#but it has paul soooo

[eighthwholove]

A few promo shots of Paul McGann as Eugene Wrayburn, from Our Mutual Friend (1998) that I have stumbled across...

[sammaggs]

3x02 Eclipse | Text

[rammingthestein]

my favourite rammstein member? the one who just does not stop talking 🗣🗣🗣🗣

[teresafolchart]

ok but with the recent success of adaptations like shadow and bone, the sandman, lockwood & co, good omens, his dark materials, and percy jackson coming soon, etc. it’s about time we get a new inkheart adaptation. i’m just saying

[baconcolacan]

I can’t draw fanart today cause I’m stuck with studio work in the meantime, but I’m having thoughts about Paul again.

m,,,,maybe,,I can draw him as a Katipunero,,,,,,,👀💦💦💦💦

[stinkrascal]

i hate that the only characters i can find voice claims for are the side characters i dont care that much about. anyways max villareal's voice claim is whoever voices shikamaru in the naruto dub

[obsessivelollipoplalala]

I’m still utterly disgusted.

I’ll say it again: it takes so much for Brian to give up on someone, let alone hate them, but no wonder he loathes Paul to this day.

[mann-walter]

So, I've finished Chapter 7 of All Quiet on the Western Front, and now I must take a rest.

It's nothing tedious or infuriating. On the contrary, it's one of the most emotionally stirring parts so far. The fact that it wants action: no battle, no dramatic "war is evil" death, makes it even better.

In this chapter, Paul, our protagonist, is on leave; he goes home to his sister and his ailing mother (cancer, it seems). There is not much happening outwardly compared to previous chapters, yet the conditions inside can't be more different.

Leave, going back home, should be every soldier's dream, right? It should make them happy, right? It's a return to safety, to normalcy, away from the ridiculous business of war. But for Paul, it doesn't bring any of those. It used to, he mentioned, when he was stationed in quieter sectors, but it does no longer. Now, there's a wall to separate him and the world.

He feels irritated by the people around him, a pretentious, know-it-all, inconsiderate bunch. They appear sympathetic, but Paul knows better now: it's either ignorance, naivety, or a grand show of self-righteousness. He tries his best to reconnect with this old world, to regain his past, his dreams, his passions, but he can't. His hometown, its people, his family, even his own possessions and personal spaces - representing his most private self - have become alien to him. They're his past, while the front and the war are his present.

If I could've given this chapter's theme a name, it would be nostalgia. Paul wants to go back to what used to be, yet he can't. His feelings are torn by it. In the end, he concluded that he shall never return home (basking in the past) but rather return to the front (focusing on the present and immediate future).

P.S: I want to take a moment to say I'm incredibly in awe of Remarque's ability to paint all these emotions, these bitter thoughts, the feeling of losing something, that strangeness that surrounds change in general. It's A FEAT. It's like a masterfully woven tapestry: complicated, dynamic, affecting, and yet harmonious and incredibly beautiful.

P.P.S: Nothing, and I mean it, can beat how emotionally overwhelming the last part of the chapter is.

[f0point5]

i NEED jealous Max. Please 🥺🥺🥺 I love jealous/possessive guys haha the feminism just leaves my body

Me too! GOD. Me, too.

It took me ages to decide how to go about this because I had soooo many ideas but I hope you like it!

✨set during the Miami GP weekend 2022✨

Everybody wants you, but I don’t like a gold rush

Max glances down at his watch. 17 minutes. 17 minutes you’ve been standing in the gallery area of the garage, fanning yourself with a magazine - with Max’s face on the front of it, no less - in the Miami heat, talking to some freakishly tall guy in a Louis Vuitton denim jacket and aviator sunglasses. He’s so painfully American that Max wonders what you even have to talk about for…eighteen minutes.

You tighten your high ponytail while Paul Bunyon talks, his mouth wide with every word. Max studies your face for any sign that you’re bored. He’s bored of watching this, but he knows from experience that not looking isn’t a real option. You haven’t looked over at him once in those eighteen minutes, in fact you haven’t even been distracted by the mechanics moving around or the noise of drilling and clattering tools.

This guy must be really fucking interesting.

You smile at something Captain America says and Max feels his jaw clenched so hard he thinks a tooth is going to crack.

It’s like he’s thirteen again, watching you stand in the middle of the makeshift paddock at the karting track, swarmed by every one of his competitors, their parents packing up their stuff as they vie for your attention. He was the only one who stayed away, following his dad’s instructions on how to properly dismantle and store things while sneaking glimpses at the show you were running. He would win every race and still go home feeling like a loser.

It’s different now, of course. He doesn’t take your gregarious nature so personally now, and he can admit he understands what men see in you now, even if he doesn’t feel it. But he’d be lying if he said it doesn’t trigger something in him to see the way men react to you. It might irritate him less if you enjoyed it, but you’ve long since grown out of that. Now, you expect it so much that you ignore it, and Max has no choice to but to notice it, the same way you’d notice a rusty knife embedded in your side.

“You’re not listening to me, are you?” GP says, which snaps Max out of his calculations.

“I’m listening,” Max says, fiddling with the brim of his cap. “Drive fast, win race, I got it,”

GP frowns at his dismissive tone, and Max makes a point of looking at his water bottle, lest GP realise what actually had his attention. “Max, you need to focus. What are you even-“ It’s the sound of your laugh - high pitched over the deep bass of the music - that makes GP look across the garage. His features twist in disapproval as he turns back to Max. “You’ve got to be kidding me,”

Max looks down at his shoes, moving his foot as he inspects them. “What?”

Above him, GP groans. “I’m not going to say anything about the situation as a whole, because it’s waste of my time. But specifically now, she’s right there, she’s not going anywhere. Can we please just go through this once and then you can carry on staring?”

Max rolls his eyes, steeling his face as a cameraman enters the garage. He’s wearing a Red Bull shirt so Max doesn’t mind too much, but he can’t be captured looking as morose as he feels. The cameraman pans past him and onto you and the guest. Max watches you cringe as the guy throws up some hand sign to the camera, clearly at home with the media attention.

“Who even is that?” Max asks, unable to hide his rancour. He’s probably going to be forced to take a picture with Popeye later.

“I don’t know, some American football player?” GP says with a shrug, giving Max a helpless look. GP couldn’t give less of a shit about the celebrity guests touted around the gargae, and normally Max is his ally. “Are we done?”

Max nods, but not even a second later he’s looking again. It gets worse the more you talk, he can see this guy becoming more enchanted by the second. He wonders what kind of steroids they take in American sports leagues because the meathead is acting like a dog in heat. He leans towards you at an angle that is wholly unnecessary, his eyes fixated on your mouth, nodding too emphatically at everything you say.

“My God, why doesn’t he just lick her face,” Max says incredulously, more to himself than anything.

“Max,” GP sighs.

“Come on,” Max implores with a scoff, stopping himself from outright gesturing in your direction. “Look at him. That’s embarrassing,”

GP fixes Max with a deadpan expression. “Right, but you being sulky and jealous is the height of cool?”

“I’m not jealous.”

And he isn’t. Because Joe DiMaggio over there doesn’t have anything he wants. He’s not going to waste time being jealous of a guy getting half an hour with you when he has cats, and a home, and a life with you.

Finally, you look in his direction, but only because GP calls your name. “Can you come here?”

You give GP a thumbs up and excuse yourself, trotting over to Max without a second thought. Wannabe Tom Brady brazenly enjoys the view, and Max swears he hasn’t been that close to punching someone since Monza last year.

“What’s up?” You ask, slotting yourself between the two men as you lean back against the shelf.

GP hands you his phone. “Beat this Candy Crush level for me, would you? Been stuck for days,”

You look at him skeptically, but years of being filmed up close by cameras on the pit wall have given GP a hell of a poker face; he just stares back at you, and you give up with a huff.

“Men are hopeless,” you say with a roll of your eyes.

“Couldn’t agree more,” GP says, his eyes pointedly on Max, who can’t even defend himself.

Desperate to avoid GP’s scrutiny, he glances over at the gallery, only to find the Yank looking at him. Well, not him, you. He’s got that curious expression as he assesses you fiddling with GP’s phone, one that says he’s trying to understand if he has something to be worried about. He doesn’t. You’re not his to worry about.

“Here,” Max says, pulling off his cap. You barely look up at him before he puts his cap firmly on your head, holding it steady with one hand while pulling your ponytail through the hole at the back with the other.

The brim of the hat obscures half your face, and Max turns so that half your body is shielded by his, which he tells himself is in case a camera comes by.

“It’s sunny,” Max shrugs in his own defence, when he notices you looking at him with a raised eyebrow.

You adjust the cap on your head but don’t take it off. “Why don’t you just give me your letterman jacket?”

“My what?”

“Never mind,” you chuckle, shaking your head at him as you pat his chest with an indulgent smile.

He takes the opportunity at the sound of a large wheel gun to glance over at the gallery, only to meet the eyes of the guy you were talking to. Now that you’re no longer next to him, Max does sort of recognise him. He plays for some team named after an animal. Max just looks at him - he’ll do this all day if he has to - until the guy shoves his hands in his pockets and pulls out his phone, starting to tap away. Yeah, go back to Raya.

Good riddance, Max thinks to himself as he turns back to you, only to find that you already looking at him. He wonders for how long.

He can tell by your smirk that he’s been caught. If he’s honest with himself you caught him five years ago, this was just one of the few moments he let you know it. And you know it. How could you not know?

He thinks for a second that you’re going to tease him, but you don’t. You shift on your feet so that some of your weight rests against his arm, and go back to playing on GP’s phone.

“Go on, GP,” he says, fighting a smile at the large number 1 on the brim of what is now your hat.

He knows from the way GP is looking at him that he’ll get an earful about this later, but right now, he just clears his throat.

“Right, so,”

[loving-jack-kelly]

@dream-rot literallyyyyy

i'm racking my brain for any apology video worse and idk if there has been one. like. you know it's bad when shane fucking dawson addressed more of his controversy than you. jesus christ ma'am. jesus christ.

okay so one of my toxic traits is that I keep up with internet drama like crazy like youtube drama is a favorite pastime of mine and I didn't know an """"""apology"""""" video could be as bad as what colleen ballinger just posted. lmao.

[drwormwithproblems]

was watching the excellent take me to church animatic again (really great everyone should watch it ), it doesn't show Camilla in Harrow's bone shield at the end, reasonable since the focus is harrow and Gideon's relationship and Gideon's terrible sacrifice. but it is soooo funny and also significant that Camilla is there in the books. she didn't have to be there! she could have got knocked out and stashed away earlier like coronabeth and Judith, but no she is in the bone tent with them, politely looking away as they declare their undying devotion to one another, catching on before harrow does what Gideon is about to do and not stopping her. there is one constant witness to griddlehark development throughout the series and that is Camilla (and sexpal once they are reunited). She sees Gideon die for harrow, she sees harrow has crippled herself to save Gideon's soul, she is watching Nona for signs of them, she gets hypocritically microagressed by the remnants of Gideon/Kiriona about her own codependent relationship. Palamedes has a different but also intimate understanding of the relationship, he is the one Gideon finally confesses to about what she thinks she did to Harrow's parents as a child, and implied confidences with Harrow that we don't see in gtn. honestly so pumped to see Paul interact with Harrow and Gideon in Alecto - they know more about this relationship than the people who raised Harrow and Gideon on the ninth. I think Paul is such a dumb fucking name (pam was right there!!) but I think will have referential significance as they become witness and possibly evangelist to the new order that griddlehark will create for good or ill (fingers crossed lol)

[letsduneit]

can i just say i love how anytime paul uses his nerd brain to seem like he has preconceived knowledge of how the desert works everyone else is soooo impressed but the one time he tries it on chani with the "🤓☝️ um actually sandwalking is-" she just kills him with her eyes until he shuts the fuck up

[sgtpeppers]

Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Jay Johnson and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

[gingerhastoomanyobsessions]

the lords in black are so interesting to me because. they’re so us. we’re watching the citizens of hatchetfield suffer for our own entertainment just as much as they are. we’re their accomplices in all of it

pokotho made hatchetfield into a musical because musicals are entertaining. and we ate that shit up! it’s soooo fun watching a little man scramble as the world around him bursts into song. the musical genre is satirized because pokey knows how the genre conventions work just as well as we do. we like watching musicals so much that black friday and npmd are musicals, too, even though they don’t revolve around pokotho’s plans as much as tgwdlm. we want them to sing. pokotho does too.

bliklotep is the audience and the audience is bliklotep. trail to oregon calls the audience “the watcher with one thousand eyes” and that’s not all, in watcher world blinky seems to be able to see through the eyes of anyone and everyone who loves spectacle. he wants to see the characters go through angst because WE love angst. it’s fun to watch alice and bill express their buried frustrations. blinky wants it to end in bloodshed because he loves tragedy, and let’s face it, so do we. it’s like that one post about how hamlet is aware of the audience and is angry that we don’t do anything to intervene because we want to see how it plays out. personally, I think blinky could have stopped the woodwards if he really wanted (he’s an elder god, after all) but alice shooting him shifted the narrative so that the emotional payoff would be more fulfilling if they escaped. and blinky loves a good story.

t’noy karaxis has blorbos. we joke about it, but that’s really what it is, isn’t it? he’s the fan who watches the movie again and again and again and again to see his favorite character’s dramatic death scene. he’s the guy who writes and reads angst fics by the hundreds because he likes to see his faves cry. he’s the hatchetfield enjoyer who’s on the edge of their seat waiting to see how ted kicks the bucket this time. the bastard’s box is pretty much just an ao3 account filled with whump and hurt no comfort. he’s sadistic AND he genuinely adores ted, because we fans are often cruelest to the characters we love the most. he puts ted through character growth— the realization that his life went the way it did because of his own mistakes, his inability to be vulnerable with jenny before it was too late— and he does that by writing a 56-chapter angst fic that’s still updating to this day

nibblenephim is the fan who voraciously devours every scrap of content that a creator produces and demands more, more, more. let’s face it, the fandom will never let starkid rest until we see this story through to its end. and then someone will demand a sequel series. nibbly is hungry because we will never stop yearning for more stories. he’s simple because that desire itself is simple— as humans, we need creativity like we need air to breathe. nibbly wants more because we want more. and we will never be satiated.

wiggog y’rath is the ruler and the king because he’s the self-inserting writer. I think jon matteson plays paul *and* wiggly for a reason— wiggly is the only lord in black to be played by the same actor in every single show, and that actor also plays the protagonist of tgwdlm. wiggly wants to be the protagonist. he tries to force himself into the human world of hatchetfield because he wants to participate, dammit! he wants to be the bestest ruler that the earth has ever seen! everyone has to love him because he’s going to be their bestest fwiend! when he appears in human form he’s gonna be the prom king! he’s the ebony dark’ness dementia raven way of the hatchetfield multiverse. he wants every human character to bend to his whims and to love him and to put him at the tippy-top of planet earth because he’s the writer and the writer’s main character, you fuckheads, and he can make whatever story he wants, whether the other characters like it or not! if you’ve ever written a self-insert story? congratulations! you’ve been wiggog y’rath.

and the funny thing? I don’t think the lords know that they, too, are as fictional as anyone else in hatchetfield. maybe blinky knows— he sees through the audience’s eyes, after all— but I don’t think the others do. if they did, maybe they’d be a little less tyrannical. a little bit nicer.

but then the starkid writers wouldn’t have much of a story to tell, would they?

[tin-wufborf]

Tin's Favorite Sterek Fics (Part 1)

Okay, so listen. A few months back, I mentioned the possibility of me doing a rec list of all the Sterek fics I like to re-read (basically my comfort library), right? Well, it turns out that what I thought was going to be a list of, like, 50 fics max is now, far, far, far, FAR longer than that to the point that I don't actually even have a number to provide due to the fact that I still finding more and more to add to the list. I really hate the idea putting them all in a single post--as someone who primarily engages with this site via it's mobile app, I personally find super long lists harder to navigate, especially when you lose your place and have to start from the top--soooo, I have decided to instead release my recommendations in a series of posts containing 15-20 fics/series each instead of dumping the whole library on you at once. This post marks the first of (almost certainly) many, so I hope you all enjoy!

List and links to next parts below the cut.

************************************************************************

DISCLAIMER: This is me warning you all that some of the fics I've included in this list may cover explicit, dark, and/or "taboo" subject matters. I cannot express enough how little I care what anyone thinks about any of that; all I want is for you to use caution when reading anything I've listed here and to please review and heed whatever tags the authors have provided in order to keep yourselves safe. Your experience from this point on is your own responsibility, not mine and not the authors'.

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Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19

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The Boy Who Loved Wolves by orphan_account (NR | 1/1 | 1,522)

Stiles always loved the tamed wolves his tribe used for hunting. When he finds himself face-to-face with an actual wolf, an alpha no less, how will it change him? And how will his tribe react to his change? Based on Paul Goble's The Girl Who Loved Wild Horses.

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Will of the Weakness by Cheshyr (G | 1/1 | 2,248)

Whenever Derek threw Stiles into walls, he always assumed that the teenager didn't fight because he couldn't. Not once did he consider the possibility that Stiles was holding back.

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Making a Memory by beenwandering (M | 1/1 | 2,702)

Stiles was prepared for what would come after the bite. He knew what to expect and, despite his worries, he was ready for his new life. Apparently very ready. Or, “that one where Stiles can’t be anything other than Stiles, even when he’s a wolf."

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A Cottage in the Woods by FaeryQueen07 (G | 1/1 | 2,960)

“There’s a cottage,” Stiles’ mother says, and then she presses a kiss to his forehead before turning off the light.

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Tell Me, Are My Words Worth Less? by Cheshyr (G | 1/1 | 3,830)

Stiles is proud of his words. He loves to talk and tell and share and speak. And he absolutely, deep in his soul, hates his stutter.

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Little Lion Man by lyllytas (T | 1/1 | 5,029)

Sheriff Stilinski has just been fired from his job and is at a loss for his son's recent behavior. All he wants is the truth, so when Stiles comes to him with another crazy story, he's had enough of the jokes and lies. Unfortunately for him, this time Stiles was telling the truth. And Derek Hale is very protective of his pack.

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Love in the Groves series by Sheepnamedpig (3 works | T-E | 5,706)

1. The Oak Tree (E | 1/1 | 1,533) A forest spirit decides to take up residence in Derek's forest. 2. The Cherry Tree (E | 1/4 | 2,170) Derek and Stiles get married. And then they get married again. 3. The Ash Grove (T | 1/1 | 2,003) Stiles gets sick. Derek watches him carve the infection out.

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Knotting Expectations by chase_acow (E | 1/1 | 5,722)

Stiles gets an eyeful and suddenly getting up close and personal to a werewolf is all he can think about.

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go home, or make a home by lady_ragnell (T | 1/1 | 7,437)

In a world where Derek lets Scott kill the Alpha and get the cure, he has to figure out how to rebuild his life, with help from Stiles.

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Communication (And the Lack Thereof) by ProofOfConcept, wilddragonflying (M | 1/1 | 7,687)

Sheriff Stilinski has been waiting for this day for a long time. As he watches his visitor walking up the path, he thinks about everything that's happened in the past year and his fingers twitch for his gun. But he can't do that; he can't shoot this man, as much as he might like to sometimes. Maybe he can go one worse, though.

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Integral to Survival by placeholdr (M | 1/1 | 8,529)

Derek is in the cell for about ten minutes before the lone door opens and a new body is tossed in. The person hits the floor with a grunt, rolls, and stands as the door is clanging shut.

“That’s really not the way to treat a guest!”

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Ten Weeks by scarletsptember (T | 1/1 | 10,024)

They say no news is good news at a doctor's office. The news Stiles gets changes everything.

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adore to see your eyes fly by 1001cranes (E | 1/1 | 11,309)

stiles is a pyromanic, derek is a sociopath. a match made in some kind of heaven. teen wolf kink meme fill.

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Blood and Bonds by ProofOfConcept, wilddragonflying (NR | 1/1 | 20,595)

Stiles wants to lose his virginity, so Derek sets him up with a nice female werewolf at a pack mixer. Nine months later, the pack gets a rather stark reminder, and with it comes realizations, feeeeelings, and danger.

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Heat of the Moment by ProofOfConcept, wilddragonflying (T | 1/1 | 21,320)

I'm the alpha now.

Derek never wanted the alpha power. But now he could feel the alpha power thrumming through his veins, calling to him and the those it considered pack.

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The Wolfvengers (Are Not A '90s Boyband) series by someonelsesheart (2 works | T | 23,152)

1. Angry Birds Is Not Meant To Be Taken Literally (T | 3/3 | 12,917) Derek gets that he and Stiles are kind of on a Need To Know basis, he really does, he just thinks that Stiles' godfather being in the freaking Avengers counts as pretty Need To Know. 2. The Captain America Law (T | 3/3 | 10,235) For the record, Derek is not very fond of talking about feelings, up to and including discussing his personal life, anything that has to do with Stiles, That Time With The High Heels, and games that include having to convey feelings. On a completely unrelated note, who knew that Tony Stark owned a sexy nurse's costume?

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An Exercise in Trust by ProofOfConcept, wilddragonflying (M | 1/1 | 25,529)

Derek Hale hasn't been able to hold a steady job for quite some time, thanks to his past. When an ad is posted for a babysitting job, Derek(thanks to his experience with his large extended family) jumps at the chance to maybe start rebuilding his life.

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hyper heart alone by hito (E | 1/1 | 34,570)

When Stiles returns home to help his father recover from an injury, he discovers that things have changed somewhat in his absence: Derek is working closely with Stiles' father, around the house and underfoot, generally annoying and disconcerting Stiles with his presence.

Well, Stiles isn't sure you could call all the sex they end up having annoying, but he isn't really willing to call it anything else, either.

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By and By series by 1001cranes (3 works | T-E | 35,611)

1. hear his alibis (T | 1/1 | 6,628) creepy never looked so cute - or, how Sheriff Stiles accidentally adopted a juvenile offender. (another) pyromaniac au. 2. multiplied by seven (E | 9/9 | 26,340) Derek isn't exactly like other people. Stiles doesn't say that because he's in love with him, or whatever. He's not like Scott, who thinks Allison hung the freaking moon, or was the first girl to ever let a guy under her bra. Derek isn't like other people. Sometimes he's not exactly sane. psychopaths in love - the story from Derek & Stiles's side. companion fic to 'hear his alibis' 3. up to the highest high (E | 1/1 | 2,643) Kate takes a day to think it over, to plan her attack. She's good on her feet, but a little preplanning never hurt anyone. And if she's going to make Derek bleed, well - she needs just the right weapon. The right words. A thousand little pinpricks and cuts, because Derek isn't the type you can cut off at the knees so easily. You have to look for that dark, hidden place to plant a seed of doubt, and Kate? Kate's good at that. "He wants to be with a girl," she says. Like poisoned honey. "Or he doesn't not want it, am I right?" You think that curiosity won't get the better of him one day?" She's got her hands on him when she says it. She feels the beating of his heart, the firmness of his pectoral muscles, because, hey, this is precisely the way she swings. And Derek might keep it pretty well tucked up under his cap, but he doesn't exactly hate the female persuasion himself. Or at least he's attracted to them. Same difference in the end. "Better the devil you know," she says, and from the way Derek's gaze narrows she's got a feeling she's won.

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Blood in the Water, Fire in the Sky: A Love Story series by ahab2692 (7 works | E | 69,750)

1. God, How Things Change (E | 1/1 | 9,056) After killing Peter Hale, Derek and Stiles have to deal with the aftermath: Scott doesn't want to forgive Derek for taking away his chance for the cure, Jackson struggles with adjusting to his newfound powers, and Lydia remains in a coma. Derek has his own demons to wrestle, and the more time he spends with Stiles, the less sure he is that he'll be able to control himself.

2. The World Spins, Regardless (E | 1/1 | 11,006) Stiles helps Derek expand his pack, and the two of them take steps forward in their newfound relationship. Meanwhile, new enemies arrive in the form of a dangerous pack of werewolves from a nearby town, as well as a pair of mysterious hunters with an unknown agenda. (Sequel to "God, How Things Change.") 3. Cracks in the Foundations (E | 1/1 | 10,107) Preparing for the oncoming war with an aggressive werewolf clan, Derek and Stiles make efforts to secure their friends' safety. Derek put the pack through a rigorous training regimen, and Stiles convinces him to form a temporary alliance with the Argents. However, no one is able to foresee a shocking loss that has a devastating effect on the pack's stability. (Sequel to "The World Spins, Regardless.") 4. The Wicker Throne and the Werewolf King (E | 1/1 | 11,241) Stiles and Lydia travel to a distant mining outpost in the woods to try and kill the Alpha of the rival pack. Meanwhile, Derek and Chris Argent struggle to ensure the safety of the pack in the aftermath of Stiles' recent loss. (Sequel to "Cracks in the Foundations.") 5. Conversation (and Carnage) (E | 1/1 | 9,096) Stiles attempts to negotiate with the Alpha. Derek attempts to negotiate with Meredith Wakefield. Hidden agendas lie beneath the surface. Everything is not as it seems. (Sequel to "The Wicker Throne and the Werewolf King.") 6. ...And Hell Followed With Him (E | 1/1 | 10,080) Stiles emerges victorious as the new Alpha. Derek and Chris Argent launch their attack on Meredith Wakefield. Stiles and Lydia return home. (Sequel to "Conversation (and Carnage).") 7. God, How Things Change (Redux) (E | 1/1 | 9,164) Stiles and Derek pay a visit to their last remaining enemy. The pack recovers in the aftermath. Everything ends. Everything begins. (Sequel to "...And Hell Followed With Him".)

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[opold]

sorry unfortunately thinking about this again. goodreads users love to be shown a theme again and again and then argue with the character as though he were a) real and b) wrong and not just having. an opinion

goodreads dot com is where people send the last of their brain cells to die ignominious deaths