soft.

"Dad, I... have something to tell you... um... and you can't get mad about it or weird about it. And you can't interrupt until I've finished telling you, okay?"

"Sure."

Another second. Two. "Dad I've been dating-"

"But that's great news Jake," he says, relief no-doubt visible on every inch of his face. "Why would I be anything but happy for you?"

"Dad!" Jake interrupts. "I'm dating Nog. And have been for awhile..."

That makes him pause for a second. Okay, Nog. Makes sense. They've been inseparable since Jake first arrived on the station.

"Why didn't you tell me before? I might have opinions about his uncle on occasion, but that's nothing to do with him. He's a fine Officer, bright, loyal, brave-" as he speaks he warms to the whole thing more and more. A few years ago he might have had his doubts, but... and sure, he'll invite Rom and Leeta around, which means having to invite Quark around, but it's a small price to pay. Overall a good family, good people, and some people who grow on you if you're on a space station with them for years on end.

Jake clears his throat. "I also... am dating... Ziyal."

He stops dead in his tracks.

"Tora Ziyal?"

Jake nods. "Do we know another Ziyal?"

"Dukat's daughter?"

Jake frowns. "Dad, I said you couldn't do anything until I was finished."

Ben's own frown mirrors his son's, but he breaks it to hold up his hands. "Alright, alright. You're dating Nog and Ziyal. I'm sure Commander Kira will be happy about it."

Yeah. Yeah, okay. Dukat's daughter, but hasn't he long abdicated the right to come calling for in-law heart to hearts? Ben certainly won't be busting out the real peppers for him if he ever does mysteriously find out, but Kira has been Ziyal's default parent for awhile now and is naturally always welcome - and Ziyal herself is an up-and-coming artist, lots of groundbreaking work being platformed on Bajoran-Cardassian identity, explains why Jake's been writing so much on the subject for awhile now. Kira has every right to be proud, and even though the Dukat thing niggles in the back of Ben's mind, he's sure he can put it aside for hers and Jake's sake.

Ah, and Elim Garak would have to be invited too, come to think about it... he'll have to think about that one, but at least it'll make for an interesting dinner at this point.

"And Ezri."

"What about Dax?" Ben asks, jolted out of meal-and-seating-planning (well obviously Kira and Quark can't be seated next to each other and he doesn't trust Garak next to Rom, and he thinks Leeta and Ziyal might get on well)--

"I'm also dating Ezri. Well, it's early days, we're still... but I asked if I could tell you and she said yes, but she didn't want to be here when I did. I think Dax- uh, Worm-Dax that is, isn't sure how you'll feel about it, because you've known each other for a long time. But. Ezri's her own woman, you know."

He says the last part very seriously, like he's expecting disapproval, but Ben's not halfway through processing the first part, when the second part belatedly careens into him... "Dax?" he says, a little strangled.

Jake shrugs. "Ezri said if you could keep Jadzia and Curzon out of it, that would be great." A pause. "Especially Curzon. I know there's some memories or... but. I mean, if Dax accepts it then everyone should!"

He bites his lip a little, like he used to when he was much younger and was worried he'd gone too far with something or other.

"Dax..." Ben says faintly. And under his breath: "oh the trill-commission are going to love this..."

"We haven't broken any laws," Jake says, defiantly.

Ben puts a comforting hand on his shoulder. "A four-person interspecies romance? Oh, I'm sure you are."

Then pulls him into a hug, and adds: "the variation on cuisine and custom within a single meal will be an interesting experience for us all though. I think I know how I can make it work..."

Jake laughs, relieved, and hugs him back as he continues to talk.

*

*The big problems don't start until the wedding planning several years later... meal prep really is the least of it.

Jake and Ziyal: softTM, bond over shared sad-mother stories, being young civilians during wartime, art, both of them are connected to Bajor - bonus points that dukat and sisko would be in-laws

Jake and Nog: friends to married, ultimate tol and smol, worried Jake when Nog’s away, long-distant relationship, they already know they can live together - bonus points quark and sisko would be in-laws

Jake and Ezri: their brief interactions were Good Chemistry, he’d help her find her bearings as Ezri, so supportive, they’ve both come off age pretty similarly, soft beans, bonus points sisko and the worm would be confused as heck 

[lovemyromance]

(Not a troll ask please don't shoot :D - genuine question)

But I feel like it's really downplayed how much Gwynriels gaslight the fandom. I joined ACOTAR bc I saw Gwynriel fanart and thought they were cute. I Got all the way to ACOSF still hoping for Gwynriel and got a whole lot of NOTHING. And honestly I think Elain is as interesting as cardboard (sorry), but you'd have to be downright blind to ignore she had something going on with Azriel.

Then I saw on titktok about the bonus chapter, everyone going in saying omg thats where gwyn & az are mates! So I cracked it open, read it - and bruh - HE'S OUT HERE TRYING TO GO DOWN ON ELAIN??

How can you put THAT interaction & the conversation he had with Gwyn side by side and people are walking away from it saying Gwyn & Azriel are mates?

I'm so genuinely confused why someone would start that nonsense. The way I ate up Gwynriel art/fan theories it was like she was a major character there from the start and they'd already had 8 kids and a HEA.

Then I open the books and they barely even have a conversation??

It was honestly really annoying. felt like a scam, like one of those authors peddling their book on social media and then you realize its a wattpadd fic written by a 12 yr old not an actual book

If it helps - we're all confused. Nothing has been proven yet about any remaining couple so idk why the Elucien and Gwynriels are out here straight up inventing fiction and trying to pass it off as fact to anyone willing (and even unwilling) to listen.

This ship war could've just been - "Hey I like Elucien more!" Or "I love elriel!"

But instead of just accepting these are all opinions and not actually what is in the books - people decided to straight up gaslight and claim that Elucien are a couple and Gwynriel are mates.

If you cannot point to it on the page where such a thing it explicitly happened - then it is not canon.

Lucien & Elain? They're mates. That's canon.

What's also canon - is that not all mates are a good pairing and end up happy together.

Whats also canon - is that the cauldron was wrong.

It shouldn't be hard to reach accurate conclusions if people stopped treating their wants and headcanons as fact.

Like for gods sake - let's just look at fanart. I'm not saying that every piece of fanart is canon or even should be canon - but elriel has much more canon fanart. Thats literally a fact. They have multiple major moments together - on the page.

What is canon Elucien fanart? When she falls out the cauldron - naked and humiliated and he gives her his cloak? When they sit together over a tea service acting uncomfortable? When she avoids him every other time she sees him?

What is canon Gwynriel fanart? When he gives her boss a secondhand necklace to give to her or anyone else? When he - and cassian and everyone else - watch her cut a ribbon she sees as an enemy?

I've seen so many people open up these books expecting some grand romance between Elain & Lucien and end up disappointed because... she doesn't even want to be in the same room as him.

So many Gwynriels with similar stories to yours expecting some entertaining Gwynriel love story only to also end up disappointed because Gwyn doesn't even exist till the last book and she and Azriel barely interact.

They chose to believe in a nonexistent ship and are trying to compete with canon Elriel evidence. Like ok - tough shit? But you can't just start making shit up.

Until Elain accepts that bond - or even gives Lucien the time of day - they're not a couple. They are nowhere close to endgame if everything she has done and said has shown us she doesn't want him.

Until Azriel himself declares Gwyn is his mate or vice versa - they're not mates.

And yeah I'm gonna get a lot of backlash from the "foreshadowing and crumbs" crowd.

But let me ask you this:

There are some Elriels who think the mating bond between Lucien & Elain is fake. There is plenty of evidence and similar language used about their bond that resembles the fake Rowan & Lyria bond. Plenty of signs showing their bond isn't quite right.

do you think Elriels can then claim it's canon that the Elucien bond is fake?

"We have crumbs and foreshadowing and similar language used" too. But do you see us going around claiming it's canon?

No.

We are very clear about the distinction between canon and headcanons. About what's in the books, and what is just pure guesswork and theory.

"Sparky spark" and "elucien is endgame" are both theories until proven. They are NOT canon.

Wish they'd just learn the difference. They'd be a lot less unhappy fans.

[zigrethsnotebook]

I must warn you: you have a dangerous effect on my heartrate.

Ford x Reader

words: 1,807

tags: sfw, fluff, talk about the supernatural

The rain pelted down as you stared out the window in Greasy's Diner. It was just your luck that the weather turned the way it did when you were in the middle of nowhere. You sighed and took a sip of the hot chocolate the waitress had brought you. At least something to cheer you up.

You eyed the rain angrily when the man in the booth in front of you spoke up. Quite loudly, too, or you wouldn't have heard him over the rain. "The weather is only going to get worse, you know? The forecast predicted a thunderstorm from now until tomorrow." You groaned at that and slouched further into your seat as a nigh cinematic thunder shook the diner.

The man seemed amused. "What brings you to Gravity Falls anyway?" He half shouted through the diner at this point. "A thunderstorm, apparently," you grumbled, more to yourself than him, and also far too quiet for him to hear. He stared at you so you said, louder this time: "I was supposed to meet some friends at a convention on the supernatural tonight. Only about 50 Miles north from here."

The man's eyes lit up at the mention of the supernatural. "That sounds exciting! Sorry, that you won't make it there tonight." You gave him an appreciative nod. You were already annoyed at the shouting.

The man looked down to the cup in his hand for a moment, then looked back up at you, opened his mouth and closed it again before looking out the window as well. After a few moments he had gathered enough courage to speak to you again.

"Do you mind if I sit with you?"

You kind of did mind. The weather had ruined your day and you weren't exactly in the mood for small talk. Then again, with nothing to do you were already starting to get bored. Maybe he could help you find a place to stay the night if it really doesn't get better out there.

You gestured to the seat in front of you, inviting him into your booth. He smiled, grabbed his cup, walked the few steps he needed to reach you and placed his cup back down on your table as he sat down.

"Stanford Pines." He introduced himself, much quieter now, and held out his right hand for you to shake. You took it without taking your eyes off his face and introduced yourself as well. He raised one of his eyebrows, apparently amused again but you couldn't figure out why.

He had a handsome face, a strong chin, gray hair and glasses that had a little crack in them. You wondered why he hadn't replaced them.

"So... what kind of convention on the supernatural were you talking about? Something worth checking out?" Stanford smiled a genuine smile. You could feel yourself relax a little at that - so he wasn't trying to pick you up.

What a nice change of pace! These last couple months you had had many encounters with disgusting older men who thought they could lecture you on something they pretended to know more about than you. Like how the female body works and other such things.

No, this guy seemed actually interested in that convention. The convention you couldn't go to because of the storm. You sighed sadly and watched his expression fall as well. "I'm sorry, I didn’t mean to upset you."

You gave a bitter "Ha." before actually answering. "Unless you are the cause for this storm there's nothing for you to worry about." You sighed again, starting to feel like you're being overdramatic.

"The convention is awesome. It's a yearly event, today would be the... 11th? Year for them. You see, I have a - maybe a little childish - fascination with the supernatural. And every year at that convention they gather all kinds of experts on the topic to talk about their findings. Last year they had that guy who took the photo of bigfoot! And those guys from Ghost Files!"

Stanford listened to you intendly with a small smile on his face as you continued to ramble about your favorite topic.

"I've been to that convention every year for the past 7 years. It's where I met one of my best friends in the world so it would even be special to me if it was terrible." You chuckled at yourself.

"Either way, they live in Canada and I obviously don't, so this is really the only time we see each other. And I mean, I will drive up there tomorrow after the storm settled and we'll still spend the next week together. But today is the opening of the convention - it goes on for 3 days by the way - and I'm just really bummed that I'll miss that."

You had sat upright for your explanation in excitement but slouched back into the seat at your last sentence.

Before Stanford could respond to your story the waitress showed up at your table again and topped off his coffee. "Oh, and another one of that drink, please." He pointed at your empty cup. Oh no, had you misjudged him?

"My, Mr. Pines! Barely leaves his house - but when he does...!" Before she turned to get your drink she winked at you. Or... you thought she did, it was a little hard to tell with one of her eyes constantly closed.

"You don't have to, you know?" You told him, gesturing to his cup and he immediately seemed to falter and blushed terribly. "Oh! Oh no, I wasn't suggesting... It's just. Very rare to find someone who is genuinely interested in the weird and supernatural! I just wanted to prolong our conversation."

The blush stayed on his cheeks as his eyes darted across the room and occasionally landed on you, looking for a reaction to his words. You chuckled. "Oh, I see. That's sweet of you." Maybe what the other men lacked were some manners and common sense.

The waitress set another hot chocolate down in front of you and you smiled at her and when she turned around you smiled at Stanford. After you took your first sip you decided to hear from him a little.

"So you said you like the weird and supernatural as well?" His face immediately lit up. "Yes! I've been studying the weird things happening in this town for years!" He pulled a notebook of some sort out of his coat pocket. It seemed fancy but really worn.

He presented it to you. It had a golden hand with the number 3 written on it on the cover. Something about it was a little off, but you couldn't put your finger on what. A lighting bolt lit up the sky for a second and moments later the diner shook again.

He started to flip through the notebook, talking fast and very enthused. Each page showed various creatures. Most of which sounded ridiculous, but some were more familiar to you - Gnomes, the Undead and so on.

By the time he had flipped through most of the book and explained lots of different things to you, you had each had three more cups of your respective drinks.

The book lay open in front of you as Stanford, or Ford as he later told you, downed his fourth cup. It was also getting late and you still had to find a place to spend the night, the diner would close up eventually.

You closed the notebook, signaling Ford that you would like to talk about something else now. Another thunder shook the tables as you instinctively put your hand over the golden hand on the book.

Just out of your line of sight, Ford blushed again while you realized what had felt off about that cover. The hand had an extra finger! You looked up at Stanford excitedly, and before you could even ask he held up his hands to you, showing off his extra fingers.

That fact did nothing to temper your excitement. How could it! "You are one of the creatures you study!" You had blurted it out without a second thought and quickly covered your mouth with your hands in embarrassment.

"I'm sorry, I didn’t mean to be rude." You told him in a tiny voice. He chuckled fondly. "Don't feel bad, I took it as a compliment! Very few people get excited when they see my hands. Most find them repulsive." He turned his hand around to look at it with a certain melancholy while he said that.

"Are you kidding me? Your hands are the highlight of my day!" Ford met your eyes when you spoke and you watched him blush at your words. Then you blushed as well. "I- I didn’t mean..." You trailed off, unsure how to talk yourself out of that one and instead looked out the window again. The rain was just the tiniest bit softer now.

You sighed and tried to change the subject. "You wouldn't know a nice place I could stay the night, would you?" Ford took his notebook and put it back in his coat. "Of course I do! You could stay at my place." You snapped back to face him, the blush still in full effect on your cheeks.

He didn’t falter this time. "Granted, the place is a little crowded right now, with my brother living there and our niece and nephew staying over for the summer... but they'll be happy to know I made a friend today! And also have someone else to get their minds off the storm."

Ford smiled that honest smile at you again. "Would that be alright with you?" How could you say no to that? Seriously, how?

You nodded and smiled at him. Seconds later he had paid for both of your drinks and led you out the door, both of you rushing to your car.

As you slowly and carefully drove into the woods under Ford's guidance he told you that he would set up a mattress for you in an empty storage room.

"Unless you want to sleep in a real bed, in which case you could sleep in mine, and I would take the couch there." You laughed. "Yeah! We could make a real slumber party out of it and tell ghoulish stories all night!"

Ford chuckled along. "We could do that, but I must warn you: you seem to have a dangerous effect on my heartrate. Unthinkable what would happen if you told me a ghost story."

As he said this you slowly parked your car in front of a wooden house. His house, apparently. "Are you sure that's me and not all the coffee you've been drinking?" You both laughed and then made your way through the rain once more.

Your friend won't believe a word of this tomorrow!

[maddy-k-reads-all-day]

I'm starting to agree a bit with people's interpretation of Wooly being that he tries to stay on script. In "Play My Way" (which I'm 99% sure is canon since it's an official Amanda 2 song and listed in the Amanda 2 game credits) Wooly's verse goes "Now watch us play our part, now watch us dance and sing, don't let it break your heart just play along and don't-" (before getting cut off by Amanda). So I do think he tries to stay on script a bit.

Though I don't think it's out of malicious intent. I think Wooly is just more avoidant about everything. Like, he doesn't like to think much about their situation since, to be fair, it's pretty upsetting.

Eventually, I'll have a full Amanda and Wooly analysis complete with quotes and clips but for now I'll just share the gist of this personal theory I'm working on. Basically, I think a big part of this has to do with memories. I don't think Amanda and Wooly remember everything from before, and it's possible in the beginning they remembered nothing at all.

Spoilers ahead:

For one thing, in the first game, Amanda only reacts to the name "Sam" in the context of the father chicken. In the second game she reacts to it a lot more and seems to know what happened to him, so I think it's safe to say she remembers that much now. I think the first game was Amanda slowly remembering more and more and trying to prompt us to go off script so we could jog her memory a bit more.

I don't even think she remembers everything in the second game. It's possible there is still more she doesn't recall, but at this point, it seems like she doesn't want to talk about it. Even when Wooly wasn't around, if we mentioned Hameln or the butcher, she immediately shuts down. She's telling us pretty clearly that she wants out, though.

Which is why I found it interesting in the librarian tape when Kate couldn't even confirm if Amanda wanted out of the tapes. She was certain it was Rebecca, but she couldn't tell where she was coming from. I think Kate started the process of Amanda getting her memories back, or maybe she sped it up by mentioning names and things that Rebecca would know, jogging Amanda's memory over time just like we did.

But here's the thing, all of this probably jogged Wooly's memory too.

I see it as a "would you rather be told an inconvenient truth or a comforting lie" situation. Amanda wants the truth, but Wooly would rather live a lie.

I mean, the truth is clearly something that is painful, sad, and scary. Once Amanda learns it, she says in the Goodnight tape that she tries not to think about it. But Amanda knew these memories were upsetting and wanted them back anyway. She doesn't seem to regret knowing the truth. But I think Wooly would've rathered all this stay forgotten. Sad and scary things make him uncomfortable, as we learn in the "when you feel bad" tape when you answer "tragedy" or "horror". I think he tries to avoid them in general.

Another thing, Amanda wants us to know what happened to her. That's abundantly clear in the second game. Personally, I think she was the one who helped us find the secret tapes. She sprinkled little hints throughout the tapes to let us. She might not have known excatly what was on those tapes, but she clearly knows that they have something to do with what happened to her. There could've been some research on Wooly too, but we just never found it. I mean, Amanda doesn't excatly like Wooly and she's kinda desperate for us to know the truth about what happened to her so... she probably wouldn't be too eager to share about Wooly.

What I'm trying to say is: the reason we never learn about Wooly is because Wooly doesn't want to know the truth, and by extension has no interest in us finding it. My guess is that Wooly would much rather just forget and have things return to how they were in like the Hide and Seek Pilot, for instance.

Which, let me remind you is canon.

Basically, my guess is Wooly would rather things go back to how they were when they didn't remember. Staying on script and never questioning anything because the answers to those questions are painful.

Edit: I'd also like to mention that Sheep symbolizes FOLLOWERS. Something that fits Wooly to a T. He's not the "bad guy" he's simply the bystander, which doesn't make him a good person but it also doesn't make him a villain.

It's late, I'm tired idk if I'm even making sense. Had to rewrite half of this cuz it got deleted. Hope you enjoy nonetheless!

[captnbunnie]

Oh man, I had been waiting to read this post!! Problem was that everytime I remembered I could not find where I saved it haha (spoiler: it was on my own chat lol)

Anyways, oooh this is very interesting!! It makes Odysseus such a human and complex character, it's incredible the levels of mastery that Homer had with his sotries!

Honestly everytime I read one of your analysis I cannot stop myself from comparing the Odyssey to Epic, and it just makes me realise more and more how much the musical missed and what we could have had! The idea of listening to a musical in which Odysseus is helpless in the face of fate, where he does his best in saving his men, having an objective that is not just about him (seeing Penelope and Telemachus again) but is about all the men that are with him (trying to save the most men he can and take them home with him), just gets me yearing for one!

I still keep thinking about that post you made about Circe, how it would have been so much better if we'd have seen Odysseus not being able to reject Circe's proposal, and him just calling to Penelope and the gods,,, and then later how it would have sounded if instead of "embracing" violence, he had just felt depressed and humiliated after Charybys and Calypso, with only his desire to see his family and kingdom again to push him forward, maybe also as a tribute to remember the sacrifice of his men and their efforts during the war and the travel,,,

I really don't like much how he became a violent beast in the last saga, I think it's very out of character for him (as if everything that happened earlier wasn't lol), but as you said in many other of your posts, I think it would have had a better inpact if the end point of the travel was to show a desperate man trying to come home but left to face the force of nature alone. I think it really does a better job at translating how, even if he has all the resolution in the world, even if he has a very strong wish, even if he tries his best, it does not mean that he'll be able to get what he wants. It doesn't mean anything in the face of reality and nature and fate, much stronger forces then a mere man. I truly enjoy those kind of stories much more because they portray something real, something that could happen to all of us. Instead Epic decided to go to the more "edgy" route, which maybe I would have appreciated more when I was younger haha.

Also while reading this I was listening to "Monster" (one of the songs of the Underworld saga) and it made me just yearn harder for a different adaptation of the Odyssey in Epic haha because I think that that song, if taken out of context (so ignoring everything else that happens in Epic) maybe could have been a song that represented Odysseus in a more "just" way?

Before continuing, I gotta say that I've read only some excerpts and some analysis of the Odyssey, so what I'm about to say might be very wrong haha (but that's why I'm sharing my toughts with you, cause I'm curious to know what you think about this)

Anyways, I think it would be actually a nice song related to him, I really like how he shows empathy towards his "enemies", after all, if I didn't read those scenes wrong, he does the same in the Odyssey. When he enters Polyphemus' cave, even if he knows he might be in danger, he still decides to follow xenia and give Polyphemus a chance to show hospitality (even if it doesn't work out), he is also shown to give Calypso sympathy, when he is about to get home, and see things from her point of view (even after all she did to him). So I think it's a good moment of self reflection for him, it shows that he is not in search for enemies but he just wants to go home.

Even the way he talks about Poseidon, saying "Or does he keep us in check so we must respect him / And now no one dares to piss him off?" I think it does reflect in a way what the Odyssey, or just any myth, tries to warn men about, respecting gods and nature because they are bigger forces that cannot be contrasted (which is very ironic if interpreted like this, because the last saga shows us the exact opposite lol)

And the last verse too "Does a soldier use a wooden horse to kill sleeping trojans cause he is vile? / Or does he throw away his remorse and save more lives with guile" I think it could go along with what you say in this analysis, that he makes decisions that others cannot to save as many people and lives as he can (even if he doesn't get many results,,,) and it also highlights how some people say that he played "dirty" with the wooden horse, but here it makes you realise why he did so, and that his plan is as honorable as attacking directly is.

The only thing that I think is kinda out of place in this interpretation of the song is that here he says that he still has to become "ruthless" to save his men, thus becoming a "monster", which I feel undermines what I said until now, that is that what he did, what others tought was "playing dirty", is actually that, an unjust plan.

Anyways, all this just to say that your analysis have been plaguing my mind and I keep thinking about a different version of Epic, and this song absolutely dealt a blow on me because, it has potential!!!! And yet, it's not used. It makes me yearn so hard for a true adaptation of the Odyssey.

I feel like if one were to adapt the Odyssey with songs, it would be a much better fit a musical series , like hazbin hotel haha (yeah, I want the songs that badly, I love musicals XD)

(Sorry if I started talking about Epic under such a good analysis of the Odyssey, I know that it seems kinda out of topic (and it probably is), but I don't think a comment would have been fit to write all this stuff haha)

Why didn't Odysseus's crew stage a mutiny against him in the Odyssey? (An analysis based on Homer's Odyssey)

It has been a while since the last time I did some Odyssey Analysis and here is an interesting question that goes on in this. A very valid question actually.

During the arduous trip in the Odyssey, the Cephallinians suffered greater loss than anything they suffered at the 10 year war at Troy. They lost almost all ships and all men were dying. They were reduced to a ship of a crew with less than 40 people and they didn't seem to get much hope. So of course one could ask; what was holding them back and didn't fight back against Odysseus apart from the indirect mutiny they did when he turned his eyes away from him to pray? Why their only mutiny was to disobey his orders and slay the cattle of Helios Hyperion? Surely more than 30 men could do plenty of damage to one man right? Why didn't they? And why is it important for the story?

So while thinking about it I came down with some possible explanations as to why that happened;

Odysseus was beloved to the gods

Regardless of their terrible situations, Odysseus probably still had the fame of someone beloved to the gods. He used to be directly communicating with Athena and was under her protection. Despite the fact that he was cursed by a god, there could be some sort of a thought running to their minds; what if we harm him and the gods strike us for it? What if there will be consequences for directly wishing harm to one who was blessed to be appreciated by gods? It could possibly be a risk that they didn't want to take. And it makes sense given how much Odysseus interracted even with minor gods during the trip (for example Aeolus or Circe). Quite frankly they might as well have wished that at some point Odysseus would appeal to yet another god for help.

Odysseus was beloved to his subjects

If you look at my other analysis here You can remember how beloved leader Odysseus was even to subjects such as slaves who in theory would have no real reason to be loyal to him. Odysseus seemed always to be a just and beloved leader and his men on the ship were not an exception. Regardless of whether they had lost faith hin him in his capability to bring him home or if they doubted his judgement, they couldn't get past the emotional connection; Odysseus had protected them during the war to the point of suffering the least possible losses, during the trip he was going to extreme measures to protect them (even the cruel misadventure in which Odysseus cut the rope from his ship to save the last ship from the Laestrygonians might as well have spoken volumes to the men that were saved). It would be hard for them to completely ignore that even in the face of mistrust. Somehow it would also be them thinking that they "owe him" till that part.

Odysseus was hiding stuff from them that could be important

Ironically the very source of their mistrust was protecting Odysseus. Odysseus didn't share with them the nature of the sack of Aeolus even if he seemed pretty clear that they couldn't touch it (and that led to their first tragedies). Later he hid the information that they would have to go through the Sirens till the very last moment where he warned them about it. Later he hid completely the information that they would go through Skylla and Charybdis. His men could think "How many more things did this man know on their way home and hid it from them?" if they captured or killed him in a mutiny how were they sure there weren't more dangers ahead that Odysseus was hiding from them and could either be informed the last moment or not at all? What guarantee did they have that Odysseus didn't know even MORE about their course? They had none. So ironically the very reason they began to mistrust him in the first place became the reason Odysseus was safe from their rage.

No one wanted to take responsibility at time of crisis!

Last and definitely not least comes for me the most important reason of all at least story-wise that shows how excellent writer Homer is into writing human nature. His men didn't stage a mutiny because no matter how displeased they were with his decisions, literally NO ONE wants to have the same responsibility to take decisions in time of crisis! Honestly, how many times do common folk feel themselves find a scapegoat usually to the face of their leaders when things go south? (and for good reason that is given that they are the ones with the responsibility to take decisions). When something goes wrong we blame the leader, the government or someone that has come forth and not only takes the decisions but also is responsible for the blame as well.

During their arduous trip Odysseus took some of the most painful decisions they could imagine in order to save what he could; he advised them to leave the Cicones and they didn't which led to their first tragedy; he tried to correct his mistake by appeasing the god Aeolus, he took the decision to sacrifice his ships in order to save the one he could knowing full well that they would never be able to fight against the Laestrygonians. He knew the 11 ships were lost cause so he acted fast cutting the ropes of his own ship and sailing away, making sure to save what he could even if that meant to the terrible loss. He traveled to the underworld even though he was alive, he chose Skylla over Charybdis knowing that the sacrifice would be too great but still not as great as to lose them all.

Regardless of their emotions at that moment; they put themselves in his shoes and realize that none of them would take the burden of leadership and take those decisions for them. Odysseus with his nerves of steel managed to save them so far even if they had so many losses and undoubtedly they realized that in his shoes they would never be able to act so efficiently and so fast. And knowing their own reactions against him; blaming him for the losses, they realize that none of them would have the guts to take not only the painful decisions but also the blame and hate that follows them. Odysseus was lifting on his shoulder as much hate and anger as very few others; not only his previous experiences at war and his actions but now his decisions of the trip. I have no doubt that even in their anger the men admired how he could carry it all.

Conlcusions:

Homer is a master of words and plot. I have no doubt that if he thought it served the plot he would have mentioned his men staging a full on mutiny against Odysseus or in one way I am almost certain he thought of the possibility being quite doable given as I said above that Odysseys was one man and the others were over 30. However knowing how great he is in protraying human emotions to his writing I think his choice of plot was deliberate.

Not only was Odysseus someone that could erupt not only controversy but also superstition given his close relationship with gods before, his leadership was always admirable regardless of the results (knowing his prudent nature and how plenty of his orders that were disobeyed ended up in a tragedy and let's face it Odysseus was also a brilliant fighter. I doubt anyone would easily take the first step to fight him one on one either!) and above all he was one of the best when it came on taking some really difficult decisions, carrying on his back not only the personal guilt he felt while taking them but also the anger of others and their retalliation. And in an amazingly human writing Homer speaks on times of crisis. When people do not wish to take responsibility at times of Crisis because they know full well that their decisions rarely ever would be painless!

Therefore they couldn't retalliate against him; they didn't want the responsibility of leadership or the blame for the losses. They didn't want to stand against authority directly either. So they took the indirect mutiny decision; when authority is not present they disobey or they break their will when the force of authority.

Could we perhaps one more time appeal to the usual theory of "unreliable storyteller" and speak on how Odysseus doesn't want to mention a mutiny in his story to Phaeakes because he doesn't want to appear as weak leader in their eyes?

We could but in my opinion this doesn't seem likely. Odysseus is already humiliated; shipwrecked and a beggar in their house. He mentioned how it was ellegedly his fault that the whole domino of reactions began when he mentions how he was yelling to Polyphemus being blasphemus that not even Poseidon could put him back together if he had killed him (which let's face it is too much given that gods had no probelm resurrecting some dead before). He had already mentioned his men not listening to him and disobedience was already a heavy thing. He didn't hide most of the unpleasant experiences during the trip so why miss the opportunity of shifting the blame to his men, saying that they stage a mutiny against him thus himself being unable to react instead of stating that he fell asleep during the prayer? To show that his men fear him so they do not dare to face him? Perhaps but it seems unlikely given the whole story in which Odysseus doesn't hide his bad sides from them.

What do you guys think? Let me know to your comments and reblogs below! ^_^