#but it only works if it's from this one specific guy
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🎀 NEW IDEA: ASK CHAT GPT 🎀
ꨄ Use AI to your advantage when it comes to manifesting and shifting…
Although AI can get a little weird and scary sometimes, it’s actually such a great way to get information, motivation and inspiration all in one
Instead of hounding bloggers for the same thing all the time. Go to Chat GPT.
Now, how about i give you a few examples, let’s imagine someone called maya 𖨆
maya is having trouble because she feels like when she tries to induce the void, she always falls asleep and that’s taken away so many years from her dream life
she asks Chat GPT: “I keep falling asleep every time I try to induce the void, I feel so frustrated all the time and I need some help”
Chat GPT answers: “Hi Maya, falling asleep during void practice is common, so don’t be too hard on yourself. One way to combat this is by practicing at a time when you feel awake and alert, like in the morning or after a light exercise session. Another tip is to sit up in a comfortable position rather than lying down, as it can help you stay focused and avoid dozing off. Keep practicing with patience—it’s all part of the process!”
now let’s imagine joey 𖨆
joey is feeling frustrated because he feels like he hasn’t progressed, he’s been in the community for 2+ years and really wants his dream life
he asks: “I’m feeling so frustrated and upset, like I want to give up, I’ve been trying to induce the void and get my dream life for over 2 years, I need motivation”
Chat GPT responds; “Hi Joey, I know it’s tough, but remember that persistence is key—sometimes the journey teaches you just as much as the destination. Instead of focusing on the time passed, celebrate the fact that you’re still trying, which shows incredible resilience. Take a short break if you need to, and reconnect with why you started. Visualize your dream life vividly, and remind yourself it’s worth the effort. Progress might be closer than you think!”
now chloe 𖨆 is feeling really powerless lately, circumstances hit her hard on some days and she feels stuck, she wants to be reminded how the void is so possible and so easy and she’s so capable of it all
she asks: “Can you remind me how powerful I am? Some days circumstances hit so hard and it gets thought!! Can you explain manifesting from a logical point of view to remind me how easy it all is?”
Chat GPT responds: “Hi Chloe, let me remind you of this simple truth: you are the creator of your reality, the God of your world. From a logical point of view, everything you experience stems from your thoughts, beliefs, and focus. Circumstances are just reflections—they only hold power because you give it to them. Shift your focus, and the reflection changes effortlessly. When you truly accept that you’re the one in control, nothing can stand in your way. You’ve always had the power!”
Now you can see how well it works!! You can even use them to give you affirmations, help you with vaunts. You can be as specific as you want, trauma dump as much as you want and say whatever you want without crossing boundaries or being judged. You can use Chat GPT to script, i’ve used it so many times and it has given me so many ideas. And your script will still feel like your own, just see it as your collaborating with Chat GPT and that it you helps put your thoughts into words.
You can even use it when you’re having one of those days and just need to be reminded of the fact that you’re in charge. You can even use it for some tough love or to comfort you as you vent.
Like guys you can do so many things with this, I love Chat GPT so much we’re locked in like this:
LMFAOOO IM JOKING (or am i? 😏)
But in all seriousness, some of you need this. Flooding bloggers asks and dms with questions that they have repeated the answers to multiple times, asking things you damn well know the answer to or just asking for motivation repeatedly can take away from people who actually have a good question to ask and actually need help. Like fogging up a blogger’s inbox repeatedly venting about the 3d, or asking “hOw Do I gEt iNtO tHe VoId?” knowing damn well you know the answer to that, will prevent a blogger from noticing someone who actually has a good question that many people might also have and would actually spark an interesting discussion.
So just ask Chat GPT, it’s okay to have doubts creep in from time to time, it’s okay to need a reminder of basic things, it’s okay to forget how powerful you are sometimes, but you can literally ask Chat GPT to help you with that and it will. Instead of waiting around for bloggers to answer your dm or ask just to say the same thing, you can get actual help, and get it when you want it and how you want it.
Why don’t you ask “explain the law of assumption to me like i’m 5”
“explain the void state to me from a scientific view to help me believe”
“give me some dream body affirmations”
“i’ve been so demotivated, remind me who tf i am again”
“I’m going to come from a filthy rich family when I permashift, can you give me some £10Million+ per year jobs that my desired parents can do”
“I feel so lazy today, bully me into inducing the pure consciousness instead of procrastinating”
you don’t need to harass bloggers for these things when you can have immediate access to the answers you seek.
ꨄ 🧸🎀 Go download Chat GPT and knock yourself out!! 💋
#salemlunaa#shiftblr#reality shifting#shifting#loa#permashifting#respawning#law of assumption#i am state#void state#success story#the void state#void#void state tips#the void#voidstate#pure consciousness#shifting consciousness#void concept#manifesting#master manifestor#manifestation#shifting blog#shifting community
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"That said, both Styles and his therapist have questioned why he cares quite so much about being likeable. This is one of the things he thought about a lot in his big pandemic reflection. In part, it's a choice, he explained. He recalled moving to London after The X Factor and hearing tales of petulant celebrities screaming because someone got their coffee order wrong and deciding to never be that guy, to never give someone a petty reason to bad-mouth him. But more recently he's come to worry that the drive for approval came from a more complex place, a place of caution, fear, control." "Styles said he often spent interviews terrified about saying the wrong thing until he stopped to question what abhorrent belief or bizarre opinion he was scared he'd accidentally reveal and realized he couldn't think of anything."
"And he thought about the cleanliness clauses in the contracts he used to sign, which would dictate that they would be null and void if he did anything supposedly unsavoury, and about how terrified that used to make him. And about when he signed his solo contract and learned that the ability to make music would not be affected by personal transgressions, he burst into tears, a reaction he still seemed shocked by, retelling it to me now, years later. "I felt free," he explained."
"When Styles began therapy about five years ago [so in 2017], he was reluctant initially, feeling it was a music industry cliché. "I thought it meant that you were broken," he said. "I wanted to be the one who could say I didn't need it." He returned to the home theme that has underpinned our conversation, explaining that therapy has allowed him to "open up rooms in himself" that he didn't know existed, allowed him to feel things more honestly, where before he had tended to"emotionally coast.""
"Recently Styles began to work through issues related to intimacy, dating, love. "For a long time, it felt like the only thing that was mine was my sex life. I felt so ashamed about it, ashamed at the idea of people even knowing that I was having sex, let alone who with," he said."
"You look back, especially now there's all the documentaries, like the Britney documentary, and you watch how people were abused in that way, by that system, especially women. You recall articles from not even five years ago, and you're like, I can't even believe that was written."
He has been thinking a lot recently about autonomy, ownership, privacy. About what he should be able to keep to himself, what he should be able to simply communicate through his music without follow-up questions or prying. Around the time of Fine Line, he faced scrutiny around his sexuality. People became incredulous that he wore dresses, waved Pride flags, and yet hadn't clarified with precision, publicly to a journalist or on social media, the specifics of who he'd slept with, how he defined. This expectation is, to him, bizarre, "outdated." "I've been really open with it with my friends, but that's my personal experience; it's mine," he said.
Despite the acceptance that some things could, should, have been different, he still feels lucky every day, he said, lucky to make music, lucky to do what he loves.
"You can't win music. It's not like Formula One," he said. "I was like, in my lifetime, there will be 10 more people who burst onto the scene in that way, and I'm only going to get further away from being the young thing. So, get comfortable with finding something else that makes you happy. I just found that so liberating."
"I just want to make stuff that is right, that is fun, in terms of the process, that I can be proud of for a long time, that my friends can be proud of, that my family can be proud of, that my kids will be proud of one day," he said.
““In lockdown, I started processing a lot of stuff that happened when I was in the band,” he said. He thought about the way he was encouraged to give so much of himself away, “to get people to engage with you, to like you.” He thought about the fact that no baby photos exist of him that aren’t on the internet (you give a bunch to an X Factor producer doing a piece on your backstory without much thought, and suddenly your childhood is online). He thought about the journalists asking questions, when he was still a teenager, about how many people he’d slept with and how, rather than telling them to go away, he would worry about how he could be coy without them leaving the room annoyed. “Why do I feel like I’m the one who has done something wrong?” he said to me.”
— Harry for Better Homes and Gardens Magazine
#what a lovely article :')#vulnerability on HARRY's terms#it's good that he got into therapy and started processing - therapy is an amazing tool#he's come so far i'm so so happy for him 🥹#also the “my kids” mention made my heart glow#you'll be such a cool dad Harry#(you and Lou together 🥹💙💚)#Harry wants a baby#that 'the drive for approval came from a more complex place - a place of caution and fear and control' - no surprises here...#in this house WE HATE MODEST!#in this house we HATE SYCO#him sharing that he burst into tears because he 'finally felt free' when he signed his solo contract... fuck that is so TELLING#music industry#Better Homes and Gardens#interview#article#Harry#therapy#rainbows#sexuality#2022
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ᡣ𐭩 WE WERE BORN SICK
FEATURING: dazai osamu
SUMMARY: that sinking feeling that's been looming over you both has finally come to fruition. truths are revealed, questions are answered, but one big one remains: is love enough for you and dazai's relationship to survive this?
AUTHOR'S NOTES: happy fridayyyyy, i can't believe we only have one chapter left of civzai, it's actually makin me emotional </3 this chapter was quite a doozy to write, and i hope it's equally a doozy to read HAHAH no no jkjk , i hope you enjoy. also do u guys want to add an arcane au to the dazaiverse .. ive been thinking heavily about it. comments & reblogs appreciated
GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).
CHAPTER SPECIFIC WARNINGS: hardly edited. angsty chapter. explicit depiction of suicide (past recollection of dazai), implications of past self-harm (dazai), very toxic thought processes at certain parts (dazai), past (and a bit of current) suicide ideation (dazai), manic behavior (reader).
SEE: WASTELAND, BABY! SERIES MASTERLIST
“I’ve been eager to meet you for quite a while. In all of the years I’ve known her, my little hime has never let something as trivial as a boy come between her and our work… I knew you must be special, but I never could’ve imagined just how special. I’m so pleasantly surprised.”
Dazai’s head throbs as he comes to his surroundings. He’s laying in an uncomfortable bed—a hospital bed, he thinks, he can smell the unfortunately familiar scent of antiseptic, but the walls aren’t the typical white he’s used to. He winces as he sits up, unable to recall where he is or what happened to him. Everything is too fuzzy, he remembers being with Fitzgerald, the car ride to the tea house, and-
And he remembers you.
He remembers you.
He lets out a shaky breath as he recalls the way you’d pulled him into your arms, cradling him close as soon as you got him back from Fitzgerald. God, he only got to be with you for what felt like a second. It wasn’t enough time. It wasn’t nearly enough time. You sent him off, he remembers—you sent him with two of your subordinates, the weretiger and that freaky little girl, and then…
“Shhh… Don’t speak. I want to get this done and over with.”
The gun to his back, Atsushi and Kyouka’s cries of shock, the baton to his head.
“No can do, weretiger. On orders from the boss.”
His mind tracks back to the words that had been spoken as he was teetering on the edge of consciousness, mouth going dry and eyes widening as he becomes acutely aware of the other person in the room with him. His gaze flicks up to where a vaguely familiar man sits at a desk watching him—straight chin-length black hair, inquisitive purple eyes, a long black coat, Dazai isn’t sure where he recalls this man from but he knows that they’ve met before.
“Who…” Dazai asks, voice wavering as pain shoots through his head with every little movement. “Who are you? Have we… met before?”
His wrist hurts. His mother’s nails dig into his skin so deep that it draws blood, and he doesn’t know what’s going on. He’d just been sleeping—is he still sleeping? He isn’t sure. He’s stumbling over his own feet trying to keep up with her, he keeps asking her what’s going on but she doesn’t answer him.
They turn a hall and his mother stops so suddenly that he slams right into her, nearly tripping over onto the ground. He doesn’t even regain his footing before his mother is pulling him back the way he came, he looks over his shoulder trying to figure out what caused his mother to panic so badly and he looks at—a man?
Who is that?
Why is he coming from grandfather’s room?
Is that-
Blood?
“Shuji! Shuji, don’t look back! Keep moving!”
Shuji? Who’s Shu-
“I think you know the answer to that already.” Dazai is startled out of the memory—was that a memory?—by the man’s voice. He sounds amused, and from the way that his eyes are glittering, Dazai can tell he’s finding great entertainment out of this situation. It pisses Dazai off. “Don’t you?”
“Tane-chan, you know you won’t be able to hide him forever. You’re just making this harder on yourself.”
Dazai’s breath catches. He shifts backward on the bed to press his back against the wall. Everything is wrong—the air is too cold, his bandages are itching, his head hurts, and he doesn’t know what’s going on. Who is Shuji? Why is he thinking of his mother after all of these years? And what… what was he remembering?
Memories of his youth have always been sparse and fleeting—he can vaguely recall the faces of his siblings, the anxiety he felt around his grandfather, the loneliness—but something like this… The panic on his mothers face, the pain in his wrist, the way she was dragging him around, the fear in her voice when she screamed at Dazai—was he Shuji? But then why—to not look back, to keep moving. He would remember something like that. That would be… crazy to forget, right?
What is going on?
“You’re Mori,” Dazai breathes out, clearing his throat. He hopes he doesn’t look as disconcerted as he feels, but he thinks he must. “You’re…”
The leader of the Port Mafia.
The closest thing you have to a father.
So, how does Dazai remember him from years ago? It doesn’t make sense. He couldn’t have been older than thirteen, maybe fourteen in that memory. What did he forget? When did he meet him? What’s going on? Dazai wants to scream, his mind is still slow from just waking up—he doesn’t even know how long he was unconscious, it couldn’t have been that long.
Mori’s smile widens as if Dazai just walked right into whatever trap that had been laid out for him, violet eyes flashing with a type of cruel amusement that makes Dazai sick to his stomach. Dazai has to circle back to remember what he just said, he needs to snap out of the daze he’s in. He needs to think. He made a mistake—Dazai made a mistake. He shouldn’t have admitted that he knew Mori. That was a mistake.
How does he fix it?
Can he fix it?
“You do know,” Mori says, like he didn’t actually expect Dazai to admit that he knew him. Like he’s pleasantly surprised. Again. Like Dazai just made things much easier for him. Shit. “Interesting.”
He’s going to use it against Dazai. Dazai knows it. He’s going to use it against him to hurt you. He remembers everything he’s learned about your relationship with Mori—how he pit you against that other girl, Yosano, to get results from you. And he already said it. He already said that Dazai is getting between you and your work, he’ll do the same thing here. He’ll pit you against him.
He’s going to tell you that Dazai knew who Mori was, and that Dazai is someone that he’s not—who is Shuji? Why doesn’t he remember his own name? Is that really his name? How does Mori know all of this? Who is Dazai?—and Dazai needs to be able to say something. He needs to be able to explain. How does he explain this when he doesn’t even know what’s going on? Dazai needs to remember; he needs to remember now, he needed to remember yesterday, because if he’s not the one to tell you this… If he can’t explain this…
This cannot be happening—it can’t. Right when he thought everything would be okay, when he would be with you. His throat starts to clog as anxiety clouds his head and weighs on his chest, a panic attack that he can’t afford right now. He needs to think, he needs to figure out what’s going on—Mori knows something about Dazai that he doesn’t know himself, and he’s going to use it against him to drive a wedge between the two of you. He’s going to tell you, and-
Dazai’s world feels woozy. Why can’t he remember? How does he know Mori? What was happening that night with his mother? He needs to snap out of this, needs to think, but he can’t even breathe. Fear—the mind killer.
“I don’t know what’s going on,” Dazai rasps, his voice is hoarse, and he feels sick, and he hates admitting that he doesn’t know what’s happening, but he needs Mori to believe it so that he doesn’t tell you something that’s not true. “I don’t know how I know you. I don’t-”
“You might believe that,” Mori says amused, “but will she?”
Dazai stares at Mori, his stomach churns violently and his vision swims as the answer becomes abundantly clear to him.
He doesn’t know.
———
The gun in your hand weighs heavily.
You hid it in the inside of your blazer to get up to the conference room. No weapons are allowed up past the thirty-fifth floor unless you’re one of the Boss’s hand-picked personal guards—even executives are forced to disarm themselves before going up, but security is much more lax for the upper echelon. Because you’re you—the hime, second-in-command, the Boss’s daughter—the guards outside of the elevator that goes directly to the top floor wave you past the metal detectors to go on up.
A mistake.
(Who is Tsushima Shuji? It can’t be Dazai. You know Dazai. Mori must be wrong.)
The smile on your face is bland and doesn’t meet your eyes as you walk down the hall to the conference room attached to Mori’s office. You greet the guards, and they don’t notice how off your demeanor is, too starstruck over the fact that they’re being acknowledged for once. They also don’t notice the way your hand is curled around the grip of your gun in your blazer.
A mistake.
(Mori is never wrong. Do you really know Dazai?)
When you reach the end of the hallway, you toss them one last brilliant smile. This one is a bit more genuine because you’ve realized that you’ve gotten through the top notch security of the upper levels of the Port Mafia headquarters without a hitch. That you’re one step closer to finishing this. They’re so blinded by the beauty of your smile that they don’t realize your teeth have sharpened into knives and the floral perfume you wear masks a putrid bloodlust.
A mistake.
(It’s always been odd, hasn’t it? The way he approached you. The way he was so insistent on pushing himself into your life. You always questioned it. There was a sinking feeling that something wasn’t as it seemed. Why didn’t you question it more?)
You keep your back turned as you slip into the room. You can feel four presences behind you—Kouyou, Piano Man, Chuuya, Ace. No Mori. No Dazai. That’s fine—you have something to take care of before they show up anyway. The conference room is soundproof; Mori designed it that way because he didn’t want the guards outside to overhear any discussion of sensitive topics. Even if he handpicked them for their loyalty, he understands that money can make the most devout man’s faith waver. Still, it’s not them rushing in that you’re worried about—it’s the people in the room with you rushing out, so you very carefully twist the nub of the lock and then reach up to fix the deadbolt. It won’t stop them, but it will slow them. You can feel their eyes on you as you make sure the door is locked, but none of them call you out for it or try to stop you.
A mistake.
(Mori always told you that the Tsushimas were like cockroaches. If they all weren’t killed, one would eventually return to reclaim their grandfather’s empire. There’d be a power struggle between the factions loyal to the new regime and the ones that still hid in the shadows believing that the Tsushima blood belonged at the head of the organization. Everything the two of you had built would crumble to ashes.)
You turn to make your way over to the conference table where the four of them are sitting. You haven’t decided how you want to go about this yet. You don’t know who all was aware of what Mori did, and because of that, you don’t know who needs to die. Treachery has always faced a death penalty—you don’t care if Mori ordered it, you don’t care that the Boss’s word is absolute, you have bled and breathed for the Port Mafia. You’ve sacrificed everything you’ve ever owned and wanted for the Port Mafia. You have made the Port Mafia into what it is today with your efforts abroad and at home—foreign governments, foreign criminal organizations, the Japanese government and other domestic mafias, all of them are just puppets that you pull the strings of to ensure the Port Mafia stays on top. Treachery against you will face the same penalty one would receive if they betrayed the Port Mafia, because you are the Port Mafia—Mori has made sure of that.
Chuuya and Piano Man share a look with one another as you approach the table. Neither of them say anything—is it confusion? Is it guilt? Did they know? Were you the only one unaware of the schemes going on around you? Were you the only one loyal? The only one you could trust?
Did they know?
Did they know?
(No one could ever love you without your ability at work influencing them. You’ve known that since the very beginning, but you were so quick to forget that when you discovered Dazai’s ability. You should have had more questions, you should have been more suspicious. Mori had been right from the very beginning. You were emotionally compromised. You were weak.)
Ace opens his mouth to speak.
A mistake.
“It was nice meeting your-”
Ace’s head hits the conference table with a hard thunk, his eyes wide and glassy, his mouth open around the words you didn’t let him finish speaking. Blood seeps from the bullet hole in his temple and pools around his head and the ground beneath his chair, staining the glass table and the white floors.
Instead of lowering your arm, you shift it so that the gun is pressed against Piano Man’s temple next. Chuuya says your name—it’s awful, something caught between a gasp of shock and confusion, he’s never said your name like that before. Like he doesn’t know what you’re doing. Like he doesn’t understand you. Like you’re something unfamiliar. Unrecognizable. You ignore him anyway, and the pangs that come along with it, and instead, you keep your gaze trained on Piano Man’s face.
He’s not as panicked as Chuuya, but you can tell that he’s just as caught off guard from the way his lips are twisted. He watches you carefully, waiting for you to say whatever you’re going to say—if you were going to pull the trigger, you would’ve done so immediately, he knows that. He’s always been good at reading you, better than even Chuuya sometimes.
“Did you know?”
Your voice is steadier than you expect it to be. Cold almost. Distant. You don’t recognize it yourself, you suppose it’s no wonder that Chuuya’s staring at you with such a foreign expression. You watch him just as carefully as he does you. He has a tell when he lies: he squints. Not an obvious squint, just the barest hint of his eyes squeezing shut like he’s calculating exactly what he wants to say, in what tone and with what fluctuation he wants to say it.
A subtle tell, but a tell nonetheless.
“No.”
He stares at you steadily as he says it. There’s no squint—he’s telling the truth. You don’t let out a breath of relief, but you certainly feel the weight off of your shoulders. You lower the gun, satisfied with his response, and then you walk over to where Chuuya is sitting.
You don’t raise the gun to his temple immediately. He looks up at you, you look down at him, a whole conversation is had in the silence between you, and eventually he lowers his lashes in resignation, telling you to do what needs to be done for you to feel more at ease.
He’s always put others before himself.
You lift the gun at the same time he lifts his gaze to meet yours. He could activate the Tainted Sorrow and end this before it starts, but he doesn’t—you know in your gut that if you pulled the trigger right now, he would accept the fate you delivered. Probably would take it as a better one than he deserved—it being at your hands rather than Arahabaki.
“Did you know?” you ask. The words taste bitter, rancid—they don’t belong there, Chuuya would never betray you, but you had to hear it from him.
Chuuya doesn’t have many tells when he lies—he’s a good actor, much better than people give him credit for. If he wanted to lie to you, he might be able to get away with it. But he won’t lie to you, not when he’s looking you in the eye.
“No,” he says, voice soft and raspy like he can’t believe he has to say it.
You let the gun drop to your side. It weighs heavier now—heavier than it did in the elevator, heavier than it did in the hallway leading to the room, heavier than it did when it was pressed against Piano Man’s head. You can hardly bear to keep holding it, but you’re not done yet.
Slowly, your gaze turns to Kouyou. Her expression is cold and unreadable, gaze pinned on you in the same way a lion stalks its prey through the tall grass… No, that’s not right. She stares at you with the same look in her eyes that a snake does when it’s curled in a corner, rattle shaking and hissing to try to scare off the predator that has it trapped.
“You knew,” you breathe out softly in disbelief. Your voice hardens and tightens as you repeat, “You knew!”
Before you can raise your gun—before you can pull the trigger four, five, six times, before you can riddle her body with holes because how dare she know, how dare she know and not tell you after what the previous boss did to her—the door that separates the conference room from Mori’s office opens, and your attention is drawn to the one person who caused all of this.
“Oh my,” Mori says airly, looking between you, Ace’s body, and Kouyou with an expression that is frustratingly amused. “I see you’ve been busy.”
You don’t even know what to say to that. You almost want to laugh. You think you do laugh, actually—someone does, and you think it’s you, because you feel yourself walking away, you lift your hands to your head to tug at your ears in frustration. Your vision is blurry—are you crying?
“You betrayed me,” you finally say, voice quieter than you intend, so you raise it as you repeat yourself. “You betrayed me. You. Of all people I never thought you would be the one to-”
You can’t even finish the sentence, your voice cracks over the words. It makes you feel sick, it makes you angry, it makes you want to crawl out of your skin, because how could he? To you? You don’t know why you’re so angry, why you’re so betrayed. Mori has always made it clear that his priority is the Port Mafia, but still, to do this to you. To do this to his-
To his what?
You’re not his daughter. You hate when people imply that you are, you hate being called hime, you hate being called ‘Miss Mori’, you hate when people give you respect because of your perceived relationship to him.
He’s the only father you’ve ever known. Almost every decision you’ve made has been with the motive of making him proud of you. When he seeks out your opinion specifically during meetings, your chest becomes warm with pride.
You don’t love him. How could you? Look at what you’ve become because of him.
Then why do you feel so betrayed? Why did you think he would be the last person to do something like this to you when you know the type of person he is? Why does your chest feel like it’s caving in? Like your heart’s been ripped right out of it? Why does this hurt as much—why does this hurt more than Dazai’s potential betrayal?
And he certainly doesn’t love you. He never would have done this if he did.
He’s killed people for disrespecting you—he hardly ever gets his own hands dirty, but he does when it’s you and your dignity on the line. He spends hours meticulously picking out birthday presents that he knows you’ll like. He gets sad when he invites you for lunch and you don’t join him, reminiscing about the days where you clung to the back of his coat.
He touches your shoulder, and your finger twitches on the trigger of the gun. You want to lift it, press it to his temple and pull the trigger just like you did to Ace, but you can’t. Your arm feels like lead, and when his hand slides down to your bicep to force you to turn around and face him so that your back is to the rest of the executives, you dutifully follow along.
His expression is unreadable as he looks down at you, violet eyes swimming with an emotion you’ve never seen in them before. He lifts his hand to wipe away one of the tears that had spilled over your cheeks with his knuckle, and then taps your cheek twice, chiding you silently.
Do not cry here, little hime. Not here.
“You have always been so dramatic,” Mori hums just loud enough for you to hear, but the words are fond, and the corners of his lip curl up as he looks down at you. “I would not betray you. Not ever, dear.”
You look at Ace pointedly in response and then back to Mori, the man sighs dramatically and gives you a disappointed look. The nerve, you think bitterly, narrowing your eyes on him as you wait for his explanation.
“I told you,” Mori says. “I did this to protect you. I wanted to get ahold of the boy-”
“Because you have some mistaken belief that he’s a Tsushima,” you interrupt coolly. “How did you even manage to come up with that ridiculous theory?”
Mori’s eyes flicker with something akin to interest, but shifts quickly into pity—you can’t tell if it’s genuine or mocking, and you don’t know which would be worse. He must be mistaken, he has to be. You don’t think you can handle the implications of if he isn’t, of what it might mean for you. For Dazai. Your whole relationship with him. How much was manufactured for him to get information about the Port Mafia? So he could get a foothold in the organization? Get in contact with the remaining loyalists to his family?
“Sit,” he tells you, guiding you over to the seat at the right of the head of the table. “I’ll explain everything, but first… Shuji-kun, why don’t you come out and join us?”
Your breath catches at Mori’s words, gaze twisting to the side over to the door that he’d come out of. You watch as the door creaks open, and the achingly familiar sight of his face finally comes into view. You’ve missed him—you’ve missed him, and you hate this. You should be back at your apartment with him, you should have him curled up in your arms, you should be listening to him complain about how long he was stuck with the Guild.
This shouldn’t be happening. You shouldn’t be sitting at the executive roundtable with Ace’s dead body a few feet away, and Dazai entering the room, questions of his identity, of whether or not he’s been using you for information and opportunity to take back his grandfather’s legacy.
You hoped that Dazai would enter the room angry, irritated by the kidnapping and the accusations, but you don’t think you’ve ever seen Dazai look like this before. He looks a mess, fidgeting, brown hair matted to his forehead, dark eyes wide and swirling with emotion. When he seeks you out, they’re pleading, imploring, like he already knows that whatever is about to be said is going to be bad for him.
He looks… frazzled. Nervous. Confused.
He looks guilty, and you know that Mori is telling the truth.
How much of this was a lie? All of it?
Your throat feels uncomfortably tight, gaze sliding from Dazai back to Mori.
“Tell me.”
Who are you, Dazai Osamu?
———
Despite his body being wracked with a strange sense of guilt, Dazai pushes open the door to enter the room where he assumes you’ll be waiting. You’re not the only one there sitting at the table—there’s five… no, four others—but Dazai can’t help the way he immediately seeks you out. He recognizes his mistake instantly. That highly unwelcome, and highly misplaced, guilt amplifies the moment his gaze meets yours and he sees how crushed you are by all of this. His face twists into something that he knows condemns himself more. and from the way you instantly look away from him, directing your full attention to Mori, he knows he has.
Now, you won’t meet his eyes at all.
Dazai sits stiffly across from you to the left of Mori. Nakahara Chuuya is on his opposite side, glaring holes into the side of Dazai’s head, but he can’t drag his gaze from you. He’s never seen you like this before—even back at the beach house when you’d been so close to breaking down under the weight of everything on your shoulders, you’d held yourself together as best you could.
You’re unraveling now; he can tell you’re still trying to hold yourself together, but it’s as good as trying to pick up water with your fists, your emotions spill out through the cracks carved into the walls you used to hide yourself behind. Mori hasn’t even begun talking, yet your breath is unsteady and your eyes are swimming with emotion; your fingers are still wrapped tight around the grip of your gun, and Dazai is very acutely aware of Ace’s dead body slouched over the table not even a few feet away.
And you won’t even meet his eyes.
Maybe it’s a good thing, he realizes, because Dazai isn’t sure what you might see if you do. You clearly didn’t like what you saw the first time. He just feels so guilty, and he doesn’t even know why he feels guilty because he’s not-he didn’t do any of what Mori implied. He didn’t use you, he didn’t know who you were before meeting you, it wasn’t all some scheme to try to take over the mafia. That’s ludicrous—he’s a literature student at YNU, not some gang lord. He just-
He loved you. Loves you. No ulterior motives. No strings attached.
“I said tell me,” you snap when Mori doesn’t immediately begin talking. “You love talking, so why are you holding back now? Tell me, or I’m leaving.”
Dazai feels a bit sick to his stomach when you say ‘I’ with no implication of taking him with you. He tries to get you to look at him again, silently pleading with you to just spare one glance in his direction, but you’re irritated now. He can see it in the way your fingers flex around the gun, knuckles whitening and finger twitching on the trigger—it’s pointed at the woman sitting next to you, who is very acutely aware of the fact from how stiff she is.
“Do you remember the night we took over the Port Mafia, dear?” Mori asks her, voice a low hum.
“What kind of question is that?” you answer tightly. Your lip curls up in irritation, Dazai can see you become more and more antsy and angry—he’s never seen you so out of control before. “Of course, I do.”
“And you, Shuji-kun?” Mori turns his attention to Dazai and he wants to spit in his face—his name is Dazai—but his voice fails him when he sees the way your face twists at the sound of the unfamiliar name. He stares at Mori instead, hating how amused the man becomes at his silence. “I’ll take that as a no, allow me to refresh you.”
“Eight years ago, a coup was staged against your grandfather’s regime,” Mori says, and Dazai feels like he’s being studied under a microscope. All eyes are on him now—even yours, but now, he can’t bring himself to look at you. He doesn’t know what he’ll find, and he’s scared it’s going to be something he doesn’t like. “Your grandfather was mad, killing civilians and mafiosos indiscriminately, something had to be done, and nobody was willing to do it, so we did.”
“We had to wipe out the whole family, and any loyalists. I was fourteen when I killed someone for the first time. She was a girl my age—the previous boss’s grandaughter…”
Dazai’s gaze drags over to you. You’re staring ahead now, gaze listless and expression eerily blank like you’re slowly starting to realize what this means. Dazai hasn’t come to terms with it yet, because if even a little of what Mori is saying is true then…
“We wiped out the whole bloodline and as many loyalists as we could,” Mori continues, “or we thought we did, at least. My dear hime was who I sent to kill the heirs, I trusted in her to make it quick and painless. We didn’t realize one of the grandchildren were missing until it was too late—he wasn’t in his bedroom, apparently liked to wander around at night because he couldn’t sleep. His mother was able to swoop in and get him out of the estate before our men took over the building… Tsushima Shuji, the youngest of the previous boss’s grandsons. Does this sound familiar yet, Shuji-kun?”
He has the best view of the night sky from an alcove on the fourth floor of the estate—his grandfather’s floor. It’s where he likes to go when he can’t sleep at night, and ever since his cousins and siblings started fighting over their grandfather’s legacy, that’s been just about every night: half because of fear now that things have started escalating to violence, half because he’s not even sure why he’s still here.
His knees are tucked tight to his chest, arms wrapped around them and head resting against the cool glass as he looks up at the stars. He hears a commotion happening somewhere downstairs, but there’s always a commotion happening at the estate, so he thinks nothing of it. He submerges himself in the darkness instead, letting his mind float away as he stares up at the sky—it’s the only time he’s able to relax, escape from the shadows of his own mind.
He’s not sure how long he sits there admiring the night, time passes immeasurably when he’s lost in the stars—he’s only snapped out of it when he hears feet slamming against the ground in his direction. He stiffens, eyes wide, wondering if another one of his cousins has finally turned to bloodshed as the way to inherit their grandfather’s legacy, but instead his mother turns the corner, her smooth face contorted in a type of panic he’s never seen on her before.
“Mothe…” he starts to say, confused, but he doesn’t even get a chance to finish the word, gasping as his mother grabs his wrist and yanks him off the cushioned seat in the alcove.
“Shuji, we have to go,” she gasps, “we need to get out of here. It’s not safe.”
He stumbles after his mother, struggling to keep up with her quick pace and longer legs. Her grip was painful, nails digging into the bandages around his wrists, right into the fresh wounds they covered. He grimaces in pain, breathing heavy as he follows his mother down the hall, assumingly toward the steps near his grandfather’s room.
“What’s going on?” he asks. “What about Bunji? Akane? T-”
His mother chokes over what sounds like a sob and his eyes widen—he’s never heard his mother cry before.
“There’s no time,” she chokes out, “we have to leave without them. We-”
They turn a hall, she skids to a stop and-
“It seems that it does… Allow me to continue then,” Mori hums, drawing Dazai out of the memory. He sounds unbearably amused, and Dazai would be angry if he wasn’t so shaken. He pulls his hands off of the table to rest them in his lap to hide the way his fingers are trembling. “Your mother was able to hide you from us for half a year, I warned her that she wouldn’t be able to for long and since she didn’t share your grandfather’s blood, promised to spare her life if she gave you up to us, but she refused. She tried to take you out of the Kanagawa Prefecture, but our men were catching up to her, and she took… drastic measures to ensure we couldn’t track you down. That I’m sure you remember.”
“Mother,” he whispered, staring up at the rope, her limp body, gaze trailing down to the kicked over chair. “Mother, I don’t… why did you…”
He takes a step closer. A step back. Another step closer. He reaches out, fingers brushing the white nightgown she’d worn the night before while getting him settled in bed, but he snatches them back instantly like he’d been burned, clutching his hand to his chest.
He’s not breathing, he realizes when his lungs start to burn. His eyes sting painfully, unable to draw his eyes away—unable to even blink—is it a nightmare? Is he hallucinating? She sways—sways like when she used to distract him when he was settling into a depressive episode by putting on music and forcing him to spin with her in the kitchen, sways like the wind chimes she keeps outside because the house doesn’t feel homely enough without him, sways-
“Shuji! Shuji, get away from there!” The voice that calls to him is familiar—Aunt Kiye? Why is she here? “God, I tried to get here earlier. Nee-san, forgive me.”
Aunt Kiye grabs his wrist, yanking him away from his mother, dragging him out of her bedroom and down the hall. His voice is hoarse as he screams, he doesn’t know what he’s screaming, if he’s even screaming anything intelligible. He doesn’t stop until he’s out of the house and she’s kneeling in front of him, shaking him out of his panic.
“Enough, Shuji! We have to go, we can’t stay here, they’ll be here soon,” Aunt Kiye shouts at him, expression twisted and eyes pooling with tears that she doesn’t let spill over. “We need to go, and we-we need to change your name, change everything. I promised I would hide you, I-”
“We can’t leave her there,” he argues, voice shrill. “I don’t understand, why did she do that? What did I do? It was my fault, It was my fault, wasn’t it? It-”
Aunt Kiye doesn’t answer his question. She looks bitter, angry, hateful. “We have no time. We have to leave,” she whispers, dragging him to the car despite his protests. She continues talking, more to herself than to him, but the words make his chest cave in. “I told her not to get involved with that family. Their blood is black, cursed. Everyone knows nothing good comes from associating with those people.”
His fault, he realizes, breath becoming thin and shallow. It’s his fault, his blood, his fault that his mother-
“Yes, quite the unfortunate scene we walked into,” Mori says dismissively. “She was smart for it though, she never would’ve survived a night with our sweet hime interrogating her. You should see what she did to that despicable journalist. Of course, she wasn’t as fine-tuned with her ability back then, but that would’ve been at your mother’s expense—her first few attempts at conditioning were quite… unfortunate for her test sub-”
“Enough,” you spit out, interrupting him. Dazai wants to believe that it’s because you can see how uncomfortable he’s getting, but he’s not even sure that you care. He’s not even sure you remember he’s in the room. “Get to the point. You think he’s the Tsushima kid we missed—that doesn’t prove shit. It doesn’t mean-”
You don’t finish what you’re going to say, but you do look at him, and Dazai’s breath catches when his gaze finally meets yours again. He can’t tell what you’re thinking—the expression on your face is entirely indecipherable, something caught between being accusatory and guilty. Dazai doesn’t know if he’s going to make it out of this room alive. Even if by some miracle, you decide to believe him, there’s a good chance that Mori will order his death anyway, and he’s not sure if you’ll pick him over the Port Mafia.
That being said, Dazai doesn’t even know if he wants to make it out of here alive. His brain is fogged with memories that he locked so deep within him that they never should’ve resurfaced—every time Mori speaks, Dazai’s recalling something new, something awful, something that proves that he’s every bit the freak people have always claimed him to be. Every bit as bad. Every bit as wrong. Not like other people. A monster whose mother killed herself because of him, a monster who's been cursed since the day he was born.
“... blood is black, cursed… nothing good comes from associating with those people.”
More than that, he doesn’t see how the two of you are going to be able to come back from this, and that scares him more than anything. You’re the only good thing left in his life, and he doesn’t think he’ll make it without you, but he doesn’t think that after all of this things are just going to work out. You killed his siblings. His cousins. And yeah, Dazai was never close to them—they thought he was too quiet, too strange, all of the things that the other students at school whispered, his family was the first to—but… they were still his family, and if Dazai had been in his room that night, he would’ve been just as dead at your hands as the rest of them.
You killed his family. You would have killed him. The Port Mafia is the reason his mother killed herself, the reason why he walked into her bedroom and saw her hanging from a fan. The Port Mafia is the reason his aunt hated him so much that she couldn’t even bear looking at him, the reason why he was left to die in Suribachi City.
Would you ever be able to get over the guilt of that? Would Dazai be able to accept it? You had a heavy hand in ruining his life, is it enough that you saved him years later? He doesn’t know, he’s hardly even processed it, he just knows that he has to cling to what little he has left, dig his nails in and not let go even if it makes you choke on guilt, even if it makes him sick with shame. He won’t let go.
“So impatient,” Mori sighs. “Your aunt hid you for almost another half a year, but she wasn’t able to move out of the Yokohama area. She did well though, I’ll give her that. We had our best trying to find you, but she was very careful. It was partially our own fault that we didn’t get our hands on you back then—some loyalists to your grandfather snuck under our radar, told her when we were closing in on the two of you. She got rid of you before we got to her… but we did get to her. Kouyou-kun was the one who handled her, if I recall it got quite… messy. I can’t imagine how it must feel knowing that your mother and aunt sacrificed themselves to protect you only for you to throw it all away in an arrogant attempt to reclaim your grandfather’s legacy.”
Dazai doesn’t even zero in on the last bit of what Mori says because he’s too busy trying to wrap his head around the rest of it. Aunt Kiye didn’t… die for him. Aunt Kiye hated him. He remembers that clear enough—he remembers how she could hardly stand to look at him, he remembers the way she was always so cold and rough with him, he remembers-
“You have to go, Osamu.” Aunt Kiye is shouting at him, and he’s sitting in the passenger seat of her car. He doesn’t move, he thinks maybe if he sits still enough, she won’t see him there and won’t make him leave. “Osamu, get out of the car and go, we don’t have time! They’ve found us.”
The name is still unfamiliar—he’s not used to it, and he doesn’t know if he likes it, but Aunt Kiye insists that Tsushima Shuji is dead and that name can never be uttered again. She gets mad when he doesn’t immediately answer to it, tells him not to let his mother’s death be in vain, and that’s usually enough to get him to stop being stubborn over it.
“Osamu, go!” She grabs his bicep hard to try to get his attention, but he flinches and squirms out of her grip, still not responding to her. He can’t remember the last time he’s spoken—he thinks maybe since they left the cabin that morning. “You-”
Aunt Kiye sounds angry now, but he can’t bring himself to look at her. It’s only when he hears her unbuckle and feels her start reaching over him that he starts to panic. He reaches up to grab her bicep, trying to stop her from grabbing the handle of the door to open it, but she’s stronger than him. He’s hardly been eating lately, and he’s never been particularly strong—he was always the smallest among his siblings.
It takes no effort for her to bat his hands away, pushing open the door and unbuckling his seatbelt. He struggles against her as she tries to push him out of the car, and she’s still speaking—shouting at him, begging him, he thinks she might be crying too, but he can’t even tell. His mind is fogged with panic and fear—he doesn’t want to be alone in Suribachi City, he doesn’t want to be alone at all. He wants to stay with Aunt Kiye even if she hates him because he doesn’t want to be alone.
Eventually, Aunt Kiye wins the fight—even with him fighting tooth and nail, she manages to push him out of the car. He hits the ground hard, gasping when he lands poorly on his elbow. He’s stunned for a moment by the shock and pain, and Aunt Kiye takes the chance to toss out a backpack from the back seat and close the door behind him, locking it quickly.
“No!” His voice is raspy from lack of use over the past few months. He scrambles to his feet and tries to pry the door open but can’t. Aunt Kiye won’t even look at him, she stares ahead as she switches the car into gear and he slams his hands against the window. “Aunt Kiye! Aunt Kiye, don’t leave me here! Don’t leave me here, please, I’ll be better, I’ll do better, just don’t-”
He stumbles back as she pulls the car away, falling when he trips over the backpack onto the asphalt, scraping up his hands and forearms. He’s not sure how long he sits there staring after where the car disappeared waiting for her to come back for him.
She doesn’t.
She didn’t die for him, Dazai thinks again, nails digging crescents into his palm. She didn’t die for him, she couldn’t have. Dazai won’t believe it. Aunt Kiye hated him, she abandoned him in Suribachi—none of this can be true. It can’t. His mother killed herself to be free of him, not to protect him; and Aunt Kiye abandoned him because she hated him, not to save him.
That’s the truth. It has to be. They couldn’t have died for him—for him. It doesn’t make any sense. He doesn’t want to remember all of this—he was better off thinking that they hated him, that they wanted to be free of him.
He can feel you looking at him now, but Dazai is back to being unable to look at you. He’s staring down at the glass table looking at his reflection, his eyes are wide and dark and far too black—he looks warped, inhuman almost. His expression is blank, none of the turmoil within him is reflected on it, and he doesn’t even understand why. He thinks it’s probably just making him seem more guilty.
“We figured she left you somewhere in Suribachi City, but we weren’t able to track you down,” Mori says flippantly. Dazai wants him to stop talking, but he has a sick feeling things are only going to get worse from here. “Not until you ended up with Oda Sakunosuke, at least, we…”
Dazai’s ears ring at his old friend’s name. Mori is still talking, but his words become a distant buzz. Everything starts coming back to him at once—his time alone in Suribachi City, the weeks he spent rationing the little food he had, getting the shit kicked out of him by some low rung gang who stole his mother’s ring from him. He remembers giving up, questioning the point of his own existence with a detached logic that left him with only one answer—there was no point to his existence, so he was as good dead as he was alive.
He remembers seeing on a sign that it was the eve of his fifteenth birthday, and he remembers dropping himself in the bay during a storm, hoping that the tide dragged him so far beneath the surface that he’d never see the light of day again.
He remembers waking up the next morning to an unfamiliar face at his bedside, brows knit in disapproval and lips turned down, and he distinctly remembers feeling put out by a stranger looking at him that way.
“What’s your name, kid?”
Dazai couldn’t remember anything but the name Aunt Kiye had drilled into him over and over again the past few months.
“Dazai Osamu.”
“Hm. Oda Sakunosuke. You got a family, Dazai?
Odasaku brought him in.
Odasaku saved him.
The doctors said he’d been dead for almost three minutes when Odasaku found him washed up on the beach—said his memory might return over time, but it might not—but Dazai didn’t even care, because Odasaku brought him in. He gave him a roof over his head, food to eat, and a reason to live. He sent him to school so he could feel like a normal kid his age. He played board games with him and didn’t even care when Dazai was a sore loser and quit mid-game when he realized he wouldn’t win. He humored Dazai when he faked being sick because he didn’t want to go to school. When Dazai was going through bad depressive episodes, Odasaku would sit with him silently and write his book so Dazai never felt alone. Odasaku introduced him to Ango and they were-
They were his friends.
Family, maybe.
They were all he had, and they were all he needed.
And then-
“We were the ones who killed him.”
Dazai’s gaze drags up from the table to focus on Mori. The man’s lips are curved into a cruel smile, his eyes are sharp, and Dazai is moving before he can stop himself. He lunges across the table, but Mori doesn’t even flinch because Nakahara Chuuya grabs the back of his shirt and yanks him back down into his seat.
“You-” Dazai spits, voice raspy and angry.
“Don’t look at me like that, we were trying to get to you,” Mori says casually as if the words don’t shatter Dazai’s entire world. “We would’ve loved to have Oda Sakunosuke amongst our ranks. His death was unfortunate. Collateral damage. He was an assassin for a long time—one of the best in the world. He was pretty much unkillable, his ability allowed him to see six seconds into the future. I never understood how our sniper managed to get him that day, but now I do. He saw you getting shot with his foresight and tried to pull you out of the way, but your ability is nullification, so when he touched you to save you, he damned himself. In those split seconds when he was pulling you to safety, he couldn’t see the future, and couldn’t see the bullets aimed for you that lodged into his chest instead.”
Dazai can’t do this anymore. He tries to push himself up to his feet but his legs are numb and uncooperative, and he can’t move his hands or arms. Mori’s lips part to continue speaking but Dazai can’t do this, he can’t hear anymore of this. He’d always known in his heart that Odasaku’s death was his fault even if he couldn’t remember much about his mother and Aunt Kiye and their desperate attempts to hide him from the Port Mafia. He’d known, but hearing it-hearing the confirmation, it’s too much for him.
Before Mori can say anything, Dazai is startled from his spiraling thoughts when you stand up so abruptly that your chair goes flying back. Your expression is haunted and you’re not looking at him again, but Dazai is glad for it, because he thinks he’s about to throw up.
“I… I need a minute. I just need a minute,” you say shakily before fleeing the room into Mori’s office so quickly that you almost trip over the chair you knocked over.
The room is silent in your wake, and after a few impossibly long moments, Mori stands to follow you into the other room. The three Port Mafia executives left in the room don’t say anything for a moment, and Dazai is just trying to breathe. He’s trying to breathe and process what Mori just said, but he’s failing miserably at it.
It’s the woman, Kouyou, who speaks first.
“She’s going to kill me for knowing about this,” she says simply, sparing a glance down at the dead body on her opposite side. “I’ve never seen her like this before. Even when Chuuya-kun went missing for a few days, this…”
“Well, maybe you shouldn’t have conspired against her,” Piano Man sings, looking entirely unperturbed. “I mean honestly, after what the previous boss did to you, I would’ve thought you’d be more sympathetic. Silly me to think you aren’t a cold-hearted bitch.”
Dazai tries to pay attention to what they’re saying, he tries to ground himself with the conversation happening so he can forget the feeling of Odasaku’s blood all over his hands, staining his clothes, smeared on his face. He tries to replace Mori’s echoing words with what they’re saying but he can’t.
“We were trying to get to you.”
“It has nothing to do with sympathy,” Kouyou snaps, but she does look ashamed. “It’s a security threat, it’s bigger than love. This boy could spell the end of everything we’ve built.”
“She won’t kill you, Ane-san,” Chuuya finally speaks up, his knuckles are tight around the armrest of the chair he’s sitting in. “I’ll talk to her, I just-”
“When he touched you to save you, he damned himself.”
“Chuuya-kun, she almost killed you,” Kouyou says so dryly that the words almost don’t even register to Dazai, but when they do, they’re the only thing that effectively draws him from his spiraling thoughts. He looks at Chuuya sharply to see if what Kouyou said was true, and his eyes widen when he only grimaces and looks down. “You and Piano Man. She didn’t even hesitate before pulling the trigger on Ace. She’s unstable right now, there’s no talking to her.”
“But she didn’t,” Chuuya says tightly. “I’ll talk to her, but first…”
Chuuya looks at Dazai so suddenly that he almost wants to snap his head away and ignore him, but he can’t. The ginger studies Dazai so intensely that it makes him want to crawl out of his own skin.
“Did you know?” Chuuya asks, voice low. He’s angry, Dazai can tell from the way a dark red color starts to flicker around his hands, but he’s trying to keep it together. “Tell me. Did you know who she was and use her to get closer to the Mafia for revenge? I’ll spare her the pain of having to put a bullet through your fucking head and kill you myself right now. Did you know who she was and purposely-”
“No,” Dazai interrupts, voice hoarse. “No. I didn’t-I didn’t know.”
Chuuya stares at him for a few seconds, studying him like he doesn’t know if he actually believes him, but after what feels like an eternity, he finally shakes his head and looks away, rubbing his face with his hands.
“Fuck, this is such a mess,” Chuuya breathes out, voice strained. “Fuck. She-”
Chuuya doesn’t finish his sentence because the door to Mori’s office reopens and you step back into the room, Mori at your heels. Your eyes are red, but your expression is withdrawn now, void of the tumultuous emotions that had been raging across it just a few minutes before. You settle back in your seat. Your eyes flit over Dazai like he’s not even there before focusing on Mori.
Dazai suddenly has a bad feeling.
“I’m not quite sure how you escaped us after that,” Mori continues where he left off, and Dazai is so sick of the man’s voice that he almost wants to rip his own ears off. “Probably Sakaguchi-san from the SDUP, I recall him and Oda-san being close… but that brings us to the present, doesn’t it? Four years later, you stumble into our lovely hime… Come, dear, let me tell you my running theory, and you tell me how accurate I am, yeah?”
Mori is looking at you now, eyes glittering as he waits for your response. Dazai has his own serious issues with the man, but he thinks it’s sick the way he’s enjoying your clear discomfort and increasing distress. Your jaw tightens a bit, but you nod, signaling for Mori to speak. Dazai’s nails dig into his pants as he waits for Mori to continue. Neither of you look at him, and Dazai’s lips part to speak so he can preemptively deny whatever Mori is about to accuse him of, but he can’t push a single word out.
“Your first meeting with him wasn’t by chance. A cafe, maybe… a bar?” Mori offers, watching your face carefully for a reason. You look away at the second option, and the man’s lips curve up. “A bar, then. One you frequent, I bet. The one in Hodogaya-ku, perhaps? Your first meeting, but not Shuji-kun’s first time seeing you. Ui Koutarou—his journalism professor at YNU—wrote his first article implicating the Mori Corporation’s connection with the Port Mafia in February of this year, around a month before rising fourth year students register for classes. Shuji-kun, naturally, has been following anything related to the Port Mafia closely, so when he sees a class being offered in the fall by the same man who has been openly targeting the Port Mafia, he sees an opportunity and signs up for the class.”
No, Dazai tries to say. His lips form the word, but the sound doesn’t come from his lips. No. No, no, no, no. You look haunted suddenly, and Dazai remembers the argument he had with you during the government event in Tokyo. How cold and withdrawn you’d become. How when he confronted you next, you accused him of working with Ui Koutarou and blackmailing you for money. Mori is reigniting all of the initial fears you once had.
“Ui-san has had his sights set on you for quite a while, dear. You don’t need me to tell you that, you’re very well aware of the man’s hatred of you… When Shuji-kun started classes in the fall, Ui-san roped him into his plans, and you became his project. That wretched man had many documents on you. I had the Black Lizards raid his apartment after we captured him—most were harmless, detailing places you frequented and people seen around you, but when Shuji-kun became involved, he started using that information to manufacture meetings between you. I imagine that after you met him that first time, he started appearing around you rather regularly. Bump-ins at that cafe you like in Minami-ku, on the streets—he even started renting an apartment on property that we own after he realized the opportunity he had with Ui… he’s only been living there since the summer, you know?”
His last apartment wasn’t close enough to the school, Dazai wants to argue desperately. He’d been lucky that a cheap apartment opened up in Hodogaya-ku before the semester started—he’s been trying to get one since his first year. It has nothing to do with-
Dazai suddenly feels nauseous again, everything is spinning around him—he still hears Aunt Kiye screaming at him, he still hears the creaking of the rope his mother hung himself on, he still hears Mori’s confirming that Odasaku’s death was his fault. And now this, and you’re not looking at him again, and he’s not saying anything, why isn’t he saying anything? Why isn’t he denying this?
“He attached himself to you quickly, didn’t he?” Mori asks rhetorically. “Too quickly, I’m sure you had doubts—not even your ability makes people reliant on you as swift as he became. How long did it take for him to start prying for information? Trying to make you slip up and implicate yourself with the Mafia? Confess yourself as an ability user?”
The night of the earthquake when you showed up at his apartment, he remembers dizzily. He started pressing you on your political opinion because he remembered Ui saying that all of the criminal syndicates in Japan are going to do whatever it takes to prevent the military bill from passing. But he wasn’t… doing it to prove anything? He just wanted to know more about you, he was curious, he was finally putting the mystery that you are together. It wasn’t malicious—he just wanted to know you. That’s all it ever was, he’s only ever wanted to know you.
“When did you tell him about your ability? More about our organization? Around when the Guild started making their move in Yokohama, I’m sure. He never told you about his ability until his hand was forced. In fact, I’m willing to bet he lied and said he didn’t know he had one, but tell me, do you really think an assassin of the caliber of Oda Sakunosuke would not realize his ward had an ability that negated his own? That he wouldn’t be trained in how to use it… Most importantly, if all of this wasn’t a scheme of revenge—if he really did love you—then why did he never get rid of the flash drive that contained the proof that his journalism house published? The proof that got you thrown in prison?”
You’re crying.
Dazai’s throat swells when he sees the tears silently tracking over your cheeks. At once, he realizes that he’s never seen you cry before; he itches to reach over to you, to grab your hand or wipe away the tears. He doesn’t—partially because he doesn’t think he could move if he tried, but mostly because he knows that he’s the reason you’re crying.
He wants to assure you that none of this is true. He had nothing to do with the Guild—they kidnapped him for fuck’s sake. He didn’t know about his ability, he didn’t even know Odasaku was an assassin. And he was just… careless with the flash drive, and he shouldn’t have been, but there was always so much going on, and he was so new to having someone in his life that really loved him that he was quick to bask in it and forget everything else.
He doesn’t assure you of anything, instead he watches as Mori reaches out to do what Dazai wants to do. He brushes away your tears and turns your face to look at him, a disgustingly sympathetic look on his face.
“I know you were eager to believe that someone could love you without your ability at work influencing them, dear,” Mori murmurs, “but people like us will never find a love that pure. There will always be other factors at work sullying it—wealth, revenge, threats. You understand now what this was, don’t you?”
No, Dazai wants to scream at you. He does love you, this wasn’t some ridiculous revenge plot for family he hardly remembered until this meeting, that-
“I do.”
Dazai finally is able to make a noise when those two words leave your lips. It’s weak—something caught between a wheeze and a whimper that sounds too loud in the silent room. He feels eyes on him—Chuuya and Kouyou’s in particular. Not yours. You stare down at the table.
“Ogai-dono,” Kouyou clears her throat. “If I may… perhaps we could… send the boy away. Abroad. Ensure he never comes back to Japan so we don’t have to risk him coming back and disrupting things.”
“We could give him a seat at the table,” Chuuya interrupts, ignoring the wide-eyed look both Kouyou and Piano Man give him because of the radical idea. “We’re down an executive anyway. We tell people who he is, that he supports the new regime. It’s what you wanted to begin with, right, boss? You wanted one of the grandchildren to legitimize the passing of power. We could make it work.”
“It’s too risky.” Mori isn’t the one to speak, Piano Man is, but he doesn’t look happy to do it. “Maybe back then it could’ve worked, but the Port Mafia killed his friends and family, and hunted him down. Too much has happened, he’s an unpredictable variable that we can’t risk. We can’t trust that he’ll just accept it all, that he won’t work behind the scenes to take us down. Giving him any leverage in the organization is the last thing we should do, but what Kouyou-”
“Leave him alive and we risk everything we’ve built falling apart—a civil war igniting, Yokohama being caught in the crossfires and all of our foreign enemies crawling into the city to reap the benefits of our fall. It’s one life or hundreds—thousands, even,” Mori interrupts, voice cool. He turns his gaze onto you. “I trust you know what has to be done, dear.”
Your expression is resolved, a heavy emotion in your eyes that tells him your answer before you even speak. “Yeah, I know.”
You stand up, and Dazai knows that it’s over. When you look down at him, it’s with a type of apathy that makes his stomach twist—he’d rather hate than nothing. His lips part to speak but he pauses when you shake your head slightly, so subtly that he almost doesn’t even notice it.
“Get up,” you say flatly, and then glance at Chuuya. “Chuuya, will you…?”
“Yeah,” Chuuya replies without you even needing to finish the question. His voice is hoarse, he looks more than a little disturbed. “Yeah. Of course.”
Chuuya rises to his feet and then grabs Dazai’s bicep to pull him up to his feet too. Dazai doesn’t even have the heart to give him a dirty look in response, following along as he leads him out of the conference room and into the hallway.
For a split second, Dazai really believes that maybe you’re just trying to fool Mori, you made him think you were taking Dazai to have him killed so that you can get him out of here safely, but even once you’re out of the conference room without Mori’s eyes carefully watching you, you don’t look at him.
“Get one of the clean up crews up here,” you tell one of the guards waiting in the hall instead as you frown at your phone, typing out a quick text to someone. You pointedly ignore how alarmed they are by the offhand comment to click on the button to the elevator.
When you look back at the two of them, it’s not to look at Dazai—it’s to look at Chuuya. The two of you are having a conversation, Dazai can tell that much, and he thinks that maybe he should be putting in the effort to figure out what’s going on, what you have planned, but he’s just… tired. He’s not even sure if he cares what happens to him anymore, and he figures the worst case scenario is that he dies at your hands, and of all of the ways he could go, he thinks that would be the most preferable, because at least you would be the last thing he saw.
He doesn’t try to speak again until the three of you are in the elevator and the doors have closed.
“I-”
“Stop.”
Dazai is startled by the sharpness in your voice. He looks at you, but you’re still not looking at him, your lips are curved down as you stare at your phone, typing furiously. He glances up into the left corner of the elevator, noticing the cameras—maybe that’s why, he thinks a bit unsurely, deciding to stay quiet until out of the building.
When the elevator doors open, it’s Chuuya that urges him to keep walking by nudging his shoulder. You don’t touch him, don’t look at him. There’s nobody in the main entrance of the building, which Dazai thinks is a bit odd, but he bites back any comments he might have when he sees a black car waiting outside the building.
The doors to the building open at your approach, and Dazai inhales the crisp, fresh air greedily, not even having realized how stifled he’d felt in that room with Mori, you, and the other Port Mafia executives. He thinks maybe that you’ll sit in the backseat with him and he’ll finally be able to talk to you, but you don’t. You open the door to the passenger seat and sit there without even sparing him a glance.
Dazai’s throat starts to swell again, stopping in his tracks as he stares at where you disappeared behind the car door. Chuuya pushes him forward, not letting him linger for long—he opens the door to the backseat and pretty much manhandles Dazai into the car before taking a seat next to him.
He recognizes the person at the wheel—Albatross, your friend. He’s driven you and Dazai around before, every time Dazai gets in the car with him, he makes a sharp comment aimed to embarrass you in some manner. This time, he doesn’t even look at Dazai through the rearview mirror. He just puts the car in gear and starts driving.
A pit starts to form in Dazai’s stomach. Dazai tries to initiate conversation with you again now that you’re outside of the Port Mafia headquarters within closed quarters, nails scraping against his pants as he decides what he wants to say.
“I d-”
“Stop.”
When you cut him off now, Dazai’s stomach flips. He stares at the side of your face, trying to understand why you won’t even listen to him. You can’t actually believe what Mori was saying, you can’t. You were faking him out, tricking him into thinking you fell for it—you had to be, you have to be. You can’t possibly believe him.
“You won’t… even hear me out?” Dazai asks you quietly.
“There’s nothing left to say.”
Oh, Dazai thinks to himself, withdrawing. He stares at you for a moment before turning away stiffly, expression tight and strained as he stares out the window, watching the buildings pass by as they get closer and closer to the ports.
You believe it, he realizes dully. You believe that it was all just a scheme. You believe that everything was manufactured, that he used you for some fantastical revenge plan, that he never loved you. You believe it.
But it doesn’t make sense, he thinks desperately. He doesn’t understand how you’re not seeing through it, and if you are, why aren’t you at least giving him some hint? He should try to say something again—he knows that, but he finds himself unable to. He’s a smooth-talker, quick on his feet, but never when it comes to you—since the day he met you, he’s been fumbling over words awkwardly, but now it’s costing him everything. He finds ash in his mouth preventing him from salvaging anything he might’ve had with you.
Dig your nails in and cling, he reminds himself, but his nails have become rounded out and blunted from how long he was scratching at his pants and skin while remembering all those memories he locked away. He tries to dig his nails in and cling, but his voice fails him and his nails can’t even find purchase on your skin, you slip out of his hands as easily as an eel.
He’s going to lose you. He might’ve lost you already.
Dazai thinks that’s worse than the realization that he really might be about to die.
The car comes to a stop much quicker than Dazai had hoped, and he stiffens when you waste no time before getting out of the car. He makes no move to join you outside, and Chuuya sighs next to him.
“Get out,” Chuuya says flatly. When Dazai doesn’t budge again, Chuuya snaps, “Get out of the car-”
“-and go, we don’t have time! They’ve found us.”
Dazai draws his knees to his chest, breath becoming a bit labored as his aunt’s voice echoes in his ears. He doesn’t even realize that Chuuya has gotten out of the car until Dazai’s car door is pried open. For a split second, he confuses the executive with his aunt as he’s yanked out of the car—he’s fourteen again and being abandoned by the only person he has left, and he can just barely bite back the “don’t leave me here!” that almost spills from his lips as his knees hit the ground hard.
Dazai is instantly hit with a thick scent that makes him gag. It’s noxious, almost entirely unbearable, clogs his throat to the point he almost struggles to breathe—a blend of rot, acrid chemicals, and something he doesn’t recognize, but it’s sickeningly sweet. As he pushes himself to his feet, he notices you pass your gun over to Chuuya, but in that moment, Dazai is more concerned with figuring out where he is, and when he does, his stomach drops.
The dumping grounds by ports stretch endlessly under the heavy, overcast sky. Mounds of trash rose like grotesque hills patched with scraps of torn plastic and suspicious lumps that Dazai doesn’t have to get close to know what they are. The ground is uneven and treacherous—a mix of sticky mud and sharp shards of discarded glass and plastic, and pools of murky water shimmering with oil slicks.
It’s disgusting, and Dazai has a feeling it might be his final resting place.
He trails over to the side of the road and his gaze tracks down to the ground directly below him. It’s not a far drop, hardly a foot or two, and certainly less gross than some of the other parts of the area, but that’s a low bar to meet. He tears his eyes away from the scenery around him to look back at you, lips parted to speak but he doesn’t say anything.
You’re leaning against the front of the car, watching him with an expression that Dazai can’t describe. Sad, maybe, resigned. Chuuya is back in the car, from what Dazai can tell, he's still fiddling with your gun—he wonders if this is his way of letting the two of you say goodbye in private.
“I do love you,” Dazai says. His voice cracks over the words. “No ulterior motives. No schemes. I just loved you. Love you.”
You don’t say anything for a moment, eyes drawing from him somewhere over to the side like you’re looking for something, but after a moment, you look back at him, your face a little softer than it was before.
“I know,” you tell him quietly. “I know, Osamu.”
Dazai’s lips part to say something back—he doesn’t even know what he wants to say, because confusion fogs his mind. If you know, then why-
Why are you doing this?
He doesn’t get the chance to ask. The car door opens and Chuuya steps back out, he passes your gun back to you and Dazai sees you subtly slide something into his hand too, but he can’t tell what it is. You sigh as you look down at the gun before looking back up at him again, he holds his breath as you make your way closer to him.
His lashes flutter shut, expecting to feel the cool barrel of the gun against his forehead, but his breath hitches when he instead feels the familiar warmth of your hand cradling his cheek. Your fingertips are flaked with Ace’s dried blood, but Dazai still leans into your touch, eyes sliding back open to look at you.
Up close, your expression is twisted with regret and… is that fear? Dazai can’t tell, he doesn’t care, he’s more preoccupied with memorizing the image of you before he runs out of time to.
“Forgive me,” you whisper so faintly that Dazai almost doesn’t hear you.
“I do,” he replies just as softly.
Your face crumbles as you look away. You take a step away from him, and your hand drops down from his face. Dazai instantly mourns the loss. You let out a heavy, shaky breath, sparing one last look down at the gun in your hand, one to Chuuya who stands half a step behind you, and then you look at Dazai again.
“Forgive me,” you say again, this time as you lift the gun—your voice is raspy, breath uneven.
Your fingers tremble so violently that the whole gun is unsteady, but Dazai doesn’t even care to look at it, gaze focused on your face instead.
“I do,” Dazai repeats.
You pull the trigger.
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𝔖𝔬𝔪𝔢 𝔖𝔢𝔡𝔲𝔠𝔱𝔦𝔳𝔢 𝔓𝔩𝔞𝔠𝔢𝔪𝔢𝔫𝔱𝔰
Lilith aspecting Moon
This is a very powerful placement for women specifically. The moon, which is your emotions, connected to the unconscious self, habits, comfort and femininity is connected to the point in your chart that is powerful and dark, a part fuelled by pain, and all about transmutation. These woman often have a very intriguing essence about them. Strong and seductive. It's like you are playing with fire. She enjoys being a little off putting and knows exactly how to be enticing yet intimidating all in one.
Neptune/Venus/Pluto in the 3rd House
The third house is often overlooked when people are speaking on seduction and sex appeal in astrology. People are so focused on visual they miss a key point. Seduction includes all the senses. Someone being beautiful doesn't necessarily mean they are seductive. It's the way someone moves, speaks, the things they say and don't say, how they hold themselves along with present themselves. It's subtle.
This brings me to why the third house comes into play. It inductees how we communicate. As mentioned words can be very seductive. Having planets like Neptune and Venus will give someone a sweet and sensual demeanour when talking. Neptune is very receptive and often these people are incredible at being able to asses the needs of the person they are taking to, it's a very intuitive placement. Neptune is also all about fantasy. Playing into a role you project onto them.
Pluto in the third's seductive tactics are centred around power snd control. Manipulation if you will - not always in the worst sense. They are good at digging for information getting to the base of the persons psyche that they are speaking to. Once again it's about understanding the people around them. You can see how Neptune and Pluto have this in common but the way they use this is different.
Scorpio Rising
I feel like you guys know this one has to be mentioned. And I am sure I have written about this before. However I feel it's important to explain why this rising sign specifically holds such seductive energy. I often hear people talk about their eyes, which is very true. But it goes much deeper than just appearance. Scorpio naturally rules over the 8th house, a house that is very deep and dark. It's shrouded by mystery and taboo, along with being a sexually charged house. Now think about all of these themes being brought into the 1st house. Being at the forefront of someones being in not only the way they look, but they way they carry themselves and interact with the world around them. It's very provocative energy.
But there is more. Though people may assume that because of this scorpios may give off an overt sexual energy, its not quite as obvious one one may think. Whilst there is this air of sex appeal around them, this often doesn't come from being so open and bold about these things, but rather from holding a little something back. As we know scorpio is about the things below the surface, secrets, privacy. This creates a dynamic where people can sense this energy, however they must peel back the layers and investigate more to truly see what these people are like. This can create a push and pull, a little bit of an enigma. It piques the intrigue of people and encourages the chase.
Mercury quintile/Bi-quintile Mars, Pluto or Neptune & Lilith in some cases
Very similar to the previously mentioned third house, Mercury rules over communication, along wit the way we think and process things. Having a quintile or Bi-quintile aspecting mercury it shows us that someone has a particular skill around communication. I have already explained why having Pluto and Neptune connected to areas of your chart dealing with communication creates seduction.
I also included Mars, as Mars is a planet of strategy. Often working towards a goal these people like to win, and are very good at 'winning people over' in conversation. Mars is more of a dominant planet so domination is a tactic often used by these people. Sometimes being commanded is sexy. These people speak strongly which is sexy.
The reason why I put Lilith as a case by case aspect is because as we know, Lilith often states as a place of wounding in a natal chart. It's only after someone has healed those wounds and understood the source of power that that area of their chart is with Lilith sitting there that they can truly start to embody and experience this. Though I will say having Lilith in a quintile or Bi-quintile is often easier. When developed Lilith is a very untamed energy, a little wild and unpredictable. Two traits that are extremely enticing.
Thank you all for reading my loves,
Pureastrowisdom x
Also a quick notice - I have a TikTok account under the name of
.plutonian.priestess
I would love if you would go and follow me on there too where I can post more image based content and eventually go into video style content too.
I am thinking of putting a face to my name and my account as I want you guys to see the person behind my work
#astrology blog#astro notes#astrology#astro observations#astro community#astroblr#natal chart#astro tumblr#lilith asteroid#lilith astrology#scorpio rising#mercury aspects#mercury astrology#third house astrology#3rd house#pluto in astrology#lilith aspects#moon aspects
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noise complaints (part 2)
A/N: Fine you gay people win. Here’s part two… sorry if it’s horrible, I am NOT a writer and I did NOT spellcheck this. Also I now realize she was technically going by Agnes at the time bc she was still under the spell when she was in her cop era… too lazy late to fix it ❤️
Summary: After Agatha finds you and Rio outside of the party she busted surrounded by two guys from your high school, she feels she has a few lessons to teach you two. (Reading part one is highly suggested!)
Warnings: smut, strap-on use, degradation and praise, vouyerism, impact play, fingering, oral, punishment, mean!Agatha, gunplay if you squint and spin three times, orgasm denial, bondage, masturbation, Rio being too bratty for her own good, use of “Y/N”, I don’t know if I can be more specific than this, it’s filth!
Pairing: Older!Cop!Dom!Agatha x Younger!Sub!R x Brat!Sub!Rio
NSFW below the cut MDNI!
After the cruel scolding that was sure to be only the beginning of the harsh words you and Rio would face that night, Agatha drags the two of you back to her patrol car by your wrists. You stumbled over your feet, trying your hardest to keep up with your furious girlfriend; Meanwhile Rio dragged her feet along reluctantly, trying desperately to keep up her careless, tough exterior and get a rise out of the cop.
Rio is thrown into the passenger side of the car, her hair nearly caught in the door as Agatha slams it, leading you towards the back door.
“At least one of my sluts is eager to please… Keep it up and maybe you can get what you want tonight.” She shouts the last part, addressing you, but directing the comment towards your brattier counterpart, who was now fidgeting in the front seat.
Agatha gets in the car, starting it up and taking off on the short ride back to your shared home. Rio’s placement in the front of the car was meant to keep her in check, keep her in Agatha’s direct line of vision and in close reach for reprimand. Rio had different ideas of how to use her forced proximity.
Your older girlfriend’s breathing had just reached some sort of equilibrium, no longer audibly seething through her breaths alone, when Rio reached over the console and slid her hand into Agatha’s lap. Much to your horror, Agatha just laughs.
“You have no idea what you’re getting yourself into, doll. You have five seconds to take your hand and keep it to yourself before I decide you’ll be sleeping in the guest room for the next week.” Rio, of course, waits until the very end of those five seconds before dragging her hand back across Agatha’s lap, making sure to brush her covered core ever-so-slightly before bringing it back to her side of the console to pout. You shudder under the reflection of Agatha’s hooded gaze in the rear view mirror as she grinds her teeth down against each other in a fiery frustration.
The silence and tension grows more and more palpable as the drive comes to an end when Agatha throws the cruiser into park at the top of your driveway, right next to Rio’s precious bike. She wasn’t exactly being careful to swerve away from it.
Before you could even think of reaching for your door handle, it was thrown open and you and Rio were being forced into the home. You were at the front, being pushed into the house by Agatha’s right hand, which was tangled in your hair and gripping it into a ponytail. Rio was being dragged in the back by Agatha’s tight grip on her ear. If you didn’t know better, you’d be giggling at the way the slightly taller girl resembled a misbehaving child being scolded by her upset mother. If Rio knew better, she wouldn’t have acted like a misbehaving child.
It was clearly too late for this when Agatha practically tossed you two into the house, all in the same manner as you’d seen her do with her bags after a long day at work. She ran her tongue between her top teeth and her top lip as she looked you and your girlfriend up and down, almost as if deciding between a library of options for how to deal with the two of you.
“Both of you, go to my room now and be ready for me in the next minute… Y/N, pick something pretty out from my drawer, would you, hun?” With that, she had decided.
As you and Rio made your way into your bedroom and Rio made her way to the edge of the bed, you slid the drawer open and instinctively grabbed your favorite from the assortment, a small and quiet but powerful bullet that Agatha could control from her phone. You were hoping she’d use it on you again, but there was no point in asking once she walked in, because it would almost surely earn you the exact opposite.
She walks in to find you sitting on your heels at the same spot at the edge of the bed where Rio sat, manspreading and fidgeting with the seam on her shirt. She takes the small purple toy from your hands and kisses the top of your head, a chillingly gentle gesture in contrast with her bubbling anger that night. Her hand slips from the side of your jaw to the underside of your chin, tilting your head up just a bit so that you were looking up and meeting her eyes with your own. “Such a good choice, sweet girl.”
She then turns to Rio, who hasn’t yet given up her false tough demeanor. “Kiss her. How you were before I walked in early tonight. Pretend I’m not even here, and God help you if you hold back even the slightest bit.” With that, she sat down in the large armchair directly in the eye line from where you sat.
Rio smiles slyly and slides her hands into the back of your head, tangling her digits in your hair as she meets your lips with her own. Your own hands, shaking, find her hips as she deepens the kiss and straddles you as you’re still sitting on your knees with rigid posture that reflects your nervousness outwardly. When you finally melt into her touch the slightest bit, losing yourself in her confident dominance, you hear Agatha stand and are suddenly enveloped in her shadow as Rio is yanking away from you.
Or rather, being yanked away. You note Agatha’s grip around Rio’s waves as she speaks in an even more gravely voice than usual, “That was your final chance to prove yourself as something more than a greedy bitch. Get in the chair.”
She swallows, devoid of any of the dominance from seconds prior, and climbs into the chair Agatha had just risen from. The latter takes Rio’s seat next to you, but lifts you onto her lap with your right leg slotted between her own, your center falling onto the top of her right thigh. Once you could see clearly again as the rush of her rough fingers around your waist simmered the smallest bit, you realized you were sitting on something… hard? and let out an involuntary whisper.
Agatha looks down at where your legs meet and then back at you, grinning like the devil, as Rio writhes in her seat. Agatha immediately clocks the movement from over your shoulder. “If you ever want me to make you come again, you’ll sit still and enjoy the show I’m so generously giving you after your disgusting displays tonight.” Rio reluctantly complies. She returns her attention to you, now digging her fingers into your hips with bruising force, and guides you ever-so-slightly back and forth against the pressure below you. “Agatha?” you breathe out.
“Yeah, angel?” The title almost makes you forget what was supposed to follow your initial words. The hardness below you reminds you quickly. “Are you… did you wear the strap to work?” you nearly whisper, the question barely audible to your other girlfriend, who sat still now and held onto every word from you and the woman below you uttered. “No, baby, try again.”
It seems as if all the blood in your body rushes to your face as you realize that what you were grinding down onto wasn’t the strap you’d been mercilessly filled with time after time, but her patrol weapon. It was mind-blowingly filthy and embarrassing to you, which brought both Agatha and Rio more pleasure than any other act the three of you had carried out together could. “Keep moving those pretty hips, hun. Don’t shy away from being a slut now, it’s a little too late for that.” You bit your lip hard enough to taste the same metallic tang from before you left the same room earlier that night as you hid your blushing face in the crook of the cop’s neck.
“Hey, come back, angel, I’ve got a question for you.” You look up reluctantly, dreading the eye contact you knew she would demand as you spoke. “Yes ma’am.” She chuckled lowly at this, “Oh, what, now you wanna be good for me? Nice try. What I was wondering…. was if you think our greedy girl over there should get to join us.” You look over your shoulder at the desperate woman, your eyes glossing over at the sight of her thighs pressed together so tightly they could surely suffocate you if your head found its way between them as it so often did. You turn back to Agatha and offer only a nod, not trusting your breath to stay loyal to you.
Agatha curled a finger, beckoning your girlfriend over and watching as she scrambled to the bed. “Now, Y/N, do you think I should use this” she held up the toy you’d previously picked out from her collection “on Rio here? Think it’d be fun to see her crumble under the stimulation and forget all about her little stone-cold act?” You nodded quicker than you knew possible. “No, I need words.” You swallow and breathe in shakily, hips still moving on their own accord. “Yes. Please, wanna see.” She just smiles and lifts you off of her leg as she readies her attention on the other girl.
“I think she has to earn it.”
Ok guys this was like… part 1.5, the first half of part 2 of the OG post. The rest of the warnings will apply to the next part if they weren’t in this one, and I’m hoping to have that one out like the middle of next week! LMK what yall wanna see in the next part beside what I have planned :)
Also for those who wanted to be tagged: @sunshine-makes-flowers-grow @wandaslittlelove @babybeeelle @believe-in-magic13 @reeselov3salexvause @ahintofchaos @girlwithissuesworld @lovelyy-moonlight @teenybean @jorddddddddd
#wlw#agathario#kathrynhahn#agatha harkness x reader#agathario x reader#aubrey plaza x reader#agatha harkness x rio vidal x reader
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@professorscrooge:
Additional Propaganda: Satine has raised (or was some kind of parental role to) a nearly model citizen/future politician who wanted to help people, uphold justice, end corruption etc. From what little we see of him, Satine passed her ideals and drive on to Korkie. Jaster trained/traumatised his adopted son into becoming one of the galaxy's biggest war criminals.
@raspberryzingaaa:
#yeah i dont care im still pro jaster lmfao not sorry #listen you also cant actuallu fully judge what their prowess was bc both had circumstances that were being affected by the sith #satine was only allowed to reign for so long because having a weak mandalore was good for palps #also you cant fully decimate a culture and call it ruling. like not even just the armor but everything alse #and its also very hard to tell what is true based on the cartoons bc were all the mandos blue eyed blonde bc of animation reasons? #bc one of the old mando things was adoption and a broad mix of species. #but yeah we cant really/fully tell bc of the sith influences. but imo i think the guy the sith Really didnt want in power might be best #and i am absolutely not a satine hater. i love her and i repect where shes coming from #but also the rep com books were an influential part of my teenage hood (for better or for worse)
(I did promise to share even the arguments that are based in fanon. Sorry.)
@prankprincess123:
#listen - this is quite possibly an actual political debate that (at least part of) mandalore actually had in canon #cause jaster died just a handful of years before satine came to power and was relevant to the circumstances surrounding such #and in an ideal universe youd have the supercomandos and new-mandalorians finding equal ground #and working together to deal with death watch (who ultimately took down both groups and helped blow up the planet) #but jaster is enough of a mess that he was one of the triggers of the civil war that ultimately put satine in charge #and she took this disaster and turned it into a functional government/culture/system and kept it that way for ~20y #and the only reason it didnt stay functional is because *checks notes* the sith decided they dont like her #like how competent of a ruler must you be for the cult thats been trying to destabilize your rule to turn to evil wizards for help #and how much of a widespread force for good must one be to have an evil wizard cult decide that you specifically need to die #satine should win by a landslide
@ironborealis:
#Mereel's reforms were the stepping stones to Satine's succesful rule #But his vision was too small #Satine and Mereel BOTH struggled with corruption inside their ranks #The way she tears off on a speeder to rescue Kenobi in her first episode? #Satine isn't afraid of a fight #she just wants to prevent unnecessary conflicts #some of y'all don't understand the philosophies of nonviolence at all #Satine can be as ruthless as any other Mando #She will not hesitate to fuck someone up #She literally burned a fucking warehouse full of evidence because she wanted to send a message that corruption was not tolerated
FINALE - You might want to read the propaganda this time. Lots of misinfo in fandom on these two in particular.
Remember, this is NOT about who would win in a fight. This is about who makes the best leader for Mandalore as a whole.
Explanation post
Seeding
Propaganda below the cut! You can submit more on this post and I will reblog it back to here! I was going to keep the text-only bits above the readmore, but we got enough in that it takes up more space than I thought.
Yes, I will even reblog the stuff based on fanon, but I will judge you for it.
SATINE KRYZE
Anon: Satine because she served. Mandalorian fashion week would love her. Manda'slay.
Anon: Satine Propaganda: Was supported by the STRONG MAJORITY, led Mandalore to be in peace for NEARLY 20 YEARS, didn't ban mando'a or armour or any part of the culture like fandom claims, is a good fighter, considered EVERY Mandalorian a Mandalorian and didn't discriminate
@lightsaberwieldingdalek: Satine propaganda: she actually ran a functioning government. Not a mercenary band, or a death cult, or a terrorist extremist organisation, an actual functioning government. Yes there was corruption, corruption she did her best to stop to the point of personally getting in firefights with smugglers, but she took a planet devastated by civil war and by the end of her rule she had schools, public works, and a justice system. - Sure, the rest can run military operations (and we don’t know Satine couldn’t, only that she *won’t*) but can they make the bins get emptied regularly to go to the recycling plants?
@lightsaberwieldingdalek: I understand Jaster has the tacticool appeal, and has the iconic armour, but guys. He did an interpretation of some problematic historical values for the more modern day, led a mercenary band, and under unknown circumstances his group started calling him the historical-cultural title of the ruler of their entire cultural group. I know he’s cool looking, and shoots real good, but at most he’s the equivalent of someone who could be a cult leader but doesn’t want to be. - Meanwhile. Satine. You have issues with her ethical code, and she’s not a cool cause she doesn’t wear the armour. And yet she is the one who *actually ran mandalore*. For 20-ish years, and not only kept it stable but built it up from the ruins of civil war! - Yes yes T-helmet cool and military man competence nice, but that cannot equal taking the ruins of a war torn society and turning it into a mostly peaceful (when terrorism happened it was a big shocking deal, not normalised) urbanised people who eat well, have access to luxury and specialised education (get a offworld Jedi to come lecture) and can ACTUALLY BREATH IN THE ATMOSPHERE RUINED BY ALL THE WARLORDS LIKE JASTER TRYING TO FIGHT THE REPUBLIC TO PROVE THEMSELVES.
Anon: Satine propaganda: she knows what the aftermath of war is like. Jaster knows war from a soldier's perspective, a commander's perspective. But Satine knows it from a noncombatant's perspective. She's seen the aftermath and wreckage it leaves behind. Rebuilding after a war takes far longer and likely costs more than the war itself. I don't think Jaster cares about what happens after the battle. But Satine most certainly does.
@archangelsunited: Efficient and long lasting leader of her faction for years, was able to navigate neutrality with the Republic during the Clone Wars. Excellent Hair pieces.
@publiusmaximum: She allowed her society to experience it's first moment of peace and prosperity in a thousand years. - After she was killed, her society was taken over by fascists and gangsters. In short order Mandalore was razed, made uninhabitable, and her people scattered. - Satine was right about everything.
JASTER MEREEL
Anon: Jaster is the one who should rule Mandalore and all Mandalorians, although he started small he searched to make a new code of conduct for Mandalorian bounty hunters, he tries to keep the culture intact yet keep Mandalore progressive and not stuck in the past and from killing each other.
@spacetime1969: He literally rewrote what it means to be Mandalorian, and he created an entire movement around said philosophy that had a good chance of becoming the controlling party of Mandalore if he hadn't been assassinated. What more do you want?
Anon: Jaster for the win, he's the most recent one who actually knows some shit (as much as I love Din Djarin this poor man doesn't know ANYTHING), besides Jango and Boba but they're both very unstable individuals.
@nerdpickle: Jaster, his philosophy perfectly balanced tradition and reform, keeping the best of both worlds, he was also one of the few people chosen by the people
Mereel is a strong and powerful leader. He defeated the traiter Tor Viszla in battle and even took in a poor, orphaned Concordian child after the battle. No more will Mandalore be forced to consider such petty ideals as peace in order to avoid outright war. Instead, we shall be known throughout the galaxy as the greatest mercenaries the galaxy has ever known. Under his rule, we shall triumph over the foolish savages of planets unconquered and be paid handsomely for it!
Anon: Mereel is a strong and powerful leader. He defeated the traiter Tor Viszla in battle and even took in a poor, orphaned Concordian child after the battle. No more will Mandalore be forced to consider such petty ideals as peace in order to avoid outright war. Instead, we shall be known throughout the galaxy as the greatest mercenaries the galaxy has ever known. Under his rule, we shall triumph over the foolish savages of planets unconquered and be paid handsomely for it!
@archangelsunited: Had a structured document for Mandalorian Culture in the modern (tm) day. He fought with the warriors he sent out and took personal interest in the results of his actions (Jango Fett mentorship). Pissed off Tor Vizla.
@nerdpickle: Satine’s Mandalore was like Switzerland, except without the well trained military, incredibly advantageous terrain, high gun ownership and giant nuclear armed alliance providing a free buffer zone on all sides.
SATINE
@bosooka: Originally here
i wrote way too much for my original draft of this (and it turned into a "fuck jaster mereel" party) so here's an abbreviated version
Why Satine is a Better Ruler Than Jaster in 2 Simple Points
Point #1: Satine actually maintained order on Mandalore for decades
This one is simple. Mereel became Mandalore in ~60BBY and Tor Vizsla tried to overthrow him a mere two years later (and nearly succeeded). He was only in power for six more years before he was betrayed by the very same violent people he allowed to remain by his side because of his belief that a Mandalorian warrior was "merely a highly-paid soldier".
Contrast Satine: ruled from approx. 42BBY until 19BBY, a reign of 23-odd years. For twenty-odd years of her reign New Mandalore was completely peaceful and there were no challengers to her authority among the people or elsewhere. Death Watch only became an issue again when they received Separatist (and ultimately Sith) backing, and Dooku discarded them for being useless. Had Death Watch not allied itself with Maul's Shadow Collective I don't think she would have been overthrown at all.
Point #2: Satine kept Mandalore out of places it didn't belong
As we've established, Mereel had no issues with Mandalorians being mercenaries, used however their clients saw fit. I won't go into the weeds of the ethical implications of mercenaries and why they are illegal under international law on Earth, but in short: letting anyone pay one to kill others is the easiest way to become the cudgel of a fascist. Coincidentally exactly what the Fett clones become when Sidious uses them to exterminate the Jedi. Mereel's "reforms" of the Mandalorian ways did not prevent his troops from getting into a fight they couldn't win against the Jedi on Galidraan (and yes, the Mandalorians shot first:
not that anyone in the fandom remembers this...) after they but an insurrection down on behalf of the corrupt governor of the planet. To be clear, the True Mandos knew that the governor of Galidraan was corrupt and most likely harboring Tor Vizsla, but they still agreed to kill "insurrectionists" for money. Their problems came when Death Watch arranged to make it look like they had also killed women and children. Truly a war between saints and monsters.
Meanwhile Satine: the head of the Council of Neutral Systems, she refused to take sides in a war pushed by the greedy and violent. Yes, she was briefly protected by clones when it comes to light that Death Watch is aligned with the Separatists, but it was immediately followed by the Republic attempting to militarily occupy Mandalore and Satine risking life and limb to keep her people autonomous. Satine refused to become a useful idiot for warmongers, even knowing that it would have been economically advantageous for her to do so. Unlike Jaster Mereel, she has ideals that she values more than credits. He would have accepted an offer from the highest bidder and turned Mandalore into a machine of war for the Sith, just like his Crusader ancestors once did.
Tl;Dr
Satine was actually respected as an authority on Mandalore for literal decades and was only challenged by a miniscule faction of terrorists who had to get foreigners to interfere in their political processes (FML) in order to actually take power from her
Satine kept Mandalore out of conflicts it did not belong in, which largely protected it from military occupation and destruction until the year she died; Mereel made a career out of interfering in the affairs of other planets if they were paid to do so
Unlike Mereel and his successor, Satine had morals to motivate her decisions that were not the pursuit of cold hard cash, including the protection of Mandalorian independence and neutrality
#tumblr tournaments#satine kryze#jaster mereel#mandalore#tumblr brackets#sw events#polls#sw legends#the clone wars#star wars#open seasons#sw comics
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having a stressful time at work but i think it's very important to point out the other day i was asking a guy for help and he's like aight gotcha and then we go to this freezer room and he, from somewhere beyond a mound of boxes, just goes "you like anime right?"
sir this is the FIRST TIME we have spoken how did you clock that.
(he claims i had the vibes of someone who liked it then i was like oh like the woman in the deli wearing a jujutsu- and before i can finish the series name he says "no not her, she just liked the shirt. she's never watched anime". . . oh. i see. you have already had this debate with her then. okay.)
#moe talks a lot#not art#also im trying to swap from pick up to stocking and specifically dairy stocking#bc they seem to always have the hardest time keeping things stocked#and all of pick up has to stop them from working to ask for things in the back which keeps things from getting stocked#and this one guy made a terrible mistake of telling me#yeah we're like the unwanted ginger stepkids of the grocery store#because my brain immediately went NO IM ADOPTING THE DAIRY DEPARTMENT AS MY BELOVED GINGER KIDS#i told my mom that comment and she immediately laughed and said welp thats your department now#before i could even tell her i mentally adopted them#anyway gotta get to bed soon bc i do actually think i was a bit sick ? im so tired despite napping earlier#and only working a partial shift (five hours instead of eight)#sooooo gotta get rested up for the next three (or more!) days#since ive been cursed with no social life and will always work saturday and sunday#so even though my current schedule ends saturday and the next week schedule will be released At Some Point for sunday onward#i have yet to have a sunday off so i am most likely working sunday again#like the job itself is rough and i dont think the pick up workers like me much but every other department seems v nice and chill#i will continue to write essays in the tags no one can stop me
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It’s so satisfying for bad management to get their shit wrecked. I speak a particular foreign language and was hired by a major bank to work in compliance specifically for this language. I started as a contractor and was promised full time. One senior manager (Jerkface) decided I was too expensive and refused to approve my conversion. He is a tool and an asshole and people won’t support our business because of his antics. He does not have someone lined up to cover my language when I leave this week. He’s notorious for telling people under him to “figure it out.”
I sent his direct manager an email detailing my concerns. 3 1/2 weeks later (last week) she (Boss Lady) finally meets with me and discovers I am the only thing preventing a major gap in coverage because I’m the only person who speaks that language. 2 hours later I get an email from Jerkface asking if I want to extend my contract. I politely responded that I already have a full time job lined up, and I would only stay if they offered me a full time job in return. It’s been radio silence from him since then.
But my department head (Nice Guy) told me today that he got pulled into weekend meetings where Jerkface is getting reamed by Boss Lady for blowing smoke up her ass and not having this handled months ago like Nice Guy has been pushing him to do. Boss Lady is furious I wasn’t converted for coverage. They might be able to scrape together an offer for me, but I’m not sure I’ll take it.
Not my problem now. He’ll figure it out.
Posted by admin Rodney
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Social Media QB
Author’s note: reposting my old work on this side blog! Let me know if you’d like to read a specific one. Thank you for reading!
The reputation of the Chargers social media team was unmatched. They are known for being funny and up to date on all memes and pop culture references while also showcasing players’ personalities. That alone made you apply and this past year on the job had really been a once in a lifetime experience. Working with Megan and the crew was a daily adventure and you were becoming more and more comfortable calling the guys your friends. It even got to a point where you didn’t even call them by their names anymore.
Quentin was usually just “Q.” JK was always “J’Kaylin”, Derwin was “3” and your favorite nickname was definitely calling Justin “Sunshine.” At first it was a Remember the Titans reference but it became a lifestyle. Everything and everyone revolves around the sun and that’s exactly what it felt like when you were at work. All of the players were important and special but you could just feel the energy in the room shift when Justin was there. It was palpable, it almost took your breath away sometimes.
Off camera he was goofy, funny and had this uncanny ability to make the world stand still for a bit, even just for a few fleeting moments where it felt like you two were the only ones in the room. But then reality would hit and you were reminded that you work for the team and he’d never see you in that way, he was just nice to everyone he encountered. But on camera? It was all fun and games. There was a running joke, mostly based on his real feelings, that Justin hated cameras. He couldn’t stand being the center of attention or having people perceive him so he avoided the social media team altogether when phones were pointed in his direction.
But sometimes, a rarity, you were able to get him on camera, even if it was just for a split second. The two of you reviewed the questions he was going to be asked before their Hot Ones appearance and there was ALWAYS a discussion, more like subtle begging if you all were going to have him participate in any content.
“We need Justin for this new segment we’re doing, so you’re gonna have to talk to him.” Megan sighs, grabbing her Stanley cup that was sitting on the counter. She’d just finished editing a video where she and her assistant put fart spray on the tiny mic and could still smell the rancid scent until she grabbed some Lysol spray to de-funk the place.
You were going through photos taken during practice earlier that morning and deciding which ones to post and without looking up you asked her, “why do I have to do it?”
Lorren and Allie giggle in the corner, shaking their heads. “You cannot be serious right now y/n,” Lorren gives you a pointed look.
“What?”
“We all know you and Justin have a thing for each other. Even if you won’t admit to us…or yourself. It’s pretty obvious.”
You finally raise your head up from your laptop, staring at them while also wracking your brain trying to figure out when your innocent crush had become so painfully obvious. If the girls knew, then Justin had probably somehow caught on and the thought of that made you want to dig a hole right outside on the practice field and never come out. “Is—am I that easy to read?”
“No one blames you,” Megan runs a loving hand on your shoulder. “And I’m sure you’ve been trying so hard to hide your feelings that you haven’t noticed that he’s doing an even worse job of hiding his massive crush on you.”
The look on your face sends the room into a fit of laughter. “We’re being serious. The way he looks at you and acts around you. Anyone can see he’s into you friend.”
You weren’t convinced, “I need an example.”
“Okay fine,” Lorren stands up to prepare a demonstration. “He wasn’t ready to put the mics on when he was mic’d up until you walked over and helped him get the mic in the perfect spot in his pads. And then he wore the friendship bracelet for six weeks because you handed it to him.”
Allie pipes up to put in her two cents. “And let’s not forget when he had you driving him around the golf tournament and kicked Zion to the curb. There’s no way all of those are just a coincidence.”
“Fine. I’ll go ask him if he’ll shoot the video for us but I’m not going to lose my job because of a meaningless crush on the starting quarterback.”
You waited around for the guys to leave treatment after practice and caught up with him on his way out. “Hey Sunshine, quick question for you.”
His cheeks turn a light shade of pink and he gives you a small tight-lipped smile. “What’s up?”
“I need you to do me a huge favor and be in this tik tok. It’s a short game and it’ll only take like 15 minutes.”
His deadpan face and disappointed dad sigh has you practically begging, saying “please” in your finest sing-song tone.
“Fine, I’ll do it.” You knew he’d crack, he always did. “On one condition. You also have to participate.”
You hold your hand out and he engulfs it with his much larger one. “You’ve got yourself a deal Herbert.”
“Okay the rules of the game are simple,” Megan begins from behind her phone screen before hitting record, “we’re going to give you these Canadian snacks and you’ll rate them on a scale from 1 to 10. One being it’s awful I’ll never touch that again and 10 being a solid snack that you’d eat everyday if given the opportunity.”
You and Justin nod, diving in on everything from the ketchup chips to the toffee. The video didn’t take long as promised and the quarterback went about the rest of his day with no further distractions.
In your office a few days later on the team’s off day, you were contemplating your life. Maybe you should take a step back from him so people don't get the wrong idea. Sure, your coworkers were convinced the crush was mutual but what if he was just being nice? He was always so focused on football and making the most out of every opportunity. Why in the world would he waste time flirting with a social media manager? It just made no sense. Instead of continuing to run a million imaginary scenarios in your mind you packed up your stuff and tried heading out to the parking lot. Even after all this time you still struggled to maneuver all the twists and turns of the building and somehow found yourself walking past the quarterback room. You intended to just keep walking but he was in there alone and called out your name when he saw you.
“What are you doing here? I didn’t think anyone would be in the building today.” His bright eyes staring down at you made your heart feel like it was beating out of your chest. You desperately needed to get it together.
“I came in to finish up a few things but I’m heading out now. What are you doing? I think you’ve watched enough film to last you a couple lifetimes.” That gets a light chuckle out of him and he shakes his head, the two of you knowing that his quest for perfection would never allow him to believe he’s watched enough film. “Thank you for shooting that video the other day. The fans are gonna love it, they’re always begging us to get you on camera.”
“No problem, anything for you.” He clears his throat after whispering the last part, desperately hoping that you didn’t hear it. Even though you definitely did. You should go home for the day and leave him alone in the office so he can get back to work. You should stop staring at his lips that look so soft and just begging to be kissed. He should turn around and get back to the playbook and the computer but here he is, standing still, right in front of you.
You’re just there, waiting for someone to rip the carpet out from under you, to fall on your face, for someone to tell you that this isn’t actually happening. The space between your bodies diminishes significantly, so much so that you can smell the Dr. Squatch Birchwood Breeze radiating off of him. It’s intoxicating and you swallow the fear in your gut and ignore all of the common sense thoughts plaguing your mind, allowing you to feel.
The kiss is tentative at first, he pulls back slightly, whispering if it’s okay to keep going as you feel his breath against your lips. You don’t respond but instead pull him in closer, hearing a satisfied husky moan from him as he allows your tongue access to his. His right palm rests against your cheek until he’s tilting your head up ever so slightly to deepen the embrace and he pulls you in even closer, holding on for dear life while closing and locking the door behind you. It was so much more than he imagined, these feelings that he’d been pushing aside were being confronted and magnified by the second. This innocent crush that you had on him were genuine, real feelings that created a deep ache in your bones, actively being soothed with his hands all over you as the two of you made out like helpless teenagers.
You didn’t think you’d have the strength to tear yourself away from him…until his phone rings. He ignores it the first time but it’s all you can think about by the fifth ring.
“Answer it,” you whisper breathlessly and you can feel him hesitating to pry himself away from you. The heat that was radiating off of his body that you felt being so close to him sends shivers down your spine at the sudden distance. A thousand unspoken apologies are painted on his face as he pulls his phone out of his pocket. He keeps the call short and sweet but the look of devastation is clear when he hangs up. “You have to go don’t you?”
He nods. “I’m so sorry. We can—we need to talk about this I know. And I promise we will. I just—I need to take care of this.” He doesn’t want to leave, not like this. Even if he knows you understand. Justin presses a kiss to the side of your head and whispers another “I’m sorry” leaving you in the room to think about what just happened.
You walk around the empty parking lot until you reach your car, letting out a deep sigh at the thought of what the conversation with him is going to look like after this. You need to be mentally prepared for good news, bad news and everything in between.
He is the sun after all. And sometimes when you stand too close, you might get burned. And maybe, just maybe, you’d avoid the burn altogether and bask in the warmth as long as you can.
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Didn't realize you've read Riddler: Year One, any thoughts on it ? Also, in a more general way, what are your thoughts on the Riddler ?
Someone sent me an ask the past week or so saying that The Penguin is everything that the Joker movies should have been, and I don't think I agree on that in regards to The Penguin specifically. But if we're talking about a "Batman-less Batman villain origin story about a lonely suicidal man struggling with poverty and mental illness exacerbated by child abuse, who is pushed down through the cracks of society deep into the pits of his own mind until he can only save himself by becoming a horrible force of social upheaval and political terrorism, finally discovering joy and a reason to live at the expense of everyone around him, and now he will be Batman's problem someday", well this just completely embarasses Joker (2019) on every level. Impressively drawn, impressively written, impressive on it's own and as a prequel to the movie, WAY better than a movie actor's comic book tie-in has any right to be, and one of the greatest Batman comics ever made. Issue #5 in particular is one of the best and most harrowing comic issues and format breaks I've ever seen in the medium, and even if it's entirely self-contained, it very much belongs in the exact same conversation and should be considered inseparable from The Batman and The Penguin.
We spens 4 issues boiling the frog over every painful corner of Edward's childhood and humanity and misery, taking us through painfully intimate views and perspectives inside his headspace, seeing how and why he justifies his worldview and how easy it even is to do so, feeling truly sorry for this hopeless wretch even though we know he's losing it bad bad baddy bad bad and is going to step off the deep end forever. And then Issue 5 happens and suddenly you are one of the people in Gotham City tasked with sifting through this serial killer's personal diary and you can hear that creep shouting with that distorted voice, you can feel the final death rattle of Edward Nashton's soul ending where The Riddler begins to scream in your head 'I NEVER KNEW I HAD A REASON TO BREATHE", and by Issue 6 you fully understand why and how nobody was prepared for him, and why what he is and does and embodies is going to drag the city into an abyss it may never recover from, and why this was never going to stop even after his arrest, even after his defeat and humiliation in the movie. Everything here adds layers of sympathy and tragedy and heartbreak to the character, while simultaneously making everything he is and does in the movie so much more harrowing and disturbing, holy shit he really staked EVERYTHING, everyone's lives included, on being noticed by his savior.
I was already very much on board with Dano Riddler in the movie, whose execution absolutely sold what should have been, on paper, a storm of unadvisable fandom pitches and uninspired trends and straight-up bad ideas ("What if The Ridder was the Zodiac Killer", "What if The Riddler was a 4chan mass-shooter type", "What if The Riddler was a political terrorist with legitimate grievances but whose final goal was to kill off scores of people for little reason", "What if The Riddler was a creepy fascist responsible for a QAnon cult that ends the movie by metaphorically storming the capitol", "What if The Riddler was really, really, really obsessed with Batman", "What if The Riddler was another Dark Opposite Batman", fucking "What if The Riddler was Hush" even) worked into just this miracle magic bullet of a new take on the guy, fully capturing a lot of the essential bullet points of what makes The Riddler tick as a character while spinning them into new and significant ways befitting this increased role he has in the movie. Rereading the story now, so much of the movie even feels like it's specifically referencing the first Riddler story - The Mayor of Gotham City as a target, Riddler misdirecting Batman with a big target while his real plan involved a flood, Edward putting on a costume and naming himself The Riddler specifically because he wants to get Batman's attention, the glass maze, the written letters to police headquarters, The Eagle's Nest that is a nightclub and also the home of a millionaire with a bird last name (Falcone), a driverless vehicle careening wildly into a public place, even how the very first thing we learn about this fucker is that he cheats to win.
The guy in the movie is a version that fully works on it's own, but it clicks SO much more strongly and cohesively when you read this comic and what it establishes for him. It's the scene in the movie where the section of his diary reads "I must become something more" while Bruce finds the panicked desperate bat rattling against a cage, the thematic parallel between them that is the scariest thing he finds in the entire movie, but developed across six issues. This even begins with Eddie living through his version of the Wayne murders, with the first time he's felt anything other than crushing despair and misery, in part because he's seen the first hint of the puzzle he needs to solve, and where he needs to go. The moment the world stopped making sense for Bruce is the moment that the world started to make sense for Edward.
We understand, around the same time he understands, the childish nightmare that must become the pattern of his entire life from that moment onwards, how Edward Nashton would have killed himself, and no one would have cared, had he not become The Riddler, and how the only alternative to "Hey Edward why don't you crawl into the black hole inside yourself" is to, in fact, find this black hole inside of you and shaped like you and push other people into it instead. Become the creature of the night who can punch crime forever, become the avenging force too great for the Falcones to handle, become the kingpin whose name alone will live forever, become someone that the entire city will never again ignore or forget.
We see how it's less that he's been planning for this for so long, and more that his entire life has been broken and hammered into a Riddler shaped hole, and then when Batman dropped into it, he could start to understand what it is and put a name in it, in the fact that he's been training his entire life for this without knowing. Getting comfortable with flushing rats and making bombs at the orphanage, getting intimately and painfully familiar with self-loathing and alienation and misanthropic contempt for this city and it's people who sit by and allow all of this to happen, surviving his suicide attempts without being able to explain why, searching for answers as to why it hurts so much to live broken and unfulfilled and miserable and why he even bothers to keep on doing so, having nothing to love in his life but numbers and puzzles, spending his entire life invisible while trying to get Thomas Wayne and then his boss to notice and praise him, and then being the wrong man at the right place to begin his campaign, a little nobody accountant who noticed an inconsistency in the numbers, put the pieces together, and then decided he was gonna do something about it because he knew it could be done, because there was someone out there who showed it could be done, and if Eddie joined in, maybe this someone would notice him, let him be his friend.
Batman and R, forever.
(People don't talk nearly enough about how this Riddler's entire life ambition was to recreate Tim Drake's origin story, and they should, it's pretty funny)
And to be honest, I think this is the first Riddler origin story I've ever really liked. Some of the others, particularly the first, have their charms, and this one certainly wouldn't fit most takes on the character, even most of the ones I like, but I've never really been fully sold on the idea of a Riddler origin story until this one, he's always been a very backstory-proof guy to me. This doesn't have any particularly obvious shorthand moment as to why Edward became The Riddler, so much as an entire life twisted and torn and abandoned and rotten in ways big and small until this is what came out of him. No immediately abusive fathers or test cheating scandals or major company backstabbings as defining tragedies, just life for a poor orphan in Gotham City who can't figure out the answer to what's missing from his life until he does.
Still a horrible nerd hopelessly trapped in a life of trying to intellectually one-up everyone as the only thing he lives for and, like every horrible nerd, knowing that one day he will be recognized for what he is and then they'll all see how wrong and stupid and savage these stupid savage idiots all were to look down on him. Still a man driven to impose order on the world the way he believes it has to be. Still a cheater who loves puzzles and answers and the thrill of intellectual stimulation and victory more than anything else (and in this case, having had absolutely nothing else to even love about his life), and still very much this guy at the end:
I do have a lot of thoughts on The Riddler, and I think part of why I might not talk about him as much is because he's not a character I tend to have really exclusive or particular preferences for. There are a LOT of Riddlers out there, maybe more so than there are Jokers out there, and there's not really with him the definitive must-be-like-this that the other Batman rogues have. Everybody approaches the puzzle differently if they do so at all, and I like a lot of these Riddlers! They connect with each other surprisingly well even, in spite of being incompatible as the same person.
He's gone through some real ups and downs over the decades: given stardom in the Adam West show that made him a definitive Batman villain and spread his modus operandi across all the others, sacrificed in the altar of camp insecurity along with fellow snooty oddball Penguin, defanged and turned into a parody of himself, refitted for joke status, re-refitted for surprise baddie status, given a whole new lease on life and his own gimmicks with the arrival of computer puzzles and the internet and given his fangs back and then amplified, pushed back to the big leagues more horrible and topical than ever before and exponentially increasing as such until his next big movie showing, torn in multitudes across multiverses of takes and ideas, almost too many to even consolidate them all.
I like the first Riddler of Bill Finger's original story in Tec #140, this curious satisfaction-seeking master cheater growing exponentially more dangerous and more varied and more assured the more he fades into his endless barrage of traps and toys and puzzles,. I love Frank Gorshin's Riddler, and everybody loves Frank Gorshin's Riddler, he is the reason The Riddler became an iconic Batman villain overnight. I like John Glover in TAS, and I like Robert Englund's cold ghostly showman in The Batman (2002) much more. I love the Arkham games version of Riddler, probably because I never actually played the games and had to collect his dumb trophies. I love Paul Dini's Detective Riddler, and I especially love Brent Spiner's take on the guy for Justice League Action. I LOVE the more classic take on Riddler as played by John Leguizamo in The Batman Audio Adventures, and I LOVE Paul Dano's Riddler in The Batman, and they couldn't be more incompatible with each other.
I love the Riddlers who continuously undermine themselves in the name of criminal artistry and who look down on the profit-seeking rubes who think any of this is about money, and I love the Riddlers who are ultimately con-men doing money heists because they want to be the only crooks in town smart enough to have something to show for all their work at the end of the day. I like Riddlers who are widely despised and regarded with annoyance and disdain by the city and their fellow rogues, and I like the Riddlers who have good professional relationships with the other rogues, and the Riddlers who managed to become darkly inspiring figures in their own right. I love the Riddlers who've subsumed themselves into the mysteries and horror they embody, and I love the pathological pattern-finders trying to find a way out of this weird pathetic life, even if their efforts will be doomed to failure - The Riddler couldn't out-think his way out of Batman's toybox no matter how much he tried, and he has no desire to - where would it leave him? Down there with all the troglodytes? Please.
I can get on board with very human, conversational Eddies, the Eddies that did stints as sideshow carnies, that can tell on some level that they should be doing better things than this, who'll do bored stick-em-ups to fund the attention-seeking tantrums they're actually passionate about, and I can get on board with Eddies who are truly uniquely vile and scary even compared to the other Rogues in the room, who uphold this terrifyingly cold perversion of fairness, imposing a stark and utilitarian worldview on the city by which the penalty for falling short of his games is murder, that sheer calculated murderous menace that Frank Gorshin brought when he ended his first episode leering on a helpless Robin strapped to an operating table. And if I ever thought I couldn't get on board with the Riddler as a major serious scary existential threat to life on Gotham, well, The Batman sure proved me wrong. I may not love him as passionately as I do The Penguin or Hugo Strange, but I love too many versions of this guy to ever be able to narrow them all down, and there are even more still to be discovered.
Endlessly adaptable, able to change and mutate with the times on the same kinds of grand orchestral shifts and minute beats that Batman does, a greater variety of personalities than the Joker if not quite the same versatility (and where would we be without these two always pissing each other off or making out or both, living in each other's respective negative spaces), always an enduring and entertaining opponent regardless of whether he's the most pathetic man alive or a malevolent genius beyond understanding who routinely puppeteers an entire city and it's greatest hero into putting on their greatest performances for him. Always an adapting puzzle box, always leading into the next version of himself, always beguiling, and always becoming the most frustrating thing that Batman has to deal with, whether he's systematically destroying Batman's rationale and will and ability to be Batman or just being naturally the worst guy to deal with at the most unfortunate possible moment, in itself another key to his endurance. The Joker can murder sidekicks and torch the city and routinely try and drive Batman to breaking points of rage and indignity and despair - but sometimes The Riddler can get Batman there just by being himself, as anyone who's had to deal with this asshole in the Arkham games can attest.
It is imperative to believe in and understand Batman's worldview that his villains can be saved because everyone can and must be saved, just as it is to understand that, out of everyone in his Rogues Gallery, if The Riddler was drowning, Bruce would be inclined to throw him a cinderblock, and The Riddler would be glad to receive it, so long as his last gasps of breath could be spent laughing at Batman's inability to match wits with him.
For a villain who is meant to be fixated on knowing the one correct answer to every riddle, he’s uniquely able to be reinterpreted in endless new ways. He’s gone from being a camp and colorful performance artist to one of the most sadistic and sinister villains Batman can ever go up against. There is no one way to write a Riddler. There’s no single solution! And writers will always like the challenge that presents.
Just when readers think they’ve seen everything the Riddler has left to offer us, and the character is finally exhausted… a new lime-green envelope pops through the door of Wayne Manor to challenge us all once again. It seems we’ll never get tired of trying to unravel the Riddler, and writers will never give up on unraveling the character’s fullest potential. It unites readers, writers, and caped crusaders alike: this time, surely, we’ll crack him. - Batman's Greatest Enemy is...The Riddler, by Steve Morris
#replies tag#dc comics#batman#dc#the riddler#riddler#edward nashton#the batman#paul dano#stevan subic#the riddler year one#matt reeves#edward nygma
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👁🗨Ciphertology & The Dixons👁🗨
Sooooo…Emma May’s family was involved in a cult, right? Let me elaborate. As a fellow creative I have been known on many occasions to forget details big and small about my own world, but names? No, names are never something I tend to duplicate unless for a very specific thematic or world building reason. So color me stoked when I was curiously learning about Bill’s cult arc in the 1950’s and found one of his first followers was a young girl with the surname, you guessed it, Dixon!!
Considering Alex Hirsch is very purposeful with things and little hints, while also leaving the audience to figure things out for themselves while he sits back and laughs, I can’t help but feel the surname Dixon is a bit TOO coincidental in this instance. From what we see, Ciphertology and the followers were a mash of a bunch of real life cult references while doing the usual Hirsch thing of filtering Bill into a concept perfectly well.
All in all it’s a very interesting thing, but what I found more interesting were the people involved. Sure you have the puppet leader, Silas Birchtree and a bunch of other out there names, but amongst sits a simple ‘Madeline Dixon’….. Alex Hirsch I’m going to screAM :D
From what we learn, after the cult is forcibly disbanded by the US government and every trace of the town is wiped off of maps and history books, the people are spread throughout the country and given opportunities to start life over again. Not everyone followed that however and some continued to follow the Bill Cipher cult. And honestly I can’t help finding myself bouncing back to the very concept that is-
What if Emma May Dixon grew up in a recovering cult family? What if her family still believed in the cults teachings like some and practiced it in secret at home? And if that is true how am I meant to feel towards the idea that her future husband, Fiddleford McGucket, would become a cult leader himself all because of the very thing that was the foundation of her own cultish upbringing?
Honestly if that’s what Alex was shooting for, I’m calling him a genius cause that’s such a fascinating idea to work with. The concept that Bill has personally affected and rooted himself so deeply into the show and it’s characters that even those we don’t get to see still have dealt with him to some degree.
It just all feels too perfect too. The surname Dixon implies enough, thanks to Alex’s upfront and to the point naming, that Emma May too is a southerner like her husband. Or at the very least she’s in that farmy side of the country. And where did Ciphertology come from? Orchard Lake, Kansas. Madeline Dixon very well could be Emma May’s aunt or older sister considering the cult began in 1952. And assuming Em’s the same age as Fiddleford and the Stan twins then we can assume vaaaaageuly that she’d be born in 1955. Meaning she’d be either growing up in that recovering environment or indoctrinated into it.
We can assume well enough then that she didn’t follow the cults teachings considering she seems well adjusted with her family, living in Palo Alto, but it also kinda reaffirms why she’d be so quick to throw divorce on the table once she sees Fiddleford’s memory wiped condition. That on top of we can only assume his behavior was alarming and erratic and a far cry from the personality of her husband that she was used to (especially when you consider bRO made a homicidal pterodactyl robot because he was so distraught and upset towards the idea of being divorced..like yeah man..that might solidify her decision my guy..)
But if she ever saw the symbol of Bill’s eye or anything in relation to him anywhere in Gravity Falls?? Especially the Society of the Blind eye symbol spray painted all over? After either learning to fear Bill or worship him in her upbringing depending on what their family did after the cult was disbanded? I wouldn’t blame her for high tailing it out of there and worrying for her and her sons life- (Fiddleford..Emma May..I am your biggest fans, but y’all have me bonkers sometimes) But also consider how most ex cult members naturally want to give the very opposite traumatic life that they lived to their child? If Emma May were to see semblances of what she relates to Ciphertology in Gravity Falls, I don’t have a hard time believing she was getting tF out of there for the sake of Tate’s well being & future
In short- hi, I now believe Emma May’s family was in a cult and the very idea of that will ruminate with me for awhile :D But also double hi?? Madeline DIxon looks vaguely similar to how I envisioned and draw my Emma May design? Coincidence, I think nOT :P
#gravity falls#the book of bill#book of bill#gravity falls fandom#emma may dixon#fiddleford mcgucket#ford pines#standford pines#mystery trio#gravity falls theory#gravity falls thoughts#ciphertology#bill cipher
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Article Title: プリキュアの“恋愛描写”は20年間でどう変わった? 「彼氏」すら表現できなかったプリキュアがわんぷりで「カップル誕生」を描けるまでに至った理由
What has changed in 20 years of Precure's depictions of romance? Reasons behind the change from seasons that couldn't include boyfriends to the birth of a couple in Wonderful Precure
Some basic summary of this post written by Kasumi, the guy who keeps track of Precure sales and makes handy graphs and whatnot.
The beginning of this article is summary of Wonderful Precure's Satoiro developments.
Later in the article, there's some quotes from Narita. Summarized: After the first few seasons, the response they got from parents was that they would prefer not to have romance because the girls watching this were like 3, 4 years old. So it was a taboo to write about romantic relationships.
The first few seasons were about falling in love with older boys shoujo manga-style, then we have Fresh's whole "I'm not telling you my answer" ending.
In Happiness Charge Narita was uncertain about whether they should do romance as one of the main themes but Nagamine wanted to go for it. So they did a love triangle as one of the main writing setups. Narita still asked multiple times if it was okay to write what she was writing. When Megumi lost in love at the end of the series it became a big topic.
After Happiness Charge they took a step back again and romance barely features besides crushes that don't go anywhere.
This changed in Hugtto when Homare gets turned down by Harry, and Hana's whole thing with George (aka her future schrodinger's evil husband).
None of these depictions are like focused on romance as something that actually leads to a mutual, intentional relationship.
Tropirouge was made specifically to have 0 romance
Black Pepper was created with the idea that he was supposed to work with the girls to save each other rather than just saving them from a pinch. His feelings were only written in to add a bit of spice to the show. But he signals a shift from possible love interests being a prince you admire to a partner that fights with you.
Every season that has served as a turning point in Precure's depiction of romance has had Narita in charge of series composition (Happiness Charge, Otona, and Wonderful).
Article mentions that while before it was unthinkable for idols and actors to have romantic partners, in the 2020 era it's become more normal for actors and TV talent to declare that they're dating and for idols to continue their idol work while being married.
プリキュアでも、かつては「コクる」「彼氏」という言葉1つだけでも保護者から大ブーイングだった時代がありました。
In Precure as well, there was an era where the words "confession" or "boyfriend" were met with loud booing from guardians.
But the times and mindsets have changed so now we have a married Precure and a Precure with a boyfriend.
梅澤 実は大ブーイングでした。「コクる」「彼氏」というセリフも評判が悪かったです。中学生だから、必然性があるから、大丈夫というわけじゃない。両親が観せたくない作品になっては『プリキュア』じゃない、と痛感しました。 ぴあ『プリキュアぴあ』(P87)
This quote is basically what was just summarized above. In addition to the booing thing, Umezawa (producer for Fresh, Heartcatch, Suite) says that he realized that if they wrote things that parents wouldn't want to show their kids then it wouldn't be Precure
So I guess parent opposition is indeed a big reason why they've been avoiding romance. But nowadays:
Satoiro has been massively popular with elementary school girls.
The target range for Precure has risen now also with the cosmetics and the like, ranging from elementary schoolers to young women.
We should expect to see more depictions of romantic love in Precure in the future.
"Change is Precure's strong point."
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hii!! i love ur blog immensely, i literally spend so much time reading your analysis, and i agree with everything u say abt severus (my fav character), which is very rare for me
so, id like to know what do u think sev would be doing if he didnt have to go back to hogwarts at 21 and be forced to teach? like, if there was no voldemort (but everything else stayed the same like his childhood with lily, the marauders bullying him etc), what would he be doing nowadays? i always thought he would open his own potions store, maybe he'd try to heal from his past, find someone to love, idk, u probably have a more detailed answer lol
First of all, if Voldemort didn’t exist, I don’t think Severus would have ended up with the Death Eaters because, well, they wouldn’t exist, right? The story would be very different. I think his "break" with Lily might have taken longer, but eventually, they would have drifted apart quite a bit, and when she got together with James, it would likely have been Severus who distanced himself completely. Because, I mean, Severus isn’t exactly brimming with self-love, but I can’t imagine him handling his friend ending up with his bully very well, for obvious reasons. That said, I don’t think it would have been such a traumatic break but more like one of those friendships where, as you grow older, you just don’t have anything in common anymore and go in completely different directions. Then, one day, ten years later, you run into each other on the street and have no idea how to greet each other. You know what I mean?
That said, without him being part of the Death Eaters, without Voldemort in the picture, and without Lily dying and creating a lifelong guilt trauma that led him to sell his soul to Dumbledore—no, Severus wouldn’t have been a professor. At least not at Hogwarts, which is a pretty triggering place for his personal traumas. I see him dedicating himself to magical research and experimentation. I’m not sure if there’s an equivalent in the wizarding world, but like a typical Muggle university researcher working on specific scientific projects, only applied to magic. We’re talking about Severus Snape, the guy who rewrote his own Potions textbooks and invented complex spells as a teenager—the same Severus Snape who, despite everything, was a Slytherin, which means he has ambition. I think the perfect mix of those two things would have been dedicating himself to magical research, publishing his findings, and maybe—just maybe—teaching. But only teaching adult wizards who had already graduated from Hogwarts and wanted to further their skills by applying advanced knowledge. Like the equivalent of a university professor who only teaches because they’re required to in order to continue their doctorate.
I think with a life like that, with the peace to follow his own path and achieve his own successes, he could have healed from a lot of his issues. Probably not entirely, because the magical world sucks when it comes to managing mental health, but he could have moved on from Lily and built his own life.
#so sad#he could be such an icon#but the narrative doomed him#my baby#severus snape#pro severus snape#pro snape#severus snape defense#severus snape fandom#severus snape headcanon#snape headcanon#snape meta#severus snape meta#harry potter#harry potter meta#harry potter headcanon
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bookie!
journalist!reader x business-man!hakari
cw...NSFW, slight manipulation, mention of intox, use of "mister" "sir" "doll", dumification, degradation, all the usual smut stuff LOL
word count...4.8k
a/n...this is my first fic ive posted publicly EEEK lowk nervy but i've read like 2 good hakari fics on this mf website and i js figured i might as well do it myself. my writing here IS NOT MY BEST, i plan to indulge into how i usually write. smut is a little harder for me to write so be patient AND NICE PLZ. mdni!please understand what kind of media you are consuming and be smart about it.
just the way hakari presented himself, it felt as if even if you didn’t suspect anything from him, it was obvious he was a secretive and cocky man. from how he dressed with his constant change between pimpy-fur coats and vulgar tanks with his ever-changing colored hair between purples, blacks, and blondes, it was no surprise he must’ve lied his way to the top.
and even with this assumption, you couldn’t deny the offer of living with him and your company's team. not necessarily living with him but staying in a private luxury hotel, and sure, maybe your job here wasn’t very important as a journalist but your boss insisted on you attending.
what kind of moron would pass on the opportunity of possibly breaking through one of japan’s wealthiest and slyest business men anyway?
something about interviews but mostly projects, maybe even a documentary went in your ear and out the other when your boss spoke to you about the expectations on this “trip.”
after being stuck on a reserved bus, you finally manage to push through and make it to a not very deserted place. matter of fact it was right in front of a busy street in the busiest city. you stretched your legs, cracked a few fingers, and headed to the entrance of the tall—what seemed to be marbled—hotel. if you could even call it that. seemed like a resort more than anything. you were told your bags full of equipment for work and clothes for the three day project would be handled by security. the front of the building were two big guards protecting any outsiders. pretty confidential for just a few days. it stays on brand with hakari’s whole attitude, a whole ass hotel in the city only allowing a few people with specific identification.
inside it looked like everybody from every corporate office in town had been messily dragged in. heavy steel tables were set randomly with even heavier bags and briefcases on top, open with papers and documents spilling out.
the man himself was sitting at one of the sturdy desks, his head down.
before you noticed that he decided to go purple, left his black blazer on the shoulders of the chair he sat on, you watched as his hand shook carefully on a paper given to him by the lady standing nearby.
his hot pink eyes dart back and forth across the page. you assume he was looking for another place to sign because he handed it right back to her after examining. hakari returns back to a binded notebook, the pen still in his fingers. he scribbles words down vigorously. part of you wonders what he’s got going on. another part wonders where your room will be.
you observe the rest of the lobby. you glance at your boss finally coming through security, the dumb, happy guy starts a conversation with almost everyone as he came. he calls hakari over as if they’ve known each other since the dawn of time, and he follows. they greet one another and you go blank on the rest until your name is called. quickly, you turn to face the men again and walk towards them.
"if the interview goes well—which i'm sure it will—perhaps the documentary could follow up.” your boss explains, still turnt to hakari.
“mhm oh yeah man i’m sure of it, yep.” he agrees, mooning. his white button up hugging him perfectly.
scrunched up sleeves, pen marks on his forearms. a few buttons undone from the neck.
“this young lady right here is the foundation of the writing department.”
“oh yeah. so i’ve read.”
he reaches a hand out, “took you a while to say hi.”
“you seemed busy, signing shit n’ whatnot.” you smile politely and firmly shake his hand. he cheeses a toothy grin, blue and silver gems shine back at you.
“pardon her words, man. you know how writers are—can write page upon pages yet their mind goes blank when they have a chance to speak—hah.” your boss shines his own nervous smile.
“ya, know what they say about business men, can talk for hours and hours, spill what seems to be almost everything, and still have secrets.” he darts his eyes to yours before closing and laughing richly with the older man.
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌
you spend the rest of the night cozying up into your hotel room and lazily journaling down ideas, even scraping up an idea against hakari. you stretch your arms after tossing your notebook shut, you glance over at the alarm on the desk,
11:24 P.M.
it would be a good time to grab a snack, now that everyone should be asleep. at least you hope so as you walk out in casual clothes.
you toss the room’s card from hand to hand and pass quiet rooms until turning left to the snack bar. you were told earlier that food would be available for the company whenever, so you figured it must be open now too, with all the staff asleep or at their posts.
there was an incredible aroma of columbian brew with a dash of vanilla dancing with something hot, something fresh out of the oven. you’re greeted with his strong back. shaped tightly, almost too tight, was a simple white tank. on caramel skin, his wide shoulders flexed as he took a small spoon into his mug, tossing sugar packets and singles of liquid creamers into a trash bin. but it doesn’t really phase you. what were the chances of somebody being here? let alone hakari. it’s ironic and mostly awkward.
you could’ve left but the pastry before you was calling your name. how awkward could it really be?
you walk towards the counter he was just at, he who was walking back to a two-chaired table.
“it’s almost midnight.” he speaks and you freeze as if you’ve been caught. obviously, you haven’t, so you quickly grabbed a floral napkin and the pastry.
“writers stay up late, i know that. but they’re usually alone.”
“well how was i supposed to know somebody else was gonna be up? it is almost midnight.”
“you’re the one writing stories about me and talking shit, i’d assume you’d know everything about me.” he grins as he pulls a chair out, sitting in it and slowly stirring his coffee. steam swirls up from the cup. “take a seat.”
you walk to him and pull the other chair out, sitting quietly. you break apart the food in your hands and eat it piece by piece, examining the table subtly.
he’d been sitting there for a while; papers closed a binder with a few pens spilt around. an empty chip bag, a few crumbs near the bottom of the coffee cup, his hands warming up around it.
his hands were nice.
you swallow casually and look back at him. “you read my stuff? which one of your little employees do you have search for works written about you, huh?”
“i find ‘em myself, ‘nd you're lucky i don’t report them. can’t have nasty stuff circulating around me, whether if it’s true or not.”
“—or should i call them workers instead?” you ignore him.
“your writing is admirable.”
something about that made you lose track of what you were saying.
you lay back in your chair and mumble an okay.
you watch as he takes a sip of his sugared coffee, the steam cupping his face gently and flowing up.
“so when do you sleep?”
“i’ll go in a couple,” he says, cracking his knuckles. “schedule’s got all fucked ever since i got here. my manager—and don’t tell her i said this—doesn’t understand the concept of time, or maybe she’s fucking with me. how can i get three hours of paperwork done, meetings between each pile, ‘nd make phone calls back to back, but can’t stay up late?”
“damn, you’ve even got your sleep schedule sorted?”
“gotta sneak out here like some goddamn teenager. it’s no big deal, she’s knocked out at 10. jus’ gotta keep kissing her ass and thank her for taking such good care of me. she won’t suspect a thing.”
you giggle at the irony, “might as well be your girlfriend.”
“god, more like my mom.” you can see the outline of his tongue grazing his teeth as he grins. probably feeling the gems on his smile, you cross your legs at the view.
funny and handsome.
speaking of closing your thighs—you remember you have to get back to your room.
“we’ve got just three days,” you say as you stand from your chair, “i’m sure we’ll have to work our asses off tomorrow.” hakari looks up at you.
“hmm nobody tell you wha’s happening either?”
you shake your head and carefully bite the inside of your lip.
“m’kay. have a good rest of your night, then.” he nods back down and sips his coffee. his tone indicated he practically knew you weren’t sleeping immediately. to enjoy the rest of your night.
“yeah, i’ll make sure of it. goodnight.”
as happy as you were to receive a half-vacation, half-business trip at a hotel – the benefits of not having to wake up early just to drive almost an hour to work everyday, the entire company just being outside, your hands would not suffice. you thought to yourself earlier, how great it’d be to stay in a nice, cool room and wind down from a long day. keeping dirty fantasies in your head and just when you thought the tight, small circles on your heat could master an orgasm. but the thought of him kept interrupting.
a hand crawling up your neck and the other circling underneath your panties. closing your eyes as you concentrated on silver-haired men kissing your breasts, guys who stunk of cigarettes and coffee making out with your clit, god anybody willing to run their hands on your body. you jolt at the sudden twitch of your cunt, your back arching slightly. you groan. the man you’ve been practically stalking and have to work with is now appearing in your head while you masturbate. you switch the bedside lamp off and take off-white sheets over yourself.
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on the second day, you pass new people while walking down narrow hallways. each person looking more tired than the one before. you notice just how many people could fill up the lobby and snack bar. as enticing the syrup from breakfast smelled, you keep your distance from everybody else. carefully, you lick the inner of your lips and taste the lipgloss you applied earlier.
now popping your lips, backing up slowly, still examining the room until you feel what seems to be a pillar or wall behind you.
“hey… you got a light?” behind you. tall, peeping over you – was that a fur coat? hakari watches everybody else almost as intently as you were.
you stutter before reaching into your coat’s pocket, “yeah.” he takes it and quickly lights the now-appeared-cigarette of his mouth.
“a smoke for breakfast? that can’t be healthy.” you cross your arms as he flips the lighter in the air.
“it wouldn’t have been, hun, we had breakfast this morning already. don't you remember?” he exhales smoke that passes your jaw, making you shudder.
“here, sounds like you need it.” he says the last part through his teeth, pinching the end of the cig and lowering it to your mouth. you glare to your side and lean in to wrap your lips around it, inhaling. you pull away and spew smoke out much more discreetly. he takes another, blowing it out, licking his lips, “tastes like bubblegum.”
after set-ups and mic-checks in steel stools and numerous questions, you’re sitting in front of a laid-back hakari. his legs man-spread and his hands fixing his hair every other second. a very specific rage comes back to you. the same anger that you felt staying up to post blogs about complicated, but evident-filled, theories and what you truly think is the truth about the man sitting in front of you. the feeling is nostalgic. your nerves are overfilled with different emotions – since when could a man controlling so many industries, controlling so many people and still handle an underground fight club while acting like a semi-normal person? but normal people don’t wear fur-fucking-coats on the regular, let alone keep illegal ranges where people fight like bears just to be bet on like horses.
two cups of steaming coffee are placed in the high-wooden table between you and hakari.
“this part of the interview will be audio-presented. the second part will be videotaped.” the host of the section stands above the recorder, the rest of the crew standing around or still finishing breakfast. “etiquette for the tape is pretty simple – ‘ms and mr’ is usually set and the rest is self-explanitory.”
you nod kindly and look at the man, meeting his eyes, ones that perhaps never left you.
easy, almost-boring questions are asked but it hadn’t prepared you for what was going to come. the questions slowly make less and less connection and stay focused on hakari. “ethicality is mentioned within businesses and is no exception to your work, ms l/n.” before being asked the repetitive question, the topic being how many times can we make hakari look like a god in one tape, you interrupt the host.
“morals are nowhere to be found in such work. there’s – again – no sense.” now slouched, hakari responds, “tell me, when searching for a job that pays well, were you interested in the pay or how many hours you had to work? ‘s there something you w’na say about being able to survive or how comfortable you are?”
“sometimes it just boggles me to think about how one person needs more than one business. is it for fun, mister?”
“is what for fun, girl?”
“is being a con-man to violent people and making them believe knocking each other’s teeth out will help for fun?”
the host stutters and gets shushed, “well, you’re very right. that wouldn’t be ethical at all.” he smiles very faintly. too faintly for you to lash out and not make it seem like you’re crazy.
“untruthful about being a bookie and fight-promoter. does gachinko ring a bell?”
“any more questions? how about all my employees' salaries? wanna know my salary? how’s about ‘you busy after this?’”
the recorder falls off the foldable table after being shaken, “for the love of god.” your boss yells and stops. scrunching his fat nose and pinching the bridge. “that was the fourth time. i just… you know what, we’ll continue tomorrow morning. kinji you’ve got a meeting we’ve, i’ve, been trying to hold off but it seems like everybody’s in the mood for a break.” he walks to the exit of the lobby, followed by some of his crew. hakari gets up, exhaling and cracking his fingers and wrists.
“almost as good as your writing. but writers always gotta fuck up while speaking.” he picks up the recorder from the ground and tosses it to the full cups of coffee.
“are they going to post it?”
he shakes his head.
“then what?”
“might do it all again tomorrow. a little more strict, too. it’s not like it was a bad tape either. just like you know, i can’t let shit spread around about me. i would never allow it.”
you scoff and watch him walk off, cursing under your breath.
it’s the evening when he comes back, bringing a few drunk men through the guards. you nod your head back and forth between your open laptop and the men that find their wobbly way to the lounge's couches. you tune out their slurred talk and how hakari’s joking gets belly-laughs from them. he cackles with them, clapping his hands bluntly. he sighs, tears in his eyes, as he walks past the random suitcases and desks spread-about.
you type away at your slightly dull keys, clumsily taking your gel-pen and drabbling a note down.
“workin’ hard, i see.” you feel a heavy hand land on your left shoulder and glance over to the other side of the desk, hakari’s ringed-fingers tapping away at the steel.
“what’re you writing down…” he mumbles and leans over obnoxiously. you lean back in your chair, looking at him looking at your notes.
“god, are you drunk? didn’t you just have a meeting?”
“drunk? nah, i don’t get drunk.”
“i can smell the whiskey from your breath.”
“ah-ha, you knew i drank whiskey, huh. looks like even an overworked girl like you knows how to have fun, too.” he looks at you with literal joy in his pupils. face tampered with blush while smiling like a hyena. “anyway,” he stands back up, the grip on your shoulder falling to your bare-arm. “even your handwriting is nice.”
“uh-huh…” you press your thighs together, feeling the cold metal of his jewelry on your skin. his hand so big compared to your arm. part of you hopes his long gaze is down your blouse.
it is.
“ya look good.” he speaks through the rasp in his throat but all you hear is a mutter, he gives your arm a squeeze before patting it and walking toward the corridor of rooms.
you let out a shaky sigh and feel yourself burn up, staring at your yellow-notepad. hakari strides to his room, the last room of the hallway, stretching his arms. he takes a gold card out and shoves it into the slot.
he lets out a serene moan when his back hits the bed. tossing his keys, phone, and whatever junk out of his pockets onto the nightstand. his large coat following. he groans and kicks off his shoes. something still bothering him. he reaches his hands down to his belt and unravels it, throwing it down. unbuttoning and zipping to comfort the ache below his stomach.
god, how hard could a guy get from one conversation? his slit brows raise as he grins, taking his weeping cock and holding the base.
thinking about all the things you’d say,
you’re so vulgar. not enough action recently, huh? what stress’ll do to ya…
“yeah, baby, stress.” he takes his other hand and taps the underside of his cock in his palm. closing his eyes and imagining your sweet self between his legs, those same tits in his view. your pink tongue lolling out for him. “finally shut that smart-ass mouth up… use her for something fuckin’ useful.” he groans, stroking himself.
what makes him throb is how dumb you’d gotten when his hands were on you. how fucking sweet and quiet you went when his fingers stroked your arm, weren’t you exposing him just a couple of hours ago? what a desperate girl. he swears out as he jerks spurts of come onto his clothed shirt. “yeah, hmph god, yeah, that’s good..” he pants like a dog, eyes going heavy.
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another day passes and you haven’t come. guilt swats your hand away everytime you try, anyway. you start to get sick of the syrup and eggs roaming the air. you sit at the same spot from last evening and observe the room.
half of your company is eating breakfast or still passed out on the couch. the others, probably asleep or dealing with tech. your boss walks towards you and places a cup of coffee down in front of you.
“we oughta work on you, huh? hah!” he stirs wood in his own cup.
“you’re not hungover? i’m surprised you’re up this early.”
“gotta stay professional, ya know…i only had one shot. maybe a couple. this coffee’s really good, drink some.”
“right because drinks on the second day of a work-trip is highly professional.”
“hey, come on.” he frowns and drinks a sip of his obviously too hot roast. “where is everybody? hell, where’s kinji?” he drifts off to a new group of people near the snackbar.
the lobby fills again with the occasional technical difficulty, yet no hakari to be found. you wish you could throw it off and be so disconnected that you didn’t even realize the star wasn’t here like some of your colleagues, but you kept your eyes on that same corridor. the loud bitch from the room on the tallest floor went through your ear and out the other. you didn’t even realize the fly that was constantly buzzing had been trying to get your attention.
“do you know where kinji is?” she was beautiful but still his assistant, loud and fussy like a bad mom. if she didn’t know where he was, how were you supposed to know? you put on a concerned look with a little smile, “might be in his room.” you get up and begin walking to the hallway, how the hell did they not check his fucking room? you swear your eyes roll so far to the back of your head, that if you didn’t have ears to hear the bitch’s loud heels clacking, you could’ve seen her behind you. you turn to the last door on the right and knock, remembering how many men had to carry luggage upon luggage inside.
“hello? mister, we’re waiting on you.” you knock faster than time. “hakari?” the door swings open and your hand is met with another. before you can say anything, he shushes you and looks around, pulling you into his room and says, “give me a’minute. take a seat.” he leaves. by seat he probably refers to his bed, the entire room cluttered by stuff. you sit on the edge of his bed and sigh, taking a moment to collect what just happened.
he was shirtless. the bathroom door being open and light on explains why, he’d taken a shower. the mirror was still foggy and the towel hung on the door’s hanger. there was a faint smell of vanilla and something floral. you would’ve been pissed to be in a messy room like this but you figured it was better than being out with everybody else.
the door opens again and a calm hakari walks in, closing the door and locking it.
his hair is damp but you only notice how he’s clothed in a towel. one that hangs low at his hips.
“everybody’s waiting, and you’re not even dressed yet.”
“s’fine, y/n. i bought us some time. these people, they’ll listen to whatever i say.” he says with a smile, and you look back at him with confusion.
“but the interview…?” your mouth drops gently when his hand comes to hold your face.
he sighs and looks up and away. your legs are shut and you swallow the sudden pool of saliva in your mouth as your eyes are fixated on his sharp, shaved jawline and how his adam’s apple flexes as he speaks. “this job’s real tough, i know it is, ‘nd you want a break. doesn’t everyone?” he looks back down at you, his eyes filled with what seems to be.. lust? you furrow your eyebrows and nod slowly. he carefully puts some hair behind your ear and leans down to whisper against your skin, “w’na be a good girl and take some of that stress away from the both of us?” he kisses a part of your jaw, “my good girl?”
oh god.
did you write half of your career on this greedy man just for him to be licking your ear? leading a hand to your button-up and slowly undoing the pearly clasps?
his hand now on your bare leg, going up and up your mid-pencil skirt. you feel yourself get dizzy from the thought of him feeling your lacy panties, holding a hand on his strong shoulder, his skin slightly wet. did you wear them on purpose? you can’t think. he stands back up, his hand slithering and rubbing the back of your neck. breathing heavily, you start to undo the rest of your shirt’s buttons. “yeah, there ya go.” he encourages you until your laced bra is exposed.
he hooks a finger on the side of your panties and tugs them off, you reach under your skirt and tug the other side. he takes both sides and peels away, “mhhm, always liked a matching set.” your skin burns at embarrassment, not from what he said but how wet the middle of your core was and how drenched the crotch of your panties were.
“a lil’ kissin’ got you this soaked, huh? you want this? ain’t you just sweet, doll.” he throws it to the corner of the bed and hums when you nod. “s’quiet when you’re needy.” hakari pushes two fingers at your lips just when you thought you could finally say something. “open.” he demands gently and grins when you comply. they find their way to the middle of your mouth and you can’t help but suck softly. “mhm that’s good, suck ‘em good. cost about’a milli’ each, heh.” he takes them out and pushes you slowly onto your back, spreading your legs, holding one up with a burly arm.
“fuck.” is the only thing you manage to let out when he bunches your skirt up to your waist.
“be quiet f’me now.” he spits a glob onto his two fingers and presses them to your clit. you gasp at the content.
“so wet.” he mumbles.
circling tight, slippery rounds on your aching bud. the guilty friction you’ve been craving finally went through. a sudden warmth and pleasure take over your pelvis. heat rises to your upper body, your hands slightly shaking and your ears burning, god, what were you doing? you watch and feel his dirty mastered hand bring you shame. your entire career faltered just for your fulfillment, the guilt so heavy, it makes you moan out.
“huuh, mister – shit, i need it.” you speak whispers breathlessly.
“yeah? you need it, baby?” he brings his focus to your pathetic expression, pushing and curling two fingers into your cunt. you moan out and watch, feel, as his fingers pump in and out of you. his hands are skilled as they break you open little by little. “sweet girl with a needy cunt, must’ve hit the fuckin’ jackpot.” your clit throbbing as you watch him grope himself and ease his own ache through the white towel.
“c’mon, please sir.” you tap the side of his waist with your heeled foot.
“patience, girl.” he pulls his fingers out and pats your vulva a few times before pulling your body close to his. his hand finally, finally pulling down the towel. the thing that kept distracting you from nights of sleep now dripping pre just above your heat. he gives himself a couple of strokes, long and heavy as your body begged, driving yourself closer ‘til your ass was almost off the bed.
“shh shh.” he rubs his wet tip against your folds as you start begging quietly, your slits sloppily kissing. he groans when your cunt flutters, pushing himself into the first tight muscle.
you writhe at the sudden burn, making you mewl ever-so quietly.
“be a good girl f’me.” he presses a hand on your lower stomach in comfort before moving his hips forward with no intent of stopping until he’s bottomed out. you moan long whines and grind your body down to try and get more, the stretch already burning. “fuck, goddamn it.” the warmth you bring him is unmatched, all he can think about is how hot you feel.
“fuck me – wan’ more.” you clench down and get a moan out of him. his hands hold down onto your plush thighs as he rocks back and forth into you, your folds swallowing him whole everytime. your throat burns at the way you choke out whimpers, drool seeping from the sides of your plump lips. “what’s your company g’na think of you now, hmm? director of the – fuckin’ writing department– their smart girl’s gotta fuck it all up cause she couldn’t resist some cock.” his hips start to fasten and he keeps a tight grip on your legs, your pretty, fucked out, face stays red. “‘s okay, pretty. you ain’t gotta say nothing, jus’ take it like the dumb girl you are and i’ll forget about all the mean little things you said, mhm?”
“uh-huh.” your head’s spinning from the grinding he’s now doing, the underside of his cock rubbing back and forth and back and forth on the rough spot inside of you. your thighs tremble as you feel yourself getting close. you get louder and hiccup about how good it is.
“ya – yesyesyes please awh fuck,” your hands groping at the back of your neck and the hard nipples of your breast as you arch your back off of the white sheets, “coming – oh god kin’ i’m gonna come, come. thank you thank you…!” the hard waves of heat and fuzziness take up what seems to be your entire body as you cream all over the base of his cock, hakari still pumping himself inside, riding your release out. “god, fuck, baby. stay still.” eagerly, he takes his hard-on out and jerks himself above your mound before coming straight, hot lines of cum onto your stomach.
he pants, “you wanna talk to me about my morals?”
“jesus fuck. shut the fuck up.”
#goaskangel#jujutsu kaisen x reader#hakari kinji#kinji hakari#jujutsu kaisen smut#jjk smut#jjk x you#new author#gojo x reader#nanami x reader#jjk x reader#jujutsu kaisen fanfic#toji smut#toji fushiguro#toji x reader
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Some (many) thoughts on Arcane s2 while it's still fresh in my mind:
(tw: discussion of fictional depictions of suicide)
I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.
It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.
Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.
I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.
Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.
Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.
And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.
There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.
We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.
There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.
This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.
Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.
Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.
Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.
I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.
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Been thinking recently about this oddly specific trope of a character being emotionally vulnerable or honest in order to be able to connect with a kid they empathize with. I have slightly mixed feelings about it. On one hand it can be overdone, to where the child feels like a cardboard cutout just to elaborate on the protagonist’s traumatic backstory, but there are also a lot of cases that I liked it or thought it was done in an impactful way.
so I figured I’d walk through a handful of examples of this trope (does it have a name???) and give my personal thoughts on each. Spoilers for the episodes referenced of course. Because of image limit this will be part 1 of 2 and I’ll link the second when I get it up.
Supernatural S01E03.
This is one of my favorite iterations of this. Lucas's turmoil, fear, and mutism were portrayed with enough effort and thoughtfulness for him not to just feel like a cardboard cutout, and the way Dean interacted with him felt in-character while still showing a softer side to him. There's also a strong plot reason (Lucas being the only eye-witness) to drive their interactions, making each scene feel like it was striving for an important purpose instead of just ham-fisting 'traumatic backstory' angst.
The scene in the park is what really starts it off. The guy who couldn't name three children he knew a couple scenes earlier, has to try to coax answers out of a traumatized mute kid about said trauma. We see Dean meeting Lucas where he is (draws with him), tries to identify what Lucas might be feeling, ("Well, maybe you don't think anyone will listen to you.") reassures ("I want you to know that I will.") and doesn't push it when Lucas seems unforthcoming.
While this scene overall is very soft and endearing, we get very little of Dean talking explicitly about his own trauma, just one vague line "When I was your age, I saw something." The whole scene is about what Lucas is feeling. Dean's feelings are there too, the audience is already supposed to be drawing parallels, but they are kept on the peripheral.
Then later in the episode we get the next Lucas and Dean scene. We've watched someone else die, upping the stakes. Here is where we really get the emotional vulnerability from Dean in a few blunt, heartbreaking, lines. Even more than that, we get a glimpse at Dean's why. Why the bravado, why he is the way he is. We also have this whole confession observed by Dean's younger brother, which -- trust me as an older sibling -- is excruciating.
Overall I think this works because a) Dean has a strong reason to be this emotionally vulnerable, there are literally lives resting on his ability to get through to Lucas. b) it had the space to be built up in multiple scenes throughout an entire episode and c) Dean is the exact type of character that needs some sort of push to be this emotionally vulnerable and earnest, so the trope just fits.
Magnum PI S01E01
This one is what I'd consider a slightly meh version of the trope. Not trying to offend anyone who found this scene specifically meaningful, but it fell flat to me. The intro joking about the dogs was good, Magnum trying to comfort his dead friend’s son was a good idea, but the “when I was your age, I lost my dad too” kinda lost me. I get he was trying to empathize with the kid, but it ended up feeling like the show was just trying to be like “look! He has a dead dad!”. Additionally the character of this kid felt flat and I don’t remember if he ever even cropped back up in the story outside of this episode or ever had a shred of personality.
In my opinion it might have worked better if they’d had Magnum talk about Nuzo instead of his father. Nuzo is the person both he and the kid cared about and lost, and while it still might have felt cheesy I think it would have felt more anchored to what the rest of the episode is about and helped to get the audience to empathize even more with the grief over a dead friend that drove the whole narrative for the pilot.
I really enjoyed the show overall, don’t get me wrong, and I’ll have another example of this trope in part two of this which — spoilers — I enjoyed a lot.
Would love to hear other people’s opinions of this if anyone sees it, and I invite disagreement.
#media analysis#my screencaps#screenshots#screencaps#supernatural#spn#spn S01E03#character tropes#tropes#magnum pi#dean winchester#sam winchester#thomas magnum#analysis#opinion heavy
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