#but it at least makes a little sense

[bibliophilicstranger]

Harry/Hermione are more like James/Lily. Not Ron/Hermione or Ginny/Harry(the two ships that everyone wants to convince are like them)

I agree and disagree. I agree that neither Hinny nor Romione resemble Jily, however I also don't think Harry and Hermione are Jily reborn.

Harry and Ginny are only physically somewhat akin to Lily and James, but personality wise are very different. Ginny is far sportier, though she has a quick temper, and also has a bit of a hero-worship streak that Lily certainly never had for James. Like Lily she's popular, but I don't think she's as academic (her Slug Club admission was practical rather than academically based). She was never a prefect, which displays that her grades and disciplinary record was unsuitable for such a position.

Harry, despite Snape's remarks, is not much like his father. He's good at quidditch but he's not as arrogant, he's terrible with women, and he's a leader by necessity rather than by choice. Harry has James' ability to lead, but unless circumstances require it, he doesn't put himself forward to do so (he often goes along with Ron and Hermione's decisions unless there's a crisis/Voldy-level decision). Harry doesn't start confrontations, he tends to react to provocation and will escalate a fight, but he's not going around pranking Draco or Umbridge. Fight Draco after his mum has been insulted, yes, but that's not out of the blue. He asks for Umbridge to be pranked, but that's a practical matter as part of a larger scheme. Harry has a mischevious side, but it tends to come in the form of sly humor rather than large pranks. I also suspect that if Voldy had died in 81 and Harry had experienced 7 normal years, Harry probably wouldn't have broken the rules much at all, unless it was in defense of a friend. Whereas James seems more to have broken rules as much for the fun of it as anything else (though the Animagus/nights out were for Remus, so that is a point in common).

Hermione has more in common with Lily, certainly. She too is tempestuous but kind-hearted, zealous to the point of blindness as times and utterly loyal to her friends. Her academics are more in line with Lily's, as is her background. Yet Lily is portrayed as having a more charming personality; we never hear of her having the same friendship struggles Hermione had. Lily was popular and well-liked beyond just her teachers. Hermione has a much harder time relating to her peers. She has the brains and the ferocity but not the veneer that makes those socially acceptable. It's not a bad thing (personally I'm a Hermione, not a Lily), but it does make their experience of the world much different.

Ron is not much at all like James beyond a few superficial points: they're both pureblood, they both love quidditch, and they're both from Light families. James is somewhat arrogant, a natural leader, and from a privileged background. Ron is neither arrogant nor a leader, and his financial status is well known. Ron suffers an inferiority complex while James is more likely to believe in his own superiority. James is also naturally intelligent and a good student and Ron... isn't. He's not quite as moronic as a lot of fanfiction portrays, but beyond being good at Wizards chess, we don't see much scholarly aptitude from him. Their attitude toward the Dark Arts and Dark Wizards is similar, but James is more confrontational, whereas Ron tends to be reactive. James would start a fight, Ron reacts to taunting rather than starting it. Frankly I also can't see James ever abandoning his friends the way Ron did.

What we know of James and Lily's relationship is little, but we know that after he grew up a bit and started taking life more seriously that they got together and fell in love. They spent six or so years at odds first, so by the time they got together, Lily had probably accepted James as an equal. We know James was smart, so he could probably keep up with Lily to a degree, even if their interests were different. I do think they were partners, that they worked well together. When Voldemort attacked they didn't bicker over who would fight even if both could, James acted to defend while Lily went for Harry. Honestly we know so little about them canonically that comparison is difficult.

I don't really see Hinny as a relationship of equals. I don't think Ginny ever totally loses the fangirlish/looking up to Harry attitude. Harry never looks at her like she's a partner. Ginny doesn't become a fourth member of Harry's group when they become involved and he detaches from her when planning year 7 rather than work with her. She's more an emotional escape than emotional support. I think Ginny's popularity and presumably larger friend group (quidditch team, journalistic collegues) might wear on Harry over time.

Romione has a few more similarities with Jily, but I don't see the same success in their relationship. Ron and Hermione are friends in a way Jily weren't, but their incessant bickering is a source of conflict. Yet the reason for conflict differs. Lily needed James to grow up; once he stopped hexing people for fun and was a little less arrogant, they were able to build a relationship. Ron seems annoyed with Hermione's very character, and she gets frustrated with his as well. Her love of knowledge and bookishness isn't going to change and those seem to annoy him. I also don't see it as a relationship of equals. In Ron, Hermione is never going to have a partner who can keep up with her mind. She's going to always be assertive and he seems to chafe at that.

I don't think Harry and Hermione are Jily reborn, but they do have the potential to have an equally strong relationship in their own way. Harry and Hermione don't have a conflict-based relationship (he was never antagonistic toward her the way Ron was), but a friendship based one. I do think they would be equals and partners: they have a history of dividing labor between them to share the load well. Harry isn't as smart as Hermione, but he's shown more academic interest than Ron has when not around Ron (and might show more once he no longer has Voldy to worry about). Harry and Hermione might need to discuss minor habits they find annoying in one another and how to handle them, but they don't fight the way Jily or Romione would for the other to change.

I don't think Hinny, Romione, or Harmony are Jily reborn, but I do agree that Hinny and Romione are less like Jily than Harmony is.

[hajihiko]

💕

[puppyeared]

the fact that they made the gameplay mechanics actually lean more on solving puzzles and strategy because her element is wisdom

[wildflowercryptid]

❝ just you wait, florian... ❞

how we coping tonight, kieran nation?

[wigglebox]

Supernatural September - Day 4 | Glitch

Canonically, Dean never said Cas’ name after the fake phone call in 15.19. Canonically, while Bobby said Cas “Helped” revamp Heaven into a Heaven that Dean “deserved,” Cas never showed up. Canonically, Dean left that heaven, which contained his family, to go “find family.”

There is a glitch that is Cas-shaped, and Dean knows it.

[egophiliac]

LEON

LEON YOUR EYEBALLS

[justaz]

battle of camlann but merlin wasn’t ancient as shit. he blasts the warriors around arthur away and arthur turns to see a glowering, golden-eyed merlin. he tightens his grip on his sword but isn’t able to raise it. the inconceivable notion that merlin has betrayed him runs through his mind but he cant quite grasp it. his father is screaming in his head to kill the wretched sorcerer but all arthur can see is his friend wearing a face that looks too much like morgana’s. merlin glances up at arthur and the expression of rage fizzles into one tinged with fear and concern - all too confusing for him to unpack in the midst of battle. merlin is slow to approach his side and even then he keeps his distance. before either of them can say anything, mordred appears, sword in hand, glaring at arthur.

merlin tries to draw the former knights attention away from arthur, tries to goad him into fighting merlin instead, but mordred is deadset on fighting arthur. he calls morgana over instead and says emrys’s fight is with her while his is with arthur. with the extra seconds of back and forth, arthur isn’t as shocked when he raises his sword against mordred’s. morgana and merlin blast each other great distances until they’re far away from modred vs arthur and land on the front line between the two armies. both armies back off and watch the light show as morgana and emrys battle until morgana’s army uses the distraction to close in on camelot’s army.

three battles occurring at once until morgana gets a lucky hit in and merlin goes flying. he lands next to a gwaine who is currently bleeding out. he smiles when he sees who’s next to him “merlin!” which sounds so much like his greeting every time they ran into each other before gwaine became a knight. he reaches out and heals gwaine’s wound and leon just looks up at him for a moment before going “you’re always full of surprises, aren’t you merlin?” merlin grins and goes “i got one more” he stands up on surprisingly steady legs and calls on kilgharrah. in for a penny, out for a pound. arthur is already fuming at him, might as well rip the bandaid off right?

kilgharrah attacks morgana’s army while merlin orders aithusa to stand down. camelot’s army is able to march through the charred army and bring down those who remain, mordred is loosing but persevering through rage and spite alone, morgana is screaming (like she always is nowadays). merlin and morgana battle once more until mordred and morgana’s armies have fallen. merlin makes a tactical retreat to arthur who is still staring at him wearily (and definitely irate). he requests permission to kill morgana which is baffling but she is his sister and he’s always cared for her even after her betrayal so he supposes it makes sense. once he gives it, their fight doesn’t last longer than a minute. emrys was always stronger than her, he was just buying time.

camelot emerges victorious though they don’t seem all that excited about it. the other warriors cheer and clap each other on the back, but arthur is just watching merlin. the knights watch them uneasily. merlin returns arthur’s gaze. “is that the fucking dragon i killed?” merlin looks up at kilgharrah who is needlessly burning the remains of morgana’s army. merlin turns back to him “yes.”

[ofswordsandpens]

thinking about how the (greek) big three swore to never sire any more demigod children because those children are just too powerful (dangerous) and also thinking about how the characters that, arguably, seem to have the greatest proclivity for cruelty in the name of justice or vengeance are also the (greek) big three children... there's something there, a connection to be made I'm sure of it

[cattamouche]

I think fatui scara would be controlling. think about it, he's already lost all the people he loved before, do you really believe he would let his partner go that easily? he would absolutely keep an eye on you 24/7. you wouldn't be allowed to stray too far from your shared home because what if something were to happen to you? there are many evil people in this world, ones that would want nothing more than to take revenge on him for reasons that he's already forgotten, since they're so insignificant to him after all. and you humans are so fragile, how could he possibly let you wander around unsupervised when there's such high risk?

he has a short temper and he's very strict. just because you're his partner doesn't mean he'll go easy on you, no, it would be quite the opposite actually. he couldn't care less about the well being of his subordinates or peers, if they want to subject themselves to one of the more dangerous missions assigned by pierro they can go right ahead. but you? just going for a walk for some fresh air at night is forbidden. and no you may not leave the house during snowfall at any time of day, what would happen if you were to slip or catch a cold and fall sick? anything you need done that he deems even remotely risky, he'll get it done for you in your stead. and there is no need to worry about him, he can handle himself perfectly fine. much better than a human could.

don't you understand this is only coming from a place of love? maybe if you two lived in a different nation, if he didn't have this job and you could live peacefully the way he used to, maybe then he wouldn't have to be such a worry wart. but this is not the life you live, and you chose this. you agreed to this the moment you accepted him into your heart. he's overbearing, a broken man who has lost time and time again, and he will do anything to keep you around for as long as possible. even if it means being stupidly strict over small things you might think are insignificant. even if it means handing you over to dottore to lengthen your lifespan.

the way he behaves within the comfort of your home as opposed to anywhere else is like night and day. here he doesn't have to keep his eyes peeled for any sign of danger, he can simply sit in your comforting presence, do mundane things and bask in the domesticity of it all after work. there is nothing to worry about when there are guards stationed outside the house, and most important of all he's right there with you. nobody is capable of keeping you safer than himself.

I do believe he would soften up overtime, but those first few years are definitely going to be a bit tough since he would have several worries and concerns, so you better buckle up. though it really is for your own good, just trust him!

[ratatatastic]

maffhew who refuses to say runebergin torttu because he knows hes gonna butcher it so bad he might be kicked out of the country the second he tries and staunchly avoids that by going "the one dessert that barky is going to have to explain 😃"

sasha who gets faced with the most generic description of everything hes ever eaten in his life so far because of maffhew and going "???... oh you mean runebergin torttu!"

"he did good he liked the food and he likes the finland so far so its good" sasha says with so much pride now that all the anxiety has left his system that his husband teammate is enjoying his country and doesnt hate it

media availability | 10.29.24 (x)(x)

the smile of a man who knowlingly doomed his husband and said husband using all his brain power to context clues his way to whatever the fuck he just got asked that his brain is running hotter than a mid 2012 macbook air thats somehow still alive in the year of the lord 2024 but girl does she chug along shes louder than a fighter jet

[1000sunnygo]

OP academy vol. 9 ("Brothers") has the complete Rosinante-Law-Doffy subplot and a volume exclusive comic focusing on their interaction with Sengoku.

Releases the same day as the main series volume 110, November 1st. [x]

[sallymew4]

just look how much BRIGHTER Mob’s demeanor is once he has Ritsu safe with him. that is the biggest grin ive ever seen on that boy’s face he loves his little brother so damn much it’s incomprehensible

[somnimagus]

My page for @destinytriofanzine! I drew something about kids always dreaming of far off places

[id in alt!]

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[coredrill]

this is something i’ve talked about quite a bit with a friend, but i figured i’d share it here just because i think it’s an interesting and informative mindset to look at current media with… basically, i had the chance to talk to [writer who works for major media corporation, not involved with any of the examples i mention] a bit ago and they said that when they tried to include a trans character in their story, the direction they were given from higher-ups was that “they can BE trans, but they can’t SAY they’re trans.” and i think hearing this really made a lot of things click into place for me regarding, like, queer characters as a whole?

like. i think it’s the reason that someone like captain angel in strange new worlds can use they/them pronouns and talk to spock about not fitting into boxes but can’t SAY that they are nonbinary/trans. it’s the reason those gundam girls can propose and get matching rings, but as soon as a voice actor says they’re gay, bandai scrambles to “correct” it. kirara from jjk can have a middle school class photo that looks quite masc and in the present look very punk & femme, but not say the word trans. gwen stacy also cannot say the word trans while the screen flashes pink and white and blue as she begs her dad to just see her for who she is as his daughter. galo can give lio the kiss of life and then explode into a heart-shaped flame in a movie littered with pink triangles but not be called gay.

and all of this is obviously frustrating for a number of reasons, and it can be hard to parse intent when movies and shows CAN’T be as open as their writers would like them to be, but i think it’s worthwhile to keep in mind as a viewer? i don’t pretend to know what goes on behind the scenes of course, but i’d bet that’s why we’re getting to such a point where there are stories that are laughably blatant in how queer they are but which staunchly don’t claim to be - because if they DID, they’d lose the chance to tell that story before they could even try 😭

[feelsmetal-alchemist]

Idk if you are all following whats going on in the Gravity Falls tag rn but I was curious bcuz my sister was going nuts and so I got involved.

Anyways... I think ive figured out the issue with the countdown.

Looking at the css for the website and basically:

The code is meant to fetch a file to determine if the countdown should end. If the file is populated with a link, it will redirect to that link. If it is populated with a new date and time, the countdown will change to that. However, if the file is populated with 'NO' like it currently is, the countdown will continue and update every second until there is a change.

This is what that looks like btw:

You can see this by going to files.thisisnotawebsitedotcom.com/is-it-time-yet/well-is-it.txt

.

While on this topic:

Some people have been looking at this snippet

And interpreting it as meaning the countdown will end at 7pm, or when the timer hits -07:00, but this is also false. That is there to adjust for time zones or whatever. This is basically saying it should have ended at 12:00 pacific time... which is why the countdown is now in the negatives.

The class for the Soos image and textbox are labelled as "error", so I think these may actually be honest error messages because theres been some delay. This may all be intentional, who knows?

.

.

.

So in short:

We will probably be waiting an indefinite amount of time, because the events at the end of the countdown arent triggered by an actual time value. The end of the countdown is triggered by a file being updated with a link, and the file is still populated with the word "NO".