#but nothing to put it together
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o3o-lapd-o3o · 12 days ago
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*after the events of the odyssey*
*telemachus and odysseus walking down to the docks, after odysseus said he'd go sailing with his son*
(listen the man had missed 20 years of his son's life, he could ask ody to dress in drag & do the hula and odysseus would already be shouting "LUAU" in a grass skirt before tele finished his sentence)
telemachus: i'm so excite- *looks ahead*
telemachus: *stops walking* oh no *sad noises*
odysseus: *still walking* what's wrong son?
telemachus: *points to the sea beyond ithaca's shores* poseidon must be angry today, look at the storm in the distance
odysseus: *looks ahead but without worry on his face* no need to worry, we can still go sailing, follow me
telemachus: *confused but follows his dad*
*both make it to the docks*
odysseus: you get started, i've just got something to do & then i'll join you on the ship
*telemachus hops on the ship and odysseus turns to face the sea*
odysseus: *red eyes activate* i'm. going. sailing. with . my. son.
*the sea storm dissipates in record speed*
odysseus: good.
odysseus: *red eyes deactivate*
odysseus: *turns to telemachus smiling like nothing happened* shall we go then?
telemachus: *happy but very confused*
telemachus: *mumbling to himself*what just happened?
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honeyhobbs · 10 months ago
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Made a little lineart compilation of my fav gaz drawings in one place! I feel like just the lines have a certain charm lol
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bisclavret · 3 months ago
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which could mean nothing
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theoldkyokodied · 2 years ago
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Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')
#tomgreg#succession#dont even talk to me i started watching this show when i had nothing to do at work and now i watch it with averiel my good friend averiel#and we are going to watch s4 together and i feel physically ill from bein so excited#so ya thats what ive been up to... anyway. i love these idiots they desever nothing but the worst (affectionate)#im also a tomshiv lover btw. im the one who yells 'THIS IS HOW TOMSHIV CAN STILL WIN' while they are actively losing on screen#thats the kind of person i am#dont look at me (lying on the floor)#okay i was not going to say stuff in the tags and let the art speak for itself but i NEED to point out details in the wine Painting..#i put a lot of work into that one. thinly veiled metaphors and symbolism yknow..#greg is gripping the stem of the wine glass with his full fist. tom and greg are dressed in the same outfit (sock garters included)#greg look appalled but he is not doing anything about the spill. tom is fondly pouring greg more and more wine. he is doing him a favor#i colored the red wine the same way i would color blood :) oh and tom is not really touching greg#only holding the chair in place. greg is making himself look smaller than he is like usual#oh and @ the person who said that it's the inverse of the tom and nate scene i love the way you think. i did not think of that before#but god. yeah. i actually thought about the scene change from when roman uhh.. christens his office in s1. the one with the coffee machine#i always go insane at that cut. this is not exactly the same since it's more.. about emotions but yknow.. it can be.. the same...
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cubbihue · 2 months ago
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Saw your design for fairy Dev, would you ever do one for Hazel (no pressure)
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Itty Bitty Hazel!
She'd probably get a role very fast within the Pixies as a "Meetings Coordinator"! And she's still barely a kid!! Wow!!!!
Unlike Dev, Hazel would be bound to wear the Pixies' uniforms. But she'll test her limits by making it nice and blue. They can't complain if she's still got the suit and (bow)tie!
Bitties Series: [Start] > [Previous] > [Next]
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starry-bi-sky · 9 months ago
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I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#dpxdc prompt#this is just me torturing danny for a little bit because im stressed and i cried for an hour while i was driving so im taking it out on B#thanks for being my little stress ball danny#aha my old middle school habit of frankensteining two characters together is resurfacing again :) yall should've seen my wattpad drafts#in middle school. i had 50 of them and most of them were me combining two characters together to make one person and putting them in one au#my most memorable being skydoesminecraft and harry potter. THAT was a fun worldbuilding experience#do i think that growing up with the fentons would fix bruce/danny completely?? hurm. no. dont kid yallselves jazz is not a licensed#therapist not even at like. nine when she meets danny. she's not helping him through his trauma in the slightest. she's nagging.#she's his sister or sister-like figure before she's his therapist. would he be#*entirely* like canon bruce tho?? no. dannybruce is a mix of the both of them. but this is still the first post of the au and is more so#just me doing the equivalent of popping a stress ball so nothing is smoothed over. mostly im just trying to keep bruce's trauma prominent i#danny's character because he IS Bruce. i dont want him to just be 'danny with bruce's backstory but without any of the ugly bits'.#danny and bruce is used interchangeably because they're the same person but sorry if his personality feels imbalanced i came up with this o#the spot. was going to type more but the stress has left me. for now. watch ur back danny 👀
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benevolenterrancy · 8 months ago
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@achilleasfury Xue Yang thinks this meeting could have been an email
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for anyone that actually wants to see the very professional and carefully thought out powerpoint
the "dad's approval" graph i think was an excellent touch on her part
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aletterinthenameofsanity · 9 months ago
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Does it ever hit you that Martha sat down in New New York and told the Doctor that she needed his honesty more than she needed to go home and that religious music played in the background at that scene and it was almost framed as a confession, in the most religious sense, and go a little bit feral? That as early as her third episode, she was framed as his equal, equally divine, equally a doctor, able to confront him, able to make him honest, able to sympathize with him, able to abide with him? That so few companions have ever spent so much time in one time period with the Doctor (1969/1913, for example), being with him/her, not running, just staying? That for every fucking thing Ten did wrong as John Smith/after coming back to himself in Human Nature/Family of Blood, he trusted her enough to leave himself vulnerable and human in her care, because he trusted her as a Doctor, because she was just as much a Doctor as he was? That Martha was, more than any other companion of the Tenth Doctor's, his equal, that her final speech about not being second was not just talking about her not being second best to Rose but about being second best to him? That she finally understood what had been true from the moment that they met and she closed Stoker's eyes and the Doctor realized that she had not just bravery and cleverness but a kindness that he had forgotten, that Martha Jones, more than anything else, has been and always will be The Doctor?
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blueskittlesart · 2 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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dyke-in-crisis · 10 months ago
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ALICE!! THE ICON!! comms patreon
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dollypopup · 1 month ago
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one day fans will realize that treating real people like fictional characters and fictional characters like real people is, at the core of things, The Problem
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iwtv-az-hours · 7 months ago
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I'll never get enough of armandaniel-y videos
from ahoy_soups's X video
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starscelly · 2 months ago
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they yearn to be a d-pairing again...
col@dal 09.27.24 | preseason
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noe-clara69 · 7 months ago
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If tsc has made me realize anything, it is that we need to portray Neil way more feral and cutthroat in fan media
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undying-love · 8 months ago
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Paul being normal over John: A compilation
“John is kinda like a constant … always there in my being … in my soul, so I always think of him”.
"I'm often thinking of him. I dream of him".
"I soon came to love his beery old breath. And I loved John."
"Delicious boy, delicious broth of a boy".
"l would just sit around and hug him forever, because that’s the depth of my feeling for him."
"There was a guy up on the platform with curly, blondish hair, wearing a checked shirt – looking pretty good and quite fashionable. He had his glasses off, so he looked really suave."
"John had beautiful hands"
"I do have a connection with John and I don’t expect it to go even though we are separated by death. It’s just something I will always feel."
"If I'm going to see a face in a painting, it's highly likely to be his"
"John was always to the left or to the right of me, so I never got to sort of see him perform so much. Except in the film. And there he is in massive closeup. I can study everything about him.”
"I would often sketch John when we worked together, often without him knowing it. It was so easy doing John because he had glasses, those sideboards –or sideburns – and that long, aquiline nose.”
"I recently bought a lot of drawings and writings by John. I have them on my wall so I get to look at them all the time."
"Even though John’s dead, I don’t feel like we’re ever going to be apart. I think we’re a part of each other’s lives, we’re a part of each other’s karma."
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italiantea · 2 months ago
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in which cure gives me brainrot 5 months after release
so ive been transcribing the guitar parts for cure and i just have some thoughts regarding the music and its relation to the video
first of all, the guitar motif that you hear front and center in the teaser is pretty hard to spot in the actual song.
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it plays very quietly in the left audio track starting from when ivan begins singing his part, and lasts for 7 bars until the main guitar riff kicks in. i think there's interesting ways to interpret this, if you think of this little guitar motif as representative of ivan. by choosing this motif to represent the entirety of round 6 in the teaser video, it's made clear that ivan's feelings are the focus of round 6. in the song it plays quietly, hidden in the mix, as if symbolizing his masking of his true emotions. however, it plays loud and clear as the sole melody in the teaser; not the guitar riff from the intro of the song or the stuttering guitar of the chorus, even though they are more recognizable parts of the song. it's like an audio representation of ivan throwing his round: this is not about the song, or the performance; that is all cast aside for ivan's emotional outburst. something that should have been neatly hidden away is now the focal point of the round.
the next part i wanted to talk about is the ending, the part that deviates from the studio release. after till and ivan sing their individual parts, there is a call and response section where they take turns singing.
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till stops singing halfway through this part, and ivan tips over the microphone and goes in for the kiss.
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during the kiss, the guitar part from the chorus plays, as if to say that this is ivan's chorus now. it's an expression of his feelings, and ivan is the one in control.
after confirming their scores, ivan leans back and holds till's neck. till closes his eyes.
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during this part, the guitar part from that previous call and response section repeats.
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the shot switches between ivan and till. till closes his eyes. ivan is shot. ivan looks at till. till's eyes are closed. ivan looks at till. till's eyes are still closed. the guitar returns to the tonic chord, Fm, again and again, and the visuals parallel the same failed call and response as the music. ivan is waiting for a reaction from till, anything in response to his outburst—and till is giving him nothing. and that's how the round ends, no duet, no last run of the chorus, no callback to the intro. it just ends, unresolved.
so anyway i thought that was neat.
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