#but it was cathartic for me to write at the very least

[dreamerwriternstargazer]

Something I like to note in my interaction with media is always “am I taking this as education, or inspiration?”

And that’s the important difference I believe.

If your worldview was opened and inspired by AT:LA, if you (assuming you’re a very privileged, sheltered adult I guess) learnt about say revolutions and genocide and imperialism and so on and so forth for the first time from AT;LA and it inspired you to read more articles and more reliable sources of media to gain a proper perspective, grounded in reality? That’s actually pretty great

If you refuse to interact with political content beyond a child’s show, beyond the very simplified representation of censorship in Ba Sing Se, beyond Zuko’s redemption arc/efforts in recovering from abuse, beyond the wipeout of the Airbenders and their culture, then we have a problem

Stories… are fiction, but they can teach a little, not a lot, a kernel of truth, and that is enough to serve their true purpose of inspiration.

Yes there’s such incredible skill in these stories, in Suzanne Collins’ biting and fiery allegory for the Hollywood machine (and reflection of the extremely corrupt class system + political empire of the US), in Princess Mononoke’s sincere heartfelt plea for environmentalism and balance between nature and humanity

But they are not the be all and end all. Miyazaki did not write Howl’s Moving Castle to teach you to lock yourselves out of the wider political environment around you, to passively call for pacifism as bombs are dropped by those you know, nor was it written to encourage you to condemn every leader or war started. It was written to present his perspective and personal anger over the Iraq War, writing a film he “felt would be poorly received in the US” (Wikipedia) Yes the story it’s telling you of pacifism and integrity is important, but as inspiration, it will not and should not be your guide to war. What is important here is what it could lead you to read, hell if you were as enchanted and interested as I was by this movie then it could lead you right back to the context, the reason for it being written. This could then lead you to researching the Iraq war, to learning why Miyazaki felt strongly, to look at further criticisms against the Bush administration.

That’s what it did for me. I didn’t know anything about American politics, but while studying the story for some other reasons (Heroine’s Journey related of course) I noticed why pacifism was an important theme. It wasn’t enough to get me interested, American politics weren’t necessarily linked to me (or at least that’s the default I submitted to thinking) but it opened my mind a bit. Okay huh that’s interesting, keep a note on that

It’s a note that then got added to when I read several Tumblr posts on issues with the Bush administration, then others on America and its founding. It got added to further when I learnt about Israel and Palestine, and then given some emotional, moral context as I learnt of Israel and Palestine and the atrocities occurring there and how many were likening it to what America did in Iraq and Afghanistan (since I really was too young to remember or think critically over them when they were going on)

There’s still so much I don’t know, I’m so young and even younger in my political knowledge.

What’s important is that as I grow the sources of information grow with me. Stories are important for so much, they are empowering and cathartic, a way to challenge you and inspire you, they are an expression, a call to arms, a hug around your shoulders on cold rainy days, but you cannot and should not live on a diet of fairytales and fantasies.

only reading ya or only watching kids shows is tremendously destructive to your ability to create or understand fiction (as any extremely narrow fiction intake is) but also ultimately that is not a super important skill in life or indicative of any deficiency of character

[cringefailvox]

When the flies fell is making me scream and cry and throw up this is going to end so badly.

teehee :3 who knows

[wickedhawtwexler]

access to art and music classes should be a human right

[daddy-ul]

in my head: where the Hell is the word seed on this album [starts checking them off….] not the singles not YMB not Sleepwalk not ….. oh come on [stares at Inamorata] it’s you. isn’t it.

despair. i’ve actually only listened to it 3 times. because it causes me to physically implode. too much to bare. the thought of it all….

*pat pats*

I mean, i know my head wanted to connected dots just to connect them, bc James uses seed as a metaphor/simile quite enough, it's in his repertoire. He uses it even in interviews.

The funny thing is that the first other song that came to my mind after hearing "seed" was not the obvious one, the one with seed in the title.

No, sir.

It was, of course, Bleeding me.

And how could I not? When Innamorata sounds like that, feels like that, is a song like that--

I don't blame you, brain. I don't.

[timeturner-jay]

Hmm… Quirrel with “wander”?

The fog that had accompanied his wanderings for the last while is thinner here, in this grand hall. There’s only a faint haze to the air now, and if anything, it only serves to make this place seem all the more magnificent, like a lost but cherished dream. It’s the strangest thing – perhaps it’s only the mysterious atmosphere of this ancient station, but Quirrel feels oddly nostalgic as he moves from platform to platform. His feet carry him almost trancelike to the highest one, like it’s a path he’s walked before, and he wonders at this. He brushes a hand across the railing, half-rotten and fungus-eaten as it is, and lingers there, feeling a peculiar sorrow well up inside of him.

He can almost hear the faintest echo of voices, he thinks. Like faraway chatter, the words faded and indistinct. He briefly fancies the idea of a crowd of ghostly bugs going about their business around him, and shakes his head at the absurdity of the thought. He must still be hearing the distant burbling of the foggy caves he just left behind.

Quirrel and the Queen's Station, because his dialogue there makes me feral and unhinged. <3

[jamiemaybeme]

i've realised why i'm so scared of losing my friends: an essay of sorts

(this is long btw. there's a tl;dr at the bottom if you really care lmao. also people's names have been changed to their initials, and they're in pink so you don't read them as actual words accidentally)

i think at the end of year six, sh and il moving away left a sort of gap. and i think i tried to ignore it. i kept in contact with them. i texted sh for a year. her forgetting who i was felt like the biggest betrayal ever tbh. i know she just moved on, but i develop such deep platonic connections to people. at the time, i didn't realise this. i mean, i was 12/13 years old, struggling with lockdown and my mental health, i didn't have time to figure out WHY it hurt. i just knew it did.

as the world came out of covid, i started to form relationships like this again. with js and dr, mostly.

come year nine, and i'm in a class with lf. we start to hang out more. shit happens. we don't hang out anymore. but we're still friends. my friendship with dr was brief. i liked her, but i think her ability to shit talk people just immediately threw me off. more shit happens. i don't hang out with dr anymore. lf eventually starts to hang out with us again.

year ten, and i'm in the same class as just lf. and we spend so much time together. i also am in the same dt class as aj, who starts to hang out with us as a group around january i believe?

fast forward to now (end of year eleven). it's coming up to five years since year six ended. it's been about three years since sh stopped texting me back. it's been around two and a half years since i last saw il. it's been two? maybe?? years since things started to return to 'normality'. i've accepted the loss of my primary school friends. it took nearly half a decade. but i did it.

but i don't want to do that again. i don't want to go through the pain of not seeing these people i care about and love so deeply everyday. i struggle to make new friends. i didn't used to. but ever since covid i've changed. that sounds so dramatic and kinda corny, but it's true. i don't want to lose contact with lf. i don't want to never infodump to aj again. i don't want to stop speaking to js. i've found my people, the ones i'm comfortable with. the ones who are my home. it's taken so long, and i CANNOT lose that. i don't know what to do.

i'm bad at staying in contact with people. i forget to text them back. i get scared they don't want to talk to me. i never have any time. i'm always busy. i over commit. to people. to hobbies. i'm very much an all or nothing person. and that's why losing friends hurts. but i don't WANT the moral of this to be "oh i'll get over it in time." i want the moral to be "i will make the biggest effort possible to keep in touch with these three people."

i see bears in trees and i know callum and iain met in primary school. i know callum, iain and nick have been friends since secondary school. and i want that so badly. i want to go to the same uni as my friends. i want to buy a house we can all live in together. i want SO MUCH and i can't have it all. i'm jealous of what they have. i'm jealous they managed to stay together. i don't cope well alone. and i have such a deep love for and bond with my friends that if that breaks i don't know where i'll be. i don't know what i'll do. i don't know who i am without them, to be completely honest. maybe that's a bad thing, but i don't really care. they are everything to me. just like sh was. just like il was. like dr could have been. like [my sister] is, but also not quite like that.

it's why i've asked if we can make music together. i want something that keep us connected. because if and probably when i leave [my school], what do we have? what do we have? we have nothing. nothing except a bond that i hope will hold strong against the test of time. i so badly hope it does. i don't want we don't speak anymore to be relatable. i want it to stay nothing but a fear. i need my friends.

tl;dr: i'm a little bit emotional and i'm scared of losing people i've dedicated my life to

(i exceeded (well reached) the tag limit lmao)

[isekyaaa]

Reading my stories, it's pretty clear I have a very childish idea of what romance actually is. Like you can tell I only understand it on a baseline theoretical level. It's really kinda cringe, but I do prefer my attempt at romance over majority of the other options HAHA

[girlfromthecrypt]

I haven't posted to this account very much (or at all, really), so I figured I'd update you guys on the state of Such Happy Campers and Press Play. I don’t want to talk about the incident that led to me putting SHC on ice because it still rather upsets me, but honestly, I think it was a good decision. I was grieving the “loss” of SHC for a while, but I can't help but believe I made the right call. Continuing on under the circumstances would have drained me and likely taken me right down the road to writer's block.

Furthermore, and in hindsight, I find writing Press Play a lot more fulfilling right now. All my life, I've only ever written horror, so Press Play has been a wonderful breath of fresh air. It feels cathartic writing about struggles I myself have experienced, and it’s so easy to write about music. I love music so much, and I didn't realize how fun it could be to combine this with my passion for writing. You might have been able to tell from the sheer difference in word count between Press Play and SHC, but it's been so much easier working on this somehow. Also, I do believe SHC wasn't all it could have been. I only want to put out my best work, and I don't think SHC was quite on par with Press Play.

But what about SHC, you may wonder. Or you may not, but I'll address it anyhow. I have recently had an idea for what I might turn the original SHC into. It's only a vague outline right now and I won't turn it into anything more until I'm done with Press Play (I have learned that I can't really write several IFs at once, I'm not C.C. Hill), but I figured I'd let you know that the SHC characters aren't gone forever. My idea would involve the entire SHC cast, though some names/appearances/personalities may undergo changes. Also, I might exclude Anita because she was, admittedly, my least favorite to write and might not fit in with the new setting. Other than that, the IF would explore an interesting alternative to the SHC narrative— for example, the character equivalent to Basil Laurier would actually be a practicing lawyer in this one. Another prominent change would be the inclusion of Sawyer Wright-Garcia as a full RO. They’re the only one I actually have a clear mental image for as to where their story would go, and it is… nuts.

Without spoiling too much, the plot and setting would be very different. It'd be horror, except it'd start out very unassuming, light-hearted and sitcom-y, only to then spiral. I feel like I'd enjoy causing that kind of whiplash. Anyhow, that's that. I hope that if you liked and perhaps miss SHC, this post helped at least a little bit.

[barrenclan]

you dont have to publish this ask if you don't want to. but i just wanted to say that im not sure how i really feel about ranger becoming disabled and how it could kinda be read as for audience catharsis. youre a good writer and i dont want to interpret your writing in bad faith, and obviously i dont know your full intent behind the choice to blind ranger. but a lot of the audience reaction in the replies and such made me a bit uncomfortable as a visually impaired disabled person myself. disability as a punishment for evil is a pretty common (and ableist) trope. i dont think you really did it to the extent its done in other media (especially with a character like daffodilpaw as a good guy. like death, disability affects everyone, good and bad) but yeah the audience reaction made me a little uncomfortable that they were viewing it as deserved or cathartic or punishing. it especially didnt sit very well with me when paired up with hacksaw, his partner and another very evil character having lost a chunk of her wing just before. like i said at the start you dont have to publish this ask if you dont want to. i dont know how the story is going to go, and pinepaws injury could very well impact him in the future for example. but i figured i should voice my current in-the-moment discomfort, especially if it helps you in your future writing endeavors. otherwise, i really liked the new issue!

Since this was asked about twice I will go ahead and publish it; and say that firstly, I really appreciate you both bringing up your concerns and going about it in a very polite way. I don't want anyone to feel afraid to bring things up about the story or put me on a pedestal, I'm not a perfect person just because you like my stories.

And in terms of your asks themselves - I honestly do apologize that it came off that way, I didn't intend at all to play into the trope of disability as a karmic punishment for evil. I'm not disabled myself, or at least not in the visual or mobile way, so it is likely just an actual blindspot for me in terms of my writing. Disability is absolutely not a punishment for anything, and if you're blind or missing a limb there is nothing wrong with you at all.

If knowing my thought process helps at all, here's how I came to that story decision:

I want Ranger and Hacksaw to try to attack Pinepaw but both have their arrogance that's been building for the whole story checked. Also, it needs to be in some way that actually hinders them so they don't just keep attacking. -> Well, I don't want them to die, because I have things I want to do with their characters after the event ends. So, what would be an interesting and symbolic injury that takes them off the table? -> Hacksaw's main source of attacking other people is by divebombing them, so losing a wing would really impact her sense of strength. And, Ranger relies on outward control so much that losing his sight would damage a lot of his ego as well. There are some things about the characters I can't talk about just yet which, depending on your opinions, might change how you feel, but those were my general ideas.

I completely didn't realize how easy it to fall into that trope and I'm very sorry that it made you uncomfortable, that was very much not my intention. Like you said it's so normalized in media that most people don't even think about it - and certainly something I'll be more aware of next time I write anything like this.

[bhaalble]

This isn't a fully fleshed out thought yet but I do feel. Weird. About how Wyll's arc antagonist is handled compared to the others in the party. Like imagine if you just had Cazador or Viconia at camp hanging out three feet away from Shadowheart or Astarion's bed.

Like ok in the interest of absolute fairness: the closest in terms of scale to Mizora is Gortash. In that both have harmed their respective companion, taken advantage of their trust, and isolated them from their loved ones. However, in contrast to someone like Vlaakith or Mystra or Cazador, they don't wield intense physical and spiritual pull over their victim. Karlach and Wyll have a little more freedom to act against them even without player help than say, Shadowheart or Lae'zel. They also entered into their circumstances at least PARTLY by choice. Obviously this doesn't excuse anything that was done to them, they were both young and vulnerable and had that taken advantage of. Its just a little different than "literally owned me for two centuries" and "has been my goddess and my mentor since I was a child and later we developed increasing intimacy in even more personal ways".

And the game let's you go pretty far with siding with Gortash! Far more than it lets you do with Mizora even. But the thing is you can still. Kill Gortash. In like a half dozen different ways. And also! Again! Even if you maintain a positive relationship with Gortash until the end. He's not in camp at the foot of Karlach's bed. You can't hook up with him ten feet from Karlach and have her walk in on it.

This isn't even me saying it was bad to have either of these things. Not every abuse story has to end in "kill your abuser" there's room for a lot of good options. But as an extent of Wyll's quest overall feeling a little underdeveloped. Its weird to me that we generally don't get a lot of the catharsis and grief and intense emotions that we get from the other companions when they confront their abusers. There's not a lot of processing for Wyll about everything he went through! He gets a little "nyah nyah" moment if he saves his father from Mizora but even then. Whether he chose in the first place to save his father or himself wasn't even truly up to him! It was player choice in either direction with no option to even ask him what he actually preferred.

I do genuinely understand: Wyll is a character who doesn't seem to particularly enjoy self-pity. He's very consistent that he doesn't regret pacting with Mizora and that he wants to give his all to his father and the Sword Coast. He doesn't have to be Astarion 2 to be Good Character Writing. But the absence of those big cathartic character moments really do contribute to Wyll feeling like an afterthought character writing wise and make me wonder again what was initially planned in EA

[morbethgames]

Halloween Special, Current Projects, New Patreon Content

I am so sorry about the radio silence as of late. Between the stuff earlier this week (yes, that stuff), dealing with deaths of people, and university; I've been very busy and mentally drained. However, the good news is, you can play the mini game of The Bureau, "Witchy Woman" right now! The link is at the bottom of this post! Eventually I'll integrate it into the main game, or put it out as potential free DLC or something, but for now there are no stats and it's not tied to choices from the base game.

Tonight is a special case. The MCT has been called in as a favor after finishing up our most recent case. A friend of Kris's reached out, and the local P.D. has let the MCT take the lead on this one. A house party in the beginning of October up in Maine has turned sour. A party-goer has been reported deceased.

We just finished a job, but in this line of work, there's always another case to solve. So here I am, approaching the residence with my team, about to find out exactly what happened on this cold, damp night.

Because it's not part of a bigger game or story, and the only pacing I had to worry about was that of the investigation, this is much more freeflow than other investigations in the main story. Go back and forth between the crime scene, the perimeter of the house, interrogations, and more! The more you discover evidence, the more new options will unlock in conversations, and you have an evidence log in the stats section that updates every time you find out something relevant to the case.

I'm only promoting this now, even though it's been done for a couple of weeks, because it was part of a Jam and I didn't think it would be fair if I got votes from a community built over a few years when others in the Jam would not have had that same benefit. I wanted it to be an even playing field, even if it meant holding out for a bit. So, I apologize for making you all wait.

There are still things I'd like to do for this game, things I'll end up adding, but it is at the very least ready to play. It's 40k words, so have at it!

------------------------------------------------------------------------------

Right, next up, something I'd like to announce. I'm working on a serialized fiction that I'm (hopefully) planning to turn into a book. The first 3 chapters are going to be posted for free, both here on my blog and on my Patreon, though not quite yet. Chapters after that will be released on Patreon for the people who pay the $5 tier.

I'll be honest, it has been extremely cathartic to go from writing an IF where the chapters are all pretty much the length of a book themselves, to writing an actual book where a chapter is about 4k words. It's a very nice breath of fresh air, and it by no means, entails that I will stop working on Bureau. In fact, it may even help speed up rate of production, funnily enough. Having something to keep my mind turning while having writer's block about a scene in the IF will help me constantly generate ideas, and that's really nice to think about.

A small college town is rocked by a horrific murder. In wake of the events, a couple of friends begin investigating this personal tragedy, determined to get to the bottom of what happened at the Scribe City college. The lesson is quickly thrust upon them that loss leads to pain, but pain is temporary, and loss can be forever. So what comes after the pain? They need to explore that journey together, and in the process, navigate the complicated things feelings that have started to bloom.

The book (serialized fiction for now) , called Love In Stasis, is going to be a 'WLW romance small town college murder mystery'. You will explore the relationships that these characters have and continue to form, and just how messy things get when tragedy sparks love. I have almost 25k words done for it, about six and a half chapters, and I'm going to try to get 50k words done with it by the end of the month. A writing challenge that's totally not tied to the name of any organizations.

If this works out, I could reward patrons with static fiction while not having to worry about providing everyone with constant things tied to the IF itself, and I could work on The Bureau at a pace I'm very comfortable with.

I'm still learning as a writer. I'm still learning new things I like, and how I like to produce content. All I know is that I like producing art in the form of writing, and I most certainly will not stop doing that anytime soon, and now that the Halloween Special is done, I will be getting back to the base game.

Which will start with a complete recoding of the gender variables. I've already started on that process, so no more multiple versions of each chapter. One version. One set of gender variables. Much more condensed coding and script. So, people out there who said that wasn't going to change, I just have to say what I'd said all along. My coding was indeed bad. However I will also say something else I've said all along. I do take criticism.

That being said I'm never using multi-replace and you can't make me. I like being able to read what I'm writing.

More to come in the near future.

Stay Brilliant,

-Vi

https://cogdemos.ink/play/viisbae/the-bureau-halloween-special-witchy-woman

Patreon Link

[alarrylarrie]

Hey loves.

Some things I’m still feeling over a week later, so maybe you’ll know that you’re not alone:

-Disbelief/denial. This comes and goes, but it’s still oddly strong. I think it’s has to do with the magnitude of the loss.

-Sadness. I cry at least once a day now. It’s less often than it was at first, but it still happens. And sometimes, even if I don’t cry, I get very sad.

-Numbness. This happens when I’ve been scrolling too much, and is usually my indicator that it’s time to unplug and/or disengage for a little while. It’s important to walk away sometimes.

-Anger/Rage. This one is sneaky, for me. But then when it pops up, it definitely takes the wheel, so to speak. It’s an important emotion to feel. And you might find yourself a little surprised at who the anger is pointed at. That’s okay. It doesn’t make you a bad person to be angry, okay?

All of these emotions (and more) are extremely normal. All of that said, if you’re having trouble taking care of yourself at this point- if you can’t eat or sleep or mostly function, it might be time to reach out to a friend/therapist/mentor. Too often grief can feel all consuming, but sometimes it just means we haven’t found a way to sort of vent it, to channel it and express it, right?

This weekend is Liam’s online memorial, thanks to @xthank-you-liam. Attending that in some way will hopefully help- so be sure to do that if you can.

Also finding a soothing/cathartic activity can be good. A lot of people like to do something, action is a very good antidote for when emotions feel all consuming. I strongly encourage you to write, create, paint, sing, etc. Even if it feels hard, or silly at first. You could donate to a local community organization, if you can. Or volunteer. Clean out your closet and give some things away to people who might need them.

It’s more than okay to sit with your grief for a while. Grief is now part of our daily lives, so it’s important to acknowledge it and the ways it impacts us. We can absolutely sit with it. But she (grief) comes along with us in our lives now, we don’t bring a suitcase to unpack and live within her, does that make sense?

I’m always a message away if you need me, my loves. I love you all very much. 💜

[blasphemousclaw]

Idk if you plan on doing the "questions-about-character-x" list yet, but I'd love to hear your thoughts on Marika (maybe with a side of Radagon but mostly the golden strumpet).

• favorite thing about them

nothing hits me harder than characters who lash out because of the injustice or suffering they’ve endured… there’s something so cathartic about characters who make their pain and anger felt in the world in a tangible and consequential way. Marika is this character to me!! I think it’s so powerful to introduce her as an all-powerful goddess, keeping her at a distance as this enigmatic figure who shaped the world as it is today and then shattered it, and then to humanize her by showing us where she comes from and what she went through… she was never just a cold, distant, uncaring deity, but a person, with very human motivations and flaws. learning her backstory gives us so much context for why she did the things that she did and gives us the opportunity to feel close to her and empathize with her… I think she was always sympathetic in the base game, but she still felt so distant, so I really love how the dlc fleshed her out and made her character so accessible

• least favorite thing about them

this isn’t even about her, but about how the fanbase has responded to her writing in the dlc because like dear god

it almost makes me want to avoid content of her which sucks because I really like her LOL

• favorite line

“Hear me, Demigods. My children beloved. Make of thyselves that which ye desire. Be it a Lord. Be it a God. But should ye fail to become aught at all, ye will be forsaken. Amounting only to sacrifices...”

absolutely fascinating quote… we don’t really know the context, so there’s many different ways to interpret it… Marika urging her children to become a lord or a god is interesting, because when she deposed the Gloam-Eyed Queen and removed Destined Death from the Elden Ring, it seemed like she was fighting hard to stay in power and to become “Eternal,” but her children succeeding her would necessarily end her reign? This also almost seems like she’s encouraging conflict between her children… there can only be one god and one lord, after all. we don’t know when the quote was spoken, but it almost seems to reference Ranni’s sacrifice of Godwyn on her path to godhood on her own terms? is this a warning? is it a challenge? is it just the words of an extremely jaded and cynical goddess?

• brOTP, ОТР

ok I’m gonna do away with this format here because I just want to list some of her relationships that I really like without having to categorize them:

Marika and Messmer: the dynamic of Marika being a god-queen whose grace is blinding, and her son being born cursed with a serpent of the lightless abyss is so good… him taking up the crusade on her behalf, of his own volition, because he hates how he was born so deeply and will do anything to try to atone for something that isn’t even his fault, committing horrors in her name, is SOOOO

Marika and Radagon: I love pondering where one of them starts and the other begins, how they have opposite goals and worldviews but exist in the same being. really good

Marika and Rennala: I wouldn’t call it an otp but I like it as a ship. Marika being the one to steal away Rennala’s husband, but she actually IS her husband. unparalleled dynamic

• nОТР

there arent any Marika ships I’ve seen that I dislike

• random headcanon

I think she was horrified and disgusted by Morgott and Mohg AND she loved them still. omen babies would have their horns cut off, usually causing them to die, but omen babies born of royalty did not have their horns cut off, so they were allowed to live… I love the idea that Marika couldn’t bear to sentence her children to death, but she also couldn’t bear to look at them because of her past, so they were confined to the Shunning Grounds

• unpopular opinion

*cracks knuckles*

SO MANY people have the wrong idea about her. you’ve got people saying everything she did was justified, she didn’t go far enough, “total hornsent death” etc etc. and on the other hand you’ve got people saying the dlc writing is terrible because it’s excusing Marika for her crimes, it’s baiting you to feel bad for the hornsent and then pulling a plot twist that actually, they were evil and Marika was good the whole time!

both of these interpretations are flawed because the story is not arguing that the hornsent are fundamentally evil people, and it is not arguing that Marika is now blameless because of what she suffered. the story is rife with moments of sympathy for the hornsent’s suffering and examples of the crusade’s inexcusable cruelty, and so much of what’s in the base game showcases the cruelty that Marika’s Order has inflicted. just because the story is giving Marika a sympathetic reason for why she is the way she is does not mean that these facts cease to exist! sympathy for Marika, sympathy for the hornsent, and condemnation for the Golden Order’s and the crusade’s crimes can all exist in the story at the same time!!!!!

• song i associate with them

…how about this: if anyone has a song in mind, leave it in the replies or tags!

• favorite picture of them

Ranni holding her head u_u

[addicted-to-dc]

Jekyll/Hyde Part 2 - Taskforce 141 x Reader

Tags for those who encouraged me to write this. Thank you!!! @greeniegreengreen @aeilani @poetslastdeath 

Link to Part 1

Content Warnings: Typical CoD violence, ptsd, reader is going to be unhinged (even more so in the next chapters).

The computer does all the work for you nowadays. Honestly, you expected this to be your time to think things over. ‘Meditate’ as Laswell calls it. Rumination sits better on your tongue. How in the world can you ruminate in conditions like these? The overhead lights are buzzing, a high-pitched constant ringing that’s giving you a migraine. It feels like an ice pick was shoved through your eye socket, the cold metal turning warm as it disturbs thousands of nerves.

The seclusion you needed has fucking left the building, leaving you alone with a team of walking dead men. Laswell didn’t tell them why you had so many deaths. One would assume that the common denominator (i.e. YOU) are the reason why families mourn their loved ones. With every step you take you can hear the jingle of all those tags, so many souls gone because you couldn’t stop digging for the truth.

You pinch the bridge of your nose, trying to drag yourself out of your exhaustion. Your efforts only reward you with a sharp pain in your skull. Checking the time, you internally groan. Less than an hour until your dogs are here. Fuck, you miss them.

There’s a flick of a lighter, the scent of leather and wood assaulting your nose. Then tobacco invades your senses. “What’s on your mind?”

Captain Price, the man who started it all. He’s a survivor. He might stand a chance at what’s coming next. It’s been a while since you’ve interacted with a man this intense. He’s a smart one. The cigar erases the mustiness of the room. Smells like home. You can feel your body relax, albeit slightly. Maybe you just need a smoke.

“The only family I have left,” you reply, yanking out your cigarettes. Your only photo lies folded in the nearly empty pack. You flick it to Price, your aim true as it rolls to the edge of the table. “Three dogs. Sir, Bear, and Ruse.”

Ghost shifts slightly in his chair, dark eyes on the photo as soon as Price uncrumples it. “Cerberus?”

You can see recognition flash in Price’s eyes. In all of theirs. At least they don’t try to hide it. Sunshine leans forward, his eyes reevaluating you. “You’re The Huntress.”

It’s not a question. He knows. They all do. Price hands the photo to Mr. Mohawk. You shake your head, “I haven’t been called that in a long time.”

“Fuckin’ unstoppable is what you should be called,” Mr. Mohawk chuckles, looking up from the photo. “I’ve seen yer work. Thorough, precise, efficient, and batshit crazy.”

“They say you’re a sniper hunter,” Ghost states, eyes blazing with intrigue. “That true?”

You nod, your index finger running over the scar on your chin. Mr. Mohawk’s bright ass blue eyes bore into your own. “Why the name change?”

Your muscles tense, feeling the weight of hundreds of hands pulling you down, down, down… Broken nails tear at your flesh, opening old wounds that never fully healed right. The screams ring in your ears, curses that taint your very soul to this day. “A story for another day.”

“Is this your original taskforce?” Price asks, pulling your attention away from his sergeant.

“Yes, it is,” you reply, lighting up your last cigarette. “Picked every single one of them myself. Two Polish battering rams, Maryna and Urszula Kowalski. They were always at each other’s throats, but they were the devil and angel on my shoulder.”

You take a long drag. They were the first ones to die.

The frequent migraines and metal plate in your skull are because of them, cracking your skull open before you could even walk off the transport. Their deaths were too quick, but watching the Semtex burst in the sisters’ faces was cathartic. Liars always fail to earn mercy from you. Traitorous ones at least. You exhale, releasing the tension. They don’t deserve to weigh down your conscience.

“August Lindemann, a German tech genius. Spoiled us with all the newest gadgets on the field.” You chuckle, dark eyes meeting Price’s. “I always said they’d make us lose our edge.”

For all the brains he had, they didn’t look so special splattered across the wall. You fought through the entire base to get to him. Cowering like the leach he was until he was the only one left. It didn’t even take cutting off his precious fingers to find out who organized all of this: General Sheperd. You know this leads deeper into the abyss, merely scratching the surface of this conspiracy.

“The last one is American; best shot I’ve ever seen and an even better medic. Dane Reid was a serious man, but he always kept everyone together.”

His ring lies against your chest, right next to yours. You scratch your right ear, digging your nails into what’s left of your upper cartilage. He was the best shot, but your dogs were loyal to no one except you. Even your husband. Using yourself as a decoy was risky, but Sir, Bear, and Ruse tearing him apart made the sacrifice worth it. And the bullet you put into his heart? Even more so.

You can’t wait to see them again.

“You and the dogs are the only ones left?” Sunshine asks, gently taking the photo from Price. “How did Laswell find you?”

“Wandering the Russian forest with stolen data,” you reply, picking at your broken nail. “She found me and the dogs months later.”

“An’ yer team?” Mr. Mohawk questions. “Wha’ about them?”

“I killed them all,” you answer, putting out the cig. You’ll save it for later, death usually ruins the taste. “They tried to sabotage the op. I only got one name when all of it was said and done, and you want to know who it was?”

You scan over every single one of them. The truth always hurts to tell, but you need them to live. You can’t lose anymore, not when Laswell holds these men to the highest regard. What did she say to them? Oh, yes, you need a team to survive with you. There’s too much death permeating the air. The smell of burnt flesh burns your nose.

“General Herschel Sheperd,” you snarl, the rage of Hyde breaking past Jekyll’s walls. “Laswell says you’re looking for him, and I want my pound of flesh.”

You’re sure they can see the insanity in your eyes, the ferality that consumed you in the forests of Russia and nestled its way into your very soul. Split into two beings, one desperate for peace and the other salivating for revenge. You’re not a Captain anymore. You’re nothing. Just a revenant walking amongst the living until your duty is fulfilled. Peace was never an option for you in life, only in death. You accepted that the day you lost your team, your only family. One gaze bears the most weight.

Your eyes catch Ghost’s. Dark eyes penetrate your soul, reading the scripture of your heart. Loyalty broken, trusted allies and friends betraying old bonds. Killing them. Broken, a living being inhabited by the scraps of its own psyche. Two peas in a fucked-up pod. Your phone vibrates on the table, one singular message popping up on your screen: They’re here.

“Thank fuck,” you mumble, pocketing your phone. “They’re here.” You’re itching to leave, to run to the last semblance of family you have.

Clearly, you’re too easy to read. Price stands, the others following suit. “Let’s go meet them then.”

Sunshine barely has the door open when you slip through, quickly maneuvering through the shitty corporate layout of the building until you reach the side lot. You can see them. Tears threaten to cloud your vision as you see Sir chase Ruse around the grass. Bear lays in the shade. Laswell notices your approach, giving you a small nod. You whistle loudly, their playtime immediately put on halt. It takes a second for the noise to bounce around their brains, immediately whining once it finally clicked. Sir, the eldest German Sheperd, is the first one to make it to you, whining and jumping in your arms. His love is always overwhelming, but it’s welcome.

Sir manages to hold onto your shoulders, forcing you to catch him to regain your balance. Only for Ruse, the younger Shepherd, to knock you to the ground. It startles a laugh out of you, a smile following soon after. God, it’s been too long since you’ve seen them. Bear in all her glory runs up and sits at your feet. Your smart girl. A Rottweiler mix, probably shepherd, but her fur pattern always draws you in. You coo, using whatever body part you can to pet all three of them. “Yeah, I missed you, too.”

You sneak them treats, whispering sweet nothings to each of them as you try to make up for lost time. Six months away from them has been torture. Then again, you thought you’d never see them again. Every op feels like the last.

“Forgive them, it’s been half a year since we’ve seen each other,” you turn to the group, sputtering when Ruse licks into your mouth. “CERBERUS!”

They fall in line perfectly, ears perked and waiting for orders. A hand pops into view, and you take it. Sunshine pulls you up, chuckling at the slobber left behind. He tilts his head, eyes catching something on your chest.

Frowning, you look down. Your rings are exposed. Tearing off the necklace, you shove it into your pocket. You’re allowed to have your secrets.

“Come on, I’ll introduce you.”

[dokidokitsuna]

Magical Girl #1

So I realize I haven’t been posting a lot here lately…there are several reasons.

Most of it was just a garden-variety depressive episode, which was unfortunately extended after I had to go on antibiotics for a couple weeks. It got to a point where I considered canceling a bunch of projects because I just didn’t like to draw anymore. ¯\_(ツ)_/¯ (Still recovering from that, tbh…)

After a while I decided to focus on my writing instead, at least to take my mind off that frightening thought. ^^; I got pretty far into a new novel (which I’ll probably talk about later) but more importantly, I managed to complete a 19-page script for ^this concept, the first new original comic idea I’ve had in years.

It’s basically my take on the idea of a solitary magical girl, which you don’t see so much of nowadays…I think the most famous is Cardcaptor Sakura, and even she had some magical sidekicks (iirc, they just had different sources of power, something like that). I’m not familiar with any examples in the genre where it’s literally just her, ala typical Western superhero…

But that’s not really the reason I wanted to write this story– I developed it mainly to explore the idea of a solitary protagonist, someone who doesn’t have any conventional social relationships outside of their family, AND doesn’t use the story to form any. How could I develop an entertaining story around such a person; what sort of character arc would they go through? Might this character realize, to some degree, that they’re not a ‘traditional’ protagonist, and have some thoughts about this…?

For a while I toyed with the idea of applying this framework to an existing idea, but then I figured it’d be easier (and shorter) to write a completely new self-contained story. Which led to the creation of Anno the magical girl, and her partner Armitage. ^^

My #1 rule was ‘no crutches’: No making her (2) family members stick to her like glue and take the place of the usual friendgroup, for instance. This rule also forced me to change the usual characterization of the helpful fairy sidekick to that of an abusive parasite…which ended up being one of the best writing decisions I ever made. ^^ I love Armitage; not only are he and Anno a great comedy duo, but I think his meanness makes Anno a stronger character.

His worst ‘friendless loser’ insults towards her are just simple statements based (oddly enough) on things I’ve heard people express about themselves. So his dialogue becomes almost cathartic, and Anno’s reactions to it become more realistic as a result. She can’t just brush off his comments as meaningless hate; she kinda has to internalize them whether she wants to or not…if she were just a little more sensitive, this story would probably have a very unhappy ending. ^^;;; But as it is, it’s just an introspective comedy about a neurodivergent girl learning to love and trust herself.

I’m not 100% sure what I’m going to do with the script now that it’s done…mostly I’ve just been using it as motivation to draw for fun again, and to continue developing a manga style (I think I’m getting close to something solid).  But will I actually attempt to draw the manga? Will I try that thing I always wanted to try where I commission some artists to draw it with me…? Or will I just hang onto it and start writing a sequel in my spare time, like I usually do? ^^; Only time will tell…

[karenandhenwilson]

I think I figured out, at least for myself, why the 9-1-1 fandom and part of the Buddie-or-Bust side of it feels so much more toxic than ever before when I know for a fact, those demanding Buddie has to become canon and who are looking for any tiny clue to be able to say it will become canon have always been this toxic. (I mean, with the exception of some people who came into the show because with Buck being bi the show was suddenly not queerbaiting anymore--lol, it hurts even just writing this as if it were really true--and then became die-hard Buddie fans or at least pretend to be to garner enough followers and clicks to make money out of fandom. But I'm not talking about them here.)

Before Bucktommy, there was no real opposition for them in the fandom. Buck and Eddie both had other LI and those had their fans (I know for a fact there are still people now shipping Buck with Taylor or Buck with Marisol or Eddie with Shannon). But those were very few fans and they created their own little spaces in fandom places and were barely noticeable. So the Buddie-or-Bust fans were able to mostly ignore them. And there have of course also been some small fanon ships for Eddie and Buck with other people, but those are barely noticed either.

But Bucktommy? That got huge in practically an instant. Because so many people were excited for bi story line with an established character and one in Buck's circumstances (not even Buck himself). And the Bucktommy fans were loud about their support of this new canon ship. So Buddie-or-Bust fans suddenly felt threatened and became much louder in their hate for anything not Buddie. Because now, for some reason, the fans of the other ship seem to be a threat to them. And also, for the first time for any of the LI of Eddie or Buck, they made an honest effort to set up Tommy and the relationship with him as something long-term. Which the Buddie-or-Bust fans recognize just as much as the Bucktommy fans, and so they try even harder to find fault in every single thing.

And that did change something in the behavior of the die-hard Buddie fans. At times, I've been neck-deep in Ana bashing, in Shannon bashing, in Taylor bashing, in Chimney bashing, in Abby bashing, in Maddie bashing. Because I enjoy a good bashing at times. It can be very cathartic. But you know what I've never seen there? I've never seen any of those characters being called derogatory names. Or their fans being called derogatory names and, in most cases, their fans didn't retaliate to the bashing either. (Though, at least for Chimney fans they sometimes very viciously go against people even just mentioning they don't like him and it came up a couple of times that Chimney fans found derogatory names for those bashing Chimney because that group of fans also seems to be unable to avoid content bashing their fav and instead sought it out deliberately to complaint about it.)

I can't even count anymore how many derogatory names I've seen for Tommy or Bucktommy or Bucktommy fans. They seem to come up with a new name every other day. And they enjoy trumping each other in their creations and using those names to get around the boundaries others try to set for themselves by filtering out the already known names.

And I already see people coming at me with "Oh, but Bucktommy fans started it by calling us BoBs." and just: No. Once more, you get an F in reading comprehension. It's always been made very clear that BoBs stood for Buddie-or-Bust and I personally don't see anything derogatory here but also, it's always been made very clear it's a specific subset of Buddie fans who behave poorly to separate them from the Buddie fans who don't care about Bucktommy. Because those people using that term are very well aware that there are really just a couple of very loud bad apples in the Buddie side of fandom and the rest of the Buddie fans don't deserve to be lumped in with them. While, on the other hand, all Bucktommy fans are always called names as a whole.

And I think their biggest problem is not even necessarily the "threat" they perceive Bucktommy to be to their own ship, though that's clearly a big part still. Otherwise, they wouldn't come after authors and artists and other fans who once shipped and created for Buddie and are now creating for Bucktommy. And otherwise, they wouldn't tag so many Buddie fics as Bucktommy, too, in some kind of strange hope to convince Bucktommy fans to ship Buddie again. (Without noticing that all they are accomplishing is to make everyone annoyed at them. And yes, that includes those Buddie fans who don't care for Bucktommy at all because they need to curate the Buddie tag very carefully now, too.)

I think their biggest problem is this belief that their ship is only valid if it's canon.

Which is so strange. Fandom has always mostly been about ships that are very much not canon. And no one ever expected their ships to become canon in the past, as far as I know. (Except if it was promoted and then didn't happen. Looking at Sterek here.) Canon ships barely get any attention. I mean, look at all the 9-1-1 ships that are canon, including Tarlos, and how little content there is for any of them, and also how little engagement there is for this content compared to Buddie. That's always been a trend in fandom, that's not new with 9-1-1.

It's not only strange, I also think it's honestly sad for these fans. Because they have deliberately set themselves up to be disappointed and dig that hole of disappointment ever deeper. Even if Buddie should ever go canon, which I honestly don't think will happen, it won't be at all what they expect. And they'll either leave the fandom or turn on the ship they were so toxically addicted to before.