#but it might make sense for them to have 2 identical sets

[sinusoidaldysfunction]

Mineru redesign, I think the Zonai should have 4 arms like the dragons. And horns. And a cooler outfit. Also changed her face shape to be longer like her brother.

[brujamala-aka-gigi]

what's keeping you away from genuine ways of expressing yourself?

this is a pick a pile tarot reading inspired by the new moon in leo, but is not specific to this particular moment in time. in astrology, the moon represents the unconscious mind, your emotions and in which ways your intuition works, while the zodiac sign leo is more oriented towards the ego, creativity and social relations. all of those things that tend to characterize this sign, usually means that some level of efficient and assertive communication is valuable for keeping away drama and misunderstandings, therefore, i thought about making this general reading to see what advice the cards have for something quite difficult for almost everyone: remaining true to our essence and being able to communicate that in a way that is genuine to us, our identity, our desires and our feelings, no matter who is listening.

pile 1 pile 2 pile 3

images from pinterest and dividers by @fairytopea

꒰ঌ ✦ scroll down for the results ໒꒱ ༘*.ﾟ

-ˋˏ ༻ ❁ Masterpost and Tarot Menu ❁༺ ˎˊ-

˚ ༘ ೀpile number one ⋆｡˚

Your card for this reading is the King of Swords. What this tells me is that you value intellectual honesty, and you’re willing to go against your own emotions if that means that you’ll find the truth and that you are very likely to be perceived as someone who doesn’t have a filter or is too honest. It’s key that you understand that even if you don’t allow yourself to be guided by emotional attachments, other people do. Being highly logical or highly sensitive are both valuable, and both ways of thinking and acting have their pros and cons. But this card wouldn’t pop up if the logical ways of approaching things wasn’t causing some issues. Although holding yourself to a high standard of rationality when it comes to manifestations of the unconscious or the way you naturally relate to others can be beneficial, I feel as if that is also causing you to react coldly to your own emotions, instead of embracing them. You need to let go of the idea that things must be coherent and make sense all time, we are humans, and many of what makes us human doesn’t make too much sense or doesn’t work according to logic. Seeking order, patterns and structure in places where there’s not a big need for those, is not going to give you the truths that serve your personal development. It’s key that you take some time to embrace what seems absurd about yourself, without looking for logic, but looking for experiences that will guide you to the answers you need.

˚ ༘ ೀpile number two ⋆｡˚

The card for you on this reading is the Six of Wands. What I see here, is a lot of well deserved feelings of pride that you are protecting at all costs. There’s absolutely nothing wrong with being proud, and I don’t even think this is the actual issue here. What’s blocking your most honest expressions is the fact that you are not allowing yourself the possibility of making a mistake, as you might feel this could take away from all the achievements you’ve had before. It’s key to know, when to be vulnerable, when to take a risk and where you are safe to try things out for the first time, but you are still not comfortable enough to embrace things about yourself that make you insecure, which is completely valid and understandable. In your case, I think that is okay if you want to preserve a sense of control over how others perceive you, yet it wouldn’t be healthy to allow others to expect things from you that are far too demanding to keep up with sometimes. It is necessary that you start setting honest boundaries with others and with yourself, in order to preserve a healthy sense of worth. Your value as a person is not defined by your achievements, or your failures, it is defined by how and why you do what you do no matter the result. When your intentions are honest and you are trying to better yourself or help others, it doesn’t matter what the final outcome is.

˚ ༘ ೀpile number three ⋆｡˚

Your card is the Chariot. The meaning of this card has to do with life experiences, movement and some level of chaos that is necessary in order to grow. I see that you are capable to maintain a certain level of peace of mind even when things around you are hectic, and this is something that might attract some people who are either amazed or envious of this.  In your case, I think that being all over the place (socially, spiritually, intellectually, emotionally) means that you are not quite sure yet on where you stand in relation to certain aspects of your life. This might seem like a problem, because some people are more settled on their beliefs or have more stable lives than you, but in reality, the fact that you are willing to try everything you can before committing is actually something that makes your life something richer. It’s completely normal to feel uncertain, confused and lost, but this shouldn’t keep you away from giving yourself the credit you deserve for the way you have chosen to experience life. Take some pride on what makes you different, and take pride on the process of self exploration you are, even if you are far away from finding a solid philosophy or stability in your life, embrace the fact you are capable of experiencing things without many attachments.

-ˋˏ ༻ ❁ Masterpost and Tarot Menu ❁༺ ˎˊ-

[starlight-eclipsed]

Rockets Pointed Up at the Stars (Pt 1/2)

Inspired by this braindead rejected soulmates au post by @im-totally-not-an-alien-2. More art at the end!

Part II

Tim slumped down on the edge of an apartment building, leaning his weight against the rooftop’s fence. The alleyways below were deserted, criminals retreating to get a couple hours of sleep before sunrise. A perfect setting to catch a breather before ending his patrol for the night.

The Red Robin suit still felt wrong on him. He thought waiting a week to get accustomed to it would help, but he might have made a mistake when he tried to adjust it to be as close to his Robin uniform as possible without it being obvious. He’d have to remember to alter it further the next time he got the chance, to see if wearing something entirely different would finally make him stop checking the shadows for Bruce. Patrolling Gotham alone felt too much like admitting he was really gone.

Just as he was about to move on, the rooftop access door slammed open.

Tim nearly jumped out of his skin as he whirled around, ready to either apologize, attack, or flee, when he met familiar glowing green eyes.

Subconsciously, he let himself breathe easy as he took in the other’s appearance.

Phantom was an anomaly at the best of times. A phantom thief by definition, the criminal had simply appeared one day to cause chaos—lingering only to taunt his pursuers as he made a daring escape with whatever priceless treasure of the month. His motives were unknown, as was virtually anything about him besides his calling card (a green sticky note with nothing but ‘BOO’ written in permanent black marker), appearance, and a meta ability to phase through objects.

Of course, one couldn’t be a phantom thief without a detective rival (or so the thief in question claimed). For some reason, Phantom had outright declared not Batman, but Robin for the role. Tim couldn’t count how many sleepless nights were spent chasing after him, face red from a mixture of exertion and embarrassment. Because it wasn’t enough for the admittedly good-looking criminal roughly his age to run circles around him. No, the jerk had to go out of his way to flirt with him the whole time.

He hadn’t even thought about how Phantom would react to there being a new Robin. But looking at him now, a small part of Tim couldn’t help but feel selfishly glad. From what he could see of the furious expression on his shadowed face and glowing eyes, it wasn’t hard to see that Phantom was taking the change about as well as Tim was.

“I leave for two weeks, and suddenly there’s a new Batman and Robin?! What the fuck, Detective—you’d think to at least have the decency to tell a guy, but nooo, I had to find out through goddamn Victor Fries!”

Tim blinked, “Didn’t Mr. Freeze retire after someone brought his wife back?”

Phantom paused his fury, shrugging a bit. “Nora keeps track of everything happening in Gotham in case something her husband did to save her comes back to bite them.”

“Huh.”

“Anyway! It took me going after Victor to ask why there was a new Robin for me to hear that the actual Batman was dead, Gotham went berserk for a while as every other guy tried to take up the position, and somewhere along the lines you got the grand idea to add ‘red’ to your name! Which makes no sense, since you practically lived for that mantle and I would’ve bet that you’d take it past the grave if given the chance.”

Tim winced. As per usual, Phantom’s words hit home in more ways than intended.

The thief stopped short, the glowing of his eyes intensifying as he looked over Tim’s new identity. Tim didn’t move as soundless footsteps strode forward, not even pausing as Phantom phased through the chain link fence to sit a couple feet away from him.

He could count on one hand the number of times Phantom had done this. One second they’d be exchanging insults, and then suddenly the criminal would stop and stare, feeling like he was gazing into the depths of Tim’s very soul. Each time, he called off their chase, insisting that Tim take a break and talk to someone about whatever was troubling him. It was uncanny how he could somehow tell when Tim’s negative feelings were overwhelming his rational thought—Batman himself would use Phantom encounters to measure Tim’s wellbeing at times.

Looking back, it was odd how Phantom would insert himself into every aspect of Robin’s life, but back off the second he sensed something was wrong. He’d call attention to whenever Tim was particularly anxious, once even physically dragging Bruce over to ‘talk to your son when he’s sad’, but never offer any comfort himself. But here they were, Phantom obviously seeing something Tim could never hope to conceal, with no Bruce nearby to summon and make things better.

Tim’s throat clogged at the reminder of yet another little thing Bruce might never get to do again. He couldn’t be dead, not with how many times Tim checked the body and struggled to recognize the man who’d become like a father to him. 

“...I…I know we’re not exactly friends, Detective. But if you need to get something off your chest, I swear to never use it against you.” Phantom fidgeted with his cloak. From this close a distance, Tim could see the faint glimmer of sparkling purple constellations embroidered on the inside. For some reason, the sight of the soft fabric never failed to calm his nerves.

(It reminded him of a time long ago, when he held a gel ink pen and asked a mystery person to quit whatever they were doing that left his arms covered in star charts that didn’t match anything in the Earth’s night sky.)

He didn’t dare force himself to speak, for fear he might break this tentative peace. Thankfully, Phantom seemed to be taking initiative that night.

“...did you know that I used to be a teen hero?”

Tim’s head jerked upright, meeting Phantom’s eyes. It was impossible to tell exactly what expression he was making behind the mask, but he got a sense of bitter nostalgia. “You never talk about your past.”

A scoff, “Yeah, ‘cause it’s depressing as fuck. Not exactly the sort of thing you can talk about causally.”

He chewed his lip, thinking. “Your suit…minus the cloak, it looks reminiscent of a uniform.”

Phantom fiddled with a cylinder hooked on his belt. It was the only piece of tech visible on his person, a modified soup thermos that somehow served as a near infinite item storage. Impressive, if not odd.

“Yeah, the cloak is more of a blanket than anything else. I added it on when I got tired of looking at the same clothes I used to save my hometown in. It…I didn’t become a hero for fame. It was more trouble than it was worth, honestly. You guys nowadays have so much better support systems than when I was in the business. Makes me wonder if…” he trailed off.

“...why’d you stop?” Tim asked gently, more than willing to throw himself into this new mystery now that he knew it was there.

“It was too much. Everyone wanted me gone, even the people I was protecting. I was hated for my powers, for not always being on the scene when I was needed, for not ending fights faster and for the property damage my villains caused. I didn’t live in a place with metahuman protection laws. The few people that knew my secret identity got tired of superhero life and ditched the first chance they got.” He sighed, “I was hurting, and was desperate for a way out.”

Tim frowned, “So you moved to Gotham and started stealing?”

Phantom snorted. “Nah, I was fucked up for a while after I ran away. It’s funny, one of my rogues was the first to track me down and drag me to a hospital to get my injuries checked. Like a dozen of them got together for an intervention, I thought I was finally losing my grip on reality. I spent a couple months recovering, then took one of them up on a suggestion to try causing trouble for a change. Not anything super bad, but…”

“...enough to feel more in control?” Tim suggested. It wasn’t uncommon for people in bad situations to commit minor crimes, both for the adrenaline and the power rush. Tim himself had once poured his whole soul into tracking and photographing Gotham’s nighttime birds. A hobby that was more than a bit cringe-worthy in hindsight, and definitely creepy considering how much effort he put into stalking his idols. Honestly his young age was the only reason he didn’t get put on a watchlist when he revealed himself to Bruce. That, and the whole I-know-your-secret-identity thing.

“Oof. Yeah, that’s a way to put it. Being hated hurt less when that’s what I was aiming for, y’know?”

Tim tilted his head. “I never hated you.”

A derisive laugh, “Uh-huh. And you loved being led on goose chases when there were more important ways to spend your time.”

“I’m serious.” Tim shifted so that he was better facing Phantom. He didn’t know why, but couldn’t stand the thought of Phantom leaving tonight convinced he was universally hated. “You only make a scene on quiet nights, and you always slowed down for me whenever I had to stop and intervene on some other crime. And you only target the private collections of rich people. Not anyone whose life would be ruined by something getting stolen. You even go out of your way to make sure the guards on duty don’t get in trouble, even when it puts you in a strategically worse position. And…”

He hesitated. Bruce wouldn’t approve…but then again, there was that weird relationship he had with Selina.

“And it was fun. To chase you. It was challenging and frustrating, but your appearance meant that there was nothing else to worry about that night. We could just run regular patrols.”

Oracle was the one to make the connection. Tim didn’t know where along the lines it became an accepted fact, only that Bruce was more comfortable about Robin patrolling alone when Phantom was making a move. A miracle considering what happened to the last one.

Phantom blinked, frowning a bit before his eyes went wide, a shaky smile forming on his lips. “Thanks…it was fun for me too. Kinda the whole reason I kept setting up scenes for Robin to find.”

Tim laughed. The sound startled both of them—he didn’t remember the last time he genuinely smiled like this. It had to be sometime before Bruce was gone, at least.

“So…” Phantom hopped down on the railing of a balcony below, balancing precariously in the way that only he could. He looked up at Tim with an easygoing smile that did little to hide the concern underneath. “As your self-proclaimed favorite rogue, wanna tell me what’s up with the sudden change?”

He shifted a bit, grin fading. “Well…Batman died. He was facing Darkseid and got hit. After the chaos died down, Nightwing took up the mantle and made Batman’s son the new Robin, to help him grieve or something.”

“I don’t know where to start with that.” Phantom adjusted his hood, briefly revealing tan skin underneath. “You sound like you didn’t have a say in it. Wasn’t Robin yours?”

Something bitter worked its way up through Tim’s chest. “It was a borrowed title anyway. I only took it up to help Batman, so it makes sense that I was dismissed—”

“No.”

“—after huh?”

Phantom strode up to him, poking a finger at his knee. “You love being Robin. You don’t have to justify losing your identity. It could’ve been taken in the name of world peace for all I care, that doesn’t make it any less shitty. You just lost someone super important to you, and your connection to them was taken because someone thought your grief was less important. I don’t care who the current one is, you are just as much Batman’s son.”

Tim couldn’t help the small sob that escaped. Or when it doubled, and tears started burning at his eyes. He rubbed at them in an attempt to stop them before they could make his mask go hot and sticky, but was startled out of it by a soft weight being thrown over him. He looked up to see Phantom leaning over him, securing the hood of his cloak over Tim’s own head.

“You looked like you needed some comfort. It’s weighted.” Phantom shrugged.

“...thanks.” Tim pulled it closer, more than happy to latch onto yet another new focus. “How do you move so easily in this? It feels like I’m being hugged by gravity.”

Phantom chuckled, and it was at that moment Tim suddenly realized the other was floating in the air over him. Since when has he been able to fly?

“I use intangibility a lot, but it’s not my only power. It felt like overkill to use more than that in my heists. So I didn’t.”

Tim groaned, “You were going easy on me this whole time?”

“Oh, definitely not. I’m sure you’ve noticed, but intangibility is arguably the most pain in the ass thing to counter. I’m being annoying on purpose.”

Phantom grinned, and Tim couldn’t help but analyze the full sight of him. Everything from his teeth to his ears was pointed, a sharp contrast to the wispy white hair that flowed smoothly in a nonexistent breeze. The most attention grabbing was a glowing green mark resembling a gash across his chest, roughly in the place where a hero would wear their logo. The sight of it made Tim’s own chest ache.

“I don’t think Batman is dead.” He said suddenly.

“What makes you say that?” Phantom asked, reclining on empty air. 

It wasn’t denial, not calling him insane or lost in grief. For the first time since his fight with Dick, Tim felt as though he could breathe again. “I know it sounds crazy, there’s no proof—”

“Woah woah woah,” Phantom reached forward, gently pulling Tim’s hands away from where he had started pulling at his hair. “Slow down. Walk me through your thought process.”

“It just…it doesn’t feel right. Not that I can’t believe it if he died, but this specifically doesn’t feel right. I’d feel it if Br-Batman was dead…there was a whole cloning facility where Batman’s body was found.”

That seemed to spark interest in Phantom’s eyes. “You think the body was a clone?”

“Why would someone as powerful and precise as Darkseid drop everything and kill someone he was in the process of cloning? Why was he even trying to clone Batman specifically? We’re missing something, and I think Darkseid is using everyone’s grief to cover his plan.”

Phantom propped his chin on his hand, deep in thought. “Darkseid…I’ve heard that name before. Does he have something to do with time or space?”

Tim practically sagged in relief. “He can travel freely through both, and has a host of other abilities that give Superman a run for his money.”

He snapped his fingers, “Ah, that Darkseid! Yeah, if he wanted Bats dead there wouldn’t be a body left. I’d bet my collection he’s lost in time somewhere.”

“Thank you!” Tim gestured wildly, “You’re officially the first person to hear me out. Like, is it really so hard to believe?”

“No probs, Detect-o. It’s not the weirdest thing I’ve heard, by far.”

“Exactly,” Tim huffed, leaning back and sighing. “Now I just have to convince the Justice League so they can go back in time and grab him.”

“Why not just get him yourself?”

Tim glanced over to where Phantom hung in the sky. “Unless you’re also hiding time powers in there, we kinda need the League to get to him. Plus I don’t even know when in time he is.”

“Lucky for you, I know a guy,” Phantom grinned. “The Master of Time messaged me this mornin’, something about stopping Batman from breaking the time space continuum. It’s why I’m back in Gotham so soon.”

“You…know the Master of Time.”

“Yep!” He popped the p.

“And they messaged you.”

Phantom hummed, “You can imagine how it went when I tried to confront Batman a couple hours ago. The new Robin’s a menace, if I was any slower you’d have to deal with a Phantom shish kebab.”

Tim winced. It was never fun to be on the wrong end of Damian’s katana. Still, he focused back on the insanity at hand. “So you’re saying you can just go back and rescue Batman right now?”

“Now that I know what’s happening, yeah. Clocky probably already has a portal ready for me. Batman will be back before you can say ‘Gotham’!”

It was inconceivable. To think, the living nightmare of the past weeks would be over, just like that. His brain was screaming at him that this was some sort of cruel setup, that there was no way Phantom was telling the truth. There had to be a catch somewhere, some kind of punchline in the sick comedy that was the life of Tim Drake.

But his heart, the part of him that just wanted his dad back won out.

“What’s stopping you? You’re not usually one to wait for a window of opportunity.”

Phantom rubbed the back of his neck. “No, but I distinctly remember waiting for a certain vigilante. I was wondering if…you’d like to come with?”

Tim’s jaw dropped. “You’re inviting me, a vigilante who has attempted to arrest you dozens of times…to travel back in time to save Batman, another vigilante who has tried to put you under arrest.”

“Emphasis on tried,” Phantom joked, before turning serious. “I mean it—it’s your family. Besides, it could be fun. You come with me on a time heist, instead of sitting back here worrying your pretty head off with all the ways things could go wrong. And you get to tell everyone else ‘I told ya so’ when you save Batman on your own.”

He tried to work his mind through what Phantom was offering. To be able to fix things, maybe not go back to the way they used to be (Damian might actually kill him if he ever wore Robin again) but to have Bruce back. It wasn’t even a question.

No matter how smart Tim was, how he tried to plan things in advance the way Bruce did, he never stopped being the lonely kid who would sneak out at night to shadow his heroes. When Phantom reached out to offer a hand, Tim didn’t hesitate.

“You’re wrong, though.”

Phantom blinked, firmly gripping Tim’s hand without hurting him. “About what?”

“I wouldn’t be saving Batman on my own. We’d be doing it together.”

A fanged grin matched his own, blinding him to the swirling green portal that formed around them. Before Tim could so much as wonder if he maybe should’ve messaged someone about what he was setting off to do, they were already gone.

— - —

This was supposed to be a oneshot, but it got a bit long so I decided to split it up.

I really love this au, but I noticed that everyone has a tendency to hone in on the angst so much that the characters behind it get a bit lost in the process. Not that there's anything wrong with that, but I wanted to try my hand at writing the misunderstandings without making either of them at fault.

(Insert rant about how the whole point of soulmates is that this person is a match for you, so even if you fundamentally are not good for each other you still get where the other person is coming from. There's so much more angst potential in not being able to hate someone no matter what they do to hurt you, but I digress.)

But yeah, let the boys heal and be happy! Also this is the closest I've gotten to actually writing romance and that's not saying much XD

Here's the design I drew for Phantom Thief!Danny. Feel free to drop an ask, I'd love to ramble more about this :D

[azulasmommyissues]

ATLA sexuality headcanons, part 1, Aang's era:

aang

-unlabelled or pansexual, also incredibly gnc. he/they methinks

-he never questioned it, he never thought about it. the air nomads were chill with everything, so he was too.

-he simply loves people, and he loves them deeply. he's the sort of person who says "i love you" very fast. and he doesn't have a specific type, either. he simply connects with people.

-he definitely had a bit of a thing for kuzon back in the day. kuzon taught him all the fire nation dances he knows, and bumi cheered them on.

-he also kinda digged teo, the mechanist's son, but by that point he already had his heart set on katara.

-as for girls, he DID like on-ji. in different circumstances, they would might have dated for a short while. but with katara it was love at first sight. the sort that makes you giddy and stupid.

-he's a lot worse at rizzing up katara because he is just THAT into her and he keeps fumbling

katara

-growing up, she never really questioned it. she knew she definitely liked boys and never had feelings for another girl.

-she's certainly fully cisgender. happily says “she/her/hers” when asked for her pronouns

-on the contrary, she was somewhat attracted to haru and jet both—and might've even considered zuko in different circumstances. like she definitely felt something akin to attraction in the crossroads of destiny.

-she fell in love with aang, because he gave her hope, he gave her joy, he gave her balance. she already felt SOMETHING in the cave of two lovers, but she was deeply confused and her feelings didn't clear until after the war.

-she always thought of herself as straight but said that, if she had the chance, she would be willing to kiss a girl—as an experiment. she just sort of always admired pretty girls, in the sense of "do i wanna BE her or DATE her,"

-and she's really passionate about feminism, obviously

-she always prefers getting compliments from other women because "they're worth mOre"

-eventually she meets jiang who's such a butch lesbian and questions EVERYTHING

-is that a girl? is that a boy? idk but why are they kinda...

-niyok and nutha both give homoerotic friendship vibes with her (all comic specific characters have the combined personality of one person hence why I'm including both)

-since she was dating aang she didn't explore her sexuality, but she discussed it with him and he supported her

-she considered identifying as bi but didn't feel like she qualified, since she'd never actually dated a girl. aang told her it's okay eifher way.

-at the end she decides to keep it all behind closed doors as per water tribe tradition. she's happy with aang, some girls are hot, it's nobody's business but her own.

-i also completely fw the reading of her as a straight cis girl, but you know

sokka

-bisexual, female lean, and maybe even poly.

-he fell for yue, he fell for suki. he definitely found like, ty lee attractive, but he didn't LIKE her. He was involved with suki, and they hadn't had any conversation about the exact status of their relationship so he wasn't about to fumble it.

-suki and him are both bi. and if yue were alive they'd BOTH be dating her. at the same time.

-zuko was sokka's bi awakening. seeing zuko and suki run around in the boiling rock absolutely changed his brain chemistry.

-he had a hard time accepting it, because of how the water tribes roll. he had a preconceived notion of manhood that he obviously had to challenge alongside his initial sexism.

-but then he realised that 1) his dad had been in a secret poly relationship with kya and bato, and then with bato and malina-- 2) his grandma had a fling with hama--3) master piandao and jeong jeongwere a thing--and 4) his girlfriend herself, suki, was bi. so bro had nothing to worry about.

-his identity became clear to him with suki's and his father's help. unlike katara, he was a bit more open and public with it. being poly, him and suki had many opportunities to explore it, always respecting each other's boundaries.

-sometimes suki does his makeup and he grows to enjoy it. he experiments with gender expression until he becomes totally chill with it.

-big part of his character is learning that he doesn't have to be a “man” in the way that patriarchy imposed on him his whole life

-so like, cisn't

toph

-toph has crushes on boys: sokka, zuko, the duke, satoru, sun, kanto. but i think non of them are really legit.

-toph would also flirt with girls, like, yaling

-had a 'not like other girls' phase

-she/they/he vibes, has a very complicated relationship with gender

-because she was made fun off by other girls as a child, it was harder for her to blend in and talk with them

-she was also raised sheltered within the walls of aristocracy which contributed to her not thinking about it

-she avoided commitment and serious relationships like the plague

-so she's unlabelled and perhaps in the aro spectrum. like, demisexual. but being both demi (aka needing to like someone as a person and getting to know them before feeling attracted to them) AND having commitment issues and a bunch of failed relationships is like, a DEADLY combo.

-i don't know. she is chaotic and not at all skilled with romance so she always fumbles it.

-but i also think she might just be 1000% aromantic whether or not she understands it fully

-i think that's very plausible

suki

-bisexual with a female lean and maybe poly

-big she/they vibes

-she's got endless autistic rizz like girl seduced sokka at light speed.

-in kyoshi island they called the bisexuals 'children of kyoshi' and the lesbians 'children of rangi'

-kyoshi island is basically lesbos if you didn't know /hj

-had her first kiss with mingxia before they decided that "ew, never again, i see you like a sister". she was super happy to meet meilin, mingxia's girlfriend

-DEFINITELY liked biyu and they might have been a thing in different circumstances. Aka if biyu hadn't betrayed her.

-would've dated both sokka and yue if yue was alive. like she would have loved yue. both of them having never left their respective homelands. both of them caring about community and having a duty to their people, a leadership position,,,

-but suki being so badass, liberated, free—and yue needing to sacrifice herself to BE free from her oppressive environment,,, like yue would also admire suki so much?? they would love exploring the world together and it'd put sokka out of a very awkward spot-

zuko

-demiromantic, bisexual. like this boy is SOMEWHERE im the ace spectrum but he's also bi. I'd say with a male lean.

-had internalised homophobia growing up, because, duh, fire nation

-he definitely thought that everyone feels like that when he was a child until his mother told him that this was very much NOT the case

-the gaang made him realise that it's totally okay and since they are all so queer he felt very safe with them

-made gay marriage legal in the fire nation

-made pride a thing in the fire nation inspired by the rainbow fire because i said so

-definitely felt attracted to both jet and sokka in the guy department.

-now, when it cames to girls, mai was his childhood crush.

-he definitely found song attractive but he was NOT in that headspace obviously

-same thing with jin although he was in a better headspace then. he introduced jin and song to each other post-war and they dated each other.

yue

-never got the chance to figure out how much girlypop liked women

-i could so easily claim she's a femme lesbian and that sokka was comphet, and I could even CONVINCE ya'll, because he is SO comphet coded, but I really love yue's storyline as it is and the lasting affect it has on sokka,,,,

-i can also imagine her on the ace spectrum

-she's so sapphic she's so queer bro is literally the moON?? what's more sapphic than the moon

-so, whatever, I'll say she's bi with a STRONG female lean. if she'd survived and joined the gaang she would have dated both sokka and suki and i truly believe that

-she would've loved suki and i just KNOW it

-love her so much let my girl be free of her arranged marriage

ty lee

-lesbian or pansexual. was ready to risk it all for mai. also completely down to be in a polycule

-she simply enjoyed male validation and attention due to her unmet childhood emotional needs. the dudes at the beach as well as sokka were giving massive comphet energy.

-i do also accept the possibility of her being pan, that'd be pretty great, but yknow, we do need more lesbians.

-despite being a fire nation citizen i think she'd be pretty open and liberated when it comes to her identity, at least wherever it's safe

-because her own ideology and philosophy is like. pseudo air nomad philosophy so i think she simply doesn't give a shit

-she is really into pride events. she LOVES the parade.

-i think she did have feelings for azula, at least as a child. then it all became really unhealthy,

-still, she felt sad about how things ended with azulw. she genuinely wishes it were different

mai

-she does also give comphet lesbian vibes BUT the "i love zuko more than I fear you" line SLAPS so I'm going to say bisexual with a female lean. she's also definitely asexual—and also demiromantic.

-ADORED ty lee, she just always assumed ty lee would choose azula

-it takes mai a long time to develop feelings for anyone, but when she falls she falls hard

-she's really not a big pride person, but she grows to enjoy it eventually. she goes with zuko and ty lee.

-she's not super vocal about her sexuality, but she also doesn't hide it. she doesn't give a shit. it's her business.

azula

-azula is a lesbian. not debatable like the others, to me.

-her feelings towards ty lee and mai are very reminiscent of sozin's feelings for roku i believe. like iykyk.

-she couldn't remember which of the boys was the one she was supposed to "like," but she remembered perfectly which bikini ty lee and mai were wearing. she picked chan like lesbians pick a random boy to crush on in middle school.

-and then she instesd remembered one of thr gusy who were flirting with either mai or ty lee. bestie was jealous.

-she had comphet, so much comphet. she wanted to be loved.

-so much internalised homophobia.

-she has a type, and it's brunette non benders of similar build. by which i mean ty lee and suki

-the ill will she holds towards mai in her comic for ruining their group over a stUpid BOY-

-it's comical,,

-i love her.

jet

-all the freedom fighters are queer

-jet is probably pansexual or bisexual. and also he/they

-he had a thing for katara but he sure as hell also had a thing for zuko

-he punches homophobes in the face

-i never liked jet when i was a kid because he was a jerk and i hated him with katara, but i grew to really enjoy his character and his arc

-this boy wants to eat the rich

-he doesn't want gay marriage, he wants to abolish marriage

smellerbee

-transfem ICON, she/her, though generally gender non conforming.

-and she's also also aromantic and asexual.

-queer platonic relationship with longshot, because of how deeply they love and understand and support each other

-if you misgender her on purpose the whole group will gang up on you and by the end of it you'll have four broken limbs and they'll be arrested for aggravated assault

longshot

-he's aromantic and asexual but he's got unmatched non-verbal autistic rizz

-as i said, QPR with smellerbee

-but all the freedom fighters plan to keep living together forever,, they're found family

-him and smellerbee just have a particularly special bond

the duke

-the duke is pansexual, i think

-i think he had a crush on toph

-also he/they

-and that's about all I've got

pipsqueak

-he/they/she

-pipsqueak's literally his chosen name, nothing cisgender about that,

-gay

sneers

-transmasc, he/they, potentially genderfluid

-dating kori who is bi

haru

-bisexual, female lean

-he/they, potentially genderfluid

teo

-gay, crush on aang

jin and song

-jin is pansexual, would definitely date song who is a lesbian

-zuko introduces them!!

uncle iroh

-straight ally. women are great! big womaniser back in his day.

-loves gay people

-huge support for zuko coming out

-that being said, he wasn't ALWAYS an ally. like he wasn't homophobic either, but he didn't support queer people before lu ten came out to him. then he accepted it, because he loved his son. finally, travelling the world and studying different philosophies led him to be a great ally.

-then he became the biggest ally ever amd a huge advocate for queer rights

-on a similar note, lu ten was gay. ozai was straight. zhao was straight and azulon was probably also straight. just getting them out of the wAy.

piandao

-gay gay gay. likes men.

-him and jeong jeong as a salty judgmental old couple is so real

-also everyone knows about it but nobody dares to give him shit for it

-he just glares and you immediately get off his back

-he could get himself a husband and nobody in the fire nation would do anything to stop him because they literally cannot arrest him

-he'll just shut the door on their face

jeong jeong

-also gay. big gay.

-tons of internalised homophobia, bless him

-tons of self hatred

-like, the way he sees his firebending as a curse of destruction and hatred and hates himself for it—instead of seeing all the colours of the dragons' rainbow fire, like zuko and aang, who symbolise the new generation

-it can work so well as a queer self-acceptance metaphor

-he definitely ends up with piandao, as i said before. begrudgingly in love.

hama

-lesbian. privately, as per water tribe tradition.

-nobody in the south gives her shit for it.

-she definitely had a relationship with kanna.

-when she lived in the fire nation, things were different. living as her authentic self was impossible—even secretly, it became near-impossible.

-hama's life is one big tragedy.

pakku

-straight. initially homophobic as per water tribe conservatism. the sort of, "just don't shove it in my face" homophobia

-but upon realising that like, both his friend group and his wife are incredibly queer, he gets over it

-iroh helps with educating him

-it's also canon that zuko gives the southern water tribe custody of hama after the war which i find incredibly sweet

-but since hama and kanna were... tight, I find myself incredibly entertained imagining possible interactions between pakku and hama

kanna (gran gran)

-kanna was bisexual.

-in the time she spent traveling from the north to the south she slept with a bunch of people

-fire nation pirates, sand bender bandits, earth kingdom soldiers... hakoda's father is a mystery. a mama mia situation.

-other flings include the herbalist, probably, (all old people know each other)

-even madame wu, why not?

-like it entertains me to think that kanna was unhinged the moment she left the Northern Water Tribe

-and being a non bender she used all tools at her disposal to reach the south if you know what i mean

-that being said, she also learned to fight a bit. probably. just to spite pakku.

-when she reached the south, she had a thing with hama. i say this because of the kataang parallel when hama was taken away.

hakoda and bato

-hakoda is bi, bato is gay

-hakoda loved kya, bato loved him secretly and never told him

-after kya died, bato was his only comfort, they fell in love

-once malina enters the situation too, it eventually ends up being a polycule

-note that i strongly dislike malina and those comics

[anderscim]

✦ a really old minitheory about jax that had been left in my drafts for nearly a year

title is pretty self-explanatory.

// spoilers for the pilot episode of TADC

so, this is actually an old theory that i had created back when the pilot first came out—but i decided that it’s worth sharing now. basically, it summarizes what i think could possibly be a reason behind our favorite rabbitoid’s behavior.

take everything with a grain of salt. (^^)

this might sound like a weird place to start from, but i swear there’s a line of thinking behind it—what could be some of the reasons that a character abstracts?

at the very least, we know for sure that abstraction occurs if a character’s mental state entirely collapses—which could happen for a myriad of reasons. mental breakdown, existential crisis, you name it.

however, the most important effect that comes with abstraction is that they completely lose their sense of identity—which is also shown externally with the abstracted character’s appearance.

this led me to think that a possible reason for abstraction could also play into identity—whether that’s losing it, somehow messing with it one way or another, or, in a crazy scenario, doing something (aka recovering original memories, for example) that would cause them to clash with their current identity. things like that. obviously there’s some very strong theories out there as to what could also be other reasons for abstracting, but for now i’ll stick with the simpler explanations.

okay, but what does this have to do with jax?

basically, i needed to set up the previous context in order to be able to explain a possible reason for jax’s… jacka$$ery. yeah. that works.

as far as i can tell, it looks like he’s essentially being mean to everyone else just for the sake of it. from (allegedly) placing a centipede in ragatha’s room, to constantly bullying gangle, to pretty much every snide comment in general—it seems that he’s completely cemented his role as the “mean guy” of the series. but what if that was his goal?

the reason why i partly discussed identity in the abstraction section is because, to me, it seems like jax is setting up his own identity as the rudest and most chaotic character in the cast as a way to ensure his survival in this digital world for as long as possible. or in other words, this identity of his is something he can consistently fall back onto no matter what happens, which allows him to keep his mental stability a bit better than others. it’s a simple role that was developed only within the context of the digital circus, and he seems completely comfortable with staying in it.

additionally, here are some other circumstances where he could just fall back on his “identity”— - something bad happens to him? sure, let’s call it karma. - in the event that he does something that causes a bit too much destruction? it’s fine, he’s supposed to be the guy that would do something like that anyways. (edit: he did exactly this in episode 2. just my luck. help me.) - hurts someone on accident? wouldn’t be out of the question. maybe even intentionally if the time calls for it.

overall, it feels like his current place as the “rude character” makes it a lot easier for him to stay consistent and keep things less complicated. being nice is difficult and nuanced, you may unintentionally hurt someone by saying the wrong thing—but if you’re already known to harm people one way or another, there’s absolutely no mistakes you can make.

and for jax, it’s a way to keep himself grounded while causing a ton of chaos on the side—which he seems to like doing, so it works. this is pretty much a foolproof method of survival for him; at least, until something happens which he doesn’t expect.

but this is all just speculation. feel free to chime in with some of your own insights (´∀｀*)

———

edit: yes, this is pretty old haha. but i think it still somewhat holds true for episode 2, so i’m posting it for now. would be kinda funny if i was entirely wrong about this though (￣ ￣)

[deltarunebt]

rambling thoughts on Frisk and The Player in this AU maybe.

(also this is the only instance in which i'll have Frisk directly talk rather than have their words Narrated by the Narrator because it was more convenient to just do that for a little non-canon doodle.)

I think 'The Player' is (probably??) still a thing here its just that 1) Frisk is too young and isolated from other humans to realize that this isnt Normal. They think 'The Player' is just, like, their conscious. And 2) The player has much more limited control over Frisk at this point compared to the control they have over Frisk in Undertale and Kris Deltarune. Its also just a different dynamic with Frisk and Player than Kris and Player.

If Kris and Player are a Puppet and Puppeteer, Frisk and Player (given that this au takes place after a True Pacifist Route specifically) are more of... a dog on a leash. Frisk is walking on their own, but the Player is keeping them on the right path. An unwelcomed(?) parasite for Kris, but a Guiding Light for Frisk.

Frisk is young enough in Undertale that they aren't really like.. an independent person yet? They don't have any Strong moral principles or set path in life or anything, they're at an age where they're very much still developing an identity and an understanding of the world and are thus heavily vulnerable to outside influence, for better or worse.

DR:BT probably takes place around a year after the True Pacifist ending, so Frisk has had time to begin to grow into their own person, influenced by the choices the Player guided them to make while in the underground, but without any actual direct input from the Player until DR:BT happens.

At which point the Player, while still able to influence Frisk's actions, cannot make a 'choice' that Frisk wouldn't make. If that makes sense?

Like, if Frisk is asked their favorite icecream Flavor, the Player might get the options Chocolate, Mint, Butterscotch, because all three of those are flavors Frisk likes enough to consider their favorite, and the Player can give them the nudge to decide WHICH of those three is their favorite. But the player couldn't make Frisk say 'Strawberry' because even if the Player likes it, Frisk doesn't, and they Know they don't, and the Player can't Change that. The Player's actions in Undertale [Determined] the type of person Frisk is now, and the Player cannot undo that at this point.

For that reason this AU also won't have any kind of 'snowgrave' route! Frisk isn't that kind of person! You MADE Frisk into Not that kind of person! YOU gave them a sense of morality and compassion, too late to go back on that!

idk!! rambling!! ill figure out the exacts with time!!

[stellarwhisper]

Astrological Alchemy: Revealing the Various Impacts on Identity and Appearance

Being a Gemini rising, it's critical to keep lines of communication open and flexible in your friendships and to remain flexible in your online buying practices. For a smooth transition into the workforce, maintain good relations with older siblings, take care of your work obligations, and foster pleasant contacts with your supervisors. Your abilities to be adaptable and communicate well will come in handy when handling these aspects of your life.

Rolling a set of unique dice bearing symbols for planets, aspects, and zodiac signs is the process of reading astrological dice. Based on conventional astrological interpretations, each roll yields a combination. This is a basic how-to:

1. Know the Dice: The twelve zodiac signs, planets, and aspects such as conjunction, sextile, square, trine, and opposition are usually represented by symbols on astrological dice.

2. Dice Rolling : Roll the dice, and record any symbols that come up face-up.

3. Interpretation: Use astrological concepts to interpret the combination of symbols. As an illustration:

Zodiac Signs: Indicate character attributes or impacted facets of life.

Planets: Showcase the forces or influences at work.

Aspects: Illustrate the connections between the planets, showing either harmony or tension.

4. Consider Context: Examine the reading's context as well as the relationships between the symbols. Take note of any recurring themes or trends.

5. Resources: For interpretations of certain combinations, consult astrology books or online resources.

6. Practice and Intuition: As with any divination tool, interpretation is greatly influenced by both of these factors. Have faith in your intuition and use experience to gradually hone your comprehension.

Keep in mind that astrological dice readings are a type of divination and that you should approach them with a fair amount of skepticism and an open mind.

Venus opposition Moon aspect in terms of relationships. This feature may make it difficult for partners to communicate and understand one another's love and care. Venus, a symbol of love and affection, might perceive walls or a sense of separation from the Moon, a symbol of feelings and care.

Venus can be dissatisfied when her expectations about how the Moon would show her love aren't fulfilled. But for the relationship to advance, Venus must acknowledge that everyone displays love in a distinctive way and that it is crucial to recognize and value the Moon's distinct manner of providing care.

However, by attempting to externalize their feelings and influence the dynamics of the relationship, the Moon also helps to close this distance. Venus is not the only one who must take care of the relationship; the Moon must also actively engage and express their emotions in order to establish a more harmonious bond

A Pluto-related dynamic in a synastry or composite chart, where the house placements of one individual interact with the Pluto of another. This feature frequently denotes a strong and passionate bond between the parties.

Pluto's influence can produce intense tension and attraction as well as a feeling of intimidation or terror, especially for the individual whose house it is affecting. Pluto's energy has the capacity to be profoundly psychologically transforming, which may result in a need for dominance or power struggles in relationships.

Pluto is influencing that person's home, so that person may feel like they are being used or manipulated by that person, particularly when it comes to their behavior or appearance. Pluto's influence, nevertheless, can also give individuals a sense of empowerment by enabling them to access their inner confidence and strength.

Honesty, open communication, and a readiness to confront power struggles or control concerns head-on are necessary for navigating this relationship. Both parties need to be prepared to face their own shadow selves and strive for a more harmonious and mutually empowering partnership. Navigating the nuances of Pluto's effect in relationships can also be aided by counseling or therapy.

In a synastry or composite chart, Pluto in another person's 9th House denotes a significant and transforming effect on the themes associated with the 9th House in that person's life. Higher education, philosophy, spirituality, travel, and beliefs are all connected to the 9th House.

The following are some possible dynamics:

1. Belief Transformation: The other person's views and worldview may undergo significant changes as a result of Pluto's visit. Their connections with you might lead to profound shifts in their philosophy or spirituality.

2. Power disputes in Matters of Faith or Philosophy: There could be disputes or power struggles pertaining to ideologies, philosophical stances, or beliefs. Through your discussions, the other person can feel pressured to question their preexisting worldview or face deeply held ideas.

3. intensive Learning and Growth: The 9th House themes might be associated with intensive learning opportunities and experiences brought forth by Pluto's influence. You might entice the other person to pursue serious intellectual or spiritual endeavors together.

4. Transformational Travel Experiences: The other person may undergo profoundly transformational travel experiences alongside you. They might come across intense encounters that alter their viewpoints and cause them to undergo substantial personal development.

5. Impact on Higher Education: Pluto's position in the other person's 9th House may have a profoundly transforming effect on their academic endeavors if they are seeking higher education. They might explore challenging or taboo themes, or they might experience significant shifts in their educational path.

All things considered, Pluto's position in the other person's 9th House suggests a profoundly influential and maybe revolutionary interpersonal dynamic, especially in the areas of spirituality, belief systems, education, and travel. For all parties concerned, this placement may result in significant personal development and evolution.

Sign of Aries! The first sign of the zodiac is recognized for its audacity, capacity for leadership, and spirit of innovation. People born in the sign of Aries are frequently gregarious, self-assured, and ready to try new things. They have an innate drive and competitive spirit, and they don't hesitate to throw themselves wholeheartedly into whatever they set their minds to. Their contagious zeal and excitement can encourage people around them to follow in their footsteps. Mars, the planet of anger and action, rules Aries, which feeds their impetuous and sometimes energetic personality. All things considered, Aries infuses any circumstance with a dash of energy and vitality.

The twelfth and last sign of the zodiac, Pisces, is characterized by empathy, intuition, and artistic ability. People born under this sign are frequently sensitive, empathic, and acutely aware of both their own and other people's feelings. Dreamers and visionaries, Pisceans have a strong spiritual connection and vivid imaginations.

The following are some essential characteristics of Pisces:

1. Empathetic and Compassionate: Pisceans prioritize the needs of others before their own, demonstrating a great sense of empathy and compassion. They provide support and understanding without passing judgment since they have a keen sense of the emotions of others around them.

2. Creative and Imaginative: Pisceans thrive in creative endeavors like music, art, writing, and dance because of their rich imagination and artistic flare. They are drawn to pursuits that let them communicate their deepest emotions and ideas.

3. Psychic and Intuitive: Pisceans are born with psychic sensitivity and intuition that help them navigate the ups and downs of life. They frequently possess a profound awareness of the invisible forces at work in the world and follow their intuition.

4. Adaptable and Flexible: Pisceans can easily adjust to changing conditions since they are flexible and go with the flow. They have faith that things will work out as they are supposed to and are not scared to relinquish control and go with the flow of life.

5. Idealistic and Romantic: Pisceans are hopeless romantics who cling to the idea that fairy tales can come true and that love can conquer all obstacles. They frequently look for deep relationships and soulful connections, and they have rose-colored glasses on.

6. Spiritually Inclined: Pisceans are drawn to mystical and esoteric matters and have a strong spiritual side. Yoga, meditation, and other spiritual disciplines that unite people with a higher force or the collective consciousness may provide them with comfort.

7. Sensitive and Vulnerable: Because of their increased susceptibility to emotions, Pisceans are more likely to experience mood swings and become quickly overwhelmed by life's harsh truths. They might withdraw into their own private realm as a defensive mechanism.

Overall, Pisces is a loving dreamer that adds depth and inspiration to the world around them because they embody the traits of empathy, creativity, and spirituality.

Instead than seeing your natal chart from the viewpoint of the Sun as in a regular natal chart, a persona chart lets you examine it from the perspective of a particular planet. You can learn more about how a specific planetary energy affects your personality, emotions, and life experiences by concentrating on that energy. Examples of these energies include the Moon, Mercury, Venus, Mars, Jupiter, Saturn, Uranus, Neptune, or Pluto.

For instance, you could consult your Moon persona chart to examine your emotional terrain and innate responses. This chart would show you where the Moon is in your natal chart, together with its aspects and house placement, giving you information about your emotional requirements, nurturing temperament, and ingrained habits.

Similarly, you may look at your Mercury persona chart if you're curious in how you communicate and process information. Your Mercury placement, aspects, and house position would be shown on this chart, providing insight into your preferred methods of learning, manner of communication, and areas of intellectual interest.

From the perspective of a particular planet's energy, each persona chart provides a distinctive look at your astrological composition, enabling you to explore the subtleties of your personality and life path in greater detail.

That interpretation of Saturn's position in the 10th House is intriguing! In fact, Saturn in the 10th House frequently denotes an emphasis on ambition, a career, and authority people. While the conventional interpretation points to obstacles and setbacks in reaching professional success, your method presents a novel and empowering solution.

Those with Saturn in the 10th House can develop a sense of self-assurance and more easily draw opportunities and recognition by changing their perspective from one of struggle to one of faith and ease. those can overcome self-imposed obstacles and more successfully and efficiently accomplish their career goals if they think that everything is really simple and that those in positions of authority will appreciate their efforts.

This viewpoint is consistent with the idea of manifestation and the efficacy of positive thinking, according to which altering one's attitudes and beliefs can have an impact on the outside world. People with this placement can use the energy of Saturn in the 10th House to advance in their jobs and more easily accomplish their goals by developing an attitude of prosperity and success.

People with Neptune in the first house may look different from their parents or other close family members, with an airy and distinctive appearance. Boundaries can be blurred and an air of mystery or illusion around a person's identity and physical appearance while Neptune is in the 1st House.

Here are some possible ways that this placement could appear:

1. Unconventional Appearance: People with Neptune in the first house may have traits or qualities that, when compared to other members of their family, look unusual or unearthly. This could include distinguishing characteristics like their skin tone, hair, eyes, or facial features.

2. Difference in Appearance: As indicated, they might possess physical characteristics that set them apart from their parents or siblings. For example, a family of brunettes might inherit recessive characteristics like red hair and blue eyes. Their familial dynamic may make them feel "different" or stick out more as a result of this contrast in appearance.

3. Ambiguous Ethnicity: Neptune in the first house may give someone's look a sense of ambiguity or fluidity, making it challenging for others to identify their ethnicity or cultural heritage. They could frequently be mistaken for members of a different nation or ethnic group, which heightens the mystery surrounding their identity.

4. Chameleon-Like Quality: People in this placement might have an appearance that is similar to that of a chameleon, as though they can readily fit in or blend into many social or environmental contexts. Because of their versatility, it may be difficult for others to label or classify them just on the basis of looks.

All things considered, Neptune in the first house lends a feeling of magic and mystery to the person's physical presence, giving them a distinct and occasionally enigmatic look that makes them stand out from their relatives and friends.

[sunderingstars]

☆━━━━━ ⋆⁺｡˚⋆˙‧₊☾ ◯ ☽₊‧˙⋆˚｡⁺⋆ ━━━━━━☆

✩ ‧₊˚ ⌞ EIDOLONS ⌝

sampo analysis m.list

— what the stars reveal: interpretative analysis, heavily aha!sampo

— word count: 3k (can you tell i'm an english major? :3)

— overview: (as of 2.3) hello and welcome back to sampo theory time! this time, i’ll be looking at his eidolons, their names & art, and how they might factor in to his overarching identity and story. there will be a few conclusions i reference in this post (like eidolons progressing in a linear narrative), so if you want more on that, i highly recommend reading my eidolon names as narratives and eidolon art as facets of character posts first! it’s not required reading though (god i sound like a professor) — otherwise, enjoy!

☆━━━━━ ⋆⁺｡˚⋆˙‧₊☾ ◯ ☽₊‧˙⋆˚｡⁺⋆ ━━━━━━☆

To begin, I would like to humbly say this post will likely be the most nerdy thing I’ve ever posted in my life. I have written entire paragraphs about two singular words for this. Two words. And I have even more I can say about them! But anyways, just a heads up, this is the type of thing you’d probably see spoken by a stereotypical “nerd” archetype in a high school movie. But without further ado, let’s get started!

(Yes, I am sad that I still only have him at E2 despite pulling every time he’s on a banner. And both of these are from event character selectors :))

My main thesis for this analysis is that Sampo’s eidolons follow a similar narrative structure to other eidolon sets in that they start with his backstory and progress to the present (and open-ended future) of where we are in the story; additionally, the placement of these names with the facets of his eidolon art add to further implications for his personality and development. This can lend itself to multiple of my theories — the main ones I will be interpreting for are Aha!Sampo, Emanator!Sampo / Functional Aha, and Dual Consciousness!Sampo.

✩ ‧₊˚ ⌞ AHA!SAMPO ⌝

Starting with Aha!Sampo, I interpret these eidolons as beginning at his “rise” to Aeonhood, then following through to him “spending” some kind of cost in the present/future for whatever his plans are. 

“Rising Love,” his E1, has two important components — “rising” and “love.” “Rising” seems the most obvious to me, as Aeons have been referenced to “fall” before, so it makes sense that they would also be able to “rise.” Additionally, Himeko has explained that Aeons “ascended from the form of intelligent beings” (Parlor Car Dialogue); beyond “ascend” being a direct synonym of “rise,” this shows that Aeons can come from physical and perhaps even humanoid beings. In fact, Aha’s lore in the data bank, while not explicitly stating that Aha used to be mortal, implies the “climbing” of the tree of existence and laughing, which is a very human act. (However, it is good to keep in mind that this is a parable told by the Masked Fools, and given the nature of Elation factions may not be entirely truthful.) In this way, “ascend” and “rise” may be interchangeable, and the “birth” of an Aeon could also refer to the “rise” of a mortal to Aeonic status.

Next is “love.” For this we need to think not as followers of a Path, but as an Aeon Themself. While it may be easy to think “If he’s Aha, it should say rising elation” — 1. That might be a bit too obvious from a writing standpoint and 2. From an Aeonic perspective, Aha may very well view “Elation” as “love.” They may view spreading Laughter throughout the universe as the ultimate form of love, and as such “rising love” could refer to the rising of a being capable of dispersing “love” (Elation) on a wide scale throughout the universe.

After the ascension, or “rise,” to Aeonhood comes Sampo’s E2, “Infectious Enthusiasm.” This is one of the more obvious ones in my opinion, as “infectious” implies a status capable of imposing itself on others — influencing them in ways that are perhaps beyond mortal comprehension — and “enthusiasm” is closely linked to “Elation” both in wording (starting with the letter E) and in connotation. “Enthusiasm” and “Elation” are both high-energy words, carrying the idea of excitement and even mania. I would view this as “Aha proper,” in which Sampo has come into his full identity as an Aeon and is thus capable of dispersing “infectious enthusiasm” onto others (Pathstriders). (Aha is also directly described as having “infectious enthusiasm” in the Simulated Universe!)

“Big Money!”, his E3, is particularly interesting to me because it seems like an intrusion — a departure from the other, more grounded names. The exclamation mark especially lends itself to the exact kind of “infectious enthusiasm” present in his E2, to some kind of encroachment on his previous mortal existence. This ties into my compulsory existence theory, in which Aeons by nature live in a sort of compulsive state, needing to adhere to their given “concept” just by virtue of existence; this is heavily influenced by the game’s discussion of “Primum Mobile”s, or the idea of “restrictions” that come from existing as an Aeon. Aeons that ascend from mortal beings would experience the brunt of this, as their previous state would essentially be overwritten by this eldritch, compulsive concept. 

I think “Big Money!” could symbolize such a change in Sampo. After ascending to Aeonhood from a potentially mortal form, intrusive thoughts of Elation encroach on his very being — the feeling of momentary thrill, of “Big Money!” — likely leading him into his next state: “the deeper the love, the stronger the hate”.

I’m not going to lie, I’m absolutely in love with the name for Sampo’s E4. It links back to so many aspects of his character in a way that sets up an amazing juxtaposition between his outward appearance and inward feelings in so few words! For me, “The Deeper The Love, The Stronger The Hate” highly relates to compulsory existence. As we see in Aha’s splash art, the smiling masks — the Elation, the “Love” — are always at the front in the spotlight, while the frowning masks — the sadness, the “Hate” — tend to be obscured in the background by shadow. 

In a compulsory existence, I can’t imagine how horrible it must be to constantly be forced into performing a singular emotion or concept. In all likelihood, these negative emotions are barely able be felt at all, leading to extremely repressed layers of fear, anger, sadness and, yes, “hate.” “The stronger the love” — the stronger the Elation — means more repression, more hiding, a stronger fermentation of despising one’s own existence lingering in the background like shadowed masks — “the stronger the hate.” In this way, I believe Sampo’s E4 may convey this dual existence, of an existence where one side is so deeply, powerfully out-of-proportion with the other that any emotion from the other side is left to fester unchecked below the surface. 

(Note: The name could also be referencing the talent level-up, which would show the self-aware aspect of his character. This would apply to his E5 as well.)

This hate, of course, is then covered up by “Huuuuge Money!” (E5), because we can’t have those feelings swirling around in a being of pure Elation, can we? they must be taken out with the trash, overshadowed with yet another encroachment of exclamation marks and the thrill of sudden gains. After Sampo’s rise to Aeonhood, it must’ve been a constant battle between these underlying negative feelings and his compulsory, Elated existence — and given the linear progression of most eidolons, this must’ve been a pattern that repeated for millennia, over and over and over again, one he can never escape or solve. Perhaps it still is. 

Which is why, in his E6 “Increased Spending,” I believe Sampo may be “paying a cost” to try to alleviate this issue. Whether by becoming mortal, sectioning off his power to others, passing along his title, or any other number of potential solutions I don’t know, but I feel like he is turning his compulsive nature of Elation to the thrill of the “cost” in the hope of changing some part of this ever-chaotic, ever-stagnating existence. Either that, or it is to further a master plan we the audience don’t know about.

Overall, in terms of Aha!Sampo, I interpret these eidolons of tracking his rise to Aeonhood through his compulsory existence and fermenting self-hatred, all the way to “increased spending” trying to find a way around this problem.

Now, let’s take this a step further and add his eidolon art into the mix. This is where I’ll start to get into some of the conclusions I discussed in my eidolon art as facets of character post.

E1 (Rising Love): Keeping in mind “rising” as potentially referring to the rise of an Aeon and “love” as potentially referring to Aha’s idea of Elation, I see this figure as an ascending or untouchable silhouette; “walking” (or perhaps more aptly, climbing) into a new role. It also creates a distance between a potential “past” mortal form and a “current” Aeonic or ascended one.

E2 (Infectious Enthusiasm): I find it so interesting that “Infectious Enthusiasm” was chosen for the eye-centered eidolon. Since “Infectious Enthusiasm” is so, well, Aha-coded, this matches with the conclusions of first impressions and inciting incident from my eidolon art post. I believe this eye is meant to represent the first true “glimpse” of Aha people get — it is very close to the face without being too personal. It also spotlights Sampo’s unique facial features, mainly the almost condescending furrow of his brow. However, the eye itself has deep shadows, most likely referencing the dual hate within his being. This would be the “inciting incident” of Sampo in his Aeonhood proper, at the height of his power.

(Note: “Infectious” + the focus of an eye may further imply the presence of a “gaze” and the ability to distribute power in an Aeonic way.)

E3 (Big Money!): E3s are by far the most character-specific eidolon, with each character interacting with an important object to them. I feel like money is only fitting for Sampo, since it matches both the eidolon name and his obsession with making money. It very much leans into the “con-man” aspect of his character, and would make sense as the way acquaintances or those he keeps at arm’s length would view him (probably his customers).

I also find it extremely interesting how he is looking down. We see this a lot throughout his mannerisms and idles, with him always seeming to have a condescension that looks “down” on others below him. While this could be just another facet of his character, it also matches up with the way an Aeon may view the mortals around them — no matter how close They get to someone, that someone will always be “below” Them. It’s not even a conscious decision, just a natural byproduct of Aeonic existence, much like casting Their gaze down to bestow power on Pathstriders. Whether Sampo has become truly mortal at this point or not, it’s probably a bad habit to kick regardless. (I would also love to point out how him looking down at the money is also reminiscent of this (albeit more nostalgic and “loving”) face he makes towards Sparkle, a whole human being:)

E4 (The Deeper The Love, The Stronger The Hate): Here, we zoom in even more on his personality. Beyond the superficial impressions people get from seeing him at a glance, we have now entered a more complex emotional understanding — his eye, unlike in his E2, is more faded and shadowed, the hand scratching his head and his smile pointing towards a sort of “act” he puts on for others. This shows multiple dimensions of him: both the charismatic, smiling con-man, and the hatred lurking beneath that façade’s surface. This would be in a more present timeline, highlighting his “fake” and mysterious nature as well as how he is portrayed to people who know him better like friends. It shows a clear dissatisfaction with the façade he has to put up; whether the “love” is also a true emotion to him is up for debate, but either way this eidolon has him balancing between these two sides of his being (potentially balancing between an eldritch and mortal consciousness, or dealing with the aftermath and residual power of a past Aeonhood). (He also seems to be looking down at the spot the masks would match up with if the silhouette was looking down in Aha’s splash art — it is possible that this “hate” refers to the hate he has for his power or the power of the masks. Or, perhaps, this looking down is a general way to symbolize a being of higher power looking down on those below them like Pathstriders.)

E5 (Huuuuge Money!): This eidolon is more casual and comfortable than the others — there seems to be no dual-sided hate, nor does there seem to be as prominent of a focus on obsessive moneymaking in the art itself (the name is a different story). Instead, the main focus is drawn to Sampo’s outfit, the moniker of his existence in Belobog. The upper half of his face is still cut off, but the art seems to be hinting at a potential comfortability in Belobog, as well as the future mystery of his true identity (and if he will choose “Sampo Koski” as his real self). I actually love this combination, because it shows how Sampo may be at his most casual in Belobog; it’s clear he’s made real connections with the people there, and regardless of his motives, it seems to be a place he deeply cares about. This would be his appearance to close friends, most likely those aforementioned connections in Belobog like Natasha or Seele. (However, the looming encroachment of “Huuuuge Money!” still hangs in the air, perhaps signaling a bigger issue with Aeonic consciousness persisting despite his best efforts.)

E6 (Increased Spending): Finally, we get to the core essence of Sampo’s being. This is him at his most vulnerable, his appearance to only a select few special people. His head is tilted, his neck bared, showing clear trust and confidence in this position. The main thing of note here is the similarities between E6 and Aha’s splash art — the same pose and build with a different tilt.

This would mean that Sampo’s identity as Aha is his most vulnerable form of being — the fact of others knowing who he truly is, of wading through his personable exterior to reach the truth at the core of him, is a privilege only a trusted few get. This most likely points towards the “cost” implied by “increased spending,” the idea that, for whatever reason, Sampo’s true identity being revealed at the wrong time or too soon would put him in a less-than-ideal situation. As such, it is something he holds close to his chest (at least in Belobog) either willingly or unwillingly. (Note: This could also reference a past identity as Aha, it does not necessarily have to be something he experiences currently.)

It also shows that the silhouette in the splash art is the “core essence” of either Sampo, Aha, or both. Beyond the masks (much like Sampo’s façade) lies a deeper, truer version of who Aha is. The true Sampo is not the masks or the smiles or the laughs, but the shadowed figure beyond them, the silhouette that holds the hidden emotions of an Aeon.

I would also like to point out that, on the whole, Sampo’s eidolons (and kit in general) focuses on damage over time. Interpretations can be varied, but I personally like to think this further references the idea of “cost,” and that staying in mortal form as Sampo may be hurting him over time just like his DOTs affect others!

Overall, the art for these eidolons paired with the names create a fuller picture of who Sampo might be and what he might be hiding. There are a lot of hidden clues and implications that can be applied to several different interpretations, and I tried to account for multiple in my analysis! The standouts for me are his E2, E3, and E6, but that’s just because of personal preference. Before I conclude, I want to briefly interpret these eidolons for some non-Aha!Sampo theories.

✩ ‧₊˚ ⌞ ALTERNATIVE INTERPRETATIONS ⌝

There are other interpretations to be had, namely Emanator!Sampo and Dual Consciousness!Sampo. Many of the points I made for Aha!Sampo can be applied to Emanator!Sampo, as we know Aha is both capable and willing to give others entire mastery over Their path for shits and giggles. It is possible that Sampo, as either an Emanator or a “functional” Aha or both, could have a similar “rise,” “infection,” and compulsory existence as a result of Emanator status. Additionally, any kind of dual consciousness where Aha is trying to impose Their will on Sampo could contribute to the constant push-and-pull of two schools of emotions — even minds. We could read this as a more literal encroachment of Aha on Sampo’s mindspace, quite literally trying to force Elation into his brain while Sampo’s consciousness fights back. In this way, the “love” and “hate” mentioned could refer to more of Sampo’s feelings towards Aha as a separate or encroaching entity, rather than himself or his own existence.

(Note: This could also work for Aha!Sampo where Aha’s power & status is passed down or won like a sort of crown or title — a “mask” if you will — and Sampo is the latest inheritor/receiver of it. The eidolons would then track from a more recent experience of receiving power and dealing with the encroachment that comes with it. I think it would also lend to much more fear and confusion as this new existence would be a stark departure from Sampo’s previous mortal life.)

(Note 2: Electric Boogaloo: This could also work with a “transformation” theory where Sampo’s more human form and his eldritch-Aha counterpart have two distinct mind spaces, and the “encroachment” of “Big Money!” and “Huuuuge Money!” could be indicative of the literal mental change that happens when he transforms, leading to increased spending (or the “cost”) of him trying to stay in human form as much as possible because he doesn’t like what he becomes when he changes.)

(Note 3: I promise this is the last one: It is also possible that Aha has sectioned off these feelings of “hate” into a separate being — i.e. Sampo — and “The Deeper The Love, The Stronger The Hate” shows that how despite being separate physical beings, Aha and Sampo share an emotional space in which the “love” of Aha directly influences the severity of the “hate” in Sampo. Just a thought.)

Anyways, I find these eidolons super cool! I love how Sampo flips through his bills in his E3 and how his E6 mirrors the silhouette in Aha’s splash art. Even if the Aha! or Emanator!Sampo theories don’t end up being true, there’s some really cool psychological stuff going on that could speak broadly to his relationship with money, gambling, and his own self-image.

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.𖥔 ݁ ˖ જ⁀➴ if you read this far, thank you for doing so! it means a lot to me when people take the time to listen to my silly little theories, so yes, thank you! if you have anything else you want to add or if you just want to talk about these theories (which i am happy to do at literally any time) my askbox is open! hope you enjoyed my nerdy rambling :3

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© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.

[the-leviathan-inside-my-mind]

I have 2 wild theories for The One Who Waits and the origin of Ruby Sunday.

Spoilers for season 14 ahead!

1. The One Who Waits is Death

We know the One Who Waits is an godlike being, most likely a manifestation of a concept like the others we've seen. They also are probably "the oldest one" who was at Ruby's birth, as the Maestro says.

What is the One Who Waits was the embodiment of death itself? Varying depictions of death usually show them as powerful and old. Also, Death being inevitable and waiting for everyone in the shadows is a common concept. Thus, the idea of death being more powerful and older than the Toymaker and Maestro makes sense.

I'd also like to point out that the last episode of this season is titled "The Empire of Death". What better way to end the season than to have the Doctor fight the One Who Waits, or death itself?

2. Ruby Sunday is the Child of the One Who Waits

In the Devils Chord, we meet Henry Arbinger. Otherwise known as Harbinger. They are created by the Maestro and are stated to be a child of them. What if in the same way, Ruby is a child of The One Who Waits? Much like how Henry Arbinger is a "prelude" for the Maestro, Ruby would be a prelude for the arrival of this otherworldly foe?

Throughout the season, Ruby has been shown to be more than a normal human. She seems to be able to conjure a state of snow, which stands still at the moment of near death. Bizarre coincidences float around her, which the doctor points out on more than one occasion. Even the Maestro says she has a secret song in her soul and calls her a "creature" connected with "The Oldest One".

Moreover, Ruby finding her parents and the arrival of the One Who Waits are both set up as major plot points. Perhaps they are one in the same. This would also relate to the fact that the "Legend of Ruby Sunday" episode comes right before "The Empire of Death", almost like her identity reveal is a prelude for the arrival of the One Who Waits, assuming they do appear in the season finale.

In a way, this ties with the inclusion of showing Henry Arbinger at the end of Devils Chord - the scene shows that a child created from one of the Pantheon can survive after their God's banishment. This is a fact that might come in handy if this theory is true, and they must banish the One Who Waits, meaning Ruby won't be destroyed after their banishment.

Bonus Mini Theory (more of a headcannon): Ruby Sunday is the Embodiment of the Dead of Winter.

If both of these theories are true, it would be cool if Ruby was the embodiment of the dead of winter. This would tie in with death, and her powers to make snow fall, as well as how she was dropped off in a quiet snowy night, during the dead of winter (end of December to beginning of January, which Christmas lands in)

Thank you for reading all the way to the end! I hope you enjoyed these wild theories. I can't wait for us all to see how the story plays out!

[l0uterstella]

YOUR MELODY: Analysis, Merold's Manipulation

(Parts are still incomplete like the flower language) full english lyrics, Ever Red theory (MUST READ TO UNDERSTAND THIS POST) Updated: Feb 25 2024

MV

Flower Language

(thanks to my friend Lux for finding most of them)

Rimicha - sunflower, birds of paradise Sunflower: Symbols of joy, adoration, and loyalty. There's a story in Greek Mythology of a nymph who turns into the flower after losing her lover Birds of paradise:  Symbols of joy, paradise, freedom, and a sense of exploration

Hallritt - red periwinkle - symbol of purity, everlasting love, loyalty to friends, and hope

Merold - white and pink easter lily, white chrysanthemum, baby's breath, white spider lily, white and pink rose, hyacinth - together as a bouquet, all these flowers symbolize devoted love and loyalty, feelings of strong familial love and homesickness, positivity, happiness and admiration for the receiver, along with "seeking forgiveness/deep regret" with the hyacinths

Mirror flowers: lily, daisy, carnation, 4th still unknown - Together as a bouquet, these flowers represent celebration/hope for happiness, love and connection. Some flowers also share a meaning of rebirth or missing someone

Broken Mirror

Broken mirrors typically symbolize a shattered self-image, fractured identity, and a sense of loss. I'll most likely be covering the voice drama in another post, but in the first episode, Hallritt is seen easily defeating a seed in one hit. Maybe Merold feels like his role as the strongest knight is being challenged? Which is why he accuses Hallritt of being a failure as a knight in the teaser for episode 2. In another scene, these two frames are right next to each other. Instead of the diamond flipping around like it did before, Merold just completely replaces Hallritt.

The MV also had multiple "waves"/glitches, which recently has been a recurring theme of Seed's presence.

ELDRITT/HALLRITT SYSTEM

Hallritt also feels a bit "off" in the MV. It's possible that it's Eldritch Hallritt/Eldritt/The "original Hallritt" currently present. It's a bit confusing to tell which timeline the MV is set in, but it might make more sense with the System Hallritt headcanon. Eldritt formed as a protector and gatekeeper who used to hide the truth from the "current Hallritt", before deciding it'd be beneficial if he knew the truth and did something about it. Following this, the MV is in the 2nd timeline as my timeline theory suggests (with the voice dramas being the 1st timeline), and Eldritt is simply fronting instead of Hallritt.

There's also this scene where Hallritt sings: "As if two hearts are on top of each other, I want to be connected by the same rhythm"

ELDRITCH MEROLD

Merold seems to know about the 1st timeline. He holds a ribbon, which is what represents the memories of that timeline in Ever Red. He is also seen multiple times with a corrupted version, possibly hinting at him having an Eldritch (seed corruption) form as well.

The lyrics seem to have him hinting at the 1st timeline to Hallritt. If you corrupt the future, you echo its dark history.

To summarize: Merold is threathened by Hallritt's strength, yet he also knows the truth of what he did/will do. He wants to get rid of him somehow, or at least keep him in his place. He put up a face to seem trustworthy, but someday, that facade will shatter like the mirror.

BONUS

1. Merold losing his vision? Really not much proof here aside from this quick frame

2. blob people. idk who or what they are yet

3. there's one transiton where something that look like vines turn into (angel? dove?) feathers and another one with a broken crystal. could it be referencing cielomort's death? is it his crystal strawberry from aozora?

(Why? Why?) This heart (Why? Why?) It's fragile (Why? Why?) No matter what, I love you most (Why? Why?) It's overflowing (Why? Why?) These desires A melody just for you

[the-eternal-child]

So I was just singing Spy x Family's praises to my friend (as you do), and it occurred to me that the characters' backstories may be revealed in the order they were introduced: Twilight>Anya>Yor.

We know that each member of the main cast has had painful childhood experiences (honestly, I wouldn't even know how to rank who had it worse because each is its own brand of hell), it could make perfect sense to introduce the backstories sequentially or it could be introduced as leading themes into current plotlines. Who knows?

Chapter 90.5 has us all waiting with baited breath to see if we're getting Anya's backstory or not and I think if we are getting another look into someone's past, Anya's makes the most sense. Though Endo could be a complete tease and not give us anything for another 10 chapters 😭.

Twilight's backstory provided some great context into his past and what led to his current emotional struggles, setting the context for why he holds fast to his goal of 'creating a peaceful world' while fighting his losing battle of loving his new little family (especially the mole arc hoooboy!).

We already have in story context for Project Apple, we know it's existence, that there was human and animal experimentation (Anya and Bond) and that the subjects were being used for political goals somehow. We had the lead up of little bread crumbs along the way like she might have 'escaped the lab', her random knowledge of classical language, etc. Now would be a good time to start working toward weaving that story more fully into the main plot line (Random aside but has anyone ever noticed Desmond has 2 scars on the side of his head like Frankenstein's screws?).

I think Yor's backstory is still quite a ways off. There's still too much we don't know about Garden, I think, for them to introduce her backstory and how she met them. They're shady af, we don't know what their motives are, who they work for, nothing!

I mean, was anyone else worried when Yor mentioned Loid took a liking to Desmond and Shopkeeper was like 'oh really?'. That was so sinister, and it was never mentioned again! Makes me feel like a setup to him digging into Loid Forger or something.

Bringing in Garden's orgins seems like material leading up to identity reveals between Yor and Twilight, and the story just isn't there yet. So Anya it is and I'm so ready but I'm so NOT!

Anyhow, thank you for listening to me ramble about this series that has taken over my life! Have a good day! BYYYYYEEEEEEE!

[flightfoot]

Fics with major Alya focus that Alya fans should read

So it's hard to find fics where Alya's a central character, where she has a character arc, focus, development of her own to a significant degree, so I figured I'd rec some fics that Alya fans might appreciate! She's not necessarily the main character in all of them, but if she isn't the MAIN main character, then she's still a major character (and almost certainly POV character) in her own right in the fic. I'm only reccing completed fics for this, btw. If anyone knows the tumblr name for any of the authors involved, let me know!

Also I have a blog dedicated to Alya at alyappreciation, so check that out if you're interested!

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In Direct Opposition by @generalluxun

Alya Cesaire is a brand new student to Francis Dupont, to Paris even. The first student she meets is one Chloé Bourgeois, and Alya is determined to make a friend. Things advance Chaotically. Her new 'friend' is definitely a handful, and suddenly Paris has a supervillain and two brand new superheroes! Alya finds herself balancing a lot of things, trying to live up to her ideals and those of her icons. And then reality seems to contradict itself. As time progresses it seems to happen more often. Becoming a hero, battling villains, staying alive, working through friendships. Something is lurking, tweaking events at times, changing them, and no one seems aware. Alya will need all her wits to get to the bottom of this. Her investigative mind can only get her so far though, and then she needs to rely on her friends. This is not a foe you can beat head on.

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Alya's Guide To Surviving A Magical Terrorist Which You Can't Remember by PumpkinPatchworkQuilt

In a world where the fight against Hawkmoth is kept secret from the public, one Alya Césaire sets out to bring the whole thing to light, (and possibly win a journalism award while she's at it)

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Hold Me By Both Hands by @angelofthequeers

“I know he said never to take you back,” Plagg mutters. “But he’d change his tune if he knew.” He looks Adrien straight in the eye and, more serious than Adrien’s ever seen him before, says, “There’s someone you gotta meet. He’s been looking for that book for ages.” How differently might the events of season 2 have gone if Adrien had also known of Master Fu from the start?

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Vantage Point by @ashes555

Most of the time, with more information, life get easier and things make more sense. But Alya discovers that sometimes, knowing everything is just plain complicated.

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Trust by bi_skyes

They thought that because they believed Lila’s lies, they would not be trustworthy to Ladybug anymore. They thought wrong.

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Closure by bi_skyes

After the events of “Trust”, Alya tries to find closure.

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Lean In by Rachelea3

Marinette spills her secret, and Alya does the only thing she can do.

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Alya Cesaire Should Be Allowed To Swear by @stripesandblossoms

Akuma attacks don't stop just because Alya is no longer a Hero, but that's fine, because she can still help clear civilians from the danger zone. Even celebrity-friends like Adrien Agreste.

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Justifying the Means by @ashes555

When the worst happens, Alya finds that she may be willing to do the unthinkable. Is any sacrifice to big to make for her friends?

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Accidents Are Also Miracles by @liiinerle

After some turbulent days that end with five people knowing her secret identity as Ladybug, Marinette loses faith in her ability to keep herself hidden. Wracked with doubts and insecurities, she pleads with Alya to take over as Scarabella, and tries to disconnect from heroing altogether. Along the way, she starts to date Kagami. Hard as she tries, though, she can't stop worrying - especially not once Monarch takes a particular, and personal, interest in her. At the same time, Alya tries to adjust to her new role while she works to uncover who Monarch really is, and makes some realisations about her own wishes. Kagami struggles against a controlling and abusive parent, and a girlfriend who seems bent on destroying herself - with or without Monarch's involvement. And in the meantime, Alix keeps popping her head back in with offers to help (because cool though time travel is, she misses hanging out in her own time). [Contains some spoilers for early s5 episodes, but otherwise diverges significantly from the plot of the season.]

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Alya's Amended Guide For Internet Safety (The RPF Remix) by @redrikki

Alya hadn’t meant to fall down the Ladynoir fic rabbit hole. It just happened. She didn't mean to make Ladybug to read fic about herself either. That just kind of happened too.

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You Are Just A Grin by Midnightdemonht

Oblivio was the only one to need a second separation, even after the butterfly was torn away.

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the best laid plans (of bugs and bakers) by @mexicancat-girl

Paris is buzzing with the appearance of a new ladybug-themed hero, Scarabella. Alya decides to use her second hero identity to help her best friend Marinette. A bit of her flirting with Marinette is bound to make Marinette's crushes jealous and finally ask her out! Her plan is fool-proof…! Except when it's not. Not enough people are talking about Scarabella flirting with Marinette. How can Alya properly help her best friend if the news can't be bothered to cover Marinette's budding romance with Scarabella and only posts things about Marinette with Chat Noir?! So Alya puts her all into her plan, upping up her flirting each time she appears as the newbie hero Scarabella. This totally does not backfire in any way.

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Radio Silence by @into-september

When an inexplicable change between Marinette and Adrien brings the two closer than ever, Alya is left on the outside of a secret too confounding to be about cheesemaking or puppy love. [No S4 AU]

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Creative Lies and Destructive Truths by @azuriteartist

Alya and Lila are two sides of a never-ending fight. The fight between truth and lies, between honesty and deception, between justice and personal gain. And now they have the powers to elevate that fight to a city-wide level. Can Alya stop the deception before it destroys the city? And can Lila stop the truth before it destroys her?

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The Investigation by @11jj11

Adrien and Marinette are finally dating-- which is what Alya has always wanted... but yet this sudden transformation in their relationship overnight? Things aren't adding up. They are suddenly so much closer than they ever have been before, Adrien is apparently a flirt, Marinette is no longer a stuttering mess, and not to mention the nicknames that came out of no where. Alya is happy for her friends, but she knows there's something more going on, and the reporter in her is going to get to the bottom of it.

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Cat Naps by BookGirlFan

Chat Noir doesn't care if he dies temporarily. Alya's starting to think he doesn't care if he dies permanently. Marinette's way too stressed for this, so it's up to Alya to find out why Chat Noir's willing to let his cat naps turn into the long sleep.

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Where were you the first time you were possessed? by @zanzquest

It should be an easy assignment: write about the first time a ghost took over your body to make varying degrees of mischief. There’s just one issue: Alya hasn’t been possessed yet.

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Is it chill that you're in my head? by @bringthestorm

Alya stared at the picture plastered across the homepage of every single tabloid and news site, whispering every curse she could think of under her breath. SHOCKING SECRET ROMANCE BETWEEN LADYBLOGGER AND PARISIAN SUPERVILLAIN REVEALED!!! the headline announced, casually shouting the words she had been dreading for all of Paris to read. --- Alya had always assumed that someday Paris would discover that she had secretly been kissing their most wanted vigilante, but she had never thought it would happen so soon. As the domino effects of her relationship with Ladybug go spiraling through her life, Alya turns her sights towards the one responsible: the elusive superhero Hawkmoth. AKA Someone outs Alya and her girlfriend so she retaliates by deciding to take down Hawkmoth 

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Lady and the Fox by @ck2k18

Marinette and Alya, known to their subscribers as “Ladybug” and “Rena Rouge,” have a popular cooking vlog using their parents’ kitchens. While moderating comments, Alya realizes that their viewers assume the two anonymous hosts are a couple, and it causes her to look at her relationship with Marinette in a new light.

(punch punch) fall in love by @mexicancat-girl

One day, Sabrina walks up to Alya. Alone. No Chloe in sight. Sabrina wants to learn self defense. Alya agrees to teach her. Alya ends up getting way more invested than she originally thought she'd be, because Sabrina is a quick learner and sometimes her smile makes Alya's insides go weak.

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When I Grow Up by waltzofthewifi

-I want to be a superhero." The class stifled laughs. "But superheroes aren't real!" Someone called out. A look through Alya's life. One-shot.

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disconnected by just_an_ordinary_fan

Lady Wifi believes she might be the only one who does not want to obey Hawkmoth's orders. When she sees another akuma hesitate in the battle, she finds she might not be entirely alone.

Walking that Mile by @nomolosk

Nino and Alya wake up in the wrong bodies. Several things result from this, including, but not limited to, identity reveals and a better understanding of what their respective best friends are going through.

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(may we write it all down) in cursive light by @sunfoxfic

Since retiring as a journalist, Alya hasn't been involved in an interview in several years. But now that her identity is out, that's about to change.

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Strangely Familiar by @sunfoxfic

Alya Césaire’s life is perfect. Indeed, between the success of the Ladyblog, how well she’s doing in school, and the fact that she’s a superhero who has never bore the weight of a crisis of epic proportions, her life almost couldn’t be better. Almost. But Alya has always been a go-getter, and so she’ll chase after that perfect life if it kills her. Which is how she ends up rushing to move out of her father’s apartment and in with Marinette, Adrien, and a complete stranger: Nino Lahiffe. And in fact, her life does seem perfect — she and Nino are fast friends. They spend a lot of time together and get to know each other really well. But in the end, fortunate situations will bear unfortunate truths, and she learns things about herself that aren’t quite comfortable. Like I said, though: Alya has always been a go-getter, and she won’t let new feelings deter her from chasing after her perfect life.

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Trust your instincts by @ultrakart

Alya has the instincts of a fox. Nino finds it hilarious.

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Foxy Lady by WizardlyMagik

In which Nino finds himself unexpectedly attracted to Rena Rouge, tries and fails to tell his friends and get some advice, and desperately attempts to hide it from his girlfriend. (Who in fact, is planning to use it to her advantage)

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No One Can See Us Here, Alone; or, The Behaviors of Binary Stars by artEngine

"Yeah, about that," Nino turns to fall in step with her out the door, "Hows about we take a small break from the quests? Chillax, enjoy our money and things?" "You say that now," Alya eyes him from the corner of her vision, "but would you still say that if I told you this special quest was to find a hidden genie for three free wishes?" "Dude. Yes." "Fine. Look, I promise to chill if we go on this quest. Okay?" Nino narrows his eyes down at her pleading expression. This dialogue is suspiciously familiar. Somehow, he gets the feeling that this time will be different. And for some reason, he listens to that feeling. "You're lucky I like you," he concedes. Alya hip-checks him with a winning smile. "That I am." : : A series of Alya and Nino's exploits as a part of the 10,000 gamers who found themselves trapped in Akihiko Kayaba's VRMMORPG game, Sword Art Online. For AU April with the Miraculous Fanworks Discord. (Knowledge of and/or interest in SAO or ALO is not required to enjoy this fic)

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well somewhere along the way in our words i must've gotten lost by @noirshitsuji

Beelya where Queen Bee visits the Césaire house after Alya writes an article about her fighting Mr. Pigeon alone. Normally Chloé would like the publicity but Alya had titled it ‘The Birds and the Bees’. After that she ends up coming back to complain about her mother. And her father. And about the fact that her oldest friend seems uncomfortable around her. Her visits becomes weekly, then almost nightly. (Don’t forget to include Chloé redemption (and some “Bee Movie” jokes).) * Alya isn’t quite sure how she ended up here, in a place where she isn’t even surprised Chloé would seek her out to talk about her dad, where she wouldn’t even mind her doing so, where she would expect it, where she would– (–thud. She might be in trouble.)

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Me, My Best Friend, and Her Cat by @ladyofthenoodle

Ladybugs aren't known for being particularly sneaky. Good thing this Ladybug has a fox in her corner, watching her back. (And giving Ladybug's love life a nudge along the way. Maybe more than a nudge. In Alya's defense, Ladybug can use all the help she could get.)

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Best Laid Plans by @captorations

Alya Césaire had always known she was going to be a superhero one day. She even had a rather unique plan to protect her secret identity, and it worked like a charm. But tricksters have to be careful, lest they end up tricking themselves.

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Outfoxed by @captorations

Lila Rossi is not a Miraculous wielder. That doesn’t mean she doesn’t have power. Alya was under her spell, along with so many others, until the day Lila unknowingly overstepped herself. Freed at last, the true Fox recognizes magic when she sees it, even if it doesn’t come from a source she understands. She is none too happy about this pretender abusing her natural gifts to make fools of Alya and those she loves. Alya Césaire might need an enchanted necklace and the aid of a tiny deity to cast illusions, but she swore to use her borrowed abilities for the greater good long ago. There is none better suited to facilitate the liar’s downfall. And maybe she’ll help her best friend sort out her increasingly complex love life along the way.

[absolutebl]

hi there 🖐🏼 what are your recs for bl movies with great acting?

BL Movies with GREAT Acting

Specifically Movies? Do KBLs that were cut into movies count? Hum, I'm gonna make a judgement call given how few actual movies I have to work with and say if it holds as a "movie going experience" I can count it. I should say in order to really push this into the superlative acting space the BL aspect on many of these is... light.

His

Japan 2020 Viki

His is about being a grown adult and still struggling with coming out as gay. It addresses the consequences of life choices disingenuous to identity. Nagisa turns up on Shun’s doorstep with his precocious daughter in tow. This is a touch confusing to Shun since they were each others first love and ended badly. Shun has retreated from society, rejecting the world before it can reject him, already brokenhearted because without Nagisa he never had a reason to fight. Nagisa went the opposite way, tried to pretend to be something he was not and ended up with a daughter he adores and a wife who hates him. The acting is killer, Miyazawa Hio is sulky in the best possible way, the filming is beautiful and the setting unique and interesting...

I'm not wild about the ending. Moody arthouse smackdoodle is going to pretend that "ambiguous" is somehow unique and special rather than bog standard commonplace for narratives of this type. But endings are my hangup, not yours?

This is not really BL (the prequel was), so few of the tropes are used. You do not need to have watched the prequel.

Your Name Engraved Herein

Taiwan 2020 Netflix

This movie is fantastic but it is also seriously depressing. It’s a self acceptance journey that goes emotionally array on the alter of history, but if you wanna wallow in high quality acting and serious gay drama, this’ll do it. I would say it's not really BL, no real trope drops at all.

Okay those two I chose more on the strength of the acting than BL. These others are not going to be at the same standard/style.

If you want moee of the above level of drama, things get very sad in the BL world, so Love of Siam, Dew, Eternal Yesterday, Goodbye Mother, etc...

Restart After Come Back Home (Risutato wa tadaima no ato de)

Japan 2020 Gaga?

Atmospheric study in rural Japan meets complex family dynamics built on a romance framework of city boy meets country boy, grumpy/sunshine. It’s beautiful and icy sweet. Slow moving in places but ultimately worth the patience, low heat, low angst, and stunning. The acting is a touch stiff, in that Japanese reserved way.

This is the only BL movie, as a movie, that I could pull. There are others, I jsut don't think the acting is good enough.

So here are some highly rated short bingable series that are movie length (1.5-2.5 hours) but not really movies - BUT with killer acting. So they still might satisfy the itch. I places them in order of acting and filming quality, not my own personal preference.

From Japan

Old Fashion Cupcake

Tokyo in April is...

Life: Love on the Line (director's cut)

My Beautiful Man

I Cannot Reach You

Seven Days

From Taiwan

Red Balloon

We Best Love (esp part 2)

About Youth

HIStory 2: Crossing the Line

From Korea

To My Star

Long Time No See

The New Employee

Where Your Eyes Linger

More like this?

I want to shout out The Eighth Sense here too. It's longer than movie length but so well acted.

(source)

[quidfree]

accidentally deleted this ask but for the anon asking what my gripes were with iwtv’s finale / this season:

look i love this show. ive never read the books* and i thoroughly enjoyed the one time i watched the movie mostly bc of tom cruise and kirsten dunst acting circles around bradd pitt. the show to me really elevates the material, it has phenomenal writing, the acting is obviously stellar, i think it does a great job at being that dark gothic romance that is both deeply tragic and fucked up and funny etc etc.

a key element of the adaptation is evidently that they have recontexualised the characters in ways that both add depth and nuance to them. when we meet him louis is a black gay man in a deeply racist and homophobic setting who hardens himself to survive and rise above as much as he can. claudia is a young black woman who has always faced societal violence and neglect because of this. armand’s whole arc as an exploited and fetishised child whose trauma has become his identity is also encased in colonial violence. i’m not from the communities they are so i can’t speak for everyone, but i think for the most part the show is pretty good at having these changes enrich the show and acknowledge what an impact this has on dynamics and the characters. s1 explicitly addresses how lestat handwaves away the racism louis experiences as something he can just overcome because he’s a vampire now, how lestat himself plays into racist imbalances of power in his patriarchal relationship in their home esp wrt claudia, how he goes to capture claudia on the train being portrayed to echo a slave-catcher, etc. s2 has the trial obviously set up like a lynching (claudia says so much herself), with lestat’s testimony framing the two black people he abused as the aggressors and himself as the victim, and even when lestat is genuinely apologetic and remorseful it’s because he’s allowed his tears and victimhood while louis and claudia are not. all this to say there is obviously lot of conscious thought that goes into the way the characters’ races feed into the show and the story and it oftentimes is very effective, as well as aware of audience perceptions of the characters and how the irl audience’s own biases might need addressing.

unfortunately for me there are two aspects of s2 that i feel are kind of outliers in this regard, and not in a way that makes sense/feels intentionally uncomfortable to me. 1) is madeline’s backstory, and 2) is the change of having armand actually have been plotting to murder both louis and claudia at the trial, and lestat have been the one to save louis.

1) to me is just really… weird. i feel like i know why they wrote her that way. it makes madeline a ~morally grey character~ by default so she fits in with the rest of the cast, and there is an element to the very real misogynistic vitriol and violence post-ww2 directed at french women even falsely accused of having slept with the invading nazi occupiers that feels very in line with the things the show likes to examine and point to as examples of plain old human barbarism and othering. but the way they present it in the show, unquestioned, not as a dubious survival tactic or a multi-faceted situation but an actual love story that madeline has no remorse for, is very off-putting to me. madeline is not louis and claudia who ignore the atrocities of the war because those are human affairs and they are no longer human but supernatural monsters. madeline is a normal person whose peers- jewish people, queer people (surely her own community), political dissidents of any kind- have been put down like dogs throughout the occupation, sent to prison camps at best and death camps at worst, and she never even has a line of dialogue addressing conflicting feelings about this? no one ever challenges her on it? the people painting nazi symbols on her shop are consistently framed as villainous? it just feels weird to me that claudia’s “weird white lady” has this saccharine romance with her, a black woman, without the show ever exploring any friction in that dynamic given madeline’s apparently uncomplicated nazi romance. madeline being a femme tondue is a great idea, but the execution leaves to be desired imo.

2) … oh boy. i feel like i’m wading into discourse here bc i’ve seen really confrontational takes on this, esp a lot of “responses to” people who didn’t like this change, where this is presented as those people being dumb babies who are blinded by their liking of armand and don’t Understand The Show. im sure there are those of which this is true (and ppl have explained better than me how antiblackness feeds into everyone jumping into ship wars and defense of louis’ abusive partners in general) but also it feels very reductive of some valid questions people have. people can argue the change is consistent with armand’s characterisation, which, sure, even though i feel like it feels a little flimsy / contradictory for armand to finally Choose The Coven and allow for them to execute louis but then go feed him blood and allow him to revenge-kill all of them immediately afterwards, etc. i don’t mind characters being More Evil on the Evil Vampire show.

my bigger question is why this change was made. bc my sense is that the change is less about armand than it is about lestat, and specifically setting the stage for the loustat reconciliation, and i do not love that. it’s one thing to make it so armand wanted to kill louis too, just for the extra drama of daniel’s reveal and scale of his betrayal, another push for louis to leave. it’s another to make it so lestat was the heroic captive who not only was forced to be there by armand as per but also bravely exerted the limits of his strength to save louis from execution and then nobly didn’t tell him about this. these are both monstrous vampires who have abused and betrayed louis in their own ways (armand has already orchestrated claudia’s death and kept louis in a purportedly protective mind prison for decades! that’s betrayal enough! you could even have armand originally want to kill louis too and then change his mind!), so why at this juncture choose to have lestat save louis in a move that was originally armand’s? just from the way the audience (fandom and casual watchers) is reacting it makes me wonder if the showrunners were just oblivious to how much this worsens people’s takes of armand (the brown man) being the “real villain” and lestat (the white man) being the redeemed self-sacrificing figure. i’m sure people will say this is placing too much weight on race blah blah blah but it was so jarring to me and the change in viewer attitudes so immediate that it left a really bad taste in my mouth.

inb4 the inevitable: i actually really liked the loustat reunion in the finale! i don’t hate loustat! i like all of the dynamics between all of the characters, albeit my favourite louis ship is louis x therapy (an obvious inference from my favourite character being daniel lmao). this is not a change that i hate because i’m a bitter lestat hater. i have no issue with armand doing bad things, episode 5 was my favourite episode! i just think this particular choice was weird, and felt kind of thoughtless in the service of speedrunning a lestat hero role in advance of his season.

i have other less tangential complaints but overall i think this is a great season of television. these are just two points that stood out to me as being handled with less grace than i expect of iwtv.

*i just started reading the first book today on the airplane so. we’ll see how that goes. book loustat is so funny compared to the show. book 1 louis hates his ass 😭

[dre6ming]

Playing for keeps

Chapter I

Masterlist

Pairing: Austin Butler x Y/n

Plot: Austin is the next in line for the throne, but he can’t be king if he doesn’t have a wife. In your country tradition says that a selection formed of 35 young women must be formed for the prince to find a wife. You are obligated by circumstances to participate against your will. What are the chances that you might be the next queen? None right? Right?

Warning: none

Word count: ~4000

"To heal the soul by the means of the senses and the senses by the means of the soul" or something like that, is what Oscar Wilde said to make me really understand why something so simple as feeling the bristles of my brush stroke the rough surface of the canvas. My lines look a little jagged today, my hand keeps shaking and no matter how many deep breaths I take, the rock sitting on my chest hasn't gotten any lighter.

Thirty five, what a strange and odd number, why so many? Why not more or less? Did they have a mathematician who centuries ago did the math for them and concluded that thirty five was the lucky number to find a wife out? I take a deep breath as the word "wife" bounces off of the walls of my skull. It's not just a wife, it's the future queen.

It's been a little more than 30 years since the last selection, when queen Lori was selected out of the bunch by King David and now the result of their successful selection, their son, prince Austin, is about to have his very own selection. All of the girls in the kingdom between the ages 18-22 were asked to submit an entry into the competition, to hopefully end up being the princess of the kingdom and the future queen.

Emphasis on the word "asked" , we were not obligated to do it, at least not by our government, our parents however? Well the forced me to apply, dragged me down to the office where the applications were collected and made me sign up.

"Y/n it's time, come come sit!!" My mom shouts for me and I put down the paint brush, wiping my hands on a rag, brushing back some hair as I make my way to the very small, very crowded living room. My mom , dad and all my 5 siblings are spread around the tv, watching it like hawks. "Come sit!" Mom pats the spot next to her on the couch and I squeeze between her and my older sister.

I can't help but feel angry at the whole situation, my parents live in a poorer side of the country and the fact that they had 7 kids did not help, I'm right in the middle, being the 4th to be born, my older siblings, are married off to their own households where the also pop baby after baby, that is except for one of my eldest siblings, my sister Hannah, who's the reason why mom put me into the selection in the first place.

To back track a bit and explain, my parents met and got married when they were 20 years old, my brother Josh came a year later, he's now 26 married and expecting child number three, his income already stretched thin. Then came Anna, she's 24 she married in a more stable family, but with baby number two, turning into babies number 2 , 3 and 4, yes that's triplets that she's having, money is low. Mark, 22 now, not married, he's actually, well we don't know, he ran away with a girl from around here, we haven't heard anything in years and since we barely have time to live our own lives and win enough for a living, we've put him aside. My sister Hannah, 22 as well, she's Marks twin, she's supposed to marry, but the guy she chose is from a family of twelve and they have little to no money.

Then there's me, Y/n, 20 being auctioned away in the hopes that the weekly allowance my family will get for my participation would be enough for my sister's wedding and some other things for my youngest siblings. After me my parents had kids 2 more times, Kyle 14 and then the other set of twins, this time identical Tana and Lane, 10 years old.

My mom works as a nurse and my dad is a retired guard from our region. Money is low so we all have to work, but with 2 siblings out of the house and one waiting to marry, we lost working hands. I sell paintings on commission and I also work at the local bakery to try and make some extra money, but it's not enough to support me, mom and my younger siblings. Which is why I was forced by mom to join the selection, the family of the girl competing gets a weekly allowance for as long as she stays in the game, not to mention the chance of actually being queen.

As names are being drawn on tv I can feel everyone in the room tense as the 34th girl gets called out and it's not me, I had 34 chances and I lost them all, now I get one more, but I hope I'll lose again. I don't want to go, I don't want to meet the prince or be his wife, I'm not meant to be queen, I'm just not.

My breath gets caught in my chest as the host, Lucas, puts his hand back in the bowl of names. My ears are ringing as he read the name and I almost faint seeing my picture there. "You got it, hon, good job!" Mom says and all of my present siblings start to chant my name, happy for me. I can barely hear them though, so I get up with tears in my eyes, brushing everyone off, walking out, out of the room, out of the house.

My bare feet, touch the sharp gravel, but I can't give into the pain, all I know is I need to run, run for now, or at least until tomorrow when the people from the palace will be at my door to package me up and send me to their prince. Staring out into the midnight sky, I could see everything I had being ripped apart, I didn't have much, but I had enough. Dropping to the ground and letting the cold grass soak my thin cotton dress, I close my eyes, scared to death about the outcome of what I had just gotten myself into.

The next time I open my eyes, two guards from the royal guard stand in my door and my mom hands me a bag I didn't pack, pushing me out the door. I take one last look back at the people I'm leaving behind and I tell myself I have to at least make it a few weeks, so that my sister could use the money for her wedding, then I'd come back and move to a richer part of the country, where I wouldn't be able to ever see my family. Those are the rules, after you get into the game, when you live you have a higher status and income so they move you and you can no longer interact with your past the way you used to.

Watching my step getting out of the car that took me from the airport to here, I take in the palace, with it's high towers and beautiful architecture. People are outside, forming a pathway for us to walk as they chant different names of other girls who also got selected. I am so out my element here, the dress my mom picked for me was too tight and itchy, the high heel shoes hurt my feet and my hands were sweating too much. "Here it goes!" I say under my breath stepping forward and into the unknown building. The inside even more beautiful than I could describe, high ceilings with crystal chandeliers, gold accents and mahogany furniture, underneath my heels white marble floors.

"Ladies! Welcome, I am Silvia and I'll be you're etiquette advisor and teacher, I'll also be your voice here, anything you need, you ask me and I'll make it happen if it within my powers. You will now be less to yours rooms where you will meet your maids, they will help you with hair, make up and clothes and anything else you might need. Dinner will be served in your rooms tonight and breakfast is at 7 am tomorrow, after breakfast you will each get to talk with the prince and get to know him. I've left some pages on your beds with instructions about tomorrow as well as the schedule of our classes. Good evening going forward!" The tall blonde woman left our sight walking gracefully in her long gown. I wonder if I'll ever be like her? Back so straight, shoulders so strong, hair so put together, make up so natural yet so beautiful, voice so clear, everything about her spoke volumes on everything I was not. I don't know how they expect me to last a day here.

In my room, I stand and wonder how can a place for one person be the size of my home which currently houses 7, now that two of my siblings had moved out. "Lady Y/n!" Two petite women curtesy in front of me, they look like sisters, about the same age as me, but one of them looks a bit older. "Just Y/n" I lick my lips fiddling with my fingers. The older one nods, smiling. "A-and you are?" They seem confused by my question. "Your maids lady!" The other one explains in a sweet voice.

"Yes no, I know, I meant, your names, what are your names?" I ask again hoping I'm not making them uncomfortable. "I'm Jules and she's my older sister Jane, we're very happy and honored to meet you, lady Y/n" I nod, smiling as well, as they start pacing around the room fixing things up. My eyes watch them move, mesmerized by how synchronized they are. "Can you stand and turn around lady Y/n? We have the water running in the tub, so you can take a bath."

I stand and turn so that Jules could undo my dress, then sliding my arms through the silk robe. "Just Y/n please!" I ask again, all these official things making me uncomfortable. "Lady Y/n, if I may-" I open my mouth to correct Jane, but she puts her hand up stopping me. "You are now a lady, his majesty will refer to you as such and you have to keep to these titles, at least until you get to know him better." I nod at her kind advice and follow her into the bathroom, where she helps me step into the tub, taking my robe away and checking the water temperature one last time. "Well relax lady Y/n, when you're ready, call for us and we will get you ready for bed."

Before she leaves me to my own, I dare to ask her one more thing. "Jane, is he nice?" I ask, this being the first time I actually my curiosity about the prince, spiked ever since I was selected. Jane gives me a soft smile, fixing the creases on her apron. "That's for you to decide lady Y/n, but his majesty, prince Austin has always been well liked by the staff." She leaves before I get to asks anything more and I take that as her polite way of saying that's how much she's allowed to say.

The bed here is so much softer than the one at home, the one I uncomfortably share with my twin sisters. The sheets are so soft and silky, it feels like I could turn to fast and fly off the bed. Jules and Jane left shortly after, brushing my hair back and helping me into my silk night gown. Even in this big room, air feels compressed and I want to walk, so I find myself putting on my slippers , taking a moment to look at them, I've never had slippers before. I the dark of the room I make out the location of the door and I turn the knob slowly, trying to make no sound.

I feel a cool breeze brushing my bare legs and I follow it thinking this could be the way to find a door leading outside. Only thing stopping me are the two guards standing in front of it. "Miss are you lost?" One of them asks, making me blush, finally so aware of the fact that I left my room wearing only my thin silky night gown. "N-no, I was wondering how to get to the garden." I say hoping my voice didn't sound too shaky. "No can do miss, you need to get back to your room." The guard tells me, his eyes staring straight ahead. "Please, I, I just need a moment." I beg, taking a step closer and that's when they both move their eyes to look at me, their mean stares making me shiver. "Not allowed, back to your room miss!" The other guard speaks.

Suddenly another set of steps are heard and the guards stand straighter. I don't dare to make a move and look at who it might be. "Your majesty!" They say in unison and the blood freezes in my veins. I've never heard him speak before, his voice sounds so clear, a bit raspy, but still sweet, like warm honey. "Lay her be!"

"Your majesty, we can't-" the guard protests. "I said let her be, open the doors!" They do as he says and I don't wait to walk out, the cold air hitting my warm skin leaving goosebumps. "Stay 5 minutes, then back to your room, if you won't go willingly they have my permission to drag you there." I stop and without turning around I say. "Thank you, your majesty!" My voice sounding like it's under water.

I didn't stay too long after I heard him walk away, running back to my room almost immediately after. Sleep came to me easily after that, but I still felt restless now as Jane brushed my hair into a braid. They put me into a floor length light green dress, with beautiful lace details all around the corset. I looked like a princess this morning when I looked at myself in the mirror and I couldn't believe it and then for just a moment too long I had questioned why I pushed this competition away so vehemently. That last thought however got send back to the depth of my mind and I was now patiently waiting for my turn with the prince, tormented by the wonder of whether he would recognize me from last night or not. 

At last my turn comes and I get up from my seat, fixing my dress as I walk with my head down toward the table where he awaits for me. Sitting down, I still keep my eyes on the ground scared to look at him, feeling my heart thudding against my corset concealed chest. "Y/n? Right? Pleased to meat you, I do hope you're feeling better." His voice comes out first, breaking the silence and making me finally look at him. I had seen him on tv, but the screen did him no justice, the blue in his eyes is so electric, the gold in his hair, is so endearing, my fingers itched with the wish to have a feel at it, his pink lips look so soft and warm. Everything about him is inviting and the way he seats in his chair, leaned back with his legs crossed, his chin in his hand, makes him look so young and careless, which he is, being only 22 and a prince. 

"Yes, your majesty, I'm quite well, thank you!" I blush deeply, my hands clutching the material of my dress in a stupid attempt to calm my nerves. Austin's eyes move to my hands and back to my face, a concerned look painting on his god like face. "Are you all right? Lady Y/n?" He asks, changing his position in the chair, leaning towards me. "If you're not feeling well, I can have for the doctor to come and see you later Lady Y/n." He says in a whisper. The word doctor makes me immediately let go of my dress and smooth down the creases, breathing deeply. "I am fine your majesty, it's all nerves." 

Austin hums and I expect him to go back to his previous sitting position, but he doesn't, he actually leans a bit closer if that were possible. I can now smell his woodsy cologne and a warm fuzzy feeling takes over my body. "You don't need to be nervous, I'm just a boy, just as you are just a girl-".

"But you're not" I find myself rudely interrupting him. "You're going to be king some day and 35 women were randomly chosen to come here and allow you to peruse them. 35 is a strangely small number compared to all the women out there that could be potentially way better for you than any of us."

"Then why come here? Why put your name in the ballot in the first place?" He asks and I can't read if he's been offended by what I said or not. "Your majesty, I apologize!" I look away from him and I can't help but notice that the other girls are all watching us, just like I had watched the previous ones when they were up here. I can only imagine they are analyzing if he likes me better or not. 

"Don't apologize, keep talking, I feel you have a point." Austin urges me and I bite my tongue. "Lady Y/n, my situation is unique, but I have no choice, it does not matter if the love of my life is someone outside these walls, I am not allowed to meet them. So please keep talking!" I feel sad for him, it's clear he's thought the same thing as me, what if his one true love is not one of us, but he's obligated to choose one of us either way. 

"My favorite book, "Withering highlights" the protagonists were not allowed to love each other but they did and the impossibility of being together killed them, had they not ever met, they would've been able to love someone else and live. I think what I said is quite wrong your majesty, maybe neither of us will be the love of your life, but with time you might find someone among us, that you could learn to love and survive." 

Austin opens his mouth to say something, but he doesn't get the chance, since it's announced that our time is up and I must go in order for the next girl to come. I get up breathless and do a very bad curtesy. 

The rest of the day I can't help but feel like I'm sitting on egg shells, I knew I had let my stupid mouth speak before I gave to much thought, but something about him made me feel like I could speak my heart. Jane brushes my hair, as Jules arranges things around the room,  taking the pillows off the bed and putting in place the last things for me to go to bed. 

A knock on my door makes Jane jump as she brushes my hair and Jules goes to open the door. "Your majesty!" I hear Jules say and so I turn to see him, in all his glory, wearing the same dark brown suit from breakfast, only he's discarded the jacket and the tie, a few of the buttons from his shirt being undone and revealing some of his chest, the sleeves are rolled up and this look suits him much better than the previous. Realizing I was just sitting and staring, I quickly get up and curtesy. "Your majesty!" 

"How would you like a stroll out in the gardens, Lady Y/n?" Austin's voice is calm and my ears are ringing, so I barely make out what he's saying, but I nod. "Yes, um Jules, my robe please!" I say, remembering I'm just wearing my night gown, which was very inappropriate. "Lady Y/n!" Austin extends his hand and I walk the few steps over to him, putting my significantly smaller arm around his. 

He takes the lead and walks us out of my room and to the gardens. My thoughts are racing, I'm not stupid I know he could have every advantage right now to try and make an inappropriate move onto me, but he doesn't seem like that kind of guy, but how does that kind of guy look anyway. 

"You're awfully quiet." He says as we walk through the dimly lit gardens. "I was waiting on you your majesty." He stops and turns to look at me. "Why so?" Austin asks blinking. I simply shrug my shoulders. 

He sighs and licks his lips, walking further into the gardens without another word. The whole situation is rather spooky and I can't help the anxiety building up inside me. Soon we get to a table, decorated with candles and flowers, steaming cups of tea resting on it. "I thought we might enjoy some hot tea, it's a bit chilly out." He pulls my chair out for me and I sit down hesitant. 

"Tell me more about you, your favorite book is "Withering highlights", what else do you like?" It takes me a moment to realize that he is being serious I can't stop the giggle that comes out. Confusion is once again shown on his face, but this time is accompanied by something else, the corner of his mouth slightly pointing up, he's amused too. "You really want to know?" 

"Well I must find a wife somehow." The breath gets knocked out of me by his statement, for a split second I had forgotten why I was here, to play in the game of selection. 

"I like to bake and knit, I make clothes for my siblings all the time, but by far my favorite thing is painting, there's something so strange about being able to use my own hands to capture a moment I time li you would a picture." He looks at me as I talk and something in his demeanor tells me he's actually interested. 

"Picture, I, well I don't paint, but I do enjoy photography." He admits, his eyes glimmering with excitement. "Really? And what do you find best to photograph? Objects, humans or nature?" I ask, Austin blushing slightly. "All, I can't say I'm that good, I don't have enough time to dedicate to the hobby, but I enjoy it." 

"I don't believe that you must show me one day, any kind of art is good art. I don't have any of my paintings here, but perhaps if I got the supplies I could paint you something!" I propose, trading the experience of showing off our works of art. "Perhaps one day." Austin says absentmindedly, clearing his throat before getting up. "It's late, I should escort you back to your room!" He says hastily. 

I don't bring up how neither of us even touched the tea or what a short time had passed since we got here, the tea still steaming in the cups. Something about him has changed, he's much colder, stiffer if you may. No more words are exchanged between us, except the good night he rapidly wishes me, before walking away.

I'm left confused and with another feeling stuck in my heart, because for a moment there I actually let myself go and I got happy? Maybe, I don't know. 

Sleep came to me very difficult and when I woke up this morning I had a headache, I didn't want to see or talk to anyone. As Jules is complaining that I had tangled my hair so bad in my sleep another knock is heard and my heart stopped. Is this hope I'm feeling? Hope that is Austin? 

"Lady Y/n, a package for you!" Jane announces. 

I get up taking the note from her hand, looking at the huge box that bigger than her. I open the small envelope and the first thing I notice is the very clean and neat handwriting. 

 <Lady Y/n,

I hope you will forgive me for leaving so hastily as I did last night, but I figured that our encounter wasn't quiet up to etiquette and in fear of damaging you or me, I thought it better continue some other time. Please forgive me and accept this gift, I hope you'll have a painting to show me soon enough

A.B>

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[astrolovecosmos]

The 9th House: Spirituality, Religion, Rituals

Part 2: Libra - Pisces

Libra in the 9th House can be highly tolerant of other's beliefs and feel most at home with philosophies that promote equality, harmony, and collaboration. Libra is the sign of peace and in the 9th House this promotes the balancing of logic and spirituality, a desire to solve problems or find common ground, and their ethics likely focus a lot on relationships and relating to others. Libra in the 9th House can have a strong sense of justice which may be compatible with their religion or beliefs, but they may also become blinded by their own sense of justice at times. Libra is known as the people-pleaser sign and there may be a desire to not just learn about other beliefs, religions, or cultures but to be part of them. They may desire a sense of belonging or acceptance through shared values. They may conform to beliefs they don't believe in or that they dislike to make others happy or to not make waves. This sign is known to struggle with introspection/self-awareness which may be a challenge in this house. They may lose their identity in a religion or ideology. This placement may feel at home in a university setting - intellectually stimulating, always active, full of people to meet. They tend to make for an adaptable, persuasive, and diplomatic traveler. They may have a love/hate relationship with debating, devil's advocate, or opposing views and information. Having a romantic partner who shares in their beliefs or inspires their beliefs is something beneficial for them. Finding a religion or establishing beliefs that allow them to explore themselves while also exploring others is ideal.

Scorpio is associated with mystery, magic, the occult - in the 9th House their spirituality can be deep, profound, and maybe intense. They can be highly willful, unmoving, opinionated, and emotional about their beliefs. They may be a passionate leader and/or follower to a religion. They could also be firm and loyal to a personal code. Trust issues are highly associated with Scorpio and in the 9th House this may signal someone who is very skeptical of religion or certain morals. They may also be on a path to learn to trust themselves and others in some sort of spiritual capacity. These people may greatly fear the unknown or a lack of control and growth and meaning can be stunted by this. But Scorpio may also be fascinated with the unknown, with darkness, and taboos. They might not be able to help themselves when presented with old, sacred, or uncommon knowledge about a people or belief. Obsession can also easily exist within their studies and curiosities. When it comes to tradition or rituals they take them seriously, the word "sacred" has a real place with them. They can be highly private or even secretive of their beliefs. Those with this placement may have strong intuition or a good sense for the areas this house influences. They must be careful of following philosophies that promote isolation, self-destruction, or even paranoia or suspicion. They must be careful of falling into beliefs that are fear-oriented or thrive in fearful environments. Scorpio is a sign of extremes, power, empowerment, and transformation. They may find liberation or healing through their spiritual side.

Sagittarius in the 9th House may at times feel at home in places like universities, churches, publishing houses or places of media, in transportation hubs, or anywhere that is foreign to them. Their curiosity and need for greener pastures may never be satisfied. Those with this placement are likely adventurous, open-minded, impulsive, optimistic, and always looking ahead in the realm of beliefs and study. They never walk away from a situation without learning something or trying to find meaning in it. They have a love for the big picture, the theoretical, or the abstract. This placement may stay up all night talking hypotheticals or philosophy. They can develop a zealous nature and they might have a natural rebellion towards authority or a belief. They may not listen to those who share in their ethics, disliking most advice or not wanting any guidance. Sagittarius in the 9th could also not take their spirituality or ethics seriously until forced to. This placement might also fail to follow their own advice. Sagittarius in the 9th could be a free spirit who makes their own rules or a devoted follower of a religion. Sagittarius represents the spiritual fire, a spark of inspiration, and the spreading of belief, a story, or values. While beliefs that promote freedom, independence, and self-focus may be appealing to this placement, Sagittarius in the 9th is flexible and will follow any ideals that allow them to grow, find and feel enlightenment, and that they can put their passion behind. Sagittarius in the 9th can be intuitive, inspiring, risk taking, brave, and honest in their beliefs. They have a good grasp of or tend to seek their personal truth.

Capricorn in the 9th can be faithful and predictable with their beliefs. They may tend to see things in black and white or be rigid with their ideals. Capricorn in the 9th House can hold tradition close and take it seriously. Capricorn is a very stable and logical sign; they can approach their search for truth in a careful and deliberate way. Capricorn in the 9th may lean more towards conforming, but they have a great capacity for self-reflection. Authority is a hot topic here - they may highly respect it or question it. There can be a desire for spiritual authority here as well. Capricorn in the 9th House can be disciplined, humble, and hardworking in this area of life. Learning to be more open-minded, understanding, and to take things less seriously is an area they can improve upon. Their beliefs should promote sanctuary and peace rather than control, pressure, and smothering. Capricorn in the 9th may also know well how it feels to be restricted by a belief system or religion. Tapping into their own liberation, education, and empowerment may be a way they open their mind or find more meaning in life. Patience with themselves and others is important in terms of the spiritual. Judgment, ambition, and influence are all double-edged swords for this placement. These can be traits that bring them closer to their own truth and spiritual high or be what keeps them stuck in shallow, materialistic, greedy, or selfish beliefs.

For Aquarius in the 9th House let me first state this is the placement associated with "unconventional" beliefs. But in our diverse world this may be hard to actually translate and see practically. They may gravitate to beliefs that are different or opposite than the majority in their society. They are likely rebellious towards beliefs they may have grown up with or towards beliefs others may try to force on them. But Aquarius has a part of them that conforms to trends and mainstream opinions. The desire to fit in and be part of a group may drive them to follow a religion or philosophy closely and loudly, even if it doesn't fit them or their lifestyle well. Fellowship both on an individual level or among a congregation is something deep, real, and important to them. Aquarius values freedom, independence, intellect, and the sharing of ideas. In this house, they can open their minds and hearts to new ways of thinking and being. They can also explore different faiths and beliefs and are likely open to the unknown. They may thrive in higher education and love learning about different cultures. They may be highly critical of traditions and rituals. Aquarius is known for being detached and not passionate, but their passion tends to burn in causes or ideals. In the 9th House this airy, cool, spacy sign might be hot, opinionated, and determined. They need to watch out for a hypocritical side, a low-key controlling side in spirituality, and their fixed nature. The stubborn side of Aquarius, despite their open-mindedness and reputation for progressive ideals may cause them to get stuck in a specific viewpoint. Embracing their inquisitive nature and getting comfortable with the uncomfortable is important for this placement. Learning, exploration, and innovation are their spiritual strengths.

Pisces in the 9th House may follow a code of intuition and emotions than an actual structured religion or belief system. This placement has a powerful urge to connect with their spirituality and the spirituality of others and the world. They may be attracted to more vague or abstract spiritual practices. They want to connect with the universe. This placement may be prone to getting lost in a belief, being manipulated by those who promise them enlightenment or more connection, can get easily disillusioned, and may actually struggle between logic and spirituality, materialism and the intangible. They may experience an indecisiveness or doubt within their spiritual self. They may try to find spirituality through romantic relationships or by "saving others". They can have a great capacity for compassion and service through their beliefs but must be careful of being used. They may make up their own rituals or be imaginative with them. They prefer beliefs that have room for interpretation. Travel, foreign affairs, and higher education may be great to exercise their imagination and understanding but they may lack structure, ambition, and stability in these areas. As natural healers and as a sign famous for its spirituality it can paint this house nicely, but this is also the sign of drama, emotional fluidity, emotional highs and lows, and hypersensitivity. The challenges and turmoil this placement may face within the spiritual realm can be hard to navigate and especially hard in a world and environment that doesn't value spirituality. Finding grounding is important for Pisces in the 9th along with plenty of acceptance and support from those who share their ideals.