#but its not what i want to be referencing when im trying to draw
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dromaeo-sauridae · 9 days ago
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natural history museum sketches. the bison was the last one i did and you can tell lol
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skitskatdacat63 · 11 months ago
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Orb...
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+ process kinda
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blue-jisungs · 8 months ago
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soft-hearted jealousy
#author's note ... i love wonwoo so fucking much did i ever guys tell u that. anywho this one is for zanzan bc i got inspired when we watched the kode ep <//3 and big big biiiig shout out to my beloved @l3visbby for proofreading <3 love u mother
#summary ... you're a little jealous of wonwoo n kerias frienship<//3
#word count ... 986
pssst the fic is referencing this cute vid:( wonwoo looked so good in it btw like what the actual fuck. also keria is my height and i fainted when i saw them hug bye
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the door opened with a soft click and then all you could hear was soft patting of wonwoo’s footsteps against the wooden floor. 
sighing, you switched youtube to instagram and tried to act unbothered. but how could you? a reel of a new video featuring your fiancé popped out. a video you have just watched and it made you… a little jealous. 
“bedroom?” wonwoo called, trying to locate you. 
“yea” you hummed back, loudly enough for him to hear you. scrolling down, you noticed another reel. 
the love of your life with a cute, gamer boy. 
puffing your cheeks, you decided to exit instagram as well and check if you had any mails or texts. 
wonwoo entered the room, a small crease between his brows. 
“is everything alright, darling?” he asked, voice smooth as honey. which pissed you off even more. how dares he sound so attractive when you’re mad at him? 
“yes” you grunted a little too sulkily, drawing his attention. 
“oh really? because you didn’t run up to me once i entered the house” wonwoo teased and walked up to the bed, stretching his arms. you lost the battle with yourself and watched him, biting the inside of your cheek. how could one look so good in a plain white t-shirt and jeans? 
“yeah, im fine. how was your day?” you sighed and looked away once you saw he noticed your gaze. with a small smirk, he laid down next to you. the mattress dipped under his weight but that restored the balance – it somehow felt empty when he wasn’t there before. 
“it was good. me and mingyu did a live… i talked to my new friend… we might play a bit today” he answered, eyes tracing your face “oh, the video is out! did you see it?”
you hated how excited he was. and how much you liked it. keria is… 
“cute. i liked it” you mumbled and turned his back to him, fighting a smile. this is ridiculous. 
but it’s just not fair that wonwoo looked so handsome in that video and threw some flirty comments. he was so cocky in it too… 
“cute? yeah, keria is so adorable” wonwoo chuckled and you looked at him through your arm, shooting him a glare “what? what is it?” 
“nothing” you grunted. wonwoo’s lips broke into a grin, finally figuring you out. 
“something is clearly wrong. come on, talk to me” he purred, his hand sneaking its way under your t-shirt. 
“you looked good in the vid” grunting, you tried to surpass a smile. the warmth of his skin on yours sent shivers down your spine but your tried to remain calm. and not fold. 
“really? thank you, darling. keria said he liked my jacket” your fiancé hummed and leaned a bit closer, fingers tapping gently against your ribs. 
you couldn’t control the huff that left your lips. 
“we got along really well, i like his company. he’s so sweet” wonwoo continued to tease you and apparently that did the trick. 
“if he’s so sweet why don’t you date him, hm?” murmuring, you tried to hide your face in the pillow. wonwoo’s fingers ghosting over your skin in a circular motion made you melt, making it impossible not to crack.
“oh?” 
“forget it. go play your stupid games” you scoffed and wanted to move further away from him but wonwoo was quicker. he pulled you closer, calloused hands resting on your hips. 
“are you, perhaps… and i might be wrong here… jealous?” wonwoo’s cat-like adorned his features and you turned around, finally facing him. ebony eyes looking at you with amusement but also love, so much love, in them.
“yes, you’re wrong” you finally broke and cracked a smile, poking his buff chest. wonwoo tenderly grabbed your hand, placing it flat against his chest. his heartbeat softly drummed beneath your palm, making heat rise to your cheeks.
“come on, you know i would never…” he started and you shook your head. 
“it’s stupid and not that serious” you whined, covering your face with your other hand “it’s not the way you were… so flirty… and charming…”
“oh, pretty” wonwoo laughed wholeheartedly, the warm sound of his laughter bouncing off the walls of your shared bedroom. 
you leaned closer and hid your face in his chest, the smell of cologne filling your nostrils. his tender hands moved to the back of your neck, massaging it gently. 
“i made my angel jealous… by talking to my friend?” wonwoo sighed dramatically and you could hear the smile blooming on his lips. 
“it wasn’t just talking! you were so flirty…” your voice was a bit muffled by the material of his t-shirt “or i just… don’t know. you were really something that day, you know? so what if i’m a little jealous, i just don’t want to share you with the world… that much” 
wonwoo’s heart skipped a beat and he observed how you raised your head up. eyes meeting his, cheeks dusted with pink. you were so cute like that… cuter than keria. 
“can i make it up to you?” he hummed, hands trailing to cup your face. 
“a kiss. and no flirting with others, even if it’s a cute guy” you pouted and wonwoo leaned, capturing your soft lips in a sweet kiss. 
before you had a chance to deepen the kiss, he leaned away with a small frown. 
“but you do admit he’s cute, right?” your fiancé asked and you smacked his chest lightly.
“i wish we could adopt him” you laughed, and a grin formed on wonwoo’s face. 
“i’m afraid he’s a little too old for that…'' hiding his face in your hair, you decided to wrap your arms around his waist. 
“he’s 21… still a baby…” you huffed and shortly after, the sound of your laughs mixed in harmony. you guessed you might forgive him, it wasn’t really serious in the first place. 
masterlist <3
taglist. @mirxzii ,, @primoppang ,, @l3visbby ,, @nicholasluvbot ,, @planetkiimchi ,, @weird-bookworm ,, @slytherinshua ,, @kazmura ,, @laylasbunbunny ,, @mon2sunjinsuver,, @eternalgyu ,, @rubywonu ,, @haecien ,,@mine-gyu ,, @nonononranghaee
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bitchslapblastoids · 2 months ago
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Prompted by your post about dnp inviting audience interaction: it /is/ really brave, and so interesting! I haven't been watching them for long at all and one of the biggest things that just drew me in and deeply fascinated me about them is how so much of their work (not just on stage) is in some way a conversation/interaction with their audience and the more you watch the more you notice it. No wonder its easy to be parasocial about them and about the Phandom itself!
To me, at least, they seem to be the sort of performers/creators that need a relatively high level of audience interaction in order to be inspired or for their work to feel meaningful. Like, im absolutely sure they could also create things without this close relationship with their audience but it seems to be what their naturally drawn towards? Obviously the problem has been in maintaining boundaries within that but it seems like that's going better now than at some points in the past, which makes me really happy for everyone!
Sorry about the long yap, this is so interesting to me and I just needed to express it a little
(original post referenced) yes!!! i love this!!! so beautifully worded! no need to apologize at all - i am in such hearty agreement and actually think about this so often. i think the engagement with their audience is their superpower, and it runs so deep. what was one of dan's favorite things about phil before he met him? phil's interactive adventure videos, in which he was creating an interactive experience for his viewers.
when they film pinof1 together, what are they doing? they're answering an audience-submitted q&a. the audience interaction is literally baked into their foundation! <3
2010, dan's uni dorm. what's displayed behind him on his wall? art and letters sent to him by viewers. he films danmail vids where he opens and reacts to said art and letters and personally thanks the senders.
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for years and years and years, what's at the end of every phil video? fanart! draw phil naked! (in retrospect literally so weird lol but shhh)
the ongoing avalanche of vyous and younows and tumblr reblogs/follows and responding to yt comments and retweets and and and. so much interaction. the videos directly engaging with twitter and tumblr creations. they see us, they know us, they get us.
their first book? included a double-page spread with dozens of pieces of phanart.
every single one of their tours has multiple essential audience interaction components, and even more brilliantly, with multiple different access points that are perfectly calibrated to their audience. too shy to speak up? send in a submission ahead of time. want to be a part of the masses? shout something out during the audience participation segments! and there's always the likelihood that they'll include fanart in the show itself, casually mention an actual actively popular fic, throw in an ancient phwedding manip, or just build whole segments of the show around our tropes and the world that we created with them. all of that keeps things exciting and engaging on stage, bc you never know exactly what's going to come next. but it also keeps their audience feeling seen, valued, and like co-creators in a way.
When you look at the other britcrew and big yters from the 2010s, they simply weren't generating that ongoing, authentic conversation with their audiences. their approach followed the simple format of: i post, you watch. and then it became: i post, you watch, then i try and sell you something while i call you my 'community' because you are all watching me and sometimes you talk to one another in the comments. but it's not like zalfie or joe and casper etc. were chiming in on the convos too, or at least not in any meaningful way. it wasn't a community in the same way.
dan and phil truly built community. i think communities require mutual exchange, communication, a sense of value and worth, commonly agreed upon truths, shared experiences, touchstones of connection, and leaders who have integrity. i know this is all starting to sound a little lofty, but i really do think dan and phil are good humans who have worked hard to wield their power and influence responsibly and compassionately. they set the tone for us, constructed this world, paid attention to what landed for us, how we responded to things, everything that we were up to in response to what they were up to. they listened. they made us feel seen and celebrated and appreciated, and in turn we continued to celebrate them. they created weird inside jokes, we adopted them, then we all shared the weird inside jokes. they existed, we created our own language and lore and encyclopedia in response, and now there's a whole stage show about it.
that's how you get people sticking around for 15 years. that's how you get people to actually want to spend money on you. and yeah, some more boundaries at times couldn't have hurt. they fostered a sense of proximity and entitlement that obviously put them in harm's way. but i'd say ultimately what they've manage to do has been a net good for them and a tremendous success.
you raised such a good point that it seems to be what they are naturally drawn towards. i think it's because they, too, were fangirls. phil was writing buffy fic. dan was running a lost wiki. they both understood the power of online fan community before they were the titans of their own. they get it, they get us <3
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ravewing · 6 months ago
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can you do a style tutorial?? dude there's geniunally nobody else who draws like you, your art is so poetic and divine, it's inspiring
WAAA THANK YOU ANON OH MY DAYS ??? genuinely this is one of the nicest compliments ive ever received on my art omga what .
im not very good at explaining things but eem ill try !!
i feel like one of the biggest things is the sort of sketchy/messy vibe .. i use a super tiny brush ('digital brush' on ibis (its a premade lol) on size 1-2) and kind of scribble scrabble sometimes .. i also dont do lineart, i cant be bothered to do allat so i just clean up my sketch using an eraser !
i also stay away from using curves and instead try to use as many straight edges as possible if that makes sense .. also arbitrary lines in the drawing are a must . i think thats one of my fav parts of drawing :)
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when it comes to coloring and rendering, i start by adding a darker, slightly more saturated color for shading, then blend it out with a midtone, do thr same for lighting, and then i add details !!
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ive also been told that my usage of warmer tones is recognizable, and i achieve that by playing around with the 'color balance' filter on ibis until im happy with the results
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for shading, i use a dark color (anywhere between blue and red, depending on the character and environment) for shading and a light yellowy color for lighting on an overlay layer ! then (also on overlay) i use those colors to add more arbitrary lines and scribbles
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here i kind of tried to break down my sketching process, idk if it makes sense or not tho😓
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my current artstyle is the result of six or so years of constant drawing and growing and experimenting !! experimenting with your artstyle is a huge factor in allowing it to evolve as well as for you to find what works the best .
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referencing/figuring out how specific artists that you like achieve their artstyles is super good for experimenting !! in 2021 i was a huge fan of bellasaurus and animatedwings, so i referenced their art a lot, picked out what i liked, and incorporated it into my own style :)
i didnt include humans in this because im not very confident when drawing them and still have to heavily reference things lol .. maybe another day
overall just have fun and go with whatever feels right ! below ill attach some of my art pieces broken down if you want to use them as a reference
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nastyburger · 2 years ago
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Please say more about the awful Asian designs in Danny Phantom. I'm not Asian but I'd love to have a rundown on the elements that make them offensive so I can avoid and critique those elements in other works. And also you deserve to speak your mind about it
im gonna mostly talk about southeast asian designs since thats what i am and the most familiar with and also what i feel are the show's worst transgression with their casual depictions. tw for racist imagery im gonna link pictures.
there's not much to say about the designs aside from, you know, everything but things to note are the unnatural yellow tone for the skin and closed slanted eyes. veggie burger (fan name for the bg character in the middle) also suffers from the huge nose that sometimes shows up in racist depictions. the straight edge/cut hair as well is somewhat stereotypical. this one isn't as bad but in conjunction with everything else its not ideal. i will give the smallest molecule of credit that at the very least dp never gave any of these bg characters buck teeth.
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some depictions are better than others, but theres still missteps happening in one aspect or another. kwan's eyes in a lot of shots/episodes can be too skinny and even too slanted, the girl in the middle is almost perfect but her skin is too yellow (she looks kinda okay on my computer screen but i remember when watching dp on my tv she looked real brightly yellow), and principle ishiyama (who was weirdly forgotten about pretty early on in the show and was replaced by lancer doing most of the school stuff despite not being principle?? which is a whole other issue with how dp treats its poc characters) the same usual notes about the slanted eyes but also the upturned nose is pretty reminiscent of racist japanese art during ww2. again it is not the worst way to draw a nose but combined with everything else in this show's depiction of asian characters its not great, they are on thin ice man.
not to mention, principle ishiyama is the only character here with brown eyes. this is a problem that extends to all poc characters in dp and to my knowledge i think ishiyama might be the only one with them tbh. this is, again, a whole other issue though.
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i think the thing that bothers me most about these designs though is that dp is very clearly aware that these depictions are bad. the only difference between the first set of characters and the second is one singular thing: they have a clear speaking role.
suddenly when theyre not stock background characters, dp knows how to act when drawing them. i cannot for the life of me find the image of it, but the last jock guy in the first set gets a speaking role in reign storm (he's cosplaying phantom) and he is drawn with proper open eyes! (theyre also blue but whatever) it just makes me sad that this was a clear choice they made.
the show also went in a different direction in the final product, but early development stuff was really drawing from a lot of japanese/asian influences like danny was originally gonna have a motorcycle (pulling from ghost in the shell) and was even referenced in the show via the akira motorcycle reference (which i once again, for the life of me, cannot find. danny took johnny 13's motorcycle and did the classic akira slide i think it was in million dollar ghost?? idk whichever one where the giw are trying to blow up the ghost zone). danny's name was originally gonna be jackie, named after jackie chan, this i assume was given to jack fenton afterwards. and i think the show having a more martial arts direction with the action was also gonna be a thing? that one could be wrong dont quote me on that, there was an episode where danny and vlad have like a weird ninja fight though im pretty sure.
either way my point here is that they wanted to pull from all these influences and it was prominent enough during development that they sprinkle references to it throughout the show and yet their portrayal and treatment of asian characters in the show is so abysmal it just feels Bad™, you know? i cant really put it more eloquently than that, like its very take and no give with it.
it overall just puts a bad taste in my mouth, and its sad that it still affects people years later. like i mentioned in the tags of the post that started this discussion with that whole old trend of putting yourself into the bg of dp screenshots, i felt alienated by that. and its not the people who participated's fault obviously but most of the people i saw participating were white fans (going off of how they drew themselves) and it made me a bit mad that they were able to enjoy the style of the show in a more carefree manner than i ever could. i didnt want to ruin anyone's fun obviously, but a small part of me wanted to bring to light how i wasnt on equal ground with them in that situation.
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wewerebornsextuplets · 8 months ago
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idk how but you draw in the Oso-san style so good i need to know your secret please
HAHA thank you very much!! im glad you think so :D unfortunately im not very good at explaining how i work, but ill try my best to show what i mean!!
once again this is long as hell. you know the drill at this point
to be honest, half the battle i fight with drawing in the osmt style is just. Looking at it. the ososan art style actually fluctuates pretty wildly depending on what you're looking for, whether that be the mobile games (for instance, tabimatsu and hesowars look nothing alike in terms of style despite both being the same source material), official art and merch, or even the seasons of the show itself!
using ichi as my example here since i draw him the most, but its pretty easy to play spot the difference with the varying styles. even within a specific season you can do this across episodes, especially with season 1!
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when i draw, i tend to be a bit sacrilege and use references across different media; usually ill use the show [especially season 2, if only because its a bit more "uniform"] as reference for the actual features and colors/poses/etc, but i like to use hesowars to reference proportions, since they seem to be most consistent there.
SOMETHING IMPORTANT TO NOTE: theres a WEALTH of fanartists that have styles that are INCREDIBLY similar to the show, so be careful to check your sources! these artists deserve credit for their hard work, which they often don't get since their work is reposted under the guise of being official art.
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once you've pinned down the exact style you'd like to emulate, and the character you're looking to draw, its really just a matter of finding references, which is pretty easy! you can scrub through different episodes for good angles/shots, or if you're going for one of the game styles the AU wiki has most of the games catalogued to my knowledge. if you're looking to draw an oc, use characters you think they would look similar to in the show. if you really wanna waste your time, though, you can always scrub through crowd scenes in the show to see if any background characters might look like what you're going for; the season 3 episode Mt. Takao comes to mind, there were a lot of cute mob characters there.
using keiko as my example here, you can see that i pulled her features from multiple different characters to get her to look right in the style. with ocs, its important to reference a number of different characters, since the likelihood of a background character being a 1:1 for your little guy is unfortunately pretty low. there WILL, however, be a lot of characters that look KIND of like them. the key is to figure out what parts go where!
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to this point, most prominent ososan women have very similar stock anime girl faces with very minor differences, so if youre looking to make a cute girl oc, most of the womens' faces can be used somewhat interchangeably. if you want your cute girl oc to have a more unique face, though, the movie gave us some women with more unique faces in the form of the NEETs' old classmates! theres also no harm in referencing male characters faces in this regard. #butchswag #kiruminikuya
BUT. going back to the assumption that you're drawing a canon character, today I'll be drawing oso for my example
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when you're first getting a feel for the style, tracing some of your references can actually be a really great way to acclimate yourself to the characters proportions and features. think of like when you were a kid, and would trace over pictures of pokemon or cartoon characters so you could draw them better. its basically the same principle! this was especially helpful for me when it came to eyes; they vary the most wildly of any other trait that characters have in ososan, so going over the different shapes to get a feel for each of them was very important.
when you trace, though, I recommend doing so a bit more loosely, sort of like if you're doing a photo study for anatomy; block out the basic shapes and do small markers for different features (i.e small lines to denote where the eyes start and and, distance from nose to mouth, things like that), and from there draw the rest on your own.
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after long enough you'll get a feel for the basic placement of where everything should go! the eyes and nose are undoubtedly the hardest when it comes to the sextuplets, since they shift around a LOT between games/seasons/etc. so don't feel bad if you have a hard time with that, since there isnt really a "right" answer with how frequently it changes. i still fuck it up all the time myself!
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as for some basic tips, heres some stuff i try to keep in mind when drawing them that just helps the finished product look a bit nicer!
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when drawing the hair + fringe line, its important to swoop it downwards a little bit; the flat across look Can work, but if you're not careful you risk showing the tops of their eyes, which is um. ew! ick! nast!
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when a matsu is facing forward, their hair will usually tend towards one direction to keep the silhouette. in most screenshots i saw, the bowl cut points left! that said, dont be afraid to point rightwards if its better for your specific drawing!
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and lastly: USE THE LIQUIFY TOOL. LIBERALLY. i am not joking when i say this has saved my ass so many times, its hard to get the placement right on the facial features and even harder to get everything to LOOK good, so if its available to you i HIGHLY suggest just squishing everything around with a liquify tool until it looks right. you can always go back and correct the blurry lines. its really a life saver
BUT YEAH! i dont know if this was very helpful but i hope you're at least able to gain something from it :-))
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soureggs · 8 months ago
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I want to say my opinion on the btd gomenne gomenne fan game , i basicly have no leg to stand on but this is just my view on it
Controversial opinion but
I DONT think anyone is wrong realy in this situation,both sides are vaild.
°its very muddy and ppl try to bring in topics i DONT understand????
*I think ppl often forget alot of the Loud minority of gatos fanbase has sorta parasocial relationship with her since at one point gato was very active in her fanbase offten answering questions on the spot and constantly liking fanart and leaving comments, something not alot of creator's do ( i know the creator of sally face interacts with their own fandom too!)
But bc gatos fanbase is so niche the small amount of ppl assum she approves of everylittle thing or knows about every protect/merch ect She doesn't , it apperse to me shes often the last one to hear the news. If even(?)
( somewhat un related but im using this as an example bc its recent) vvvvvvv
// Very recently a merch creator/ seller said that her version of ren was a. l%li-con and there was some ppl who assumed gato was okay with this. She wasn't lol- i mean gato said multiple times kids DONT even exist in the games plot, BUT because gatos so lenient and open to head canons /spins on her characters thoes ppl assume she approved it \\
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Its also very hard when you make a character and then a person starts writing them using their own head canons or having alot of out of character moments
And a STRANGE AMOUNT of thoes ppl thinking its canon or cant get THAT version of your character out of their head/ fan art /wrighting untill eventually its a fanon
Even WHEN a fangame is a perfect (like said fangane) because one person dose it , some ppl with bad intention will use this as an excuse to make a upsetting fangame and wont REALY get in trouble.
Hell even ppl with good intention could do the same and completely miss interpret the characters yk??
Veteran btd fans saw this years ago -
IM NOT SAYING THE FANGAME CREATOR WOULD EVER DO THAT OR ANYTYING WITH BAD INTENTIONS! :0!! There art is grate and im sure they are LOVELY!
But keep that in mind with Everthing i said above how it might be a reasonable personal rule to have in such a small fandom. Especially if she had bad passed experiences
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I think ppl misinterpret her words, not out of malice ! Im sure of it! , but (creating your own game based off my work) is much different than
(Creating a game using my characters and or plot or story)
I belive she ment ( you can make your own muderp%rn dating sim) like courten cowboys or lurking for love , lovers trophy , etc etc ! Maybe her wording was a misstranlation ? Or misinterpreted? , im on the spectrum so i have that problem too sometimes ! And Especially since gatos so flexible and vague its easy to missread /gen
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To be Inspired by a work dosent mean to use the characters or plot, just like referencing when drawing ! Example, OFF and undertail was Earthbound inspired but they both dont use any characters ect OVER THE GARDEN WALL Was inspired by Dante's Inferno! But its not the same characters pulled out and used
I hope that helps/gen
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I personaly believe stuff like that , what happened before and even in other fandom is why gato has that particular rule about not wrighting her characters at length. Not wanting to take the risk of someone miss using her characters again! /lh
I think its odd that ppl can Wright about sans undertail doing some weird ass shit and ppl dont scream about how toby fox approves of it . but they do for gato for some reason? ( if you could let me know why pls do ! )
" well ren was giving to gato so its not even hers"
That argument is silly to me, ren was giving as a gift, when you give a present to yourfriend is it yours anymore?? When a person buys an adoptable is it still the sellers?
Its not like gatos shy when saying she didnt creative ren, she was given him and modified him and still lets ppl know she didnt crate him .
Some of them use that as a talking point to say that said fangame creator is fine using that character in particularly as if hes free use, i DONT understand as someone who sells characters /designs(?)
( if you could explain i would appreciate it!)
The fangame devs are very talented the game seems fine from what i hurd! They did take creative liberties but its still very much gatos characters, I think they where respectable with them even in the contex of said game! . But i find it weird that the post says fanart for their fan game is appreciate ( at least in the English post i found prompting it) fan art of a fan game is confusing and i see how some ppl might mix the two up! Know?? like what would even be the tags? 'Sorrysorrybtd?' :0 So i can see how that could be another reason for the rule!
°I acknowledge and am so grateful that the artist. And devs worked so hard on the game and assets , im sure alot of ppl are as well! And im 100% sure it wasn't their intention to upset gato or anyone in that matter at all!
they are NoT obligated to apologize, maybe not make a second game out of respect(?) But thats their prerogative! They can do it , they wield the power yk?
BUT HARASSING ANY OF THE DEVS INVOLVED IS SO so so WEIRD???????
And making dramatic posts about it as well - it just rubs me the wrong way. Especialy using this as a opportunity to disrespect gato and ONE of her only rules she has for this very odd ( positive) fanbase. its kinda a little silly in my opinion . NOT to mention harassing the other game devs - this might make them not want to make any other games at all in the future ! D:
Please know i dont mean anything in this post to be upseting or malicious in anyway, i honestly think no one this fangane drama had any bad intentions or would do anything to upset anyone on purpose! I know its very high tension. And i would be upset too if a fangame i worked SO hard on with characters i love was met with disapprove instead of praise. And this is to say -this could have ben done better on gatos part. Thos could've ben done in privet imp
BUT im not gato , im not the other devs. im not in the positions to say ' i would've done this' bc ive never ben in that position, ive never had to deal with anything like this. So i wouldnt know what ild do in that moment ! And i think alot of ppl also forget that with all devs involved
We are all vary passonat in this fandom. But please dont start burnning bridge's over this! :'3 this fandom is already so devided due to all of our strong personal opinions it dosent realy need to be a. ' pick your side ' thing i dont think..
I am relatively new to the fandom, so i DONT know much about the past dramas srounding it, so if yall have anything youll like to say or add or educate me on PLEASS let me know and i will retract any of thoes statements !
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purpletyrant · 4 months ago
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if you needed more evidence that i can be trusted to behave normally about The Hand, here it is: a full "reference sheet" for the little mage living inside of elias' sentient fursuit. mostly a reference for myself when i want to draw her, but i also want to point back at this one day to see how right or wrong i was. im sure yamazaki will humble me somehow
full view
notes below
i based a lot of her clothing on this source, which is how i settled on the pants design as well as her shoes, neckline (though hers is an exaggeration of the viking keyhole neck), and cloak. fwiw, i DID try to give her a robe similar to the one elias currently wears, but it just didnt look very good. i think the cloak i gave her here is an extremely liberal interpretation
i referenced mostly from mens fashion because i still wanted her to cut an androgynous silhouette, which is why her gown doesnt follow the conventions of viking women. i should mention, though, that i dont think shes quite that old - id place her around the 1300s based on vibes only, which means her fashion is well out of style. you could make the argument that shes from the 1500s given that lindel lists prussia as one of the areas elias may have originated from, and prussia was founded in 1525. mages live a long time, though, so i dont think the medieval period is too early for her
heres a closeup of what she looks like with her "real" colors. elias DOES have a habit of yassifying the people he models glamours off of, so i think its highly likely her hair is not actually white:
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do you wanna know something about her gold jewelry? supposing her rings are of high purity, one of them would have weighed 2.25-3 grams. so, all 20 rings would have been 45 grams, or 1.58 ounces. 1 ounce of gold in the viking age would have cost up to $5,000. however, the source i used was written in 2017, so its actually closer to $6,400 with inflation. and this is JUST her rings, not her six bracelets, or any of the additional accessories i gave her. basically, she is swagged the fuck out. why do i care? why should YOU care? the answer is you shouldnt
I CARE ABOUT THE HAND A NORMAL AMOUNT!! A NORMAL AMOUNT!!! ITS NORMAL!!!! (i continue shouting this over and over as two burly men carry me out of the room)
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notmyprey · 4 months ago
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Small vent cause I swear I keep seeing this, and it just bugs me. Im not angry, I'm mostly just sad that this is where we are right now.
Guys, can we not harass others. Unless they are hurting others, what is harassment going to do? Make them sad? Make them hate themselves?
People can, in fact, have different likes and opinions than you. As long as they are not actively hurting people, hating others, or being mean, what is wrong with what they are doing?
Liking sfw vore, extreme cuddling, or any of its other names is not something that one should be harassed over.
Likeing vore in a sexual light is not something to be harassed over.
Liking it both ways is ok, too.
Also, the fact that some people are going out of their ways to harass people who like vore (sfw or nsfw) in a fatal/digestion context is so sad.
I personally dont find vore sexual. I personally dont like fatal (in the sense that the prey is dead completely and isn't a ghost or anything that still has a presence).
But here is the thing. I dont need to like and/or understand it to respect it. I dont need to like spiders to respect people who keep them as pets. I dont need to like the idea of having children to respect those who do.
People. You dont need to understand their feelings. You dont need to feel the same way. But they are people too. They have feelings. They are more than just text on a screen.
I know I may seem like a flat, one dimensional person since I post 1 type of content here, and thats how many people who like vore make their blogs too, but I am a human behind the screen.
Just, please. Respect others. I know, many people here are hurt. I know many people here have trust issues, and unfortunately, a draw of the vore community is that need for trust. But having healthy boundaries, having a healthy outlet that's not an anger filled rant (*will elaborate on what I mean at the bottom of this), and having someone to ask "can you make sure this is me talking, and not just my initial reaction" are things this community needs to work on.
If I were to give any advice, it would be to wait a minute before you post a vent, rant, or anything along those lines. Walk away for a minute, come back, and reread it. You may find that some of what you type is your initial anger, fear, or hurt speaking, not you.
I want your real voice to be heard, yall, and sometimes to do that, you need to step back for a moment. So before you send that hate message, before you post that rant, please ask yourself:
"Is that me, or what I was taught"
* I want to elaborate on what I mean by anger filled rant.
What I consider an anger filled rant is when someone finds something they dont like, and decid to attack it.
Instead of making something informative, they make something emotion filled. This isn't always bad. But this can be bad if the thing they are attacking is something that is not hurting others or themselves.
So in short, what I mean by anger filled rant is, a rant that attacks something that is not harmful.
I dont condone harassment towards anyone, but I do understand an angry rant if it is about someone who is hurting others. Again, that is not the thing I am referencing. I am not saying someone being angry at another for hurting people is wrong, it isnt. People should be angry at people getting hurt.
So yah, thank you all for reading this. I just needed to get this out there.
Guys, btw, this is not sfw interaction only for me (if you're rb you wanna make sfw only thats ok, def enforce your own boundaries) cause:
1. I feel like this is important for both sides
2. I have a 'if I dont see you, I dont care' rule cause I have given up on trying to blog all nsfw ppl lol. Sides they aren't monsters or anything. Just ppl. Still dont want them rbing or commenting, but liking my stuff is fine.
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eijirousbestie · 2 years ago
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YOUR ART MAJOR STORY WAS FIRE!! IM AN ART MAJOR AND WE HAD TO DO DETAILED PORTRAITS THIS MORNING AS AN ACTIVITY OVER THE NEXT FEW DAYS AND ALL I COULD THINK ABOUT WAS YOUR STORY 😭😭😭😭 anyway i had the vision of Y/N doing a portrait of bakugou for her class ❤️❤️❤️❤️
AHH THANK YOU SM hearing someone thought abt my story in their day to day life is actually insane so thank you for reading!! Love to see a fellow art major around here🤝🏽I hope this story is to your liking i tried my best😭<33
“Can I draw you?”
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this is kinda long (I got too into it lol)
pulling at the heartstrings a bit here
he’s a willing participant???
unorganized dishes
golden hour
* * *
Being an art student had its perks. For one thing you didn’t have “real” homework like other classes and you could spend majority of your time creating something new. In other cases, being an art student was dreadful, and today proved that to be true.
Walking into class and setting your bag down, you sit at your easel and scroll on your phone as your professor waits for other students to trickle in before he takes attendance. The sound of a chair scooting can be heard as your professor makes his presence known and calls role. He finishes and places his clipboard down, clapping his hands together with enthusiasm.
“Good morning guys! First things first, I just wanted to say you all did a great job at critique this past Tuesday. I was very impressed with the outcome of all your pieces. Now for those of you who have checked the class schedule, you’ll know we have our Portrait 1 assignment due at the end of next week. I’ll give further instructions and we’ll go ahead and get started on those today.” He grabs a stack of papers, assuming to be said detailed instructions for your next assignment. As soon as he hands you a copy, you skim through the premise of what you’re going to be doing.
Portrait 1 Assignment
1. Pick a subject you will be referencing to for your portrait. (No you cannot use a reference online. It has to be someone you can poke).
2. Arrange a time outside of class to meet with your subject to begin your sketch.
3. Pick a feature of your subject to enhance in your final drawing. You can add color, darken line weight or distort the feature you chose, but the rest of the portrait should be in the style of a sketch.
This drawing should be done on an 18x24 sheet of paper from your sketchbook and no smaller.
You internally cringe at the thought of having to snatch someone from campus to sit with you for hours just so you can draw them. You instantly begin to think of people you know who you can draw. You take your phone out and begin typing up a message to a friend of yours, asking when they’re free. Much to your dismay, they inform you that they have work directly after class all this week and won’t be able to help. You understand, but now you’ve got yourself stuck and you absolutely refuse to ask a stranger. For the remainder of the period, all you can do is mindlessly write a list of names and the pros and cons of their potential availability.
* * *
Sitting in the living room after getting back to the dorms, you rest after having no success trying to recruit anyone to be your reference. The dorms are practically empty as everyone is out doing something. Working, training, shopping. Everything you don’t do. Essentially losing hope for the day, you resort to lounging on the couch. Cozy pajamas nearly lulling you to sleep. However before you can slip into the best nap of your life, clanging from the kitchen startles you awake. Whispered curses soon follow, ultimately giving away who caused the noise. Getting up from your oh so comfy spot, you make your way to the kitchen to investigate. Peeking a head in the doorway, you see a rather frazzled Bakugou picking up pots and pans that had fallen to the floor.
Looking at his bent form, you speak up. “You aight?” He picks up the last pot and places it on the counter before responding, fully facing you.
“I’m good. My bad if I woke you.” You give a shrug and lean your hip on the doorframe, arms crossed over your chest.
“Nah you’re fine. Wasn’t fully knocked out anyway. What were you doing in here?”
“Reorganizing. For whatever reason, idiots around here can’t understand that stacking dishes causes shit to fall. Just proved my point too.” His eyes fall on the various pans on the counter he was in the process of arranging. You give a chuckle and move to help put them away.
“Say it louder for the people in the back.”
“Yeah well apparently they ‘don’t respond well to yelling.’ Whatever the fuck that means.” He nags as you both place each dish in their respective places.
“Gotta give em a glare or side eye to get the message across,” you joke.
“Shit only goes so far. But if looks could kill everybody here would be on their deathbed.”
“Jesus man, gruesome much?” You let out a heartier chuckle, actually entertained by his empty threats.
“S’called being self-aware.” He leans against the now empty counter and folds his arms across his chest. A silly thought crosses your mind. A glimpse of hope even. You decide to pursue it.
“Speaking of looks,” you start off tentatively, “I could really use yours if you’ll let me.”
He gives you a half-curious look, left eyebrow slightly raised as he side eyes you. “The hell’s that mean?”
You’re not sure whether it’s the desperation talking or the fact that you’re half asleep, but you immediately hit him with your dilemma.
“Well… can I draw you?” It seems like minutes that go by before he responds with a sharp click of his tongue.
“Lay off the drugs huh? Shit’s got you talkin outta your ass.”
“Bakugou please! I need a reference for an assignment and I’d really appreciate if you’d let me draw you. It won’t take long I swear I’m fast!” Your hands are clasped together as you ask for his cooperation.
“The hell’d you wanna draw me for? Plenty other people you could ask.”
You don’t have it in your heart to mention nobody else was available to help you. It’d be like blatantly telling him he was the last option and you don’t want to potentially upset him by saying that. It’s not necessarily true either, you just didn’t think he would be up for it in the first place so you didn’t want to bother him. He was your saving grace really, never the last option.
“Well you’ve got great eyes. And perfect eyebrows too. So it’s kinda hard not to want to draw you. But seriously, if you’ll let me, I’ll do my very best to capture the best parts of you. Please?” If you hadn’t known any better, you could’ve sworn you saw his hands clutch the counter in a death grip. He’s quiet for a moment. Two moments. Then he shakes his head in disbelief and his eyes sweep to look at anything else but you.
“Fine. Just don’t make me look like shit got me?” A light look of embarrassment covers his face. It’s endearing.
“I promise.” You smile a wide grin, relief relaxing your shoulders. “You mind if we get started tonight? I’m kinda behind as it is.”
He gives a nod and a hum in response. You tell him to stay put as you grab your sketchbook. He takes a seat on the couch and watches the slow sunset. It’s golden hour and the living room is filled with warm oranges and yellows as the sun is close to calling it a day. You come back, supplies in hand and before you can put your things down, you catch Bakugou as he gazes out of the window, the setting sun casting onto his face. With his hand propped under his chin, he looks ethereal. His red eyes now a vermilion as the rays reflect on them. It highlights his jawline, casting shadows that make the edges prominent. His hair aglow in the light, tufts of blonde now appearing marigold. You don’t realize how silly you must look staring at him until his eyes flicker to your frozen form. His gravelly voice pulling you out of your thoughts.
“Got your stuff?” He doesn’t move from his spot as he asks. You gather your bearings and nod.
“Yeah uh I got everything I need. We can start now if you’re ready?” You walk over to the couch where he sits, setting up your easel right in front of him.
“Mmh go ahead. Is there a certain way you wanna do this or?”
“No no what you’re doing now is fine. It’s actually better if you’re comfortable. We might be here a while, but let me know when you need a break.” He gives a nod of approval and you’re off, hands sketching and eyes darting back and forth between easel and subject. Soft scratching noises from graphite on paper filled the silence. By this point you were detailing the features of his hand holding up his face. Neat nail beds and cleanly trimmed. Bruised and scarred knuckles from countless hours of training. A strong neck that connected to an even stronger jaw, probably chiseled by the gods themselves.
You’d be lying to yourself if you thought drawing him would be a chore. It was actually enjoyable. There was no need for trivial conversation. Just you sitting there, drawing him as he let you. Him trusting you to capture his very being with only a pencil. It was a beautiful experience and you couldn’t be more grateful that you both were a part of it.
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anthroposeen · 8 months ago
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tmagp 14 relisten notes
(sorry this one is a bit late!!- spoilers under cut)
celia:
- says that sam can get intense, and seems to be down playing her feelings for sam (hesitation and lack of enthusiasm when telling alice the date went well)
- directly confronts alice about her relationship with sam, but with the intention of getting out of drama, not causing it. i think this goes to show she started this job with a mission, and isnt interested in anything that may derail it
- seems genuinely taken aback by alice flirting with her
alice:
- deflects when celia confronts her by flirting with her -> im a buzzkill, so i dont think this is a genuine act of affection on alice's part, though it does sound more nervous than usual. i think shes gotten worked up and its resulting in a change in her demeanor
- has a very awkward pause after celia says alice can "do better next time" (referencing her relationship with sam)
- says that when she first started the job, she also wondered about the cases legitimacy
sam:
- picked up on the letters of rejection from the institute, and was trying to talk himself out of drawing connections
- he grew frustrated with gwen, and got particularly agitated by her saying he wouldn't understand (rejection again) and that she doesnt have time for him
- this is the first time we've seen him drop the positive attitude he normally has with coworkers (other than alice), his walls are already coming down
gwen:
- very sullen, but still offers some minimal help to sam
- seems upset with lena (this checks out)
- shes exhibiting self isolation behaviors (not opening up about her problems or trying to get help from coworkers)
lena:
- looking for gwen, and not in a good mood (did gwen not follow up w the external she was supposed to email? was she actively on assignment?)
incident:
- jon chester narrating -> mentions an institute (hmmm i wonder what institute that may be) and is directed at sam. im not of the philosophical house that he's encouraging sam, i actually think hes using the incidents as a means of venting (bad computer pun) and warning sam, since the incidents are all about the doom of being involved with the institute
- incident occurs in 1995, 4 years before the institute burns down
- follow-up by the agency writing the report was post-poned due to the absence of the technician (assuming this is alyssa)
- the shop keeper was wary of a rat being in his shop and had various scratch and bite marks on his body-> interesting because he seems to have no issue with hygiene or contamination in the shop (and rats are commonly fed to pet snakes)
- the shop keeper had a "physical altercation" with the technician, and referred to "his burden" -> i can guarantee that this will be an important detail for future use, whether or not he becomes a reoccurring character, i expect that the "burden" will eventually be expanded on
- the description of the shop itself lists sickly traits: warm, likely has mosquitos, there is a sharp smell from the reptiles, there is old food left in the office space, strong smell from the bad food, ant infestation, squirrel droppings, and there was a hole in the wall
- the report ends in the midst of removing the squirrel, and resumes with the mention of waiting for police on scene
- the report becomes more of a personal log after this interruption, with alyssa speaking directly to her father. this is especially interesting since she says he will believe her, implying he has some paranormal experience
- the room shes locked in is a makeshift cctv room, which i find worth pointing out since it draws an obvious connection to the eye, though i dont think theres a real connection
- the shop keeper seems manic and aggressive, and wants to sell the snakes desperately
- the shop keeper began, well, Transformation (snake)-/-horde
- jane prenthiss
- the snakes seem to want to possess another person and wither their host, which is an interesting change to the themes of tma's corruption, which protected and embraced their host in most cases
- the shop keeper had pinned rejection letters from "an institute" (take a wild guess as to which one) to the wall -> this implies there have been others rejected from the institute even before sam, and that a rejection does not seem to be an indicator of inability to interact w the paranormal
glitches/lies:
- none
extra notes:
- colin hasnt been featured or mentioned by other characters in a while. i feel like this is particularly strange for alice, since we know they were the closest, but im assuming the characters are overlooking him because of their own distractions. but its still concerning
- i think this incident was chosen by chester specifically because of sam's rejection from the institute. ive interpreted it as a warning that continual obsession with the past (and the institute) will lead sam down a bad path. im also taking this as a potential foreshadowing to sam's arc, dealing with the shop keeper's burden/possession as a metaphor for what could happen to sam. the shop keeper eventually gets left by the snakes, allowing them to take up a new host, meaning these powers and horrors can be transmitted or given to others; so sam can just as easily turn into one of the monsters from an incident. he has to choose to stay away from this path
- im hesitant to draw connections between the fears of tma and whatever powers are at work in tmagp, since i believe theyre different (or, at least, theyre manifesting in new ways) but this was a garishly corruption-aligned incident. im unsure exactly what that implies, but im taking it as a hint that the tma fears are not entirely gone as we know them. (or this is a major red herring?)
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nagisaspolyeden · 8 months ago
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okay i need to get really obnoxious about the new nagisa and hiyori solos for a second
(before i go further i adore them, obviously. they are absolutely perfect for them and their character growth, all four of edens solos are, i am blown away by what theyve done with these and i could go on and on about how much i love them individually but in this post i want to go on about something very specific)
seeing hiyoris solo name, Accept My Love, i had some expectations for this song- namely that i expected this to be an overwhelmingly hiyojun song (in the way that other solos have obvious nods to important characters in their lives without being Explicitly About Them (Wandering Clown and Crystal Pleasure being obvious examples of this)) which i was excited for! and i think you can absolutely see it that way!
however!
there are also some nods in Accept My Love that feel more explicitly nagihiyo that have me absolutely struck- both in the references that seem to be links between both of their solos, and the links in Accept My Love that feel like theyre referencing back to some of the kiseki stories from ! era
i just want to pluck the examples i can think of, starting with just the solos (and also with the caveat that this is from one particular person's translations so there may be different interpretations, this is just me drawing conclusions from the ones ive found)
first, from nagisas:
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and hiyoris:
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poking at this, i can draw a parallel at the very least visually- nagisa finally stepping out into the world where the wind blows, and hiyori standing behind him calling to him to remind him hey, im right here, pay attention to me too...!
but then, going a little further
nagisa:
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and then, hiyori:
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now this i dont feel i even have to say anything about. the obvious parallels between nagisa struggling with the concept that trying to connect with others being a sin while hiyori just lightly dismisses it as not even something worth considering. loving sigh
and then!
nagisa:
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hiyori:
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again, a very easy to make comparison. hiyori has always been light-coded, and light in the darkness is a very easy metaphor to make for human connection and love, but i like drawing the parallel regardless as its used in both of their solos
and now... i also want to bring attention to something else.
in kiseki revenge match, thats when hiyori talks about nagisas backstory, and in the midst of it all, he says this
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thats how he describes nagisa. and i truly believe that it came from anxiety, and a sense of inadequacy. hiyori poured all of his love into nagisa, and it helped- it undeniably helped, and nagisa has stated as much time and again, that hiyori brought him to life, that hiyoris light saved him, that hiyori is his sun. but hiyori alone couldnt be his whole world (no one person can, even if theyre soulmates (which they are (to me))) and so hiyori, whos sense of self worth is tied to his ability to love and to be loved and to heal, felt insecure over it and started to see nagisa as hopeless. as a bottomless hole.
however
this now brings me back to Accept My Love
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do you think there is a limit on how sunlight radiates?
this is so, so stunning to me- because hiyori has come so far, because he believes that his love is endless and healing, because- reading it the way that i am- he can see his love as enough, that his love and giving it isnt hopeless anymore. and he wants to give it! he wants it to be received! accept my love!
and, the final piece that really tops all of this off for me
again, from hiyoris solo
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in this journey with no destination.
I REST MY CASE.
NAGIHIYO INVENTED LOVE
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ottoslab · 2 years ago
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(Shakes you) otto you've GOTTA tell me more about the freelance mystery solvers I GOTTA KNOW ABOUT EM WHAT ARE THEY DOIN !!! I love your designs sm btw your SO REAL FOR THIS AHH
HEEHEE ohhh ok cracks my knuckles. Im gonna be writing this right before passing Out for the night so apologies in advance if this isn’t very comprehensible but i will GLADLY explain the funny freelance mystery solvers o7
EDIT HI This got so long im putting it under a readmore KGJFNGKJSGK.
Also! I didn’t draw anything to go with this ask because i told myself id give my hand a break, but I do actually have some recent doodles of Vern and Kitty i was doing in between the lineup so I’ll put them here for a little display ^_^ theyre not in context of anything im about to mention, just some dynamic exploration stuff that are their own whole other rambles
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Ok! Readmore time! Paragraphs of nonsense! For your viewing pleasure!
So!! Vernon and Kitty are both employed by True Psychic Tales independently of each other when theyre older. Vernon is an illustrator/interviewer for the graphic novel division and Kitty works in special effects makeup for the more-recent live action film division! They don’t end up crossing paths for a while until being assigned to work together to research stuff for an up-and-coming TPT film project or smth. They become work buddies after reconnecting (though they choose to mostly ignore the fact that they knew each other as kids due to How They Were back then. They’re both very embarrassed about it for numerous reasons)
It becomes commonplace for them to help each other out with projects, and eventually through their research (fact-checking and digging through old psychonauts mission archives) they start to come across old psychonauts files of unfinished or ‘suspicious’ looking missions, ones that normally didnt get the green light to be told in graphic novel form due to the fact that they were inconclusive and, as a result, don’t make for good stories.
Kitty and Vernon end up sort of… picking up on these old missions in their spare time. It’s not psychonauts work but its also not not psychonauts work, you know? They team up to try and work out what lead to dead ends in missions and cross-referencing possibly related stories with other stories, and go out into the field to try and get answers. I picture it a lot in my brain as an episodic mystery series vis a vis scooby doo. They pick their archived mission log of the week to check out, go out, get some answers, and get a conclusion to bring back to TPT and a new graphic novel is made of the story they were able to uncover! With some more overarching plots where they get a little in over their heads here and there.
Franke’s got a bit less of a fleshed out role in all of this atm, mostly because i havent thought of him as much as the other two? My current vague-idea i have is that she and kitty had a falling out during their teen years, and Franke calls Kitty and Vernon falsely claiming to have a lead on a mystery theyve been working on, in order to try and reconnect with Kitty after she stopped talking to him. He has to come clean when whatever she leads them to actually ends up being a real psychic issue, and she has to explain that she doesn’t know what’s going on because she hadn’t actually called in about anything legit.
Franke does end up being a good help despite technically being the reason they got into deep shit in the first place, and Vernon’s probably the one who asks her to stick around (Kitty isn’t against it, but definitely isn’t really all too welcoming about it either.) They definitely have a whole thing where they all get closer and Kitty and Franke get to mend fences (a character arc along the lines of franke realizing he was kind of a hardass who wanted to make up without actually accepting any faults, and some other super impressive character arcs along the way im sure.) And all three of them continue to go on mystery deep-dives and uncover unfinished psychonauts missions!! Wahoo yahoo!!
Mystery incorporated asses! They’re fun, i enjoy them a lot! Hopefully this is some good tidbits of detail for u thank u for asking about them :]
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hydrxnessa · 4 months ago
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alr first floor 2 doors thought dump, obv spoilers ahead // cheers to @d-alva45 for experiencing first playthroughs w me :3
first impression was like oh my god we're actually going in. starting from where we left off and atmosphere was so perfect tbh WE'RE GONNA CRAASSHHHH
door 1 was at first confusing cus like we didnt know what to do (no guiding light this time >:( ), eventually we figured out. i kinda like that mechanic tbh, also the ping noise when you open a drawer/locker when there's an item in it is kinda nice to have
oh the rooms we've seen so far are so environmental like ... definitely giving the mines, its so eerie and atmospheric and dawg the ambience scares me everytime :sob:
the light sibs are there :3 although, curious' had the potion which i know i put there; guiding's had ... a large .... curious .... bottle .... ? i've always had my A-1000 tablet in there, but i thought maybe it wouldnt transfer to the mines so like i took it. big mistake idk what happened to the tablet but i lost it forever. rip tablet you were never useful to me. at least i can use my rift with purpose
i believe our first (new) entity was that white screech? giggle. fuck i hate that thing. i like the idea that friends can take that thing off you but ugh. i hate your laughter. keep doing whatever you're doing great sweetie. anyways later runs we started to catch on that it would just be in the ceiling giggling so thats nice. i like its mechanic tbh
i think my first death was to hide. i caNNOT believe they changed hide's design to be that red monster thing, AND HIDE HAS MINIGAMEESSS???? i havent tried it in the hotel but i kinda hope it didnt fully replace the locker timer. i liked that tbh but i guess they wanted to spice it up. it gets faster the longer you stay in until it becomes borderline impossible and you have to LEAVE. i didnt even know you could LEAVE during the minigame. anyways died to that thing.
next death was the gloombats. oh those things sound TERRIFYING. also guide gives no helpful advice for them, 'they're menacing when they're in a swarm' yeah thanks im getting swarmed how do i get Not swarmed. had to learn through friends that they're attracted to light. gotchu
i dont remember what door number but i think its a fixed one; motherfucking FIGURE falls from the FUCKING CEILING ???!?!?! brother starts wandering around like bro you are Not contributing anything what are you doing. sick though hello old friend
also eyes fucking TELEPORTS around. bro starting working out before the update now its EVERYWHERE. eyes, screech and giggle are worst combo
ALSO WE GOT AMBUSH ON LIKE DOOR 4. DAWG WHAT. rush also came from the front. omg doors floor 2 trailer referenced.
ANYWAYS i might've forgotten something but thats all my thoughts down !!! i will be taking a sleep because its MIDNIGHT and i am SUPER EXHAUSTED, i will try my best to avoid spoilers since we only got up to like. door 14. ENJOY THE REST OF THE UPDATE AND THANKS FOR READING MY DUMB RAMBLINGS I GUESS ????? i did not read over this so excuse my grammatically incorrect ass
rip im gonna have to mildly change hide's design. giggle's is gonna be fun to draw. gloombats i dont really know what they look like but probably fun. idk about the big boy, havent seen it yet
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hattersarts · 2 years ago
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if i may ask, how do you feel about people referencing your art and studying your style when trying to teach themselves how to draw?
hi sorry i never responded to this! i read it while i was busy and had some time to mull it over.
while im very flattered ppl would use my art as a study i think i would discourage it not bc of anything to do with copying any artists style or "stealing" in some way but because my art has a lot of mistakes!! studying my art is already distorting the subject matter by a factor of one and if this is a "how to draw" stage, there are far better ways to spend your time studying (still life, life drawing etc things that are directly from subject matters) than my own work
even as a second step away from subject matters i would use masters studies not my own work, and while this obviously depends on what you feel you goals of your work are (realism, draughtsmanship, cartooning etc) studying a broad range of styles and artists will give you way more knowledge than if you stick to JUST what artists who do the work you want to emulate or get close to do.
so that is to say, while im perfectly happy with ppl using or studying my art (very flattered actually!!) i don't think its actually a great tool in the learning how to draw stage, more when you've got grasps of fundamentals and can more easily pick out why i might make certain decisions rather then simply copying them or how i do a particular technique (like capturing likeness, or colours)
baiscally if anyone comes out with bad anatomy from studying my work its not my fault!!!!!!! this is my disclaimer!!!!
i was gonna include mannerism (the long baby jesus artists) in this answer because in my head for some reason i have them as an example of studying from previous paintings vs real life (as a counter movement to the renaissance) but i literally cant find a citation for this so idk where i got that idea.
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