#but ill get over it and cope eventually. AND ill get to be somewhere other than The house 💀
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nomaishuttle ¡ 2 years ago
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IM A LITTLE WORRIED THO BC LIKE. I DONT HAVE A LOT TO TALK ABT AT ALL..
#i havent rly Done anything whatsoever. im literally the unemployed friend#HOPEFULLY NOT FOR LONG. KNOCK KNOCK (sound of me knocking on wood)#but im worried theyll be like Soooo hows washington ^-^ and ill just be like umm. well. there is a window in my room. Whichh is pretty cool#<- joke i have like. been outside of the house a couple times...#very few actually. but its okay#going to see family will FIX ME. and when i come back ill HOPEFULLY (knock knock) have a job. whichll be great#and then ill be so busy and making money that i wont even have time to be depressed anymore#bc its FULLTIME !!!#8 hour shift 5 days a week 😏 soo yeah. my bones r gonna be sore 😏😏😏#but ill get over it and cope eventually. AND ill get to be somewhere other than The house 💀#i do like our house but i think im being driven insane just being here all the time. sometimes i sit on the porch#and like once every couple of weeks i go out for whatever reason. if i didnt SLEEP IN so much maybe id be able t run errands with hal more#butterlass. no i do rly need t fix it#im hoping going back t ky for a bit will kickstart it bc likee. when i first got here i was actually sleeping like..perfect schedule mode#id go to bed around 10-12 and wake up around 7-9. which is ideal..#BUT#Even if that doesnt. the job (knock knock) will force me t keep schedule#which is great. my last job aaaabsolutely forced me t keep schedule and it was rly rly nice..#no matter how late i stayed up i ALWAYS woke up on time. which is good. and i nevee rly had 2 nap after#im so excited for my workday schedule to come back bc i miss the routine of it#even tho the routine was rly just In the morning and the rest was a free for all..#ill also. this time around. make sure t include my morning meds and brushing my TEEF... bc i need t grt better abt that#im also gonna try n shower more often.. ive been managing abt every 3 days which im rly rly proud of bc its rly hard 4 me#but hopefullyy. with my schedule 😏😏 i could do daily showers...#prolly after work showers even. bc that sounds so nice#its judt hard bc Also after work the last thinng i want 2 do is be standing. bc i get so achy.. esp after an 8 hour shift#hopefully this job will be noce though. IF I GET IT. KNOCK KNOCK#i need t not like. place all my eggs in this basket bc if i dont get it im gonna be fucking crushed#but im rly rly rly hopeful. like reaaaally hopeful...#teehee :]] basically yayyy
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auroraiiqht ¡ 6 days ago
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Little Tenma HCs ✨🍼
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Saki first!!! ��
Saki first regressed when she was in the hospital. It was a very scary time and she felt so awful, how could she not? Saki wasn’t exactly used to the sensation, though, so she freaked herself out so much that she cried :(
Saki eventually learned about age regression, mostly from asking a nurse if that was a symptom of her chronic illness. But nope, she just got a new coping mechanism.
I HC her as immunocompromised and with chronic pain as it’s never specified what her condition is ingame
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Her age range tends to be 2-4, young but not a baby. Saki’s regression is largely involuntary, but she’s not afraid to voluntarily regress either.
Saki’s motor skills are the most affected by her regression, making her mobility aids a bit difficult to use sometimes.. but for the most part she does okay. If she’s having too much trouble going somewhere, Saki’s caregiver will usually carry her to where she needs to go. Or gets her wheelchair. Depends on how independent she wants to feel— usually it’s the wheelchair though.
Her favorite nicknames include sunshine, sweetie/sweetheart, and buddy!
Her regression is triggered by stress, her pain flare-ups, and other strong negative feelings. Especially anything medical-related, like catching a cold.
Whenever she has a check-up at the doctor’s, or any visit to the hospital really, it’s an instant slip. Saki’s just so scared of that place now, she’s spent more than enough time in there for one lifetime! She doesn’t want to go back, never ever!!
But Saki can also slip from other things, like a lot of excitement!
She discovered that fact after going to the arcade with Ichika one time. Saki got the plushie she really really wanted on her first try, and then suddenly she felt so tiny…
Honami’s voice is also a pretty reliable way to make her slip. It’s not sudden, really, but a soothing “hey, what’s going on, sweetie?” When she’s halfway between headspaces and Saki’s instantly baby
Saki is a pretty energetic toddler, and one of her favorite activities is just talking to her caregiver(s). She has so many stories to tell and so many cool things that happened today!! Look look! Listen!
Her brother loves being her caregiver whenever she regresses at home, but Leo/need are her usual ones.
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Saki has a rather large collection of stuffed animals, and she has a name and personality for each one. She also has a lot of doll clothes that she puts on her stuffies like a little fashion show!! Saki adores it. Favorite playtime activity by far. Easy on her body too! She doesn’t even need to go anywhere.
She loves loves loves angel milk too. It’s just so delicious! Also, any juice (or really any liquid) needs to be in a sippy cup because Saki can and will knock it over somehow.
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Tsukasa next!!! ⭐️
He was largely unaware of his regression for a very long time. Tsukasa never fully slipped until he was a young teenager, and until then he just thought the brain fog was a result of tiredness or stress.
Even then, he still didn’t know he regressed until Saki mentioned it one time while he was visiting her hospital room. He was happy she found a way to cope, of course! But then the more he thought about it, the more Saki’s description matched up with his experiences..
The Wonderland SEKAI was formed when Tsukasa was a child, that can’t be a coincidence. The place is almost meant for a regressor.
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Tsukasa’s age range tends to be young, younger than his sister, even. 1-3 is his usual placement, but if both siblings are little at the same time he’ll slip a little older to take care of Saki. His regression is entirely involuntary.
Tsukasa’s speech is the most affected by his regression. His words come out as mostly babbles or one to two-word sentences. Also, he bites things. A lot. Like, a lot a lot. Tsukasa needs a pacifier basically all the time because of this, or else he’ll end up eating something he’s not supposed to.
His favorite nicknames are little one, kiddo, and starlight ^^
He’s actually a rather calm little. Mostly. His energy reveals itself if his caregiver decides to play pretend or put on a show with him. If that happens, Tsukasa’s just a little ball of energy! Lookie, can’t you see?! This paper crown is the bestest one! And now to make Mr. Unicorn fight off the bad guys..!
Tsukasa’s childhood was very stressful, for everyone involved. Being home alone a lot isn’t a very fun experience, which leads to one of his biggest regression triggers: silence.
He needs to fill the silence with anything, mostly talking or playing with toys. If it’s naptime or bedtime, Tsukasa will outright refuse to go to sleep until his caregiver is there to soothe him, playing white noise and reading a bedtime story. He just needs to hear their voice.
When regressed he hates being in an empty house. If his caregiver needs to go somewhere, Tsukasa will go along with them! No questions asked.
His sister was obviously the first one to figure out that he regressed to, but the first person Tsukasa actually told was Emu. Maybe not who you’d expect, but he figured she’d be fine with it. And she definitely was..
Maybe a bit too fine with it. Because then Emu ran over and told Nene and Rui. Well, at least now Tsukasa doesn’t have to worry about telling the others himself..!
He doesn’t have a set caregiver, just whoever’s available at the time.
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Predictably, one of Tsukasa’s favorite things to do when regressed is to play pretend. It’s so much more fun with someone else to play along, isn’t it?!
He also really likes finger painting. Someone just needs to watch him while he does though, otherwise he might end up eating it.
Tsukasa’s honestly just happy doing anything as long as it’s with his caregiver
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Dividers: taken from here
[ SFW INTERACTION ONLY! If it's not something you would show to a kid, don't. NSFW strictly prohibited. ]
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blackstarchanx3new ¡ 2 months ago
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Creations AU, But I obnoxiously over explain it PT 12
Pages 331-360
Art continues to deteriorate my art style looks goofy as hell but we're on the final stretch I CAN FEEL IT IN MAH BONES AII AAIII AAAHHH-
*Wrote this forever ago btw. lmfao
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Funtime Foxy makes his grand appearance.
I continued to find it hilarious I had zero ideas for Foxy considering he's such a fan favorite but Funtime Foxy I had ideas for.
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Foxy that's harassment.
Under usual circumstances I think they're pretty friendly but obviously Freddy's harboring a person in his stomach rn so...Not good. XD
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Shinji toilet pose aside, Funtime Freddy being relatable is what I ended up going with for this "Rewrite" in the script. People liked Funtime Freddy's relatability so I ended up choosing that in this segment over him being a threatening antagonist.
Was that a good choice? idk.
If you're wondering:
The original concept was that due to Funtime Freddy's stubbornness and general anxiety, he was the ONE robot Mike couldn't logic talk his way around.
Ended up going with this route of Mike's usual adaptability to switching to soothing Freddy to get him to do what he wants.
Because Creation's Mike's biggest character trait is being a manipulator X'D
Which I can't remember if I've touched on this before buuuut:
Thematically Mike and William having the character traits of "manipulator" is intentional.
Like Mike and William in general are written to have a LOT of parallels.
Both are ill as fuck mentally, Mike just copes with it better.
Mike has support systems to keep him from becoming anything like William.
Mike has the ability to confront things WAAAY better than William.
Mike and William both have shitty relationships with their parents.
They even kinda LOOK similar. (In a VERY early draft I vaguely remember considering Mike to be one of William's kids but this was dropped so early in development but Mike having a shitty father was smth that stayed as a concept through to the final.)
Point is: They're alike. And that's fun to see how exactly our protagonist Mikey boy is compared to William as more scenes with William happen. He's not nearly focused on as much in the FNAF 1 arc but I plan to show him more in other comics eventually. Like Spring Bonnie's friends.
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Oh hey color is back.
Mike contemplates what to do moving forward considering Funtime Freddy can't move forward.
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Mike NOOOOO.
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Flaaaaaashback.
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Pep talk from Mike.
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Funtime Freddy wanting to avoid Michael.
For some reason.
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Michael being sus.
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Well, he got dunked on.
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IT WAS A LONG TIME COMING. THE REVEAL BABYYYYYY.
Alright let's talk quickly about the reveal shit and all of it leading to this: Michael's design was a huge give away. He's had the face plate design on his face since his first appearance. He's been very obviously a Sister Location inspired robot. Robots made by William Afton.
He and Sammy are the only two people with unrealistic eye colors.
Michael's eyes were often drawn glowing.
Michael's backstory just didn't make any sense if you looked at it hard enough. (This is because he's not a real person)
His "Death" at the hands of mangle show he could get impaled in the stomach and live. Because he's a robot.
And why?
Why did the story take this narrative route: I just wanted to make a robot character that seemed human better than Charlie from the trilogy.
Logic wise she makes no sense and I wanted to write a robot that pretends to be human with more logic behind it. (...Yes fnaf is insane but I do like a level of logic to the stories...otherwise it's just gets silly and outlandish and not in a fun way. ESPECIALLY if you have a twist/reveal...Like those are only impactful in a satisfying way if there's LOGIC behind it)
FSR, out of EVERY bullshit thing in FNAF. Charlie being a robot pisses me off the most. X'D
Originally: Michael was meant to run around in a female Spring Bonnie suit and a reveal was that HE WAS this Spring Bonnie character. (I would still like to do this somewhere down the line possibly without the reveal. X"D) His name was also "Dave" at one point. He was a red haring for the killer back when I first started writing the plot of this comic.
This character evolved into William's weird robot son in a lowkey call back to the stupid af "Mikebot" theory. X'D
SO Michael's entire existence in this comic is "Shit I hated the fandom's/the book's take on, done in a way I enjoy"
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Yeah Mike, Michael's your friend.
All of Michael's actions do speak to a level of him caring about Mike's safety and friendship.
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I'll let Michael monologue but man I just. Love MIchael so much in this comic. X'D
He's not a good person by any stretch. He's sat idly by while his father MURDERED PEOPLE for his creation.
Also: This comic's name "Creations".
Michael is the creation.
*Dabs* This is so stupid. XD
But yeah Michael: That sweet persona he slaps on is a mask. He's a jaded, kind of evil person. HE IS Afton's children. None of them were good people either.
Like cody: he's too much of a coward to face his father.
Like Josh: He's an asshole
and Like how Elizabeth became: he's a manipulator.
Michael's awful and I love him.
He's also very tragic for the reason he is an entity in perpetual agony and emotionally (And honestly physically due to how he describes the process of Afton creating him) abused by his father.
He feels powerless to change things but wants too, exerts control over characters he KNOWS he can like the funtime animatronics and does so due to being powerless in other fields of his life.
He slaps on a mask of this friendly ignorant facade of the owner's sheltered son so people will like, trust and want to be friends because he's a lonely person who can only make friends with his father's OTHER victims who are trapped inside the suits/animatronics. (Since as I stated Michael IS a victim in this too)
Bonnie even seems to KNOW he's a victim considering Michael's talk with Bonnie way earlier in the comic.
But this mask cracks around Mike because Mike is in a lot of ways JUST like Michael.
Abused by their family, powerless, putting on facades and masks and at the end of the day just want others to connect with them and to change horrible circumstances.
We reached the image limit but I love these characters so much. 💙💜
*And talking form 10/11/2024 now: I have a desire to finish this ARC of the story! So stay tuned and hopefully i stay motivated!
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heymacy ¡ 8 months ago
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hi! i haven’t seen mickeyless seasons so i wanted to ask if ian ever has issues about being bipolar like he did with mickey? like him breaking up in s5 for not wanting to see mickey hurt and s10 when he asks if he’s crazy for wanting to be with him! i think i read somewhere that caleb? maybe had a talk about self love or whatever to ian but that dude was horrendous ( not that trevor was best for what ive seen ) so im not sure that counts ahah
hi anon!
yes, ian grappling with his disorder is a very very big theme throughout seasons 6, 7, 8, and 9. in fact i would argue that aside from him becoming an EMT, the bipolar storyline is his most significant one (i typed out my response and it got very long so i'm going to put it below the cut 💛)
in s6 he is fresh off of the diagnosis, the breakup, and coping with mickey going to prison (and he was definitely trying to cope, he still loved him and seeing someone you love locked up is immeasurably hard. i feel like we don't talk about this enough). he feels very aimless and it isn't until an incident (he's a bystander to a car crash and rescues a woman from a burning vehicle) that he finds his new path (becoming an EMT, which he does by the end of s6). caleb was absolutely awful in so many ways but the one good thing he did do was encourage and support ian in finding a new life path, which is the only credit i will give him. there's also a deleted scene in s6 that is so, so important re: understanding how mentally ill people are viewed and treated in society and of course ian's monologue about how he's good at his job because of his illness, which is one of my favorite scenes in the entire show.
in s7, he's getting healthy again and taking his meds, but it isn't without struggle. there's a very poignant and important scene (part one, part two) with lip where he expresses his struggles with his disorder and how hard it is for him to cope with taking his meds and listening to the warning signs for episodes (he was behaving in ways akin to a hypomanic episode/showing signs of slipping into an episode just before the conversation happens). by the end of the season, after he leaves mickey at the border, he's still relatively stable, but the emotional triggers of leaving mickey behind + monica's death start to take a toll on him, which we see in s8. there's also the trevor of it all in s7, but that's a whole other issue. trevor did not have a positive impact on ian's self-esteem whatsoever and even went so far as to demand ian forgive monica and "move on" after knowing 0.1% of the history between the two of them. that scene in particular makes me unfathomably angry and i just know it was deeply, deeply triggering for ian to hear that from someone he cared about.
in s8, we have the gay jesus storyline, which i absolutely detest and hate to discuss, but it's part of his story and it needs to be acknowledged. he's taken advantage of a lot this season, propelled towards some sort of fucked up end goal with very little control over his circumstances, and it quickly spirals out of control. while the writers never explicitly state that ian is hypo/manic during this season, you can watch the progression happen if you pay close enough attention. despite not being given a lot to work with, cameron did a great job at playing the nuances of bipolar disorder this season, showing ian's descent into hypo/mania as the gay jesus movement grows and warps.
in s9, he's in prison for the first time and is noticeably manic. after being released, he starts seeking out meaning and purpose in religion. eventually he's forced to face the consequences of his actions and pleads not guilty to arson by reason of insanity, not only defying the wishes of the gay jesus followers (they feared him going public with his diagnosis and pleading insanity would delegitimize the movement) but also finally choosing to really acknowledge his disorder, reckon with it, and make peace with it, in a strange sort of way. it's a very important and pivotal moment for his character and cameron absolutely delivers during his plea monologue.
if you've see s10 you know how his self-worth takes a hit regarding the marriage storyline, and how he's so terrified of marrying mickey because 1) he doesn't know if he's capable of being a good partner because he doesn't feel like he had good examples of healthy marriage standards growing up and 2) he isn't sure mickey knows what he's signing up for re: his disorder and everything it entails. which, of course, is not the case, because mickey doesn't love him in spite of his disorder, he loves him completely, and his disorder is just a part of that. he wants all of him, always, and that's a huge plot point in s10 and s11 ("i gotta worry, you're my husband" scene my absolute beloved).
anyway. the short answer is that yes, ian spends a lot of time grappling with his disorder and the realities of life as a bipolar human. he deals with issues regarding his self-worth, his purpose, and his relationships. speaking as a bipolar individual, i can say with absolute certainty that coming to terms with your diagnosis is a long, arduous process that takes many years and a lot of commitment to achieve. it's not easy, and though the writers dropped the ball on a LOT of storylines in the show, they did a pretty damn good job of showing how hard it is to cope and live with the realities of bipolar disorder and everything that entails.
if you ever want to see more of his journey, gallavichscenes on youtube has playlists of all of ian's scenes in season 6, season 7, season 8, and season 9. i highly recommend watching the show in its entirety but if you don't want to do that, i recommend at the very least watching the rest of ian's storyline. it colors so much of his story and mickey's and it's hard to fully comprehend the extent of their relationship without understanding that storyline. i hope this answered your question! sending tons and tons of love 💛
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eldritchcreatureofwords ¡ 5 months ago
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Headcanons about Jinx living with Ekko, Heimerdinger and the Firelights?
Like, after Arcane events, Jinx goes to Ekko because she feels alone, and he was the only one who came to her mind, and, after some discussion and maybe a fight, Ekko in the end lets her live with them?
How would Jinx and Ekko repeir their relationship (and maybe get together)?
What relationship would she have with Heimerdinger?
And with all the othet Firelights?
Sorry if this sounds messy.
I think repairing their relationship would be a long, messy, complicated process, if even possible. Jinx has hurt a lot of people Ekko cares about and is not the person he used to know and possibly have a crush on. She would be an unwelcome threat, at least at first; the only way I see this working out is if she was injured, in which case I could see Ekko, through a combination of guilt and old feelings, giving her the look, just for a little while, until you're better pass. She'd likely be kept separate from any and everyone else for a least a while. I think over time said old feelings would soften him back to her, but it would take A While. As for getting together? I don't think it'd happen. Not for quite some time if at all. He's angry, hurt, and still very confused over why she changed the way she did, why she 'betrayed' them for Silco. When and if it did happen, though, it would be a fierce, ferocious sort of protective instinct; not entirely unlike Vi towards her, especially once he realizes how hurt and traumatized she is. I don't think Powder's mental illness is new, and I think Ekko is one of the few that knows how to help manage it and her. And having someone who knows, really knows what to do when it gets bad is a Godsend for Jinx. I think he would stabilize her and help her stabilize herself, particularly if they used to have rituals and techniques for dealing with Bad Days, which I firmly believe they did. Staying with the Firelights would be good for Jinx. It'd get her out of the echo chamber that is Silco and Sevika and the other people who work for Silco. Having other people to, again, ground her, would make it much easier for her to cope with the bad days and moments- and would have her questioning Silco's methodology. Remind her why extremism isn't always great- because it hurts real people. Not dolls, not toys, not pawns or assholes who deserve it. Real, actual people who are being caught in the crossfire. She'd eventually come to get attached to some of these people because she's used to a big family, to lots of people and noise and attachments and she probably craves it.
They'd likely be angry towards and cautious around her, and I'm positive at least a few would want her dead or thrown to Piltover, at least at first. Eventually she'd make those connections and friendships, though, with at least a handful of Firelights, and it would force her to confront a lot of the way of thinking being isolated instilled in her. It'd force them to reconsider some preconceived notions, too, honestly. They think of her as a cruel, selfish monster, much the way they think of Silco. To see her as just a kid, and one who is sick and traumatized at that, would be a jarring realization, and likely make at least a few people uncomfortable.
Heimerdinger? He'd pity her. Hate her and pity her and be fascinated by her because my all that is good what a fucking brilliant mind so absolutely ravaged. He'd adore talking with her, even after everything she's done, because she's just so. Damn. Smart. And creative. And interesting. He'd likely want to do whatever he could to bring that potential out of her, and be very good for giving her somewhere for her excess energy to go and a place to focus herself- lots of little projects, lots of 'hey, can you help me x y z.' He'd be very good at redirecting and guiding her, if a little...well. Scared to death of her.
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goldenworldsabound ¡ 2 years ago
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OKAY so anyway that aside I also forgot to mention my husband and I will be starting to watch Star Trek Discovery.
Many of you are new here and will not know that Spock is the OG fave for me. TOS Spock specifically. When I self shipped in high school (I wrote so. much. fic. in my diary. loved that for me, helped me cope so good) it was Spock and Spock only. Everyone in my life knew I was obsessed with him. And you know what? I knew SO MUCH about TOS. Grown ass men tried to gatekeep my high school self and got fucking schooled by me. I knew everything there was to know about Vulcan.
I don't, anymore. It's been some time. But Spock still holds the SPECIALEST place in my heart even though I haven't talked about him much later. I did revamp our ship a few years ago - or rather, made a new version since I'm too attached to the original but wanted something more...mm...more like how I make my ships now, I guess? The original one was a straight isekai - due to time travel shenanigans I end up on the Enterprise and Spock and I fall in love (I knew it was him though like there was still Star Trek on TV and all that so fdksjahf). It was really helpful to me at the time and honestly it could fully happen with how TOS tends to be. Time travel is par for the course KJFHEWKFHW that one was "Love is Fascinating".
The new one is "Across Time and Space" and also came with me shipping with Kirk as well ("Solar Flare Love") and naturally the poly (cause how can you be a fan of TOS and not ship Spirk (I'm joking but like also it's truly iconic and important for popularizing slash fic)) which is "Interwoven Stars".
And that one I am QUITE proud of what I came up with. Beneath the cut.
In the new lore, Spock and I grow up together on Vulcan. We're really close. I'm not a Vulcan - I wasn't born there, and I've lived on a multitude of planets since they've moved for their jobs a lot. I'm a human. But we stay on Vulcan the longest of any of them. Spock and I, accidentally and unbeknownst to us, sort of form a childish and ill-formed Bond. A telepathic one, as Vulcans do. We don't realize this and no one else does either.
Eventually, I have to move away. It sucks. No one liked that.
Somewhere along the way, something goes super wrong during our travels. My parents die and I'm cryogenically frozen for several years. I'm eventually rescued and revived but...well my family is dead now. Oops.
I go into Starfleet, several years behind Spock.
Which puts us in this position that my first assignment is the Enterprise. And Spock is the Enterprise's Science Officer. And I am reporting directly to him.
We recognize each other!!! It's exciting.
Unfortunately. Spock has realized that we have this awkward incomplete bond. And once we've taken off he determines that, well, he's engaged, so, he's gotta break this off. And he does. And omg it fucking hurts. For both of us. Our minds have been in contact for so long. He's always been with me even if I didn't realize it. So I'm. Upset.
There's a shore leave right then (which is why he waited until then to do it) and I go to that and am Hella Depressed and LO AND BEHOLD Kirk and Bones are like ? We're adopting you as our friend now. You WILL have fun and that IS a threat.
So now I'm besties with the CAPTAIN and the doctor. And Bones and I bond real fucking fast I tell you fkjdhsakjf Kirk thinks I'm cute but like he's well aware of the power dynamic so he's not trying to make a move.
Anyway I don't tell either of them what happened.
Over time I think it just becomes apparent that Spock and I have feelings for each other/are awkward, and Bones gets on me about it like, "you and the green-blooded hobgoblin should just get together already" and I brush him off a bunch until I finally snap about how we can't cause he's engaged. He's very sympathetic after that.
Kirk and I are also somewhat awkwardly on and off trying out dating (with an open relationship) which is like. I like him!!! He likes me!!! But we also both like Spock and it's just...tense and awkward at times?
the whole Pon Farr thing will happen and then Spock is free to...to choose me fkjdhsakjfhdsak and we'll rebond and stuff. And Kirk is like, "congrats" all awkwardly thinking he's out of the picture now. But Spock and I will invite him into our relationship after some time of getting to know each other again!!!
so yeah that was a lot fkjsadhfkjds but that's the basic premise. I love Spock a lot-
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mesaprotector ¡ 8 months ago
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it feels more and more these days that i'm not someone who was meant to thrive.
writing this in a fever-induced haze still under the effects of a couple of doxylamine tablets i took last night to sleep.
it's been seven months since i had a job. i don't really mind working, except that many bosses i have seem to end up angry at me and expect me to read their mind as to why. more likely true the harder i try at a job - when i slack off, people love me. i don't get it.
i have a couple of friends who are so wealthy they will never have to work in their life. another friend, about my age, will eventually have to work. each time we see each other i wonder if they feel as anxious about the future as i do.
of course i also tell myself that what job i have doesn't matter. as long as i live somewhere i have friends to see and a family to take care of (including a partner, but not necessarily children - i'd be very happy as an uncle) - i'd be able to work at anything. and that might be true.
of course having friends and family is an even older unresolvable problem. i do have friends. close friends, temporary acquaintances. they're scattered around the planet and there's no town on earth where i could gather up even a half dozen people for a movie night or a trip to the bar. i miss a lot of the people i used to know. so many of them just fell out of touch with me, and sometimes it was my fault but less and less so the more time goes on.
and if you're reading this, it's very unlikely you have any real empathy for someone who at 30 still doesn't understand romantic love. if your first instinct is "just use a dating app" or "we're all in the same boat" then you might be a lost cause. i'll try to help you, though.
imagine being born deaf, and reading that music and rhythm are the soul of human feeling, the way people celebrated and grieved since a time before time.
imagine being born blind, and hearing that there's a world of meaning in seeing a brilliant smile, a turbulent sunset, that life is all worth it if only you have those.
imagine being born unable to speak. every word, every cry, every gasp, every note sung a reminder you cannot reciprocate.
it's a little like that, i think. though being myself someone who is not deaf, not blind, and can speak, i could be entirely off the mark. there is a quote somewhere about how americans all view themselves as temporarily embarrassed millionaires. one thing all of the above have in common is that you can start to view OTHER people as temporarily embarrassed millionaires, whose fortunes will inevitably improve, while yours won't.
most mainstream stories are about such "relatable" people, who will bitterly complain when they are briefly made to struggle but always end the story with hearing, with sight, with speech, and with romance.
of course i'm just failing to cope. people are born every day with every kind of disadvantage and still end up fulfilled. meanwhile i'm letting myself avoid applying for a new job and avoid becoming a better person and avoid. avoid. avoid.
because if i stop avoiding it all i might be faced with the reality that all of my problems were solvable all along, and that the horrible corny advice people gave me at age 17 (the year i began this blog) would've fixed it all if i'd just tried the tiniest bit.
and that the very normal people i envy so much are just people who managed that minimum of effort. maybe that's what i should've done at work too! tried a tiny bit. try too much and you remind successful people that their success is nothing to be proud of.
i don't know. i hope this illness lasts three days rather than three weeks. i could try to type a followup when it's all over, but what will be my excuse for being negative then? i need to find one. avoid. avoid.
avoid.
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the-gay-prometheus ¡ 3 months ago
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OP, I see what you're going for here and I can appreciate it, but we also need to remember that the Creature's first response to rejection was NOT violence. In fact, real violence was the very last resort for him. Essay incoming, because I think it's important to get the facts right about these characters. I'm not disputing anything you said about Victor, but what you've said about the Creature is demonstrably incorrect.
First and foremost, the Creature basically speedran Growing Up™. When he first awakened, he had no concept of Literally Anything. Him standing over Victor's bed can be attributed to little more than basic instinct of trying to attach to the first person he sees. In his recounting of his side of the story, he has no memory of ever even doing this, because at that point in his story he was barely capable of having memories beyond the fact that everything was so overwhelming. He can't even conceive of the fact that he had to have come from someone, somewhere, because for all he knows he's just. Here. He doesn't know why or how, and at that point the why and how isn't important. So of course he's not seeking out his creator, because he can't even conceive of the fact that he's been created.
Secondly, his first and only initial interactions with human beings goes as follows: A. Somebody screams and runs away from him. B. Many people scream and run away from him. C. Someone faints upon seeing him. D. People start pelting him with stones and (his words) "other missile weapons". How does he handle this rejection? He runs away. He doesn't fight back, he doesn't run after them, he doesn't destroy their property, he just leaves.
When he does finally discover how and why he was created, he was disgusted by what he read (and likely for good reason - we don't know all the details, but Victor himself knew what he was doing was fucked up and was disgusted by his own actions after the fact). Of course he's not going to want to have anything to do with his creator at that point. All he knows about Victor is that A. Victor isn't in his life anymore for some reason (he has literally no idea about the illness or fainting stuff, and Victor never tells him anyways) and B. Victor seems like kind of a gross guy to him.
Even after he gets rejected by the DeLaceys (and straight up beaten with a stick by one of them), he flees. By this point now his fear is turning into anger, but even now he tries to cope in a way that won't harm others (runs into forest and just screams for a while - good for him). He calms himself down and tries to go back to talk to them the next day, and instead hears the guy who beat him say "Hell no we're not coming back here ever again with that damn thing hanging around."
And it's only then that he actually chooses some form of violence - but it's barely even violence! The cottage is uninhabited. Nobody lives there anymore, the DeLaceys are very much not coming back. So yeah, he burns it to the ground in a fit of rage because at this point there's only so much that screaming in the woods can do. But it doesn't even belong to anybody except the landlord anymore (who he doesn't even know lol), so really he's not actually causing any harm here even though it is a more "violent" escalation.
We see again and again and again that the Creature does his damn best to control his anger and not cause harm, but eventually, yeah. He snaps. He's alone in the universe with no one to help him through all the shit he's going through. Of course he's gonna snap. And even in his first true moment of violence (killing William), there's some evidence that the murder of William was accidental. That's a whole separate essay, though.
The reason he doesn't even bother going to Victor until after William's death is because remember, at this point, his opinion of Victor is "This guy straight up left me and also did some really fucked up shit to make me, so I don't really know if I want anything to do with this mf." But now he figures "fuck it, I've got nothing left to lose, I don't have any other options, and I mean I guess I've got leverage against him now if he's as much of an asshole as I think he is, so alright. Lemme find this guy - I don't want to be his friend, but maybe he can make a companion for me." It also doesn't help that Victor's first reaction to him upon seeing him is "COME AT ME BRO!!!!1!!!1!!!! I'll beat your damn uglyass face in!!!!!!!" Like. This is clearly not a safe person for my guy to be seeking any form of companionship from, so his first instinct isn't going to be "Hi dad ;~; Can u pls love me? ;~;"
Anyways. Their dynamics aside, by this point he's tried over and over and over and over and over and over to respond to rejection with nonviolence or at least in a way that isn't causing direct harm. He's done with that now, because clearly nonviolence is doing nothing. So yeah. He chooses violence. But again - it is the LAST choice, not the first.
And it's a really bad and awful choice!! Anyone saying "the creature did nothing wrong" either should be saying that as a joke or is completely missing the nuance of this book. I completely and totally agree with you that Victor gets way more hate than he should, but we don't need to lift him up by putting the Creature down.
I'm so protective of Victor Frankenstein, because everyone is like "the creature is actually completely right and he should have just made a second creature and it would be fine" or "he shouldn't have abandoned his creation" and like, come on.
First of all, he didn't abandoned the creature. He basically spent 9 months obsessing of creating this thing because (a) his mother died and he developed a morbid fascination with death to cope and (b) his father, instead of explaining why alchemy was a bad idea, just dismissed his interest out of hand. But the thing was that it wasn't //actually// supposed to work. And he also isn't eating or sleeping and he is mentally Not Well. But then the creature opens it's eyes and it's terrifying because even though it should be beautiful, being made of beautiful parts, it is still made of fucking corpses.
So, Victor passes the fuck out and wakes up after the creature has escaped. And then he's like, wtf was that?? Am I going insane?? He doesn't go looking for the creature because he thinks he made it up in his head. I think his friend was also like, "hey, dude, I think you just have a fever."
And then he finds out that his 6yo brother has been MURDERED and his childhood friend is accused of having killed the child, so he goes home. He can't even say, "hey, I think I made a monster that did this" because no one will believe him. And this creature shows up and tells him that it killed his brother simply because it hated Victor. It killed a young child because it wanted to hurt Victor. Now it wants Victor to make a second creature like the first.
And, for the record, the creature has been having a hard time because its a giant walking corpse and people aren't giving it a chance to prove that it can read Shakespeare. Here's the thing. The creature is smart. It reads classic literature. It speaks well. It is also cunning. After snapping William's neck, it frames Justine by slipping William's gold locket in her apron pocket.
Victor takes responsibility for this. He is aware at this point that he has fucked around and found out. He feels guilty about his little brother's death, and the execution of his friend. He agrees to create a second creature out of fear, but then decides that he will accept his fate and let the creature kill him because he is afraid that, given how terribly the first creature turned out, he will be endangering more people. What he didn't count on was that the creature would not actually kill him (he is its only shot at getting a companion, after all) and would instead kill his best friend and his wife.
The creature is lonely, but it's first response to rejection was not to seek its creator and ask for a companion. Its response was to murder people weaker than it, then seek out a companion from Victor through threats of violence. Why would he want to help it at that point? Why would he trust it?
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feanorianethicsdepartment ¡ 3 years ago
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some scattered thoughts about what i’ve started calling the homecoming au, that au where maedhros and maglor come back to tirion after the war of wrath, end up prisoners-in-all-but-name in finarfin’s palace, and nothing is beautiful and everything hurts. credit for @sunflowersupremes for writing the au that for lack of a better word inspired me, credit to @outofangband for listening to me blather about this over dms, warning to everybody, this au is dark. it’s essentially about maedhros and maglor being abused for being mentally ill, talk of suicide, late stage fëanorians somehow getting worse, generally not a fun time. caveat lector
i feel like it’s worth emphasising that by the end of the war of wrath maedhros and maglor are in a bad, bad mental state
they’re so inured to violence death means nothing to them, and neither of them really remembers what it feels like to be happy. they’ve lost everything, whether to the fires of war or the maw of the oath. there are so many things maglor can’t let himself think about or he’ll tip off the precipice into madness, so many things maedhros has quietly put aside to deal with after the end of the world. they’ve got nothing left but ash and nowhere to go but their own destruction. they’re fully aware of the monsters they are, and they loathe those monsters as much as anyone else
finarfin’s offer of mercy feels like a miracle. it’s a way - it’s a way out, first and foremost, a way to somewhere else, because what could possibly be worse than this? maybe it’s even a way back to the dreamlike world of their childhood, when they were more than their sharp edges and they could look on the future without despair. i figure this is an au where maglor won that last argument, predicated entirely on the possibility of an existence without pain
maedhros is skeptical, but logics himself into going along. on one condition
‘please’ maglor tells their uncle, trying to let his guard down and show as much vulnerability as his pride will allow. ‘do not give us to the valar’
he’s more successful than he realises. the last remaining sons of fëanor have been growing visibly more and more unstable for decades now. even the elves who were once their closest lieutenants approach them with caution now
finarfin catches a glimpse of what his nephews have become. he makes a conscious decision to choose pity over fear
which - yeah, alright. maglor and maedhros need therapy, they need to process their emotions in healthy ways and build selves they can be comfortable in the skins of again. and the general mood in tirion is one of reconciliation. it was the younger generation that went to beleriand, so many people have children they feel like they’ve failed
but if they can un-fail these two, maybe there’s hope. maybe there’s a chance for them to heal
except, well. nobody who stayed in aman - nobody who’s seen cuiviénen, really, beleriand was nasty - can really process just how much healing needs to be done
like. i’ve said this before, but screeching furiously at each other at high volume for multiple hours is a regular thing maedhros and maglor do. they’re the last people in the world either of them is even slightly close to, their relationship is shot through with as much bitter hate as it is steady reliance, and really, who else can they yell at
it’s a maladaptive coping mechanism. their minders recognise this inside five minutes, i’ll give them that much
it’s just. their eventual method of stopping the fight, after trying and failing to talk the brothers down, is to jump them and gag them to stop them making so much noise
partially they were worried it might escalate into a physical fight, which to be fair, these screaming matches occasionally do. but partially they just wanted them to stop
(this is the first really big incident, but things have been subtly, uncomfortably wrong for a while now. there’s this vibe that everything would be so much easier if the brothers just behaved. acted like the nice normal princes they used to be)
(but they can’t. they’re trying (well, maglor is; maedhros is mostly going along out of resignation) but they can’t. and when all the little tensions of this supposed-to-be-happy-ending get too much, they take it out on each other, like they always do. what are they supposed to do, unleash their own corruption onto the innocent valinoreans?)
(as is usual with these shriekfests, it got vicious fast. it was maedhros saying that he should have just killed the both of them back in beleriand that makes their minders decide they have to stop this now)
the whole situation’s a mess. the way the non-exile noldor are thinking, if they can just put all the unpleasantness behind them, things can go back to normal and they can forget any of this ever happened
the valinoreans are trying to help, you understand. it’s just that their definition of ‘help’ involves sweeping everything under the rug so they can all be happy again
and everything the brothers do to remind people of all that makes them... uncomfortable
maedhros and maglor are never left alone. there’s always someone within at least hearing distance, keeping an eye on them. they initially say it’s for the brothers’ own benefit - so there’s always someone nearby in case they need help, like - but the first time maglor gets so frustrated he starts trashing his room he is immediately seized
the valinoreans get very good at stopping the brothers from doing the thing. they are less good at addressing the reasons why the brothers feel the need to do the thing
maglor is by far the angrier of the two. when he has a bad day, everyone around him knows it. he snarks, he glares at people from corners, he refuses to be at all cooperative. even on his good days, his mood never goes far above ‘melancholic’
maedhros, on the other hand, is quiet. he does what people tell him to, mostly. he sits in place and acts the perfect patient and only occasionally tries to kill himself. a poisonous plant picked here, a window’s lock subtly fiddled with there, he’s good at waiting for his minders to lower their guard enough he can take a chance
(neither of them are particularly violent towards the valinoreans to begin with, and their violent tendencies towards themselves, each other, and inanimate objects quickly recede. lashing out like that always, always makes things worse)
sometimes he’ll regress back into behaviours he learned in angband. the first time this happens and the valinoreans figure out what’s going on, he gets a very polite finarfin asking him to please stop equating them with the enemy, finarfin knows they aren’t settling in as well as they might but it’s very offensive to be compared to morgoth
still, they learn. there’s this one incident when maedhros is having a fit, and while all their minders are running about trying to make him stop, maglor, who happens to be in the room, is standing completely still, staring at nothing
one of the minders snaps ‘come on, help! don’t you care about your brother?’
... he does. they’re closer now than they were in beleriand, leaning against each others’ bodies, quietly holding hands. the palace is full of people all the time, but they’re still so isolated from the rest of the world
it’s just hard to protect someone else when you’re barely hanging on yourself
you ever write a perfect closing line, and also it’s 1:30 am? yep, yep, i’m going to bed. more tomorrow, i’d guesstimate three parts in total
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queerfictionwriter ¡ 3 years ago
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On Standard Writing Advice
I might’ve ranted about this before, but this is my blog and I’ll be unhinged as much as I like. So much of the writing advice I see comes from a blatantly abled and ableist perspective that I roll my eyes and scroll past it while gnashing my teeth and, sometimes, resisting the urge to scream. It’s not applicable to me, or people like me, so I won’t reblog it and increase its’ reach. But having to see it all the time is infuriating and
Because advice like “write every day!” or “set a routine and stick to it!” ignores the realities of having unpredictable health. You can’t write four days a week when, at any moment, your body might pull rank and leave you bedridden in a flare, or insensate with pain, brain fog, or a migraine, or when all of your plans for the week are thrown into disarray by a sudden doctor’s appointment, or an emergency trip to the hospital or your pain management provider. You do the best you can, obviously, but when that’s your reality, it’s frighteningly easy for goals and targets to become weapons of self-flagellation for factors beyond your control.
The valorizing of routine and steady progress also ignores the unpredictability of minds that cope with mental illness and other forms of neurodivergency. There are days where, no matter what was on the to do list, fuck all is getting done because you’re out of spoons or didn’t sleep, because you’re dealing with a dissociation or med change/adjustment, because all available mental energy has been diverted to basic self-care or Not Spiralling or coping with a trigger. Sometimes there are just Bad Days.
And that’s not even mentioning the fact that basically every disability and chronic condition comes with “chronic fatigue” as a symptom, and creative work is, in fact, work and requires energy no matter how important or rewarding it is to us. and it would be easy and defeatist and ableist to just shrug and assume that disabled people should give up, that it’s too hard, that it’s not worth it. Or to assume that we don’t have anything to say, nothing worth listening to, that our art and writing doesn’t matter, that we should let go of our dreams and goals because it would be “easier”, somehow. and of course this attitude contributes to the whole “i could never live that way” nonsense that gets thrown at disabled people all the time, but that’s a rant for another day
In these situations, you have to be a particular mix of ambitious and relaxed, determined and forgiving, because you have to want to be creative enough to persist, despite the obstacles, and practise enough self-kindness that you don’t overextend yourself because you pushed too hard, or crucify yourself for failing to meet the target you set for yourself. And that is why the advice that I give to all writers, but that I especially the ones with health challenges is:
1) Learn to trust yourself. This one is maybe the hardest thing to do as a creative, but it’s so, so important, because so much of your creative work gets easier once you trust yourself--to tell the story, to know your limits, to finish eventually even if it feels like it’s taking forever.
2) Learn to listen to yourself. What are your instincts telling you--about this scene, this character, this story, this trope? What is your gut feeling about where you’re at and what you’re capable of today? Is today a day to try, to rest, or to push?
3) Don’t be afraid to suck. We all start somewhere, and there’s no shame in being bad at things, especially things that you were never taught--we’re never done growing and learning and experiencing new things. The important bit about the sucking phase is not giving up--because you can push through it until you’re out the other side with new skills and greater mastery over your craft.
4) Cultivate a healthy relationship with feedback. Not everything you create is going to be for every single person. It’s okay to have a target audience in mind. And, when that happens? You have to let the negative opinions of people who aren’t in that target audience roll off your back, because you will never make everyone happy. One story--or even the collective work of one person--can never be all things to all people. Representation is a team sport. That said, though? It’s worthwhile to cultivate feedback from people that you trust--to understand your intentions, and to be honest with you. We all have blind spots about our own work, because we’re all human. Having someone you trust to point out those blind spots is incredibly valuable, but it’s also okay to be picky about who you choose to take that feedback from.
5) Write for yourself. Do it because you love it--because you love to write, because you love the topic or the characters, because this is your niche interest. Write with love and it will bring your words to life for your readers, in addition to making the overall process more enjoyable for you. (It also helps in letting the haters’ opinions roll, because if you love it, everyone else’s opinion matters a little less.) If you’re just writing it--whatever “it” is, a story or trope or particular plot or character interpretation--because of some notion of “should” or “tradition”, rules or social pressure, that half-heartedness will translate for readers. The words will feel lacklustre.
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plounce ¡ 4 years ago
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what if gay CATS........... were gay PERSONS
(info on this au under the cut)
theyre all shitty young adults just kind of. getting through their early 20s as best they can. or as much as they can. maybe things will get better someday, but right now they’re kind of spinning their wheels
magic exists but like eh it’s not a big thing don’t worry about it. it’s around but like whatever. not many people have it and it’s mostly just like. a curiosity or a party trick
demeter and bombularina are together, tugger and mistoffelees are together, bombularina and tugger occasionally fwb, it’s cool and aboveboard and it’s all fine
demeter:
bisexual with a preference for women. 24 years old
semi-psychic (not as powerful as tantomile or coricopat). tends to have vague and confusing prophetic dreams
dropped out of grad school for sociology due to trauma and ensuing intensified mental illness. kind of bitter about it, but tries to get through every day. general anxiety disorder even before all that
very nervous around most men she doesn’t know & trust
currently working at a barnes & noble starbucks, which sucks. she recently became the assistant manager, which turbo sucks because now she has more work for only like a buck raise, but at least she’s getting reliable shifts
her go-to therapy is cutting her hair with scissors. her hair is fried to all hell from regular bleaching
she’s learning how to crochet because she’s decided she needs to do something physically productively creative with her hands to distract herself from Stuff
bombalurina:
bisexual. 24 years old
got her bachelor’s in english two years ago and hasn’t found a job in her field and has kind of given up on it for now
she’s been bartending for like four years, does freelance editing work on the side. will occasionally write listicles for clickbait sites if she needs extra cash
literally any extra money she can save goes to tattoos. her right sleeve’s almost done
has natural red hair but dyes it cherry red
a hedonist to cope but is also just a natural hedonist. likes a good bath
i know that like the typical thing fandoms say about female characters is “doesn’t take shit” for the girlboss points but she truly does not take shit anymore. she used to take people’s shit sometimes but at this point in her life she’s tired and she has a girlfriend to be protective of. she has a couple people whose shit she will take (mostly just tugger) but besides them (and having to practice basic customer service to keep her job) she’s tired of other people’s shit! enough!
my personal take on bombalurina is a mix between the riot grrrls of the 90s and 80s punk girls, and then a dash of the greaser chicks from grease. i saw that spiked collar and my brain went OH okay i can run with this somewhere fun. same for demeter, but less so - she just has the piercings.
demelurina:
bombalurina met demeter in college at a women’s activism club, noticed her because of her dimple piercings and was like “oh someone else with a lot of metal in her face, i’ll sit next to her”
they were each other’s first off-campus roommates and were close friends. made out a couple times, but it was mostly a lot of sexual tension. there was a lot of bombalurina staring at demeter while she or demeter made out with someone else
demeter was on and off with her high school boyfriend munkustrap and bombalurina was like “oh he’s so much more stable/calm than me and she needs that, i party a bit too much for her, i shouldn’t try anything” so she just sort of. lets their almost-there peter off
(this is all bombalurina’s internal thoughts - demeter always was interested in her, but thought she was too boring for bombalurina. so neither of them thought they could pursue it)
bombalurina graduated and moved somewhere cheaper further away from campus. they kind of drift apart
munkustrap and demeter peter off and he moves away for a job (they’re still good friends, it was a very amicable breakup) and then demeter gets with macavity, which is a deeply toxic situation for her and sucks hugely and throws her whole life really off track. won’t go into further details
she finally manages to break up with him and calls bombalurina at like 2 am asking if she can pick her up, and also if she can sleep on her couch, it’s okay if that’s not okay, she just. really needs a place she feels safe, and her gut is telling her to. and of course bombalurina says yes
bombalurina also knew macavity and had also made out a couple times with him at like parties and stuff (see: staring at demeter as she makes out with people). something about transference of feelings - bombalurina was into him for a couple moments because he and demeter had a thing.
this is due to me interpreting the song “macavity” as actually about bombalurina wanting to fuck demeter and her singing as a half-repressed expression of that. i use my really good wlw brain to reach that conclusion. it’s kind of a non-competitive version of eve sedgwick’s take on the love triangle. (<-- normal thing to say)
but anyway demeter stays on bombalurina’s couch and she tries so hard to stay on track but eventually she just has to drop out. bombalurina helps her with that too. she’s just really supportive even as demeter’s life is at its lowest point. when she gets home from bartending she gets demeter to go to sleep
she just Stays with her and makes her smile and reminds her that her life isn’t over, there’s still things in her day to enjoy, to keep her trudging forward
bombalurina is roommates with tugger at this point - he also recently dropped out and demeter knows him because he’s munkustrap’s brother, so he’s Trusted and also is like “hey it’s okay that you dropped out, im here and im chilling and you like me and respect me at least a little, and you have a bachelor’s degree at least!” (more on him later)
demeter is like “oh god ive been crashing at their place for so long not paying rent, theyre gonna ask me to leave, im such a freeloader, they wont take my attempts at paying rent” but then bombalurina and tugger are like “hey! the lease is almost up! we found a pretty good 3 bedroom, do you wanna have your own room for real?” and she nearly cries because 1. the RELIEF 2. oh my god you want me around???
cut to bombalurina helping demeter put together an ikea dresser (tugger got banished to the kitchen to make crystal light lemonade for them because he’s useless with a screwdriver) and demeter has two epiphanies:
1. i thought i was ready to d*e four months ago and here i am making a dresser to put clothes into in my new apartment where i live and feel safe and loved. im still not happy but im still alive and im making a dresser
2. holy fuck im back in love with my best friend, and ten times more than i was back then.
so she like kind of freaks out because she’s already imposed so much on bombalurina, how could she impose her FEELINGS on her like this, oh no oh no oh no
meanwhile bombalurina’s back in love with her even MORE and she’s also like no... she’s already dealing with so much... i don’t want to make her uncomfortable or feel unsafe in her own home especially after her recent relationship trauma... i just want her to feel safe around me...
you might think tugger as their roommate would be like “JUST KISS” but he is in fact pretty oblivious because he is self-absorbed. mistoffelees on the other hand..
eventually they do have a big confession of feelings after demeter has a bad day and it’s very dramatic and they make out in the rain. and it’s like. well this is a movie scene. but also im cold and damp. let’s head inside our home and get warm and dry :)
and then they go inside and and talk through everything, all their feelings (not just their romantic feelings but like ALL their feelings) and their shared histories and bombalurina is like “do you think you’re... ready for a relationship right now? like that would be a good thing for you?”
and demeter considers it. she does stop and think. and then she says, “with anyone else... probably not. but it’s you. and i feel so safe around you, and we’re already so close. you make the future feel more worth it. you make more days alive feel not just tolerable, but something to look forward to. and knowing you’ve loved me all this time... it’s nice. it’s good. i’m - i’m understating it so much, it’s more than nice, it’s just - it’s a lot. i wish i had noticed back then.” “hey, hey, don’t blame yourself. i’m the one who never said anything.”
anyway. everything works out, and they start dating for real :)
tugger:
bisexual. 22 years old
dishwasher at the same bar bombalurina works at. she got him the job. he keeps bugging her to teach him bartending tricks and on slow nights she will agree to
he dropped out of their four year, but he managed to secure an associate’s in communications before he dipped
trying to be an ig influencer hotboy and hopefully get modeling jobs from that but his phone’s camera sucks shit so his account isn’t really going anywhere. but he continues to post his low resolution shirtless selfies
trying to cope with being the failure son who does not have a fancy nonprofit job with a salary and healthcare by being self-absorbed and self-aggrandizing
it works about 60% of the time and 60% of the times that it doesn’t he’s able to hide it
he dropped out right around when bombalurina graduated and he was like HEY! ARE YOU LOOKING FOR A ROOMMATE WHO DOESN’T CARE IF WE LIVE TEN MILES AWAY FROM CAMPUS? WELL HAVE I GOT A SOLUTION FOR YOU: ME!
to which bombalurina (who has fooled around with him here and there and thinks he is funny little man and genuinely goodhearted, and also he has rockin abs as a plus) says munkustrap already asked me if i need a roommate and if i do to consider you, because you don’t want to move back home. in other words: yes, you little idiot
they do fool around with each other but they are both very understanding that it is strictly platonic and for fun, especially once they become roommates. they both do not desire each other for anything serious
he did have a bit of a crush on each other when they met (hot punk older girl who’s friends with his brother) but 1. it dissipated pretty quick after they fooled around for the first time because it was not a very serious crush 2. she was in the middle of being in love with demeter so she was focused on that, emotionally
he got his ears pierced a couple times in high school but bombalurina inspired him to get a couple more. she went with him when he got his nose pierced
demeter has always understood that him and bombalurina are strictly fwb, has never been an issue.
she and him like to bleach their hair together when their hair schedules line up (he bleaches his way less often then she does), but she refuses to use his fancy conditioner that keeps his hair unfried because it’s expensive, even though he tells her to go ahead and use it, please, the health of her hair is giving HIM anxiety, demeter please. please demeter
mistoffelees:
gay. 20 years old
has magic. it’s pretty good magic but again: magic is not a big deal in this concept
a bit spooky. skulks around. a bit of a bitch but also very very nice. chooses when to speak
he has postings on craigslist and fiverr about finding lost objects and people with magic. like a gig economy private detective
side job is a waiter at a fancy restaurant
sometimes he gets paid VERY well from the private detecting, depending on the client. he does ask his psychic friends (tantomile & coricopat) to give a quick glance over on some of the more suspicious clients just to make sure he isn’t finding someone who should not be found by that person.
doesn’t go to college. is roommates with his sister victoria, who’s a freshman and studying dance. moved into town with her so she wouldn’t have to live in the dorms by having a guaranteed roommate.
tuggoffelees:
the general vibe i want for these two is mistoffelees walking around town or driving around in his shitty toyota camry while tugger tags along because he’s bored and thinks this is cool as shit
the general tone of the au is “magic isn’t a big deal” except for tugger, who thinks mistoffelees’ magic and his magic freelancing is the coolest shit ever. this is mostly because he just likes mistoffelees. “there are people who can do cooler shit than me, tug” “yeah but i don’t KNOW them also theyre not as COOL as you” “you had to explain to me how instagram reels work”
idk how they met i just think tugger shows up at his and bombalurina’s apartment one day (this is when demeter has moved in but they havent moved to the 3br yet) with this dude to dash in and pick something up and bombalurina is like “uh. who’s this” “oh this is mistoffelees he’s SO GOOD AT MAGIC” [mistoffelees nods hello] “okay bye bombalurina see you at work!!!” “uh. later”
after that he just shows up a lot. sort of ambiguous if theyre dating or what for a while before bombalurina straight up asks like “hey does the dude you’re dating know we fool around” “the dude im - what?” “... the little magic guy who keeps using our hot cocoa mix. misty.” “oh. uh. we aren’t dating.” “... do you want to? because you’re kind of all over him constantly” “um. well! haha, if i wanted to, i could! haha!” “yeah get back to me on that”
tugger trying to use his ig clout to get mistoffelees more work even though 1. he has no clout 2. mistoffelees has a very stable client base. but mistoffelees appreciates the effort. the self-promo guy promoing someone other than himself... the highest expression of love...
mistoffelees is A Nonthreatening Man plus he’s pretty obviously gay so demeter is chill around him pretty quickly. when mistoffelees is over they’ll sit on the couch where demeter sleeps and watch documentaries quietly while she crochets
they both occasionally say spooky shit at the same time because magic stuff. bombalurina and tugger are both torn between “that was cool as fuck” and “god that’s unnerving”
just a lot of tugger following mistoffelees around on his jobs and mistoffelees letting him because he’s fond of him and them occasionally getting into minor peril and interesting shenanigans, but it is 90% fetch quests
i think the first time they met tugger was taking selfies in front of a hydrangea in a public park and he saw mistoffelees walk up with a shovel and start digging in one of the flower beds and he thought he was hot so he went over and offered to take over on the shoveling to look strong and masculine and he ended up digging up a skull, which mistoffelees picked up and said “thanks” and then walked away
mildly terrifying but also very interesting and tugger’s days are kind of boring and dishwashing kind of sucks as a job to do like every night and he is a person who thrives on novelty so. moth to a porchlight
i think they do start making out for fun here and there and then a while later theyre out on one of mistoffelees’ jobs and someone asks “who’s the guy with you” and mistoffelees replies “oh that’s my boyfriend, don’t worry about him” and then it’s like. “HUH? I’M YOUR BOYFRIEND?” “uh. yeah? i assumed. is that okay?” “i mean yeah of course i think you’re great! how long have we–” “oh like a while.” “oh. uh. cool!!”
they just hang out a lot. mistoffelees enjoys teasing him and enjoys his warmth and bombasticity and tugger likes watching and helping him solve little mysteries around the county because it’s always something new. they’re kind of a comedy duo. they just enjoy spending their time together and following mistoffelee’s internal magic gps to find lost dogs and lost necklaces
yeah right now this au is just vibes and just sort of. continuing forward with your days and your weeks and your months. just young adults hanging out
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priscilla9993 ¡ 4 years ago
Text
Killian Jones and Alcoholism
This is mainly a summary of things relating Killian/Hook to alcohol/rum. It was done for a college paper and is very long, therefore it’s under the break. To warn you, it is going to be mainly Wish Hook based since I needed to narrow it down and it was easier to show how he handled alcohol as a recovering alcoholic. Enjoy!
The character in question for this case study is Killian Jones, well known by his more colorful moniker of Captain Hook, as portrayed from the ABC TV show Once Upon A Time. He lives in a region of a fantasy realm known as the Enchanted Forest. He used to be a Royal Navy Lieutenant with his older brother Liam, straight-laced on being good and not getting into trouble in any way, especially after getting somewhere in life and no longer subjected to being an indentured deckhand like when their father abandoned them as kids. During a daring quest to Neverland to find some medicine for the king, Peter Pan said they had been tricked to bring back a poisonous plant called Dreamshade, meant to be used as a weapon against unsuspecting enemies. Killian was wary, ready to denounce his service to the king, but his brother was willing to have faith in a noble king and country. With one swift motion of the plant’s prick hoping to prove otherwise, Liam began dying and realized his mistake. Recruiting the help of Pan and some magical water, Liam was cured but soon died in Killian’s arms on the voyage back to the king, the price of the magic being death if Liam ever left Neverland with the water running through his veins. His brother’s death made Killian vengeful at his king and country as his brother had been noble until the very end and everyone else was corrupt, playing noble, proving to him that the world was at fault. From that day on, he took over the ship and decided to be a pirate named Captain Jones, pursuing freedom, and throwing away all he’s ever known because being noble didn’t serve justice. This starts his life of thievery, promiscuity, and never-ending drinking. His coping solutions to deal with his emotional pain only gets worse when he loses his hand, first love of his life, Milah, and his honor after losing a duel against Rumplestiltskin, a coward turned into a powerful Dark One; which leads him on a path of revenge to kill the Rumplestiltskin, “the crocodile”, to avenge Milah and his pride. This leads him to makeshift a hook for a hand and him going by the nickname of Captain Hook, leaving the last piece of his past behind and never letting himself be vulnerable again.
Throughout the series, whenever he or someone in his vicinity is having a rough time, his solution is to pour out some alcohol and drink his feelings away, acting like an egotistical flirt rather than expressing himself and wallowing in misery. His choice of alcohol happens to be rum, a hard liquor. The acute symptoms he has in the show are the loss of judgment, a reddened face, confusion, potentially heightened sexual desire, and sometimes blackouts/unconsciousness. There are multiple times where he’s in a tavern, pouring doubloons into drinks for his crew, rum for himself, and flirting with women/barmaids to have a nightcap with. From here on, I will refer to him as Hook unless stated otherwise. On one occasion of his usual proclivities displaying or implying such symptoms, Hook tries to seduce a woman named Emma. She manages to use his habit of drinking to her advantage, making him jolly and willing to take her back to his ship for the said nightcap; her actual objective was being a distraction while his future self did recon for info on how to get back to their timeline in a Back to the Future sort of way. He continues heavily drinking on the way back with Emma without a care for his health. As soon as the plan goes awry with Hook seeing double, Emma not realizing Future Hook was still doing recon, he gets knocked out for good measure and partial jealousy. Future Hook justifies this, saying his past self was “asking to be knocked out, will wake up upset, and blame the rum.” The lines construe how frequent the drinking was for his future self to determine Hook’s ill-mannered disposition while drunk. 
Eventually, in a parallel way that stems from drunk Hook, is a feeble and spent pirate coined as “Wish Hook”. I have and will be focusing on this iteration for the whole of the paper, but what was written before was his younger self’s background. Wish Hook is the same guy as Hook, but years older down the line, differing paths from Future Hook as he never found love again with someone like Emma and had let his grief and alcohol from more recent negative events consume him. Wish Hook had lived out most of his lifespan, having been a sober father, but cursed to be poisoned any time he drew near his daughter after a witch encounter. Haunted by his regrets and somber circumstances, he turned back to an alcoholic, spending his days eased by rum. His body and actions in this form show the physical and mental effects of chronic alcohol consumption. About ten years or less had passed between his younger self and he had become an experienced middle-aged man with a complicated history, yet he looked far older than his years and decrepit. Without a doubt, by looking at him, people could assume he was an old drunk, his liver and heart having gotten fatty and overworked from the alcohol catching up to him. His belly was rotund, his hair disheveled and gray with streaks of white, his stance crumbling to nearly falling over with each step, and clothes dirtied with filth and old rum stains. Wish Hook still had a flirty and dramatic personality to cheer himself up and mask his turmoil, rum making him courageous and numb, while his actions told another story. He didn’t have sexual desires or try to provoke anyone by that point, just wanted to drown himself in alcohol. His words typically came out slurred, his movements sluggish and unrefined, and he had low problem-solving skills when it came to formulating a plan based on anything other than motive.
In the Enchanted Forest, alcohol like rum is not hard to come by as long as money is involved. Killian Jones/Captain Hook as a pirate drinking rum all the time did not affect him negatively socially or career-wise. If anything, it boosted his status and reputation. For him to be mingling in bars asking for expensive hard liquor and fine women to spend time with was a pleasantry. Bar owners got money, the crew got free alcohol, the women got paid, and he got to immerse himself in pleasure rather than thinking about trivial or serious things. Hook was the life of the party as a pirate captain, seen as a person with good tastes and great to have a fun time with when it came to alcohol. However, when it came to settling down and being a father later on in his life, Wish Hook reserved himself back to his more vulnerable side, caring about how his alcoholism could affect his parenting or child’s perspective. There are moments like that where he’s introspective and wants to do better by others that look up to him or who he cares about. In the show, when he is parenting, there is never a time where he has a bottle or flask of rum stashed nearby or is drinking. Wish Hook deems alcohol as the problem when it affects his judgment or his perceptions on how he could hurt the way people he loves view him. Love in any form brings him back to his core of being the best person he can be.
Killian Jones’s problem originates in nurture rather than nature because his alcohol problems started after he needed a reliable coping mechanism to lean on to deal with grief and anger. Although both nature and nurture influence him, for argument’s sake, nurture has the upper hand. Growing up, his father was a person he looked up to and wanted to be like, but that changed when he found out his father was a criminal who sold him and Liam to pay a route for a selfish escape. What little of his parents shown on-screen left betrayal or sadness in him, not the desire to drink. His parents weren’t clear on alcoholics or drug users as far as it goes. The only things he inherited from nature were probably his mischievous personality, temper, looks, and a high tolerance for alcohol. Living on a ship and being a poor deckhand, Killian didn’t seem to be the kind of guy to squander his savings on alcohol or other frivolous means. However, he would be on a ship constantly surrounded by adults who drank with a captain who cared more about money rather than morals, feeling squandered by his oppressed freedom and building resentment for authority. Without his brother steering him on track, Killian was no more than a young man with impulsive rebellious nature. When Liam went to get them navy papers to earn them their freedom from Captain Silver, it took Killian an offer of temptations from Silver, as much alcohol as he could drink and a bet on his money, for him to fall hook, line, and sinker; no pun intended. Alcohol and gambling meant a reprieve from thoughts, a chance at earning more than what he had before, and the same social standing as the other men aboard the ship. Perhaps, as much as he wanted to be strong as his brother, one good force cannot shield against all of the negative parts of society and adulthood. From Captain Silver, Killian got his first taste of alcohol and his desires did the rest, leaving him blackout drunk and penniless for Liam to find. As he grew older and slowly became Captain Hook, there was nothing about pirate life, being an adult, or people to keep him from drinking. He needed people to talk to, who supported him and he could feel vulnerable in front of, but the few people he trusted in his life were dead. As anyone knows, pirates steal treasure, so they’re not exactly the forgiving or down-to-earth types. Instead, rum became the solution to drown or fuel his emotions, being the substance of celebration and de-stressor.  
Hook’s rum/alcohol addiction would fall more on the dependence spectrum rather than abuse. What had started as a small reprieve to the woes of life became a daily saving grace when he was wracked with loneliness or anger. He depended on the rum to mask his disposition of physical pain from his missing limb as well as emotional pain having experienced love and loss. Abusing alcohol meant that it would put him into dangerous scenarios, have little to no commitment to change his habits to improve his health, and he’d put off important social aspects. If it was alcohol abuse, Hook wouldn’t try changing his habits when he sees it affects others or his relationship with those he loves. Sure, he spends most of his life binge drinking and making merry with the tides of life, but when given the chance and support to abstain from alcohol, he takes it in a heartbeat. For Wish Hook, the thought of being a father who abandons his child or messes up under hazy judgment didn’t add up to him. With the birth of his daughter, Alice, he made a vow to stay with her as long as he could and to be the person he thought she could be proud of. Nevertheless, when he had lost purpose in life by something he had no control over (via death, distance, or curse), his first reaction was to either turn back to alcohol or solve his problems. Sadly, after he had spent a couple of years looking for a cure for his poison heart curse, he gave up hope and chose to go from sobriety back to alcoholism, into a form of regrettable self-destruction. Hook knew that it was not the way to go about life but he felt he had no other choice and had nothing left to lose, leading him to further prioritize and depend on rum to continue living. He built a tolerance to it, needing a copious amount to get drunk, and potentially suffering withdrawals from it after getting in too deep. From the state he was in by the time he gets old and portly, being a nearly homeless drunkard, it can be assumed that he spent most of his days looking for money to acquire more alcohol so he could feel okay.  
Finally, by the end of the series, Killian Jones had managed to go through all the stages in the Stages of Change Model. He was in the Precontemplation stage as a pirate and Captain Hook as he didn’t see a problem in his daily rum and alcohol festivities, making no commitment to change his ways. By the time he gets to be Wish Hook and becomes a father, hesitant about settling down, he could be in the Contemplation stage. He’d want to do something about his alcohol problem and not be stuck relying on it but doesn’t know how to go about it or why he should, therefore staying stagnant to change. When he has his daughter, Alice, in his arms for the first time, we see him in the Preparation stage, planning to give up his ship, sea life, status, and most importantly, rum. Hook gives himself time to think of why he would do so and how he’d commit to it, eventually telling his crew the news. By the time he is taking care of her, he has already taken the actions needed to wean himself off alcohol and apply himself towards abstinence, taking him through the Action and Maintenance stages. There is a relapse back to the Contemplation stage in the paragraph before when he becomes poisoned and loses hope. Even so, the silver lining is that he had made the hard journey back into the Maintenance stage with the help of Ariel detoxing him and others giving him a magical second chance of bodily time renewal, sparking the hope to reunite with Alice and find a cure for his poisoned heart.  
Plans go awry on this end as we get to his final iteration as he is teleported and cursed into our modern day and age as Detective Rogers. Although his memories of what happened in the past as this persona are fuzzy, he is shown to stick to his renewed alcohol abstinence and maintains that in many ways, just like when he was Wish Hook. His habits become integrated as a function rather than a hindrance as part of the Maintenance stage. As Rogers, we can see him frequent bars such as Roni’s or Flynn’s Barcade when he is invited out with others. He is shown to let others know what to get him, as a regular or not, something non-alcoholic. This usually shows up as sparkling water or regular water with a lemon slice in it. His friends and work partner continue to support his sobriety through friendly acceptance and never forcing him to drink alcohol along with them. Rogers is tempted by alcohol again when he believes a missing girl from a cold case, one he was responsible for since he was drinking on the night she went missing, is dead. He sits on a park bench alone grieving, a full bottle of rum next to him, ready to drink. As Rogers gives it a whiff, he is disgusted at himself for getting back to this state again and slams the bottle down on the bench in frustration, not even having taken a sip. He came too far that doing so again would be meaningless and would get him nowhere. Even though he is in situations full of temptation, he makes huge strides to not relapse and maintain his sobriety, with the hopes that it will eventually lead him back on the right path of happiness and belonging. Fortunately, his actions have positive consequences that ring true when the curse breaks and he gets reunited with his daughter and has the strong support of friends and family. In conclusion, Hook is a flawed human being that is more complex and his struggle with alcohol/rum is just a part of him, one he will never lose but continues living with.
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aquaquadrant ¡ 4 years ago
Text
the little things
Kenji’s mouth is dry. “Ben…?” he croaks out.
Ben swallows. “Oh,” he says, in a very small voice. “It’s you.”
~*~
Ben’s been reunited with the other campers, and seems to have come out the other end of his experience stronger than ever before. But as he slowly finds his place back within the group, a bigger picture starts to emerge, piece by piece.
Rated T for: mental illness, mild language, panic attacks, PTSD, anxiety, insomnia, eating disorder (not in a traditional sense, but definitely not a healthy relationship with food)
A/N: Hey Camp Cretaceous fandom, y’all mind if I uhhhh write six-thousand words about Ben’s trauma?? Basically, Netflix kept recommending the show to me so I watched the first ep out of curiosity and then ended up binging the whole thing in like two days, and now here I am.
(Dear sweet, patient, regular readers of mine: I’m so sorry my main fic’s been delayed but I promise it’s getting updated next week, I just had to get some feelings out about Sad Dino Boy)
Hope you enjoy, please reblog and leave a comment if you do! - Aqua
Click here to read on A03 (with more complete tags)
~*~
the little things
~*~ 
Ben Pincus has returned from the dead, and he’s never been better.
The other campers are amazed. What he’s been through must have been horrible. He thought he was the only one left, that there was no one to help him and no hope of rescue because he was presumed dead. It would’ve been enough to drive anyone into despair, or off of the deep end.
But Ben shows no signs of this.
They didn’t find him holed up somewhere, near starvation and waiting to die, like one might’ve expected. They didn’t find him at all, really. He found them, and by coming to their rescue, no less. And when he did, he wasn’t a trembling mess, he wasn’t a half-mad ball of paranoia, and he wasn’t a hollow-eyed skeleton fueled solely by desperation. 
He’s an all new and improved Ben, the best version of himself.
He hasn’t just survived, he’s flourished. He’s brave, he’s confident, he’s capable. He gives his opinions freely and without second-guessing himself, suggesting things the old Ben would’ve recoiled at. He fits seamlessly into the team like he never left. He faces problems head-on with determination and grit and not a trace of fear.
The turnaround is unbelievable. But even more important is that while he’s a new and improved Ben, he’s retained all the best parts of his old self.
Ben is easy smiles and meticulous organization of a leather waist bag and doting affection for a four-ton armored lizard. He’s sensitive and soft-spoken and accepts hugs from his friends gratefully. He still can’t quite pull off coolness, with a voice that sounds as gangly as his limbs look and an awkwardness he hasn’t grown out of.
And it’s perhaps because of this that no one thinks to look closer. This image is an easy thing to accept because it’s what they all want to believe, that Ben is okay- in fact, better than okay. But the truth is not always big and obvious upon first glance.
It’s the little things, as they soon find out.
~*~
That first evening after Ben’s return, after Mitch and Tiff and everything else, they don’t eat dinner.
They all ate their fill at the campsite and, after a month of scarcity, it was more than enough to sate their appetites. It’s Darius who thinks to ask Ben if he’s hungry, remembering that the boy hadn’t had the chance to eat with them. They have a good stockpile of food at the moment and he figures Ben must’ve been struggling.
But Ben shakes his head with an easy smile, and says, “Nah, I ate earlier.”
Darius leaves it at that, because there’s still so much catching up to do. They show Ben around their clubhouse, make plans for where to build a bunk for him (he insists he’d be just fine sleeping on the ground next to Bumpy, but they all veto that immediately). They talk well into the night about the day’s crazy events, filling each other in on their own sides of the story, and everything that’s happened since Ben got separated.
There are some more tears, some more hugs. But ultimately, the mood in the clubhouse is ecstatic. They never thought Ben had survived the fall so to have him back is better than a dream come true, it’s a miracle.
Darius thought he knew what it was to experience a miracle when they first saw that bonfire smoke on the horizon. But if he had to chose between the miracle of them finally leaving the island or the miracle of getting Ben back, it’s not even a competition.
Eventually the exhaustion catches up with everyone, and they turn in for the night. Bumpy parks herself underneath the clubhouse, her presence incredibly reassuring. Ben ends up sharing Kenji’s bunk because it’s bigger than Darius’s even when occupied by two, and the older teen had insisted in a very faux-casual way, to which Ben had rolled his eyes but nonetheless seemed touched by the gesture.
Darius takes the first night watch shift and gets to see all his friends sleeping peacefully. And even though Tiff sailed away with their only means for escaping, he feels a lot more hopeful than he has in a long time.
~*~
It’s canned peaches for breakfast.
A far cry from yesterday’s buffet. But no one’s complaining because the meticulous rationing of their food, courtesy of Darius, means they’re all starving by meal time and couldn’t care less what it tastes like. Darius is in the process of separating the food out into bowls, half a can for each of them, when he realizes Ben has yet to take a seat. He’s lingering at the edge of the room, watching.
“Hey,” Darius calls, “you coming or what?”
Ben shakes his head. “Thanks, but I already got my own breakfast.”
Before Darius can respond, Brooklynn shoots Ben a look. “What? Where?” she demands. “You holding out on us, jungle boy?”
Darius shoots her a look, but Ben just gives an easy smile and unzips the leather pouch that’s reclaimed its spot around his waist. He withdraws a small handful of bright red berries, no bigger than blueberries. It’s not even a fraction of the half-can of peaches the rest of them are settling for, and Darius sees his own unease reflected in the others’ eyes.
Brooklynn glances away. “Oh. Um, sorry. You don’t… you can have some of ours, you know?”
“I’m good.” Ben tosses a couple berries into his mouth. “You guys go ahead, I’m gonna go check on Bumpy.”
“O- oh, okay…” Sammy murmurs, watching Ben go with uncertain eyes. “If you’re sure…”
They’re silent for a moment.
Kenji inhales quietly through his teeth. “So… that’s weird, right?”
Yaz leans forward in her seat. “What do you think, Darius?” she asks lowly.
Darius bites his lip. Even though dinosaurs are his specific topic of interest, he’s gained a lot of second-hand knowledge about general biology and psychology. After all, he has to understand the processes behind behavior in order to identify patterns and deviations.
And right now, he has to admit that Ben is displaying a very concerning behavior.
“I’ll talk to him,” Darius decides.
There’s a collective sigh of relief around the table, and the others start eating. It takes Darius longer than usual to finish his serving.
~*~
“So, uh, bottom line is… you don’t need to feel bad about eating our food. You’re as much a part of this group as anyone else, and we’re happy to share.”
After a couple tense days, Darius is finally talking to Ben about the food situation. Or rather, talking at him. Because Ben’s not looking at Darius- his eyes are tracking the small spider that’s crawling along the railing next to them. Normally, Darius would take it as a sign of boredom and inattentiveness. But there’s an intensity in Ben’s eye that’s a little unsettling-
Quick as a flash, Ben shoots out an arm. He crushes the spider under his thumb and swipes it into his mouth. And then, untroubled as can be, he returns his focus to Darius as if nothing had happened.
Darius has overheard Kenji teasing Ben about eating bugs, and Ben has admitted as much in the stories of his time alone. Berries and grubs were what he lived on. Darius, for one, can’t imagine being hungry and desperate enough to snatch a bug off the ground and eat it.
But it’s even harder to imagine having access to real food, good food, and still choosing to eat bugs.
“Don’t worry so much,” Ben says lightly, patting Darius on the shoulder as he turns to go. “I can take care of myself.”
That does it. “You can’t keep living off berries and grubs!” Darius finally snaps.
Ben whirls around. “Says who?”
“Basic human biology!” Darius retorts.
Ben glares at him, but there’s something shaky behind it. “Darius, I told you it’s fine,” he says evenly, though he doesn’t fully meet Darius’s gaze. “Don’t make a big deal out of it. Please? If I’m hungry, I’ll eat.”
Darius hesitates. “You promise?”
Ben breaks into an easy smile. “I promise.”
Darius sighs. It’ll have to be good enough, for now.
“Okay.”
~*~
Darius knows he isn’t the only one still concerned by Ben’s lack of appetite.
Right from the start, Ben was the scrawniest one among them, and it’s only gotten worse. But surely he’ll have to eat at some point, right? Basic survival instincts will win out over whatever stubborn mindset is holding him back. Plus, it’s clear that he’s got enough energy to run and climb and stuff with no problem.
Maybe it’s not as serious as Darius thinks. Maybe Ben just needs time.
~*~
Ben doesn’t know what’s wrong with him.
He just- he can’t take their food! Why don’t they get that?
And it’s not because he’s stubborn, it’s not- no matter what Darius thinks. There’s nothing wrong with letting others help you (as long as you don’t let it make you soft, of course). After all, he relies on Bumpy. He just… when he looks at the food, and imagines eating it, he just knows it’ll sit in his stomach. Like a rock, weighing him down.
Plus, plus, if he gets used to eating like that, it’ll just- it’ll be harder to cope once it runs out. He’s already gotten used to roughing it and it was hard enough the first time, he can’t let himself slip back into complacency. And- and really, how long do they think it’s going to last? They’ve searched all the previously inhabited areas of the island and there’s no more food for them to scavenge.
Do they think they’ll be rescued before it runs out? No one is coming to save them. They know it as much as Ben does- they wouldn’t be bothering with rafts if they didn’t. Do they think they’ll escape, then? Sure, because their current attempts have been going so well.
No, they just aren’t thinking long term. Ben is.
There’s nothing wrong with that.
~*~
It’s the sixth day in a row where Ben eats nothing but berries.
He wants to search around some more, see if there’s anything more substantial. That would require him to leave Bumpy, though. And he can’t leave Bumpy. But the hunger is excruciating. It gnaws at him every waking moment, keeps him up at night. He’s never felt such hunger in his life, not even close. He can’t keep going like this, can he?
But there’s nothing else.
Except… something’s crawling up his arm. Something small, and leggy. Ben turns his head, squinting to focus his eyes in the dark. It’s some kind of beetle, with a shiny shell that catches stray shafts of moonlight poking through the roof of his lean-to.
Ben stares at it for a moment. Then, before he can think, he snatches it up and pops it into his mouth. He barely registers any taste, mostly just the crunchy texture. And even though it wasn’t any bigger than a quarter, after he swallows, he feels… fuller. Even if it’s purely imagined, it’s a comfort.
Berries and grubs. It’ll have to be enough.
There’s nothing else.
~*~
Ben continues to decline their offers of food.
~*~
A few weeks after the reunion, Kenji is starting to get antsy.
As the self-designated ‘pro-fun police’ (a clever play on ‘no-fun police,’ if Kenji does say so himself), he’s made it his responsibility to make sure none of his friends just keel over and die from stress one day. That means it’s his job- no, his duty- to lighten the mood with copious amounts of joking, goofing off, and, of course, pranking.
Jumping out to scare his friends while they’re trapped on a dino-infested island might, on paper, sound like a bad idea. But it keeps everyone on their toes, and the relief of realizing they aren’t facing a dino attack, just Kenji pulling a prank, helps keep any real anger at bay. It’s typically an exasperated annoyance, which Kenji will gladly take. His main targets are Brooklynn and Darius, because he can’t fathom doing that to Sammy, and Yaz is- while perhaps in the most need of lightening up- super freaking scary.
But now that Ben’s back, Kenji knows what he has to do.
Before, back when they were just campers and not survivors, Ben was easily the most frightened of them. The kid was scared of dirt. And his over-the-top hysterics always managed to, somehow, put everyone else at ease. Because if Ben was scared of something, that didn’t really mean anything. Again; scared of dirt.
(Now, if Yaz is scared of something, that’s a different story).
Since Ben’s, uh… departure, they’ve been sorely lacking that energy in the group. Kenji would wager he’s not the only one who misses it. He used to have so much fun riling Ben up with just a couple words (none of the others are so easily baited). And whenever Ben would freak out and instantly cling to him, like some kind of scrawny spider monkey, it made Kenji feel… capable, in a way.
Like, if Ben was trusting Kenji to protect him, maybe he wasn’t so useless after all (which was becoming an all too frequent feeling as the others continued to adapt and grow, leaving Kenji struggling to keep up).
Problem is, Ben’s really hard to scare now.
It’s not always obvious, like when he’s bragging about taking down Toro or itching to blow things up. Sometimes it’s the little things. Whenever they’re out in a group, foraging or gathering supplies, and there’s a sound in the distance that makes them all freeze, Ben’s frozen in readiness, not fear. He looks more like Yaz, tense and waiting with his fists up and eyes narrowed.
Sometimes, when they aren’t occupied by any particular task or imminent threat, and have the chance to enjoy some downtime, Ben drifts off to the side and just… watches, all tense, silent, and anxious. He’ll watch the tree line, or Bumpy on the ground below, or even just the rest of them as they go about their business. Kenji is sure he’s not the only one who’s noticed but none of them bring it up.
It’s… unsettling, seeing Ben like this. Kenji figured he just needed a couple weeks to fall back into the rhythm of the group, to see that he didn’t have to be this loner Rambo type of guy anymore. But even though he talks with them easy enough, seems to enjoy their company, and has a good handle on teamwork, it’s like there’s a part of him that can’t fully shake that mentality.
At least, not without help.
~*~
 Kenji’s plan is- in his humble opinion- pretty dang brilliant.
He waits for a time when it’s just him and Ben in the main level of the clubhouse (Yaz is running laps around their perimeter, Darius is in his bunk writing in his nerd book, Brooklynn and Sammy are upstairs going over inventory) and then announces he’s going for a shower. His daily showers are common knowledge at this point, so Ben just nods in acknowledgement and goes back to leaning against the railing, watching Bumpy graze down below in that tense-silent-anxious way of his.
Kenji sets up the shower and lets it run (he’ll go down to the river later and get more water to make up for the waste, because even though he tries to avoid manual labor whenever possible, it’s totally worth it in this case). And then, being more careful and silent than he’s ever been (except maybe in cases where he’s being hunted by dinos), he slowly creeps up behind Ben before leaping forward with a shriek, grabbing him by the shoulders.
Ben doesn’t just jump and scream. He jumps, screams, then spins around and swings a fist into Kenji’s jaw in one smooth motion.
Kenji’s laughing even as he staggers back, his jaw stinging (because at the end of the day, even though Ben’s kind of a badass now, he’s still Ben and his arms are pretty much chicken wings so there’s no real harm done, just a bruise at most). Plus that’s a valid reaction, considering everything, and he can’t say he didn’t deserve it.
“Oh man, I totally got you!” Kenji says anyways, to rub it in. “You should see your… face...”
And Kenji trails off because now he’s seeing Ben’s face.
What Kenji expected is this:
Once Ben realized it was just him pulling a prank, he would get mad. In that totally non-threatening dorky Ben way, where he scrunches his nose and puffs out his cheeks, his little fists clenched at his side like an irate toddler. Maybe he’d stomp off but it’d be worth it because being mad is better than being tense-silent-anxious and it’d give him the chance to be annoyed with Kenji. And maybe Ben being annoyed with Kenji would help everything feel a little more normal, a little more like before.
What Kenji gets is this:
Once Ben realizes it was just him pulling a prank, he doesn’t get mad. He starts shaking. Violently, uncontrollably. Like he’s suddenly come down with hypothermia despite being in a tropical jungle, staring at Kenji all the while and not saying a word. His chest rises and falls rapidly in little panicky breaths and the kind of fear in his eyes isn’t the kind that’s funny. It’s glassy-eyed with shrunken pupils that dart around Kenji’s face, frightened and searching, as if he isn’t fully seeing it.
Kenji’s mouth is dry. “Ben…?” he croaks out.
Ben swallows. “Oh,” he says, in a very small voice. “It’s you.”
Kenji hasn’t heard Ben’s voice sound that small since before, and it doesn’t feel like a victory.
By now, of course, the others have noticed the commotion and it doesn’t take more than a second for them to piece together what happened. Yaz rounds on Kenji with a furious snarl and whisper-screams a lecture about how stupid and irresponsible he is. Darius is immediately trying to mediate the situation while Sammy frantically asks Ben if he’s okay, to which he doesn’t respond. Brooklynn steps in, citing an unboxing video about dealing with shock, and when she goes to put a hand on Ben’s shoulder, he lets her.
And now Kenji realizes where he miscalculated. Ben never showed discomfort with physical contact before because he’d never been surprised by it before (because Ben has gotten scary good at being alert, always keeping an eye and an ear out on his surroundings even in the middle of a conversation). And when it came to his friends, it wasn’t unexpected for Sammy to rush in with a hug or Darius to pat his shoulder or Brooklynn to playfully knock elbows.
But Kenji snuck up on him, so Ben’s first thought wasn’t that it was a friend. It was that he was going to have to run for his life, like he has countless times since being stranded on this island.
Kenji apologizes over and over again as Darius gently leads him away by the elbow and Brooklynn talks to Ben in low tones while Sammy squeezes his hand and Yaz takes up a lookout position because they can’t afford for all of them to be distracted even though she occasionally cuts a glare at Kenji out of the corner of her eye so it’s really debatable how vigilant she’s actually being.
Throughout it all, Ben doesn’t get mad, but he doesn’t stop shaking.
 ~*~
 Darius explains it, later.
“The sudden fear reaction signaled a bunch of adrenaline to be released into his bloodstream, to give him the energy needed for running. And then, when he didn’t, there was nowhere for that energy to go. It’s like, even though his mind knew there wasn’t any danger, his body wasn’t convinced.” Then, a sympathetic look. “You didn’t know, man.”
Kenji only nods. But knowing doesn’t make it better because even though Ben’s stopped shaking he doesn’t turn his back on Kenji anymore and somehow that’s a million times worse than if he’d gotten mad.
 ~*~
 There are claws wrapped around Ben’s shoulders and shrieks in his ears.
Wind whips his face and his stomach lurches as he’s carried through the air, weightless, at the mercy of the Pteranodon. He’s never felt so small and utterly helpless before, not once in his life. Even his screams aren’t big enough to carry, snatched away by the wind and deafened by the roars of the terror-birds fighting over the right to tear him limb from limb.
And then he’s falling and has other things to worry about.
 ~*~
 Ben stops sharing Kenji’s bunk.
 ~*~
 In a rare moment of downtime, Yasmina is curled up with Darius’s field guide, adding a few more illustrations, when she feels Ben staring at her.
It’s not the first time she’s felt him staring at her. It is the first time, however, that she decides to stare back.
She means it to be playful, at first. She meets his eyes, one brow quirked as if to say, ‘What, is there something on my face?’ But instead of glancing away in sheepish embarrassment or jolting out of a daze, Ben just stares back. There’s no emotion in his expression at all except intense focus.
The faint smile drops from Yasmina’s face as she stares back in surprise. Then, with ever-growing confusion and a fair amount of alarm, she realizes that Ben’s shoulders are rising, tense and hunched like he’s trying to make himself look bigger.
Like an animal.
Yasmina knows what it is to stare down a wild animal. She’s felt predatory eyes on her before and either bolted or turned to face the challenge. And that’s what it is, for some of the dinos- a challenge. Sometimes they’re testing your mettle, and standing your ground is enough to make them back off.
Ben must’ve learned that, too. And for whatever reason, he’s slipping into that behavior now.
It’s a ridiculous thought. This is Ben, her friend. Her very scrawny friend who can’t weigh more than ninety pounds soaking wet, and prefers a diet of berries and grubs. And yet, here he is, staring her down like she’s a particularly bold pack of Compies that’s decided to threaten him.
Yasmina gives a slow, deliberate blink. “Ben?” she calls. “What’s up?”
Just like that, the spell is broken. Ben gives a violent start, blinking and shaking his head. Yasmina sees confusion flash across his face, and then realization. And now the embarrassment comes, but it’s darkened by something like horror.
Without a word, Ben turns and darts away, scrambling down the ladder to the alcove underneath the house where Bumpy’s napping.
Yasmina lets him go, too baffled and unsettled to form words.
 ~*~
 Eventually, Yasmina tells Darius about it.
His expression is troubled as she runs through the incident. But in the end, there’s nothing more he can tell her than what she’s already worked out on her own. It’s just another side effect of the mindset Ben has adopted throughout his isolation. Those habits were what he relied on to survive, and it’ll take time for him to realize he doesn’t have to constantly be on edge now that he’s got a team to look out for him.
Though privately, Yasmina wonders if maybe the rest of them should take a page out of Ben’s book. Seems like he’s got a better handle on survival than they do.
(And then she thinks how Sammy would react, if Yasmina started acting like a wary animal around her, and she realizes Ben’s methods come with a price.)
 ~*~
 After Ben runs the Compies off for the first time, staring becomes a defense tactic.
It’s not always the Compies, who are slowly but surely learning not to mess with him. Sometimes it’s the Parasaurolophus in the river, or the lone Pteranodon perched in a tree, or the group of Edmontosauruses grazing on the hilltop. As soon as he feels their eyes on him, he knows his best chance is to stare back, to show that he’s willing to put up a fight, that chasing him wouldn’t be worth it.
Obviously, there are some dinosaurs that doesn’t work on. But if Ben can drastically cut down the amount of time spent running for his life by standing his ground, then he’ll take it.
All he has to do is not back down.
 ~*~
 Ben avoids Yasmina for the next few days.
 ~*~
 Brooklynn wakes up in the middle of the night with an unshakeable feeling that something is wrong.
Her bad feeling is confirmed when she gets a look at the moon. Based on its position in the sky, she should’ve been woken up by Ben to take her night watch shift at least an hour ago. This practice, established by Darius months ago who insisted they should always have at least one person awake, has already become routine within the group. Brooklynn couldn’t sleep fully through the night if she tried.
Ben’s only just recently become a part of the routine. Immediately after his return, Darius thought it best just to let Ben settle in and get as much rest as he could, now that he had the security to do so, and everyone agreed. Ben had insisted he didn’t mind, but Darius stood firm, so it’s only been within the last few days that Ben took part.
But this is the first time he hasn’t woken Brooklynn up and her heart is in her throat as she rushes to the lookout point-
Only to find Ben sitting right where he’s supposed to be, looking out over their compound as a small candle burns next to him.
As soon as Brooklynn’s relief passes, it’s replaced with anger. “What are you doing?” she whispers furiously.
Ben, not at all surprised by her presence, gives her a sidelong look. “What does it look like I’m doing?”
“You were supposed to wake me up, so I could do night watch.” Brooklynn struggles to keep her voice low, so as not to alert the others. “What gives?”
Ben shrugs. “I knew I wasn’t gonna sleep tonight, so I figured I’d just take the whole watch myself.”
“That’s not how this works,” Brooklynn hisses, crossing her arms. “Even if you can’t fall asleep- and I’ve totally been there- you have to lay down and close your eyes and rest. You need to rest.”
Ben breaks into an easy smile, but Brooklynn can see the annoyed creases at his eyes. “Hey, it’s fine. I can-”
“Take care of yourself, I know,” Brooklynn interrupts, hating how frustrated she sounds but unable to help it. “But you don’t have to. We’re a team. We can take care of you too, alright?”
Ben stares at her for a moment. “I know that,” he says, sounding uncertain.
Brooklynn softens. When she reaches out to put a hand on his shoulder, he lets her. “Then… why?”
“I don’t know,” Ben admits. The muscles beneath Brooklynn’s hand are so tense, it feels like they’re going to snap. “I don’t know.”
They finish the night watch together.
 ~*~
 Brooklynn almost hates to bring it up to Darius.
Dude’s stressing almost nonstop about everything, all the time. And it really isn’t fair for him to be responsible for the rest of them, including Ben. But Darius is the only one who seems to have the… what’s it called, emotional intelligence, she supposes, to weigh in on the situation.
(Sammy is a close second, but her brand of caring is a little more touchy-feely, and this doesn’t seem like the right time for that.)
Darius is immediately worried, pointing out that Ben might accidentally fall asleep on watch if he keeps this up (something Brooklynn hadn’t even thought about). He promises to talk to Ben about it, and that’s that.
Brooklynn is only slightly relieved because she knows if Darius had a real fix for the problem, he would’ve said so. And if Darius doesn’t have a fix for it, maybe there isn’t one.
 ~*~
 Those first several nights, Ben doesn’t sleep at all.
And it’s not for lack of trying. But how can he sleep, when it’s pitch black and the jungle is full of unfamiliar sounds and he’s got no one but a baby Ankylosaurus by his side? He soon finds it’s even worse without Bumpy, though, because at least he trusted that Bumpy would wake up if there was any danger, as her senses are more powerful than his.
On his own, there’s no one to wake him up. So he has to stay up, and settle for catching short scattered naps throughout the day (if he can find a tree to hide up in).
It’s hard, but he’d rather be tired than dead.
 ~*~
 Ben is taken off night watch, but still ends up awake more often than not.
 ~*~
 Pyromaniac is a word no one ever expected to become synonymous with Ben, and yet here they are.
It’s one of the first things he always suggests as an answer to a problem; blow something up. Darius has a million reasons for them not to do that; they could get hurt, they could start a wildfire and burn the jungle down, they could attract unwanted attention from predators.
But that doesn’t stop Ben from cataloguing everything on the island that can be used as an explosive, memorizing their locations or creating hidden stashes. It doesn’t stop him from using the candles that came with the scavenged emergency kits. He’ll light them for no reason, just to watch the small flame flicker back and forth.
(Someday, months later, they’ll encounter a horrific hybrid dinosaur that is drawn to flames, and they’ll all think about how unsettling it is that Ben shares this trait, but none of them will say it.)
 ~*~
 It’s been one week since Bumpy left, and Ben is starting a fire.
Just a small one. It rained all day and he’s soaked to the bone, which normally wouldn’t be a huge problem considering the jungle climate. But now that it’s nighttime, there’s a chill in the air and he can’t afford to get sick. It’s risky, because at night he knows the light could draw attention to him, but his teeth are starting to chatter so there’s no helping it.
When a Stegosaurus stumbles upon him, baying low and angry at finding another creature in its territory, it’s the fire that makes it balk. Rumbling displeasure, it retreats back into the dark jungle. Ben quickly adds torches to his arsenal, using the rest of his shirt as tinder.
Fire is safety.
 ~*~
 Ben lights his candles in silence.
 ~*~
 “You can’t just run off like that,” Kenji says, deadly serious.
Ben scoffs. “I think you’re forgetting who defeated Toro,” he says with an easy smile.
“You’re not invincible, Ben!” Kenji snaps. The anger churning inside him is deceptively hollow, like it’s masking something else. “And I can’t lose you again.”
Ben isn’t smiling anymore. “You won’t,” he mutters, pushing past Kenji. “I can take care of myself, now. I don’t need you to play the hero and protect me.”
Kenji wants to protest that’s not what this is about, and that’s never been what this is about, but Ben is already gone.
 ~*~
 Ben still lives off berries and grubs.
 ~*~
 “… and so I was thinking, berries have seeds in them, right? So if we plant some, we’ll have our own berry bushes at the clubhouse. It’ll cut down our foraging time in the mornings for sure, and-”
“Uh, who are you talking to, Ben?”
Ben blinks at Yasmina’s voice, the girl having only just entered the room.
“Um, Bumpy?” he says, as if this should be obvious.
Yasmina glances out at the compound, where Bumpy is fast asleep and well out of earshot.
“… right.”
 ~*~
 Ben can’t sleep, even when he’s actually trying.
 ~*~
 “Alright,” Darius says, “so we need to get the T-Rex out of Main Street so we can do another sweep for supplies. Any ideas?”
Ben’s hand goes up.
“For the hundredth time, Ben, we aren’t going to feed the T-Rex to the Mosasaurus.”
Ben’s hand goes down.
 ~*~
 Ben feels more at home with Bumpy than the other campers.
 ~*~
 “You know we didn’t mean to leave you, right? We would’ve come back for you if we’d known…”
 ~*~
 Ben never talks about getting off the island.
 ~*~
 “You have to tell us where you’re going, Ben, you can’t just disappear-”
 ~*~
 Ben keeps slipping away.
 ~*~
“Blowing stuff up isn’t the answer to everything!”
~*~
 Ben keeps saying he’s okay.
 ~*~
 “We’re a team, we have to work together-”
 ~*~
 Ben keeps smiling.
 ~*~
 “Don’t you trust us to protect you?”
 ~*~
 Ben doesn’t know.
 ~*~
 Sammy finds Ben sitting on the roof of the clubhouse one day.
Her footsteps are loud and obvious as she approaches him. No chance of sneaking up. She knows he’s noticed her, from the subtle shift in his body. He doesn’t acknowledge her, though, continuing to stare off over the jungle and into the horizon, his skinny legs slotted through the railing and dangling over the edge.
The sun’s about to set, a few stars already twinkling in the purple edges of the sky. Sammy can remember another night, months ago, where Ben wasn’t here but everyone else was and they spotted bonfire smoke in the distance. She remembers the way her heart raced, the overwhelming joy and relief flooding through her. And yet, there had been undeniable heartache, because the realization that they’d made it out only meant it was more unfair that Ben hadn’t.
Sammy breaks the silence after a few moments.
“Are you okay?”
Ben doesn’t look at her, but she can see the easy smile that slants across his face, dying sunlight reflected in his eyes.
“Yeah.”
Sammy sees the lie for what it is. None of them are okay. No one who’s been through what they have would be. But there’s a certain danger that comes with not being willing to admit it, and an even greater danger that comes with not being able to see it.
“Y’know, it’d be fine if you weren’t.”
Ben doesn’t answer.
Sammy sits with him until the sky turns dark.
 ~*~
 It’s the way he struggles to eat anything he hasn’t obtained by himself.
It’s the way he sometimes goes off on his own without telling anyone.
It’s the way he talks to himself when he thinks no one else is around.
It’s the way he takes any concern for his safety as a personal attack.
It’s the way he leaps at the chance to blow something up.
It’s the way he can stare silently for hours.
It’s the way he smiles a little too easily.
 ~*~
 It’s not jumping at every unexpected movement, or screaming awake from night terrors, or flinching away from the slightest touch. It’s not loud meltdowns or hysterical sobbing or uncontrollable fits of rage.
(Even though those will come, someday, when the island is just a memory.)
It’s the little things, that- once you notice them- keep piling up.
And suddenly, they don’t seem so little anymore.
 ~*~
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northwestofinsanity ¡ 3 years ago
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80s Rock Bands represented by Deadliest Catch Quotes:
Dokken: "If you're gonna have a calamity, I'd say that's about the best we could call for." -Captain Keith Colburn, Wizard
(note: This may not be the only quote Dokken will get for this. We'll see...)
This quote comes from a more recent season, where a heater in the wall of the Wizard's galley caught fire. The wires got the insulation going, smoke came up and the wall got blackened, but luckily, engineer Roger Schlosstein found it, put it out, and turned the galley breakers off before the fire could take off anywhere. (Of course he disconnected the wires to that one heater before turning the power back on). Keith said the line after that ordeal, with as many things that can go wrong on a boat in the middle of one of the most treacherous seas, and with as many ways that situation could have been far worse (fire is one of the biggest dangers, because escaping a burning boat is extremely dangerous when the water is cold enough to kill someone in three minutes), they got pretty lucky. Worst thing was some singed insulation, and having one of a few heat sources down. Not great with the eventual repair costs and being down a heater in the arctic cold, but *far worse* things could have happened here.
Speaking from the days of my biggest obsession with Deadliest Catch, I'll admit, Captain Keith is not one of my favorites. (Albeit, like George Lynch, his temper has gotten better over the years and he seems to be a better person than he once was, so we've already got *that* for modern day Dokken often reuniting with him for one-off shows). So why would I represent one of my absolute favorite bands with one of my least favorite captains?
It comes down to a point a friend of mine made in a conversation on a Rockfic forum back in 2016 (when I was in the height of my longest-running Dokken hyperfixation following the reunion.) Considering things that have happened with other 80s bands in the same category with Dokken, for as much drama as the Dokken guys had, and for the rough things they did go through, far worse things have happened to other bands in that time period. Sure, they fought with each other, but maybe not on the level of their closest cousin band (Ratt). Sure, some of the guys had problems with drugs. Don would drink to cope with anxiety and panic attacks, and George, Jeff, and Mick had their own problems with alcohol and cocaine. Jeff has been honest about the extreme of his case of locking himself up and drinking, doing a ton of cocaine at once, and getting*incredibly* paranoid... BUT, we never saw Jeff get screwed up on the level of someone like Glenn Hughes, to the point of not being able to perform live for years or remember anything coherent of the time period. Nobody had an alcohol addiction driven by anxiety that led to a tragic death like with Steve Clark or Gary Richrath. Nobody overdosed and died while shooting up heroin -or got a deadly long-term illness from it like Robbin Crosby. They had some tough tours (and even cut the European tour in 86 off after many months and some of them crashing out from exhaustion when concerns of being near nuclear radiation in eastern Europe became an issue). But even that wasn't the worst, compared to instances like Deep Purple faced in Jakarta the decade prior. Despite what Dokken faced in the 80s and what critics say about them, compare their history, and they really didn't come off too bad. And maybe breaking up at the height of their speed (like Roger killing that electricity) really *did* keep them from facing a true calamity.
Perhaps the WORST thing Dokken actually faced came in the 90s, where it's rumored George was on steroids (though he'll deny it, avoid-drama-at-all-costs Mick has even suggested it), and he became more physically violent, rather than just having a battle of wits with Don. His time ended with him physically choking Don on the bus, after he'd admitted to trying to sabotage the band with how he wrote Shadowlife. We can only speculate what else happened when there are interviews from 1999 where you can see how uncharacteristically bitter even Jeff is toward his best friend when asked about him. Despite all this, Dokken did make somewhat of a recovery with Erase the Slate, and eventually, everyone made amends -Jeff by 2002 at the earliest, Mick somewhere before 2012, and Don around 2016. It may still be soon to speak on Don and George, but for the others, even this is better than the pattern of some band mates who have "made amends" only to end up fighting and separated in just a matter of a couple years -if that. So, has Dokken had a calamity? Hell, yes. More than one. Did they end just about as well as they possibly could have? Given the situation, and the outcomes of similar cases, very likely so. (And I think they deserve credit for that, just like I'll give Keith credit for his good moments, even if I'm not a fan of his)
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masterjedilenawrites ¡ 4 years ago
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Blueberries and Cowboys: Chapter 1
A choose-your-own-adventure style fic. First, 2 platonic chapters for set-up/build-up. And then, the story will split into 2 paths depending on your romantic pairing preference: You and Thrawn, or You and Eli.
Set Up: You are an outcast at the Imperial Academy, which means your only options for friends are the tall and stoic Chiss Mitth'raw'nuruodo and his translator from Wild Space Eli Vanto. The three of you get along, for the most part... Thrawn is obsessed with acing all the exams, Eli is desperate to show up his classmates, and you... well, you just want to feel like you belong somewhere. And hiding beneath it all are your unspoken feelings, longing to be realized, but fearful of ruining the balance of your trio's friendship....
Chapter Masterlist
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Chapter 1: The Problem
Pairing: None yet, just a nice friendship trio
Chapter Warnings: Mentions of bullying
Length: 2k
AO3 Link (In case you like it better over there, it’s okay, no judgement)
You wound down the hallways of the building with a scowl on your face. You would never grow used to this ridiculously long walk, from your first class of the day to the next, so conveniently located on complete opposite sides of the facility. Whoever had designed your schedule this year was either an utter imbecile or had done so on purpose, just to tick you off. At this point in your education here at the Imperial Academy, you knew either scenario was equally likely. You weren't exactly liked by the staff or your peers, and there were plenty of idiots to go around.
The one saving grace of your journey was that you would eventually cross paths with the only two friends you had managed to make in this elitist hell-hole: Eli Vanto and Mitth'raw'nuruodo.
Eli would be the first, his class letting out just a few corridors away from yours. He was leaning against an alcove in the wall just out of the way of passing traffic, his usual spot. When you rounded the corner, he pushed off and fell into step beside you.
"What happened?" you asked, having noticed he was scowling as well. His resting face usually made him look like a sad puppy, so for him to have such a prominent frown this early in the morning, something really upsetting must have happened.
"Lost the debate," he grumbled.
Ah, you'd forgotten he had that today. You and Thrawn had helped him practice for weeks, covering every possible argument and rebuttal from his opponent on the assigned topic. He had it in the bag, or so you'd all thought.
"What? How? Don't tell me you got stage-fright."
He glared over at you. "No, I wasn't nervous or anything. I did everything perfect. But all Arden had to do was throw in a few snide remarks about my accent and that got the whole class turned in his favor."
Eli started biting down on one of his nails in frustration. You frowned along with him. That was a variable none of you had accounted for while practicing.
"Is Arden the pimply-faced guy?"
"Yeah."
"Hate him," you muttered.
"Yeah."
The two of you paused at the doors of a lift, waiting for the previous occupants to exit before filing in yourselves and punching the button for the next level up. Eli was still chewing on his nails.
"Stop," you exclaimed, swatting his hand away from his mouth. "I told you that's a bad habit."
"Oh yeah, what's this then?" He grabbed one of your hands and twisted it around so you could see the splotches of chipped polish on your nails.
You jerked your hand away and held it defensively against your chest. "There's only so much I can do with this insane caseload, okay? I haven't had time to think about my nails."
"Then why'd you paint 'em in the first place?" he said with a bit of a laugh. Well, at least his mood was improving, even if it was at your expense. 
You swatted at him just as the lift doors opened. "Maybe I want to try feeling pretty sometimes, not like some zombie student."
You both were keenly aware that the cadets waiting to board the lift had backed up significantly as you passed, despite not having been in your way at all. They were all whispering too, and by the tone, it was probably not about very nice things. It was always like that, wherever you went. Even if they didn't know your reputations of being from wild, "backwater" planets, they need only hear one of you speak to know you were different. And in these Core worlds, different was inferior.
"You know you don't have to follow our course map, right?" Eli spoke up again, once you'd put some distance between the lift of sneering cadets. "Me, I don't have a choice. Thrawn's determined to graduate in as little time as possible, and I'm the sorry sucker who has to follow 'im. I'd run far away from the guy if I were you. Enjoy your freedom."
Eli complained about the last member of your trio, Thrawn, at least six times a day. And half of those complaints ended with him telling you to make a break for it. You knew he didn't mean any of it; the two of you had spent the last holiday break at a bar, and in his drunkenness, Eli had confessed to being secretly grateful for having met the Chiss. He only complained to cope with the stress.
And you... well, you weren't really sure why they let you hang around. They'd both easily become your closest friends, but you weren't always sure where you stood with them. Maybe they did like your company. Or maybe they just felt sorry for you. They were both friendly enough, allowing you to join them on Thrawn's "fast track" out of the Academy. But you had a feeling that as soon as you all graduated, they'd leave you behind and move on to whatever mission the Emperor had planned for Thrawn in the Navy.
You tried not to think about it too much.
Speaking of your friend, Mitth'raw'nuruodo emerged from a classroom doorway just a few paces ahead. Right on time, as always. His specialized "tactical statistics" class ended several minutes ago, but he had learned to carefully time your path so he wouldn't have to stand awkwardly in the hall waiting. It was for the best; you and Eli may sometimes draw unwanted attention, but poor Thrawn always stood out like a very big, very blue sore thumb.
"We have a problem," he stated, coming up on your other side. You never had to ask Thrawn what was wrong; if he had a problem worth sharing, you would hear about it.
"Hallway problem or 'fresher problem?" asked Eli.
You'd all agreed long ago there were some topics of conversation best had out of earshot from any passerby. And since most scurried out of the refresher whenever Thrawn went in, that became the only suitable place for such conversations, if it couldn't wait until your dorms at the end of the day.
"Refresher," Thrawn said. He looked down at you. "You'll be late for your class."
You shrugged. "If it's important...."
"It is."
You trusted him; he wasn't the type to make up drama or blow things out of proportion. The three of you picked up the pace, turning right instead of the usual left, and slipping into the men's bathroom. Thankfully it was already empty. Eli turned the lock just in case.
Thrawn wasted no time diving into the particulars. "I have come to learn our flight instructor, Commander Burdick, intends to sabotage my simulation tests next month. He is acquainted with Admissions Supervisor Aberdeen and understands that a failing mark will require a remedial course before being allowed back into the program. This would set my graduation back several months."
That was a problem. The flight course was one of the longer ones, and mandatory, and you were all so close to finally being through with it. Just one more round of simulation tests and then an actual flight around Coruscant.
Eli was groaning by the door. "You've gotta be kidding."
"I am not," said Thrawn in a measured voice. He knew it was just an expression, but you knew it was one of his pet peeves.
Eli wasn't listening, instead kicking at the tiled floor and mumbling about how this was so typical and why can't we just be left alone.
You turned to Thrawn. "Just you?"
"The ill will seems to be mostly directed toward me. Supervisor Aberdeen does not appreciate the special provisions that have been afforded me on behalf of the Emperor, and has coerced Commander Burdick to indulge in his spitefulness. However, I would not put it past them to also have plans for either of you, as well. They are aware of our... connection."
You were certain he was about to say friendship but changed his mind. Did he not know the word for it? Was he too embarrassed to admit it? Or did he truly not see you or Eli as anything more than connections?
"Okay, but..." Eli was still processing things. "How? What's their plan?"
"I purposefully said the Commander intended to sabotage the tests. He does not yet have a plan."
"So... we stop 'im," said Eli.
"Or," you countered, a mischievous smirk playing about your lips. "We don't."
Eli merely blinked at you, but Thrawn was very interested. "Go on," he encouraged.
"If we learn what the plan is, or maybe even give him a plan of our own, then we can let it play out and ensure he gets in trouble for it."
Thrawn rubbed his chin as he considered. You knew he'd soon slip into his usual routine of pacing and muttering in unknown languages, which could take a while and make you even later for your class. You cleared your throat, drawing his two red eyes back to yours.
"Surely a Commanding Officer wouldn't dare do anything to sabotage you directly," you offered. "He'll either look for some help or pin it on someone else, in case there's an investigation."
Thrawn rubbed his chin again. "You think we should influence the Commander on who to pick to be his... what do you call it, ensipki?"
"Scapegoat," Eli said quickly. It was becoming second nature for him to translate what was left of the holes in Thrawn's understanding of Basic.
"Right, and then we can expose the deception just before the tests," you said. "Before there's time to come up with another plan."
Thrawn's eyes narrowed in thought. "A decent idea, but it would require the education of one of our fellow cadets to be jeopardized. It should not be our first plan."
"But if he's going to use one of them anyway..." you started to protest.
"Then we should seek to expose his connection to that person as well. This is an instructor who is not serving the best interest of several of his students. He should be the only one blamed."
You weren't going to let his logic win this time. As far as you could tell, this was a perfect opportunity to get revenge on your obnoxious classmates. "It's going to be a lot easier to take issue up with the Board against a student than an instructor. We can try to expose both people, but if we can't, then at least we can nail one of them. It's called a scapegoat for a reason."
Eli spoke up before Thrawn could respond, throwing you a meaningful look. "Arden's in his class. Different time, same instructor."
"Who is this Arden?" asked Thrawn.
"The racist asshole who unfairly stole Eli's grade on the debate today," you said. You'd picked your words deliberately, and it did the trick.
"Very well. We have our scapegoat," said Thrawn.
You winked at Eli and he hid a smile.
"So," Thrawn continued, fully invested now. "We will need to push Arden toward the Commander as a viable accomplice. We will need to gain insight into the details of their plan. And then we will need to ensure those details are brought to light at the right moment."
The three of you looked among each other. This was probably the tenth plan this year alone that you'd all devised to take care of some kind of "problem." Just last week Thrawn  had discovered misinformation in one of your textbooks that took the three of you on a field trip to the lower levels of Coruscant to find a con-artist who'd sold a quarter-hundred counterfeit materials to the Academy library. You'd only had the weekend to catch up on all the rest of your homework, and here you all were again, ready to jump into another scheme.
You had suggested the idea, so you were already grinning and ready to go. Thrawn had just put together a to-do list, and you could almost see the gears in his head continuing to spin as he determined more points to the plan.
The deciding vote was Eli. Though he often complained about not having a choice, you and Thrawn rarely forced him to do anything and were always respectful if he had a differing opinion. This time, you had a feeling he'd be on board.
He set his hands on his hips and smirked. "Disgracing a shitty classmate and a shitty teacher in order to save our grades? Let's do it."
Next Chapter: The Plan >
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hopscotchandlemon ¡ 4 years ago
Text
Cradle
TW:
Pregnancy 
Words: 2701
Audience: General
You paced around the ground floor of the house, she’d be here any minute and you still didn’t know if you should tell her. A loud knock on the door shakes you from your self-made worry pit. She lets herself in as she always does.
(Y/N)! She exclaims, It’s been ages, great to see you,’ as she embrace you in a bear hug, some of that worry melts away. Jack was one of your oldest friends and someone you trusted implicitly.  She holds you at arm’s length for a moment.
‘What’s wrong? She queried, studying your face. ‘I’m sensing something is not cool. Are you missing your cowboy?’
It had been Jack that had introduced you to Jethro over two years ago. He was that bit older than you, but you’d felt comfortable in his company straight away. He wasn’t an easy person to get to know, in fact he’s kept you at a distance for quite a long time, but if there was one thing you had in abundance, it was patience. It was that perseverance that had led to the two of you getting together and you moving in. Jethro had been on a mission for almost three months, a mission that was meant to be over in 2 weeks. You weren’t able to contact him and had to wait for him to arrive home. “Missing your cowboy” was understatement of the year.
‘Yeah, somethin’ like that,’ you replied.
You knew you didn’t respond to that properly. You knew Jack was going to question you further. Maybe you wanted her to. Maybe this secret was eating you up
‘Like *what* exactly though?’ she asked. You looked at the floor.
‘I’m pregnant,’ you blurted out.
Jack paused. ‘Wow, congratulations that’s great news, she celebrated before taking a moment to study you again. ‘It is great news, (Y/N), isn’t it?
‘Yeah it’s just…’
Jack hesitated, trying to read your face.
‘He doesn’t know,’ she realised, suddenly understanding your hesitation.
‘No,’
You sat down, Jack instinctively sat down next to you.
‘How many weeks are you?’ Jack asked.
’22,’
‘Woah,’ Jack was amazed you’d kept your secret so long.
‘I was already 12 weeks when I found out,’
‘How have you kept this quiet for so long? Jack was amazed.
‘Baggy clothes and avoiding social functions,’ you shrugged.
‘But Abby has been here, she can literally smell pregnancy hormones?’ Jack contested.
You chuckled. ‘Well I must have put plenty of deodorant that day.’
Jack looked at you. She notes the bags under your eyes, the worry lines etched on your face. She knows you’re struggling, not necessarily with being pregnant, although it is obviously taking it’s toll. You are not coping with the stress of keeping this a secret. This should be a happy time, but you can’t celebrate because you don’t feel you can tell anyone.
‘Do you think Jethro is going to be happy?’ you ask, wracked with the anxiety of not enough sleep and too much time to think. What if he gets back and is not impressed with your news. You didn’t think you could cope with that heartbreak.
‘Oh sweetheart, if I know one thing it is that he will be thrilled,’ she said softly, putting her arm around you. ‘I bet he has a crib built in no time.’
You smiled at the thought of a homemade crib. You’d not bought anything yet because you didn’t want to be found out and because it didn’t feel real yet, even though the fluttering you felt in your belly was most definitely there.
‘Let me make some discreet enquiries.’
‘You won’t…’
‘I won’t tell a soul and I will not allude to it either.’ Jack interrupted. ‘No one is going to know until you, or Jethro want them to.
‘OK.’
She smiled at you. ‘In the meantime, get some rest, you look rough.’
You rolled your eyes, ‘Thanks Jack, you’re such a comfort.’
***
Jack picked her moment to see the Director well. He’s just had some good news so was too distracted with that to ask too many questions.
‘Hey Leon,’ she smiled as she entered his office.
‘Jack, to what do I owe the pleasure,’
‘It’s about Gibbs…’
‘You don’t have the clear….’
I know. I don’t want to know where he is or what he’s doing, I went to see (y/n) at the weekend and she’s struggling.’
‘Jack, you know this is part of Gibbs’ job and if she can’t cope with it…
‘No, I don’t mean that. She’s physically struggling. She was reluctant to tell me anything but she looks ill.’
‘Maybe I should go see her…’
‘If you go, she is going to think the worst has happened. Don’t do that to her. All I’m asking is that if there is a juncture to pull him out, or for him to make contact, that you consider it. You know this is the happiest he’s been in years, if there is something wrong, he needs to know.’
Vance considered this. If anyone else had tried to suggest how he manage his agents, they’d get the hairdryer treatment. But Jack was right, Gibbs had been much easier to deal with since he met (Y/N). She seemed to have taken the abrasive edge of him.
‘I’ll see what I can do. Keep an eye on her Sloane,’
Jack nodded. ‘I will Leon.’
***
Jack was a regular visitor from then on. While you were too scared to buy baby stuff, she was not. She made you pack a baby go bag and bought cute outfits. She often turned up and you’d burst in to tears on her, full of panic about being pregnant and not being able to tell the one person you needed to. Also, you were having to see your obstetrician more regularly as you blood pressure was high and you were showing other signs of pre-eclampsia and that worried you too.
4 weeks later you still don’t have Jethro back. You’ve woken up feeling particularly grotty and with a sense that something really isn’t right. You call Jack but her phone goes straight to voicemail so you call a cab and make your way to the hospital.
***
Jack was in MTAC. Much to her relief, Gibbs was back in the U.S and being de-briefed. All being well, he would be back with (y/n) this afternoon. She’d seen a missed call from (y/n) but she figured she’d ring her back with the good news once it was all confirmed and she was given clearance. She was on her way to see Vance when she got a call from a number she didn’t recognise. She answered but stopped dead when she realised it was the hospital. She rushed in to the director’s office
‘Leon, you’re going to have get them to take Gibbs to the hospital now. (Y/N)’s in surgery and she’s really not well. I’m going there now, get him to ring me.’
Vance immediately got on the phone and Jack ran to her car. She arrived at the hospital and Gibbs called her as she got an update from the nurse.
‘Jack, what the hell is going on?’ he yelled over the noise of the vehicle he was travelling in.
‘How far away are you? I’ll meet you outside,’
Jack duly met a frantic Gibbs outside the hospital. She led him inside and found somewhere quiet to tell him the news. His face was a mixture of emotions, shock, worry and a tiny bit of joy at hearing he was going to be a dad again. That emotion was outweighed by his concern for (Y/N). Jack waited with him. It wasn’t too long before a nurse approached them. Jack took Gibbs hand.
‘Congratulations, you have a little girl and she weighs 1 pound 8 ounces. She’s going up to neonatal intensive care ask we speak but you will be able to see her once they’ve got her stable.’
Jack watched Gibbs face wash over with delight. He was rarely this easy to read but these were extreme circumstances.
‘What about (Y/N)?’ he asked.
‘She’s in recovery. You should be able to see her in about 45 minutes. She’s asked that you tell her if you have a son or a daughter.’
Jack smiled at (Y/N)’s gesture. She gave Gibbs hand a squeeze. He was trying to absorb all the information he’s received in the last hour. This morning was thinking about where to take (y/n) out for dinner. Now he was sat at the hospital waiting to meet his new daughter.
Eventually Gibbs was called through to see (y/n).
‘Surprise,’ you say, still groggy from the anaesthetic
He smiled at her as he took a seat. ‘We have a daughter.’
‘We do?’ Jethro nodded, intertwining his fingers with yours. ‘Have you seen her?’ you added.
‘Not yet. Wanted to make sure you were ok first,’
‘Go make sure she’s ok. She’s really early.’
‘Ok. I’ll be back soon. You want Jack?’ You nodded
He kissed your forehead and left to get Jack.
***
Gibbs was directed to his daughter’s crib and nurse beckoned him over. There was a plastic incubator surrounded by machines. He looked in and saw this tiny little bundle of pink. He figured she would fit snugly in to one of his hands. The nurse explained all the machines and what they were doing. Gibbs nodded as he took in all the information.
‘Touch is really important from premmies. If you want, you can put your hand through that gap there and touch her hand.’
Gibbs didn’t need to be asked twice although he was slighty hesitant because she was so fragile looking. With a single finger, he stroked her minute hand. The nurse took photos for him to take away and assured him once (y/n) was recovered from surgery, she would be able to spend some time with her. Grasping his precious photos , Gibbs thanked the nurse and went back to (y/n)
As she walked towards (Y/N)’s room, he met Jack.
‘She’s asleep, thought I’d leave you guys alone for a while,’ Jack mused.
Jethro handed her one of the pictures the nurse had given him.
‘Oh Gibbs, how precious,’ she gasped.
‘She’s about the size of my hand,’ he sighed.
‘Doing ok?’
‘Yeah so far to good. Keep the photo, I’m guessing you’ll need something to show the team,’
‘I will indeed. You happy for me to share the news?’
Gibbs nodded, putting his arms around Jack and giving her a hug.
‘Thanks for looking after (y/n),’ he whispered in her ear.
‘It was a pleasure. I’m away to blow everyone’s minds with this,’ she smiled, waving the photo as she walked towards the exit.
Jack walked into the squad room. Within seconds, Nick, Ellie and Tim had all asked how (y/n) was.
‘Right I’m not repeating this a million times, round everyone up,’ she stated. Within minutes the entire team, including Jimmy, Abby and Vance, were assembled.
‘Ok. (y/n) is doing well. She’s out of surgery and just about awake. I want to introduce you to this little bundle of joy,’ she passed the photo around. ‘A little girl who has arrived at 26 weeks weighing in a 1lb and 8oz. She’s in NICU and only Gibbs has seen her.
‘Wait, he didn’t tell us?’ Abby shrieked, staring lovingly at the photo.
‘Gibbs didn’t know until he was at the hospital,’
‘So, (y/n) didn’t tell anyone?’ Bishop queried.
‘She was waiting for Gibbs to get back. She’s had a really rough last few months and I happen to know she’s bought practically nothing so we have work to do.’
***
‘You got any names?’ Gibbs asked.
You shook your head. You hadn’t allowed yourself the luxury of thinking about names and given you were on pretty strong painkillers, you didn’t think you dare suggest anything now. Instead you looked at the photo Jethro had given you when he’d got back from seeing your daughter. You could barely have imagined you’d be able to make something so perfect. You’d been promised you could go and see her tomorrow, as long as you were sufficiently recovered. Yawning, you sank into your pillows a bit more.
‘I’m going to leave you to get some rest,’ Jehtro soothed, kissing your hair. I’ll be back later,’
You’d hummed in agreement and a drowsiness overtook you as you fell back into a chemically induced sleep.
***
After a shower, clean clothes and a nap, Gibbs felt refreshed, but he was still taken aback by everything that had happened that day. He grabbed some clothes and toiletries for (y/n) and headed back to the hospital. Before going to see (y/n), he popped up to NICU to see his girl again. He smiled at her because he couldn’t get over how perfect she was. The nurse told him she’d need help with her breathing for a little while and that she’d need to feed via a tube to start with but that was doing really well. He stayed for half an hour, stroking her tiny arm and talking to her. He thanked the nurse and went to see (Y/N)
***
You felt a bit more with it after your nap. You’d managed to eat something and get a wash. You were sat up in bed when Jethro arrived. He sat himself next to you on the bed, put his arm around you and kissed you.
‘I’ve missed you,’ you say, resting your head on his chest.
‘I know, missed you too. Wasn’t expecting this though.’
‘I wasn’t either,’ you sighed. ‘I’ve been thinking about names. What about Hannah?’
You watch Jethro think it though before nodding his head. ‘I like it, Hannah it is.’
***
You woke up with a nurse doing your obs. You wince as you try to reposition yourself. The nurse promises to come back with some painkillers. You notice Jethro asleep in the reclining chair next to you and you smile as you realise you are going to meet your daughter today. The nurse returns with breakfast and your meds. She also puts a take-away coffee in front of Gibbs. You give her a confused look.
‘Some one called Jack just dropped it off.’
You smiled as you nodded your head.
‘I’ll call up to NICU when you’re up and ready and arrange for you to see your daughter. You’ll need a hand getting to the shower, you might be a bit wobbly.
‘He’ll be able to help,’ you say, pointing your head towards Jethro. ‘Once he’s had his coffee.’
***
Jethro pushed your wheelchair up to the NICU you looked all around you, taking in the number of incubators in the room. You were introduced to the nurse who has been looking after Hannah. You stand up so you can finally see your little girl. The photo didn’t do her justice, she was beautiful. You gently rubbed her delicate skin. Her tiny hand grabbed your little finger.
‘Remember to breathe,’ Jethro whispered, his arms holding your shoulder, his chin resting on your shoulder. He was right, you had held your breath the moment you’d seen her.
‘She’s…’
‘Perfect. Just like her mom,’ Jethro whispered, planting a kiss on your cheek.
You were discharged from hospital after a week. You were at the hospital every day to be with Hannah. Jethro went back to work but he went to see her every day.  Hannah stayed for another ten weeks, gradually passing milestones like breathing on her own and able to feed normally. She gave you some frights along the way, but when the day came to finally take her home you felt elated. Jethro went on personal leave so he could spend time with you both.
You cradled Hannah in your arms as you took the elevator. Jethro smiled at you. As you reached your floor, the doors opened, and you stepped out. There were the whole team waiting to see you and meet Hannah for the first time. You felt a sense of pride that Hannah didn’t just have you and her dad: she had a whole group of people who loved her and would move mountains for her.
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