#but it was cathartic for me to write at the very least
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Just read through the entire fic last night and I love it! What inspired you to make Mapleshade a cannibal? It's very unique!
Thanks so much for reading <3 <3!
And it's inspired by an old fan theory! (I'm new to the fandom, only started reading in 2020, but I heard about this fan theory alot from more long-time fans XP )
Before MV, the erins said they couldn't write a mapleshade novella because it was "too dark". So many people theorized she was a cannibal, or something crazy like that, but cannibalism was the most popular theory.
I read guardians of ga'hoole as a child, NOT wc, which had... a TON of cannibalism in it, for some reason. so I guess I expected the same from wc, haha. so when i saw those theories I was very intrigued by them!
I thought it would be fun to do a nod to that fan theory. i think some occasional meta humor/easter eggs can be fun. like Duskwater getting out of work by saying she needs to go to the dirtplace, and Petalpaw at the gathering wondering why there's so many dark brown tabby tom leaders. after all, warrior cats' fandom is so creative and passionate, i think it's only fitting to pay homage, even in small ways, to the community in my work!
but aside from that, i think it could also tie in well with what Mapleshade represents as a character. The thesis of Petalkit's Shadow is the danger of letting your anger control you (something i think is very evident in the newest chapter... petalpaw, you are embodying the wrong mother right now. almost like.. her blood is betraying her, or something....). The characters have a right to be angry about what's happened to them .... but stewing in your anger forever instead of trying to do something constructive about it will ultimately destroy you and the people you love. Reedshine specifically says this to Mapleshade in their confrontation... it was her dying wish, essentially. And now, Reedshine is gone, and Petalpaw doesn't want to let her go.... but in her grief, she's doing the very thing Reedshine warned against.
overall Mapleshade is meant to portray this idea very plainly, that your emotions can destroy you. The cannibalism specifically represents how obsessive she is. she sees loved ones as her possessions that she has a right to own and control. like she says to petalpaw - "we will be together forever". She both loves and hates so thoroughly and intensely that it destroys herself, and destroys those around her, the ones she's supposed to love. her emotions are, quite literally, all-consuming!
So, all that plus months of starvation, isolation, and stewing in her own thoughts, well... why let a perfectly good murder victim go to waste? XP
Anyways sorry this got a little long. i always jump at the chance to ramble about this story, as you can tell haha
#cannibalism tw#answers#talk#petalpaw is also a self report in many ways#at least for when i was younger#It was hard for me to overcome my own anger issues#and writing about it has been very cathartic
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*flicks on nightlight* SHIT the fic wasn’t supposed to get this dark, man!!
#ffvii#ff7 fanfic#the themes are a lot more- uh- somber than what I normally deal with!#but very cathartic#for me at least <333#pichu writing#platonic zackseph#as well as Angeal and mainly Genesis being at the core of it
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When the flies fell is making me scream and cry and throw up this is going to end so badly.
teehee :3 who knows
#you guys gotta understand i'm not a plotter and the ending to this has changed in my mind at least three times since i started writing LMFAO#it's going to end. in a Way :3#maybe it'll be bad maybe it'll be cathartic maybe they'll ride off into the sunset together. who knows. certainly not me#very pleased people are enjoying it tho :D#fic
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i do not think women who are victims of other women get the help they need. im not just talking about legally - because is obvious and true for women who are victims of men as well - but psychologically and socially it is difficult to find support even among other women & queer people (where the support for victims would usually be strongest) who, for all of their best intentions, tend to view the situation with softer edges than they would if a straight man was involved. or have a stronger tendency to be like "well maybe... i can still be friends with both" if whatever happened, happened in the same social circle. it feels like it makes situations that should be very black and white, murkier.
#very abrupt thoughts but in the past few months ive been working on identifying exactly what triggers me and why#/why i feel so uncharacteristically hostile about certain things#...i hope uncharacteristic is fair at least i dont think of myself as a person who acts on immature reactions otherwise#or tries not to#anyway. think i just have a lot of unresolved feelings abt this. thankfully theyre not super relevant to my life anymore#but sometimes even shadows and reminders can make u spiral a bit u know#ig it doesnt help that i frequently write a character who is like Formed by this kind of trauma and its like#simultaneously something thats cathartic for me to address and something that can easily slip into triggering anxiety and anger#ultimately i just wish i would have felt more believed and supported by the rl friend group i had at the time and its hard to carry that
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access to art and music classes should be a human right
#i was gonna preface this with “idk maybe i'm drunk but —” but you know what no. it's true!!!!#what is it that differentiates us from animals??? i'd argue it's our ability to create things!!! it's art and music!!!#i was NOT GOOD at my violin concert today but you know what!!! it was still SO fun and SO cathartic!!!#it makes me LIVID that music and art classes aren't accessible to everyone#bc making music and writing is literally the reason i'm still on this planet. creating art has literally saved my life time and time again#obviously things like shelter and food are more important. let's get working on things like universal basic income first#but in the meantime let's stop cutting funding for public school music programs at the very least i mean jfc#m.txt
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in my head: where the Hell is the word seed on this album [starts checking them off….] not the singles not YMB not Sleepwalk not ….. oh come on [stares at Inamorata] it’s you. isn’t it.
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despair. i’ve actually only listened to it 3 times. because it causes me to physically implode. too much to bare. the thought of it all….
*pat pats*
I mean, i know my head wanted to connected dots just to connect them, bc James uses seed as a metaphor/simile quite enough, it's in his repertoire. He uses it even in interviews.
The funny thing is that the first other song that came to my mind after hearing "seed" was not the obvious one, the one with seed in the title.
No, sir.
It was, of course, Bleeding me.
And how could I not? When Innamorata sounds like that, feels like that, is a song like that--
I don't blame you, brain. I don't.
#the-mighty-het-speaks#ask#(d)jinn all'opera#song related#inamorata#bleeding me#BTW I LOVE BAD SEED. TOP FAVE FROM RELOAD#but it's a different seed. a different connotation from this one#at least in my head#anyway i am aware that in english the phrase 'spreading the seed' is a very common metaphor#but like. of the 4 of them i only remember james saying it colloquially#so much that in an interview that i watched recently james said that and lars smirked and repeated 'seed'#finding it funny#(AND WE ALL KNOW WHY. TY lars for keeping the joke for yourself bc it's old)#anyway its 3.53 am here and idk what im writing#but as always thanks soph and sorry that i made you go back to that haunting beautiful song#i wish you all the luck and that hearing it live will be cathartic af#also yeah i wrote innamorata in the post bc i am Italian and i do not want my autocorrect to learn the word wrong and curse me forever#with the wrong spelling#the tag already existed sooooo djskskskk#at least i can tag it right
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i've realised why i'm so scared of losing my friends: an essay of sorts
(this is long btw. there's a tl;dr at the bottom if you really care lmao. also people's names have been changed to their initials, and they're in pink so you don't read them as actual words accidentally)
i think at the end of year six, sh and il moving away left a sort of gap. and i think i tried to ignore it. i kept in contact with them. i texted sh for a year. her forgetting who i was felt like the biggest betrayal ever tbh. i know she just moved on, but i develop such deep platonic connections to people. at the time, i didn't realise this. i mean, i was 12/13 years old, struggling with lockdown and my mental health, i didn't have time to figure out WHY it hurt. i just knew it did.
as the world came out of covid, i started to form relationships like this again. with js and dr, mostly.
come year nine, and i'm in a class with lf. we start to hang out more. shit happens. we don't hang out anymore. but we're still friends. my friendship with dr was brief. i liked her, but i think her ability to shit talk people just immediately threw me off. more shit happens. i don't hang out with dr anymore. lf eventually starts to hang out with us again.
year ten, and i'm in the same class as just lf. and we spend so much time together. i also am in the same dt class as aj, who starts to hang out with us as a group around january i believe?
fast forward to now (end of year eleven). it's coming up to five years since year six ended. it's been about three years since sh stopped texting me back. it's been around two and a half years since i last saw il. it's been two? maybe?? years since things started to return to 'normality'. i've accepted the loss of my primary school friends. it took nearly half a decade. but i did it.
but i don't want to do that again. i don't want to go through the pain of not seeing these people i care about and love so deeply everyday. i struggle to make new friends. i didn't used to. but ever since covid i've changed. that sounds so dramatic and kinda corny, but it's true. i don't want to lose contact with lf. i don't want to never infodump to aj again. i don't want to stop speaking to js. i've found my people, the ones i'm comfortable with. the ones who are my home. it's taken so long, and i CANNOT lose that. i don't know what to do.
i'm bad at staying in contact with people. i forget to text them back. i get scared they don't want to talk to me. i never have any time. i'm always busy. i over commit. to people. to hobbies. i'm very much an all or nothing person. and that's why losing friends hurts. but i don't WANT the moral of this to be "oh i'll get over it in time." i want the moral to be "i will make the biggest effort possible to keep in touch with these three people."
i see bears in trees and i know callum and iain met in primary school. i know callum, iain and nick have been friends since secondary school. and i want that so badly. i want to go to the same uni as my friends. i want to buy a house we can all live in together. i want SO MUCH and i can't have it all. i'm jealous of what they have. i'm jealous they managed to stay together. i don't cope well alone. and i have such a deep love for and bond with my friends that if that breaks i don't know where i'll be. i don't know what i'll do. i don't know who i am without them, to be completely honest. maybe that's a bad thing, but i don't really care. they are everything to me. just like sh was. just like il was. like dr could have been. like [my sister] is, but also not quite like that.
it's why i've asked if we can make music together. i want something that keep us connected. because if and probably when i leave [my school], what do we have? what do we have? we have nothing. nothing except a bond that i hope will hold strong against the test of time. i so badly hope it does. i don't want we don't speak anymore to be relatable. i want it to stay nothing but a fear. i need my friends.
tl;dr: i'm a little bit emotional and i'm scared of losing people i've dedicated my life to
(i exceeded (well reached) the tag limit lmao)
#i've cried about 50 times in the last 48 hours lmao#this was very cathartic though icl#yes i brought#bears in trees#into it#fight me#i love my friends#they make me feel alive again#or at least they remind me#that i'm not even dead#← bears in trees were so real for that#one of my favourite lyrics of all time#would get it tattooed if i was old enough#ANYWAY#but i digress#covid really fucked me up icl#just like it did for everyone else#i just wanted a normal childhood#right it's 1.30am#(why do u always post on tumblr in the early hours of the morning 😭)#so gn <3#friendship#friends#best friends#fear#attachment issues#probably#slay#poetry#my writing
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Reading my stories, it's pretty clear I have a very childish idea of what romance actually is. Like you can tell I only understand it on a baseline theoretical level. It's really kinda cringe, but I do prefer my attempt at romance over majority of the other options HAHA
#rambles#i may imply that my mental idea of romance is finding someone pretty and holding hands but like#you would NEVER catch me writing men using terms of endearment like 'dove' or other cringy things#you'll never see me talking about how he's soooo glued to you in the mornings he won't let you out of bed!!!! >//u//<#like i may be childish but i'm not indulgently unrealistic and fantastical#got that going for me at the very least#my most romantic fic is also the fic i have the least amount of notes on#which i kinda deserve it for how jarring the intro is but like#damn it's so good#therapeutic#cathartic#and with someone like kazuha#it's really one of my top stories#i'll never stop bragging about it because that's how proud of it i am HAHA
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Heeyyy! Soooo I have a fun request idea that I totally came up with on my own with no help from anybody else, from my own mind and not some super creative person that answered my question about Arthur proposing to reader 🤣 it goes something like this:
-takes three months to work up the nerve and like another one to pick out one ring.
-chickens out at least two times bc the moment isn't right
-asks Hosea for advice 19 times (Hosea is tired)
-he's the trope where reader starts crying and he's like ohh goddd i fucked up of course you don't wanna marry my ass
-the way he would ride around for a week looking for the perfect spot to do it
-marks it on his map with a heart
-the essays he would write in his journal about this situation
-he's so cute i love him pls marry me Arthur Morgan
-awww once you say yes??
Hehehehe no pressure though!!!!! I just looooovvvveeeee this idea so much!
Yes !!! Yes of course I’ll write this!!! ❤️❤️💕💕🥰🥰😵💫😵💫😩😩As always it ended up running really long even though I didn’t even really flesh out a back story. 🥲 I’m glad you enjoyed my response ☺️☺️ I definitely had high honor Arthur Morgan in mind for this when I read it, I hope it’s ok and that you like it!!! I was so happy to see you in my inbox !!! @zae-heeyyy 💓💓💓💓💓 writing this was so cathartic and I loved the rdr1 setting so much so that I made this pre black water heist or whatever 😭🫶 from Arthur’s pov hope you like the characterization 🥹
Tags: established relationship, marriage proposals?? Arthur being a major weenie. Like huge weenie. He is soooo sooo sweet it’s almost like too much and I love love love sweet Arthur so very fluffy!!!! Pre black water !! Dutch being a jerk 😒 but cute dad Hosea moments ☺️
Arthur wants things to be perfect for you.
(High honor) Arthur Morgan x fem. Reader
Arthur knows he’s made up his mind when he’s in the tailor’s shop in Blackwater, looking like a lowdown cattle rustler among all of the fancy fabrics on the wall. He and his spurs, his boots scuffed to hell and a leather satchel slung over his chest. He’s out of place and he knows it. But he’s here to buy a new shirt.
Yesterday, he had nearly driven himself insane looking for a shirt of his that wasn’t ruined, ripped and mended, dirty, stained irreparably. None of them were good enough for what he wanted, something nice to get down on one knee and ask his girl to marry him. And so he kissed you goodbye and rode into town in search of something better. He makes an effort at pretending to be interested in any of the fancy stuff, silk and linen suits that he sure will never be fitted for him. He clears his throat as the attendant drags his eyes away from the sunday paper.
A tight lipped smile consumes the man's face. Arthur already can sense the assumptions he’s getting but he pays little mind to it. He’s getting this shirt and that's that.
“How can I help you, sir?” Obnoxious and nasally, the thin and short man's voice already gives away his air of superiority. Arthur's eyes narrow but he isn’t too irritated yet.
“Here to get a shirt.” His words are simple. The attendant raises a brow.
“Just a shirt, not… pants or shoes?” the attendant lowers the paper to scan over the rest of Arthur’s clothes. Arthur can hardly ignore the burn of insecurity.
He gives a look that conveys how quickly he is losing his patience. “Excuse me?” He can only tell his posture changed when he observes the man's attitude change, clinging to the counter between them like it would make any difference.
“No, well sir, perhaps I’ve overstepped, I apologize. What kind of-of shirts were you thinking?”
“Listen, I ain’t here to cause no trouble, just show me what you’ve got,” The attendant hurries to show him some options, tries to sell him a vest but that isn’t happening with his budget.
In the end, he picks a blue french dress shirt. Costs a real pretty penny but he wants it to be special. Because you’re special. He stuffs it away in a saddlebag after thanking the attendant, who no doubt heaves a sigh of relief after he leaves.
-
He’s been collecting rings. In a special bag is a collection. A few plain gold bands, some with stones set in them. They’re pretty blue and red gems, some have filigree detailing. But he still can’t find the right one.
Worse then, is that they’re rings of all different sizes which he gets from his more sordid activities. Debt collecting or train robberies. It’s all stolen goods. It feels wrong to give you something like that but when he told Dutch his intentions, he clapped him on the back and told him to look in the collection box for more rings. He nodded then but it was half hearted. Somehow that was more souring. Did he really want to give you something he took from someone else? That someone else bought for their loved one with the express purpose of giving them something to symbolize how they loved each other? His own thoughts swirl circles in his head, why he had these scruples about it, he didn’t know.
It’s riding with Hosea that he asks for advice. They’ve been working on a job in Tumbleweed, trying to con some poor fool into giving money he shouldn’t by pretending to sell land deeds. They ride all the way from the yellow grasses of Hennigan’s Stead and it’s been mostly quiet over the stretch of passing though Armadillo. Arthur decides to speak up after they pass through town. The sun is beginning to dip a bit lower in the sky but they’ll be in Tumbleweed before then.
“I been-”
“This about you n’ the girl?” Hosea already has a knowing smile and Arthur rubs the back of his neck. “I think you should do it! You two would make quite the couple, she’s a sweetheart, that girl,”
“Yeah, she-she’s… I’ve been lookin’ at rings to give ‘er,” He grips the reins before going lax, riding easily along the path. Hosea murmurs, letting Arthur continue. He guides Boadicea down the dusty road. “I don’t think I wanna give her something I got robbin’, don’t seem right,”
“Then get her something new, I don’t think she’ll mind at all. But you do what you think you should. You could probably fence all the other rings you thought about and get her something quite nice with the cash,”
“Yeah, I could do that,” why hadn't he thought of that?
“That’s a wonderful thing, getting married. Don’t be afraid to, y’know, go through with it. If you’re thinkin’ about it. Maybe, once Dutch and I find the perfect spot for the gang to settle down, we’ll build you two your own little thing on the land,”
“You that confident she’ll say yes?” Arthur has an awkward and disbelieving laugh but Hosea keeps his earnest smile.
“Why wouldn’t she? Arthur, somehow, she has gone for a man like you, you should be over the moon, you should be whistling tunes everywhere you go,”
“Like me? What's that supposed to mean?” He knows what he means. A man like him had very little to offer you, a young woman who could easily charm some other well established man into giving you a home. Leagues away from his cot and the weathered canvas he put up to give you some small amount of privacy.
“You remember what happened with that Mary woman. This time, things oughta turn out better. This one’s got no old man to chase you around with a shotgun,” Hosea figures himself very funny and laughs, ending it with a shallow cough. Arthur furrows his brows.
Of course he reminded him of his disaster with Mary. He could never escape that woman, even when he severed ties with her. But how he had wanted to, especially with you. Yes, it was true, he had loved Mary. But now he loves you. He needs you. His idea of the rest of his life always includes you, laying in bed with him, gently stroking his chest, leaving him love notes in his satchel, telling him what happened in the camp while he was gone. He always listens, always wakes up smiling with you tucked under his arm.
“I remember just fine,” he grunts,
“Good, because you’ll forget about her soon enough. Month from now, I suppose. Where are you going to tell her?”
“Where? I didn’t think we was gonna go nowhere, just tell her when I was ready to…” he hadn’t even imagined a place when he first set out to do this.
“So you wanna propose; with Uncle standing behind her, drunk off his ass in just his soiled union suit?”
“I-”
“Take her somewhere special, somewhere to make her feel special! Women like to feel special, Arthur, you know that,”
“I do?” He says, with a sarcastic edge to his voice, though he tries on his attempt at sounding uninvested.
“You should. I didn’t do that enough. I should have before, well…” Arthur nods, bowing his head a little as if in remembrance. He hopes to always have you by his side. Otherwise he would be much like Hosea: carrying a torch for a woman who passed through his life too quickly.
-
He starts his journey looking for something special. Special like you are. Keeps his eye out, marking potential things in his map, and makes a list in his journal. Aurora Basin maybe, a pretty lake deep in the forest but getting attacked by bears doesn’t sound romantic in any way. There are some sweeping vistas overlooking the San Luis River in Rio Bravo. He isn’t quite sure about anything though, thinking it over deeply. He just wants things to be perfect.
He’s still thinking about it when he comes back to camp, close to Lake Don Julio, sighing. Thinking much too hard obviously, he doesn’t notice that you’re sitting on his bed, biting your nail nervously until you see him first. You look worried, happy to see him but worried. You stand, hugging your arms around yourself and then placing them on your hips to make you seem more upset but you just drop them when he’s close enough.
“Hey, darlin’,” He utters, opening his arms to give you a hug but you just look up at him. He drops them, mentally kicking himself before taking his hat off and sitting down on his bed.
“Arthur, you’ve been gone three days,”
“I know,” you’re disappointed in his answer. You take a breath and a pause, looking off to the right. He stares down at his scuffed and weather worn boots. He hates to disappoint you, hates when you’re upset. It takes a lot to get you there, too. You’re a forgiving soul when he knows he doesn’t deserve forgiveness. He looks away, like a dog who knew he shouldn’t have chewed those leather boots up to bits.
“You know. I asked everyone where you were and they didn’t know,”
“Honey, I ain’t gonna leave you, I’m not-”
“You leave other men out of this, Arthur,” you already predicted he’d bring another man’s failings to make up for his own. Maybe bringing up John’s shortcomings while you’re upset is a little below the belt but it worked better in his head. He puffs some air out in a laugh. God, he just can’t seem to find the right words to say.
“Is something funny? Is how much-how much I worry funny to you?” You look like you’re gonna cry, squeezing your arms tight around yourself. Your eyes flick around, thinking of all the people watching, never any goddamn privacy in this place. You start to back up, looking for a place to hide your tears.
“No, no, I- I’m sorry, don’t go walkin’ away,” You let him pull you back. Let him tug you into his lap. You sniff and tuck into his neck. “I’m sorry,” he says at least 5 more times. His hands pet down your hair, holding you. He hadn’t wanted to come back to such a harrowing fear in the pit of his stomach, the thought of you walking off without him. He thinks himself lucky that you haven’t had enough of him and decided to leave already.
Arthur pulls you in real tight, doesn’t let up til’ you start to calm down a little. “Shouldn’t cry for me, sweet girl, bastard like me ain’t worth them tears,” he wipes a few away. Seeing you like this could make him cry if he thought about it too much, how he had let you down. His nerves almost make him tremble, the slightest shake in his fingers when he brushes them under your eyes, shiny with tears. If anyone else made you cry, he’d knock their teeth out. But what is he supposed to do when it’s him? Sickness roils around his abdomen.
“Where were you, anyway?” You shake your head at his words. “Mac and Davey said…” he perks up at that. Those boys are a terror. His face screws up in an anticipated anger. He’d be angrier with them, they’re the ones who need to see it, not you.
“What’d they say?”
“No, they were just messing with me. I don’t think it’s true,” You look away. But he knows exactly how nasty those boys can be. He gives you a look and you give him a defeated one in return. An embarrassment leaks into your words. You can’t meet his eyes, twiddling your fingers.
“They said you were at the saloon in town. They said things that aren’t true and I know it but it isn’t nice to leave me here with nothing to say about it,”
“I know, darlin’, next time, you’ll be the first to know where I’m goin’,” You nod and wrap an arm around his shoulder while he pats your back, grabs your thigh so he can pull you to sit across his lap fully.
“Are you gonna answer my question or should I take their word?” you tease and he reassures you about those boys. They’ll be hearing from him soon enough.
“I’m gonna have a word with them, don’t worry about it,” he scratches his beard. How is he supposed to say that he went riding around looking for a place to take you so he can ask you to take his sorry hand in marriage? He had already disappointed you and saying it’s a secret is a laughable idea.
“Well, I was out, uhh- huntin’?” You frown and lean away.
“Arthur, you’re an awful hunter and an awful liar,” you look really hurt. You almost stand but he pulls you back. He needs something to tell you and fast.
“I was out lookin’ for somethin’ real special to give you. It’s supposed to be a surprise…but well, I can’t keep no secrets from you, sweetheart,” You fuss a little, a wariness in your posture. You study his expression. It isn’t a complete lie, makes it a bit easier to pull off. He really does have a surprise for you. He tries to keep his face neutral, but his lips twitch up when yours do to, a small smile shining through the clouds of your emotional turmoil.
“What surprise?”
“I didn’t find it, guess a surprise, it’s gonna have to stay,” You pout and wiggle, a soft chuckle rumbling in his chest.
“Ok, but once you find it, you better take me to see it right away,” You kiss him, soft and sweet, holding his prickly jaw in one hand. He can feel how your pout gives way to a smile. The feeling of your soft lips on his is one of those things he’ll never get sick of, never get over.
“I will, promise,”
-
He’s found the perfect ring, really, by chance. It’s a little thing but it’s the right color, goes well with you. The rock on it isn’t very big but he saw it in a window while in town. Some big fancy jewelry store, showing off all the finer things that he never paid any mind to. Unless it was to steal it of course. But he had bought it. With money that may have been also robbed but it was from hitting a Del Lobo stash. A good deed, probably in a backwards sense.
The girls had ‘oohed’ at it, Mary-Beth had an excited tiny clap and Tilly rejoiced. Jenny nodded with a small smile.
“We’re happy for you Arthur! Oh my god, Arthur Morgan, gettin’ married…” Tilly giggles, putting her hands to her cheeks and clasping her hands in front of the skirt of her yellow dress.
Karen laughed. “Never thought I’d see the day,”
“Don’t listen to her, I mean we was hoping when we saw you two huddled up all the time,” Mary-Beth takes the ring from him, holding it closer, so that Jenny and Tilly can get a closer look.
“Hey, be careful with that,” he murmured, trying not to sound too desperate. He scratches his neck instead of snatching it back like his instinct wants him to. Evening is coming soon, purple dusk and soft coyote yipping and howling far in the distance marks the sun's descent. Meaning you’re probably finishing up whatever it is you’re doing. He hopes you don’t come around the corner at an inopportune time. Arthur turns his head this way and that.
“Where’d you get it? Looks new, ain’t scuffed to high heaven like everything else around here,” Jenny points out and the girls nod.
“Bought it in town,” playing it off doesn’t work so well.
They ‘ooh’ some more. “Fancy. Only the best for Arthur’s sweetheart,” Karen coos teasingly.
“Gimme that,” grumbling, he takes the ring back, bowing his head so they can’t see the embarrassment plain on his face. He meanders off after asking how things have been. Of course, they only give him updates about you, Karen jokes that that’s all he wants to hear about anyway. He scoffs and wishes them a good evening.
But the perfect spot is yet to be discovered. Evades him like just about nothing else. He almost gives up on the idea. He’s been taking you out, trying to get you in the almost perfect moments. Taking you out on the town in Blackwater was a good time, he bought you dinner and took you on a stroll down the cobbled streets, watching your face light up when you saw something pretty in a window, clutching his hand and pulling him in more. He almost proposed on the veranda at the Blackwater saloon. Only for a fight to break out at the poker table to interrupt.
Then he took you out to see the poppy fields in Great Plains. But he had let his anxiousness and his nerves overtake him. He had tucked the ring away. You had looked so beautiful standing among the flowers, it was perfect but he just…couldn’t. Instead, he wrote in his journal about his own cowardice. Wrote about if he should lock you to him for the rest of your life. If he’d end up leaving you a widow. Or if you were to be taken from him like Annabelle and Bessie. Leaving behind lonely men who longed for a woman gone from this world. Then he scribbled pictures of you, trying to draw the motion in your hair and in your dress and the beaming most enchanting smile he had ever seen.
Boadicea munched on the long wheat grass, waving in the wind while he kept a watchful eye on you, picking flowers in your pretty dress fluttering against the bright blue of the sky. You have a bunch of candy orange poppy flowers held together by your palms, a bright smile on your face. You walk to where he sits, leaning against the tree, next to a small broken down stone fence. Your smile falters when you see his pensive expression. You come close enough to touch. You dangle one flower above him before you tuck it into the frayed ropes banded around the crown of his hat. He lowers his head while you fuss. Smiling like a fool. You smile again too, sitting beside him. You both listen to the sound of the quiet plains, breeze in the branches above him. The shade is cool, light filters beautifully over your features, speckled like the back of a doe.
“Something has been going on with you, Arthur,” you state as pure fact, knowing him all too well. You had only really known each other a year and have only been together as a couple for six months but you knew him better than anyone else. You had let him be himself, let him just…be. He didn't need to say anything for you to understand him.
“I’ve just been… thinkin’ bout some things,”
“Really? I thought you said you weren’t very good at that,” you smile a little, nudging his shoulder. Hoping to lift his spirits with his similar brand of humor but when he hardly huffs a laugh, you frown. “Is it about you and me?”
“Yeah, in a way,” he says, unable to hide anything from you. Why should he bother? Saying no would make you more suspicious. Arthur closes his eyes and can feel the panic rising in you. He could have been better about saying it but he’s quick to deflect it away from his secret. “You happy with me?” low and grumbled, the severity makes his tone go way down.
“I don’t understand. Do I not seem happy? Arthur, I’ve never…I’ve never been happier than I am with you. You’re the kind of man any girl would be lucky to have,” You smile, leaning to face him. Softening up, your eyes track over his face.
He wanted to ask you right then and there. Tell you just how much you complete him. How lucky he was to have you, how there never was a happier time in his life. He doesn’t believe in that sentiment you have, he had failed the women in his life. But he had wanted to make a vow, to never leave you alone. It’s his own nerves that wrap tight around his hands, don’t let him reach in his satchel for the little treasure that will be your wedding ring.
“No, I just know I been gone, I don’t wanna ignore you. I just been busy,”
“You have things to do,” You sigh heavily. “I wish the other men would be as helpful as you. Sometimes, I watch Sean, Uncle, and Bill lay around all day while you’re out working. It doesn’t seem fair,” Your brows pinch in a small dissatisfaction with the idea. He smirks.
“I don’t know how much I trust Sean to get things done right. We’d probably eat nothin’ but leaded rabbit meat and whiskey if we left it up to that boy,” You giggle and nod. Happy to see him back in his joking mood.
“Arthur… You know I love you, don’t you?” God, those words make him shiver. Make his heart rattle in his chest. Could swear his insides turn about 3 times. So sweet, you look at him, hands on his thighs, leaning into his side. He opens his arm for you to tuck into, grabbing your waist to pull you close.
“Yeah, I do. Love you more,” he can feel heat flush up his neck and cheeks but he doesn’t care if he looks like a lovesick idiot. Your joy is worth it. The wind blows your hair over your shoulder, you let him sweep it back some more. Your pretty laugh when he bows over to lay you down on the grass makes him chuckle.
-
He’s finally found it. Montana Ford. A shallow spot in the river he discovered, looking for a short cut trying to cross from New Austin into West Elizabeth. He hated riding through the Del Lobo populated Thieves Landing, especially after they were catching on that it was Dutch and his boys robbed their stash two weeks ago. He sighed and then he veered off the road, looking for somewhere to cross. And the shaded river was perfect.
He stays there a moment, looking at the pretty grass growing alongside the water, the light glittering over the surface. The sound of the river rushing by fills his head pleasantly. You’d love it, you’d toss your boots aside and wade into the river, lifting your skirts high enough to hopefully not get wet. But you’d be wet anyway. He’d do it too, you made him feel like he was twenty despite his thirty some years on this earth.
He decides to sit and sketch it and write about you. Just how excited he was at how everything was coming together. He feels like a kid, sappy but too devoted to care very much at the small heart he puts on his map. He’s almost embarrassed of himself. Even with no one to see. He folds his map up and stuffs his journal away, whistling his horse over. With a soft word or two, he mounts up and continues on to his destination.
-
It's been three days since he found the spot he would take you to and he’s had a ring in his satchel that glares up at him every time he opens it to pull out a cigarette. Of course, just as everything comes together, Dutch insists he go scouting for some new venture, looking to follow a treasure hunter so they could rob him. It ends up being a whole lot of nothing from a bad tip but Dutch has a ‘nothing ventured, nothing gained’ speech to try and lick his own wounds at Arthur’s expense. Arthur rolls his eyes. Feels his hands knot into fists.
“Maybe next time, it’ll be you runnin’ all over New Austin on some wild goose chase! And I’ll give you this bullshit. Wouldn’t that be just fine, wasting your goddamn time-”
“Arthur, calm down! I don’t have time for your complaining. Where is that girl of yours? Why don’t you blow some of that steam off with her? It’s obvious to me-”
“Dutch…stop pushing the boy,” Hosea remarks from where he’s reading a book nearby. Arthur postures to continue arguing and Dutch shoots a glare before waving him off. He looks to Hosea and backs away, huffing. But before he can go for a smoke to hopefully calm himself down so he could be with you, Hosea calls him over.
“So… have you popped the question?”
“No, I ain’t got time most days,” He sighs in defeat, dropping his weight on the seat next to him, resting on his knees, leaned over. He takes his hat off to adjust his hair before putting it back on. He hadn’t seen you in another two days on account of this stupid ploy to rob a treasure hunter who didn’t know left from right and east from west. What an idiot. But not nearly as foolish as he.
“Tomorrow, I’ll tell Dutch to leave you out of these plots of his. I’ll even tell Miss Grimshaw that she’ll be gone. Take her and ride away for a couple of days. I hope to see a ring on her finger when you get back. In fact, I’ll be expecting it!” Hosea has a smile on his face, the excitement is genuine. Arthur nods.
“And what if she says no?”
“Well you keep at it. Perhaps a little persistence is all you need but why do you insist on imagining the worst?” It’s as if after asking, he considers why Arthur might not want to change things irreparably, might have already put his heart on the line and had it thrown away before.
“Arthur, the sting of rejection must be pretty…pretty lamentable. But you wouldn’t be trying this hard if you really thought you didn’t have a good chance,” Hosea sets his book down. “Go get some rest… leave first thing in the morning,” Hosea pats Arthur lightly on his shoulder. Arthur looks up as Hosea wanders in the direction of his tent.
His heart does yearn to see you at his side, wearing his ring on your finger. To hear you referred to as Mrs. Morgan. But all he can see is an incredulous look on your face. ‘Marry? Me? Arthur, you must be joking,’ you laugh and laugh. You’d never be so cruel but whatever part of him hates his own guts imagines the scenarios with great fervor. The anger from the rest of his day and the anger at himself grit against each other. He growls low before marching off to his tent.
You’re already inside, looking very lovely, one of his mended shirts serving as something of a robe to wear over your underthings. You look up and smile. He could forget the whole world just by looking at you. You hum, scooting over in bed.
“Arthur…” the way you call his name, you hardly need to give him any pet names, just Arthur will do.
“Come out with me tomorrow. First thing in the morning,” He states. More like a command, the residual anger drips off his words. You look at him strangely.
“Alright but I’d like to know what all of this is about first,” You set whatever you were working on, perhaps brushing your hair as you set a horsehair brush aside. You give him a concerned look.
“Found that surprise,” he grumbles, sitting down and tugging his boots off. “Hope you’ll like it but…” he stops to tug his gun belt off, his suspenders too. Arthur rests his hat gently on the side table. “Can’t be too sure til I show it to ya,” You smile softly.
“I think if you think I like it, I’ll love it,” God, he hopes so. Anticipation bounces around in his head and in his lungs. He’s practically short of breath. How he’s going to sleep, he has no idea.
“Yeah?” you hum in agreement. Looking sleepy, he’s endeared by how your eyes blink slowly, how you wiggle onto his chest the second he lays down. Your hands rub down his chest and belly. You’re asleep in a matter of minutes. He almost wishes he had you for company still but he’d never wake you for something so selfish. Instead, he pets down your hair and listens to your breathing, the natural hush that covers the camp once it’s too late for much of anything but small chatter.
-
Like clockwork, he wakes early. He can’t remember falling asleep but you're softly murmuring, you won’t wake unless he expressly wakes you. He gives himself time to put on that shirt he bought and rub his hand over his face at how nervous and silly he feels buttoning it up. He pulls a jacket over it to hopefully hide how ridiculous he looks. The morning is a pale blue when he steps out, thinking to bring you coffee to wake you.
You dress, half asleep, when he comes back to you, humming into the cup he brought you. You wear something nice but not overstated. You put kisses on him to wish him a good morning after you’ve decided you’re cleaned up enough.
He helps you up on his horse, Boadicea already very used to you. The ride isn’t too bad and you certainly make it better, he’s quiet with nerves, responding as much as he can without getting lost in his thoughts. The sun has climbed up and blazed down on you for a while by the time you get there. But your face when you see his surprise is too precious, eager to slip off the back of his horse.
“Arthur, it’s so beautiful!” The summer sun is high in the sky, perfect for your plans as you tug your boots off. He ambles after you, hitching his horse to a tree. You’re already sighing and knee deep in the center of the river. Your stockings lay haphazardly tossed over your boots. You’re some fabled creature, come from somewhere else. He could see it. No woman shined like you did, at least not how he saw things.
Just like he imagined, he rolls his pants up and tosses his boots aside, the spurs jingle when they hit the ground. The light catches the river’s surface, shades of yellow and green, the earth's gentle brown. You’re excited to see him join you, taking his hand that he holds out to you, pressed to his belly and chest, just where you belong.
“You like it, sweetheart?” He mumbles, really fishing for compliments. He knows you do but he’d love to hear you say it.
“I love it, Arthur, how could you say I wouldn’t? Sometimes, you’re a silly man,” you laugh, sway with him in the river. Birds sing, the water is cool, it’s perfect. He pulls you up to a shallower part of the ford, the sun forms a halo around you, reminds him you’re pure heaven and he couldn’t let you go.
“I have something else for you,” his voice is shaky instead of the easy confidence he likes to portray himself as. You look up excitedly but the dazzling smile slips off your face, you're shocked as he pulls a ring from his satchel and kneels down in the river.
“I-uhhh…I-“ he had really planned all of this and didn’t think of a single word to say. He can't bear to look up, he’s sure he’ll lose his nerve. “I haven’t loved…anyone like I love you,” the ring looks tiny and pathetic in his fingers. They’re also calloused to hell but he continues anyway. “There ain’t anyone else for me in this world but you. I just wish I was a better man, you deserve more than I can give but… if you would have me,” he looks up and your hands cover your mouth and tears leak over your fingers.
He really had ruined everything, hadn’t he? How was he supposed to go on living with you? What would he tell Hosea? His face falls and his heart cracks but he’d be glad to take you back home and disappear for a few days.
“I’m sorry, sweetheart, don’t know what I thought,”
“Arthur, just please…” you hold out your left hand. You wipe your tears, trying to compose yourself and when he sees your smile, your hand over your right cheek, he lets himself ease. “Nothing would make me happier than to be- to be your wife, Arthur, you are…you’re the best man I know,” you wiggle your fingers excitedly and he slips the ring over your ring finger. He stays stunned, kneeled in the water, his pants soaking it all up but he couldn’t care less.
The ring looks so perfect on you. He holds your hand, kissing it like a knight of old, looking at him down on his knee, still crying but that brightness in your eyes is all he needs. Your giggle makes him smile at you too. And you drop to embrace him, tucking into his chest, arms around his neck. You murmur his name, rub his back. Tangle your fingers in his hair. He settles with you, surrounded by your unmistakable presence, basking in it. Holds you tighter, trying to not squeeze the air out of you. He breathes you in, holding you through your overwhelmed clinging, wiping your tears on his shoulder.
You pull back a little, enough to kiss him, his relief is groaned into your mouth. He loses track of himself and slips, sitting in a river with you in his arms, giggling more into his kiss.
You sit with him on the banks, trying to dry out after he tipped over. So much for his fancy shirt. He thinks the both of you will look half drowned by the time he brings you back to camp but he isn’t sure he wants to go back. Just you and him for a few days sounds rather enticing. You keep looking at your ring, leaned into his shoulder. A pleased little smile blooms over your face. How can he not smile at how beautiful you look, hair wet at the ends, warm light casting its glow over you.
You look up at him, with a look that says you’re gonna cry again but you just give him a teary smile.
“I’m a lucky bastard, get to call you mine,” You wrap one tiny hand over his neck when you kiss him slow and deep, letting him consume the very air in your lungs, grip over your body to feel it. You moan just softly enough to pull on his need for you. But you part ways for you to continue.
“Did you really think I’d say no?” you give him a sad frown. As if upset that he would think such a thing of you. You brush your fingers against his skin. He looks away.
“You wouldn’t have been the first,” you sigh.
“Who could say no to Arthur Morgan?” You ask no one in particular but he huffs a small laugh.
“Many people,” a joking tone tinges his words. But then he dips towards the sentimental. “Don’t even remember, really, all I think about is you, darlin’…” You laugh before coming closer, unable and unwilling to part from him. He knows he’s a hundred and one percent sap but he lets himself melt in your presence.
“Well, it certainly wasn’t me,” you wiggle your left hand in his face. He chuckles a little at your cute little fingers. “I’m glad…it means I get you all to myself,” The joy is boundless in his chest, he could light the night like a lightning bug with the flame in his heart.
“Arthur, I… I… sometimes I don’t have the words to tell you how much I love you,” you lean onto him. He shakes his head with what he’s sure looks like a stupid grin on his face. He wasn’t sure this would be in the cards for him but here he is, with you.
“Every part of me loves you, honey,” is all he has to say, paling in comparison to the pure power of your own words over him. They tumble clumsily from his mouth but you pull him down for kisses anyway. Your teasing ‘do you?’ has him nodding between your giggles and wet kisses.
-
Thank you so much for leaving me this request, I loved writing it!! It was so much fun and I really had fun including some parts of rdr1 map that were really special to me and brought me back to when I was a kid playing that game 🥹🥹🥹🥲🥲🥲❤️❤️❤️ any feedback is appreciated and thanks for reading 🥰🫶
#red writes#arthur morgan x reader#arthur morgan#rdr2 x reader#arthur morgan x you#red dead redemption 2 x reader#high honor arthur morgan#high honor arthur morgan x reader#x reader#red dead redemption 2#arthur morgan x female reader#arthur morgan x fem reader
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I haven't posted to this account very much (or at all, really), so I figured I'd update you guys on the state of Such Happy Campers and Press Play. I don’t want to talk about the incident that led to me putting SHC on ice because it still rather upsets me, but honestly, I think it was a good decision. I was grieving the “loss” of SHC for a while, but I can't help but believe I made the right call. Continuing on under the circumstances would have drained me and likely taken me right down the road to writer's block.
Furthermore, and in hindsight, I find writing Press Play a lot more fulfilling right now. All my life, I've only ever written horror, so Press Play has been a wonderful breath of fresh air. It feels cathartic writing about struggles I myself have experienced, and it’s so easy to write about music. I love music so much, and I didn't realize how fun it could be to combine this with my passion for writing. You might have been able to tell from the sheer difference in word count between Press Play and SHC, but it's been so much easier working on this somehow. Also, I do believe SHC wasn't all it could have been. I only want to put out my best work, and I don't think SHC was quite on par with Press Play.
But what about SHC, you may wonder. Or you may not, but I'll address it anyhow. I have recently had an idea for what I might turn the original SHC into. It's only a vague outline right now and I won't turn it into anything more until I'm done with Press Play (I have learned that I can't really write several IFs at once, I'm not C.C. Hill), but I figured I'd let you know that the SHC characters aren't gone forever. My idea would involve the entire SHC cast, though some names/appearances/personalities may undergo changes. Also, I might exclude Anita because she was, admittedly, my least favorite to write and might not fit in with the new setting. Other than that, the IF would explore an interesting alternative to the SHC narrative— for example, the character equivalent to Basil Laurier would actually be a practicing lawyer in this one. Another prominent change would be the inclusion of Sawyer Wright-Garcia as a full RO. They’re the only one I actually have a clear mental image for as to where their story would go, and it is… nuts.
Without spoiling too much, the plot and setting would be very different. It'd be horror, except it'd start out very unassuming, light-hearted and sitcom-y, only to then spiral. I feel like I'd enjoy causing that kind of whiplash. Anyhow, that's that. I hope that if you liked and perhaps miss SHC, this post helped at least a little bit.
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Authour’s Voices
I read fic for voice before anything else. Plot, tropes, canon compliance – they all pale in comparison to the word crafting. But voice is hard to describe, and referencing certain verbal tics is more likely to make an authour self-conscious than it is to flatter. So, here's my best attempt to describe the voices of some of my favourite fanfic authours – focusing on tone, subject matter, and the feelings they provoke, in a hope that I can get across at least a hint of how they sound.
@suzukiblu / suzukiblu / Rin (I read for DCU, Young Justice TV, Avatar)
REALLY intertwines characters thoughts and feelings in compelling ways. Inner monologues are a particular strength. Digs deep into what motivates characters and then lets them be insecure and angry because of those things. Writes REALLY close third person narration – ie. we are entirely in one person’s head, but the narration is using their name instead of saying ‘me.’ And we are ENTWINED in their head. Deeply. Maybe actually more in their chest - the emotions are visceral and immediate. Very cathartic angry/overwhelmed ranting is a feature. People learning that they have inherent value. Romance/sex that is based on strong connections, and goes far deeper than hormones. A strong understanding of canon, used to write alternate universes that are much richer for that knowledge. Stories are cathartic, and leave you washed clean and energized.
@whetstonefires / Kieron_ODuibhir (/ Kieron) (I read for DCU, The Untamed/The Other Versions Of This Story)
Thoughtful, empathic stories that feel like they’ve spent months being refined to perfection. Also incredibly strong understanding of canon, with a much higher chance of showing her work on the page. A gift for searching out the nagging, poorly fitting pieces of canon characterization, and integrating them in her fic in ways that makes rereading the original a better experience. Beautiful, haunting, sentences. Feels like poetry makes me feel. A writing style that ALMOST feels intellectual, but is actually incredibly empathic. The knowledge is the vessel that carries the ... love? Respect? Maybe respect, and care, and dignity, that she has for the characters she’s writing about. Stories leave you quiet and satisfied.
@galaxystew / galaxysoup (I read for Avengers/Thor, Supernatural)
Careful, emotional, deep stories. There is a sense of immenseness, that the story can’t go too fast or it would become unstoppable. DEEPLY moving, gut-wrenching, stories told from just enough emotional distance to avoid overwhelming the audience. But they also about taking time to rest, both for the characters and the audience. Focuses on exploring and healing damaged relationships, (and damaged people), and never goes for the easy/trite solutions. Unassuming language and imagery that grounds the sometimes epic elements of her canons. Stories leave you grateful – grateful that the characters have reached that place, and grateful you got to come along.
@teland / Teland / Te (I read for DCU)
Stories have only the vestigial remains of a narrator. Almost everything is verbal or mental dialogue, usually without tags. (Ie. things like ‘Tim said.’) This would be frustrating with most writers, but Te’s character voices are SO strong and distinct that a story can start with an unnamed person talking and you immediately know who it is. She focuses on aspects of characters that many other authours miss (though some of that could be survivorship bias – perhaps she was part of a zeitgeist that hasn’t been preserved). She gets DEEP into the psyches of the characters she’s writing, dissects them, and then has them dryly comment on their displayed innards. Excels at characters that are very disconnected from their emotions, but also at characters who live immediately IN their emotions. Strong themes of identity and found family, though not in the way ‘found family’ is usually used these days. Symbolic, projected family? Stand-in, or sublimated, or substituted family? Something in that area. A lot of sex, which is also standing in for other things. Electric, transformative stories, with extremely long chapters that are hard to escape from when the world tries to call you back. Stories leave you alive to the possibilities, and maybe knowing more about yourself.
@angel-gidget / angel_gidget / Gidge (I read for DCU)
There’s an optimism and joy to Gidge’s writing. A ... cleanness. Hmm, what do I mean? I ... I’m not actually sure? But it feels refreshing and space-making, to read a Gidge story. It feels like they SHOULD be humorous, with the effects they have, but that’s not actually the focus? It feels like they’re light, even when the topic is heavy and treated seriously. It’s a really special gift, what Gidge has. Maybe the correct term is ‘conversational’? Yeah, there’s a matter-of-fact, conversational tone to everything she creates, and it lifts your spirits every time you read it.
@vmohlere / owlet (I read for Avengers/Captain America)
Absolutely brilliant way of using humour to tackle difficult subjects. Stories are so funny and positive, that it’s hard to realize how dark the things referenced are. It helps that they usually don’t become explicit until the characters have mostly processed them, and they’ve been defanged of a lot of their power. I’ve never seen someone else accomplish this, and it blows me away. Incredible OCs. Deep empathy for character’s specific needs, and focusing on what THEY’RE ready to focus on. Boundaries are not only respected, but taught. And all of this is happening behind a wry, clever sense of humour that invites you in to hang out for a while. One of the most joyful reading experiences I’ve ever had. I’ve used scenes to walk myself through bad mental periods. And I still think about their work every time I make a grilled cheese.
#the way I described things varies between authours#partially because I wrote this over 2 days#and partially because I focus on different things when reading different people#Te and Rin and owlet have REALLY good sentences#but Kieron has really good paragraphs#and I struggle to break Gidge's writing down any smaller than the whole story#also I'm pretty sure galaxy stew/soup's stories have an aura that is outside of the fic itself and affecting me#how am I supposed to describe that?!?
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you dont have to publish this ask if you don't want to. but i just wanted to say that im not sure how i really feel about ranger becoming disabled and how it could kinda be read as for audience catharsis. youre a good writer and i dont want to interpret your writing in bad faith, and obviously i dont know your full intent behind the choice to blind ranger. but a lot of the audience reaction in the replies and such made me a bit uncomfortable as a visually impaired disabled person myself. disability as a punishment for evil is a pretty common (and ableist) trope. i dont think you really did it to the extent its done in other media (especially with a character like daffodilpaw as a good guy. like death, disability affects everyone, good and bad) but yeah the audience reaction made me a little uncomfortable that they were viewing it as deserved or cathartic or punishing. it especially didnt sit very well with me when paired up with hacksaw, his partner and another very evil character having lost a chunk of her wing just before. like i said at the start you dont have to publish this ask if you dont want to. i dont know how the story is going to go, and pinepaws injury could very well impact him in the future for example. but i figured i should voice my current in-the-moment discomfort, especially if it helps you in your future writing endeavors. otherwise, i really liked the new issue!
Since this was asked about twice I will go ahead and publish it; and say that firstly, I really appreciate you both bringing up your concerns and going about it in a very polite way. I don't want anyone to feel afraid to bring things up about the story or put me on a pedestal, I'm not a perfect person just because you like my stories.
And in terms of your asks themselves - I honestly do apologize that it came off that way, I didn't intend at all to play into the trope of disability as a karmic punishment for evil. I'm not disabled myself, or at least not in the visual or mobile way, so it is likely just an actual blindspot for me in terms of my writing. Disability is absolutely not a punishment for anything, and if you're blind or missing a limb there is nothing wrong with you at all.
If knowing my thought process helps at all, here's how I came to that story decision:
I want Ranger and Hacksaw to try to attack Pinepaw but both have their arrogance that's been building for the whole story checked. Also, it needs to be in some way that actually hinders them so they don't just keep attacking. -> Well, I don't want them to die, because I have things I want to do with their characters after the event ends. So, what would be an interesting and symbolic injury that takes them off the table? -> Hacksaw's main source of attacking other people is by divebombing them, so losing a wing would really impact her sense of strength. And, Ranger relies on outward control so much that losing his sight would damage a lot of his ego as well. There are some things about the characters I can't talk about just yet which, depending on your opinions, might change how you feel, but those were my general ideas.
I completely didn't realize how easy it to fall into that trope and I'm very sorry that it made you uncomfortable, that was very much not my intention. Like you said it's so normalized in media that most people don't even think about it - and certainly something I'll be more aware of next time I write anything like this.
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currently feeling ugh with my body again.. could you write small boobs chubby reader (it me) receiving some love with any of the men pls? 🥺🥺
Kyle Garrick x female!reader, insecure!reader, body image issues, low self esteem, small breasts!reader, chubby!reader, tits man Kyle Garrick, angst, fluff, fingering, breast worship, overstimulation, fingering
anon you and others sent me similar asks. this is me too, writing this felt very cathartic and I love you for sending this in. I hope it helps you!.......it's also over 3K
You wouldn't call yourself shy, just....practical. No need to draw more attention to your assets, or lack thereof.
Being fat was sexy, if you were a specific kind of fat. Men didn't come running for apron bellies or thick thighs, if there weren't big, lush tits to balance them out. And even while your flesh had expanded, growing around you like Saturn's rings, your breasts had stayed small. Clothes were a nightmare, and you got in the habit early of wearing crop tops instead of actual bras, wanting to avoid the discomfort of underwrire digging into your belly when you had to bend and move.
And then you met Gaz.
Your crush was inevitable and all-encompassing. He shone like the sun to you, even with that dumb hat, and you were left sighing over him in private. It stayed private though, because one of the first things you'd heard him proudly announce was that he was a tits guy- and your heart had sunk to your shoes. You'd known those sort of men, glancing past you for a woman with cleavage, with the sort of breasts that filled lingerie and bounced enticingly.
So when he started flirting with you- unmistakable flirting, innuendoes slipped in with coffee and invitations to dinner, compliments on your hair and clothes- you decided to take what you could get, as long as you could get it. It might just be a way to fill time for him, but you were so pathetically gone on this man that even the scraps handed out until someone with proper curves came through felt like a feast.
So you accepted the compliments and dinner invitations, kissed Gaz in your doorway and pushed aside the creeping discomfort as his hands curved around your back, your belly bumped up against him before your tits did. You could take this much. Even when the kisses got heated, his tongue slipping against yours and drawing lines down your neck, you kept your clothes on, a barrier to hold off the inevitable let down. You could handle him eventually finding someone better, you couldn't handle his face twisted up in disappointment at the sight of your body.
So when you got bold after a couple drinks and sat in his lap, let his hands rise up and cup your tits through your shirt, you didn't expect the shuddering moan Gaz released into your shoulder, the little "fuck, baby" and how it went straight through to your core. His hand squeezed and you whined a little, nipple perking up as he thumbed across it.
"Gaz- Gaz, wait, shit," you stutter, and he licks across your throat, his mouth lingering at the neckline of your shirt.
He squeezes again, and you moan a little yourself. It's like nothing you've ever felt touching yourself, or the handful of boys you'd slept with, ages ago.
"So sexy, so fucking hot," he says, and it's like cold water down your back.
"Gaz, wait- no, stop!" You push at his shoulders and he goes back, frowning when you climb off his lap. This is worse than disappointment. "I don't- don't fucking lie to me!" You feel too hot, shame burning your cheeks. "Don't give me that shit! I thought you at least liked me enough to not- to not do this-" You try not to let any tears fall. You don't want to cry.
He's just sitting here, staring at you like he's confused. "What? What are you talking about? What lies?" He says, and it's too much.
"The fucking- the sexy shit! Like this- like I'm something you want- just, I'd rather you leave, ok? Just go, and we can pretend it never happened." You sit on the far end of your couch, arms wrapped around yourself. You don't want to look at him, and when he stands up, your mouth trembles. Don't cry. Don't cry.
You expect him to go to the door. Instead he crouches in front of you, and takes your hands in his. You don't stop him.
"Baby," he says, and oh fuck that hurts. "Why do you think I'm lying?" He looks so fucking sad. Big dark eyes and his cheeks are still flushed, and he'd been smiling at you when you took his hand and brought it to your chest.
You can't look him in the eye while you lay it all out. "I know I'm not- not what you want. Or like. And you're my friend and I l-like you, a lot, but you can't do this. You can't say this shit and pretend it's true when I'm the one you're saying it to. I know better. People like me don't get to be sexy." His hand cups your cheek, and brushes away the release that managed to slip out. "So you can go, and I'm sorry it went this way, but I can't sit here while you're wishing I had the curves I know you want."
Gaz doesn't leave, or move away, and when you dare to glance at him you get shocked to see his eyes are wet. His other hand let's go of yours to cup your other cheek, and he leans in to kiss your forehead. "If I ever," he says, and kisses your eyelid, "meet any of the fuckers who told you things like that," your other eyelid, oh, your heart, "I'm going to kill them." He kisses your lips, soft, and you whimper at the tenderness of it.
"You, just as you are, are so sexy to me- no, stop," and he holds your face to look at him instead of away. "I don't know who started you thinking I want tits more than you-"
"You did!" You burst out. "You say it all the time, talking with the soldiers, about how you love a nice set of tits on a woman, how the breasts are the best part, whatever else, it's practically a catchphrase." The words are bitter in your mouth. "And I'm not just the fat girl, I'm the bad kind of fat, without anything good to balance out the bad. That's just how I am, and I thought I would be okay with the dates and the flirting, because I knew it wouldn't last anyway. But I'm not, and I'm sorry I wasted your time, and just....I just..."
He looks surprised, and then upset again. "No, baby, no. I'm sorry. I didn't know it would- sound like that. Look, okay yes, I love breasts, always will, but don't you get it's not about them being big for me? I don't care what size. I just," he laughs, a little incredulous, "I like tits. Big or small, whatever, they're all fucking awesome!"
You yank his hands away and he falls back on his ass, surprised. "Not like me! Not when the little ones are on top of, of all this!" You grab your stomach and shake it, flesh bouncing, a reminder of just what you carry. "I haven't been little anywhere it matters since I was fucking twelve."
Now he's standing up, looming over you. "Okay, first of all- you think I'm that fucking shallow? That all I want in a woman is how she looks? Fuck you." You swallow, suddenly ashamed. "And two, if you think you're that unattractive, you need to open your eyes. If you'd put your weight down on me properly instead of hovering like I was gonna break, you'd have known just how sexy I find you." He cups his hand over his groin, and you stutter, too close to eye level where his fingers outline a thick, heavy shape. You had been hovering, uneasy at sitting fully on his lap, when he'd sucked on your neck and touched your chest. Gaz boxes you in, hands on the back of the couch, and puts his face up close to yours. "If you tell me to go because you don't like me, then I'll go. But I'm not leaving just because you think I'm going to be fucking disappointed at seeing more of the body I've been jerking off over for fucking weeks."
His mouth crashes into yours, and you moan, all tangled up with emotions, shame and desire, the embers of lust fanned when he sucks on your tongue. He's big and strong around you, the smell of his skin and soap filling your nose, and when Gaz encourages you to turn and lay flat you obey. He settles over you, his hips wedged between yours, and you both moan together when he hitches up a little and rubs up against you. Two layers of pants mean you can't feel much, but it's enough, and he does it again as you mouth shakily at his cheek, sucking on his earlobe. It's messy and a little high strung, and your eyes are still teary when Gaz lifts his hand to your chest and waits until you swallow hard and nod. His fingertips are gentle, tracing the curve of your breast until they find your nipple again, and you fight down the wave of shame as you see how his whole hand covers you. Barely enough for a handful, that just can't be what he wants, you're not enough- but he's looking at you with such dark, hot eyes, and when you whine a little as his fingers start to play with your nipple, you see his pupils dilate. Fuck.
"No bra?" He murmurs, and pinches just a little through the fabric of your top, just enough to make you squirm under him.
"No," you gasp, "just a shirt and a- a crop top thing, I never wear them," and he moans a little, a soft fuck that he breathes out before suddenly getting his mouth onto your other breast.
You squeak, it's hot and wet, his tongue working your nipple through the thin fabric, and your thighs open up a little more as he grinds against you. He's just- he's enthusiastic, pinching and sucking, pressed up against your body from head to hip. There's a warm liquid lust pooling in your belly, and your chest heaves as you gasp for breath. You can feel him now, no hovering, hot and hard up between your legs.
Suddenly your clothes are too much after all. You push his shoulders, and as Gaz sits back tug at his shirt, yanking the collar up over his head until he starts helping. He's gorgeous, full pecs with little dark nipples that perk up under your fingers, the muscles of his abdomen flexing when you gently trace along his iliac crest, a little shivering twitch going through the flesh. His cock is bulging out his pants, and you picture it sheathed inside you and feel your pussy gush a little.
Gaz sets his hands at the hem of your shirt, and you clench at the heat in his eyes. You're trying, you're dizzy with arousal and so turned on you can't speak, but there's still fear there. But he's so, so sweet, and you want it so bad, and nod helplessly for him to draw the fabric up and away.
Your bra-top comes away with the shirt, and you don't even have time to cover yourself before Gaz has your hands in his, fingers intertwined, and he's fucking moaning over you. "Baby, fuck, if you knew how fucking luscious you look," and he's diving back into you, eating the moans that slip from your lips as he gets both hands on your tits.
Small, too small, but he gropes and squeezes them, letting the flesh fill his palms, tugging your nipples between his fingers. He releases your mouth and goes down again to suck fully on one nipple, and you shout, the sensation of hot-wet suction so much more intense without fabric in the way.
"Fuck, baby, yes- just like that, c'mon," he mumbles around your tit, and you realize you're grinding against his cock. Your pussy clenches and you moan, trying to lift your hips up, aching for something you can't get while you're both still half-dressed. Gaz's skin is silky smooth against yours, sweating, and you squirm a hand between your bodies to pull at the button of his jeans. Two fingers slip in and you manage to rub the base of his cock, feeling the heavy flesh and the heat, and he swears again and grinds up harder.
You're going to leave a wet spot, you realize, and the Gaz dares to oh-so-gently bite down, teeth scraping your nipple, and you feel your body turn to jelly.
It's so good, so hot, like nothing you've ever had. Forget body image or shame, you're reduced to broken moans and begging, you're fucking begging, and Gaz works your pants open blindly to shove a hand down. His fingers scrape past your pubic hair and then he's suddenly there, everything hot-wet-slick, your clit bumping against the heel of his hand as he slips a fingertip against your hole. Then two fingers, sliding in, and he groans so hard against your breast that you can feel the vibrations in your heartbeat.
"So wet, baby, so wet, all for me? All this from these sweet little tits getting the love they deserve?" He grinds his palm in and starts fucking you on his fingers. You can hear the wet sloppy sounds, and it only makes you clench, whining. Your other nipple aches where he's been plucking at it, and when he moves his mouth there instead, you shout and clamp down. "Fuuuuck, fuck baby do that again-" He bites this nipple, and you obey and let your pussy contract on his fingers, perfect and not enough.
You blearily look down and see your chest, Gaz's dark head pillowed on you, his lips sucking at the peak of your tit. Your other breast is littered with little red marks from his facial hair, your nipple swollen and red, and it's so erotic and sensual you can't breathe. Suddenly your tits are sexy, plump little things with sensitive nipples and soft round bottoms, your belly and sides tingling as Gaz drags his fingers over your flesh, groping, yanking at your pants to give himself room to get a handful of your ass. Your hips jerk up, and your moaning climbs in pitch as the instinct takes over, chasing a high that is so close it hurts- truly hurts, your clit throbbing and pussy squeezing where his fingers keep pumping in and out of you.
Gaz lifts his head, holding your nipple in his teeth as he tugs, and his big hot eyes hold your gaze as your mouth drops open on a moan that doesn't end, spiraling up and up as your nipples ache and pussy squeezes, a long hard clench, before it finally breaks into an orgasm that leaves you shaking and limp, sobbing in relief, the new gush of slick around Gaz's fingers dripping over his hand and wrist.
Your voice comes back in stops and starts. "Fuck- fuck, Gaz, oh God, please, I can't- can't-" because he's still fucking you, sitting up to stare at his hand between your legs, pants and panties shoved down your thighs, and you're aware of the bounce of your flesh. The old fear tries to crawl back up, but Gaz is working is cock out of his pants, and you gape at him. He's huge, thick and heavy, so hard he's wet at the tip. When his hand slows you shove at your clothes, trying to get the twisted fabric out of the way.
"You don't have to," he starts, but you kick a leg free and hook it over his hip, pushing his jeans down with your heel.
"I want to," you gasp, and help him guide the tip of his cock to your hole.
Your mind is a little more clear now, and you take the chance to memorize Gaz's face as he slides into you, how his eyes close and mouth falls open, the soft moaning sounds. He's a stretch, and you're slick as sin, you make it work. He hitches up your hips, and you breathe deeply to relax your muscles, and suddenly he's there, all the way in, an ache in your cunt and your clit as thin flesh rearranges around him. Gaz drops his head to your shoulder, braced on one elbow, and his free hand comes up again to cup your breast, squeezing and lifting the nipple up for a kiss.
You get a kiss too, hot and sweet, and moan into his mouth when he finally starts moving.
You're sore and sensitive, whining at each bump of your clit against his groin, as he picks up speed and starts really fucking you- the couch creaks and your thighs open as wide as they can under the onslaught- he's so big, almost too big, and you gasp and tell him this, making him whine in return.
"So big," you say again, and feel his hips stutter. "Gaz, fuck-"
"Say it again," he moans, and you yelp as he sucks again on your nipple, harder, pinching the other and tugging until your back arches.
"Fuck! Fuck, Gaz, you're too big, fucking my- my little cunt-" he grunts and slams in harder, fuck, "god, please, please don't stop, I'm gonna come again!"
Gaz fucks his cock into you like a machine, wet squelches echoing as your pussy clamps down, trying to hold him in, your clit rubbing against his groin and pubic hair, and you come again as he opens his jaw and sucks your whole breast into his mouth- hot-tight-wet, his tongue slurping over your skin, your nipple pulled so tight against the roof of his mouth and your other swollen and pinched under his fingers. You feel the distant gush of your pussy on his cock, the way it's suddenly so much wetter, sloppier, and Gaz shouts into your chest as he slams his hips in and stills, his cock pumping you full of come, grinding up into your dripping cunt to get as deep as possible.
He's heavy on you, but not too much, and as he slows and you both catch your breath you wrap your arms around his shoulders, clinging. There's a fragile feeling in your chest, under the sweat and aches and tingling skin, and your wordless begging for kisses against his head brings him up to you. He's as gentle as you are, slow and sweet, and the fragility firms, settles.
Gaz chuckles a little against your mouth, and when you hum a question at him, he answers, "I had a whole plan for you. Seduction and shit, take you to a proper fancy place to eat. Get you in an actual bed, especially." You start to laugh as well, seeing the picture you make- you're naked except for socks and your pants and underwear hanging off one ankle, Gaz with his jeans rucked down his thighs and a wet spot on the crotch. Your breasts are swollen and tingling along with your pussy as he gently pulls out, and you wince a little, feeling the aches in your hips and back.
"Not quite what you expected, then?" You tease, but there's a little old shiver down your back.
Bless him, Gaz just lifts your hand to his mouth and kisses your knuckles. "Better than," he says, and holds your eyes with his. "I promise."
It's a heavy moment, and your eyes blink back tears, feeling sweet, precious, so stupid with your previous outbursts in the face of such affection in his eyes- and then your stomach grumbles, and you both burst into giggles. You grin at him. "Is that offer for a fancy dinner on the table still?"
Gaz winks. "Only if I get to have you for dessert after."
#cod#call of duty#kyle gaz garrick#kyle gaz garrick x reader#gaz x reader#kyle garrick x reader#an indulgence
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No More Tears (Oz Cobb x Reader)
─ ⋆⋅☆⋅⋆ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ⋅☆⋅ 𝐀𝐎𝟑 ⋆⋅☆⋅⋆ ─
A/N: First fic of the year. 🥂 Writing this was extremely cathartic, as was binging The Penguin twice over my winter break. The brainrot is severe, for which there is no cure but this. Oz is very protective of what's his, and as it turns out, that includes you.
Description: Oz Cobb/The Penguin x Fem!Reader, angst / hurt+comfort (plus a teeny bit of ending fluff) | Rating: MATURE for violent content and adult themes | Warnings: violence and blood, injuries described, mild language, name-calling (not towards Reader), alcohol, drugs mentioned (drops), suggestive themes, pet names (endearing), Reader is injured by a club guest and Oz beats the daylights out of the culprit. | Setting: before the events of The Batman | Word count: 3.1 k
Imagine Oz finding out that you've been hurt, and getting sweet revenge
The throbbing in your temple brings tears to your eyes, and your hands shake as you cradle the side of your face. You draw in a sharp breath, the cool metal of the elevator wall against your back grounding you a bit. Several excruciating seconds later, the doors open, and you resurface from the 44 Below much more battered than when you went in. As the pain starts to intensify, you look for somewhere to retreat out of view. The last thing you needed was anyone seeing you weak.
Of course, there was hardly such a place within the walls of the Iceberg Lounge. With few other options, you make a bee-line for the bathroom. No one seems to notice you in your afflicted state as you rush through the dressing area and out into the upper-level of the club. The flashing of the strobe lights normally didn't phase you, but now they feel like ice picks in your eye sockets. Only halfway to your destination and several more flights of stairs ahead, you can barely hear the thundering base of the club music over the pounding of your heartbeat. Suddenly your vision blurs, and you quickly grab onto the railing to steady yourself.
There are people on every side, but they're far too deep in their drinks, drugs, and pleasant company to notice you. For once, you're grateful for it.
"Concussed by some worthless drophead," you mutter, your head swimming. It had been a mistake to look down over the edge.
You stand up to go lean on the wall instead, but you catch sight of your hands. You look down at your fingers to see them smeared with blood. Your stomach twists with sickened realization. When the creep downstairs backhanded you, his ring must have cut you open.
Before you can speak the curses on your tongue, you hear your name being shouted. Even in your dazed state, you recognize the voice of your coworker.
"Y/N," she calls out again, her voice barely rising above the dull roar.
You sway around to face her, and her shock is immediate, as expected.
"Oh-," she exclaims, wide-eyed, "Are you good?"
"Not exactly," you answer, wincing, "Drophead got handsy."
"They always do," she says, shaking her head. Her nervous smile turns to a full grimace. "Oz wants to see you."
The boiling fury in your veins instantly transforms into frigid panic. "You gotta find someone else. I can't do it. He cannot see me like this."
"He asked for you specifically," she replies, shrugging. "You better get up there. Try to hide it with your hair."
With that piece of advice, she walked away. You couldn't blame her. She had her orders, and you had yours. If only they'd come just a few minutes earlier.
Righting yourself, you wipe your bloodied hands on your navy blue skirt, and pull the pins from your hair, letting it fall down around your face. You tousle it with your crimson stained fingers as much as you can, but even if you had a mirror, you know full well that no amount of tugging at your bangs could fully conceal the gash in your brow. Still, it would have to do. You can't keep Oz waiting.
Exhaling, you start the climb back up to his office. The pain in your head burns deep, but at least the dizziness had subsided somewhat. That was the only thing you had in your favor at the moment. Your aching mind reels over what awaited you. Surely Oz would be upset with you. It was your job to keep guests happy, and your face was damning evidence of your failure. It didn't matter if that guest was a privileged scum-sucking loser too strung-out to form an intelligent thought. He was decidedly unhappy, and now you would have to accept the consequences.
Walking back through where you'd just come from and entering the corridor of the sequestered alcove, you can only pray that Oz is somehow distracted enough with business not to look up. The rattling of the parted bead curtain announces your arrival, and as you step through, it's immediately clear that your prayer fell upon deaf ears.
"There she is," Oz greets with a wide smile, "Come on in, sweetheart."
He waits expectantly on the couch by the window, the murky glow of the club lights shining behind him.
In vain, you keep your chin lowered and your hands clasped firmly behind your back.
"You wanted to see me?" you reply, avoiding his eyes.
"Of course I do. I always want to see you, baby," he answers, waving you forward, "Come here and tell me about your night. How are things goin' downstairs? You holdin' up alright?"
Swallowing hard, you obey and sit down on your hands beside him. You feel your limbs trembling as you search for your words.
"It's good. Busy, busy night," you reply, nodding.
Before he even speaks, you can sense Oz's gaze on you, and just how skeptical it is.
"Good? Just good? So stiff all of a sudden!" he scoffs lightheartedly, "You feelin' okay, baby? You're usually my little chatterbox."
You open your dry mouth to answer, deciding to confess the truth, but he's already reaching to brush your hair behind your ear. The revealed wound speaks for itself, and you flinch as strands of your hair catch on the fresh, open skin.
"Who did this to you?"
The restrained rage in his voice sends a chill down your spine.
"Y/N. Who did this thing to you, sweetheart?" he urges.
He gently grabs your chin and turns your head towards him. Both his touch and his tone are soft, but in his dark eyes there is an unmistakable wrath.
You stare at him in total confusion, unsure if you should feel comforted or in dread. This isn't the reaction you'd expected. Not in your wildest dreams.
"It was...some drophead. Corporate type," you hesitate, composing yourself, "He wanted me to leave with him. I kept telling him no, but he wouldn't lay off. Then he got fresh and I pushed away. That's when I caught the backside of his hand with my face. He was hammered, but it was no accident. His ring's what cut me."
Oz sits back, twitching in agitation. "When was this?"
"About ten minutes ago," you reply, "I'll be alright, Oz. I just need to clean up. It's not a big deal."
"The hell it ain't!" he denies.
His outburst startles you a bit, but you could tell it was not towards you.
A heated moment passes, and his temper calms once more. He leans forward again, touching your arm soothingly.
"You ain't done nothing wrong, baby. I'm gonna take care of this," he assures, "Can you describe him to me? He and I need to have a little talk about manners."
You smirk. "Definitely."
☂︎
A few minutes later, you're standing in the corner of the room with a cold drink in one hand, and a towel pressed to your stinging temple in the other. While Oz sent the Twins downstairs to retrieve your assailant, you'd finally gotten a moment to check your reflection in the mirror and inspect the damage. The gash was deep, but luckily not too wide. You would need stitches, and there'd undoubtedly be a scar for you to remember tonight by, but the doctor could wait. With the bleeding slowing at last, you waited with quiet anticipation to see if the sleaze would get a taste of his own medicine. Meanwhile, Oz stands by the window with his hands in his pockets, looking down in silence at the dancing throngs below.
Your shared reverie is broken by the arrival of the Twins, each dragging the man by one of his arms. Somehow, he seems twice as wasted as before. Now he's barely able to hold his head up.
Oz turns around and looks to you, gesturing. "This the gentleman?" He says the last word with no small amount of disdain.
You nod, biting down hard on your lip.
With that, they unceremoniously toss the guy into the chair in front of the vanity.
"Nice work, fellas," says Oz, giving them a pointed look, "Give us a minute here. Don't go too far."
They nod in confirmation and exit as swiftly as they'd come.
You shift on your feet, uncomfortable with how close the lowlife is to you again. The familiar smell of vodka, drops, and sweat burns your nose. You half have a mind to dump the rest of your own drink out on his head, if only to douse the odor. The other half of you is afraid of what might happen if you do.
As if he'd read your uneasy mind, Oz invites you over to his side of the room. "Come over here, sweetheart. Why don't you have a seat? You should be resting in your condition."
More than happy to oblige, you set what remains of your liquid painkiller down on the crystal table and return to your place on the couch.
"What's going on," the man finally speaks, his words slurring together. Then he sets his intoxicated gaze on you, and his bloodshot eyes narrow in recognition. "You...I know you..."
You frown, folding your arms over your chest in response.
"You don't talk to her. You talk to me," Oz interjects, stepping forward.
"And...you are?" he replies hazily, furrowing his brow with indignance.
"I'm the manager of this club, pal," he answers, taking on a cool tone of superiority, "Now, I don't know you. Based on that suit you got, I'm guessin' your checkbook is bigger than the average drophead's. And maybe outside of these walls, you're some bigshot who can do whatever he likes, to whomever he likes. But in here, you're in my world."
Before Oz finishes speaking, the man's eyelids begin to flutter. It's quickly becoming clear that he's losing the battle for consciousness.
Oz glances over his shoulder at you exasperated.
"Geez, how many friggin' drops has this sack of crap had?" He snaps his fingers in the guy's face. "Hey pal, you mind joining us here back on planet Earth for a moment? I'm tryna teach you something."
The loser rapidly blinks and rouses, violently wiping his nose with his sleeve.
"There you go, that's better," Oz says, stooping to be eyelevel with the guy, "Like I was sayin'. You're in my world. And here, we got rules. They're very simple. So simple, even a miserable little roach like you can understand 'em."
Oz lightly slaps the man's cheek and stands upright once more. He proceeds to remove his suit jacket and lay it on the nearby vanity. Your pulse quickens as he continues his monologue.
"There are some rules you can bend. Hell, there's even a few you can break once or twice and I'll look the other way. But there's one rule that you never, ever break. And that, is where you messed up, pal."
You're frozen in place, your heart full on racing watching Oz roll up his crisp white shirt sleeves.
"I...wait-just, hold on," the slimeball stammers. Every trace of arrogance had vanished, along with all the color in his face. He scrambles in an attempt to right himself, but he's far too inebriated to escape. At last, he was horrifically aware of situation he was in. He raises his now shaking hands in front of him, and you can't help but grin in satisfaction.
"You never hit a lady," Oz seethes, grabbing the guy's coat collar in his fists, "It seems you need a reminder of that. So I'm gonna give you one won't forget."
A yelp escapes the man's chapped lips as Oz hurls a right hook into his jaw. His arms go limp from the impact, and they only flop about from there as Oz lands another punch. You gape at the massive cut sliced into the guy's cheek by Oz's own ring.
"How do you like it, huh? Stings, don't it?"
In his drug-induced stupor, the drophead makes no attempt to fight back. All he can muster is an agonized moan, his eyes rolling to the back of his head.
This only serves to enrage your boss further. Oz grabs the guy's collar again, this time tugging him forward out of the chair. His skull hits the floor with a nauseating crack. The sound, and the convulsing that follows, doesn't deter Oz, however. He hoists the man up with a strength that surprises you and pushes him against the brick wall.
Miraculously, the pathetic soul was still conscious, if just barely. The blood dripping from his mouth deepens the pit in your stomach, but you don't turn away.
Oz shoves the man's head to turn your direction.
"You think you can come in here and do that to one of my girls? Huh? Look at her face. You piece of rat filth!" he shouts, punching him in his ribs, "How dare you touch her. I oughta cut your hand off and feed it to ya!"
He proceeds to lay into him with a ferocity you can scarily believe. Every blow is more brutal than the last, each one punctuated by infuriated curses. Each time the lucid fool slumps forward from the impact, Oz sends him back with another slug to gut or head. It feels like an eternity passes before he finally has his fill of retribution and lets the man fall at his feet.
You peer at the unmoving heap, searching for signs of life, but your focus quickly shifts back Oz. He stands with his back to you, still muttering incensed profanities between heaving breaths.
This was a side of him you'd caught glimpses of, but never fully witnessed. Perhaps not many had. The fury that flowed through him certainly stemmed from more than revenge for tonight's incident. You imagined there was probably a lifetime of buried rage behind every blow struck. The thought of where such intense anger came from, and how much more there might be deep inside him, made you shudder.
For now though, you were just grateful he tapped into it on your behalf. His violent appetite was satisfied, and you had your payback. It'd hardly been a fair fight, and you couldn't care less. As much as your mind told you that should be afraid in this moment, or at the very least unnerved, you weren't. You felt relieved. More than that, you were mesmerized.
Oz whistles for the Twins, and they promptly return. He produces a dark purple handkerchief from his pants pocket and wipes away the blood from his knuckles before acknowledging them.
"Would you fellas be so kind? Our 'guest' needs help finding his sea legs," he invites, slicking his hair back.
It was only an expression, of course. If he didn't succumb to his injuries, you doubted the guy would ever be able to stand again. He wouldn't be backhanding anyone, either. That thought brings a smile to your face.
The identical men hoist the nameless victim up in much the same manner as they'd brought him in. Only this time, with his black and blue face utterly plastered with fresh lacerations, he was nearly unrecognizable. The low gurgling noise emanating from his mouth was the only proof that they weren't propping up a corpse.
"In case I wasn't making myself clear," Oz begins, rolling his sleeves back down, "If you so much as think about coming back in here, I'll carve you up into so many friggin' pieces, only God would be able to find them all."
It sounded like the man tried to vocalize, but it was scarcely more than a whimper.
Oz sneers, "Get this scum outta my sight."
You watch as what's left of your harasser is carried away from view. Just like that, you and Oz are alone once again. As much as you could be anyway, since several of the girls in the dressing area had become aware of the beatdown and were peeping from the other side of the shared window. Surely the whole club would know about what'd just taken place before sunrise. After all, Oz wouldn't do that for just any of the girls here. He didn't even know half of their names; but he knew yours, and he almost beat a man to death to defend it. You shake your head and resolve to ignore the onlookers, trying to come back into your body after the sobering surreal experience.
"I'm sorry you had to see that, baby. But it had to be done," he sighs, putting his jacket back on, "He won't be bothering you no more."
You stand up and walk over to him, "I'm just sorry I couldn't get a punch in."
"Listen to you, little killer over here," he chuckles, "Tell you what. Next time we got a jerk that goes sideways, I'll hold his arms back and you can go nuts on 'em. Deal?"
"Deal," you agree, your playful words turning sincere, "Thank you, Oz. You didn't have to do that for me."
"Yes, I did. Someone disrespects you, they disrespect me too. You bleed, I bleed. I had to make it right," he argues, slightly stern. He reaches into his pocket and pulls out a wad of cash. "Here. For the doctor. If you need more, you call me."
You softly gasp at the six hundred-dollar bills he holds out.
"This is too much," you begin.
"No, it ain't. I never shoulda let you go down there in the first place. They're friggin' animals," he says, regret in his voice, "You take all the time you need before you come back, alright? Don't worry about it."
You let him place the money in your hand. Tears start to well up in your eyes as you look to him with gratitude.
"Thank you," you repeat.
He reaches to brush your hair away from your eyes, his bruised knuckles grazing your cheek. "Don't you go startin' with the waterworks now," he smiles, "Scars ain't nothing to be ashamed of, sweetheart. You'll always be beautiful to me."
Anyone who'd spent just one minute with Oswald Cobb knew that he had a way with words, but something about the glint in his eye made you believe that he truly meant these ones.
You chuckle thoughtfully and straighten his tie. Then, leaning in, you press a kiss to his cheek. For a second time that night, you'd taken him by surprise.
Turning to leave, you smirk over your shoulder. "Don't miss me too much."
He grins. "No promises, doll. No promises."
#oz cobb x reader#oz cobb x you#oswald cobb x reader#oswald cobb x you#oswald cobblepot x reader#oswald cobblepot x you#the penguin x reader#the penguin x you#the penguin hbo#oz cobb#oswald cobb#the batman#mywriting#oz cobb x y/n#oswald cobb x y/n#oswald cobblepot x y/n#the penguin x y/n
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This isn't a fully fleshed out thought yet but I do feel. Weird. About how Wyll's arc antagonist is handled compared to the others in the party. Like imagine if you just had Cazador or Viconia at camp hanging out three feet away from Shadowheart or Astarion's bed.
Like ok in the interest of absolute fairness: the closest in terms of scale to Mizora is Gortash. In that both have harmed their respective companion, taken advantage of their trust, and isolated them from their loved ones. However, in contrast to someone like Vlaakith or Mystra or Cazador, they don't wield intense physical and spiritual pull over their victim. Karlach and Wyll have a little more freedom to act against them even without player help than say, Shadowheart or Lae'zel. They also entered into their circumstances at least PARTLY by choice. Obviously this doesn't excuse anything that was done to them, they were both young and vulnerable and had that taken advantage of. Its just a little different than "literally owned me for two centuries" and "has been my goddess and my mentor since I was a child and later we developed increasing intimacy in even more personal ways".
And the game let's you go pretty far with siding with Gortash! Far more than it lets you do with Mizora even. But the thing is you can still. Kill Gortash. In like a half dozen different ways. And also! Again! Even if you maintain a positive relationship with Gortash until the end. He's not in camp at the foot of Karlach's bed. You can't hook up with him ten feet from Karlach and have her walk in on it.
This isn't even me saying it was bad to have either of these things. Not every abuse story has to end in "kill your abuser" there's room for a lot of good options. But as an extent of Wyll's quest overall feeling a little underdeveloped. Its weird to me that we generally don't get a lot of the catharsis and grief and intense emotions that we get from the other companions when they confront their abusers. There's not a lot of processing for Wyll about everything he went through! He gets a little "nyah nyah" moment if he saves his father from Mizora but even then. Whether he chose in the first place to save his father or himself wasn't even truly up to him! It was player choice in either direction with no option to even ask him what he actually preferred.
I do genuinely understand: Wyll is a character who doesn't seem to particularly enjoy self-pity. He's very consistent that he doesn't regret pacting with Mizora and that he wants to give his all to his father and the Sword Coast. He doesn't have to be Astarion 2 to be Good Character Writing. But the absence of those big cathartic character moments really do contribute to Wyll feeling like an afterthought character writing wise and make me wonder again what was initially planned in EA
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Halloween Special, Current Projects, New Patreon Content
I am so sorry about the radio silence as of late. Between the stuff earlier this week (yes, that stuff), dealing with deaths of people, and university; I've been very busy and mentally drained. However, the good news is, you can play the mini game of The Bureau, "Witchy Woman" right now! The link is at the bottom of this post! Eventually I'll integrate it into the main game, or put it out as potential free DLC or something, but for now there are no stats and it's not tied to choices from the base game.
Tonight is a special case. The MCT has been called in as a favor after finishing up our most recent case. A friend of Kris's reached out, and the local P.D. has let the MCT take the lead on this one. A house party in the beginning of October up in Maine has turned sour. A party-goer has been reported deceased.
We just finished a job, but in this line of work, there's always another case to solve. So here I am, approaching the residence with my team, about to find out exactly what happened on this cold, damp night.
Because it's not part of a bigger game or story, and the only pacing I had to worry about was that of the investigation, this is much more freeflow than other investigations in the main story. Go back and forth between the crime scene, the perimeter of the house, interrogations, and more! The more you discover evidence, the more new options will unlock in conversations, and you have an evidence log in the stats section that updates every time you find out something relevant to the case.
I'm only promoting this now, even though it's been done for a couple of weeks, because it was part of a Jam and I didn't think it would be fair if I got votes from a community built over a few years when others in the Jam would not have had that same benefit. I wanted it to be an even playing field, even if it meant holding out for a bit. So, I apologize for making you all wait.
There are still things I'd like to do for this game, things I'll end up adding, but it is at the very least ready to play. It's 40k words, so have at it!
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Right, next up, something I'd like to announce. I'm working on a serialized fiction that I'm (hopefully) planning to turn into a book. The first 3 chapters are going to be posted for free, both here on my blog and on my Patreon, though not quite yet. Chapters after that will be released on Patreon for the people who pay the $5 tier.
I'll be honest, it has been extremely cathartic to go from writing an IF where the chapters are all pretty much the length of a book themselves, to writing an actual book where a chapter is about 4k words. It's a very nice breath of fresh air, and it by no means, entails that I will stop working on Bureau. In fact, it may even help speed up rate of production, funnily enough. Having something to keep my mind turning while having writer's block about a scene in the IF will help me constantly generate ideas, and that's really nice to think about.
A small college town is rocked by a horrific murder. In wake of the events, a couple of friends begin investigating this personal tragedy, determined to get to the bottom of what happened at the Scribe City college. The lesson is quickly thrust upon them that loss leads to pain, but pain is temporary, and loss can be forever. So what comes after the pain? They need to explore that journey together, and in the process, navigate the complicated things feelings that have started to bloom.
The book (serialized fiction for now) , called Love In Stasis, is going to be a 'WLW romance small town college murder mystery'. You will explore the relationships that these characters have and continue to form, and just how messy things get when tragedy sparks love. I have almost 25k words done for it, about six and a half chapters, and I'm going to try to get 50k words done with it by the end of the month. A writing challenge that's totally not tied to the name of any organizations.
If this works out, I could reward patrons with static fiction while not having to worry about providing everyone with constant things tied to the IF itself, and I could work on The Bureau at a pace I'm very comfortable with.
I'm still learning as a writer. I'm still learning new things I like, and how I like to produce content. All I know is that I like producing art in the form of writing, and I most certainly will not stop doing that anytime soon, and now that the Halloween Special is done, I will be getting back to the base game.
Which will start with a complete recoding of the gender variables. I've already started on that process, so no more multiple versions of each chapter. One version. One set of gender variables. Much more condensed coding and script. So, people out there who said that wasn't going to change, I just have to say what I'd said all along. My coding was indeed bad. However I will also say something else I've said all along. I do take criticism.
That being said I'm never using multi-replace and you can't make me. I like being able to read what I'm writing.
More to come in the near future.
Stay Brilliant,
-Vi
https://cogdemos.ink/play/viisbae/the-bureau-halloween-special-witchy-woman
Patreon Link
#interactive fiction#the bureau#writing#interactive novel#wip#work in progress#original story#choicescript#reading#serialized fiction#serialized novel#book#books and reading#books#Love In Stasis#Halloween Jam#Game Jam#game development#indie game#indiedev
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