#but motivation is also a thing. when I'm VERY motivated I can get a piece done in 25-30 min

[leavemetrappedinacage]

EVERYTHING WAS A MISTAKE — i. cheater.

⤷ summary: Leaving home isn't hard, coming back to home is, you're determined to find your sister, but Gojo has many things to say to you.

⤷ pairing: yandere!satoru gojo x fem!vampire!reader.

⤷ warnings: angst, abuse (physical assault), a bit of gore, blood, abusive behavior, it's implied that Gojo has assaulted reader other times in the past, gaslighting, mentions of cheating, mentions of death, psychological violence (Gojo is manipulating the reader into thinking that everything is her fault), spoilers (JJK0).

⤷ more information about story: here.

⤷ notes: this chapter is a bit hard to read (it was hard to write too), if you are in an abusive relationship or have just come out of one reading it may cause triggers, so please stay safe. 🤍 (I forgot to post the chapter yesterday, sorry. 😭)

⤷ word count: 2867.

Human lives are bubbles floating on the surface of the water, fleeting, but the life of a vampire is perennial, like the Pinus longaeva, which will last for millennia if it is not uprooted. You let go of Satoru's clothes, to whom you were clinging tightly until recently. The words he said to you seem like a bad joke, but the part of you that knows him knows that he wouldn't lie about such a serious matter. A million possibilities run through your head and none of them seem right. Your older sister is the current head of the clan, she succeeded your mother after her death, she is also married to Satoru's older brother and is therefore part of the Gojo clan by marriage, no one in their right mind would harm her, unless they wanted to provoke a war that they would never win.

In the past, after you broke one of the clan's three taboos, your sister came to understand your side of the story, and although you confessed your sins out of your own mouth without showing remorse, she knew you well enough to know that you would never commit a crime of this proportion unless it was truly necessary, you were hot-headed, not a serial killer. However, there was a limit to her influence, your sister had to withdraw from the investigation not long after, the other investigators claimed there was a conflict of interest and personal motivations on her part because you belong to the same lineage, although you knew very well why they wouldn't allow her to investigate, you comforted her by saying it was all a mistake.

You accepted the death sentence so that her and her family's reputation wouldn't be tarnished by her crimes, but when you found out what they would do with your corpse after your death, you had no choice but to run away. You escaped from prison and left everything behind, so you would never see your family again and would forever be an outcast, but you knew that Gabi, your beloved sister, still had hope.

You fall to the ground on your knees, your heart breaks into a million pieces that you may never be able to put back together, the tears flow endlessly, but you don't make a sound. Your sister once told you: "One day, I will die, and you will be the last member of our family. And when that day comes, you'll miss me so bad when I'm gone, Y/N!" She said it laughing, you didn't care because she was the head of the clan, and just like your mother, she would die of old age with three children or more, but now those words blowing in the wind have taken on a new meaning, as if she knew deep down that it would happen. You put your hand on your chest and lean forward until your face touches the carpet, you open your mouth to scream, there's no strength left in you to do so, only a bitter taste of defeat in your mouth.

Satoru gets down on his knees in front of you and hugs you, you don't pull back because it's the only comfort you can have right now, you cling to him like you're clinging to your last thread of hope, you allow yourself to cry because it's the only thing you can do right now. He's never seen you react like this, you never cry, you didn't shed a single tear at your own mother's funeral, you were like a beacon in the middle of a stormy night, strong and resilient, no one has ever been able to shake you, so seeing you so vulnerable makes him feel he needs to protect you. He lifts your face with both hands and wipes the snot off with the sleeve of his shirt, you're a wreck, but you muster the strength to get up. Now with a clear head, you know you have to solve this problem, no matter what.

"I'm going to kill them all." You mutter, the glow you're carrying fades and gives way to a gloomy aura, you turn away from Satoru, you're planning how to kill these people, there are too many of them and only one of you, but you've been in a similar situation before, so you think it won't be a big problem. "Thanks for warning me, but I don't want you to meddle this time, it's a matter of fa-"

Satoru suddenly interrupts you. You don't have time to associate what happened right away, it was so fast, only then do you realize that he's hit you, you touch your cheek and it's hot and tingling, your ear is ringing as if a bell is inside your head, and it feels like one of your eyes has popped out of your skull because you're not seeing well. You're so bewildered that he has to hold you so that you don't fall to the ground again.

"I don't know what the hell you're thinking, but stop. Now." He gently grabs your face and presses down on your right eye with his thumb in order to put it back in place, and you stand there as if you were a doll being carefully repaired. "You're a hothead, aren't you? God! Are you thinking of killing someone else? I hope not, I don't want to have to do it again." He scolds you, he doesn't like the idea of having to hit you, but you always cross the line, it's so annoying. "If you make a single slip-up, everyone's efforts will be for nothing, your sister's life is at stake and we still don't know the intentions behind the kidnapping, so. Stop. Acting. Impulsively." He spoke slowly and nodded, waiting for you to agree. "Answer me."

"But-"

"Answer." Somehow his aura seemed to pressure you, it's always like this, he says he doesn't want to hit you, but if you keep doing things the way you want, he'll hit you again and again until you stop, you shrug and he sighs. "Y/N... answer me, I won't do it again, so be a good girl and say you won't do anything."

"I won't act on impulse, I promise."

"Yes, yes. I knew you were still a good girl." His tone of voice has changed, the pressure on his shoulders is also gone, he pushes back a lock of hair and kisses your forehead, it's almost as if he's someone else. "I'd love to spend some time with you here, but we have to go now."

"Now?" You hear a pop, Gloria and the children are still waiting for you, you can't leave without saying goodbye, you look around the room for the bread basket and find it completely ruined, you let out a breath of air through your nose. "I couldn't go and see any of you anyway."

"Who are you talking about?" Satoru grabs you from behind and buries his face in your neck, you're tense and stiff, it would be bad if he found out about Gloria, he's not the kind of person who tolerates jealousy. But fortunately he doesn't seem to know, he sees the basket of bread on the floor and remembers the children you greeted earlier. "I didn't know you liked children so much."

"Oh, yes, of course?! So you were stalking me at that time too?" He replies with a 'mhmm', you roll your eyes. "You're awful." You let out a dry, mirthless laugh. "Oh, I never had a chance, did I?"

"I'm glad you know your place." He's so overbearing and arrogant, yet if you had only half the power he has, you'd act like it too. "I'll help the children later if you behave yourself on the journey back."

"Really?" Your shoulders relax, you lean in to look at him, he nods in agreement and you're relieved, but everything has a price...

"But you'll owe me one." He whispers unassumingly. "Two, actually." He holds up two fingers, you choke. "Or have you forgotten that I'm going to have to take you in secret?"

"I thought you were going to give me up! I even thought I would need Suguru's help."

"Of course not!" He shouts, irritated, an icy chill shakes your body, you lower your head and he continues shouting. "What kind of monster do you think I am? I would never hurt you, Y/N. I... I... forget it." He pushes you away and massages his temples, then stops abruptly and runs his hand over his face as if he's just remembered something. "Oh, one more thing, Suguru is dead."

"WHAT?"

"I killed Suguru, he committed some crimes, but nothing compares to the fact that he hid you from me." Satoru lets out an infamous chuckle, you can't believe what he's just told you, but given the circumstances, you know he's not lying, the only person who knew your whereabouts was Suguru. "You remember when you abandoned me, don't you? Didn't you think about me? How I might feel?"

"You weren't the only one I left behind, and-" You start to speak, but he signals you to shut up and stop making excuses he doesn't want to hear.

"But as far as I know you haven't abandoned Suguru, have you?" You feel the air get heavy and Satoru's shadow covers you, he seems much bigger than you or you're feeling too small, you don't know, you go back and grope the tree, there's nowhere to run, you close your eyes and wait, maybe for the next slap or something worse. "He told me everything before he died... so we have a lot to talk about, Y/N."

Mistrust is like a deadly poison that eats away at you from the inside, it makes love grow cold, but it also gives birth to a weed called resentment. There's no fixing something that's been broken, when you put the pieces back together, the cracks and scars of the breakage will be there forever, it will break again if you fill it with water. There is no way to mend the heart of someone who has already been betrayed or abandoned.

Satoru look at you with a fake smile, the corners of his mouth are twitching, a bad sign, there's no escape for a change, there's only the two of you on this deserted house, even if there was someone here no one would come to save you, there's no place you can use to hide, but there's no way and no reason to hide when the Six Eyes are looking for you. You open your mouth, but give and accept that there is no other option but to stay quiet, he seems satisfied with your decision, the smile on his face widens.

"Satoru..."

"You cheated on me." He repeats with tears in his eyes.

"WAIT, WHAT? I never cheated on you." You choke, you don't know if he's making it up or Suguru said something that made him get it all wrong. "I don't think this is the time or the moment to talk about it."

"But I do." He retorts. "You disappeared for ten years, Y/N. DAMNED. TEN. YEARS!" He puts a lot of emphasis on that. "You didn't try to contact me during that time, you didn't even make an effort to make me try to understand your side, but..." He paused dramatically. "There was enough space for Suguru to continue in your life. Do you know how painful it was to find out from him that you'd been in contact and seeing each other for all those years?" He frowns and laughs like a maniac. "What about me, Y/N? I was alone in the dark for ten years. I had no news of you, I didn't know where you were, how you were or if you were even alive, but he knew because he told me before he died." He scratches the back of his neck and bites his lower lip. "You didn't even bother to break up with me."

"You turned your back on me first! You spent weeks ignoring me before everything happened and-"

"Because YOU were hiding things from ME!" He shouts and points at you accusingly. "I never knew your side because you didn't trust me enough to open up to me, your own boyfriend." He uses both hands to point at himself, the veins in his neck and forehead bulging, he's furious. "But Suguru knew, because you told him everything, didn't you? You even asked for help to escape."

You choke, you don't know if Suguru revealed all the details to him, but your mind goes blank like a blank canvas for lack of arguments, you can't retort, because what he's saying is the truth, at no point did you consider the possibility of trying to contact him, you didn't explain why you killed all those people in the first place, you just accepted the fact that he hated you and decided to walk away without saying a word. Who told you he hated you? Did he really think you were a monster? The fine line between what was true and what wasn't was so thin that you couldn't tell the difference anymore.

"I forgave you for killing those people and for running away, but this..." He points at you and for a portrait of you and Suguru on the bedside table, then makes a cutting sign with his hands, shaking his head frantically. "I'll never forgive that. Never."

"I'm sorry."

"It's too late to say you're sorry." Satoru reaches into his pocket and pulls out a black blindfold. "You never really loved me, did you? You loved him, I was just... an idiot. That's the truth. I was just a substitute for him."

You see the tears streaming down his face, he brushes them away with the back of his hand as if he doesn't want you to see him cry, you feel your stomach lurch, you don't have the courage to approach him, it's bad enough to know that everything that happened in the past was a big misunderstanding, to be abandoned and in a way betrayed, you can't measure his pain. And although you have your share of the blame for his suffering, he has to understand that you were on the run, many came after you to kill you, familiar faces, you have a lot of traumas to carry, and you don't want or need to carry the weight of this ill-fated relationship, but you can't help it.

"I expected a little loyalty from you. But you're one of them." Satoru refers to the fame of vampires and their multiple partners, but you're not like the others, you really only loved him, but he's so blinded by hatred that he can't see. You love him so much that you trusted him with your life. "You... you cheating bitch, I did everything for you, I... I even tried to forgive you for it, but then you started thinking about going after him? HAHAHA, I'm really stupid."

"I'm not a cheater. I've NEVER cheated on you." A lump forms in your throat, you can barely defend yourself against these unfounded accusations, based on jealousy and paranoia, you sniffle and wipe away tears that wanted to escape from your eyes. "I swear, I never did that, I-" 'love you' You continue the sentence mentally.

You endured everything in silence for fear of sharing the burden with someone else, because you are afraid to lose everyone, but you also believe that if you had been honest from the beginning, he would have understood you, and maybe your sister wouldn't have had to go through what you're going through now, but now it's too late to be honest.

"You just used me and are still using me for your own gain, you just want to ensure your sister's safety and leave. Like everyone else... I'm just a tool for you."

"That's not true, stop it."

The truth hurts, and he's telling the truth, from the beginning you thought of him as a tool to find your sister, but not everything is true, you also want to spend time with him, since finding him again has ignited something inside you, but you don't have the strength to go against him. You take a step forward and he moves away, you reach out to touch him and he rejects you, it's so painful that you'd rather he hit you, you grab his hand and he's so cold, so distant, as if an abyss were separating you. You open your mouth to beg for forgiveness once again, but you feel a stinging pain in your head and heart, a buzzing in your ears makes you dizzy and makes you scream hysterically, your nose and ears began to bleed non-stop.

"Y/N?" Satoru's voice becomes distant and his image blurs. "Y/N?! Are you all right?"

"I... I... I feel... so... sorry... I... will... tell you... everything..." Your vision suddenly darkens.

The last thing you hear is Satoru's voice shouting your name.

[jules-ln]

Ok you guys I went to sleep at 1 am and woke up at fucking 5 am to watch arcane so here are my thoughts/review:

After I finished it, first of all, I was mad lmao, then I thought about it for a moment and I started crying, but like ugly crying with sobs and everything because holy shit Jayce and Viktor, then I stopped crying, thought about it a bit more, and I got mad Again lmao

Now spoilers

It was a fucking mess lmao

Like seriously what the fuck fortiche, what the fuck Riot, it was such a fucking mess, it was all over the place, the story was rushed, the characters arcs were rushed, there was a lot of things that felt very forced because they didn't have time to let it happen naturally and I can tell a lot of things that would've been good were left in the inkpot

About Cait and Vi: I truly and honestly couldn't have care less about them lmao

I know I know

But I already fucking knew they were going to end up together that Vi was going to forgive Cait for being a fascist etc etc, for me their arc was already finished and I didn't have time to care about them because I was more worried about what the heck would happen to the other characters and how in hell would they wrap up that mess. If they would've cut all their scenes and gave that time to Mel or something, I would've been so fucking happy

Also, the sex scene annoyed me so much lmao, I was thinking "IF YOU WANTED A SEX SCENE YOU SHOULD'VE ADDED ANOTHER SEASON FORTICHE! WE DON'T HAVE TIME FOR THAT NOW!" lmao

Mel: I liked the concept of her arc, I like the theory, I can see their vision, what they were going for

But in reality it wasn't fucking that

Like, I like the idea of having Mel realize that she was much more than the daughter of her mother, that she had her own value for who she was instead of simply being the blood in her veins. But boy, it didn't feel at all like she realized that lmao

It just felt like she was "now I'm confident enough about myself to confront my mother because the writers said so" like what? This is what I mean when I say that a lot of things felt forced

Viktor: ok, ok I'm just like *heavy sigh*

To be honest part of why I was mad at first was Viktor's character, I was like "So what? You stop being a humanity loving pacifist to become a fucking control freak who hates free will and emotions just like that?" But then I thought about it, and if you frame his arc through Jayce, it actually made sense, because you see, everything he did was for Jayce. When he came back and went to build his cult, I mean, Commune, he was doing their hextech dream, the thing they always wanted, the thing Jayce always wanted

When Jayce went and rejected him by shooting him in the chest (thanks Jayce) he was hurt, he lashed out and wanted to get rid of all emotions, ironically it was a very emotional reaction. So then as soon as Jayce was back with him, he realized his mistake and stopped

So yeah, it makes sense, the problem is that I shouldn't have to stop and piece together a character motivation like that Fortiche what the hell. I know some people say "let the audience do some work!" But I feel like I'm doing all the fucking work here

What they did was great! Good! But just like Mel, give it more fucking time please

And the machine herald design was a bit ugly lmao, like his design in the game looks better, but thinking about it, and looking at the other robots design and how Viktor dresses in the series. I think it makes sense that this specific Viktor would design something like that

EDIT: Oh! I Also forgot to add:

My favorite scene of him was when Jayce was taking out all of those things one by one and Viktor waited until he was done to push them all back LMAO he didn't need to do that

Jayce:

Jayce, what the hell

Like, I understand why Viktor acted like he did, but like, what was up with you?

I mean, the end implied that he knew all along what was going to happen (machine herald, save Viktor etc), but like, why did he acted so angry at the commune then? He seemed so erratic and Angry like he didn't know what was going to happen, but he knew, and then he switched back to normal but like, what was up with all of what happened before? If anything, why didn't just he let Viktor get to the hexgate peacefully and then talk to him? Idk, it just seems to me like Jayce was the character the most affected by the crossfire of the plot happening because the writers had a very specific ending in mind and no time to get to that ending naturally

Also "hextech is bad" Then proceeds to let everyone keep using it lmao

Ambessa and Singed: of all the characters I think these one were the worst of all lmao

Like the plot completely changed Jayce and forced Mel, but like, these two just were put aside? Lmao

Everyone at Fortiche was like "Fuck Ambessa and Fuck Singed" which is a shame because these two were really interesting

Ekko and Jinx:

I think of all the other characters, these two were the best ones

I didn't feel like their arc was forced, it felt like they were given enough time, but you know why? Because their arc started in season 1, in this season they just finished it

The only thing I will complain about is Isha, because it just feels like they used her and completely discarded her after like a broken toy. Like Silco was waaay better handled than her

Heimmerdinger: I mean, I didn't care much about him lmao, he was only there because the plot needed him, and when he wasn't necessary anymore they got rid of him lmao

But it was less obvious than Isha at least

Viktor and Jayce: now, this is the part that got me fucking crying so much, and this along with Ekko and Jinx are the things that make me feel conflicted about this ending and not hate it as much as I would otherwise

It was all left ambiguous, and the cynical part of me thinks "of course they can't make it any more obvious because then the dude bros who main Viktor and Jayce in LoL are going to cry about how they don't want to play as a man who wants to kiss another man"

But if I take it at face value... Ngl guys, it was good

Like how Jayce chose Viktor after everything he did, how Viktor tried to push Jayce away to protect him but Jayce refused to leave, how all they wanted wasn't progress, or fame or power, but simply be together. And they got to be together in the end

Damn, I'm crying again

I JUST FUCKING WISH EVERYTHING AROUND IT WASN'T A MESS!

And I wanted to add, when everyone in Zaun went to help everyone in Piltover to deal with Ambessa, I wouldn't have done that, fuck them, they put a fucking fascist dictator on power, probably made a lot of people "dissappear" and just like that they are like "Guys, we're sorry, we need your help now :(" fuck that

In the end, it doesn't feel like Fortiche earned this ending. Season 2 should've ended with Arc 2, and Arc 3 should've been a whole season

And I can't give it a rating, because I don't know, I didn't like a lot of it, but there were some parts that I really fucking loved

But if someone asked me if it was worth to give the series a try, I would say yes, but don't get your hopes up for the ending lmao

[bberetd]

Hey there! Since you also reblogged the post saying you want people to send you asks (actually I even reblogged it from you), here I am to ask you a question. A potentially very tough one. Ready?

If you had to pick only one (1!) favorite Mario character who would it be and why?

I'm just trying to get to know my mutuals a little better, y'know?

But most people seem to be using that 'send me asks' post as another opportunity to say mushy stuff to each other, so let me also do that! I'd like to remind you that I'm very glad that I'm following your blog. You're certainly a fun and kind person, and must say I like you very much 😀❤️ Thanks for always supporting my art, it really means a lot to me.

Also please teach me your ways to draw so fast, I just finally finished sketching my latest fanart today (yeah, that ambitious one) and it took embarrassingly long. And this one is supposed to have a proper lineart too💀

Oh, that reminds me: I'm really excited for your animations! Once I'm done with my current fanart, the next bigger fan project on my list is also one animation I've been thinking of, so I hope we'll be able to motivate each other a bit 😁👊

OH just oneeee? 😩

Whew, okay, well... while Daisy has a huge place in my heart (especially lately, as you can tell 😹), my all-time favorite will always be Luigi.

See, the funny thing is that I hardly cared for him before the movie, and even a little after I watched the movie. My first favorite Mario character was actually Rosalina when SMG came out, because I was SO obsessed with space when I was younger (and still kinda am), and blue was and is my favorite color (such a deep reason, right? :P)

I always tend to lean towards the underdogs of a franchise, yet I don't remember the exact moment that drew me to him. There were just a bunch of edits and videos of him flooding all of my social media pages when the movie hype was still fresh, and I guess one day I decided, "yup. that's my guy."

I think the moment that really solidified my love for him was when I replayed Luigi's Mansion (I kiiinda played it before, but I was 4 and just pressing buttons lol... it's strangely a core memory for me). His bravery throughout the game despite his evident fears and anxieties is just... so inspiring and real to me, genuinely. And a little bit of him shone through his commentary of some of the objects throughout the mansion, which was also endearing 😆 The game gets creepier the deeper I think about it, and I just can't help but give him more flowers for going through it three different times!

plus, he's just so happy and awkward and silly. how could you not love him?!

But in short, he's my favorite because he's relatable to me, and I find his little quirks adorable and endearing.

yet despite all that, he knows when to lock tf IN. that's my hero <3

anywhoooo...

Mugi!!! I couldn't be any happier that we're friends and moots! You've blessed my timeline with your gorgeously detailed art and commentary, and I'm so grateful you support my art just as much ♥️♥️ I admire and like you very much as well, you're amazing <3

as for quick art, basically-

and thank you!! the animation might take longer because classes start tomorrow for me, and year 3 of uni is definitely gonna be more challenging and, er, expensive. 🫠 Hopefully I'll learn to manage my time better so I can make decent progress every day, but I do know where I want to go with the animation. Big yes to motivating each other!! I know that ambitious art will be PHENOMENAL when it's dropped, and I can't wait to see your style in motion! :))

[foone]

I see a lot of people joking about the adhd thing of "I have a appointment/phone call at 3pm, guess I won't do anything all day!"

But no one seems to make the connection that it's a time blindness thing. One of the symptoms of ADHD is not having a good and accurate sense of time. And not doing stuff prior to an event with a hard deadline is an obvious coping mechanism for that.

Can I go to the store? It's 10am and the appointment is at 3pm. How long does going to the store take? An hour? Three hours? Five hours? I DON'T KNOW!

I get anxious trying to do things before appointments because I'm aware that I don't know how long those things take, and that if I think I do, I may be very wrong. Too often I've been like "hey I can walk to the corner store and grab a drink, that'll take like 15 minutes!" and then an hour later I get back and whoops my rice has burnt.

Plus there's also the fact that ADHD people know that motivation and focus is a two-edged sword.

Like, let's say you decide to play a video game. You've got time, you can pause/save whenever, so this should be a perfect fit to make good use of your waiting-time. So you start playing and WHOOPS you get really focused for some reason today (because people with ADHD do not get to pick when their brain decides to focus) and the next time you look at the clock it's 2:49 and you haven't showered or dressed and the appointment is 30 minutes away. Fuck. (you could have set an alarm, but now you're asking people with the forgetting-things-and-time-ignoring condition to remember it set alarms)

And with motivation, it can be almost worse. Instead of playing a game, you so something useful or creative. You clean your room or fix your plumbing or write a story or draw a picture. And suddenly it's great. Your brain is firing on all cylinders. You've got all the motivation you can ask for, and you are FLYING. the ideas are brilliant, your hands are nimble, you're getting stuff done you've been putting off for weeks or months. And then the alarm goes off. Time to go to your appointment. Fuck.

You drive there, your brain still full of ideas and plans. But by the time you get back, the motivation is gone. You may still have the ideas but you don't have the drive to write them down. You can't force yourself to do it. Your sink is still in pieces. Your room is half-cleaned, and you have to shove all the sorted clothes into one big bin just so you have somewhere to sleep. You've left things half finished again, in a cycle that has been repeating your whole fucking life. It seems sometimes that nothing ever gets finished.

So next time you don't even start. There's not time. You've been burnt too many times. Why add another half-completed project to your pile of shame?

My point is that people seem to be going "lol I can't do anything all day if I have an appointment at 3pm" like this is a quirky "oh I'm so scatterbrained!" weirdness they alone have, and not a major complication of a disabling mental illness.

(and that's not even getting into the secondary effects. If you know that having an appointment ruins your whole damn day, you're going to avoid them. Even when it's things like "going to that party" or "meeting your friends for a drink/game" or "going to a movie with that cute girl from your math class". Things you should enjoy. Things that'd help you be social. Things that make you feel human.)

[krysmcscience]

At long last: either an alternate explanation for or continuation of my prior comic regarding how Bill was ABSOLUTELY naked in Ford's karaoke night drawing. (Because errors in art do not exist. Artists do not make mistakes. So if you see any in this comic, No You Do Not.)

I am so normal about these old dorks.

I'm not really clear on exactly when Bill started throwing his desperation book at Ford just like a needy ex do, but I find it extremely funny to imagine it happening literally the day of or after the makeshift funeral. Bill just gets this weird sense of 'Ford is taking steps to move on' and CANNOT FUCKING ABIDE.

I hope you enjoy all the goofy things I added to each page of Bill's sad spieling. (Everything SHOULD be readable so long as you view the full size, but I have added basically this whole little fanfic in the image descriptions, LMAO, which lays out all the little written notes and such.) Also don't ask how Bill managed to sneak that vampire pen in there. I have no idea, and honestly? I don't wanna know.

Oh, and a little bonus comic:

Of course Bill would take it as flirting. Because between the two of them, Bill is the bigger masochist By Far. :)

Also I have continued applying The Good Place logic to any of Bill's attempts to swear. Case in point, one last bonus image, this time with a motivational line from my slapdash Theraprism OC, EV-01:

Yes, its name is just 'love' backwards. No, I will not be taking any feedback on this. Yes, EV-01 was only ever assigned to Bill's case due to the Theraprism being desperate to make some progress in rehabilitating him. No, it did not work anywhere close to staff's expectations - Bill didn't even appreciate EV-01's matching fondness for bowties! (He claimed the fondness to be "cultural appropriation" and insisted he'd been traumatized by it.)

Anyway, if you like my stuff, reblogs are very much appreciated, and if you really really like it, perhaps consider my commissions or yeeting a teeny tiny tip my way? I am trying to recoup over 500 dollars in vet bills, ahaha... 🙃

In other news, I loved all the fun tags people added to the prior naked-karaoke comic (such as 'the hat and bow-tie stay ON during sex' and the classic '[insert keysmash here]', as well as the many amused/bewildered remarks about how I either made the bricks a piece of clothing or just straight up peeled Bill's skin off). However, I think my favorite thing by far was the several people losing their shit over the fact that I gave Bill toes. Like, excuse me? The magical talking triangle can have fingers but not toes??? Since when was that a rule????? 🤣 (Also the one person who reblogged with the cropped panel where Bill's fishnets pants are falling off to ask why Bill peed himself. Dude, I want to examine your brain...?)

Okie-dokie, I'm sick of looking at all of this stuff now and I'm off to go to work, after which I will either scribble some more goofy "Billford" comics or perhaps draw my lame human!Bill in Situations, idk yet. Maybe I'll even finally draw more than just a single other person's human!Bill...? Who knows, but I sure hope I can mix it up a little and not turn whatever I draw into a month-long fukken project. >:\

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

[codenamethebird]

God I have so much to say about Melinoe's characterization, and the fasinating implications about her future arc/the overarching plot of hades 2. I want to make a larger think piece with pictures but for the moment I'm just going to focus on this one specific thread.

In the wake of the Prometheus reveal, she has a slew of convos about his motivations for siding with Chronos, and the gods basically all go: this is his vengeance for us punishing him a tad cruelly. And Nemesis is like, yeah the gods 100% deserve it. But Meli's responds that he must have more motivation than just vengeance, it can't just be that. But when Prometheus explicitly goes, 'I'm doing this because the gods are horrible to humanity and I love humans,' she basically goes, no he must be lying. That motivation is both too pure, but also humans kind of suck why would you care about them?

Mel's humanity hot takes deserve it's own essay (Ms I think Humans should have never gotten fire and are better when they are dead), and I just want to focus on the former for now. She can not comprehend that Prometheus is fighting the gods for noble reasons. It just does not make sense to her. Mel's world is so black and white. She doesn't understand the nuance of the situation, and the thought that the gods might be actually in the wrong doesn't even get close to crossing her mind.

It's a fascinating (and horrifying) result of her upbringing. Of the constant state of war and the very convenient big bad that is Chronos, the evil monster who stole her family. If she accepts that his side isn't completely evil, that they might even be right in some (even many) respects, she would have to grapple with her whole life. Everything she believes would be thrown into question, the literal thing she was training her whole life for.

She can't have Prometheus fighting for a noble cause, because he fights for Chronos whose the Bad Guy tm. But he also can't be fighting for something as simple as vengeance, because that would also mean she would need to really think about what he's angry about. If the punishment was truly so unnecessary cruel.

When talking to Odysseus about Prometheus, when Ody's saying how much he respected him for stealing the fire despite knowing the consequences, Mel says that it was the price to be paid for breaking Olympus's decree. To her, Olympus's rules are sacred and ultimately good. Unquestionably. Prometheus broke the rules with intent, so to her, why would he be so angry at the consequences? Especially if he knew because of his power they were going to happen.

So he must have another reason, some secret machiavellian plan that drives him. Except as I already said, it brings her right back to him doing it for humanity, which she also can't accept. Because that would be admiting that the gods did something wrong to humans. She twists herself into knots to justify her worldview, and it's fascinating! She's so messy I adore her.

Please Supergiant please the final surface boss has to be a human pleeeaaasse (preferably a living one). Or at least have one (or more) show up in some other capacity. Mel needs to come face to face with the other side and have it utterly destroy her worldview.

And/or have (Pan)Dora betray her for Prometheus, that would also be very fun haha.

[linkspooky]

JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. 

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

 It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

[factual-fantasy]

Can you tell us about the characters in your Amazing Digital Circus AU? I find the AU very interesting...

I'm still cooking up the AU and the characters, but I can tell you about some of my plans for them! :)

Lets start with the main cast.

Pomni is mostly the same save for some design changes and the presence of Gummigoo! Caine doesn't think of him as a human like Pomni does though. He thinks of him as Pomni's emotional support A.I. Which is actually the only reason he let Gummi stay- he hopes that letting her keep this NPC will help her adjust to the circus better.. (He's right-)

Kinger has been shown a lot of mercy in this AU <XD Queenie is still around and both of their sanity is mostly intact! The only time either of them become very stressed or appear insane is when they are forcefully separated. Caine is very careful to craft his adventures to be very accommodating to them specially. So thankfully separation is very rare. (I also intend for Queenie and Kinger to have been husband and wife in the real world! Which is why their digital forms are a matching pair of chess pieces. They renew their vows in the circus :}} )

Gangle was also shown a lot of mercy here! Early on in her stay she went on an adventure and became really attached to an NPC within it. This absolutely rotund cat that was part of the adventures plot. Caine let her keep it because it was the first thing that made her smile since she'd been here. Seeing how much this cat helped Gangle was actually what motivated Caine to let Gummigoo stay. She still has the cat NPC today and it makes her very happy :)

Ragatha hasn't changed too much. Other than she doesn't have this happy go lucky facade.. In my AU thanks to the help of Caine and the other circus members, she's a lot more sane and finds a lot of comfort and support in her friends.💗

Zooble and the other concept sketch zooble thingy..? Are best friends in my AU :) they look at their bodies pretty differently though- while the other gal likes her body and the fact that she can change its shape how ever she pleases.. Zooble still kind'a struggles. Its made a bit better to have someone just like her, and the fact that Caine is so accommodating and is constantly making new parts in hopes she'll find something she likes. My Zooble still isn't satisfied with her body to be honest.. but she's in a much better headspace thanks to all the support around her. Oh and she doesn't swear like a sailor XDD

(And before people come at me again- Zooble canonically goes by any pronouns. She/her, They/Them and He/him are all equally appropriate.)

When it comes to Jax, I mostly just made him less of a jerk <XDD in my AU Caine doesn't let Jax get away with all the crap he pulls and enforces real consequences. Jax also has Kaufmo and one of the other humans as his close friends. Having people in his corner and being properly disciplined has mellowed him out over the years. He's a much more tolerable character here <XD

Now for Caine.. its hard to explain what I did with him. He's more.. attentive.? Sympathetic? More serious..? He takes the sanify of the circus goers and their situation very seriously. And more importantly, he actually understands their situation and knows what they mean when they say they want an exit. So my Caine isn't trying to make a fake exit to please them. He is actively stretching his code out into the void looking for a real exit.

Kaufmo, the other zooble type thing, Queenie and all the other circus goers as seen here 👇

Are all unabstracted and mostly sane thanks to Caines efforts and the support they give each other. I don't have much to say about them yet as I'm trying to nail their designs first.. but what I can say is I have ideas in mind for this guy👇

What I'm thinking is that this guy and Kaufmo were brothers in the real world which is why they're both clowns with similar/the same features and body types.

Which might be nice normally.. but they had some relationship issues back in the real world..

When they entered the circus and were forced to grapple with the horror of their situation together?.. They really mended their fractured relationship and now really rely on each other. The two of them usually pal around with Jax because of their shared sense of humor. Thanks to the two of them Jax has mellowed out a lot more. (Having people on your side would make anyone feel a bit better :) )

Woof, that's a ramble. And there's a mountain of stuff I haven't addressed.. but this is a good start I think! :) I hope I gave what you were looking for!

[ayakashiz]

Alien Stage R6 Analysis

VERY LONG compilation of my interpretations, impressions and unanswered questions about Round 6 of Alien Stage. I just wanted to write this to put all my thoughts in one place so I can finally rest (in pieces). TW for mentions of suic*de/suic*dal ideation.

The most debated is no doubt the kiss/choking scene and Ivan’s motivation for doing so in the first place. 

I think from the very beginning, even before R3, Ivan was planning to go out with a bang. That’s the immediate impression I got from the comic where he mocks/criticizes Sua for planning to “selfishly” die for Mizi and feel good being the “heroine” rather than having to deal with the trauma of being the one left behind. 

(I'm too lazy to edit the whole translation as of now, but might do so when I have more time.)

Ivan tells her how he’s “relieved that he’s not the only who’s that twisted” = He’s comparing himself to Sua. He thinks they’re both ‘twisted’ for planning to do the same thing, but from Ivan’s perspective, he at least isn’t fooling himself into thinking his motives are altruistic. He tasted the feeling of being ‘abandoned’, and he knows he doesn’t want to experience it twice. 

He also probably thought that his death wouldn’t be as impactful on Till as Sua’s death on Mizi, and therefore his own selfishness is more justified in his mind. This most likely plays a role in how cold and biting his words are towards Sua –he’s jealous of that difference between them.

I hadn’t noticed this detail the first time I watched the video: Not only did Till look absolutely miserable and defeated from the get go, but he completely gave up and stopped singing at some point. If you look at the video, we can hear the audio that was supposed to be sung, but Till is quiet and still, and THIS is the moment Ivan chooses to act.

Although they do not show the votes at that particular moment, stopping mid song would have definitely taken a hit to Till’s score as it’s basically forfeiting –a huge contrast to his previous match where he didn’t even let his opponent utter a single line.

In response, Ivan doesn’t just walk towards him but throws his microphone to the ground, explicitly forfeiting as well in order to then pull a drastic move like it was foreshadowed in his interview.

The kiss itself imo was the less calculated/arguably unplanned part. He could have just choked Till from the start and it would have gotten him the same if not better results (since it was the act of violence against another contestant that ultimately lowered his score and got the counter to stop). 

That kiss was authentic and for himself entirely, both as a last desperate attempt at conveying his feelings and a selfish way of leaving a strong impression on Till that he wouldn’t be able to forget (a hypocritical move going back to how he criticized Sua). In that sense, I don’t think Ivan was seriously trying to take Till down with him –although that’s up to interpretation. As I see it, that would contradict his actions up until that point.

Till was VERY CLEARLY suic*dal (once again, he gave up singing), and after the initial shock of Ivan squeezing his neck, this fiery, rebellious man who is KNOWN to fight tooth and nail, simply closed his eyes and relaxed his body, waiting for Ivan to end him without fighting at all. 

The thing is, no matter how suic*dal one may be, the fighting response when being actually suffocated is automatic and completely involuntary. People mention there not being marks on Till’s neck but I think the most telling sign is him not going red, not squirming, not struggling or holding onto Ivan’s wrists (again, expected involuntary responses), his eyes not watering or having blurry vision while we see Ivan from his POV, not opening his mouth even a little to gasp for air and not coughing or gasping either when he was finally released.

Ivan definitely had him in a strong grip, might have even made him a bit lightheaded, but the reason why Till could look so relaxed in the first place is because he had given up and was waiting for Ivan to go ahead. If his closed eyes and limp posture were due to the choking itself, he would have fallen or stumbled when being let go, but we see that his eyes open as soon as he feels Ivan’s hands slipping away and he looks shocked instead.

So then what was Ivan’s motivation, if not to kill him? Yes, there’s the already discussed plan to get himself disqualified. But Ivan glances at the screen only a few seconds after he starts the choking, confirming that the voting had in fact stopped with Till having the higher score. He then goes for one last ‘goodbye’ kiss before continuing to choke him, holding his grip even as he starts getting shot.

We see a closeup of him, his eyes and hands trembling, looking more frustrated/emotional than in Till’s first POV where he looks rather stoic. It makes me think that the reason he refused to let go was simply because he wanted Till to look at him. 

They strongly imply throughout the whole video that being annoying or mean or violent was the only way Ivan learnt how to make Till focus his full attention on him, but now even as he’s threatening his life, even as he himself is dying, even after that kiss, Till wouldn’t look. 

It took him getting fatally wounded and realizing there was no turning back to reach a state of acceptance. His bittersweet expression here reminds me A LOT of his smile after Till runs back during the meteor scene, although this one seems a lot more tender. He seems to accept the fact that Till will never love him back, but Ivan cannot stop loving him anyways and he at least got to put his feelings out there. 

(The parallels here are driving me insane. The way there is light in his eyes in both instances as he looks at Till even while 'losing him' in a way. The struggle between wanting to posses him yet realizing his free spirit/strong will is part of what he loves about him. That last genuine gaze from a character who spent his whole life putting on a mask. Yes I am very normal about this.)

Until then, Ivan’s more tender/vulnerable side is only shown while Till is unconscious or looking away.

(That soft, loving nuzzle to Till's face has me in SHAMBLES.)

But ironically, it’s only when he releases him and shows him this vulnerability without a mask that Till really looks at him for the first time. I’d go as far as to say that it was this moment, and not the kiss, that finally made Till understand Ivan’s feelings. And in turn Ivan gets that little shot of euphoria as he falls to the ground.

Going back to the survivor’s guilt… I can only imagine it’ll go completely downhill for Till from now on. Not only does he already think Mizi might be dead and is angry at himself that he couldn’t save her (as seen in the shot where he punches his own picture), but now he has most likely realized that Ivan intentionally fumbled their match for his sake –which would lead to the realization that he was the reason why Ivan chose to run back to Anakt Garden after him in the first place, and that choice ultimately lead to his death. 

Even though we see them fighting a lot as children through the videos and comics, it’s also implied that they were always together and they shared some quiet moments –the “Mizi didn’t play with you, I played with you” art, all that art of the main 4 playing together, those bright smiles as they ran away together during the meteor shower scene and Till looking so guilty when he let go of his hand. 

There are a few cute doodles of them for those who are on Patreon, and some more lore in the Anakt Garden kit –so they were at the very least friends in their own way (as best as 2 very traumatized and abused children could), constantly fighting and making up. Which God… it shows that despite appearances Till must have actually had the patience of a saint when they were little lmao.

But what I’m trying to say is that despite what Ivan may have thought, his death will most definitely have an impact on Till and the narrative going forward, and I’m excited to find out how that reflects in the final round (if the resistance doesn’t manage to get back up in time to disrupt it). 

Despite how much I adored (and SUFFERED WITH) this round, I still have MANY questions that were left unanswered, both about Ivan and Till, and the lore in general, and I wonder if there’ll be time to answer them all, as I can imagine the next MV will be focused on Luka’s perspective, the only one we haven’t been presented with.

One of the most pressing questions being: What’s the relationship between Ivan and that alien dog? Did he tame it? It is implied that it was Ivan who somehow led Till and Mizi to it in the first place in that one scene, and if so I wonder what his motivation was? Normally jealousy would be the first thing to come to mind but Ivan wasn’t interested in Till until AFTER he saw him stand up to the beast to protect Mizi, so it couldn’t have been that. 

This is something that was also teased on Patreon and I was looking forward to the explanation on the MV, but it never came, and now Ivan is dead, so the next video will most likely not be too concerned with his backstory any longer. (Which, also, I was really curious about his life in the slums before being captured, auctioned and brought to Anakt, as that would have played a huge role in his twisted personality/dark tendencies –once again teased on Patreon very briefly, but not explained beyond that frame of him looking famished.)

The second is, how is Ivan able to open Till’s collar/muzzle so easily? This is a question I’ve been having since R3, but chalked it up to Ivan being sneaky and figuring out some kind of code to the cell door and that somehow automatically deactivating the locks on the restraints… or something. But with how many times he does it in R6 with just a touch it’s very clear that that isn’t the case and also imo they’re trying to point this out as a significant detail. 

It may turn out that I’m just looking too much into it, but I find it really curious and interesting. Not only is he the only child without a collar (Mizi and Sua still had them despite being just as well behaved as him), but he seems to be the only one able to take them off –or at least Till’s. I’m pretty sure the children wouldn’t normally be able to remove them by themselves as it seems to be a control mechanism. So how can Ivan? This might explain a lot about how they were able to escape, and also add a layer of tragedy knowing that Ivan could have chosen to escape by himself at any point, but refused to leave Till behind.

Last but not least there’s all the human experimentation Till was subjected to, which was the main topic of the teaser and we see the same images show up in the very beginning of the MV. They help emphasize Till’s suffering and distressed state of mind, but then they’re never expanded on or mentioned at all for the rest of the video. That’s a huge piece of lore that I also hope isn’t forgotten.

I mean, I really doubt it will. So far VIVINOS & co. have been incredible with their ability to hold back information and release it at the moment where it’s the most impactful, which is refreshing to see. So I trust we’ll get some answers eventually. 

Really curious to know why they would experiment on an ALNST contestant in the first place, especially one that is undoubtedly talented and described as a musical genius (aka. has good odds of doing well on stage and earning the segyein revenue). A very plausible theory might just be that he was just getting constantly drugged to make him less of a threat/more submissive –like we see on the karaoke room scene. But it might as well be something bigger.

As for my expectations for the next round… I’m still just trying to process this one, as you can see by the sheer amount of text. There are many things left to address, and the Hyuna/Luka confrontation has been strongly teased. I wonder also, if the round goes on without interruption, what would Luka’s strategy against Till be? Would he go for provocation again, trying to imitate Mizi/hint to his recent trauma with Ivan? It probably won’t be that simple.

I mean, VIVINOS has been known for subverting our expectations with each round:

The ominous/callous framing that was given to Ivan by the end of Black Sorrow and the art that followed, making us suspicious of his intentions, only to have him die for love. The lifeless/doll-like framing given to Luka, vulnerable and cornered by flashing lights, only to have him be the cruelest/most calculating one (that we know so far). The rebellious, rowdy, willing to do anything to survive framing given to Till, only to have his fighting spirit completely break and willingly waiting to die by Ivan’s hands. The naive, complacent and passive image given to Mizi, only to have her snap, beat the shit out of Luka and join the rebellion –and with how things are going (and her being the protagonist) I wouldn’t be surprised if she, and not Hyuna (the one who was framed as the most strong and reliable, giving us a false sense of security going into R6), is who will have to try and rescue Till (and Luka???).

There are still a ton of things that keep me awake at night about R6 –my favorite character dying aside. I could talk about it forever, but I’ll leave it here. 

Feel free to share your theories, delusions, interpretations or any detail I might have missed with me. God knows we need group therapy after this as the cute chibi keychains can only heal us so far. Thanks for reading my rambles if you made it this far. :’)

[bluecollarmcandtf]

M O O N L I G H T ™

Chapter III

It's late, and the last thing I expect to find at my nightly workout is my little bro, dressed up like a personal trainer. He looks ridiculous in that cheesy uniform, not to mention the light pouring out of his skull and the smile stamped into his face! I guess the little idiot signed up for Moonlight™: that was one helluva mistake!

"Good evening, sir," my brother speaks as if we hadn't grown up together, "Is there any way I can aid your fitness journey tonight?"

Hearing Ryan call me 'sir' brings a devious grin to my own face. I've bullied this kid for years, and now he's kissing my ass like well-trained puppy. Thanks to Moonlight™, my annoying little bro is just a mind controlled employee who doesn't realize his brother's here, let alone embarrassing him! I wish I could get my entire family implanted with these little Moonlight™ things. Messing with them would be hilarious!

"Oh yeah," I sneer, "And what's string bean gonna do for a guy like me?"

"Well, sir, as a personal trainer here at Planet Fitness, I'll gladly demonstrate how to use the machines, spot patrons with heavy-lifting, and return equipment when finished."

God, he sounds even more annoying than usual! "You really think a someone like you could spot me?" I scoff and bring my bicep to his face, flexing it inches away from his perpetually open eyes.

"Actually, sir, this body can lift 260 lbs on the bench press without injury. The load you have is well-enough below to ensure that I may be of service. Still sir, the weight you're lifting is a very respectable amount," Ryan's smile beamed at me, but mine fell.

"Whatever, I'll be fine," I retort, "Just stand over there and mop up my sweat when I'm done."

"Yes, sir."

My little brother takes a step back as I get ready to lift. As stupid as he looks, standing there waiting on me to finish, he also looks pretty fit. His company polo might be sweaty and gross, but it's tight against his improving physique. He's clearly been lifting a lot while he's been working here, but his gains should not count if Moonlight™ is the one actually working out that pathetic little body! The only way he could bulk up was by becoming a fucking puppet! Talk about sad!

"Fuck!" I grunt, tossing the barbell back as I finish. I did a few extra sets to prove a point and now my arms are on fire. "Towel!" I snap.

"Yes, sir," Ryan rushes over and wipes the sweat off my brow. I just laugh in his face.

"I think I got some sweat on my sneakers too," I jab, "You can wipe them off and then put twenty more pounds on the bar."

"Of course, sir."

My brother gets on his knees with the towel, giving my sneakers a cursory buff. I don't know what personal trainer has shoe-shining in his job description, but I've heard these Moonlight™ employees can be pretty pliant. Apparently, you can make them do quite a bit with the loopholes in their programming. Maybe I can get Ryan here to do something even more embarrassing than polishing his big bro's shoes!

The next week, I worked out every night.

Turns out, bullying my little bro was great motivation to go to the gym! When I saw him during the day, I never mentioned the fact that I knew; didn't want to scare him off. At night, I had every opportunity to take out my frustrations on him. If he pissed me off during the day, I could boss him around at the gym, ordering him to follow me around and wipe down every piece of equipment. I could call him whatever names I wanted and yell at him as loudly as I pleased; he had to just stand there with the best customer service smile and say "yes, sir."

Playing around with Ryan was fun, but it wasn't until I went out for a drink that I ran into my second brother. I guess he had the same idea to get hired with Moonlight™...

"Can I fix you a drink, sir?" my brother, the middle child, yells over the club's EDM.

"What the hell?" I shout, "Ryan's dumb enough to Moonlight™, but I didn't think you were!"

Sam just stares back with the same flashlight eyes and widely stretched lips. Of course his programming won't let him do anything outside of bartending! He's probably not even conscious in there! Ryan was always a bit of an impulsive twerp, so I wasn't surprised to see him Moonlighting™, but Sam is different. He'd said he'd never put his body to work at night. Something about the behavior of Moonlighters™ always rubbed him the wrong way...I guess he changed his mind.

"A round of beers," I tell him, warily gesturing to the back corner, "For me and our crew."

Sam's glowing stare looks over my shoulder and sees our friends, the guys we both hang out with, "Yes, sir. I'll have it right out for you."

I return to our pals, anxious for my brother to follow. Sam is only a year younger than myself, so we run around with the same crowd, yet he didn't recognize any of our buds. Now he's about to serve them like a fucking waiter. My catatonic brother is about to walk into the most humiliating situation of his life. I just get to sit back and watch!

"Sam?" one of them asks a moment later.

"Here are your beers, sir," my brother plucks the bottles off his tray and sets them out for each of his friends, completely oblivious to their stunned reactions, "Is there anything else I can get any of you?"

"Holy crap, dude!" another pal turns to me, "Since when did your brother start Moonlight? He looks like a total idiot!"

Sam doesn't seem to register the insult.

"I don't know man," I laugh, "Tonight, I guess."

"Fetch us some napkins," one guy quips with an amused flick of his hand.

"Right away, sir." Sam answers a little too promptly, and whisks away.

"Right away, sir, Ha!" the guy repeats with a mock salute, "We've gotta mess with him!"

Sam returns, obediently passing out napkins, but I'm finding it harder to meet his gaze while he's grinning so manically. This situation is starting to feel more awkward than hilarious. These guys will never let him live this down!

"Sam, get over here and give this paying customer a sloppy BJ!"

My brother stiffens, and for a second a jolt of fear runs down my spine, terrified that Moonlight™ will actually make him comply. Pranks are all good and fun, but I do not want to see my brother about to blow another dude!

"I apologize, sir," he finally resumes, "That is not part of my responsibilities as bartender."

Thank God.

"Then get something to clean this up," he laughs wildly, "You spilled my beer!" Our friend then pours half his drink on the crotch of his jeans, staring at Sam with the amused eyes of a drunk fool. This guy always gets weird after a few drinks. I don't know why we still bring him along. Normally, we just ignore him.

"Of course, sir," Sam answers attentively.

For the next ten minutes, I sit in silent horror as my brother returns with a rag, proceeding to get on his knees and wipe down another man's crotch with painful dedication. Of course, our friends are all howling with laughter at this point, taking video evidence that they can embarrass Sam with later.

It feels like a lifetime, but Sam finally stands up, "I hope I cleaned that up well enough for you, sir."

The guy feels at his wet jeans, saying, "I don't know if that's good enough, bitch."

"I'm sorry, sir, let me try ag-"

"No! It's my turn," someone else cuts in, pushing his way to the front, "You spilled some on my ass that needs cleaned up!"

The gang loses it, doubling over with laughter as Sam prepares to spend the next ten minutes wiping down another guy's ass, but I've had enough, "No! We're done here, thank you. Go close our tab," I bark.

"Yes, sir," Sam turns on his heel. His dumb obedience is more disturbing than entertaining at this point.

Our friends all give me a hard time for sending him away, but I'm not having it. Maybe I'm not drunk enough, but they're enjoying this a lot more than I am. At this point, I'm ready to call it a night and go home, so I say my goodbyes and head for the exit.

The walk home isn't a far one, but I pass a few notable places on the way: one being my dad's dark office building. Our old man has been working late nights there lately. In the dimly lit lobby, I recognize someone...

"Dad?" I gasp.

"Good evening, sir," my father says to me without any note of familiarity in his voice.

"Wait, you're moonlighting too?" it comes out as more of an accusation, but at this point I'm fed up with finding family members secretly working random mind-controlled night jobs.

"I am a security guard employed through the Moonlight™ corporation," his gravelly voice sounds foreign, delivering these programmed prompts, "If you'd like, sir, I can help you apply for a Moonlight™ position, and you can start making the most of your sleeping hours too!"

"Why the fuck did you think this was a good idea, dad?" I ask, knowing this stupid security guard persona isn't capable of answering.

"He didn't."

The voice of someone else in the room sends shivers down my spine. I whip around, and see a gangly, middle-aged man stepping forward.

"Jeff?"

"Hi, Jamie," my uncle says, sauntering up to his far taller brother and resting an arm on his shoulder. My dad's attentive posture doesn't waver. He just keeps on acting like the perfect sentry for the building and the perfect armrest for his brother.

"Do you mind telling me what's going on!?"

He sniffles and sighs like he was caught with his hand in the cookie jar, "Yes, I suppose this charade of mine was doomed to be found out sooner or later. I put your father in the Moonlight™ database. He was just wasting his sleeping hours at home in his bed, and he'd always refuse to let me sign him up, so I did it in secret. He makes a great guard. Right Tom?"

Uncle Jeff claps my dad on the back, prompting him to announce a proud, "Yes, sir!"

"See," my uncle turns back to me, "No harm done. Your old man gets paid to stand around in his sleep. Its harmless!"

"But he doesn't know!" I yell, seething at my uncle's sheer abuse of his place in the company, "This has to be illegal, and are you just pocketing Dad, Ryan, and Sam's salaries?"

He rolls his eyes, "I am right now, but the four of you don't even make that much."

"Did you just say the four of us?" I grunt.

"Oops," he holds a hand to his forehead and curses under his breath.

"AM I FUCKING MOONLIGHTING WHILE I SLEEP TOO?" I am screaming at this point, "You're fucked up!" I bark. Angrily, I stomp towards my uncle, but my father takes a firm step planting himself between me and the man. His steady palm is holding the baton at his belt, making me nervous. Is my dad about to beat me up for this creep?

"Excuse me, sir," my dad smiles at my uncle, "Would you like me to escort this man out of the building?"

"That won't be necessary," my uncle says, "I'll just trigger his Moonlight™ shift to start now. You can go back to standing in the corner"

"Yes, sir," my security guard father answers placidly, returning to his attentive stance.

"You wouldn't," I snarl.

"Oh, trust me, I will. As I understand it, overriding a subject's body while awake means you'll be fully conscious. I'll work on something to make you forget this whole incident later."

He presses a few buttons on an ipad, and suddenly my vision is engulfed in a purple haze. My back straightens, my muscles relax, and I feel my face contorts into a giant smile. Suddenly, my entire body seems to be gone from my grasp, and I'm constrained to a tiny space in my head while something else takes over.

"Enjoy your shift," my uncle snickers with a glare.

"Thank you, sir. I will," I feel my voice pushed out of my throat with an excited tone that isn't mine. Before I know it, my legs are carrying me away from my uncle, leaving him with my father, to march down the dark street...

"Here's your order, sir," my voice has the trademarked Moonlight™ eagerness in it as I reach out the window and hand over the meal.

"Fuck off, sleep-freak!" the teen in the driver's seat flips me off, making his immature friends cackle as they speed off. I can't do anything but smile and watch as they weave away. They have no idea I'm actually conscious in here.

After being forced to leave my uncle, I found myself striding into a fast food restaurant through its backdoor. I could instantly tell the place wasnt anywhere I'd eat at because the dumpster smelled like soggy fries and old meat. The kitchen was a fluorescent-lit pit, with a thick feeling of oil hanging in the air. I could barely take in the surroundings before I was changing out of my clothes by some lockers. I was horrified that Moonlight™ was making me fucking strip, but before long my hands were pulling on new clothes: a uniform. The polo felt like it'd been sitting at the bottom of the locker since the last shift, drying in sweat, and the pants were sticky with something unidentifiable. I was mortified to be pulling on a fucking hairnet and apron, but I had no choice.

"Blondie's here early," a smoker's voice purred from behind me. I had a bad feeling he'd been standing there for a while, watching.

"Hello boss," my voice answers, apparently recognizing the overweight, unshaved creep, "I'm ready to start my shift, sir! Where am I needed today?"

I watched as the man licked his stubbly lips, his beady eyes crawling all over me. Without any shame, his sweaty palm groped the growing bulge in his khakis. He was obviously happy to see me, and he probably thought I couldn't actually see him! I guess, every fucking night that my uncle's made me work in my sleep, I've been under the supervision of THIS pervert!?

"Get to the fryer," his scratchy throat moaned, "You know I want you to get nice and sweaty for later."

"Yes, sir. I'll be sure to work up a sweat for you," I answer, confused and disturbed by my response. The cheer in my voice did not match the overwhelming gloom I felt when the man slapped my ass. His hand lingered on my rear for too long, but I couldn't even frown.

Since then, I've been boiling fries and flipping burgers. Every so often I have to hand an order out the window, but my heart races every time I do. Three orders ago, the customer threw their soda back at my coworker, he's a fairly average guy in his thirties, and he was dowsed in Coca-Cola. It didn't keep Moonlight™'s programming from working: he just kept manning the grill, smiling, eyes glowing, and hair dripping with cherry flavored juice.

"Ouch!" at least, that's what I want to say. The oil sizzles and pops, and a few drops of hot grease splatter onto my arm, but I don’t flinch. The control won’t let me.

Suddenly I feel someone leaning in behind me. My spine shivers as my manager says, "It's closing time, Blondie. I'll send everyone home so you and I can clean up like usual." He whispers it in my ear, with his flabby arms wrapped around me like we're fucking lovers! I wish I could vomit!

"Sounds good, boss," I find myself saying.

One by one, the manager dismisses each of my moonlighting coworkers. I can't help but feel jealous as they strip out of their uniforms by the door. It isn't just that they get to leave; they also have the luxury of not knowing what's going on. They're all asleep. I'd give anything to at least be unaware of whatever this fucking pervert is about to do!

My body is preoccupied with whatever shit needs to be done for closing, wiping down the tables, taking out the trash, and more.

"Mop time," the manager suddenly announces, holding the raggedy thing out expectantly.

"Yes, sir," my voice answers, and I drop what I'm doing to accept the mop. The crotch of his pants is unzipped, but my bodies already turned away from him, turning all my attention to swab the tiles floor.

"You're doing it wrong again, Blondie," he purrs slowly, "I'm gonna have to help you like usual."

"Thank you, sir," my voice sounds grateful, but I am anything but. The pervert presses his rotund body against my back and holds my muscular arms with his own chubby ones. I can feel his penis poking into me below his gut, but my body accepts his touch like he's just a boss helping out an employee.

I guess this asshole found a loophole in Moonlight™'s fucking programming. He's going to touch me all he wants under the guise of demonstrating the right way to mop.

The creep spends the next ten minutes guiding my arms back and forth. "Fuck, you're bubble butt feels even better than usual, Blondie," he breathes in my ear. If I had control of my muscles, he wouldn't stand a chance, but right now, they're putty in my boss's arms. Meanwhile, his waist gets busy dry humping his chode into my rear end. "I'm so glad a jock like you was dumb enough to try Moonlight!" he grunts, his tongue dangerously close to my ear. I can only thank God that he can't take my pants off! After several painful minutes of him spitting more disgusting comments onto my cheek, his arms drop mine and plant themselves on my chest. His hands sloppily grope my pecs and pinch my nipples. I've never felt more pathetic. The man makes one final exclamation, "FUUUCK!" and I can tell he has finally gotten off.

"Thanks for the help, boss," I find myself saying.

With heavy breaths, he staggers back. The sudden open air on my back makes me realize just how hot and sweaty that slob was, and I can feel the slimy remnants of his balls slipping down my back and legs.

"Good job as always, Blondie," he breathes heavily with satisfaction.

"Thank you, sir," I answer. My voice hasn't lost its awful chipper quality, and my face is still stuck in a smile like I hadn't just been taken advantage of.

"Finish mopping up, and then you can lock up and clock out," he winks as if we shared some inside joke. I hate that all he sees is my smile.

"Yes, sir," I answer, but the creep has already waddled out of the building and slammed the door shut.

The sudden silence is unbearable. It makes the monotonous task of mopping the sticky floors all the more unpleasant. What's worse is that I can't pause to wash the manager's cum off my back. It soaks into my pants as I work, trapped in my own body. At least I know why these pants are so sticky. Honestly, I hope Uncle Jeff will wipe my memory...

[clementineofmine]

I'm sitting here rewatching Tua S3 for reasons, and one interesting thing I picked up is that the entire season is really just each of the Umbrellas struggling to define and searching for family in their own way. Here's me laying down some thoughts for y'all:

Luther - For him, family has always been about the team. That's part of the reason he's so drawn to the Sparrows, bc at first they seem to have the cohesiveness that the Umbrellas lacked. Remember, Luther was the last one left at the Academy, then Reginald sent him to the moon alone. So of course seeing a "functional" team is going to be compelling for him, and he desperately wants to be part of it. And then he and Sloane quickly fall in love and for the first time in his entire life, someone wants him for him. It's intoxicating and utterly consuming NRE that is more powerful than anything he's ever felt.

Diego and Lila - For these two, it's about figuring out how to be a family. Both together, but also a little bit with the other Umbrellas. Diego looking out for Allison and Klaus and Lila and Five coming to a truce are part of this - more about Lila and Five in a sec.

Allison - In her mind, her family is Claire and Ray. This one is obvious, but I also think that the writers did us a disservice by not letting us into Allison's perspective. If you think about it, it's completely normal for a parent to put their child above all. While I don't defend her actions, her motivation could have been more compelling and it would have strengthened her character. But sadly she's the character on the show that is most "othered" (which is bad for many reasons)

Klaus - he really dug deep into individual relationships w family, starting with Five (e2 and 5 Five and Klaus bonding are still some of the best bits of the season imo), Diego, Reginald, Sparrow Ben, and then Luther in the afterlife.

Five - Five remains a pragmatist. His bar for family is very low - success for him means the Umbrellas being alive, no matter what the personal cost or sacrifice to him or to some extent others. It is somewhat depressingly delightful to see how he makes his peace with the end of the world as the season progresses. Before that, however, I'd like to meander back to e3 and 4 where Lila convinces him to electrocute himself and then they go on the Commission mission. Both of the actors do a fine job here bouncing back and forth between witty banter and genuine emotion and I love it. It's a quick and subtle piece of dialogue when Five explains how he saved Lila from the Handler. The undertone is that they were both abused by that woman in a similar way - ultimately, she developed and kept them both as pawns in her own game. And I think Five, starting in S2E10 and fleshed out through S3, develops genuine empathy for and eventually acceptance of Lila as family, as one of them, because of this shared experience.

Viktor - Like Viktor in all seasons, he continues to feel out of place with the Umbrellas and compensates by over-prioritizing his relationships with others. Don't get me wrong, I do empathize with him that he lost real love with Sissy and Halan, but I also think Allison was 100% valid to call him out on his lying in E6, and it was on point to verbalize how the constant focus on Viktors pain minimizes her (and everyone else's) experience. (Edit to add: Viktor finally seems to get the message on this, after being called out by Allison, then subsequently both Sparrow Ben and Five, and spends the last few episodes trying to make amends. Real character development here and I like to see it)

Reginald - Well, his overarching motivation since S1 has always been bringing back his dead wife, so I won't belabor that, but also it's interesting to see how he interacted with Klaus particularly - esp in E7 when he sobers up it seems he is experimenting with remembering his role as a father. Now we don't get a ton about his internal motivation here, but you can tell there is some mild curiosity, if not affection, for Klaus, despite the fact that he ultimately is cool with sacrificing him.

Some of these are more obvious than others, but when you tie them all together, the idea that they are all desperately looking for family and the blind spots that that creates for them, some of the messiness of S3 starts to make a bit more sense.

[thesirencult]

Pick A Card Reading: Your Soulmate's Letter To Santa About You 💌

PILE 1

Dear Santa,

I want to thank you for my gift from last year, lol. She is amazing.

She makes me happy and puts a smile on my face. Sometimes I smile so hard my cheeks burn.

I've never felt happier in my life.

The way she talks, the way she moves, the way her eyes brighten up when she looks at a puppy or a piece of chocolate pie, they all drive me wild.

I want to be there for her, this Christmas and every other Christmas after this one. I want to buy her a house as a gift and a ring to go with it, maybe even a car? She doesn't like to drive that much but my baby has to have everything she wants.

What she wants she will get. I love her. I adore her. She owns my heart and soul. I'm proudly whipped.

Thank you Santa, I'll take care of her heart ❤️

~ Your soulmate is a provider. They must be a "golden retriever" type of person. I'm hearing "here comes the boy!". When you first meet them you won't expect to fall so hard for them. They have a compatible sense of humour with you.

PILE 2

Hey Santa Baby,

Am I in the naughty list? Great!

This year I put up with no bs and I said "bye" to everything that held me back. I let go of the old stories and left the world behind.

Well, not the whole world, because I met that special someone and they are amazing. I'm writing down my goals for next year and I want one of them to be to deepen my relationship with my soulmate.

I know that they are special, I'm not crazy! I consciously make the choice to commit to them. I feel like we are twin flames and can not wait to explore they way their mind works.

I want to help them unlock their potential. They are a force to be reckoned with and they don't even know it.

Bye, for now!

~ Your FS (yup, they are) is someone who could very well be a motivational speaker or a content creator in that space. They love doing challenges like 75 hard and lighting up other people's fire. They could also be an athlete or ex athlete. You will love this person's practical nature and approach in life. This person is also very spiritual and they probably have heard of Ayahuasca and other popular terms etc. They remind me of a Tech Founder in silicon valley who is I'm woowoo stuff (no worries, I'm the woo woo stuff).

PILE 3

Santa,

I'm ready to move on from this year. My faith is stronger than ever before.

I've wished for so many things in the last few years. Many of them manifested into my life but one thing still hasn't showed up yet and I'm very bumped because of that.

Don't get me wrong. I'm grateful for the life I live and lead. I have almost everything I've wished for but that almost is killing me.

I know she is out there. I've felt her energy before. Since I was a child, whenever I looked up to the stars, I felt this overwhelming connection with someone. This invisible string tagging at my heart at all times. No one has ever made me feel this way and I know that it is unfair to say that for my previous partners but I miss her. I miss someone I've never met. Can you please bring her to me this year? I don't want anything else but my love to come back to me in this lifetime.

I know that the time to meet her is coming. I can feel it, but make it as fast as you can. Please.

I have a lot of goals for the year, especially financial ones. I'll try to focus on them until she comes. Where is she? Where is my love?

I will know she is here when I lay my eyes on her. My heart will speed up and the world as I know it will shutter. Shutter my world darling. I don't care. I made that world by myself and it is time we build our own world together.

P.S. Send loving energy to my soulmate, they need it. Tell them I will buy them their gift myself next year, but for now... This, sadly, has to do.

~ Awww your soulmate is very sweet and... depressed! They don't show it to anyone though but when they are alone at night they drink a glass of wine and think about you. They would want you to be there.

This person is very, stoic and "protected". That give me "military" vibes even if they have nothing to do with the military. This inability to outwardly express their feelings. You will baby them a lot and it is going to look comical but they will love it. Your FS might be older and taller than you and people will laugh when they see how much of a baby they become around your presence. They are very tired of being lonely. Don't get me wrong, this is not someone mopping around, they are just a "closeted" romantic. They hide their true feelings and you will know they love you because they will do acts of service for you or you will catch micro expressions. As soon as you enter in an official relationship they won't be able to keep their hands away from you.

[zh-lele]

12-7 ROOM (part two)

Surviving a week to Donghyuck's charms and jokes can't be so hard... Worst case scenario, you end up completely falling for your brother's best friend.

▪︎Pairing: brother's best friend!Hyuck x fem reader

▪︎Genres: poor attempt at rom com, fluff

▪︎Warnings: alcohol consumption, profanity, suggestive jokes, kissing, and some very light suggestive scenes.

▪︎Word count (part 2): 7721 words

playlist | extra content: mc's IG stories

Author's note: hi everyone :') sorry for being so absent and never posting the final part to 12-7 room. But hey, I finally got the motivation to do it. I've been also writing other things but I don't know when I'll finsih them or post them. Anyways, if you want to take a look, the other things I'm always working on are listed on my wips page. Once again, sorry for taking too long to post this and I hope someone can enjoy it anyway. Thank you so much for the love on part 1! Seriously, thank you. This isn't proof read so tell me if you find any mistakes, please and thank you. Enjoy!

Saturday, 08:37 p.m.

"I feel like we're betraying Mark."

"Why?"

"We're having a sleepover without him," you explain to Donghyuck while you extend your left hand to him, and he places his right hand over your palm, so you can continue painting his nails with a black polish. "You know, we're listening to Bruno Mars, eating watermelon–"

"Aren't we supposed to eat watermelon in the summer?" Donghyuck interrupts you to ask.

"Real watermelon enjoyers eat watermelon no matter what time of the year it is–Hyuck!" you scream after he makes a sudden move to grab a piece of fruit from the bowl and half his index finger ends up covered in black nail polish. "Stop moving your hand!"

"I'm sorry!"

He apologizes and stays still in front of your body, legs crossed and knees touching yours. Donghyuck is so close you can feel his breath in your hair, and even though you know it's impossible for him to hear your heart-rate increasing exponentially, you fear the closeness and the intimacy may give you away. Honestly, by this time you thought you might have figured it out: you had to either rethink your relationship and conclude that you were only going to be friends forever, or accept your feelings and confess to him, no matter what the outcome could be.

But you find yourself finishing Donghyuck's nails and looking up to him, who was–as more often as you thought–already looking at you. He smiles to you sweetly, no teeth on sight, and he looks ridiculous. Donghyuck is wearing a sheet mask with the form of a peach, yet you still find the sight in front of you incredibly endearing. The worst part about it is that you're looking as ridiculous as him, with the lemon-shaped sheet mask covering your face. You feel his thumb gently caress the back of your hand that he was still holding even long after you've finished. And as his soft features are illuminated by the warm dim lights of the lamp and the TV, as he holds your hand and looks at you as if you might be the prettiest lemon he has seen, you get that feeling again.

The comfort, the domesticity. The urge to be his companion, to share moments like this and many more. Every day.

Your phone buzzes as you set an alarm to take the masks off twenty minutes ago.

Donghyuck lets your hand go. He lets go of your heart too—but only for a second. He cradles your face, his soft fingertips pet your jaw, then your cheeks, and you can't hold his gaze anymore. You want to look down, drop your head before you start word-vomiting everything you're feeling and you've been feeling for him since the moment you met, since that first time he cooked ramen for you and you decided you wanted it to be your comfort food forever.

Donghyuck won't let you look down, though. He applies pressure with his fingers in the place where your neck and your jaw meet and with his thumbs on your cheeks. Your lips naturally pout under the pressure and you see it. Donghyuck. Your best friend. The guy you've liked forever now, looking at your lips for what you think it's been like the fourth time this weekend. And it's only been hours since the weekend started.

Is it really going to happen? Are you about to kiss Donghyuck right now? On the living room's couch on a saturday night in, under the dim lights, while Silk Sonic's Love's Train plays in the background and you're wearing fruit-shaped sheet masks?

It is fucking romantic.

Yet it never comes.

It doesn't happen.

Donghyuck just says: "It's time to take the masks off."

And you agree because, well, what the hell are you supposed to do? Just throw yourself all over him like you, maybe, have been imagining? Donghyuck takes your mask off your skin and you take his, that leaves his face looking the softest and smelling like sweet peaches. That definitely doesn't help your situation.

You're incredibly frustrated. Upset, even, like a kid who got denied his candy. (You wish Donghyuck was your candy.) You hate this sleepover now and even wish Mark was here to cock-block the entire situation. That would be less upsetting.

"And?" He asks once both of you have your masks off. "Do I look cuter now?"

Oh, so he's aware he's already incredibly cute.

You can't contain a smile. He's only centimeters away from you after he quickly moves back to look for his glasses. You feel the need to poke his cheeks that look as soft as marshmallows and smell like fucking peaches. Actually, you might feel the need to eat him.

But you don't dare say anything. Only trying to hide your smile looking down, as your face grows red, you let Donghyuck think of his own conclusions after your reaction.

Thing is, you're kind of a coward.

Donghyuck says it's time to netflix and chill, and you laugh because the statement is followed by a "Literally. Don't start thinking about something dirty."

He places himself on the mattress on the floor (the one you've been sleeping since you arrived), a bunch of pillows supporting his back, and makes room for you. He's cheeky enough to pat his stomach to tell you to lie there, between his legs and over his body. Just like that, as if you hadn't been melting before just by holding his hand in yours or having your knees touch. And now he wants you to lie on his stomach?

Are you really that close? If so, why isn't he your boyfriend yet?

You open your eyes wider and point a finger at yourself. "Me. Me?" Your voice comes out full of disbelief.

"Not you. Mark," he says with a roll of his eyes. "Of course it's you! Unless you don't want to lay together?"

"I mean…"

How do you make it sound not so desperate, not too obvious?

You just shrug and say, "Yeah, sure."

Aced it.

Donghyuck's body feels like the softest mattress you've ever laid on, like you could close your eyes and sleep trapped in his limbs forever. And because of the closeness, you can sense the vibrations of his voice traveling from his torso to your ears. His tone is quiet and gentle, talking about what to watch to no one in particular because, even though he's talking to you, you're too concentrated on opening your camera and capturing the moment in a video of the two of you.

"Look how cute," you say, moving your arm to his eye level to show him the video. "You talk in pout when you're really concentrated."

When you're conscious of the surroundings once again, you're sure you've replayed the video with a smile on your face like ten times.

"You should upload that."

"I've posted enough about you," you reply to his suggestion, going back and saving the video to your drafts. "People are gonna think you're my boyfriend or whatever…"

"Would that be so bad?" Donghyuck questions with his eyes fixed on the TV screen. When you move your head back to look up at him, he dares to connect eyes with you. "People thinking I'm your boyfriend?"

Sunday, 12:02 p.m.

Donghyuck had always been clingy.

Yet you didn't know he could be this clingy in the mornings.

Mark has been trying to get Donghyuck out of bed for like ten minutes now, but he won't get up. While your brother is pulling his arm out, Donghyuck pulls Mark's arm in, asking him to join him and sleep 'just a little more'.

Yes, your brother found you both sleeping on the mattress in the living room. No, you and Donghyuck were not clinging to each other (sadly). But Hyuck was for sure clinging to your brother now.

"Mark!" He protests in a sleepy tone. "What do you want if you won't come in?"

"We were supposed to have brunch together," your brother tells Donghyuck again, yet he must be too sleepy to process what's happening.

"I won't go." Donghyuck states and doesn't even open his eyes again. The living room is clear enough, as the winter sun has been hitting for hours now. But it isn't an impediment for him to curl up under the blankets like a burrito and go back to sleep.

Mark drops his shoulders and allows himself to sigh, finally defeated by his heavy-sleeper best friend. "I guess it's just you and me, y/n."

—

Fortunately for you, the weather has been amazing since you arrived in the city where your brother lives. Saturday was no different, with a clear blue sky above your heads despite it being winter, and the sun shining just the right amount to touch your skin and leave it warm. A little breeze messes with you and your brother's freshly dyed hair as you sit outside a coffee shop, brunch almost all devoured on the table. Mark hums to a familiar jazzy tune that plays all the way from inside the café.

And the atmosphere is beautifully calm. But you need to get something out of your chest. For once.

"So," you start and Mark moves eyes from his food to set them on you, expectant of your next words with a mouth full of pancakes and fruit. "I think I like Donghyuck."

Mark starts coughing after hearing you, and you wonder if it is because of the shock of your confession or because he really is that careless to get the food stuck in his throat.

"Yeah, I knew," he confirms once it's clear for him to speak again.

"The fuck you mean 'you knew'?"

"I mean, honestly, it's pretty obvious." Your brother can't hide a smile. He drops the fork to properly talk to you this time. "Like, you've always had some kind of thing… I don't know, I thought I had a special connection with Hyuck," he says pointing at himself, eyes wide with what could look like a little bit of shock. "But you two… You two are something else."

"Oh God," you cover your face in embarrassment even though after your brother's words there's no point in hiding anything anymore. "So you've been watching me acting like a fool in love around Donghyuck all this time, and you said nothing."

"I didn't say anything 'cuz I thought it had to come from you." He shrugs. "Wanted you to feel comfy enough to tell me, even though I had my suspicions, obviously."

"May I ask… Why," you hesitate a little before asking for a third-person perspective. "Why were you suspicious about it?"

"Dude, I don't know," a small laughter escapes him. "You just look like you'd be all over each other if you could."

You just groan in frustration hearing your brother saying you might have been way more obvious than you thought you were. Temperature rises to your cheeks coloring them a little red, and not because of the midday sun hitting right from above your head.

"And you can," Mark says, yet you don't get it, the tilting of your indicating he has to clarify. "Like, you can be all over each other. I don't know why nothing has happened between the two of you yet."

"'Cuz I don't know if he likes me?"

"How could you know if you don't try?"

Your gaze drops to your lap, and you realize you've been playing with the rings of your hands, taking them off and putting them on over and over, indicating the conversation is making you a little nervous.

Mark must notice, since he keeps talking. "Just tell him, dude. Best case scenario, he also likes you, you move out together and make me free from Donghyuck's ass."

The way he puts it makes you laugh, yet there's a slight weight to your eyes, as if tears could start falling down slowly at any time after holding your feelings in for so long. So you take a deep breath, blink a few times and look at the sun.

The sun, shining in its maximum splendor in the middle of the sky. And you wonder what he's doing right now. Donghyuck, or Haechan, as his mother used to call him when he was little. Full Sun, because he's always so bright and energetic, like a happy virus (Mark would also call him a pain in the ass, but you see, it depends on who you ask.)

"Worst case scenario, you remain as good friends," Mark continues. "C'mon, you know him, he's not a dick. You just gotta try talking to him."

You gulp and nod at him, now trying to make eye contact with a subtle smile on your face. Another deep breath. "You're right. Donghyuck won't hurt me, no matter what the outcome is."

Monday, 01:43 a.m.

On Mark's phone...

Meanwhile at the livingroom...

"Hyuck–wait. Can't we go slower?!"

"Look at that!" Donghyuck screams pointing at the TV screen, after taking the airpod off his right ear. You do the same with the one you were using, and the music from the game stops playing in your head. "I got a perfect score!" And he continues to do a silly victory dance, moving his hips from side to side with his arms in the air.

You really don't want to be mad at Donghyuck right now.

"This is so unfair," you tell him, stepping out of the frame and leaving the remote on top of the game console. "You didn't tell me you were this good. And you know I can't dance at all."

"You're right," Donghyuck says sincerely, a hand on his chest, right in front of his heart and all. "I didn't tell you I'm a dancing god and took advantage of your poor dancing skills to win the Just Dance."

You really don't want to get mad at him, but sometimes he makes it pretty much impossible.

"You." A hand comes in contact with Donghyuck's arm. Your hand. "Dirty." Another slap. "Bastard." And another one. "I hate you so much!"

"Hey!" He protests rubbing his arm after you slapped it. "Lying is a sin."

"I'm not lying," you say. "I hate you. You put on the fastest choreo to follow."

Donghyuck follows you around to the kitchen and watches your every move. He's right behind you, his eyes following your motions when you fill a glass with water, when you gulp it down, when you clean it and leave it back on the counter. He's hot on your heels when you come back to the common area and take the inflatable mattress out to get ready to sleep. He's still following your moves carefully when you put on the sheets and when you lay on it with the remote of the TV in hand. He only takes his eyes off your body when the Netflix logo appears on the screen and he notices you're about to watch the show you two started together.

You know he's dying for a word from you.

"You don't mean it," he says, now free of all mocking tones.

"I don't mean what?"

"You don't hate me."

You're pretty sure Donghyuck doesn't need you to confirm that you weren't serious. Naturally, he has always shown himself as a very self-assured and friendly person; It's not normal that people don't like Donghyuck. However, when you meet his eyes, wide and expectant of your response, and perhaps wet with a little insecurity, you understand that things are not always what they seem.

"How could I ever hate you, Hyuck?" you tell him to extend a hand in his direction, inviting him to lay on your side on the mattress. 

Relief takes over his expression, and a wide smile is plastered on his face. He's quick to get comfortable (maybe too comfortable, not that you really mind) laying his head on your lap, and moving your left hand to his hair that looks like it's got longer over the days. You know he wants you to play with it—Donghyuck loves getting his hair played with. The fourth episode of My First First Love starts playing on the TV screen, and you hear Donghyuck sigh contentedly.

The subtle strokes at the hair on his nape get Donghyuck smiling again and exhaling deeper at your tranquil touch. And, not to be biased, but the colored lights coming from the TV highlight the softest, most beautiful face features you've seen in your life. In an act of courage, you move your fingertips from his hair, to his sharp jaw, to his cheekbones, gently caressing the warm skin.

Donghyuck moves his head on your lap until he's no longer watching TV. Neither are you. You're just staring at each other in silence. He's letting you stroke every part of skin until  the tip of your fingers make it to his lips. His plump pink lips that have been tempting you more and more the past days. And he places a kiss there. On the tip of your fingers.

You freeze and grow red. Then he places another kiss, and another, making it three the times you've felt Donghyuck's lips on your skin.

It may be driving you crazy.

He's careful with his movements, so careful it turns almost painful watching him. Donghyuck grabs your wrist and gets up to sit beside your spot on the mattress. Doesn't let go of your hand—instead,  he holds it tenderly, caresses the back of it with his thumb, then places another kiss there.

Four times you've felt Donghyuck's lips on your skin. Five. Six—he just placed a kiss on your palm. Wait, another on your wrist. That's seven kisses so far.

But it's not enough. Now you've felt his lips you want them everywhere, all the time. So when he gets your hand closer to keep kissing you there, you grab his face. Feel the skin there, of his jaw, of his neck, and it's really hot. You think you might even feel the rapid pace of his pulse when you press your fingers on his neck (but it could also be your own.) Lastly, you tangle your fingers in his hair that he has let grow during these weeks of winter break. You tug on it a little, just enough to let him know you want him close. Closer, please.

And Donghyuck sighs, more like he fucking moans.

You wonder if you should say something before moving forward. What about all the things you talked to Mark yesterday? Should you tell him about how you feel before kissing him? What does he want? And what would this be after you kiss?

The call of your name interrupts your torment of thoughts.

"Please," he begs in a whisper, eyes closed as your noses brush against each other. "I'll die if I don't kiss you right now."

A laugh comes out of you because he always has to be that exaggerated, but you decide to set all questions aside for a moment to just dive into him.

He starts off very gently, with his slightly parted lips pressing against yours. They are indeed as fleshy and soft as they look, and taste like a cherries lipbalm. Donghyuck repeatedly places small kisses on your lips until you open your mouth a little more, and he captures your lower lip, biting a bit there. It gets another little tug on his hair from you, a sigh of relief after tasting his mouth after years of longing, and everything becomes more needy.

Donghyuck grabs at both sides of your head to deepen the kiss, smashing lips together repeatedly and kissing you sloppily. When you allow him to, he pushes his tongue into your mouth and you push your body closer to his.

He grabs your wrist not neglecting your lips even a second, as if the both of you were magnetized, and places his palm on your waist inviting you to his lap. It makes you laugh out of nervousness, so Donghyuck opens his eyes to watch you straddle him and place yourself on top of him very carefully.

His touch travels from your waist to the sides of your torso, his right hand in a place that you're sure allows Donghyuck to feel your increased heart rate. Your hands cradle his neck, then tug at the hair of his nape as he observes you kind of mesmerized, inhaling deeply, smiling a little and wetting his lips before you're diving into each other once again.

You've lost count of the amount of times you've felt Donghyuck's sweet lips on you by now. But you're sure of one thing: you don't want it to be the last.

"In case you were still wondering," he breaks the kiss to talk to you. "I like you, kinda a lot."

His hair is slightly disheveled from all the pulling, his lips are shiny and swollen, and he looks a little agitated. In his incredibly dilated black pupils you can see the reflection of your smile.

"I also like you, Hyuck," you finally confess to him. "I like you like, a huge amount."

He lets out a sigh of relief, more like a scream, and you're quick to cover his mouth reminding him that your brother is supposed to be sleeping five meters away from you. Yet, you can't help but laugh at his reaction.

He presses your foreheads together as his hands caress your sides, from your knees, to your waist, and to your lower back. Both your thumbs stroke his cheeks gently before you move to place some smooches there, in each of Donghyuck's moles (that is all over his face.) You think of all the times you imagined doing exactly that and find it hard to believe there's a possibility you could have Donghyuck any time you want now.

You only have to talk it out and see how things could progress between the two of you in the future. In the meantime, you'll keep smooching the literal personification of the sun (that might be because he feels hot as fuck right now, or because his smile is bright as the sun, or maybe he could be both.)

(Still) Monday, 01:00 p.m.

Donghyuck has had his head over the clouds since last night. After a heavy make-out session with you and some cuddling, he went back to his shared bedroom to sleep at like four a.m., being the most quiet possible to not wake your brother up and maybe having him asking what the hell was Donghyuck doing with you in the living room until four in the morning. He can’t escape the knowing smile Mark gives him though, when he wakes up and sees Donghyuck already up and working at his desk.

Donghyuck pretends everything is normal, greeting Mark good morning as usual.

“Good morning, Melk.”

“You sound too happy,” Mark groans in response, still sitting on his bed only half awake.

Donghyuck checks the time on the corner of his computer; one p.m. during holidays is like eight a.m. to Mark. Your brother just sits there for a while and Donghyuck goes back to studying for amoment, until the silence of the room gets interrupted.

“Yo,” Mark calls to attract Donghyuck’s attention. “What you did last night was fucking nasty.”

“What–” Donghyuck tries asking, only to have Mark interrupting him.

“I heard you two going at it," he starts with a very serious expression that gets Donghyuck's blood completely drained from his face. What could've Mark possibly heard? "My sister was telling you to go slower and everything.'' Mark makes some gagging sounds to add to his point and Donghyuck grows as equally embarrassed and amused at your brother’s assumptions.

“You think we fucked?” Donghyuck asks in complete disbelief. An exaggerated nervous laugh follows the question. “With you in the house?” He points a finger at Mark.

“You didn’t?”

“Sorry to tell you what you heard was us playing Just Dance. The last choreo was too hard and y/n couldn’t follow it.”

Donghyuck watches his best friend rub the sleep off his eyes and get up from the bed while he denies with his head, looking kind of defeated. “You’re both the biggest losers I’ve ever known,” Mark says, referring to you and Donghyuck.

“Hey!” Donghyuck starts to defend himself, his eyes grow bigger as his brows go up, and the characteristic Donghyuck pout starts to show, like in every situation a discussion is involved. “It was fun! We had a good time, ask her.”

“Losers made for each other, I swear.” Mark emphasizes his point. “So you didn’t fuck.”

Donghyuck doesn't look up from his math notes to answer. There's no way in hell he's having this conversation looking at Mark in the face. “By now, I’m sure I might be a virgin again.”

“Dude, what the fuck,” Mark can’t contain a laugh, though. “That’s bad for your health. Get your dick wet already.”

“I’m just waiting for the right time with your sister.”

“Hey! You can’t joke like that anymore.” Donghyuck knows by Mark’s tone all the bickering has become dead-serious now. It has always been like this when it’s about you. First they joke a little about it, then Donghyuck reminds Mark how much he truly likes you, and lastly Mark tells Donghyuck to just confess to you already because he’s tired of hearing about it. “If you’re joking about my sister I’m gonna beat you up.” Mark reminds him.

“Sorry.” This time, Donghyuck is brave enough to face his best friend. It’s kind of hard for Donghyuck to believe it when Mark tells him he’s getting beated up, though, when Mark’s wearing the pajamas Johnny got him as a gift recently–some blue panty with a moose on the back that says ‘don’t moose with me’. “I’m not joking about her.”

“I know.” Mark covers the pajamas that distract his friend so much as he puts on his jeans. “You like each other so much it’s disgusting.”

Donghyuck can’t hide his smile after hearing that, and it reminds him of all the kisses you shared last night, which makes him grow red in the face. Nothing a little more bickering with your brother can’t hide.

“You’re sooo cruel to me, Markie.” Donghyuck tries to hug Mark before he’s leaving the room, but morning Mark has always been like a stray cat who doesn’t like affection (unless it comes from Yuta, which Donghyuck can’t comprehend very well but he supposes the japanese has something pretty magnetic.)

“Get off of me!”

“Only a lil’ kiss, pleaaase!”

They struggle at the door of the room and into the common area. Donghyuck with his lips millimeters from Mark's face while Mark tries with all his might to get away from Donghyuck, who can be like a tick. They're so caught up in their things neither of them has noticed you're there, observing the entire interaction.

“Why don’t you go and kiss y/n? I’m sure she’ll enjoy it,” you hear Mark say when he finally frees himself from Donghyuck.

It’s at this moment that you know you are hearing too much, so you clear your throat to let them know that you are there too. They both freeze after turning around and seeing you sitting at the kitchen island. Your brother Mark, the great opportunist and master at escaping from uncomfortable situations, greets you good morning and is off to work in a second, leaving you and Donghyuck alone in the apartment.

You watch Donghyuck get closer to where you’re sitting. He hasn’t changed from his sleeping shorts and the hoodie he was wearing last night–the same hoodie you pulled on as you kissed in the same mattress laying meters behind him. Yet you don’t know how to describe the sensation you’re feeling right now. After seeing the boy you like the most fighting your brother for a kiss, your stomach feels… weird? You know the kind of relationship they have–they’re best friends, they bicker and fight and make up all the time. They live based on Donghyuck love-bombing Mark and Mark denying the affection all the time. But they love each other in a brotherly way, it has always been like that.

It’s not like you expected Donghyuck to want to hug and kiss you and only you after what happened last night, but you kind of did expect it.

Were you jealous of Donghyuck’s best friend, your own brother Mark?

Donghyuck looks at you confused when you don't accept his hug right away. You stop his arms midway, and his eyes look defeated, full of worry. “Did something happen?”

You deny with your head. “I don’t know, that kind of felt weird,” you confess to him.

Donghyuck caresses your arms, feeling you relax from the defensive attitude from before, until he gets your hands together. “What felt weird?”

It’s ridiculous, you know it is and you’re embarrassed about what you’re about to say. Yet, you can’t help but:

“I think I got jealous,” you say and watch his brows furrowed together. “You know, when you were trying to kiss Mark…”

Donghyuck only bursts out laughing and hugs you tightly against his chest, leaving you no time to escape the sudden affection. He smells like fabric softener and feels comfortable like a pillow. And you hate that you love the way his laugh resonates through your entire body when he presses you to himself like that.

“You know I never want to kiss Mark seriously, right? That I only do it ‘cause I know he hates it,” he explains once he’s separated from you, still holding your hands in his and looking you in the eyes. “I don’t want to kiss anyone the way I want to kiss you.”

You look down hiding your smile, thinking he’s cute at first and processing his words then, which makes you laugh a little. Donghyuck realizes right away and starts to laugh too, leaving the seriousness behind.

“Was that too much?” He asks.

You nod in response. “But it’s good to know.”

“Good,” he says before planting a kiss on your cheek. He’s only millimeters away from your face when he speaks again. “No need to be jealous then.”

Donghyuck turns you around on the chair, so your back is pressing against the island and he can stand comfortably between your legs. He starts as he did last night, planting a kiss on your knuckles, then your wrist, but you don’t wanna waste any more time so you free yourself from his hands and start cradling his face. His lips look as tempting as always, maybe even more after you tasted them for the first time.

He notices your look so he gives you a lopsided, attractive smile that you desperately wanna rip off his face.

“How can you look this handsome in the morning?” You ask, admiring all his features.

“I mean, technically it’s past the morning.” he answers in a cocky tone.

“Shut up already.”

You don’t give him time to fight back as you’re sealing his lips with a kiss. It’s slow but deep, and his skin feels warm and soft under your fingertips, all the way from his sharp jaw to his cheekbones. When he bites your lip a little bit to get full access to your mouth, you worry about the breakfast you were having minutes ago, but Donghyuck doesn’t seem to mind:

“Mhmm,” he hums, breaking apart and licking his lips. “You taste like maple syrup.” And he steals another quick kiss from you.

“Yeah,” you say as you turn around to face the kitchen island again. “‘Cause you interrupted my breakfast.”

But despite you showing your back to him and trying to finish your food, Donghyuck won’t let you eat in peace. “Oh yeah,” he murmurs against the skin of your neck after he moves your hair to your left shoulder. He plants a soft kiss on your right side, sending shivers down your spine and making it hard to concentrate on your task. “I’m sooo sorry I interrupted you.” His tone is full of sarcasm as his kisses travel to your jaw and all the way down again. “And you hated it sooo much.”

The metallic sound of your fork falling off your hand and hitting the plate startles the both of you. Donghyuck stops sucking on your neck and you fall out of your trance. Your startled face might be somewhat funny, because Donghyuck starts giggling as you both realize you were enjoying his kisses a little too much.

“Let’s go on a date.”

“All of a sudden?”

He nods with a smile on his face. “It’s your last day here tomorrow. It’s not like we won’t see each other anymore but… I want to take you out before your last day here.”

“Okay,” you agree, matching his smile.

“Okay?” He asks once more and sighs contentedly when you nod your head yes. “I’ll go plan everything. Make sure you’re all mine this afternoon!” And he leaves the room after kissing your right cheek.

(The busiest) Monday, 07:37 p.m.

“Hyuck, come on, there’s seriously no way of winning with those machines.”

“Babe, just one more try. I wanna get something for you.”

Donghyuck has been fighting against a claw machine for what felt like half an hour now. Since none of you weren’t able to win any of the games you tried at the carnival, you really appreciate his determination to win a prize for you this way. Yet you arrived here at five p.m., and after two rounds of bumper cars, after testing your strength at Ring the Bell (and both of you failing embarrassingly), riding the teacups, getting scared to death in the haunted house, and going twice into the Ferris wheel (one time for the sightseeing and pics and another time for kissing at the top of it) your stomach growls with hunger.

“We could’ve paid dinner with all the money you spent on this machine-”

“Wait, I’m about to get it!”

“Let’s just go get dinner.”

“But I’m about to get it!”

And you see it forreal this time: the claw holding a big Pochacco plushie and it falling right into the hole.

“Hyuck, you got it!” You scream in disbelief, a big smile taking over your face (maybe because of the cute plushie or maybe because it meant you were finally going to have some food.)

You watch Donghyuck lose his arm through the hatch and get it back, this time with the stuffed animal in his hand. When he’s presenting it in front of you, the stuffed animal is so big that it blocks your view. You admire it for a second, and then take it into your arms to discover a Donghyuck wearing the biggest smile you've seen in a while. He’s all cozied up, his jacket and stuffed hat making him look like a real life teddy bear. Even so, the cold of the winter has caused the tip of his nose and his cheeks to turn red, somehow making him look even cuter.

“I got it for you!” He says, the excitement not leaving his body even for a second.

You can’t contain yourself and, as an impulse, grab him from the jacket with your free hand and pull forward until your lips are meeting his. Just a short peck as a way of saying thank you, I love it (you.)

Neither of you realizes the little crowd you've drawn around the machines, not until you hear the applause and cheering as you're breaking away from your kiss. You’ve never seen Donghyuck get shy when drawing people’s attention, so this might be your first time noticing him trying to hide under his hat and into your embrace. You laugh it off even when you're equally embarrassed, but thank him for the plushie and tell him to run away from there to get dinner.

—

“I think I’ve liked you from the start,” Donghyuck confesses all of a sudden.

Well, maybe not so all of a sudden. While you two were having your dinner, bottle of beer came after bottle of beer. At some point of the night, you thought it was a good idea to start having soju. Donghyuck said something like “it’s our last night together, we should celebrate and get wasted” to justify your decision. So it may be the full stomachs and the alcohol making you be honest with each other.

“I know I’ve liked you from the start.”

“Aaall the guys knew too…” He slurs his words a little when speaking. “I wouldn't shut up about you.”

You can't hide your drunken, enamored smile when hearing him. But something makes a little noise inside your head. “All the guys knew?” You ask and he nods quickly. “Even Mark?”

“Even Mark,” Donghyuck confirms. “I mean, we always kind of had this joke going around that I was always waiting for you.” He pours himself another drink. “But we both knew it wasn't a joke.”

“Oh god.” You cover your face, embarrassed. “My own brother lied to me,” you say and Donghyuck makes a confused sound, which makes you keep explaining. “He pretended to know nothing about your feelings when I confessed to him that I liked you.”

“I asked him not to say anything.”

“Huh?”

“I wanted to tell you myself how much I like you.”

“Oh god,” it's all you can repeat right now, all these confessions and the alcohol making you grow hot everywhere. “It's so hot inside this restaurant,” you say as you take your jacket off.

Donghyuck knows the red on your cheeks isn't only because of the heat inside the place.

“I like you sooo much,” he says as he watches you giggle out of nervousness. Donghyuck calls your name and holds your hand over the table to try to get you to look at him, but you only giggle and hide your face with your other hand. “I'm in love with you!” 

“Okay, okay!” You're laughing by now, trying to cover his mouth to shut him up and not attract everyone's attention like you did at the carnival. “I'm in love with you too!”

“Good,” he says with an extremely pleased smile, that one that has always attracted you to him so much.

“Good?” you repeat and he nods.

Your phone screen lights up showing it's Mark calling you. You silently tell Donghyuck you're picking up and he lets go of your hand for you to do so.

“Yes?”

“Yo,” you hear Mark answer from the other side. “We're at Yuta's right now, we're working on some music with Taeil and TY so I think I'm just gonna crash here tonight.”

“Uhm, are you sure you don't wanna go back?” You ask and make eye contact with Donghyuck, who narrows his eyes and tilts his head to the side after your question. You only shrug to him as a response.

“Nah, I'll leave the apartment for the two of you so make good use of it.” Your brother answers convincingly.

“Okay, I'll see you in the morning.”

“All right bet, see you in the morning.” And he's quick to hang up.

You take the phone off your ear and look at it confused for a bit, until Donghyuck breaks the silence. “Everything all right with Mark?”

“Yeah,” you say as you put the phone down. “He said he's not going back home tonight.”

“Oh.”

You think of the words your brother said. “Leaving the apartment for the two of you,” and “making good use of it,” and it hits you. A little bit late, but it hits you.

“Oh…” you repeat, a surprised expression now taking over your face.

“Yeah, oh!” Donghyuck agrees. “We're having a real sleepover tonight!”

But by the excitement in Donghyuck's face, the one a little kid would show when told he's sleeping at a friend's, you aren't convinced he thought the same way you and Mark did.

(The last day at your brother's) Tuesday, 09:12 a.m.

The next morning, you wake up pretty confused. When you open your eyes, you're not sleeping at your usual spot. Your surroundings look very different from the living room where you've been sleeping every night. To your right, you spot Donghyuck's desk, filled with physics books, a pile of comics, and the typical empty Red Bull cans. The mattress also feels incredibly comfortable, soft but firm under you. But the most strange thing is the weight over your body, and a cologne you know very well and like very much flooding your senses. That's when you realize Donghyuck is laying all over you, stretched like a starfish.

You laugh and struggle to take your arms under him, and when you wrap them around the boy over you and squeeze, he starts to laugh too.

"Are the curtains open?" You ask in a voice still full of sleep.

He moves his head up to catch the smile on your face. "No?" 

"Then why is the sun so bright in my face?"

The smile spreads on his face and he plants a chaste kiss on your lips. "You're so fucking cheesy." And he kisses you again.

“Get off,” you try to move him from over your face and your body. “I haven’t washed my mouth.”

“I don’t care,” he says, finally moving and sitting at the side of his bed, where you’re still laying in. “I’m not missing a chance to kiss you.”

“You’re sooo fucking cheesy,” you repeat his words.

“And you like me sooo much.” Donghyuck moves to the nightstand and grabs an aspirin and a can of Red Bull and brings them to your mouth. “Take, it’ll make you feel better after all we had last night.”

You sit up a little on the bed to do what he told you, and once you've swallowed the aspirin you let yourself fall back against his pillow. Donghyuck is still sitting on the edge of the bed, exchanging glances with you and holding your hand lovingly. He's wearing the Michael Jackson t-shirt that he likes so much and he's wearing his messy hair, just as you left it after pulling, fixing and messing it up while you kissed him countless times the night before.

You’re leaving today, and it’s like all the feelings you’ve accumulated these past years are hitting right now, all at once.

“I wish I could wake up like this everyday.”

“Hungover?”

“No, not hungover,” you laugh at his question. “With you.”

He smiles and squeezes your hand reassuringly. “We’ll figure it out.”

You sit up in the bed and search for the energy drink on the nightstand. After a few drinks, you’ve figured the morning breath can’t be so bad, so you move to face him properly and grab his face for a real kiss. Donghyuck doesn’t take long to reciprocate and start caressing your entire body. He’s always the first one to take the kisses to other places, so you take the lead this time. You discovered last night that Donghyuck can’t resist the kisses on his neck. You start placing soft kisses, then some licks until you suck a little and he fails to suppress a moan. He laughs it off and calls your name.

“I want to ask something important,” he says, looking you dead-serious in the eyes now, all the jokes and the desire aside. After you nod in response, telling he has your attention, he takes a big breath of courage. “It may seem a little rushed, but after all we’ve shared these years and after this week we’ve spent together, I don’t want you to leave without asking you to go out with me.”

You feel the temperature increase throughout your skin. Is he finally asking you to…

“Be my girlfriend?” As if he knew you from inside and out, he finishes your thoughts out loud.

Temperature reaches your face as well as probably the biggest smile you’ve worn since you got here. You cradle his face, squeeze his cheeks with your hands until a pout is showing and you can’t help but laugh—out of nervousness but also out of happiness, from having the sun in your hands and all for yourself.

“Lee Donghyuck,” you start. “That’d make me the happiest in the world, in the universe.”

“You’re sooo cheesy!” He starts the bickering once again, yet he’s sealing your deal with a kiss on your smile and, of course, you’re returning the affection.

(Later that) Tuesday, 03:30 p.m.

You’re standing in the building’s hallway while your brother struggles to lock the door to the 12-7 apartment. Donghyuck is patiently holding your suitcase, waiting for Mark to be done. They’re going to accompany you to the bus stop that’s coming at four p.m. so you can finally go home to the rest of your family and your normal life—you’ll be back studying and working in a few days, after spending Christmas with the family and Donghyuck, who promised to be there to join the Christmas lunch at your home and—maybe, if he doesn’t chicken out—present himself as your boyfriend to your parents.

“We need to change the door lock before y/n moves in here,” Mark says after finally locking it.

“What?” Donghyuck and you ask in unison. “Moving here?”

“You’re not moving in with Donghyuck? I thought I’d finally be free from him,” your brother answers, kind of disappointed, but not as disappointed as Donghyuck after noticing how bad your brother wants him out.

“But where will you go?” You ask him.

“I made plans to share the floor with Yuta.” 

“That motherfucking japanese!” Donghyuck screams following Mark down the hallway, and you palm his back trying to reassure him, but your boyfriend won’t calm down. “I swear he wants to steal my best friend from me! He’s so jealous of my life!”

“What would he be jealous of, Donghyuck?” Your brother asks tiredly, and you know he’s rolling his eyes even if all you see is his back opening the building’s front door.

“Of our last-longing, incredibly unique friendship, of-fucking-course!” Donghyuck answers like it’s obvious.

“I’m pretty sure you just kept this friendship to get with my sister.”

“Mark?! That’s not true. I love you, man. Mark-Mark, come on!”

taglist: @matchahyuck @sundamariis @thesunsfullmoon @babyjenono @chenfleur @bettyschwallocksyee @sundhaelatte @injunier @justalildumpling @lanadreamie @dhyucktopia @143rachafm @minkyuncutie @bbh-kji @minhosprettywife

[angelicsjn]

How would ocs act if darling is already in an established relationship with someone else? Also I'm really interested in your religious oc, religious themes and imbalances just get me going lol

YOUR SEVEN YANDERES.

A N: This might be a lil short, my apologies...

A B O U T: You are in a relationship, and it's not with them.

W A R N I N G S: Hints of homewrecking.

— ROMAN BEAUREGARD.

Have you heard rumours around F1 drivers and their dating lives?

He doesn't care.

Call him Ariana Grande because he will break into your house and make you a new home.

If he wants you, he will get you, regardless of your relationship status.

But, he does it in a way that's so seamless that nobody even questions his motives, I mean. If it's true love, who is he to leave that chance?

— LATEN REED.

He's not like Roman, but he's still on it.

He wants that damn cookie.

He uses his popularity to his advantage. Everyone loves him, and it's easy for him to turn your partner into an enemy.

He will snoop around and find out anything that makes them even look slightly bad and capitalises on it.

— JAE 'NIKO' LEE.

This man straight up doesn't give a fuck.

He'd kill the bitch for even sniffing around you.

"You can do better than them, they're weird as fuck." And honestly, he's so true (he's got you bedazzled by his good looks)

— KAIDAN WOLFE.

No.... you don't....?

They don't exist to him.

One day, you're with someone. The next you're, like, not. You're with him.

He makes sure that the whole world knows, even you find out when you go onto your phone to see it's blown the hell up.

— HAYDEN WEST.

He's biting his fist.

He's a good boy. He can't do this. He feels so guilty.

So he settles with a friendship....

But he's so attentive. So kind. Caring. It's hard not to fall in love, really.

— JOSHUA WHITE.

Joshua is seen as one of the sweeter few, but he's very deceptive like that.

They aren't a follower of God? He turns the town on them. They said the Lords name in vain? He's rubbing his hand together.

He finds anything to turn the town against them. He finds anything to turn you against them.

He wouldn't make you cheat, no. But he will help you end it with them.

— BLAKE CROSS.

"That's... you chose that?" He'd actually laugh. "Come on, you're too good looking for that thing, Jesus Christ. We're you drunk?"

He's obvious that he wants a piece, and to be frank, he doesn't care. Lmao.

He makes it obvious, and why wouldn't you want him back? He's good-looking, rich, funny, he will take care of you.

He doesn't force it. He doesn't have to. He just worms his way into your life and gets comfortable. That's enough.

[shortestcake]

SUCCUMB

Pairing: Pirate!Ellie Williams x Mermaid!reader

Pronouns used: none

Gendered terms: mermaid

Genre: (eventual) fluff+angst+smut

Summary: An infamous pirate seems to have finally bitten off more than she can chew.

// blood/wounds/alcohol mentioned, I don't know anything about ships, or sailing, or even pirates really, ellie is a bit dumb sometimes

| Part 1 | Part 2 |

Silver scales glistened from underneath the water, or were they blue? Maybe pink, or green. She couldn't really tell, it was like they'd shift colors at every new angle of reflected light. But that didn't matter all too much. What did matter was that Ellie was about to grasp the biggest catch of her life.

"Fucking Christ— Hey!" Her voice bellowed throughout the ship, yet not loudly enough to garner the attention of her— probably asleep— crewmates. Of course, she could usually manage this on her own; though, in the moment, a helping hand would've been ideal, given the whiskey she enjoyed earlier.

But, not willing to let this gem slip away, she rushes to get the fishing net herself, nearly tumbling due to her drunken state. She practically sprints back once it's in her hold. And, with as much precision as she can muster, Ellie tosses the net. Reeling it back in when it's clear her target was tangled in well enough.

'This was it, this was what you finally got after years of dancing around death', you thought. You were just so curious, the group of young adults, laughing, drinking, dancing, effortlessly caught your eye. They were so muddled after all that liquor, that you assumed surely it'd be harmless to have a closer look. Especially once everyone went inside except for one woman. One mesmerizing woman.

She continues to lug the net upwards, slamming you against the ship's walls occasionally. 'This should last us weeks', she thought to herself, the weight of the fish taking her by surprise. It certainly wasn't the heaviest thing she's carried, but definitely not as light as fish usually are, and also definitely squirmier than fish typically are. Ellie could've sworn she felt a tugging of some sort.

Once over the edge, she choked on her own spit at the sight. Instead of a bug-eyed, all fin and scales— the pirate finds staring back at her a very human-looking pair of eyes. Naturally, her grip falters from the shock, and the net slips back to where she struggled so much to take it from.

Only your yelp snaps her back to reality, just in time to snatch the rope again. She caught it and dragged you back up without thinking, instinctively 'helping' you, now that her brain recognized you as a person and not just a meal.

The two of you just stared at each other, you wanted to curse at her, scream in her face and tackle her— your fucking arms and back hurt so much from how she knocked you into the ship. But you did nothing, after all, you weren't underwater, she clearly had the upper hand. And, as every second passed, you became more unsure of her motives. You initially thought she was one of those people who'd hunt inhuman creatures just for some extra coin. Sell elf teeth by gram, or mermaid scales by the piece. Instead, she looked more lost than you, eyeing you up and down, but not menacingly— it was shocked, curious even.

Finally, she pushed out of her frozen state, rubbing her eyes with her palms. "I'm way too fuckin' drunk for this." She slurred, it would've made you chuckle under other circumstances.

Ellie's mind was running a hundred miles a minute, did she really just accidentally catch a mermaid, how does that even happen?

Maybe this was your chance to slip away, retreat into the ocean, and play it safe. You swore to whatever divinity would listen, you'd never step out of line again if they spared you this once.

A firm grip on your arm stopped you from withdrawing any farther.

Jade eyes bore into yours, fixated on your features as her lips gaped. She opened and closed her mouth a few times, unable to formulate a proper sentence. "You— what—" Asking what you were would've been foolish, so she stopped herself; "What were you doing so close to a ship?".

"Just... curious." You answered carefully, still unable to decipher her character.

The thief hums, not very convinced. Mermaids were supposed to be dangerous to humans. What if you weren't alone? What if she and her friends were in danger? What if—

Before she could think of what to do, a familiar voice rang through the air. "Ellie? Are ya' still out here?" Joel. Suddenly all rational thinking was lost, and Ellie turned back into a teenager trying to avoid a scolding. She pulled you out of the net and hoisted you into her arms, practically throwing you over your shoulder and running to her room.

You instantly started thrashing around, panicked. "Put me down." You hissed, slamming your fists into her back.

"Shut up. Shut up. You'll get us caught!" Now, realistically, she knew she had no reason to be this worried. She was a grown woman, after all, her dad couldn't ground her.

Honestly, it probably would've been easier to let Joel find you, he knew what to do in these situations better anyway. But she was beyond tipsy, and all she could think was 'Potential killing machine on ship, my fault.' over and over.

That's why she locked the door behind her when she reached her cabin, and why she was now pacing.

Ellie finally slowed and glanced back at you. "Doesn't that hurt?" Her finger switched between pointing at your arm and then your tail.

Confused, you follow her index finger, to find two wounds, one worse than the other. It was like the adrenaline numbed you, and now, looking at the damage brought that pain rushing in. "Fuck— must've happened while you dragged me against your ship."

Ellie winced at your comment. She took a deep breath, trying to clear the fog of alcohol from her mind. "Look, I didn't mean to hurt you," she said, a bit more gently. "I just thought you were a really big fish." She admits, quietly and embarrassed. At that, you let yourself giggle. But your amusement didn't last long when your body decided to remind you of the excruciating pain you were in. You flinched and sucked in a sharp breath.

Now it was her turn to chuckle, just barely, though. "Can you go back out like that?" She asks, and it seems genuine— maybe she's sobered up a bit, you think. "I don't know." You answer honestly, fidgeting your fingers.

"I"m not— Hey, listen!" Poor Jesse, desperately defending himself from his own best friend and girlfriend. "I'm not saying we should just invite mermaids onboard. I'm just saying, hypothetically, if we somehow befriended a mermaid, it'd help us a lot."

"Yeah, or get us killed." Ellie scoffed.

"You know what I mean, dick." He rolled his eyes. "Like, with navigating and—" hiccup "shit."

"Okay, you're drunk." Dina put her hand on his shoulder. "But, I guess, hypothetically, you're right."

Jesse made an 'I told you so' motion with his hands while nodding at the other girl.

"Yeah, yeah, whatever."

Ellie recollected the conversation with her crew mates, chewing on her lip in contemplation.

"Then, you can stay here." She blurted out. This made you look at her like she was the mermaid, and you the pirate.

After a moment of silently blinking up at her, you asked "Why?", a reasonable question, who wouldn't be suspicious under these circumstances.

"We could help each other. I let you stay here, give you food, bandages, and you help us navigate." The offer was tempting, aside from the fact that getting back home in your state would've been a pain, you've also always had a curiosity about humans.

"I just tell you where you to go? Is there some catch?" You ask, still slightly skeptical.

"Nope, these waters are dangerous, and you know them better than anyone else on this ship." She remarks, matter-of-factly.

"Makes sense." You mumble.

"So?"

"So, I'll help."