#but literally everything about every character was so very well-written and presented in such a good way

[loregoddess]

saw the first volume of Cursed Princess Club in the store last Sunday as I was walking by the manga section, and the name was so unusual that I looked it up online when I got home, and found out it was on webtoons to read for free, and just finished it, and holy shit

literally one of the best stories I've ever read

[in-my-feels-probably]

Older Art spoiling his 20 something yo girlfriend that goes to Stanford. She looks up to him and listens to him and does whatever he says and basically lives for his praise.

I Feel So High School (Every Time I Look At You)

Request: Older Art spoiling his 20 something yo girlfriend that goes to Stanford. She looks up to him and listens to him and does whatever he says and basically lives for his praise.

and: art being 10ish years older than reader? that’s all i got. go crazy

Hi! Challengers has been on my mind literally since the day it came out, and I think I've read every single fic on here about it, so I figured I’d give it a shot writing one myself. First of all, I combined your requests, hope that’s ok. Second, this is my first time writing for Art, so please bear with me while I try and get the hang of writing his character. I haven’t written a fic in weeks, so my skills are definitely a little rusty. Please be kind! Anyways, I hope you like this. Let me know what you think, and thank you for the request :)

(Warnings: none? idk, maybe very vague mentions of sex, art is divorced, swearing, i guess the age gap taboo. let me know if i missed anything)

—

You should have known trying to explain your situation with Art to someone else would’ve been difficult, but finally telling your roommate everything was just as humiliating as you thought it would be. She always had a knack for nosing her way into your business, and not even you were immune to her federal level detective skills when it came to getting information out of someone. 

“And I’m seeing him today,” you finished your rant as you sucked in a breath, wincing as you waited for the bomb to drop.

But it didn’t. Your roommate just grinned, standing up and walking over to your closet. You watched with a confused look on your face until she turned to you, already elbow deep in your clothes.

“So…you have a sugar daddy?” your roommate asked, trying to stifle a laugh as she rifled through your closet to help you find an outfit. “No judgment, I’m honestly jealous.”

You picked a pillow up off your bed, launching it at her when she smirked as you flushed. “I don’t have a sugar daddy! I have a…well—ok, I don’t know what we are. But he’s not my sugar daddy.”

“No, he’s just an ex pro tennis player with a famous ex wife who was also a pro tennis player that he had a perfect little girl with, complete with a house in the Hamptons. Now, he’s…what, exactly? A coach? A commentator? Part of Stanford’s glorified alumni? No, I’ve got it! I know what he is — hot. In a beekeeping age, recently divorced, kind of way.”

You rolled your eyes, standing up to help her look through your closet. “He’s only in his thirties. You’re making him sound archaic and washed up.”

“Look at you, gushing over him,” she grinned as she finally landed on something for you to wear, quickly handing it to you. “At least he has good taste. You’re hot, too.”

Your roommate turned around while you quickly changed, sitting down at the foot of your bed. She talked over her shoulder as you got dressed, her voice full of curiosity.

“So, how did this all happen anyway?”

You sighed, shaking your head. “Remember alumni week with all the guest lectures and presentations a few months ago?”

“You met Art Donaldson during alumni week? What the fuck! Why didn’t you tell me? I wouldn’t have skipped all my classes that week if I thought I was gonna pick up a trophy husband instead of being forced to sit through a mind-numbingly boring presentation from some guy who used to go here that I’ve never heard of.”

“Sucks to suck, babe,” you grinned, finished getting dressed. “I’m good, you can turn around now.”

She quickly turned around, patting the spot on the bed next to her.

“How did this even happen? I’ve never seen you step foot on a tennis court in your life, and I know they wouldn’t have asked him to speak in a graduate lecture.”

You sat down next to her, nodding. “He did a seminar down at the courts for the kinesiology majors or something like that. They were learning about sports related injuries and how to treat them. He told them about how he hurt his shoulder a few years ago during a match, and he talked about all the physical therapy he had to do.”

“You’re telling me you sat through a kinesiology lecture? On a tennis court? When you don’t even study kinesiology?”

“Absolutely not,” you laughed, leaning back against the headboard. “He told me about it that first week while he was here.”

Your roommate giggled, grabbing your hand and squeezing it. “Oh my god! Okay, okay. Spill. Now. I want to know everything.”

You playfully rolled your eyes, but started ranting again anyway. 

—

In truth, you didn’t really know what your relationship with Art was. You’d met when returning alumni who’d gone on to excel in their fields came to campus for guest lectures and demonstrations.

In a total mortifying cliche, you ran into Art in a hallway while you were rushing to a lecture that had already started ten minutes earlier. You would have been on time, but your roommate accidentally locked herself out of your dorm, and the RA wasn’t answering their phone. She had an exam she needed to get to, which—in her own words—“trumps your boring book lecture.” You had no choice but to turn around and save her, making the trek back across campus to let her in. That’s how you ended up running face first into Art, your bag and all your things scattering across the floor. By some miracle, at least the halls were empty.

You quickly kneeled, scrambling to pick up all your things. “I’m so sorry, I wasn’t watching where I was going. I’m late for class.”

“Don’t worry about it,” he said, kneeling to help you.

It was then when you looked up, and you felt your heart jump into your throat. Art Donaldson—famous alumni and world renowned tennis player—was crouched right in front of you, handing you half empty tubes of chapstick, a pair of headphones, and a stray pack of gum. Oh god, you thought to yourself. Why me? Why today? You quickly cleared your throat, standing up.

“God, sorry. Thanks…Mr. Donaldson.”

You cringed as you said it, the title of Mr. feeling off as it rolled off your tongue.

“Mr. Donaldson?” he raised a brow, shaking his head. “No, just call me Art. Uh, you know who I am? Am I actually still recognizable here? I figured no one off of the courts would have any idea who I was.”

You glanced down at his shirt, pointing. “You’re wearing a name tag.”

Art paled, raising a hand to awkwardly scratch at the back of his neck. Good one, he thought to himself. Very humble. He cringed to himself as his cheeks flushed, a small smile on his face.

“Right. I knew that.”

You smiled, pulling your bag back over your shoulder as you let out a little chuckle. “I know who you are. Stanford never lets us forget about their prized students.”

“Ah,” he nodded, grinning. “In my day, it was Reese Witherspoon and Jennifer Connelly. Although, Reese dropped out halfway through her degree, so they don’t talk about her much—”

“And Jennifer left Yale to come study here,” you finished. “That’s one they do still brag about.”

Art smiled, leaning back against the wall as he looked at you. You suddenly became very aware of your situation, tearing your eyes away from him to look down the hall where your class was. Art’s eyes followed, and he straightened up, clearing his throat.

“Am I keeping you?”

“No!” you said all too quickly, biting your tongue for a second before you forced yourself to calm down and continue. “Uh, my class already started. It’s not really important, he doesn’t count attendance anyway. And, to be honest, he’s pretty dull. He managed to make Jane Austen boring.”

“Not Bazin’s class, is it?” Art asked, making you raise a brow.

“Yeah, it is. How’d you know that?”

Art smiled, letting out a little laugh. “That’s why I came this way, I wanted to see if Professor Bazin still taught English here. He was a dinosaur even when I graduated. I’m surprised they still let him teach.”

“If they actually read the end of term course evaluations they make us fill out, they wouldn’t,” you mused, making Art grin wider.

“I guess I should let you go then,” Art shrugged, glancing down the hall. “Wouldn’t want you to miss out on something you could use in your scathing evaluation.”

You glanced back down the hallway at your classroom, but you couldn’t get your feet to move. You weren’t sure why, but you didn’t want to go just yet. 

All you did at Stanford was go to and from class and stay on top of your studies. It was monotonous and boring, and you were always up to your neck in papers and projects. Other than your roommate, you hardly had any people left you talked to or hung out with. They all graduated with their undergrad degrees, and you moved on to your graduate studies. Your education was important to you, but it got lonely. You almost never took risks anymore. But as you glanced back at him, that’s what you did.

You took the risk.

“Or…you could save me from my misery?” you stuttered out, an awkward smile on your face.

Art looked at you with an amused expression, tilting his head as he waited for you to continue. You swallowed, fiddling with the strap of your bag.

“My classes are almost all entirely in this building. I’m sure you’re sick of talking about tennis, but between here and my dorm, I don’t think I see enough sunlight in a day to keep me going. Maybe you could walk with me somewhere that actually sees the sun? Doesn’t have to be the courts or anything, although I can say with full confidence that I’ve never actually seen that part of campus and I’m in my graduate studies. Uh, maybe you’ve got somewhere in mind? Or you could let me buy you a cup of shitty cafeteria coffee? I promise I’ll refrain from asking you about your career. But, as I’m sure you can tell just by looking at me, I don’t really know enough about tennis to ask anyway.”

As you rambled on, horrified by your own rambling but determined to put yourself out there, Art smiled. 

He’d met a lot of girls over the years. Some girls who had a genuine interest in him but didn’t last, and some who saw his fame and fortune as a one way ticket to an easy life. 

None of them mattered. 

He had married Tashi, head over heels from the first moment he saw her. He had a kid with her, a career with her, a seemingly picture perfect life with her. It didn’t even occur to him to look at other girls until his marriage started to strain under the weight of his career, and he’d almost forgotten what it was like to look at a girl for the first time and feel that sickening but addictive feeling of butterflies fluttering around in his stomach. After the divorce, it felt so foreign to him that he didn’t even try. He had resigned himself to being a single father who co-parents and lives the rest of his life comfortably and quietly.

But here you were, rambling on with flushed cheeks and bright eyes trying your hardest to ask him out, and he couldn’t be more captivated.

There was just something about you. You were pretty, obviously. Anyone with eyes would’ve been able to see that. But there was something else, too. You were still young and not entirely pessimistic yet, with your whole career ahead of you. Probably no more than a few heartbreaks under your belt, able to muster up some sort of courage to fight for what you wanted. He used to have that, and he missed it — admired it, even. As you finally cut yourself off and looked up at him with mortification written across your face, Art saved you from further embarrassment with a smile. 

“Um…coffee sounds good,” he said with a shy smile. “Not from the cafeteria, though. If it’s as bad as it was when I went here, I’m not gonna let you waste your meal card money on it. There’s a cart outside of the athletics center, I stopped by it this morning. It’s still good.”

Trying your best to mask the shock you were feeling by his answer, you quickly nodded. “Oh, okay. Sounds good.”

You spent the entire afternoon with him. Coffee turned into lunch, and lunch turned into a long walk. Although you both had things to do, neither of you wanted to say goodbye and go on with your day. You skipped the rest of your classes for the day, letting Art show you around campus. He took you to all the places you had never been, and you kept quiet and let him show you anyway when you passed somewhere you had already been a hundred times. He was polite and asked you about your major and career goals, even managing a graceful smile when it was his turn to tell you about his career and how it unfolded after he graduated. He was careful to leave out the end, but he found himself comfortable enough to tell you about the first few years. You asked what you could, but you really didn’t know enough about the sport to ask much of anything.

“I’m boring you to death, aren’t I?” he asked when there was a lapse in silence after you passed a poster with his face on it for a Wimbledon campaign.

“No, not at all!” you replied, tilting your head up towards the poster. “I’m just wondering how you managed it.”

Art cocked a brow, turning towards you. “Managed what?”

“Not becoming a complete asshole,” you shrugged, making him burst out laughing. “I’m serious! You’re not the first celebrity to come here during alumni week. The difference between you and them is that you didn’t show up and immediately start bragging about how successful you had become. As far as I can tell, you’re the same as when you graduated. That seems pretty rare.”

“There’s not much to brag about,” he shrugged, too humble for his own good.

“A career Grand Slam isn’t worth bragging about?” you asked, turning away from him when he gave you a confused look. “Okay, fine, I may or may not have Googled you back in the restaurant while you were in the bathroom. I was running out of things to ask you, and I figured I should know something about tennis. Anyway, I was impressed.”

Art just chuckled. “I’m flattered.”

After walking a few more minutes, the street lamps turned on. It had gotten late enough in the evening that they were starting to light up around the darker parts of the campus. It was your cue to stop walking and look around, both of you realizing how long it had been since you started talking.

“I guess I should be headed back to my dorm,” you said, a hint of disappointment in your voice. “My roommate is probably freaking out by now. She knows I never really go anywhere after class without her—and yes, I heard how pathetic that sounded as it came out. She’s probably gonna call campus security if I don’t show up soon.”

Art nodded, knowing you were right. And yet, his feet didn’t move. Neither of you made any attempt to leave, still standing under the soft light of the street lamps. Art looked at you with soft eyes, absentmindedly reaching to fiddle with his wedding ring with his thumb before he remembered it wasn’t there anymore. Finally, he cleared his throat. 

“Well…I guess this is the part where I ask you for your number.”

“It was nice meeting you, too—” you started, doing a double take once his words registered. “Wait, what?”

Art let out a nervous laugh, shrugging. “You bought me a coffee, it’s only fair that I do the same. I’m here all week. Maybe you’d want to do this again sometime?”

“Uh, yeah! Yeah, that sounds good,” you replied, trying your best and failing to sound as nonchalant as you could.

Art smiled and pulled out his phone, opening his contacts. He handed it over to you, watching as you typed in your number before handing his phone back to him. You fought the heat pooling in your cheeks, fiddling with the strap of your bag. Art grinned, breaking the silence. 

“Go find your roommate. Tell her to call off the search party.”

You chuckled, nodding. “I’m on it. Well…bye, Art.”

“Bye, Y/N. I’ll text you,” he replied, enjoying watching you shuffle back and forth on your heels. 

He made you nervous. And for some reason, he liked that. He’d spent practically the last decade of his life perpetually nervous. It was nice to know someone else felt the same way. 

He watched you go as you turned around and headed back to your dorm, a distant but still familiar warmth in his chest. He’d only known you for a few hours, but he could already tell he liked you. By the time you made it back to your dorm and managed to come up with an excuse for your roommate who immediately interrogated you the second you stepped through the door, your phone was ringing. You excused yourself to the bathroom with a bashful grin on your face, answering the call.

—

You spent the better part of a week with Art when you both had time between your classes and his seminars. 

It felt surprisingly easy and normal talking to him. Your small talk about your careers and plans turned into more personal topics, and then you were talking about anything and everything. You were fully aware of the age gap between you two, but it didn’t bother you nearly as much as you thought it would. If anything, it was part of the draw to him. He was also kind and friendly, with a surprisingly self deprecating sense of humor that made you laugh. Not to mention the fact that he was drop dead gorgeous. You had to actively make sure he didn’t catch you staring at him when his head was turned. He made you want to actually giggle out loud, which is something you never thought you’d do over a guy.

By the end of the week when it was time for him to leave and go back to New York, you both were dreading saying goodbye. 

It was late in the evening, about an hour before he had to leave to catch his flight. He’d finally taken you to the courts, once again only lit by the street lamps overhead. It was the first time all week he’d stepped onto the court and actually wanted to be there, not surrounded by onlookers who knew every nook and cranny of his life and career. Instead it was you, the sweet pretty girl who made him genuinely laugh when you asked him why the points system would ever use the term love to describe a lacking score. 

He fiddled around for a while, teaching you a few serves and how to hold the racquet to hit the ball. Eventually he was on the other side of the net, watching you giggle and chase after the few balls he’d softly serve your way. He could hear you panting and the sound of your shoes skidding across the court, but your laughter was too sweet to make him stop. 

Finally, you stopped to take a break, sitting down on the bench. “Don’t look at me, I might cough up a lung.”

“Very impressive,” he smiled, passing you his water.

“Thank you,” you grinned, motioning between him in the court. “Go on, let’s see what you’ve got. I’m down for the count, but I’m sure the ball machine will be more than happy to fill in for me.”

Art smiled, watching you grin at him with flushed cheeks and glowy skin. If anyone else was asking, he wouldn’t have done it. He wasn’t interested in showing off his skills, or lack thereof to put it more accurately as of late — he’d stopped training as intensely after the divorce, no new tournaments waiting for him to come and win. But the look on your face when you asked was just one he couldn’t say no to. Plus, your knowledge of the sport wasn’t that vast. You probably wouldn’t notice if he slipped up anyway. And if you did, you’d be too kind to make him feel bad about it.

“If you insist,” he groaned, but he was still smiling to himself as he moved to the other side of the court.

You watched him play for a few more minutes. He really was something to see. Every movement he made was smooth and graceful, a far cry from the stumbling around and huffing and puffing you had been doing. Every ball hit its target, every serve lining up exactly where he wanted it to. As silly as it sounded, you actually had to prevent yourself from clapping once he finally slowed down and turned the machine off.

“Look at you go,” you smiled from the bench, handing him back his water as he walked back over.

His cheeks flushed pink, and he was silently praying you couldn’t see it from under the low lights. He was too busy getting all flustered to reply to you, and it made you smile. It was silent for a long moment as you stared at each other, before he finally stood up. You followed him, a sinking feeling in your gut as you realized that it was probably time to say goodbye.

It had been a week you had never even dreamed would’ve happened to you, and yet it did. The one risk you decided to take had led to the most fun you’d had in your entire time at Stanford. You didn’t want to see him go.

As you looked up at him with soft eyes and a melancholy look on your face, like you were looking to him for all the answers, Art felt a sharp tug in his chest. He found himself immediately wanting to fix it, wanting to make you smile again — smile because of him. He’d have done anything in that moment to get you to laugh again.

So, against his better judgment, he leaned in and kissed you. 

It was a spur of the moment decision, one he almost immediately regretted. But then he felt you sink into the kiss, your hands coming up to his waist to steady yourself. He cupped your cheeks and pulled you into him, unable to stop the smile spreading across his lips. 

And that was all it took — he was falling, and falling hard. 

—

That was months ago now, and yet, Art still found reasons to visit you. 

When there was lapses in tours, or it was Tashi’s week with Lily, he always somehow found himself ending up coming right back to you. He’d pick you up from your dorm, and you’d spend the entire day with him. On weekends, you ended up in whatever hotel he was staying at, telling your roommate you were going back home for a few days. When you weren’t together, you were constantly texting or calling. He even sent a postcard once when the ATP took him to Europe. It was cheesy, but you couldn’t wipe the smile off your face all day when you got it in the mail. 

You hadn’t exactly put a label on the relationship, but it was clear to the both of you that you meant more to each other than either of you cared to admit out loud. Quite a bit more, actually.

And Art wasn’t stupid — he knew what your relationship looked like. 

Recently divorced, a younger woman by his side. If they knew, the media would paint him as one of two options: an easily manipulated victim of a gold digger, or a washed up athlete who split with his wife that was now taking what he could get, the younger and prettier the better. 

But that wasn’t it at all for Art.

It wasn’t just sex, or a new pretty face. You were something different. A breath of fresh air. Someone who didn’t care about his career or money or fame. You had no interest in what he could offer you, or what you could get out of him. You never made him feel pressured to do anything or talk about anything he didn’t want to. He’d spent so many years craving a sense of normalcy and peace. Time and time again, he’d wanted to go to Tashi and beg for a break in his routine. But, always too afraid to disappoint her and everyone else watching him, he stayed quiet. He never got a break. As odd as it was to say, that’s what you were to him when he met you — a break. A minute to breathe, a moment to relax. He always felt that way around you.

Simply put, he was head over heels for you. He didn’t think he’d feel like that for another woman after Tashi until he met you, and it shocked him how easily the feeling came to him.

And it wasn’t just him that had fallen. 

You practically hung on every word he said, and soaked up every ounce of praise he gave you. You had never been with someone like him before. Someone so experienced and sure of himself, but just as gentle and patient as he was sure. He made you laugh and smile, and he made you feel safe. For whatever reason he had taken interest in you, you didn’t care, you just didn’t want it to stop. You clung to it, enjoying it while it lasted.

And if either of you had anything to say about it, it would last.

—

By the time you finished explaining your relationship with Art to your roommate, she was already pushing you out the door. 

“Go, go, go,” she squealed, tossing you your keys. “Wait!”

She wrapped her hand around your wrist, stopping you in your tracks as she glanced down at the outfit she chose. “Is that a new dress? Did he buy you a dress? Oh my god, please tell me he has a brother.”

“Not sure,” you grinned, smoothing your hand down your front. “Show up to alumni week next time and find out.”

You were already pressing a kiss to her cheek and rushing down the hall before she could get out another word, giggling as you made your way to the stairs.

On the drive over to the hotel, the nerves in your stomach were making you nervously tap your fingers on the steering wheel. You must’ve got caught by every stop light, making the trip even longer. You were practically vibrating once you finally pulled into the parking lot, grabbing your bag and hurrying inside before your nerves got the better of you and made you stand like an idiot in the lobby, trying to muster up the courage to get in the elevator. You coasted on autopilot as you forced your feet to lead you upstairs to his floor, all the way down to his door. You only came back into your body when you raised a hand to knock on the door, pausing to take a deep breath.

Just knock, you thought to yourself. You’re a big girl. Just knock.

You had barely even knocked twice on the door before the door swung open, and you came face to face with Art. Your breath hitched in your throat, and you took a second to take him in. Still as pretty as you remembered, and every bit as alluring. You could feel yourself melting. 

The feeling was mutual. 

Art let out a sigh of relief, like it was the first good breath he had taken in weeks. A genuine smile crept onto his face as he reached for you, practically making grabby hands like a child. 

“Come here, pretty girl.”

You tried and failed to stifle a giggle, immediately burying yourself in his chest. You let out a hmph as you pressed your cheek against him, your arms wrapping tightly around his waist. You could feel his thumb running along the bare skin of your arm, his lips pressing a kiss to the top of your head. He nudged the door closed with his foot, tugging your bag from your shoulder and setting it on the floor without even letting you go. He was warm to the touch, and steady against you. He hummed into your hair, squeezing you tighter.

“There she is,” he murmured, letting out a small laugh. “My girl.”

“Hi, baby,” you giggled, the sound making his heart soar in his chest. 

He slowly walked you backwards to the bed, supporting most of your weight as you laid down. He was quick to follow, burying his face into the crook of your shoulder. His arms hooked lazily around your waist, his weight pressing you into the mattress.

This is what you both had been waiting for. This feeling, this moment. Just this.

“You look very pretty today,” he whispered into your skin, pressing a kiss where his lips rested. “All this for me?”

The humor in his voice made you grin, your fingers running through his hair. “Couldn’t let you be that pretty all by yourself.”

Art smiled, pressing his face further into your neck as he let out a breath. You tightened your grip around him, holding him close. You let your eyes close, resting your cheek against the top of his head. 

A comfortable silence fell over the both of you, as easy as it ever was.

—

A/N - Hi! So sorry this took so long to get out, thank you for your patience. I keep rereading this and editing it over and over, I’m not totally happy with it. But something is better than nothing, and I’m tired of staring at, so here you go! Hope this is ok, let me know what you think :)

[juyendraws]

[Limbus Company] Faust’s Development (or Lack Thereof) in Intervallo 6.5

So Murder on the WARP Express came out and uh… The suspicions I had regarding Faust’s future arc ended up being confirmed. Faust is definitely not reaching out to the truth. I didn't expect the seeds for her story to be planted so soon, but here we are. It’s real. And you're probably thinking, “Uh… WTF are you talking about?” Let me explain to you what I mean.

The message of Library of Ruina is a critical part to understanding what's going on in Limbus Company. I will tell you straight-up here and now, absolutely nobody in the fanbase knows what the hell LoR is actually about. Nobody. And it is such a shame, because it has such a great message that absolutely nobody talks about. I'd love to tell you much more about it, but that involves long explications on Jungian Psychology, the Jewish Kabbalistic Tree of Life, and the story itself, which I don't wanna subject you to yet (I am saving my esoteric lore dumping for the video scripts I’m currently working on). What I will tell you, however, is that the lessons learned by Angela and Roland in LoR are all about opening oneself to everything that is possible in life. The ways in which they do this are:

(1) To listen to one's inner world, or intuition. Don’t just blindly believe whatever someone else says. Follow your own inner voice. 

(2) To listen to one's outer world, or reason. Don't just believe whatever you want to believe. Look at the facts and be receptive to others' opinions. 

That's all you need to know for now about this particular subject. The theme of opening oneself to infinite possibilities is one that carries over from LoR to Limbus Company, and it is present in every Sinners' story. Literally all of them were/are limiting themselves in one way or another due to their flawed beliefs. And each of them is on their own journey of self-realization, or in Jungian terms, “individuation.”

The Mirror Worlds also expand on this theme. They provide infinite ways of looking at the same subject, which sounds wondrous and exciting at first, but it really just reflects what's already there. Remember Yi Sang's and Heathcliff's arcs? For Yi Sang, the Mirror reflected his already-existing potential, while for Heathcliff, the Mirror reflected his surrender to a perceived fate. Mirror World Identities may offer additional combat prowess as well as insight into the characters/worldbuilding, but they end up being quite limiting due to their usage (basically “cheating”) and very nature (as "reflections"). 

Moreover, Goethe's Faust was something that repeatedly showed up in my research on Jungian Psychology. I kept finding Faust's story referenced in articles, academic journals, as well as the book I'm currently reading called Man and His Symbols. This book was written by Carl G. Jung and some of his most trusted followers, and it legitimately explains what Project Moon's mindset was while forming the world and stories of their games (I am not even exaggerating. I have to constantly pause my audiobook and write down notes on what I'd just read because it keeps indirectly revealing PM’s intentions for the series). Anyway, in one of Joseph L. Henderson's chapters named “Heroes and Hero Makers,” he talks about how the archetype of the hero cycle is represented in many stories. An aspect of this archetype essentially revolves around the “hero vs. villain,” or in Jungian terms, the “ego vs. shadow.” The hero must face off against the dragon and triumph. It’s about the development of consciousness through the "ego" (awareness that one exists and has an identity) mastering and assimilating the "shadow" (the parts about ourselves we don’t like or don’t acknowledge deep down). This archetype exemplifies the stage that’s supposed to take place during childhood and adolescence—it’s about growing up. If the hero fails to slay the dragon, i.e. a person fails to assimilate their shadow into their psyche, they become stuck in this state of immaturity. Henderson uses Faust as an example:

“One can see this theme, incidentally, in a well-known literary hero figure—Goethe’s character of Faust. In accepting the wager of Mephistopheles, Faust put himself in the power of a “shadow” figure that Goethe describes as “part of that power which, willing evil, finds the good.” Like the man whose dream I have been discussing, Faust had failed to live out to the full an important part of his early life. He was, accordingly, an unreal or incomplete person who lost himself in a fruitless quest for metaphysical goals that failed to materialize. He was still unwilling to accept life’s challenge to live both the good and the bad” (Man and His Symbols, page 121). 

Henderson is saying that Faust is reluctant to face life’s hardships, so he lets his unconscious aspects—his shadow, or Mephistophiles—control what he does because it’s easier for him to live that way. And as a result, he remains this underdeveloped, immature person. 

In Limbus, Faust’s shadow is Mephistophiles, the reflection of her inner pride and desire to learn more. The knowledge she gains from the bus, her ability to communicate with her IDs, is incapacitating her ability to develop as a person. She’s using it as a crutch. And her overreliance on this knowledge, ironically, reveals how truly ignorant she is. The literal shadow cast in Faust’s E.G.O is her IDs for these very reasons—she is afraid of not knowing what to do.

Anyway, the reason I brought up LoR’s message and the Mirror Worlds earlier is because it is very, VERY relevant to Faust’s arc. Each of the Sinners need to reach out to all the possibilities of life. To not just blindly follow their own beliefs or the beliefs of others, but to see the truth through their own eyes, unclouded by bias. Through her use of the Mirror Worlds, Faust goes, “Well, I’m already reaching out to all possibilities! I’m following my intuition and using reason!” And she technically is, but it’s paradoxical. She is using intuition and reason… But it’s all through the use of her IDs, which are both “herself” and “not herself” at the same time. So she’s still just blindly following her own beliefs and the beliefs of others; she’s only listening to her own opinions and copying down what others say to her, all at the same time. 

I noticed this while rereading key parts of the game again. In Episode 6-25, the Sinners discover the researchers’ experiments below Wuthering Heights. Faust was utterly oblivious as to what their goals were, and Dante commented on how odd her behavior was when she finally started talking.

Later in Episode 6-44, she urges them to find out who informed Erlking Heathcliff about the Mirror Worlds, causing them to pick up on the fact that she doesn’t actually know everything.

In Episode 2 of the 3rd Walpurgis Night, Faust freezes up when asked by Dante to give a more detailed explanation on the Library. She then gives soft confirmation that she is, indeed, in cahoots with her IDs.

Murder on the WARP Express spilled everything. As a result of being separated from Mephistopheles, she is forced to be without her IDs and must figure things out on by herself. Her complete cluelessness regarding what to do demonstrates her lack of any true life experience. She acts like a newborn baby attempting to walk. However, while she is clueless, she is not helpless. She, in fact, does have the potential to grow if she puts her mind to it. Faust exhibits curiosity, ingenuity, and amiability when she must undergo the trials of the WARP train incident.

She takes interest in the perspectives of the other Sinners when asking for help. She is able to discover new things and problem-solve by herself.

Faust can learn on her own and make friends if she really wanted to.

...Unfortunately, she falls back to her dependency on Mephistopheles at the end of the story and closes herself off once again.

Faust refuses to experience any pain that could otherwise spark a realization about herself. She is harming her ability to form relationships with others, as she habitually ignores them or prevents them from giving her advice. She actively denies herself the chance to truly learn about the world and come to her own conclusions—she is impeding her own personal growth. 

Out of all the Sinners, Faust is probably the least developed as a person. Yi Sang, Ishmael, Heathcliff—even those who are about to undergo or are still undergoing their arcs such as Don Quixote, Rodion, or Meursault—are fully-formed people. Faust is not. She is still stuck at the stage of having evolved ego-consciousness while everyone else around her is already achieving the Self. She's worryingly far behind. It’s honestly really sad to watch. 

I was debating on whether or not I should make this post for a few reasons. For one, I’m unable to read Goethe’s Faust at the moment, as I am still preoccupied with my research on Jungian Psychology and Jewish Mysticism for the previous two PM games (Lobotomy Corporation and Library of Ruina). I didn’t want to say anything too specific about Faust’s story until I read her book. Secondly, this topic is really difficult to explain without delving into the Jungian elements in the PM universe. I felt I would end up confusing people if I just came out of nowhere with this post; I initially wanted to speak more about the foundational elements before anything else. 

Nevertheless, I feel that this knowledge I had on Faust, Jung, and PM’s lore was relevant enough to share. I was SHOCKED at how accurately I had predicted Faust’s future character development. The only other person I told this to was my younger sister, and I said, “Faust basically found a loophole through the lessons Angela and Roland learned in LoR. She’s only believing whatever she wants to believe, while also only believing what other people tell her. She’s using Mephi and her IDs as a crutch… I think that’s why she’s alone a lot of the time.” AND I ENDED UP BEING RIGHT. I had to stand up multiple times while playing through the Intervallo with my sister because of how excited I was at this. 

Murder on the WARP Express demonstrates that a good understanding of the games’ themes and of Jungian literary analysis is absolutely essential to figuring out each Sinners’ arc in Limbus. Deciphering, for example, the specifics of Faust’s connection with Gesellschaft is not-so-much valuable as having a strong grasp on what aspects of her character PM is trying to explore. “What is the text communicating? How does it relate to Jung’s ideas? What is the lesson this character is meant to learn?”

That is what matters at the end of the day. 

[endiness]

okay, i have gone through probably 50+ s2 interviews of hc researching this so far and i have to say that at this point i really don't see how he wasn't deliberately trying to manipulate the fanbase and the media against the writers and the show to get them onto his side. (and also, like, a very specific, extremely toxic section of the fandom at that.) (it's the sexist incel gamerbros. i'm talking about them.)

"I wanted to represent as much of a book-accurate Geralt as possible and a lot of the fans did as well, and so I campaigned really hard to make sure that he was more verbose, he sounded more intellectual, his choice of words was more thought out and that his approach to Cirilla and everyone else wasn’t antagonistic. Because it initially came across as he was just grumpy all the time with everyone and everything and I really wanted to show this three-dimensional character […] It’s gonna be tough to do the stuff which is as brilliant as Sapkowski’s writing, but it’s something I’m always gonna campaign for and it’s hopefully fit into the vision of the show."

there are so many interviews (ie virtually every interview out of 50+ with the exception of maybe, like, 3) where hc says the exact same thing about how he just cares so much about book accuracy, specifically where geralt's characterization is concerned, and that he really started to push for a more book accurate geralt in s2 and wanted him to be more verbose and intelligent and show that he isn't just a one dimensional character who just grunts and says hmm all the time like in s1 — and at no point does he ever take any responsibility for how that was due to his acting choices in the first place because he would cut his lines.

he also just straight up lies about the situation because the writers originally wrote geralt as being more verbose and book accurate in s1 but then changed the way they were writing him due to the acting choices he made. and yet he acts like that was never the case and that geralt was never originally written that way and he pushes this idea that a book accurate geralt went against lauren's vision. even though, once again, that was the original vision and it only changed due to him.

and on the extremely rare occasion (i'm talking, like, maybe 2 con panels here) that he ever takes any kind of responsibility for his role in all of that, he still waffles about and tries to present this image that he wasn't really cutting that many lines and they weren't really that important anyway and it didn't really matter:

"I didn't even cut that much. Just little bits when someone says how they feel, I thought if Geralt says nothing, and maybe the well-known grunts or hmms and sometimes the occasional f-word, people can take from that what they will."

even though that can't be true as confirmed by joey:

"Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."

and even hc himself confirms this and what joey said in a s1 interview:

"All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"

i also have to point out that hc directly links his push for a more book accurate geralt to reading comments on reddit as i think that's very relevant to what section of the fandom exactly that he's pandering to and why he's been so vocal about it while lying about the role he played in everything and what actually happened:

"I’m on all the Reddit forums. I’m reading all the reviews. I’m literally trying to get everyone’s information. Some of it is not useful, and other criticisms are incredibly useful. I take it all in, and I look forward to bringing it even closer and closer to Sapkowski’s writing. I think any of those criticisms, they often lie in things like I was saying—we don’t have the advantage of a long involved conversation or dialogue with Geralt, so they are criticisms which I think I was prepared for. So for me, it’s about seeing that, understanding it, and working out how I can do my job better within the framework provided, [how to] appease and make those people feel comfortable that I do actually understand this character—and love this character just as much as they do."

"As a source for information, it's really helpful for me to see what everyone's saying, what everyone's thinking, and to see how much my thinking falls in line with whichever side of that spectrum it is and whether I'm doing the wrong thing, for example, by campaigning hard for the book Geralt to exist or whether I'm doing the right thing."

and just another important thing to point out imo: virtually the only times hc ever takes any responsibility in any capacity whatsoever for his own role in the show not adhering to the books (which even then he barely does and it's still always with a lot of excuses), it's only ever at con panels — which are far less likely to get picked up by news outlets and seen by a broader audience — and not in formal interview settings. (except for, i think, one interview he gave early on when s2 first went on hiatus. but even then, it still has the same problems that the con panels have where he comes up with a lot of excuses that don't match what happened.)

then there's an interview hc gave where he went on about how he added some book dialogue into a scene and he made it out to be like it was some kind of rebellion against the writers and he didn't consult them as he was just going to do what he wanted, consequences be damned:

"I did not feel like having long discussion about whether I could add this bit somewhere. So I just did it, said the words in front of the camera, and was ready to face the consequences."

and meanwhile what actually happened was that lauren eventually let hc have free reign and rewrite a scene that he was unhappy with. which, y'know. kinda fucking weird to present what happened in the way he did.

and then there's him pushing this narrative that the female characters — namely yennefer and ciri — were given more depth and focus than geralt and the male characters as if that came at their expense and all of which is somehow due to lauren's women-centric vision of the show as if that's somehow opposed to how the books themselves are:

"On season two, I wanted to bring as much of 'Book' Geralt into the show that Lauren's vision and that the plot would allow. That's a tricky thing to do, because the plot, as Lauren has said, is very centred around bringing women into the centre of The Witcher."

"In Season 1, there wasn't really much of an opportunity for expansive dialogue which Geralt is known for — in the books, he's often known to monologue — because we had two original origin stories which were the center point of the show."

"Lauren’s vision was more of an ensemble piece than the first Witcher books. It’s driven a lot more by the characters of Yennefer and Cirilla."

"I wanted to make sure we really explored as much as showrunner's vision could allow. She has her own plan, so I’ve got to toe that line between book Geralt and Lauren’s vision."

"I wanted to try and bring as much of the book’s Geralt into Season 2 as possible, and as much as the vision, the plot and storylines would allow. The toughest part for me was finding that balance between the showrunners’ vision and my love for the books, and trying to bring that Geralt to the showrunners’ vision."

"It’s important for me to have the character be three-dimensional and it’s tricky to do, as I was saying earlier, because there’s a certain vision and there’s a certain set, storyline and plot. And so, it was about me trying to find Geralt’s place within that."

"There’s only so much space to provide the same character from the books within the showrunner’s vision. But, I did my best to provide a bit more of a three-dimensional character with a bit more emotionality."

"It's important to me that the men in the story are three dimensional as well."

like, first off — and not to continually reiterate this but — that's not true. in s1, geralt was originally written as being just as verbose and intellectual as he was in the books and that only changed due to hc cutting his lines and we know that joey often had to take his lines, too. so there was, in fact, always plenty of time for geralt to be book accurate and for yennefer and ciri to have their own focus. these things were never mutually exclusive and it's definitely some kinda take to imply otherwise.

secondly, while it is true that geralt is the main character of the short stories, ciri is the main character of the main series starting from blood of elves, the book that s2 adapted. and despite claims otherwise, her pov has always had the most focus — yes, even more than geralt (sans baptism of fire, obvs.) and it's not like ciri is the only female pov, either, or that there aren't other important female characters that make up the series. there's yennefer, triss, milva, philippa, fringilla, nimue, condwiramurs, kenna — and that's just off the top of my head. there are plenty more where that came from. women and their stories have always played a central role in the books. nothing about that goes against them or is unique to lauren's vision.

and just with boe in particular, like. triss's pov is either focused on more than geralt's or at least about as much as his depending on how you want to break things down. and with dandelion following very close behind them, too! like, ciri may be the main character of the main series and geralt may be the main character of the short stories and their povs are the most focused on overall, but the books are still very much an ensemble piece made up of a collage of many, many povs to paint a full picture of the universe. and, yeah, the women make up a huge part of that. so the show focusing on ciri and yennefer and the women — and, yes, the men as well because it does actually do that! — is um, still book accurate. so y'know, why the fuck is he presenting this idea that's somehow not the case.

in general, hc emphasizes in a lot of interviews how much he fought for "male characters to be three dimensional." which yeah, given the context of everything else, is some suspicious kinda phrasing because it gives this undertone that the show wasn't writing three dimensional male characters in the first place as opposed to the women and that it's only due to his efforts that anything changed.

also, i have to highlight this quote of him talking about the three dimensionality of men because ~curious that he omits women from the list of people real menTM can be loving and caring toward:

"I believe that real men are very sensitive. They are very capable of doing things which can be violent, if possible, or necessary. But at the same time, they are incredibly capable of love and caring amongst men and towards children and family and all sorts."

and then there's the way hc talks about changing things which comes across as so suspicious, too, imo. especially when there is every other cast member to compare him to. because the way the rest of the cast has talked about this is that they all very consistently say that the whole process is very collaborative and that lauren is very much willing to hear them out about their thoughts and concerns and that it really feels like a team effort and that everyone is working together. and meanwhile the vibes that hc gives off is either "me vs the world (ie the writers)" or "but there's nothing that i can really do to change anything and it's all on the writers~" either way, his attitude very much comes off like all bad decisions are the writers' fault but meanwhile any good decision was due to him and him alone (or maybe the rest of the cast, but definitely not the writers.) like, weird af to play it off that way especially since every other cast member didn't seem to have any problems and they all gave credit where credit was due ie to lauren and the writers.

in conclusion, it'd be one thing if hc had just taken the l and admitted that he is the one who fucked up geralt's characterization in s1 and so he sought to rectify that in s2. but yeah, he doesn't really do that. instead he lies over, like, 50 times to create this narrative of him pushing for book accuracy as if that's somehow in opposition to lauren and the writers and as if they didn't originally write geralt book accurately in the first place and as if he played no role in the lack of book accuracy at all. and then that there's also him pushing this subtle (or not so subtle) narrative about how the women were taking a more central role as opposed to the men and that's somehow unlike the books and something purely due to lauren's vision, too? even though women have always played a central role in the books to the point where ciri is the main character of the main series? and that he's directly linked this narrative he's pushing to reading comments on reddit? (and that he also has a history, since s1, of trying to cater to game stans?) yeah, i just don't see how this doesn't add up to him trying to manipulate the media and audience — especially the worst parts of the fanbase — against the writers and the show and onto his side.

(also just one last thing i'd like to note as i find it super weird that when hc was asked about giving freya any advice, he immediately shut down the notion that he would ever do anything like that and he would never offer her any unsolicited advice and he would only ever give her any if she came to him first. like, there are literally s1 and s2 interviews where freya talks about hc giving her advice. i mean, maybe she did come to him in the first place, idk. but the immediacy in which he shut down the idea that he would ever do anything like that as if offering someone younger than you advice and being a mentor to them is wrong… weird. sus, even. like, why are you scrambling to cover your ass for something that's not even bad and, also, why are you lying about it by omission in the very least.)

[princessgarnetxvi]

Everything Johan did was For Anna/Nina

Everything Johan did was for Anna. 

                      A “Monster” capable of love.

“What I’m most afraid of is…forgetting Anna. The strange lessons we have everyday… are making my memories fade. Please, don’t make me forget Anna. It’s only Anna and me in this whole world. Just give me that - please. Please.”  – Johan Liebert”

I was very confused about the complexities of Johan's character up until the last handful of episodes. After rewatching the series for a 3rd time and exploring how Johan is portrayed in the manga, it became very clear to me that my initial opinions about Johan were basic and devalued the intricacies of Naoki's writing. From the beginning we are only TOLD by conflicting views, who Johan was. His character, in the fictional world as well as our own, is simply defined by an individual's perception of him and the story presented. However, if we dissect ALL of the themes and even the undertones Naoki presented to us through the world of characters; I think it would be evident that Johan was not committing heinous acts for superficial reasons such as simply being evil to be evil.

So what was the method to his madness? 

I believe... Everything he did was for Anna.

(Yes this includes erasing himself from existence too )

Author's Note: I want to preface before you read on that although these essays are written in a sympathizing light that Johan has done PLENTY of wrong. This is not written in an attempt to dismiss his heinous acts lightly, but to simply understand the "Monster" of the series by tackling Johan's crimes deeper than the surface. I tried to make sense of Johan's every action in regards to his OVERALL PLAN and why Naoki presented them to us as viewers. For those who will nitpick the term "everything" quite literally, I want to make it clear that not E V E R Y S I N G L E A C T I O N Johan has taken coincides with his love for his sister; his actions towards the children specifically - because there are some things that had nothing to do with his "perfect plan" but more to do with attempting to build Johan's character and his view of the world us as viewers. Justifying ones actions vs. rationalizing ones actions are completely different. I am in no way attempting to discard the accountabilities that Johan should face for his actions, but instead trying to make sense of it all. I've analyzed Johan's crimes against children here: https://xprincessgarnetxvi.tumblr.com/post/691678531250487296/i-really-love-reading-your-essays-i-can However, this will explain the root of Johan's character and the core of his overall plan(s) that was committed for the sake of his sister from the very beginning to the end. The overarching theme and message of Monster is that there are no such thing as Monsters, only broken human beings capable of great evil; so we will humanize this great Monster in order to understand not only Johan Liebert, but the hows/whys Tenma/Nina was able to forgive him and ultimately find value in saving the life of this supposed Monster.

Before we begin, I'd like to take the time to thank you for reading! I can't wait to review your comments and further discuss this magnificent series of Monster!

-

Anna was set up from the beginning to become The “Monster” given she was the one who actually endured the experiments. Her tendencies are shown in glimmers throughout the show. The heartbreaking twist to it though... is that the only reason why she DID not become the beast, was because SHE ( unlike Johan ) HAD KNOWN REAL UNCONDITIONAL LOVE.

-Johan’s love and sacrifice is what kept her safe from the darkness he knew very well. He got his hands dirty to shield her. He chose to leave her behind in the care of her foster parents, knowing she would forget him, in order to heal.

He chose her than himself over and over; becoming her shadow; choosing to lose his only attachment to his already weakened identity in order for her to heal.

His love for her is why she never became a monster...and tragically, why Johan had.

Which reflects exactly what Mikhail Petrov (whose real name is Reinhart Biermann) said about his "PROFOUND DISCOVERY" concerning his current experiment on the children he had in his home; he said the children did not become animals because he gave them LOVE.

(Mikhail Petrov telling Grimmer how the children in his current experiment did not become Monster - it was because they had LOVE.)

In his own twisted way and view on things, he was protecting her. He killed every "parental" figure they had because he was betrayed by every adult figure in his life so far. People who mentioned calling the police, ended up finding out about their past - anything that could lead the man, who Johan referred to as “The Monster” into finding them, he disposed of.

The adults in their lives thus far would betray them, torture them, hurt them, throw them away- and forcefully separate them. In his severely abused mental state, any adult figure was a potential threat to his and Anna’s safety. So he’d kill in order to runaway from "the monster" and protect Anna. Then when Anna found out about the blood on his hands that fateful night the Monster paid them a visit, he realized that now he had become someone Anna feared - a different kind of Monster but all the similar to the one they were running from.

So he rationalized that now he needed to die.

In that moment, I think we should focus on his body language and expressions. Johan faced the ground. hardly picking up his eyes. His shoulders were sunken and he did not have that menacing little smile he usually had. Johan has killed in secret various times with Anna and back at Kinderheim.

So why was he so messy with the Lieberts?

Because he did not want to kill them - he said HE HAD TO.

It was not a calculated murder, because he was not truly calm and collected; He was afraid.

Lets not forget who Johan was up until that moment: the infamous little boy who provoked an entire riot and massacre by simply opening his mouth. With mere words he was able to sway the adults and children into doing what he wanted. BUT IN THAT MOMENT when Anna caught him red handed, he could not, or rather, would not - try and manipulate Anna.

(He has never once been shown trying to manipulate or abuse her throughout the entire series as he has done intentionally with the rest of the world.)

Instead, he asked her to shoot him and run - in an attempt to finally liberate her from the horrific life they had to lead up until now - blaming his existence for the constant chase their predator (Bonaparte) gave way to them as prey because in that moment, his memories were distorted and he believed he was the one who went to the Red Rose Mansion. **** (X) (this theory is challenged referenced below)

To Johan, him living was a danger to Anna and that night made it evident to him.

But when he was brought back to life and realized the gravity behind his methods, seeing how terrified Anna was of him - he started to cry. Because despite his initial feelings of finding his death absolutely necessary for her to be safe, he still wanted what he had with her; the only bond of love he ever knew.

What set his entire ADULT plan into motion (wiping out everyone who ever hurt Anna and created HIM) was Anna's rejection at the hospital. That was when he realized internally, he was beyond forgiveness and that he was nothing more than a monster. A Nameless monster in her reflection that needed to die in order for her to live in peace. (Referencing the God of Peace storybook. )

Johan was the one who gifted the God (Anna) her hat and then she saw herself as the Monster she was supposed to be due to the Red Rose Mansion experiments. This would NOT have happened if Johan did not give her the hat (the red hat which can symbolize the blood he spilled for her. ) so in this instance, Johan is also the reflection (you are me and I am you. They are both nameless monsters)

From that moment on, he wanted to wipe out his entire existence, and that meant those who ALSO "created" him so that Anna could heal as Nina.

I believe this is what is depicted in the Nameless Monster storybook. 

Initially, we are made to believe Johan wanted to “consume everyone” so he would be the last one standing. The Monster known as Johan in the book also devours his counterpart, the Monster who went West and then there is no one left to call him by his name. But clearly, Johan never does this, because Johan never attempts to kill/devour Anna/Nina - because what it symbolizes is entirely different in nature regarding Johan’s intention. 

A quick reminder that both Johan and Anna were considered Nameless Monsters. HOWEVER - by Johan’s hands, Anna does not remain “Nameless” nor does she ever become a “monster” the moment Johan decided to not only leave her behind in the hands of a loving family, but by her changing her name and her identity to Nina. The Fortners never made any implication that they knew of Nina’s past concerning the Lieberts murder and I believe this is because Johan introduced her as Nina to the Fortners and never allowed them to see the trail behind her identity as Anna Liebert. 

Symbolically, Johan, as the Nameless Monster, consumed the Monster inside of Anna and became the only Monster left. This is what is mirrored in Johan’s intentions and the Nameless Monster storybook. 

With Anna forgetting him and Johan leaving her behind thus losing his only connection to someone who truly knew him, now all that is left is Johan, without absolutely anyone to call him by his name - the one and only Nameless Monster.

And this is heavily referenced in Another Monster:

(This reinforces that Johan was trying to make Nina forget her past as Anna)

There wasn’t some sick satisfaction from any of his killings done when he was a child. To him, it was needed for the sake of her safety. This was Johan’s initial “plan.” set in motion. He wanted to be the only one left in the world with his sister - so that they wouldn’t have to be afraid anymore. 

(I also believe at that point when they were kids, Johan's very first plan he referred to when telling Anna "Remember, I have a plan." was to run to another country with her so that the Monster will never find them. It is the only logical idea of a plan that a child could conjure following what he actually leads them to do, which was cross the border. Simply destroying the world is unreachable in his current state and Johan is smart enough to not be delusional in his endeavors. With that being said, he had to kill that old couple to erase any trail they may have left of "two beautiful blonde twins." But this plan fails because they nearly die at the Czech Border and was discovered. )

(Johan telling Anna he has a plan.)

RUHENHEIM:

One of the biggest moments in Ruhenheim has been misinterpreted and lost due to the mistranslations in both the English Dub and the Japanese subtitles. 

I clarify and mend this by breaking down what Nina unraveled in Boneparte’s house when she looked at the portraits by correctly translating the Japanese script/text in depth here on this post:

 But to summarize it for the purpose of this essay, it was revealed to us as viewers that Johan apologized to Anna when she returned from the Red Rose Mansion, revealing the overwhelming weight of guilt he carried when Anna had been taken that day. 

(That day depicts the moment their mother made the terrible 'Choice')

and then Johan accepts his mother will never return to them (assuming she abandoned them) and goes on to tell Anna this:

Johan is the one crying because soon after, Nina tells us that Johan was in that room crying.

This information provides clarity as to why Nina was finally able to understand Johan, empathize with him enough to be able to forgive him. She remembered he was a boy who felt guilty over what happened to her; a boy who cried when he realized they were now all alone in the world.  She understood that Johan desperately did anything and everything to ensure he and Anna survived despite it all.

That Rainy Night:

I want to GREATLY EMPHASIZE the important factor I missed my first time watching the scenes with Johan/Anna - the scenes shown to us were ONLY through her recollection as fragments due to her memory loss. They were told from what she COULD remember, so her take on what really happened that rainy night the first few times the events are unfolded before us should not be taken as absolute. At least...up until it is revealed in the final episodes that Anna realized that on that night instead of seeming like an empty shell of a person asking for death, Johan was crying and crying before she shot him.

The scene where Anna finds the portraits reveals what truly happened between them and its so important. She said “Johan was crying “here” just like before.” She was mimicking a memory she had just recalled in its entirety. “Why are you crying, why are you crying?” She sounded in distress. Directly after she reveals that she remembers him crying, it shows the image of him pointing at his head that rainy night.

Even though Johan told her to shoot him, it is IMPORTANT that he was crying and the author highlights this for a reason.

I believe that, finally being able to vividly remember that day finally revealed to her that Johan wasn’t the “face of absolute evil” she initially dismissed him to be; he was a boy/man who could cry and mourn - he was human. He was a terrified boy protecting Anna and himself the only way he knew how. and instead of showing him forgiveness/love - she added on to his collection of wounds scarred upon his soul from everyone else who chose to harm him.

Tenma...was ultimately the ONLY one in his life who showed him kindness.

Johan's intentions and reasons behind many crimes: Essay II.

( I will summarize it here as the extension essay was far too long to put on this post)

**** (☓) I want to ask, did Johan truly believe he was the one who went to the Red Rose Mansion or was that simply a masquerade he performed to make sure Anna did not remember?

(I wrote an essay on this being a possibility here: PART 2 OF THIS ESSAY. This will explain Johan's intentions in depth)

(this is a theory I FIRMLY believe and have completely adopted. But for the sake of argument, I will entertain both concepts behind Johan's memory in this essay.)

If we entertain the idea that Johan never misconstrued his memories about the Red Rose and pretended he did, I can dissect Johan’s intentions a bit more intricately.

Throughout the series you see that he is trying to wipe everyone who knew of what happened to Anna off the face of the earth, that included himself. He did not want Anna to remember. So when it was revealed she did remember, he mourned. It was subtle but evident in the anime when she reveals “you are wrong.” something in him shifted - for once he was reacting to the words of another.

She said "he had a smile but seemed like he was crying. I never seen such an expression on his face before." That entire scene, Johan’s eyes expressed something we’ve never seen from him throughout the series - a sense of mourning or longing?

Johan in front of Anna always appeared the most human and I feel Naoki did this with purpose.

(Naoki specifically told the directors/animators of the anime series to never stray from how he expressed Johan's eyes for a very important reason. )

Johan's expression finally meeting Anna after 13 years apart.

-

If, however, Johan DID truly think he was the one who suffered at the red rose mansion, his “perfect suicide” plan still relates to his twisted-selfless feelings for Anna.

Johan learns it was not him that suffered at the Red Rose Mansion...but Anna instead. and then Johan goes on to commit the "perfect suicide." In his plan to die, he wanted to take The Monster with him, forcing Bonaparte to endure the same exact hell he forced Anna to suffer as a child.

Call it an act of revenge. Some may think Johan is incapable of being vengeful but I cannot see this cruel and calculated act as anything other than malice. After Bonaparte was finally dead, the monster disposed of - Johan was ready to die.

But you can see his conviction began to slip away when Anna forgave him. What made it worse was realizing he was wrong about Tenma because even now, Tenma was still hesitating on killing him ruthlessly like he always presumed would happen. Johan thought he had humans all figured out - after all, all Johan has EVER known was the darkness in people’s hearts. That is why he was so confused/moved by Tenma and wanted so desperately to prove him wrong.

The manga portrays Johan’s expressions 1000X BETTER THAN THE ANIME. As soon as Anna arrives, Johan is just staring at the floor, unable to look at her - Repeating everything from that fateful rainy night when they were kids. But this time, Anna doesn’t kill him, she chooses love and compassion. and when she says she forgives him - his reaction is something the anime does not do justice

(The subtle shift the artist expressed in his eyes from her words is so significant but missed in the anime; but he reacts rather deeply, moved and shocked by her words.)

Because "Forgiveness is the remission of sins. For it is by this that what has been lost, and was found, is saved from being lost again."

In the manga he isn’t quick to reply. He ponders over her words carefully and I think this is when his mind starts panicking.

Anna realized that forgiveness was the one thing he wanted that night she shot him, despite him also thinking his death was needed. His value depended on her view of him; and what she once robbed from him was now returned - a human being worthy of forgiveness instead of a monster.

He is telling her the evident truth that he cannot turn back because he TRULY believes Tenma is going to kill him any moment.

Johan refuses her forgiveness not because he resents her or thinks its too late for her to redeem herself - but because he doesn’t think he deserves it. “There are somethings that cannot be undone.” Because it is too late, Johan is going to die - he WANTS to die. Then you see the fear and helplessness in his eyes after getting the one thing he always wanted [ Anna’s forgiveness] because he desperately wanted to die as the only thing he knew himself to be: the nameless, nonexistent monster. But both Anna and Tenma rob him of that by bestowing upon him the gift of compassion, mercy and empathy; for the first time treating and valuing him like a human being instead of a monster,god,experiment, devil etc., as everyone around him has his entire life.

(The Monster inside of Johan begins to crumble.)

Johan in his final moments was cracking and finally falling apart. You see it in the final expression he makes: the distraught, confusion and sadness. Because he realized, he was wrong about people, he was wrong about the world. But how can we blame him for his view on humanity when all he has ever been shown since birth was how ugly, selfish, cruel and inhumane people can be?

How can we expect someone who has only seen darkness to be able to find the light?

I want to clarify one thing I noticed: Johan has never shown to take any kind of sick satisfaction from killing unlike all the other serial killers being interviewed in the series. (aside from Richard) Specifically, Johan is without "the lust for murder" as Lunge explains in Another Monster - which is why Johan hired other people to kill for him instead. Especially contrasting Johan with Roberto, specifically, when Roberto tries to kill Anna.

(that is until Richard, which makes Johan's dealings with him stand out for a reason. He doesn't even take pleasure in killing the Red Hiddenburg, he leaves before witnessing her death instead of reveling in his 'checkmate' coming to fruition.)

Despite his callousness and his lack of care for life - Johan, despite how much of a "monster" he was, very clearly had humanity and had love....for his sister most of all. Johan saw when his mother choose, how little their lives meant to her and this instilled his nihilism at such a young age. He watched Anna get tossed to the wolves like nothing and in that moment, he probably thought his mother chose Anna over him for a reason. (even though the question on her intention would haunt him for the rest of his life) But her being able to choose is what hurt him the most and it's probably what instilled his self sacrificing mentality to care for Anna above the world in order to never make the same mistake his mother had.

That is why after she got back from the Red Rose Mansion, he cried for her story and apologized as if it was his responsibility to feel guilty over what happened to her. It should have been him that suffered. Then after, he treats her with the upmost care, telling her everything is hers, no matter what she will win everything because he would deem it so. He is kind to her, never letting go of her hand even when she is dragging behind - he sacrificed all of himself for her...

Because she deserved everything in the world to contrast their mother throwing her away.

(it should be noted that the Lieberts did not want Anna either but only adopted her because Johan refused to leave the orphanage without her. Which is also why I believe he killed them when Bonaparta came because he thought the Lieberts were conspiring with Bonaparta to get Anna)

🌰 (The ‘Acorn game’ represents their Mother's choice, a child in each hand. But in this version, Johan would ensure that no matter what hand Anna chooses, she will NEVER choose wrong. He manipulates the fate behind her choices by holding two acorns instead of one; never letting her make the same mistake as her mother.)

He wanted her to know above all else, she was loved.

A clear indication of this adoration/attachment he has for her is the fact that he DOES NOT forget her even after enduring the hellish experiments in Kinderheim that aimed at wiping out / messing around with his memories.

-

I wrote this because I was astounded to see various posts/Wiki pages implying that Johan’s intentions were to torture Anna and make her kill herself. Telling her to shoot him was his first attempt to drive her insane? They twisted a lot of things Johan did to try and make this statement true. But I cannot comprehend how they drew this conclusion? The series has characters mentioning on more than a few occasions that Anna is dear to Johan. "He is lost with you."

Everyone knew Anna was important to Johan, Professor Geidlitz was the first to mention this besides the old blind man. Roberto was aware of this which is why he tried to kill her as mentioned in Another Monster. Which is ALSO why Peter Capek tried to hold her hostage to prevent Johan from killing him.

and for the first time, Johan DOESN'T kill him.

Johan cried when he awoke at the hospital after he reached for his sister and she screamed in fear of him. His face full of tears - his heart completely broken. If his intention was to drive Anna insane, he would have triumphed in that moment she screamed and fell to the ground after he reached out to her. But instead he mourned.

Anna has mentioned several times that Johan has cried for her, like when he was in the room full of their happy portraits, he was crying. He never once tried to bring harm to Anna - not intentionally towards her person. Explaining the Fortners murder - either he killed the Fortners after they decided to keep lying to her, thus keeping him in the shadows when he wanted to return. OR he killed them because they were going to tell her the truth about her identity, which was something Johan worked to conceal. (this theory is explained thoroughly in essay #2 )

Regardless, if he wanted to torment her, he would not have tried to lure her away to the castle when he set up the Fortners to be killed.

They imply that Johan wanted to torture her and then kill her at the end. But that makes absolutely no sense. Where in the storyline does Johan give off this tendency towards her? Even at the end he told her where to meet him in Ruhenheim and not once did he try to shoot her or Tenma. Honestly, if he really wanted to provoke Tenma to shoot him, he would have held the gun to Anna instead of a random child. But even though being shot by Tenma was his greatest endeavor, he refused to point the gun at someone who was important to Tenma...because Anna, is important to Johan too.

To say Johan, despite being hailed as the Monster of the series, had no love or humanity in him and was merely the Devil himself...completely missed the point of the story...

I’d like to point out the constant mentioning of Hitler in this story and draw another important factor...Hitler brainwashed people to commit mass genocide. Under his rule, millions perished in horrific ways. But despite that...Hitler was capable of loving others. Hitler was also loved by others. The terrifying truth about people who commit atrocities...is that they are not monsters or demons or devils...

they are merely human.

-

Here’s two passages from ANOTHER MONSTER [novel post Monster written by Naoki] that really drives this point:

- PSA: My twin brother FINALLY finished his 2 HOUR Johan Analysis Essay, that dives deeper into Johan's character. This essay and essay #2 will be included in this analysis video as we both worked on it together. However, this lays out the details visually and with beautiful music. Please watch!

[fxtalitygod]

EPILOGUE. ~Survival~

Genre: Historical AU, angst, mature, suggestive, arranged-marriage

Warnings: Dark themes, gore, graphic imagery, theme/depictions of horror, body horror, swearing/language, suggestive, pregnancy mentions, mentions and acts of suicide, arguments, mentions of adult murder, Pet name (Little Flower 1-2x) implied Stockholm Syndrome, grief imagery, images/depictions of dead bodies, murder, character death(s), slight misogynistic themes (if you squint), implied incest mentions

Word Count: 5.9k

A/N: Today marks the day I finish this series. Guys, I cannot believe it took me two years to finish this damned series. Do not get me wrong, I loved writing it, but boy, it was a major pain in my ass. As corny as it sounds, thank you all for sticking with me throughout this series. When I originally posted the first chapter, I did not expect ANY attention whatsoever; it was just a self-indulgent thing I wanted to write because I wanted a better representation of (Y/n) where, yeah, she may not be the strongest. However, she still knows how to make do with what she has and make that her strength. I also wanted to give a more realistic relationship with the pairing. As much as I love Sukuna's character, I did not believe him to be a character capable of "true love" but a character that values others but not in the way you might think. I'm talking literal value, currency value, and benefit value. I wanted a more realistic take on the story because I did not know how many more historical "Kuna," "Suku," or "Kunie" stories I could take. No hate for those who write it or those who enjoy it; it just isn't my personal cup of tea. I like true crime and dark stories (I have this serial killer project that I'm stoked about because I know I will get my group an A+), so I tend to enjoy those darker sides, which I believe is why I like Sukuna's character so much, he just feeds into that side of me. There are some of the fantasies I enjoy where Sukuna is non-canon, such as AUs and all that, but when it comes to JJK's storyline or his historical AUs, I tend to fall short of enjoyment of that type of fantasy.

Anywho, thank you all for sticking around and enjoy the epilogue. I hope it was worth the wait. I may or may not have written three times because my perfectionism kicked in every time I proofread it, and I found something I did not like and scraped half the chapter. I bet I'll find a little thing here and there when I post this. Still, it won't be anything noticeable, something along the lines of my tags and probably my TW, though Im usually very on point with those kinds of things. Still, it always seems that AFTER I make the post, I really start to notice things even after proofreading it 50x.

P.S. I plan to do a behind-the-scenes post on all my original ideas. I have worked on this little project for two years, so you bet I had alternatives. Feel free to send me asks or messages asking me about things you are curious about, and I will gladly answer.

JJK Mlist•Taglist Rules• • Pt.I • Pt. II • Pt. III • Pt. IV • Pt. V • Pt. VI • Pt.VII • Pt. VIII • Pt. IX • Pt. X • Epilogue

The market was bustling at this time of day. Workers were heading home from a hard day of work, rushing through the roads as they grabbed ingredients and materials for their households to prepare their meals and homes; everything was so normal...and if she were being honest, it felt strange. The confined life of the temple had practically become a comfort, so when presented with a slice of normalcy, it was foreign and, if she were being honest, alarming as well.

Having so much freedom was intimidating and overwhelming– the fear of having something good and it being taken away was a looming thought that brought many anxieties.

Years have passed since that fated day, Sukuna Ryomen's downfall. Since the fire and the slaughter that had immersed, Sukuna's actions had remained silent. There were whispers of sightings and rumors that the curse user had met his demise, but she knew better. Sukuna Ryomen was unkillable, and if anybody had truly caught a glance of him, they would be dead before they could live and tell the tale.

"Mama."

The world seemed to stop as the word processed through her head. Blood ran cold, and breaths of air seemed to come in at a faster rate. The woman turned to the little girl holding her hand, causing her heart to shatter.

"Darling, I told you not to refer to me as your mother, remember?"

The question remained as a statement rather than an inquiry as if refamiliarizing the child with a rule she had been reacquainted with on multiple occasions.

"I-I know that, but why can I not? You care for me like a mother, so why can I not call you my mother?'

"We have discussed this before, child," the woman sighed, "I believe it unfair to be taking the title of your actual mother."

"Well, if my real mother had not given me away, it would not be like this..."

Pausing mid-step, the caretaker held her breath, controlling the emotions and memories that flashed through her mind. The girl's sentence rang through her head, eliciting a feeling she was not commonly met with... aggravation. With no hesitance, the woman's minimal steps turned into longer strides, her grip even firmer on the young girl's hand. Getting to their place of lodging was more vital than anything, as she wanted to avoid discussing such sensitive matters in a public setting. Prying ears were close enough in such a crowded setting.

Upon reaching the home, the stand-in mother pulled the child inside before shutting the door. She swiftly bent down to the young one's level and took the child's shoulders into her hands. The little girl was shocked by the woman's reaction, staying silent and still as if afraid of what was to come next.

"Child, I will not hear you speak such false claims of your mother. You do not know the sacrifices she made to get you here."

The girl's expression of fear shifted from dread to shame. Her face was red from embarrassment after she was caught for her prior statement. However, as children do, she made it her goal to justify herself.

"What is the point of her sacrifice if she left me. Did she not want to be around me?"

"She did not leave you; if she were still in this world, trust me, she would be right here with you!"

The caregiver's words came out with little thought; all she knew was that she would not tolerate the little girl's false assumptions. However, now that the words spilled out of her mouth, she began to regret them. Seeing the tears well up in the girl's eyes made her wish she had phrased it differently.

"What do you mean?"

The caretaker cursed under her breath before inhaling through her nose, exhaling softly before speaking.

"You deserve the truth, my dear, and the truth is that your mother sacrificed her life to ensure you had a good one. She loved you so much that she valued your life more than hers. You might not understand this now, but that is a mother's love." The woman's breath stuttered, "She loved you more than you could ever know. I will not claim the title as your mother for that reason."

The girl was overwhelmed with emotion, only knowing how to express it through tears. The woman could not bear it and brought the girl close to her chest, embracing her to give any form of comfort that might help– it broke her heart to hear the child's quiet sobs.

After calming down, the kid spoke, though with some light chokes.

"W-what s-should I call you then?"

The warden took a sigh as she thought over her charges question. In all honesty, she had no idea what to say. What answer could she even give her? She could not allow her real name to float between the child's tongue as it would expose her identity. What name could she let the child speak?

"Hmm," the woman loosened her embrace, looking the little girl in the eye with a soft smile, "What do you think you should call me?"

The girl tilted her head, wanting more elaboration.

The lady chuckled softly, "What do you think my name should be, child?"

The caregiver had expected the girl to take some time to come up with an answer; however, the kid took no hesitation when she blurted out...

"Makato-san!"

Silenced engulfed the home as her caregiver failed to respond.

"Makato-san, I'm going to the market. Do you need anything?"

Another prolonged stillness as the young lady waited for a response.

The girl scrunched her brows in concern, extending her neck to look further into the room as if the individual she was looking for would appear. With the growing silence, the young adult searched the home for her guardian.

"Makato-san?"

She searched and examined the silent home with slight panic before finally stumbling upon the older woman, staring blankly at the floor she was kneeling on– unresponsive as she continued to stare.

With caution, Y/n's daughter reached her hand out to her caregiver's, placing it on the woman's shoulder. The response she got was one she had not expected.

The Makato turned suddenly, grabbing onto the young woman's wrist with an ungodly strength that even the girl was unaware of. This caused the girl to wince in pain as she tried to pull her arm away. Her arm was turning a light purple from the lack of circulation, proving the grip's vice.

Despite her fear, the charge could only feel concerned as her caregiver made eye contact, tears welling up in her eyes. It stayed like that for a couple more seconds before she snapped back into reality, gasping as she was presented with the image of her actions, quickly letting go of the young lady's arm.

"I'm so sorry, my Dear. I did not mean to...I was just..." The woman paused, swallowing her following words; however, her stutter did not disappear: "D-D-Did you need something, m-my, Dear?"

"I was preparing to leave and was going to ask if you needed anything from that market," the girl paused, choosing her next words carefully. Makato-san, you've been acting strange as of late. Is everything alright?"

The young woman was old enough to recognize the hesitance in her caretaker's features and the short lack of response.

"Whatever do you mean, Darling?"

"Please do not take me a fool," the youthful female voiced before sighing and looking at Makato in pity, "I'm worried for you, Makato-san. Ever since the refugees from the other village came, you have been behaving irregularly."

The refugees.

To say that their arrival was a shock was an understatement. At first, Makato thought nothing of it until the newcomers began to tell their stories. Their village was burned in a monstrous fire by a "crazed" sorcerer, and their home was now unsustainable to live in as it was left entirely in shambles. Despite this information, Makato thought little of it as there had been few stories of criminal sorcerers destroying homes, most being "inspired" by Sukuna's actions after his sudden hiatus. It was not until an elderly woman, who she happened to hear at random, described the appearance of the sorcerer.

"He was monstrous, the vile thing; he had four arms and two faces if you do not count that horrid mouth on his stomach. I watched both of them grin as it chewed on the remains of my eldest son." the elder choked and sobbed as the memory came back to taunt her.

Makato's heart dropped to her stomach. Rushing home in search of her charge, she found the girl working on her studies. Seeing the child she worked so hard to raise brought relief, but it was not long before the memories and visions began to haunt her. Sometimes, she would see you standing there, looking down at her, motionless and silent, with a pained, pitful look.

She hated it.

When you looked at her that way, she felt weak and vulnerable—as if she were failing. She was not as cool and calculating as you were, nor as confident or intimidating. Had you been here, you would have more than likely been able to disappear from society and find a nice, quiet life for yourself and your daughter. But you were not here; that was the problem– you were just a figment of her imagination.

Even then, she wanted you to stop looking at her that way.

Sometimes, she was left in her privacy and saw your vision appear to accompany her. It would drive her mad as she tried to convince you, even herself, that she was doing enough. She would speak into the silence of the room and get no response.

"What else could you want with me? I am doing everything I can!"

Silence.

"I am happy. She is happy. We are happy. Is that not enough for you?"

Silence.

"He thinks she is dead– he thinks I am dead! There is no possible way that..."

Silence.

"Please, stop looking at me that way. I am capable of doing this...please have faith in me."

"Makato-san?"

Pulling herself from her thoughts, Makato tracked what the girl had said earlier, not wanting to worry about her charge further.

"I apologize for my irregular behavior, my Dear. I can assure you that I am alright. I have had a lot of stress these days regarding the refugees. I want to do my part to assist them, but I have been running myself ragged and am just...tired."

The girl hesitated, not wanting to accept her caretaker's excuse, but she knew pushing the subject would not do her any good, so she nodded in understanding. The worst part is that Makato knew your daughter was aware of her white lie, but she would not admit it for some slim hope that the girl honestly did not know. Sometimes, she wished your daughter had not inherited your intelligence and perception.

"Do you need anything from the market, Makato-san? I plan on leaving soon to aid the refugees."

"No, I believe we have enough supplied for quite a while. All that I ask of you is to be safe, Darling."

Your daughter agreed, letting a soft smile slip onto her face before hugging Makato. The woman accepted the embrace before experiencing a wave of realization. Intelligence and perception were not the only things she inherited from you; she happened to be a real beauty as well.

"My Dear, if you plan on seeing that boy of yours, speak your peace now and know that I only want you to be safe and happy."

The girl struggled to find words before lowering her head in embarrassment, her face bright red with fluster.

"You are of age now, and I want you to know the responsibilities that rest on your shoulders."

"Makato-san, I never meant to keep it a secret. I just...I was afraid of your disapproval."

The more experienced woman could understand where she was coming from. Long ago, she was in the girl's position. However, she was never allowed to pursue her love due to the circumstances of her arrangement, but that does not mean she did not try. Despite her efforts to keep her relationship together, it was all for not in the end. She was given away as a sacrificial lamb to a monster.

Your daughter had a chance of love, and the caregiver would not squander it for her. She wanted your daughter to have a chance at a relationship she never had. Maybe it was questionable on her part due to the circumstances of her mission, but she did not entirely care. She just wanted your daughter to have a normal life.

She knew that was what you had wanted for your child.

"I do not disapprove, Darling. I just want you to be happy and to be careful."

"I promise that I will Makato-san."

There was a pause of awkward silence before the young woman embraced Makato once more.

"Thank you, I'll be back soon."

Makato smiled as she watched her ward leave the home. She had no problem admitting she was happy for the girl, but something deep within her told her it was a bad idea. It was hard for her to come to terms with, but she had an itching feeling that did not settle with her.

The world was perfect at the moment. Your daughter had put smiles on faces from her charity and was now being rewarded with a proposal for her marriage. She hugged her lover, showing her love and adoration in any way appropriate for their stage in relationship. If you were here, you would be beaming with joy, giving consent to the marriage with no hesitation because this is all you could ever want for your girl, and it would have been all you wanted for your twins.

You never had a chance of love and a happy life; seeing your children be able to pursue their lives to the fullest, especially in romantics, would have been considered a blessing to you.

"This is the happiest day of my life, honestly, but have you received my guardian's blessing?"

The young man chuckled, caressing her cheek reassuringly, "I plan on coming over for dinner tonight to ask for your hand properly if you will have me."

The girl could only agree eagerly through her expressions, unable to speak in fear of shouting instead of politely inviting him. Hugging him one last time before parting to rush home and prepare their meal; however, a chill went up her spine the moment she left; everything felt cold, and she could not explain why. Maybe it was the lack of his embrace, but she had never felt that way. There was only one good reason she could name.

Her nerves were getting the best of her...

"What if Makato-san declines."

The young woman's moods changed throughout the day as she prepared for the most significant evening of her life. One moment, she had the goofiest, filled with overwhelming joy, but there were other times when she would find herself chewing her nails from anxiety, and right now, she was having one of those times.

"Dear, stop that. This behavior is far from healthy. What has you behaving this way?"

"Nothing, everything is fine. I suppose I'm just hoping dinner will turn out acceptable tonight."

"Dear, please do not insult my intelligence with these excuses. What is going on that you are not telling me?"

"Well, I—" there was a pause. How was the ward supposed to say anything without giving anything away?

"You what? Spit it out, child, you are worrying me."

"I cannot say. I am sorry. But do not worry, please; something good is about to happen. Please trust me on this."

Makato chewed the inside of her cheek. She did trust her ward, but she had this gut feeling, this sickening feeling that she could not name. Maybe it was just her nerves getting the best of her, so she pushed it aside. She trusted your daughter, the only trustworthy person that Makato knew.

"Alright... is there anything you need help with?

The younger one smiled sweetly, taking her caretaker's hands in her own.

"No, I have it handled. You have been so stressed the past few days that you should just relax. Tonight, all your worries will be washed away." With that, she parted to continue her work for the big news. She was all but too excited.

She was also naive.

She was a sweet little girl, but she was naive. To think all of Makato's worries and problems would go away by simply relaxing, through sweet and simple gestures, was an innocent way to think. It was how Makato raised that girl because she wanted that sweet little girl to have that luxury. There were times she wondered if she had made the right choice, but then she would remember what pain looked like and what too much experience could do to a person.

No, she made the right decision. This is what you would have wanted.

Right?

Yes.

Makato went, and she sat as the young woman finished her final preparations for the meal. The girl looked more stressed than ever, rushing at the final threshold, but it seemed that preparations were finished and she was filling time. She found little things to do that held no significance. She was in her head, making Makato question if everything was truly fine.

Then, the footsteps could be heard. He was here, and everything was going to change. Life was going to change, and it was between her and that door. The biggest day of her life was only a dinner conversation away. So she opened the door and was presented with an image she thought she would never see or experience.

"We must leave. The village is under attack, and we do not have much time."

The smell of smoke was strong, and embers could be seen from a not-to0-far distance. The world came crashing down, and she could not say a thing. She could only stand there with an oblivious smile.

"What?"

Fear, confusion, anger, any negative emotion she could feel, she was feeling. This was not how it was supposed to go. She was supposed to get a blessing and marry the man of her dreams. Why now? Why this? This could not be real, there was no way.

If the world had crashed down for your daughter, the heavens collided into the earth, dissipating everything in its path in Makato's eyes. The older woman stood, no thoughts running in her head as she strided to the boy, grabbing him by his garments

"You tell me now, and you tell me true, boy! What did you see?!"

Her sudden actions left him too stunned to speak, but after some shaking and calling for his attention, he found himself capable of a response.

"Makato-san, what is happening?" It was like everything hit her at once, but she was still trying to understand why it was happening today– why it was happening now at the most crucial moment of her life.

"I do not know what it was, but it was a man of stature. He was disfigured; he had two faces and four arms. He came without warning, started flames, and began a massacre. His face was cold, as if he felt absolutely nothing."

There was no doubt in her mind that it was him, no doubt her former husband as reigning terror; however, based on the emotionless state of his ambush, bloodshed was beginning to lose its flavor. It was comical, but as much as it had some humor, this was no joke. This was all too real.

Makato grabbed your daughter's shoulder, pulling her out of her shock. Tears were in her eyes, looking at her caretaker pitifully.

"Makato-san, what is happening?"

She was naive, and being naive was safe, but being naive was also unrealistic. Makato gave the girl a sheltered life, eliminating the possibility of danger to the girl. That was no way to live.

"Your father, that is what is happening."

"What?"

And the shock returned. Makato made an effort to avoid mentioning Sukuna in conversation, only mentioning you in light memory. As far as your daughter was concerned, her father did not exist...until now.

"That so-called man is your father, Ryomen Sukuna. That is the man who drove your mother to eventually kill herself," A pause, licking her lip as she readied herself to elaborate, "Your mother sacrificed herself to protect you from him. He drained the life from her and left her no choice but to die, but she gave it purpose. She died to give you a life, a life away from him."

"I-" Your daughter was at a loss for words. Everything was hitting her too fast.

"I thought I was doing the right thing by keeping it from you. I wanted you to have an everyday life, but I should have noticed sooner or later that the truth would reveal itself and that he would present himself one day."

There was nothing to say, only to exchange expressions of fear and dismay.

"W-Well, what do we do now?"

"We run."

Taking the two charges, Makato grabbed whatever necessities they needed to start a new life. She had been planning this since the day she ran from the temple. She would admit that now, with a third party, it would be more complicated than she had intended, but they would make do.

They exited the home frantic. The smell of smoke became more potent, and the embers were closer than before. The flames became more evident as they spread. Any entrance to the main road would have been a route to death, but Makato had never planned to use that path. There was a back trail through the woods, one she had discovered when your little girl was merely five years of age.

They ran towards the thicket, avoiding as many obstacles as possible. Things were looking smooth, with hardly any disruptions. It was almost serene, but that was the issue. To have such tranquility was a nauseating notion for mayhem being at their backs.

It was too quiet to be safe.

And that is when she knew to push the girl and her lover aside, veiling their presence with her technique before everything went black.

Ringing...

Ringing...

And more ringing...

The lights were brighter, and the smoke and ash came straight from the source. She woke up coughing and gasping for air. For a moment, she thought she had been dreaming, immersed in a life that was not hers. Maybe she was waking up, back to her village, back to her parents, back to the life before she got caught in that awful nightmare.

"I am surprised that it was you, of all the women she let live." Sukuna started, looking down at what he believed to be the scum of the earth.

No, it was all too real. His voice registered through her head instantly despite not hearing it in years– at least in person. She had repeated memories, but sometimes she wondered if she had deformed his voice from years of not hearing him speak down on her. Turns out she remembered it accurately. It still managed to send chills down her spine and make her wish to be six feet under the ground.

"I was probably too forgettable for her to ever really care about whether I lived or died." Makato spat.

"That is reasonable enough, but that would not serve her memory well and rather insult her intelligence. I will say that, if anything, my Little Flower was too clever to let such technicality slip from her. She probably pitied you and your fruitless womb, so she gifted you with a child for you to care for in her absence. And knowing your broken state, she probably knew you would be eager at the opportunity."

Makato scowled, turning her gaze to the ground. How dare he speak of you in such a way. He said that as if you were on his level, as devious and conniving as he was, and claimed your actions were selfish when they were the opposite. You did this for her daughter, not for yourself. If you had it your way, you would be there.

"How old is she now?"

She refused to answer, turning her gaze back to the dirt. She did not want to give him the satisfaction of belittling her more than he already had. It was humiliating, but she still had some dignity and a promise she wished to uphold.

"What does it matter? She is dead. (Y/n) told you herself that she was gone."

A sharp pain was felt at the back of her head as he pulled her hair to force the woman to look up at him.

"Do not picture me a fool! For a woman whose last words claimed her daughter was gone, she left me the most humorous smile. I know that age of the girl, but I would rather hear from you, bitch, how long you have been holding her captive."

No response.

"Answer me!" Sukuna snarled, pulling at her scalp once more.

"Nineteen years of age," Makato smiled. Why? Do you wish to act as a father now? Well, you are too LATE! While you were out throwing tantrums, I raised her child, which you would not know how to do without being given exact handwritten instructions."

"On the contrary, you let her potential slip, and now she is nothing but another womb to breed. Unfortunate, due to the heritage of her mother and myself. However, a womb is still useful regardless."

Out of anything Sukuna had done, out of anything he had said to threaten her, that was the most horrifying.

"You are a disgusting bastard."

"Do not speak as if you can fill her shoes as if you have her confidence. You would not be in this position if you were half the woman she was."

"You are right; if I were half the woman she was, I could have easily manipulated you and have you play the role of the arrogant man with an ego so big, he does not notice the knife pointing at his back," A pause as she licked her lips, swallowing to try and quench her dry throat, "Everything that woman did was out of fear, much like everyone else; however, she knew how to tick your interest and she used that to her advantage. Honestly, I am ashamed. I only noticed it when she told me about her plan."

A twitch in his eye, he was irritated. It was known through body language and the knowledge of his nature that he wanted to tear Makato apart, limb from limb, until her body was unrecognizable.

"What? Afraid to face the truth of her decision. She could have run away with ease; she could have killed you, but both of those options would have been considered a mercy for you. She took away the one thing that you valued: herself. That must eat at you a lot."

With a swift motion, he scooped the former wife from her neck, squeezing her throat as he raised her to face him eye-to-eye.

"You are a worthless bitch who cannot even reproduce, summing you up to nothing. What is your worth?"

Nothing but the struggling breaths of the woman attempting to pry herself from this monster's grip.

"Exactly, you are worth nothing."

Darkness, wherever they were, was dark. The girl and her lover were still in the woods, alive as well as they could manage. She could only remember running into this place before being shoved into the dark area. She felt the ground around her and reached her arms out into the pitch black as she tried to navigate this strange place. It scared her.

"Makato-san? Where are you?"

No response, only silence.

It was dark and frightening, and she did not know what to do. What could she do? She could cry, so she did; she cried as she tried to find her way back. This had to be some kind of night terror. She would wake up, and she would be at that doorway, welcoming her lover into their home, eating their meal, and then sharing the news. Her lover would get her caretaker's blessing, get married, and live happily ever after, right?

Dreadfully wrong.

Instead, a hand reached out and pulled her out of the darkness. The world was still unlit, but moonlight and the flames dancing in the distance could be seen nearby; however, she was not a part of the conflict.

She was about to scream, cry for help, anything to get attention drawn to her location, but was stopped by a large palm to the mouth.

"Shhh, my love. It is only me. It will be alright."

For the first time that night, she felt genuine relief. Turning her head to see her man, she looked down at her disheveled features. She weakly smiled, moving herself to embrace him. It all lasted for a few seconds until she realized the missing member of their little group.

"Where is Makato-san?" she whispered.

The man looked down, not daring to respond. She attempted to make eye contact, but he would only look away.

"Where is she?" she insistently asked, but louder.

" I do not know; a couple curse users emerged from the woods. Makato shoved us into the ditch, and when I came out, she was gone."

"Well...Well, we must go look for her."

A grasp to the wrist effectively stopped the girl.

"No, I cannot risk losing you, and I know Makato-san would agree. She would not want you going out to risk your life to save her."

How could he say that? How dare he say that! What right did he have in this decision?

"Then you do not know her." she scowled, trying to withdraw from his hold, but his hand did not budge.

"Then why would she tell you everything had she not already predicted the possibility that she might die."

"Because... because...she needed me to know because if we were going to run away, I would need to put in my own weight by knowing our threat...yes, that was it! Now let me go!" She tried to reason, but not to him—herself.

Denial.

"It was a confession! As if she were lying on her deathbed, she confessed everything to you. She wants you to move on, knowing there are dangers like your father. She wants you to kno-"

"Well, she may not be dead yet, so we have to try!"

With whatever strength she had deep down, she broke free from his grasp, sprinting towards the village and the flame. She could hear him following her, but in her mind, she wanted to believe he was doing it because he could see her reason. He would help; she was sure of it.

She was almost there, and she swore she could see the silhouette of her caretaker, but then she found herself on the ground. It was only for a second before being lifted into the air, a hand covering her mouth as she got further from her destination.

Kicking, muffled screams, and the distant cackling of flames could be heard. She bit her partner’s hand in an attempt that he would let her go from the sudden pain, but he was resistant. He merely grunted and winced while continuing his journey back. But then there was a halt.

There she was, Makato, thrown onto the ground. She could see her in the distance. The woman looked weak but very much alive, and she was right there. The daughter kicked, shoved, jabbed, and bit even more, trying to get loose. However, her lover would not budge because although he could see Makato, he could also see the shadow hovering over the woman, the shadow your daughter was refusing to look at.

Then the shadow disappeared, and the dreadful monster emerged, Sukuna Ryomen, hovering over Makato with disdain. Watching as she tried to crawl away but failed miserably. She was fighting, doing her best, but her fate was inevitable.

Death was the only option, and death is what she got.

Ryomen Sukuna caved into his impulses, ripping her limb from limb until she was unrecognizable. The daughter watched, horrified, as the woman who raised her was mutilated to nothing but a pulp. What sort of sick joke was this? She remained silent as she tried to think of who would pull such a childish trick, watching as the image got smaller until nothing was left. Eventually, it was just a tiny yellow dot in the distance and nothing more; all she could do was look at it.

"Promise me you will live."

Breath in

Breathe out

Breath in

Breathe out

Breath in

Breathe out

Breath in

Breathe out

Breath in

Breathe out

Breath in

Breathe out

Breath in

Breathe o-

"NOOOOOOOOOO!"

The scream echoed through the dark room, and you tried to comprehend where you were. The walls were closing in, and the air was too thick to breathe. It felt like like suffocation.

What was this?

Why now?

Where is this?

Why is this?

How is-

"Y/n!"

You snapped back into reality, frantically looking at your surroundings to notice you were in your bedroom.

"Y/n, what happened? Are you okay?"

The silence was tense as you sat there, trying to remember your nightmare. You thought long and hard, but in the end, you had nothing.

"I...I don't know."

You heard a sigh, a hand rubbing your back, and another reaching for your cheek, wiping the stray tears you were unaware of.

"Do you want me to stay with you tonight, again?"

Some of you wanted to say no, but the opposing side longed for it. You stared at the clock on the wall before you, reading the time. It was a little past midnight, and you had hardly gotten any rest. You had a big day tomorrow, and rest was crucial to get through your day. God knows the things you would do if you did not properly sleep.

Turning to your twin brother, you weakly nodded, "Okay."

He did not hesitate to tuck you under his arm as if in an attempt to protect you from any harm to come your way, to shield you from the nightmares. However, despite his presence, it was like a part of the dream appeared that you remembered but didn't at the same time.

"Do you think I'll be a good mother?"

"Why are you asking me that?"

"Please just answer me...for my sanity."

Your brother sighed, resting his cheek on your head as he rubbed your shoulder to comfort you.

"Y/n, I have no doubt you will make a great mother. Come on, let's go back to sleep. I'll stay here, and everything will be better in the morning."

"Promise me it will be better in the morning."

"What?"

"You don't have to hold up to it. I just...I just want to hear you say it."

"I promise it will be better in the morning."

"Okay..."

New series?? Sequel???Maybe, but first, a little break ☆~ (˃̵ڡ‘˶ )

Taglist (Thank you all so much for being a part of this series):

@littlemochi @mistalli @youngbeansprout @bbylime @bangtan-forever1479 @idktbhloley @izayas-rings @o3o-aya @pyschopotatomeme @persephonehemingway @otomaniac @meforpr3sident

@fourcefulcupid @nezuscribe @my-simp-land @zukuphilia @niya729 @spiritofstatic @bbittersw33t @kashasenpai @decaysan @honeybaegle @ygslvr @outrofenty @esposadomd @ali2426 @anmath @yazzzmints @lovingnahida @sincerest-one @rosemaydone321 @j0dios @k-ki3rd @maki-zenin1944 @shadowywizardarcade @ae-mius @xiangping-28 @loaves4me @aloraaaxcrystalzx @chariotwaves 

[hanaruri-tunes]

How the Demons taste like (headcanons)

Okay I may be going into a weird trip with this but you CANNOT convince me that demons have "normal" tasting cum. So after all the monster cock headcanons I went through for the seven brothers (and I suppose that if you’re here you may have come across them as well) I present to you these "taste" headcanons.

I won’t be including the side characters in this (like Diavolo or Solomon). Sorry but I don’t think I know them well enough to do this for them as well but you’re very welcome to share your thoughts dushdhshdh

To add onto this whole idea: I think it would make sense for demon cum to taste good because it would encourage and strengthen the sin of lust in-between demons and humans as well (if they fuck one and we damn well know they will). Taste aside I also imagine they all have aphrodisiac-like side-effects and maybe even sweet smell.

This is all silly and in good fun so don’t take any of this too seriously aha, though it IS technically "adult content" so please ⚠️MDNI⚠️!!!!

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Lucifer

This one was probably the easiest. He tastes like sweet wine, no cap. Probably a Rosé and smells intoxicating like one too. Drinking him literally makes you drunk (as it is his aphrodisiac effect taking a toll on you), you become more giddy and playful with him which he loves. As for how it looks like, I have no idea. I’m not super imaginative in that department so I sort of assume all demon cum looks like human cum but "thicker" and "richer" like condensed milk.

Mammon

Believe it or not but right after the easiest one to imagine (being Lucifer) Mammon’s was the hardest for me. I went through multiple ideas, those being apple juice, flat lemonade or even a cocktail but for some reason I ended up stopping at warm chocolate. And I PROMISE it’s not because of his skin color idhedhsu I know it’s suspicious since he’s the only one amongst his brothers with actual melanin but really, when you think about it, Mammon is MC’s "first" in every single way, first one to love MC, first one to form a pact, first one to kiss. In every single universe/game, in everything, he’s the first. He’s MC’s "home", and what screams home? Warm choco milk. Yup. As for the aphrodisiac aspect... I suppose it would be pretty standard? Making you more possessive of him, needy and clingy. All the things he would love to see you be like usually.

Leviathan

Okay listen. You know those cartons that look like regular juice at first glance because of the fruits on the packaging? But then you read what’s written on it and it's actually a "nectar", not juice. I suppose everyone knows what it is or at least has already accidentally bought nectar in the past instead of juice but BASICALLY it’s just thicker and heavier "juice". If you add water into it it’s legit just regular juice, kind of like a grenadine which is the same-ish concept. It’s syrup and you add a lot of water on top to make it into juice. Well Leviachan is in between juice and syrup, thus nectar! He tastes sweet and refreshing. And I imagine his aphrodisiac effect could possibly have some hypnotic side effects, making it easier for him to "control" you and making you his.

Satan

Alright. On this one I’m a bit stuck again aha. But I imagine something like sweet and spicy tea, as weird as it sounds. Kind of like nettle tea or herbal tea in general. Dude tastes like a warm and spicy arizona drink (the brand, not the state haha) As for his aphrodisiac property, I imagine his cum would have the same effect on others as catnip does on cats. So like, drugs. Yeah. On that note, the aphrodisiac side-effects would also include you becoming more agitated, more "rough" and assertive. Almost as if you’re hate-fucking him.

Asmo

His sin being lust, the aphrodisiac property of his cum is the strongest, tripling down on the pleasure sensation. And not only his cum but his saliva as well so it’s overkill. I think his cum would have a "magical" feature that allows it to taste different depending on the person that’s tasting it, as to change to this person’s favorite flavor and completely satisfy them. Thus ending with them succumbing to Asmo entirely. Everyone knows Asmo is a menace but especially in bed.

Beel

Tastes like honey, 100%. And does it not only taste like it but his aphrodisiac effect makes you hungry for his cum in particular, making you seek his dick. Desperately stroking him to get more of his juice into your mouth. Definitely has one of the tastiest and most filling juices, pretty fitting as the avatar of gluttony.

Belphie

Belphie is a pretty standard guy, his cum looks like condensed milk AND tastes like condensed milk. All thick, sweet and dense. His semen may or may not have some sort of hallucinogen effect, (only a little though) enhancing the experience. One second you’re in a bedroom, the next you’re tripping I mean, having sex in a surreal setting, stars lighting up and dancing all around while you’re being fucked senseless.

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Thank you for readinggg🫰 I’m considering opening up prompts for this summer btw, not sure how well that’s gonna go ahaha. In any case, don’t hesitate to interact with my silly posts or even leaving some messages in my askbox if you’re too shy to do it with your account, it’s really encouraging seeing any type of reaction!

[eddiediaaz]

hellooooo! i read a lot of buck/eddie fics, literally everyday, and earlier this december i thought "why not share some of my favorites that i have read this month?" so here we are! i couldn't include everything i've read and enjoyed, the list would be really long. but i've picked a few fanfics that i've read (for the first time) in december that were really huge favorites and stayed with me for a little while these past days/weeks. i will try to make these on a monthly basis, because fanfic authors deserve all of the recognition! oh, and happy new year!

both blades and branch by @cal-daisies-and-briars 62k | mature | canon divergence | completed: december 2023

The chances of being struck by lightning twice are incredibly minute, but Buck still manages to pull it off. During a double date with Marisol and Natalia, nonetheless. Eddie manages to resuscitate him, but as Buck recovers from yet another trauma, Eddie can’t help but notice there’s something very different about him. He’s not quite sure what version of Buck he got back.

this fic is absolutely incredible. i couldn't put it down once i started. it's extremely well written and brilliantly planned out. the angst is heavy but so is the reward: this is an amazing story. easily an all-time favorite!

my blood on your skin (my rose on your snow) by @letmetellyouaboutmyfeels 80k | explicit | alternate universe | posted: october 2023

When Eddie needs cash and fast to take care of Christopher, his LAFD Academy buddy suggests a job as a bouncer at Elysium - an exclusive sex club in downtown Los Angeles. Eddie doesn't care what goes on there, so long as he's paid, but he finds he cares a lot bout the club's enigmatic owner, Evan Buckley, and it's not long before the two of them are violating every boss-employee rule in the book. But there's something different about Buck and the club, something not quite... human. If Eddie wants to keep Buck, he's going to have to delve into the world of immortals, and all the risks that implies.

another exquisite fic from this author. they never miss!! this one explores a dynamic i don't read that often (sub eddie) but it works SO well here. extremely well done, as usual. i also absolutely love this buck here.

burn a bridge, learn how to swim [series] by watermelonshorts 34k | mature/explicit | canon verse | completed: july 2021

In which there is some unexpected making out, some pining, one third of an existential crisis and a lot of unhelpful advice. Not necessarily in that order.

they are GIANT disasters in here! really loved the humoristic tone of this whole thing. i just wanna shake them and yell learn how to communicate properly damn it!

dead reckoning by euadnes 28k | mature | canon verse | posted: december 2022

In which a tragedy on the edge of a firestorm leaves part of the 118 stranded and struggling to survive in the wilderness. Left entirely to their own devices, the survivors fight to come home, alive.

buck, eddie, and ravi survive a plane crash, and it's amazing. incredibly well written, i was hooked from the very start and couldn't put it down until i was done.

here comes the jackpot question in advance by @lamardeuse 4k | teen+ | canon verse | posted: december 2023

Buck is determined to start the new year right.

this is very very very cute!!! i always love a cute holiday themed get together story. as always, this author nailed the characterization!

being eddie by @cal-daisies-and-briars 79k | teen+ | canon divergence | completed: august 2023

When Eddie starts seeing a new therapist, he’s presented with the opportunity to revisit several days from his past and right regrets that still bother him. OR: Eddie goes through the time travel therapy process of the 2009 Canadian TV show Being Erica

incredible concept!!! all the moments chosen for eddie to revisit are perfect and make so much sense for his character. this was such a great read and an absolutely amazing character exploration fic.

a blaze in the dark by @woodchoc-magnum 117k | explicit | canon verse | published: december 2023

Set post-Season 6, where Buck has inadvertently sacrificed his friendship with Eddie in order to focus on his new relationship with Natalia, and is shocked when Eddie comes out to the team and subsequently reveals that he is dating a guy.

okay so i literally read this in one sitting and went to bed at 7am to finish it. i couldn't put it down. the angst is SO good and frustrating and delicious and painful. but the payoff is so worth it!! this is really really really good. i loved all the dynamics, especially eddie and karen's friendship.

[txttletale]

Not a worm reader, but I am curious in which ways it understands trauma better than most media?

the core premise of worm is that it's set in a world where superpowers come from trauma--and they're also pretty explicitly deployed as a metaphor for that trauma. and this means that all the cape genre stuff also gets deployed around trauma--when every character builds up a persona and aesthetic and presentation around their power, they're also building themselves up around their trauma. trauma is a very life-defining thing that you have to build or rebuild yourself up around--it feels like this enormous, all-powerful force that affects everything you do. and turning trauma into literal superpowers takes that totalizing emotional experience and expresses it in a really visceral and powerful way.

every major character in worm, protagonist or antagonist, is explicitly a trauma survivor. and they're really written like that. some of them are nasty and violent, some of them are hypervigilant, some of them have control issues--but the fact that it's a whole cast of survivors allows for a really nuanced and genuine light to be shed on how trauma can affect people without either coming across as demonizing or something made under the pressure of being Good Representation. every character has coping methods, most of them bad, most of them represented again in some outsized character-defining way by their power--which is the way it feels to have coping mechanisms, it feels like you have to go around playing your Copingsona all the time, it feels like you start to feel the line blur between coping mechanisms and your 'real self' (worm plays into this a lot, it's deeply thematically concerned with identity)

and worm is often deconstructing capeshit, that's another of its primary concerns, but it also uses this to talk about trauma too. one of the central points of worm that gets hammered home again and again is that like, superheroism/supervillainy is a coping mechanism. it's not healthy to put on a costume and go outside and shoot lasers at other human beings. it's retraumatizing for everyone involved and leads mostly to downward spirals and escalation and disasters. and superheroism/villainy-as-an-unhealthy-coping mechanism is a very very compelling and interesting exploration of that in a way that most capeshit deconstruction just isn't. because again, right, it reflects these huge magnified feelings of self-blame or self-villainization or black-and-white thinking that trauma survivors often fall into. like the superhero neurotically trying to do 'good' when they cannot negotiate for themselves what 'good' is or the villain who feels rejected and ostracized by society while their attempts to reach out only ever make things worse--those are very compelling character types for exploring the theme of trauma.

so. yeah. worm, for all its flaws, is a masterclass in character work and in actually using a genre and its deconstruction for something. it tears down the superhero genre and rebuilds it as a vehicle to talk about how trauma affects people and the ways they try to cope with it and it does it really well.

[sundrop-writes]

HCs for Gar on a first date with gn reader? Thank you!! I love DC Titans so much and it’s been so hard finding fics for the show specifically

I love the idea of Gar on a first date omg. Also - if you're looking for more Titans fanfiction based on the show specifically, literally all the fanfiction that I have written for the Titans characters is based on the show. The show is my passion. Especially Gar. So - definitely check out that Masterlist

Requests for Titans are OPEN

What would a first date with Gar Logan be like? (Headcanons)

(Idk if there's any warnings for this? It's pretty much pure fluff. Gar calls the reader 'cute'. Idk. Mentions of shooting games, if that's a warning?)

So, this might be obvious, but I have to say it - Gar would bring you to an arcade for a first date. It's classic, it's cute, it can be romantic as well as being a shitton of fun. It would be his first choice of a date no matter what.

He would love sharing all of his favourite games with you, and he would encourage you to try them no matter what - if you're not very good at games or if you're an expert and you're gonna beat all of his high scores, then he will be right by your side, cheering you on as you play.

He is absolutely not fancy - he would love pizza or burgers and fries as a first date food (of course, his version would be vegan or vegetarian). It would be totally fun and casual to just hang out with him and talk over some casual food and then go back to playing games afterwards.

He would absolutely try to win something out of a claw machine for you. And maybe it's luck or his arcade skills coming into play, but he got you the cute plushy that you wanted on his first try, and he plucks it out of the slot and hands it over to you with a huge smile on his face, telling you that it's a special present for you. (It's something that you treasure closely for the rest of your life.)

(Also, if he couldn't win you something from the claw machine, he would get his arm stuck in the slot reaching up from the bottom trying to get the plushy you wanted.) (Because he genuinely thought it was a good idea.)

Gar is the type of person who spews a lot of nerdy facts - he loves infodumping (it's one of his love languages), and he ends up telling you the lore behind every character in the games, the origin of every arcade cabinet, and general fun facts about every single game you play. You can't help but to soak it up, lovingly listening to everything he says and falling more for him with every single word he speaks.

If you tell him that there's a character or a game that you prefer, then he will double down on speaking lore about them, and he will even find a way to relate them back to you and your life as a compliment. ("Well, that character is super cute, just like you are.")

If there's some type of shooting game or something where you have to use a fake gun and practice your aim, Gar would not use it as an excuse to put moves on you. In fact, he would be surprised when you wrapped your arms around him from behind and put your hands around his as he held the plastic gun - and he would be far too busy with the distraction of the butterflies in his stomach and the heat rising in his face to even pay attention to what you were saying about a cheat to shoot more zombies. (If asked, he wouldn't have said that it was intentional flirting. He would have said that it was a correction of his technique that made his stomach flip.) (Nobody tell him.)

When the night is over, he will insist on walking you home. He wants to make sure you get home safely, and even though he's absolutely not expecting a goodnight kiss - he likes you a lot and he turns into a babbling wreck when you pull him close by the front of his jacket and capture his lips in yours for the first time.

Basically - a first date with him would be something straight out a romcom. Sweet, fun, and absolutely memorable in your relationship.

DC Titans Masterlist

[kujakumai]

Personally, I agree that TKB has every right to feel anger and take action to prevent the tragedy of Kul Elna from happening ever again. But the second he says "I'm going to work with a demon to destroy the entire world" is when I put my foot down, because that makes him no better than what the ruling class did to him; it makes him worse because he's inflicting that to other innocent people. Neither Atem and TKB are completely correct or wrong, but the story siding with only Atem is morally iffy

-TKB isn't a real person independently arriving at moral actions, he is a character in a narrative whose structure and characters are consciously designed by human beings to tell a particular story

-Saying "Well, TKB was still evil because he wanted to destroy the world" is accepting the premise of the narrative and TKB's motivation as if it sprung forth from the ether, ever-extant in its present form and incapable of being written any other way

-The narrative of MW paints a portrait of a world that is visibly and systematically unjust and whose domestic and military power is derived from the literal death and exploitation of the poor; it then has a character, TKB, make very deliberate criticisms of this system, and puts them in direct contrast with Priest Set and Akenhadin's own ongoing corruption.

-Since again, this is a story being crafted with intent, this contrast directly leads audiences to conclude that TKB's criticism is valid, and the author intends us to reach this conclusion and has deliberately set up his commentary. Determining that TKB is right about the monarchy is the logical conclusion of the facts and narrative tools we as the audience are given.

-However, instead of leading us to a satisfying conclusion based on this setup, the story instead tacks on "...but he wants to destroy the world, so we can kill him!" and never meaningfully addresses the questions about good and evil or the nature of the throne, nor does Atem ever have to really face them. It disposes of TKB and quickly sets about putting a heroic coat of paint on a mostly unchanged Set and reducing everything to a quick and tidy good vs. evil shonen fight scene, contradictions be damned.

-The problem with this plot twist isn't fantasy-monarchism. It's that it is actively disorientating. We as readers have been told in loud, bold letters for over two dozen chapters what this story is about and what message it's trying to communicate (a very powerful one, based on how passionate people become about it!) and the story simply...dumps it all, and starts pretending to be a totally different story. Like none of that earlier stuff mattered and we should suddenly be content with power-of-friendshipping the bad guy into dust.

-Tongue-in-cheek declarations that "TKB was right!" aren't moral statements about TKB or Atem's actions, because Thief King and Atem aren't people, they are characters--a narrative tool the author is using to tell a story. And again: the narrative is telling us that TKB is right and the monarchy is troubled and unjust. Vocal declarations that Thief King was right are really an expression of disgust for a clumsy narrative betrayal. "MW told me this excellent story, got me invested, very deliberately set me up to draw these conclusions about the story it was telling and the message it wanted me to get...and then tacked on the ending for a completely different story that had nothing to do with any of that! This is bullshit!"

-If TKB were a mere generic evil, who intended to destroy the world for his own gain and had no compelling criticisms of the hero's world or complex tragedy, he wouldn't be anywhere near as interesting (see: the anime, which did almost exactly this), but I don't think people would be half as worked up about it. It would be neat, at least, because if everything is a fantasy good vs. fantasy evil from the start, then at very least the story would match its ending. No one would feel misled or disorientated.

-But the story did ask moral questions of our characters, and it did so carefully, deliberately, and with fireworks; it is therefore culpable for failing to even attempt to have them answer them.

-At the same time, the trope of the "rebel turned murderous extremist" is well-worn and troublesome. There are ten thousand examples. A villain who challenges the status quo, who takes issue with real problems, revolutionaries and rabble-rousers with righteous fury...but they want to, uh, kill innocent people also! for some reason! which is why our heroes (defenders of the status quo) need to get rid of them and we don't need to listen to what they are saying!

-Why does fiction so frequently depict people angry about real societal problems, and who act to change them, as people whose legitimate complaints are inexorably tainted by tacked-on inexplicable violence?

-Who benefits when fiction frequently conflates righteous criticism of injustice with supervillainy? When fiction conflates heroism with stalwart defense of the current system? How do we carry these narratives with us into the real world?

-You are criticizing Thief King as if he were a person. I'm not, and I'm not interested in doing that. I am criticizing the poor formulation of a story.

-anyway. TKB did nothing wrong

[lilyginnyblackv2]

Saw someone deny the Kazurei ship because “the series makes it clear that Kazuki still loves his wife.” And that is such a bizarre argument.

I would hope that Kazuki still loves Yuzuko.

I would hope that Kazuki will love Yuzuko until the day he dies, because she was his wife and he loved her when she was alive. Why would he stop loving her because she passed away?

People, and well written characters, are complicated. They can love more than one person or thing at a time. Polyamory is a very real thing and a way some people love. But this situation with Kazuki isn’t even that. It’s a past love, since Yuzuko is no longer here with him.

Outside of past relationships that have turned sour because of something like abuse or the like, pretty much every person in the world has pieces of their heart that will always belong to someone they love: platonically, familially, romantically, and everything in-between.

Love is complex. The way people and well written characters like Kazuki interact and engage with love is complex too. Plus, the entirety of Episode 7 was literally about Kazuki learning to move on, let others in again, and learn to love again - without restraints and the past holding him back.

So, that dude who wrote that tweet just completely missed the point of Episode 7, lol. Like, Kazuki can have a picture of himself and his wife from when she was still alive up on his desk in his room, while also caring for Rei and forming a potential relationship with him in the present. Those things aren’t mutually exclusive. It’s like how a parent is able to love more than one child at the same time. 

It’s not that hard. But some people will try to deny queer readings of text no matter what. 

[ditzydoodiary]

autistic ramble about twilight sparkle because i love her sm and shes my fave autistic comfort character !!!

this took a really long time to make, and im really proud of it, so any reblogs/reshares would be appreciated ! especially if you like mlp !!

when people say she isnt autistic, i always find myself very surprised. i think to myself, have these people even watched the show??because yes, while the writers and lauren faust may not have intended for her to be explicitly autistic, she is very clearly portrayed that way, intentional or not. not to mention that lauren faust (creator of friendship is magic) has recently responded to a tweet saying that she thought pinkie pie being adhd was obvious; lauren faust has adhd herself, so its not surprising that so many of the mlp fim characters also posess many of the same traits as her. and i also raise the question; if she thought pinkie pie was obvious as having adhd, then why would twilight be any different?? she is very clearly autistic, but i dont think twilight's obvious neurodivergence has been addressed by lauren yet (unless im wrong of course, but i just haven't found anything about it when ive searched for it).

anywho, to list just a few of twilight's autistic traits:

- trouble socialising and making friends (this is literally the main plot point of the first few seasons and is even still present in the later seasons, so its not like this was just a one time thing). an example of this would be in the very first episode when twinkleshine, lemon hearts, and minuette invite her to moondancer's party; she awkwardly declines, saying that she needs to catch up on her studying instead. to this the other ponies say, "ugh, does that pony do anything except study? i think shes more interested in books than friends"

- she has a very obvious special interest in reading, books, research, and the study of pony magic. she indulges in these interests to such a level where she often loses track of time and stays awake all night, and often misses out on opportunities to socialise with her friends. when she cant indulge in them, she gets upset. this ties into finding comfort in routines, too.

- taking things literally (e.g: that part in "look before you sleep" where she takes rarity's statement about them getting warmer in regards to playing a game literally). look before you sleep is also a great episode showing her need to have everything planned out; in this episode, twilight has her first slumber party, and uses a slumber party planning book as a guide. she thinks has to follow every single instruction in the exact same order, and when rarity and applejack dont oblige, she gets upset.

- HEAVILY relies on schedules and planning. she utilises all kinds of lists; visual lists, written lists, checklists, etc. when she's unable to stick to her routines/plans, she becomes irrationally upset and/or angry, lashes out at other people and can have meltdowns. this is again shown all throughout the show, but is more prominent in the episode "lesson zero".

- LOVES organising, lining things up, and finding visual patterns in all sorts of things. she'll often just do this for fun and as a way to calm down, while others might find this more of a chore. i suppose this can be done as a form of visual stimming? I don't really know what this is called; but i know a lot of autistic people do it. i suppose this could also tie into needing routines and structure, as organising things can help autistic people feel more in control and can provide a sense of stability.

- she can often come off as insensitive or rude without meaning to, and sometimes she struggles with tone as well as being quite blunt. this is most likely due to her misunderstanding or being unable to read typical social cues. this could also perhaps be linked to low empathy, which is something a fair few individuals on the spectrum experience. this is especially true in the earlier seasons, but still shown in the later seasons as well.

- twilight also struggles with regulating her emotions and having meltdowns; this is typically the result of her needs not being properly met and her routines being changed. and when she's not having full blown meltdowns, she can at least be seen being snappy towards her friends when overwhelmed.

- stimming !!! oh boy does she stim a lot. stomping her hooves, jumping up and down, PACING (this is a big one), teleporting spontaneously when overwhelmed, flapping her wings, etc. in fact, twilight once paced so hard for so long that she made a groove in the floor without even realising !! (this was seen in the episode "its about time" - which is also a good episode that showcases her autistic traits)

- shes also sometimes shown struggling with overstimulation; in the third episode of the series, "the ticket master", twilight gets overwhelmed by her friends crowding around her and loudly shouting, resulting in her running off and snapping at them.

- shes often shown struggling with generalised anxiety, which is another common trait of autism.

and the best part is, this is obviously a common occurrence, and her friends fully support her through her struggles !!! her meltdowns, overthinking and anxiety are so frequent, that her friends know exactly what to do and how to help her.

obviously, this isn't every trait, this is just all the surface level stuff !!

i would have included more video and photo examples, but tumblr has a limit on how many you can add to a post :( i hope i still got my point across despite that !!

all in all, i think she's wonderful autistic representation !! even if this wasn't intentional, i still think it's great and love the way her personality and traits were portrayed. the main character of a children's show possessing these traits is awesome and something you don't see too often !! i hope lauren or at least someone on the production team talks about this, because it means a lot to myself and many other autistic people who love mlp <3

[tookishcombeferre]

Cedric for ask game- 1, 12, 14, 25

1. Why do you like this character? Okay. So, ever since I watched Avatar: The Last Airbender, I have been a sucker for a well written redemption arc. However, if I were to get into specifics, I think there's a lot to explore in this character from a literary perspective. He's complicated. Very complicated. His motivations make a lot of sense even if he goes about things in ways that aren't objectively moral. Which, honestly? That is stuff you don't see in children's TV much since Gargoyles or other things from the 90s and early 2000s. He has the backstory and personality of a Shakespearean tragic hero. He reminds me of like if you shoved Macbeth and Hamlet in a blender in the best way possible, and then, somehow, came out with Macduff? IDK how that works, but that's what happened. Secondly, I find him relatable to my literal life. Zuko hit me when I was just a little younger than Zuko's age. I saw Sofia the First, for the first time in earnest, as I approach 30. I am, exactly, the right age to relate to Cedric's personal issues. So, I like him because a lot of the stuff he deals with is the stuff I'm processing in my own life. Aging parents. Trying to repair a difficult relationship with my own dad as we both grow older. Realizing I might not be able to fix everything that's missing there, and trying to walk the line between indifference and cynicism. Check. Trying to form a solid relationship with a/my child and teach them things. (Granted my squish is biological, but still. Check.) Trying to look past my own personal failings to create a better world for my kid and future generations. Check. Trying to look past what people say/ have said about me and others like me to see the intrinsic good in myself despite my nuanced set of identities. Check. Realizing that my kid just existing in my life is what gives me hope to see myself as great. And, maybe, just maybe, that's a lesson I can teach my kid without them having to go through all the crap I've gone through to learn it: we are great because, unmasked, in our fullness, together with others, we are greater than in isolation. So, I like him because it's easy to walk his journey and see some elements of my own life and where I'm at personally. And, you know what? The show does a nice job presenting this struggle. I feel less alone in my own crap when I watch it. I've got a buddy to walk in my adult problems with while my kiddo gets a princess to learn how to be a good person alongside. I LOVE that. It's truly something we both get something out of, which, is, like, SO supremely rare. As a parent, I just cannot express how much I care about that. Bluey might be the only other program I can think of that does "both" as well as Sofia does. Like, I don't know if there are any other fans in this fandom who are parents. But, man ... Cedric hits because *all* of the life stuff he's dealing with is stuff that, like, is so real. Especially the stuff with his parents. Oof. I don't know if any of y'all have had parents age. But, it's a different beast y'all. It makes you think about things, it makes you want to retreat, and it makes you want to fix things - all at the same time. Sorry if that's a lot. But, when we talk about Cedric being an adult, this is what we mean. So, I just kind of fell in love with Cedric's character because in so many ways his story just kept slapping for me from every angle.

[juliettedunn]

Do you think Belos is not as complex as his fans makes him out to be?

I don’t think it’s a case of more or less complex, it’s that a lot of Belos stans mischaracterize him to the point they make him a different character. The stans ironically completely erase what makes Belos, Belos.

The “Belos” a lot of Belos stans present is the guise he wears to manipulate others and himself, hiding his actual character and nature beneath.

Belos is one of my favorite villains, because he manages to be a truly reprehensible villain with no redemption in sight, while also having a lot of layers to his psychology. He’s a villain whose thought process/general psychology I find fascinating to think about, as I think it’s quite well-written and reflective of people like him in real life.

There’s this perception that in order to be interesting, a villain has to be sympathetic or redeemable in some capacity.

It’s popular to give villains sympathetic motives or backstory, and even redeem them, to avoid the simplistic “I’m doing evil things because I’m evil” type.

And this type of villain can absolutely work, it’s just not necessary for every story, or for a good villain. You can have a complex, layered villain whose psychology is fascinating to think about, without them actually being sympathetic in any way.

Belos doesn’t think “I’m doing evil things because I’m evil.” He justifies himself with a twisted line of thought built around his own selfishness, insecurities, immaturity, and possessiveness, as well as the Puritan ideology he embraced.

A big part of his character is that he warps reality in his own mind to suit his needs. That’s why his mindscape is literally layered, with the beautiful, heroic paintings at the start hiding the true, ugly memories. He isn’t just lying to other people; he’s lying to himself. He’s so caught up in his own delusions and persecution complex, he’s lost sight of reality and starts to be confused by his own lies, built into the very structure of his mind.

The show makes it clear how his view of the world, that he is an oppressed victim, is delusion. It shows Caleb embracing his brother warmly in the Boiling Isles, despite the aggression he displays. It shows people were friendly and trusting during the time period he arrived, and only lashed out at him once he began to kill and oppress, like the demons avenging their brother Blue Fang. His fake child disguise used to manipulate Luz is shed to reveal the true sinister man underneath as his real inner self.

His misery is of his own making. He killed Caleb, he refused to change. Even after four hundred years, he refuses to do anything but whine about what witches and demons took from him, despite the fact he was always the aggressor.

Belos’s story is the story of a man driven by an extreme selfishness, a desire for coddling and protection, to have everything revolve around him and his needs, at the same time as he claims to want to purge the sins of others for being selfish and evil. A man who is so caught up in his layers of lies and manipulation, he himself loses sight of what he believes, and eventually descends into crawling, whining slime. It’s a pathetic end that is his own fault.

But Belos stans want to ignore the story being told in favor of believing the simple narrative he presents at face value - that he was a mistreated kid whose brother abandoned him to cruelty and persecution on the Boiling Isles. They take the story to be a simple “tragic orphan was wronged and now he’s bitter” instead of an exploration of the psychology of this kind of truly reprehensible human being, who absolutely does exist.

The thing they portray is fine for a character story, but it’s not Belos. It’s so blatantly missing the entire point of his character, that they might as well just create an oc.

We have to shed this idea that a complex villain means a sympathetic one. You can have a rich, layered character who has basically always been a piece of shit, and remains so. Sometimes those are the best villains out there, depending on the themes of the story.

So no, Belos isn’t less complex than they make him out to be. He’s just a different character entirely.

[tobiasdrake]

Do you think Anakin Skywalker's redemption balances out the evils of Darth Vader? I ask because sometimes I think about it, and it seems disproportionate to think that killing one old fuck who was harming a blood family member makes up for murdering people indiscriminately for decades. But maybe that's just cynical thinking on my end.

I have such complicated feelings about the redemption of Darth Vader. Because. Like. Star Wars and I do not get along well on a pretty fundamental level. Despite being built on a pretty simple basis of White-and-Black morality - White Hats and Black Hats with very little nuance or moral complexity between - I don't think Star Wars as it exists today really gets morality.

Here's the thing.

At the time it was written, within the scope of what Star Wars originally was, it made sense.

Star Wars was not designed to be this massive multimedia franchise with hundreds of entries and elaborate storylines starring every single character ever to appear for even five seconds. It was not made to be the story of a vast universe with no true main character.

Star Wars was made to be the story of Luke. It's a Chosen One space opera faerie tale about a young boy receiving a call to adventure, discovering great power within himself, and finding his place in the world.

Vader's redemption, as originally written, wasn't about Vader. It was Luke's catharsis; His reward for resisting the temptations offered by both Obi-Wan and the Emperor and instead choosing mercy. Luke ends his story by putting faith in his father's love for him. Vader's redemption is his reward for choosing to believe in better angels.

Strictly within the context of The Story of Luke Skywalker And Nothing Else, Vader's redemption works.

But Star Wars isn't the story of Luke Skywalker and nothing else anymore. Now it is about the vast universe of characters and ideas. This transition has resulted in a lot of friction because the original trilogy made choices that work for The Story of Luke but are not conducive to horizontal storytelling.

Like. The idea of the Jedi being gone, that Luke is the "last hope" for the Jedi because there's literally nobody left but him and Leia? Yeah. Writers have been going "NO HE DIDN'T SAY THAT YOU'RE WRONG" pretty much since the EU began. The original trilogy said no other Jedi but we want to have Jedi characters in stories we write so the original trilogy gets told to go fuck itself.

There are like eighty billion Jedi running around the Imperial Era now. Nobody actually died in the Purge 'cause not being able to write Jedi characters isn't fun.

And. Unfortunately. One of those problems is Vader. Because if he's not just Luke's cathartic reward for believing in his father's love? If we have to actually engage with this man as a "real" person within the context of a universe? Then. Uh. Yeah, he's Patient Zero for unsatisfying lightswitch redemptions.

The problem, the fundamental problem underpinning Vader's redemption, is that he doesn't change in any meaningful way.

There was a bit of that already present in the original redemption. In Empire Strikes Back, Vader wanted Luke to join him and then they'd kill the Emperor together. In Return of the Jedi, Vader joins Luke and then kills the Emperor for him. Right from the get-go, he already wanted to kill the Emperor with Luke; It's only the context surrounding the act that's different.

Within the Story of Luke, it nonetheless works because Luke receives his father's love and approval without compromising his, Luke's moral values to get it. His father kills the Emperor and dies for him, which is super meaningful from Luke's (and only Luke's) perspective.

But as the series grew, Vader's redemption became further devalued. Revenge of the Sith told us that this is a man whose road to wickedness came about when he threw away everything he loved, when he murdered the people in his court, out of a violent and desperate love for his family. For his family, he will betray his own side and slaughter those he was meant to be loyal to. That is the action that brought him to where he is today.

That. Uh. That makes it feel a lot less impactful when he suddenly betrays his own side and slaughters the Emperor for Luke. Like. I don't know how Palpatine didn't see that coming when it's just Anakin doing the thing that made him Vader in the first place.

There is a point to be made that Anakin's love for his family up to that point was possessive and violent. In jealousy and rage, he choked Padme to death. He cut off Luke's hand. This is not a man who loves his family well. But Return of the Jedi doesn't undercut that in any meaningful way. He can be violently possessive of his family and stab anyone who looks at them funny; These two things don't contradict each other.

This man butchered children and lightsaber dueled Obi-Wan because he was mad about his family. Did Palpatine really think he wasn't going to huck him down a reactor shaft for literally the exact same reason, no difference whatsoever?

But that's only the tip of the iceberg, because the developing Star Wars universe makes another significant point about Vader dying for Luke: In the grand scheme of things. Like. Who gives a shit whether or not he loves his son? Insufficiently loving his family is the least of Vader's transgressions.

As early as Attack of the Clones, we see that Anakin Skywalker is a violent fascistic monster with a propensity for genocide. The Clone Wars cartoon does a phenomenal job of portraying Anakin's gradual seduction into fascistic systems of belief.

Anakin loves the idea of keeping peace via brutal military dictatorship. He has "fun" political chats with Tarkin about the merits of a galactic police state. He's emotionally abusive and violently possessive of his secret wife. He slaughters children who've done nothing to him without hesitation, sometimes because he's pissed off at other members of their family and sometimes 'cause that's just the price of keeping peace yo.

Hell, even his desire to kill Palpatine and make his family into the official galactic monarchs gets reframed into something he's wanted since Revenge of the Sith. That wasn't even a reaction to meeting Luke; he's legit wanted to supplant Palpatine with a Skywalker Dynasty forever. And we're supposed to take it as a major act of repentance when he ultimately stabs Palpatine for Luke? This man has been trying to stab Palpatine for Luke for twenty years.

All of this context makes Vader's redemption difficult to swallow in the grand scheme of things. He lived as an unrepentant brutal fascist monster guilty of multiple acts of genocide, chomping at the bit to betray his master for the sake of his family. He died as an unrepentant brutal fascist monster guilty of multiple acts of genocide who betrayed his master for the sake of his family. And the best thing that can be said of him is that he accepted Luke's lifestyle choices in the end.

A sweet moment for Luke, yet far from an inspiring transformation of a vile man into a hero - but which nonetheless inspired a thousand unsatisfying, terrible copycats.