#but like...the framing...I'm not wrong right

[zorionbbq]

party chat #56: nanba's transformation

(transcript both in alt text and below)

[image description: five-page comic of a "party chat" conversation from yakuza 7.

beneath the scaffolding of a construction site, nanba holds a bottle of tea and asks "hey, you think i've changed at all since we met?"

the rest of the party, standing or crouching on the side of the path, turn to look at him.

"hm? have you?" ichiban tilts his head, hand on chin, and lets saeko pick from his chip bag. "i dunno, lemme think..."

adachi leaps to his feet, splashing his can of beer and surprising saeko. "got it!"

adachi snaps his fingers with a triumphant smile. "you changed how you part your hair!"

"huh?" nanba reaches toward the back of his own head. "nope, it's still the same..." adachi sheds a single tear.

hand raised high, saeko announces "right! your prescription changed!" ichiban taps a canned coffee on his palm in an "i get it!" motion. "what, are you trying to be funny now!? and that's wrong, too!" nanba retorts.

"okay!" han looks serious. "you changed the frames on your glasses!"

"you started wearing contacts instead of glasses!" zhao finger-guns with a grin.

"will you quit it with the glasses thing!?" nanba snaps at an unfazed, juicebox-sipping han. "and does it look like i'm wearing contacts!?" he gestures at himself. zhao smugly bites an onigiri, still squatting on the ground.

adachi frowns around a pocky. "huh? then what's changed?"

"never mind... sheesh." nanba turns his back on the group.

a view of the vending machine and soccer field across the way. "i just thought maybe i'd grown a bit cheerier since i met you guys."

"that's all." nanba doesn't see the party staring in shocked silence.

saeko, han, and zhao exchange fond looks.

nanba chugs his tea as ichiban approaches.

ichiban bumps his drink hand against nanba's.

"well, we already knew that, man." ichiban grins so wide his eyes shut.

"yeah, you smile a lot more than you did before, nan-chan." saeko concurs, offering him her chip bag.

nanba looks up, eyes wide. "ichiban... you guys..."

a hand lands on nanba's shoulder.

arm slung over his friend's back, ichiban cheerfully assures "and i noticed that you got some new lenses on your glasses, too." nanba's face falls.

the party loses it. saeko collapses on adachi, both doubled over in laughter, zhao cackles as his glasses fall off, and han clutches his head in despair.

"i didn't change anything about my glasses!" nanba roars. on the ground, a plastic bag of leftover snacks reads "#56 nanba's transformation".

end image description]

[chocolilies]

─── SWEAT. ꒱

( ୨ৎ. fushiguro toji x fem!teacher!reader. . .ᐟ

toji comes to pick megumi up from his training, expecting to be met with his white-haired asshole of a teacher, only to meet gojo's newer, cuter replacement.

◟ꪆ୧ slight nsfw (toji stares at reader's tits, reader imagines getting groped by him), au where toji is alive + takes care of megumi, bold yet sneaky flirting, megumi's in middle school. wrote this on a whim bc i need toji BAD.

w.c: 1.6k

also on ao3 + jjk masterlist !

“that’s your dad?”

you’d heard mention of fushiguro toji before, whether it be from his son or from gojo as he had explained how he’d let the “sorcerer killer” live under the promise of taking care of the boy that was now standing at your side. 

“don’t you dare.”

megumi gritted his teeth as he watched you goggle at the man you were approaching, hand wrapped around your wrist as if he was pulling back a dog on a leash, and by the way you were staring at toji, he might as well have been. 

“what!?” you let out an offended gasp, turning to look at your glaring student, tiny face scrunched up in disgust at the mere thought of what was going through your brain. 

“i know what you're like.”

you froze in your place, horrified expression framing your sweaty face as the cicadas roared around you, framing the silence after that comment in an almost comedic manner. 

you watched as megumi continued to walk ahead, a bored look on his face once he turned around to wait for you to catch up at the edge of the tiny wasteland you’d both been training in, letting you wonder as you caught up to him just what gojo had told him before he’d first introduced the both of you.

you started spluttering out a mix of words in disbelief once you reached his side, but whatever you’d tried to say immediately got stuck in your throat as soon as you finally caught a better look at the man that had sparked the short lived argument.  

oh, fuck.

“who’s this?” you watched attentively as the muscles in toji’s arms bulged beneath his tight shirt at the tiniest movement, feeling your mouth water at the mere sight of them. 

god, you felt dirty just staring at him.

“my teacher.” megumi grunted, shoving his backpack off and flinging it into his dad’s chest, walking towards the bus stop further ahead without bothering to say goodbye, knowing he’d see you around sooner or later. 

“I thought that white-haired brat was his teacher,” toji grunted out, flinging the backpack over his shoulder as he turned to look down at you, quirking up a brow as he immediately noticed your nervous demeanour, a drop of sweat dripping down your temple before rolling down your neck and towards your exposed cleavage, green eyes following it’s whole journey and lingering on the spot where it disappeared.  

it’d been a while since toji had stared at someone this way. he hadn't looked twice at anyone, regardless of their attractiveness or willingness, ever since his wife died and tsumiki’s mom left. 

but that amount of time without anyone to touch or kiss or feel would have its toll on anyone, and toji was no exception. 

which is why he initially blamed it on that. 

neediness.

he doesn't feel anything for megumi’s teacher, you’re just too pretty and exposed and worked up to ignore, right? it’s not like he’d actually think of pursuing something with you. 

he snapped out of it once you spoke, expecting to meet an angered expression and an insult about his perversion once he raised his gaze, only to find you straight up ogling his arms and chest. 

the way he stares at your pretty, scrunched up face when you aren't looking, proves him wrong.

initially, you might've been able to attribute your clammy palms and sweaty skin to the blasting summer heat, or to the fact you’d just finished a four hour training session with the tiny grade two sorcerer who gojo had been training for the past few years. 

“I'm his co-worker,” you stuttered out, forcing yourself to look away from the veins that swelled in his arms and up to his green eyes, not wanting the man to see just how much he was affecting you. “satoru’s on a mission, so I'll be taking care of ‘gumi ‘till then.”

toji hummed, taking your gawking as an invitation to do his own, allowing his eyes to trail over your flustered expression and sweaty skin, lingering on the more exposed parts of your outfit, thanking whatever god was up there for the stupid heatwave that had hit their country as of late. 

“mission, huh?” toji snickered, turning his head to look at the boy who was sitting at the bus stop with one of the divine dogs at his side, resting his tired body against its black fur. “how long will y’be around?”

“well, until ‘toru comes back, I guess…” you trailed off, mouth going dry as you watched the man take a tiny step towards you, raising one of those big hands you’d been ogling before to brush against your cheek, a shiver wracking through your whole body at the light contact, his skin burning against yours, making you just how a man that ran as hot as that was able to survive in this weather, especially when he dressed like it was winter.

“y’had some dirt on y’cheek,” toji almost purred out, flicking his fingers to get rid of the grime that had probably stuck to you during the many times megumi’s divine dogs had flung you around. 

“oh, I'm probably covered in dirt,” you laughed out nervously, taking a step back to put the same distance as before between you two, wiping your cheek with the back of your hand while trying to ignore how electrifying his touch had felt. “I always seem to find myself taking an everything-shower after training with ‘gumi, he’s ruthless.”

toji fell silent, watching you as you shook your arms and head, probably trying to get rid of whatever debri that was still stuck to your body, grin pulling at the scar in the corner of his lips. “need me t’clean you up, that what you're saying?”

huh? 

you blinked stupidly as your mind attempted to process what he had just said. were you misunderstanding his words or his tone? or was he really suggesting what your mind had immediately jumped to?

that was not what you were saying, but you certainly would not be complaining if he did. 

you felt your cheeks warm as you imagined what that might look like: big, warm, calloused hands on your skin as you stood under the steady stream of the shower, hot water pouring over the both of you as he dragged a sponge over your skin, free hand resting on your tummy right above where you needed him most, groping and caressing the plus skin, body pressed tightly against his in such a way that you could just feel his growing cock pressing against your ba-

oh, what the fuck.

you imagined punching yourself in the face, snapping you out of the downright filth you were acting out in your mind with a man you had just met, not to mention, the father of your student. 

“jeez, pick your jaw up, ‘m messing with ya.” you grunted as two of his fingers landed under your chin, shoving your mouth shut with a shit-eating grin, clearly enjoying the fact that he had gotten such a reaction out of you with a mere joke. “‘s not appropriate f’me to flirt with ‘gumi’s teacher.”

“s-sorry.” you struggled to even push out that simple word, trying to figure out just what the hell had gotten into you to make you act like this, not even processing the fact that he had just admitted to flirting with you. 

were you ovulating? was it that time of the month already? or was toji’s overwhelming presence truly just enough to get you acting like a bitch in heat?

“old man,” you snapped out of it as you heard megumi shout out for his father from behind you both, “bus is coming.”

toji chuckled, raising a thumbs up to the boy in response before turning back to look at you, taking in your shaky figure with a smirk.

“which means I'll just hafta wait ‘till that blue-eyed brat comes back and you're not his teacher anymore.”

you blinked owlishly up at him, and toji could just see the cogs whirring and moving around in your mind, trying to make sense of what he'd just said. 

“give me y’number once he does. hope that offer to clean you up will still be available by then.” 

god, he was a big fat liar. if he had been telling the truth before, he would not be asking that, he would not be (for once) looking forward to seeing that white haired bastard, as it would mean he would be free to pursue you. 

toji walked away after dropping that bombshell, not having to turn to look at you to know that you were staring at him walk away, ignoring the way his son was glaring at him while he held a hand out to stop the bus. 

“what?” he grinned, pulling their transport passes out as the bus opened its doors, megumi’s divine dog curling around the boy protectively like it usually did. “your teacher's hot,”

“you disgust me,” megumi deadpanned, snatching the pass out of his father’s hand before boarding the bus, dog quickly following up the step with a wag of its tail, phone already out and ready to message tsumiki to complain about their father, leaving toji to do the same. well, not before he turned to sneak a final look at you. 

you had walked away from the field, heading towards a black car nearby he assumed had been sent by the school, phone in hand as you talked into the speakerphone, shaky voice ringing out in such a way even he could hear it. 

“ieiri, how wrong would it be for me to hook up with a future student’s father?”

[vodika-vibes]

Hey, Vod'ika!! I'm in an Echo mood lately.

What about a fic where the reader has been with the batch since before the Empire and the reader and Echo got together round about the time of Order 66. The reader decides to join Rex's rebellion which Echo doesn't mind in fact he loves seeing you everyday. But after taking down Tantiss, Echo notices how you talk to the batch and how you just seem to fit in well on Pabu, so Echo gets an overbearing feeling that he's holding you back from an ordinary life so you have to reassure him that your home is wherever he is. ❤

Wouldn't Change A Thing

Summary: You’re always happy to get to visit your boys, and spending a week on Pabu is always a treat, but when you return to the fight with Echo after this most recent visit, he’s quieter and more withdrawn. And you’re worried.

Pairing: TBB Echo x F!Reader

Word Count: 1117

Warnings: None

A/N: This fic is soft, though I'm setting it in a perfect TBB AU where Tech is still alive. Because I'm a writer and I'm allowed to delude myself like that. (Though, he's actually not mentioned in this story). Anyway, I hope you like it!

Click HERE to be added to my taglist

You stretch your arms over your head with a groan as you step out of the fresher and into the suite you share with Echo. As much as you love visiting Pabu, and seeing your boys, sometimes you feel like you need a vacation to recover from your vacation.

Honestly, Hunter can be so exhausting sometimes. And that’s even with him mellowing out since Omega came into his life.

You’re so glad you’re not their handler anymore.

You stretch a little more and grimace when the sunburn on your shoulders pulls uncomfortably. It’s fine, you’ll have Echo put aloe on your back before bed.

Speaking of said man—

Your gaze sweeps across the room. He’s not sitting on the couch, and the bedroom door is propped open, so you can see that he’s not in there either. Then you hear the familiar sound of dishes clinking together, so you turn and poke your head into the kitchen.

Echo’s back is to you, but you’d be surprised if he didn’t know that you were there. For a moment, you watch the muscles ripple across his back, and a tiny smile lifts your lips as you lean your head against the door frame.

Maker, you love him so much.

Echo pauses, and turns his head slightly, “You’re staring.”

“Mm, yeah,” You say through an adoring sigh.

He rolls his eyes and flings a damp washcloth at you. It smacks your chest and falls into your hand, “I’m hardly worth staring at.”

“Agree to disagree, my darling~”

“Cyare.”

“My beloved.” You continue with a grin as you cross the room to stand next to him, “My only. My—” Your words become muffled when he presses his hand over your mouth.

“Hush, you.”

There’s color high on his cheeks, and you giggle in delight. Something softens on his face at the sound of your giggle and he moves his hand from your mouth just enough that he’s able to caress your jaw. 

“You’ve got a sunburn,” Echo notes as he lightly brushes his scomp across the burn on the back of your neck and upper shoulders. 

“Yeah, I’ll need you to help me with some aloe later,” You reply absently as you rub your cheek against the palm of his hand, “If you don’t mind.”

“Oh no, the love of my life wants me to massage lotion into her skin. Whatever shall I do?” He counters, deadpan.

“How is it that you become more sarcastic after spending time with the boys?” You marvel.

“It’s a defense mechanism for having to deal with little brothers.”

You laugh and reach up to cup his face, “Well, I like it when you’re sarcastic.”

“Only because it means that you can be sarcastic right back at me,” He teases with a tiny smile, though the smile fades as he scans your face.

“Echo? What’s wrong?” You ask him, with a tilt of your head.

“You looked pretty happy on Pabu.” He murmurs.

“I mean, sure. Who’s not going to be happy to be able to lie on a beach with a fruity drink?”

“You seem to fit in well there,” Echo continues, “And the others were so happy to see you. And you were happy to see them.”

“Honestly, I’m not convinced that they’re able to survive without me,” You whisper up to him like you’re sharing a secret. “I think Crosshair lost weight, can you believe that!?”

“Cyare,” The affectionate pet name is murmured through a sigh, and you drop your hands from his cheeks, so you’re able to wrap your arms around his neck.

“What’s wrong, Echo? Talk to me.”

“I love that you’re here. I love waking up and seeing you every day.” Echo says slowly, “But, cyare, if you’d be happier on Pabu. I can take you back. You don’t have to stay here.”

You blink at him, struck mute by his words.

Slowly your arms drop from around his neck and you take half a step back, you can’t think when you’re wrapped around him like that. “Echo,” You speak slowly, “Do you want me to leave?”

Echo draws you back into his arms. Unlike you, he thinks more clearly when you’re in his arms. “Never. I want you here, in my arms, all of the time.” He presses his nose into your hair, his voice soft right by your ear, “But if you’re not happy here, then I’ll let you go in a heartbeat.”

Well, that’s what it is to love someone, isn’t it? If you love them, really and truly love them, you’ll want them happy. Even if it means that they’re not with you.

A soft sigh falls from your lips and you turn your head slightly so you’re able to kiss the side of his head, “Have I ever implied that I’m not happy here?” You ask.

“No, but I know you. You’d downplay a fatal injury if you worried it was going to be an inconvenience.” Echo replies.

You wrap your arms tightly around him again, “Then allow me to be blunt,” You trail light fingers across his skin, tracing the scars that show you that your love is a survivor, “Yes, I like Pabu. And yes, I like seeing my boys.”

He tenses slightly, his arms tightening.

“But, Echo, I am happier on Pabu when you are there. And I am happier spending time with the boys when you are with me.” He pulls back slightly, so he’s able to look you in the eye, and you continue with a small smile, “My place, Echo, is wherever you are. Be it here, or Pabu, or a moisture farm on Tatooine.”

“Cyar’ika—”

“And I wouldn’t change a single thing.” You pause, “Well, maybe I’d change the whole rise of the Empire thing, but that’s the only thing I’d change!” You inch closer to him so that you’re pressed flush against his body, “I love you, Echo. And I will stay here, with you, until you get tired of me.”

“It’ll never happen.” Echo replies as he bumps his forehead against yours.

“Are you sure? I can be really annoying.”

“The most aggravating woman I’ve ever met,” Echo agrees, his hand coming up to cradle the back of your head, “But I wouldn’t change you for all of the credits in the galaxy.”

“Good.”

Any further conversation is unnecessary, as Echo’s lips catch yours in a deep kiss and he starts walking you back towards the bedroom. “I should get the aloe,” He murmurs against your lips, “Something something good boyfriend.”

“You just want to be a pervert,” You accuse.

“Those aren’t mutually exclusive.” He laughs against your jaw, as he kicks the bedroom door shut.

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[businesstiramisu]

I was going to send an ask about Millenium Actress but maybe I should just reblog and add thoughts here b/c I'm not really sure it's a question

That movie is, like, thematically *all about* running. Or at least Pursuit. But That Woman Sure Can Run.

Here is the big scene near the climax of the movie IIRC, but there's others (actually this one might be a supercut/reinterpretation of the others, probably, that seems like what Satoshi Kon would do) [note: big spoilers for the movie]

↓and also this scene turns up on youtube search, I think b/c it uses the song titled "Run" on the soundtrack? Even though she is sitting in vehicles, not literally running here.

[there's more in the Every Frame A Painting video about Satoshi Kon, which is really excellent]

anyways I remembered these scenes (mostly the first, longer one) for the fancy Kon editing tricks, super-imposing different parts of Chiyoko's life and different movies she acted in to express a thematic climax. But now I'm wondering about the animation of the running itself.... anyways I remembered these scenes (mostly the first, longer one) for the fancy Kon editing tricks, super-imposing different parts of Chiyoko's life and different movies she acted in to express a thematic climax. But now I'm wondering about the animation of the running itself....

The thing I noticed right now is -- isn't she running the wrong direction?? Like, correct me if I'm wrong b/c I'm rusty on this, but isn't the usual anime film language that running *right to left* is for advancement/positive/protagonist action, and the opposite direction is for villains/reversals/obstacles? If i'm reading it right, that is a *really* interesting thing to consider when interpreting the point of this movie (which I should probably try to writeup my thoughts on but I'm too tired right now. I will say i've heard completely opposite takes on it.)

I always find the 'semiotics' or symbolic language of media interesting from an evolutionary perspective. Recently online there was a bit of a discussion about run cycles in animation; a guide to running written by Hayao Miyazaki from back in 1980 for which we had the text due to its inclusion in collected-writings book Starting Point has been missing its original accompanying visuals for all this time. Someone (Rebekah Machemer) found and scanned those drawings so now we have the complete work:

Very cool stuff, and really great to recover any lost production media like this. In the essay itself Miyazaki gets a bit philosophical - why care about running animation at all?

Above all what is most important is what one wants to express through the act of running…Men of strong resolve, who are wearing heavy armor and carrying swords, should run in a way that weak extras cannot. The running of surging masses on fire with anger, the running of a child doing his best to hold back tears until he reaches his house, the running of a heroine who has forsaken everything but the desire to flee—being able to show wonderful ways of running, running that expresses the very act of living, the pulse of life, across the screen would give me enormous delight. I dream of someday coming across a work that requires that kind of running.

On the one hand this all resonates; make the character visual, express their identity through motion, etc. On the other hand...girl who runs like this? I don't run, like, at all! It's not a common occurence in my everyday life to see a single person running, and if I do it is 99% of the time someone working out. I am pretty sure when I do run its way less an expression of my Forsaken Herione vibes and instead an expression of my 12-hours-a-day-on-a-computer workout routine.

-How you think you look running

-How you actually look running

What I am not saying here is that Miyazaki is wrong or anything to care about running. Instead I am saying that when he discusses how beautiful the act-of-running is, that is only partially coming from observing reality; it primarily comes from animation as a medium. Animation's value-add is the art-in-motion, you want the screen to be expressing itself to the audience through movement. You as an audience member want to see the animator themselves express their own aesthetic to you through that movement. There are a million ways to make that happen but running is one of the strongest; its character focused, universally applicable, common *enough* that you know what it looks like, you can make it diegetic to a climax if the plot demands it, etc. It makes sense for animation to utilize it, and it does - more than just animation, film all over does! It's a universally common symbol in the language of film with decades of meaning built into it.

But that meaning does not first come from real life, it comes from those demands of film-as-a-medium. In all likelihood no one has ever emoted a climactic meaning to you while running, or after running, you don't have a frame of reference for that. When you, as a viewer, are emotionally moved by the act of running, you feel that because film as a medium taught you to feel that. Compare it to how animation/film often focuses on the eyes and mouth for expressing emotion - that is not an invention of film, that is how real human beings communicate, when talking to a person you focus primarily on their eyes and mouth. The semiotics of film's language around eyes is built primarily from real life, which is much less true for running.

What is cool is how much of a semiotics of running animation has been built up given its origin within the demands of the medium. Miyazaki had a hot take and a desire to see artists push the craft as early as 1980; since then I can think of hundreds of running cycles artists have put their own touch on. I think of these as real Artist moments - it is something that the craft leads you to that you become obsessed with perfecting, existing for its own sake, something that interplays between observation and pure creativity. I can see these scenes now outside their own story, as the use and evolution of language. Which is neat!

[book--wyrm]

Pengu Finale Liveblog ahhhhhh

Julian just absolutely brain blasting this old woman

Oh Rex is close enough to call her doll and make her breakfast he is not beating the deadbeat daddy allegation

OH NO DOES SHE KNOW OH MY GOD SHE KNOWS

NEVERMIND I WAS SO WRONG ABOUT EVERYTHING SHE HAS KNOWN ALL ALONG

holy shit holy shit holy shit

okay so they did find the bodies eventually holy fuck hooooooly fuck

oh my god rex literally teaching francis how to manipulate oz and use him oh my god ohhhhh my god this is so much more of a betrayal than if francis had just hated him for what he'd done

she knew all along she knew all along and she used him and she

she

oz was right ahahahahah every relationship in his life is fuckign transactional because he KILLED THE ONLY TWO BOYS WHO TRULY LOVED HIM, AND KILLED HIS MOTHER'S LOVE WITH THEM

dude he has to kill his mother now

this is a psychological nuke the likes of which i think sofia could not possibly have ever imagined.

Francis's FACE oh my god.

Julian baby boy maybe Sofia should stand out of sight to not break immersion

God this is absolutely not how hypnotism works is it

IT'LL BE EASIER NOW YOU LITTLE PSYCHO

"I see you in ways other people don't" while she is ACTIVELY USING HIM

dude. dude. I just. It's always the same with Oz, isn't it. Sofia, Eve, his mom. He's the biggest bullshitter in Gotham, and he's so full of it he doesn't have a clue how to sniff it out

God they are both so horrific to each other. Just his horrible cycle of selfishness and toxicity what a twisted family they are

HELLO VIC I MISSED YOU

Oh rip lmao I guess the gangs know the bliss is all gone

Vic baby he's saying all the same stuff oz does, only he believes it, so he can't bullshit people to his side

Oh hey that dude on the other side of the walkie talkie lived!!

Man Oz and Sofia haven't been face to face since ep 4 hahahaha

BERTO MENTION. she hasn't used that name in a hot second

Oh my god Sofia literally using that bird nest metaphor ahahahh whoever that anon was in my inbox you are a genius

Man. Sofia literally just laying out all their horrible family drama in the worlds worst family therapy oh my god

Dude I've been saying for weeks now that Sofia's superpower is to completely shatter people with the truth and. ohhhhhh my god ohhhhhh my god ohhhhhhhhhhhhhhhh

Wait. Is Sofia going to give that cigar cutter in her cleavage to Francis to use on Oz. I think she should give it to her.

Uh. Nevermind

Wow Sofia really is leaning into this evil therapy thing what the fuck. girl.

God i desperately want her to be the girl-jonkler running the aslume at the end of this show please please please

Also Sofia, I think it was the left. I mean I'm sure she knows just so she can do the other one next, but. man. she is fuckin sadistic. im love....

Julian so enthusiastic about all of this hahaahah

I love Sofia like, almost framing this to them or possibly herself as a gift she is giving to Francis. Is this cope? Is this something she sincerely believes? Or is she just being cruel?

I ALREADY FUCKIN KNOW

It's my finger you spineless prick hahahaahha but that doesn't matter to him because its your love he wants it's your adoration your pride and what actually happens to you? Doesn't fucking matter.

I NEVER STOPPED HATING YOU

Sofia's face right then like. damn dude. god i love her

She had enough love for all of them and he soured every last drop of it. For them, for him, for the world.

Sofia really does know the value of just letting a drama play out.

Francis saying Sofia is right this ep, Sofia saying Francis was right last ep, damn.

Oz really is... the only character in this show chronically incapable of learning

Damn mama cobb strong enough to smash a bottle. I don't think even i could do that.

Oh my god no wonder she said "they look at me like i'm not even theirs" because in her mind, she let their murderer go free

also is oz gonna hulk out that she's showing love to an imaginary jack and benny when oz has just seen her hate?

Oh is she just dying right now

Julian doing the get down mr president

MR DETECTIVE YOU DIPSHIT

Sofia baby you did great okay you already hurt Oz please just go to italy with your boy toy

Wow is he not getting this fucking stab looked at

EW EW EW EW

Yeah sure sure. Sofia stabbed you. Sure. Sure.

Oh noooo. Vic... baby.... he is such a believer in Oz's stupid self serving bullshit. He is so good. And pure. And he speaks from the heart and. And Oz acts like this is something Vic rehearsed

And they laugh about it but Vic doesn't understand. He doesn't understand that Oz isn't giving him advice on how to most effectively show people the fire you hold in your heart—he's teaching him the art of smoke and mirrors. how to con and grift and bullshit until even you don't know what's true and real

Christ. Vic is so fucking dead

She'd never look at me again unless i get this done.

Oz knowing now that this love is transactional. And fine. He'll make that transaction, he'll take down sofia and then maybe his mom will pretend again that she doesn't hate him, doesn't want him dead

it's not going to work, of course. it can't because this show is about him becoming the penguin. and it can't, because even that transaction was always a lie Francis told herself

I don't think she could ever have loved Oz even if he'd gotten her into a penthouse at age 20. I think she lied to herself to survive living with him, because what was the alternative? Losing all three of her boys?

AHAHAHAHAHAH SOFIA LITERALLY PICKING UP OZ'S GOLD SUMMIT MEMBERS i have to say. I did not anticipate this at ALL

damn girlie really is just gonna dip to go to italy or wherever

sofia really is just setting up the funniest game of capture the flag imaginable while cramming like seven olives in her mouth

i dont' say this often. i desire her carnally.

The gun in the glove compartment surely that will not come back later

Oz originally checking his image in the reflection of the car vs asking Vic now, treating this kid as his reflection

Damn. Is Link really going to fall for Oz's shit again after that truck of cigs thing? Or is this just a ploy to get Oz into the right place for Sofia to pick him up?

Actually maybe that's what loses Vic, that Link betrayed him, and Oz expected it. Idk we shall see

Penguin planning to run for mayor in a couple movies?

Oh Oz is totally gonna send sofia to arkham ahahaha poor baby

Oh my god I thought Sofia was gonna claim credit for Sal's death, not that Oz would give it up himself

I cannot tell you guys how fucking tempting it is to skip right to the end of this episode to see if i'm right you guys

Wow Oz really eyeing that Mayor's office

Is he going to kill Bella and frame Sofia. Is he gonna kill bella and THAT is what turns Vic on him.

oh my god LINK

HAHAHAH I WAS SO RIGHT SHE IS BURNING DOWN FALCONE MANOR

oh god that's the watch Sofia gave him for his birthday FUCK YOU CARMINE

Sofia really is gonna fucking screw over EVERYONE hahaha THREE CIGS BABY

oh god she is so hot i love her you self actualize through arson baybeeeeeeee

that shot of her throwing the cig like a dart is so much oh my god

babygirl i love you

you deserve the world

but yeah she is going into the cold according to the needle drop. definitely going back to arkham

... what's in the trunk. i don't think it's normal luggage. is it more bombs

there is still 20 mins left. i am afraid

This is clearly a trap for someone i just don't know who. Where is vic

I'm so afraid this is the last we get to see of Sofia.

She knows. She always has such a nose for bullshit lmao. Also fuck you Link you gotta know Oz is gonna stab you in the back.

I do think it's promising that Julian has not been seen all day tho. What is he doing.

I love this. I love that Oz and Sofia finally get this one moment to be truly honest with each other.

Well. At the very least, Oz gets to be honest with Sofia. idk that he knows how to be honest with himself anymore.

Why does this look like a chemical factory. I know it's not happening but it'd be so funny for Sofia to become the joker right now.

just dunk her in the goop

Man. Is he actually going to shoot her. Police pls come and save my girl. Cannot believe that's what I'm begging for now.

oh my god

yeah i called it but. Man. This is so painful to watch. also i think my julian prayers are not going to be answered it did not look like Sofia had planned any of this

okay i'm normal about sofia being arrested now.

Okay. I'm normal.

I'm back to not being normal francis and vic and oz all in one place this is all gonna blow up emotionally

Is francis in a coma. is she totally brain dead oh my god.

oh man she really is never going to say she loves him hahaha

she let jack and benny's murderer go and it never got her anything

is he gonna kill her now.

TELL ME YOU'RE PROUD OF ME oz you fuckin

he's so fucking delusional jesus putting her hand on his head

dude. is Vic actually gonna live through this episode

holy fuck

did not call that in the least

well. i was right about the pyrrhic victory for Oz

"All kinds of things" shut the fuck up.

God. I cannot believe Vic is living through this show. Admittedly as the kind of guy that his parents would have been ashamed of, but.

Wait. No no

don't

don't do it

no nondfonfodnfodnfodfn

please dont

pelase dont

oz don't you dare

nONONNNONONONONONONONONONONONO

PLEASE DOJNT DO IT NOW PLEAE

NO NO HE IS THEO NLY ONE WHO HAS SEEN THE WEAKNESS AND HUMAN IN YOU

OZ YOU

OZ

NO

WITH YOUR HANDS???? WITH YOUR FUCKIGN HANDS???? I THOUGHT HE WOUDL PULL A GUN AT LEAST YOU FUCKING

ODSOFANDFONSODNOSDAGNOGNIOAGDSASGJDISGNAGLNFGOSANFOSDO

SANO

NON NO NONONONO

VIC

vic. vic. vic barely lived a month longer than his family

all that good heart and he just. enabled a monster to rise to power. to make gotham worse

HE'S MUGGING HIM

YOU PIECE OF SHIT YOU PIECE OF FUCKING SHIT YOU BASTARD YOU

i

i

and the water takes him too.

JULIAN

oH MY GOD I WAS RIGHT AHHAAHHAHAHA

JULIAN

I WAS RIGHT ABOUT SOFIA GETTING MARRIAGE PROPOSALS HAHAHAHAHAH

SELINA KYLE???????? HELLO??????????????

bro.... oh my god..... this is....

I'm so happy.........

sofia smiling... sofia finding a new family member....

nvm i am so glad my original theories were wrong this is way better than anything i could have hoped for

oh my god

ohhhhh my god he actually is keeping his mom in a vegetative state.... exactly what she begged him not to do.......

she knows.... she knows... some part of her is aware in there ahahahahah

you should have let Rex kill him all those years ago

oh my god EVE???? EVE GIRL GET OUT BEFORE HE KILLS YOU TOO

oh no please tell me he never learned what happened with sofia and eve

hes literally just calling her ma. fuck me. mayeb that means eve is safe for now

NOT THE BATSIGNAL

[tsams-is-my-hyperfixation]

◀ | ◼ | ▶

[NONVERBAL SUN AU: LUNAR]

Moon skipped around. He was finally learning how to walk! Sun watched him, smiling softly. It was after hours again, with all the kids going home. Moon stopped abruptly, looking at a barrel. He then walked over to Sun, poking his shoulder. Sun turned to look at him. "What's wrong, Moon?" the solar animatronic asked. Moon blinked. "I feel weird" Moon responded. Sun sighed, as Moon sat down. Sun got on his knees and powered him off. Then, he went into the mindscape.

Moon's mind was...peaceful. It was a nice little island, with the nighttime sky shining down on it. The light of the moon illuminated the walls of a gazebo in the middle. Then, he saw something. It was quick, but Sun noticed. It looked like Moon, but it glowed. It was smaller than Moon, about 6'7. Sun walked over to the gazebo, the midnight moon shining a light that let him see. The stars glowed softly in the night sky, so beautiful it looked unreal. Sun put a hand on the door frame as he peeked inside. He saw the glowing blue eyes. "Hello?" he asked, and his voice echoed into the vast darkness surrounding him.

"Yes?" a smaller, higher voice greeted him. He flinched, surprised, but quickly gathered himself together. "Why are you in my brother's head?" Sun asked. "Head? This is my home!" the voice responded. Sun, taken aback, responded with a sharp "This isn't your home, this is my brother's head!" in which the voice replied with a raspberry sound. Sun walked in, and when the blue eyed thing tried running, he caught it. Staring it dead in the eyes, he realized it was none other than a kid. Mentally, at least.

"Who are you." Sun asked it. "I'm Lunar!" it responded. Sun, surprised, put it down. "Lunar, eh?" he said. "Tell me, Lunar, why are you occupying my brother's mind?" "Because I was made here and I live here!" Lunar responded back sharply. Sun glared at him. He was REALLY not liking this kid. "Listen. You're gonna stop causing my brother discomfort, okay?" he said sternly. "But I'm bored!" Lunar responded with, annoyed. "I'LL GET YOU SOME GAMES, ALRIGHT?" Sun snapped, making Lunar flinch under his voice. It took him a bit to realize that the guy was tearing up. He sighed in exasperation.

"Look. Sorry for yelling. I'll get you some games, okay? But stop making Moon uncomfortable." he told Lunar. Lunar silently nodded as Sun left the mindscape. When returned, Moon was powered back on, hugging him. "I feel better, brother!!!" Moon exclaimed happily, to which Sun pat his back. "Good...that's good..." he said softly. "Sunny, we must be close in EVERY universe, right?" he said happily.

"..." Sun didn't have the heart to say that a universe probably existed where nothing was as good as now. "Yeah...probably..."

I LOVE THIS AU SO MUCH!!! The island is where Moon died originally though...

Tagging people who might like it even if we aren't mutuals: @goodolddumbbanana @noinoi999 @ikamigami @multifandomcutie13 @thekillermaretwinz @inkyucu @skyuvu123 @ryomaandgundhamkin @coffee-the-bat @sen-sational @dagh0stking @ilikescience-confession-blog @tsamsconfessions123 @silly-a-777 @nosleepygay @eddwardharrison @bloodmoon-da-idiot @lunarlovesbeanbags @mo0ndr0p @sleepy-hall @a-fucking-tornado @rayofmfsunshine1201 @darksuns-beloved-pet @letthebloodrunlikeariver @astrofairy06 @sunny-sourzii @upsidedownapple @yelesomeblue @deyisacherry @zampop2 @h-didanart and literally anyone else. Half the people on here are not my mutuals and half of them are. If you would like your tag removed, just ask me and I gladly will. REBLOGS ARE APPRECIATED!

[flopstampler]

hello these are my tags and just wanted to say in case it was unclear that me being personally uncomfortable with something doesn't mean that i think it's wrong or a bad decision or anything!! like you're completely right that villains should be as diverse as the rest of the cast i don't disagree

i hadn't looked close enough at the original art to see the framed picture you were referencing so this post was the first time i'd seen it, i put my thoughts in the tags more as a note to myself than anything else and i'm sorry i didn't think at the time of how it'd come across in your notifs

Fish in a bowl.

Reference under the cut! (From the s3 ep 11 official art)

[sockatoothewafflebird]

this is the third installment of my series of posts analyzing the arcane s2 intro!!! go to the tag "arcane intro analysis" for the previous posts. remember, SPOILERS FOR ACT 1!!!

okay. let's get into it. again.

it's time for the beat drop!!! and hoooh boy.

one thing i really love about s2's intro is that it plays with the lighting in a very specific and very meaningful way. with ekko you can see his shadows are like the hands of a clock which alludes to his time ability; with jinx and vi in the beginning the light highlights parts of their faces to emphasize how the season will change them; the list goes on.

with this part, jinx has four shadows. in a literal interpretation of this, it means she's splitting apart. it means she's losing which parts of herself are powder and which parts are jinx, and which ones are something else entirely.

or maybe, alternatively, she finally realizes the different parts of herself and accepts them, kind of finding herself in a way. waving the flag of revolution, with hope in her eyes. the strip of light flies across her determined face and i LOVE that detail. especially the way the orange and blue lights combat, but compliment, each other.

OKAY ONTO THE VI AND CAIT SCENE OH MY GOODNESS🔥🔥🔥

this is the best screenshot i've ever taken. anyway

at first it's just vi, and it focuses on her face, probably to emphasize the smudged tattoo, reminding us of her loss of identity.

but then it focuses on vi and cait. and cait is shrouded in darkness save for just a couple of frames (it was hell trying to pause at the right time to catch it).

i think this means that vi will begin to see her as a ghost, as nothing more than a silhouette. caitvi divorce arc is gonna go so damn hard.

at first i saw the kiss-then-push-away bit as them butting heads, but then i realized that it makes more sense for them to repel each other, like oil and water. oh, the misery...

but then i was thinking about it. and i realized, it can be both.

with cait becoming a dictator, vi and her will probably indirectly do things that contradict the other, or thwart the other's efforts. they will be butting heads in arc 2, maybe even arc 3. or maybe i'm wrong about that, but i doubt it.

moooving on- we've all talked about this screenshot!

caitlyn's shadow becoming the silhouette of a monarch, her fingers seeming to have blood on them. her being in clear distress, going utterly mad because of the weight of the crown on her head. been there, done that. genius use of lights and shadows in my opinion.

and, oh, before i finish off this installment, let me just point out how much of a punch-to-the-gut the parallel here is. (or, rather, the butt of a gun to the gut. yeah i'm sorry)

in s1 caitlyn was everything she wanted to be. now? she's afraid, angry, confused, stressed to high hell. a dictator, an enforcer of the system she wanted to change. she's everything she swore to destroy, for lack of a better phrase.

once again image limit is forcing me to continue this series of posts. and even if i could add another image, the pacing of this analysis would get really weird. there should only be one more, so stay tuned! once again the tag for the other parts is "arcane intro analysis". happy reading if you made it this far!

[snownorites]

Some disjointed thoughts on Sua and her sister that I had yesterday cause I've seen some people on twt being really adamant that Sua was in the "loved before anakt" category and I don't think that's what the point of Heavenly Garden is personally

For one, I don’t think she's actually looking out for Sua here. (using WhataFruit's translation)

I think her intention was to make Sua feel bad about herself. The word choice is extremely deliberate: "you're so unkempt" "that is unseemly" "you're already dumb enough as it is". That last one is obvious but those first two I think are super important to understanding the kind of competitive environment "being" a doll must have fostered. She's trying to put Sua "in her place" here and make her feel like she doesn't actually deserve any of the favouritism Nigeh gives her because she's "stupid" and can't even play her part properly.

And Sua has every reason to believe what her sister tells her. Outside of her cruelty she's so nice, so gentle, she even plays with her and tickles her. Ofc Sua would assume that she has the best intentions and to me that's the point of why her sister acts that way. It's not about affection or love really, it's something closer to bullying. This way every insult, every instance of belittling however small stays with her and hurts her. Her pity of Sua may be "genuine" but it seems to be more mocking? Saying that she loved Sua to me feels a bit like buying into the performance.

The framing of the comic to me is also very interesting because the contrast between Mizi and Sua's sister is telling us that we need to consider their affects on Sua in relation with each other. Sua did not feel loved before she met Mizi.

Her saying this is supposed to show that her sister was all she ever knew in terms of human connection. "Back then" as in before meeting Mizi.

Sua thinks that her sister was actually the pitiful one all along but something really interesting is that it's not because she finally found self worth or because she knows that her sister was wrong about her being unkempt or "stupid", it goes right back to love. Her sister is pitiful because she didn't know love.

That heavenly garden, Mizi, loving and being loved. If Sua felt love before anakt I don't really see why it'd be framed like this.

And the thing is that love is a super big theme in Alien Stage. You could very well argue that this is just how her sister shows love and since we don't have her pov the way that we do Io's or Ivan's there's absolutely no way to refute that the same way there's no way to prove that. But to me including Sua in the same category as Mizi and now Till feels really disingenuous. Mizi and Till felt loved before anakt and carried forward that love in all their actions. Sua did not and her actions reflect that.

I think that Sua's feelings of self hatred are a pretty important thing to also consider when analysing anything to do with her (and I'll probably have to do a seperate post about that because this is already so fucking long lmao) People don't pay enough attention to this and how a lot of it comes from the bullying she experienced

Before Mizi, Sua was objectified by everyone around her, humans and segyein alike. And maybe her sister was different and we'll see that in another comic but to me heavenly garden's intention is to reinforce that this bullying wasn't just the very overt kind that's shown above. Like with the new Till comic, all the material we get builds onto each other, Heavenly Garden gives context to just how sinister the bullying was.

And I don't say all this to say that people are wrong about her sister potentially loving her, maybe she did, but Sua did not feel loved or experience that love. It's weird that I'm seeing more justification and rationalisation of her sister's behaviour than people actually taking Sua's narrative into consideration and trying to understand how her sister fits into it.

[booasaur]

Monarch: Legacy of Monsters - 1x04

[ursula-legun]

very much could be wrong about this, but IIRC much of the benefits for deer (and, I'm assuming for now, similarly positioned cervids) in this situation apply at a population level, rather than an individual level.

For areas where natural predators are present at a level that effects deer behavior - while individual deer may experience fear, death, injury, etcetera, deer in general are more mobile, less prone towards certain (extremely dense) levels of congregation, and have a smaller population per area.

This stabilizes the availability of browsable/foragable food, and diminishes the prevalence of some diseases which propagate more readily through dense populations. For example, the growing prevalence of chronic wasting disease is thought to be bolstered by a lack of anxiety in deer; that lack of anxiety is allowing deer to socialize in larger groups and for longer periods of time, as well as spend more time in one area (CWD spreads at least partially via feces and saliva.) This increases the number of transmission vectors as well as the duration of exposure for each vector; so while the emotional experience of each deer may be more dramatic, and likely much more frightening, the health of the deer overall is significantly improved by that fear.

From a philosophical perspective - or ethological, take your pick - I also don't think we should assume that the human experiences surrounding anxiety and pursuit necessarily map well onto the internal experiences of nonhuman animals. Some naturalists/ecologists I was studying with a few years specifically highlighted this very context when talking about the importance of, and difficulties pertaining to, trying to not project human decisionmaking on nonhuman life.

To paraphrase, at length, one of the lessons they taught - we can't directly see the motivations of deer, let alone the interiority of their experience. All we can see is the decisions they make, and we try our best to infer from there. We often see deer flee from mild stimuli, and we therefore assume that deer live in a state of constant terror and anxiety, the conditions that would create a similar sort of behavior in us. But we are not deer! Our bodies are not predisposed towards flight in the way deer are; deer are suited to run far faster, and more frequently, than humans, and it seems safer to assume that they flee at a different threshold of internal motivation, if not an entirely different quality of motivation altogether.

This first sort of assumption is the exact kind of thinking that is warned against when people talk about the dangers of anthropomorphization. There's also the influence of societal views on violence and predation; violence in humans is often framed as something that's a guilty pleasure, a base desire that needs to be abstained from for the good of society, except when it's "unfortunately necessary" (for whatever conditions any group considers to be necessary.) This is frequently projected wholesale onto nonhuman, and especially interspecies, depictions of violence; to give a slightly exaggerated description of this current context as an example, it is presumed that the natural inclination of deer is to be grazing restfully, and that this is both pleasurable and right. It is then presumed that the Violent Predator, due to their unconscionable desires, intrudes upon this restful state by pursuing the deer; we consider this to be offensive from the deer's perspective, and vaguely immoral - if, at best, "unfortunately necessary" - when we judge the actions of the predator.

However....there are other ways of looking at this. Deer run at the slightest provocation, often "spooking" at stimuli as minimal as e.g. a falling branch. Why do we assume that this is unpleasant to them? What if they're constantly waiting around for something to happen, so that they have a reason to get going? What if being chased actually feels good as fuck, to a deer? After all, we assume that the act of hunting - as an obligate predator - is, experientially, indulgent. Something that "shouldn't" be done, but is excused regardless. Is this not dismissive of the circumstances the predator is in, and how that might feel? Or the agency and ability that the prey can bring into play?

(An earlier version of this reply was oversimplifying stuff in this part to the point of just being wrong, and had me saying some things about deer behavior [especially herd dynamics] that I'm not actually sure of, which I've edited out.)

Undoubtedly, running for your life is terrifying, and we can be certain that prey animals in these situations are activated - stressed, displaying agitation, etc. None of the above is meant to imply that elk or deer would voluntarily choose to be pursued by wolves. Rather, I just want to highlight that the interaction between predator and prey is not necessarily as emotionally - or morally - lopsided as it is often portrayed as being. Being pursued by a wolf is terrifying, yes, but if you are a pursuit animal, and if you get away....could it not also be fun? And chasing another animal as a predator seems like a powerful, exciting position to be in, at first brush - but in the long run, the lives of the predators are also at stake in the pursuit. Genuinely, I don't want to replace one anthropomorphic projection with another, but I think we can be confident that the dynamics of predator/prey relationships are at the very least interesting to both parties - engaging, maybe even enriching.

All this is to say that the "cost" of predator reintroduction - in terms of stress on individual prey - is most likely not going to be accurately framed in terms of human emotional valence; moreover, cultural assumptions in the interpretation of pleasure, violence, and morality are a strong bias in untangling the emotional framework that is projected onto these relationships. From my perspective, it seems that most consideration given to the experiences of prey animals in these situations is based in just substituting what we, as humans, would expect to feel in that situation; which seems to be both more and less than what can actually be said.

So, yeah, I do think that people should be proud of ecological shifts that generate these large changes in behavior - human hunters have obviously done a poor job of emulating the dynamics created by these predators; and at the bare minimum, I wouldn't assume that the difference in emotional landscape is worth the ongoing ecological harm of not having these dynamics in play.

(Also worthy of consideration are things like the predator's right to exist, diversity of interior experience as a value unto itself, the fundamental right of all species to a life that has "meaning" and what that could actually entail, cross-species modeling of stress as enrichment, microecological effects of pursuit and predation, etc....but. I think I've rambled enough lol.)

Around the same time as the wolves were released, the mountain lion population, once hunted to local extinction, was becoming re-established as well – having crept back in from wilderness areas in central Idaho. Under these twin pressures, over a period of about 15 years, elk numbers halved.

Those that did survive behaved differently, too: when the wolves were on the prowl, they retreated to the dimly lit comfort of the woods, where they might wander in clandestine bands. They avoided the cougars, most active at night, by steering clear of landmarks where they might be trapped or surprised from above in the dark – ravines, outcrops, embankments. No longer did they live in an environment defined by its waterholes and pastures, or even by its ridgelines and ravines, but by areas now suffused with danger and relief. A psychological topology, this – one marked with hillocks of anxiety and peaks of alarm. Ecologists know this as “the landscape of fear”.

proudly talking about reintroducing carnivores has made the herbivores really anxious really drives home the question of whether it’s moral to torture other creatures for our convenience.

you might oppose farming, but make the farm really big and remove the visible fences have the prey harried to death instead of quickly stunned and that’s… better?

[moe-broey]

Fellas can you take this somewhere else. Maybe. Just not in the fucking halls. Thanks 🫡

I couldn't resist drawing out these tags I wrote on a dif post LMFAO

Moe just has...... SO many problems.......

Close-ups of my fave shots!

The elusive Líf...

[jazzzzzzhands]

HOLY SHIT I HAVE OVER 3K FOLLOWERS

oh hi hello!! the rare bit of talking i do on here!!

i'm not sure how to celebrate! i'm not used to being! Visable!!

Im normally very under-the-radar, so to see i even have fans!!

well its all been very exciting!!

But thank you!! I'm glad to see so many of us

LOVE LOVE LOVE Wally!!

(and also dont mind my random reblogs of other fandoms and aesthetic)

I'm currently prepping art for MUCH later dates!

taking things slowly right now!

but still here, still in love with Wally! as we all are!!

I hope everyone remembers to take care of your

Body and Mind and Soul!

[brittlebutch]

finally found a place to read With the Light online and i'm thrilled; if you haven't read this manga i do Legitimately recommend it

[voldrinofthenorth]

@vexwerewolf So we played In Golden Flame and this was the final combat of the mission! The previous post is a record of a moment at the end of the mission.

We finally arrived at that bastard Steele's death arena. Apparently he's erected a giant golden statue of himself in the middle of the complex. Clearly any attempt at appealing to his sanity and better nature will be fruitless. I can't say I'm surprised, or regretful.

Outside the complex, we found a drop-pod loaded with plastic explosives and a note (written on paper... How did they even find paper out here?). The note just said "Thanks for doing the right thing." It seems our friend the Thief has left a gift for us. We put it to good use. I'm sure Steele wouldn't mind us adding a new door free of charge. He loves free labour, after all.

After blowing up that ugly statue and trashing some cheap Hellhound mechs, we eventually found the prisoners. There were more than we had initially thought. They were all wearing nothing but sylph suits, not even any helmets. We can't exactly carry them across the planet's surface with our mechs, so poked around a bit. Eventually, we found some old antique fossil-fuel vehicles. Apparently back on Cradle these are called "monster trucks". Where did Steele even find these?

Thankfully, we found some pilots amongst the prisoners. An old freight runner with a thick accent and an unlucky Harrison legionary that had been in the wrong place at the wrong time. I resisted the urge to punch him and settled for the look on his face at having to take orders from a Karrakin knight.

We had to escort the "monster truck" buss things out of the complex, and of course ran into trouble. A squad of enemy mechs all plated in polished silver and gold (except for one painted black and green. Probably a Horus Hacker for Hire). That Goblin was a bit of a nuisance, so I introduced it to the concept of being "hit by many rockets". I honestly didn't expect to light it up as badly as I did. Hope they weren't one of Drivetrain's crew.

Apparently the enemy has gotten wise to our tricks. They had systems that exploited the weakness of Lamplight's White Witch frame. We probably would've been in trouble, but Charlie's weird time-warping mech kept... Changing things. When one of us would take a hit, it somehow hurt him instead. He took so many hits in that slip of a frame. It's like he wants to explode at this point.

Once we had swept up the enemy mechs, we opened the landing bay doors and, of course, a whole other squad was waiting for us. Lamplight tried choaking the point, but took multiple heavy hits. Then, they were suddenly replaced by Charlie. Over comms I heard him say "I'M READY TO MEET RA. ARE YOU??"

I watched whirling chainblades and spikes rip him apart. Limbs and weapon mounts torn away, clattering to the floor. I saw red. I think I was yelling orders at some point. I had pulled that kid out of hot water back home and dragged him halfway across the Orion Arm, and now I had watched his mech get ripped up and blown up in almost every engagement. Maybe the stress was finally getting to me. When the ringing finally stopped, most of my rocket cylos were depleted and I was standing over heaps of smoldering scrap metal. Some of them had holes punched through them. Good on Redline for providing support fire. I'll have to find a way to think him later, after I dress him down for that insubordination earlier in the mission. We're on our way home now. I need a fucking nap.

When I sleep, I dream of rain.

REROUTING POWER TO TENGU BOOSTERS. INITIATING EMERGENCY THRUST.

I remember our home, a world of water and storms. I remember the sound of cascading droplets upon domes of glass.

WARNING - REACTOR HEAT LEVELS CRITICAL!

I saved that kid when everything went wrong. Travelled with him halfway across creation to our new home.

FIRING GANDIVA ROCKETS

FIRING SHARENGA ROCKETS

NEAR-THREAT TAEGETING SENSORS LOCKED, FIRING VIGILANTE ROCKETS

INITIATING CONCUSSIVE LIGHTNING LAUNCHER BARRAGE

Why do the people I am charged with protecting always throw themselves into harms way?

JAVELIN TARGET ACQUIRED, DELIVERING PAYLOAD

JAVELIN TARGET ACQUIRED, DELIVERING PAYLOAD

In a way, I suppose I am proud of their bravery.

LEFT SHOULDER AMMUNITION AT ZERO PERCENT, RELOAD REQUIRED

RIGHT SHOULDER AMMUNITION AT ZERO PERCENT, RELOAD REQUIRED

Would that the pride were not accompanied by fear.

PILOT STRESS LEVELS RISING. ADMINISTERING SEDATIVES.

PREVIOUS PROTOCOL CANCELLED BY PILOT.

MANUAL OVERRIDE ACCEPTED. ADMINISTERING STIMULANTS.

Regardless, I remain a Knight, even in these far reaches of the Galaxy. I will protect them.

AP AT FIFTY—

AP AT THIRTY PERCENT.

WARNING - HULL INTEGRITY COMPROMISED.

I feel my throat go hoarse from screaming. I don't normally lose my composure like this. Maybe the stress is finally getting to me.

MANUAL SAFETY LIMITER OVERRIDE ACCEPTED.

REROUTING POWER TO PRIMARY WEAPONS SYSTEMS.

WARNING - REACTOR HEAT LEVELS CRITICAL!

A hail of bullets and missiles upon our enemies. When I am done, they, too, shall dream of rain.

FIRING GANDIVA ROCKETS

TARGET 1 DESTROYED.

TARGET 2 DESTROYED.

TARGET 3 HULL COMPROMISED.

At least I can trust in my comrades to have good aim.

TARGET 3 DESTROYED.

[neurodivergent-loverboy]

Hm.