#but it's still very rude

[knifegremliin]

good news is, i almost immediately befriended one of the cats here.

bad news is, he wants to be a part of Everything.

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[nattikay]

the constant inner struggle of a Na'vi speaker/teacher browsing Na'vi OCs

[hongluboobs]

Twitter really liked this one so u guys get it too (with additional context from Twitter in the frame

[sysig]

Two skeletons in a trench lab coat (Patreon)

Bonus:

He’s very careful! Everything was fine before you interrupted!

[gayvampyr]

i don’t want to be rude but when i see a series of drawings of character adaptations that are all skinny i want so badly to shake the artist by the shoulders and go “now where are the fat ones?” because come on

[mikegraves]

hes playing an acoustic bass ☹️

(feat @starboystation as knives and @simonrriley as neil ^_^ luv u treehouse)

[dykedvonte]

I was rewatching mouthwashing, and I ended up thinking of the different reactions that Curly and Jimmy had in doing their tasks. How during the scene of Anya evaluating Jimmy and showing dread towards the idea of doing his evaluation, Curly was the one that offered to take it off her hands. He had no issue with adding more to his plate, because he knew - or well, thought, he knew that Jimmy wasn't going to "bullshit" with him since he's known him for a long time. When Anya hands Curly a note from Swansea, Curly goes to check out what the issue is and he takes care of it without a complaint, the only "complaint" he has is how this incident could have damaged the pods. Which is reasonable, those pods are their only way to be saved if anything tragic happens on the ship. However, in comparison to Jimmy being asked to do things, he's passive-aggressive about it. When Anya asks Jimmy if he could help her out with Curly's painkillers, he tells her that people should be worth their titles, specifically using her title as a nurse when she asked him for help and then when she says forget it, since he made her feel insecure, he still goes "Oh no, I'LL take care of it" as if he was doing a chore, a favor for her. Then, there's that part where he blows up at her for things that she didn't even ask him to do - more so the others asked him about it, like the code scanner, him deciding he needed to find the axe for the foam, and then, there's the medicine part (which when she does ask, and she reconsiders - going to do it herself, he takes that away from her). Jimmy complains about the tasks he has to do and he treats it like a big issue, a "woes me" that he has to do this and that - wanting the praise of the capital without actually doing any work. While Curly doesn't complain about it, in fact, he even mentions that he's aware of how well he is doing at his job as a Captain during that cockpit scene with him and Jimmy. If Jimmy only had to do a small amount of tasks to get irritated and annoyed at being captain, while Curly didn't which I feel like encapsulates their personalities. Curly understands what he's doing is a job, it's a responsibility, why would he complain at any point for doing what he's suppose too? Why would he be upset at people asking him to do tasks? While Jimmy on the other hand, isn't used to it at all and it's different to what he's had before and he's realizing that he doesn't actually like doing the work he has too. I just wanted to ramble about it even if it seemed kind of obvious xd

It’s obvious but it is a thing people miss or understate when trying to find parallels in Curly’s and Jimmy’s relationship/personalities.

Like the way people portray it as neither taking responsibility when it is almost split down the middle of Curly taking responsibilities and faults that shouldn’t be his and making himself unequipped to handle the ones that are while Jimmy refuses to handle the responsibilities he has because he wasn’t expecting the work that comes with them.

Not a lot to say but people forget that another thing the game comments on is prioritization of issues and responsibilities and how the guys fail at it in one way or another in the situation.

[royalarchivist]

Quackity: This project is not over and I’ll do everything necessary to strengthen it day by day. It is a process. Step by step, and it will take time. But I’m taking care of it. [...] I have a personal conviction with this project and I’ll keep working to improve it.

This video is also available on Quackity's VOD YouTube channel, and will include English translations very soon. Please take a moment to read through the transcript of his stream in the meantime; I think it will help a lot of people feel a little bit better.

Translations provided by @QuackitySubs.

[ Full Transcript ↓ ]

—

Quackity: I turned on stream to give an announcement regarding what’s happening with the QSMP structure. I know there’s people with many doubts about lots of things so I hope this helps you all understand a little bit more. I’ll be saying all of this in Spanish because I find it easier to express myself in it since it’s my first language. I wanted to make that clear.

I want to give, and explain, a little bit of the context of everything, ok? These past three weeks have been very turbulent regarding many aspects. The restructuring process that’s going on for the project has not been easy at all. Before I involved myself, and I said it before, there was people who damaged the project in very harmful ways, administrative and financially wise. I addressed this before. But I haven’t given any updates or anything of that nature because the only updates I’ve had are all inner and of legal matter. Therefore, there are no visible changes, but they’re important ones that need to be done.

I’m telling you: people with ill intent have been removed from the project, and I’m still in the process with people that have caused a lot of this harm since the beginning. That has been one of the main focuses of this restructuring that’s being carried out. Guys, I want to make something very clear: during this process, the actions that are being made have to be done with extreme care.

Recently, I’ve wanted to give many updates both inside and outside, but we’re facing a very critical issue that’s leaked information. I don’t know if the people who leaked information and announcements from the inside knew this was going on. But when I gave inside information and it leaked where it shouldn’t have; that affected the process that was needed to take care of many things. And the people who affected me administratively and financially, which I already talked about in a past stream, found out about matters that they shouldn’t have known about and used this information to twist it and affect the process. This complicated to a great extent many things. This is why I haven’t given any announcements. This is why I’m not able to talk freely as much I’d like to, and I’m not ignoring or evading but a very, very delicate process is being carried out.

Since the beginning it was known, within my involvement, that to achieve a complete change we had to start with the people who affected me, the project, and that were the cause of many issues that have been going on this whole year. With that being said, what happened was we started looking for a financial strategy for the project because the costs are very high. The project was going to shut down, I already talked about this. And as soon as I could define through different strategies, if there was a way to support the project, the next step was going to reestablish the many QSMP parts that did not longer exist. And I want to make something very clear; given the financial circumstances of the server, I did not want to make anybody a promise that not even I knew could be fulfilled. For this reason, this element was still present- the financial element, and I could not give any more inner updates because I was working on a very important part of the financial element of the server.

It is my understanding that the lack of communication has been notorious, and I reiterate, it’s not on purpose. There are many matters behind the scenes that I’ve been meaning to address, but I’ve had to be very, very careful. I understand if there are people who do not agree with the approach of the process, and if you don’t trust the project neither the process that’s being carried out, don’t worry. I don’t have an issue if you stop consuming the project. I understand that completely. I said I had a personal conviction with the project and it will stay that way.

I’ve been working arduously, and I’m going to do everything in my power for the project to continue but with the best conditions possible, and something I want to make very clear is that this process takes time. That is something I want to make very clear. This process takes time.

Guys, there’s people who have parted ways with the project and that will continue leaving on their own will and I understand that fully. I don’t have a problem with whoever took or will take this decision and I wish them the absolute best. In fact, I made an inner announcement where I let them know that a restructure would take time to be implemented. And there’s people that, for reasons, no longer want to be a part of this project, and I completely understand it because it’s not easy to be in adjustment stages, so I understand. Something I announced from the beginning was that my main goal would be that the project would go back to normal, but with the best conditions possible. This can be achieved following the right dynamics and the right setting for every person contributing to the project and this cannot be done within three weeks. This entire process continues.

Having given a little bit of context behind many aspects regarding the project, I ask of everyone that would like to stay, their utmost patient. I don’t want to make any promises and I don’t want to sugarcoat it. I want to make concrete actions. And that’s what I’ve been doing, whether you can see it or not, that’s what I’ve been doing step by step.

Guys, the changes that I’m doing are in the project’s best interest and I’ll say this openly: These changes are in the project’s best interest and for the people who love it, people who have been impacted by it, people who follow and love what this project means. These people are my motivation and the inspiration for which I started the project, for which I’m still doing the project and for which I’ll keep doing the QSMP. I am not doing this, and I want to make it very clear, I am not doing this for the people who, for a very long time, want to see the project torn down through efforts that show the complete opposite of having love for the project. Be it non-constructive comments, malicious actions, ill intentions wishes upon me, the team, and any community that consumes the QSMP, and the project in general. To me, that all of these ill-intentioned people stop consuming the project does not bother me in the slightest. I want that very, very clear.

Guys, let’s not forget about something very important: it is very difficult to build something but it very easy to destroy it. To everyone who would like to join us in this building process, you’re welcome. For those who seek to destroy it maliciously… this project, since the beginning, wasn’t and it is not made for you.

Lastly, I’d like to say that these past days I’ve been getting many calls, emails and messages from people all around the world expressing what QSMP means for them. This is why, and I’m saying it as it is, this project is not over and I’ll do everything necessary to strengthen it day by day. It is a process. Step by step, and it will take time. But I’m taking care of it.

I want to thank everyone for putting their trust in me beforehand, and I reiterate my personal commitment to strengthen this project. I hope this clarified some doubts and gave context that to many people it was necessary. I reiterate, I have a personal conviction with this project and I’ll keep working to improve it.

[janamensch]

Xantheus just keeps making those decisions huh

[sadrien]

🩰 tangled ribbons books available to buy!!

so you all may remember that about 2 and a half years ago (oh my god) i did a limited print run of tangled ribbons! when i did that run, i ordered some extras both in case something happened and so i would have something else on my table as i was doing my first con and i was a little low on items

however, i still have these in stock and i'm trying to clean out some of my stuff, so they're now available on my kofi with some of my miraculous merch!!

you can either buy the book alone for 10 usd, or for 14 usd you can also get a print and two die cut stickers!

not only that, but i do have mystery bags of exclusively miraculous merch for 25 usd if you'd like to check those out! they'll later be listed on my etsy, but for now they're ko-fi exclusive! get it here!

since you're reading this post i'll let you in on a little secret, the mystery bags contain this print and both die cut stickers if you don't want to double buy!

store

[sorchasolas]

I feel like ive talked abt this before but “[character] is actually ___ in Earth years” is an INVALID take because yea sure Kaladin would be mid twenties in Earth years but thats NOT the age Brandon wrote him as. If he WANTED Kaladin to he treated like a 26 year old by the readers, he wouldn’t hide that information in WoB and Wikis. He would state that in the book. Plus, we have no evidence that Rosharian humans (or even humans thoughout the cosmere) dont age in relation to their planets year (blah blah Connection)

Like. Pls let me repeat. Brandon wouldve stated these facts in the book if he wanted it to be treated as full canon and unambiguous fact. Kaladin is supposed to be portrayed as 19/20. Shallan is supposed to be portrayed as 17/18. Being like “oh actually Shallan is 23” or whatever ignores a crucial part of her story, that shes SO YOUNG to have all these things happen to her

[berabare]

Random doodles from school

[serpentface]

how is sex work perceived and treated - spiritually, legally, morally - in broad areas relevant to the white calf core cast? imperial wardi, the hills etc

Sex work is EXTREMELY stigmatized in Imperial Wardin, yet generally regarded as an element of society and a necessary function, not one to be eliminated. You'll occasionally find fringe groups decrying the presence of brothels as polluting elements upon cities, but they are minority figures- sex work is legal, generally accepted, and very common.

There are some exceptions- in most of the city-states, only sex work out of registered brothels is considered fully legal (independent sex workers are breaking the law in most city-states, though how much these laws are enforced varies heavily). All legally operating brothels must be officially registered, and are heavily taxed.

Prostitution of children is illegal, and this is one of VERY few protections for sex workers that is strongly enforced. But it should be clear that the societal definition of a child here does not match the contemporary- a person is generally considered an adult woman upon menarche (which is later on average due to poorer nutrition, but is still going to include a lot of like, 14 year olds). Boys are considered adults at the age of 16.

Forced prostitution is also illegal on paper, but this is poorly enforced. Even when not Outright forced, many sex workers are working as indentured laborers, or under prohibitive conditions where they have very little freedom of movement or legal ability to leave during the duration of their contracts.

Sex workers are an incredibly vulnerable, stigmatized social minority that have very few protections and are often subject to abuse.

The stigma against sex work surrounds the sex workers themselves. This is culturally justified and partly rooted in aspects of broader body taboo- receiving penetration = metaphysical vulnerability = openness to spiritual pollution, and they are considered to be heavily polluted by their line of work (regardless of whether or not a given person actually is receiving penetration on a regular basis- male sex workers who primarily have women as clients receive much the same treatment, the stigma here is fundamentally a form of bigotry, not something with a consistent internal logic).

In addition to concerns around penetration, the act of '''selling''' the body itself is seen as a polluting devaluation of the sacred body and using it to extreme excess. Sexuality and libido is societally valued, but in a framework of moderation- sex workers are seen as wildly out of moderation and are often ascribed qualities of an excessive libido by virtue of their line of work.

Sex workers are prohibited from entering most temples and participating in many public rites, justified in their ‘polluted’ status, under the assumption that it will de-purify the place and sully most rites. This serves to keep them isolated from key facets of social life and culture, and can leave many spiritually ostracized (most sex workers from within this cultural sphere are also going to believe in notions that they are spiritually polluted, with limited outlets to cleanse themselves).

There is one folk tradition that has developed to assuage some of these fears and the sense of isolation- an epithet to the Face Ganmache that translates literally to 'Mother of Whores' (a rather strong name that reclaims degrading slang in the original language as well), which watches over sex workers and their labors. This is wholly a folk tradition and not part of core dogma, and priests are self-appointed, mostly elderly former sex workers. They provide rites of purification and blessings for those denied access to temples, sometimes train themselves as midwives to assist in births (or abortions), and will help ensure deceased workers get proper funeral rites.

Generally, the concept of something being spiritually polluted translates to full avoidance of the person/place/thing involved, but these concerns are rarely applied to the Hiring of sex workers (ie they are spiritually polluted and highly impure and shouldn't enter temples but you, the client, are not affected by contact). While some people will try to provide logical explanations for why hiring a sex worker is not polluting, this does not have any true underlying logic and is a product of a society that both reviles sex workers and desires their labor.

They are generally expected to visually identify themselves as sex workers at all times- the exact details vary by city-state, but wearing hair unbraided and an uncovered head in public is most common (particularly in the west of the region).

Male sex workers are denied certain rights otherwise available by default to men (self-legal representation, ability to own land that is not gifted, etc). Female sex workers do not have these rights to begin with, and have even more difficulty than other women in finding legal representation, given that they situationally rarely have fathers/husbands/male family members willing to support them.

Because of their inability to represent themselves in court and the difficulty in finding representation, they often have little to no recourse against abuse or violations of their contracts. There are some lawyers who specialize in representing sex workers (fewer still who do this entirely out of benevolence for a vulnerable social class), but they are few and far between.

The majority of sex work is marketed towards male clients, and the majority of sex workers are women. Male sex workers are mostly young men who serve male clients, and will usually keep themselves beardless and not overtly masculine (while not distinctly effeminate either) to remain desirable targets for the sexual outlet of most men. (There is no concept of sexuality in this culture- if you are a man, you are a penetrative partner in sex and the gender of the receiving partner is of little concern. Younger men beneath you in social stature (in practice, these are almost always sex workers) are considered appropriate targets of male desire, and as such you have some men who would be considered heterosexual by contemporary standards having sex with other men). Male workers who primarily serve female clients tend to vary more in age and have less social restrictions on their appearance or masculine presentation.

Eunuch sex workers usually serve male clients, and are regarded as appropriate targets of male attraction regardless of their age (largely as they are seen as entirely incapable of performing penetrative roles, and conceptualized as de-gendered). Akoshos (those designated male who perform women's gender roles) sex workers are seen as uniquely predisposed to serve both male and female clients, as their gendered space is broadly conceptualized as dual-gendered (being physically capable of performing 'male' penetrative roles while living under women's social roles)

Hiring of sex workers is not considered infidelity and is entirely permissible to do while married, though women are often heavily discouraged from doing so (largely out of concerns of pregnancy, partly out of patriarchal control over women's sexual behavior). A woman who pays for sex work receives more scrutiny than is applied to men. It is not outright inappropriate, but can be considered indicative of an excessive libido or overmasculinization. Women are imagined as having naturally lower libidos than men, so behaviors that challenge this notion tend to be be noted.

The only circumstances in which hiring sex workers as a man attracts scrutiny is when it is deemed excessive, symptomatic of an uncontrolled libido. Men who hire male sex workers closer to their age and/or bearded will also attract scrutiny- while not outright Condemned, it's suspiciously out of the acceptable range for male desire (though will most often similarly be interpreted as an excessive, uncontrolled libido, ie you'll just fuck anything with a hole). Receiving penetration from a sex worker as a man is wholly condemned, as is seen as UNIQUELY violating, not only a severe deviance from male social roles, but at the hands of a stigmatized, polluted figure that is at the absolute bottom of the social ladder. This usually happens in secret and often involves paying the worker off for their silence.

The one major exception to stigma against sex workers is in the lemna courtesan tradition. Lemna are mostly unmarried women and/or akoshos who are very skilled trained performers who work as entertainers for wealthy clients. Their services are not sexual in nature, rather they sing, dance, act, play music, and recite poetry, and are skilled conversationalists that provide company for clients. Lemna usually operate out of elite brothels, but as separate services to the sex workers, and are in theory never available for sex work. Lemna providing sex work sometimes (though not frequently) occurs in practice, but it is always be presented as something they have not been Paid to do- their payment was for entertainment, and they will present it as a (almost always purely fantastical) situation that they have grown attracted to their client and are engaging in a romantic tryst.

Lemna courtesanship is long-established and a valued part of this culture's art and theater traditions, and they do not face the same stigma as sex workers, rather being seen as an elite class of performers. They do not exactly have a High place in society either (as unmarried civilian women and/or akoshos, they are notably lacking in social power), but the regard towards them is overall positive. The exemption to this stigma partially lies within the framework of body taboo (they do not explicitly 'sell' their bodies or directly engage in sex work), but is largely rooted in the esteem of their tradition rather than any coherent logic.

-----

Sex work has a much less significant, less complicated, and less intensely stigmatized place in the highlands, mostly due to its reduced presence. Most people are living in relatively small agricultural villages, or transiently as herders, so there are fewer opportunities for sex workers to operate on regular and official levels. The only places you can reliably find sex workers within the highlands are in small quasi-towns that crop up around land trade routes, or occasionally as traveling traders (usually offering material goods in addition to sex work services).

There’s also no intra-highlands currency system, so sex workers will usually be paid in goods, which in turn influences the cultural lens on sex work. Goods have direct, immediate utilitarian value that currency does not, and paying goods for service is most pragmatically done as a means of material practicality- forming alliances, acquiring farmhands, receiving the defensive or offensive service of warriors, etc, not for temporary gratification.

The fact that this cultural sphere is fairly egalitarian in terms of gender (though it has strongly enforced, separate gender roles for married men and women) also contributes to the comparative lack of stigma- part of the Imperial Wardi stigma against sex work is interwoven with misogyny (with women sex workers being the most degraded extent of femininity, and male sex workers taking on inappropriate, degraded feminine roles in providing sexual services). Women have equal overall societal power to men in the Hill Tribes cultural sphere, and things associated with femininity are not Themselves degrading (men seen as feminine are not shamed for femininity itself, rather in their specific failure to perform male gender roles- the distinction can be subtle but is very significant to how gender roles are approached).

Casual sex between unmarried men and women is fully accepted, somewhat seen as a hallmark of youth. However, married couples are expected to remain exclusively faithful to one another. This also goes a ways to discourage hiring of sex workers, which would be accepted grounds for a divorce and a mark of shame on the person who strayed.

While not excessively stigmatized, the views on sex work here is nowhere near Enlightened And Supportive either, it’s still seen as a highly degrading, unfortunate line of work. Sex workers are usually going to be unmarried women of marriageable age who could not (or would not) acquire a husband for one reason or another. They are women who failed in expected roles of marriage and becoming the manager of a family’s home and property, and have not even taken an esteemed, productive role for spinsters (usually physical labor in herding, farming, raiding) in favor of one that is considered ‘selling’ one’s body to provide useless, base services to desperate men. It's something that will usually be looked at as sad and unfortunate at best, or an absurd dereliction of duty at worst.

Male sex workers are virtually unheard of (within the highlands at least, there's cultural stereotypes of Wardi men being effeminate and predisposed to sex with men, so of course THEY'VE got male sex workers all over the fucking place), and the concept of a man operating as a sex worker would just seem absurd to most.

But the levels of social shame surrounding sex work are actually higher for the client in this cultural context- it’s suggestive that you either cannot afford to get a wife/do not have the requisite masculine skillset to be a husband, or otherwise that you’re so utterly incapable of getting laid that you have to go to great effort and barter for sex, a petty expense of valuable goods. It's both a foolish waste and in many ways a failure of expected male gender roles. Most men who hire the services of sex workers will keep it on the down low, or (if living near the borders) commute to Wardi towns or tradeways for access. It’s seen as an act of desperation, foolish, emasculating, and will generally be mocked and shamed.

I actually have a framework of a folktale that kind of demonstrates the cultural lens pre-established (no names for the characters or clans involved, it's supposed to be of the far northern Bict-Braíghnnas tribe). I'll put it under the cut:

One of the folktales describes a young woman who was strikingly beautiful and exceedingly clever. She was of the Bict-Braíghnnas, the lone daughter of a very small, very poor clan, consisting only of her immediate family and a few cousins. Her father had died young, and her younger brothers and cousins were malnourished and inexperienced, and could do little to protect or grow their meager herd of horses (they certainly could not afford cattle). She had to take on the role of the provider for herself and remained unmarried long past marriageable age, living day by day doing whatever she could to scrape by and keep her family afloat.

She became aware that the patriarch of her ruling clan had an eye for her, and he began approaching her in hopes of soliciting sex. At first, she always brushed him off. She found him repulsive, as he was foolish and greedy and rather ugly. But she started to see an opportunity in all this. It was a humiliating opportunity, but one she was willing to take.

The next time he approached, she pretended to consider his advances, but only if he should provide payment in turn- if she was as beautiful as he kept saying, and he was as wealthy as he kept bragging, wouldn't it be worth the price? He first offered her a sack of barley, but she laughed him off. He then offered her fine clothes, but she feigned insult, was she not already beautiful even in poor, worn rags? He then offered her a breeding pair of pheasants, and she pushed aside her shawl to expose her breasts, and sweetly asked if he Really could not do better, wealthy in cattle as he was. The man was now, quite clearly, hard in his trousers.

He finally relented to an obscene payment- he would go under his wife (the owner of his cattle)'s nose and give her an adult cow, in payment for having sex with him just once. This is a high price to pay, but she was gorgeous and he was rich in cattle and could afford to lose one (or two. or five. Maybe more.). She accepted his offer and had sex with him, and came away with her very first cow.

(Some tellings of this story go on a tangent here where she sneaks the cow right back into the man's fields under cover of darkness, to breed it with one of his bulls and begin forming her own herd)

Over the next several months, he started regularly approaching her for sex in exchange for cattle, until he had to start coming up with explanations to his wife as to where the missing cattle had gone- he first claimed they were given as gifts, then that some were stolen, inventing wild stories of great raids and declaring open conflict with the greatest rival to his clan, all as means of masking his dalliances. This skirmishing came at great cost to his own clan, but he was too foolish and weak-willed to stop.

The woman was meanwhile using her newfound and growing wealth in cattle to make connections and political moves, slowly establishing herself as a powerful figure and having many in her debt. Her brothers and cousins, finally well fed, grew tall and healthy and began to take on roles as herders, protectors, and raiders, with the assistance of more young men gained in alliance. All the while, she dutifully continued her paid trysts with the patriarch whenever he summoned her.

Eventually, the man had given her so many cattle (which had been bred in the meantime, and more had been acquired in trade and raids) that she had three times as many as he did. One day, she did not appear as expected. She had amassed great wealth for herself and her clan, and had been courting the unwed son of the patriarch’s rival clan. The son paid a hefty bride price for her, and they were wed on that day.

Now the wealthiest in cattle and the most powerful clan in the valley, the woman and her new husband ousted the weakened and disgraced former patriarch, becoming the new ruling clan of the Bict-Braíghnnas. The couple were wise and wealthy rulers, and their clan remains in power and rich in cattle to this day.

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The cultural outlook on sex work (among other things) is fairly well encapsulated here- the sex work itself is degrading, but this fits into common motifs of this cultural sphere’s folktales where the hero figure overcomes difficult and often degrading situations with wit and social skill, and ultimately rises above it. Note that as a (non-comedic) hero of this tale, she uses her sex work very intentionally and pragmatically for material gain and alongside many other measures to increase her standing. Also note that, when unmarried, she's specified as taking up practical labor roles, and ultimately acquires a husband and ends the story in the expected position as a wife.

The actions of the man who hired her are distinctly shameful. He is performing his role as a husband TERRIBLY- being unfaithful, completely mismanaging his wife’s herds and ultimately driving his clan out of power all in pursuit of petty lust. He is in part an exaggerated, cartoonish embodiment of the cultural perception of the clients of sex workers- desperate, foolishly lustful, and an overall failure as a man. Most hearing this story would find his role highly comedic, a powerful but stupid foe for the clever and pragmatic hero to overcome.

(Very minor side note: the detail of him being enthralled by her breasts is also meant to be comedic- breasts are not sexualized in this culture (women's hips/thighs/buttocks are what is typically seen as sexually attractive), and many women will be out topless on hot days without note being made of it (toplessness is culturally acceptable, exposing genitalia/buttocks is not). The notion of a man being out of his mind horny over the sight of a bare tit would register to listeners as excessively lustful in a humorous capacity)

While the focus of the story is ultimately more on the contrast of thrifty and foolish behaviors, it also functions as a discouragement of hiring sex workers, casting the loss of assets in trade for sex as a similarly foolish venture, degrading to the worker and humiliating to the client.

[autisticburnham]

A youtuber I like did a video a while ago about how Leonardo DiCaprio's character is the real villian of Inception because she personally hates him, and one of her reasons was "He's in the way." She finds every other character in the film vastly more interesting than him but the movie can't focus on those far more compelling characters because it is instead spending all of it's time on this annoying fucking guy. And truly Jean Luc Picard is my Dom Cobb