#but she cares about my comfort

[explanationpoint]

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[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[raepliica]

tristamp post-S1 mashwood sillies and tri98(?) merylwood :]

[1v31182m5]

The sessions get longer each time

[thenationofzaun]

This is very funny. The same Sevika who said, "She's with some girl enforcer. Guess she replaced you. With her back in town, it's only a matter of time before you implode and Silco finally gets the message that you're about as good for our cause as you were for your family. Jinx." And smiled while Jinx cried. This Sevika apparently cared about Powder's mental health and would have been devastated as Big Bad Silco "destroyed her sanity".

I'm gonna need morons like this who watch this show with their pussy to stop their attempts at analysis posts, because this is embarrassing.

[madiineko]

did someone order a bron-zel-jr sandwich? 😳

another fun collab with @ichiro-artosaki featuring her Durge (Eris Jr), my Tav (Bronwynn), and a very grumpy Lae’zel!!!

don’t worry though, Lae’zel is doing just fine :]c

[creativesparkz]

theres a light in your eyes that never goes out

[sanasanakun]

I guess I find the shipping discourse a little funny because fandoms are gonna create ships regardless of the subject matter. I think really heavy, depressing media creates a need for people to see human connection. It’s like a way to cope, you know? More importantly and specific to this game (Mouthwashing), I also find it a little funny just because the devs themselves seem to be leaning towards ~one~ “ship” by retweeting artwork that depicts them as pretty close and protective. They even did an edit of them on that Florence Pugh and that one white guy romance movie with a “what could have been” caption. Sooo tldr the ship drama is kind of dumb. Please block and move on cause the discourse is taking up space on my feed when I’m trying to look for more art of Daisuke lmao

[nightmarearian]

blood dripped from Poseidon's mouth, red.

red.

the day they overthrew Kronos, child-eater (stomach acid crawling around them, after maw of teeth grazing his small, child body), his golden ichor bled red.

god blood, degraded into a mortal's.

the day Typhon, father of monsters (as big as their father was, as big as the Titans with sharp claws and teeth) ripped out Zeus' tendons, his blood was red.

Poseidon, god of the tides, son of Kronos, looked up at the dark shape stood above him, his own golden trident in his hand, the teeth like prongs drenched in red.

Odysseus is a mortal. was a human.

sharp webbed ears spread out on the side of their head, scales grew around their neck and arms, shining like a coral reef, illuminated by their growing red eyes, that were shrunken to slits.

Odysseus' teeth glinted in the lightning, showing their unnaturally sharp point.

monster.

[loz-the-noob]

(Apollo Justice trilogy spoiler warning‼️)

I know Ema’s popular for being a hater, but I think it’s neat how she feel like one of the warmest, kindest characters in the franchise too.

Like, she always lets people use her equipment and teaches them how to use it, or straight up GIVES it to them if she has spares (which is probably just a byproduct of her love of forensics but hear me out), she considers people she knows through work like Apollo to be friends to the point where she’s actually hurt by him not wanting to talk to her when they meet again in SoJ, it’s subtle, but she empathises with him over the loss of his parents, and the way she consistently refers to him as a ‘kid’ (even as late as the SoJ credits) and a newbie honestly feels more irritating-older-sisterly than patronising in an offensive way. Like affectionate teasing. It doesn’t take much to convince her to let you perform informal investigations either — especially when her friends are involved, she’s often sympathetic to the people she arrests, she was surprisingly forgiving when Apollo both lost an entire corpse AND almost set her on fire within, like, an hour… she offered to share her Snackoos with Phoenix when an investigation wasn’t going so well and advised him to take a break even though they were technically on opposite sides, said she was proud of Apollo even though she’d only known him for a case and a bit at the time… and she has such a friendly smile! I don’t know, she just seems really nice and chill despite her grumpiness.

[bearimba]

Silver doesn't need another father. He's already got one of those, technically, but the man turned out to be a weak, cowardly bastard who couldn't face his own problems let alone raise a child. The way he sees it, there's no need to set himself for more disappointment. He's got a roof over his head and food to eat, and that's far more than he could ever depend on in the last... however many years he'd been living on the streets. Lance and Clair are annoying as hell, but while he's training in the Dragon Den, he doesn't exactly have much room to complain. Not out loud, anyways.

Lance doesn't particularly want to be a dad either. He's already got too much responsibility on his plate as Champion, and this kid clearly needs so much more emotional support than he feels like he can provide. Simply convincing him to move into his guest room was enough of a struggle, and it only really worked because Lance had promised Silver he could "earn" his keep. What the hell is up with that, anyways? He's not sure what Silver's past looks like, and he's not about to go prying, but the bare minimum he can do is make sure he doesn't have to rough it out in the woods anymore. At least Clair seems to be having fun training him...

Clair is more than ready to be an aunt. The other two refuse to admit to caring for each other, but unlike them, she's not afraid of something as stupid as her emotions. The brat's slowly but surely been mellowing out during his training, and her idiot cousin has actually been taking care of himself for once in order to be a "good example." Silver has even caught on to calling Lance "old man" like she does, on account of those ugly-ass reading glasses the all-mighty Champion has to wear, and she couldn't be prouder. Best part is, she doesn't have to spend a dime except to treat the kid every so often! That's a win in her book if ever there was one.

[poorly-drawn-mdzs]

Hi! I hope this is okay but I would love to hear more of ur thoughts about the Yunmeng siblings because they are important to me and your tummy hurt comic hasn't left my brain as just,,, such good immediate characterization! ^^ Thanks!

I have too many thoughts on the Yunmeng siblings to fit into a succinct post, but I can offer you a Jiang Yanli addendum to the tummy hurt alignment.

[autisticaradiamegido]

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[ballpitwitch]

KEANU REEVES in 1999