#but see the thing is that her just saying that doesn’t change anything.

[flower-boi16]

Octavia’s reaction is 100% justified, actually

So I already made an entire reblog about this but I feel as if this topic is deserving of being its own post because the fandom’s reaction to Octavia has hit a new low. I’m just gonna paste what I said from this reblog here.

So think of this; young girl living in a home with a close relationship to her father. The father is always there to comfort the young girl and even sang a song when she was little as a lullaby to help her sleep due to having nightmares of her father not being there for her, telling her that no matter what, he’ll never leave and she will always be okay.

Cut to many years later, and, suddenly, things change. The father that the young girl held close to…suddenly cheats on his wife and starts obsessing over a random imp over her, even to the point of making sexual remarks about him around her even when she’s uncomfortable. Everything was turned upside down for her, the parents who previously loved each other now loathe on another, and now the father who held his daughter dear starts neglecting her in favor of this random imp.

Which leads the daughter to grow a fear that her father will leave her in favor of that imp, a perfectly understandable one given that it was established before that she has fears of abandonment. THEN when that father takes the daughter to a carnival that she hated when she was a child, he spends most of the day flirting with that imp on the trip that was SUPPOSED TO CHEER HER UP. The daughter gets fed up with this and runs off where the father follows suit. The daughter expresses her fears of abandonment to her father and asks him if he is really going to leave her in favor of that imp. The father says no, realizing his mistake and assures her that he’ll never leave her and decides to take her to a place she actually enjoys as a way to make up for that…

…and then cut to 17 episodes later where the daughter then witnesses her father THROWING HIS LIFE AWAY ON LIVE TELEVISION FOR AN IMP. He told her that he would never leave her, that he wouldn’t chose that imp over her…and he does that with no hesitation. Without even telling her. Octavia doesn’t know shit about whatever close relationship Blitz and Stolas have, to her, Blitz is just some random nobody imp that Stolas is for some reason horny over.

And this effectively cements to Octavia that, she doesn’t matter to her father. He really would choose an imp over her. Sinmass further drives this home with a heart breaking song Octavia sings that offers as a dark reprise of you will be okay, as Octavia sings about her resentment and heart break over her father betraying her trust, for LYING to her. She says she’ll never be the same now and fully accepts the fact that Stolas cares more about Blitz than her. And she then finds out that Stolas was taking anti-depressant pills, making her believe that she was just nothing but a burden, an obligation to Stolas this whole time.

If she wasn’t, why would he leave her without hesitation? It’s infuriating to me how the one time the show has good writting the fandom STILL makes insane arguments trying to defend Stolas.

Is Stolas allowed to form other relationships outside of Octavia? Yea, he is, but that’s not the issue. The issue is that Stolas was placing those new relationships above his old ones, he chose Blitz over Octavia, his daughter, his FAMILY.

”probably called her a million times” actually we saw him call once and Octavia was happy to answer until Stella wouldn’t let her, taking Octavia’s phone and mocking Stolas for trying to call her. Octavia doesn’t see the whole picture because SHE DOESNT HAVE THE WHOLE PICTURE! Stolas never communicated ANYTHING to her, not about what was going on between him and Stella, and not about his relationship with Blitz. Stolas didn’t give Octavia ANY information about what was going on and guess what? Seeing Stars and Sinmass show the exact consequences of that.

In Seeing Stars Octavia runs away to try and see the stars for herself because Stolas was focusing more on arguing with Stella than her, which leads Octavia to thinking that Stolas hates Stella more than he loves her, and she wouldn’t have started believing that IF STOLAS COMMUNICATED AND TOLD HER ABOUT THE ABUSE DURING OF THEIR MARRIAGE. Therefore she would be more understanding.

And in Sinmas, If Stolas ever explained to Octavia at any point in the show the full context of his relationship with Blitz, that would, at the very least, make Octavia understand his decision. Yet he never did. Octavia doesn’t have the full context for ANY of these situations because Stolas for SOME REASON never communicated to her.

And can people just fuck off with the whole “omg Octavia is such an immature/selfish teenager!” BECAUSE SHES NOT!! She’s not being a bratty, emotional teen for *checks notes* wanting attention from her father. Sinsmas is legitimately one of the best episodes of season 2 because it actually addresses Stolas acts as a father and calls him out for it, creating drama that doesn’t feel artificial for once and ends up being a step in the right direction for both Stolas AND Octavia as characters. But it’s sad to me that some people still miss blatantly obvious details like this.

Octavia is not a bratty teenager having a tantrum, she’s a girl that had her life turned upside down and is suffering through a divorce. I wish most of the fandom would actually see that.

[purpamint]

Even after two years this is still one of my favorite comics I’ve made, and since it’s the holiday season, here’s the text version of it I wrote for it today that has some fun bonus details that I’m pretty happy with:

Back when Kris and Noelle back were both kids, they were opening presents while sitting by a Christmas tree. Kris is wearing their red horns that they supposedly wore a lot as a kid. Kris opens their present and reveals a green and yellow striped sweater. After Kris opens their present, Noelle cheerily says, “Merry Krismas! Dess and I worked together to make you this sweater!!”

Kris looks in awe, exclaiming, “WOAH!! so cool....”

Noelle gives Kris a thumbs up with a happy expression, saying “why don’t you try it on?”

“ok!”

Asriel and Dess are both looking at Kris now that they’ve tried on their new sweater. The sweater is visibly way too big for Kris.

Asriel is smiling, but his expression betrays the fact that he is a bit worried that the sweater doesn’t fit Kris, however he is still trying to stay on the bright side.

Asriel expresses, “It’s a bit oversized…”

Dess, focusing more on Kris’s enjoyment of the present than the size, looks to Asriel and assuredly states, “They seem to like it!” She proudly stands with her hands on her hips with a satisfied smile.

Kris wears their sweater with a delighted smile as if they were as content as one could be. It was as if in nothing the world could be better than as small as sweater made just for them. It was as if they would be fine if this one moment lasted forever.

Dess, continuing what she was stating earlier, laughs, “Hah! It doesn’t matter if it fits as long as they like it!” Clearly pleased at how much Kris seems to enjoy their present, she remains unbothered by the minor issue of the size. Asriel, less concerned after realizing Kris’s genuine joy at the sweater, finally agrees with Dess, albeit still reserved “I guess so!”

Many years later…

The world is completely black. It feels as if so much time has passed. The darkness only brings back those warm distant memories. The darkness feels like daydreaming with eyes closed. Those dreams feel real yet so fragile…

Noelle sees Kris while at school

Casually starting a passing conversation with an old friend, she laughs, “Woah Kris… talk about a flashback!! Fa-ha!”

It was like she was suddenly propelled millions of years back in to the past, reminded of both the embarrassing and the bittersweet moments.

Caught up in the moment of remembrance— almost as if all the years of distance between the two teens had suddenly melted away to potentially forge some sense of reconnection— she continues, “You haven’t worn that since…” Quickly trailing off.

Reality comes back like a tsunami of ice water over a blacksmith’s freshly re-heated piece of iron. The once re-shapable metal is now chilled and harder to change.

Now, the darkness has faded out.

Noelle couldn’t help but wonder about Kris sometimes. Why wear that sweater…? Not that it’s a bad thing, but it hasn’t been worn in ages…

With an inquisitive expression, she politely asks, “Any reason why you’re wearing it?”

Kris sits at their school desk slightly leaning forward laying their chin on their right hand. Their other arm lays on their desk as if they were partially crossing their arms. They do not look directly at Noelle. They almost appear as if they are not looking at anything at all— or at least not towards anything in particular. They have an introspective expression. Like they are thinking about old friends, old memories, old dreams… at least that’s what it seems.

“I guess I have been feeling nostalgic lately…” Kris replies. An indirect response like that from them was not unusual.

…but…

It seemed like that they were being honest.

It’s generally hard to read them, it was even hard to read them back when they were more open…but Noelle is so familiar with them that it is almost natural, even if the skill has a little bit of rust.

Kris looks softly at their sweater. It’s been so long since they’ve worn it, but they still remember the day they got it. They wished that day would last forever back then. Sometimes they still do. It felt so big back then, but now it matches their size much closer, even if it is a bit baggy in some places. But it’s honestly more comfortable that way… they never minded oversized clothes anyways.

They loved it so much because it was made with care, just for them.

It’s their favorite sweater…

It fits almost perfectly…

Little deltarune comic for the holidays! (About the Holidays too, wow) This took a bit longer to make than expected because I chose to make it on paper, so I had to do a bit of color adjustments to make it look right in the photos. Despite it’s lateness hope y’all like it! :D

[crushpunky]

drew and actress!reader argue about their next steps

masterlist | actress!reader masterlist

this is a combination of a few asks and takes place pre-OBX season 3. warning for some angst + arguing

Y/n ended her call with her manager Morgan with a sigh. It was a conversation she had been dreading, but she also knew was inevitable with the direction her career (and character on OBX) was moving. She had been dropping hints to Drew that her contract with OBX was ending, that she wanted to move onto some different projects, Caroline’s character arc was coming to a close…

“Hey, baby.” Drew smiled as y/n walked into their living room. He was sprawled out on the couch, his limbs propped on the ottoman and Charleston curled up at his side. Y/n smiled lightly at him, the grin not quite reaching her eyes in a way that made Drew’s brain sound off with bells and whistles.

“Um, I just got off the phone with Morgan,” y/n said quietly, Drew leaning in intently as she spoke, “and I don’t think I’m going to be renewing my contract for OBX.”

Drew’s face dropped, his eyes blinking rapidly as he stared at her in a stunned silence.

“W–what?” Drew said incredulously. Y/n sighed, running a shaking hand through her hair. Whether or not either of them cared to admit it, Outer Banks and shooting together was a big aspect of their relationship. Hell, it was how they met and how they spent months of the year practically inseparable on set.

“I– I just…” y/n swallowed harshly, “I want to try new things and I don’t want to feel tied down to—”

“‘Tied down’? Is that really how you feel?” Drew scoffed, shaking his head at her words.

“Drew, you know I don’t mean it like that.” Y/n sighed, her hand resting on Drew’s tensed shoulder.

“What do you mean, then?” Drew said. “‘Cause I’m trying to understand and it just sounds like you think the show’s a burden and—”

“I didn’t say that.” Y/n said sharply. “I love the show and working with the cast— and working with you— but I just… it’s time for me to move on.”

“But I’m still stuck on this— what, this shitty, teenaged Netflix show? I can’t move on?” Drew shook his head. It was hard to not take it so personally when the show had given them so much, and for her to just leave like that… it hurt.

“This has nothing to do with how I think of you or your acting or career. You know you’re… a lot more important to the show than I am and you have a much more challenging role and—” y/n ran hand down her face with a sigh, “—this is 100% only to do with me and my career and my future.”

“But what about our future?” Drew said. “I just… don’t you think this is going to change things between us?”

“But it doesn’t have to. It doesn’t have to change anything.” Y/n said, taking Drew’s hand. His eyes closed, Drew ran his hand through his hair with a deep sigh.

“This is… this is really what you want?” Drew whispered, his thumb brushing along the back of y/n’s hand lightly.

“I think it’s the right step.” Y/n said quietly. Drew chewed on his bottom lip, mulling over his racing thoughts and questions before his gaze finally lifted to meet y/n’s. She could see a glint of sadness in his eyes, a recognition that the unique bond of the show would be changing.

“I don’t want you to think I didn’t think about us when I was making this decision.” Y/n whispered, squeezing Drew’s hand lightly. Drew nodded, squeezing her hand back.

“If this is what you think is best, then I support you.” Drew said. Y/n let out a sigh of relief, cupping the side of Drew’s face as she pressed a kiss to his cheek.

“I’m sorry if I made you feel forgotten or—” Y/n began, but Drew cut her off, kissing her forehead chastely.

“I’m sorry for freaking out, it's just… I can’t imagine the show without you and it just scared me to think about it.” Drew said lowly. Y/n frowned, to which Drew shook his head, wrapping his arms around her and pulling her against his chest. Her arms snaked around his torso, feeling the ridges of his muscles under her fingertips and hearing the thrum of his heart in her ear.

“We’ll figure it out, ok? I love you and we’ll figure it out.” Drew said simply. Y/n, squeeze him tighter.

“I love you. Thank you for supporting me, Drew. Really.” Y/n whispered.

[ghostgirl-22]

The threeway kissing scene except when artrick start kissing tashi slips away all smug like "my work here is done" and art just gets so into it hes not thinking about shame, being repressed or anything else rn, hes just whimpering "patrick... i cant stop" as theyre grabbing and rubbing against each other

"You dont need to" and they 👉👌

I could definitely see it! Tashi’s giving them the side eye cause she’s heard all kinds of things about fire and ice. But one of the things she kept hearing was how coupled up they were.

So when she asks if they’ve ever done anything and Arts denying it so vehemently and claiming that—- sure, Patrick gave him his first sexual experience but it was totally platonic and they were on separate sides of the room in separate beds both thinking about a girl ���Kat Zimmerman,” one glance at Patrick’s face is enough for her to figure out what’s going on.

The way Patrick’s just stumbling behind the story trying to give Art the validation that he needs… maybe he even feels a little bit bad for telling her in the first place after Art begged him not to. Probably because it’s got Art all adorably flustered. She clocks them both immediately <3

CW: 18+ !NSFW! Canon drift

-/-/-/-

They’re both next to her in seconds when she sits on the bed. Art feels his world opening up when she kisses him first. He’s losing his mind at the feeling of her lips, her tongue. He grabs hold of her thighs a little nervous. She breaks the kiss. She’s got her face so close to his just breathing in his mouth. He loves the smell of her, the taste of her. He’d do anything to be with her.

She’s going back and forth between them. Art thinks he’s gonna die for how hot this is. They’re giggling between kisses. Nervous energy all around.

Then shes pulling them both in and it’s just a mess of tongues and mouths and spit and breathing. She tastes like cherry chapstick and Patrick like tobacco and together Art just wants more and more. He’s not sure when he realizes it.

That he’s just kissing Patrick.

It’s not like anything is changing. He still feels so good he wants to die. He’s chasing after the kiss, eager when he feels Patrick’s tongue. Patrick’s hand cradling his face, then his hair. He doesn’t want to stop. He’s grabbing at Patrick. Pulling him closer like they’re not already close enough. He can hear Tashi sigh but he still doesn’t know if he can stop… not until Patrick pulls back just a little bit.

Art follows him and steals another kiss. “Mm, holy shit,” Patrick’s grinning, teasing his fingers into Arts hair to steady his movements.

“You guys want it bad huh?” Tashi says, quietly, her eyes all sparkly. “Can’t even sleep in separate beds. You’re pushing them together and shit but you’re just roommates? I’m sure.”

Patrick is grinning like he knows something Art doesn’t know. Art tries to kiss her again but she presses her palm against his chest, holding him back. “Do that again.” She tells him, looking back and forth between him and Patrick.

“Patrick can I— can I please?” Art whispers. He’s all scrambled up, not sure why he can’t think. Nothing feels real right now. It’s like being high. Or being at Disneyland.

“Of course you can,” Patrick says softly. “What do you need?”

Art’s not sure what he needs he just knows he isn’t finished, he needs more. He grabs at Patrick’s shirt, the same shirt Art was wearing earlier and Patrick gets to his feet so he’s in front of Art, bent in half kissing him, then climbing on top of him, straddling him.

Arts grabbing at his thighs. Touching everything he can. Patrick’s bigger than him, feels so heavy and warm on his lap. Art jerks his hips up and Patrick sighs against his lips. Moans when Art starts rubbing him where he’s started tenting. He pulls Patrick down on top of him, like a heavy weighted blanket as he lays back in the bed.

Pushed together because Patrick needs to be close all the time. And then even closer than that.

Patrick’s body is covering him now. His stupidly big cock is pressing hard along his stomach. His mouth is all over Arts body.

“I wanna— wanna fuck you,” Art groans as Patrick sucks hickies into his throat.

“Yeah? Is that what you want, sunshine?” Patrick’s saying, hot breath ghosting along his neck, soft, deep voice resonating, making Art shiver.

“Yes,” Art moans, helplessly. He’s rutting his hips up, pressing himself along Patrick’s ass for friction.

He feels so out of it— so desperate.

“Fuck okay, you wanna fuck. Stay there. I need to find something.” Patrick says anxiously and Art groans when Patrick climbs off him and they’re forced to separate. He didn’t even realize Tashi left; he feels vaguely disappointed. Then Patrick comes back. Climbs on top and helps Art with the condom. It’s slippery wet with lube. Art’s holding onto Patrick… slipping it slowly in and two seconds later he’s doing it. Fucking into him, like Patrick’s a girl. A real tight virginal girl. Feels so fucking good on his cock. Art’s almost more desperate now.

Patrick’s breathing deep, moaning as he kisses Art all over.

Art is barely aware of anything but the continuous movement of Patrick on his cock and he finishes so embarrassingly quick he almost pulls the pillow over his face to hide himself. Now he’s actually grateful Tashi isn’t here anymore.

Surprisingly, Patrick doesn’t tease him. He’s just staring at Art and grabbing at his own oversized cock, jerking it slowly. Arts so mesmerized he can sense the distant thrum of arousal slowly beginning to bloom inside him again.

Patrick’s fingers are wet with lube, sliding up and down and up and down as precum leaks from the tip. The whole time he’s got his lips parted, saying nonsense things like, “you’re so fucking pretty, baby,” “Look at you,” “Better than a fucking dream.” His eyes never leave Art’s body.

And then suddenly he’s groaning as hot creamy liquid spurts all over Arts bare stomach and chest. Art kinda likes the feel of it, he hadn’t expected that it would feel so heated. Almost hot. And the way Patrick is panting like he couldn’t help himself, eyes still roving hungrily over Art. The idea that he needed to do that just because he was looking at Art. It all makes Art feel so good and warm.

They almost miss it. They’re lying in bed talking frenetically about how crazy the nights been. It’s like they’re drunk off of one beer split three ways. And then Art gets up to clean up a little bit and go pee when he spots her note.

I have to go back to my room but I didn't want to interrupt. Hope you boys have fun. See you tomorrow. ︎︎

Written on the little hotel notepad and signed T, with a heart.

And sure enough she’s in the stands at their match the next day just eager to hear more about what happened last night.

(And they never fight over her number and she never gets injured and she gets to be a star tennis player and has two boyfriends and her boyfriends are boyfriends and… and… and…they live happily ever after. The end.)

︎ ︎ ︎ ︎

[fefe-the-cat]

You’ve probably heard about the theory that all the members of the Saint Cassian High School Chamber Choir represent stages of grief. You have also probably heard about the autism headcanons. Allow me to introduce:

Each member of the choir represents a symptom/trait found in autistic people

•OCEAN O’CONNELL ROSENBERG: perfectionism/OCD

•NOEL GRUBER: Masking (his mom tells him to dial it back), special interests (post-war France, the roaring twenties, French new wave cinema, etc), I don’t know if it’s in every production but did you see him playing with his nail polish?

•MISCHA BACHINSKI: naivety. We have no proof that Talia exists. Mischa wholeheartedly believed that whoever was on the other end of his online interactions was exactly who they claimed to be. It could have been Noel. It could have been Talia. Or something much worse.

•RICKY POTTS: Special interests (sci-fi, comics), communication challenges (not just because of the autism)

•JANE DOE: lack of conventional emotional expression. Jane doesn’t use much vocal intonation or body language or facial expressions. They say that around 93% of communication is nonverbal (Albert Mehrabian), but Jane doesn’t really use any form of nonverbal communication. Her emotions are not very strongly portrayed. But she is not emotionless, nor is she played as such. Members of the choir or even the audience may interpret her that way but there is definitely emotion. It is simply portrayed through a different, barely perceptible way.

•CONSTANCE BLACKWOOD: I was going to say masking, but that is more based on the vibe she gives than anything else. I’m going to say the general feeling of inferiority. This is not necessarily specific to autism, nor is it a symptom, but it is a very common side effect. This is one of those things that may not be as much of a problem autistic people will have to deal with if society changes, but for now and most if not all of history, it is quite common.

[fiveredlights]

also I now have so many questions about the DAUD AU world that I don't know what to do with them. if a DAUD performs really well in the other universe does that do anything for them in their home universe?? What if they do really poorly? is there a system in which they are allowed to stay in the alternate universe?

Has a DAUD for vcarb/rb/alphatauri/whatever ever been part of one of redbulls mid season driver swap/promotion/demotion shenanigans?? is that even allowed?? rb still run three cars as allotted for being the designated team but they run 3 drivers from their normal universe and red bull steals the DAUD for their second car?

thank you for enabling me to talk about The DAUD AU

before we begin i very quickly have to solve the problem of benjamin’s DAUD program being one race only versus matilda’s DAUD program bring a whole season by saying in 2030 the FIA changes the program that drivers have to stay for a whole season and everyone agrees that it’s fine for teams to run three drivers for the season because as callan says, the DAUDs are usually shit!

okay now onto your very good questions. usually DAUDs are reserve/junior drivers and if they do well in the program, usually teams will move them up into the seat but it’s not like a direct correlation. sometimes DAUDs can do really well but they don’t end up with a full time seat 🤷‍♀️ like how winning f2 doesn't always guarantee a f1 seat.

but it helps your case massively if you do well which is why people attempt the DAUD program as a way to get into a f1 seat. that’s probably the main reason why benjamin does the DAUD program, he’s in the RB junior team and needs to make a name for himself.

matilda does the DAUD program because she hates her teammate (devon jackson when i catch you) and ferrari won’t fire him because idk he’s like super rich (pay drivers have hit ferrari in 2048) so he sees it as a way to escape for a season.

(also she’s running away from someone like callan but we don’t need to get into that. matthew doesn’t like her in the beginning and i wonder why …)

if they do really poorly there’s leniency depending how far forward/back they went (eg. drivers who go back 20+ years almost never do well so nothing happens) but if they went to a similar time period and do very badly they will almost always get dropped from their teams. like if you were from 2024 and get sent into 2025 and you DNF in the race you are unfortunately probably gonna get kicked out.

DAUDs aren’t allowed to stay in the alternate universe permanently because of *waves hand around* universe somehow not liking it BUT if you win the race/championship you get a special little universe time travel bracelet that allows you to travel between your home universe and your alternate universe whenever you wish. so matilda is absolutely travelling back and forth for the sole reason to annoy matthew and callan.

there’s a whole thing where callan’s like you don’t want kids after knowing matilda and max just sighs super loudly and is like “you must be really stupid if you don’t think daniel considers you two as his weird adult children. i knew i would be stuck with you two when i started dating daniel. be so serious callan.”

okay so the whole Red Bull/RB/DAUD swap is such a funny and great thought because red bull are absolutely doing crazy shit like that. below is the craziest possible option i could think of.

in 2035 in the old habits/glitter on the floor DAUD verse i think RB/red bull attempt this crazy driver thing, where the RB DAUD does incredibly well for the first race but then does like mediocre for the rest and of course red bull are immediately like well with results like that we gotta get them in the main team!

the race before the summer break, the 2nd red bull driver contracts appendicitis on the friday. red bull call on the RB DAUD to replace them, he beats matthew for that race and red bull are like okay you're staying for the rest of the season. i don't think you can give someone appendicitis but there's obviously going to be news articles on red bull giving appendicitis to the 2nd red bull driver as a way to get the RB DAUD into the seat.

everyone starts petitioning the FIA to stop red bull from doing this, lawsuits are launched, there's a full on civil war between teams, everyone in red bull and RB are walking on eggshells, and to top it off the after the 2nd red bull driver recovers they refuse to drive the RB so they quit midseason and then we go into summer break with five cars between the two teams and only four drivers.

RB didn't run the 3rd car in the race before summer break, so obviously now daniel has to find a driver for the rest of the season. he doesn't want to pull up any of the drivers from the junior team because they are not ready and honestly he's still holding a grudge against red bull for stealing one of his drivers behind his back AGAIN. he is teetering between also quitting mid season and calling andretti up being like hey you wanted a f1 team right??

matteo jokingly says daniel should drive the 3rd car, daniel is like i can't drive because of my hand. he's trying to figure out if he can call matilda again but ferrari won't let her drive. then max is like well i can. everyone turns to the door and max is like well it is not like i am doing anything else.

daniel thinks he's joking but then realises he is very much not joking and he's not going to look a gift horse in the face, shoves max into the factory to do seat fits etc. everyone in RB agrees to keep it hush hush because red bull would throw a fit if they found out max was replacement driver and swap the DAUD for max.

matthew catches wind that max is the replacement, attempts to get himself demoted so he can be teammates with max, callan throws his phone out the window before anything can happen.

summer break is over and RB haven't announced who the replacement driver is so everyone assumes they're abandoning the DAUD program/3rd car. no one suspects that max is the driver when he walks into the paddock, but when FP1 starts and people see the 3rd car with 33 on it everyone promptly loses their shit, daniel and max have the biggest shit eating grin on their face, christian is having a mental breakdown down at red bull, red bull shareholders are pissed, matthew is still trying to get himself demoted and on top of that FIA places a temporary ban on driver swaps mid season to deal with the lawsuits/petitions.

so then it turns out that the DAUD who was once thought to be a generational talent maybe wasn't that good at all because the first race back he hits matthew and causes him to retire. a fluke maybe. nah he hits callan in the next race. red bull come to the startling realisation they are stuck with this guy for the rest of the season. someone googles how to give appendicitis to someone else.

adding salt to the wound, RB finish above red bull in the WCC, callan wins the WDC and matthew quits red bull and the FIA give red bull a massive fine because what they did was illegal and outside of the regulations etc. red bull agree to sell RB to andretti at the end of the season and daniel has never ever been happier. this is what he wanted all along.

max wins the last race, we finally get the daniel, max, matthew, callan podium line up. max retires again, matthew quits red bull and goes to andretti with daniel as TP. matteo also joins andretti, we get the oops all matt team and mostly everyone lives happily ever after.

matilda visits at the end of the season and is like woah. what the fuck happened here and everyone just starts crying because it's been a long year.

is this situation so ridiculous and crazy? yes. but so is this universe.

[theduvetpirate]

Yeah I get that for sure, the game doesn’t offer you a choice but I also see a lot of people conflating his upset with hate and I just really don’t think that he hates Shepard at all?

Idk it’s personal to each person I guess but from my pov the first thing he does is hug Shepard and then reacts quite rationally to his closest person being dead for 2years no contact suddenly appearing with a terrorist group and being like “hey kaidan how’ve you been? 😀”

I would be angry too if I’d been traumatised by leaving the person I love behind on her orders to then receive no word from her (again, defo not the players fault but that is the way it’s written) but it wouldn’t mean that I hate them Id just need time to process this new info again, which is what he’s done by Me3, and then I think it’s actually LESS realistic to have that person just accept in 3 mins at first glance that Shepard in front of them actually is their Shepard and not some experiment by Cerberus in the first place after spending the entire previous time together pretty much taking apart Cerberus bases and experiments…

Idk, I can understand some of the points Espesh when it comes to the writing and the player’s lack of ability to change the story choices with the virmire survivor -defo frustrating- but a LOT of the kaidan hate I’ve seen seems to just boil down to “I don’t like that he didn’t immediately drop everything for Shepard/I don’t like that he had an angry reaction to Shepard/he cheated with a doctor” when to me it’s clear he’s spent two years trying to move past what was probably hella traumatising, starting to make progress and she’s just appears out of nowhere with a whole new team

And then he sends the email and Idk I personally loved it!! From Me1 Kaidan is shown as a character to be emotionally mature and worked through his demons, so to me if anything his outburst on Horizon is because he cares about Shepard so much his control slips, and then with the email I just thought ok fair enough!! he reacted angrily after his base was attacked and in shock that Shepard is actually truly alive as any person might but then recognised that he was maybe wrong to react that way in the moment, apologises first then lets her know he went on one date at the request of his friends which he specifically says was not serious, and tells her he needs time but essentially leaves the door open, again reiterating that he doesn’t trust Cerberus and to be careful, so idk how that comes across as hating shep when to me it read more like an apology for a shock response..

This was a looooooong ramble hahahaha but yeah I basically understand 100% why you feel that way, cos the forced choice of joining Cerberus defo doesn’t lend to then having people angry at you in game, but I just think it’s so strange that 98% of the fan base hates him and so few people seem to be able to cut some slack for Kaidan given the entire context/circumstances that the conversation goes down

I am prepared to be hated but I really think Garrus is a bit overrated?????? I went into this game being like damn Garrus is clearly the one to be with cos of how popular he is and don’t get me wrong I LOVE that turian so much he’s a bestie fr but I had actually 0 interest in romancing him at all???

Prepared for double the hate but yall overhate Kaidan as well lmao he does not deserve the hate he gets I love him !?? his romance for fem shep was completely fine and destroyed me at the end of 3 even with horizon (this is a whole separate thing but some of you willingly decide to not see he has some very valid points on horizon), and I love Thane too so I’m excited to see his romance now on my second play through but damn…

[quietwingsinthesky]

you know what would be fun enrichment for thirteen. putting her in a time loop starting the moment she lands on gallifrey with the master.

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[lionblaze03-2]

sometimes I think about writing and singing music not because I’m an incredible singer but because no one has my fucking voice, especially in popular music, and its disheartening to be born a girl, told you’ll only get girl roles or try to voice match other girls, or ‘sing with the girls’ and then only be able to match male voices because you’re a fuckin tenor and not anything higher. I can’t think of any girl Broadway roles I can hit all the notes on. Most songs I love I have to pitch down for myself or use falsetto for singing along to. It bothers me a lot less now because I’m an adult who’s more secure in myself but as a teen in kids musical theatre it FUCKED with me, BAD style. And I know for a fact that even now when I hear people with a voice like mine singing I get excited and immediately invested in their work because they’re like ME, finally, for once. A brother in this world of being afab and having the voice of a recently pubescent boy forever. Maybe I should be that brother too.

[flower-boi16]

So I never once thought I would ever make a post defending Helluva Boss of all things but this post struck a certain chord within me and I feel the need to respond to it. It is legitimately sad to me how the fandom will bend over backwards to defend Stolas’ actions and demonize his victims even when the SHOW FRAMING DISAGREES WITH THAT EXACT FRAMING.

So let’s actually run down the context here and explain why Octavia’s reaction in this scene is perfectly understandable and valid, shall we?

So think of this; young girl living in a home with a close relationship to her father. The father is always there to comfort the young girl and even sang a song when she was little as a lullaby to help her sleep due to having nightmares of her father not being there for her, telling her that no matter what, he’ll never leave and she will always be okay.

Cut to many years later, and, suddenly, things change. The father that the young girl held close to…suddenly cheats on his wife and starts obsessing over a random imp over her, even to the point of making sexual remarks about him around her even when she’s uncomfortable. Everything was turned upside down for her, the parents who previously loved each other now loathe on another, and now the father who held his daughter dear starts neglecting her in favor of this random imp.

Which leads the daughter to grow a fear that her father will leave her in favor of that imp, a perfectly understandable one given that it was established before that she has fears of abandonment. THEN when that father takes the daughter to a carnival that she hated when she was a child, he spends most of the day flirting with that imp on the trip that was SUPPOSED TO CHEER HER UP. The daughter gets fed up with this and runs off where the father follows suit. The daughter expresses her fears of abandonment to her father and asks him if he is really going to leave her in favor of that imp. The father says no, realizing his mistake and assures her that he’ll never leave her and decides to take her to a place she actually enjoys as a way to make up for that…

…and then cut to 17 episodes later where the daughter then witnesses her father THROWING HIS LIFE AWAY ON LIVE TELEVISION FOR AN IMP. He told her that he would never leave her, that he wouldn’t chose that imp over her…and he does that with no hesitation. Without even telling her. Octavia doesn’t know shit about whatever close relationship Blitz and Stolas have, to her, Blitz is just some random nobody imp that Stolas is for some reason horny over.

And this effectively cements to Octavia that, she doesn’t matter to her father. He really would choose an imp over her. Sinmass further drives this home with a heart breaking song Octavia sings that offers as a dark reprise of you will be okay, as Octavia sings about her resentment and heart break over her father betraying her trust, for LYING to her. She says she’ll never be the same now and fully accepts the fact that Stolas cares more about Blitz than her. And she then finds out that Stolas was taking anti-depressant pills, making her believe that she was just nothing but a burden, an obligation to Stolas this whole time.

If she wasn’t, why would he leave her without hesitation?

Is Stolas allowed to form other relationships outside of Octavia? Yea, he is, but that’s not the issue. The issue is that Stolas was placing those new relationships above his old ones, he chose Blitz over Octavia, his daughter, his FAMILY.

”probably called her a million times” actually we saw him call once and Octavia was happy to answer until Stella wouldn’t let her, taking Octavia’s phone and mocking Stolas for trying to call her. Octavia doesn’t see the whole picture because SHE DOESNT HAVE THE WHOLE PICTURE! Stolas never communicated ANYTHING to her, not about what was going on between him and Stella, and not about his relationship with Blitz. Stolas didn’t give Octavia ANY information about what was going on and guess what? Seeing Stars and Sinmass show the exact consequences of that.

In Seeing Stars Octavia runs away to try and see the stars for herself because Stolas was focusing more on arguing with Stella than her, which leads Octavia to thinking that Stolas hates Stella more than he loves her, and she wouldn’t have started believing that IF STOLAS COMMUNICATED AND TOLD HER ABOUT THE ABUSE HE O DURING OF THEIR MARRIAGE. Therefore she would be more understanding.

And in Sinmas, If Stolas ever explained to Octavia at any point in the show the full context of his relationship with Blitz, that would, at the very least, make Octavia understand his decision. Yet he never did. Octavia doesn’t have the full context for ANY of these situations because Stolas for SOME REASON never communicated to her.

And fuck off with the whole “oh look that’s typical teenager behavior!!” Bullshit right there. Ah yes Octavia is just acting like a bratty teenager for…*checks notes* wanting her dad to pay more attention to her. Cool.

Sinsmas is legitimately one of the best episodes of season 2 because it actually addresses Stolas acts as a father and calls him out for it, creating drama that doesn’t feel artificial for once and ends up being a step in the right direction for both Stolas AND Octavia as characters. But it’s sad to me that some people still miss blatantly obvious details like this.

Octavia is not a bratty teenager having a tantrum, she’s a girl that had her life turned upside down and is suffering through a divorce. I wish most of the fandom would actually see that.

Well honestly while I’m really sorry for Octavia and her feelings, she really needs to mature.

Unpopular opinion?

Parents also deserve a right to be happy and build their relationships. Stolas never neglected her and always was the loving and caring parent compared to Stella who only thinks of Via as of a tool for fulfilling her duty to the Goetia family. Stolas never hides his feelings and always makes Via sure that she’s valuable to him no matter what. But has Via ever thought about his happiness? She’s not a little girl anymore and gonna be an adult soon, so she needs to realize that there are other people around her who also deserve to be happy. Stolas was abused in his marriage with Stella, deeply depressed and taking antidepressants yet when he found someone who meant to him as much Via did he…what? Was supposed to let it go all of sudden? It’s not like I defend Stolitz romantic relationship over a parent/daughter relationship, but that would’ve never worked out irl.

Via baby, guess what? A parent can never stay around their child for all eternity, at some point of life you gotta separate. Once again that’s not about burning bridges with your family, you CAN still be a family and have your own business. Stolas probably called her around a million times in that ep and she knew that. She knew that he cared. Did she try to meet him? No. As we saw, nobody stopped her yet she only came when she decided to burn the said bridges. She simply refuses to see the whole picture and understand that sometimes there are CIRCUMSTANCES and REASONS for actions adults make. All she sees is Stolas somehow leaving her behind.

That’s a peak teenage behavior to me. And the saddest thing is that Stolas could never see such a point of view because a child is the most precious thing to a parent no matter what. He will slowly drown in his sorrow thinking that it’s his fault because he decided to have something for himself just for once in his life.

[trashcandroid]

Apparently my mom shares trans memes on her facebook, which is… cool I guess? But she also still posts old pictures of me all the time

[automatic-midnight]

My biased, really unpopular take is that I think rit/su/maya is an objectively boring ship.

[eeunwoo]

this is super on brand for me but today I’m experiencing debilitating frustration @ being misunderstood on the internet like some kind of loser 😩

[mysteriouspersonrambles]

Ok I’ve been a little busy but wanted to get this out so here’s the basic line up and a small rundown of the characters

It’s going to be under the cut because man this list is crazy long

Jon- Jack Skellington

This is kinda obvious they are both the MC’s of their own story. But more than that, they both have that untapped curiosity and need to know. I mean Jaco had a whole lab set up in the movie. It could also tie back to Jon with his whole “unrelating need for knowledge and distain for boredom” that he talked about having as a child. In this AU I imagine he didn’t grow out of it quite as much as he did in TMA. Although I would still argue that he doesn’t like being bored in TMA I mean while he’s supposed to be “lying low” he still goes out several times to interview people. He also still has some eye magic things like forcing people to tell him things and going all ceaseless watch. But it’s more magic than fear god and I think eyes are a pretty Halloweeny thing.

Martin- Sally

Listen I’m a Jmart girly all the way and I think he fits her storyline so well. He has her cleverness and ingenuity and I can so see him brewing up different poison soups, it’s just like tea. I can’t remember if it’s a cannon or fannon fact that he knits but I think that goes nicely with the whole seamstress thing sally has. I can’t also see him using the detachable limbs thing a lot more to his advantage. Also I think that both him and Sally are mischaracterized to softer versions of themselves and are way more devious than people first think. I would also change his background a bit so his mom is Doctor Finkelstein, but like she is mad at him for his help but still needs it. It’s complicated and I’ll got over it more in her section. But Martin is a complicated guy with his fair share of mommy issues but a good hear and is way smarter than people give him credit for.

Sasha- The Mayor

Sasha has a lot of big changes to her story. First off she is a very competent mayor working more with Jon kinda like a business partner than blind follower. She runs all of the day to day events and basics of running the town. She does all the business and Jon does Halloween essentially. She likes her job and is very good at what she does, and unlike the NMBC mayor she is pretty much the leader of Halloween town. Sasha’s other face the one she flips to is actually Not-Sasha. She looks and acts completely different but everyone still treats her like the same person. It’s a running gag that Non-Sasha looks a little different every time Sasha flips between faces but nobody ever says anything

Daisy- Zero

Yes I know I’m jumping out of order but it will make sense soon. Daisy and Zero was one part actually story stuff and other parts i thought it would be funny. In terms of story she acts like her season 4 self. She’s Jon’s best friend ever since he he found her as a wandering sprit, vicious and more wolf than woman. Think season 5 daisy but if Jon was actually able to save her. Alongside the help of Daisy’s old partner Jon used whatever Halloween magic he has to pull Daisy’s humanity back to the surface. Im thinking they got stuck in the coffin again, I think that would be pretty funny and very fitting. Anyway Daisy is a werewolf shapeshifting spirit, think of her wolf form as a more muscular Zero. Her nose glows in her human form too :). She’s essentially who Jon confides in and calls him and idiot but then tries to help. She has more of a role than Zero did in the film since she can speak. Daisy was also not very impressed at being the one to lead the sleigh but she did it anyway because Jon’s her best friend and she loves him.

Ok so Tim, Melanie and Basira are going to be grouped together because they are the trick or treaters.

In this case the story was changed a lot so the. Characters were picked not really for personality or relations. But more for continuity so they are all more or less themselves just kinda in Halloween town

Tim- Lock

Tim looks good in Red let’s be for real. He would also make the “devilish good looks” jokes you know he would

Melanie- Shock

Melanie gives off the vibes of someone who would dabble in Wicca, like she definitely owns tarot cards. And besides “ the blind witch” is metal as hell and I think she would appreciate it.

Basira- Barrel

I’m not sure what exactly Barrel is but the bones thing he has going on creates a nice tie back to Jack. Which in turn creates a connection between Jon and Basira which could tie back to the two of them saving Daisy. Basira also sees things for what they are, a sort of “bare bones” logic if you would.

Anyway so the reason the 3 of them are listed together is because in this AU they do still work for Oogie Boogie but it’s not consensual. They are all tied to him via a contract and are forced to do his bidding. Tho they often half ass it as a way to get back at him. Melanie is the one to figure out how to leave and that’s when she blinds herself to get out. I’ll go over the implications of this and what it does later in another post.

On to the villain: if you think the whole contract thing sounded familiar you’d be right

Elias Bouchard- Oogie Boogie

He’s mean he’s green, and Elias would love having a gambling aesthetic let’s not kid ourselves. Elias is also the main character villain of TMA and I think it’s fitting that he also gets the main villain role here as well. I imagine his lair to be less giant roulette table and more bureaucratic mansion. Essentially he built his own Magnus institute in the outskirts of town and people can come and test their luck. More of a poker style table than a role of the dice. He acts all fair but instead of eating people he traps their souls in contracts. He is also made of eyeballs instead of bugs and the ones in his head are called Jonah Magnus.

Peter Lukas- Santa

Yes yes I know what this implies but it’s funny. Also I didn’t know any TMA character that would properly fit this role so why not give it to the guy who probably looks like him. I also think Christmas is partially a conduit of The Lonely. I mean what’s lonelier than spending Christmas by yourself. I don’t even celebrate Christmas and I do feel a little left out sometimes hearing how everyone gets together with the their family and I’m not. What I’m trying to say is Christmas makes a lot of people lonely and I can see the Lukas’ taking advantage of that. It’s also really funny to imagine an Oogie Santa divorce going on. Like I’ll give them more scenes because I can imagine the tension and it’s so funny.

Others 

Martin’s mother- Doctor Finkelstein

This one is more due to character circumstances but I think it’s a very complex dynamic. We know from TMA that Martin’s mother hated the fact that he had to take care of her and I wanted to play on that here. In this world she made Martin this the help of a lab assistant who then ran off after an accident leaving her sick and mostly alone ( yes I know sally has a different backstory in long live the pumpkin queen but I haven’t read the book so I’m sticking with just the movie cannon and my own thoughts). She needs Martins help with taking care of herself mostly but she hates him for it. Yelling and belittling him. But she also knows that without him she will probably die so she holds on to Martin tight. Getting mad when he runs off, guilt tripping him into coming back. She eventually does make a new assistant but Martin cuts off all contact with her. He makes a choice for himself and stands up to her and leaves.

Georgie- human?

Georgie was literally the hardest character to come up with because there is no good character to match her with that is majorly important to the plot but Georgie is a big character in TMA so she had to be here. So I came up with the idea of her being human paranormal investigator ( like in TMA except her podcast is her going out to explore places) and winding up in Halloween town. There is a side plot where she meets up with Melanie and helps her escape Elias’ contract. She has no fear due to the transference between worlds and as such is welcomed into Halloween Town. Although she finds herself starting to change and she isn’t sure if she’s still completely human.

All the other denizens are background TMA characters, or other holiday rulers like Nikola as the Easter bunny ( that one wasn’t a mistake capturing her, Tim just wanted a bit of revenge because she stole his brother. Danny isn’t dead just an egg painter now.) I’ll assign more people later

Since it’s getting into the holiday season I’m thinking about my Nightmare Before Christmas TMA au.

I’ve got nothing but a head full of ideas and I don’t know if anybody want to hear about it

But it’s going to be in the back of my mind for most of December

[cuteniarose]

It’s almost 6 a.m and I can’t sleep because I’m being plagued by thoughts of The Latest OC