#but my god is his general character and background interesting

[lunalikestowriteanddraw]

I think Gricko was the first one to catch onto Kremy’s crush on Gideon, and I’m certain he caught on VERY early on into their friendship

Because, think about it. Gricko—as a Druid—is very in tune with nature, animals and beasts specifically. And Frost and Kremy (and hell, I’d even argue Torbek as well)—while being obviously different to their animal brethren—still have some connections to their beastial cousins. Even if it’s minor things, like Frost having some cat mannerisms (pushing things off of shelves, catching/eating small rodents, phasing in and out of existence whenever he pleases), or Kremy having some lizard/gator tendencies/anatomy (like the alligator death roll he did that one time, as well as most likely having a cloaca)

So like, imagine early on into their friendship (fuck, I’d say within the first week), Gideon would beat someone to death, and Kremy would let out a low bellow while watching him (because, let’s be honest here, Kremy totally gets off on Gideon punching people to death. Did you see how he kept trying to get people to call Gid a bitch during episode 28? That fight with Chuckles either awakened something in Kremy, or he was mentally saving that imagery to use for another day iykwim). Kremy may not even realize he’s doing it, but Gricko notices. Fuck, I’d say that Gricko’s hearing is so well tuned for animal sounds that he hears it, even when the others can’t.

So Gricko has his suspicions at this point, but doesn’t say anything. Instead, he watches Kremy and Gideon interact—paying more attention to Kremy than Gideon. And at one point, I’d say during dinner or something, Gideon and Kremy are sitting beside each other, talking, and Kremy subtly bumps his snout against Gideon’s neck or under his jaw (since Gid doesn’t have a snout of his own, and is also slightly taller than Kremy). Not hard enough to really be noticeable or felt by Gideon. But Gricko notices.

And at first he thinks nothing of it. “It was probably an accident or something”. And then it happens again. And again. And again. This starts happening nightly, especially during meals, and sometimes several times during one meal.

Eventually, Gricko hunts Kremy down and asks him outright if he and Gideon are together. Kremy sputters and says the typical “oh, we’re just friends, a couple of guys, partners in crime” spiel. Gricko then asks Kremy if he WANTS to be Gideon’s partner, and Kremy says a bunch of other shit, but nothing he’s saying is a no. Kremy asks Gricko how he even got the idea of Kremy and Gideon being romantic partners, and Gricko points out all the very obvious signs, like the bellowing (“wait I…I mean, what the fuck are you talking about!?” Kremy asks, knowing exactly what Gricko means by the bellowing), the snout bumps (“well, I have to look up to make eye contact when he’s talking” Kremy argues. “Kremy, you were practically sitting in his lap and doing the snout bumps. It was very much intentional” Gricko rebuttals), and hell, Kremy’s tail wags like a fucking dogs whenever Gideon does as much as smile at the gatorkin.

I mean, why else would GRICKO of all people be one of the biggest Coalecroux shippers within the party. Yeah, the other members know Kremy and Gideon’s VERY obvious feelings for each other, but the only ones actually trying to get the two together are Twig (who I’m pretty sure clocked them within the first hour) and Gricko. Except Gricko is slightly more subtle about it, because I imagine he is just trying to give Kremy a nudge in the right direction in confessing to Gid without explicitly getting in the way (if that makes sense?)

Idk man, I feel like Gricko would have a weirdly easy time reading Kremy and Frost compared to the others because of their connection to their animal kin and his connection to nature and animals/beasts in general

[anthurak]

As someone who was very curious as to how Mammon was going to be presented in Helluva Boss, you can probably imagine I was looking through the new episode very closely.

And while I may have been off the mark with my theory that Mammon would follow the trend of Asmodeus and Beelzebub and NOT actually be antagonistic, I nonetheless think it is VERY interesting how Vivzie and the team handled and presented him.

Specifically, in just how PETTY Mammon is shown to be in this episode.

Like really think about what you might generally expect from a character like Mammon just from a basic background description: He is one of the seven rulers of Hell, lord of the seven rings and embodiment of GREED. Likely a fallen angel who helped to create hell as it exists today, is matched in power only by his five fellow Sins, and is functionally only truly outranked by Lucifer himself.

And yet, Mammon’s characterization in this episode presents him as this petty, selfish, manipulative asshole interested in little more than money and attention. He acts more like a shitty, full-of-himself asshole celebrity than a demon lord. Just look at how he manipulates Fizzerolli, not through lording power and authority over him but through emotional coercion like an abusive parent, ex-, or boss, which is precisely WHAT he is presented as. fi

What makes this even more interesting is that despite Mammon being characterized as Fizz’s petty, manipulative boss, we nonetheless see him display all the POWER and experience we’d expect from one of the seven rulers of Hell. Asmodeus mentions earlier in the episode that he’s known Mammon ‘since the START of Hell’, confirming they were both involved in its creation, and when the two square off at the end, it’s clear that Mammon is very much Ozzie’s EQUAL in power, and that everyone else present is pretty much an insect in comparison.

This is what I think makes the inclusion of that one creepy, obsessive fan of Fizzerolli’s in this episode so significant; he serves as a point of comparison to Mammon.

For all the power and authority that he might wield, Mammon is characterized as being no different/better than a creepy, manipulative, entitled and obsessive stalker.

I think this might be the true common ‘thru-line’ connecting all of the seven sins through Helluva Boss and possibly even Hazbin Hotel: That despite essentially being ‘God-Emperors’ of Hell and outclassed in power likely only by the most powerful angels of Heaven itself, the seven sins are characterized in a very grounded, down-to-earth and for lack of a better term, ‘human’ way.

All the times we’ve seen them, Ozzie, Bee and Mam haven’t presented themselves as these all-powerful beings lording themselves over their subjects like we might expect or even what we’ve seen of the Goetic nobility. They don’t present themselves as ‘royalty’ but rather more like celebrity performers, which is certainly in keeping with Vivzie’s comments about how Hell is meant to represent a circus.

It really gives this fascinating dichotomy to the Sins as characters, where they’re presented as these big wacky celebrities with big, over-the-top personas which in turn hide very grounded, down-to-earth people underneath. While at the same time still being these monstrously powerful and ancient beings whose dominion over Hell is entirely uncontested.

It also gives them a nice contrast with the Goetic Nobility and the Sinner Overlords. Like those two groups actually do act and present themselves like demonic ‘royalty’ who lord themselves over those considered ‘beneath’ them, while in reality they’re at best the ‘middle-managers’, and instead it’s these wacky characters who are the TRUE masters of Hell.

It may even continue into what we might see in Hazbin Hotel, what with Charlie being this bubbly, happy-go-lucky Disney-esque princess who also may very well have power outclassing literally EVERYONE else in the show apart from her parents.

Overall, I loved this episode and I think we may now have a good idea what we might expect from the other Sins, and possibly even Lucifer himself in Hazbin Hotel.

[meo-eiru]

I apologize in advance for any mistakes (English is not my first language) BUT I JUST CAN'T! I can't stop thinking about how exactly the main character will end up completely dependent on Father Micah. If elves, dark magic, incubi and other creatures exist in this world, I would venture to suggest that possession by demons or other evil spirits is also a known phenomenon.

Just imagine a situation in which the main character is forced to attend church because she realizes that something is wrong with her perception of reality. It all starts small - insomnia, minor auditory hallucinations, which can easily be attributed to general fatigue from work or school. She can try to self-diagnose and self-medicate, but there is practically no effect.

Disjointed and disturbing dreams give way to nightmares, auditory hallucinations become more unbearable and are now accompanied by visual distortions as well. Any sane person in such situation will rush to a psychologist (more likely even a psychiatrist), but the treatment doesn't give the desired results. Her relatives are very worried and concerned; someone from a more devout background may advise turning to the clergy - and Father Micah is simply an excellent candidate to help this poor unfortunate soul. If she really feels better after each visit, then she'll come back again and again. Just to not lose her damn mind.

But what if Father Micah is the root cause of her condition? If he's not as pure and holy as he seems? What if he's the one who made a contract with the entity that is currently ruining her whole life?

He can't keep her in church by force unless there is a good reason, but even if she'll try to stay away, her condition will deteriorate so much that she WILL inevitably attack someone close to her at some point, mistaking them for Father Micah or that entity due to hallucinations. And SHE WILL have to return back if she doesn't want end up accidentally taking the life of someone from her inner circle. But even if she'll refuse to do so voluntarily, her dangerous condition is in any case a good reason to forcibly isolate her from the others.

And I doubt Father Micah is interested in fully exorcising her.

Oh god I love this scenario.

So I don't think Micah would actually make contracts with evil entities to curse you, but he would make you believe you were cursed. I can definitely seem him drugging you small dosages by giving you small snacks whenever you visit the church or run into him by "chance". He'd always play it off as a gift from the church or some leftovers from what they made for the orphans.

You wouldn't suspect him at all. Why would you? He's THE Father Micah. The beloved angel of the town since he was a kid. No human has seen him do evil deeds.

He would know exactly when the drugs kick in and when they are the most effective, and he would always be there at the right time. Talking to you, making you believe it's unnecessary to see a doctor for such mild sickness. Surely it'll get better if you pray.

It's not getting better even after praying? Maybe it was more serious than Micah expected, but worry not, he knows just the right thing to do. You just have to come to his house so he can bless you with his personal prayers. Why not at the church? Haha you wouldn't want to bother everyone there for such a trivial issue right? Don't worry, Micah will give you special treatment in his house, just trust him.

And trust you will, because everyone knows if there's someone you shouldn't fear it's Father Micah.

[beggars-opera]

Ok, so I live in one of the more liberal areas of the country. Our governor is a lesbian and I literally did not even know until after she got elected, because it was that much of a nonissue.

Lately, I'm seeing more and more local institutions doing things for Pride. Institutions that don't necessarily have to, or do so awkwardly, but they're trying to be good allies. And, even here, I see people foaming at the mouth. This thing is ruined. Unprofessional. Political. Sexual. Boycotting, disgusted, bye.

And a part of me is like, "Why would a random store, a museum, a restaurant, do this?" Part of my mind has been so corrupted by the idea of rainbow capitalism that the thought of someone just...trying to be an imperfect ally is a cash grab.

It's not. Every bit counts, and especially as we see pushback, and see some of those corporations beginning to rethink their rainbow capitalism, the places that continue to speak up are so, so important.

I'm reminded of a rant by Illustrious Old White Man Historian Gordon Wood a few years back where he lamented how fragmented modern history is. Why do we need ANOTHER book about women, about enslaved people, about the poor? Why are we focusing on these people instead of George Mount Rushmore Washington?

And it was an interesting framing, because he insinuated that these micro histories were bad not because they existed, but because they didn't give the whole story, which in Gordon's mind was a story in which they were the side characters instead of the mains. To that end a biography of G Wash that features the bare shadow of Billy Lee in the far distance is a complete history, all that needs to be said, because one of those figures is a God Amongst Men and the other does not deserve to be fully fleshed out as a full, autonomous human being with a family and a profession and a beating heart. And a biography of William Lee, war aid, professional valet, and person closest to the first president of the United States, with the shadow of George in the background, would consequently be Bad History, because no one is saying that this man didn't exist, but his story isn't the whole story. It's backwards; he should be a footnote, and if he's not, that's bias.

But for me, as a historian, I know that the reason these microhistories exist, and are so important, is that they didn't exist before. Before someone can be truly, purposefully, tactfully inserted into the historical narrative, you need to know who they are. Not just as a name, not just as an archetype. You have to get to the point where there are so many books flooding the market about women and children and immigrants that it's no longer controversial to be talking about them, where learning about them instead of someone else is normal.

THEN you can feel good about rewriting the more general narrative. THEN you can actually have the information you need in order to put things into their proper context, to rethink the most important figure in each story, to assess what the full milieu of the time is.

And that's where we're at with Pride. We are still very much living in a time where queer people are shadow characters in the background. They are people that many will admit exist, but for god's sake, don't make them important, don't make them real, don't make them normal. And until we can shove rainbows down everyone's throats to the point where being queer is no longer seen as a thing that is Other, until we convince people that we're not going away, we will never be able to fully assimilate queerness into society.

We can't just be normal about Pride, because normal isn't loud enough to not get drowned out.

[neine]

References in 1670 (Updated)

General info

Names

Jan Paweł - is a reference to a pope, Jan Paweł II. He's considered "the greatest polish person", up to a comical point. So he turned into a meme.

Jakub - A reference to a saying "Do unto others as you would have them do unto you". In polish "Jak Kuba bogu tak bóg Kubie". Literally "As Kuba to god, god to Kuba".

Jędrula - A reference to a show about Foster family, to a character that liked to drink whiskey.

Andrzej - A stereotypical neighbour, where he has everything better than you.

Żmija - A reference to Ojciec Mateusz, a show about a priest solving crime, played by Artur Żmijewski (hence the name). Żmija is from Sandomierz, that's where Ojciec Mateusz was set. (From multiple people, @rabarbarzcukrem mainly.)

Historical background

Poland was going into a sort of a recession. It used to be one of the most powerful countries in Europe. As well as Lithuania, of course. Time of the Commonwealth. The plague didn't hit the Commonwealth as much because it wasn't densily populated. The biggest issue (one of many) were the tatars, who just kind of lived there. Usually were bribed into gaining some power in the country so they won't couse trouble. Lithuania was getting Polonised, but it wasn't going as good as you could imagine. It's the time after the swedish flood, where the whole country was basically looted. It was considered a very open country, many Jews lived here.

Liberum Veto - it's just that one person can say no and whatever they voted on, won't pass. Also huge reason why partations later happened.

Culture

Drowning of Marzanna is a ritual that happens every year, on the first day of spring, to say goodbye to winter. Marzanna is a slavic goddess associeted with death, winter and nature. Marzanna is sometimes set on fire and then thrown into a river. + Interesting tags from @ukulelegodparent (From multiple people)

Hunting by nobles was also kinda a cultural thing. It was often described in the books from that time.

References

"Ała kurwa rzeczywiście" - reference to this

"Quo Vadis" - meaning, "Where are you going?", is a reference to novel by Henry SIenkiewicz. More known overseas from a movie adaptation from 1951. (From multiple people)

"My wife, Zofia" is a reference to a movie "Miś". (From @gdzie-rosna-poziomki)

"Do dupy z takim spiskowcem. Mnie kury szczać prowadzić, a nie spiski" is a reference to Piłsudski's "Wam kury szczać prowadzić, a nie politykę robić. (From @gdzie-rosna-poziomki)

"Ta zniewaga... oczekuje, abym ją wymazał stosując przemoc." - "This insult... expects me to earase it with violance." Reference to "Zemsta", by Aleksander Fredro, "Ta zniewaga krwi wymaga." - "This insult requires blood spill". (From @rabarbarzcukrem)

Measuring tassels - likely a reference to "Pan Tadeusz". In modern speach, tassels means dicks. (Also from @rabarbarzcukrem)

Jan Paweł walking on Zofia and Rozalia in bed, the deer antlers look like they're growing from his head. It's a reference to a saying "przyprawić komuś rogi" (also in use in multiple other languages). Which means to cheat on someone. (Multiple people, mainly @rabarbarzcukrem)

Equality march - It's how Pride Prades are called in Poland. (From @rabarbarzcukrem)

Henry kicking a fern flower is a reference to Slavic mythology. It symbolizes ferility and love. (Also from @rabarbarzcukrem) @misticfog adds to it here. (And some other things)

Stasia the mouner saying "Wszystkie kary na mnie idą" ("All punishments come to me") is a reference to this: (from @00midnightrider00)

(Quote happens in 1:20)

Thank you for all the additions!

Lorem Ipsum - is a placeholder text often used in web page design.

"Koń jaki jest, każdy widzi" - What a horse is everyone sees, is a reference to the first polish dictionary.

[creaman]

Hi there! I apologize for taking up your time, I am just so curious: When you tackle a comic, what does the process behind it look like?

Asking because I found myself scrolling through your blog once again and couldn't help but marvel at all the beautiful effects you use, at how flawlessly the structure guides the viewer's eye across each page, how the graphic weight seems to always be in just the right places…, and wonder how you learned doing this. Everything you put out looks incredibly professional and I aspire to reach your level of skill 😌❤️

Thank you Finz!! You're no bother at all, I'm an open book. This is such high praise for a guy that really doesn't have a set process, I feel like a hack. Ha. Rest assured my style is still developing. Besides the referencing of the linework and composition of official comic books, (practicing by redrawing panels for fun), explaining the process makes me feel like a serial killer but I will do my best.

(WIP Riddler panel, scrapped Scarecrow composition)

My comics usually stem from a single panel or concept — I like to focus on/emphasise particular panels of my pages, the heavy hitters, the main piece that catches your eye. I know I'm not a profoundly technically proficient artist so I prefer visually interesting elements and formatting, i.e. drawing characters outside their frames, negative space, notation, perspectives etc.

(Kung Fu Panda 4 sketch god I hate Kung Fu Panda 4)

I like to establish 'main focus' panels, the bits of the comic that really, well. make people want to chew on it. This is where the technical effort is concentrated, really, and the rest of the comic is generally build around these concepts.

('Restaurant Balthazar' focus panels)

Textures and effects are done on individual panels first, then the entire page as a whole to even out the unity. Generally, blocking in shadows, hatching for visual interest + middle tones, then textures/half-tones, then highlights.

(Script excerpt WIP)

I'm not a writer per se, but having a vague 'script' in your pages helps with pacing and direction. Comics are a versatile story-telling medium. I only really do scripts for comics longer than 2 pages. An optional but recommended strat is to send your script to a friend for a second opinion.

(Script excerpt — 'Restaurant Balthazar', annotated by @vincepti0n I don't know why he drew a face in the middle)

With the script crudely slapped together, I rough out the thumbnails and composition with the text, prioritising coherence and clean integration of previously mentioned 'main focus' panels.

Settling on a composition sucks the hardest. Drawing is fun, thinking makes brain hurty. Variety is good! Close-ups, wide shots, visual metaphors. Every panel is its own artwork.

The text bubbles are usually added in post, yes, but I'm just one guy and I don't have a writer to call me a good boy for doing things correctly. Bite me.

(Early 'Restaurant Balthazar' drafts)

In addition, keeping the text graphics in mind help create a sounder composition wherein even if the panels don't read cleanly left to right + top to bottom, the text can stagger and create the same reading order effect.

Panels and concepts are constantly tweaked, and my comic process is still highly experimental. A lot of industry standard comics aren't illustrated to their full potential due to deadlines and such — I strive for visual epiphany by treating each panel as its own artwork, and every page as a a bit of a mural.

(Old art hurts the soul)

Constantly experimenting allows you the insight of looking at your current art in comparison to your older works. In more recent works, I've been blocking in more shadows wiht lineart with thinner lines and more line weight, and learned to integrate the subject characters with less plain, abstract backgrounds.

TLDR: I have no idea

[karniss-bg3]

The Tragedy of Faith

So between tumblr and twitter I've read various takes on Kar'niss and what draws people to him. For some it's the monster fucking appeal, for others it's the desire to fix a clearly broken individual. There are in-betweens and of course this is subjective and depends on the person. Act 2 spoilers ahead. Where my personal interest comes from is how good Larian communicated the tragedy of faith and what a cult can do to a person. Kar'niss is a creature that has been broken by not one God, but two. Lolth broke him physically, the Absolute broke him mentally. His entire identity has been lost to a deity to the point he raises her in his speech. Referring to her as "Majesty" and "Queen", two terms you don't really hear anyone else address her as, he has elevated her to his final savior and leader. He also often refers to himself as "we" and "us", cementing him as part of the hive mind rather than holding any individuality of his own. When he does refer to himself as "I", it's mostly to show further loyalty to the Absolute, to maintain a position of importance in his fractured mind. Cults are notorious for targeting the most vulnerable in society as they are the easiest to mold and manipulate to their doctrine. The fact that goblins are one of the main races that fall to the Absolute's influence is telling in that regard, as they are often dismissed by the other races. Kar'niss was ripe for the picking, an easy target to lure into her arms. No doubt he was found shortly after Lolth twisted him into a drider and banished him, he didn't stand a chance.

Not even taking those elements into account, Kar'niss came from a society that is infamous for cruelty and violence, especially toward males of their species. Drow greatest hits include, but are not limited to: -Killing their young if they are not aesthetically pleasing enough. In other words, ugly. -Sacrificing every third born son to Lolth.

-If a male finds the favor of two competing females, it often doesn't end well for the male. The rival woman will kill the male and chuck his dead body into his opponents bedchambers, just for the sake of being petty.

-Love and emotions of any sort are in short supply, if not outright unseen as a general rule. The nature of drow to backstab and seek to rise in the ranks makes it near impossible to be anything other than fierce and domineering.

With these things in mind, it's easy to assume that Kar'niss had a turbulent upbringing and likely suffered untold abuse from many around him. It's not to say that good or reasonable drow don't exist, it's just not commonplace in a Lolthite society. Unfortunately, the game doesn't give us a great deal to go on as far as his past. What little he reveals only happens after he's dead, and even then its really a cliffs notes version. What we do know is that his devotion is intense and unwavering. He's willing to die for the Absolute because in his mind the Absolute are the only ones who care about him. We even see fellow followers talk down to him, dismiss him, and verbally eye-roll the guy. To them, his fanaticism is over the top and they follow the same God he does.

All told, this leads me to the conclusion that Kar'niss has never, or rarely, known true compassion in his entire life. He's been used as a puppet for one deity or another, and likely mocked or cast aside even when he did everything right. It doesn't surprise me that there are folks who desire a romance option, or barring that a side venture to break him free of the Absolute's hold. We don't know if Kar'niss did terrible things in his past, or where his moral compass sits as his entire personality revolves around God. But I'd love to know, and I crave more background on him in one form or another.

I've spent too much time thinking about different paths that could happen in-game. I also understand it's incredibly unlikely he'll ever become a companion. The sheer amount of time and resources needed to give a character a satisfying arc is likely more than Larian can do with other constraints, but maybe we'll be pleasantly surprised. So Kar'niss lovers, platonic, romantic, or everything in-between...I gotchu fam. We stan the spooder bby. Someone get that man a blanket and a nice mug of hot cocoa. And a cult de-programming kit, one of those would be good.

[b1rds3ye]

AASAABSJS I'm so glad your requests are openn!!!! I seriously love the way you write for the characters! I think your writing is so in character an ARHBAHHA 😍😍🤩🤩🥰🥰SO may i request how the 141 boys react when the see their s/o has made them in the sims? Like they see him and his s/o in their little sims family. Idk I thought it would be cute.

Love you! Don't rush and take care of yourself 💗💗💖💖💋

I'M SO SORRY THIS TOOK ME ALMOST TWO MONTHS ASDKFJASDKF MY BRAIN WAS NOT BRAINING WITH THIS PROMPT

Look, It’s Us!

How the 141 boys react to you making you, them and a potential family in the Sims (+ other little gaming shenanigans)

Characters: Captain John Price, Simon “Ghost” Riley, Johnny “Soap” MacTavish, Kyle “Gaz” Garrick

Genre: Pure Fluff

Word Count: 1.2k (~400 words each)

A/N: Gotta confess, I’ve never actually played the Sims before ACK-

Captain John Price

It’s not often, but Price will occasionally play the Sims when he truly has nothing else to do. He’s not particularly creative with it though, just lets the game randomly generate a character and then lives their life with the quirks they have. Still, good fun!

John figured you’d play the opposite to him, testing the limits of the game and torturing your Sims with that simultaneously wonderful and terrifying mind of yours - beyond the army John doesn’t have the creativity to turn Sims into experiments that violate human rights. So imagine his pleasant surprise when he notices you playing relaxedly with a whole family that looked like you and him, taking the greatest care in making sure everything goes well

“Having fun there, love?” he smiles, looking over your shoulder. When you zoom in on the little Price you made in the Sims and then comment how it’s not nearly as handsome as the real thing, he swears you’re single-handedly warming up this jaded heart of his

He could watch you all day as you tinker on the game, but he naturally acts as your anchor. He doesn’t care if this is just a Sims version of you, you are not hijacking that spaceship and blasting off to god knows where! Ultimately he can’t stop you but the conversations that have come out of your antics are very entertaining

John nods along as you animatedly talk about the little virtual family you made. Whether it’s the family itself or your choices in customising the home, he’s listening and he’s remembering. He might not have infinite money like when you’re playing with cheats but it’s in his nature to give you his all, and he won’t stop giving until he’s made an imitation of your dream on the screen

Simon “Ghost” Riley

He hasn’t touched the game, he’s not particularly interested but he’ll definitely be around you when you play. Simon will be doing his own thing, but upon hearing the signature background music of the Sims you’ll see the slightest bop of his head

It was one day, he walked past you, his eyes flickering on the screen while you zoomed up on a character with features suspiciously like his. He watches silently as you zoom out, and there’s a character that looks like you as well and- is that a kid?

“Looks nothin’ like us,” he says simply at the family. “Not my fault you don’t have an imagination,” you stick out your tongue. “I’ll install some mods for more customisation.” He was just cracking a joke but it’s endearing how seriously you take your virtual counterparts

Simon doesn’t just observe the family, he also observes the rest of what you’ve customised. Is that your dream house? Ah, it seems you like that style of furniture. Simon will keep that in mind the next time you have to go shopping, or will find small gifts for you with the same general aesthetic

Has the uncanny ability to speak simlish - or at least replicate the sounds. It sounds straight from the game, you have no idea how he picked it up or why. If you ask he says it’s because “you’re bloody addicted to playin’ that thing”. All you know is that if one of the Sims shouts out something Simon will actually grumble out a response under his breath

Your Sims family has become a little mental vision board for Simon. To keep fighting to return home, to slowly but surely clean up the mess that is his broken mind until he can guarantee a future with you that is equally as tranquil and colourful as the little pixels on your screen

Johnny “Soap” MacTavish

Johnny loves his action and exhilarating games, shooters, horror, you name it. As such, he doesn’t play Sims much but if he does, he’s treating his randomly generated sims as human lab rats

Roasts your character customisation to hell and back. Johnny’s gripping onto you, shaking you back and forth, dramatically whining about how his eyes aren’t that specific shade of blue, his mohawk isn’t that big and you’ve got his nose all wrong- what are you doing?!

He’ll complain but if you actually give him controls he’ll customise his own character to look noticeably worse. Just don’t ever give him access to this game because he’ll also make your character look nothing like you

That being said, Johnny gets really into the little family you’ve made. He’s actively discussing with you the furnishings that should be used in the house, if your virtual child should be a ghost hunter or a fortune teller, and if you need a bathroom break he’s ensuring no one sets the virtual house on fire

You better not tell Johnny that you’ve added pets into the virtual family because Johnny is already out the door to the nearest animal shelter. If there are things that these stupid little Sims have that is easy to get or Johnny already wanted, he will get

At the odd moment, you’ll catch Johnny getting quite sentimental over the game. Working in the army is chaotic, never mind his actual role as demolitions expert, it’s hard for him to ever imagine a day where he settles down. But watching you fret over whether this virtual couch should be placed on the left or right side of the living room has him looking forward to that day (by the way you should put the couch towards the back)

Kyle “Gaz” Garrick

Kyle has honestly tried every game under the sun if it’s casual and entertaining enough, from PVP shooters to laid-back simulators. If you’re not playing Sims, then he will be. But if you’ve beaten him to the punch he doesn’t make you stop, only sitting back and watching you keenly, commentating and giving you suggestions

He’s actually been part of the creative process since Day 1, when you made Sims versions of you and him, he tried to find the character customisation features that best resembles yours, but could only lament that he couldn’t make your Sim look as good looking as you

He loves starting off the game where your respective Sims are strangers, going through all the motions of wooing you all over again, proving to you that no matter the context Kyle will win your heart. You may have to comfort him with cuddles if your Sim version rejects his Sim’s advances though

Once your Sims are together, this little flirt will tell you that your Sims need more kids knowing full well what that implies

Kyle likes provoking you a little, discreetly suggesting using the ugliest pieces of furniture available in making your house. When you bite back that you’re going to make sure this house looks perfect, he’ll eventually relent after begging with his signature puppy-dog eyes

He’s memorised some of the Sim’s spoken dialogue, particularly the romance lines spoken in that exaggerated flirty tone. He’ll say it to you out of the blue sometimes, causing you to burst out into giggles

The game is all fun and, well, games, but it doesn’t stop Kyle from looking forward to the future. You might not have access to the grim reaper, you may never be able to build a pool surrounded with toilets in real life, but he’s excited to create his own little home and family with you, whatever it may look like

Call of Duty Masterlist

[leidensygdom]

AI bros from hell

Hello! Do you have a bit of your time for a story on AI bros and clients from hell? I bring a really fun one!

I met this guy at a con I was tabling at over a year ago, before AI was a thing. He said he enjoyed my art, and inquired me about whether I did book illustrations. I said yes- He was specifically interested in my bigger pieces, the fully rendered and detailed ones. He agreed to send me later a DM to discuss specifics.

For two weeks, he kept DMing me on details about his book, what he wanted, etc. He wanted full illustrations for inside the book as well as a cover, all of them fully colored, painted and rendered. He also wanted illustrations in this style to post on social media to promote the book. I had warned him that something like that would be costly, but he insisted that he needed this to be the best of the best.

Now, I was getting bad vibes from the guy. I shit y'all not, his instagram handle was "The next tolkien". I wasn't however gonna refuse a job opportunity. Now, he finally asked for prices: He had reassured me he was willing to pay fairly for this. Since he's a starting author, I gave him my non-commercial quotes, which are much, much, much lower than the standard for book illustrations. I mean "if you search for how much this costs on google, the lower prices are x5 times more expensive than what I offered".

The guy, upon receiving that, just ghosted me. Immediately unfollowed, didn't reply me with a "sorry, I can't afford it" or "sorry, i was expecting to pay $10 for a full rendered full background several-characters-picture". Nothing.

The other day I decided to search what he was up to. He's now released... THREE books for this series. There's a single review in the first one. Not even written, just a stars one. Also, notably, he had a webpage put together promoting the book, and. Yeah.

All the art is AI crap.

Which makes sense. My guy was very on his high horse about how fantastic of a writer he is, but I guess art isn't really to be compensated fairly. When he saw the "art stealing machine you just pay a subscription for", I'm guessing he was very excited.

So, uh, here's some of the marvelous pictures he generated of the characters, which surely tell you about how great the book is. AI is theft, so I don't give a f*** about reposting it.

I have a lot of opinions about creators who write, draw or make music, who are more than happy to use AI for other stuff- Album covers made with AI, writers using AI crap for book illustrations, artists using AI-made music. It feels like you're sh*tting in any other artistic field and showing how little you respect anyone but yourself. Like, I'll be honest, I don't have interest reading a book from someone who considers that other forms of art aren't real or worth any money. It just tells me you're devoid of any interest for art or humanity.

As an ending note, his instagram description is "More closer to god than to human", which does add to the clownery.

[ssa-atlas-alvez]

Hi, Mutt anon here again. :3

Silly request idea with Garcia & lil bro! Reader. Totally not self-indulged lol.

———

A bit of background for Reader's character;

Reader is an absolute crow child (a person who tends to act like a crow, collecting anything shiny and things that interest him. It could be anything, literally, even Garcia's stuff or things around the house in general).

Known for bringing random things inside, collecting anything he can and finds interesting enough to collect. Including things that probably should not be collected. Alive, dead, inanimate objects you name it and R has it. I can honestly imagine R having a small enclosure for small bugs, maybe a sealed glass jar self-sustaining ecosystem that he made like over four years ago and it still thrives. Also absolutely some bug framing and bone collecting.

But the initial request to that is how would Garcia in your opinion react to the reader being a "crow child"?

———

Anyways, thank you in advance. Please, don't feel pressured to write this and feel free to decline if you feel like it! :3 I hope you have a nice day, please remember to take care of yourself.

— Mutt anon

I'm so sorry about there being a bit of a delay between this fic and the last one I posted! It's not super long but I wanted to post something. Things have been a bit stressful but in a low-key way if that makes sense. Any who, I hope you enjoy!

Warnings: mentions of a raccoon skull.

“Oh my god, what is that?” Penelope asks as you burst into her office, Morgan smirking trailing behind you.

“I found a raccoon skull!” You exclaim, showing her, “How cool is that?”

“This is- where did you even find this?!”

“At the park,” You give a small shrug, placing the skull on your sister’s desk. “It’s gonna look great next to the rat skull on my drawers.”

“You… you actually scare me,” Penelope said, before turning to Morgan, pointing her fluffy pen at him. “And you, why did you let him touch it?”

“It’s dead, it’s not gonna do anything.”

“That is not what I meant and you know it.” She turned back to you, “What else did you find?”

She knew full well there would be more.

“Well, I found more pull-tabs so I grabbed them.” You said, pulling out a handful, “But I found this really cool coin,” 

You show Penelope, she furrows her eyebrows, having seen the coin before. If only she could put her finger on it…

“That’s mine,” Derek’s jaw drops slightly, staring at the coin in your hand. 

“Finders keepers,”

“No, theft.” Morgan grinned, swiping the coin from you.

[abstractfrog]

HI I JUST SAW YOUR INCREDIBLE SHERLOCK AND CO COMIC YOU MADE AND I WOULD LOVE FOR YOU TO TALK ABOUT THE PROCESS AND THE SYMBOLISM AND INTRICACIES AND EVERYTHING PLEASE ‼️‼️‼️‼️‼️‼️‼️

GOD THANK U ok if i actually talked about EVERYTHING i would be here forever and ever, there were things about the process where it kept surprising me and i kept adding stuff.

I talk about my general comic process here , it started out mostly the same for this one. Analysis of the script, sketches, panel and colour blocking

The scene from Mr Sherlock Holmes presented me with a unique challenge (for me) because...usually I pick scenes from the podcast that are instantly visually stimulating. This scene is NOT that. It's sort of unclear and confusing and even the emotive narrative is sort of hard to pick out. Those things I had to sort of decide for myself. It's hard to draw a whole scene like this without first deciding what the scene is about, what its purpose is. If you go back and listen to the episode along with the comic you'll notice all sorts of changes and tonal shifts - that's because of me and my decision making.

I decided that the direction I wanted to go in was to show John having his realization about himself, his podcast, and Sherlock, showing him getting pulled into, yes, Sherlock's world, but also the world of the podcast as an adaptation. I knew i could do this just with colour, but if you've seen my other comics, you know i almost always use colour to show shifts. I guess I had some insecurity about doing the same thing over and over again so I pushed myself to think of other ways I could accomplish it visual. Enter: rendering technique

I will say I didn't expect this effect to make John seem so SAD and MISERABLE, i only wanted to show him getting pulled in, but its effective for his emotions in this scene as well. Scanning drawings into the computer sort of flattens the paper texture, so I started adding photos of the pages of A Study in Scarlet to make him feel more paper-y. And then, of course, realised i could use that to further elaborate on John's inner thoughts, backgrounds, and motivations. People are welcome to interpreted that how they like and i've seen a number of variations, but to me it operates on sort of a meta level, showing the inevitability of what John is going through. He's a Watson, he's always going to follow Holmes, he's going to try and figure him out, and that's why you sort of see a back and forth between acd and pod Watson, highlighting the ways in which they are similar, and then, John breaks off and becomes his own character, still with those foundations but also entirely different.

there's one piece of text that i haven't seen anyone pick up on or mention and I'm starting to think it's gone unnoticed because it's in an unexpected spot. I won't mention what or where because it is, for now, a very indulgent little secret.

I notice a lot of people are getting a kick out of Sherlock playing with the speech bubbles, which I am so pleased by because I almost didn't do it! I thought i was maybe breaking something in the comic but it was so fun that i didn't care and I'm so glad it came across well. It operates on a lot of levels, it shows his thought process, it plays into that fourth-wall medium play i've got going on, and it feeds into the web metaphor as well as visually showing him roping John in.

on the topic of Sherlock, I feel a lot of people are rather focused on John, which is understandable (he's the main event) but Sherlock has a lot of details I love too.

For instance, him pushing his hair back and putting on a coat when the officer arrives, almost like he's shifted modes, and then his hair falling back down when he gets excited and John starts to understand.

I really love this moment of Sherlock seeing John's potential for interest in mysteries when he's trying to solve the matter of what Sherlock Does, and being surprised and flattered for a moment (until John messes it up again)

John copying Sherlock's pose <3

There's deliberate things in the character design as well, things like the fact that once John comes into colour, it reveals that he's actually wearing more colour than anyone else in the scene, and the fact that the grey in John's hair only appears post-greyscale. Things you are welcome to read into. And there are, of course, the socks, which I've seen people pick up on.

Those are the main things for now so i might leave it there, but thank you so much for your ask and i'd be pleased to elaborate further on absolutely anything!

[pencileraser1]

things i noticed/thoughts about most recent rewatches of dps (plus laserdisk deleted scenes):

whenever theres a group scene i've started watching the characters that the story isn't focusing on to see what they do and i've been having a fun time with that. pitts and cameron specifically seem to almost always be doing something interesting in the background.

hopkins!!!! my favorite minor character who somehow got character development despite having like 2 lines!!!! the last guy to stand on the desk but he did it!!!

sometimes i do like to think about what the rest of the students thought about the dead poets society, esp in alternate timeline neil lives dps keeps meeting universe. like yeah theres this guy in their class whose one of the most credited students in the school and we think he maybe started a cult. idk though. but that group runs out into the woods every few days to do god knows what and one of them keeps talking about "dead poets honor" whatever that means and holy shit welton star student neil perry started a cult.

i watched the movie with headphones. and maybe it's because ive seen this movie Far too many times and mabe i'm listening too hard but it was Really obvious sometimes when audio was added in post production. llke in the sweaty toothed madman scene when you can hear laughing and to be fair the camera is behind their heads. but it does Not look like anyone's laughing. my favorite is at the end of the phone call to chris scene where knox is like i'm gonna seize the day!! and runs up the stairs and the poets are cheering him on and neil is sort of yelling "carpe!!!!" and i could be wrong but i'm like 75% certain that the person singing is Also rsl so now neil is just speaking two times at once somehow. anyways it didn't ruin the experience for me or anything it was maybe just a little bit funny to notice but very sorry if this did ruin anyone's viewing.

people talk a lot about how rsl and ethan hawke really made their characters what they are but i have to add dylan kussman to that list. I get the impression that older versions of the movie didn't really give as much depth to cameron and watching dylan kussmans performance is like. he Knew who his character was so fucking well and it shows!! like the deleted scene of them getting clubs assigned. like i could tell So Much about cameron from that scene

for how little she actually appeared, there is an emphasis put on the fact that neil's mom smokes pretty frequently. and i think that's interesting considering neil is one of two poets shown actively smoking. neil's mom doesn't appear for very long in the movie but during that time it definitely seems like the movie is intentionally making parallels between the two, particularly in the last argument with neil's father. neil and his mother are both sitting for almost the whole time, which contrasts with his father who is standing. they are both almost powerless in this scene. they stand up at almost the same time. anyways there's a couple different possibilities for what this could mean? that i've though of? 1. to show that neil's mother is in a similar situation to the one neil is in in regards to neil's father and 2. maybe a stretch here but the theory that neil inherited his mental illness at least partially from his mother. i'm pretty sure 1 was fully intentional on the directors part, not entirely sure about 2 though

unmanned flying desket scene: it's probably cause he and ethan wrote the scene themselves but the way rsl talks in this scene feels more like the way he talks in general than the rest of the script. like briefly neil perry is talking in rsl's voice. one of my absolute favorite scenes though the sarcastic dialogue is so good.

the light of knowledge at the first shot of the film vs. todd standing on his desk at the last shot of the film paralel

[sanctus-ingenium]

I’m really inspired by your world building and the creatures you use. I’m trying to kickstart my own world using Celtic, Norse and Scottish myths (it also involves werewolves because they’re cool)

But I’m stumped and a bit overwhelmed. How’d you start your project and what were huge sources of inspiration for you as you worked on The Black Horse?

hi there!!! this will probably get wordy i have a lot of thoughts on this but here's how i built up my inver setting

i had the characters first, and the werewolf establishment was basically the first thing invented about the world. I wrote a decent amount about the characters in the pre-1st draft slush pile just getting a handle on their voices, their history together, etc. the first slush draft was in painstaking chronological order telling of their lives from birth to like age 40 - it wasn't pretty to read but it meant I knew what big moments formed their worldview, their relationships with others, things like that. and then i got to pick and choose which ones would feature in the actual 1st draft, and which i would leave unsaid, in flashback form, or only in the form of vague allusions. the plot and world events changed significantly as i wrote the actual 1st draft so this ended up only being useful for backstory stuff and not book plots, but it was still good to have.

There was an important moment of a character being kidnapped into a faery realm, which is what started me off thinking about fairies in general. they weren't originally a part of this world - it was an undefined space before just for the characters to exist in, because i was (and still am) more interested in the characters than the worldbuilding. but i still like for there to be SOMETHING there in the background, and it gives a lot of opportunities to inform characterisation, so i started to make my setting. I picked the Púca as a pivotal being & major inspiration source to include because of its relatively large presence in the fringes of my childhood in stories told by my older relatives and i like the unusual aspects about it as well, how it has been both heroic and malevolent in different stories. you have to remember i grew up in this culture too, i knew a lot already, and that's what got me thinking of alternate Earth history - as in, the setting of Inver as alternate history, not wholly original fantasy set in a fantasy land.

So then I had to think about the implications of that, and here is where I think a lot of authors adapting extant mythology fall short. A world where faeries/mythological monsters/gods based in real cultures exist and people interact with them is indistinguishable from our own. We already live in a world where people interact with faeries in their own way; I've heard many older relatives recount stories of being trapped in their fields by faeries, how you can only escape by taking off your jumper and putting it back on inside out. There was no question as to whether they believed this was a concrete, meaningful interaction with a supernatural being. We have a motorway that was diverted while it was being built because the builders didn't want to risk cutting down a hawthorn tree. There is a deep stigma against harming hawthorns. Now, tell me how things would be any different if faeries were real irl? ftr I do not believe in the supernatural whatsoever, not even a little bit, but it is impossible to deny that I live in a world deeply shaped by it - I need only look out the window at the stands of whitethorn around my house to know that. because the main expression of that supernatural element is in how the people of that culture react.

you cannot, you cannot pick and choose only the monsters from a legend and leave behind the people who made & propagated that legend. you're only taking a single thread from a rich tapestry. I'm not arguing that other cultures should be untouchable, far from it, I'm just saying that to truly appreciate it, you need context for everything you adapt. you gotta know what you're writing about

in that sense, the people are more important to building Inver than the faeries. a citizen of Inver not immediately affected by the main plotline would likely never see or interact with magic in their lifetime, but their society is still shaped by it. so is mine (though that's more on the catholic church than anything else)

So now that I'd had that realisation, I decided to dump a lot of the traditional fantasy tropes I'd been working with. Think basic fantasy setting stuff, pop culture "The Fae" tropes, even the terminology of 'Fae' at all - that is not something I've ever heard the older generation in my life call them. It's just 'fairies' to them (although I did shift the spelling to match the Yeats poem because I could not handle writing characters making accusations of being A Fairy and have it not come across as a unintentionally homophobic accusation lmao). I did some research; mostly on JSTOR, using my institutional access, because my own university is mostly science and didn't have a big library of anthropological texts. I read An Táin Bó Culainge which is honestly one of the greatest stories of all time PLEASE READ IT if you are at all interested in Irish myth. It is a fantastic story and extremely comedic as well (a canon mmmf foursome lol). In terms of academic sources specific to the Púca, I have a drive folder of pdfs I will share with anyone if they ask.

I decided I was not going to include anything from what people actually think of as pre-christian Irish mythology - no fianna [rangers notwithstanding], no Ulster cycle, no Tuatha Dé, no Irish gods. All the things I include are post-colonial aside from the notion of the Otherworld in general. This decision wasn't necessarily accurate to what might have happened in this alternate history (given that christianity still has no real foothold in Inver) but it is a colonised society after all. It's why I got slightly steamed once when someone filed my Púca art into their irish deities/irish polytheism tag (I have my own issues with iripols/gaelpols for the same reason I dislike people taking myths out cultural context and in this case contemporary cultural context), because the Púca is in fact a postcolonial being - it comes from the UK, and likely the mainland as well

One of the last things I did before starting on my 2nd draft, which is what turned into Said the Black Horse, was decide to always capitalise the word 'Púca'. Because what really clicked from doing my research and remembering what I'd heard as a child was that the Púca is a specific character. Not a species, not a class of monster. A character, one guy. And you'll find this everywhere - the obvious example is the Minotaur being one specific guy, the son of Minos, not just 'a minotaur'. One very funny consequence of speciesifying mythological characters is dnd ppl saying their character is A Firbolg (fir bolg is plural!!). Fantasy bestiary books like Dragonology or Spiderwick Chronicles have done some amount of damage to how people relate to myths and legendary creatures, and I am not immune as someone who loves speculative biology, but in Inver I decided to cut all of that out.

Next once I got that out of the way I had to think about tone, atmosphere, and intended results. I didn't achieve my holy grail of a very atmospheric, undefined, and uncertain story that provides no answers, due to limitations in my own abilities, but I tried. I have given less than 1 second of thought to how magic or faery biology in Inver works because that is not conducive to the atmosphere of a fairytale. Many of these source myths and legends are really about the fear of the unknown. They are rationalisations to explain away something unknown, some mystery of life, and you cannot explain the unexplainable and expect it to carry the same punch as the original myths that you are drawn to adapt. That's also why I try to never actually give facts about fairies, but instead I talk about what people think of them. The word 'considered' does some insanely heavy lifting in that linked post lmao. Is any of what I wrote true with regards to the Red King?? It is for the people who believe it.

I'm saying all of this because these are all points I had to think about before writing that 2nd draft, but also because I think they're worth considering for your own story as well. I'll admit I invented my werewolves from scratch, they have no mythological basis, because they pre-date the faery stuff and also I wanted them to fill a very specific role and appear a little more concrete than the other supernatural elements. It is what it is; I wanted a werewolf element that didn't match myths and legends (and honestly was partially inspired by me rolling my eyes about those posts going around moaning and whining about 'the doggification of werewolves missing the point of werewolf stories'. I thought, well, there's more than one story you can tell with a werewolf - it isn't always 'i fear the beast within', sometimes it's something else! sometimes it's daddy issues! it's okay to make something new)

ok i think that's all i have to say.. modern Inver is a bit different, that worldbuilding is largely the same but with a big dose of actual ecology because the main characters are rangers and in Inver in 2017, rangers mostly do environmental monitoring. and that's a whole different sort of worldbuilding lol

good luck with your story!!

[boombox-fuckboy]

Hey!!! You commented on my post about limetown haha which is why I’m here. You offered to give podcast recs! What are your favorites?? I’m looking for some new ones

I completely forgot I had this ask, excuse the delay. Here's a selection of 30 podcasts I enjoyed from a broad range of genres: hopefully at least one appeals.

Let me know if you're after something more specific.

Arden: (Investigative, Comedy) On the 25th of December, 2007, heiress and young actress Julie Capsom crashed her car into a tree and fled into a nearby forest clearing, leaving a trail that seemingly vanished into thin air, and a dismembered torso in the trunk. A decade later, Bea, the first reporter on the scene, and Brenda, a detective on the case, are hosting a true crime podcast about it, and neither is remotely impressed with what the other has to say. Arden is also a retelling of various Shakespeare plays.

Desperado: (Supernatural, Adventure, Horror Elements) In a modern world of gods and magic, three young people, all under the patronage of death dieties, embark on the same adventure for different reasons: for safety, for revenge, and to kill The Old Man in the Sky. Fantastic banter and killer action sequences.

The Far Meridian: (Magical Realism) An agoraphobic young woman wakes one day to discover her lighthouse home has travelled to somewhere entirely unfamilar. As this continues to happen day after day, she uses the opportunity to search for her missing brother. A really unique and charming piece of fiction.

Gastronaut: (Sci-Fi) Interstellar travel audio blog of a former food critic as he travels to an active warzone to get firsthand experience with unfamilar cuisine. ft. Disgruntled martian nobility, sinister businessmen, explosive mushrooms, forbidden snacks, rogue revolutionary artists, and the consequences of your actions.

Girl in Space: (Sci-Fi) The Girl In Space lives alone on a space station, doing science, making cheese, rewatching Jurassic Park, and tending to the plants, animals, and artificial sun entrusted to her. It's a little lonely, but not a bad life. Would be a shame if someone came along to ruin it.

The Goblet Wire: (Microfiction, Weird Fiction) A surreal microfiction with horror elements, taking the form of phone calls to an audio-based game in which the voice of the mysterious Dictator leads each player through fantastic and horrific world and story.

Hello From The Hallowoods: (Horror, Supernatural) A dramatic entity beyond your comprehension visits your nightmares to tell stories of the people (in varying degrees of human and alive) that inhabit the strange, deadly, and beautiful Hallowoods, as they find meaning and sometimes eachother.

Hi Nay: (Supernatural Horror) A year after moving to Toronto, sound designer Mari finds herself drawn into helping people around the city with various horrific supernatural encounters due to her babaylan (shaman) family background. It quickly becomes apparent that there's something much more sinister and complicated happening in the background.

Inco: (Microfiction, Sci-Fi) A perpetually exausted interstellar information trader and her peppy AI find a mysterious (read: bratty) boy floating in space and are inadventently pulled into a world political intrigue.

Inn Between: (Fantasy) Ever curious about what the D&D characters get up to at the tavern between sessions? A generally lighter-hearted (with some exceptions) with richly-written and always-growing characters. A really interesting format, too: a lot of the adventure appears in the "next time" and "last time" segments which makes it all flow really nicely. Not a tabletop podcast.

Janus Descending: (Sci-Fi, Horror, Tragedy) A xenoarcheologist and a xenopaleontologist are sent to a study a dead city on a distant world. Nobody likes what they find there. A unique format, with one set of logs presented first to last, and the other last to first. I'd recommend listening to the supercut for this one.

The Kingmaker Histories: (Steampunk, Weird Fiction, Adventure, Fantasy Elements) In the Valorian Socialist Republic 1911, on her 25th birthday, tailor's apprentice Colette experienced the worst headache of her life. As a result, she fleed from town with a human artificer and a fae chef - both now smugglers - pursued by an utterly furious flesh-crafter. I'm not sure I'm selling how good this podcast is but it's very good.

Life With Althaar: (Sci-Fi, Comedy) A human repairman moves to a space station on the edge of human territory that is perpetually on the edge of self-destruction, and ends up with a less-than-ideal last-minute roomate. Althaar is polite, friendly, deeply interested in human culture, and eager to be friends. Unfortunately he belongs to a species that sends humans into a visceral panic at a glance.

Lost Terminal: (Sci-Fi, Hopepunk) Seth is a very lonely AI living on a satellite. His crew were left stranded aboard with no hope of return, and it's been longer than he can count since then. The Earth below him has changed dramatically, and with only a few other AI down there to talk to, he's very lonely. But! He has a plan to make some new friends.

Love and Luck: (Romance, Slice-of-Life and Urban Fantasy Elements) Voice messages cataloguing two young men falling in love and opening a queer dry bar together.

Midnight Radio: (Light Supernatural, Romance) Sybil McIntyre, host of the ever-popular 1950's nightly radio hour, begins exchanging letters with an old fan who has reluctantly returned to visit Sybil's beloved town.

Midst: (Weird Fiction, Western, Sci-Fi and Fantasy Elements) The old-western planetoid islet of Midst floats, rotating steadily, in a sea of reality-warping darkness. Down in the town of Stationary Hill, things are in movement, and vistors from the light above are about to bring unanticipated change. ft a monocycle-riding monster-hunter, radio-famous airship paladins, deadly mica, the universe's peppiest cultist, good dogs, and a really strange businessman.

The Mistholme Museum of Mystery, Morbidity, and Mortality: (Weird Fiction, Supernatural, Urban Fantasy and Horror Elements) A friendly AI tour guide leads you on a tour of the Mistholme Museum, explaining the strange and often alternatural story behind each item.

Monstrous Agonies: (Supernatural, Relationship Advice) An interpersonal advice show for supernatural entities and other people living liminally in the modern world.

Night Shift: (Urban Fantasy, Investigative) Set in a modern world with the addition of magic, which manifests in small inherited skills/traits, can warp people in horrific ways, or can be manipulated with the right science (and intense work) to induce superpowers. Sebastian Fenn is a barista at Night Shift Coffee, but since things are slow he's decided to start a podcast to talk about various mysteries, crimes and conspiracies around the city, and of course finds himself deeper in them than he'd intended.

The Pasithea Powder: (Sci-Fi, Thriller Elements? I think?) The last major interplanetary war was full of atrocities, but none more infamous then the creation of Pasithea Powder, a memory altering drug which was used to horrible effect and landed it's entire team of creators in prison. So when decorated war hero Captain Sophie Green sees one of them wandering free, worlds away from his prison, she gets in touch with a very old, estranged friend: one Dr. Jane Gonzalez, who's behind bars for the very same reason.

SCP: Find Us Alive: (Weird Fiction, Supernatural, Horror and Slice-of-Life elements) You don't need to know anything about SCP to enjoy this. A research team gets trapped in an underground research facility when the complex collapses and the building is dragged into a pocket dimension. The tear it was designed to study begins creating tiny copies of itself, generating strange entities the team needs to deal with. And as if that wasn't enough, the entire situation physically resets itself every 30 days. And yet, this is genuinely also an office comedy.

Second Star to the Left: (Sci-Fi) Audio logs of a scout sent to explore and establish early infastructure new world, and the communications with the minder in charge of keeping her alive.

Seen and Not Heard: (Slice-of-Life, Drama) Seen and Not Heard follows Bet, who's still adjusting to life a year after a bout of severe illness, and the resulting hearing loss it caused. It's about the ways we make connection, and food, and art, and different kinds of grief.

The Silt Verses: (Horror) In a modern world where gods are abundant, frequently both commercialised and restricted, two devotees of an outlawed river god go on a pilgrimage.

SINKHOLE: (Sci-Fi, Weird Fiction) Forum posts from a data restoration community in a near future where the human brain is its own computer and one city hosts a massive void.

Starfall: (Fantasy) Seeking to escape her mysterious past and find some purpose, a young swordswoman joins a travelling actor's troupe. This new life is unfamilar and sometimes stressful, but she's taken under the wing of stagehand Fel, who's determined to help her feel welcome as she experiences the figurative and literal magic of the theatre for the first time.

The Tower: (Weird Fiction) A low-key, meditative podcasy about a young woman who decides to climb a seemingly endless tower. Gorgeous sound design.

The Vesta Clinic: (Sci-Fi) New GP Dr. Fae Underwood, with the expert transcription skills of resident AI Sec, writes up patient reports on human and alien patients of The Vesta Clinic, a medical clinic on the edge of human space. Really comfy and creative.

Victoriocity: (Steampunk, Mystery) Set in the steam-powered Victorian city of Even Greater London, an aspiring journalist and a tired detective find themselves working together to solve a strange murder. I say Victorian but as queen Victoria is now an extensive grandiocity of cyborg components following seven only-kind-of-successful assassinations, you may need to adjust expectations a little.

[ljjsims]

Greek Goddess Legacy Challenge: Generation #2 Aphrodite: Complete Sheets

I present to you: Aphrodite!

You’re pretty and you very well know it. Sims lie at your feet, so you decide to date and kiss as many sims as you want. Too bad no one can keep up with you, you never seem to find your match. This all changes when you see him. Ares, god of war. He is your equal in every way. You both fall madly in love with each other. No one can keep you two apart. Until your brother Crius forces you to marry rich and influential scientist Hephaestus. His ring feels like a prison. you find yourself falling back into old patterns and new beds. More often than not it’s Ares’. The magazines and public have a lot of opinions on your life, constantly bothering you and your family. but you don't care what they say. You deserve the world. All is fair in love and war.

Little bit explanation with the sheets: - First sheet is for describing your current generation, with the challenges you need to do each life-stage. Also, because I love the myths, a bit of mythological background. May it inspire you :) - Second sheet is the preparation sheet for this generation, with important characters for your story. It is technically optional, but I love seeing sims with a backstory in my world, so I would highly recommend it. - Third sheet is for your gens children. They all have their own little challenges if your interested in those. I try to make all of them a bit different from each other, so it doesn't get boring. Your heir is also on this sheet, but I've put their challenges on their own sheets. Stay tuned for those ;) - Fourth sheet is completely optional. If you want sims with names from the myths and love making sims to see them in your world, this is for you! All with a little mythological background ofc, you know me.

Next Generation is Hera! Previous (and first) Generation was Gaia

The Greek Goddesses Challenge by LJJ-Sims is a challenge based on the ancient mythical creatures and stories from Greece. I fell in love with Greek mythology in high school and have not let that love go since. In this challenge you will follow 10 deities in their journey through life. Every goddess has a different take on and goal in life. Special about this challenge?  All your kids have little challenges of their own, not only your heir. These challenges are optional, so if you feel like these are too much or just too restricting for you: by all means let them go. I also have sheets for characters that you can make before you start each generation. This gives your challenge a lot more personality and makes it frankly easier and more fun!

A little disclaimer: because I made these gods and goddesses into a legacy challenge, the relationships in the myths don’t exactly match the relationship in this challenge. There is a lot of keep it in the family in mythology, to put it lightly. And apart from the fact that you can’t do that in the Sims, I don’t really like that part. So I didn’t include it, thus the inconsistency. An example: Ares is now Hera’s stepfather instead of her son, which she conceived with her brother  and husband Zeus. This inconsistency can also be found in the stories. It’s just based on and not copied exactly, as Sims live lives that are a lot shorter than those of immortal gods. And it takes a way from the creativity if we just copy the myths. Even if we wanted to do that, it’s quite hard, as every myths has its fair share of variations and some are just completely different stories.

I use the MCCC-mod to alter the length of life states. You can find the days-years ratio here: the boring stuff.

[tonydaddingham]

still near catatonic about the show and the direction in which it was taken. ive seen macbeth on stage once before, and then on screen a few more times, and yet this one is probably the most sensitive, clever, and plain interesting version ive seen out of all of them?

you have david portraying macbeth as this really formidable, brave and lauded general, initially curious but otherwise sceptical at The Prophecy. that's a given. but then he gradually succumbs to ambition and greed; but what i didn't expect is the choice to emphasise how pitiful his wavering resolve would be? how he oscillates so heavily between heeding that greed, but initially clings to the last vestiges of his honour and morality. it's not just that he's a dick with sudden flashes of morality; you can feel that there's a war going on in there, and a constant underlying fear and terror. with macbeth in general i think it's tempting to immediately make macbeth either a mindless and easily-swayed tool of his wife or to make him outright bloodthirsty and tyrannical from the onset, but you don't... get that in this? at all? and it pleasantly surprised me. instead you get a deliciously insidious and creeping mania, steadily suffocating him (beautifully portrayed by a combination of the rest of the company, the score, and the lighting) and get to watch how it just ousts every last good and decent part of him, done so perfectly that i genuinely felt terrified and tense the whole time.

and then LADY MACBETH oh my GOD SO. so. from the first moment that she was on stage, cush was just utterly captivating. i didn't ever want to look away from her, even as she lingers in the background??? her madness, such as it is (and for lack of a better term), is so apparent from the very first moment that she's on stage; jittery hand movements, darting eyes, and a sweet, almost childlike voice? for me, the fact that this is not a wholly scheming, cruel, and demonised version of her, and instead is a lady macbeth that is achingly vulnerable, was so refreshing. like yeah she's visually marked with this sort of innocence, but it carries into cush's mannerisms and delivery too. despite her plotting and what she goads macbeth into doing - almost to a point that it seems like he deliberately uses her ambition as a scapegoat for his own - you end up seeing her as a lost soul, of sorts, and want to protect her from her own mind. the fact that you don't see a manifestation of her 'madness', only macbeth's, makes it all the more intriguing. and the language and imagery of rejecting her femininity and womanhood not only provides a contrast to macbeth re: perceived weakness/lack of conviction, but also further elucidates on how haunted of a person she seems to be? idk if that makes any sense but at times it felt like i was watching a play composed of ghosts right from the beginning. favourite portrayal of lady macbeth ever, hands down.

and then god im going to dream about the blocking and the choreography for bloody ages; not just the ceilidh (which was awesome, loved that sm) and the fight scene, but the choices in how each character moves around and uses the stage, and how they interact with each other (in this, lady macduff was particularly mesmerising goddamn). epitome of this however is a) the opening of the whole play because 🙃🫣🫠, and b) act 4 with the song of the witches (i don't want to spoil it or any of the other more horror-like scenes but im now intrigued that max webster also did king lear 👀 and would be very interested if he did something like othello, too). last thing was the sound; i didn't read much up on the first run before seeing it, so the only feature that i really knew about was the sound design- i was initially worried that it might be a bit gimmicky? but fuck it was complete genius.

anyway so this was a complete ramble but if anyone is still unsure whether to try getting on the day tickets just. do it. it's an incredible version of macbeth, and im fucking pumped that i get to see it twice more, because there is just so much that im sure i didn't pay enough attention to, and absolutely deserves it. amazing company, amazing play, and whilst - don't get me wrong - i feel this is one of his most defining (if not The defining) shakespeare role for david, i truly didn't expect to be so blown away by literally everything else.