#but now they're there inside my head

[excali8ur]

Weird dream.

[tragicvampireromanceisland]

we've met our super heroes, but what about our super villains? time to meet two leaders from the evil syndicate, our heroes' greatest foe...

adélie valois, current heiress to the multimillion dollar tech and research corporation firehawk industries, appears in the public eye quite often. she's got big shoes to fill for a company so renowned...but she really doesn't seem fazed by it. either that, or she doesn't care. but what most don't know is that she's also got big shoes to fill as a supervillain. adélie is a sixth-generation psychic of a long line of supervillains, as well as the fifth to hold the family villain mantle, espritvoyant. it's...pretty clear she's only got a leadership position on the syndicate due to nepotism, given her rather nonexistent work ethic, but her powers are still a huge asset on stealth missions. although she usually just uses them to terrorize the heroes for the most part. her inherited powers have also just left her kind of numb to the thoughts and feelings of others. she readily expects how most people think and how they're going to act and gets bored easily because of it. her coworkers get pretty frustrated with her attitude, but it's not like it's her fault she's surrounded by such predictable individuals. revenge this, injustice that. she swears she's had her family motto engraved in the back of her eyelids at this point. (deep down, though, she resents her powers. she wishes for a little spontaneity in her life. she wishes she could get excited over stuff the way other people can. she wishes she wasn't like this). however, the sudden appearance of solarflare and kuiper have caught her eye as of late...especially the latter, who's surprisingly immune to her mind reading. maybe something worthwhile can come out of all of this...

and whenever she isn't just going at it solo, her partner is usually fellow syndicate leader blindside. he's often teamed with her on missions involving stealth, given his power of invisibility as well as his martial arts prowess provide the perfect balance of defense and offense. while esprit's purpose (or apathy) mostly revolves around just following her family's footsteps, blindside's motives are...a bit more murky. both the heroes and the syndicate are a bit confused about it. how did someone with such an otherwise gentle demeanor end up turning to evil? despite appearances, he doesn't seem to pull punches when it comes to heroes. why does he hate them so much? no one can seem to figure it out, given he just...doesn't talk. and while esprit is the only one he ever seems to hold conversation with given the inevitable nature of her mind reading, she hasn't pushed him on it (for which he is grateful). in the public eye, he goes by ichigo kato, an unassuming librarian with a pretty uneventful day job. well, except for that one nosy journalist who keeps coming in and giving him a near heart attack each time with the titles she keeps checking out...oh, and the fact that that one new hero, solarflare, kind of sort of knows his civilian identity now. there's that, too. he's not sure why she hasn't exposed him yet...but not like he's gonna say anything about it.

up next...we're not done with the syndicate just yet! what else does this organization have in store for our heroes...? stay tuned!

(need more context for this au? check out the other character sheets!

joy, sadness & anxiety // disgust & fear )

[elegantfelinity]

no now my brain is considering tuggercass wtf

why is my brain randomly hyperfixating on cassandra

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[papermonkeyism]

Going to go to an MRI tomorrow for the first time in my life. As expected, I'm doing the advance panic thing, but not because of the MRI, but because I haven't been to that area of the hospital before, so in order to make it in time I must reserve at least half an hour extra to make sure I find the place, so I've checked the bus schedule probably like ten times today just to make sure I have enough buffer to get lost in the building.

Who wants to bet if I'll be sitting there a full hour before the appointment, just in case

[carnivalcarriondiscarded]

puppets can be considered arthropods

[amethystina]

I'm waiting so excitedly for your updates, old and new, I can't begin to tell you! You are the fandom treasure! And as I'm waiting and biting my nails I wanted to ask something, what do you think about the final scenes of episode 8 where Gaon has dinner with his professor and tells him he chooses Yohan's side. How come Yohan knew where to find them and the precise moment to come in and pick Gaon up, was he following them or did he and Gaon had a deal?

And what's with leaving his car to stand next to Gain and look at professor? I love this scene so much but I don't know if I understand its message right. Was it posturing, laying a claim on Gaon or what? I tend to feel that Yohan was possessive of Gaon when it came to professor and his police friend and I think I feel some of it in this scene but I'm not sure, I just don't have a clear grasp on it. Would love to know your thoughts!

Aww, thank you so much, sweetheart! This is definitely the first time I've been called not just a fandom treasure, but the fandom treasure. Thank you 💜

Ah yes, the "Ga On runs off with his new sugar daddy" scene. Or, as I sometimes like to call it, the "You just don't understand, dad professor — I love him" scene.

I'm joking, obviously.

(... or am I?)

I would say that Ga On and Yo Han made an agreement beforehand, yes. They probably talked about Ga On's choice to switch sides and while Yo Han would no doubt have loved for Ga On to continue on as a double agent (feeding Professor Min intentionally faulty information) Ga On is way too honest for that. So he probably insisted that, no, he'll call Professor Min, meet up with him, and just flat out tell him that Ga On's spying mission is over. He's now going to elope work with Yo Han instead.

And I find it hilarious to think that, most likely, Yo Han was just sitting in his car, perhaps scrolling through his phone, waiting for his newly acquired sugar baby to finish telling his semi-father figure that he's going dark side. Because Ga On gets up and starts walking before Yo Han drives up, meaning that it's not like Ga On saw the car coming and went "oh, better wrap this up now." It was probably the other way around, where Ga On leaving the table was the signal for Yo Han to come pick him up.

So yes, they definitely had an agreement, especially since Ga On seems to know in exactly which direction to walk, even before the car shows up, and doesn't look the least bit surprised by Yo Han's arrival.

They planned that shit.

Brutal.

As for the fact that Yo Han gets out of the car? Well, buckle up, my darlings, because I think we should take a detour to discuss intent.

Now, intent isn't necessarily important when you want to interpret a scene, but I like the extra nuance it can offer. And by intent, I mean what the scriptwriter/director might have intended with a scene. Why is this scene here? What was the plan behind it? How is it supposed to impact the overall story? How does it tie into the rest of the plot?

Which is never something you can say for sure, of course, unless there are interviews expressly stating it, but, a lot of the time, we can guess.

The intent behind this scene, in its simplest, purest form, is to show that Ga On is switching sides. And, with that in mind, it makes sense that he crosses that road to Yo Han's car (if you know me and my metas, you know how much I love lines, characters crossing said lines, and the symbolism of that) and stops to stand next to Yo Han. It's a very simple yet effective way to show Ga On's choice and where it will take him.

Into Yo Han's arms.

NOW. Intent is very useful because, depending on how skilled the person writing is, you can hide a lot of subtext and leave room for a lot of interpretation with a cleverly formulated intent. That's how censored shows get away with so much, because they can point to the perfectly reasonable, heteronormative intent behind a scene and pretend that there aren't also a lot of subtler nuances to the reading.

And, if they're extra bold, they also add hints in the presentation and execution.

The scene where Yo Han invites Sun Ah to the house is a perfect example of this, where the intent is to make her feel lonely, like an outsider, as she's invited to observe this warm, comfortable family. Not a bad tactic as far as manipulation goes, I have to say. So, in other words, very reasonable intent — makes sense with what they're trying to achieve.

The fact that it ends up looking more like Yo Han is proudly showing off his doting, doe-eyed househusband who's passively-aggressively and not-so-discreetly staking his claim is... well, that's just an accidental side effect, isn't it? Not intent at all.

And that's true. It's not intent that makes it look gay.

It's the presentation of the intent.

(Sidenote: To be a fly on the wall when Yo Han and Ga On came up with this strategy. Because, clearly, they were both in on it and, I mean, how did that conversation go? Inquiring minds need to know.

Like, how did they go from: "We need to throw her off balance. We'll invite her to the house, show what she's missing out on, but also give her hints that she could have it all, if she's willing to surrender" to Ga On going: "I'll cook a fancy dinner. That'll make her jealous."

I mean, he's not wrong but, like, Mr. Sugar Baby. What? x'D

Also, imagine Yo Han's face. Transcendent.)

Anyway. Intent can also ruin a story. I think most of us have read a fanfic and gone: "... that character wouldn't do that. This makes no sense." That could be a sign that the author's intent is clashing with the characters or the story they're trying to tell. Or, put more bluntly, that the author is so focused on forcing an idea that they don't realise that they're going against the logic of the story or characters' personalities. Things happen because they want them to, not because it makes sense, meaning that the intent isn't tied to the story or characters, but what the writer wants. This is badly planned intent.

And, most of the time, readers can tell when the intent is off, even if you might not be able to put your finger on it while you're reading. But if you're feeling a niggling doubt at the back of your mind, wondering why this scene is here, what this scene even means, or why this character suddenly seems to act so strangely, it could be that the writer didn't plan it well enough.

That's not to say that a reader must always know the intent behind a scene. Ideally, the story should be good enough that they don't have to stop and think about things like that. If the intent and internal logic are sound enough, it should just flow naturally.

Because, when it comes down to it, pretty much all scenes in a story have an intent and that intent should be in harmony with the characters' personalities and how they would choose to behave. And I don't mean that there can never be conflict or that characters can't disagree — I mean that all scenes should have a reason for being there. It doesn't have to be a deep or complex reason, but there should be a reason that ties into the overarching plotline. And characters shouldn't be forced into a scene they have no business being in. Intent is very important from a crafting standpoint.

And intent is one of the things that makes The Devil Judge such an absolute joy. Because while there is always a perfectly reasonable — and very heterosexual, we promise — intent behind most scenes, they often choose to present the scenes in a way that leaves room for a much queerer reading. Now, that can happen with almost any story, but what sets The Devil Judge apart is that it seems to be entirely intentional.

The presentation is by no means subtle or accidental.

Like, they didn't have to make Ga On shuffle up in a soft, comfortable sweater and greet Sun Ah like a caring househusband, but they did. That was a conscious choice.

And this scene you mention, with Yo Han getting out of his car when he's picking Ga On up, falls into a similar category in my mind. The surface-level intent is clear — show that Ga On is switching sides — but he could simply have said so. He could have borrowed a car and driven himself. Yo Han didn't have to come pick him up. And he certainly didn't have to get out of the car.

But he did.

And that might be what you're picking up on when you're saying that you're not sure if you're understanding the message correctly. Because in a drama this clever, that puts so much effort into details and, again, intent, it feels almost a bit odd to leave this gaping hole, doesn't it? Yo Han stepping out of that car should mean something, right?

And, once you've gotten this far, you've got a couple of options to choose from to fill in the blanks. Either you can assume that it was just something the creators chose to do because it looked/seemed cool and therefore might not mean much at all. And considering that this drama does that a couple of times, this could honestly be the case. Maybe they just thought it would be more effective to have Yo Han to step out of the car? To really hammer it home to Professor Min what's happening?

Your other option is to bring in the harmonisation between intent and characters. Because, if the writer is good and their characters consistent, you should be able to pick up on secondary layers of intent, running parallel with the main one. Because while each scene has an intent, each character IN that scene also has one (though perhaps it would be more comfortable to call it purpose at this point?).

In other words: If "it looked cool" isn't the answer, could we find it in the character's behaviour instead? What is their intent, based on their personalities and previous actions? Does that give a more satisfying answer?

What reason would Mr. Kang "Abyss" Yo Han have for stepping out of that car?

I, personally, think that the answer is pretty simple.

He is absofuckinglutely staking a claim.

He's stepping out of that car because he's a Possessive, Dramatic Bitch and wants to rub it in Professor Min's face. He wants to show that he's won, that he's turned the spy Professor Min sent, and that he's, quite literally, taking Ga On away.

Yo Han is basically going: "Thanks for the sugar baby — I'll make sure to ravish savour treasure him."

So while the main goal of that scene is to establish that Ga On is switching sides, the intent Yo Han adds with his actions leaves room for a very gay reading. In fact, I'd argue that doing so only makes the scene more believable, since Yo Han's actions are otherwise kind of... unnecessary? He has no reason to step out of the car and make himself known, unless it's for the dramah.

Again, the presentation of the intent is where the magic happens.

So, why this long, godawful rant about intent, you ask? When I could just have answered the question right away?

Because while I know that I'm preaching to the choir in terms of this drama being gay as hell, I just want to highlight the importance of intent and how it can change the reading of a scene. I think intent — or specifically the harmony between characters and intent, and the various layers of intent — is absolutely fascinating, especially in this drama.

Especially if you want to argue that it's gay.

Because there is, in fact, some scenes where I just... I can't. The intent and characterisation don't match at all — unless you add a queer element. Like, this drama is so clever. Not perfect, mind you, but so clever. And so careful with especially Yo Han and Ga On's characterisation. Very little is left to chance.

And so, if you keep everything I've said about intent and characters in mind, and I ask you to explain the intent behind this one, singular shot, can you do so without making it gay?

I'm not joking when I say that this scene, right here, was the one that definitively made me go "oh fuck, this is gay gay."

Because in most others — if not all — I can find that safe surface-level intent which means that the people behind this drama can claim plausible deniability. Of course it's not gay! Look at this perfectly reasonable, heterosexual intent!

Except this one.

There's no explanation for this. Ga On has no reason to look this jealous unless his jealousy is the main intent behind this shot. There just isn't. And it's only made worse by his huff and the way he clenches his jaw a couple of seconds later. Not even the argument that Sun Ah is their enemy so letting her fix Yo Han's tie might be dangerous can justify this, since that's not a look of concern or alarm — that's jealousy.

The intent is jealousy. Plain and simple.

And that's why intent is important. Because, if push came to shove, the intent behind this one, singular screenshot could, theoretically, be the only evidence you need if you wanted to defend a queer reading of this drama.

Because there is, quite frankly — in my humble opinion as the fandom treasure — no other way to explain the look on his face in a drama this meticulous and obsessed with details.

In this scene, unlike all the others, the queerness isn't just in the presentation anymore — it's in both the intent and presentation.

So, if you want the scene that says "this shit's gay, fam"?

This is the one.

Thank you for coming to my TED talk.

[teddybeartoji]

Fem!Tooru is messy messy and gets sooo pink in the face and cums so hard when she tells you she’s gonna pee n instead of stopping, you just kiss her n tell her it’s okay to just let it all go while you’re fucking her 😞

Also begs you to piss on her cunt while you’re scissoring cause “‘s so nice n warm” ://///!!

FUSAIJDOHKJ3HFKFHKJGKAJEGFHKSEJFKJ3HFLSEKHFJAEHFKWHRIOH2QKJBDKDLQDHKQJHRHDKQJWDLKQHQH2KQ2FKJ3HFIU3HFKJ3BKFJQ3KJFBQ

YOU REALLY ARE FUCKING INSANE AND I WANT YOU SOOO BADDD FFFFFFFFFFFFFUUUUCKKK SHE'S SO FUCKING CUUTEE AND SHE'S SOOOO FUCKING WHINEYY SHE'S TRYING TO PUSH YOU AWAYY BUT SHE'S JUST SOOO WEAK WHEN SHE'S LIKE THISS AND SHE GETS SOOOO FUCKING EMBARRASSED ABT THE PISS RRRRRRRRRRRRRAAAAAAAAHHHHHHHH TRIES TO HIDE HER PRETTY FACE AND YOU JUST HAVE TO FORCE HER TO LOOK AT YOUUU

AND OHMYFUCKING GODDDD OF I HEAR HER SAY " 'SO NICE N WARM".. I AM. EATING HER. CANNIBALISM STYLE. YOUUUU CAN'T DOOO THIS TOO MEEEEEEEEEEEEEEEEEEEE FUUUCKFUCKFUKKKKFUCK FUUUCKKKKKKKKKKKKKKKK

[inky-evergreen]

They have returned

[onethousand825days]

I feel like I need to cry for an extended period of time

[sysig]

DAX is just so expressive ♥ (Patreon)

[tvntheatre]

I redesigned them yesterday. :³

Refer to tags if you want to watch me rant. Feel free to ask about them or literally any other OC I've. :³

[greyias]

Level of Writer Procrastination: trying to figure out what all those damn objects are in front of Gale's tent

--for a scene that I'm writing inside his tent

[honey-skulls]

HUGE VENT

I'm sorry but i need to get this out, just please don't worry too much or take anything personally/gen

My routine these last two weeeks has been:

-Wake up at my 10 am alarm and spend the whole day in bed, mentally and physically exhausted, brain fog and no motivation for anything, only getting up to eat, having to wait for the "food time" hours to roll around that my therapist gave me because I'm not allowed to eat outside of those hours and if I'm hungry but missed the last food time then too bad, struggling to stay awake because again I'm not allowed to sleep out of the "sleep hours" she gave me and that includes naps, excitedly waiting for 21h30/22h to roll around so i can finally sleep

-Spend the evening mentally screaming in my mind because, while my body is still just as physically exhausted, my mind is suddenly sharp and full of ideas and motivation, but i'm still too tired to get up and draw

-Then spend midnight and onward rolling around in bed, hot and bored out of my mind because my physical tiredness also vanished, but i'm not allowed to get up and draw because it's "sleep hours" and i need to reschedule my body, and end up falling asleep at around 5 am

I'm totally not slowly loosing my mind 😃👍

Edit: Oh also the constant noise in my ears has gotten worse, i don't know what silence is anymore

Silence is actually worse than loud rooms

It's driving me insane

It's so loud

[viridianwins]

“Do you ever think about kissing someone?” La pregunta de la jovencita resuena en el cuarto del muchacho con una valentía de la cual se arrepiente casi de inmediato. Con la falda en las rodillas y en medio de, al menos, una decena de cojines protegiendo su cuello y su espalda, mira al cielo dd la habitación con la cara roja, encendida. “T-The act of kissing, I mean… I think about how it’s supposed to feel.”

Las manos entrelazadas de Alhaitham no se mueven de su abdomen. Aunque sí que se desprenden la una de la otra, lentamente, cuando las precisa; en concreto, para impulsarse y erguirse, sobre la manta desplegada en el suelo y el montón de cojines, “...I think you're paying too much attention to what's being talked about in the Akademiya's halls these days,” responde, para entonces contemplar el aspecto de su rostro completamente sonrojado, recogiéndolo, por supuesto, por trozos, entre miradas furtivas, con los ojos.

El muchacho pone de su parte para que los estruendosos y constantes latidos de su corazón no le molesten, y mucho menos le persuadan para que trate de hablar por encima de ellos. “Do your classmates also obstruct the way to the shelves of the House of Daena?”

With their so-called ‘experimenting’? I suppose they do… “It's annoying,” farfulla brevemente y vuelve a recostarse, de lado, enfrentándola, pero rascando con el delicado dedo índice un pliegue arrugado de la manta hasta aplanarlo. “...It’s not where my curiosity lies, either, for the moment…”

Luego, un poco después, imperceptiblemente titubeante, “You should choose well who you want to kiss, though. Or, if you're patient…, I can still gather that information for you. I can add some light novels to my reading time. It won't be as reliable. But at least then you'll avoid having to kiss, hmph…, one of those Akademiya bores.”

UNPROMPTED. lil' sweethearts they are. @vygiler

[lre333]

(found)family dynamics ft. nose presets by @kashisun​ 🖤

Y’ALL i can’t wait for you to get your hands on these amazing presets - MARINE, you mfkin’ DID THAT, OKAY?!! *inSPIRED* had me up playin in CAS, making up whole damn backstories for sims i just met ~sigh~ they already got theme songs and nicknames cuz you had the NERVE to pop off on these wonderfully unique, character-filled, deeply customizable schnoz shapes ~ i’m in love <3333

a lil scenario occured while i was putting the family together, learning their quirks and how they interact with each other - an entire mess XD

in order of appearance :

vanity ; as “i’m watching my shows” non-snitchin’ witness / too pretty for this

snickers ; as accident-prone troublemaker crybaby / jealous he’s not the baby

ariel ; as perpetually sick-of-this-shit scandalized younger sibling / good sport

hunny ; as not the mess but has something to say about it / lowkey accomplice

mamma neptune ; as rough-edged at work, soft toward the children / the glue