#but learn to live im like. bro. bro. what the fuck

[spectascopes]

my brain can fit so many bad ideas inside of it

[kalashtars]

if I think abt the state of trans politics in the US for more than .2 seconds I start wanting to sob god I hate it here

[creepy-scrawl]

I forgot how fucking rude usamericans are like I was eating normally at the "restaurant" and a bunch of mormon missionaries came and did not greet. and whatever I shouldnt care that much but It fucking boiled my blood when everybody leaving or enetring would tell them "provecho" and they'll be like 🙄🙄🙄 and say nothing to them... Like idk what to tell ya. It is costumary here to greet and if you don't speak the language or more importantly don't care about the manners you can fuck off to your shit hole country omfg

I was this close to tell them "se dice gracias pinche gringo maricon☠️☠️☠️"

[coridallasmultipass]

Working on a fic still and laughing at these absolutely absurd conversations Bro and Dave have. But also lmao, Dennis from Game Bro with his broken thumb.

They're so fucking dramatic, and oh my god I just realized this probably makes zero sense at all, out of context. Idk how to convey how hilarious this moment is to me, without the miles of words written beforehand. I just need to laugh about it publically lol.

[vagueiish]

next time an old person is rude to me, im gonna tell them part of the reason i wanna die before i get old is cause i don't wanna risk turning into a joyless, mean fuck like them

[toytulini]

oh. i was gonna reblog the one defending toshiro too from a cultural perspective but the reblogs are off. rip

[g8d]

dont remember if i ever was this angry at anyone before

[staraxiaa]

+ extra lines bc i ran out of tag space .

If you cross the river (will the fighting end?)

Contrary to what granny once said, Kita thinks he won't ever truly know who you are. You are the one who waits by the river, watching as he scrubs dirt from fresh carrots and dirty shovels. You are the one whose presence lingers like mist over his skin when you part. You are the one whose eyes he always feels, at every moment—the eyes granny reminds him of when they wipe the floor or prepare a meal together.

You are the one who knows that it does not matter, that he would still perform his rituals and hold unwavering conviction even if you were not there. Because he is Kita; he is Shin-chan—repetition, perseverance, and diligence is how he lives...because it simply feels good.

You are the same, committed to your duty to watch him from the moment you were pulled from the glory of a summit. And he is committed to being watched by you.

shinsuke kita x GN reader character study for shin, reader is a river/rain spirit, themes of disaster, mentions of dying/minor character death, fluff and angst, slow burn (i think), slight spoilers for haikyuu!! timeskip 20.4k words | oneshot, complete

notes: This fic is set around the premise that Kita's gran lives in the mountains of eastern Hyogo, just above Osaka. I have his parents living in the city while Kita is cared for by granny until it's time for him to start school, around 6 years old. He goes to Osaka during the school year and no longer spends time in the mtns. Since canon doesn't offer a whole lot of information, I took liberties with the setting and backstory to fit the plot of my fic. I hope this can help negate any potential confusion! + (It's another fic spanning childhood to adulthood. With a magical reader. I am unfortunately not able to escape my own tropes.) + shoutout to this fic for inspiration

ao3 option

One moment you are a carefree being, gleefully running along a series of falls wedged along the mountain summit. The sun is setting and you are soaking in the glory of the day: with swaying leaves and shimmering droplets, and the last bit of light streaming through pockets of trees.

The next you are falling, rolling, bumping your way through the water. A current sweeps you away without warning, your vision goes dark, and you have left your place above the sun to land in the depths of a looming valley. You have to carry onwards, knowing there is no going back, so you search for the one who brought you here.

There is a dim light beyond the bank. It seeps from the open screen of a traditional-style house, illuminating the wooden beams and eaves from behind. It's a bedroom, with a small boy dutifully putting his futon down for the night, smoothing out the bumps and lining the base to be in its exact spot. He has salt and pepper hair and you think he is the youngest old person you will ever see. He never looks your way, but you sense that he knows you are watching.

So you watch, now that you're here.

"Granny, who's that?"

He is a toddler, carried along the path next to the river by his grandmother, a thin arm clutching him tightly against her hip. Her eyes slowly move from his face to his finger pointing towards the water. She can't see what he sees: another child, waist deep in the gentle rapids, mysteriously faded—like a mist lingering instead of wafting to the sky. She smiles gently when she understands, bringing a hand to pat his hair softly.

"You'll learn when the time is right, Shin-chan."

She knows how this story will go.

Someone is always watching, Shin-chan.

Kita's life is built upon the small things he does everyday, and the end results are no more than a byproduct of that.

Someone is watching over you.

Rain streams down the mountain gullies and pools in the river at the center of the valley.

The sun rises. Over and over and over again.

Childhood

The morning light streams through open screens, crawling up the veranda and into the adjacent interior. It’s the beginning of June—cleaning day, the tatami mats moved aside for inspection and rotation while Kita and granny scrub the wooden floors together. Foam bubbles from the rag when he wrings it out, excess water trickling into the bucket. He wipes it across the floor of their living room, watching carefully as the wood darkens slightly, but not too much, leaving shiny streaks and stray bubbles behind. He smiles to himself gently.

A grin tugs at granny as she watches from the opposite side of the room. It was Shin-chan’s own decision to clean with her today. He gave her no reason as he simply said, “I’ll help,” when she grabbed her bucket and rags. He already started pulling the mats aside, then struggled to move the table in the center by himself. Granny chuckles to herself at the recollection before returning her attention to the floor, her section a little lighter than Kita's.

He looks to her side and the faintest crease appears between his brows, a slight purse of his lips. When he wrings out his towel again, he pulls the ends a little tighter before bringing it back to the floor with a new gentleness. The result brings the twitch of a smile to his mouth. It makes him feel good.

From outside, he hears the rustling of leaves, creaking as bamboo sways in a light breeze, and the scrapes of shrubs against the house. The morning is cool, bringing in air that will hopefully linger as the day drags on. The only chatter comes from the birds, quick raps of storks in the river and singing sparrows in the trees. Kita feels a warmth, one from inside, as he listens. Focuses.

He thinks it could be praise, from the spirits that are watching.

It’s still morning when they finish, the mats brushed and switched with the ones in the closet. After they return the table to the center of the room, granny quietly thanks Kita for his help. He only nods in return. Quiet Shin-chan. He thinks he’ll read until lunch, or maybe help some more if granny plans to work in the garden.

She interrupts his thoughts. “Let’s go for a walk, to Fujiwara-san’s.”

Kita's brow furrows ever so slightly, but he nods. Granny sometimes likes to visit the neighbors, though without any clear pattern or schedule. He thinks she might be doing it for him, so he can talk with other kids his age, especially with his sister always gone to a friend’s and his baby brother in the city. He would rather read, but agrees regardless since it’s granny asking.

They slip their feet into sandals and start down the path along the river, towards the right. Kita reaches for granny’s hand and she smiles down at the top of his hair. They walk slowly along pebbles and dirt, accompanied by the sound of water rushing next to them. Eventually they approach a bridge, granny having to grasp the railing as she walks up the steps. When she reaches the center of the river she pauses, a ritual, to watch the water run by.

��Fujiwara-san said he has exciting news,” granny offers in a delayed explanation. Kita doesn’t respond. 

Granny takes another minute to step down on the other end of the bridge and continue walking. They go left, towards the house that sits opposite of theirs. It takes slightly longer with the incline, but it’s quaint and Kita feels no hurry.

The house is open when they arrive, doors aside to let the last cool minutes waft through. There’s nobody home, however, and Kita looks up to granny curiously after they step onto the exterior veranda.

She only offers a smile as they wait a few moments. His attention is diverted when he hears the thumping of footsteps, small and quick, getting closer. They’re followed by Fujiwara’s muffled voice, worried. Kita's hand tightens in granny’s as he watches closely.

Out runs a child, his age, tracking dark footprints along the tatami mats from the back entrance. Not just with dirt, but smudges of mud, smearing on the woven grass. His chest tightens at the sight and he has the urge to scold, to clean the mess, but then he feels eyes on him and—

That watchful gaze he remembers clearly, despite only seeing it once, years ago. A gaze he still feels everyday, most intently at night. You are grown, but only as much as he is. And you’re…real. With a weight and embodiment, a person instead of a misty image on the river’s surface. You’re also brighter, both in appearance and spirit, as you put a small handful of grapes (fat and crisp and green) into your mouth (skin and seeds included) and chew quickly before swallowing and smiling widely at him. 

Again, Kita wants to protest the sight, tell you the skin is dirty and you can’t eat seeds, but the words are trapped. Something is tugging at his chest—something other than his apprehension, something that makes him want to physically step forward.

But then Fujiwara-san is rushing in, though not very quickly. He’s another old-timer in the village, with crinkly eyes and little hair remaining on his head, paired with a thin physique and hunch in his back. In one hand he carries a woven basket, filled with more bunches of grapes, shiny and wet. In the other is a wooden cane, pale with a reddish tint—Kita thinks maple. The old man never needed one before, and Kita wonders what’s changed.

He looks back to you, the one change he’s aware of.

“Shinsuke-kun,” his thoughts are interrupted by the call of his name. He hasn’t been listening, he realizes, and he turns his attention to the grandpa. “This is one of my grandchildren. My daughter has been busier with work lately.”

Kita, for a third time, wants to protest. He’s met all of Fujiwara-san’s grandchildren before, and if he hadn’t, granny would have certainly told him about another five year old. He doesn’t know how to respond, can’t, and so he watches blankly. You are smiling at him the entire time, with a joy he doesn’t understand—at least, not entirely.

(There is a tightness in his chest at the sight of you, like it wants to expand beyond its capability. He’s not sure what that means.)

“Have some grapes!” you exclaim in a soft voice, thrusting the bunch towards him. Two fall from the force of your sharp movements, and he watches as they roll on the ground, leaving another stain. He doesn’t accept them, just continues to stare at the mess.

Granny fights a smile as she encourages him. “Let’s try some Shin-chan.”

He wants to say that he’s already had them before. He knows they will be delicious and crunchy and refreshing, especially now that the heat is rising with the sun. He knows that Fujiwara’s grapes are the best, and now two have been wasted and splattered on the tatami. Instead of reprimanding you, he reaches his arm out to take the bundle. Since granny asked.

His eyes widen when you then crouch to pick up the fallen fruit from the floor and eat them (skin and seeds included) without so much as wiping them off.

Who are you?

The faintest tug on his hand makes him turn to granny, who’s pulling one off the bundle he’s holding to give it a taste. “They’re delicious as always,” she says. “I’m surprised it’s such an early harvest.”

Fujiwara smiles, eyes crinkling further. “Snow came early this winter,” he reminds her.

She hums thoughtfully. “Ah, yes. The weather has been quite unusual this year.”

Unusual, Kita wonders to himself. Because of you.

You smile at him again and that inexplicable tightness arises in his chest once more. He frowns, the first genuine frown of displeasure today. His mind tells him to ask granny if he can go home, but he doesn’t want to. He doesn’t understand how that could be possible, to want and not want something at the same time. His frown deepens.

Kita thinks his time at Fujiwara-san’s is excruciating. Kita is also hesitant to leave when granny says it’s time to go. He misses a knowing smile that rests on her face as she tugs him gently, watching as he glances back during their walk home.

You are nosy. Kita was already aware, given he could feel you watching him at every moment, even when he can’t see you. But you are nosy when you are physically near him. And you are around him often now, nearly every day for the past week. Whether you simply show up at random or granny is pulling him along to Fujiwara’s, Kita learns that being around you is inescapable, inevitable. 

At the very least you aren’t noisy, just curious. At granny’s you quietly hover whenever Kita switches tasks or activities, a ghost floating over his shoulder. Once you’ve fulfilled whatever interest you have, you keep to yourself in your own part of the room. You’re helpful in the garden, for some reason, but you make him grimace when you pull a carrot directly from the ground and take a bite, dirt and all. You don’t help him wash the harvest, just crouch next to him by the river water and watch his hands diligently scrub.

You are, however, incredibly messy. It’s as if you don’t even register what a mess is, mud and leaves and water following you everywhere. Always. Trekking through the door with bare feet, smudges of grime trailing behind, sometimes with dripping hair—undried hair—that leaves dark circles and puddles on the mats and wood.

Every time it happens his chest flares with irritation, that urge to scold you. But granny is near, so he says nothing and instead looks at her intently. Granny only ever smiles back, sometimes handing him a towel and reminding him that he can help, if he wants. He doesn’t want to. He’s not sure why the adults haven’t explained it to you, surely Fujiwara-san can’t keep up with the cleaning he must have to do to house you. If Kita and granny always have to scrub your mess after you visit, Fujiwara must be mopping every hour. Sometimes they clean when you’re here, while you just sit and watch, only to dirty the floor again the following day.

After a week of this passes and you show up again, uninvited and with your bare feet leaving mud on the veranda, he caves.

“Don’ come around here if yer jus’ gonna make a mess,” he says firmly—but also quietly, wary of granny’s proximity. Why do you always enter through the veranda anyways—not the genkan, where the mess would be easier to contain?

You don’t appear deterred, smiling as you hold up a basket. “I brought you grapes, Shin-chan.”

He blinks. “That’s kind,” he admits, “but I don’ want ‘em.”

“Well I do,” Granny’s sweet voice says from behind him. Kita tenses when he hears it, turns to look at her guiltily. Her calm, smiling face makes him uneasy.

He starts to protest, those disagreements he felt a week ago, since the moment she wanted to go to Fujiwara’s, bubble up together. “But gran—”

“Shin-chan,” she cuts him off. Her voice is gentle and soft, but holds a different kind of firmness that Kita can’t deliver. One that makes him listen, because he has to.

“It’s okay,” you say, interrupting the conversation that would have followed. You’re still smiling, unfazed. It flames Kita's annoyance, while calming his nerves. Again, he doesn’t understand these feelings. “I’ll go home if Shin-chan wants me to.”

The boy’s eyes widen at that, heart plummeting as if he’s done something wrong. Why do I care? he immediately wonders. Maybe because granny is watching over his shoulder, or because Fujiwara-san seemed so happy to have his not-actually-grandkid (Kita is still certain) around his house. He doesn’t know what home you’re referring to, Fujiwara’s or the city or…somewhere else. Regardless, it would be easier if you went back and let them rest, granny especially, since she must be tired from the extra chores. He still hasn’t answered, caught between wanting to agree, waiting to disagree. He’s not sure which part of him wants what.

Instead of caving to his irritation for a second time today, he sighs and says, “It’s fine…jus’ wash yer feet.” He realizes he’s resolved to clean up after you so granny doesn’t have to. What is he doing?

“Okay,” you say easily, smiling. That relief fills him once again, and he can only stare at you, as if explanations for that feeling in his chest will surface if he looks hard enough. They don’t.

“Here are the grapes,” you assert, raising them in front of you. He hesitates, staring at them in accusation after he finally grasps the handle of the basket. Then you say: “Okay, bye now!” and run off the veranda, your bare feet landing in the dirt and carrying you along the trail and across the bridge.

Kita watches you with a pained face, and he realizes his free hand lifted slightly, as if reaching for you. He scowls and forces it down. Then he turns to granny. She’s smiling at him, he can sense it’s with amusement. He wants to ask why you left, if you really are going home, wherever that is. But he can’t, not when granny is giving him such a look.

“Stop cleanin’ up after others,” he tells her instead. Granny blinks, wondering why she’s being scolded now, too. “I’ll do it. Jus’…jus’ rest.”

She smiles warmly. “You’re a good kid, Shin-chan.”

Kita doesn’t think so. Not right now, with the way you ran away.

“Some people need time to learn the ways we live,” she continues vaguely. “Not everyone comes from the same place.”

He wonders why someone from the city would run around without shoes, through mud.

That inexplicable relief returns when you stand in the outdoor veranda the next day. He still doesn’t understand why he would want to see you, maybe for the confirmation that his words did not actually send you away—that granny and Fujiwara-san can continue to enjoy your presence. Regardless, he stares pointedly at your feet, the dirt clinging to them.

“Sorry,” you say, with the tact to at least look sheepish this time. “I washed them at Jii-chan’s, but they got dirty again.”

Kita is too stunned to react. Do people from the city not understand how shoes work? Or water? Dirt? He sighs, attempting to find his patience, as he tells you to stay put while he leaves. He grabs two pairs of sandals from the genkan and re-enters the veranda. He slips on one pair, then ushers you to follow him down the steps to the spigot.

“Rinse your feet,” he instructs. You do, poorly, but he supposes he can only ask for so much. He puts the second pair of sandals on the ground and tells you to step your feet in after you rinse. It’s an arduous process, but finally you are mostly clean and in the sandals. He then walks you to the entrance of the genkan and tells you, “Enter here. Wear those shoes when ya visit and put ‘em—” he points to a cubby, “there when ya come in.”

You are smiling, always smiling, when you reply. “Thanks Shin-chan!” Then you kick off your sandals and toss them into the cubby. Kita's chest flares again with displeasure at your haphazard treatment of his things. Suddenly you grab his hand and pull him inside, and all he can think is that your skin is cold. He can’t find it in himself to comment, heart racing as he stumbles and tries to slip off his slides before you tug him to the main room. He watches as your undried feet leave dark prints in the tatami in front of him—he thinks of the mold that has probably started growing under them since your first visit.

He passes granny as you pull him through the rooms. He gives her a wide-eyed look, one that tries to ask for help. She only smiles.

Kita feels a little bad for his outburst, once a few days pass and he understands that you aren’t intentionally helpless. You enter through the genkan, with relatively clean feet. You’re careful when you eat after he points out that you tend to make a mess. You help clean, when he asks you to. You still leave crumbs around and wet patches, you scrub too hard sometimes and other times not enough, but you try. And Kita finds that he doesn’t mind so much anymore.

You just don’t know things.

The more he ruminates on your…unfamiliarity with the world, the less sense your story makes—the city story that Fujiwara-san told him and granny. It’s obviously not true, but it also has to be, if everyone believes it. Someone from the city wouldn’t look so surprised that their feet collect dirt. He recalls that evening a few years ago when he was only two, when he could see you in the river. He thinks about the never-ending feeling of being watched. You’re from here, from him.

It becomes apparent why you’re here, why you hang around him at home and linger in his presence. One night he wakes up hours before sunrise. He struggles to re-enter his slumber and curiously opens the screen facing the river, to gauge the time. The mountains loom behind the image of a small figure on Fujiwara’s veranda. You, offering a little wave.

He doesn’t react, just watches as you swing your feet. The moon sits high between you, illuminating the river below, the mist that lingers on its surface. He wonders if you’ve always been there, why he never saw you until a couple weeks ago.

The spirits are all around us, in every living thing. Granny’s voice calls from his memory.

As he watches you, the river, he wonders what defines a “living thing”— if it’s breath or blood or growth. Something else entirely. He thinks the river breathes; it absorbs the air when it bubbles over rocks. Its blood is the water itself. It grows in its own way, banks expanding and collapsing, body winding and pooling, collecting life, collecting stories and history. He’s curious about your story, why it’s part of his.

He closes the screen and goes back to bed.

Shinsuke is not the kind of person to ask unnecessary questions. Even as a child, he keeps those curiosities within, assuming they’ll be answered eventually. Like granny said, You’ll learn when the time is right.

So he doesn’t ask, instead infers. Analyzes and assumes. You aren’t the same. Throughout the summer, as you spend time together, you are always asking. Asking and smiling. Sometimes they’re necessary questions: how to properly wash a dish, or where to set a gift of vegetables. Most of the time they’re unnecessary, asking how Kita is feeling, what he thinks of the weather. Sometimes they’re downright invasive.

“Where are your parents?” you ask him one hot July day, laying in the main room. Kita is fanning himself and wondering why you aren’t sweating.

“Osaka,” he says curtly. He hasn’t seen them in a while, hasn’t thought about them either.

“Do you miss them?” You ask, nosiness unsatisfied.

He shakes his head, no unnecessary response. He likes it with granny, always misses her the few times he’s gone to the city.

You hum, like you heard his unspoken answer. He thinks that’ll be the end of it. It isn’t.

“Your hair must be a mix of theirs,” you say plainly. “Whose is grey?”

He shakes his head, “Neither.” They both have black hair, the same with his sister who’s never home and his baby brother in the city with a nanny.

You’re surprised. “Oh. Do you know whose it is?”

He shrugs, uncaring.

But you smile for some reason, with genuinely joyful eyes. “Maybe it’s your gran’s,” you say happily. It makes him blink in surprise, mystified. He inhales, chest lighter. “It’s cool how that sort of stuff happens.”

He can’t look away from you, your smile that pierces right through him.

That night after his bath, he looks at himself in the mirror, intense, searching in a way he’s never done before. He sees the traces of his mom in his eyes and his lips, his dad in his nose. Both of them at the tips of his hair, that lower section by his neck. He continues to stare, looking for granny. He sees the way she influenced the nose he got from dad. He sees the way she claimed his hair, cradling his head and framing his eyes and cheeks. He wonders what it means, to be chosen by the traits from a generation before.

When granny says goodnight, Kita puts his arms up for a hug. She’s warm, always is. His head nestles into her neck, his threads of grey and black hair tangling with her sea of silver. He doesn’t know what it means; he is a five year old without the vocabulary to articulate the tightness in his chest, something akin to longing and fear. He is a five year old incapable of grasping what it means to be alive.

Only a couple days later, Kita catches a new perspective of you. 

You are barefoot in the genkan and Kita is ready to scold you, this one he knows is deserved after all he’s taught you. Before he can, you speak.

“Come with me today.”

Your hand is outstretched and inviting, but Kita is apprehensive, not sure what you mean. Before he can ask, granny speaks from behind him. “Go on, Shin-chan.”

He frowns and looks at her. Neither of them know what you’re talking about, where you even want to go. But granny looks calm and assured, without a worry in the world.

You don’t wait for an answer, grasping his hand when he’s still turned away and giving it a tug. He feels that same chilliness on your skin, one that makes him think you might be sick. He manages to protest long enough to step into his slides before you pull him out the door. 

It’s a beautiful day. The sun still hangs to the side, the heat of July not yet settled in the valley. The sky is a bright blue, populated with innocent fluffy clouds, white and rolling in the breeze. A group of sparrows sing in a shrub you two pass, and a toad leaps off the path to get out of your way. Kita inhales deeply, the air humid but clean.

“Where’r we goin’?” he manages to ask, quickening his pace to match yours. Your hand has loosened its grip, but he doesn’t let go.

“The forest!” you cheer easily.

His eyes widen. The forest? He’s been to the forest before, to pick bamboo shoots and tea leaves with granny, but he’s not supposed to go without an adult. Does granny know? Why would she let them go by themselves? These are necessary questions, he thinks, and yet he swallows them down and lets you take him without protest.

You are fast despite being barefoot, rocks and sticks seemingly unnoticed as you dart along the path. Kita follows along diligently, stumbling only a few times. He wishes he wore his athletic shoes instead of the sandals. He glances back to the house, studies the way it shrinks from the distance. The two of you are still on the southern side of the river, not yet crossed to the northern mountains, where granny takes him.

Kita decides that he likes running like this, despite the heat and his shoes. It’s a gentle jog, with a destination in mind, his hand in yours as you lead the way.

He doesn’t know how much time passes, just follows you up and along the path until the two of you reach its end. It’s the first time Kita has seen it, the way it stops before a rock face that climbs up a mountain west from his house. He looks down the path, into the valley from the incline.

He looks back at you, waiting for an explanation for what to do next. You don’t offer one, walking to the bank of the river. To get in the river, he realizes, and for the first time since leaving granny’s he tries to pull away.

You turn back to him, smiling softly. “Trust me, Shin-chan,” you say.

He’s not sure why he should, why he did, to let you take him all the way out here in the first place. Because of granny’s encouragement, he thinks. Go on, she said. Did that mean all the way? To the ends of wherever you wanted him?

You have turned and continued down the bank. Kita does not try to escape your grasp, letting you pull him along.

The water of the river rushes over his feet, cool and surprising. It runs up his ankles, his shins, his knees, and finally his thighs. You are leading him forwards, upstream and past the rock face that marks the end of the trail. His toes bump rocks covered in algae, slipping and wavering as he wades slowly. You, however, are sturdy, never faltering with your sure steps.

You approach a pile of rocks, scrambling over them to bring yourself back onto land. You help hoist Kita after you. He pauses when he steps onto the forest floor, the softness catching him off guard. He looks down to see reddish-brown piles of pine needles coating the ground, dotted with lush bundles of ferns and patches of vibrant moss. The land rolls gently, small and soft hills of fallen pine covering rocks and dirt and life. A mist lingers from the proximity of the water, the sun pulling the moisture into the air. The scenery is dark, quiet from the hazy canopy above. Kita inhales deeply in attempt to regulate his exhausted panting, the essence of wood and mint taking over him. He is in awe, not used to being swaddled in pine. The forests here are mostly a mix of leafy trees, oaks and maples and chestnuts, with pockets of bamboo. Not secret havens of sweetness and tang.

You tug him along, bouncing through the fluff of the soft ground. He follows, eyes wide and soaking in the scenery, wanting to memorize every moment. You show him your enchanted forest, its mysterious darkness splattered with occasional sun that manages to seep through. He spots a white hare leaping away, watches birds flutter from the trees. At one point you guide him to cross the river on a fallen tree, green with moss and bundles of young sedge. Behind your skipping form he walks carefully, arms outstretched for balance.

His heart freezes when he steps down onto the other side, catching sight of a grey wolf waiting its turn. He clutches your hand as the creature steps forwards, two smaller ones following. They look at him blankly before leaping onto the natural bridge, continuing their own journey without looking back.

When he turns to you, you are smiling, and tug him forwards once more. The sun starts to stream in, brightening as pines transition to those oak and maple and chestnut trees. The ground is no longer soft, but firm dirt and clumps of rocks, leading to one larger slab of jagged earth that juts out from the mountain entirely.

You step out into the sun and he follows, taking in the view in front of him.

He is not at the peak of the mountain, maybe halfway there, but the outlook forces him to understand the vastness of the valley. He can see the large span of the mountains as they roll and crawl in the distance, his house a small square along others. The river is more apparent, winding intensely down the mountain and softening into a gentle curve next to the village. He can see crop fields and the road that has taken him to Osaka before.

You speak, the first time since bringing him into the water, “Some people climb mountains to look from above. I like when I still feel inside of it, can still see what’s happening.”

Kita thinks he understands, remembers the way the mountains from his house are like a promising wall, a guardian. How the depth of the valley cradles him. He thinks of the hare and the birds, the wolves, the journey here striking wonder and awe into his heart. He recalls that feeling of being watched, your gaze always near.

The sun approaches its peak in the sky, nearly noon. It illuminates the valley, brings light into the forest behind them. Kita watches it light up your face, already bright from your joyful expressions.

“Happy birthday, Shin-chan,” you tell him, taking him by surprise. He forgot, in the excitement of the past hours with you. Granny gave him some books this morning as a gift. You’re giving him the forest. His smile is small and reserved, but it’s the first time he offers one back to you.

He thinks he understands now: what you meant when you said home.

The sight of your back with a hand pulling him along defines the next year. After you show Kita the forest, he trusts you wholly, no doubt that you will look after him. He is happily tugged again and again into that realm of magic. He encounters more animals—badgers and pigs, bears and herons. In the winter he sees foxes and macaques. The river freezes and snow becomes the new carpet of the forest. You don’t shiver either, he learns.

You take him to the summit once, so he can see the view. The pine transitions to a highland, bald of trees and instead coated in grass and shrubs. It’s beautiful, a clear day when the entirety of the valley is visible and he can spot granny’s home, how it sits across from Fujiwara-san’s. When he looks up, there is only the blue of the sky, not a single speck of cloud coverage. They stay until dark and watch the Milky Way span across the blackness of night, its subtle hues of pinks and blues, the way meteors shower down in flashes.

He watches life rise from the ground when the weather warms once again, as seedlings sprout and newborn animals wander through the land. Flowers bloom, coating pockets of earth in the full spectrum of light. He is witness to deer learning to walk, stumbling awkwardly over roots and rocks. He sees the other clumsy ways animals go about the world, how a sparrow drops its worm, how a duck trips and rolls into the river behind its mother. He collects these moments in his memory, happy to observe, solely to understand.

And you observe him, because Kita knows that is what you are meant to do. He still doesn’t know who you are, or why him, but he feels your eyes constantly. He doesn’t admit it, but they are comforting.

On the days you two are not parading in the mountain, you are still usually in each other’s presence. Kita no longer reads while you look over his shoulder or sit on the other side of the room. He reads to you, the books granny rents him from the library. You like to lay on the veranda while he sits and swings his feet, paying close attention to pronouncing the words. He still cleans up after you, since you never fully get the hang of doing things yourself. It’s only crumbs and small puddles, untidy blankets or cushions, an untucked chair at the table after dinner. He finds himself volunteering to take granny’s extra harvest of leeks to Fujiwara-san’s, under the pretense that he wants her to rest.

He walks there briskly, and stays for an additional hour. You have a lot to say, your nosiness still strong even after nearly a year.

“Jii-chan told me you’re starting school soon,” you say, eating one of the leeks. He watches you chew the entirety of it, uncooked. Some water squeezes out and dribbles onto the floor.

“In April,” he replies. April is two weeks away. It’s when he’ll go to Osaka. He’s supposed to stay there for the week leading up to school to prepare. He gets the sense that you’re leaving too.

You don’t look sad, and his shoulders feel tense when he notices. He’s not sure why.

Kita doesn’t ever ask unnecessary questions, but right now he is compelled to ask you many things. Sometimes it seems like you understand what he’s thinking, but you never respond unless he says it outright. As a result, he never gets to know.

He surprises both himself and you when he asks, “Are ya goin’ to school, too?” He already knows you aren’t.

You shake your head. He wants to ask why, wants to ask if you’re going somewhere else. He wants to know if you’ll be here when he comes back during break. He wants to figure out why you came in the first place.

Another question: “Are ya goin’ home?”

You nod your head this time. He watches you, thinking you’ll return to the pine forest. You shake your head when he thinks it, and give him the reprieve of elaborating. “The river.”

He frowns, confused. The river? You were always in the forest, guiding him along its greenery. He thinks about how he has to wade upstream to enter the forest in the west. He recalls the memory from years ago, a child in the water watching him. 

“I came from the forest,” you try to explain, “but the water’s my home now.”

Kita is reminded that he was born in Osaka, but would always rather be at granny’s house in the northern mountains.

It’s hard for him to leave granny’s, more than any time before. When the driver comes to get him and he squeezes in the back with granny, he looks out the window towards Fujiwara’s house. You sit on the veranda, waving while your legs swing. This time the sun is high in the sky and the river releases a blinding reflection. When the car drives away and he can no longer see you, his chest hurts.

Osaka does not make it easier. His mother coos at how big he’s grown while his father watches disinterested. Kita is shown his baby brother, now a toddler awkwardly walking around and speaking. Kita doesn’t know how to talk to him, but he tries. He says hello to his sister—who he hasn’t seen since she decided to stay in the city—when she finally makes an appearance at dinner. Granny stays for the meal and the night, and then leaves in the morning.

That night, the second one in Osaka, he cries while laying in bed. He isn’t sure why, the feelings simply overwhelming and in need of release. The squishy mattress in a raised bed frame doesn’t comfort him. He thinks about you, about granny. The mountains and the forest. The river. When he looks outside his window—a square of glass punched through plaster walls—he only sees pavement and blocks of concrete. Other homes, maybe with other children crying for reasons they can’t explain. There is no mountain in the distance or river running along the ground. The sky is hazy, no stars in sight. The only twinkling comes from his own eyes, his teary squinting blurring streetlights and windows with every blink. Each time his eyes close, for a moment he thinks he can see you.

If Shinsuke is one thing, he is malleable. He can fit himself into environments, his adherence to routine giving him a means of finding comfort no matter where he is placed. Responsibility grounds him, distracts him. He can redirect his energy to doing well in school, looking after his brother. These things feel good to him, to simply do them well.

Even though you are not with him, he can feel your eyes at all times. He is reminded of being at granny’s, her washing the floor as she tells him that the spirits are everywhere, always watching. He finds himself cleaning up after his brother, thinking of you. He wonders what you think, if you’re reminded of the same.

School is as alien as Osaka, with its concrete exterior and plastered walls. They are painted white and lined with large sheets of glass. They slide open, but only for students to shout at their friends outside, not to let the morning air in. 

In class, he sits quietly at his desk and listens to the teacher. He doesn't talk with other students or pass notes under the desk. He doesn’t even wonder about you, the feeling of your eyes always on him. He watches the teacher closely, diligently records the lessons. He watches other students, gathering first impressions and additional observations. He notices the way some of them doze off or scribble in their books. He sees the meaningful glances some make to each other, usually girls as they eye each other and specific boys in the class.

When he studies for his first exam, he thinks that he can feel you in the room with him. First looking over his shoulder—a cool breeze wafting from behind him, and then laying on his bed—the sheets oddly chilly when he goes to sleep. He remembers how you sat by him while he read aloud just a few weeks ago. He murmurs to himself as he reviews information, wondering if you can hear him.

Kita scores at the top of his class. He doesn’t feel anything when teachers congratulate him and other students whine. There is no pride in his chest or sense of satisfaction at the results. He thinks back to his nights studying, your presence lingering over him. It just feels good, he thinks, to do things well. The process of trying and dedicating himself to something.

He makes a routine out of it, delegating time after school to review material. It falls easily into his schedule, after dinner and before he readies for bed. He still has time to play with his brother, usually reading or offering him toys. His sister is always gone, either busy with club activities or friends. His parents get home late too, but they usually manage to have a full family dinner.

They’re eating quietly, having debriefed their days as they reach the end of their meal. Kita glances at his family, realizing that they’re different from the people at school. He’s known them for his whole life, people without first impressions and instead ingrained understandings. He looks at them intently, notices the way they eat, listens to the way they speak. He knows them intuitively, no running list in his mind to keep track of information. He is reminded of the time you asked about his hair, and he stares at his mom, then his dad. His mom’s hair is long and brown, artificially lightened from its original dark color. His dad’s is black with a sprinkling of silver from age. Kita wonders if his will do the opposite when he grows old.

There’s another exam the following week, this one for his science class. Kita is the first one in the classroom, watching students filter in. The boy who sits next to him—Daiki, tall and skinny—plops down with a sigh just a few minutes before the teacher is supposed to arrive.

“Gahh, I’m so nervous,” he says to Kita, laying his head on the desk. When Kita doesn’t respond, he asks, “Are you?”

Kita shakes his head at that, not sure why he would be. He studied. 

When the results come back after a few days Daiki whines that Kita is a goody-goody, trying his hardest to get the teacher’s attention. Kita looks at his full marks and once again feels nothing. He thinks it is the natural result of his efforts. He wonders what you would say, if he could talk to you. He thinks you would ask nosey questions about his siblings. It makes his chest feel hollow.

Some kids try to be his friend, or at least try to talk to him. But he’s quiet, not very eloquent or forgiving with his words, and so they eventually leave him alone. He thinks about how you diligently stood by him, how you smiled when he scolded you.

When he gets home and returns to his room, it is exactly as he left it. There are no crumbs to sweep or puddles to wipe. His brother is out with the nanny, but he feels restless, the need to do something. He thinks he can get started on his homework early, pulling out his notebooks and folders. He can’t focus on the words, eyes skimming the pages without understanding. He knows that studying now is futile, and decides to continue later. He settles on bathing early instead.

His bath draws on, longer than usual. He finds himself pausing, getting lost in thought—though more lost in feeling, since his mind drifts blankly. He’s still restless by the time he finishes, but slightly relaxed. He stands to wrap himself with the towel and steps carefully onto the bath rug. Once he’s dried and his towel is secure around his waist, he leans over to pull the plug and let the water drain. Just as he grasps it, there’s a lurch of water that spills out and onto the floor. His eyes widen in disbelief and his chest flares with annoyance knowing he will have to clean the mess. He looks at the floor incredulously before turning back to the bath and—

His eyes widen further, mouth opening slightly at the sight of you—a misty figure over the water. You’re wearing a sheepish expression as you lean over the edge to assess the mess.

“Sorry,” you say quietly. Kita's disbelief increases at the sound of your voice. “I’m still getting the hang of it.”

Kita slams the plug back down and stands to face you clearly. He feels the water pooled at his feet, but all irritation has fled his body. Instead he is filled with a warmth, a contrast to the coolness wafting from you.

“You made a mess,” he tells you, unnecessarily. You know that already.

“Yeah,” you say. You apologize again.

“Don’ do it again,” he tries to scold. His body wants to step forward, to reach you. He’s not sure why, and he frowns with skepticism.

You nod, then lift your leg experimentally. When it’s pulled above the water, there are no droplets falling. Instead, you appear airy, like the water sits around your body. You step out and onto the bathroom floor, successfully avoiding increasing the mess. You smile brightly at your success. Kita continues to watch, wondering if you’ll disappear, evaporate at any moment. You look at the water on the floor and then meet his eyes, smile turning sheepish again.

“I should mop,” you tell him, breaking him from his quiet spell.

“I’ll do it,” he says immediately. “Jus’...jus’ don’ go anywhere.”

You nod.

Mopping helps him calm down, perhaps needing a task to manage his agitation. You watch, and then follow him to his room once he’s finished. He dresses while you distractedly rummage through his things, then walks over to you at his desk. He feels a wetness under his foot and looks down, seeing footprints scattered along the floor. They’re light and clearly yours, and he ignores them, continuing over to you.

“You can go back to studying,” you tell him.

He can’t bring himself to look away. He’s not sure why, chest tight with anticipation.

There’s a knock at the door, mom’s sign that dinner is ready. The noise startles you and there is a poof, the sound of you evaporating into mist, wafting up to the ceiling. Gone. The only traces of you are those faint, damp footprints and few misplaced items on his desk.

For the first time in a long time, Kita feels a sinking disappointment.

Adolescence

Contrary to what he expected, Kita doesn’t leave Osaka during break. His parents think it would be good for him to have a consistent lifestyle. Kita doesn’t protest, but he can feel a heaviness in his stomach. He asks about granny, if he’ll see her soon. They tell him she will visit some time, and she does, though rarely. He thinks about the forest and the mountains, when he’ll see them again.

On the first day of fourth grade, Kita wakes up on time. He uses the toilet, washes his face, brushes his teeth, and changes his clothes at his usual pace. As he splashes cool water along his forehead and cheeks, he is reminded of your touch and wonders if he will see you this morning. He often finds himself waiting, without realizing until a significant amount of time has already passed. You are irregular and unpredictable. It puts him on edge, that you might disrupt his perfectly crafted routine.

He is the first to sit down for breakfast and the first one to finish, everyone else but his mother just having started. He stands to put his dishes away and gather his school things when she rushes into the room. She’s fumbling with her shoe, trying to get it in place while collecting her things to fill her purse. Her face brightens when she sees him and asks about his first day, if he’s excited or nervous.

Kita shakes his head, neither. He’s been going to school nearly everyday for years now, what reason would he have to be nervous? What’s to be excited for?

He turns to leave, but she calls for him. She asks if he’s planning to join a club.

He shakes his head again, not sure why he should.

But his mother protests, “I think it’d be good for you to do a sport. You don’t exercise much, with all the studying.”

His father hums in agreement from the table and his sister stands to excuse herself. His brother knocks his bowl over, spoon clattering to the ground. Without hesitation, Kita walks over to return it.

“Just try one, okay?” his mom asks. Kita nods in response before finally leaving. 

In his room, he gathers his books and school supplies into his backpack, double checking that everything is there. He slips it over his shoulders and then turns to the window. It’s translucent with a sheen of moisture from inside. He wipes it away and glances at the sky. It’ll probably rain, he gauges. As he steps away from the window to leave, he catches a glimpse of you in the reflection.

His first day of school is like any other, spent seated at his desk near the center of the room, watching the teacher, observing his classmates. He diligently helps clean at the end of the day: sweeping duty, not missing a single spot. Once finished, he changes his shoes and makes for the exit. Some students say goodbye, and he nods in return. He can hear the soft pattering of rain as he approaches the door, and pops open his umbrella before stepping outside.

The walk home is quiet, with occasional groups of students chattering by. Kita walks at his typical pace, unrushed. He hears his shoes tap against the pavement with each step, the plopping of raindrops above his head. The occasional car rushes by, veering aside to avoid splashing him. He runs through a mental list of what he needs to do for school, but it’s short given it being the first day.

When he’s only a few minutes from home, he hears splashing behind him, as if someone is running through a puddle. You, calling his name.

He doesn’t turn to look, but his steps slow while his heart speeds, giving you time to catch up. Within a few seconds you are by his side, your now-usual misty and translucent figure at his side. You smile when he glances at you, but he appears unfazed. You’re unbothered as you walk with him, light on your feet.

When he reaches the door of his home and unlocks it, you let yourself in first. He closes his umbrella and gives it a shake before setting it on the rack. While he removes his shoes in the genkan, he eyes the light trail of footprints you left on your way to his room. He leaves them, knowing they’ll evaporate before anyone else comes home. He stops by the kitchen, dumping a bag of carrots onto a small plate, and then he briskly enters his room and closes the door behind him.

He sees you laying on his bed and he feels an itch of annoyance, knowing the sheets will be damp. But he doesn’t say anything, instead setting the plate on his desk and sliding his bag onto the floor. You smile and ask how his day was.

This has become part of Kita's routine, your irregular visits. He walks through life with an anxious anticipation, waiting for you to come. He is relieved when you appear, but he is never entirely pleased. There’s a warmth in his chest regardless, one that reminds him of granny.

He wonders if maybe that’s why he accepts the interruption so easily, because it momentarily brings him home, his life in the mountains, granny’s voice telling him that someone is watching over him. He knows that someone is you. He wonders if granny knows about your visits, if you ever tell her about him.

His answers are short, per usual. But he talks about his classes, his classmates, how mom wants him to join a club. He knows that you know all this, but he says it anyways, gives into you.

“Do you know what club you’ll join?” you ask.

He shrugs. “A sport, since I should exercise.”

You nod at that, “It’s too bad the forest is so far away. Exploring is good exercise.”

Kita thinks about the forest often, seeping into his spare time when he’s not caught up in classes or the growing responsibilities of life. He’s heard from mom about wildfires in Hyogo, ones that spring at random in the dryness of summertime. Luckily nothing near home, but still within the province. He recounts those memories of rabbits and monkeys, remembers the flowers that are blooming right about now. He's curious if it’s raining, how visible the stars are tonight. These questions bring a pain to his chest, one he can’t explain, one that doesn’t make sense. Sometimes he calls granny and the pain goes away. Sometimes it gets worse.

When you’re in his room with him like this, he thinks it’s a different pain entirely.

Eventually your questions lull and Kita knows that this is his queue to start his schoolwork. He doesn’t have much to do, though. Instead he wants to ask a question of his own. You can tell, and you wait.

He doesn’t know how to phrase it, so he never asks. As a result, you never answer.

A week later the school allows them to pick clubs. Kita looks at the other hopeful kids as they play rock-paper-scissors for a spot for the popular sports: basketball, football, baseball. He eyes the groups that are smaller, have less interest. The running club looks crowded, so he makes his way over. He still has to do a round of rock-paper-scissors, and he’s one of the three who have to find another option. To his right is another small group, and he asks to join without knowing what they are. Volleyball, apparently. He’s not sure if he’ll be any good, but he figures it’s only for the year and he can try something different in fifth grade.

Volleyball, it turns out, is difficult. He learns how to receive a ball, but it flies in the opposite direction of where he wants it to go. He watches the other players, trying to understand how to improve himself.

Volleyball, it turns out, is technical and requires a lot of practice to sharpen his skills. He diligently attends practice, two days a week for fourth-graders. The coaches appreciate his efforts, how he runs his full laps and takes every suggestion seriously. Kita finds that he just enjoys the process of training, improving his abilities and caring for his body. His legs feel tired at the end of the day and it reminds him of running through the forest. It reminds him of his efforts, makes him feel good.

Volleyball, it turns out, is the perfect distraction. From you.

It becomes part of his routine, filling in the gaps of time that he normally finds himself waffling in, waiting for you. He learns to walk through everyday as if it’s the same, just himself, but allows it to shuffle when you make an appearance. 

Volleyball helps as he enters middle school and your visits lose frequency. Your lack of presence, however, makes the feeling of your gaze on him even stronger. He feels it every time he’s on the court—though he only ever plays games in practice. He in turn watches his teammates, their ticks and habits. He watches his opponents, offers notes to his team about patterns and flaws in their styles. He’s not a powerhouse like the standout players, doesn’t have any exceptional talent, and so despite his hard work and consistent practice, he doesn’t play a single game, doesn’t even receive a jersey.

You ask him about it one evening, on break before high school starts.

“Are you going to join the volleyball club?” you ask, to which he nods. It makes you hum as you sit on his bed. He can see the wall behind you, how it darkens slightly from the moisture of your form leaning against it. 

“I hope you get the chance to play more,” you tell him honestly. “I don’t know why they don’t let you.”

But it means nothing to him, that sort of attention and recognition. He just plays to play the game, do the drills, learn the mechanics—to take care of himself. You know this, but you like watching him, the way he watches the game, moves with it, into it.

He doesn’t say anything in response, knowing that you know what he thinks.

Instead of pushing further, you change the subject. “I’m not going to be able to visit very often,” you tell him. You sound regretful, and his chest is agitated. He thinks of the fires, happening at random across the country.

“I know,” he tells you. He could sense it, recognized the increasing infrequency of your presence. He wants to ask why, but he can’t get the words out, for whatever reason.

You look at him closely and say, “I’ll be around though.”

He nods at that. He knows.

Inarizaki is a prestigious school, known for academics and athletics alike. Kita makes it in easily with his grades, and joins the volleyball club despite knowing he will likely never play in a match. The coaches note that Kita is inexperienced in competition, but they know an asset when they see one. His skills are too sturdy, too well-practiced for Inarizaki to not take advantage of him.

During his first year, he hardly plays. Even so, he is the first at practice, one of the last ones to leave, and the most diligent athlete on the team. He runs the entire length of the track, finishes every rep during weight training, and completes every drill and penalty without complaint. The coaches find that he does not have star power—he is unassuming and ordinary—but he is exceptional in his efforts, and his efforts meet returns when it counts, when they need him on the court as his usual Kita-san.

Some of the older players tease him for his diligence, others admire him because of it. Everyone realizes that he pays no mind to what they think, only ever doing what he wants, what fits his values. He respects his elders even when he disagrees with them, but he is blunt with his fellow first years, unafraid to call out their behavior, especially if it contradicts something they’ve said before. Some say it’s rich coming from him, someone who only warms the bench.

Aran is the one who talks to him, one day in the locker room. A tense conversation between Michinari and Shinsuke unraveled earlier when Kita commented on how the libero attempted too many unpracticed receives in-game, that he should have stuck to underhand until he perfected his overhand off the court. Michi has a temper, and his frustration was pushed by the spiker’s comment. He shouted that Kita wouldn’t understand, that he hasn’t been put in a game, hasn’t had the opportunity to feel the pressures of expectation.

Aran lingered when the others filed out of the locker room—partially to make sure Kita was okay, and partially to suggest he cool it with the critique.

“Don’t take it to heart,” he offers. “Akagi-san gets bad nerves. He knows what he needs to do.”

“I don’t understand the point of being nervous,” Kita responds.

A machine, Aran thinks. This guy is a machine. He says as much, and thinks there’s truth to Michi’s comments, that Kita must not understand because he’s never played in a match that counted.

But Kita explains—that it doesn’t make sense if you’ve practiced the skills and know your capabilities. That it’s the same with eating, shitting even. He thinks Michi’s underhand receives are enough, that they have saved the ball from Inarizaki’s own powerhouses in practice. Why would he need to try anything else?

Aran’s eyes widen as Kita speaks, starting to understand his perspective. It becomes apparent that his criticism towards Michi was more of a poorly delivered compliment: that their first-year libero is enough as he is, that he could save them with the tools he knows—he doesn’t need miracles. This glimpse into Kita puts Aran’s teammate in a new light, recontextualizes his diligent attitude towards their training and the criticism he gives his peers. He trusts the process, knows that the results will follow suit.

Aran begins to notice how Kita fades to the back, his presence unassuming on its own. Kita does not play for recognition or adulation, he simply does what needs to be done. His diligence to get every ball in the air goes unnoticed when the flashy ace pulls an impressive cross against three blockers—a move that would not have been possible without Kita, committed behind him. But Kita doesn’t care, doesn’t ask for attention. 

Aran already held immense respect for his teammate, for his repetition, diligence, and perseverance. But now he feels a special type of awe when he watches him more closely.

Kita does not make a fuss of convincing others of his praiseworthy traits, but Aran takes it upon himself to point them out to his team, to give new context to Kita's seemingly harsh words. Slowly but surely, they will understand, too.

What Aran doesn’t know is that Kita feels like he has already been noticed and recognized, always has been and always will be, at every moment—by you.

(Your eyes continue to bore into him no matter where he is. They feel stronger the longer he goes without seeing you. Your visits are few and far between, but he has his routine, knows to follow it independently and let it shape around your irregularity.)

The following season, a handful of talented first years join, including a freakishly synchronized twin duo and a sly middle blocker. They fight with each other. Some of them cut corners. One particularly troublesome one likes to work himself through illness, inspiring misguided awe in other first years. Kita as a second year has no qualms scolding his teammates, now sometimes including his upperclassmen. The underclassmen pout and grumble while the elders know the intent resting behind his abrasion. 

You only visit him twice during the school year, both times at the hotel for nationals. The first is during the Interhigh National Tournament; he is sitting in the tub at the end of the day, running through his observations of other teams he saw, considering what would be useful to share with the others, to exploit. His head is resting on the ledge of the tub, staring at the blank ceiling as a canvas for him to visualize what he saw: bad crosses, a fragile ego, delayed timing for a back attack. He thinks about the team they’re playing tomorrow, the most imperative information to note. He thinks he should finish bathing so he can write it down.

When he straightens his head to look forward, he jolts in surprise, water splashing out and onto the bathroom floor.

You’re there, sitting on the other end of the bath in your misty form. Your eyes are wide, head turning to look at the puddles on the tile. Kita can’t even consider the mess, body tense at your proximity. He’s never been flustered around you before, never felt strange about his nakedness if you appeared after a bath. It’s been a long time since you’ve come from a bath. And this—this is a closeness and intimacy he has never imagined. You, sharing the water, right beside him. He is frozen when your eyes move back to his face.

“I’m sorry I scared you,” you whisper, and he recalls another variable to add to the situation: Aran, likely still in their shared room.

Kita shakes his head, not knowing what to say. “You—” he stutters, unlike him. “What’re ya doin’.” Ever since middle school you only appeared in the rain. He didn’t know bathtubs were even still a…vessel of transportation.

You smile. “Good luck tomorrow.”

Kita blinks, torn between the urge to scold you, the urge to reach for you, and the urge to make you leave before Aran learns of your presence. He finds it exhausting, the way you pit these conflicting pieces of him against each other.

Instead he tells you, “I probably won’ play.”

You shake your head, still smiling. “You’re doing it right now.” The analysis of his opponents, you mean.

A sound at the door makes you jolt, the water softly rippling around you. It’s Aran, asking if things are okay. He doesn’t comment further, but he swears he hears the murmuring of voices.

Kita calls back that he’s fine, just about to get out and be done for the night. He gives you a look afterwards, a sign that you can’t stay. He wishes you could.

You surprise him by leaning forwards, reaching for him. He is suddenly swept into your chilly embrace, arms wrapping around his shoulders. His body is tense, on edge from the intimacy, but he only feels your body above the water, arms and chest and head as it settles into his neck. Despite your cold temperature, Kita's body heats at the contact.

“I’ll see you,” you say, and then you are mist, dispersing into the air.

When Kita exits the bathroom, Aran thinks for the first time that he looks amused—a mirth settled in his eyes and his lips slightly quirked.

A few months later during the Spring High Nationals, you appear in his room, again shared with Aran. Luckily the spiker is out for the moment, allowing Kita the freedom to speak with you. He’s getting dressed from the bath while you flop onto his bed. When he finishes he stands over you, inquiring why you came.

“To wish you luck again.”

Where you’re laying on the bed, his hand hangs by his hip only inches from your face. He is called to reach for it, hold it gently. He’s not sure why but this visit makes him uneasy, like it could be the last. He wonders if these are nerves.

The sound of the key opening the door interrupts his thinking. You have already faded into the air by the time Aran enters, followed by the twins barreling their way past him.

Atsumu (the obnoxious) immediately makes for Kita's bed. He flops down onto it, not unlike how you did minutes before, but immediately tenses and shrieks. He rolls himself off, pushing Kita back from where he was standing, all while shouting, “Kitaaa! Why’s it wet—”

Kita thinks he should thank you, next time you visit.

You don’t visit again.

Rather, Kita goes home to you. He decides to leave for break instead of sticking around for club practice, a choice he’s never made since he started volleyball. Something in him calls to visit granny. So at the end of March he boards the train headed towards the north station, and then hails a ride to the village. Granny is home when he arrives, and she marvels at how tall he is, not having seen him since she visited in middle school.

He towers over her small figure, awkwardly hunching in a hug. Granny says that he’ll be a big help with his height, and over the next day she sets him to dust the high shelves and put away dishes. She comments that he can move the table in the main room all on his own, no longer small, five year old Shin-chan.

The ease Kita feels in himself when he is here, with granny in the mountains, is undeniably because this is his home. He is malleable, shapeable to the life he’s lived in Osaka, but this is where he should be. He knows that when he enters this final year of high school, he will be given a sheet that asks for his three career plans. With his grades and diligent work ethic, he knows that he can put himself on any path and make it work. But in this moment, in granny’s embrace, the warmth of a home lined with screens and tatami, Kita knows that he wants to be here, no matter what.

That night he lays out his futon, smoothing out the creases and carefully lining it to be perpendicular with the wall. He smiles, this routine of preparing his bed one of many things he missed in the city. Before he lays down, he is overcome by the feeling of being watched. He turns to the screens that lead outside, towards the river. He walks over and opens them, looking into the darkness of the night.

The moon hangs low in the sky—a crescent, a smile. It shines softly on the water, Fujiwara-san’s house behind it, and the form of the mountains beyond. You aren’t there, but the river is misty, a bluish haze settling thickly on its surface.

In the morning he decides to go for a run, an attempt to maintain conditioning while he’s gone from practice. He goes left—west—towards your mountain.

The jog is peaceful, with March air cool and crisp against his skin. He is calmed by the sound of the water rushing next to him, running the opposite way. There are birds singing when he passes and a small hare jets by his feet. Running feels like a trip through his memory, recounting the times he tried to keep up with your pace, the adventures you went on together. He is running through the blue of wanderlust, along the breathing water and between the distant mountains, under the bright sky above him. He is running through the green of nostalgia, the lush vegetation, stalks of bamboo and solid trees, mostly oak and maple and chestnut, but occasionally the mysterious pine.

He is running to you.

It isn’t apparent until he reaches the end of the path, to that rock face at the foot of the mountain, and you are there—in the flesh—waiting in the river. The water is cold during spring, and yet you smile warmly, unfazed by the temperature. When he takes your hand to let you guide him through the water, through soft pine and hazy light, your touch is cool and refreshing against his—hot from exertion.His heart lurches at the contact, an inexplicable mix of tightness and lightness blooming in his chest. He can’t tell if it’s hollowing him out or overfilling him. It feels like hello and farewell all at once. There is a knot in his stomach, one that feels like nerves. It is exhilarating, magnetizing, like falling into you completely. He lets himself. He has no other option.

You come back with him to granny’s and have breakfast together. She doesn’t say anything, only calls you “dear” and thanks you for your help cleaning up. She does not mention Fujiwara and neither do you. Kita feels whole, sitting on the floor at this table.

At night you sit and watch as he prepares his futon. He looks at you and asks, “D’ya need one?”

You shake your head, smiling. “Don’t sleep.”

He nods before getting up to turn off the light. He opens the soft blanket and lays down. He turns to you, hesitating. He wants to know if you’re staying, if you’ll be here all night. Part of him wants to invite you to lay next to him.

He doesn’t say anything, just looks at you curiously.

You are smiling over him, as always. One of your hands reaches to smooth back his hair and he softens. Even with your skin always cold, his body will forever warm at your touch.

These days continue and Kita feels light, enjoying time with you, as a person. His questions fade after he succumbs to focusing on soaking in your presence. It feels good, not unlike the satisfaction of completing his daily rituals.

He looks at you closely, the way you’ve grown with him. You are still smiling, still diligent in ways that he initially failed to see as a five year old. Watchful, joyful. He doesn’t feel the smile on his face, a small one that granny notices. You are smiling too, as you take dishes he’s finished washing and run a rag across their surface. You miss some spots, little droplets sticking to the ceramic. Some fly off and land on the floor and counter.

Kita is entirely at ease. It is quaint, quiet, content.

After a few moments, you suddenly pause your drying and turn thoughtfully, towards the river. Kita watches as the faintest furrow appears between your brows, your face both pensive and concerned. You drop the rag on the counter and step away. He stares curiously, still scrubbing a plate.

“I’ll be back in a second,” you say. Nothing else, no unnecessary information. 

Fear germinates in his chest, his heartbeat picking up speed. Granny smiles at him, reassured. He wonders how she retains her calm demeanor.

When nearly ten minutes pass and you don't return, Kita tells granny he’s going to check on you. She nods in understanding as he slips on his sandals and exits through the genkan. He spots you immediately, standing between the house and the river. You’re facing the northern mountains with a frown on your face. Kita realizes this is the first time he’s seen you anything but joyful.

You answer his silent question when he stands beside you, “There’s something wrong.”

“In the forest?” he clarifies. You nod, looking onwards. He watches you for a silent minute, the way you study the sky over the ridge. 

“I think…” you start. Pause. “You should leave, with your gran. And everyone else.”

Kita's brow furrows as he looks at you skeptically. You turn to him, eyes unwavering. You never look this serious. Always nosy, unnecessary questions. Lighthearted. Messes on the floor.

“Shinsuke,” you say firmly. He startles at the sound of his full name. “Tell everyone there’s a fire—in the northern mountains. I’ll try to keep it at bay, but it’s spreading. By the time they see it, it’ll be too late. If you can evacuate the houses on the other side of the river before it’s visible, things should be okay.”

He feels a strike in his lungs, like he’s gasping for breath. He wants to ask for details, but you’ve made it clear there’s no time. You are grabbing him, your cool hand holding his wrist, as you start towards the bridge in a run. He is momentarily brought back to his sixth birthday, running behind you as you guide him along the path to the base of a mountain—your mountain. He remembers thinking that running behind you was fun.

This time you are serious, almost panicked, bringing him across the river and pointing at the houses, which ones he should evacuate first. The ones with the oldest people. Fujiwara-san is one of them. You let go of his hand and run, sprint towards the base of the mountain. He feels panicked, wondering how long it’ll take for you to come back. What it means for you to keep the fire at bay. You fade away, the blue of distance settling between you two, mistiness.

The next moments are a blur. He knocks on doors and is greeted by elders he hasn’t seen in years, ready to exclaim at how he’s grown. Their coos are interrupted by his apologies, an explanation that he got news of a wildfire and wants to make sure people have time to evacuate. He suggests that they get into their cars and head east near the highway, and to wait for official advice for next steps. He says the words, but they don’t fully register when his mind is still occupied with the memory of you sprinting to the danger. The families look at him skeptically, but they get a move on when they remember this is Shin-chan, the quiet and good-natured village boy.

He makes his way down the homes to relay the news. He asks neighbors to tell the others, and to call emergency services. There are 26 homes on this side of the river, and by the time he knocks on half the doors, smoke hangs over the mountains. No fire is in sight, but the signs are there. It makes the next conversations much quicker, and he is relieved as he watches cars pile out towards the highway.

Suddenly an alarm starts blaring. The emergency intercoms spaced along the neighborhood release a sharp and repeating warning sound. A deep voice calls out between the noise, commanding evacuation. Kita's breath is labored from the exertion of running between houses, but his chest feels lighter knowing that his responsibility has been lifted.

By the time he crosses the bridge back to granny’s home, the sky has darkened significantly, black smog blowing along and spewing upwards. There’s the slight lick of a flame creeping over the ridge and he feels his heart begin to gallop. His stomach clenches roughly when his mind flashes with images of the western mountain forest, deer and wolves and rabbits and birds. Flowers and pine and ferns. He glances that way and sees that it’s still untouched, for now.

He runs inside granny’s, calling for her to get in a neighbor’s car, since she doesn’t own one herself. She stands slowly, at her elderly pace, and Kita is restless as he helps her exit the house as quickly as she can. He takes another glance at the mountains and his heart plummets at the sight. The fire has crept over the ridge, and he can hear the distant crackling as it runs forward. Kita's eyes trail down to a figure by the bank on the opposite end of the river and recognizes you. His chest constricts with relief and concern at the sight. He tells granny to walk down to the next door neighbor, to see if she can evacuate with them. He has to lower his head to her ear so he can be heard over the sounds of the sirens and the voice on the intercom.

He starts jogging towards the bridge, to cross it, but you yell his name. It’s loud and fierce, a demand to stay put. It has a firmness that forces him to listen.

His feet stop, now directly across from you. He can see your face, the intensity in your glare. You’ve never looked at him this way.

“Don’t come!” you yell, voice almost lost over the commotion.

Kita is frowning, brow furrowed and mouth open in disbelief. He doesn’t have time to yell back before you continue.

“You have to go, Shin!” You shout. Kitas chest is heavy, and his shoulders are rigid. The flames are growing closer, rolling down the mountain. There’s a gust of wind and it blows the smoke towards the village. He can feel the heat of the burning forest.

Suddenly there are popping sounds, loud like fireworks squealing and shooting through the air. He doesn’t understand where they’re coming from, what they mean. They don’t stop, ringing through the valley and compounding with the blaring alarms, the warning voice on the speakers.

Kita doesn’t want to leave. When he looks at you, the despaired expression on your face and the many layers of hurt—layers he doesn’t understand, has never understood because he never asked—he knows that he can’t leave you. He has to do something, he is restless, like a child waiting for something that has no regular pattern, no rhyme or reason to be there in the first place. You, visiting him in Osaka.

But you won’t have any of it. “GO, SHIN!” you yell, voice booming—akin to a clap of thunder. The popping and splintering noises grow louder, and it strikes him that they are from the bamboo at the base of the mountain, the moisture in their chambers expanding enough to turn into deadly explosives. He sees a flock of birds lift from the forest behind you and fly east.

He tastes salt—tears, rolling down his cheeks and through his open lips. His voice is choked as he yells back in a desperate attempt for you to leave with him.

“I’m yer burden,” he reminds you, face scrunched in pain. His voice isn’t as loud as it should be, for you to hear him across the river. But he knows you can anyways, knows that you know he means don’t leave me, I’m the one you’re supposed to look after.

You smile sadly. He can’t tell if you’re crying too, but he can feel the same pain on your end. Your voice is equally too quiet to be heard when you respond, but it rings clearly in his mind.

“But I’m not yours.”

Your gaze is looking behind him, beyond him. He turns and his eyes widen, spotting granny slowly making her way down the path. His stomach churns—she didn’t catch the neighbor driving away. She’s coughing, unable to walk at the same time. With the smoke blowing over and granny’s old lungs, she can’t carry onwards alone. Kita hears himself curse and he rushes to her side, no hesitation as he lifts her frail body against his chest. Her head lands against his neck—her hair soft against his—and she coughs another long fit. He knows he has to leave. 

He takes one last glance at you, then at the fire crawling towards the now-emptied homes on your side of the river. The heat is increasing, blowing towards him with more smoke and ash. Five deer appear from the woods behind you and run across the bridge. You are staring at him, urging him to follow their example. He knows that he has to take care of granny, but he thinks this is the most pain he’s ever felt, buried deep in his chest. It’s the kind of pain that comes from hollowness, recognition that something vital is missing and yet somehow life is forcing him onwards regardless. He doesn’t know why this tension is there, when there’s a clear job for him to do, to do well. His face pinches, another round of tears welling before he blinks and turns to run down the path.

In this moment, he summons that unwavering confidence he has in himself. Not one of arrogance, but from the knowledge of what he is capable of, what he does everyday without failure. He runs east along the river, clutching his grandmother close. He tells himself this is any normal day of training, running to improve his endurance for volleyball. He is running besides Suna-san, who’s looking for a shortcut. He is running behind you, on your way to explore the enchanted section of pine in the mountain.

He is a toddler, carried along the path next to the river by his grandmother, seeing a mysterious child his age standing in the water. He asks who it is, pointing to a figure that granny can’t see. She tells him that he’ll learn one day, when the time is right.

He is sprinting down the same path, through smoke billowing over the valley erupting from a fire to his left, separated only by a river. Separated by you.

The honk of a car sounds behind him, a noise he barely catches with the sirens and the voices and the explosions pounding around him. He turns and sees the car of another neighbor, ushering him to get in. He veers to his left, letting the vehicle pull up beside him, and he yanks the door open, climbing inside with granny still against his chest. They lurch forwards as the driver steps on the gas and Kita guides granny to the seat beside him, reaching over to buckle her in. The interior blasts cool air and Kita is handed a water bottle.

“The fire department’s tellin’ people to evacuate to the next city,” the neighbor says. Kita nods numbly in response, unscrewing the bottle and helping granny take a few sips. She still coughs, but they’re smaller, less frequent.

With granny somewhat stable, Kita looks out the window to his left, facing the burning mountains. The car nears the ramp to the highway, starting up a mountain east of the fire. It gives him a clear view of homes being swallowed, Fujiwara-san’s one of the first.

Kita is breathless at the sight, reminded of everything these people will lose. He recalls what is already lost: the forest, the animals, the delicate combination of life that dwells in this valley. He thinks your mountain will be lost too, watching as the fire creeps west.

The popping sounds are dwindling, with the fire moving past the burnt bamboo sections and the car speeding away from the scene of destruction. But it is not quiet. There is a sudden clap of thunder that rumbles, long and gritty and deep. Kita watches as winds blow ferociously. Untouched trees sway while burning ones topple from the force. The sky is dark, a mix of smoke and storm clouds, though Kita isn’t sure when the storm began to form. He can see the water falling from the sky, blown at a sharp angle from the strength of the wind. It pelts over the mess of heat, releasing bouts of swirling steam into the air, to condense back into rain clouds.

As the car climbs higher up the mountain and the road, Kita watches the battle unfold before him. The power of rain as it fights the flames of red and gold eating the landscape. He watches the mist rising at the contact between elements, the water evaporating on impact.

He sees you in his room, that first time in Osaka when you were startled by a knock on the door. The way you went poof and disappeared.

They house granny in Osaka, taking over Kita's sister's room since she's at university in Tokyo. Kita is the one who looks after granny most carefully. It reminds him of caring for his brother when he first came to the city. He learns that granny’s house wasn’t caught in the fire. The river was an effective barrier and the rain came in time to manage any embers that had gotten blown over. The reports on the event stated that it was a miraculous storm, one that came from nowhere, completely unpredicted. It was an eventual downpour, enough to contain the fire within minutes and smother it completely in less than a half-hour. Footage from a helicopter shows the water rushing down the gullies and pouring into the river. With it carried embers, soot, ash, all piling together and flowing downstream. The next town down the river reported black water filled with sediment. A truck came in to deliver hundreds of cases of bottled water.

Aerial images reveal that nearly every house on the northern bank was claimed, only a few saved towards the east. He sees photos of the destruction. Your forest didn’t manage to escape in time, the fire stealing your enchanted pine. He wonders if you could have saved it if you didn’t prioritize his home.

There was one death: a backpacker, the person everyone believes is responsible for the disaster. Her body was completely charred, things almost entirely unidentifiable. Emergency services only picked out the metal of a stove—the decided perpetrator.

Kita has no time to grieve, with only a week before school starts again. After he helping granny get situated in the house, he immediately went to practice as a distraction. His teammates are appalled at the news, offering pats on the back and words of condolences, sighs of relief that he was lucky to leave in time.

But they don’t know what he lost. Not just the forest and the mountains, or the ability to visit his real home for months at the earliest. Even with the fire out there may be coals smoldering underground, or dangerous air wafting in the sky. The mountains won’t be green for at least a year, needing time for seeds to take root and sprout, needing seasons to accumulate rich dirt again. There’s no telling how long it will take for animals to return, birds to nestle back into shrubs or rodents to burrow again. The wolves and the deer are surely gone, evacuated to the next viable plot of land.

These aren’t the worst of his losses. What grasps his heart tightly, enough that sometimes he struggles to breathe, is the sight of you running into that smothering roll of flames. The loss of your eyes watching over him.

He dreams of fire, of heat and searing pain. His mind flashes with streaks of red and orange, billowing greys behind it. He hears the crackling of a burning forest and the popping of erupting bamboo. He wakes up panicked some nights, coated in sweat from the searing sensations he conjures in his sleep. In these moments he thinks it would help if he could be with you, your body always cool and damp, the sort of comfort that eases him, that could put out the fires of fear that grasp him.

A week later during practice, coach hands out jerseys. Kita is called first, given the number 1—captain. He blinks in surprise, having expected it to go to Aran. Nonetheless he takes the jersey and the title, and sits on the gym floor. He doesn’t register that he’s crying until he sees the teardrops fall onto the fabric, little spots of grey appearing where it was originally white.

He can hear Suna’s comment about the unfeeling robot showing emotion. He doesn’t care. He sniffles. There is a warmth in his heart that he hasn’t felt the past two weeks. He doesn’t understand where it comes from, why this of all things brings him comfort.

He tries to explain while walking home with Aran.

“I tend to agree with the adults…that the journey is more important than the destination.” His words remind him of granny at home, the way her hair skipped over his dad and went straight to him. The ace turns to him curiously, not sure what he’s getting at.

“I am built upon the small things I do everyday, and the end results are no more than a byproduct of that.”

He’s not good enough to go pro or make a living off volleyball. He just does what needs to be done, what fits into his routine—taking care of his body, cleaning up after himself, being courteous, and…volleyball. He holds up this jersey, looks at how it’s branded with 1, the captain’s number.

“Maybe this is just another result of the things I do.”

Aran blinks, stutters for a moment when he realizes what Kita is implying. “Don’t just—don’t sweat the small stuff! You don’t have to have some sort of logic behind your feelings!! If you’re happy, then you’re happy…that’s it!”

They hold eye contact after Aran’s outburst, and then Kita erupts into laughter. The ace watches his captain skeptically, not intending for his heartfelt advice to be amusing. His shoulders slump when he realizes this is the hardest he’s seen Kita laugh, ever.

Kita is reminded of all those times he couldn’t understand what he was feeling, why he was being drawn to do something he knew he logically didn’t want. All the moments he saw you and felt skeptical of the questions he wanted to ask, the embrace he wanted to pull you in, the warmth he felt in your presence—the way his brain and his logic denied him something he wanted, because there was no explicable reason for it. He thinks of the way you left, the way it hurt like no injury he’s ever lived through. He thinks of the lack of your gaze following him since just two weeks ago, the way he misses it but refuses to admit to it.

“You’re right,” he tells Aran.

By the time school is ending and he plays his final match, you are still not watching him. He feels the eyes of his granny and the eyes of his school on his back. The brooding eyes of Karasuno are on him when he is subbed for Aran in the second set. But yours are still missing.

He, however, has his eyes on his team the entire game, picking out their mistakes and what he knows is the misguided thinking behind them: Gin’s impatience, Atsumu and Osamu’s carelessness, Suna’s laziness. He stands behind them, the defense specialist who will receive the ball, and the one who’s eyes linger on their backs. He is watching them. He is like the lingering mist that wafts behind them, telling them that someone will see, whether they work hard until the very end, or let themselves succumb to their impulses. 

Kita has lived his entire life under your careful gaze. To cope with its absence, he has learned to become the omnipresent eyes backing up his team.

Adulthood

Granny always told him that someone was watching, and your gaze was proof. But at some point he realized that he wasn’t doing it for the spirits, that it didn’t matter either way. His work ethic would be the same even if you never saw him. This realization holds more weight when it is carried out in practice, Kita living his life with the same repetition, perseverance, and diligence in your absence. It makes him feel good, eases the emptiness. So he does it well, and he does it everyday.

He graduates at the top of his class, with grades that could get him into any university, launch him into any career he could imagine. And yet when the year passes and granny says she wants to return to the valley, Kita knows where he will go.

When he pulls into the neighborhood, his eyes are glued to the mountain. There are still trees and bamboo standing, though they are charred corpses. Debris of coals and fallen leaves litter the ground, coating the forest in brown and black. A light layer of green sits atop the earthy tones, sprigs of saplings and shrubs breaking the surface. Kita’s chest expands at the sight, a glimmer of hope.

There are only a few other neighbors who have returned, most still with family in the city. Kita speaks with some of them and gathers that they figure it’s a sign to leave the countryside—to better opportunities and a more convenient life. He wonders what will happen to this village if everyone decides to flee, who will take the land. Maybe the government will turn it into a Hyogo heritage site, a place people will flock to as a sort of pilgrimage. To see the brittle remains of homes and the earth’s attempt at recovery.

Kita knows that he wants to stay here, that granny does too. He’s not sure how it’ll work, but he can’t imagine himself anywhere else. His parents are skeptical, figuring that he’ll make an attempt only to eventually fold for a city job, but they forget that one of Kita’s life pillars is perseverance. He will find a way.

The way opens itself to him the following day. The April air is cool when he goes for a midday walk, crossing the bridge to the burned edge of the river. He trails along the slight incline towards the skeleton of Fujiwara’s home. There is only the charred foundation and a couple ragged beams standing upright, the rest collapsed into rubble. For a moment he can imagine you, running from the back door and into the front room with a bundle of grapes. He hears the distant whispers of Fujiwara’s protests as he follows slowly.

Kita walks to the once-veranda, experimentally standing on the elevated foundation. The charred wood creaks beneath him, but feels sturdy enough to hold. He carefully ambles along the collapsed room, scanning the damage. He manages to cross the house and reach the back exit, and he pauses at the sight.

The ground outside is similarly littered with earthy debris, patchy with occasional new grasses and saplings. Fujiwara’s garden is gone, no more grape trellises or rows of starches. But there is a small square, less than a tsubo, dug into the dirt. Kita knows what this sort of sunken patch means, has seen them in some of the neighbors’ backyards growing up, flooded and filled with lines of grassy crop. He steps carefully from the foundation of the house and curiously stands over the square, imagining the rice that would be planted at the end of the month.

He hears footsteps from near the house and turns to see Mayumi-san, the one who drove Kita and granny out of the valley during the fire. She looks healthy despite being in her seventies, carrying a shovel and a hoe as she makes her way over.

“Ah, Shin-chan,” she greets him. “S’been a while, good to see ya again. What’re ya doin’ out here?”

He bows slightly as he greets her and explains that he was exploring the neighborhood, since he only just returned. He asks about the rice garden.

“I was testin’ to see how it’d grow, since the ash can help sometimes,” she explains. “I came back early after the fire, n’Fujiwara said I could use his yard since he’s probably stayin’ in the city with his daughter.”

An excitement sparks in Kita’s chest, like something clicked into place. He’s not sure what it is exactly, but he presses her. “How’d it do?”

Mayumi smiles, one that looks devilish and would be frightening if he wasn’t accustomed to seeing it. “Shit’s the best yield I’ve ever had. M’gonna try to dig a few more plots, maybe sell ‘em at the city markets.”

This is his way, he realizes. He sees the shovel in her right hand and hoe in the left and speaks before he can register the words. “Y’want any help?”

The rest of April is spent preparing the land with Mayumi and pouring over books on agriculture. He soaks in his elder’s expertise on the subject, in the abstract and the field. When the end of the month rolls around and the two of them begin sowing seeds, Kita thinks that for the first time since your absence that he feels whole. He is here in the valley, between your two homes, dedicating himself to the land that you led him through as a child. He thinks he can feel your presence while working, your hands misting over his, transplanting seedlings with him. The rains that come in are well timed, bringing rushing water down the mountain to flood the few squares of crops.

The days pass with granny, some quick and others slow. She does well in the village, with other people her age, though the company is sparse. Kita can sense that it’s hard for her sometimes, but like himself she is malleable to her environment, can make do as long as she has her routines. Her lungs aren’t as strong as they used to be, but she enjoys her walks and can maintain the chores—the ones Kita lets her.

When September comes in, Kita and Mayumi spend one sunny day harvesting. Kita wields his scythe carefully, the movement unpracticed. He grasps the dry stalks and runs the blade across the taut stems, bundling them on the ground to be collected. They gather the clumps and carry them to the house next to Mayumi’s—another neighbor who hasn’t returned since evacuation. 

Mayumi prepares a sheet across the main room for them to work on. Then they thresh the harvest, grabbing the bundles and smacking them against the floor, pelts of rice springing off the stems. Kita is reminded of water, of rain splashing against the surface of the river. When all the stalks have been emptied, they spread the seeds of gold with their hands, like smoothing the creases of a futon. The day’s work is over, now waiting for the crop to dry. They exit, leaving a few of the screens open to let new waves of dry air flow through.

Kita finds these processes fulfilling, like his own daily routine. It’s another series of tasks that can be learned and done well. The result is his own sustenance, something he can live off of and share with others. It tastes better, he thinks, once he’s experienced the entire journey.

He tells his old teammates that he’ll be in Osaka next month for the markets. They only have a few dozen bags to sell, but he wants to get his friends’ opinions.

The markets are energetic and amiable. Kita shares with curious shoppers the story of the valley, how the burned houses and their backyards left ash that the rice took to. People find the narrative compelling, and they buy the rice despite the hefty price tag. Other vendors are interested, some make purchases to try in their food. Kita enjoys the atmosphere, the way these people and their businesses are connected. He and Mayumi manage to sell all the rice they brought. It’s hardly a profit, but it’s promising.

The next day Kita is in the Miya’s home with the additional company of Suna and Gin. They talk about life, preparation for nationals, what they’re thinking of doing when school ends. Atsumu is going pro, taking volleyball as far as he can. Osamu is ending it here, contemplating career options. He says he’s looking for restaurant jobs; he wants to be a chef.

“Yer gonna be a farmer, huh?” Atsumu asks, laying back on the couch. “It suits ya, that simple life.”

Kita nods. “Knew I needed to take care of granny, that I was gonna be in the valley anyways. One of the neighbors was growing some an’ I asked to help—wanted to see what it was like. S’gonna take time, but we’re gonna try to get the land from the neighbors, see if we can apply for subsidies ‘cause of the fire. Then we’ll try t’upscale. The market yesterday was good.”

Gin sighs, “Ever the considerate and diligent Shin-chan.”

“The rice is good,” Osamu interjects. “It’d be good for onigiri.”

It is, it turns out. After three years, Osamu decides to leave the restaurant he started working for out of highschool and open his own onigiri store. Kita is their main rice supplier, and a customer who never has to pay. They have classic flavors in the beginning: tuna mayo, pickled plum, ikura. When Kita comes with his next delivery, Osamu sits him in the dining room and has him try new options. The former captain takes his job as taste-tester seriously, his diligence appreciated by the former setter. They decide that the shrimp and beef flavors are ready to be sold, but the chicken needs reworking.

Kita gets into his truck that evening and drives home. The sun sets by the time he enters the valley, winding through roads in the black darkness. When he arrives at granny’s and exits the car, he sees that the sky is beautifully clear. The Milky Way spreads itself over the northern mountains, where life is still recovering, slowly but surely. He takes in the view for a few minutes, enjoying the quiet noise of the night—soft rushing water from the river, chirping insects, occasional wind.

He notices the blinking lights that cross the expanse of stars: planes and satellites. He sighs, remembering a time when he could sit on the top of the mountain and witness an unobscured view of the sky, taking up the entirety of his visual landscape.

Suddenly there is a shooting star, the most intense he’s ever seen. It’s a bright flash of light, he thinks for a moment white and orange and pink, that darts from the east and disappears as it curves west. Its trajectory gives the illusion that if it touched the ground, it would land on your mountain, that special enchanted forest.

After a few more minutes of watching, of relishing the awe, he makes his way inside. Granny is asleep, so he heads straight to bed.

When he wakes the next morning, for the first time in years—since that fire crawled along an entire mountain and you left to put an end to it—he feels the prickly sensation that he’s being watched.

Life doesn’t change with you watching him. Life didn’t change when you stopped. It’s something he knew, something you knew. He carries onwards, his routine of life, one that he does well and does everyday. He and Mayumi expand the fields again, creeping their business along the length of the river. Kita slowly takes on more farm responsibility, knowing enough to work independently when Mayumi needs to rest with increasing frequency. Granny is similar—she likes to help sometimes, with the easier work, but her lungs still struggle, never fully recovered.

It’s a beautiful morning, with cool air entering the house and light diffusing through the shoji. He can hear the birds and the rustling of leaves outside when he wakes, blinking away the lingering visions of orange and red from his dreamscape. He opens the screen towards the river while he puts away his futon and prepares for the day.

Granny isn’t in the main room as per usual. Kita pays it no mind, assuming she’ll be in soon. He makes breakfast and waits for her. She doesn’t come in on time. Kita stands to search, thinking she may have missed the time.

He enters her room and sees she’s still sleeping. He crouches over her to gently rock her awake, but there is no response. At that moment he realizes she is not breathing, not making a sound. He freezes, feels his heart plummet. He carefully lifts her hand from under the blankets—still warm—and checks to see if there’s a pulse. It’s quiet, flat.

He moves slowly, processing, sitting back on his heels next to her. His throat is tight and his chest—it’s hard to breathe. He shakily inhales through his nose and holds her hand in both of his. There’s a stinging behind his eyes and suddenly he is crying, weeping openly as he holds onto her. Death is the logical consequence of living, one of the only certainties of life; knowing this does not make Kita’s loss any less painful. While the hurt sits heavily in his chest, there is a growing spark of gratitude for her, that they were able to spend the beginning of his life and the end of her’s together.

Granny’s passing brings her closer to Kita, in a way. He feels that there are now two pairs of eyes on him, watching over him. When he looks in the mirror and sees his grey hair, granny’s hair, he thinks that he will always be a piece of her living on, that it’s his duty to live earnestly for her. He makes a shrine for her in one of the rooms of the house, placing her urn in the center. It is a beautiful grey clay, narrow and unglazed. A black thread ties the lid to the body.

She becomes another part of his routine, sitting before her remains and her images with his hands clasped and eyes closed.

Life goes on.

A month later he is in the field, tending to his crop. It’s late in the day, when the sun is near setting. The pink of the sky reflects onto the flooded beds, interrupted by sprigs of green. He inhales, appreciating the scenery, before exhaling and continuing his work. When he looks up a moment later, he is frozen by the sight.

There’s a wolf, large and grey, like the first one he saw as a child in the pine forest. He is not afraid, but in awe. A wolf returning means there’s prey: rabbits and deer. It means the forest is recovering, that creatures are finding their way back. He takes in the strong figure of the predator in front of him, sturdy and confident. A movement flashes in his peripheral, three pups catching up. Shin notices that one is nearly white, standing out from the others. He thinks of himself in Osaka, with his relatives.

When the pups catch up, the mother turns away and carries on.

Kita finishes his work before the sun fully sets. A light rain begins, clouds absorbing the vivid hues of sunfall, and he hurries to collect his tools before crossing the bridge home. The drizzling turns into solid pelting by the time he makes it to the empty house. He turns back briefly, squinting through the water collecting in his eyelashes, to see how long the downpour will last.

There’s a figure, at the other side, and his eyes widen in shock. He drops his tools and takes a few hurried steps closer, searching for confirmation.

Through the rain he can see you, standing at the other bank. You are smiling, he can tell, with your shoulders pulled upwards as if embarrassed. He thinks he is dreaming, that this is impossible. You, in flesh and bones, standing in front of the remnants of Fujiwara’s once home. He does not realize that he is smiling back, eyes crinkling and collecting water—his own tears as they spill—and grin spanning impossibly wide. His chest feels like it’s lifting, floating him in the air, to you on the other side.

Suddenly you are running forwards, not towards the bridge, but down the bank, to cross the water. Kita’s face flashes with concern and he starts down his own side, slipping through the mud. By the time he reaches the shore you have swum halfway across, long confident strokes despite the speed of the current. Kita marches forward, water touching his waist when he finally reaches you. He grabs your outstretched hand and tugs you into him, engulfing you in his chest and arms. You are as cold as the water surrounding him, but his body explodes with warmth at the contact, at finally being with you.

His heart races as he clutches you close, in an iron grip that refuses to relent. He thinks he hears you laugh against him, and he chokes out some strangled mixture of a laugh and sob. The water makes it hard for him to stand steady, so he brings one arm beneath you to lift you from the sediment and carry you to the bank. There he sets you down and grabs your waist firmly, staring at you with disbelief. You are smiling with all the glee in the world, eyes nearly closed by the force of it.

“I made it, Shin-chan.”

He doesn’t know what that means, but he thinks of the shooting star and the wolf, the rice fields filling easily without additional irrigation.

You lean forwards and wrap your arms over his shoulders, clutching him close. His arms come around your waist and he thinks he can recognize his feelings: relief and homecoming. There is a fullness, one that is close to painful, a pain he had been living with for years in your absence. He pulls you up the bank, to bring you into the house. He leaves his tools out, to be dealt with tomorrow, and goes straight for the genkan. 

You try to protest when he passes the spigot, “Shin, the mud—”

But he doesn’t care, kicking off his boots to be cleaned later. The mixture of river water and mud splatter on the tile of the genkan, leaving brown puddles and smears. Kita removes his socks and drops them behind him, letting his clean feet be the barrier between himself and the floor. He carries you to the bathroom, to deal with the mess together.

At night you are in his room, watching him set up the futon. He looks at you to ask, “D’ya need one?”

You shake your head, smiling. “Let’s share.”

His heart pounds loudly in his ears. He nods quickly and pushes the blanket aside for the two of you. He clutches you close under the soft comforter, your head slotting snugly in the space of his neck. It sends a shiver down his spine, the chilliness, but it coats him in warmth. He can feel his heart still racing, never fully calmed since seeing you. He feels those questions and thoughts bubbling up, words he always found unnecessary to say. Something about this moment lets him release them, lets him be curious about you.

“Didn’t know if I’d ever see ya again,” he says quietly, into your hair.

You nestle your head further into his neck. He can feel your lips against his throat as you speak. “It took a lot from me, the fire. Always need time to recover.”

His hand comes up to cradle your head, smoothing through your hair.  The image of the rainstorm flashes before him, the way the clouds swarmed from a previously blue sky to pour everything it had—everything you had—to put out the fire. He remembers the awe he felt, the sublimity of the view from a car fleeing the scene.

He doesn’t dream that night, his mind like an empty gulley, letting the soothing rainwater rush through him.

He cleans up after himself in the morning, retrieving his tools and mopping the genkan. It takes a while, though, interrupting his work several times to check that you are still in his room. You haven’t risen by the time he finishes making breakfast. A panic sits in his chest as he enters to wake you. You are still asleep, and he relaxes when he sees the steady rise and fall of your chest beneath the covers.

He sits on his knees beside you and gives your body a gentle rock. Your eyes peel open after a moment of stirring, and you are already smiling. Kita thinks it brightens the room more than the sun streaming in, that life is breathed into him from you.

You notice the granny’s shrine at breakfast. After assisting with cleanup, you ask if the small urn is all the ashes he has of her. He shakes his head and shows you the drawer in the display, where a box lays with the majority of her cremated remains.

“I wasn’ sure where t’put her,” he tells you.

You have an idea.

Only a few minutes later the two of you are exiting through the genkan, dressed for a day in the woods. Kita has a backpack on, the box from the shrine tucked safely inside. He lets you take the lead, turning left down the path and towards the western mountain. He is reminded of his sixth birthday, running to the end of the dirt road for the first time, panting to keep up with you. This time you are calmly walking hand in hand, in no hurry. Kita squeezes yours tightly, a necessary action to express the feeling in his heart.

You smile at him, and bring his hand to your mouth, kissing the back of it. Kita inhales in surprise and you watch his ears turn red, giggling at the sight.

When you two reach the end of the road, the rock face is still standing sturdy. He can see burned trees standing at the base, your mountain not untouched by the disaster. However, like the other forests, it is recovering, hope sprouting in the form of ferns and saplings. He sees a rabbit scurry away and a soft smile crosses his face.

You head first down the bank and into the water as usual, him following with his hand in yours. The cool water creeps up, only up to his knees now that he is grown. The water is easier to navigate in his adult body, and he effortlessly steps up the rocks to the forest floor, ones he used to scramble over on his hands and feet. The ground crunches beneath him. There is a patchy layer of pine needles—short ones—spreading along. The ground is not fluffy from decades of accumulation, but it’s a start. Small saplings bring bursts of fresh green, prickly when he brushes against them. The ferns hide beneath them, avoiding the scorching sun.

History repeats itself as you pull him forwards, along the river and through the early rebirth of the enchanted pine forest. The fallen tree that once served as a bridge is miraculously intact, though the top is scorched and he feels unsteady walking to the other side.

Wandering through the forest is another type of home. He hadn’t taken it upon himself to explore since returning, not wanting to disrupt the delicate healing of the ecosystem. He trusts you, though, and the path you’ll lead him to experience the land without damaging it further.

He notices that you are taking him to a section that he hasn’t been often, not a regular spot during your times together as kids. But it makes sense when you arrive at the small clearing and he sees the massive pine from his memory. It is thick with twisting branches, sturdy. Some of them are blackened from the fire, but others are coated in fresh needles, long and green, waving gently in the wind. He is surprised he hasn’t seen this miracle before, from the house. Maybe the distance obscured the view.

Kita walks slowly to the base of the tree and looks up towards its canopy. He can see the contrast of the charred and ashy sections of trunk against the rich brown of its healthy, resilient branches. The green shines brightly against the black and grey, proud of its revival.

He shrugs his backpack from his shoulders, understanding that this is where granny should be. He lowers to his knees before he unzips the bag and carefully removes the box. It’s a light wood, with tan streaks running along the grain. Pine, he thinks to himself in disbelief.

He slowly unlatches the box and sets it on the bed of brown needles near the trunk. There’s a plastic bag inside, tied with a simple overhand knot. He undoes it gently, slowly unfurling it to roll open and over the edge of the box. It’s the first time he’s looking at her remains, he realizes, and he notices that they are grey, grey ash with clumps of small black coals.

You watch as he moves slowly, cupping soft remains in his calloused hands.

“It’s like your hair,” you say.

He cries, letting out soft, ragged breaths between quick inhales. His weeping lasts the entirety of the time it takes him to spread the ashes at the base of the tree, where it meets the ground. When he finishes you crouch behind him and wrap your arms around his torso. He continues to cry. You feel it, his chest heaving with grief and mourn, love and gratitude. He brings his palms to his eyes to wipe the tears, but they continue to fall, splatter the earth beneath him with feeling.

You listen quietly as his sobs fill the space between rustling leaves and distant cooing birds. Eventually you take one hand from his torso to rub his back slowly, soothingly. 

His noises eventually lull, quieting to the occasional sniffle. He gently pushes the bag into the pine box and then slowly closes the lid and does the clasp. He returns it to the backpack with careful, practiced motions. Your arms release him when you sense he wants to stand. He turns around to face you, you and the valley below.

He watches you closely, runs his eyes over your face, eyes and nose and lips. He wants to memorize your soft smile, the way it warms him like the sun.

You bring your hands to his cheeks, their coolness refreshing after crying so heavily. He leans into your touch and closes his eyes, soaking in the contradicting ways you make him feel—this tug between heat and cold. He feels you press a kiss on his temple, then the other. They’re smeared with the grey ash and black coals, transferring the dust onto your lips. He sighs, in peace, and brings his hands to cover yours. 

When he opens his eyes once more, he looks behind you through the space between the trees, to the valley below him, spanning wide. He is reminded of the thousands of years it took these mountains to form, the thousands of years it took for the forest to grow on top of it. He knows that the fire he witnessed was not the first to rage across the land, and it certainly won’t be the last. He takes in the growth and change that has developed in the past few years, sparkles of hope in a collapse of despair. He recognizes that the destruction is an opportunity for something new, for him to be part of building the next beautiful forest that will rise.

He has lived for what feels like forever, and yet an entire life lays ahead of him. A life with the forest and the mountains and the river. A life with granny’s spirit watching over him, her hair and remains guiding him forwards. A life of working the land and growing something for himself, for others.

A life of unnecessary questions, ones he struggles to ask. A life of inexplicable feelings, ones he’s learning to let in.

A life with you. Here.

i know i said minor character death and then killed granny,, she's a minor character in haikyuu!! but she is a main character in my heart

anyways here's the afterword

[fakeuwus]

MANEATER | SIM JAEYUN (M)

PAIRING: virgin!jake x yn (femreader)

SYNOPSIS: in which jake is tired of being a virgin and you're asked to help him out.

WARNINGS: smut so MDNI! vrignity loss, oral (m and f receiving), unprotected sex (be safe out there), creampie, riding, multiple orgasms, etc. cursing, words like slut/whore, BARELY PROOFREAD

WC: 5k, lowercase intended

MESSAGE FROM NIC: here it finally is!! (sorry for the delay) my first piece of smut,,, hope it's what everyone imagined 😁 (also tysm for 2k notes on the teaser ahh!!) big thank u to my stella, @karinasbaby for encouraging this fic, one of my biggest supporters ilysm. pls be kind as this is something new for me BUT feedback is super appreciated, tell me what u liked and didn't like! (respectfully) also reblogs would be nice as well so feel free to drop one. love u guys sm 🫶🏼

jake sim was a virgin. a pitiful, pitiful virgin. and it’s not like he was ugly. not even close to that. jake was an attractive guy, easy on the eyes. and his flirting? a real smooth talker he was.

it was as if 2000s chad michael murray possessed his very soul every single time he would chat up a girl at a party or in class. 

so why couldn't he ever close the deal? how did he find himself in a steamy makeout session one second and then the next the girl is storming out of the room in disgust. every. single. time.

oh yea, because he was a fucking virgin. a pitiful, pitiful virgin. 

it seemed like girls these days wanted a man in charge. someone who could help them live out their fifty shades of grey fantasies. jake would like to think he could do that for them but how could he ever learn if no one wanted to give him the time of day? what happened to the girls that would spread their legs for anything and anyone?

all jake needed was one chance. one chance to stick his dick in a hole and he can move on with his life. 

his friends didn't make it any better either. he was getting tired of hearing all about their wild sexcapades every week and having nothing to contribute to the conversation.

but they don’t intentionally leave him out or make him feel bad about his lack of experience. they even try getting him with their past hookups because you know, sharing is caring right? 

“dude no way you fumbled sora. she’s a real slut i was so sure she would let you hit,” sunghoon says as he’s unwrapping his sandwich then taking a bite. “bro i didn't fumble anything. it's the same shit every time, once i tell them im a virgin they dip,” jake responds while he steals sunghoon’s sandwich and takes a bite for himself.

sunghoon doesn't even argue, his best friend is clearly in distress and is need of some food. “she started ranting about how she doesnt “do” virgins because they get attached and she thinks im gonna become obsessed with her or something.”

“why do you even tell them you’re a virgin in the first place? if that's the issue why even say anything at all?” heeseung questions with a mouth full of the same sandwich that somehow now ended up in his hands.

“because if he cums in .2 seconds then the girls are gonna think he’s a bad fuck. there's no winning here.” jake nods in agreement with jay's statement as he watches jay snatch the sandwich from heeseung and finish it off.

this is what is so beautiful about their friendship. they share everything with each other, the main things being girls and food. unfortunately for jake, bites of food is all he gets.

—-----------------

“oh fuck!” jakes pants while bucking his hips forward. vision blurry, drool pooling around the corner of his mouth. he genuinely feels like his soul is leaving his body and he wasn’t sure this was even real life anymore. to ground himself and bring him back to reality, he tries looking around the room to find something to distract him.

he doesn’t want to cum embarrassingly fast and he does NOT want to be seen as a bad fuck. out of the corner of his eye he spots a baby yoda squishmallow in the corner of the room, its sparkly eyes watching jake get his dick sucked for the first time.

it’s kind of weird but he finds comfort in the plushie and focuses on it to keep him from fucking exploding. 

now you might be wondering how he got here. in a hot girl’s room getting what he swears is the best head in his life (not that he has anything to compare it to.) the answer is jay, his best friend in the entire world who he now owes his first born to. 

“her name’s yn. just text her and ask when she wants to meet. i told her you were a virgin already so don’t worry about that,” jay explains as he’s scrolling through your profile showing jake what you look like.

silky, flowy hair, curves to die for. to say you’re gorgeous would be an understatement. the whole ordeal seemed too good to be true.

“she wants to fuck me? even after hearing i’m a virgin?” jake asks after grabbing his milk tea from the counter and walking towards a table.

jay simply nods and throws a look towards sunghoon, signaling him to explain the rest as they all take a seat. “yea that’s kind of her thing. she loves virgins. like, her body count consists of only virgins.”

jake was perplexed by the situation. surely he’d hear about a beautiful woman who only drops her panties for inexperienced guys roaming their campus.

heeseung then speaks up, as if reading jake’s mind, “she goes to the college in the next town over. around a 20 minute drive.” before continuing his sentence he shifts his eyes towards jay and sunghoon. eyeballs darting back and forth.

some unspoken dialogue is happening between the three as they sip their sweet drinks and jake just has to sit there and watch. minutes go by and jay clears his throat and sighs, finally breaking the silence.

“she uh, actually took all of our virginities back in high school. that’s how we know her.” 

pause. the fuck? he knew his friends all have gotten their dicks wet for the same girl before but at the same time? jake couldn’t believe what he was hearing. i mean, he did only just meet them three years ago, whatever they were up to before then he can’t judge.

he supposes desperate times call for desperate measures, and jake is sure he would’ve ended up in the same situation soon if they weren’t handing you on a silver platter to him.

“so… you guys had a foursome for your first times??”

heeseung instantly chokes on his boba as jake’s arm receives a punch from jay. a faint giggle is heard from sunghoon, “this bitch is choking on some balls.”

ignoring heeseung’s dramatics jay clarifies, “no you idiot, she took all of our virginities separately. we weren’t as desperate as you were.”

“and like, that pussy is so heavenly. i’d be pissed having to share her with another guy at the same time.” 

“roger that, brother.”

jake looks towards the two, sunghoon rubbing heeseung’s back trying to calm him down from his almost near death over some balls. 

“care to elaborate?” 

“man why do you think we’re all sex crazed freaks? her pussy’s got some voodoo magic in it or something. our manhood didn’t begin when we watched porn for the first time together, it started with her,” jay pauses and shifts in his seat, slight discomfort in his lower region.

he looks up and pinches his nose, “fuck i’m getting hard just thinking about it.” sneaking a peek at jay’s lower half, jake can see his friend chubbing it up in his pants. nothing he’s never seen before honestly. 

but what he hadn't seen before was how his friends were reminiscing so hard on a hook up the way they were right now. and the fact that their origin story of discovering their high libidos is all because of you? he was scared shitless of what he was about to get himself into.

-------------------

fast forward to some exchanged texts between you guys, jake found himself in your room with his pants around his ankles getting the life sucked out of him.

he quickly discovered you were very straightforward and to the point, immediately sending him your apartment address and what time to show up.

jake couldn’t argue though, all this talk about how you were gonna “change his life” and shit got him real worked up. he appreciated the fact that you skipped the small talk and went straight for his dick.

upon arriving and stepping into your living space, your lips smashed onto his and he was pushed down onto the bed. no hi, no hello. just your lucious, full lips swapping spit with his.

his hands instinctively flew to your waist, his digits gripping your plush skin as you straddle him. jake felt so in his element in the moment. making out? this is where he excels. he could do this all day if he could.

but he was here on a mission and he’ll be damned if he leaves without fucking you. or you fucking him. he was honestly down for whatever. you could ask to peg him and he would say yes.

you can sense his impatience, his face twisting in pleasure trying to savor every moment while the cogs are turning in his head, awaiting your next move. every squeeze he gave signaled that he wanted to get things moving.

you make your way down his body, peppering kisses any and everywhere leaving his skin burning. jake couldn’t believe what was about to happen.

in less than a minute he was about to get his first blowjob ever. what does he do? where do his hands go? what if he chokes you? what if he passes out from the stimulation?

before he can think of anymore what to do’s and what if’s, your mouth is on his dick and jake is seeing stars, figuratively and literally. he takes note of the little ones taped to your ceiling and thinks it’s cute.

the pink walls and plushies surrounding the two of you is such a stark contrast to your personality, or what little jake knows of you. but hey, he likes a woman with some duality to her.

“you can put your hands in my hair.”

jake finally takes a look down at you. pupils blown out, lips a bit swollen from all the sucking. you looked so, so pretty like this. he can only imagine what you look like with his cock in you.

trembling hands grab at your hair, slightly pushing you further down and a gagging noise emerges from the back of your throat. oh shit. your nose is practically meeting his pelvic bone and you aren’t letting up.

fuck it, jake thinks to himself. he was done with being patient. he starts fucking up into your mouth relentlessly, chasing the orgasm he was delaying. and you just let him.

you’re merely a hole for him in this moment and you could care less. his dick may be average in size but the girthiness of it was so delicious, you couldn’t get enough.

to make sure he reaches his high, you reach for his balls and start playing with them. his erratic thrusts combined with you squeezing his genitals he twitches in your mouth and his cum is shooting out, pooling out the sides of your lips.

and you don’t stop there. you keep going and going and jake actually feels like he’s going to pass out. “okay, okay please please!” you swallow everything he gave you and finally let him go with a pop to come up for air.

you get up and see him lying there on your bed, unmoving. eyes closed and mouth agape barely taking breaths. one might think he’s dead but this was typical.

once a guy gets to cum in a girl’s mouth for the first time they don’t know what to do with themselves. nudging him with your knee he breaks out of his trance with a lopsided smile adorning his face. god he’s adorable.

before you can suggest a break he immediately grabs you by the hips and flips you onto your back. your shorts go flying onto the floor behind him and he spreads your legs wide to prop them onto his shoulders.

his tongue immediately attaches to your clit and he starts licking you all over. slurping and sucking, as if this was his last meal on earth. he was desperate to get you to cum the way you made him and it was showing.

jake’s eating you out a little too expertly to your liking, as if he’s done this a million times. you won’t judge if he has, you’re literally the last person to judge someone’s sexual history but how is he still a virgin if he eats pussy this good?

he must’ve been met with horrible women who just used him for his mouth and left him dry. you wouldn’t do that to him though, poor guy doesn’t deserve that.

he inserts two fingers into your hole while his mouth was still working your clit. jesus christ. you didn’t notice before but his fingers were so slender and long, reaching places your own didn’t. “am i doing okay? kind of my first time.”

oh? so this was his first time eating pussy. you simply give him a nod of approval, not being able to utter a word as he dives right back in.

in all of your sexual encounters, never has there been a guy so willing to return the favor. and the fact that you didn’t even have to ask? where the fuck did jay find a guy like this? was he aware his friend was a fucking certified munch?

determined to make sure you cum, jake inserts another finger and moves his fingers in an upward motion, trying to find your spot. at least that’s what wikihow told him how to do it.

the sound of your moans and the taste of your pussy on his tongue simply feel amazing and he feels like he could come alone like this. at this point you’re panting and riding his fingers and god it’s so hot. you’re so hot.

jake finds himself humping into the mattress, trying to aid his painful hard on he’s grown since going down on you.

his wrist begins to ache with how fast he’s pumping into you but he doesn’t give a fuck, he’ll do anything to see what you look like when you reach your high.

“oh god, i’m, i’m- ahhh!” you come undone onto his mouth and hand, lips forming an o shape with the most pornographic moan he’s ever heard and he silently releases his load along with you onto the bed.

jake makes sure every single drop of your delicious juices are all licked up, driving your oversensitivity.

“so? how was i?”

you take a look at his annoyingly cute face and he’s licking all over his fingers like a lollipop. cute. gaining some of your composure, your eyes spot a wet spot on your sheets.

“wait, did you…”

“oh. sorry about that. i couldn’t help it.” jake explains with a sheepish smile and a scratch behind his head. not only is this guy a munch but he came untouched while tongue fucking you. you weren’t even sure guys like him existed, like at all.

without speaking another word, you grab the back of his neck and smash your lips onto his. tasting yourself on him has you wet all over again and you both begin to undress each other.

you detach yourself to take your shirt off and he pauses to fully look at you, drinking in every inch of your body. hands grab at your boobs and he pinches a nipple, a small moan escaping your mouth.

your body was literally to die for, the pictures on your profile barely doing you justice. and to finally be able to feel all around your curves and give your boods and ass tight squeezes was a dream come true for jake.

(he may or may not have been jerking off to the few posts you have up, counting down the days of you guys finally meeting but you didn’t have to know that)

you also took a moment to admire his body. to say jake was sculpted like a fucking greek god was an understatement, sporting a six pack and biceps to die for. veins running all over his arms and hands.

deciding it’s finally time to do the deed, you switch positions and motion for him to lay on his back. “are you ready?”

“wait! what about a condom?”

“i’m clean and i know you are so…”

“right.”

you throw your legs over his waist, now straddling him with your vagina inches from his cock. “okay, take deep breaths. i’m gonna slowly go down alright?”

jake throws a thumbs up and eagerly nods. in a moment like this he doesn’t fail to be endearing. you could literally just eat him up with how cute he was. your pussy was about to anyway.

you lace your fingers with his and slowly lower yourself onto him. there’s some intimacy with your actions and jake finds comfort in your eyes, looking at him adoringly.

it was finally fucking happening and jake couldn’t believe it. he was about to become a man. and the fact that it was you taking his virginity, a gorgeous woman who doesn’t care that he’s inexperienced and lets him hit it raw. it's really all he can ask for.

once your walls are wrapped around his tip, jake’s a goner. the little sweet moment you two shared is thrown out the window and he starts bucking his hips up into you, hard and fast.

his hands find purchase on your hips and he’s gripping them so hard you're sure there will be bruises tomorrow. you wanted to start out slow as it is his first time but it seems his thrusting says otherwise.

you press your hands against his chest and begin to move rhythmically in sync with him. jake’s eyes immediately roll back and his breathing quickens.

his hands fall to his side and he lays lifeless beneath you, letting you take full control.

all he could do was stare at the spot where his dick entered you and it was making him even more hornier. he couldn’t tell where he ended and you began.

your wetness didn’t help anything either. the squelching sounds indicated that you were very much enjoying this as much as he was.

“fuck you feel so good baby,” jake moans. the pet name that slips past his lips and it doesn’t go unnoticed but you also don’t question it.

for some reason the simple word made your heart jump. guys always called things like babe or even whore when they really let loose.

those never got to your head, you know they couldn’t really control themselves in the moment and you let them have their fun.

but jake has been nothing but kind to you this whole time, like he knew you were doing him a service and not the other way around.

this only fueled your desire to ensure that his sure first time exceeded his expectations so upped your menstrations. you quickly changed your pace to grind forward, backwards, and in circles making sure his dick felt every inch of you.

jake’s mind was reeling, his breath caught in his throat. he feels as if his dick was about to fall off with the way you were moving.

your body leans forward and you begin to kiss at his neck, leaving hickeys everywhere. your hot breath near his ear sends him into overdrive, must be a sensitive spot of his he never knew he had, but also how could he have known?

his hands that were once gripping the sheets meet your ass and he starts to guide you up and down his cock. you both were about to reach your climaxes, your pussy clenching with every move.

“i’m- where? fuck! where do i cum?”

“inside. cum inside me please.”

inside?? his first time cumming from sex and you were gonna let him do it inside of you? jake swears you couldn’t be any more perfect than you are right now.

you knew you threw him for a loop and honestly yourself as well. pushing these thoughts towards the back of your head you start riding him aggressively, even faster than before. “fuck, jake i’m cumming!”

“me too baby oh my god!”

and there was that damn pet name again. it makes your heart leap out of your chest and sends you over the edge.

the knot in your stomach snaps and jake follows shortly after, his load shooting into you. it pools out of you and you don’t hesitate to swipe some up with a delicate finger and bring it to your mouth, mirroring his actions from earlier.

your eyes meet his fucked out ones and you smile down at him, admiring the masterpiece of lovebites you left all over him. his vision was a bit blurry but he catches the way your lips curled upward, flashing your pearly whites.

jake finds himself instantly becoming hard again, call him easy but when a pretty girl is smiling at him like that after fucking him, can you really blame him?

you move yourself off of him and jake was fully expecting you to kick him out now but instead you position yourself on all fours, your ass in the air inviting him in.

“fuck. you’re into anal?”

you turn your head sharply to look at him over your shoulder, raising an eyebrow to question what he just said. the look you give him says it all and jake takes the hint and positions himself behind you.

“can we try anal next time though?”

an exasperated sigh leaves your lips and you reach over to grab his dick, inserting him into you. “umph! okay sorry.”

upon entering your pussy, jake relishes in the feeling of it. being inside your heat again leaves him breathless for the nth time today.

in and out. in and out. he tries to match his breathing with his gradual strokes. his member is extra sensitive right now and he’s trying not to lose himself. the impatience he had earlier has now moved onto you so you decide to take matters into your own hands and start fucking back into him.

your ass is now meeting his hips and the sound of skin slapping echoes in your room along with your moans. jake’s body is flailing from the sudden impact but he grounds his hands around your waist and grips the shit out of you.

he notices bruises forming on your skin but he can’t for the life of him let go. oops. he’ll do his best to remember to apologize for them tomorrow.

when there’s a good pace between the two of you, you fling yourself upward, back meeting his chest and the new angle has him reaching spots he didn’t before.

you take one of his strong arms and place it around your neck, having him choke you as you ride him like there’s no tomorrow. jake’s brain begins to turn to mush and he feels like he’s even more turned on at the revelation of one of your kinks.

and at this point you’re fucking onto him so hard, so good, he didn’t want it to end. “shit. shit. i love your pussy so much baby.” jake whines into your ear, meaning every word he said.

is it crazy to say you love someone upon meeting them for the first time? well, their pussy. yea. maybe. but who gives a fuck.

he was a man possessed by you, by your pussy. in this moment he truly believed there was some voodoo magic going on down there and he was blessed to be experiencing it.

you clench at his words, and your heart flips once more, prompting you to draw him closer to you (if that was even remotely possible)

the closeness of your bodies creates another intimate moment shared, kisses stolen from one another, hands tangled in his hair.

“i’m close,” he whispers in your ear, his breath leaving tingles down your spine. the hushed whispers you exchange contrast the sporadic thrusting that’s happening.

determined to reach your second high of the day, you push jake onto his back and settle yourself onto your knees, continuing to bounce up and down on his cock.

“yea just like that baby, shit shit shit i’m cumming, i’m cumming!”

jake opens his eyes to watch the scene unfold before him and god was it something. your back arches as you take his cum in you once more and your screams fill his ears, signaling you orgasmed right after him.

this moment alone is better than porn itself, and jake savors every bit of it. there’s absolutely no way he can even bring himself to type “nsfw” in his twitter search bar ever again after this.

you hover yourself over him leaving just the tip inside before sliding right back down, pushing his seed back in while it gushes around his cock leaving jake wanting, no needing, a third round with you.

but to his dismay you roll yourself off of his body, landing on the mattress next to him.

“so… how do you feel?”

he releases a long exhale he didn’t know he was holding, “fantastic. 10/10 experience. would do it again.” you simply giggle at his response with a shake of your head, getting up to gather your clothes.

“wait! um, could we do this again?”

you playfully roll your eyes at him, leaving his question unanswered as you begin to dress yourself.

—-----------------

sat in his computer chair, jake is finding it difficult to finish this stupid ethics assignment. how is he supposed to argue about the death penalty when you straight up almost murdered him with your pussy less than 2 hours ago?

he’s sure his professor wouldn’t appreciate if he wrote that he doesn’t give a fuck about someone serving their punishment if the culprit was you, but honestly speaking he’d let you get away with just about anything. you were an angel sent from above to him who could do no wrong. 

the way your soft lips wrapped around his cock while your innocent (not) eyes bored into his soul. the way you licked and kissed every single inch of his body, leaving nothing left untouched. and god, the way you worked his dick? how was he supposed to move on from you??

you were an insatiable, sex-crazed goddess. a once in a lifetime experience he was so grateful to have. 

his thoughts are interrupted by a loud knocking at his door. two seconds later, jay trails into jake’s room followed by dumb and dumber, all of them having a snug look on their faces.

they make themselves comfortable before they get right into the interrogation. jay leans against the desk, sunghoon sits in the bean bag situated in the corner, and heeseung sprawls himself across the bed.

“so virgin, how was it?”

 “wasn’t i right about her pussy?” 

“where did she make you cum?” 

eyes rolling in the back of his head, jake takes a deep sigh before answering their questions. “one, i’m not a virgin anymore so stop calling me that. two, it was absolutely fucking amazing. literally would give up heaven for it. and three, she had me cum in her. twice.”

heeseung shoots up from his position, jaw dropped and eyes wide. “you came in her twice?!” the boys all share a bewildered expression on their faces, dramatic as always.

jake just shrugs at them, what? didn’t you usually let guys cum in you like the freak you were?

jay slaps his hands down on jake’s shoulders, aggressively turning the computer chair towards him. “jake. buddy. yn has two rules.” 

sunghoon suddenly appears on jay’s left, “one. you can’t cum in her. you can cum anywhere BUT inside of her.” 

heeseung follows and is now on jay’s right side, “and two. she doesn’t repeat fuck.”

immediately following this revelation there’s silence.  complete and utter silence.  the gazes they hold are intense and uninviting. as if they truly couldn’t believe you let their best friend who’s never felt the touch of a woman break one of your rules.

their eyes say it all, they love jake to death and are happy for him, like seriously happy and relieved he’s finally entered manhood. but really? none of them got to do what he did? what was so special about him?

you don’t even know the answer to those questions yourself. maybe it was the puppy eyes or his whiny moans that made you feel like you had him in the palm of your hands.

his eagerness to pleasure you but to also receive reminded you of the sole purpose of why you only go for virgins. they made you feel wanted while also letting you be in charge. call it selfishness but why can’t a girl have the best of both worlds? 

and you’d never admit it, but jake was one of the best fucks you’ve had in a while. he never tried to be someone he wasn’t, just authentically himself. a pitiful, pitiful virgin. and he was proud of it.

it was refreshing to fuck someone who didn’t have some sort of ego right after you were done with them. immediately bragging to everyone what you two did and acting like they could pull any girl as if you weren’t doing charity work for most of them. 

with all of this in mind, of course you let him cum in you. he was doing so well for you, how could you not reward him? had to let him do it twice to drive it home.

and seriously, what kind of guy gives you a tender, sweet goodbye kiss and thanks you for defiling him? you didn’t regret your decisions with him but they were definitely scaring you. 

never have you ever been this intimate with a guy, but jake was different. you felt it. and what you did next didn’t scare you as much as your recent choices with him.

*ping!*

the staredown between jake and his friends comes to a halt and he digs his phone out of his pocket to check it. sliding up, he sees the message appear on his screen:

you: are you free tomorrow?

he glances at his friends’ expectant eyes and throws them a smirk. looks like he gets to break that second rule of yours. 

© fakeuwus 2024 do not repost, translate, or plagiarize

TAGLIST: @alvojake @jaylaxies @ikeuverse @pprodsuga @criminalseung @slut4hee @wonuqrtz @sansluvr @juniorjuneper @hoonven @sunshine-skz @luvyouloser @cha0ticpisces @no-daddy-just-issues-148 @hoseokteardrop @jakehooni @minniejenseo @niniissus @capri-cuntz @simpjay @chansloverr @esloao @strawbrrycuteblog @enhaslxt @vveebee @sakanelli-afc @felixbrownies @yunjinswifee @bobaikeu @minaateez @river-demon-slayer @sjylouvre @nyxtwixx @wonderlandless @eddieeddiesblog @moon4moony @skzenhalove @na-x2 @binniesbabe @monstaxdirtywonk @lauover @iheartjayke @jwsflower @notevenheretbh1 @rik1zzluv @ang0308 @kpopaussieline @jaehyuniewifeu

[mrfoox]

Oliver freaking tf out when im crying as we talk is an favorite thing

[zombvic]

KISSES TO MY EXES (joão félix x reader)

summary : in which y/n & joão soft launch their relationship as a response to their exes dating rumors

face claim : alexandra saint mleux (shes so gorgeous brooo)

notes : this idea came to me in a vision tbh like its so stupid im actually crying but hope you enjoy it. also no hate to magui shes so fine n stuff js her personality is irking me out xx

pairings : joão félix x ex!norris!reader , smau

It's safe to say both of them were screwed over by the two people who were now rumored to be dating.

Y/N L/N became a prominent figure in the sports industry even before she started dating the McLaren driver. She gained recognition in the Formula One community as Lando Norris's girlfriend. However, after their breakup, she became known as the one who was dumped by Lando Norris—in a good way, though.

She used the publicity of being dumped to her advantage. Instead of sobbing over the breakup initiated by Lando, she became the best version of herself.

João Félix, on the other hand, took his "breakup" as a challenge. A challenge to see how many times he could get fucked over by the same girl. The Portuguese actress and model, Magui Corceiro, was like meth to him. He couldn't stop going back to her; he didn't even try to stop himself. People say that "third time's the charm." Well, for João, it was the fourth. After she fucked him over for the fourth time, he decided he was going to start his villain arc (breaking up with her).

João's transfer to Barcelona came with much more than just a new club and a new country to discover; it also brought a new relationship.

The two had bonded over their recent relationship endings and on a personal level, they were a match. As months went by, their bond grew until it turned into an actual relationship. As of June 2024, they had been together for about five months, agreeing to keep it low-key. However, the moment they saw their exes link up they decided to reveal it piece by piece.

Liked by alliseeissainz, ynspookie & 85,725 others.

formulagossip uh, oh !! ex-wag / wag gossip here !! the ex-girlfriend of lando norris, y/n l/n, had attended a wimbledon match whilst her ex-boyfriend (lando) was there with his current girlfriend (?), magui corceiro. they havent interacted at all but neither of the three seem excited about meeting eachother here.

View all 247 comments.

user oh shit

user bro downgraded (personality wise)

user slamming my head against the wall

user lando when will you learn

- user both magui and lando r red flags ..

user wonder if shes gonna cheat on him too ..

user lando x magui seem very pr-like

user doesnt magui follow y/n on instagram

user their relationship seems fun..!

user not a smile in sight

- user y/n is mewing 🤫🧏

Liked by land0sgf, smoothoperator.com & 55,725 others.

formulagossip even more ex-wag gossip! it looks like the ex girlfriend of lando norris, y/n l/n, has arrived at the spanish grand prix. she lives in barcelona and is a long time formula one fan. she got invited by the ferrari f1 team to their garage 👀👀

View all 763 comments.

user are we about to witness a ynlando reunion .

user noooo y/n run outta there

user she looks so gorgeous.. landos loss

user why would she be there for lando, cmon guys be so fr

user her outfits always eat

user shes so fine guys helppppp

user L LANDOOOO

user poor lando, has to see whats he missing out on

user post break up glow !!!

- user more like new relationship glow .

Liked by yourusername, lecleaire & 43,384 others.

formulagossip wave of exes this weekend 👀 joão félix (portuguese fc barcelona player) also known as the ex-boyfriend of magui corceiro was spotted at the red bull garage.

user damnnnn

user guys i lowkey ship joao and y/n

user y/n, lando, joao but no magui..

- user lmaoooo literally we need her here to connect them

user y/n liked ??????????????

user WHY IS NO-ONE TALKING ABOUT Y/N LIKING THIS POST

user i get u y/n

user ooooh she likes barca players

user chat i need him

user f1 & barca.. my two worlds colliding

user a smell a new couple

- user if delusional was a person:

Liked by joaowow, barcafangirl69 & 25,856 others.

formulagossip y/n y/l, ex-girlfriend of lando norris liked our post regarding the portuguese fc barcelona player. the two have been following eachother for a few months and even spotted at some events together (via a fan who messaged to us!)

user 🚢🚢🚢

user chaaaaat i ship..

user the upgrade is wild

user i wouldnt be surprised if theyre dating tbh

- user they match eachothers vibe

user barca fangirl x barca player who ???

user ooooh i fear i like this

user girlie is gonna be the ultimate wag

Liked by joaofelix79, landonorris & 2,125,856 others.

yourusername hot summer nights

user joao AND lando in the likes !?!?!?!?!? thats craaazy

user magui caught shaking

user shes so lana coded

user this is so unfunny i need her like actually

- user joao on a second account is that you ??

francisca.cgomes beautiful !!

- yourusername says YOU

- user aint that maguis bestfriend ...

landonorris 😍

- user brother ..

Liked by joaoswifeyyy, yourusername & 1,055,682 others.

joaofelix79 summer 💆🏽‍♂️☀️

user this pic got me pregnant

user woof woof

user y/n liked !!

user not to be dramatic but i think i’m dead

user the kids miss you

user who took the picture ...

user those biceps ...... rawr

user magui missing ouuuuut

Liked by joaofelix79, landonorris & 3,001,885 others.

yourusername bit of this and that

francisca.cgomes #needthat

- yourusername #comengetit

- pierregasly what the fuck .

- pierregasly im telling your boyfriend

- yourusername fyi i read that in a french accent

- pierregasly much needed fyi .. thanks.

- yourusername what was that?? sorry i dont speak croissant

- user BOYFRIEND ?????

user mother is mothering

user wifey, are you cheating on me?

user who's that MAN.

user guys that's me please respect our privacy!!

user i think it's lando tbh..

- user get a grip

user dont ask me how i know this but those are definetly joaos hands

user the aestheticness is so visually pleasing xx

joaofelix79 posted a new story.

(translation : adorable)

Liked by stanloona123, francisca.cgomes & 103,685 others.

formulagossip former wag of lando norris, y/n y/l, is seemingly soft launching her relationship with the portuguese football player, joão félix. the two have been interacting both on and off social media for a while now and its not surprising theres possible romance going on !! y/n posted a picture of a pair of hands which match another picture of joaos hands. it also appears joao updated his instagram story with a picture of y/ns dog. what do you guys think?

user FINALLY . A HAPPY ENDING FOR THEM

user ahhhh thats so cute

user kika likeeeeeeed

user im so happy for them if theyre together

user ive been waiting for this moment

user beyond excited rn

user what the sigma im so happy

user ughhhhhh me when

user blud learned his lesson

Liked by ynsgirlfr1end, yourusername & 2,875,974 others.

joaofelix79 rio de janeiro🤍😍

user THATS Y/NS DOG

user he hay sports

user my mannnnnn

- user hey girlie...

user did y/n take that picture 👀 👀

user looking good

- user its the girlfriend effect

user WOOOF WOOF

user i wonder how y/n feels about the comments

Liked by joaofelix79, francisca.cgomes & 4,214,824 others.

yourusername cats out the bag n stuff

francisca.cgomes AAAAAAAH FINALLY

francisca.cgomes y/n is still mine tho .

- joaofelix79 nuh uh .. ????

- francisca.cgomes YUH UHHHHHH

- pierregasly bruhhh ☹️☹️

- yourusername sorry mr baguette man

user IM SO HAPPY RIGHT NOW

user aaaaaaaaaaaaaah cuties

user anyone notice magui & lando have been quiet for a while

user talk about an upgrade

user anyone else find it funny that kika (maguis supposed best friend) is congratulating y/n for dating joao (maguis ex)

- user and not even a like for magui & lando

user i love the dynamic between pierre, joao, y/n & kika

user fav couple tbh

chattttttttt this is sillyyyyy but yeah hope u liked it xx

[misctf]

Hunting for City Boys

“Ah reckon they went this way!”

Scott could hear the heavy footsteps and thick southern drawl of his pursuers. His back was pressed against a tree and he did his best to control his breathing. How the fuck did it get this out of hand? It started with the damn car. Of all the places for their car to break down, it had to be in the middle of bumblefuck nowhere. No internet signal, no GPS, nothing. Prior to leaving, Scott asked Will to make sure the car was ready to go. And Will reassured him that his father’s fancy BMW was more than ready to handle the drive across the state. Of course, Will insisted they take a shortcut to make better time.  And for what? To get to the cabin before the rest of their frat bros? In hindsight, it wasn’t worth it.

“Oh, Ah see ’im! There he is!”

Scott felt his heart sink. Did they really see him? No... not him. Will. Scott heard Will cry out in pain, followed by a thud.

“Nice shot, Clay. Y’all wanna keep lookin’ fer the other fella?”

“Ah reckon we ought to git this one back to the house. The other fella won’t git too far.” Clay said, “Besides, we don’t want ’im wakin’ up before we get home.”

Scott could hear the engines of their four-wheelers rev up. And soon enough, they peeled away through the thick forest and back to wherever they came from. When Scott peered around the tree, he realized he was alone.

“Fuck, fuck, fuck.” Scott cursed, “This can’t be happening.”

He checked his phone again. No signal. He ran a hand through his matted light brown hair. The chase had left him worse for wear. His jeans were torn from running through the forest, while dirt and small cuts covered his hands. Even his white sweater was stained with mud. He quickly removed it, revealing a tight-fitting t-shirt that hugged his lean body nicely. He sighed. It would only be a matter of time before they started searching for him again. Those two fuckers. They came out of nowhere, driving on their stupid four wheeler. At first, Scott thought they were going to help them. It would’ve been clear to anyone that the two privileged, preppy frat guys had no idea what they were doing with the car. And despite Will being a straight As engineering major, his knowledge on car maintenance was lacking. As was Scott’s. Wasn’t like they ever really needed to learn anyway. But it was too late to worry about that now. Scott needed to figure how to get out of this mess.

“If they have a house,” Scott thought, “They might have a phone, or a car, or some way to get out of here.” He took a deep breath. He could follow the tracks of the four-wheeler back. But what happened if he got there and there were more of them? He sighed. He’d take the risk.

_______

Scott wasn’t sure how long he walked until he arrived at his destination. He spent some time hiding behind trees and bushes as his pursuers resumed their search for him. But somehow, he made it to the house undetected. Unlike the mansion his family occupied, this house (if Scott could even call it that) wasn’t much to look at. The home sits on a gravel path that winds through overgrown weeds and brambles, leading to a weathered structure that looks like it's been standing for decades. Its wooden siding is chipped and peeling, with patches of faded paint barely clinging to the surface. Scattered furniture and empty beer bottles littered the overgrown grass of the front yard.

“In and out. Find Will, find a phone, and bounce.” Scott whispered, his heart pounding in his chest. To the best of his knowledge, those fuckers were still patrolling the forest.

With a rush of adrenaline, Scott stealthily approached the front door. When he got inside, he gagged. The living room is a cluttered space with a mix of mismatched, well-worn furniture. An old plaid sofa, sagging in the middle, sits opposite a heavy wooden coffee table covered in a layer of grime and strewn with empty beer cans and fast-food wrappers. The walls are adorned with faded hunting trophies and old, family photos, framed in crooked, mismatched frames. A faint, smoky odor permeates the air, hinting at years of cigarettes smoked indoors, mingling with the pervasive smell of old wood and dust.

“Fucking pig sty.” Scott mumbled, maneuvering through the old home, “Come on, there has to be a phone or something.” But his search wasn’t all too successful, “Y’all can’t be serious, what kinda folks don’t got a phone?” Scott froze at the sound of the drawl leaving his lips “What the fuck?” He whispered, his voice returning to normal, “Shit, I’m losing it. Focus Scott.”

But there was no phone. Or car keys. Or even a radio. He took a deep breath, gagging more as the stale air filled his lungs.

“Alright, so I ain’t gonna be able to reach nobody. But where on Earth is Will?” This time, Scott barely registered the southern drawl that infected his words. Instead, he found himself focused on the basement stairwell. He gulped, “Maybe Will’s down there.” He whispered.

Scott started down the stairs. The smell that permeated his nose was more intense than the one upstairs. It caused the young man’s eyes to water and he felt like he needed to turn around to get fresh air. But Scott knew he needed to be quick. Find Will, get out of there. Head back the way they came until the got cell service. But his train of thought was shattered when he made it to the bottom of the stairwell.

“Will?” Scott asked, gazing at the figure restrained to the chair, “Oh god, Will?”

“Scott, that you?” The man said in a thick country accent, “Scott, come on now, you really gotta help me out here. Please, I’m beggin’ ya!”  

The man in the chair had very few similarities to Will. Or at least to the Will that Scott knew. Where Will’s toned abdominals once were, a small beer belly was jutting out. His stubble had darkened, while his dark locks had been shaved away and covered with a ball cap. His body hair was more obvious now, leaving him lightly dusted from head to toe.

“Will, good Lord, what in the world did they do to ya?” Scott’s mind raced when he realized he was once again speaking in a southern accent, “I cain't, for the life of me, stop talkin' like this! What in tarnation’s goin' on?” Scott’s hand shot to cover his mouth, but when he made contact with his newly grown stubble, he jumped.

“It’s happenin’ to you too, ain’t it? I reckon it is.” Will mused, “It’s the smell, I tell ya. Gets in your head and messes with ya a bit.”

Scott’s eyes widened in terror. And for the first time, he started to really understand his situation. As he looked down at his own body, he could see his stomach starting to push out into a small gut. Simultaneously, small hairs started to poke out from under his collar.

“No, that just ain’t possible.” Scott whispered in disbelief, “Will, we gotta get outta here, and right quick.” He ran over to his friend and began undoing the binds around his hands. All the while, Scott tried to ignore the itchiness of his new beard.

“I tried to put up a fight too, Scott. I reckon I did. But after spendin’ some time down here, I just went on and accepted it.” Will continued. Scott watched as his friend’s eyes dulled, “Ain’t no need for fancy degrees or gettin’ all dressed up. Just a good ol' nice, simple life."

“Will, listen here, you need to focus now.” Scott said, undoing the final bind, “There’s gotta be a way to fix this.” But Will shook his head and without a second thought, tackled Scott to the ground. Scott looked up at his friend in terror, trying to wriggle out from beneath his firm grasp, “Will! Lemme go, gosh darnit!”

“Well what do we have here?” Scott’s heart sank as he heard the voice of their pursuers flood the room, “Billy! What’re you doin’ strattlin’... Scott?” Clay shook his head, “Naw Scott ain’t a good name for a good ol’ southern boy, ain’t it?” He grinned, “We’ll think of somethin’ but go on now and finish the job, Billy!”

Scott’s eyes widened in terror as Billy nodded. And before Scott could stop it, he found his face in Billy’s rank armpit. The bush of moist pit hair tickled Scott’s nose, and the intensity of Billy’s country B.O. filled his nostrils. He wanted to yell out and beg them to stop, but when he opened his mouth, he only breathed in more of Billy’s stench. For poor Scott, it soon became unbearable. And as the laughter of his captors filled the air, Scott’s world went black.

_________

“We ain’t got all day, Billy!” Scott shouted from the driver’s side, “Git in the darn truck already.”

“Aww Cletus, I’m sure sorry. I went back for the gin.” Billy said, jumping into the passenger seat, “We got a long ride ahead of us.”

“Yeah, yeah.” Scott- now Cletus groaned, “Just don’t be tellin’ me about no new shortcuts. I ain’t too keen on goin’ through anything like this again.” He looked over at Billy, who was chugging the bottle of gin. He sighed, “I can’t stay mad at you though.” Sure, his upper class life was gone. And he could barely string together an intelligent sentence. His vocabulary was oversimplified and any education past the eighth grade was absent from his mind. Certainly, folks from his prior social circles wouldn’t tolerate his cigarette smoking, beer chugging, and crude jokes. Cletus sighed. His life as Scott was over, “Well, Billy, you ready?” His hand slowly wrapped around Billy’s cock and he gave it a few tugs. Billy moaned and bucked his hips, only for Cletus to stop, “I knew that’d get your attention. Besides, you got plenty more of that comin’, y’know. Especially if we go along with what Clay’s sayin’.”

Billy nodded, lifting his arm and taking a deep whiff, “Y’all think they’ll recognize us?” Cletus shook his head. There was no way their former frat bros would recognize them.

“Soon enough, they won’t even recognize their ownselves.” Cletus replied, taking a whiff of his own pits, “Now c’mon. We got a long drive ahead of us.”

[very-d1pper]

inspired by a post from @jamandjazz

How Johnny Cade, Dallas Winston, and Steve Randle are affected by their parent issues.

ok so keep in mind i havent read the book since december (i dont have my own copy) so this might be a bit wrong. im using info from my mind, the movie, the musical, tiktok, and here.

Johnny Cade

so its canon that johnny wouldve ran away if it werent for the gang (starting off strong with dally-johnny parallels OUCH)

the abuse from his parents definitely gave him a fucked up sense on what it means to feel loved

which is why johnny gets along with dally so well, i'll get into that more in dally's part

he 100% thinks that the entire world hates him except for the gang

someone said that he is so sweet its sick, not true. the abuse definitely toughened him up enough that he will be mean to strangers

he canonically is somewhat responsible (going out to the store to buy supplies and giving ponyboy a note)

im saying that because im pretty sure pony says something like twobit and someone else in the gang would forget to buy something johnny remembered

johnny learned that from having to live out on the street sometimes when his parents fought or kicked him out for multiple days

he is the living definition of forgive but never forget

he just wants a home

i personally hc that the abuse started as johnny grew older, maybe when he was 6-8 years old

which is why johnny (especially in the musical) still cares about his parents

because he remembers that they WERE good people

and he hopes to bring them back eventually

Dallas Winston

oh this man...

ran away from his problems. thats canon

his mom died when she gave birth and thats why his dad is the alcoholic deadbeat abuser he is

the abuse from his parents gave him a fucked up sense on what it means to love

which is why he can talk to johnny so well because johnny is used to the type of love dally gives

he 100% hates the world except for the gang

the abuse toughened up both johnny and dally, the thing is dally grew up with it, johnny was raised with love at first

also dally's environment in ny, that place is rough in many areas

tulsa doesnt have that, at least not on the level of ny

he's rough with everyone because thats what he learned

Steve Randle

UGH THIS MAN BRO

screw u se hinton for giving us NOTHING abt him

anyways!!

the neglect sooo fucked him up

then his dad giving physical money for forgiveness?

hell nahhh

steve definitely felt like he cannot be loved without paying someone

like with real money

which made him feel unlovable because he's like broke as fuck

soda was the first person to show him what love actually is

his mom uhh eloped to wherever after steve's birth ig idfk

steve thinks everything in the world comes with a price, even an ounce of love

i literally cant think of shit for this man rn

All Three

accidentally trauma bonding

johnny mentioned something then both steve and dally said "same"

genuinely concerning from an outsider standpoint but really funny to them

if it was modern au darry or soda wouldve sent them to therapy

one time johnny got kicked out and went to the curtis house and found steve in the kitchen

j: "kicked out?"

s: "...yeah"

j: "same."

then dally walks in

d: "bottles got thrown at me in buck's place"

j: "ptsd?"

d: "no-" *remembers he's with two people who had it happen to them* "...yeah"

j and s- "its good."

johnny convinces them to do a cuddle blob thing (the gang's done them before)

darry wakes up and see them, doesnt comment but remembers for blackmail

[fortemelody]

AHHHSHFBTKFNTLFKGNFMDM SONIC 3 TRAILER SONIC 3 TRAILER SONIC 3 TRAILER IM LOOSING MY SHIT RN

here’s some things i noticed/wondered/loved:

- i think in that scene where tom is on the ground yelling for sonic, he is wearing a special forces suit. maybe he upgraded from cop to working with gun?? if so i think that’s a really good use of his character actually! he wanted to save a life and raise a family above all else yes, but he still got his previous dream of doing more serious cop work!

- shadow just. has a big ass portal?? like holy shit he’s just suckin the life outta earth and ig that’s one way to do it (or maybe it’s just a ring and i’m stupid idek)

- i’m sure we’ll learn more about this in the actual movie so i’m not too worried, but i’m super confused at the very beginning scene. apparently sonic didn’t change his heart…but he did tho? like he learned what being a true hero meant in the last movie. tbh i feel like that’s enough but hey i’m not against more character development for our boy so!! (also that bit where he’s like “in my lungs” was actually really funny to me, ben schwartz’ awesome delivery caught me off guard)

- GERALD ROBOTNIK ALIVE HUUUUH?! tbh i would’ve preferred if maria was alive, i feel like that would be an interesting dynamic. but also ig that would make it harder for shadow to learn anything so i totally get it. anyways i’m just glad they’re putting a little twist on the story, it keeps it interesting. they already sorta did that with the knuckles and iblis thing actually! (even if that show sucked ass and although that probably wasn’t intentional 😭)

- even tho bro only got like… 3 lines, i really think keanu fits shadow. he’s very soft spoken in comparison to the rest of the case which feels nice. also he’s like the “really bad” guy so ofc he’s not gonna be yappin on and on like sonic or robotnik and he’s gonna take things uber seriously.

- where was my girl maddie :( i think she was only in like a singular frame. hope shes in the movie a somewhat significant amount. i heart pretzel lady!! could live without wade tho like pls im so sick of his bowling soap opera 💀

- FAT ROBOTNIK FAT ROBOTNIK FAT ROBOTNIK!!! after fucking 3 movies they finally fulfilled jim carrey’s wishes!! let the man get creative like please i love jim carrey sm aughdfhfnfmschxj. also love how we got so much stobonik content within that short scene like jesus come get y’all’s food

- shadow at one point says something along the lines of “when we’re done, there won’t be anything left.” maybe i’m reading WAY to into this but what does the “we’re” part mean?? is he working with others? i feel like this is either gonna be team dark or some new movie exclusive character(s). edit: someone made a valid point that he’s actually probably referring to gerald (look at reblogs!)

-CHAO!!!!!!!!!!!!!!!!!!!!! lowkey wonder if the room therye in is like an amusement park or somethin like that

- no sign of amy :( but honestly my prediction now is that she’s gonna be the post credit scene teaser cus they always do a new character reveal there. first tails, then shadow. and honestly now i think it might be better that way so shadow can have a chance to breathe and show his story in full. i’m pretty sure i vaguely remember colleen (tails’ VA) being kinda mysterious about amy’s appearance when asked, and also the fact that it was confirmed that this isn’t the end of the movie franchise/universe. but ig we’ll just have to wait and see!

so sorry i stated this yesterday morning to give my initial thoughts but then got busy and completely forgot to post/finish it. and today i started (and am close to finishing) a very long edit of the trailer, so be on the look out for that too!

genuinely i feel like this movie is gonna somehow be even more record breaking than any of the previous movies and i am so here for the hype 🙏

[briliantlymad]

Smth smth it's all about letting go but im not gonna lie I feel like wanting to write an anakin not going off the rails having a mental breakdown through palpatines manipulation. Palpy is like. I can teach you force techniques you don't know about and anakin is just like???? You're not a medical professional tho??? You don't have the force chancellor palpatine I think you've had too much wine tonight at the opera. Let's get you to bed.

But he's also not going to take any chances because if there is some force technique he's going to learn it himself. and instead of spending time with palpy he's searching up the jedi library and making his way through all kinds of other dubious sources. What's mastery over death if he's good enough at healing that it never gets to that point?

Council be like: Where's knight skywalker he's gotta go protect this planet with the 501st.

And anakin Walks into the council room manic vibrating out of his skin after having 10 cans of energy drinks: do you know what I need to do to knit someone's skin back together? Do you think I could intern with the healers for a few hours? I think I've figured out how to make the human body regenerate entire organs but it's the useless stuff like the appendix. Can I have access to some sith books I know yall have locked away in the vaults??

And the council :

Just. He's still sleep deprived, hes definitely losing his marbles a little cus his new hyperfixation is healing techniques, bros learning anatomy till 5 am in the morning and healing troopers through sheer force of will by the end of the next battle. Learns how to control the flow of the blood so he can stop bleeding from major arteries while one of the medics stitches people up.

Anyway he's basically so pumped up about his newfound knowledge he forgets about palpatine completely until palply gets impatient and pokes at him hoping to push anakin over the edge but all it does is make anakin run to the council, cus how the fuck does Palpatine know about his visions and nightmares anyway???????

The council goes to confront him. Only this time, anakin doesn't give into his urge to defend palpy cus he doesn't need him anymore.

Mace gets house arrest as a sentence for killing palpy without trial but he's like: jokes on you mfs I like the temple and I didn't wanna leave this place anyway.

Padmè gives birth, it's a pretty safe delivery, she gives birth at an actual well equipped med centre, the twins were a surprise but anakin doesn't get to use his skills which he mopes a little about but then he's too distracted by his kids' big eyes

And they all lived happily ever after ♥️♥️♥️

[pathetickuroo]

fukutora hcs bc theyre funny

- fukunaga shohei #1 lover of badddd bad bad bad movies. terrible films. not good. we're talking sharknado snakes on a plane willys wonderland velocipastor that one thanksgiving slasher film that i cant remember the name of rn (dont think abt the mechanics of it being a thanksgiving movie too hard). generally not a movie enjoyer i think but most certainly clocking in for shit that is Not Good

- tora is baffled every time but definitely not opposed to it (this guy loves cuddling on the couch i think he hits the fake yawn arm around shoulders maneuver like. regularlyyyy and fukunaga doesnt even pretend to think its silly anymore)

- "shohei this movie doesnt even make any sense" "🤷"

- tora the hugger from behind of All Time he is finding any possible excuse. "u look cold" or "makin up for lost time" or "i have practice in an hour plsss plssssss just let me have this PLSSSSSSS" (he uses that one in particular a lot) (fukunaga wouldnt have said no in the first place) (he thinks its cute so he doesnt say anything abt it)

- repressed-as-hell hs tora did not quiteee know what to do w whatever tf he had goin on so he didnt get the guts (ha) to say anything until a couple years after graduation (which he then said over text bc yokohama -> tokyo = long distance)

- fukunaga conveys thoughts in as few words as possible (which is fucking awesome btw if fukunaga has no fans it means ive died) BUT in order to preserve the meaning it sometimes takes a second to respond

- tora did Not have a good time attempting to navigate this when he was trying to confess

- bro immediately started freaking out to yaku "DUDE WHY DID I DO THAT THAT WAS SO STUPID" "omfg its fukunaga give him a second. impatient ass" "I THINK IM DYING" "jfc"

- meanwhile in tokyo fukunaga was staring at "i rly like u dude" trying to figure out if tora meant like (homie) or like (w/gay intent)

- fukunaga only ever calls tora by his full government given name when he is Displeased. tora used the pan he needed for dinner tn so now he has to wash it? taketora. tora rearranges his living room w no warning? taketora. doesnt even say it in a mean/angry tone or anything j matter of fact as all hell. honestly i think if fukunaga was ever genuinely angry abt smth hell would probably freeze over

- tora does get extremely pouty abt it tho. "shoheiii what did i do :(" "the pan" ".......OH FUC—"

- when tora first moved to yokohama he got a cat bc of course he did he graduated from nekoma. tf else was he supposed to do, get a dog? (maybe in the future)

- very very fluffy very cute very sweet tuxedo girl. her name is "destroyer" (yes really) he calls her badass on the reg and she is sooo cuddly w him. fukunaga finds all of this extremely funny

- in fact when fukunaga starts visiting suddenly destroyer doesnt gaf abt tora anymore. worse than pain of death in his opinion it is So Not Fair. first thing fukunaga does after he meets the cat is send a pic to the old nekoma gc "top 10 cats that like me more than they like their owners" tora throws a pillow at him "i RAISED her from a BABY" "did u rly" ".....NO BUT IT AINT RIGHT"

- after theyve been together a few months toras thinkin abt how fukunaga used to Never Talk Ever and he makes a joke "ha i guess i learned how to speak BODY language am i right. right shohei. thats funny right"

- fukunaga calls him taketora for a week. tora retires that joke permanently and they never speak of it again

- tora morning person fukunaga not-exactly-a-night-owl-but-doesnt-love-being-awake-at-5:30 person. one time fukunagas in yokohama for the weekend he wakes up at 6 annoyed as hell (tora got up at 5 and left for a run) bc wtf his pillow literally got up and walked away. falls back asleep wakes up again at 10 tora made not only coffee but pancakes too AND heated them up for him hes immediately like ok nvm this is fine actually no complaints (<- still gets annoyed when his human teddy bear ditches him)

- TORA BABE SAYER. hey babe thanks babe i missed u babe. but it took him foreverrrrrr (forever) to get comfortable actually saying it instead of thinkin inside so there was also (and still is) a lot of dude (romantic) bro (romantic) man (romantic).

- fukunaga doesnt like saying pet names or anything (but to be fair does he like saying ANYTHING most of the time) but does not mind being called them at all (that's a lie he thinks it's awesome and so so so sweet but when tora asks if it's okay he says he doesn't mind)