#but shes been very good with him so far

[gar-a-ash]

I cannot BELIEVE how quickly she fell in love with him. I fully expected her to never warm up to him but here she is! Even tolerated him attempting to nurse from her this morning!

[breesperez139]

DC x DP Prompt #7

The Dragon has Three Heads

After their High King was crowned, he was taken in by the Ancients. He was a child with continuously growing power forced to bear the weight of the Infinite Realms and in need of guidance, who better to advise him than the almighty Ancients themselves?

At first, none could decide on who would take their young king in. Not because he was unwanted, but because he was. The Ancients nearly sent the Realms to war with their myriad of reasons and excuses as to why they should be the only ones to take the ghost child in as their own.

In the end, the Ancients came to the agreement of split custody. They would all adopt their little king, but the consequences were dire and unprecedented. With so many powerful beings claiming an even more powerful being as their own child, their little one’s power increased to an all time high nearly breaking the mortal body he resided in.

Every being dead and alive could feel the birth of a new primordial being born. Primordials, beings even more powerful than Ancients, were an extinct species. Any who existed would eventually fade into their domains and lose their sentience for all of existence.

But the Ancients did not want this. They did not want this end for their child. They would not allow it.

Instead, they planned. They traveled different worlds and planets, spreading tales of the Great King Phantom. The epithets they gave him were grand and they would not leave until their work was finished. Their child would be revered, feared, and most importantly, he would be remembered and sentient and alive.

Belief is a powerful tool. Powerful enough to keep Gods immortal, and Primordials from fading. So long as the mortals believed the Primordials were still walking among them, their child would never die. He might not understand why he had to visit his worshippers every few years, but it is for his own good.

Then came two more. Not quite Primordials, but they were certainly on their way. The girl was made in their child’s own image, a mirror. The boy was their child but different. From the moment he appeared, he was no longer outside of time, but outside of space itself.

And with them, came the human female. She was a fierce warrior. Headstrong and bold and so very protective of their little ones. She too became theirs. She too became their child. Yet she was too mortal, too fragile. They could not let this stand.

So they spread tales and created myths. Anything to ascend their mortal daughter into godhood and keep their immortal children alive. So came the legend of the Dragon. The legend of their children.

The Dragon has three heads

Jasmine, their little dragon. Three heads, one for each of her siblings. One head for each mouth she had to feed. One head for each mouth she had to teach. One head for each mouth she had to protect. Three heads for the three children she had to raise as a mere child herself.

And like a dragon, she persevered. Like a dragon, she fought with passion and power and pride. With the strength and determination of a dragon because in truth, she is a dragon. Born by fire, kissed by fire, loved by fire. None could deny the dragon blood running through her veins.

One to be a murderer who will unleash death

Daniel, their little destroyer. He who creates destruction and chaos with every step he takes. He who embodies rage and despair, love and fury, grief and sorrow. His emotions high and potent when it comes to those he loves, as well as those he hates. Having lost everyone he held so dearly, it is not a wonder as to why he is so ruthless and possessive over the family he has now.

One to be a monarch whose crown will weigh heavy

Danyal, their little savior. The assassin prince destined to defeat the tyrant and rule them for all of eternity. The boy king destined to lead and protect them for all of eternity. The holy emperor destined to ensure peace and prosperity spread throughout the Infinite Realms for all of eternity. The perfect and omnipotent God meant to be praised and worshipped for all of eternity.

And One to be mad whose ideas will change history

Danielle, their little wanderer. She who broke free from the unknowing chains that shackled her. She who bent and molded reality, forcefully rewriting the ancient laws. She who bowed to no man, no ideal, no predestined fate as she roamed and reshaped worlds. The little princess would create what she wanted, transform what she wanted, change what she wanted and none could stop her. Not when she was evolution itself.

[chrollogy]

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[sol-consort]

it's a crime that V isn't allowed to go down on Rogue

[giantkillerjack]

Betty is so relatable I would do the same shit for my wife

[stagefoureddiediaz]

Eddie diaz dealing with his mommy issues arc in season 8 is feeling realer to me than ever right now

[arolesbianism]

Sometimes I just look at Isabeau and just know that if isat came out and I got into it when I was like 16 he would be my favorite character and I would've gone absolutely buck wild over this man and feel like he was laser targeting me. But alas Odile has a grip of steel on me rn due to her virtue of being a middle aged woman

[best-enemies]

I've reached season 5 on my CSI rewatch and I'm a few episodes past "Swap Meet", where a woman is murdered after attending a swing party with other couples from the neighbourhood. Near the end of the episode there's a moment that made me jump from my seat:

(Grissom walks up to Sara and takes the seat next to her. He's holding two cups. He hands her a cup of tea.)

[INT. POLICE DEPARTMENT - BRASS' OFFICE]

Erin Brady: Everybody fantasizes about other people. (She glances at Grissom.)

Even you, Mr. Grissom. A neighbor, a friend ... girl at the office.

[INT. POLICE DEPARTMENT - HALLWAY]

(The door opens. Paul Brady walks out of the hallway. Erin Brady walks out into the hallway. Sara is sitting in the hallway chair watching them. She watches as they meet and kiss.)

(Grissom walks up to Sara and takes the seat next to her. He's holding two culps. He hands her a cup of tea.)

LIKE!!!!!!!

Right after Erin ends her sentence with 'girl at the office', the first time Sara and Grissom meet again, he brings her tea. This might be an innocent interaction but to me it seemed like a nod to this relationship they have where both are into each other, know about the other's feelings, but can't/won't do anything about it (although Sara has kind of given Grissom an ultimatum). I don't know if it was intentional - I'm guessing it is, because I picked it up immediately. I might or might not have squealed in delight.

[weidli]

do you ever watch a like two minute bit of black and white documentary film about building the grande dixence without music or anything and think Oh god i have to write a minor key ballad about this or are you . Well not normal probably but at least a different kind of strange

[michameinmicha]

Me: can we have The Raven Boys?

Mom: we have raven boys at home

The Raven Boys at home:

[theskyexists]

Ok looked at all the vampire f/f books listed on sappfic.com or whatever and. Thats not a lot comparatively and also I had an idea! Who wants to read the one scene i already wrote for it

[ragewrites]

pair of hounds named Comes-Back and Should Know Better. pair of hounds named Conscious Choice and Unconditional. pair of hounds named Run to You and Six Hundred Kilometers.

[woodsborostabathon]

pondering the kirsch siblings orb yet again and you really cannot convince me that quinn would not have been moving like depression era bella in new moon from the moment she even FOUND OUT richie was moving to modesto...

[rearranging-deck-chairs]

because im less breakable than you

[shadowglens]

isa has such a complicated relationship with her childhood and trauma. she'll downplay it at most opportunities, or simply lie to avoid a conversation she doesn't want to have. before the events of bg3, only one person outside of her immediate family knows of her past, and esra is isadora's most trusted confidant. no one in the party discovers even an inkling of her past until act 3.

she isn't an orphan, wasn't horribly abused, didn't have something equally as terrible happen to her as a young child, and when most people she meets have had something truly horrible happen to them, it seems small of her to complain. her parents weren't cruel and provided her a fairly well-off upbringing with a governess to boot. still, when she came of age, she didn't hesitate to flee neverwinter and never return.

her human parents, particularly her mother, were mortified when isa was born with her pink toned skin and stubby horns and the inkling of a tail. her mother outright refused to try for more children for the fear of birthing any more tieflings, and grieved the large family she had always wanted for years when isa was young. her father loved her as much as he could in his stilted way, but he also never brought her into the family's merchant business despite her begging.

isa wasn't locked away, per se, but she had known from a very young age that she'd brought shame to her family, that she was unwanted. she was fed, and educated, and given any and all lessons she wanted, but she had few friends and suffered more scalding from her governess than she did affection from her parents. it was a lonely, guilded cage of a childhood.