#but it's going to cover a lot of these feelings in more detail
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rmadridcore Ā· 2 days ago
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NSFW Alphabet
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Pairing: Jude Bellingham x Reader
Requested
Word count: 2.3K
Warning: Smut! (Minors DNI)
Authorā€™s note: Another request I had on my list that came just in time lmao šŸ¤ Enjoy, anon!
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A = Aftercare (what theyā€™re like after sex)
Aftercare with Jude is practically a ritual. No matter how intense the moment, he makes sure you end the night feeling cherished and at ease. Heā€™s meticulous ā€” cleaning you up with a warm cloth, whispering soft reassurances as he gently wipes away any lingering mess. If heā€™s gone rough, youā€™re guaranteed a warm bath where heā€™ll tenderly wash every inch of you, his touch as gentle as his words, massaging your skin with care. Jude gets extra affectionate afterward; he wants to be close, savoring the post-intimacy warmth with his arms wrapped tightly around you. For him, holding you is almost like another way of saying "I love you" and he needs you to feel that just as deeply.
B = Body part (their favorite body part of theirs and also their partnerā€™s)
On you, Jude is truly torn. He adores your eyes, especially how theyā€™re filled with love, but also how they look when heā€™s making them roll back. Then thereā€™s your hair ā€” soft and fragrant, perfect for his hands to pull when heā€™s got you on all fours or on your knees. Naturally, heā€™s captivated by your body, your curves, but if he had to pick a favorite, itā€™s your lips. Those soft, inviting lips that kiss him tenderly, speak words of love, and do...other things that drive him crazy. The way your lips look wrapped around him or just lightly kissing his fingers, or how they brush over his sensitive spots; itā€™s irresistible.
For himself, itā€™s between two: he loves his hands, for what they can do to you ā€” massaging, exploring, or lifting you closer when youā€™re arched back. And, well, his other favoriteā€¦take a lucky guess. But those hands of his? Theyā€™re his pride and joy when it comes to you.
C = Cum (anything to do with come, basically)
Judeā€™s favorite place to is definitely inside you. Itā€™s like heā€™s on another level when he feels your warmth around him, holding him close ā€” he loves how intimate and possessive it feels, and nothing compares to hearing you ask for it. That alone drives him wild. But if heā€™s feeling extra smug, heā€™ll finish on you, usually your face. He loves seeing his release on your lips or the stray drops on your lashes, and the way you look with him still covering you leaves him in awe.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
Jude loves marking you, even if he rarely admits it. Knowing the hickeys he left are hidden away on your thighs or chest makes him feel smugly possessive. When heā€™s in a more playful mood, though, heā€™ll leave them somewhere visible and watch you try to hide them the next day. Seeing you subtly covering up the spots, his love bites just barely hidden, makes him lose his mind.
E = Experience (how experienced are they? do they know what theyā€™re doing?)
Judeā€™s had his fair share of experiences, heā€™s learned a lot over time and he definitely knows what heā€™s doing. But with you, heā€™s dedicated to learning you ā€” heā€™s incredibly observant and pays attention to all the tiny details about what you like. Every sigh, every shiver, he notes it down mentally, building a whole guide to pleasing you specifically. His experience shows, but he doesnā€™t coast on it, heā€™s always looking to make each moment even better, to discover new ways to make you feel good. Heā€™s invested in making every time together feel like itā€™s just for you.
F = Favorite position (this goes without saying)
He loves anything that lets him see you. Whether itā€™s missionary, or having you on his lap facing him, or you riding him, Jude is addicted to watching you. Seeing your face flushed and eyes struggling to stay focused on him? Itā€™s everything he wants. The way your expression changes when heā€™s deep inside you, seeing every little reaction up close ā€” it just drives him to keep going, to watch you unravel bit by bit under his touch.
G = Goofy (are they more serious in the moment? Are they humorous etc.)
Judeā€™s mood is flexible, sometimes heā€™s lighthearted, laughing softly and whispering silly things to make you giggle. Other times, heā€™s intensely focused, his full attention on you, dead serious about making you feel every inch of his passion. But no matter the mood, his smugness is always there; he canā€™t help those teasing remarks and that cocky grin, even at the height of intimacy.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
He is definitely a man who takes pride in keeping himself well-groomed. His hair on top is always styled and maintained, and itā€™s no different down below. He keeps everything tidy and natural, making sure heā€™s clean and presentable for you.
I = Intimacy (how are they during the moment? the romantic aspect)
With Jude, itā€™s all about intimacy. He knows that true intimacy is about genuine connection, and he feels that connection with you. His favorite moments are when heā€™s as close to you as possible, his gaze holding yours if you can keep your eyes open long enough. Heā€™s deeply romantic, telling you all the things he adores about you as he kisses down your body. His intensity and passion grow when heā€™s with you ā€” nothing matters more to him than making you feel cherished and loved.
J = Jack off (masturbation headcanon)
Jude likes to jack off, obviously. Who doesnā€™t? When youā€™re not around, heā€™ll definitely take matters into his own hands, but he much prefers if youā€™re on the other end of a phone or FaceTime call with him. If thatā€™s not possible, he has a stash of Polaroids heā€™s snapped of you, his favorites that he keeps hidden away to help him out when he needs it. To him, nothing compares to the real thing, but heā€™ll make do when heā€™s missing you.
K = Kink (one or more of their kinks)
This man has the most obvious praise kink. When you tell him how good heā€™s making you feel or how much you love what heā€™s doing to you, itā€™s all he needs to melt into a mess. The more you praise him, the more he ramps up his efforts, practically obsessed with hearing your approval. There are moments when your compliments even make his cheeks heat up, and that vulnerability drives him to work harder, making him practically feral in his need to satisfy you.
L = Location (favorite places to do the do)
While heā€™s up for a lot as long as you two have privacy, his favorite place will always be the bed. Itā€™s where he can fully take his time, exploring you without limits. The bed gives him the freedom to do whatever he pleases with you.
M = Motivation (what turns them on, gets them going)
Itā€™s honestly everything about you, heā€™s helplessly attracted to every detail. However, nothing drives him crazier than seeing you in his jersey, with his name and number on the back. He canā€™t get over the sight of ā€œBellinghamā€ and ā€œ5ā€ emblazoned across your shoulders; itā€™s a powerful reminder that youā€™re his, and heā€™s yours. If you wear it around the house, youā€™re almost guaranteed to end up pinned against a wall, bent over a counter, or pulled onto his lap as he canā€™t resist making the most of the moment.
N = No (something they wouldnā€™t do, turn offs)
Heā€™s quite open-minded and loves experimenting with new things together, but he has hard boundaries, and bringing other people into your sex life is a firm no. Heā€™s fiercely protective over your bond and canā€™t even stomach the idea of sharing you with anyone else. Naturally, anything that might hurt or make you uncomfortable is off the table; that goes without saying.
O = Oral (preference in giving or receiving, skill, etc.)
Judeā€™s mouth was made to worship you ā€” or so he often tells you with a smirk. Heā€™s got serious skill, and he knows how to use it. When heā€™s between your thighs, itā€™s his favorite place, and heā€™s almost desperate as he laps you up, savoring every moment like itā€™s his last. Heā€™s obsessed with making you come on his tongue and has to physically restrain himself from keeping his mouth on you for hours.
As for you going down on him, thatā€™s a whole different high. Seeing you on your knees, with that gleam in your eyes and your tongue teasing him, brings him to his limit almost instantly.
P = Pace (are they fast and rough? slow and sensual? etc.)
His pace varies with his mood, and he loves mixing it up. If heā€™s been yearning for you all day or feeling a bit possessive, he can get lost in a faster, rougher rhythm, his need for you overpowering everything else. But when the momentā€™s tender, like on your anniversary or after heā€™s missed you, itā€™s slow, steady, and dripping with affection. Every thrust is measured, intimate, filled with soft kisses, whispered promises, and hand-holding. He knows exactly when to be soft or rough, and it keeps things electric between you.
Q = Quickie (their opinions on quickies, how often, etc.)
Though quickies can be fun, Jude doesnā€™t favor them. He loves savoring every moment and finds it hard to rush through it; heā€™d much rather have the time to build up and bring you to the edge slowly. For him, foreplay is essential, and when he doesnā€™t have the time for all that care and buildup, heā€™s usually happier waiting until you can fully enjoy each other. That way, the anticipation only makes everything feel even more intense.
R = Risk (are they game to experiment? do they take risks? etc.)
You and Jude are both open to some risks, but you two tend to prioritize safety and privacy. The thrill is there, but heā€™d never want you both to risk getting caught in any real trouble. However, that doesnā€™t mean heā€™s a complete angel: heā€™s sneaked a hand under your dress at a fancy dinner, given you that mischievous smile, or pressed his hand over your mouth in rooms where you could easily be overheard. Those little thrills are more than enough for him, and they make every private moment afterward even more cherished.
S = Stamina (how many rounds can they go for? How long do they last?)
Judeā€™s stamina is borderline legendary. Heā€™s trained as a top athlete, and while heā€™s only human, you might be convinced heā€™s superhuman with how long he can last. He has a strict rule of making you cum at least once before he even thinks of reaching his own high, ensuring youā€™re completely taken care of. Heā€™s always ready to go for more rounds than you might expect, coaxing you to ā€œgive him one more,ā€ until youā€™re out of breath and only his name remains on your lips.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
He enjoys keeping things interesting, so he has a few favorites like handcuffs, a blindfold, and a vibrator for when heā€™s in the mood to tease. But more than anything, he loves relying on his own body, his hands, mouth, and everything in between, to make you scream his name. He believes his personal touch is more satisfying than any toy could ever be.
U = Unfair (how much they like to tease)
Jude is, without a doubt, the king of teasing. This is because he has learned all the tiny, almost unnoticeable things that turn you on and he exploits them like a motherfucker. Heā€™ll make you flustered with a single look, drag out the anticipation until youā€™re practically begging, and wonā€™t even touch you until he knows youā€™re fully aching for him. He loves seeing you on edge, desperate, and completely at his mercy.
V = Volume (how loud they are, what sounds they make, etc.)
He knows how much you enjoy his sounds, so he doesnā€™t hold back. His deep, husky grunts, the way he moans in that accent, and his whispered, filthy words keep you coming undone. Heā€™s vocal because he knows his sounds drive you wild, and he loves to let you know exactly how good you make him feel.
W = Wild card (a random headcanon for the character)
Heā€™s got a thing for mirror sex. He loves watching you watch yourself as he has his way with you, making you see just how needy and beautiful you are. Itā€™s a game for him ā€” if you close your eyes or look away, heā€™ll slow his pace and tease you until youā€™re back to looking at the reflection. Itā€™s a control thing, and he absolutely relishes seeing you struggle to keep your eyes open.
X = X-ray (letā€™s see whatā€™s going on under those clothes)
ā€œImpressiveā€ doesnā€™t quite do him justice. Judeā€™s perfectly large and proportional, the kind of fit that has you thinking about him hours after heā€™s left. When heā€™s fully hard and deep inside you, itā€™s a feeling you never get used to, almost as if heā€™s about to split you in half.
Y = Yearning (how high is their sex drive?)
Judeā€™s sex drive is fairly high, almost perpetually ready to show you how much he loves you. If heā€™s not dealing with major stress from his career, heā€™s pretty much down anytime, anywhere. Just a hint of flirtation or a touch from you is often all it takes to get him started.
Z = Zzz (how quickly they fall asleep afterwards)
As much as Jude loves sleep, he never nods off until he knows youā€™re completely settled. Watching you fall asleep in his arms, seeing your breathing slow and your face at ease ā€” it gives him his own kind of peace. Once heā€™s sure youā€™re comfortable and content, then he lets himself drift off, happy to have you curled up beside him.
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vidavalor Ā· 3 days ago
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Hi @masnadies & friends! I don't really have a literal map, just an idea of where I think things are from what we've seen in S1 & S2. I love @mochacoffee's map & think that it makes sense that a ton of the space in the upstairs rotunda is shelves of books-- particularly, the bit visible from the main part of the shop downstairs-- but also that there are rooms up there, as we saw in S2. Aziraphale designed the shop as a space for him and Crowley so I think there's actually a lot of intentionality behind it. I've had some thoughts on this for awhile so I hope you all don't mind me sharing them here.
Some ideas on what rooms might exist and where they might be in the shop, how the threshold/invites work based on what we've seen, and what new room in the shop I would bet is going to be in The Finale. Also, what the story purpose in making the shop mysterious enough that we're having these conversations might be.
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Design-wise, I think that the whole interior of the bookshop is built to look to any angels that might enter the front door like it's nothing but a bookshop that is a cover for the angelic embassy. Aziraphale only has the embassy so he can have the bookshop, which is really a cover for having as close to a house as Aziraphale had been able to manage while being a working angel. The way they are using the bookshop as a metaphor for Aziraphale (and for Crowley and Aziraphale) and its design tells us a lot about Aziraphale and his relationship with Crowley. What we have been allowed to glimpse of the bookshop-- and when, and in what order-- is very much intentional and part of both the design of the story and pf Aziraphale's design of the shop, imho.
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In S1, the show uses the bookshop metaphor for Aziraphale by focusing more on Crowley's relationship with the bookshop than on Aziraphale's relationship with it. Each episode gives us more and more information regarding what level of access Crowley has to the shop that is symbolically Aziraphale as a way of slowly showing the audience the depth of the intimacy of his and Aziraphale's relationship.
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In 1.01, we see Crowley feel safe for the first time in the episode when he and Aziraphale are in the bookshop. We see him on his couch, their familiar setup and being able to speak freely and have some privacy in the shop. Crowley's glasses come off for the first time in the minisode. It's the setting of the bookshop that helps to establish how close they are from the jump of the story. Each subsequent episode, though, begins to unfold that even more.
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When the shop goes on fire, we find the doors will open for Crowley-- basically, that he has a key to Aziraphale's place. When Crowley goes back to the shop in Aziraphale's body during the body swap, we see him able to identify which books in the shop weren't there before Adam adjusted reality-- telling us that he spends so much time in the bookshop that he knows every detail of it. When he meets Aziraphale in the park afterwards, he tells Aziraphale that the bookshop is just as it was, with not a single smudge and everything in the same places that they always were.
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While we just saw Crowley on the ground floor of the bookshop, this comment-- delivered while he's literally in Aziraphale's body, for fun symbolism-- is saying that Crowley has unfettered access to the entire bookshop and knows the whole place so well that he knows everything in it, everywhere, by heart, and could tell if anything was amiss in the shop. He knows his way around every room in the bookshop and has permission to go into any of them that he wants because they're basically his, too.
So... Crowley, while in the midst of the sexual metaphor that is the body swap, is seen telling Aziraphale that he went through their entire house and everything is fine, and this is not a conclusion that Crowley could have drawn without having gone into Aziraphale's bedroom-- and without being familiar enough with it to be able to tell if anything is amiss. This is the end of the steady progression of information about Crowley and the bookshop throughout S1 and it comes when they're in each other's bodies, ahead of the romantic Ritz finale.
In S2, we start to see a little more of the shop but what of it we see is reflective of the conflicts happening in the story, as it would be, right? First, we find out what's behind the door of the room behind Aziraphale's desk that remained closed in S1 and it's a subtle but potent reveal-- it's a room being used like a massive storage closet.
It's Aziraphale's actual backroom, not the office to which he brought Gabriel and Sandalphon in S1, which is built to be a place to which he can bring a visiting angel. This backroom is painted the color of Crowley's eyes and is a hodgepodge of random things that are being stored back here without a shred of the structure of the rest of the shop. While Aziraphale's bookshop is cluttered in a good way, that isn't what's happening in the backroom we see in S2. There's an open privacy screen in the corner that seems to be blocking off nothing. There's furniture and books just kind of pushed into the room-- random lamps. A chair just kinda stuck in there near the door. It's a storage unit, basically, and not a room that is in use, and it looks like it's holding things in limbo for a future that may or may not happen. It's stuff that belongs to he and Crowley that neither want to give away but that neither have room for in their lives at the moment. It's a total holding pattern of a room and Muriel bursting into it is literally the (literal) closet door being broken down by the supernatural cops, right?
In S1, the bookshop itself is essentially their closet but, as the supernatural characters like Gabriel and Muriel keep pushing further into the shop in S2, even as Crowley and Aziraphale wind up stopping hiding their relationship in S2, in the first half of it, we have this closet room representing them trying to try to find a space to talk openly in their own house during the chaotic week they're having.
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Then, we see use of the home bar space in 1941 a bit, and this one is really interesting. While we saw this space in the present in S1 while Aziraphale was trying to figure out how to tell Gabriel about the antichrist kid mix up, now we see Crowley and Aziraphale using it and see that this table that Aziraphale keeps clutter on during the open hours is basically the dining room of the bookshop. It's positioned so that it's not in direct view from the front door of the bookshop-- just like how Crowley's couch is tucked away from immediate view of the door by the bookshelves.
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If you look at the front of the shop-- everything between the front door and the cash register counter-- it actually does look like a little bookshop in its own right. The display tables and shelves and stacks of books along the wall. These are probably the books that Aziraphale can part with, if he absolutely must lol, and is really the only part of the shop that is truly the bookshop. Pretty much this bit below and the bookshelves where Crowley pulled the Jane Austen book that is on our right out of sight below:
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Because the bookshop is metaphorically Aziraphale, I'm of the opinion that, technically, basically anyone can theoretically get through the front door. Humans are obviously kept away by locks and closed signs and restricted to business hours (whatever Aziraphale feels those are at any given moment lol.) The supernatural characters, though... The threshold, as Shax discovered in S2, is not actually the front door. Likely symbolic of how Aziraphale will give anyone a chance. The threshold is proven in both seasons to be the cash register counter-- the point at which what is meant to look entirely like a bookshop is really becoming Aziraphale's house, whether it seems that way to others or not. But, still, it means everyone can theoretically get into the entryway, right?
So, how do Crowley and Aziraphale have any privacy if the supernatural beings can all get through the front door?
Because they have found a way to exploit the angels and demons' dislikes of one another to get it.
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Technically, the bookshop is an angelic space and an angel could demand entry to it and there's nothing Aziraphale could do but allow them to go wherever they wanted. This is the one weak spot because, while the demons won't want to deal with an angelic space and will just stay away, the angels are a different matter. Even if they cannot get past the cash register area without an invite, they need to believe like they have control over the space in order for Aziraphale to be able to keep it. So, why do the angels frequently turn up at the door asking to be let in, even if the vibes are very much that they feel it's sort of dumb that they have to ask and Aziraphale knows he has to say yes? Why don't they just go through the door?
Aziraphale out-psyched them, basically.
He told Heaven the truth-- the threshold to the shop is not the door but the cash register counter-- but he also told them that they were all going to make sure that the demons in Hell thinks the threshold is the front door. He told them that this is how they'll keep the embassy secure because, it being an embassy, they might have to allow a demon in during the daylight for spiritual counseling towards the light (the excuse for Crowley being seen sometimes entering the shop during business hours) but they can't just let a demon have unfettered access to a heavenly space-- that would be unseemly!
So, that's Aziraphale's argument for the threshold in the first place-- he needs control over the embassy space in order to protect it for Heaven and not just let these demons wander around in it unchecked. But he's made it so that Heaven thinks they're getting one over on Hell by making them think they're all in on the joke but that, for security purposes, they need to keep up the charade. They've all been told that they're supposed to go to the door for an invitation so that, if any demons are watching the place, they won't get suspicious that the door isn't really the threshold.
Crowley is keeping this going with the demons in S2, as well, when he leads Shax to think that the threshold is the door before she figures out he's lying during the bookshop attack. He also lies about his ability to invite people in, implying that only Aziraphale can, which we see later is untrue. Technically, anyone that Aziraphale has invited in can invite in other people behind them, which is how Maggie ended up inviting in all of the demons during the bookshop attack, and also why Crowley reminds Gabriel not to let anyone in when he rushes out of the shop after Shax while Aziraphale is in Edinburgh.
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So, Aziraphale basically told Heaven that they all would know the truth, of course, that the threshold was the cash register but that they all wouldn't want the demons to find that out, right? That wouldn't be a very secure embassy. They need the demons to think that it's the same rules for everyone. Aziraphale's gotten them all to play along by making them go to the door and ask to be invited in, even though they could, technically, get in the front door and up to the cash register without an invitation. He's basically found a way to make them all ring the doorbell by exploiting their own prejudices against the demons.
This is shot now because, when Crowley and Aziraphale backed all the humans up into the living room, behind the cash wrap, Shax figured out that the door wasn't the threshold and tested her theory on poor Mr. Brown of Brown's World of Carpets, basically proving what we saw back in S1 when Gabriel and Sandalphon showed up.
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They arrived when the shop was open and Aziraphale was busy inside with basically the only time in the series he has ever had customers lol and so there was no reason for Gabriel and Sandalphon to need to be invited in at the door because the shop was in normal business hours and it was Gabriel who was there. The rules of the other angels and demons wouldn't be seen as applying to him-- but they both did need an invitation to go any further than the cash wrap. Aziraphale brought them into his back office, which is a room he was willing to sacrifice to visiting angels as a way of seeming totally transparent and keeping them from wanting to search through the rest of the shop.
But, anyway, I think this is why the shop is built the way it is-- it's a house that is designed to pass as a bookshop so it can pass as an embassy-passing-as-a-bookshop, so that it can exist. Aziraphale has never really wanted to run a bookshop; he just wanted his books and a safer, home-like place he and Crowley could be together in. It's a bookshop just because Aziraphale has so many books and that made it the best cover for the fact that it's not really much of a shop at all-- just the front part of it is and Aziraphale has to fight to keep anyone from trying to buy any of the books that are in the other 95% of the shop, all of which are really his and/or Crowley's.
It's set up so that if the angels ever are just inside the front door before the cash wrap--or if they go only into the backroom where Aziraphale brings Gabriel and Sandalphon in S1-- that they're basically just seeing what looks like a bookshop. If they look up into the second-floor rotunda from near the door or most places on the ground floor, they just see a second floor of shelves of books that they can presume that Aziraphale is selling to the humans. It's not until we go up there with the characters in S2 that we see rooms exist up there... tucked out of sight from below. The further we press into the shop and the more we go around corners, the more we see that its design is intentionally attempting to hide what the real purpose of the bookshop is.
Aziraphale and Crowley cannot trust that there won't be some night when, idk, Sandalphon or Michael or somebody decides to just suddenly appear in the front part of the shop instead of knocking at the door. If they did, they wouldn't be able to physically go any further than the cash register counter-- but they could see into the shop from there. That seems factored into Aziraphale's design of the shop.
Aziraphale built it so that if he and Crowley were having dinner or wine at the table in the bar area like they were in 1941, Part 2 or if they were cuddled up on Crowley's couch, that they're around corners or otherwise obstructed from view enough that it gives them the opportunity to not get immediately caught should an angel blow past the established norms of entry and show up in the front part of the bookshop. The table in the home bar and Crowley's couch are both positioned so that a person cannot directly see them from the front door of the shop, which would buy them both time should someone show up in the shop. The place is built to make it so that no one can get past the cash register counter threshold and, even if they get past the door and into that space without Crowley or Aziraphale realizing it, they likely won't catch Crowley in the shop, no matter what time of day they show up.
So, the main floor bookshop space is visible to everyone but rooms that are more personal or that are hiding something from Heaven just by existing are buried a bit further into the shop or behind a door that has been right there the whole time but that the show is taking longer to open.
It wasn't until S2 that we saw into the private room in the back-- the closet, as the two of them were kind of trying to come out of it when it came to their relationship. It's also not until then that we get to go upstairs and, when we do, see that the spots that you cannot see directly from the door below have rooms. This is Aziraphale's private residence and even this? Is mostly set up to be able to deflect, should Heaven ever get up here. Have a real look at Gabriel's completely bizarre room here:
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This is the unused bedroom of the bookshop, really-- not Aziraphale's actual one. It looks like a messy monk lives in here. One the size of a hobbit, apparently, because that bed could not get any smaller. This room exists basically in case Sandalphon ever shows up and demands a tour. Here's Aziraphale's room that he can claim he never really uses and just has for pretense or in case there's an emergency and someone needs to lie down. Nothing to see here, Stasi-a-Fond, just my tiny, dollhouse bed that I absolutely cannot fit in on my own, let alone with that six feet of legs demon! Jim's bedroom is as much of a closet as the back room downstairs is.
So, what lives down the little hallway on the ground floor, back out of sight? And, even better, what is the room at the top of the stairs to the left of Gabriel's bedroom? We were shown this door but it remained closed for all of S2. It is to S2 what the closed back room that we saw in S2 was to S1-- this door we saw a few times and then went into in the next bit of story.
Given its location in the shop-- conveniently at the top of the stairs and beside another bedroom-- it's likely that this is Aziraphale's bedroom. Unlike many, I think that Aziraphale does sleep. (I'm pretty sure Gabriel is wearing Aziraphale's pajamas in that "Jim's Mug" scene in S2.) Regardless of his sleep habits, though, he has other uses for a bedroom and I don't think it's collecting dust.
There are also some spaces in the vicinity of Jim's room that I think could be a bathroom, which Aziraphale could claim is necessary for customers, as you all have said above. Do his customers need the likely nice shower and that probable clawfoot tub? šŸ˜‚ Not exactly, but Aziraphale likely would say fuck it and figure he'll come up with something if Heaven finds out. He can tell Michael he's baptizing people up there or something. I think that the lure of bath time with The Serpent is likely too strong to pass up.
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We know there's a kitchen in there that Aziraphale was using for the literal portion of his baking in during Lockdown, which I think is probably what's located if you keep going past the private room and the home bar into that unseen space. See from where Aziraphale emerges in the bit below?
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Nina, Maggie & Gabriel follow him into the room afterwards and they all seem to be coming from some place down the little corridor that leads further back into the shop. I'm pretty sure that's where the kitchen is. I think that's also the direction from which Aziraphale came when he brought Muriel tea in S2 as well. I'm sure it's very warm and cozy but I have a sneaking suspicion that it'd be a room we'd find surprising in its organization. It would be one of the rooms in the house that makes it pretty clear that Crowley spends a lot of time in the shop. I wouldn't be surprised if there are some-- gasp!-- plants in there-- potted culinary herbs, probably. He likes to cook for them sometimes.
I don't think it'd be super-necessary to show the kitchen but I actually think there's a chance we still might see it in The Finale largely because of the fact that I think we're going to flash back to the aftermath of Aziraphale blowing up his halo and briefly see some of what went down between then and the next morning-- namely, the convo with The Metatron that Aziraphale says the next morning took place, and the aftermath of that. If we go back to that night, we could see Aziraphale, Gabriel, Nina & Maggie talking in the kitchen. They also might cut that bit of it for the film but, either way, that's the area where it seems to me like the kitchen might be-- hidden pretty deep in the back of the shop, suggested to us but completely out of sight of Heaven.
If we consider that the bookshop is being rolled out to us slowly and in an intentionally incomplete way so far in support of a story that is doing the same... and if we then ask what big rooms remain that we haven't yet seen? There's really only the kitchen and Aziraphale's bedroom.
So, what haven't we seen in the bookshop yet ahead of The Finale?
The kitchen and Aziraphale's bedroom... food and sex. šŸ˜‰ Not really terribly dissimilar things to these two...
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It's been there all along but, as the story hits its end game, I think they'll likely reveal it a little more directly and, if they keep going with the way they've been using the bookshop to tell the story so far, they're going to use going into the previously unseen bedroom in the bookshop to do it. The one, new room we're getting for sure in The Finale is Aziraphale's bedroom-- likely circa 1941. It'll be clear that while it's the first time we're seeing it, it's a space with which Crowley is already plenty familiar.
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Then, off to their South Downs Cottage where they can finally just have their own damn house without all of these shenanigans.
Speaking of the bookshop, theories on what could be upstairs?
ooooo the BIG QUESTION.
so we can see a bit of the second floor in all these pics:
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basically all we know for sure is there are A LOT MORE BOOKS, both stacked around the railing and on the circle of shelves. neil has decided not to comment on what else might be there (YET šŸ‘€) but heā€™s confirmed that much.
apart from that, we can see from the outside that there are six windows on the second floor:
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iā€™m going to assume theyā€™re part of the shop because theyā€™re Very On Fire when the rest of the shop is on fire. SO. taking all that into account, you end up with something like this:
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where the thin grey circle is the railing and the brown one is the bookshelves (as you can see in the first pic, it doesnā€™t circle all the way around!)
the rest is a complete mystery. i mean iā€™m sure the actual set was empty because they didnā€™t need to fill it, but in theory thereā€™s room for some interesting stuff! with the first floor for scale i can imagine a whole flat built around that circle of shelves ā€” a bed aziraphale never sleeps in, comfy chairs, every other angel knick-knack heā€™s encountered in his life. in my personal headcanon itā€™s all books and hoarded items covered in dust, which he leaves for authenticity.
thank you for asking!! iā€™d love to hear other peopleā€™s thoughts if they want to share :)
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hayatheauthor Ā· 1 hour ago
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10 Lethal Injuries to Add Pain to Your Writing
Prev: Non-Lethal Injury Ideas
Need some creative ways to give your characters a real fight for survival? Here are 10 ideas:Ā 
1. Punctured Artery
A puncture to major arteries like the femoral artery (thigh), the carotid artery (neck), or radial artery (arm) can cause rapid blood loss. It starts off with a sharp pain, weakness, lightheadedness and eventually can lead to hypovolemic shock. Requires urgent medical attention.
2. Punctured Eye Socket
A punctured eye socket will cause blood vessel damage leading to internal bleeding. I would use this for non-combat characters trying to get away. The eyes are an easy weak spot + you donā€™t need much strength to cause a critical injury/puncture.Ā Also good for a protag's tragic backstory.
3. Torn Achilles Tendon
A torn Achilles tendon can result in severe bleeding if nearby arteries or veins are damaged. Your character will be forced to hobble away as pain causes their foot to swell and bruise. Plus, you can easily adjust the pain levels per your scene, from swift cuts to explosive jumps.Ā 
4. Neck Hyperextension (Hangmanā€™s Fracture)
This injury will fracture the C2 vertebra and can lead to spinal cord damage, paralysis or sudden death. This isnā€™t a light injury your character can come back from, so I would suggest using it only when youā€™re aiming for death.
5. Pierced Lung
A punctured lung will lead to a pneumothorax where air escapes into the chest cavity, collapsing the lung. Characters with this injury may have difficulty breathing, chest pain, and a cough that produces frothy blood (all the dramatics you need).Ā 
6. Severe Concussion
A severe concussion will lead to confusion, vomiting, immobility and memory loss. More dangerously, brain swelling, internal bleeding and damaged brain tissue. Plus, it has a long recovery period.Ā 
7. Shattered Pelvis
If you need something severe that restricts mobility but also causes severe pain then this is perfect! Involves signs of shock, internal bleeding, numbness, swellingā€”really a lot of things.Ā Can occur if OC falls from a high place, hit repeatedly, car accident, etc. Ā 
8. Internal Bleeding from Blunt Force Trauma
I like using this when you need something subtle since it doesn't show immediate symptoms.Ā Over time, they will feel weak, cold, nauseous, and intense pain. Perfect if you want that 'everyone made it out then suddenly someone collapses' moment.Ā 
9. Intestinal Perforation
A sharp blow or penetrating wound can cause a tear in the intestines, leaking bacteria into the body cavity, then peritonitis. It can go from small stomach pain to near death pretty quickly. Without prompt medical care, sepsis can set in, causing organ failure and death.
10. Cut to the Jugular
If you need something more visibly dramatic then go with the classic cut to the jugular. A warm rush of blood will pour out, and blood would spurt with every heartbeat. Causes panic, choking, and internal bleeding too. All the blood and gore you need.Ā 
This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. Remember the worse the injury the more likely your character is to die (so be realistic folks). Happy writing! :)
Looking For More Writing Tips And Tricks?Ā 
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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innerfare Ā· 2 hours ago
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Fingering You - Part 2
Summary: you already know from the title.
Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, Kid
Genre: pure smut
CW: NSFW // fingering, mentions of penetrative sex, dirty talk, mirror sex, Big Dick Beckman, Rude Crocodile, Sadistic Doflamingo
ā€”ā€”ā€”Ā 
Shanks:Ā 
You never know what youā€™re going to get with Shanks, but you always know youā€™re going to get something. Heā€™s the handiest man youā€™ve ever met, always copping a feel. When you walk past him, sometimes heā€™ll reach out and grab your hand. Other times, heā€™ll simply brush his hand against your thigh. And sometimes, heā€™ll drag you over to him and shove a finger inside you, not even warming you up (not that it takes much from him to get you wet, just a, ā€œbaby, come here,ā€ in that rocky voice of his and a sloppy kiss that tastes like weed). And when he does finger you, you have no idea if heā€™s going to lazily stroke your clit until you orgasm, you whining and writhing on top of him while he lounges lazily in his hammock, or if heā€™s going to take you to the edge and then fuck your orgasm out of you with his cock.Ā 
Beckman:Ā 
Have you seen this manā€™s hands? Two of his fingers amount to a small cock. But donā€™t worry, he wonā€™t be too mean about it. Sure, heā€™ll expect you to call him daddy, and no, he wonā€™t let you hide your face or cover your mouth to stop yourself from moaning, but heā€™ll take it nice and slow, stroking your clit until youā€™re begging for his fingers inside you because you just feel so empty without him penetrating you, then probing your weepy little entrance, gently pushing one big finger in and only adding another when youā€™re creaming for him. ā€œThatā€™s my good girl,ā€ heā€™ll tell you as you adjust to the size of his hands, ā€œtaking daddyā€™s fingers just like youā€™re supposed to.ā€ When heā€™s not heaping praise on you, heā€™s kissing you, his tongue pushing into your mouth while his fingers thrust in and out of your cunt. And once youā€™ve cum, heā€™ll deem you ready to take his cock. (Big Dick Beckman always preps you).Ā 
Mihawk:Ā 
Heā€™s something of an expert with his hands. He noticed very quickly what you liked and what you didnā€™t, making detailed mental notes of how to get you off the fastest. Of course, this means he is also guilty of quickly making you cum so he can satisfy you without investing too much time, which often leads you to beg him to fuck you while his fingers are deep inside you, hitting all the right spots, his thumb torturing your clit. ā€œPlease, Mihawk. Please.ā€ You cry into his shoulder as he works your orgasm out of you, and only when he keeps fingering you do you know heā€™ll soon be following it up with his cock, that knowledge sending another strong wave of arousal through you. By the time heā€™s licking his fingers clean, youā€™re about to cum again.Ā 
Crocodile:Ā 
He has a lot of things that need his attention, you being one of them. But if you want his full attention, youā€™re going to have to work for it. There are the times he fingers you to be nice, to prepare you at least somewhat to get fucked by that big cock of his, but then there are the times youā€™re just so needy but heā€™s working late and you find yourself slipping into his office around midnight, your pussy so wet it feels slippery to walk, your juices soaking through your panties. And he makes damn sure to point that out when you sit on his desk and spread your legs. Heā€™ll sit back in his chair in a cloud of cigar smoke, watching expectantly as you push your panties to the side and finger yourself like you were just doing in your shared bed, and when that isnā€™t enough for you, you pick up his hand and push his fingers into your aching hole. You grind against his hand until you orgasm, and when you finish, he raises an eyebrow at you, a signal to clean his hand off with your mouth so he can get back to work.Ā 
Doflamingo:Ā 
He loves nothing more than to put his pretty little pet on display, and his absolute favorite way to finger you is in front of a mirror. He strips you down completely, remaining clothed himself, and sits you down in front of your naked reflection, your back pressed into his massive chest. He hooks your legs over his knees to keep them spread wide while his hands remain free to torture you, pinching your nipples so you can see for yourself how red they get when he has his way with them, spreading your outer lips and making you describe how your folds are glistening wet, grinning like a mad man when you admit itā€™s all for him. He takes his sweet time with you, sometimes doing this for up to an hour and not even making you cum once. And of course, he can never keep his tongue to himself, so expect him to be licking all over your ears and neck as he works.Ā 
Corazon:Ā 
Heā€™s actually so nervous the first time. His hands are so big, and you seem so small by comparison, especially your cunt, but you look so desperate, with your brows furrowed and your bottom lip quivering as you grind against his thigh. Whatā€™s a man to do? So, he gently slides your panties down your legs and feels your messy cunt for the first time. He can barely breathe as he drags his fingers up and down your slit, and he almost chokes the first time he touches your clit, his heart jumping in your chest when you whine. He does it again, though, and then again, rubbing your clit until your body is shaking and your hanging onto him for dear life, your orgasm tearing through you. Only then does he try putting a finger inside you. And every time thereafter, he does it in that order, knowing damn well that first clitoral orgasm will leave you desperate to have his fingers inside you and then for another orgasm, which is exactly what he wants, you cumming on his fingers over and over again.
ā€”ā€”ā€”
Hope you enjoyed it! If you want more, you can check out my masterlist here!
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dawnoftime22 Ā· 2 days ago
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can i get a fluffy taylor request where reader(who is in a established relationship with tay) is bipolar and like- they are starting to hit a depressive phase? its not too bad or serious they're just numb and sleeping a lot and needing comfort and support? its fine if not. just know you're loved, take care of yourself
just be here.
| T.S
Warnings: Numbness / dissociation, R being stuck in bed and sleeping a lot, feeling guilt / small anxiety, more non verbal reassurances than verbal, shower scene with tay; sweet details only
Summary: As an empty day hits you, you end up with lots of sleep, and no productive things done. Taylor gets concerned, but takes loving care of you, with kisses and reassuring touches.
Word Count: 5.8k
Category: fluff, comfort, hurt/comfort (at the beginning if you squint?)
A/N: this isn't really a work of mine I'd say I like because it feels like a mess, but its the best I can do :') starting is a little slow, but it dives into the full comfort in the midday cut if you only want to read that<3
Request A/N: hey, if you're going through this, I understand. just know it won't last forever. I've gotten out of it just recently, it just takes time and care. sit and enjoy the little things for now :] I don't know much about bipolar disorder, but I am familiar with what you described, so this is mostly focused on that part<3 thank you so much for requesting with your lovely words! you're just as loved, if not, more!!
| Started on 08/11/2024, 10:32 AM |
| Finished on 12/11/2024, 12:13 AM |
Main Masterlist | T.S Masterlist
Request Guidelines
ā€œI'll hold your hand through it.ā€
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|ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€” āø†āø‰ ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”|
The windows only had a dark blue color. Where the curtains were once covering the view of the dusk sky, they had been draped aside by gentle hands.
It was warm, and perfectly cold at the same time. You could feel the covers cozily upon your body. There was some more time to relish it in, right?
Your vision had caught only a glimpse of the blonde, going into the bathroom for perhaps a shower, just before you let yourself surrender to the void of darkness, once more.
When you woke up again, you realize the brighter light shining through the window, white and gleaming instead of the blue dusk color, and you knew what had happened.
You had slept in the day, once again.
A sigh leaves your lips and you reach for your phone by the nightstand, checking the time. It was 9:30 in the morning, where any minutes later, it would have been double digits on the screen.
You slumped into the mattress, your cheek getting squished against the pillow. That was it, your morning routine had fallen down.
There was nearly enough time for you to set your phone back down and close your eyes again, just to avoid even dealing with it all. Nearly. At least, until a gentlefamiliar voice sounds out from behind you.
"Hey, sweetheart," Taylor softly calls from the doorway, her hand going to rest on the doorframe after making her way from the kitchen. She could just barely see you, holding your phone rather than having your arms curled up as earlier, when you were sleeping.
"You're up?" she continued, tilting her head, but her voice questioned her own observations. It wasn't until you soon turned to face her that she could see you were awake. You shifted groggily, staying under the covers and pulling it up to keep yourself warm.
She smiles softly at you as her heart swells, her eyes traveling your sleepy face. You let out a slow breath, blinking drowzily at her, but soon, Taylor gently pushes herself off the doorframe, making her way to you.
"I didn't have the heart to wake you baby, you looked so adorably peaceful," she murmurs, going to crawl into bed to join you. She lays down beside you, gently pulling you closer to snuggle.
"...and cuddly," she adds, getting under the covers too, because it was getting cold, even with just the ceiling fan on.
You stretched your legs under the blanket with your body, eyes closed to then go into her embrace, burying your face into her chest.
Her hand comes into contact with your hair, fingers going through your strands soothingly. She gazes at you, noticing your quietness.
"I made us some breakfast," she whispered, staying in the cuddle for a little while before she shifts her position, her elbow resting on the pillow to prop herself up in a sitting position.
It was quiet for a moment, the fan humming gently in the silence. You wanted to respond, but it felt too early in the morning to even speak.
Taylor didn't mind though. She gently smooths your hair back, her hands being gentle with affection. "Theres eggs and bacon...some cut up apples..." she says slowly, pausing her movement. She could feel you burying your face further into her chest.
"I would ask if you wanna shower first...but the food would go cold," she adds, continuing the motion in your hair and leaning down to lay a soft kiss to your head.
She was about to think that you had fallen asleep, but then she sees you peeking your face out slightly, your cheek against her chest now.
Her lips raise up into the softest smile at the sight of you. "...Ready to get up yet?" she murmurs, seeing the way you haven't moved at all, other than your little head turn.
A yawn passes by your lips, but you let out the quietest protest of an elongated hum, nuzzling back into her. Definitely not because of a shower, and especially not because of the food your lovely girlfriend's told you she's made, but to getting out of bed.
"You're so comfy, huh?" She chuckles, seeing your pout, although there was a slight difference upon it that tugged at her curiosities.
She shifts slightly, trying to move and get up a little more. "Just a few minutes baby...then we can be all warm again, okay?" she says gently.
You melted into her, slumping further into her embrace and nearly holding on. Her eyes soften sympathetically at your stubbornness, but eventually saw the smallest, little nod.
She took that as a sign to get up, and she felt relief flow through her. Although she would have carried you out from bed anyway. Slowly, she untangles herself from you, moving to help you sit up.
She keeps her eyes on you as the both of you got out of bed. Standing up was groggy, but you managed it with her beside you, eventually making your way out the bedroom.
Her cats were hanging around, Olivia by the kitchen, eating out her cat bowl, finishing her food. The other two bowls were empty, Benjamin laying on the carpet while Meredith was probably somewhere in the music room instead of the living area.
You got to the dining table, seeing the plates had your breakfast all ready. The chair gently scrapes the floor, and you sat down, while Taylor went to pour some orange juice into some glassesā€” one for you and one for her.
When she comes back, you shifted in your seat to get comfortable, then picked up your fork, starting with the apple slices. She places your drinks on the table before she sat down herself.
You took a bite of a slice, and put the rest on your plate. She smiles softly, content in the moment. Her hand reaches out to grasp her drink, taking a sip and relishing the taste, then looking at you after she put it back down.
She watches for a bit, her eyebrows furrowing slightly. "You're quiet..." she whispers softly, the words slipping out faster than her mind can reach. She noticed the way your eyes went to her instantly, flickering with a milisecond of emotion.
"I'm sorry, its just..." you whisper, having had no intention to make her feel like you were treating her any differently. Or, anything. It might've been the only thing that could make your heart feel like sinking for the present moment.
"I don't have anything on my mind right now..." you mumble, staring down to your plate, pausing your eating. Taylor shook her head gently, quickly taking back her words.
"No, I don't mean it like that," she whispers. Her shoulders fell ever so slightly in regret, and a frown was on her face at how your mind jumped straight to thinking she meant it in a bad way.
She reaches out to gently grasp your hand, assuring you softly. "I don't mind it when you're quiet." Her eyes search yours, finding there to be a certain blankness within.
"I'm just...concerned, baby," she adds, worry growing into her heart. She gives your hand a gentle squeeze, starting to feel that something was off.
She then takes in a breath. "...You know, Olivia was in space yesterday," Taylor says suddenly, gently cutting the quietness and returning her hand back to herself. You missed the embrace of her warmth already, but you didn't say anything.
You blink at the sentence though, wondering if she thought of it due to you zoning out, or if it was just the first thing she thought of to say next.
"What?" you whisper under your breath, looking at her. She returns your gaze, hers softening instead of being fully concerned.
A chuckle leaves her raised lips. "Yeah, looking like shes flying through space. I mean, I took some photos if you wanna see..." she murmurs, grabbing her phone from the table, just beside her plate, flipping it to the front to unlock her screen.
You wait patiently, a setting your fork down to lean against the dining table, watching as she goes to her photos to find it.
She stifles a giggle when she did, then turned her phone to show you it.
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Your eyes widened, and a smile, for once, rose up from your lips, joined in with a giggle. "Tay..." you whisper, all while she was laughing off her heart.
"Amazing, right? Like...that one rainbow cat. The nyan...nyan cat?" she adds, grinning widely at you. Your giggles turned into a laugh as you nod, agreeing with her reference.
Her heart swells at your joyous sounds, finally getting at least a single full smile out of you in success.
When you both soon finished up breakfast with some passing time, you had stood up, taking the plates to the sink to start cleaning them.
Taylor was finishing off her drink before she steps off to you and leans over to put the glass in the sink.
She then gently wraps her arms around your waist from behind, giving a small, gentle kiss to your shoulder before resting her chin atop it.
Your heart warmed at the sweet gesture. Her eyes watch you put the soap on the plates, cleaning off the grime and dust.
"...How about a warm shower later?" she whispers softly, her voice near your ear, her warm breath nearly tickling your skin.
You thought about it for a moment, then gave way to a gentle, "Yeah...sure." Taylor was smiling softly, resting her cheek then to the back of your shoulder.
You turn your body slightly, pausing the washing to give her a gentle kiss. Her smile grew wider, and she met you halfway in a tender gesture.
The shower later was warm, a slow, affectionate atmosphere. It kind of left you feeling unreal, like you weren't even in your current reality.
As Taylor gently puts the shower gel on your skin, you were spaced out, off onto the shower wall. You had already helped her clean, and now she was returning the gesture, which usually you would be adoring her features as she focused, but your mind was off, and it couldn't at the moment.
She notices your expression, unbothered, but not enough to count as nonchalant. You felt like you were a car, always set to neutral mode all the time, and the world seemed gray along with your feelings, aside from Taylor, being sweet with her love and radiating the golden sun's warmth.
Her hand carefully roams your skin, fingertips brushing by every part of you as the running shower's sound echoes through the bathroom.
Taylor then leans in to give your cheek a kiss, as soft as the warm steam going up. "You okay, sweetheart?" she whispers softly.
Your eyes travel to her, catching smoothly with ease. "...Yeah..." you whispered back, trying to give her a small smile, but even she could see through it, see the slightest hint of a stoic look in your expression.
Her lips turn to the smallest of frowns, but she gives you another kiss, this time on your shoulder once the shower gel was rinsed off, her eyes going down to focus back to cleaning your body. "Okay..."
When she finishes up rinsing off the last of the shower gel on your body, then letting you both soak in a bit longer in the warmth, she soon turns off the shower, the water no longer felt cascading down your body.
You reach for the towel, drying yourself off before stepping out the shower with the towel around you. Taylor did the same, following you, and slipping her hand to yours, intertwining your fingers before you go to the bedroom.
You get your clothes on, after the tensing of the cold air. As you adjusted the hem of your shirt to fit completely so it wasn't bundled up, Taylor came up behind you, since you were standing facing the bed.
Her finger comes up, giving a gentle tap to your shoulder. The touch was light, but it got your attention enough to turn around.
She held up one of her hoodies, which was her lover hoodie that she loved wearing often, now offering it to you for today.
Your expressions softened, and you nod, letting her help you slip it on, getting your head up the neckline and pulling the sleeves on your arms.
She smiles once she was done, stepping back with a proudness in her heart of you in her hoodie. It was a usual sight, but it never failed to reach her precious heart.
The smallest hint of a pink tint came up in your cheeks, and Taylor went to sit down at the edge of the bed, still looking at you.
You go to get in bed, but going to the pillows, laying down and pulling the covers back up your body.
Her gaze softens when she follows your trail, and she joins you, scooting beside you, finding that you were spending much more time being cozy.
She wraps her arms around you, pulling you in closer. A small silence, at least, goes for a little moment.
"...Do you wanna watch a movie with me? Or...come join me in the music room?" she whispers. The windows were still bright with the daylight, shining in through and making the room glow, but cozy enough to send you into a dozy state.
"I...kind of just wanna be in bed..." you whisper softly back, curling into her. She could feel your nose ever so slightly brush against her shirt.
"You sure, baby?" Taylor asks, her eyes searching your body language, and just a bit of your eyes she could see.
"Yeah...its okay, you can go write..." you say softly, pursing your lip. Then a soft yawn escapes your mouth that you had to cover with your hand.
"I'm sleepy..." you murmured then, snuggling closer to her and slowly letting your eyes close.
Taylor looks down with concern growing on her expressions, but her hand gently rubs your back. "Well...okay, sweetie," she whispers back.
The fan was humming with wind, keeping the room filled with air and a certain coldness. You couldn't tell if it was because of your dust colored blue walls, or if the fan was just too cold.
Another yawn passes by your lips, and you curled up further. You wanted to go back to sleep. It was so tempting. So cozy and cold, even if it was the afternoon already.
You couldn't resist...
|ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€” āø†āø‰ ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”|
Taylor sat beside you after coming back from some songwriting.
She settled with nothing but only her own presence and your sleeping one. Her phone was on the nightstand. A book she was reading, was sitting over by the desk, and her guitar, was on its stand.
Her eyes search your figure from behind. You weren't even on the pillows anymore, you were in an odd horizontal position, curled up, like you were a cat.
She guessed you had been in and out of sleep, changing positions from the ruffled up look of the blanket and sheets.
She could see the dishelved look on your hair, and you didn't even have the blanket up your body.
A small breath leaves her soft lips. Her hand reaches for the covers, and she pulled them up, gently warming you up so you weren't going cold.
Before she could return back to her comfortable position, she soon heard some rustling from you stirring. She held her breath, freezing. But you were just turning around with your eyes still closed. Your arm had fallen to the bed once more in the roll of your body.
She lets her breath release in relief, realizing you were only moving in your sleep, your body urging to get comfortable.
When she leans back to the pillows, she gazes your face, her arm draped around your body. You seemed so sweet and peaceful, she almost didn't want to wake you at all.
But as much as she loved seeing you asleep and wondering what you were dreaming, she couldn't help the concern poking her heart. You may have simply needed the rest, but shutting down the whole day certainly wasn't something usual of you.
She wasn't upset with you. Not at all. She was simply aching at the thought that you were possibly struggling with something, but not wanting to tell her, or even maybe unable to describe it.
Sometime soon, the way your soft breaths turned more noticeable was a tell that you were waking up, along with your slowly opening eyes.
You let out a slow huff of a breath. Your body felt heavy. Your limbs were sore, and especially your legs and feet. You had been staying in bed for too long.
The feeling was still there. The blank feel of your own eyes, the feel of your heart. You swallowed the sleep in your throat, turning your head groggily, and your face peeking out from Taylor's chest.
She notices the movement, and looks down, tilting her head to see you. "...Sweetheart?" she whispers softly, her thumb going to gently rub your back.
You look up at her, a stoic looking expression on your face. You took a deep breath, then sighed softly, feeling the way your body sinks at the exhale.
She could see it. That faraway, distant look. Her eyebrows furrow, trying to put pieces together, of what could possibly have reason to your change of behaviour. But she stopped her mind, because maybe she didn't need to put a reason to it. Maybe she could just provide you your comfort and warmth.
What made it even worse was, you didn't even feel heavy. Maybe even floating, but you didn't feel like that either. You were grounded, present, but everything was like white noise.
You had showered in the morning, but because you had been napping, you didn't even feel clean anymore. Definitely not refreshed, either, even though you've caught all the sleep in the world.
"I'm sorry," you whispered softly, nuzzling into her. Her eyebrows furrow, and she looks down at you.
Taylor took in her own breath, pulling you in closer. "...Shh...It's okay...what are you sorry of...?" she whispers softly, knowing your lack of communication, meant something was off.
"Whats wrong, baby?" she asks softly, moving your stray strands of hair aside, keeping them clear from your eyes.
You curl up into her, snuggling in to find comfort in her embrace. You wanted to tell her. But the room was quiet. You could only feel the coldness of the wind, coming from the ceiling fan above you, brushing against your skin.
Everything seemed bare, felt like it was dull arrows piercing through an empty heart. You rest your head against the front of Taylor's shoulder, one arm around her while your other hand was fiddling with the fabric of her shirt.
Her hands go through your hair soothingly, waiting patiently for any sign that you would perhaps talk, but didn't mind not having an answer, at least knowing you were relishing all the comfort in her embrace.
She nuzzles into your hair, breathing in the scent of shampoo from the shower earlier, then contently sighed, closing her eyes and resting her cheek against you.
Your finger drew mindless circles, and your thumb went in a back and forth position here and there. "...What if it stays like this...?" you whispered. You then took a breath in, wanting to say further, but then you just exhaled it out shortly after, too tired to even say anything else.
She looks down at you, leaning back slightly. "Us, baby...?" she asks, wondering if you were relishing in the quietness. You shook your head.
"Me, sleeping constantly..." you murmur, the slight guilt etching into your voice. You hadn't done anything for the whole day,
"Oh...it won't, darling..." Her arms around you tightened, pulling you in closer. You lean into her, feeling the water in your eyes blur your vision, but you blink a little, and they were gone the second they came.
"...Just...I feel useless...and I didn't do anything today, or hung out with you." Your voice was getting quieter, smaller, possibly even along with how you were shrinking into her, burying your face into the crook of her neck.
She brings her attention to her thoughts, going through all the words in her mind. "You did things with me today. You got up from bed, ate your breakfast, showered...thats enough for me," she reassures you, letting out a soft breath.
"...You know, its normal to get some extra rest...even if you feel like you haven't 'done enough' to get up to that point," she whispers, laying a kiss atop your head.
"Its okay. You can just stay here with me for now," She whispers, resting her chin where she kissed afterwards, making you feel the warmth of her embrace enveloping you.
You heard her murmur, but you slump ever so slightly. "But when will it stop?" you whisper, one of the other problems tugging at the veins of your heart.
Her soft, non audible sigh was provided with an ache in her heart. "I don't know either, sweetheart..." she tilts her head down, looking into your eyes. "And thats okay. You don't always have to worry when it ends, maybe it'll just...happen," she whispers, nuzzling into your nose.
"...It happens with me too, you know..." she says, remembering all the times shes come back home from her shows, or an interview. You look up at her, searching her eyes. She smiles softly, giving you a gentle kiss. "And you've seen that I always turn out better...because you were always beside me."
The quietness goes for a moment, but now with a small drop of comfort, filling the space, some minutes for you to linger on her words. She gazes off to the doorway of your shared bedroom, deep in thought.
"Do you want something to eat...?" she whispers slowly, leaning back slightly to see your face. It had been hours since breakfast already, and she knew lunch was coming around.
Your stomach did feel empty. You hadn't noticed it until now. But you nuzzle back into her. Her arms instinctively tighten around you, a smile tugging on her lips.
"Its comfy..." you murmured. You certainly didn't want to let go, especially with the covers being as warm as Taylor, acting like a shield to the cold.
She gives another kiss to the top of your head, struggling to resist her smile. "Baby...as much as you look adorable, buried in the covers looking like a teddy bear..." she trails off, her eyes traveling down to you.
"Maybe you can be just as cozy when you're out of bed?" she suggests gently, tilting her head. Her thumb gave a sweet caress on your back.
You look into her eyes, hesitant on her gentle urging. The floor seemed too grounded for your feet, but the bed was also too soft for you to stay any longer without feeling the soreness.
After some consideration, you soon accept it with a gentle nod, the churning in your stomach unable to stay unnoticed anymore.
She smiles, ever so slightly, sitting up to start getting up from the bed. You felt a twinge of disappointment at the loss of warmth, but you follow her as she helps you.
You let out a gentle sigh when you sat at the edge of the bed. Taylor waited patiently when she stood up, her gaze gentle over your face. Her hand held yours, keeping touch.
You could feel a gentle squeeze, giving you reassurance before you finally will yourself to stand up. Although maybe a little too fast, causing you to blink at the dizziness and lean yourself against her.
She held you gently, her hand slipping out of yours quickly to wrap her arms around your waist, keeping you steady.
Whats worse is, you didn't even feel tired. You had feelings, but they weren't felt in your heart. There was sleepiness evident, but not tiredness evident. You were simply living in your body and drifting through time.
The world fell quiet, for once. But almost too quiet. Your ankle had pressure as you took your steps forward, and Taylor could see the slight disorientation mustered on your face, so she kept her eye on you, walking with you.
"Slow steps, baby," she whispers, concern etched on her face as she guides you. The deja vu of the moment was starting to run over your mind.
When you got to the kitchen, you sat at the barstool, while Taylor went off to open the cabinets, looking at the options to then take a glance to you.
"Toast or something else, baby?" she asks softly, her hand still holding on the handle of the cabinet. You turn your head up to her, blinking.
"Toast," you answered quietly. Taylor nods, and grabbed a plate, preparing it for you with your favorite spread on the bread.
Once she was done carefully setting it, she sets the plate down in front of you with a gentle clink, then smiled softly, leaning against the kitchen island.
You look to it, then lean forward a little, reaching out to take the toast into your grasp and put a bite into it.
As you chewed, you stare down at your sandwich in your hand, but couldn't help space off to the side a little, or the marble top of the island. You couldn't tell.
A quietness overlays the room. Taylor's eyes roam your expression before she rounds the island to your side, sitting beside you on another barstool.
"Maybe, if you want, we can sit outside for a little bit, you know?" she says softly, resting her arm on the kitchen island, along with her cheek against her palm.
You look at her, getting out of the zoned out state as she gently pulls you back to reality. At the same time, needing to swallow the bread in your mouth and take another bite as she watches.
"Have some hot chocolate..." she suggests softly, trailing off with a gentle smile growing on her face, her eyes going to you. She had made the corner of your lips have the smallest raise.
Taylor waits a little longer, seeing the wheels turning in your mind. "...Hm...?...is that okay with you?" she murmurs softly, in search of confirmation.
You think about it for a moment. Going back to bed seemed so nice. But having hot chocolate in the sun with Taylor? It was...an equal deal. Most times you didn't even need to think about such an offer like that, but even you couldn't figure out what was wrong with your current mind, if there was anything that needed to be identified.
A breath slowly leaves you, and you gave in with a nod, along with a small raise on the corner of your lips that didn't reach your eyes. "Sure."
She fully smiles now, and gives a nod of her own. "Good, I'll make the hot chocolate while you eat," she says, getting up to return to the kitchen counters.
You could hear the creaking of the cabinets, the pouring of hot water, and the gentle clinking of small spoons, stirring against the mugs.
It kept you focused on her, seeing her every move as she made the simple recipe of a warm beverage, easily fit for the midst of days like these.
Once you finish your sandwich, you put away the plate in the sink, although deciding to wash it later since there will be mugs too, now.
Just as you were finished, Taylor was too, and she had gestured to you your drink beside her on the counter, her hand still stirring her own.
You take some steps over to her, your hand about to reach out for the drink. "Careful, baby...its hot," she warned gently, wanting you to be careful.
You look to her, but then gently wrapping your fingers around the mug's handle. "Its called hot chocolate, anyway..." you say, the smallest smile on the corners of your lips, but it elicited a giggle out of Taylor, her head nodding in agreement. "True," she says.
You walked over to the front door, unlocking it and opening it slowly. The sunlight was shining down on everything, making a bright glow against the wooden porch. It was also going to be the sunset soon, too.
Taylor was about to join you in going outside as she followed, but got distracted by a nearby Benjamin, who had gotten curious of the front door opening.
His blue eyes stared gently right back up to her own, and she couldn't help but smile, bending down to gently pick his body up with her free hand.
Then, she joins you, stepping out the house and sitting down beside you on the clean steps of the porch. You were gently blowing on your hot chocolate, although there was a part in you that had an urge to simply take a sip, you remember Taylor's sweet warning.
She settled down with Benjamin, now laid down on her lap comfortably. Once she got comfortable, she puts down her mug, making sure it wasn't in a place where it could be knocked over.
You took some gentle sips, although it was still steaming hot, you could feel the warmth of the hot chocolate, running down easily through your throat, a soothing feeling that sank to your body.
Taylor glances to you, her eyes gently roaming your features and expression. She takes a moment, just a few, before she shifts closer and reaches her arm around you, pulling you closer just a little.
You blink slightly at the pull, but you lean into it eventually, melting into the side of her shoulder. Benjamin noticed, his ears tilting a little, but then he goes into your lap instead, resting cozily, purring. You could feel it.
It almost only made you feel sleepier. But in the comforting way, like the sunshine on your face, melting away the cold.
A gentle smile turns up on her face as she looks at you, then wraps her arm around you, comforting you with her touch.
She could see the relaxation going through you, finding solace in her presence as she simply sits there, peacefully with you. Maybe you didn't need anything else right now. Maybe you didn't have to do anything, but just be present.
Her thumb gently rubs your shoulder through your shirt, and she leans her head against yours, turning to give a lingering kiss before getting comfortable again.
She watches the birds fly in the sky, returning to their home or go to find food. "...Baby?" she starts with a whisper, gently catching your attention to her.
You turn your head to look at her, seeing she had leaned back slightly to look at you properly. "...Mm?" you responded with a questioning hum.
She stays quiet for a moment, simply searching your eyes, as if she was trying to read your thoughts.
"...Can you tell me something, honey?" she asks softly, her other hand coming down to gently slip into your own hand, intertwining your fingers. You gave her a gentle nod, wanting her to continue.
A bit of her lip gets captured by her teeth, but then she lets go to speak quietly, treading carefully. "Do you need anything?"
You thought about the question, your eyes slowly blinking through it, and there was a near furrow in your eyebrows, but eventually her question was answered. "...Just you."
A small smile grew on her lips, but the breath in she took told that she had more to say. "Okay, then be honest with me on this one," she continued, her voice a little more serious, but still soft and sweet.
You stay quiet, waiting for her next words. "What's going on...hm?" she asks with a slight tilt of her head, her hand that was on your shoulder going down to find ground on the wood of the porch.
Your eyes divert from her gaze the second her question came out, a small breath escaping you slowly, but your free hand went to Benjamin's soft fur.
Her face softens, seeing the way you turned away, and she gave a gentle squeeze to your hand. "You don't have to tell, and I won't judge...but I'm worried. I mean, aside from all the sleeping..." she murmurs, knowing there was something else.
You take a moment to respond, your teeth sinking into the side of your lip. You didn't want to answer. You didn't know how to. But it was Taylor, and if anyone could understand your feelings the most, it was her.
Your shoulders lowered slowly with a breath, your eyes downcast. You gathered your words before you softly spoke. "...I don't know whats happening anymore, Tay."
Your gaze returned to her, your eyes squeezing slightly in sadness as you then lean your head against her shoulder. "I feel so...sleepy...but I've gotten so much sleep."
Her hand rubs in a soothing up and down motion on your shoulder, pulling you closer before she gives a kiss to your head, listening closely.
You sighed. "...I don't know. Its...everything is just...gray. I can't find...passion. And not even music helps..." you continued, with your last words being quiet, and then you slumping into her in defeat.
Taylor's heart broke at the heaviness your shoulders seemed to be holding, even if it didn't show, or didn't felt like it was there.
But she took her heart's love, trying to help you find your way back. "Its okay if you end up not being able to feel things sometimes, you know..." she whispers softly.
"I mean, its...not great, but you're still here, aren't you? Being present, still giggling every once in a while even if its hard." she says softly, a small smile coming up on her face to reassure you, and you did feel your heart soften.
"Maybe your brain's just trying to protect you, from big feelings, but it doesn't know how much to reduce?" she pauses for a moment, her mind wanting to be careful with her words. A breath of air goes through her lips.
You frown, hugging her closer and going closer the best you could with Benjamin in your lap. You could still feel the purring. "I don't like it..." you murmur, hating that you couldn't seem to feel anything, nearly to the point that you were even beginning to think it was becoming your personality. But Taylor knew it wasn't that.
"I know...but it won't last forever, sweetheart," she reassures you softly, her arms tightening around you. Her embrace held her love.
"Your passion will come right back to you sometime soon, and maybe you'll even blink and its right there again." The words were simple, a gentle but clear meaning to you in your mind as Taylor gazes off to the neighbourhood.
"Maybe we don't have to...do anything...we can just...sit," she whispers, relaxing slowly with you. She could feel your own body, melting away the tension.
"...And I'll be right here, beside you." Her murmur was quiet, leaning back and tilting her head to look at you, then kiss your cheek, a breath of near relief escaping you as you bury your face into her.
"Its okay."
"We're gonna be okay, baby."
----------------------
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clubsmarties Ā· 1 day ago
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ā€”
"They're very easy to win over. The only thing that would give you trouble is if you happen to cause me any sort of harm." The smile told her everything from how he was only kidding and how his sisters would like her. She'd pretty much secure being liked by Emma. "Hmm. I like that. It wouldn't be food or homework. Okay, if I win then you let me take you out dancing without knowing any other details."
He raised his hands in slight defense and laughed. "That's more than I can do so you're already better than I am. Do you make the grilled cheese really melty? You're conquering chicken noodle soup, see I was right about master chef."
"Right? Everyone passed her by and so I felt like if I did that I'd be an asshole. Final stop was going to be California. The Bay Area specifically. It's cold and I would be irritated with the heat. But somehow that translated to Texas." A small amused laugh escaped him at that. "Dont think it was all bad now." His smile couldn't be helped as he nodded. "That is the actual best. Watered down chocolate tastes like it has no flavor and it is so disappointing. I think I got really sad that first time. Then Stella at the diner had me control the machine. That's how come I'm in charge of the coffee machine."
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He pushed his nose against hers and smirked as he pulled her bottom lip between his teeth and sucked on it. If it weren't for her mischievous smile he would have thought that this wasn't a good idea. He gave her a small little peck before he rearranged himself and moved over to sit in front of her. Cupping her face he kissed her again, this time letting one hand drop and roam down her sides.
The hoodie being a little big on her made it easy to land his hand underneath to touch her warm skin. As he let his hand explore he found the unexpected, the hoodie was covering a lot more than he realized. He let out an appreciative sound at the softness her skin provided the palm of his hand. It was times like this that he was grateful he didn't have a roommate. No one that could come in and interrupt their slow getting to know each other. Smirking against her lip at the way her body responded to him made him feel smug. He'd been told how this could go but words didn't give the feeling justice. The feeling of making someone else feel safe enough to let go and let them see the inner most vulnerable parts of themselves.
"Really? You are giving me the key to woo your sisters, I'm liking my chances," she was beaming with happiness. Though, the idea of meeting any family did frighten her. She kept that to herself for now. "Um, fair enough. If they're not embarrassing, then hm, I'll owe you something. Your choice."
"Don't feed my ego," she warned as a smile peeked through. "Three things, yep. I can kinda make grilled cheese, scrambled eggs, and chicken noodle soup. That last one is tough," she joked, though it had been a mission to learn. Though, now she made a mental note to check in with her dad, to see when they could visit. Or if he'd be away on some trip, maybe they could go then. Just to not scare Eli with the, meeting her parents conversation.
"Woah," she breathed out at the twist and turns that brought him here. "Sounds like I may need to be thanking this lady and her luggage." Or, more accurately, she should be thanking him for his kindness and willingness to help a stranger. That's what led him here, after all. "That is definitely some way to land in Texas. So, you've been at the diner for quite some time, wow. If not Texas, what was the final stop then?" Only curious to know where he would've ended up if he had made his connecting flight. "Us two with the pretty eyes, lucky us." Laurel laughter burst through her lips, shaking her head as he agreed with her. "With marshmallows? Now, that sounds good. Watered down sounds like a crime. Well, the moment there's a chill in the air, I'll be buying hot chocolate with the marshmallows." That piqued her curiosity, what kind of absurd questions were they asking his sisters? "You just want me to ask, and prove that you don't share, huh? I'll indulge you though. It'll be my first question to your sisters."
Laurel's heart was beating in complete anticipation as his fingertips grazed her lips. Meeting his green eyes was a rush of excitement, subconsciously leaning in to meet his lips. It was a bit of an odd angle, but she didn't mind it at all. It was a slow warmth spreading throughout her, her heart pounding in her chest as she leaned in just a bit more, trying to get a taste of his lips. Trying to learn everything that had not yet been asked between them. She had loved the two kisses they had share up until now, but this one was special. It was gentle and slow, nothing rushing or interrupting them. Frankly, she could've stayed here all evening. "I can confirm that I'm a fan of the slow make out." A breathy laugh followed his comment, nudging him gently with her nose. "Is there an option for all of the above, including that unspoken third option?" Because that option sounded really good right about now. "The order of the activities doesn't really matter either," she mumbled, and that might've been interpreted for shyness, if her mischievous smile was not betraying her.
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dullgecko Ā· 2 days ago
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Ok, since you said this is how we play I'll try It, how does Riz react when he learns he's Friends are alive? I guess he feels relive, that means he hasn't got them kill but at the same time why haven't they revivem him?
Yeah baby! Play the game get a prize (the prize is more words)
Part 1 - Part 2 - Part 3
There was something to be said about being dead, Riz certainly didnā€™t feel himself getting tired anymore beyond the general brain fatigue of reading through records for hours on end. Bytopia almost rivalled the nine hells when it came to bureaucracy but the rogue considered himself an expert after helping Fig claim ownership of the bottomless pit. A little angelic paperwork wasnā€™t going to stop him even if he felt like he was going a cross-eyed from reading through rulebooks and forms.
Once Pok had shown him to the record room, a vast almost endless plain of bookshelves that stretched to the horizon hidden behind an unassuming door in the fields of Elysium, heā€™d been called away to deal with a problem for the LPRTF. Riz getting left behind to find the information he needed with only what little guidance his father could give him in the few seconds he had spare before sprinting out of the room.
This was fine. Riz was his partyā€™s research guy. If there was something here to find he would find it that was guaranteed. First and foremost? Making sure his party was okay. It took him a couple of hours to track down everyoneā€™s files, the goblin feeling relieved when he checked and found that each of them was still okay and alive in turn. Each of their records was a detailed account of their entire lives, the pages in the ā€˜futureā€™ were written but even looking at them made his head spin and he couldnā€™t make heads or tails of it. He absently wondered if maybe Adaine would be able to see what was written there given she was the oracle, but the better question would be whether she wanted to read it.
He didnā€™t want to violate his friendā€™s privacy too badly though, even though he was very tempted to take a quick peek at their childhoods, only quickly checking their status was listed as ā€˜aliveā€™ on their files before placing them back where he found them. Checking his own records should be fine though right?
Finding his own records was a lot harder, mostly because they were stored separately from those still on the Prime Material, and when he found it it was almost triple the size of his friends. Reams of paperwork regarding his employment with the LPRTF enclosed between the covers of the folder making it much thicker. He carefully started pulling out and reading through the bundles of paperwork, mostly just curious if there was any information that could be gleaned there but his brows ended up knitting together in confusion. The goblin tucking the folder under his arm as he went to find a reference book to double check everything was filed correctly because he had a niggling feeling still that something was off about his current life-status.
-0-0-0-0-0-
Time, when youā€™re dead, can get a little bit weird. You donā€™t need to sleep or eat (even though you can if you really want to) so the normal methods Riz tended to use to track the progression of time were completely absent. Because of this it had been nearly five days after entering that he finally stumbled back out of the records room, clutching his own file and a reference book in one hand and a slightly crumpled wad of paperwork in the other, and at least three files with his tail. The goblin looking a mix between completely and totally manic and gleeful as he stumbled over to the nearest agents desk and slammed the paperwork down in front of them.
ā€œI should NOT be dead. Whereā€™s Agent Gukgak?ā€
ā€œHe is, um, out? Some trouble in the Nine Hells.ā€ The gnoll whoā€™s desk heā€™d slammed the paperwork onto looked surprised, hyena ears flicking as they glanced between the face of the slightly unhinged looking goblin and the paperwork pinned under his hand.
ā€œOh okay, cool, never mind Iā€™ll just talk to you then. I shouldnā€™t be dead.ā€
ā€œYou saidā€¦ but Iā€™m going to assume youā€™re going to explain why?ā€
They knew this was Pokā€™s kid, everyone in the LPRTF knew who he was and when word came in that heā€™d ascended at only seventeen theyā€™d felt awful for him. Their wonderfully talented part time lower planar consultant suddenly promoted to full-time agent before he was even legally an adult? Incredibly sad, but there was little they could do about it other than help him through the first few stages of realising your ticket had been punched permanently. He looked WELL and truly into the denial phase right now.
ā€œYes. Okay, look. I found my file and all my employment paperwork and stuff.ā€ Riz juggled his armful of papers, dumping them onto a clear spot on the gnoll agents desk and flipping open the reference book to the pages heā€™d marked. ā€œYou guys had permission to fast track me to ascended soul when I died and lock in my employment. This form.ā€
ā€œSure did honey, didnā€™t want you having to spend weeks in limbo while we processed everything so it was pre-filled for you.ā€
ā€œCool, alright, you know what Iā€™m talking about then.ā€ He shuffled through the pages until he found the one he was looking for. ā€œItā€™s filled in WRONG. Youā€™ve got it listed as ā€˜on the event of my deathā€™.ā€
ā€œYes dear.ā€
ā€œNo you donā€™t get it. Itā€™s been filed as ā€˜on the event of my next deathā€™ not ā€˜permanent deathā€™. They filled in this bit of paperwork wrong. Iā€™m an adventurer we die all the time but our cleric usually brings us back.ā€ He jabbed at the page, juggling another file onto her desk from the stack he was holding with his tail. ā€œThis is my friend Kristens file, sheā€™s my party cleric, she tried to resurrect me within fifteen seconds of my dying but you guys had already locked me in to becoming an ascended soul working here. You stopped me from being resurrected with the protections that stop agents being summonable to other planes without prior approval. She totally could have brought me back.ā€
ā€œThatā€™s not-ā€œ The gnoll agent blinked, pulling the page Riz was jabbing at closer and reaching over to grab the reference book as well. The agent flipping through a few pages before smoothing out the slightly crumpled page Riz had been clutching, their eyes going wide with realisation. ā€œ-ohā€¦ oh dear. Wellā€¦ youā€™re not wrong.ā€
ā€œSo we need to fix it.ā€ Riz reached behind himself to grab the other files heā€™d been holding in his tail and stack them neatly on the desk, wings relaxing out of their outstretched position to fold comfortably behind his back as he calmed down.
ā€œWell, we can fix it but youā€™re still dead kiddo. This is a huge fuck up on our part but we canā€™t justā€¦ zap you back into your old body. Literally all it will do is change the wording on this form to be ā€˜permanent deathā€™ā€¦ and itā€™s been nearly seven days since you died.ā€ They dug a pen out of their desk drawer, waving it over the piece of paper and instantly fixing the wording in front of Riz before placing it back in his file still sitting on their desk.
ā€œYeah but they could still bring me back. Kristen could try Raise Dead thatā€™s got a ten day time limit.ā€ Riz flicked his tail, drumming his fingers on the edge of the desk.
ā€œNot really? Youā€™re already an ascended soul and like you said, they canā€™t summon you to a lower plane without permission.ā€
ā€œSo? Just get me to a lower plane? Fig is the mistress of the Bottomless Pit they can just resurrect me there.ā€
The gnoll agent winced, having to look away when the rogue dropped his ears back and gave them the saddest look theyā€™d ever seen. Holding their hand up to block their view of his face when he purposefully dilated his eyes to make them look bigger. ā€œNo, stop that. We could try but the process for approving getting an agent to the lower planes can take days.ā€
There was a blinding flash of light off to their left that made Riz drop the ā€˜sad goblinā€™ expression and stand back up straight, ears flicking into an expression of mild confusion as Pok was left behind in the wake of the beam of light. The older goblins hair smoking slightly and smelling heavily of sulphur as he glanced around the field and zeroā€™d in on his son.
ā€œHey sport. Feeling better? Find what you needed to find?ā€
ā€œYeah. Paperwork was wrong. I shouldnā€™t be dead.ā€
Pok blinked, glancing at the gnoll agent who just nodded and shrugged in answer to his silent question. ā€œOh. Alright then. Glad to hear it. You might want to come with me then.ā€
Riz ruffled his wings and trot over to take Poks hand when it was offered, his father leading him away from the field full of desks until they were barely visible in the distance. The rogue just making a confused noise before reaching out to dust some of the soot off his dads back while they walked.
ā€œWhere have you been?ā€
ā€œJust a few problems on the lower planes, I had them teleport me back here when I realised where the problem was headed.ā€ He laughed, leading Riz up and over a hill that looked down into a different field of Elysium below them. A jagged tear splitting the landscape like someone had ripped a hole in a piece of paper, the bow of an unfamiliar ship jammed through the crack and allowing several demons to spill into Bytopia unimpeded.
All Riz could really do was stand there in shock as several figures clambered their way out of the ship to the ground, one of them stabbing one of the demons that launched themselves off the ship after them and putting them down in one attack. The figure turning to point their sword at the nearest celestial trying to fight back the incursion in order to ask them a question.
ā€œYOU! Where the FUCK is Riz Gukgak?ā€ Fabian slashed at another of the demons as they tumbled off the ship, giving it a swift kick to knock it back through the rift.
ā€œOh. Wait are my party the problem or are they helping you with a different one?ā€
ā€œBit of both.ā€ Pok laughed, ruffling Rizā€™s hair after letting go of his hand. ā€œThe demons were trying to invade anyway they just hitched a ride on their ship to help fight them backā€¦ and probably come to fetch you.ā€
ā€œWellā€¦ saves me a trip to the lower planes for a resurrection since I got my paperwork sorted.ā€
ā€œI was a bit worried weā€™d have to fight your friends off too if they tried to take you but it looks like you sorted out the nitty gritty on your ownā€¦ Good job.ā€ Pok held his arms out, grunting a little when Riz threw himself at him for a hug before glancing back down at his friends fighting below.
ā€œIā€™m going to go helpā€¦ and hopefully get revived. Thanks dad.ā€
ā€œNo problem Riz. Justā€¦ make sure you donā€™t come visit again for a long while?... at least outside of normal consultant stuff at least.ā€
-0-0-0-0-0-0-
Fighting back the incursion had been tough without his weapons but at least he still had claws and teeth that he could fight back with. When the last demon fled back through the rift Riz was left exhausted, covered in gore and with a newfound appreciation for his wings which gave him a bit of an edge when it came to getting into a good position to rip out taller creatures throats.
He was only able to bask in the satisfaction of a fight well fought for all of six seconds though, Fabian dropping Fandrangor to the ground as he scooped the goblin up in a hug that could crush ribs. Riz happily throwing his arms around his neck and hugging back with just as much enthusiasm.
ā€œWhat the fuck Riz, I take a nap for three hours and you go and get yourself killed? Ridiculous.ā€ The half elf huffed, smoothing his hands along Rizā€™s back and tucking him more securely against his front as he turned to convene with the rest of their party.
ā€œSorry. It was an accident. Would have been fine if someone hadnā€™t fucked up my paperwork up here.ā€ Riz purred happily, not caring that he was getting Fabian covered in demon ichor as he was hauled over to Kristen. Their cleric elbow deep in his briefcase as she pulled out a blanket wrapped bundle and placed it gently on the floor. Unwrapping it just enough that it wasnā€™t so tightly bound but keeping the sheet draped over the top so he wasnā€™t visible underneath.
ā€œOhā€¦ thatā€™s my corpse. That isā€¦ deeply unsettling.ā€ Riz winced, glad that he couldnā€™t really see past the sheet that had been left draped over his body. Seeing his own seven-day rotting remains would not be good for his psyche.
ā€œNOT going to be a corpse in a minute.ā€ Kristen reached over to pat his head when Fabian sat down next to her, their cleric reaching into her pocket with her other hand to withdraw a massive purse full of diamonds and slam it on the ground next to the head of the body before her.
ā€œI am going to do this until it FUCKING STICKS this time. OKAY. Riz Gukgak. You are currently available and willing to be resurrected yes?ā€
ā€œYeah?ā€
ā€œGood. Fair warning, this is going to take a while and you are going to feel like shit afterwards. Raise dead is going to leave you exhausted for a while afterwards.ā€
Kristen reached into the bag for a diamond with one hand, holding it up as she touched Rizā€™s body with her staff and started the spell. As soon as the staff touched his chest Riz felt something tug at the core of his being. He didnā€™t resist, letting his consciousness blank out and following the pull as everything went black for what felt like a few seconds.
Riz had to admit, when he next opened his eyes, that Kristen was not lying about how awful he would feel upon being resurrected. The goblin groaning and throwing an arm over his eyes to block out the light because everything hurt. He assumed it had worked though, not just because of the sheer exhaustion he was feeling right now but also because of the delighted exclamations of his teammates around him. The goblin huffing tiredly flicking his tail when Fabian picked him up again and held him against his front, Riz dropping his head onto his shoulder and making an unhappy hissing noise at the movement.
ā€œUuuuugh fuck. Ow? You werenā€™t kidding. How long will this take to go away?ā€
ā€œFour long rests. Sorry.ā€ Kristen pat his back soothingly, Riz absently noting that he didnā€™t have wings there any more and feeling a little sad for their loss. Oh well.
ā€œGods. Okay thatā€™s going to suck.ā€ He yawned, squinting his eyes open to blink at the ship still lodged in the dimensional tear behind them. ā€œSpeaking of suckingā€¦ did any of you tell my mom that I died or is that something Iā€™m going to have to do when we get home?ā€
ā€œOh fuckā€¦ sorry dude we totally forgot.ā€
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quirkle2 Ā· 7 months ago
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shakes him around
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doedipus Ā· 7 months ago
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a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.
it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.
#I wrote a short story from her perspective over the holidays and then didn't know how to continue it#and then I got distracted by real life stuff for a few months#I forget if I posted about that#and then I've been picking through archive dot org for the last few weeks looking at this stuff#the last big rabbit hole was trying to get a better feel for era appropriate ts/tv subculture#the current one I'm looking at is how she would've gotten into language learning and how that would've worked#nettle has been prodding me about the setting thing lately so I've been thinking about that more too#probably the biggest hurdle by far is figuring out how I want to play that#and how I want the thing to be divided up#since the original coc scenario I'm developing this out of is centered on a flight from LA to honolulu#and the airport dungeon was definitely meant to be a hook for a larger campaign#some amount of it is going to cover protag lady's failed life in LA and some of it is going to be worse things happening in hawaii#but it's like. how much do I want to balance it one way or the other#and realistically how much does the aesthetics of 20th century air travel add to the story#besides me personally thinking it's compelling ofc#a lot of what I find compelling about hawaii is that it's an east/west cultural crossroads and realistically that's also true of socal#and I can wax poetic about socal as much as I want without worrying all that much about mishandling something#and there's also a lot of socal specific history along similar parallels to pull from that I'm more familiar with#I guess it comes down to whether curiosity re: 'doing it right' is enough of a motivator to do the increased amount of research#which I guess it has so far with the above character details. so hopefully that will continue#but it also feels like using machine translation a bit yknow. it's hard to know how effectively I'll be able to sanity check#although depending on where this goes I might be able to get other people involved to sensitivity read down the line#with most of the creative things I do I just have a tendency to always rely really heavily on figuring things out myself#I also want protag lady to have a Cool Car and idk how to get that from point a to point b narratively#this is like an entire second or third post's worth of tags but I don't feel like unfucking this so whatever. suffer. I guess.
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dr-hanwool Ā· 2 days ago
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Hearing that not all of the money Hanwool was giving Rain would go to the escort had the other tutting lightly, under his breath. He understood that the club had to make money, but didn't they pay enough already for the bookings and the booze? Hanwool just wanted all of his money to go directly to Rain, wanting to help him in his situation. He knew it was a bit of a long-shot - paying for love was superficial. It didn't pay for the deeper affection that Hanwool so desperately craved - but he wanted Rain to know that should he ever leave the club, Hanwool would be able to provide for him. Still, regardless of his money being split between Rain and the club, it was worth it to feel his heart. To touch the untouchable escort.
Rain's heart was beating so hard, so fast, so much more than the resting rate, the longer Hanwool held his hand against the other's chest. It betrayed his emotions, and while the doctor couldn't pinpoint exactly how the other was feeling, he knew there was only a small crop this kind of heartbeat could come from; fear, nervousness, anger, anxiety, anticipation, excitement, affection. Hanwool wondered which of them Rain was feeling right now, immediately dismissing affection from his mind. Rain's face was as level as ever, staring right back at him, and other than when he flirted a little the escort never showed affection towards Hanwool. The doctor was worried about Rain was scared, perhaps masking his true feelings behind a faƧade of indifference, but when he asked him Rain said he wasn't. His heart told a different story - but which story? Hanwool wanted to know.
When Hanwool apologised for his weird questions, he noticed Rain's eyes widen, seemingly surprise. The escort nodded, but Hanwool wasn't offended. He knew, more than anyone, that his line of questioning wasn't typical. His humour was darker than most due to a combination of the depression nature of his job and his life experiences.
"Yes, Khun... I think it's part of you. It can't be helped."
Hanwool smiled at that, his usually stern eyes softening slightly, especially when Rain covered his hand with his own. The contact was innocent, but electrifying. Hanwool was used to that hand smacking his own away, so to have it instead touching him so normally... well, what was it if not progress?
"Weird or not, you paid to feel my heartbeat. So, knock yourself out."
"You're too kind," Hanwool teased, his hand firmly against Rain's chest, his head leaning even closer to the other's face. Like this, it was as though Rain's heart was pulsating directly into him - a connection of some sorts, one that wasn't exactly the relationship Hanwool was hoping for, but one that was symbolic to him. Even though his eyes were trained onto Rain, it didn't escape how the escorts walking around in his peripheral had to double-take, as if in disbelief that Rain was allowing this to happen. Hanwool didn't care if the money was talking on his behalf - there was no denying that he was now different from the other clients. Special.
"You know feeling your heart beat isn't all I want," Hanwool said casually, truthfully. Nothing he hadn't said before. Rain wasn't a backroom worker, nor did he ever accept backroom offers, so it was moot to bring it up in detail, so Hanwool didn't dwell. "But thank you, for giving me this. It's enough for me." For now, went unsaid, as Hanwool finally pulled away. His hand was still warm, from where it had been pressing against Rain's chest. "Pour me another drink? Any other one."
As Hanwool waited, he cocked his head to the side in contemplation. "I told you that the heart tells me a lot about a person. Usually, I'm, very good understanding its music. But you, Rain... I can't seem to figure yours out." Hanwool smiled, as if love-struck. "Other than the fact that it was beautiful, of course. Like the rest of you."
Hanwool barely flinched at the unexpected answer to his question. He hadn't thought that Rain would ever allow him to be so close, to touch him this way - but to the doctor's surprise, the escort had agreed, setting a price of 7000 baht to feel his chest. The only thing Hanwool could think of was that whatever the price was, it was worth it.
Rain hadn't moved from his spot, and Hanwool's hand was still curled around his back. Slowly, he dragged it down, fingers running along the lined folds of his tank top before he withdrew them into his coat for his wallet. He watched as the other drank from the dark rum again, slowly so as not to choke on it like last time, waiting.
"You're very weird, Khun. Would you pay to touch every part of my body if I allow you?"
"As if you don't know the answer to that already," Hanwool flirted, smiling at the other while taking out his wallet. Each time he had booked for Rain, it had been online or at the counter, the payment swiped into the system. When they sat in the booths, anything extra he spent money on - food, drinks, whatever - he'd pay it on the way out, on his tab. But this was a little bit different, doing it upfront. It felt more personal.
Hanwool just hoped that Rain didn't think he was judging him, for accepting his money. Because he wasn't. The doctor had made up his mind a long time ago that he was going to spend his money on Rain. Besides, this was Rain's job. He was providing a service that not everybody was capable of doing, because of their own prejudices. If Hanwool sat here judging Rain for selling parts of his body to him as an escort, then he'd need to also do the same for himself for being the person paying in the first place. There was honour in all work - though, Hanwool would love for Rain to leave this place one day. Just so that nobody else could ever get a chance to touch him like how he was going.
"This goes right to you, yes?" Hanwool asked as he deftly counted out the notes in his wallet to get the required amount. He didn't know how much money the escorts made from their booking fee, but he supposed it wasn't that great. Rain was asking for a large amount, which Hanwool didn't mind in the slightest - it just was telling about how little he must receive in general. That angered the doctor. Rain was worth double his weight in gold, in his eyes.
Hanwool slid the money over discreetly, wanting Rain to have it in his hands before he touched him, just so that the other knew he was serious and would not go back on his word. He pocketed his wallet when he was done and inched closer to the escort, his head tilted so he could get a good look at Rain's face. His hand was practically twitching on the table to finally touch the man beside him.
Hanwool didn't give Rain warning, but his movements were slow enough so that the escort could see when his hand was about to approach. Gently, with a practised touch, Hanwool laid his palm atop Rain's chest, on the left side of his sternum. The fabric of his shirt was thin, but Hanwool thought it wouldn't matter if the other was wearing layers because Rain's heart was beating hard. Maybe he was nervous because he was trying something new by allowing a client to touch him. If Hanwool was truly delusional, he'd think that Rain was just as excited as he was - but the former reason sounded more plausible.
Thump-Thump-Thump.
Pressing his hand into Rain's chest, Hanwool closed his eyes and allowed himself to feel. The beat was steady, even if it was faster than the resting rate, thumping away against his palm. He hadn't lied to Rain when he said it was like music - it was. A drum, a metronome, a bass guitar - that's how a heart that was alive sounded like. The music of a person's being. Hanwool's colleagues would laugh at him, if they ever found out that the doctor favoured a more artistic and poetic representation of the heart than a scientific, clinical one - but he didn't care, because it was the truth for him.
There were also no words to describe how relaxed Hanwool was, in this moment. He was quiet normally, but even moreso now as he focussed on the beat.
"Are you scared?" Hanwool finally asked Rain softly, noticing the quickened pace of the escort's heartbeat. He opened his eyes and stared deep into Rain's own. "I'm not here to hurt you. I meant when I said I just wanted to feel. You have a beautiful heartbeat." A smile stretched across the man's features. "I'm being weird again, right? Sorry." Rain tended to have that effect on him - make him lose all his brain cells. Hanwool was intelligent, but had a one-track mind when it came to the escort. He'd say he's not usually like this, but Rain wouldn't know that. They only ever met at The Playroom.
He didn't slide his hand down, even after he had felt Rain's heart. He left it there, lingering, knowing this might be the only rare time he'd ever get to touch the other.
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prettyboykatsuki Ā· 1 year ago
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i have deep desire to write for demon slayer (and by write for it im specifically talking about zenitsu currently.) but the story is so deeply impacted by it's setting that its gonna take at least two weeks of research to do it any justice so the plans r Delayed
#aristotle.txt#writing for my hero = easy because im insane and know every inch of it#writing for anything else = impossible#i figured trying to find fic for it was going to feel like this in the first place#from my limited understanding the story takes place in the events directly after japans first industrial revolution#which means that the advent of technology is not only integral to the story telling but there's also like an unreal#amount of sociopolitical context for most of the major details#writing for my hero is easy because a society post tech is very easy to imagine. we live in it lol#demon slayer in particular takes place during the emergence of industry#what makes zenitsu an interesting character to me is that his narration is influenced directly by his class and proximity to modernity#he has a specific level of cynicism i can only describe as post industrial. whether that be his sense of cowardice over tanjiro/inosuke#or his attitude towards women. the way he behaves and how he critically analyzes certain kinds of behavior#like im currently watching the entertainment district arc and i think inosukes reaction vs zenitsus pretty much exactly covers it#where inosuke is overstimulated and tanjiro is reserved - zenitsu recognizes the district for what it is. that quality makes him stand out#a lot among them at least to me. i love hearing him talk sooo much lmfao.#anyways. all that to say. i want to write zenitsu but i need to do more reading to make it any good so . pray for me i suppose#zenitsu the embodiment of men used to chop trees and go to war fr
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orcelito Ā· 1 year ago
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ok. i finally finished trigun 98.
that. Sure Was Something. it's rly interesting to see how the end of 98 compares to what nightow did in trimax. there are some similarities of course, but overall it felt really... simplified in comparison.
my final verdict is that Yeah trimax is still my fav trigun iteration, but by itself trigun 98 is a pretty emotionally fulfilling anime
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gillianthecat Ā· 2 years ago
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Reborn Rich. 65 minutes into episode 2.
i feel like this is a wait-and-see kind of show, and i need to wait til the end, or possibly just later, to understand what it's trying to do and say. but so far i am intrigued and have my wikipedia at the ready.
i will say i am quite impressed with this child actor.
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tamaharu Ā· 1 year ago
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ive inherited a copy of lolita from my parents (i.e. i stole it from the library in our basement and started treating it like its mine) with the 1989 vintage international cover and i think its actually not that bad. better than the 50th anniversary one with the lips anyway imo (which is the cover for the library ebook vers ive checked out).
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like i think any cover that incorporates the "only convincing love story of our generation" quote anywhere kind of sucks on principle, and the fact that it features a photo of a girl at all really goes against nabakovs instructions, but compared to other covers that break those two rules, the haziness of the photo creates a really evocative atmosphere i feel matches the book more or less.
#im keeping most of my lolita thoughts to myself because i know it can be an uncomfortable book to talk about when#not intentionally trying to engage with it but. good lord ive highlighted a lot!#mostly stuff where H.H. is being a lying little bastard even in his narration#theres also this passage in ch14 after he um. 'stole the honey of a spasm' when dolores sat on his lap (not a fun passage to read lol!)#where he goes: What I had madly possessed was not sheā€š but my own creationā€š anotherā€š fanciful Lolitaā€”perhapsā€š more real than Lolita;#overlappingā€š encasing her; floating between me and herā€š and having no willā€š no consciousnessā€”indeedā€š no life of her own.#(end quote. forgot quotation marks) which ohhhhh my god. subtlety is for losers lmao.#H.H. IS VERY VERY BAD AT MAKING HIMSELF LOOK GOOD DESPITE HIS BEST EFFORTS.#he claims he memorized charlottes confession of love perfectly and had conveyed in on paper perfectly#but also he completely skipped parts of it (including where she talks about her late son) and inserted the line:#'you would be a criminal--worse than a kidnapper who rapes a child.'#yes. im sure she said that. to the letter.#or when hes like i didnt marry charlotte with the intention to (extremely detailed grusome murder plan). but ill admit. i thought about it.#and then she oh so conveniently gets run over by a car when she discovers his journal. yeah. sure. right.#SORRY again i havent been Posting My Thoughts on it but i am having thoughts on it in general.#it really is a beautifully worded book though. its got great prose. makes the actions worse almost because its filtered through this#dreamy artistic self-justification. which - to go back to the original point of this post - i feel this cover conveys well LMAO#its so much better than the movies oh my god head in my hands#jumping between the most 2008 musical to ever existā€š legally blonde fanfictionā€š and a controversial literary classic. im versatile.
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kingproteus Ā· 2 years ago
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Btw the ā€œDolores on the dotted lineā€ quote on my header is a Lolita quote, but not in the cringe lana del rey romanticization way. Like in the ā€œI can read books about abuse without turning them into love storiesā€ way.
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yourbestamericangirlmp3 Ā· 2 years ago
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i've honestly done more gouache than watercolor in the past and tbh i might try it again if i properly into painting but i really want to learn how to use the transparency of the watercolors and learn the techniques for color before i try gouache again
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