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#but it has also applied to the following:
love44lew · 3 days
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what turns them on/off
彡drivers lewis hamilton, max verstappen, charles leclerc, sebastian vettel, jenson button
彡genre hcs/scenarios
彡summary what gets their wheels spinning and what makes ‘em dnf ★
彡notes i apologize for the wait my loves i didn’t want any of these to feel rushed </3 thank you for 100 followers ❤️❤️
彡warnings sexual content
————-꧁🪼🦈🐋🐬🦭꧂-————
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lewis
pleasuring you lewis loves to satisfy the people he loves. getting them gifts, compliments, paying the bill for any meal, you name it. as long as his special ones are happy, hes happy. so in bed you can expect those same things to apply. he gets pleasure from pleasuring you, he loves it. he enjoys seeing you trembling, blushing and fucked out more than his own pleasure. thats why his favorite thing to do is eat you out. and by life itself, this man can EAT!! its almost like your pussy put a spell on him he gets so lost in the sauce. you physically have to push him off to make him stop and by that time your legs are already shaking. he really touches the ocean floor if you know what i mean!! and the d is fire!! and it will put you to sleep. lewis loves being your personal melatonin.
meaningless sex when lewis was single and needed some pleasure every once in a while, he would just go on raya or hit up one of the six trillion girls who wanted him. he wasn’t satisfied with living that way. lewis is a lover not a player. he’s been through a lot of stuff to make him this way and he learned this the hard way through his late twenties and early thirties. born to be a lover, forced to be a hoe !! fortunately though, he met you and looking back on it, he’s realized how much he hated the shallowness of it all. lewis craves for deep meaningful connections and just having sex with random women didn’t fill that hole in his heart. he had to relearn the true meaning of sex and how magical and special such an experience can be. you helped him rediscover this important aspect of his life and it feels great. being with you has definitely taught him quality over quantity.
max
loss of senses max needs to see you, so darkness is a no no. plus, more unnecessary risk of hurting yourselves. he loves the sound of your voice, weather its your moaning and whining as he works your body in every way you enjoy or its just you rambling about your day while running your soft fingers through his thin silky hair. max needs the stimulation of sight and sound to get himself going. “let me hear you” he’ll whisper into your ear
this may be why he loves his mirrors !! the only solution to this issue is to just fuck u in front of a mirror. most men love to do that for their own pleasure but the only thing max is looking at while fucking you in front of a mirror is the way your face twitches, contorts, and relaxes with every thrust. the way your doe eyes roll back and cross, further showing to him how good he fucks you. he picks you up by your neck forcing you to straighten your back as he whispers sweet praise into your ear. “you look so pretty like this baby” “you want me to keep doing that gorgeous?” “uhuh im fucking you good baby” your legs twitch every time his sweet voice sings into your ear telling you everything you need to hear.
charles
charles loves to see you in lace, latex, and silk. the way the latex hugs your figure so beautifully makes you almost look naked. weather its black, beige, white, or print he loves when you look all sexy just for him. silk is almost like maternal for him. as much as he loves to see your curves he also loves the look of ‘sheets after sex’ the open back with the jewelry and the flowy trim, he loves it. it simply just makes him want to imagine you bloated with your shared creation but still keeping your elegance and beauty along with it. the look of silk makes your skin glow like the sun and you simply look like a greek goddess in his eyes. the beautiful custom embroidery that revolves around your every curve when you wear lace is unmatched. he loves that it shows just enough that he can imagine what hes already seen but also covers enough that others cant. the sexy elegant vibe of lace changes your aura enough to make him want to eat you out through your thin panties. your beautiful skin covered by a thin soft custom embroidery made just for him makes his mind go wild.
waiting charles is very impatient when it comes to his pleasure. weather its the pleasure of winning or reaching tip of his climax so good that he’ll just want to fall asleep after, he’ll work hard to make sure he gets there, for you too. sure, he can do foreplay but only for a certain amount of time until he begins to bore. ‘lets get to the good stuff already’ ((sass)) charles is a gentleman, so he will make sure you finish before him. plus, he has amazing stamina, so don’t feel rushed to reach your climax, he can wait for that. sometimes he’ll slow down just to watch you overstimulate for a little bit longer, just until you start fussing before going rough and slow, just how u like it. “whats wrong mon cœr? don’t you like it slow?” “ahh you want it harder.. yeah, just like that.”
sebastian
cuddling (smirk) the bed creaks as seb adjusts himself to face your back swinging an arm over your waist and the other snaked around your neck. “good morning, der liebling” he greeted in his raspy low morning tone, planting soft kisses on your cheek and shoulder. you turned your head to catch his lips. “good morning sunshine” you teased his nickname. he rolled his eyes, a smirk tugging his lips. he kissed your nose before diving back onto your lips, his hand now squeezing and caressing your waist and hip. you scooted back, carefully grinding your rear on his front. his hand stuck on your hip while his other now holding your neck. you continued grinding your ass back on him. little moans and purrs escaping between kisses.
full attention its important that you fully engage with seb while having relations. if you seem at all uninterested in what you’re doing he simply wont have the means to do anything anymore. its important to always make sure you’re not holding back when it comes to him. he loves when your hands are anywhere they can find groping or caressing his skin as hes burried deep in your core. he needs to feel extra wanted every time. “touch me” he whispers into your ear as he slowly inserts himself. the extra sensory makes him go wild as he resists cumming after just a couple strokes. your nails lightly scratching circles into his scalp as he’s pressing your knees into the cushion below. even when hes fucking you from behind you always reach a hand over to run down his chest and abs and make eye contact as you match his thrust rhythm.
(i might add jenson in the future but im trying to get this out for you guys asap!!)
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dm for tags!! plz request more ideas ❤️
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Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).。o♡
I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW
i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡
Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!
My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube
youtube
It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol
ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.
... lets start with a sight tangent.
Sketch from Life!!!
If you want to get better at backgrounds I recommend doing some sketching out in the real world!
When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.
If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?
If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.
All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.
ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.
now the actual thing...
BACKGROUNDS
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(the pictures used for this are my own. I dug them out of my 2022 folder)
Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.
They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!
Brainstorming and Thumbnailing
I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.
I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.
Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.
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Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.
References
I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.
Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.
In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.
Perspective
Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.
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Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.
You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).
I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.
Cleanup
You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.
Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)
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Lineart
I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.
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Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)
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myouicieloz · 3 days
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Live my life
band!aespa x fan!reader
Synopsis: It’s been less than a year since the band Aespa was created. Karina, Minjeong, Giselle and Ningning travel all over the country with nothing but a few gigs, little money and much love for the music. They’re far from superstars, and they still don’t have a lot to offer, and there’s something they can’t quite grasp: why you, the band’s most faithful fan, follows them blindly.
Warnings: smut. lowk confusing… but it’s the aesthetic
Word count: 9.9k
Notes: I HAVE RETURNED FROM THE DEAD 😤😤 I was obsessed w the MV as soon as it was out so I wrote this work!! it ended up being too long (lol) so i decided to split it in 2. I SHALL NAWT VANISH ANYMORE PINKY PROMISE.
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pt.1 | pt.2
“Do you think it’ll fit?” Ningning’s hesitation is easily explained by the amount of suitcases hanging from the small hood of the car. The four girls agreed to bring each a single backpack of clothes for themselves, so the instruments and sound equipment could also be transported.
Clearly, it was still too much.
“It has to.” Winter answers, her tiny frame reaching up as she tries to grab one of the big suitcases herself. With Ningning’s help, she manages to do it, and they both stare at the car, wondering about an adjustment that would work.
Just as both girls imagined how to rearrange the space, Giselle and Karina stepped down the house's stairs, frowning.
Karina, is, as always, not amused by the struggle placed in front of her, but Giselle scoffs, judging her bandmates for not having things ready yet. They were supposed to pack their stuff in the car while she and Karina prepared their snacks and made sure all the windows and doors were closed, so they’d find no surprises once they got back home from their trip. Now, they’d leave later than expected, which would result in them facing the road at night— which was exactly what they were avoiding.
This day was starting to piss her off.
“What are you doing?” Giselle crossed her arms against her chest, trying her best to not sound as irritated as she was. They all knew, though. The girls know each other too well.
“Playing Tetris.” Minjeong stared back at her, with a tone that was just as presumptuous. “What does it look like we’re doing, Gigi? The space is obviously too fucking small for all of our stuff.”
Karina takes a step further before Giselle is able to open her mouth and give her friend a petty response. Her clumsy hands rearranged the suitcases so fast the three girls barely registered her actions, closing the hood of the car in a quick motion so everything wouldn’t fall off.
“Mhm, you won’t be able to see much of what’s behind the car, Gigi, but I don’t think it can get any better than that.”
The girls simply stare, impressed by Karina’s skills.
“So… problem solved?” Ningning asks, and they all nod.
Without a word, the four girls enter the small car, squeezing themselves as they prepare for their small trip. It wasn’t uncommon for the band to spend hours stuck in Giselle’s stepfather’s old 2000 Civic, but the lack of space was always annoying, making them all feel packed in like sardines. However, the vehicle was the only option they had to make their way to nearby cities to perform, so they avoided making any complaints.
The band was just about an hour into their 4-hour drive when Giselle pulled over, cursing under her breath.
“Fuck.” She mutters, biting her nails as she looks at the line of cars being stopped by the police, just a few miles ahead. Her face was even paler than usual, which set the girls on alert mode immediately— out of the four of them, Giselle was the least likely to panic at any unusual situation.
As soon as her body tensed, the Uchinaga felt long, lithe hands on her neck, applying just the right amount of pressure to soothe her, filling her with reassurance. Karina’s, naturally. “What is it? What’s wrong?”
“Yeah, why did we stop?” Ningning adds to Karina’s question, just as curious.
Minjeong’s brows furrow and she adjusts her posture, trying to stare at the horizon in the same position Giselle was, from the passenger’s seat instead. As always, she’s quick to understand the situation. “They’re stopping the cars ahead, but it’s just their normal procedure. They’ll stop us, of course, since we’re young girls traveling by ourselves with a bunch of luggage, but we’ve got nothing to hide, so… keep going, unnie. It’s fine.”
Seconds went by before Giselle grunted, a tense atmosphere hanging in the air while she fidgeted her fingers. Only then, her answer came, barely in a murmur. “I don’t have a license.” She could only hope they hadn’t heard her.
Judging from the way her bandmates’ mouths opened in shock they all started to speak together, though, they did.
Such a selective hearing, huh. She always had to yell at them at least three times for someone to get up from the living room and do the dishes, whenever they were home.
“What the fuck, unnie?”
“Do you really drive us illegally? Girl, we go everywhere by car!”
“I can’t believe you’re so damn irresponsible, I fucking swe—“
Karina stops their banter by out-screaming the two younger girls, a few minutes after Giselle had shrieked down on her seat so much she could merge with it anytime. “Wait! Wait.” Three pairs of eyes stare at her, inquiring. The quietness was odd, but it didn’t last much anyway. “I thought you had your permit taken last month?”
It’s Giselle’s turn to roll her eyes, then. “I literally told you that I failed. Do you pay attention to anything I say?”
Despite the situation they found themselves in, Minjeong and Ningning couldn’t help but giggle. It wasn’t news that Karina’s got her head up in the clouds, but her innocence was always funny to the girls. Despite being the oldest, she’s just a big puppy, after all.
And she looks outraged, ears red from the thought of being fooled by Aeri.
“What? we even celebrated!” Her face comes to the realization, as Minjeong tries to hide her laughter with a fake coughing fit. Winter’s blonde hair blows effortlessly when she turns her head to the window, in an obvious attempt to escape Giselle’s piercing stare. “Oh! Was that why you were being such a jerk the entire night, at the club?”
Giselle ruffles her hair in frustration but nods anyway. “Yes, that was the reason. Thanks for reminding us of that wonderful day, Jiminnie.”
Ningning taps on Karina’s shoulder, in hopes of offering some comfort to the desolated girl. She whistles, then looks from Aeri to Minjeong as if hoping they’d pull a permit out of nowhere and start driving again. Once it’s clear none of them would provide any solution, she does so herself, lifting her hips to grab her phone from the back pocket of her jeans.
“I’ll call Y/n.” Is all she says, clicking on the red number with 13 missed calls on the screen. “She’ll do something about it.”
Karina’s even more outraged, then, staring at Ningning in disbelief. She tries to reach out for her friend’s phone, but the maknae pulls her hand away with a huff. “Why do you even have her number, anyway?”
Sure, you’d be at their presentation, even if it were at a nearby town, hours away from where they lived. Somehow, you always show up. The girls couldn’t even remember when it happened; all they know is that they played at Ningning’s cousin’s club once, and from then on there you were, accompanying them in every step. You took pictures, edited videos to upload on their YouTube channel, and even helped them get some gigs every once in a while. It’s difficult for the girls to understand the reason you spend so much time and effort with them— a broke, nugu band who’s been doing this for a little over a year, yet there you were. Their first and most faithful fan, ready to drop everything to help them with any situation, at any given time.
Just like now.
Nonetheless, they had agreed to keep you at an arm's distance, only so the lines wouldn’t get too blurry. With time, they got to know you better, and it was noticeable you were as spoiled, obsessive, and explosive as you were sweet and passionate about the things you liked.
Truth be told, you scared them a little.
“I thought we had agreed on not talking to the psycho anymore,” Minjeong commented, resting her head on the window.
Ningning pauses at that, muting herself on the phone for a moment before answering, straightforwardly. “Well, do you want to get there or not?”
Her honesty is harsh enough that Minjeong lifts her palms in surrender, while Karina and Giselle share a knowing look. Ning’s right, naturally —what matters is that they get to the club on time.
“Fine,” The blonde sighs, turning to point at Karina. “But you’ll have to handle that nightmare of a weirdo. Don’t let her freak out or anything, like she did last time.”
“Why do I always have to do it?” Karina pouts, rolling her eyes. “Come on! What the fuck.”
Giselle giggles, grateful that Karina can’t reach out to punch her as she nods. “I agree… it’s a leader’s duty.”
With her brows furrowed and her rosy lips, the oldest member of the band looks much like a doll, adorable in all of her mannerisms. Even when she scoffs, it doesn’t come out nearly as rude and intimidating as she intends it to be. She still looks like a painting, so pretty Ningning pokes her playfully, brushing the irritation out of Karina with her ticklish fingers. Once she’s left ticklish in her seat, Ningning drops her phone, done with her call.
“Y/n said she’ll be here soon.” She announces, and the girls hum faintly in response. It’s enough for her to giggle, reaching out for her bag in hopes of finding a snack. “Don’t be too excited, damn...”
“I just hope she doesn’t take long,” Giselle mutters, ignoring the glares she gets by being to blame for their current situation.
“Well, if someone had just passed their driving test, we wouldn’t—”
The Uchinaga turns to Winter so fast her neck makes a weird noise. “Shut the fuck up, Minjeong.” Her tone is full of mockery, which is dangerous. Giselle gets irritated easily, but it’s hard to get her mad. Whenever she does, though… None of the girls like that. “I don’t see you driving around either.”
Minjeong, who’d rather die than recognize she doesn’t excel at something, puts a hand on her chest with the comment. Her face is quickly filled with red and, in a minute, she’s defending herself as if she’s just received a 5-year sentence.
As much as their banter is entertaining, Ningning still clings onto Karina on the backseat, resting her head on her unnie’s shoulders.
“I do hope Y/n arrives soon.” She tells her friend, closing her eyes despite the noisy background.
Karina smiles, ruffling the maknae’s hair with tenderness as she relaxes beside the oldest. “Don’t worry, Ning. She will.”
If there’s something she’s sure of, is that you don’t play when it comes to their band. Be it for good or for worse.
“Hello, cuties.” You say, tapping your knuckles on the driver’s window to gather attention. It works: the girls all jump in their seats, cursing under their breaths as they try to gather themselves from the scare. “Your knight in shining armor has come! Hurry, hurry! You’re running late.”
It had been less than an hour since Ningning’s call, so there’s no way you could’ve reached them so quickly. None of them say those words out loud, of course— some questions are better left unanswered.
“Here comes the devil.” Minjeong mumbles. The smile she gives you is drenched in feigned politeness, yet yours is sincere, bluntly ignoring her grumpiness with a wave of your hand.
“Hi, Y/n.” Karina greets you as the four girls get out of the car. You hug each one of them energetically, clearly pleased to be urged to help.
It doesn’t even bother you that Giselle, Winter, and Ningning only mumble, not paying you much attention. If only, your happiness would take long to wear off.
Still swooning, you gesture to the van that’s parked beside their car where a handsome, baby-faced boy waves at the girls with ease.
“My brother won this van at a bet a few days ago, and fortunately, he lent it to us. It’s more fitting for a band anyway.” You gesture at their car, still explaining. “Gyu can take your stepdad’s car back to your house, Gigi. Don’t worry.”
They already know Beomgyu from the previous times he’s dropped you off at their rehearsals and shows, so it’s nothing new. Although Giselle doesn’t seem convinced about your idea, she reluctantly gives him the car keys anyway. There’s no other option; she can’t just leave the car on the road, even though giving it to a stranger makes her uneasy.
“Thank you, Beomgyu-ssi.” The girls bow at him, thankful for the extra space, to which he simply nods.
The girls are quick to transport the suitcases to the van, stretching their legs out as they sigh with contentment. It’s like they can finally breathe, now that they’re not cramped in a tiny space. Even Minjeong is smiling, her little banter with Giselle being long forgotten by now.
Giselle is in the passenger’s seat, this time, and she’s surprised to see how easy it is to talk to a happy Y/n. You laugh and gossip over other bands the girls come across sometimes, and you tell them the entire story of how Beomgyu actually got the van. Time flies by while you’re on the wheel, and soon enough the four girls find themselves at the back door of the club, fixing their instruments for the time they go on stage.
“Do you get all those insane takes with this old-ass camera?” Ning asks curiously, holding the straightener against her hair as she watches you record Winter, who’s busy tuning her bass and pretending you don’t exist.
“It’s vintage, unnie.” You correct her, zooming in on the blonde girl’s delicate hands and her precise movements against the cords. “It has amazing quality, still.” Because Ningning is still staring, clearly waiting for a more direct answer, you add, “Yes. Pretty Much. Hey Minjeongie, look at the camera so I can get a better shot of you.”
All Winter gives you is an irritated look as she scrunches her nose and shakes her head. The girls enjoy arriving early at their events so they’re able to gather a few minutes of quietude, strictly to relax and focus on not letting the nerves overcome their abilities to shine on stage. You know that— it’s something you’ve seen them do countless times before. You find it adorable how they’d just close their eyes and try to control their breaths, fingers tapping their thighs to ease the anxiety that always comes with the wait of going on stage. No matter how many times they perform, the thrill will always be the same.
Although you don’t mind interrupting Winter’s time of focusing at all. Seeing you won’t give in, Winter scoffs, dropping the bass onto her lap. “Be polite, Y/n. Say please.”
Her intentions are as obvious as daylight. She’s mocking you, defiant like the insufferable being she is. Out of the four girls, Minjeong is the most stubborn, and you’re much alike. She was the one you got into most arguments with, none of you backing down from the opportunity of being right.
Said banter is the reason you turn and adjust the camera focus to Ningning, instead of giving in to the blonde girl. Yizhuo looks pretty as always, smiling at you as you kneel to get a take of her from a better angle.
You’re immediately interrupted by the same girl who was irritated by your presence just seconds ago. In a blink, Winter’s hands go to your chin, forcing you to face her with an assertive grip. “No. Film me.” Her porcelain skin shines against her dark eyes, who pop out even more, making her intimidating aura stand out in the small room as she adds with an icy, commanding tone, “And have manners.”
God, you’d gladly take her down just to get rid of that cocky tone.
“Stare at the fucking camera so you can have some decent solo shots, Winter unnie.” Your reply comes immediately, tone dripping with venom, “Please.”
Winter’s face is so red you’re afraid she’s going to combust at any second. She never spares hurtful words during arguments, and you’re ready for her to give it all. Disaster is set to happen until Giselle pops her head backstage, looking for you. Her eyes disappear and her cheeks flare up as soon as she meets your face, breaking the tension with a smile once her presence unintentionally ends the small battle you were having with Winter.
“Y/n!” She calls, handing out her hand to help you stand up. “Could you come help us with the drums, please? The guys from the bar are trying, but they’re so damn useless… We need you.”
You look away and Winter’s grip on you fades, although her trimmed nails still scratch your jaw as she lets her hand fall to her sides and returns to the couch, tuning her bass as if she had never been interrupted.
“Sure, Gigi. Let’s go.” It’s impossible to not smile back, allowing yourself to be guided through the narrow stairs of the place until you arrive at the stage. You don’t bother saying goodbye to either Ningning or Winter, knowing you’re going back to them as soon as you’re done.
The two younger girls are left by themselves, in silence for the first time since you arrived to pick them up, hours ago. It’s unsettling yet peaceful; not uncomfortable by any means. They’ve known each other for too long by now, so being with each other is more than natural— it’s one’s absence that is unsettling.
After giving her hair a few finishing touches, Ningning turns to her bandmate, pulling the chair beside her as she gestures for Minjeong to sit. Its leather cover is torn and the comfort is long gone, but they don’t mind. They’ve performed in far more awful places anyway.
“Okay, I’m done! Be still while I do your makeup, now, unnie.” Minjeong does as told, closing her eyes while the maknae starts moisturizing her skin.
The silence has Winter’s mind replaying the previous banter nonstop. She tries to stay silent, but the memory of your petty smirk is enough to leave her fuming, pumping with rage.
“Can you believe her, Ning? That fucking bitch, ugh. She’s so insufferable.”
“Oh, definitely.” Ningning smiles, thankful Minjeong has her eyes closed. She lets out a small giggle, still focused on brushing the concealer through her friend’s face. “God forbid someone puts you in your place, right unnie?”
She nearly doesn’t escape the highlighter Minjeong throws in her direction, now laughing freely as she continues with her task.
Aespa is a band of many talents.
The girls all met during sophomore year of high school, all trapped in detention for the day (as much as Minjeong would rather die than admit she’s ever gotten detention in her life). Even though they differ in personalities, in a clear contrast of cultures, manners, and experiences — their differences somehow added to each other until there wasn’t something missing anymore. The feeling of longing and loneliness that had accompanied them for so many years had finally ceased. After that, the girls found themselves at peace: the world was finally silent, as long as they were together. No matter how chaotic it was, Karina, Minjeong, Giselle, and Ningning knew they’d like nothing else but to be together.
Luckily, they all shared two main passions: the love for music and the desire for attention, so being in a band together was something that happened rather naturally. The members all agreed, then, that Karina should be the leader. She was soft-spoken, calm, and had the experience in the industry the others lacked, from being a child model. It was the right decision: the oldest would do anything to protect her girls, and knew just the right people to ask for opportunities. They weren’t famous, nor did they make enough money to live off exclusively from the music, but it was enough, for now.
They had trouble understanding you, though. It was hard to grasp why on earth would they have someone so faithful, so committed to following their every move when they weren’t even famous? They didn’t have money, influence, or anything to offer you whatsoever. Yet you were always there, giving them your endless support without asking for anything in exchange. You could be a handful sometimes, sure, but still… your commitment was something that left the girls constantly wondering.
Because you’re special. The world will see this too, someday. is what you’d always answer, followed by a giggle and a wave of your hand, muttering about how it all wasn’t that big of a deal.
But as Giselle watches you help them relocate their instruments and set the tripods and cameras straight, she wonders if that’s truly it.
“Hey, Gigi.” You smile at her, looking down at the ground once you realize you’re the object of her piercing, focused gaze. “Are you and the other girls ready to go? Everything’s in order here.”
Now isn’t the time for that, though, Aeri reminds herself. As of now, the only thing she should focus on is her upcoming stage. Music is one of the many things she was strict with: she pushed herself to nothing but perfection, no matter where she was performing.
The other girls are quick to follow your call, grabbing their instruments and getting into their starter positions as they’ve done countless times before. They all adjust their mics to the perfect height until Karina is the only one left in the center, tapping hers to make sure she sounds loud and clear. Ningning’s hands fiddle with her drumsticks nervously, paddling along with her whole body— surely from the energy drinks she’s had minutes before, while Minjeong and Giselle stay each on one side of the stage, waiting for their leader’s cue.
Offering free tickets for those who arrived before 11 PM was a great strategy that many clubs implemented to fill up their spaces. And even though you’re well aware the girls are known enough to gather such a crowd without that stunt, you’re glad to have a full house staring at the small stage with expectation.
Karina waits until you’re done with your camera’s finishing touches up to speak, her voice echoing through the noise so easily that your hands stop adjusting the device’s focus to pay attention to her. With a smile so big her eyes grow small, her face is like a beacon, gathering all the focus to herself without the need for a spotlight.
“Goodnight! I’m Karina, and those are my bandmates: Minjeong, Giselle, and Ningning.” She points to each of her friends, who bow and wave excitedly, still waiting for her cue. “And we’re AESPA! We hope you like our music, we’ve worked hard on our songs! Please enjoy.”
With that, Ningning taps on her drumsticks, as they’ve done countless times before. Minjeong’s bass and Giselle’s guitar sync with Karina’s voice as soon as they start playing, the melody echoing through the place like physical particles. Music is more than just a part of their lives: it’s who they are, how they express themselves, what they breathe, and it’s easy to forget they’re at a shitty pub and not at a fancy festival. As long as their voices and instruments are harmonizing together, the girls get lost in their passion and nothing else matters.
Even though they’re a new group— barely a year into the industry, original songs are not something that lack from their setlist. The public is screaming, the girls are jumping as they sing and dance along the rhythm and you try your best to capture their best angles, but the distraction in the form of a sin that is Karina prevents you from doing a good job. Her dark eyes glow in the dark, giving her an angelic aura as her strong voice reverberates through the place with ease, despite her shitty mic. It’s an impressive crowd they’re performing for, but she’s only staring at you. Preventing you to breathe or even move, afraid she’d lose her interest and look elsewhere.
No, you’d have none of that. Like all the girls, Karina was yours: you’d share her utter attention with no one.
So you stay at the front line, with your hands holding onto the camera as your head is held up in a frozen frame, looking at her.
You’d always look at her.
The afterparties are always one of the girls’ favorite events. The adrenaline rush is still present, giving them tons of energy to drink and party with strangers. They are constantly showered with compliments, being pampered, and indulged with all the attention they crave. It’s part of the reasons why they deal with music, obviously: Minjeong, Giselle, Ningning, and Karina. Because the desire to be seen and recognized for their music is a feeling they’ve been looking for ever since they can remember.
And that’s exactly what they were indulging in before hearing a loud crack from outside of the backstage room. The noise, followed by a bunch of ugly screams, startles the four girls, who exchange a quick, worried glance before storming down straight into the sideway alley.
“Damn.” Ningning whistles, covering her mouth with her hand to hide the smile coming from her lips. At her side, Minjeong and Karina are equally shocked and frozen at the scene unraveling in front of them.
People usually use the dark, space to smoke and get a break from the noisy, heated space of the club. Instead, the four girls find a huddle of girls so entwined with one another it’s hard to tell how many there are. Four, maybe five? Of them are vividly screaming, kicking, tugging, and pulling hairs. Despite the mess, the girls realize there’s one that keeps beating the shit out of them, which is impressive due to being gravely outnumbered.
As the commotion stops for seconds once the strangers become aware of the newer company, it’s easier to tell a specific head of honey hair apart from the others.
“You’ve got to be kidding me.” Minjeong’s murmur doesn’t come off nearly as disappointed as she intends to. If anything, she’s also holding back her laughter while you prove that one does not need that much muscles to win off a fight.
“Go Y/n!” Karina claps, cheering. None of the three girls make any move towards the scene, so Giselle turns her head towards them in disbelief.
The Japanese girl shrugs, quickly making her way onto the ground to break off the fight. She’s always been strong, and her time spent at the gym pays off as she grabs you by the waist and throws you over her shoulder, heading back to the backstage room as if you weigh nothing. Any attempts of resisting are useless, yet you don’t make Giselle’s job any easier— your kicking and screaming are now directed at her, hands curling into fists while you use your entire strength to hit her muscled back.
“Put me DOWN! I’m not done with those whores.” Your feverish voice is ignored by the four girls, who are used to your tantrums by now.
They know you’re naturally provocative, and never one to back down from a fight, even if you were in the wrong. And, somehow, you were good at it too: even if you left bruised and scratched, your opponents would somehow always turn out worse.
“Sorry ladies, we have some issues to deal with. If you excuse us.” As the group goes back inside, Ningning offers the poor beaten-up girls a calculated smile before closing the door on their faces. She doesn’t bother to check in on them— they’re strangers, after all.
You’re thrown onto the worn-out sofa with little care, suddenly staring at four serious faces. The funny atmosphere of the fight is long gone, so you cross your arms under your chest and grunt, face held high to put up with their judgmental looks.
This is their job, and they can’t have you causing trouble over anything. You’re associated with them by now, whether they like it or not. It’d be an awful occurrence.
“So, troublemaker, tell us.” Giselle is the first to speak, brushing the bangs out of her face. Even after carrying you for solid minutes, she still looks flawless, much different from your disheveled self. “What had you beating their asses out there?”
There’s a pout on your lips, and the defiant air in the room stirs up their nerves. It’s an annoying interruption of the fun they were having just now, and the alcohol makes it hard for them to stay patient.
Minjeong takes half a step forward, her hands messing up your hair even more. “Speak, Y/n. We have better things to do.”
She doesn’t coddle you, tone cold as it always was when directed towards you, but you don’t mind. If anything, you take pride in making her life a bit more difficult every time. You know they won’t give you their attention for much longer, though, which is why sigh deeply.
“I was defending your honor, you idiots!” You gesticulate towards the door, huffing. “Those whores were out there, talking about you, speaking the most vile things… I had to do something. You should be thanking me, and not look so pissed.” You roll your eyes, muttering the rest to yourself as you sink on the dirty couch. “You never acknowledge anything I do anyway.”
It had felt too hot inside, so you passed the backstage area to gather some fresh air at the alley when you encountered the group of girls. They were in love with the band, obviously, and were very vocal about the things they’d let the girls do to them: how their leather clothes were so tight and how hot they were… Hearing such things being said about your girls made your blood boil. They were yours, and no one else had the right to desire them like that. So you were quick to take action and make sure everyone knew who Giselle, Winter, Karina, and Ningning belonged to. As a matter of fact, It was a successful attempt: after the lesson you taught them, those girls would think twice before saying anything again.
Your gaslighting does little to the band; it’s easy to look further into your façade now that they know you. They don’t pity you in the slightest, well aware you’re one to be cautious around.
Karina smiles at your act. She can’t help it if the pout on your lips makes you so adorable, and your crossed arms are the reason your send nudes crop top rides up so your boobs are even more evident. “Which things, Y/n? What were they saying, exactly?”
“What they said doesn’t matter.” You huff, dismissing Karina’s question with a wave of your hand. “The important thing is that they’ve been dealt with, and your honor is intact. You’re welcome.”
The electronic music is loud, and it’s easy to feel the rhythm reverberating through the furniture, sending electric waves to your bones that rile you up even more. You’re energized, ready to go back to the crowd, drink, smoke, and stir up some trouble again.
Aeri must’ve been thinking the same thing since she merely shakes her head and leaves without a word. Ning is the next one to follow, proceeded by Minjeong, who rolls her eyes and points her finger right at your face.
“You’re such a menace, Y/n. Acting like an animal… you can’t behave at all.” You’re used to the disdain in her voice, so the only thing you do is mirror her snobbish stare as you watch her leave.
Unlike her bandmate, Karina’s eyes are kind— even though you’ve just messed up hard. You’re the only ones left in the room, you realize, as she holds out her hand to you. With her presence, the music ceases, and the only thing you can focus on is the sound of her heartbeat, and how her little chin mole goes up to match her smile, which is equally sweet.
Sweet, patient, and definitely too good for you: that’s Karina, a soul that should stay untouched, not yet ruined by the world and by other people.
Too bad that you’ve never been one to do the right thing.
You navigate towards her in a magnetic motion, taking her help so fast your bodies nearly crash once you get up from the couch. Instead of complaining or making fun of you for being so abrupt, Karina takes her free hand to your face, cupping your cheek before carefully wiping the dirt from your skin.
“Troublemaker.” She repeats Giselle’s words from earlier, although they sound almost reverent when said in her raspy voice, tired from the crazy routine they live with. “She’s a bit right, don’t you think?” The smirk on her lips is playful, and she toys with you. “You keep us on our toes, for sure. I guess someone has to.”
She doesn’t mind. If anything, Karina misses your presence when you’re gone— which is thankfully, a rare occasion. Sure, you’re stubborn, spoiled, and very annoying, but the band somehow needs you to keep their engines running. She knows the other girls feel the same way about you too, even if they’re good at not making it known.
Being with Karina feels right. She’s Aespa’s peace, their leader, and their oldest member. And, just like everybody that has ever met her, you long to be around the older girl.
“Let’s go back to the party, Jimin unnie.” You tell her, crossing your arms behind her neck. If there’s anything she’d want you to do, you would. Gladly. “I want to dance.”
She smiles back at you, looking at the half-open door before nodding. “As you wish, Y/n.”
Aespa’s hotel room for the night is precarious, to say the least. The wallpaper is peeling from the walls, the furniture is dusty— and the small dining table seems to barely handle your laptop and media equipment. The bed makes too many weird noises at the slightest movement, and the smell of mold is a bit unsettling for those with a decent sense of smell.
It’s Minjeong’s job to deal with their spending and to book their stays, whenever the band wanders off their hometown. Her father works as a treasurer at a well-established company and has taught her how to handle her own money from a young age. Sometimes, though, she tends to spend too little, given the fact that they still did not earn much with their performances, and the five girls would end up in situations like the current one. Not that they truly minded: they had two rooms to sleep in and breakfast by the morning, which was more than enough. They would handle the rest.
Karina, Giselle, Ningning, and Minjeong are all rockstars, it’s natural for them to thrive under attention. They live for it, and you love to record their pretty faces. Out of all the experiences of being with the girls, getting to take pictures and videos of their performances and looks— be it before, during, or after their shows. Editing might also be a pain and sometimes feel like a chore, but it was also something you enjoyed doing.
Besides, the praises and the proud, enamored look Giselle, Ningning, Karina, and Minjeong gave you whenever you updated something new to their channel and social media was something you looked forward to, naturally. In fact, you’re so focused on your task that you barely notice a sudden wave of hot breath on your shoulder.
“How far are you, yet?” Karina’s wet hair clings to your neck as you breathe in her post-bath scent, so refreshing. You’re unable to see her sulk behind you, but her whiny tone is enough for you to figure her feelings out before she adds, “Also, why am I the one with the least videos, Y/n?”
You don’t even stop your work to look at the vocalist, who stares at your laptop’s screen with expectation: the answer is obvious to anyone who has ever had the privilege of getting to know Aespa's leader."
“Because I’m always too busy looking at you to focus on anything else.” The words leave your mouth immediately, exposing facts. “But I’ll improve for next time if that’s what you wish.”
Doing anything after Karina opens her mouth is impossible. Her angelic voice and sharp moves draw all the attention to her immediately; one would be completely insane to not be mesmerized by her. By all of her.
“It is.” She nods, still so close you’re able to feel her body pressed against you through the chair’s cracks. Like a kitten, Karina purrs, finally breaking the tension between you by pressing small, wet kisses to your neck. “Y/n…”
You’re doomed. You’ve known that ever since she left the bathroom, with wet hair and red, swollen lips that did little to hide what she was up to while the shower was running.
Karina’s long, purple-painted nails scratch your neck, forcing you to pay attention to her— as if you’d do anything else. You’re quick to comply, closing your laptop as you stand up and walk away from the oldest member, onto your backpack. Her confused brows are adorable, but the realization comes soon once she reckons the camera on your hands. By then, there’s a dirty smirk on both of your lips; you know she loves this as much as you do.
“Are you up for another show, doll?”
Karina nods, suddenly shy from all the dirty thoughts going through her head. Her skin throbs, and there’s a familiar sensation building up in her core from the anticipation.
After waiting for the camera to be well adjusted and centered in front of the bed, with the familiar red dot announcing the recording, she turns around, removing her robe with practiced ease. The silk fabric of her robe cascades from her back, exposing her milky skin in its most perfect form. She’s indeed like a doll; body still untouched, announcing it’s been a while since she’s had any fun, and her Venus dimples flare up with every step she takes towards the bed. Her curves are perfectly enhanced by her sensual walk— she knows so, grabbing her hair out of the way so you’re able to get a clear shot of her body.
You’re so lucky to even have the privilege of looking at her. Karina seems to think the same thing; her knowing smile turns malicious just as she sits on the bed, spreading her legs out for your delight. Playing around with her is almost a routine, by now: Karina needs something, someone to be her stress-relief, and you’re more than eager to help.
However, seeing her bare and so eager to welcome your touch was something you’d crave forever. No matter how many times it happened: you’d always be hungry for the slightest glimpse of her pretty pussy.
And it was no secret that Karina loved to show off, so you drink on her like you haven’t had a single drop of liquor in ages.
It had indeed been too long.
“How do I look, baby?” Her voice is soft, calm as she looks deep inside your eyes and taps on her pussy with two of her fingers. A small strand of wetness lingers between her fingers and her slit, and she takes her fingers forward to make a show for seconds longer. It’s only when the strand dissipates that Karina brings her fingers into her mouth, taking them in ever so naturally. You don’t even register the whine that comes from your lips once she releases them with a ‘bop’, right after licking them clean.
“Absolutely stunning.” Your answer comes in a heartbeat, which pleases her deeply. In a blink, you’re in front of her on the bed, although still careful to not cover up her frame for the camera. Not that you have to worry about that; Karina is well aware of her best angles. “As always.” You lick your lips, eager to have your mouth on her, licking every part of her body until she’s more than satisfied, coated with your saliva.
But you know better than to touch her without permission, so you simply wait, aware she needs more indulgence than merely a few words. You run your hands up and down her legs, ever so obedient, hoping she’ll allow you to touch her.
Instead, her fingers go up to her chest, groping her big, voluptuous breasts. She’s so evil— Karina knows how obsessed you are with her boobs, “You caused so much trouble today, Y/n… I shouldn’t let you touch me at all.”
Her feigned innocence only adds to your desire, dampening your pussy even more. Even though you’re burning up, you can’t help but be in awe by how much of a goddess she looks, and it takes everything in you to not just grab her by the ankles and suck on her clit until she was screaming and leaking white from her pussy. Still staring at you, Karina twists her nipples and moans, biting her lip as she breathes in deeply.
You’re already throbbing yourself, and she’s done nothing. That’s the amount of power she has over you.
“I’ve been bad.” You nod almost eagerly, ready to do whatever she commands you to if it means you’ll get to pleasure her. “Can I still have you, though? Promise to make you feel super good.”
At first look, Karina might be the most inviting one out of all of the girls, but you know better than to fall into her trap: just like her bandmates, the leader thrives on playing games, manipulating people, and fooling around. Thankfully to both you and her, you’re happy to indulge in all of her wishes. So you add, battling your lashes at her as you take off your clothes yourself, not bothering for a command on this matter. “I’ll do my best for unnie…”
Karina’s eyes darken at the sight of your naked body; it’s so empowering to know she’s just as affected by you, and she runs her fingers through your hair with practiced ease. Taking her silence as an encouragement, you lie down until your face is lined up with her soaked cunt, blowing warm, rapid breaths onto her sex.
She smiles, then, caressing your cheek before giving it a light tap. “Go get the strap, baby.” Your smile fades immediately, and you contemplate ignoring her words until she’s changed your mind before your cheek is met with more of Karina’s fingers, her touch stronger this time. “Now.”
You huff, muttering incoherences because she’s such a bitch, ruining all of your plans, but still do as told, grabbing the strap without much further fussing. With the toy in hands, you return to the edge of the bed, staring at her with a puzzled look on your face.
“Are you going to use it?” You ask, curious. Taking Karina’s cock was something you always looked forward to, and the sight of her pounding onto you was enough for your walls to clench, eager to welcome her.
Karina launches forward before you even finish your question, grabbing your thighs with practiced ease as her fingers brush your pussy. The surprise touch makes you let out a loud moan, which stirs up a laugh on the older girl.
“If only you’d behaved today… I had so many things planned for us to do.” Karina’s voice sounds almost regretful, making you kneel once again, “No, baby. Tonight’s only about me. Now suck.”
There’s little time for you to think her thoughts through. Your mind goes blank, and you open your mouth to give her a show this time, reversing the roles. Always eager to please, you gag on her cock. Saliva drips onto the sheets as she shoves it down your throat, but you don’t seem to care, emptying your mind to give her will over you to use you like a toy. She’s not sweet or slow by any means— Karina’s innocent smile, welcoming posture, and puppy-like personality make a good disguise for hiding how dirty she is. Part of her tells herself it’s wrong, and that’s why she tries to reject how much her body craves rougher actions, but the truth is that the hiding and the expectation also turn her on.
Those thoughts hover in your mind as you bob on her strap, looking at the leader through your lashes while you gather all your focus on giving your best for her. You try to look your best, and give your best for Aespa’s leader: she deserves nothing less, after all. It seems to be enough for Karina, who sighs at the sight of you staring from behind your lashes with your hair all over the place ever since her tangling hands went to your scalp, encouraging you to keep going for so long you’ve lost track of time.
“Beautiful. You look so beautiful like this, baby.” She murmurs with a low, sultry tone as she takes the strap from your mouth and seals your lips in a slow kiss. You’re starved for her; your boobs press together when you deepen the kiss, desperate for more. At this point you’re already soaked, leaving a deep, wet spot on the sheets— and your skin burns. “Don’t be rude. Say thank you.”
Such a tease, she is. You roll your eyes at her trying to rile you up, and she laughs. “Don’t even.” You mutter, rolling your eyes at her.
Karina’s hands go to your thighs, caressing your skin as she motions for you to get up once again. “You’re so stubborn.” She chants, adjusting the strap on you. Per her request, you lay back on the bed as soon as you’re done, somehow managing to sink under the shallow pillows.
There’s such a mean smirk dancing around her lips. Your cunt aches and it’s borderline painful; sweat covers your body and you’re nearly sure you’ll go insane if you don’t give her all the pleasure she’s worthy of very soon. All you want is to eat her out until she’s breathless, porcelain skin all marked begging for you to stop. Then, you’d lick her clean, making her cum so many times there’d be plenty of milk dripping from her hole for you to drink on. All yours. She’s all yours to tend to.
“Why don’t you just let me do it already…” You whine, drawing your head back when she grabs one of your nipples and twists— the friction feels so good it sends a hit of pleasure straight to your pussy.
Instead of indulging your needs, Karina laughs, and there’s a hidden mockery in her tone that only adds to your frustration. She comes close until her hips rest on your thighs, with the strap being the only thing that keeps a distance between you. Before you’re able to test her patience even more, she positions the dick on her entrance, slightly rocking back and forth so it hits deliciously against her clit.
“You can look.” She says, grabbing your shoulders to steady herself. “But you can’t touch. Understood, baby?”
Karina’s eyes, big and expressive, stare at you with feigned innocence as one of her hands caresses your jaw, lifting your face so you’d stare at her. Having her making such luscious sounds so close to you is like a death penalty. Karina’s mouth hangs slightly open, and you gulp whenever she aligns the fake dick with her entrance, giving you a serious look that makes it clear that she expects an answer to her command.
A huge bitch, she is. A hot, sexy, and huge bitch. It’s nearly impossible to stay still, but you can see the challenge in her eyes as soon as she cocks her head at you. Although her little act of defiance is silent, her intentions are as clear as day: she wants you to humiliate yourself: to beg for forgiveness so you’ll maybe get granted the privilege of touching her.
So you smile back, placing your hands on your hips and doing nothing else, even if you’re itching to run your tongue all over her body. “As you wish, unnie.”
Karina is so wet, of course she is— it’s not hard to leave her drenched. The dick slides in easily, and she takes her time with taking down its inches. Your grip on her hips turns slightly stronger at the sight of her looking so angelical, as her big, soft boobs are all in display to your face. That earns you a censoring look, and you move your hands with another eye-roll. There's nothing more you want but to touch her.
After a few breaths, Karina finds a steady pace, bouncing on your lap. The gushing sounds of her pussy that echo through the room are nearly pornographic, and you find yourself letting out desperate whimpers, too.
“So good.” She murmurs, lost in pleasure. Her grip on your shoulders tightens, and you feel her muscles tensing up.
You can’t help it— watching her pleasure herself is almost too much. Without much thinking, your fingers make their way to her clit, circling her hardened as you study her, testing out the waters. She lets out a gasp at the sensation, closing her eyes to enjoy the way her lower abdomen kept building up the tension. The tingling sensation increases with the rhythm of your strokes, along with her moves, and it doesn’t take much further for Karina to cum.
Just as always, Karina’s strong voice fills the room as she takes her head back, clenching her pussy once the waves of pleasure hit her with strong motions. Her entire body trembles, and she relies on you to keep her steady.
“You look the prettiest when you cum.” You tell her, after a few moments of silence.
The laugh she lets out is weak, more like a giggle as Karina sighs deeply, carelessly throwing herself on your side of the bed. She turns to you, then, so close your noses are nearly touching, disregarding your words as if you hadn’t said anything at all. “And you can’t ever behave, can you?”
You mirror her smirk, pecking her lips before shaking your head. “You like it that way, though.”
The two of you stay in a comfortable silence, one you don’t mind at all. The girls have had some busy, tiring weeks, and you know Karina needs rest. She’s tired—they all are, so the tension relief was well welcomed by the oldest girl. Despite being all sweaty and breathless, Karina is much less anxious now that you’ve helped her relax. She runs her fingers through your body, taking her time until she reaches your pussy. It delights her to feel how soaked you are: she’s aware of the amount of power she holds over you, and the fact that you’re gulping, still throbbing yourself, is something so empowering to her.
It makes her insides tingle all over again, asking for more.
“Jimin…” You whine again, opening your legs to give the girl better access to your entrance. You need her to touch you or else you’ll explode.
Two of her fingers enter your cunt before you can cry any further, hitting a fast pace without warning. The action is well welcomed, and you hold her wrist, motioning to go further. But Karina loves to make you frustrated; it’s almost as if she thrives on it: just like they made their way inside, her fingers are gone, and her mean smirk is back.
“You haven’t behaved at all today.” She repeats herself, laughing as she kisses your pout away. You bite her lip in response, which makes her pull your face away, although she’s still giggling. “You’ll get nothing tonight, baby. I’m sorry.”
You narrow your eyes at her, “You’re such a fucking liar! You’re not sorry at all!”
Karina turns her back to you, making a show of ignoring you as she grabs the covers just as a big yawn hits her. “Goodnight to you too, pretty. Sleep tight,” You roll your eyes, ready to give her a sneaky remark when she adds, “Oh, and don’t forget to turn off the camera. We don’t want you running out of battery or anything, do we?”
“You’re such a bitch.” Although you still get up and do as told, knowing she’s partially right.
Karina waits patiently for you to return to bed, with her small eyes and big smile. The sensuality and roughness from earlier have been replaced by her usual bubbly self, which you adore just as much. It has always been amusing to you how easily it is for her to just switch back and forth from the luscious, gorgeous woman she is to her puppy personality, and you adore her either way.
You hop into her arms, humming when she fills your neck with small, wet kisses.
“You have to behave, silly.” Is what she tells you, biting your skin gently. You’re one to bruise easily, you both know it as much. However, you say nothing, allowing her to do as she pleases. “Otherwise you won’t get a reward.”
“We’ll see about that.” You murmur, happy to get lost in her cuddles. “I sure need something after that torture session.”
Your words cause you to be pushed back, although you know Karina’s only joking.“Oh my God! Go to sleep, Y/n. Goodnight.”
“Ugh.” Is all you answer, closing your arms around her waist.
“Y/n.”
“Right, right.” You sigh, “Goodnight, cutie. Can I get a kiss?”
The hand that goes through your face is enough of an answer.
“Sleep. We’ll have a busy day tomorrow.” She commands.
And because it’s Karina, you obey. You’d always hail the band’s leader.
Your personal camgirl.
Breakfast has always been something you’d skip if you could. It’s a pain to wake up so early, and you need at least an hour to be somewhat presentable and another two until you can properly talk to anyone. However, the soon you leave this shitty hotel the better, so you resume sitting beside Giselle and Ningning while they talk excitedly. You chew on your bread with scrambled eggs with perhaps too much patience, still marveling at how composed they look despite running on 5 hours of sleep.
“So, we’ve got good news. Amazing news, actually. Like, the greatest news ever.” Ningning’s nearly jumping in her seat, her eyes darting from you, then Giselle, Minjeong, and finally to Karina multiple times in seconds. Yizhuo plays with her hands, nudging Karina while nearly dying of anxiety. “Unnie, would you please tell them? Go, go.”
The excitement in her tone captures enough of your attention; you, Giselle, and Minejong collectively sit up straighter, exchanging a confused look. The fact that they know as little as you do is comforting, and stirs up a nice, warm feeling of being included within your heart. The girls could be harsh and a little mean sometimes, naturally, but there are times when they’re also very sweet.
Karina laughs, pinching Ning’s cheeks. Even though Ningning pretends she despises it, you love to baby her and spoil her rotten.
“You can do it, Ning.” She encourages her baby girl to speak up, loving the smile that brightens up the maknae’s lips after the command. “Go ahead, tell them what we’re doing next.”
With her leader’s blessing, Ningning lets out a happy squeal and launches herself upwards. The upper half of her body hangs on the breakfast table as she looks around before whispering as if the topic is top-secret.
“So, this guy approached me after our show.” She stops abruptly at your reactions, waving her hands, “Hey, don’t make such faces! He wasn’t a weirdo or anything, I promise. Anyway, he came up and said he worked for AKT Music Ent. and that he liked our music and thought we had potential.” Ningning pauses, looking up to her leader for reassurance. Once Karina nods, giving her a knowing smile, she adds, “And then I told him to talk to Karina, of course, because she’s our leader and all… but basically, he invited us to compete at The Box, next month. Can you believe it?”
“You’re fucking with us.” Minjeong answers, in awe. She looks at Karina, with her mouth still slightly open in shock. “Please tell me you’re serious. That this isn’t a joke or anything.”
Karina has a proud look on her face as she nods. “It’s a thing. We’re doing it.”
“HELL YES!” Giselle screams, laughing loudly. She reaches out her arms and squeezes you and Ningning in a tight hug, her embrace so strong it’s borderline suffocating. Not that you mind— if anything, it fills you with warmth to be with them in their first big accomplishment. “WE’RE PLAYING IN THE BOX! OH MY FUCKING GOD. WE ARE AMAZING!”
Minjeong and Karina laugh at her reaction, just as happy from the news. Taking part in the event is an amazing opportunity for them: the mere thought of performing at the stage is enough to give them goosebumps, both of fear and excitement.
The Box is a week-long competition where the top 3 winners get a 2-year long contract, each signed with one of the Big 3 music companies of the country: SM, JYP or YG. It’s an elite program where successful bands have gained popularity and recognition, like SNSD. It’s set at a big, open area at the countryside and held much like a festival: the event has become more and more capitalized with every passing year. The companies make sure to hold a big show out of the entire thing, broadcasting the events that happen simultaneously 24/7— numerous interviews, commercials are shot by the participants to support the sponsors of the competition, which helps them to make their debut on national television. There are various foods, restaurants and parties being held at all times. It’s also a great opportunity for fans of nugu bands to personally interact with them, and actually super nice to meet other bands and artists. Besides the main goal, being at the event alone is a huge honor and opportunity for the band to grow as artists. They certainly won’t take for granted.
Minjeong claps excitedly. “We need to celebrate!”
“Absolutely.” Giselle agrees, looking in disgust at the men who kept sitting at the nearby tables even though it was still fairly early, and the Diner was still empty. “At home, though. Let’s get out of here, please.”
The five of you exchange a knowing look, collectively getting up at the same time as you grab your belongings and hurry to leave the shitty hotel. Your hearts are filled with pride, and you couldn’t be happier for them.
“You deserve this.” Is what you tell them, breaking the steady silence that reigned in the car. The girls look at you, all returning from dreamland.
Even though their only response is a faint hum, the satisfaction on their faces tells you they needed to hear that. “This is only a result of your hard work. All the hours of practice, the shitty-ass places you played at before, the No’s you’ve gotten… It’s going to work out, trust me.”
Karina’s arms go to your neck, in a gentle caress as she adds, looking at her bandmates. Her best friends. “Y/n is right. We got this.”
There’s nothing they can’t do, as long as they’re together.
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forged-cold · 2 days
Text
infection is orange and lifeblood is blue
here's some pk headcanons for you
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an agile, gifted fighter with lots of resilience from fighting other wyrms in the past
his hands are a tell of what project he's working on, sometimes being cut or bruised, or stained with void
wants to be followed and admired, but is a bit shy and glows profusely around large crowds
capable of being thrown across the room by just about anyone
so rarely seen using his other pair of arms that most don't know he has them
i would like to think that he applies his "no cost too great" mentality to himself too and began totally overworking when the infection began. in turn, it probably dulled the integrity of his judgment
the vessel program wasn't a get out of jail free card for dealing with the radiance himself. them both being deities of light makes me think of two players throwing the same sign in rock paper scissors
anyway thanks for indulging me lmao, here's a pic of wl serving him divorce papers that i also drew in whiteboard
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harrywavycurly · 2 days
Note
I just know there’s moment with SC girl and Harry when she does something and Harry just thinks she’s the most adorable thing he’s ever seen😩😩
Hiii babes!!! Ohh I’m sure there are soooo many moments that Harry just looks at her and goes “you’re so damn cute” but he’d have to make sure she can’t hear him or he’d get a quick “language!” Tossed back at him for saying the word damn😂 but I hope you enjoy this little blurb about a moment between them, it’s totally random but I can see it happening💖
-find all things Southern Comfort here✨
A/N: You don’t even realize you’re doing it but Harry doesn’t mind because he thinks you’re adorable, enjoy✨
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“Oh sugar did I tell you about my meet the teacher next week?” Harry adjusts the bag on his shoulder as you briefly let go of his hand making him frown as he looks down at you just as you reach into the front pocket of your denim shorts and grab your chapstick. “I think it’s the same night as that dinner thing with Mitch and oh darn it.” Harry watches you in amusement as you run the chapstick over your lips while your eyebrows scrunch together while you try to remember the name of the other person invited to the dinner you’re talking about next week.
“Do you need a-”
“No no don’t give me a hint just yet it’s on the tip of my tongue I can practically taste it.” You cut off his attempt to help making him chuckle as the two of you come to a pause on the sidewalk, enjoying an afternoon walk to the beach on one of Harry’s rare Saturdays off. He turns to face you and without really thinking you get up on the very top of your tiptoes with the chapstick in one hand, you reach up and gently hold the side of his face with your free hand and quickly run the balm over his lips before capping it and putting it back in your pocket. “James! That’s his name!” You all but shout excitedly before you reach down and grab Harry’s hand and begin walking.
Harry can’t do much besides stare at you for a moment before his brain reminds him that you’re walking so he needs to also move his feet before you start to actually drag him down the sidewalk. He knows you’re totally unaware of the fact his heart just felt like it melted into a puddle at his feet the moment he felt your hand on his cheek to hold his face still so you could swiftly apply the much needed chapstick to his lips. You have a tendency to do things that just have him left standing there in awe of you because it’s just little acts like you applying chapstick to his lips, the times you patch up a holes in his jeans (without him having to ask) because you already have your sewing kit out, you absentmindedly putting sunscreen or bug spray on him before leaving the house after applying it on yourself or when you pack him a lunch to take to the studio and leave it in the fridge for him with a little love note tucked inside that show him how effortless it is for you to care about him and that’s just something he’s not used to.
“Honey? You okay?” Your tone is laced with a hint of worry causing your accent to be a bit thicker than normal snapping Harry out of his thoughts, he blinks a few times and just nods as he brings your hand up to his lips.
“I’m good sweetheart.” The smile you give him when he places a few kisses to the top of your hand is enough to make his knees want to give out. “So what were you saying about your meet the teacher?” He asks in hopes it makes you go on a little rant.
Something Harry has learned over the last few months of dating you is that he does love it when you get caught up in a story because you just get so animated and your accent goes thicker as you speak so fast sometimes he wishes subtitles would appear in front of you so he doesn’t have to ask so many follow up questions that make you think he wasn’t listening. Because one thing about Harry is that he always listens it’s just sometimes he gets too caught up in how your voice sounds saying the words rather than focusing on what the words actually are.
“Oh well since it’s the same night as that dinner with Mitch and James I was seeing if I could just send you off with a dessert of some sort since I won’t be able to make it.” You stop walking when you come up to a stop sign, Harry stands next to you for a moment before you see him take a step towards the street. You naturally drop his hand and hold your arm out blocking him from taking another step without even looking at him. Harry looks down at your arm that hits him below his chest and he has to rub his lips together to hold back his smirk. “I’m thinking a bunt cake? I haven’t made one in a good long while and it’s about to be fall so I think that’s the perfect time for a bunt cake.” You continue as you lean forward a bit and look to your left and see there’s no cars coming and then look to your right and see the coast is clear making you drop your arm and grab Harry’s hand so you can lead him across the street.
“Baby did you-”
“I just don’t know if it’s too early for a pumpkin flavored one? Does Mitch even like pumpkin things? I’ll have to text him.” Harry can’t fight the smile that takes over his face as you keep walking and talking, and he knows you don’t mean to ignore him he knows you’re just deep in your thoughts and probably didn’t even hear him.
“Baby.” He says it a bit louder but still just as softly as he did the first time, you turn your head and look at him and he has to stop walking making you raise an eyebrow as you stop and look up at him. “Did you just mom arm me at that crosswalk?” He doesn’t ask to embarrass you he asks because he needs to know if it’s something you even know you do or not. You turn your head to look at the crosswalk not even a few feet behind the two of you and then back up at Harry with a playful look in your eye.
“I sure did.” You answer making Harry laugh as he reaches down with his free hand and tucks some of your hair behind your ear. “What was I supposed to do just let you walk out into the street without looking both ways? I mean really sugar even my four year olds know better than that.” There it is, your classic way of teasing him but also making him know you care about him at the same time.
“You are so fucking adorable.” You roll your eyes as he leans down so he can place a kiss to your lips, he knows you’re going to get on to him for the cursing but right now he doesn’t care because your lips are soft and taste like strawberries.
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Text
Till the Last Drop
Pairing: Shigadabi
Rating: Mature
Summary: Commissioned by @dahvampire. Enji kicked him out on the street when he was eighteen, and Dabi was lucky enough to make good friends who helped get him back on his feet. But he can't help thinking every day that he will lose it all again, thoughts that only get worse when he starts dating Tomura Shigaraki. He doesn't know if he's had anything that has made him so happy, and the fear of it falling apart never ebbs.
Contents: Coffee Shop AU, No Heroes/Villains, Yes Quirks, mentions of Sexual Content
Wordcount: 8,327
The Last Drop Cafe is probably the only reason Dabi hadn't wound up in jail after his father kicked him out of the house. The fact that he'd set himself an a mountain on fire at twelve trying to just get his father to pay even a scrap of attention to him after his quirk proved to be so unstable, wound up in a coma until he was fifteen, and then needed to spend the following three years resuming his education and getting expensive treatments just to keep him alive, made him the disgrace of the Todorokis and a black spot that Enji wanted out of his house and away from his name as quickly as possible. On his eighteenth birthday, he had called Dabi into his home office offered him a single backpack, ten thousand yen, and the ability to leave that night while his siblings were setting things up for his birthday party, because if he left then and never contacted his siblings again, then Enji wouldn't also cut them off when they were of age. Fuyumi was already applying for colleges so she could become a teacher. Natsuo wanted to be a doctor. Sho was too young to have things worked out yet, but he didn't want to be the one responsible for him knowing that he would be penniless and on the streets the day he turned eighteen. He didn't even take the money. He just left with the clothes on his back and tried to make it work. His phone worked for a couple of days after he'd been kicked out, and he looked up every place that said that they gave help or housing to people who needed it. He sold his bricked phone at an electronics shop and followed some guides on what necessities to get upon being made newly homeless, and spent six months floating around trying to find something. 
Last Drop was on the list of places that would give people a free sandwich and drink each afternoon. Magne had been working the first day there and had given him the meal and he'd slunk out of the building, not wanting to have to have people looking at him in broad daylight when he knew his scars had worsened so much, the coloration getting darker and more purply now that he was not getting the medicine he'd been using before to try and keep them light and healing. Atsuhiro, the owner, had been there the next when he'd come back, and he'd asked Dabi to sit in one of the corner booths with him and talk. He hadn't been too pushy, but when he knew how old Dabi was, how abruptly he'd found himself like this, he'd told him about the apartment above the shop. It constantly smells like coffee and pastries, and was barely up to code, but it could be his. A job could be his too if he wanted it, until he figured out everything else. Dabi didn't have any other options, so he agreed. Magne had taken him out to get some new clothes and sheets for the air mattress that they'd pulled out of the closet for him, and he'd been able to shower and sit on the bed alone and safe for the first time in a three months and he finally burst into tears as he let himself actually feel what he'd lost. 
He hasn't spoken to his siblings since he left. He knows that Enji sent Fuyumi to a good college, one that she'll never be able to pay back on her own on a teacher's salary. He knows that Natsuo is in college now too, guesses that he's going to med school as soon as he can. Maybe someday he'll be able to sever ties with their father, but Dabi doesn't know for certain. He doesn't know what's going to happen to Shoto, but he was always Enji's favorite. He won't ever be able to take his claws out from his skin. Dabi does his best to not look into how their lives are going, because even now, even six years later, he still wants to go back to them. He still wants to tell them that he's still alive, that he didn't just run away and abandon them for no reason. So he can't look, because he doesn't want to ruin everything they are. 
Besides, Atsuhiro, Magne, and Jin are good to him, good friends. He's been working at Last Drop since the day that Atsuhiro let him in, and things are different now. He didn't feel like he belonged here, like he was anything other than a lucky charity case for three years. He got good at this job, he knows how to make almost every strange coffee or tea that's requested of him just from practice and memorization alone, but then he'd taken some of the money he'd been making and bought the ingredients to try and make his mom's black sesame cookies from scratch. He hadn't thought they would be worthy of selling, he was mostly just missing his siblings and wanting to give something back to Atsuhiro for taking him in. But he liked them. He asked him to make another batch and he'd had him do it down in the cafe's kitchen instead of his own. He'd made two dozen and they'd put them in the display case with the other pastries, and by the end of the day they were gone. Dabi thought that would be the end of it, but it wasn't. Atsuhiro showed him how to make scones and asked him to make another batch of his cookies. They sold out faster than they did the first day, and slowly but surely, Dabi took over working in the bakery, taking the early to mid-morning shift to get all of their pastries ready, and being in charge of developing new ones as their menu expanded over time. 
Last Drop is a home, a better one than he could have asked for coming from the one he'd had, and one that he doesn't mind also being his job-- even if that means he has to get up at four AM every day to start baking. 
///
Dabi is usually getting the last tray of baked goods into the case as Atsuhiro finishes grinding the beans for the day fifteen minutes before opening. After that it is a mad rush of the two of them moving around the space to keep up with orders through their morning rush. And then the lull going into the afternoon. Dabi's shift technically ends at noon, but he usually sticks around in the cafe anyway after Magne and Jin come to relieve he and Atsuhiro, mainly because he doesn't have anything else better to do. 
He usually drags a stool over from one of their tall tables and sits next to the dessert case so that he's mostly out of the way and chit-chats with the others, and that's what he's doing again when the bell over the door rings and in comes a high school girl. She's probably a first or second year, wearing a pale pinkish coat and red scarf, her hair tied up into two messy buns. She goes up to the counter, tucking her nose down into her scarf, and speaking up so that Magne can hear her through the fabric. 
"Hi," 
"Hello, what can I get for you, hun?" Magne asks. 
"Can I have a small latte and a raspberry danish, please?" 
"Sure thing, for here or to-go?"
"Uh, here, please." She pays, and Dabi is sitting right next to the case so he grabs the plate and puts the danish on even though it earns him a swat across the back of his head since he's not technically supposed to be working. The latte is quick to make and the young lady has selected a booth in the far back corner, facing away from the door. She's practically invisible to the rest of the bar, and when Magne looks back up from making her drink, she almost misses her. Another customer comes through the door, and Dabi takes the saucer and plate from her before she can protest, and heads over to the table. 
"Here you go, enjoy." He sets them down in front of her as she jumps, looking up from her backpack. "We have free wi-fi too, the login is on that card," he gestures at the miniature menu board that is pushed up against the wall. 
"Oh, thanks," She pulls her scarf up as she speaks, but Dabi lets it go. Maybe her mouth is affected by her quirk. It's not like he can't recognize being self-conscious about something like that. He leaves her be, and she covers her mouth whenever she eats anything, staying for a few hours as she does her homework. It's after dark by the time she goes home, but they don't comment on it, just keeping an eye. 
She comes back the next day, and the day after that. She orders a different pastry every day, gets her coffee, and then goes and hides in the back booth to do her homework. It takes two weeks before he, Magne, and Jin rock-paper-scissors to see who's going to go and actually check to see if she's alright, and Jin loses. It's probably a good thing it's him. He's got a massive scar across his face from a motorcycling accident, but it's not as gruesome or scary as all of Dabi is, and Magne, while she's a big teddy bear, she is still a bear and her anger is truly something to behold. Jin is a golden retriever, and he sits down, ready to ply her with a fresh pastry, and within the next hour she's laughing, and by the time she's left for the night they know that her name is Himiko Toga and that her quirk has made her an outcast. Her family is always happier when she's not home, and she doesn't have any real friends because they think she's strange no matter how she acts at school. She wants to go to high school in Tokyo. One of her neighbors who had similar problems but was three years older than her just finished his last year at a good school where he didn't have the same problems, but she has to be able to pay her way there because her parents won't help her. She's been studying hard to get a scholarship, but her test scores aren't good enough for that. So instead she's starting to look for jobs. 
Atsuhiro meets her the next day, and by the following weekend, she's behind the counter with him and Magne learning the ropes. 
///
Toga has been working with them for about a month, usually coming in right after her classes end and staying for four hours on weekdays, and six hour shifts over the weekend. She wants to get up to eight hours, but they want to take it up slowly. It does mean that Magne and Jin actually get a little more time off now that they have someone else working here, and Toga is actually taking to the work incredibly well. She talks to more people now than she ever did at school, and seeing how many people don't even notice her teeth so long as she's giving them their coffee, means that she is coming out of her shell more and more. She's a ray of sunshine, just as loud and bright as the others, and able to toe-to-toe with him in viciousness and trading insults when they're in the mood for it. She fits in perfectly, but she is not supposed to come in early for her shifts on the weekend. 
"Oy," he says as he takes out the tray of scones from the oven, "You're early." 
"I'm going to sit on my ass and eat your cooking fresh until it's time to clock in." She tells him brightly, not punching her time card, and hanging up her coat and scarf. She's practically bouncing on her toes. 
"What's got you so excited?" 
"My friends have a tournament in town this afternoon, so they said they would come by to see me during my break!" 
"That's not going to be for hours," he says with moderate exasperation as he smacks her hand away from the tray of croissants before she burns her fingers into nothing. 
"I know!" But her spirit isn't dimmed so he just rolls his eyes and keeps on with his prep as she starts up a stream of chatter. 
///
It's at their eleven thirty lull when their bell rings again. Dabi is pulling a double for Magne because she had to move her doctor's appointment for today if she wants to stay on schedule for her estrogen, and it's not like he doesn't live here. So he's chatting with Toga, leaning against one of the counters and debating if he's going to have his third espresso shot of the day, when the bell rings and two guys, maybe a few years younger than him, walk in. The heteromorphic reptile-person with purple hair and green scales stands out immediately, but the guy behind him isn't bad to look at. Long white hair that's half tied back from his face, pale skin, bright red eyes, and interesting markings around his eyes and lips that Dabi is guessing are from his quirk. They barely get in the door before Toga is practically hopping the bar and rushing over to them. 
"You're here!" She nearly knocks them off their feet when she tries to hug them both at once without having slowed down before reaching them at all. 
The lizard grunts and the pale one yanks his hands back and away from their bodies, a flicker of panic going across his face, his thumb curled in tight against his palm. "Toga, be careful, I don't have my gloves." Must have a quirk that is touch activated then. 
"Oh, sorry, Shiggy. Why not?" 
"New rules. They want to check them to see if they meet regulations." The guy says, his voice a low rasp. 
"That's stupid." 
"It is. But we thought you were working?" The lizard guy says. "Come on, can't be at peak performance without having more caffeine in our veins than blood." 
"Right!" Toga turns back to the counter, pulling the two older men along with her. "Welcome to Last Drop, what can I get you? We don't have energy drinks," she says very pointedly to them. They both get an Americano with a double shot of espresso, and Dabi lets her ring them up as he goes over to start on the actual coffee. She's already going a mile a minute as she starts to ring them up. "You should try a pastry! Dabi makes them fresh every morning." 
The lizard picks out his sesame cookies, and the other guy declines, "You know I don't like sweets." 
Dabi can't help snorting at that as he turns back with the first coffee. He doesn't mean to catch red eyes watching him. 
"I'm sure they're good--" he tries to backtrack, clearly guessing who he is. 
"No, it's funny because I don't like sweet things either." 
"He's just weird." Toga agrees. "Dabi, this is Tomura Shigaraki and Shuichi Iguchi." 
"Nice to meet you." 
"Hey, man." 
She gets their money, both of them dropping nearly the same amount in their tip jar, and she plates the cookies as he finishes with their coffee. As soon as she's passed over their order, she turns to him, "I'm going on my break!" 
"Go clock out you little gremlin!" He orders. She sticks her tongue out at him but does actually duck into the kitchen to do as she's told. He rolls his eyes and finds that he's not the only one, though he's a little surprised to see Iguchi doing it at his friend before he goes over to one of the empty booths. Dabi's not entirely sure what he did to warrant that response, but he goes back to work as Toga comes out from the kitchen to go sit with her friends. He's glad that she has friends other than them. It's pretty quiet today, so he makes her a cappuccino with way too much extra sugar and syrups in it, and gets her one of the miniature strawberry cream cakes that they're going to be retiring until strawberries are back in season. He also brings three forks. 
"Thanks Dabi!" Toga beams at him, because she doesn't hide her teeth anymore, and Dabi deliberately sets down the forks too, meeting red eyes with a smug smirk. Sure it's probably a bad look to mock a new customer, but on the other hand, it's very, very fun to poke so harmlessly at someone. 
He leaves them to catch up for her break, Toga taking her lunch while he deals with whatever trickle of customers come in and out until Jin's shift. When he gets in, Dabi goes and clocks out, hanging up his apron. He comes back out to, not sure if he wants to just spend all of his time hanging out up in his apartment this weekend, and finds that Toga is getting back to work, and that only Shigaraki is still inside, Iguchi waiting outside of the cafe doors as he taps on his phone. Toga giggles as soon as she sees him, which tells Dabi immediately that he's in danger, but before he can do anything about that, Shigaraki is coming up to him. 
"I hope this isn't too inappropriate," He braces for something wildly inappropriate to be said to him. "But I was wondering if I could get the recipe for that cake?" 
"Oh," Dabi blinks, "Oh, uh sure. God, that was not what I thought you were going to say." 
"That's because I chickened out about asking you on a date halfway through." Shigaraki gives him a rueful smile, and that is definitely not the smoothest way to ask someone out, but Dabi is pretty sure he would have done worse since he's never asked anyone out or been asked out before. 
It's probably not the correct response for him to let out a snort of laughter though. That probably doesn't do the other man's ego any favors. "Did you even like the cake?" 
"Not even remotely, which is no reflection on your baking skills. As far as I can tell, it was the perfect cake. But perfect is always going to be mediocre if you don't like whatever it is in the first place." 
"Okay, so what do you like?" 
"Video games, my friends, people watching, getting a more direct answer when I ask someone out so I know if I should be making a swift exit." 
"Ask me a direct question and I'll give you a direct answer." 
Shigaraki doesn't get annoyed with his attitude, his lips curling up into a smile that makes his whole face softer. "I have a tournament to get to, would you like to come watch if you're not already busy for the rest of the day? And afterward, when I win, I would like to take you out on a date if you're interested?" 
"That sure you're going to win?" 
"More sure about that than I am your answer." 
Dabi isn't sure about his answer either. This is a first, and he doesn't know if he should have his first date with one of Toga's few other friends. If it goes badly, he doesn't want her to end up caught in the crossfire. But... he's having fun bantering with Shigaraki. And he's never been to a sporting event before. He doesn't even know what he plays, he definitely doesn't look very imposing in his black skinny jeans, long-sleeved black shirt, red tennis shoes, and red coat. 
"Yeah, okay. You still want to pretend to want that cake recipe so I can go change?" He is never going to say that coffee and pastries smell bad, but he does typically try not to walk around radiating that smell in all directions once his shift is over. 
"No, but I can give you my number. We have to be at the venue early for registration and check-in, our part of the tournament doesn't start for another four hours. Toga's heading over after her shift, if you want to join her for the walk. And that way, if you change your mind, there's no obligation." 
Dabi appreciates that and hands over his phone so the other man can put in his number. "Okay, you better win though, because I'm not into cocky guys who can't deliver."
He sees a little heat go into those red eyes, something that makes Dabi think that maybe this guy will be able to hold up against his attitude. "I always deliver." 
"We'll see about that. You should probably go, your friend's waiting." He hands back his phone.
"Yeah, any dietary restrictions I should know about, other than being a baker who doesn't like sweets?" 
"I don't do fish." 
"No fish, no sweets, got it. I hope that I see you later." Shigaraki doesn't linger after that, turning to go meet his other friend outside, and Dabi watches him go, a little surprised with himself for handling that and agreeing to go out with him. 
And then out of the corner of his eye he sees Jin and Toga leaning against the display case and counter respectively, both of them with shit-eating grins. 
"Aww, ain't that cute," Jin mocks. 
"This is so exciting! You should wear your leather pants, oh and the fishnet shirt, and you should wear the nipple rings instead of the studs!" 
"One, fuck you, two, you're fifteen, stop having an opinion on my body jewelry." 
"Eyeliner too! I'll do it for you! It makes your eyes look so pretty!" 
"I fucking hate you." 
///
Dabi goes for his favorite boots, a distressed pair of black skinny jeans, a dark wash gray shirt tucked at the front to show one of his studded belts, and his favorite tattered leather duster that he got in a charity shop and has been holding onto no matter how badly frayed the ends keep getting, fixing any wear at the shoulders and elbows to keep it looking artfully worn even though he's pretty sure the coat is older than him. He does wear his eyeliner though. Toga's right, it makes his eyes pop. 
When her shift ends, she's practically bouncing as she gets him out the door and into a taxi to drive them to the... concert hall? He's about to ask what the hell kind of sporting event this is, when he sees the banner that has been posted above the doors. An esports tournament. Dabi has never been asked if he thinks that esports are a sport or not, but he supposes that it doesn't matter when he's here now. Besides, Toga knows where to go and brings them to a much, much shorter line to get in, Dabi half-stunned by the lines that have formed to get in, massive screens already set up outside of the building playing highlight reels of the games that have already happened to keep the people who haven't gotten in yet entertained as they wait. But they go right over to the VIP line and she hands over her ID and tells them that they're special guests of Iguchi and Shigaraki. 
It takes all of five minutes for them to have VIP wristbands, badges, a gift bag provided by a few of the sponsors, and an escort inside because they're allowed into a special viewing booth if they don't want to sit right down in the front row by the stage. They opt for the stage and when they're shown to their seats, whatever game was happening before Shigaraki and Iguchi's is still going on, so they sit and start to watch that, Dabi turning to Toga and saying, 
"I do not know shit about esports. What the fuck do I need to so that I don't embarrass myself?" 
Toga gives him the basics of the game that Shigaraki and Iguchi will be playing as they wait for things to get started. Teams of two, essentially virtual capture the flag, getting killed doesn't mean they're down for the count, it just means that they have to wait to respawn and after three kills, they're out of the game completely. If they get all the way through this tournament then they'll get two million yen. And this won't even be the first one that they've participated in, having done two before this that earned them enough money to pay through their first year of university and rent a substantial apartment near the campus. 
Dabi can't say that he fully knows what's going on throughout the many games that they watch, staying for nearly six hours as their team wins match after match. He barely gets it, but he's as on the edge of his seat as Toga is when the last match comes and Shigaraki's avatar dies and is eliminated when he blocks the other team's shot so that Iguchi's avatar can hold the point for the last couple of seconds that he needs to in order to secure it and win the match. Toga jumps up, pulling him with her, as the announcers start to rattle off their things and the crowd cheers. A massive thing of confetti goes off and showers the stands and stage with bits of the colorful paper. 
When the stands start to clear out, and Shigaraki and Iguchi have disappeared for their other post-tournament obligations, he and Toga are taken into a VIP lounge to wait for them. She's bouncing, thrilled that her friends won, and he's wondering if he should have worn something less casual for a dinner date with a guy who can make two million yen in a day. But when Shigaraki and Iguchi come to find them, they accept their congratulations from him and hugs from Toga, before Shigaraki turns to him and says, 
"I know a great tsukemen place near here, if you still want to get dinner." 
"How can I say no? You backed up the cockiness flawlessly." It earns him another smile, and Iguchi only rolls his eyes as Toga waves them off with a grin. 
///
Dinner is at a little hole-in-the-wall place with a cozy atmosphere where Dabi is served the best tsukemen that he has ever had in his life. They spend the entire meal chit-chatting, just getting to know each other. Dabi finds out that Shigaraki was adopted at age five after an earthquake leveled his family home, he's been gaming since he was seven, when a console was the first Christmas present his adoptive father got him once the papers were finalized, that he's actually pretty pessimistic about society as a whole, and that he literally destroys anything he touches with his quirk. Dabi tells him that he doesn't have any family he’s in contact with, he started baking and cooking when he was around five because it was the only chore he did that actually made him feel useful, that he thinks that the world is kind of shit too, but there are a few good people who make it worth it, and that he can burn anything to a crisp-- even himself. Most of it is pretty casual first-date kinds of things, and it's going well enough. They can talk to each other, it's even kind of fun. It's just that Dabi feels out of his depth and isn't about to own up to his inexperience. When they're finished, Shigaraki offers to take him home, and Dabi accepts that, the two of them grabbing a taxi and going back to the cafe. 
He invites the other inside with a slightly sadistic, "Come on, we skipped dessert," and unlocks the cafe. There are only a few things that he saves between days, and biscotti is one of them. Shigaraki has no fear of caffeine this late, and Dabi makes them both a cappuccino to enjoy with it, before they're sitting at one of the booths. 
"So why engineering and business?" He never went to college of course, but it does seem less exciting than making money streaming, going to tournaments, and apparently starting to do sponsorship ads the way Shigaraki does in his free time. 
"My father. When Spinner and I wanted to enter our first tournament, we wanted to go in on one of the bigger, more established ones, not the ones for amateurs. The one we wanted had an entry fee of three hundred thousand yen for teams without managers or an agency, which we couldn't get unless we auditioned, entered a training program, and all of this other shit that we didn't want to do and didn't have time for before graduation and our college entrance exams. Spinner wanted out of his family's house because his quirk was a random heteromorphic mutation and they never treated him very well, and I wanted to help, but my father doesn't believe in 'charity'." 
"So I made a deal with him, he would spot us the entry fee and in exchange he could pick my major and minor that I would get regardless of if we won, and give me a month of not meddling so that we could get our shit together so we could actually get past the qualifiers." He shrugs. "We won, but I'm locked in for four years, and Spinner used his cut of the money to come with me." 
"Kind of a dick move-- on your father's part, if you ask me." 
Shigaraki shrugs, "He wants me to succeed and be happy, but he doesn't always get that how he wants me to do it isn't going to work for me. Was your dad shit?" 
"Absolutely. Kicked me out at eighteen without warning and told me that if I ever caused him trouble he would--" he tries to remember what he told the others when they took him in, "Destroy someone I care about." 
"Absolutely a dick move." Shigaraki echoes his sentiment. "Did you ever get back in contact with them?" 
"No, he could still do it, and he will. They're better off without me around. I hope they have a good life." It's a little too heavy for a first date, he thinks, so he picks up one of the biscotti and dunks it in his coffee, letting them defuse the tension as Shigaraki follows his lead. They both take a bite once it's softened enough to not break their teeth, and when their mouths aren't full, "What do you think?" 
"It's not as sweet as the cake." Shigaraki says with true, perfect neutrality that makes Dabi laugh. 
"I'm going to find something that you like. Everyone has something." 
"Does that mean that I get to see more of you?" 
Oh. Dabi feels a flush trying to rise to his cheeks, but he's not about to be cowed or fumble this again. "You might get to see all of me tonight if you don't have any problems being kicked out at three AM, or sitting down here while I bake. My shift starts at four." He doesn't know what the etiquette for dating is, but he does know how to have a memorable hookup. 
"Maybe we should hold off then," Disappointment slips in. He had almost forgotten about his scars from how openly and readily Shigaraki had been flirting with him before. But maybe he needs more time to work himself up to see more of his fucked up skin. "I don't want to keep you up all night and have you burn down the cafe during your shift." 
Relief goes through him as he snorts. "Cocky." 
It earns him more smoldering red eyes and a small smile that screams with his overconfidence. "I've already proven once today that I can live up to it." 
"It's a coffee shop." Dabi says, pushing himself up from the table. "I'll have a drink if I'm sleepy." 
Shigaraki doesn't protest any as he stands as well, following Dabi upstairs to his apartment. 
Dabi didn't anticipate how no sleep, three orgasms, and being sore from taking the biggest cock up his ass he's ever had was going to affect his shift the next day, but Magne and Atsuhiro have a very, very good laugh over it when they see Tomura leaving just before they clock in. 
///
Tomura was Dabi's first date, but he's also his second, third, fourth, until it's really really obvious that they're dating. That he has a boyfriend now. He didn't think he'd ever have a home, friends, security, or companionship in his life, but he has all of them. 
And throughout the first month and a half of his and Tomura's relationship, he's expecting them all to disappear. 
It's a thought that comes to him the first time he's over at Shig and Spinner's apartment in the mid afternoon, when Duster comes back between classes, Spinner's still at his, and they fuck with the lights on for the first time. It's when he's certain that no matter what else they've done in the dark, that the moment that Tomura really sees him like this, that he's going to realize how disgusting he is and dump him. But he doesn't. He kisses his skin the same way he always does, teases him for how sensitive he always is, makes him cum so hard that he accidentally sets off the smoke alarms. They go out to dinner later and he heads back to the cafe since his shift is so early, half expecting him to block his number and ghost him completely. 
But Tomura comes by in two days while he's running around-- he and Spinner are actually getting sponsors and management companies who want them now-- to let Dabi make him try one of his other desserts, and to ask if he wants to go to a crane game place that Toga is dragging them all to later.
"I don't think I've ever played a single crane game in my life." He tells the other, but agrees anyway. The group of them have been having a good time hanging out together, and he wants to hold onto that for as long as he can. 
When they go to the crane game place that night, it's him, Tomura, Spinner, Toga, and Jin, and they all agree to a max spending cap of five thousand yen. Whoever comes back with the most prizes wins will get to pick where they go for dinner, and whoever has the least will be the assigned pack mule for the night. Dabi's spirits are slightly cheered by the fact that Jin says he's never played either. They get to the building and find two floors of the crane games, and Dabi immediately regrets what they've signed up for. They change their bills to coins and he and Tomura break off from the others to go down the rows, looking for any prizes that they might like. 
"Here, you should try this one, firefly." Tomura settles him in front of the game, the prize for which is a rabbit that is designed to look like a strawberry mochi. It's a standard claw game and Dabi at least knows how it works in theory, and Tomura shows him the controls. "This machine always grabs tighter after the third coin, so just try to get it into a good place before then." 
Dabi puts in his coin, "How often do you two come here?" 
Tomura guides his hands on the controls as the game starts, "Whenever we have to decide who's doing laundry or if I want the apartment for the weekend." 
"Yeah, how many times have you kicked him out for the weekend?" 
The question gets him a kiss against the back of his neck. "The only time that matters is this one, because when I win, we're going to your favorite soba place, dropping the others off at karaoke, and then you and I are going back to the apartment, and I'm going to fuck you in the tub the way you always want to until you're boiling the water." In his defense, their apartment is massive and the tub is no exception. 
"You are a terrible roommate and the only man on the fucking planet who is excited over the thought of getting third degree burns on his dick." Dabi lets Tomura guide his hand so that he positions the claw above the stuffed animal. He hits the button to lower it when it's in place and the machine whirrs. The claw closes around the bunny's soft body, but only carries it about an inch towards the prize drop before it slips out from the pincers. 
"A good boyfriend though." He gives Dabi a kiss on the cheek and puts in one of his own coins so that Dabi can try again. 
He gets lucky, and manages to get it up to the plastic partition in the machine, and the rabbit bounces against it and into the hole. Dabi is absolutely not expecting the rush of joy that he gets seeing it drop inside and realizing that he won something. 
"Perfect, firefly!" Tomura praises, giving him another kiss before letting Dabi reach into the slot to take the toy out. It's soft as a kitten, but it does have a plasticky smell to it that he hopes will go away. 
"Yeah, well, it'll be more impressive when I manage to do it on my own. Go make sure that you can deliver a good weekend." 
Tomura smiles and Dabi accepts the peck that he gets before he parts, saying, "If you're struggling at a machine, you can ask the staff to reset it, you can only win one of the big plushies per machine, and there are bags by the coin exchange if you need them to carry things. I'll stay on this floor until you're ready to go upstairs, just come find me when you're ready." 
"Okay," he lets the other leave and picks up his coin cup. Tomura moves down the row and turns a corner, disappearing, he's guessing to go to his favorite machines. He turns and starts to look at the other machines, other versions of claws, ones where he thinks he has to pull on the plastic tabs that have been attached to boxes, trying to find any that look interesting. It's a total waste of his coins, but he sees a box of assorted chocolates that he knows Tomura will hate, and that Toga will love, and he immediately stops at that machine and feeds it a coin. 
It takes him ten tries before he actually gets the box to fall into the slot, and after it does, he doesn't get that same flicker of happiness that he was before. Because that flicker has been fighting its way through his doubt since the first night that they spent together. Tomura likes him, he's good to him, but it's hard not to notice that he's going to make something of himself. He's going to be a proper pro at some point, probably some point soon, and he's going to graduate college, and then he's going to be able to get whatever job he wants after he has his esports career, if he doesn't make enough money to retire on it. Dabi isn't going anywhere. He is incredibly grateful for what he has, but he's not going to make more of himself than a barista and a self-taught pastry chef. He's lucky he even became that. He's not going to get any prettier either. When they go out, he still has people see his face and gasp, or turn away from him and whisper. He still gets stopped by cops when he's just going to the grocery store because they think he looks like a criminal. 
He's always going to be the person who doesn't fit in, who scares people, who is too prickly to make them feel comfortable. He's never going to be as smart as them, won't ever be able to afford to go back to school even if he wanted to, and he's never going to have a lot. He's been happy with what he's had so far, he's been happy with how things worked out when he didn't think he would ever get anywhere near any of this. Dabi knows that his job at Last Drop isn't going anywhere. He would have to fuck up astronomically for Atsuhiro to fire him, and they're not about to go under or anything. He knows that Magne, Jin, and Atsuhiro are his friends first and foremost, and even if things fall apart with Shigaraki, they aren't going to abandon him, while Toga might have to pick between them and her old friends. He knows he has enough money squirreled away that he won't end up homeless again if something unforeseen happens. 
But he doesn't know how he's supposed to handle the fact that Tomura could choose to leave him as soon as he realizes that Dabi isn't worth his time. That he's just going to weigh him down, smearing soot all over the bright future that is stretching out in front of him. He's never been in the position before where he had to decide if he was going to give up on something instead of waiting for it to end, but neither option makes him feel particularly good. 
Dabi's fingers hit cool plastic and he blinks, looking down at his coin cup. Two hundred yen left. He didn't mean to do that, absolutely didn't mean to wander around playing game after game as his mind whirled. Definitely lost. It feels like a horrible signpost from fate that he's going to lose Tomura too, even though he wants so badly, and so selfishly to keep him all for himself. He looks around for a single machine that he thinks that he might be able to get at least one thing out of, desperate to hold on for a chance--
"There you are," Tomura comes up to him, one hand with two large bags of prizes hanging off of it. "Are you ready to head upstairs?" 
"Uh, yeah," he feels his face heat, his stomach in knots. "I'm almost out-- guess you made this look way easier than it was." 
Tomura just smiles, "It takes practice. Besides, you have two things? So does Jin, last I saw. Toga's only got four. She wasted all her money trying to get a My Melody strawberry plush for some girl she's got a crush on." He looks into his coin cup and then whispers to him, "Let's sneak upstairs before the others notice. The gotcha games are up there, and you can get at least one more prize and beat Jin." 
"Okay." His chest hurts. He doesn't want to lose this. They go upstairs and Tomura shows him the line of gotchas that range from one hundred yen to play to two thousand. He can play two of the games and come out with the same amount as Toga, but he's still leagues behind Tomura. He's always going to be behind him, weighing him down. 
He looks along the row and finds one that costs two hundred yen to play. He should just get this over with. It's a mystery gotcha that says that it's stocked with classic arcade items like sticky hands and novelty erasers, to 'higher end' prizes like headphones, fidget toys, and possibly a voucher to play one of the expensive game machines. He puts in his coins and cranks the wheel, listening to the capsules inside shift around. One drops into the slot and he grabs it. It rattles in the capsule so he figures that it's not the voucher and pops it open. On top of the prize is a little piece of paper that shows it's an insect shaped phone charm, and that he could have won a grasshopper, cicada, rollie pollie, butterfly, or... firefly. Dabi isn't expecting the way that makes his heart start to race as he picks up the black plastic pouch the charm was stored in and tears it open. 
He doesn't know why he feels like he might cry for the first time in years when he sees the little black body, its wings spread open to show its yellow butt, which the paper says will glow in the dark. But Dabi has to take a second to figure out how to compose himself before he turns to find Tomura. The other man hasn't gone far, staying in the row of machines that Dabi will have a clear line of sight to. He sees him bend down to pick up his new prize and Dabi thinks about just... leaving. He could go first, and then it will be his fault in a more direct way when this all falls apart. Everyone will be mad at him for being a dick, and they won't ask him why he can't just let himself be happy for as long as he can hold on to this. 
But Tomura turns around and immediately spots him and smiles. It's such a good smile. It lights him up from the inside out. Dabi doesn't want to ruin that for him, not now. He can wait. He'll let Tomura shatter his heart into pieces if it means he doesn't have to break his instead. His boyfriend comes over to him, "What did you get?" 
"Here, you can have it," He says before he can reboot his brain to say anything smarter than that. 
His heart fucking breaks a lot sooner than expected when Tomura takes the charm out of his hand and laughs. "Oh, firefly, that's perfect. I got you something too." It's a miracle he reaches into his bags, digging down towards the bottom, taking his eyes off of him as Dabi has to blink back the slightly red mistiness in his eyes from how in his head he's gotten over the past... however long they've been here. "Something so that you can keep me close even when we're apart." He pulls out a little moth plush, just big enough to fit in his palm with a fake fur ruff around its neck, big red eyes, and soft flappy wings on either side of its body. His chest warms and takes it. 
"Thanks, Duster." 
Tomura puts the charm on his phone, and then pulls him close for a kiss. 
"If it comes down between Spinner tying with you, or me and Jin tying, tell them you got the charm too. I want to take a bath in the tub the two of you are fucking wasting." Tomura laughs, 
"Very underhanded, firefly. Absolutely." Tomura still has five more coins, so he cranks through five of the one hundred yen gotchas since it's starting to get late, and they know at least two of the others are also already finished. 
He's wearing his gloves, always does when he's going to be in crowds where someone could bump into him outside of his control, and he puts the bags all on one arm so that he can lace their fingers together before they head back downstairs to find the others.
"If you guys come here so often, what do you do with all the prizes?" Dabi asks as he tries to pull himself out of the heavy doubts that have been clinging to him so violently all night. 
"Toga gets to pick through all of the plush to find ones she likes, then we donate the rest of them to a charity that gives them to kids in hospitals as a part of their 'buddy' program." 
"Oh, that's sweet." 
"Don't start thinking too highly of us, all of the figures and other stuff we take to a resale place and put that money towards our practice tournament prize. Whoever has the best score at the end of the month gets to spend it on whatever they want." 
Dabi snorts as they make it downstairs and spot their friends standing off to the side of the exit. Toga is beaming, holding her plush close to her chest, and Jin looks defeated. Spinner's bags look smaller than Tomura's but that doesn't mean much when the size of the prizes range from the capsules to plushies the size of Dabi's torso. They count up the prizes, Spinner and Tomura absolutely sweeping the rest of them with ten actual prizes and then Spinner snapping, 
"Oh fuck you! Gotchas don't count!" 
"We never said that." Tomura snarks right back, unwaveringly. It's an underhanded way to win, and Tomura doubles down, saying that he'll win something with four hundred yen if the money he spent on the capsules doesn't count. He manages to win the prize that pushes him over the edge with one coin, and then just because he is such a cocky asshole, he also wins a second one with the last three coins.
They go to get soba, ditch their friends at karaoke, and go back to Tomura's apartment.
When Dabi's curled up against his chest, looking at the firefly charm glowing away on the nightstand, and Tomura presses a kiss against his hair and murmurs,
"Love you, Dabi," He can't manage to make his throat work to say it back, but he holds onto him tighter, leans up to try and kiss him harder. He doesn't know how long he'll get to have this, any of the good things in his life. But Tomura is the best, and he is going to hold on for as long as he can and savor every second of it. 
Thank you so much for reading!
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adachimoe · 2 days
Text
A long and meandering post about Adachi and the Investigation Team
I have no idea what to title or describe this as. This is a long ass rambling 2.5k+ word post that consists of like 5 drafts I had sitting around that all felt somewhat related. It starts with the part where the Investigation Team tells Adachi to get over himself, then devolves into talking about Adachi punching himself in the face repeatedly (metaphorically), before ending by exploring the idea of Adachi as the Investigation Team's collective Shadow. it rly is tl;dr.
Adachi will remember that
At one point in Magatsu Inaba, the Investigation Team takes turns responding to Adachi in verbal turn-based combat. They all have varying responses and levels of understanding of him.
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Chie doesn't understand why Adachi even became a cop, Rise thinks he's full of shit, Kanji tells him a 2008 version of "go kys" (tbf, he's never been eloquent with words), Yukiko tells Adachi that he sounds like a kid, Naoto calls him out for finding life annoying while being a damn annoyance, and Yosuke tells him he's just a criminal.
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What Yukiko says to him in particular appears to sting Adachi, evident by how he "!" emotes in reaction to her. Or idk maybe he's secretly into getting bullied by women. I think Yukiko has Adachi's number here, and he knows that. After all, part of his schtick is that, "Oh, you stupid fuckin' kids, you don't know what I've been through or how I feel! Get off my dungeon lawn!!!" And yet, one of those stupid kids is able to tl;dr his life. He later even repeats what she said back at Sho during P4U2.
What Yukiko says here, I think, stands out in particular not just because of Adachi's reaction but also because it resembles a sentiment found in other media: The contradiction of being alive while not "truly" being alive. This often goes like so: A character can be alive in that they are most certainly physically living and breathing, but they are largely closed off from the rest of the world and going through the motions. Thus they are said to not truly be alive.
In the context of Persona 4, I believe Adachi fits in with this trope. As Yukiko has assessed, life sucks, but it's not like he's in any hurry to die. From what we see of Adachi in the plot, he's going through the motions. He wakes up, goes to his job, goes to Junes to bum free air conditioning, and sometimes gets dragged over to Dojima's house.
I don't think it's bad that people fall into these routines by default. Some find them comforting, some appreciate the simplicity, and some make up for the monotony of adult life with the more fascinating things they do outside of work.
But this doesn't apply to Adachi, who openly groans about his life and job. He seems to want to live and fit in with society, but he wants to do with more than what he has right now, yet he also seems unwilling or unable to put in the effort to get what he wants. He tells us he's lonely and wants a girlfriend, but when the old woman from his Social Link tries to hook him up with a girl, he finds it all annoying. He thinks of himself as an elite detective who is above Inaba, but he is regularly made out to be incompetent, sloppy, and careless.
It's like he's stuck but not doing anything to become unstuck. Following the tropes, Adachi would move from being a character who is "alive without really being alive" to "Truly Living" once he figures out how to get himself un-stuck. If he truly wants to be a hotshot detective in the big city with a smokin' hot wife, then something needs to change because he won't get those things as he is now. But how does Adachi approach the subject of "change"?
Maybe the world really is just a shitshow?
Adachi being exposed as the murderer is a major turning point for the murder investigation. And after the Investigation Team chases him into the TV, one of the many things he talks about is "change", or rather a lack of change.
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As far as Adachi is concerned, the world can't / won't / doesn't change. He criticizes the world and its inability to change, how society works, and how people will latch to whatever you tell them as the truth.
Some things he says might resonate with us, especially nowadays with the spread of social media and misinformation. However, despite these criticisms, it sounds like he still desires to be part of society. He has been trying to blend in as a normal guy since April despite being a murderer. I think it's worth reiterating that his complaints about his life weren't anarchist but more like, "I don't have a cute girlfriend who cooks for me." Furthermore, he was trying to take advantage of misinformation to get away with murder by pinning it on Namatame.
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Adachi doesn't like the current world and doesn't think it will change. Thus, he is forcing it to change in a completely catastrophic way. He really is throwing a tantrum: Like, what, you can't get away with murder? All right, throw the whole world away. With this approach, it is not Adachi who must change to fit in with the world, but rather the world that must change to fit Adachi.
Change isn't a good subject with him, which, honestly, is relatable. Change is easier said than done. Even within Persona 4 itself, after getting Magical TV Powers, an event that feasibly might add spice to one's life!!, the same old routine still runs Adachi's life. What has changed is that he's now waiting for Namatame to kill someone. Showing up looking for a dead body in the shopping district is simply a new part of his routine.
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This topic of Adachi and change gets wrapped up after the fight against Amenosagiri. Adachi challenges the Investigation Team: >>>If<<< they think they have the power to change the future, then do it.
After entering the TV World, Amenosagiri responds to Adachi's wish and makes his wish come true as the dungeon deadline bad ending shows. That was Adachi's own so-called power to change the future. So what is the Investigation Team's?
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Yosuke then replies that everyone has the power to change their future. As in, you don't need special powers from a gigantic disco eyeball inside of a TV to do that. In context, Yosuke is telling Adachi, "This is a 'you' problem," or "Skill issue." And tbh, I think Yosuke is more or less correct here.
In which we revisit the topic of "dumbass" and effort
In some ways, this topic might seem odd to approach. Everyone on the Investigation Team - besides Chie - seems to have a better life situation than Adachi had when he was their age. Are they punching down? Perhaps it feels like a hollow reflection of the collectivist culture that the solution to these antagonists who go "BUT SOCIETY IS WHAT IS WRONG" is always to beat them up and force them to conform--
…..but hold on. That line of thought would be giving in to what Adachi says before his boss battle. And, based on how he quits talking about how "waaah society is unfair" afterward, I find it difficult to think that is what he genuinely believes about his situation.
When I suggest that Yosuke is correct, I don't mean this in a "You aren't special, Adachi, everyone else's life sucks too, just deal with it" kind of way. What I have in mind is how the game seems to support that this is an Adachi problem, not an everyone else problem. Throughout Adachi's Social Link, his other interactions, and what Atlus has said as meta / Word of God answers, you get the idea that people were trying with Adachi, but he wasn't meeting them halfway.
For example:
This entire post is about the effort the MC puts in just to get called a dumbass (though I'd bet that the protag considers Adachi calling him a dumbass to be like a Badge of Honor). Even their gay ass Fever Time in P4D tells the story of Yu trying to reach out and Adachi going, "No!!!"
The old woman in his Social Link is trying to wingwoman for him and hook him up with women in Inaba, but Adachi seems unwilling. Instead, he tells Nanako and the protagonist that he's never getting married. Despite his loneliness, he justifies himself by saying, "Marriage is the graveyard of a man's life."
The Dojima family and Adachi interact briefly throughout the game, both in the story scenes and in his Social Link. As his letter at the end of the game shows, Adachi felt lukewarm about their interactions because he wasn't quite aware of what he had with them until he no longer has their company.
The way I see it, when Adachi rants about the world not changing, he is not actually bitching about the world. Rather, this feels more like a form of projection. He says the world doesn't change, but perhaps he is talking about himself and his own inability to change. Which would reframe it as more like… He knows he's the issue that holds himself back - his own worst enemy, perhaps - but he says the world is wrong to justify himself.
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You learn a bit about Adachi through his Social Link. During rank 6, in dialogue that can tragically be missed, Adachi will admit that he is lonely, but he also thinks it's easier that way. And really, easier is just another way of saying "less effort".
On one hand, this might show Adachi's annoyance with other people. But at the same time, for him to call the protagonist a dumbass for investing so much in him and their relationship, I think the unspoken bit here is that Adachi does not think he is worth the time or effort, to begin with. His lack of effort isn't just him being annoyed with people or not giving a shit about things. I'm no expert, but I think the majority of us would wager that this is depression.
As the game's timeline unfolds, we really only know Adachi as the pathetic, silly murder guy. Did he start distancing himself from people because of the "oops, I murdered someone" part? Or was he like this even before then? When he talks more about his past, he doesn't go into a great amount of detail.
Going with my gut here, but I get the feeling that Adachi's obsession with Mayumi - something from before he became a murderer - suggests his distance from people is not a new thing for him. Consider: Meeting people? Forming relationships? Even before we talk about romance, how the hell do you even make friends as an adult? (The answer is BL btw. Go find some girlies who ship the same pairing.) I think Adachi said fuck it to all that bullshit. It'd be easier - less effort - for him to just be alone.
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But… What if the magical TV just tells you exactly who your soulmate is? Well, shit, that's easy. For the lonely guy who just got transferred to Inaba and generally keeps his distance from people, I imagine it would be quite convenient to just be told, "This is who your soulmate is".
And that wouldn't be the last time Adachi gets a freebie from the TV. It happens again in December, as Adachi finds an again "easy" solution that does not involve changing himself or doing something annoying that requires effort from him. Having been enabled by the magical TV, Adachi is something of a static character.
Adachi is the Investigation Team's Shadow
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In the P4G Premium Fan/Fun/Fsomething book, Atlus defines the Shadow by the Jungian definition, then talks about how the Shadows in-game represent "alternate possibilities" for the characters. The specific example it gives is how Chie's Shadow holds a great deal of animosity towards Yukiko. The real Chie doesn't feel this way towards Yukiko; in fact, she treasures her. Thus, Chie's Shadow is an alternate possibility.
When you look at Chie and what she says about accepting her Shadow, her Shadow seems to be born from a real insecurity (her jealousy of Yukiko) and part of it really does resemble Chie. But part of her Shadow is also this… caricature-esque thing. Hence why Atlus calls it the "alternate possibility". In turn, Chie accepts that she is jealous of Yukiko, but she does not accept the Banana Hat Dominatrix trying to exert control over Yukiko. She even realizes that rather than Yukiko needing her, it was actually her who needed Yukiko.
(I refuse to carry on with this train of thought further than talking about Atlus's own example with Chie because it would inevitably mean having to talk about how Atlus sees Kanji and Naoto's issues/Shadows/dungeons, and I'd need like bottles of wine to get in the mood to even type a paragraph of that.)
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During her P4G winter Social Link scene, where her Persona evolves, Chie brings up Adachi and how she could have become him. She continues that anyone could have turned out like him.
Indeed, Adachi very much feels like a, "this could happen to anyone" character. He is an everyday normal guy who accidentally gets involved in something beyond him: a Like a Dragon side story NPC stuck in a game about high schoolers and friendship. Based on how you see these characters, you can correlate many of their issues to Adachi's own issues.
Really, in some ways, he feels like he was written to be the sum of the Investigation Team's insecurities, all bundled into one guy. As Chie's Shadow twisted her jealousy of Yukiko into a desire to control Yukiko and showed an alternate possibility for who Chie could have become if she had let jealousy consume her, perhaps Adachi shows an alternate possibility for who all of them could become.
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As Amenosagiri later reveals, the truth torments the Shadows. Your party identifies that is what causes the Shadows to attack people.
When we consider how the game has gone until now, then those moments where the Investigation Team told their Shadows, "You're not me!" must be the moment that Amenosagiri was describing. The members of the Investigation Team come face to face with a being who claims to be them and seems aware of the same issues that gnaw at them. But these beings pervert their issues issues in a direction that doesn't reflect who the Investigation Team really are. And so they challenge that this being is truly them. They, sigh, "reach out to the truth", and it causes their Shadows to go nutso and attack.
And, of course, these repeated scenes where they tell their Shadows all lead up to the last time we see this kind of sequence...
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Just as the Investigation Team had to face themselves and pick apart the truths from the caricature, they, too, come to face Adachi and can cut through the bullshit, rejecting his attempts to justify why it's okay for him to merge the TV World into reality and screw everyone over.
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That said, though, if we are to compare him to their Shadows, then we must acknowledge that, much like how the Investigation Team's Shadows come from their own real insecurities, Adachi's frustrations with the Investigation Team and with the world at large must also come from something real.
On this screenshotted line in particular, he even uses the more masculine "ore" as his pronoun in Japanese. He usually uses the more boyish "boku", but he seems to swap to "ore" to indicate that he is speaking quite genuinely--or perhaps speaking from the heart.
While he is a whiny murderer throwing an apocalyptic tantrum, I'm sure there are circumstances that made him the person that he is as an adult. Tbh, I've already made a lot of posts talking about the factors that might have contributed to *why* he feels like this, so I won't drag this out further.
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By Arena Ultimax, Adachi has come to accept the murder case as the inciting incident that causes him to change as he finds himself finally owning up to his actions from the previous year. He's no role model lol, but life now has more meaning to him than just something you go through every day. Perhaps it's at this moment that he can be said to have gone from merely being alive to living.
(Let's be real tho, jail gives you 3 non-cup noodle meals per day? Damn. It's like he's living his best life. Speaking of which, food feels like such a fitting metaphor for his emotional nourishment.)
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In the aftermath of the dungeon and the almost-end-of-the-world, Adachi agreed to start playing by the rules, and became more of a dynamic character. At the beginning of Ultimax, Adachi's commitment to this gets questioned as Yu, Yosuke, and Chie find him allied with Sho (like 5 cutscenes after Yu is so confidant he's behaving himself too, tsk tsk). But Yu reaches the roof, hears Adachi's cringe ass dialogue (I'm pretty sure that Adachi would not have said half that shit if he had known Yu was standing around the corner), and reaffirms his belief that Adachi was genuine about his promise to play by the rules.
The Investigation Team are not on the best of terms with Adachi. Regardless, they went into his dungeon, called him out on his bullshit that had been mixed in with his own real shortcomings and insecurities, punched him, and as we can tell by Ultimax, came to accept him in their own ways as they did their individual Shadows. As Yu says, perhaps they have strangely enough decided to trust in Adachi.
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iwasntstable · 23 hours
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𝗡.𝗦. | 𝗡𝗢𝗪𝗛𝗘𝗥𝗘 𝗧𝗢 𝗚𝗢 | 𝗣𝗥𝗢𝗟𝗢𝗚𝗨𝗘_𝗧𝗪𝗢
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🗀 C:/PROJECTS/MYWORK/SERIES/NOWHERETOGO [projects] ﹂ [my-work] | in-progress | favourites  ﹂ all | [series] | one-shot | blurb | head-cannons   ﹂ [nowhere-to-go]
Series Summary: You knew the decision to follow your father into the so-called 'most dangerous Ward' was a dangerous one, but you had to do anything and everything possible to keep him alive. He's the only family you have left. Growing evermore reckless after the death of your mother and blinded by his lust for retribution, this decision is one that will alter the course of your life forever. And the life of a half-ghoul half-human who never thought he'd find himself entangled with the daughter of a former CCG Investigator.
NOWHERE TO GO is a multi-chapter story set in the Tokyo Ghoul universe, centring around Half-Ghoul!Noah and Human!Reader.
Chapter Content Tags: descriptions of violence and gore, brief mentions of death.
Word Count: 1.8k.
Note: Please be aware this story is set in the universe of Tokyo Ghoul, before the events of the manga and anime. It will, however, contain references to content found in the source material. specific content warnings will always be applied at the beginning of each chapter.
✶ [join the NOWHERE TO GO taglist.]
➔read on AO3➔➔ PREV / NEXT [coming soon..]
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CREDIT › image — 'Tokyo Ghoul:re - Chapter 54' - 石田 スイ (Sui Ishida). › image edit — @iwasntstable (me). › star divider — @saradika-graphics. › short grey divider — @saradika-graphics. › Tokyo Ghoul — created by 石田 スイ (Sui Ishida).
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“It has been reported that more violent outbreaks are occurring in the 13th Ward, following on from last week's turf war between two opposing gangs of ghouls. Witnesses describe violent altercations in the streets, resulting in massive damage to property and local businesses. The 13th Ward is no stranger to savage acts of violence, and while ghoul attacks on humans are common, acts of cannibalism between ghouls are also a recurrent sight. We have First Class Investigator Soto here to provide more information. Thank you for joining us.”
“The pleasure is mine.”
“Now, the 13th Ward is widely referred to as ‘the most dangerous Ward’. Could you elaborate for us on why exactly that is?”
“Of course. Now the ghoul population of the 13th Ward greatly outnumbers the human population, not something seen here in the 1st Ward or the 2nd, for example. Due to this fact, there is, quite simply, not enough food for them to go around. And ghouls have been shown to be incredibly territorial creatures…”
“Ugh, it’s just awful, isn’t it?” 
“I seriously can’t believe you’re moving there. Your dad is going to get you fucking killed.”
“It can’t be that bad, surely? It’s probably all just overexaggerated for the news.”
“Yeah, I was thinking that,” you sigh over your cup of coffee. “You two need to chill out. It's not gonna be that bad.”
Kira says your name in that tone of voice that you know means business—the one she uses to scold her daughter—"There are more ghouls than humans over there! To the point they’re fucking eating each other to survive! I meant what I said before, you can live with me until you find your own place.”
“You know I can’t leave my dad,” placing your cup down on the coffee-stained table and rubbing the tense point in your forehead.
“I mean this in the most respectful way possible. You don’t have to be responsible for your dad. If he wants to chase ghouls in the 13th Ward, let him. You can’t put your life on hold or put it in danger just because he thinks he has some righteous quest to single-handedly rid the world of ghouls,” she reaches across the table to take your hands in hers, her blonde hair falling over her shoulders brilliantly illuminated by the setting sun through the window, giving her an almost angelic glow.
“You’re always the voice of reason,” you smile, squeezing her hands back. “But you know it’s not that easy. I can’t lose him too.”
“We know,” Mari adds her hand to yours and Kira’s, her tanned skin a sharp contrast to Kira’s almost translucent hands. “We just want you to be safe. If you ever want to leave, if you change your mind, you know our doors are always open for you.”
“Except mine,” Haru smiles, keeping her well-manicured hands to herself.
“Yeah, your behemoth dogs take up all the fucking space,” you can’t hold back your laugh at Kira’s remark.
“Say another word against them. See what happens,” she smirks back.
“I’m gonna miss you guys so fucking much.”
“We’re going to miss you more,” Haru’s voice wavering like she’s on the brink of tears.
“Don’t you dare disappear on us. We all expect regular check-ins, so we know you’re alive.”
“Or what you’ll set your dogs after her?” Mari laughs.
“Yeah, joke all you want! They could find her! All the way from the 2nd Ward to the 13th and beyond.”
“You don’t need to do that," you laugh. "I’ll stay in contact. I promise.”
The conversation between the four of you is interrupted by Kira’s obnoxious ringtone, earning glares from the elderly patrons lingering in the corners of the cafe. “Crap. Gotta go pick up my girl,” she stands, throwing back the last of her tea, chair screeching as it slides across the floor, your own following suit when you rise to meet her. She pulls you into a bone-crushing hug, pressing all of the love from her body into yours, just in case this is her final goodbye.
“I’ll call you,” you swear. “As often as I can.”
“I love you,” she muffles into your shoulder. “God, okay. I really have to go. I’ll see you guys later, and you! Do not forget to call,” she laughs as you draw a cross over your heart, scooping up her bag and coat in her arms before heading for the door. She gives one last wave, and then she’s gone.
“I hate to do this, but I have to go too. I have work in an hour.” Mari stands as well, rounding the table to bring you into your second bone-breaking hug of the day. 
“Thank you for coming. I love you, and we’ll speak soon, yeah?”
“Definitely. Bye Haru!” 
“Bye! See you later.”
You sit back down, relaxing into the chair. The weight of the goodbyes sitting heavy on your chest.
“I am really worried about you,” Haru says quietly. “That place is so dangerous, and I’m scared your dad is only gonna make things worse.”
“He can handle himself. He served for a decade in the CCG, remember?” You try your best to convince her, but judging by the expression on her face, it isn’t working very well.
“Yeah, he’s the best of the best,” she rolls her eyes. “Or he was until- Look, you and I both know he hasn’t been the same since what happened, and I don’t want his reckless behaviour to endanger you.”
“I know how to handle him,” you affirm. “He’s still grieving. This is the only way he knows how to cope.”
“What about your grief? When do you get the chance to break down?” Her usually warm brown eyes are full of a profound sadness.
“Stop looking at me like you’re never gonna see me again. And don’t worry about me. I can handle my dad, and I can handle myself,” though you speak with confidence, you can feel yourself wavering. Doubting for a moment if the strength you hold is as robust as you claim it is.
“If you get to a point where you need to put yourself first, please know that nobody would ever blame you. None of us,” she says, taking your hand in hers much like Kira and Mari did earlier, squeezing it tightly.
“I know,” you nod.
The two of you sit in comfortable silence, breaking it occasionally with casual conversation and reminiscing on older days. Until Haru too has to gather her things and leave.
“Do you want me to walk you to the station?” She asks as she slides her arms into her coat.
“No, no. It’s fine. I think I’m just gonna sit for a while. Finish my drink.”
She nods, pulls you into your third and final crushing hug of the day, and heads off home through the door. The sound of the little bell dinging follows her as she goes.
You pass the time people-watching through the window. Familiar faces you’d seen around you all your life—faces that you’d likely never see again. Savouring the last of your drink, the scent of the cafe, and the view from your favourite spot by the window until the time comes for you too to leave.
As you fix your hair from under the collar of your coat, you don’t see the customer entering into the cafe as you pass through the door. Bumping face first into a warm, solid chest. The man holds you by the shoulders as you start to topple backwards, holding you steadily in place.
“Oh my god, I’m so sorry! I didn’t see-”
“Don’t worry about it,” the smooth voice chuckles lightly. “No harm done.”
He releases your shoulders and sidesteps you to enter the cafe so quickly you don’t even catch a glimpse of his face. Leaving you standing on the step as the last light of your last day in the 2nd Ward warms your skin.
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The 13th Ward isn’t too far away from where you grew up in the 2nd Ward, separated only by the 3rd. So it didn’t make sense for the weather to be so drastically different. The sky was entirely overcast, forbidding even a single ray of sunlight to pierce through and touch the ground. And it was cold. That was to be expected so late in the year, but you found yourself shivering, the chill creeping into your skin even through your layers. Looking over your shoulder from where your dad was unloading boxes from the car, you just couldn’t shake the feeling of eyes on you. 
“There are more ghouls than humans over there! To the point they’re fucking eating each other to survive!” Kira’s voice rings in your head, and you realise you’ve never felt like prey before. Until now.
“Are you just gonna stand there or are you gonna help?” Your dad huffs as he drops a box at your feet. Standing up straight and stretching out his back nonchalantly. 
How he could be so calm was beyond you, but then, that might be the peace of mind serving a decade in the CCG brings you. Killing ghouls was second nature to him. “Sorry, I’m on it,” you say, picking up the box and hoisting it high to get a secure grip.
“Take these too, will you?” He drops two metal cases from the rental car on top of the box in your arms, the weight of them instantly making your arms ache. You’re momentarily transfixed, having not seen them in months; an ache settles in your chest too. Pushing the thought out of your head, you focus on the task at hand—getting your possessions into your new apartment before the sky gets the chance to grow darker.
The place wasn’t too small. The CCG retirement package was generous and allowed your dad to find somewhere to live that was suitable for you both, but more importantly, suitable for his needs. The larger pieces of furniture were already delivered by some of your dad's work buddies, traditional movers, all refusing to set foot this side of the 3rd Ward; beds, couches, appliances. All that remained was to make the house a home as best you could.
You managed to get everything inside before sunset, and with the door secured with five deadbolts, you felt you could somewhat relax into your bed after the strenuous move. Most of your belongings are unpacked and organised. The only tasks left were to unpack your clothes and look for a job, though you were unsure what kind of establishments would even be hiring in the so-called most dangerous Ward. Your dad insisted you didn’t need to work, but you knew you both couldn’t survive long solely off his retirement fund.
But as you lie there and the heavy hand of sleep begins to drag you under, you find yourself thinking of your friends, missing them already even though only a day has passed. You drift off to sleep, missing the life you had to leave behind and, weirdly enough, thinking of the stranger whose warm hold you fell into.
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PREV / NEXT [coming soon..]
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unluckedtj · 3 days
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i’ve had an au in mind for a while (quite literally came to me in a dream????), something like a swap au but not quite as your usual tgaa swap au. an au where barok van zieks and herlock sholmes are sent from britain to japan, at the age of 23 and 24 respectively
“ticket swap” au i like to call it
of course, this isn’t just ‘back in time’, there are many things jumbled around such as occupations and ages. and none of this is solid! i’m putting down the ideas i’ve had, and this can very well change overtime.
and of course, a lot of this is going to be me info dumping about this very self indulgent vanlock partners(?) focused au, side of mostly susarei but also asoryuu
ahem! tgaa:tsau cast!
below the line, that is
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herlock sholmes, (25) who wanted to research in forensic science, follows yujin to his nation to do just that (and preferably solve crime, too)
barok van zieks, (24) who applies to go to japan in hopes of learning more about the laws of other nations (and perhaps, something else) aiming to be a prosecutor like his brother
ryunosuke naruhodo, (33) a writer who had recently gotten into researching true crime. it scares him but he can’t help but think there is something about these crimes that are calling him. isn’t really thinking too much about looking into law (but something might change that…) close friends with kazuma asogi
rei membami, (26) yujin mikotoba’s long time forensics assistant that is working towards becoming a doctor herself. decided to help ryunosuke in his research hobby. (she seems to be interested in this man she sees in the hallways of imperial yumei university while on her way to dr mikotoba’s laboratory) close friends with susato mikotoba
kazuma asogi, (34) a well known prosecutor in japan, it is unknown what changed his decision from becoming a defense lawyer. despite being famous among people in law, there is not much known about him. close friends with ryunosuke naruhodo
susato mikotoba, (26) kazuma asogi’s famed judicial assistant (and as sholmes soon learns, sister). she seems to be taking law classes in yumei university under an alias. a bit of a sholmes fan. close friends with rei membami
yujin mikotoba, (52) sholmes’ friend and partner in (solving) crime of course, but also a mentor, and now that sholmes recently learned, a foster father to kazuma asogi and father of susato mikotoba
genshin asogi, (??) family friend of the van zieks, and relative of the renowned prosecutor asogi. he has gone missing
klint van zieks, (35) well known prosecutor in britain. happily married and has one daughter he loves so dearly, to the point of being a little bit of a helicopter parent in the recent years, but barok can’t quite figure out why. he has kept his daughter a secret from everyone apart from family
iris (wilson?) van zieks, (8) how in the world did she end up in japan?! (i’ll give you the answer; through sholmes’s suitcase, which she mistook for barok’s. there were shenanigans), her parents are in a panic looking for her (barok will get to them asap)
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i just really wanted something where it’s similar to tgaa 1-1 but younger vanlock without their life altering events (klints death for van zieks and iris adoption for sholmes)
and also just the thought of it and how it would play out; van zieks isn’t even a defense lawyer but was preparing to defend the guy he barely knew on the steamship (who had his niece in his suitcase) that he firmly believes did not commit this murder, but sholmes found out what was at stake (aka van zieks being sent back home for a couple more years if he fails this) and was like “nuh uh i got this im herlock sholmes after all” (he does not got this) (i lied he clutched like he always does)
this is superrrrr self indulgent so i don’t expect this to be perfectly aligned with canon, but i kinda just wanna see if anyone could give me more ideas because i currently cannnnnot talk to my friends about this due to massive spoilers 😔
maybe next time i’ll go more in depth on the group dynamics (specifically ryunosuke, rei, herlock, iris, and barok)
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saintsenara · 23 hours
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THE AUDIENCE CLAMOURS FOR YOUR VOLMIONE TAKE!!!!!!!!! In all seriousness the curiously is piqued tenfold by the fact that you go hard to bat for the other two voldemort/golden trio ships
i've definitely been putting this one off, anon, but it's hermione's birthday, and since the requests have kept coming...
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maybe i have to grit my teeth and get through it.
i am, like my good pal @yorickofyore, broadly a tomione/volmione disliker - which is a spoiler for what follows. there are - obviously - huge numbers of people who are not, and they may sit happily in their ecosystem while i flop around photosynthesising in mine.
and the reason why i don't like tomione/volmione is right there in the last three screenshots: it relies - like several other hermione pairings, snamione and sirimione chief among them - on a portrayal of hermione's intellectual expression which bears absolutely no relation to how this is written in canon.
across all seven books in the series, hermione's intellect primarily manifests itself in a sincerely impressive ability to retain and repeat information [very usually verbatim from the source she got it from]. she is able to use this ability to retain information to understand the theoretical components of magic in a way neither harry nor ron ever manage, and she is then able to apply this retention - that is, to repeat the information she has acquired - of knowledge to the performance of magic which is [often considerably] ahead of her expected level both in terms of the hogwarts curriculum and in terms of what would be seen as the median ability of an adult witch or wizard.
but hermione is never shown - at any point in canon - to be a particularly radical, creative, or experimental thinker.
she places an enormous amount of intellectual trust in disciplinary authority - not only in the respect she has for following textbooks and teachers to the letter [hence why she won't attempt any of the modifications in the half-blood prince's textbook, she thinks it's offensive that they contradict the "official" peer-reviewed and sanctioned instructions] but also in her agreement with the gatekeeping imposed by the state and/or its authorities on academic inquiry.
[hence her disliking the invented spells in the half-blood prince's textbook because they're not ministry approved, or her easing her discomfort at having read the books from which voldemort learned to make a horcrux by insisting - undoubtedly correctly - that dumbledore wanted her to do it and she therefore has the permission of an intellectual authority].
she's immediately mistrustful of anything she can't find [something she regards as] an empirical source for - which is why harry's mental connection with voldemort frightens her so much, or why she thinks that harry's lost his mind when he begins to insist the deathly hallows are real and important, or, most famously, why she thinks divination is bullshit.
she's never shown to be able to synthesise her knowledge [she never answers questions in class in her own words, she always goes massively over word limits], or to use it in ways which are considerably removed from its typical application.
[the protean charm on the da coins, for example - the magic she's using is sophisticated, and is being applied in a way which wouldn't necessarily be classroom-sanctioned, since she's using it to defy umbridge, but the evidence of canon is that it's not magic which is being used in a way which is removed from the spell's original purpose. terry boot is impressed because he's looking at a flawless execution of newt-level magic by a sixteen-year-old, rather than because hermione is using that magic in an unusual way. the same is true of the polyjuice potion - it's impressive because she brews it flawlessly aged thirteen.]
this is a very logical, rational, and scientific approach to learning - and one which the series, which tends to take a dim view of anything which deviates too far from the status quo, views extremely positively - and it is intelligence. i know some people think that when i say this about hermione i'm saying that she isn't clever - or that i'm saying she's less clever than the characters [all of whom are male] that the series permits to be "brilliant" - but that's not the case. hermione is clearly extremely clever - and her logical, empirical, careful approach comes in clutch for the trio throughout the series, right from philosopher's stone. her intellectual expression just isn't the only way intelligence can manifest itself - and it isn't an intellectual expression which will automatically mesh with another very clever person's approach.
which is to say... lord voldemort, both as a teen and an adult, is - intellectually - the complete opposite of hermione.
he is someone - as he tells us - who thinks of magic as a creative force he has every right to shape as he sees fit, something whose boundaries he has the inherent right to smash through. he rejects disciplinary authority [his loathing of dumbledore - as an adult, at least - is because he thinks that dumbledore is a petty-minded gatekeeper who attempts to repress the dark arts - magic, snape tells us, which is inherently ever-changing, unfixed, mutating - because he's afraid of them and their refusal to be neatly contained in disciplinary boxes; his appeal to slughorn's authority is purely a manipulation technique]. he is an adaptor and inventor, and he uses magic in ways which radically deviate from its intended purpose.
and so the common "teen tom riddle and hermione are at school together" trope that they'd both get off on being academic rivals is, in my view, impossible to justify while keeping either of them remotely canon-coherent. she's going to think he's a cunt. he's going to think she's irrelevant.
indeed, i genuinely think the most likely scenario if the two are at school together is that the teen voldemort wouldn't be able to pick hermione out of a line-up - not least because she has very little to offer him when it comes to his plans for world domination.
when it comes to those he's "nice" to, the teenage tom riddle targets the socially prominent, rich, and influential, whom he can use parasitically to his own ends.
he's happy, undoubtedly, to have minions who are less useful to him from a social-advancement perspective, but who come in handy as pawns in his schemes - as dumbledore puts it, "the weak seeking protection, the ambitious seeking some shared glory, and the thuggish gravitating toward a leader who could show them more refined forms of cruelty" - but this is the only thing he sees them as. hermione has a capacity for cruelty he would undoubtedly see potential in [even if he would probably be wary of her "run and tell teacher" vibe], but as someone who does his bidding only, rather than anyone for whom he's willing to fake [or, indeed, to actually feel] any degree of mutual affection.
and i do think this - in and of itself - is interesting. hermione is someone - as i've said elsewhere - who has a tendency towards blind loyalty, which often causes her to accept people she likes and/or respects treating her cruelly [something we see in canon particularly in how she reacts to snape's behaviour towards her]. she's also someone who is incredibly deferential to authority, fairly naive, convinced she's always right, convinced she's not irrational, superstitious, or emotionally-driven, and capable of pretty egregious cruelty in pursuit of being rational and correct.
or, in other words, she's very easy for a flesh-and-blood voldemort to manipulate.
[she's not at risk from a horcrux because she's possessed of the empirical fact that they can't hurt you if you don't let them get emotionally close to you, which impacts how she behaves around the locket.]
on the rare occasions when i've enjoyed fics with this pairing, then, they've tended to be ones which actually acknowledge this - and which have hermione completely destroyed by a voldemort [usually in adult form] who has never cared one iota about her, all because she was convinced she'd be far too clever to fall for his tricks.
[my rec: enigma by devdevlin.]
and this is the main way my view of tomione/volmione deviates from my view of tomarrymort or ronmort - i don't think there's any circumstance where it can ever work as something mutual, whereas the entire point of tomarrymort is that the relationship is something voldemort perceives as equal, and ronmort sees the dark lord running headfirst into ron's ability to disarm and confuse him by possessing a crumb of emotional intelligence. i don't think voldemort would hate hermione - or even be particularly irritated by her - but nor do i think he'd find anything about her interesting enough to make him want to keep her around for any longer than she was useful.
but - like so many hermione pairings - the default in tomione/volmione tends to be "omg, hermione is so hot, brilliant, and fascinating that [insert man here] becomes completely obsessed with her". whether the story leads to voldemort becoming a better person or hermione going over to the dark side, the way the pairing is written always assumes that hermione is someone voldemort would consider [often very quickly] important to him [even in circumstances where she is a prisoner]. only very rarely do fics ever explore the much more canon-justifiable - and, in my view, much more interesting - idea that voldemort is somebody hermione could and would consider important, while he wouldn't give a single fuck about her.
[neither of them give a shit about dead rabbits though. it's the only thing they have in common.]
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machveil · 6 hours
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Beautiful, cute, dulzura, A quick question, do you have any advice for drawing? I see your drawings and I just fell in love with them, I just started drawing again but it's difficult...
I don't know, sorry, English is not my first language, using translator jiji 🤎🍁
(note: this post is long, grab a snack lol) ah! no problem, don’t worry about the translator haha (pinterest link - this is my masterboard for human references! I’ll talk about it more below)
I think my best advice for anyone wanting to draw is to break down your piece into shapes! (also, depending on your style, using different line weights)
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from my experience, while looking at the whole reference is good, it’s easier to break down individual parts! while some parts can look complicated, a lot of things can be broken down into triangles, squares, and circles (or half circles)
I focus on character art, so I’ll be speaking about that - but it can applied to scenery and objects too. a lot of characters clothes are broken up into colored articles already - in the top reference, Ghost has a red bandanna on his arm! that bandanna helps break up his arm: the top near his shoulder is triangular, the bandanna itself is overall rectangular, and the bottom of his sleeve is a square
of course, depending on how you’re posing the character it can change the angle of what we’re seeing - there’s also an accommodation that your art probably won’t be a 1-to-1 copy with your reference. Ghost’s right arm (bandanna) has a white rolled up sleeve - while the model’s sleeve is square, I prefer to draw rolled sleeves more triangular
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I think line weight is also important depending on your style! I prefer thicker lines around the entire character, and defining qualities also get thicker lines
I like thinner lines inside the character to help define dimensional shape and form. I use thicker lines on the inside of the body if there’s a shape/area that’s more in the foreground - example: König’s chest and midsection have thick line art to help differentiate from his left arm (behind his body)
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I know a common piece of advice is to use real life references, and I agree… but, I never hear people talk about how to use references in a way that actually helps (“just draw from real life”, or “drawing with a reference is good practice”). I experienced that and wasn’t able to take anything away for years!
within the past year or so I seriously took a look at how using references can help me, so I want to try and talk about that - if I had trouble learning from references I’d wager someone else has
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here’s my best example of using a reference because I actually remembered to! I labeled the figure to make it a little easier to follow
(1) my first tip is using a reference to figure out how the body ‘flows’. the human body has a lot of soft, rounded lines when you look at a picture - very few things are legitimately straight and sharp. I used the reference specifically to figure out how men’s pecs are shaped (of course, this is just one reference… because this is my headcanon for König’s body type haha)
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(1) looking at references can help you understand how muscles move. in the reference with the woman, you notice how her right arm (down) muscles are layered - the shape portrayed by the reference lets you see how an arm’s muscles might be laid out in that position
(2) my second tip from the König reference is to look at negative space! the highlighted red portion between the arm and midsection is roughly the same negative space as the reference. if you’re using a reference and something feels off with the placement of what you’ve drawn I’d recommend looking at the space your reference takes up
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(2) the negative space trick helps me line up where proportions should meet up - the distance between her arms lets me gauge how the rest of her body should be proportioned
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(2) while it doesn’t match up 1-to-1 with the reference when layered overtop, it doesn’t have to! the negative space between the arms was enough for the sketch to mimic what the reference looks like. art doesn’t have to be a 1-to-1, but negative space can help you figure out ‘why does that arm look funny?’, “that arm looks funny because, compared to the negative space of your reference, it’s too (far away/close) to the body.”
(3) my last tip is the simplest, so I’ll just be referring to the König figure! when using references I look to gauge the distance between different body parts - it helps me get more realistic proportions. the bit I specifically compared to was the man’s stomach placement compared to his waist. I didn’t copy it 1-to-1 because I like the idea König has more of a tummy, but the reference allowed me to figure out an anatomical placement for where König’s stomach would be compared to his waist
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I hope my advice wasn’t terrible haha everyone’s art journey is different, but these are tips I would have liked to know a few years ago (specifically the reference material ones lol). I wanted to focus more on the reference material because when people say ‘just use a reference, it’ll help’ it didn’t do it for me
I personally needed a more in depth explanation on why I would use a reference, what should I be looking at - because just drawing a person doesn’t necessarily help, and how should I be learning from it - I accidentally taught myself negative space before I knew what it was
but uhm… yeah, I hope this wasn’t awful! good luck on everyone’s art journeys, just remember that you’re allowed to take your time and try different things
if you guys have any other questions about my art feel free to jump into my inbox; process wise, inspiration, etc - I’ll answer anything I can<3
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entropy-game-dev · 3 days
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Demo date announcement!
The most important information up front: The demo's release date will be the 27th of September, 2024!!
I don't think Steam notifies you even if you have followed/wishlisted the page, but still, every single follow and wishlist helps immensely. You can check the game out here, and this is also where you can grab the demo from once it's out.
The lore of the demo
A few months back, in late June, I had just come back from housesitting. One of my friends, Lucinius, mentioned that Steam was holding a space exploration festival on the 2nd of September, and suggested I get the demo ready for then. I thought this was a great idea and feverishly started working to finalize everything.
It took 6 days total to get my steam developer account up and running, including paying for the ability to put a game on Steam, getting the OK regarding tax details, etc. It takes 30 days from initial payment to when you are able to actually make the store page live. The process was quite overwhelming but this amazing guide here helped me through basically all of the process, and it was super accurate!!
About a week before the festival, I had everything ready and went to do the store pages and upload the game build. I thought uploading the build using the provided command line tool would be the hard part, and the store page would be the easy part. However, there are so many assets and variations thereof that Steam asks for that I had not prepared (about 20 in total with very specific size and design requirements), and so it took several days to complete this in a manner I was happy with.
It then also took about 5 days for the content to undergo review and for it to be approved (or not). The game page and demo build got approved, but the demo page did not as I didn't have "demo" on my assets that I had submitted for it, so it took another 5 days after correcting the page for it to be approved. This ended up being approved a few days after the space exploration fest had started, and so I thought I'd push the demo back for the next relevant festival - luckily a turn based rpg one - on the 1st of October.
However, a few days ago, I was sadly informed that my game (turn-based RPG, by the way) was not suitable for Steam's turn-based RPG festival after applying to enter it. I wasn't given a reason, even after reaching out to support, except a generic one that stated my game may not have been a good fit for it.
I honestly thought it would be a given I could take part, but that is obviously not the case! It was a bit disappointing hearing the news and the lack of feedback from Steam regarding the decision, but I'm not too fussed overall. That's because now I actually get to announce to you guys, and much earlier than I otherwise would have been able to, that the demo will be available the weekend before the festival starts!!
The date was strategically chosen, of course, to ensure I have enough time to finish polishing it, and that it wouldn't be lost among the sea of other RPG demos potentially (or not, I'm not sure) releasing during the festival!
In any case, the whole experience was seriously eye-opening. Probably not too interesting reading about it, but that's where my life has gone the past few months, and I'm actually super excited I'm finally finally allowed to mention the context surrounding my recent posts! Thanks for reading!
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Church camp*
also I just want everyone to know it was in front of 200+ people and the crowd collectively went “ohh..” when it was revealed
They just turned the board back around
I was mortified but honestly good for him
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intervex · 18 hours
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Survey: flags & coinings for combinations of intersex and disability
SURVEY URL: https://forms.gle/d6fUWH7jXBTmEBdS9
In the survey I specify ten different ways that intersex people can identify with disability. I show you 13 different flags which play with disability & intersex visuals in different ways, and I ask you to rate which use cases are most suitable for each flag.
The second page then does the same deal, but with proposed terms. If flags aren't your thing you can skip the first page and go straight to the coining section. 💛
Based on how long it took a friend to do the survey, it will probably take about 15 mins to complete.
Yesterday, I posted three flag designs for ways that intersex and disability can go together, and I put up two polls on coining terms. And I got really constructive feedback! Thread is here, also see replies. People had suggestions for alternate coinings and use cases that I have incorporated into the survey.
The survey does not ask you for personal information and I am not collecting emails. If you're logged in with Google it will hopefully save your progress. I turned on the options for people to edit their responses after submission (you'll need to save the special url!) and the option to see other folks' responses.
You can answer the questions in any order. You can skip questions as you desire. You don't have to justify any of your answers.
At the end of the month (September 2024) I'll post the results on this tumblr. If you want a reminder to look for the results, I recommend adding a reminder to your calendar on Oct 2 to come back here. 💜
These are the 13 flags in the survey. In order of appearance, they are:
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And under the cut I'll list out the nine use cases. If you have Long Covid like me you might want to have this tab open beside the survey so you can refer to the different use cases.
The ten use-cases I specify are:
"Any reason": Intersex person who identifies as disabled (for ANY reason). Would include ALL of the following cases.
"Variation-specific": Intersex person who considers their specific intersex variation to be a disability. May or may not view other intersex variations as disabilities (e.g. "CAH is a disability but Klinefelter's is not"). Does NOT imply this person accepts the medical model of disability.
"Personal case(s)": Intersex person who considers their personal intersex variation to be a disability. May or may not view others with the same variation as disabled. (E.g. "My CAH is disabling but not everybody has the same experience"). Does NOT imply this person accepts the medicalization.
"Intersex as part of disability community": Intersex person who considers the intersex community to be a member of the broader disability community and/or that intersex rights/justice should be considered part of the disability rights/justice movements. Again, does NOT imply a medical model of disability.
"Debility by intersexism": Intersex person who has a disability caused by intersexist violence. Would include chronic pain from IGM, PTSD from medical trauma, PTSD from bullying, mobility limitation from surviving a hate crime. The term "debility" is used in disability studies for disablement that is caused by structural violence, often implying a slow wearing out from perpetual minority stress.
"Iatrogenic disability": Intersex person who has an iatrogenic disability. Iatrogenesis is when medical intervention causes disease/disability - such as chronic pain caused by surgery. The term applies regardless of whether the surgery was consensual or involuntary. Somebody who *chose* to get genital surgery that wound up causing chronic pain would fall under this category, but *not* the previous category (debility).
"Commonly correlated disability": Intersex person with a disability which is commonly correlated to their intersex variation. Like Deafness and MRKH. ADHD and EDS are known to be more common amongst intersex people.
"Unrelated disability": Intersex person who has a disability that to them is clearly unrelated to being intersex. Like they acquired a disability through being a combat veteran, and so to them there's no link between this disability and being intersex.
"It's complicated": Intersex person who is disabled and the connection between the two identities is complex and not easy to pin down. Maybe they have a disability where it /might/ be linked to being intersex but they don't know. Or they can't draw a neat distinction between disabling and non-disabling parts of their intersex variation. Or they read the last seven cases and are like "wow I have none of that clarity about how my intersex variation relates to being intersex".
"Any-linked-reason": Intersex person who is disabled and they see *any* kind of link/connection between being intersex and being disabled. The link can be vague/messy! Umbrella category that would encompass #2-7 and #9 (everything except the "unrelated disability" group.)
Tagging @queercripintersex @posting-stuffies @headpainmigraine @intersexflags @daydreamerdisease @interachive since you all chimed in with feedback on the original thread. 💜
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captainpineappl3 · 2 days
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LEGO Red Dead Redemption is a game we need:
You might see a similar post from @phantom-of-the-501st because we were talking about this together!
Also spoilers for the RDR games.
Base Game Concept: We've all played a LEGO game and we know that they frequently make games for other franchises such as Star Wars. LEGO RDR follows the entire storyline from prequel of the second game all the way to the end of the first game. If the game is too big with all that then we remove the first game because RDR2 adapts much better (sorry).
The World: LEGO games have used a large scale open world before so we can assume the exact same for RDR. The LEGO Hobbit game I'm pretty sure used a massive scale map which admittedly you mostly fast travel around but you could walk around a lot too. Another good example is LEGO City Undercover, a very detailed world to explore.
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(side note I only just realised the "i" in "CiTY" is the only letter that isn't capitalised)
Obviously including all of the side missions from Red Dead Redemption and Red Dead Redemption 2 would likely be too much for the game include so as an alternative, we reduce them down to character unlocks and small Easter eggs/tasks. Another good example of this is how it's done in LEGO Jurassic World where you can occasionally find sick dinosaurs and you have to search around the area to find what they need.
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Now imagine this but with a random character from RDR/RDR2 like Albert Mason. You meet him, the coyote steals his bag and runs away, leaves it in a place that's difficult to reach. Now it's your job to work out how to get it back, perhaps using a lasso or hitting some targets or the good old LEGO building a small object to reach it.
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Completing these small side missions can unlock the character for you or give you a red brick/collectibles perhaps (more on those later). Missions that can't be adapted very well can simply be turned into character purchases. Imagine wandering the bayou and finding that cabin with the poem about Jimmy Brooks, then you turn around and the good old Strange Man is stood in the corner ready for you to purchase him.
Unlockable characters also gives you easy opportunities for an Easter egg like Red Harlow.
The Story: The story is possible to adapt to a LEGO game form although obviously it has some significant difficulties we'll cover later. As stated above, RDR2 is our priority to include so the game of course starts with Colter, the whole gang is there in their beautiful LEGO form. Just like the original game, Colter is entirely used to teach the player the basic mechanics of the game. Here's an example of a few starting missions.
Outlaws From The West teaches you basic combat and you finish by unlocking Sadie as a character.
Enter, Pursued By A Memory teaches you how to do parkour and unlocks John (that or John isn't unlocked until the epilogue).
Eastward Bound where Arthur broke the goddamn wheel? Sounds like a great time to do some building, hitting targets and doing some parkour to go get the wheel and the rest of the stuff that fell off the wagon!
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You get the point, the story is adapted into LEGO form making use of all the same stuff you've seen in LEGO games before. Some missions could probably be removed or several missions can be combined into a singular level. There's one massive problem you may have realised about this though...
LEGO is a very kid friendly company and well, Red Dead Redemption certainly is not...
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How can we fix that?
Adapting Red Dead Redemption To Be Kid Friendly: Well obviously we have the simple steps of just... not including the murder dungeons? Head explosions via sudden increases in kinetic energy applied through double barrel shotguns wouldn't be a concern anyway since LEGO people literally explode into their individual pieces upon death anyway.
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But then we have the big concern about the choice language in RDR.
Fixing Red Dead Redemption's Language To Fit LEGO: We all know where this is going right? An aspect of LEGO games that we all know and loved yet sadly hasn't been seen in ages. The non-verbal noises. We can probably steal a few sounds from the original games. Arthur has plenty of "argh"s when he gets shot that would fit perfectly with LEGO's style. But I think we also should still bring in the voice actors to make some noises for it.
In the event that we do keep a few voice lines, I personally recommend "LENNYYYY!".
But what about how this impacts the story? How will Dutch explain all his amazing plans? How will the Pinkertons threaten the gang? So much of the game relies on verbal communication to progress the story!
How To Replace The Talking: Our first issue is Dutch explaining all his plans. If he can't speak up then how could he get his points across about making a lot of money and leaving to Tahiti?
Simple! If you're not at camp, Dutch does an overly animated pause as he thinks before suddenly and excitedly reaching into his pocket and pulling out a hastily drawn diagram on a piece of paper illustrating exactly what to do.
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If you're at camp then there's plenty of options available, my personal favourite being he wheels in a whiteboard and draws on it with his coloured pens whilst the gang all sits there on the floor with their legs crossed looking up at their great glorious leader.
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It's the exact same for whenever the Pinkertons come to demand Dutch from the gang. They walk up and pull out a wanted poster of Dutch and angrily growl at the gang.
Also just to make sure Micah is still unlikeable despite not being able to insult anyone, we may just have to make him a bit of a bully. Stealing food, kicking and shoving people out his way, forcing others to do work for him etc.
Speaking of Dutch and his ability to manifest a whiteboard out of nowhere, it's about time we finally discuss characters.
Character And Their Abilities: LEGO games are known for their characters having different abilities and I think it's best we make the entire gang as playable characters of course. Maybe not all available at the start but they certainly are needed eventually. Here's the main ideas for the gang so far and their abilities. A lot of them are still yet to be worked out.
Dutch - Investigative (able to find details others can't that then reveal objects or their locations) Hosea - Disguises Arthur - ? John - ? Javier - ? Bill - Strong (able to break objects other's can't) Micah - Dynamite (can place it and thrown as a projectile) Charles - Tracker (able to see footsteps and follow trails) Sean - Pyromaniac (throws fire bottles like which cause splash damage on impact unlike dynamite which has a fuse) Lenny - Double jump/more agile? Sadie - ? Karen - Disguises/Distractions (able to lure NPCs away from places) Tilly - Double jump/more agile? Mary-Beth - Pickpocket? Uncle - ? but he has to throw out his back after any strenuous activity. Abigail - ? Susan - ? Pearson - ? Strauss - ? Trelawny - Disguises Swanson - ? Kieran - ? Molly - ? Jack (young) - Small and can go through crawlspaces.
Most if not all of them will also have some sort of ranged weapon depending on what they mostly use in game. Arthur likely with a revolver, Charles with a bow, Susan with a shotgun etc.
Some characters may also act slightly differently, a good example being brutes like Tommy in the Valentine saloon who is harder to fight and requires you to fight differently, like the stronger opponents seen in LEGO City Undercover.
Another important thing is collectibles.
Collectibles: Red bricks are obvious. They're in every LEGO game and there's always the obvious ones like stud multipliers. But we can also include ridiculous ones like: All horses become cars, Lawmen and Pinkertons have little police lights on their head, All guns become water pistols, Dynamite explodes in confetti, All guns fire explosives.
We could also consider other collectibles like special hats or weapons.
The final point I have to cover here is character deaths.
Character Deaths (obvious spoilers): The story has to reach some character deaths eventually... it's inevitable. But LEGO likely isn't going to be very comfortable with good ol' Sean Maguire getting the worst surprise party ever.
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How do we fix this?
SLAPSTICK COMEDY!
We can't keep them around because the story doesn't make sense so we have to remove them in LEGO friendly ways. Here are my suggestions!
Jake Adler - Technically already dead but to avoid showing a corpse in the wagon we just go with a classic skeleton.
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Sean - As you walk through the streets sudden swinging log booby trap flies down and absolutely punts Sean into orbit, never to be seen again before a the gunfight rolls out.
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Kieran - Instead of being killed and rode into camp, a cutscene is shown where Kieran is on guard around the camp, caught by O'Driscolls and quickly tied up and thrown into a dingy which floats away before the O'Driscolls send a fake scarecrow copy of Kieran into camp which confuses the whole gang before the ambush attack.
Hosea - Instead of the scene that broke everyone's heart, Hosea boots Milton right in his little brick balls and jumps down a drain into the sewers.
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Lenny - Whilst running across the rooftops Lenny is caught in a snare trap which quickly loops around his foot and lifts him away with party balloons.
Molly - Miss Grimshaw during the middle of Molly's rant pops Molly's head of just like a LEGO minifigure would be and boots it off into the woods causing Molly's headless body to go chasing after it. That or another idea which I think I prefer is Dutch and Molly have a dramatic argument in the middle of camp, once again someone gets kicked in the balls before Molly storms off, never to return.
Leviticus Cornwall - Whacked around the head with a frying pan by Dutch or Micah causing him to fall overboard from his boat and he is chased away by a shark.
Cold O'Driscoll - It may be best to change the story a bit here and instead of making sure Colm is hanged, you make to make sure he gets arrested by either leading them to the cops or leading the cops to them.
Eagle Flies - Instead of being shot he is whacked round the head with a frying pan and knocked out, almost arrested before Arthur saves him and you return him to the Wapiti tribe albeit a little dazed.
Agent Milton - Arthur, Abigail and Sadie beat him up, tie him up then shove him inside a barrel and stick it on a passing ship.
Miss Grimshaw - Tricked by Micah somehow (maybe by him pointing behind her making her turn away from him) before somehow she is dragged away perhaps by Micah typing her to a horse or something.
Arthur Morgan - Rather than Arthur dying, he helps John to escape (more on this later).
Micah - I'd love to kill this man but LEGO probably wouldn't allow that. I'm not sure how you work around that. Maybe you freeze him in a bit of ice and turn him in to the lawmen but honestly I don't know.
I don't know Red Dead Redemption 1 as a game well enough to discuss the character deaths in it as I have never played it through (sorry but I cannot ride a horse in that game) however with the death of John and Uncle, instead of being killed by the Pinkertons, in exchange for john's help capturing the gang, John, Uncle, Jack and Abigail are all rewarded with an all expenses paid trip to Tahiti. The final thing to note in all of this is what we see in the credits of the game and the thing I said I'd elaborate on with Arthur.
The Credits: Just like the original Red Dead Redemption games, the credits feature cutscenes showing the aftermath and current events happening once the gang falls apart. The cutscenes go like this:
Remember how Sean got launched into oblivion back in Rhodes? Well the first shot we see is of a nice sandy beach and who comes falling out the sky? The good ol' Irish legend himself! He's made it to wonderful Tahiti.
A little after Sean has set up his nice camp on the shores of Tahiti, who comes rocking up in a little boat still tied up by the O'Driscolls? That's right, it's Kieran.
Y'know it really is strange but did you know that the sewers of Saint Denis seem to connect up with the plumbing networks of Tahiti? It's honestly quite nice because it means Hosea was actually able to wander through them and eventually find himself with the others on the nice sandy shores.
Lenny! Whilst he's flying over the ocean looking pretty bored and annoyed that he got to miss out on all the fun back at that bank robbery, he suddenly notices Hosea, Sean, and Kieran all looking up at him from the beach and manages to untie himself from the rope of the balloons, dropping himself down to them where they all hug and reunite.
Turns out after Molly's breakup with Dutch she really just needed to get away from it all and clear her head. Good thing that she was able to afford a one way ticket to Tahiti!
Miss Grimshaw ends up their somehow I don't know.
Arthur. My sweet old boy. After helping John escape the gang and the Pinkertons he finds himself at a port, waiting for a boat. His brother John says one final goodbye to him and waves from the pier as Arthur pulls out a ticket from his back pocket and puts on his sunglasses and Hawaiian flower shirt and boards the ferry of too the wonderful Tahiti where he spends his days lounging around in a deckchair next to his horse (also in a deckchair), sipping his drink from a coconut through a straw with a little parasol in it as Hosea and Lenny come to sit by his side. Obviously because he's warm and relaxed his Tuberculosis heals too and he's cured. Amazing!
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This concludes my 2395 word explanation of why we need a LEGO Red Dead Redemption game and the amazing ways it could be adapted. Come on, Rockstar, you're already a games development studio just get that partnership and work with Traveller's Tales and their experience to make this a thing!
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you know, sometimes I almost feel bad for destroying characters as I am wont to do, peeling them apart from the inside out and putting them through some of the worst circumstances any person has ever had to go through, living or dead, just so I can explore their psyche/reactions to said SituationTM, but then I remember that I'm going to eventually let them get their hug and their healing arc and I just start giggling and going "oh, my readers are going to LOVE me being a dick"
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