#but it would make me more attached to the characters and I would be much less accepting of mischaracterization

[thousandyearphantombunker]

https://dailycollegian.com/2023/12/there-is-no-bad-person-disease/#:~:text=There's%20no%20health%20condition%20that,do%20with%20your%20overall%20morality (not sure the links I've given are functional but y'all can copy them into your search bar anyway)

People with NPD are capable of apologizing for past behavior, admitting to weakness, sacrificing themselves, showing others respect and decency, they can have morals and some of them (not all) are capable of empathy which btw is not required in order to do something heroic- also it's possible to act heroic for selfish reasons. they have fragile egos and often can have complexes (like ya know a guilt complex that makes them an overly self sacrificing martyrs) I'm sorry tony being a good person/attempting to be better doesn't negate him from having the 'evil' cluster B personality disorder. Tony's self importance doesn't manifest as being cruel or outwardly selfish it manifests in his guilt complex and playing hero. His belief that he is special fuels his guilt further. He's a perfectionist.

"I expect more of myself than everyone else. I have to be perfect or I'm useless." - a diagnosed narcissist

He is cold and dismissive and he can brag a lot. He's a functional narcissist so he's not gonna freak out when criticized. It's almost like narcissistic people are people and are complex and aren't so solely just a bunch of negative symptoms and traits of their disorder. He's also got several disorders that are comorbid with NPD such as substance abuse disorder and he has an avoidant attachment style- perhaps to protect his own ego and cope with childhood trauma. He used to exploit others heavily and is kind of a toxic boss. He was rejected, and neglected by his father and praised for intelligence so much as a child and had to deal with a lot trauma before getting kidnapped by terrorists. All of the traumas he faced are common in people with npd

tony displays: arrogance, haughty behaviors, and attitudes. a grandiose sense of self-importance. a lack of empathy or an unwillingness to identify with the needs of others and behavior that is exploitative and takes advantage of others to achieve their own ends. It doesn't manifest as outright cruelty like I said his grandiose sense of importance actually motivates him as a hero and makes his ego weaker though he's functioning so he can still take a blow

I am mainly going based off the comics and I'm aware that the MCU tones him down quite a bit but he still displays some of these traits.

I remember back then when autism was also just a lost of negative traits/symptoms a school counselor would point to 'an autistic person have no empathy and are completely rigid and black and white in their worldview, they will break down over dumb things are violent etc' being autistic when I was kid didn't mean you were a kid with a disability it meant you were a brat and a burnout. It meant you were unhygienic and aggressive and RIGID- which according to way too many people meant robot control freak rather than seeking comfort in things like routine and lacking the skills/intellectual capacity needed to function outside of them or they have panic attacks when taken out their routine and ya know aren't being manipulative and are having involuntary emotional responses- and I would hear autism parents complain about their kids and i would hear adults raised by autistic people talk about the scars they had been left with and they deserved to vent because yeah it can be traumatic and stressful and they are victims but it became something ugly toward me. People with cluster B personality disorders have it way worse than I ever did (dear god they get criminalized) but I relate for a reason. I like characters like Tony because they have traits associated with stigmatized disorders and shows those traits in action vs how we envision them when hear about the disorder- when you hear self important you automatically assume it means selfish and don't realize how complex and different that trait can look across the board and we get to see that they are complex and capable and even good people. I know not everyone has to agree with the headcanon and I understand why many of Tony's fans get mad at this headcanon but you don't have the best knowledge of NPD I'm guessing. People hear traits like entitled and interested in success and power and automatically think of the worst case scenario- megalomania and taking whatever they want no matter the cost and don't see how those traits can manifest in a variety of ways and not all them are destructive. Your statement apply to some not all narcissists. I don't know if you have trauma and if you do I'm sorry if this reads as cold or mean but I really hate when people talk about personality disorders like this. Npd can manifest in a variety of ways

"everyone is different" yeah including freaking narcissists that wasn't a gotcha. Your statement was legitimately ableist

everyone who says that tony is a narcissist has probably never met a narcissist but as someone who lived with one for Fifteen Fucking Years I can tell u that he isn't even close to one

[empressofthewind]

Rating Reactions to Seeing Shinigami for the First Time

A comprehensive (and probably biased) list :-)

~~~

Chapter 1 - Light

Falls on the floor and screams, then recomposes himself and very unconvincingly pretends he expected this. This is the first we get to see of Light's Perfectly Normal And Chill Guy persona and I have to say it's not a strong introduction to his acting skills. He gets points for entertainment value though, and also for managing to scream without attracting the attention of his family???

Rating: 8/10

~~~

Chapter 7 - Kiichiro Osoreda

This is the guy who performs the bus-jacking that forces Raye to show his ID. It's a very entertaining scene, but he's being controlled and his reaction is therefore inauthentic, which makes it difficult to give him an accurate rating.

Rating: 0/10

~~~

Chapter 26 - L

This one doesn't technically count because L is merely hearing about Shinigami rather than seeing one, but it's too good not to include. He silently falls off his chair while actively solving a murder case in which the main cause of death has been heart attacks. Naturally the entire task force panics and thinks he's dying, and he does nothing to assuage these concerns. Absolutely iconic of him. Also makes for brilliant foreshadowing.

Rating: 10/10

~~~

Chapter 46 - Misa

We don't get to see Misa's very first reaction to meeting Rem, but we DO see their reunion during the Yotsuba arc, and she is horrified. She screams just like Light and L did, and her fear persists as long as Rem's hand is covering her mouth. She reacts pretty much how I would expect the average person to.

Rating: 5/10

~~~

Chapter 53 - Soichiro

Another pretty standard reaction. Falls backwards, screams and immediately reaches for his gun. Nothing remarkable about it.

Rating: 3/10

~~~

Chapter 53 - Aizawa

Exact same reaction as Soichiro, but he gets extra points because this panel of them both panting on the floor is utterly delightful. The eyes?? The pose???? They look like a pair of petrified crabs. I'm obsessed.

Rating: 8/10

~~~

Chapter 53 - L (again)

L has heard that Shinigami exist and already knows that there's a "monster" attached to the notebook, so he's not surprised at all by the time he actually sees Rem. Instead, he starts having such an intense and paralysing epiphany that he doesn't even notice Light taking the Death Note from him. The least dramatic reaction so far but incredibly on-brand for him in every way.

Rating: 6/10

~~~

Chapter 70 - Rod Ross

Freaks out once he actually sees Sidoh, but he's incredibly relaxed about the notebook flying beforehand. His line "I wouldn't be surprised if it's alive" is hilariously ironic given that the notebook does turn out to have a living component to it, and this does, in fact, surprise him.

Rating: 7/10

~~~

Chapter 70 - Kal Snydar

One of my favourite reactions purely for the implication that Rod might have recruited an 8-foot-tall man in a monster costume. Perfectly reasonable assumption to make.

Rating: 9/10

~~~

Chapter 70 - Mello

Much like L, everyone around him is panicking, but he stays impressively nonchalant. Immediately starts plotting ways to manipulate the demon creature for his own gain. This is essentially L's reaction if he was 90% more unhinged.

Rating: 10/10

~~~

Chapter 101 - Near

Only character to look genuinely happy about seeing the Shinigami which is an instant 10 for me. He gets an extra point for having the most precious smile ever <3

Rating: 11/10

[alpaca-clouds]

Let's Talk About "Marvelfication"

Okay, let me try to get this out of my system, because I do have some thoughts on this one.

See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)

But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."

However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".

A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.

The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.

It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.

And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.

I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.

Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.

Any no matter what kinda choice the characters make, they are all gonna be nice, you know?

There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.

But for the most part the game does not risk anything.

And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.

It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.

It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".

I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.

Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.

The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.

And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.

... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol

[tkomptgoedluv]

icantbelieveiletyougetaway.

joost klein x f! reader

tags: dead dove do not eat, f! reader, non-famous! reader, reader really needs to see a therapist, established friendship, they’re so in love with each other it hurts but can’t admit it, joost just wants to be her everything, angst, hurt, comfort, all characters are dutch and speak in dutch but dialogue is written in english for obvious reasons.

word count: 4,156.

warnings: very brief allusion to drugging, heavy and frequent references to SA, violence, vague mentions of non-specific mental illness, rpf.

notes: in my head this takes place in 2021-2022 when joost had that really short, almost buzzcut like hair? like the wachtmuziek era. also, very sorry this is late!! it’s still only been half-proofread and i’m not even sure i like how i wrote the ending but here she is anyway. i love her and i hope you do too 💋.

── ⋆⋅ ♰ ⋅⋆ ── ── ⋆⋅ ♰ ⋅⋆ ── ── ⋆⋅ ♰ ⋅⋆ ──

with shaking hands, you fumbled around the bathroom floor to find your phone. your chest was heaving, the cries that you struggled to keep quiet were getting all caught up in your throat as you fought meekly through the nausea. you wiped at your face again, desperate to clear your vision and leaving behind a mixture of tears, snot, and smeared mascara on the back of your hand.

the room itself was dark, barely lit up by a singular dim, yellow light, though despite the shadows you could still see how everything was spinning. you couldn’t remember how many drinks you’d had — it hadn’t felt like a lot, you weren’t a lightweight by any means but you didn’t know how else to explain the state you were in. you couldn’t stand up even if you wanted to, your legs strangely numb to the touch and the pounding in your head made staying on the floor all the more appealing anyway.

face down on the grimey, tiled floor you found your phone laying just underneath the sink. you ignored the low battery warning as you swiped through your contacts, squinting through your tears at the screen as if it would actually help you see any better. you were only looking out for one name; the third out of the four that were listed under the letter ‘J’, and the only name to have an emoji next to it.

over the sound of the heavy, techno bass that seemed to shake the walls and the buzz of a hundred different people all talking amongst each other, you heard the line start to dial. it didn’t make sense to call him out of everyone else that could possibly help you; he was infamously known for never picking up the phone. it was ironic for someone so notoriously attached to their screens, his face typically glued to either his phone or his ipad.

but still, you hadn’t so much as thought twice about it as you clicked on his contact and then the call button. With your head tilted back against the wall and your knees curled up tightly against your chest, you prayed to any god listening that by some miracle, he wouldn’t be busy.

“hallo?”

you let out a whimper at the mere sound of his voice, a small, pathetic noise that quickly turned into a cry that you didn’t bother to stifle. he called out your name for a second time, though now in a tone that was much softer than the one before it.

“i’m sorry, i know it’s late.” you paused to take a breath, your voice having cracked like glass as you spoke. “but i need your help. i don’t…joost, i don’t know what to do.”

“it’s okay, just take a big breath for me.” for just a moment you heard shuffling around on the other end of the line. with each of his footsteps the background noise grew quieter until it disappeared completely, following the sound of a door being shut. “where are you?”

“i’m at…i’m at this house but i uh, i really don’t wanna be here anymore. do you think you could…can you just come get me, please? i’m sorry.”

over the sound of a drum and bass beat that played so obnoxiously loud, you struggled to catch all the whispers from joost’s side of the phone call. there was another voice there, that much you could hear, and you struggled to place it despite how familiar it sounded. you tried to concentrate on the faint muttering, straining your ears to hear it over the song that blared just below you.

but then you jumped when the banging started. a sudden flurry of fists pounding against the wood and making the bathroom door rattle within its hinges. from the deep laughs that followed, chances were it was just a group of guys trying to be funny, probably thinking it was one of their friends getting lucky on the other side. and yet still, you found yourself gasping for breath as you choked back fresh tears, all the blood that ran through your veins turning cold.

“schatje? did you hear me?”

you could only hum back in response.

“i said i need you to send me your location, okay? and then i’ll come get you, i promise.”

it was the moment you figured out how to do so that your phone finally gave up on you. after hitting send, the little map displaying your whereabouts popping up in yours and joost’s text chain, your screen began to freeze. in a moment of panic you managed to choke out that you were locked away in a bathroom before it all went black, leaving you to stare at the taunting dead battery symbol.

you weren’t oblivious to the irony of it all. in a house crammed full of people, perhaps even a few too many than it was built to hold, you felt alone. just a few minutes ago that was all you wanted, to be by yourself, but now it left you with a ringing in your ears. the absence of joost’s voice was enough to throw you inside what felt like a black hole, where time seemed to slow the longer you waited for him.

you found a brief comfort in watching the time pass on the old, analog clock that hung high on the wall opposite you; you figured it was a better thing to focus on besides the sharp ache between your legs. it helped keep you distracted from the way everything just hurt now, whatever it was that was in your system already starting to wear off. without it numbing you to the pain of it all, you could feel the headache brewing behind your eyes and the sting of your split lip.

with each minute that dragged by, the slow, high-pitched tick of the clock echoing inside your ears, your mind began to slip further and further away. every time that you closed your eyes you could see it happening all over again; you could feel his hands back on you, ripping at your clothes and bruising your skin.

all the tears that you had only just managed to blink away came rushing back, continuing to decorate your face with more long, dark streaks of black. surely, this was going to be the thing to finally break you. there would never be any redemption or recovery for you — he’d get to live the rest of his life without burden whilst this was bound to be the death of you.

the more you unravelled, the more erratic your cries grew with hiccups racking your body and a deep burning in your eyes. for once you found yourself grateful for the music’s mind-numbing volume, though somehow it still wasn’t enough to mask the sound of a soft tapping against the bathroom door. like a coward you froze, failing to answer back before you heard your own name being yelled out to you, followed by a harsher knock.

“hey it’s me, it’s joost. can you open the door please?”

as you steadily climbed to your feet, using the edge of the sink to help push you up, your knees began to shake. they threatened to buckle out from under you with every step that you took, each limp towards the door sending a short stabbing pain up to your abdomen. the sensation made you wince, your jaw clenched and a grip on the door handle so strong that it turned your knuckles white.

it was almost sardonic how despite being in a house so loud, everything went quiet as soon as that door swung open. the music never stopped nor did anyone dare to change its volume, but all joost could hear was his own heartbeat thumping in his ears as his eyes met yours. all he could do was swallow, pushing down the bile that was quickly rising up his throat.

even in the low, warm light of the bathroom, he could see the streaked mascara that painted your face and the bloodied lip that was still trickling down your chin. your favourite shirt, the one that he himself had bought you, was torn and just about hanging off your shoulders. it exposed a trail of black and blue spots that started along your shoulder and went all the way down your arms, a couple even dotted down your legs.

joost uttered your name, his voice barely audible over the music downstairs. the corners of your frown twitched, your bottom lip quivering as you shook your head, already answering the question he hadn’t even asked yet. from where you stood he could see you shaking, your knees weak and barely holding you up right. he didn’t hesitate to pull you into him, an arm locking around your waist as his hand found the back of your head, keeping you hidden in his chest.

“jesus christ, what happened to you?”

you couldn’t speak, couldn’t find the right words to even try and explain what it was you had gone through. you could only weep into the fabric of joost’s jacket, so exhausted and overwhelmed that you didn’t have the strength to hold yourself together in front of him. but it was more than enough of an answer for joost who just held you tighter the harder you cried, fighting back tears of his own.

pulling away as gently as he could, joost still kept you in his grasp. his hands cupped either side of your jaw, calloused thumbs wiping away stray-fallen tears as his eyes danced over your face. with a gaze so intense, you could see his eyes growing sadder the longer he looked you over in the dull light of the bathroom.

“i left stunts outside — he’s still in the car. we could…we should go to the hospital.”

“no!” your own dramatic change in tone caught even you off guard. you couldn’t help it, you were panicking now, pulling joost back by his sleeve as he tried to guide you out of the bathroom. the action made you wobble and almost trip over your own feet, flinching at the sudden cramp you felt deep in your stomach. joost’s grip on you hardened, not nearly enough to hurt but enough to keep you from falling back and hitting your head on the sink. “not tonight. please, i just wanna go home. i’ll be fine.”

“you can barely fucking stand, schatje. you need help.”

“then i promise i’ll go in the morning! but right now i just really need you to take me home, okay? i’m begging you.”

perhaps if joost had a little bit more of a backbone and wasn’t so hopelessly head over fucking heels for you, he would’ve had the courage to say no. he would have been able to look you in the eye and still say that he was going to get you to a doctor, whether you wanted to go or not. but no matter how much he wanted to, how much he hated what you were asking of him, he couldn’t. feeling you trembling in his hands and hearing the fear that shook your voice meant there was longer a single thing that joost wouldn’t do for you.

you were his best friend just as much as he was yours, regardless of all the very non-platonic things the two of you had done together over the years. as far as you were concerned it was just something that you’d do sometimes, only ever as friends. there were never any conversations about it the next morning, never any acknowledgment for what it was you had done the night before; it was almost like it never happened until it would undoubtedly happen again. you always liked it like that though — as long as it meant that you never had to think about how you really felt.

joost, on the other hand, was painfully aware of what he felt about your situation, about you. it was never just sex for him, not even once, and he wanted to talk about it. and he tried to, a couple of times, spending the first few mornings after trying to coax you back into bed just so he could hold you skin-to-skin for a little while longer. but you never wanted to stay and you never wanted to talk about it, either, so joost stopped. he let it become another pain he had to live with and spent each day telling himself that he was okay with that.

it was with only a slight hesitation that he nodded before standing back up straight, slipping his big black jacket off his arms and draping the material gently over your shoulders.

you let joost take on most of your weight as you leaned into his side, letting him guide you back through the house as you focused on just trying to make it down the stairs without tripping. to say that the place was packed was an understatement. people were crammed into every room like sardines, dancing and grinding against each other with stiff, swinging jaws. you hadn’t even heard what it was that had been said over the music, its volume still just as loud and disorienting as it had been when you first arrived.

but joost had heard every word, somehow, despite the sound of his own song polluting the room. it made him freeze on the spot, pulling you to a stop right along with him as he slowly turned to face the group of guys that were standing just in front of the front door. you felt your throat start to close at the sight of him amongst them, standing front and centre with a sick grin plastered across his face, his eyes darting between you and joost.

“what did you just say?”

it might have been the gruff, nauseating voice that you recognised, or maybe it was those ring-heavy hands of his that you could still feel pressed into your skin. you didn’t know, and it didn’t matter, because you knew it was him.

“i said good luck with that one, dude. she doesn’t go down easy; kept trying to fight me the whole time.” his stare then fell from joost onto you, his tongue gliding over his bottom lip as he looked you up and down. “but we still had our fun though, didn’t we schat?”

the crack of joost’s knuckles colliding with his jaw was something you heard before you saw it; the thud of him hitting the ground following soon after. a chorus of screams and cheers rang painfully in your ears as you watched a small circle quickly form around you. anyone that could still see straight had either ran from the fight or pushed forward to get a better view of it, their phones held high and already recording.

“bet that made you feel like a man, huh? forcing yourself on a girl half your size. you piece of fucking shit, i should fucking kill you!”

in all the years you’d known him, you had never seen joost like that before; his voice low and angry as his shouts drowned out the music. he hadn’t waited for him to get back up before throwing another punch, the sharp crunch of his noise breaking making you wince and your eyes water.

you went to step forward, your hands already reaching out to grab joost’s arm when one of his friends pounced. a shriek was ripped out from you when a fist struck joost right across the cheek, knocking him into you hard enough to almost send you both tumbling to the floor. any chance for you to try and intervene again vanished when you were pushed back before you could get close enough, joost quickly shoving you behind him as he swung for the other guy.

a strong pair of arms wrapped your middle and pulled you further back as you cried for them all to stop, keeping you locked against their chest no matter how hard you thrashed. distance was put between you and the fight when you were picked up and half-dragged out the door, joost’s blond hair disappearing from sight amongst the growing crowd around him.

the bitter air of the early morning stole your breath, your chest tight and aching as the cold consumed you. small flakes of snow drifted down from the paleing sky, dusting each rooftop and the old, cracked pavements in a thin layer of white. still, there were a handful of people gathered on the house’s front stairs, clad in various leather and latex, that only stood and watched as you were hauled away from the party.

“get the fuck off me! we’ve gotta go back, we can’t just leave him! stuntje, please!”

your feet only met the floor again once you were next to stunt’s car, safely across the street. even from there, you could hear the childish chanting of ‘fight! fight! fight!’ and the occasional glass break from inside.

“martijn -”

“- stay here; i’m gonna go get him.”

you weren’t allowed to argue, so you just did what you were told. for four minutes you sat waiting in the back of the car with the heaters on full blast and still shivering as you nestled yourself deeper into joost’s jacket. after another minute you saw them heading back your way, their pace fast as they slipped past the last few people that loitered on the steps. in the glow of the streetlights you could just about make out the soft shade of purple that was joost’s eye, and the deep scowl that contorted stuntje’s face.

neither of them spoke as they joined you in the car but for joost, you never really gave him the chance to. his seatbelt hadn’t even clicked into place yet before you were turning away from him, desperate to pretend that he wasn’t there burning holes into the side of your head. if joost knew that you could see him staring from the corner of your eye, he didn’t care. if anything, he probably would’ve hoped that it might have made you look back at him, because then that at least would’ve been something.

but seeing joost storm out of that house with a violet eye and raw knuckles, having just risked everything for you without a second thought, it scared you more than you wanted to admit. he was only supposed to come find you, and bring you back home. you never wanted a fight, never wanted joost to wind up with a black eye over you. so no, you couldn’t look at him — couldn’t even talk to him, either.

except your silent treatment didn't last very long, did it? it couldn’t, because joost wasn’t going to let you get away with it this time. for as long as he had known you, you always had this habit of internalising what you felt and shutting down. it never mattered what it was you were going through, you just wouldn’t talk about it.

this time though, he wasn’t going to let you disappear in on yourself again, and he wasn’t going to let you shut him out, either.

as soon as the car came to a stop, joost was up and already outside your car door. with a sweet smile, gentle hands were pulling you up and slowly helping you onto your feet before you had the chance to protest. there was a part of you that wanted to, now too proud to admit that you still needed his help. already, he had done more than enough, even too much, for you.

still, you didn’t dare to fight it — or him, rather. besides a small goodbye to stuntje, no words were spoken as he slipped an arm under your knees and pulled you up to his chest. it was like that, that he carried you up the three flights of stairs of your building, glancing down at you every so often with soft, worried eyes. it was miraculous how he managed to open your front door with you still in his arms, his very own key to your home dangling from the clip on his jeans.

it wasn’t long before the soft leather of your sofa was dipping underneath your weight, its cushion beneath you feeling cold against the bruised flesh of your thigh. joost left you for only a second, just to switch on a couple of the lamps you had dotted around and to dig out your old first aid kit from the bathroom.

you still weren’t really looking at him, not even as he perched on the edge of your coffee table and carefully took your jaw in his hold. the brush of the alcohol wipes along the small cuts that marked your face stung and made you wince, your nose scrunching up at the pain. a string of quiet apologies followed as joost concentrated on cleaning you up, wiping away each and every smear of blood and smudged makeup.

the longer that you sat there whilst joost devoted all of his time and energy to you, the more teary-eyed you felt yourself becoming again. it felt almost…foreign to feel so loved after everything, like you were still somehow worth saving. there was no way that you could possibly deserve it — nothing you could’ve done to deserve having someone adore you so unconditionally without earning it.

and yet here he was, your joost, doing anything and everything to try and help, and you couldn’t even fucking look at him.

the only thing you could do was cry. the way you clutched your mouth did little to muffle the sounds of your distress and it drew back his attention after he turned away only to throw out all of the dirty, used wipes. it was the guilt that was doing this to you, the guilt of knowing that you were the reason why joost now had a black eye. that joost had risked his whole career by starting that fight, and you had been the one to punish him for it.

a warm hand squeezed your knee as another tucked fallen strands of hair behind your ear. it took a few tries of quietly calling out your name to finally get you to meet his eyes, but eventually you got there. nothing could have prepared you for just how sick he looked, the bags under his eyes seeming considerably darker than before and a deep frown tugging at the corners of his lips.

“i’m sorry i did this. i never should’ve gone with him, i know i shouldn’t have because i know that i know better but i still went and i should’ve done something more, i could’ve hit him harder or yelled, and i’m sorry i called you because your eye, that was me, that was my fault and i’m sorry, i’m sorry, i -”

with your face pressed flat against his chest, his sudden embrace almost swallowing you whole, you couldn’t find the rest of your slurred, blubbering words. somehow, at some point, joost manoeuvred you both onto the sofa and with his arms around you, kept you curled up against his side. a few fingers moved up the back of your neck to scratch your scalp as others held onto your hip.

it was the only thing he could think to do to shut you up, to calm you down enough to take big, slow breaths, in and out.

he didn’t have it in him to let you finish that sentence.

delicate reassurances were mumbled into your hair, quiet ‘you’re okay’’s and faint ‘it wasn’t your fault’’s becoming mantras that helped soothe the pain in your chest. you wanted to believe him and knew that you didn’t. you knew that as the deep baritone of his whispers slowly lulled you to sleep, you’d wake up with that pain still very much there.

but joost wasn’t going to stop trying anytime soon, noor was he going anywhere. it was one of the few things you’d actually let him do for you, making himself a home on your sofa whenever you would have one of your episodes. he’d sleep there, eat there, work there. sometimes joost would spend entire weeks of his life in your living room just so that he could know for sure you were still alive and breathing.

he was the only thing offering you the slightest bit of comfort. you could feel his fingers running through your hair as you curled up even further into his side, his voice still low in your ear. it was becoming to struggle just to keep your eyes open, but you knew that he wouldn’t mind.

you could fall asleep just to wake up with that same ache in your heart still there, but joost would still be there too. for now, that was all you needed.

[starstruckbyacomet]

@whineandcheese24 I also haven't read the interviews. I have to select the articles carefully, because I want to avoid giving clicks to Buddie writers as much as I can.

Assuming that this break up is final, there are 2 speculations that I've read so far:

Lou is moving to the new spin-off, which is good for him. But someone mentioned that in one of the interviews, Lou was asked whether he would come back or not. He said it depended on his schedule / availability. This is not the answer he would give if he is moving to the spin-off. He could simply said yes, of course. And in the interview he also said he was sad about how Tommy's storyline ended. This is also not something he would say if he is moving to the spin-off.

They want to be the next Grey's Anatomy (currently in Season 21). They might think it was too early for Buck to settle in a relationship, which is bullshit. In Grey Anatomy, Meredith Grey was married to Derek Shepherd for +/- 5 years before he died. And the writers still managed to make interesting storylines for the couple during the period.

Whatever the reason, there is no excuse for this shitty writing. Knowing that Season 6 was filmed before Season 5 made it feels really cruel. By making Tommy such a lovable character that we cared so much, It seems like Tim Minear want the break up to have maximum emotional impact. This whole mess feels like Tim's way to say, "Surprise! You didn't see it coming, did you? Look how clever I am!" And it royally pissed me off.

Maybe Tim thinks that the drama will attach us more to the show. Instead. It makes us traumatized. A good writing should make the audience asks, "What next?". Instead, this shit show made us asked, "What's the point of watching?".

I'm not rewarding the person who toyed with my emotions, just to prove that he was smarter than me. I quit watching, unless they bring Tommy back. They did Lou and his character dirty, and there is no other way to fix it.

what I truly don't understand about this episode is what did they gain from doing this? they took a huge risk with bucktommy and were rewarded with not only a large portion of the fandom getting interested and involved with the ship, but also the GA being more invested in this ship than any of buck's other relationships (from what I could tell). Tommy was the perfect character to fill the requirements of being easily integrateable to both the plot and the prexisting firefam dynamic, and what little characterization he had in season 2 was prime angsty backstory. Oliver, Lou, and even Kenny talked about how excited they were to be working with this storyline and these characters, and we all know how much Tim loves Lou and Tommy. The show was not only accepted for its representation, but lauded for how much care they put into this story and how much it meant to queer men, bisexuals, and just queer people in general. They took all this potential, and completely turned it on it's head, and for what? a gotcha moment?

In isolation, the writing could make sense. This would create tension in the relationship that they can then overcome. It would be a great way for tommy to learn how to love and be in a long term relationship (which it seems he hasn't been) and deconstruct the stereotype that bisexual people, and any newly awakened queer person doesn't know themselves well enough to know what love feels like. But then the interviews make it sound final? I haven't read the interviews because I just watched the episode a few hours ago and I've been busy since (plus I stopped reading interviews after all the interesting plot points from last season finale got dropped), but from what y'all are saying the interviews make it sound like this is the end. Not only that, but Oliver, the guy who said he didn't want to fall into stereotypes like "newly awakened man falls in love with his best friend" way back in April/May, is apparently saying offensive things about Buck needing to explore?

I just genuinely have no idea what there is to gain with this. They completely lucked themselves into an amazing love interest, and even if they found another love interest with the same benefits, hell even if they do get bucktommy back together (here's to hoping) no one is going to trust them again.

congratulations 911, you done fucked up

[zhuoyichenpretty]

Ep 22-23 Commentary

Ha...I was inexplicably nervous for eps 22-23 and it looks like I was right to be (-: What a rollercoaster. Spoilers below!

I've just come out of ep 23 and uh????? holy shit????? ZYC????

Ok ok but to backtrack, let's do my comments semi-chronologically:

Ep 22:

A carry-over from ep 21 that I have to mention—heck yeah PSJ give WZY hell. She doesn't have all that many lines but she sure knows how to make them count. Also seeing PSJ and WX get screen time just the two of them makes my brain go "yay <3"

Back to ep 22, loved the fake-out sundial ayeee that was a nice Chekhov's gun that also brings the real sundial back into relevance for later. Also me eating up the PSJ and ZYC crumb of an interaction has brought to my attention how starved I am of their screen time together.

This whole ep was a great lament towards the feared inevitable. Every sad downcast look from ZYC, every complicated glance WX gives him. A wonderful, terrible crossroads for these characters. I love that for ZYC especially, it's such an incredible mess of emotion coming to a head. Bad enough that he's come to care about the demon who killed his family and ruined his life, bad enough that he's sworn a blood oath he regrets and tied himself to punishing someone he no longer finds culpable, bad enough that ZYZ's life or death depends solely on his choice and ZYZ is constantly practically begging for death when ZYC wants him to live. How much immensely worse it makes the whole situation that WX is literally ZYZ's soulmate. And obviously the whole team has only grown more and more attached to ZYZ, too. ZYC's personal turmoil aside, how heavy must that responsibility and guilt be? For the finishing blow that only he can deliver to also deeply threaten every other person he cares about? Everyone understands in the abstract what must happen and why, but just like seeing ZYZ lose control firsthand, the gulf between understanding and experiencing is so unimaginably wide. If he kills ZYZ, can there really be no resentment from his friends? From WX?

Also it seems ZYC only wears cloaks so that he can give them to other people lmao

Ah fuck, the farewell drinks. I didn't even factor in how ZYC might not survive the encounter (''': The drama truly was like hm can we possibly give ZYC a worse day than that night his whole fam died? Maybe give him a bunch of new family members and also the blade and the fate and the sole responsibility to potentially irrevocably scar said family members with? And he might die in the process too? (-: haha maybe? (((-:

Oh. Oh. Addendum. I forgot this til I saw it mentioned in another post—ZYC recounting his oath as he watched WX smile when they discussed reviving the tree...I could feel him weighing those words against his own life, against ZYZ's life, against WX's happiness. One way out of this impossible situation is indeed to doom himself. I'm in pieces.

Damn if WX isn't dedicated heart and soul, going into the sundial like that. I'm sad no one could keep her company for those 300 years but also I guess that's kind of an impossible ask (and maybe not survivable for the other non-goddess mortals? I'm admittedly very unclear on sundial time loophole logistics). It would have been nice to see someone offer though, even just to be turned down.

Ooh I like the soul needle fake-out, given this show's penchant for retroactive "actually we had a plan all along" moments. A good subversion of the narrative's own style.

Also I saved this for the end because it doesn't really fit the linearity of my comments but what the fuuuuuuuck oh my god I absolutely flipped out at this scene:

I am at once rabidly intrigued and at the same time not sure if I'll be satisfied with whatever payoff will come for this so I don't want to overindulge in theorizing and setting my own expectations too high. Maybe this is just a fevered hallucination, maybe it means nothing (I hope it means something). But damn!!! What a gorgeous man crazy scene.

In conclusion, ep 22 had some good stuff for me. Plot development and reflection and tension enough that I may have been satisfied with just that one episode. But they gave us two, so onward to ep 23 comments!

Ep 23:

I like how many solid reasons the team has to suspect ZYC being possessed. Even though I withheld judgment during my watch given how quickly the show usually confirms that kind of stuff with a possession mark, just simply casting that doubt made the whole build up that much more intense.

ZYC slowly walking down the corridor with the whole grounds lit a somber and haunting gold—*chef's kiss*

ZYC's monologue to a catatonic ZYZ is so important to me. The closest we'll get to his internal monologue about this whole situation. The kinds of things said when we think there's no conscious listener.

Okay so, having finished this episode and looking back, Li Lun's hands coming up from behind ZYC was not to denote possession (at least in this episode), potentially is a visual from ZYZ's POV, and seems related to the above screencap. I am so, so curious. Once again, I'm stopping myself from further speculation because I want to be surprised but ahhhhhhhhh

PSJ shooting at Ao Yin is so gorgeous. Her action scenes seriously never disappoint—the creativity of her fight choreos!! Also very cool that the whole team is getting to take part in the action, not just the two male leads.

Bai Jiu possession was not on my bingo card but I sure do love that we literally saw the possession take place and I still didn't connect the dots. Good shitttt. Also oh no ): ZYC was telling the truth about the soul needle, he was just tricked ):

Seriously from the Ao Yin case to getting PSJ released to reviving the Divine Wood to getting tricked by possessed!Bai Jiu to making pear soup to fighting ZYZ to fighting Li Lun—when will ZYC get a single goddamn vacation day holy shit.

Also when will WX tear up that contract so ZYZ can stop having a mild heart attack every time he wants to kiss her ): &I love that they saved the 300-year montage for this moment. While their ship doesn't give me brainrot personally, who could be unmoved by that incredible and undisclosed sacrifice? That's soulmatism.

Okay, I'd seen clips of them filming the ZYC and Li Lun fight but damn I did not expect it'd be happening right now!! Right after already taking damage from ZYZ? And my god is Li Lun brutal. The two actors did such an impressive job on this entire fight, what with Li Lun's ease and ZYC's suffering. I really appreciated the extensive hand-to-hand combat after Li Lun literally obliterated ZYC's sword. (Also though, given the origin of that sword, I kept hoping for a flashback to ZYC's brother once it broke, but alas, no dice.) Anyway, the show does not play around about ZYC whump it seems. I was very very shook by that throat punch; that shit legitimately looked like it hurt.

Honestly, I had a hard time with the extended ZYZ and Li Lun conversation at the very end because oh my god someone please heal ZYC lmao. But of course, that's the end of the episode~~

Y'all...check on your local ZYC stans because I was not okay after all that (': I need a heaping dose of comfort after all that hurt, but as always I'm cautious of hoping for much from canon itself. So yeah! Ep 23 was solid, but I would probably be in better shape if today's release just ended on ep 22 ((':

Time to go wait for the cast's Hi6 episode to drop so I can heal my battered heart ;-;

[laniemae]

“I think I have to climb to the top of the hill if I wanna see what's going on on the other side...”

Drew this through tears as an acceptance that Ojima will be the killer of this chapter and that he’ll die and I’ll never see him again.

Vent/rant under cut

——— I’m actually crying right now while writing this. I can’t see any other possibility where Ojima isn’t the killer. Just everything story wise and plot and symbolic wise makes sense. He’s already the prime suspect with his shaky alibi, him going to the medbay at midnight, the blood on Hiroaki’s bed where he slept for the night, his strange disassociating more than usual. 

At this point there’s so much evidence pointing towards Ojima being the one who killed Chiba I’m already grieving his inevitable death this trial. Just, even with the parallels between him and Chiba with the story time episode where he wrote a children’s book with her, hence the text in the art referencing that. And how that one time he talked during his dissociative haze he said the exact words that Chiba said to him while writing the book. I can only think of this as Ojima in shock with how he killed her. There’s also their parallels as well with both having sorts of age regression and coping by living through a childish fantasy lens. It’d be so sad thinking how that could be symbolic of Ojima killing a perception of himself. And with Ojima being a children’s book illustrator who had his childhood taken away from him and Chiba looking like a child and having a similar form of regression I can’t imagine how tragic this story would play out through with the trial. 

I really thought Ojima would have more time as I felt it’d be inevitable we’d get a breakdown scene with his PTSD and learning more about that story, but with how things are going I could imagine that happening during the trial. God I don’t even wanna imagine how his execution would be if it goes the route on playing up his trauma, these killing game staff are sadists and I could completely imagine them doing that, especially with the mention of working on the execution in the staffside.

I’m also in absolute tears over his relationship with Hiroaki. Just… purple is so devastating with the likely idea that Ojima is the killer, and even imagining if he already killed at that time. Them sharing an intimate moment and Hiroaki confessing how he’s so reliant and attached to him and how they’re basically codependent, and as well with how he’s almost finished the drawing for Ojima. When he’s the killer he’ll never be able to show it to him and he’ll have absolutely no one by his side anymore who cares about him or even loves him. It would be the most heartbreaking thing ever.

Ojima is such an incredibly amazing character like I’ve never seen before I can’t prepare for him to be the chapter 2 killer… he would’ve gone too early and I’m such despair. I’ll never be able to see him again in the series, he’ll never speak again I’ll never be able to get exited whenever an episode pops up in a thumbnail he’ll never dissociate again he’ll never be funny and sassy again he’ll never help Hiroaki to open up again he’ll never have a hilariously gay moment with Hiroaki again. He’s lived 16 years of his life going through the worst abuse a human could face, only for when he escapes to be dragged into a killing game and forced to commit a murder of someone who shares so much similarities with him. I’m already feeling the effects of his death a week before it happens and I’d rather fall into despair than yearn for hope only to have it taken away from me. I can’t imagine how I’ll be able to watch tetro with Ojima gone forever. I have been crying the entire day over this and my tears are making this hard to write.

[guiltycorp]

Okay finished the Haruspex route of Pathologic Classic! I need to play Clara's route to see the whole picture but I'm already fascinated by the differences between P1 and P2 in terms of characterization. I think I like Pathologic 2 even more now considering how they improved on Artemy's route, I am sorry to say I didn't like it at all in classic... This is all just my personal impression after first playthrough ofc. Ramblings about both Artemy and Daniil ↓ I think what bothered me about Haruspex was mostly just his attitude and his messiah plot. Once the first day is out of the way it's all smooth sailing for him, a bit too much so?? The only personal conflict he has is figuring out his father's exact wishes for him and choosing a sacrifice. Killing anyone is treated as fair or something that needed to happen and the Haruspex is always shrugging it off... And either option, Aglaya & the Town or Polyhedron... It just doesn't seem like he is that attached to either? So it doesn't feel like he is sacrificing much personally? Like sure he wants to save the Town because of his messianic qualities, but that's again more about fulfilling his 'role' rather than genuinely wanting to save lives, or at least it read that way to me. I'm sure it's meant to be both and P2 makes this far more apparent, but in P1 it elicited a rather squinty reaction from me. Plus well yeah, getting rid of Polyhedron is pretty much just ¯\_(ツ)_/¯, like yep he sure didn't care about that thing lmao so getting rid of it isn't such a difficult choice at all. The suggestion that the Polyhedron could be his Udurgh is kind of useless because the Town and Earth are far better candidates and fit with Kin beliefs better, which in this game Artemy pretty much doesn't doubt at all.  Maybe this is why the Bachelor is so present in his route? Daniil did say he'd commit suicide if he lost, maybe we'd want to think twice about pushing him towards it... But again! Does it seem like this guy cares ahhh haha... The dialogue option that is actually engaging with what Daniil said is pretty much there to make it clear to the player what the Utopian ending is and what it would be like.

Ngl at first I thought he was meant to be the 'sacrifice' until they said it's a woman. Every time Artemy learned something about the Bachelor's motivations he'd write down in his diary like '...if it matters' since the player can always choose what ending to go with I guess. I also find it curious that he can say that they are friends but still always writing only 'the Bachelor' in his diaries while Daniil switched to 'Artemy' and 'Burakh' during the final stretch. The one-sided yaoi................ 🤔 At least Artemy doesn't get mad at him for ordering to set the mythic bull on fire, I guess their friendship did mean something to him after all at that point. Also when Capella tells him that he should ask the Bachelor for help with getting into the Polyhedron since the Bachelor 'fawns upon you a lot anyway' the Haruspex just goes 'oh yeah! ok' fjdghdjg... Now that I think about it I DID like the Haruspex route for what it did with the Bachelor hahah, his dialogues and letters are just so good sometimes. Like wow, I felt this.

Very cool, if i was Artemy I'd totally abandon my weird murderous calling for this. Tangentially related... P2 had one moment that I remember from my last replay when Rubin, if kept alive, falls into a deep deserved sleep in his home, and Artemy just starts emotionally monologuing at him.

Like, P1 Artemy would never, but also it goes to show that he's still very much a repressed man here too, buying into toxic masculinity ideals who can't just talk to his friends about his feelings directly... The same character, but more complex. I want to make it clear that I DO like him and his motivations in P2 actually, and his personal conflict being more about the future of the Kin makes that game much more powerful to me than what his classic route was. I heard that initially he was planned to be far more violent and dark, so maybe he could have been sort of a villain protagonist and this was changed later and this is why it feels a bit bland? Hmm... Idk this is fun to me because meanwhile the Bachelor didn't feel that different to me in both games lmao. A highly stressed educated guy who is just trying to prevent the spread of epidemic the 'right' way and then clinging to the only chance he has left to preserve both his ideals and his life. He is a bit less polite in P2 at first (while still very much helping by warding off Rubin) but then rather quickly becomes more cordial to Artemy and vice versa (and wow it sure is nice when Artemy can actually be polite and friendly..). And the moment when he explains some of his personal deal to Artemy feels rather similar in both iterations mood-wise.

I liked his route in P1 a lot, surprisingly so, and I now understand why so many people liked him before P2 came out and afterwards too... There's just something very real about how he is the intelligent Capital doctor but with an extraordinary dream to combat death itself, possibly given to him by the Powers That Be due to these children trying to cope with people dying around them. And instead of favoring him for it they hate him! They leave him with nothing but this final chance to fix things, even if that means destroying everything and rebuilding anew. Daniil's desperation feels very real and thus more compelling, plus like... I mean it's pretty much confirmed that it's not just the Polyhedron and that the soil itself is 'rotten' (literally in the meta real world and through blood beneath the earth in the Town itself) and the decease could return again, sooo his ending doesn't look that bad comparatively. I also appreciated how Maria (or uhh was it Nina talking through her here as well?) explained how their Utopia doesn't actually mean a 'perfect' place, more so just an impossible dream.

The Bachelor doesn't mind this at all, a detail I loved.

...Hmm that said maybe P1 makes it a little too easy for him to kinda ignore the Kin issue, he is only mad about their circumstances when it comes to Vlad choosing to doom thousands of the Kin workers inside the Termitary (which is just his doctor ethics). I mean it is realistic for him to ignore the implications of representing the imperialist side, he does mention his father was a military man too at some point I think... Still, he is very quick to accept the Kin's unique beliefs as something that has obvious merit, trusting the Haruspex with that side of things in both of their routes, and he doesn't make much of a distinction between them and regular Town people when it comes to patient treatment. If anything it's probably a sign of how the writers weren't thinking that hard about this worldbuilding aspect at the time... even if I appreciated them showing the downsides of the Kin's society, I think those were done better than in P2 purely because it was a bit more realistic (I am talking about sexism mostly, such as selling their own daughters and not respecting their autonomy, plus the mention of Kin politics and different ruling clans rather than the hive mind situation implied in P2). Like, it is more obvious in P1 that wholeheartedly embracing the Kin's return to tradition isn't such a good solution for them either, but one that will likely happen anyway with Artemy and Taya as their new leaders. And it could get trickier in Pathologic 3 I think, especially since most of us really appreciated the portrayal of colonization in P2 and would expect it getting addressed again in future games of other character routes, but we'll see I guess! Either way I look forward to that game a lot now.

[highslover]

Maeve’s storyline but right!

I have always though the Maeve plot line didn’t made sense and recently I read a fic (spencer reid x reader) where reader was a serial killer of serial rword and I thought how much better that could’ve been.

Maeve’s plot line was weak in many ways. My biggest pet peeve is that it was that aggressive from the start and Spencer did nothing, which I don’t find in character. That meaning her stalker (Diane).

Let’s assume his first consult with Maeve was pretty normal, how could he imagine she had a stalker? But in order to keep talking to her they went through using letters first. And maybe Spencer thought it was romantic and interesting, but pseudonyms? That’s a bit much.

Spencer knew all along about her stalker, he tells Hotch that much after she goes missing. So you are telling me Spencer found out this girl he likes isn’t leaving her house, she is hot using her phone and is using letters to communicate with pseudonyms to protect herself and didn’t do something? I agree he might’ve been respecting her wishes, but by this time Spencer has been working with the FBI 9 years, he is not naive as he was, he is a social protector, it just doesn’t makes sense he let it go that far.

Again, from the beginning is crucial here because I don’t think he would’ve let it slide just like that. If it had grown progressively while they were together, yes maybe their attachment would’ve clouded his reasoning, but by the time they started talking Diane had made Maeve quit her job and broke up with her fiancé so??? It just doesn’t make sense for HIS character. I believe that at leasttt he would’ve investigated by himself.

But non of that happened so the plot just doesn’t cut it. Instead, if it would’ve been a serial killer? That’s interesting.

Point 1. A serial killer who kills men that are serial rapist is in many ways human. It’s imposible to not like as audience. And Spencer is often the one who empathizes with the criminals (lol beautiful baby 🥺).

Point 2. Her story could’ve been a great episode, we could’ve seen how smart she was (something from Meave’s character) but at the same time how traumatized she was, her story, how evil are the men she kills. She could’ve been the same age as Spence, he could’ve done the interview, connect, blah, blah, blah.

Point 3. I think they could’ve find a way were they didn’t have anything to really hold the case, victims (of the men) not pressing charges and friends who offer alibis for her. So she makes a deal with Spencer because she is also tired and she knows she cannot stop. A letter once a month because she likes his big brain.

Point 4. She is arrested but gets her letter and Spencer gets his, where she is smart and interesting and whatever. Out of nowhere they are writing themselves not just once a month. And they talk every sunday. (Again part of Maeve storyline, everything was there!!!!) (Also I think she could’ve been an assistant for a geneticist and help him with his migraines)

Point 5. And everything is good and they form a bond but Spencer would never admit he likes her and maybe even feels something more, because he is a good guy. But in this time he starts to read every philosopher that has written about good and bad (also talk it with Blake!! best part of the Maeve plot).

Point 6. After this we are only missing her dying and I wish I remember the name of the fic but something similar could happen. In the fic she scapes prison with help and goes to find Spencer because she knows of a human trafficking organization and she wants to liberate them, so she kinda kidnaps Spencer and they go there. Because she wanted to do it, deep down Spencer knows this a suicidal mission for her.

Point 7. They get there, she gets kill by local police but she saves women and children and got to spend her last day or two with Spencer, the only person that made her wished everything she did never happened and maybe she could’ve have a great life.

And ta-da! we traumatized Spencer with an interesting plot that makes sense (at least for me). And far more complex I think, something that maybe even MGG would’ve like. But who knows, is this against copaganda???

[tea-potato-gt]

G/t recommendations:

Midori Days (Midori no hibi) 2005

The plot: Midori is a shy girl who wants to build up the courage to tell Seiji how she feels. Seiji is a delinquent with a heart of gold who just wants a girlfriend. Fate has a funny way of bringing the two together when they wake up to (a shrunken) Midori becoming Seiji's right hand!

G/t: Midori does remember what it was like to be human so she gets so excited to see food on a larger scale.

Midori’s size change isn’t really emphasized or acknowledged very much. Since Midori is attached to Seiji’s arm, you don't get the classic picking the tiny up to gain her trust scenes. But I love when Seiji holds/comforts her with his left hand.

I had mentioned this story to @racheyace and decided to make a whole “why the G/t community should watch Midori Days” post lol.

This anime is one of my favorite anime romance stories of all time, G/t aside!

The Manga vs the Anime: There are 13 episode in the anime and 8 volumes of the manga (85 chapters). (I have the 1st and 3rd DVD and Vol. 1-5 of the manga.)

I love the anime, it's freaking hilarious and high energy! I watched it first and it got me interested in the manga. I'd definitely recommend the manga more! The manga introduces more characters and has a more developed and believable relationship between Midori and Seiji. Not only are the relationships with the two leads more fleshed out, but most of the side characters too! Everyone has depth and motivations and it feels like their all decisions have meaning!

The time frame in the anime is just a couple of months I think, while in the manga Seiji and Midori are together for about a year. They become so close that the heart break and pain is believable by the end. I cried like a baby at the end of the manga and I felt much more satisfied with how it ended. They are both great, but if I had to recommend one, it would definitely be the Manga.

Queer Rep: The manga has a bit of queer representation! One of the characters, Kouta Shingyoji (male), develops a crush on the male lead Seiji! And Midori and Seiji help two lesbians accept each other's feelings. To quote directly from the manga: "Love surpasses sexual boundaries," this is said while showing a picture of Kouta.

Warnings: The anime is rated “13 and older” and the manga is rated “T+ for older teens.” There is some violence, adult themes, a lot of cursing, suggestive scenes, questionable scenarios, and (some) nud!ty (all bare chest nud!ty, but not always s3xualized). But I am honestly impressed, this story could have EASILY been a h3nti, but's a pretty wholesome story of young love, just with a BIZARE twist.

Where to watch/read: You can read the manga on whatever app you use, I use “Manga Geek.” I’ve seen it on a lot of manga websites too! Or find the physical copies from 2004. (If anyone has Vol. 6-8 pls let me know! I have been looking for them! 👀)

You can watch the entire anime dubbed on Youtube here:

[softlyspun]

Oh, this is fun! As a historical costumer, I have some Thoughts on how corsetry and fit interact, and this is actually a topic that was keeping me from writing a costuming post for the Ginger and Mint girls. Might as well get it out of the way now! So, corsets...

I think the first thing that might not be completely obvious is corsets are sturdy. Even cheap ones from places like Corset Story are much, mush heavier than, say, a t-shirt or dress shirt. For its components:

The Busk

So, when I refer to the busk, I'm taking about the front closure of the corset, this bit right here:

(My cat decided to help.)

This is the bit that's going to give you trouble when you put the corset on, even if it's the correct size. It's a rigid bit of metal, much, much less flexible than the rest of the corset bones, and it's where the closures are attached. Usually those are the little metal clasps that you see here, but sometimes, especially in modern fashion corsets, you get some really whimsical ones, like this thing from Corset Story.

I'm inclined to say the busk isn't generally a point of failure in a corset: those little metal loops are riveted in place.

Next, we have

The Bones

So, when I'm talking about corset bones, I mean these bits:

These are long strips of something stiff but flexible. Historically, whalebone (a misleading name, it's actually baleen) was used, though, you'll also see things like stiff cord or reeds used for the purpose. Modern corsets use plastic or metal. They tend to be about the weight and flexibility of zip ties, maybe slightly stiffer. With time and use, these bones will conform to the shape of the wearer's body. This is sometimes a point of failure, usually when the boning pokes through at either the top or bottom of the corset. This will usually manifest as the tip of a bone poking you. (Almost every time this has happened to me, it's been under the armpit, but it could just as easily jam annoyingly into your waist). I suppose, technically, if it was put under some kind of weird strain, a bone could snap and poke through the middle of the garment.

Last, we have:

The Laces

So, a corset is actually a fantastically adjustable garment. This isn't to say that it isn't possible to wear them too tight, or for a corset to be too small, but in general they're a lot more forgiving than pop culture would have you believe.

At least with the corsets I've worn, the top and the bottom of the corset actually lace separately, and they tie at the middle. I almost always end up loosening the laces almost as far as they'll go when putting a corset on, getting the busk fastened, and then lacing it to the desired tightness.

While it's possible to lace it up on your own, the whole thing is much easier with another pair of hands.

For the points of failure here: the laces themselves can vary wildly. I've personally never had an issue with laces breaking, but it's not impossible that they might fray/weaken against the eyelets, or, if they're under a lot of strain and made from a flimsier material, they might just snap. The eyelets themselves are another potential point of failure: I've found that they can pull out and tear a garment when under strain (Or if you make the mistake of putting a grommeted garment through the wash. RIP, the kirtles I made in college). This is less of an issue when you're looking at historical construction, since historical eyelets are more or less embroidered into the garment, like this:

This is stronger and less likely to pull out, but still has the potential to unravel or wear out.

The final potential point of failure is the fabric of the corset itself. Like I said, these things are sturdy, but they're not indestructible. If the corset was already worn/damaged, and not carefully mended, it's possible for the fabric to tear (possibly dramatically!)

Just for funsies, let's look at how likely the issues are to occur:

The corset is uncomfortably tight, and it's all your character can think about.

Yeah, this is absolutely likely to happen. I think anyone who's done historical reenactment or cosplay has misjudged the fit of a costume at some point. Bonus points if the corset is an integral part of the costume, or if you're at a con or a Faire where you can't easily get out of the stupid thing. It almost always goes along with chaffing from the fabric of whatever you're wearing underneath the corset (and you should be wearing something underneath the corset. They're undergarments, but not next-to-the-skin undergarments)

I actually have my own personal experience with this. At a wedding, a reenactment friend came up to ask why I wasn't dancing. When I mentioned that I was corseted into a formal dress that didn't quite fit, her face went from teasing to sympathetic, and she assured me that I should just sit down.

The corset won't fit, no matter how much your character--or a helper--tries to get it on.

Like I said before, corsets are surprisingly forgiving (just lace it looser), but sometimes a garment is just too small. This is bound to be a point of frustration: even mass-produced fashion corsets can set you back a couple hundred bucks, and it takes a while for them to ship. If it's a custom corset, that's a much, much bigger investment, in time, money, or both. Depending on how much time you have before the event where the corset was being worn, this might require some radical changes to costume/garment plans. Many historical dresses are made to fit over structured undergarments, and won't fit correctly (or possibly at all) without a corset underneath. If it's for a cosplay, this might mean having to frantically throw together a look-alike out of duct tape and hope the morning of the convention.

All that being said, it might be possible to salvage the garment by just adding in a new panel. This was often how maternity corsets were handled in-period. Still, if the character is in a hurry, this is likely to end up being an obvious patch job, especially if they don't have a matching fabric on hand. If the corset is being worn as an undergarment, this might not matter. If it's being worn as a fashionable overgarment, it might cause remarks.

The corset is beginning to break or come undone as it struggles to contain your character.

I suppose it's possible that a less-experienced assistant might tie a bad knot that could come undone, which would honestly be the best case scenario here. The corset would just loosen as the night went on. Otherwise, this is the herald of frustration: this is going to mean either some time-consuming repairs, or buying a new corset.

The corset bursts open, unable to contain the pressure behind it.

This one's pure fantasy (not that there's anything wrong with that!) The possible ways I can see this working:

The rivets along the busk pull out, letting the corset fall open in the front.

The laces tear, sending shreds of ribbon everywhere, and the garment opening in the back.

The fabric itself tears, probably along one of the sides, in between the bones.

The corset is too restrictive to take off, and your character needs help getting out of it.

This has so, so much potential for a sweet, intimate moment. At the end of a day, feet and head both aching, I've found that I usually just want my beautiful outfit off. And there's always that point of exhaustion, realizing that the busk isn't going to cooperate and let you get out without unlacing the stupid thing, but that the laces are either tied too tight for you to undo yourself, or the knot is just out of reach. Turning to your equally exhausted assistant, and just quietly asking for help. The sigh of relief when the corset finally falls away. The red marks on your skin, where the fabric was pressed too-close for hours. The overall soreness of being through a busy day in costume, and the satisfaction of having had a great event. A vow to take things easy tomorrow, to let your body rest and recover.

Anyway, those are my thoughts on corsets and historical costumes as they relate to this kind of kinky fun!

corset prompts if u can!!! like being too big for a corset and just either not fitting or burstin it if thats ok !!

A time and a place:

On the way to an event that your character needs/wants to look extra nice for.

At an event, presumably with plenty of people your character wants to look good in front of.

On the way home from an event that your character may or may not have gotten a little too wild at.

At home, while getting dressed.

At a store, while trying things on.

The issue:

The corset is uncomfortably tight, and it's all your character can think about.

The corset won't fit, no matter how much your character--or a helper--tries to get it on.

The corset is beginning to break or come undone as it struggles to contain your character.

The corset bursts open, unable to contain the pressure behind it.

The corset is too restrictive to take off, and your character needs help getting out of it.

The cause:

No fault on your character's part; the corset was simply too small for their body.

Too much eating/drinking.

The corset used to fit, but your character has gained weight since they last wore it.

Bloating, be it from nerves, bubbly drinks, something they ate earlier, what have you.

Too much movement, gradually wearing on the too-tight corset and/or your character.

[echo-nt]

I know this has already been said and I’m super late, but Mia as the protag of RE8 would have been so good. The contrast between Mia, the Lords, and Mother Miranda would have been absolutely interesting. I'm shoving everything under a read more because damn I have so many thoughts about Mia.

Lady Dimitrescu is a woman that cannibalizes and drinks the blood of her servants and intruders. On top of that, she tortures before preying on them. She does this willingly and very much derives pleasure from doing so. Lady D’s gothic triplets hunt any poor fool that wanders in. It’s a fun family activity for them just as much as it’s for sustenance. 

Do you know what this parallels? The Baker family under Eveline’s control. They patrol the estate and anyone who rejects the “gift” either ends up molded or on the dinner table. This family also partakes in a fucked up version of a family dinner, eating the victims that refused their little girl’s “gift.” 

However, a major difference between the Baker and Dimitrescu family is their willingness to participate in these activities. A family of cannibals; one forced while the other relishes in it. 

Mia is still very traumatized by her three years in the Baker’s estate. Breaking into the castle to find her daughter would force her back. Hello to all the emotions that come with those memories, the ones Mia has been trying to forget. The harder you try to forget something, the more you think about it. What better way to make Mia acknowledge Dulvey, Louisiana than by forcing her into something so similar? 

And while she’s still reeling from remembering her time in captivity, why not push her a bit further down memory lane with House Beneviento? Mia has demonstrated at multiple points in RE7 that she does care about other lives. She lies to Ethan to keep him from getting caught up in her work. She tries to save Alan and crew members of "The Annabelle" (the crew members are a bit more indirect, she mainly focused on Alan) by containing Eveline. After Jack finds her, Mia keeps her distance to keep from infecting them while trying to write a warning. She tries her hardest during RE7 to save Ethan. 

Mia’s hallucinations could center on her guilt. The failure to stop Eveline and the lives ruined as a result. How she was always too late to help anyone. Ethan curing her, a criminal, over Zoe, the person helping him. Leaving Zoe behind in the shattered remains of her home and family. Surviving. Visions of Ethan hinting at his “condition” could lure her to the manor. A little nudge to the whole “he was mold the entire time” plot twist without fully giving it away. 

Moreau, lacking in self worth and very attached to a woman who doesn’t give him the time a day, yet still he considers her as his mother. Most of his actions are for the attention and validation from his “mother.” No matter what Moreau does, he’ll never have her affection or time. It’s sad, isn’t it? To witness a man try so hard only to be rejected. And isn’t that familiar? Mia once felt compassion for someone with similar traits. 

Remember the little girl who considered you her mother? The one that spent three years waiting for you to love her after you promised? The one you had a hand in killing? What makes you think you could ever be a good mother after what you did? Why are you trying so hard to save Rose when you didn’t even extend the same courtesy to Eveline?

Y’all know how Mia’s past is a mystery? Like why she was working for the Connections and how she was even recruited and all that. Heisenberg would be a great way to explore it. A man taken, forced into becoming something else, and stuck in a family he doesn’t want. Mia can relate. He wants to use her daughter as a weapon. She was willing to let another child be used as a weapon. They’re alike, so surely Mia would be willing to side with him.

But Heisenberg is cocky and Mia isn’t the person she was prior/during 7. Even if she was on board with using Eveline as a weapon to end all wars or whatever bullshit the Connections told her, she’s not willing now. Not after what she’s seen and been through. This section could be Heisenberg goading her through the tvs/intercoms about her past to change her mind with Mia remaining steadfast in her refusal.

And then there’s Mother Miranda. Two mothers trying to get their daughters back through vastly different means. Because of the group photo showing Mia and Miranda with Eveline this encounter can go one of two ways. 

Miranda and Mia know each other and have worked together before. Whether it be on the E-Series Project (with Mia becoming the caretaker and spending copious amounts of time at the lab) or though some other means at work. 

They’ve only briefly met when the Connections were in a hurry to transport Eveline.

Either way, Miranda would compare them. As a mother, Mia must understand what she’s trying to accomplish. Would Mia not do the same as she? Maybe at this point Miranda shows she killed Ethan to demoralize to prevent her from interfering with the ceremony. Tells her she’s too late once again and to give Rose to her because she’ll be the superior mother.

Idk, I guess you could switch to Ethan instead of Chris so he can still have Eveline tell him he’s moldy. But he’s a stubborn man and he forces himself back to weaken Miranda so Mia can kill her. Chris shows up and Ethan does the same thing he did at the end by blowing himself up with Chris forcing Mia (with Rose) on the helicopter. That way the Shadow of Rose DLC can still be about Rose and Ethan. 

TLDR; Mia should have been the protagonist because it would have allowed us to explore her character and background more. It was a missed opportunity especially since so much of RE8 centers around mothers. It would have played out better as closing off the Winters Family saga as well since we could have tied the loose ends that came with Mia’s mysterious past.

[spear-gsun]

A character i designed in class today, got the assignment to make a character and for some reason i was thinking about bells I realized while making her that she'd actually fit into my oc world pretty well and add some really interesting stuff

Have not come up with a name for her yet unsurprisingly, so lets just call her Bell Goat(sheep? cow?) Grandma for now

Also heres the sketches from when i was trying to come up with ideas, first i drew the bells in the corner, then the person in the top right, and then the sketch i ended up refining

[kareenvorbarra]

i'm forever caught between scylla (agamemnon stans who think he's a better-than-average mythology guy who only has fully consensual sex with the women he's enslaved) and charybdis (agamemnon haters who think he's the worst person ever and that achilles is much better)

[qprpbj]

oh thank god ppl aren’t crucifying me for saying i like it better that darry dropped out of school over just not going at all i feel so vindicated. i think it makes sm more sense for his character and—-

[mortysmith]

rick becomes super into multiversal travel after prime introduces him to it, very hyperfocused on it and the opportunities it presents (like how the gotron episode establishes that rick can get carried away unless someone reels him in). diane might initially be supportive of this but as rick's appearances around the house become more shoddy, she gets fed up and they separate. after a much more complex deterioration of their relationship obviously rick considers this a win at the time, since he's now free to dick around and do whatever he wants, essentially adopts prime's life philosophy and hangs around him. him and prime would eventually have some sort of falling out, which leaves rick extremely bitter and annoyed. he ends up spending most of his life alone, still living by his pop nihilistic ideals because he thinks this is what he wants. eventually he'd still end up squatting in prime's dimension and realizes that he actually Prefers this family life. his infatuation with prime could develop into resentment when he realizes that he essentially robbed rick of a comfortable, idealistic life