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unproduciblesmackdown · 2 years ago

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more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

#summer stock #dearth of peak relevant info for our purposes otherwise lol but hey #pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's #which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow #also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy #further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it #(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not #go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the #material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here #and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more #herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also #meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still #finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines #rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this #and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol #hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours #but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life #(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///

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dreamingoftinystars · 2 years ago

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This wouldn’t be til the end of summer but how do we think we would feel if I got a shag👀

#i think a nice curly mini shag may be my next haircut #i Just don’t cannot find reference photos for fat people with them which is mmmm #but otherwise yes

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giaourtopita · 2 months ago

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Changing my phone next week what brand do you think i should get? My uncle told me to get the realme 12 pro plus, which is really good but it's 400€ and i'm cheap💔

i'm a samsung girlie through and through. i changed phones this july(?) and got the a55 model (256gb) cause genshit and it's very good so far. what made me get this one was the fact that this one has an sd card slot and i have a LOT of edits on my sd card. the only thing i hate about it is no headphone jack but it can be mended with bluetooth or type c headphones so idk i'm a samsung series a truther if you can afford it go for that one methinks

#zeph answers #also my notifications are fucked sorry if i didnt see it on time #another alternative would be the a15 models which is a lot cheaper but the photo quality isnt as nice #either way go for 6+gb ram cause its gonna be ass otherwise

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bilbao-song · 5 months ago

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okay at long last (i wanted to do this at least a little sooner but by the end of last night i was so sleep deprived my brain was not functional): jeffrey in boston on the 23rd!!! (really in-depth PARAGRAPHS of rambling below the cut so you only have to look at it if u want to, otherwise just enjoy the photos lmao)

so. hmmmm what to say about this lmao (the first two paragraphs are probably least important here if u don't want to read All Of That)

all of this was like.....................a dream. like i know talking about this makes me sound like Insane Person Whose Life Revolves Around Concertgoing (although that's kind of just the truth tbh) but being THIS close was like...THE dream to me. or at least the most realistically attainable dream we got there a liiiittle after the opening band had started (they are pretty great btw? i approve. like i'm genuinely excited to see them lol) and i'm not sure what the problem was tbh!! we arrived at a perfectly reasonable time but then everyone got corralled into a giant line that like, looped around itself and wrapped around the block. so that took like ~25 minutes to get through. anywayyy i got one of the ???people who work there (there's a word for this that is escaping me atm) to help me find my seat bc things were of course a bit chaotic by that point and well...........that was a positively magical little jaunt as we got closer and closer and i just kind of lost my mind. my seat was in the third row riiiiiiiiiiiiiiiiiight in the middle. like, perfectly in the middle. it could hardly have been any better :'))))

so! i sat there by myself which felt a little strange bc although i do like doing things on my own i have just never done this before. the only other concert i have been to where i sat basically by myself was like, a thing i got to go to bc someone gave me their extra ticket (air supply! which was fun but like, i only went bc it just came up. no disrespect to air supply lmao) and even then the person next to me was like, super nice and also clearly entertained by my dedication to older music (always exquisite to encounter someone who genuinely wants to hear about ur interests. like once you manage to convince me you're asking out of genuine interest the floodgates are OPEN) but anyway!!! the strangers in the elo mosh pit did not talk to me. this was fine but i was a tiny bit surprised bc everyone has been pretty chatty at the other ones i have been to...as an aside i was repeatedly given the impression that the people directly behind me were kind of mean (consistently not shutting up during the opening act, loudly making rude comments about them, just kind of......whining a lot lmao) so i'm 100000% good with not talking to them lol

ANYWAY...onto the important part. sitting through the little intermission was excruciating and kind of went by too quickly bc i kind of did not want the concert to start bc the sooner it started the sooner it was over </3 but it was fun to be sooo close bc i enjoyed watching the crew set everything up and adjusting things and putting jeffrey's little table directly in front of me and whatnot 🥺 but then it started and it was like..............surreal. it quickly became clear that i really had chosen like the absolute perfect seat bc a) the two people in front of me were really short. thank god (the jackasses behind me were also at least a little taller than me so i'm happy for them and was not sorry for standing in front of them in my huge shoes) b) jeffrey directly in front of me. (!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!) again this was like. SURREAL to me in a way bc it's just!!! the best yet and also 💕🥹💕🥹💕🥹 of course. i have been at least slightly pleasantly surprised by my seats at each one i've been to on this tour but even here i experienced that bc i did think i would be off to the side at least a tiiiiny bit...but no it was actually perfect. exquisite. like, i'm really truly not one of those overly-idolizing/Lose Your Mind Over Proximity To Famous Person types but well. i mean if you have read this far i'm sure you are already well aware of how i feel about him lmao

moving forward......bringing this up makes me feel weird bc it sounds so......well. you know. but ummmmm eye contact was definitely established repeatedly 🥺👉👈 looking at me and smiling adorably...........like, this is no exceptional credit to me or anything bc like...what else is he supposed to look at. i was very directly in his field of vision and significantly taller than the two people in front of me lol so he would have had to go to great lengths not to look at me at all. but ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh my god???????? it was also kind of hilarious bc it did very muchly keep triggering my insane reflex to look AWAY from people when they make eye contact with me so i had to keep consciously correcting that bc like ????? HELLO lmao. but it was just!!!!!!!! very sweet!!!!!!!!! he was very smiley and adorable. typical...........i could opine on this further but i shan't at the risk of sounding insane. but like this alone was worth it to me sdjkhsjkhsd. felt Nice!!!!!!!!

anyway hmmm what else. well it was just spectacular but u already knew that. his voice has sounded remarkably perfect at each of these shows and that really stands out to me bc i just love that :') i also just love that he's repeatedly absolutely killing it, most importantly just because like, of course!! yay!! but also bc for awhile there was like, a cluster of very weird naysayers within the general community (which involved some kind of disgusting behavior imo but i won't go into detail about that bc like, why rehash it when it's both negative and profoundly ridiculous) and every single concert is just a really beautiful little I Told You So to those people which is SO satisfying to me bc i love to see that sort of thing getting thoroughly shut down and also slightly in part bc i love when i'm right and rude people who i don't like are wrong but that's as snarky as i will allow myself to be in an otherwise very happy post. <3 but i like. idk i just knew. and everyone else who isnt absolutely bonkers did too but well. etc etc etc

as a final note!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! idk i loved it. and i'm so glad that i get to go to the phoenix one as well bc although i'm already getting a little emo about this (........i was already a slight mess after the one in indianapolis tbh) i do think that's like, the only thing that's keeping me from losing it entirely lmao. i feel super lucky to have done all of this and i am having a very very very very very good time

#jeff lynne #electric light orchestra #elo #idk how else to tag this tbh. anyway #let’s seeeeeeeee what else. if anyone is interested i will have more personal/trip photos on instagram later (plus these as well)#AND hopefully some of the videos i took if i can trim enough parts that won’t give u motion sickness <3 #all my videos are a liiiiiittle chaotic bc at concert i generally try to not actually be looking at the phone while recording #that will be either tonight or tomorrow probably. once again this took longer than i wanted but i wasnt really expecting 96937643 paragraph #also im pleased to report that his hair was very perfectly fluffy. nice to see that up close skgskghkshg #he is also generally just like. so cute. like visually and otherwise. but i mean i already knew that #anyway this is kind of like. actually using this blog for blogging #what a concept #nonsense rambling

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autumnrory · 5 months ago

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didn't understand people being so obsessed with tayvin bc he was like. clearly an asshole and not just in regards to taylor but at least with the social media posts it was like okay you feel like you're getting something personal here so i can understand why people enjoyed the relationship but with joe and travis it's like??? you literally just have promotional shit and pap photos like? that's why i struggle a lot of the time with real person shipping when it's not people who you have actually seen interact it's like this is literally just photos of them walking down the street?

#it makes so much more sense when it's two people who have worked on a movie together #whether they're publicly in a relationship or not #because you can see them interact in interviews and tease each other or see inside jokes or whatever #with virtually all of taylor's relationships it has always just been pap photos #and even with social media pictures between taylor and calvin like. it IS social media lol this is all carefully crafted #afaik joe just posted the cats sometimes lol? which actually seems more genuine than what she and calvin were doing #but yeah like that's at least a little more than just pap photos like it may not actually BE personal but it feels that way #otherwise you're just......shipping two people because you think they look nice next to each other #'what a cute couple' 'they certainly are standing next to each other' indeed #either way it is all for cameras whether it's paparazzi photos or social media or interviews but #at least when it's two people who aren't publicly together they're not trying to prove anything in any of those three instances

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disjenyamembra · 5 months ago

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#jenyaposting #my photos #yesterday i went to my friends birthday to the countryside #it was rather lovely except for the fact that i had a nasty tumble #while on the way there i tripped and fell and so the whole day i had a really hard time walking #otherwise a really enjoyable trip #just some nice time outdoors with some nice people

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itslateitslate · 11 months ago

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i want to put them in my mouth. chewtoys. nomnomnomnomnom

#ive spent my night justlooking at photos im having a great time #they are so chewable. especially in the 70s #like those silicon stim necklaces #otherwise i wish to put them in a jar with some moss and leaves and a nice stick or two

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5sospenguinqueen · 1 month ago

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C2 or Sainz2 | Charles Leclerc x Sainz! Reader

Summary: Because being teased relentlessly by his teammate wasn’t enough for Charles, he decided to fall in love with Carlos' sister, and endure twice the bullying.

Warnings: fluff, swearing, a suggestive comment, a tiny hint at the loss of C2

Requested: Yes by @1800-love-me

F1 Masterlist

Sorry it took so long but I couldn't get inspo and then, the loss of C2 compelled me

━━━━ ༻𖥸༺ ━━━━

charles_leclerc just posted

liked by scuderiaferrari, pierregasly and others

charles_leclerc nice weekend home before we’re off again for 3 weeks

10,161 comments

ynsainz take this down! i can’t have people seeing how cute my baby is because then they’ll want to steal him

→ charles_leclerc for everyone talking about how sweet this is, she’s talking about leo

→ ynsainz people thought i was talking about you????

user1 is that an engagement photo??

→ carlossainz55 no. he hasn’t asked me for permission

→ ynsainz he doesn’t need to

→ carlossainz55 i’ll kill him and myself

→ charles_leclerc oh

user2 yn looks so pretty in this post

user3 can’t believe they’re celebrating their 4 year anniversary already

→ user4 i love that carlos joined ferrari and charles instantly stole his sister

ynsainz just posted

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ynsainz ¡vamos! carlito. i know you’ll kick ass later otherwise you’ll be a disgrace to our home town 🇪🇸

5,516 comments

charles_leclerc you didn’t wear a monaco top when i was racing there?

→ ynsainz they don’t sell them?

→ arthur_leclerc if you really love him, you would’ve made one

→ carlossainz55 she’s not monegasque so why would she

→ pascale.leclerc she will be one day

→ user5 !!!

user6 i love that yn treats carlos like her little brother, instead of her being the baby sister

→ ynsainz mentally, i am older

→ carlossainz55 ay, no

user7 can charles fight?

→ charles_leclerc yes

→ carlossainz55 no

user8 yn sainz is my favourite thing about f1

user9 the sainz-leclerc family is definitely the best thing ferrari has done

scuderiaferrari just posted

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scuderiaferrari our favourite thing to photograph

13,333 comments

user10 i swear charles looks at carlos in the same way he looks at yn

→ ynsainz try being at family dinner. i don’t exist to either of them

→ user11 i love when she roasts the both of them

ynsainz alternative caption: they may suck on track but our drivers excel at staring lovingly into each other’s eyes

→ charles_leclerc you told me i was your favourite driver!

→ carlossainz55 ¡vete a la mierda! it’s been me since she was born

→ ynsainz it’s actually lewis

→ iamrebeccad great, now he’s crying. thanks, yn

user12 wait until max sees this post. he’ll be asking red bull to post him and charles again

→ user13 poor yn has to keep fighting all these drivers for her polly pocket boyfriend liked by ynsainz

→ charles_leclerc, no, ma chérie, you’re to tell them i’m big

→ user14 um, charles, that’s not something you’re meant to say on the internet

charles_leclerc just posted

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charles_leclerc driving, dinner and…

12,094 comments

user15 and date night!

landonorris was she as bad at karting as carlos says?

→ charles_leclerc i mean, she is definitely not as good a teammate as carlos

→ ynsainz omg just date him already!

→ ynsainz at least there isn’t multiple videos of me being a bad driver on the streets of monaco

→ charles_leclerc low blow, mon amour

→ arthur_leclerc ha, she’s got you there

user16 charles saw all the comments saying we’d steal his girl and decided to remind us who she belongs to liked by charles_leclerc

user17 …being dicked down! yn getting all the d’s liked by ynsainz

user18 countdown to carlos sainz meltdown in 3…

→ user19 2…

→ user20 1…

carlossainz55 GET OFF MY SISTER

carlossainz55 THAT IS NOT HOW YOU TREAT A LADY OF HER STANDING

→ ynsainz what if she liked it

→ carlossainz55 ew ew ew ew ew

→ charles_leclerc ma belle, stop trying to get me castrated

scuderiaferrari just posted

liked by iamrebeccad, lec and others

scuderiaferrari competition always give us the best of C2

15,884 comments

user1 carlos being the spanish version of charles. their love was written in the stairs

→ ynsainz okay, i get it! the whole universe is against me

user2 they’re literally twins. same expressions, same body language

→ ynsainz take this down before i puke

→ charles_leclerc she’s refusing to kiss me now

carlossainz55 i definitely won. admin clearly counted the points wrong

user3 they’re always so competitive haha

→ ynsainz we’re not allowed family games night anymore because it always ends in tears

→ carlossainz55 yeah, charles’

→ charles_leclerc no! yn, tell him

→ charles_leclerc that was one time and we agreed not to talk about it!

carlossainz55 just posted

liked by oscarpiastri, maxverstappen1 and others

carlossainz55 the second best couple i know just got engaged. congratulations, hermanita. i am so happy for you tagged: ynsainz, charles_leclerc

21,667 comments

user4 did you cry?

→ ynsainz yes, he did. but only because he was losing the love of his life to his siter

→ carlossainz55 oy, you should be nice to me. i helped set up those flowers

arthur_leclerc i am so happy for yn to join the family

→ charles_leclerc @/carlossainz55 see, this is how family reacts. not calling us the second best couple

→ carlossainz55 but i know me and rebecca

scuderiaferrari we take full responsibility for this. after all, we made C2 teammates. we expect to see a ferrari themed wedding

→ ynsainz don’t give them ideas!

pierregasly i cannot believe he finally did it. only taken him 3 years of talking about

→ ynsainz that is the cutest thing i’ve heard

→ carlossainz55 not if you had to listen to him plan it 55 different ways

oscarpiastri does this make yn my step mother

→ ynsainz no. don’t you dare call me that

→ charles_leclerc yes it does, son

user5 charles better not wear that bloody ferrari suit to his own wedding

→ carlossainz55 already convincing him to do it

━━━━ ༻𖥸༺ ━━━━

request open, i write for most drivers (aside from a few) and some of the retired drivers

tag list

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