#but if it's YOU that means you have the power to change. the power to choose Not To hunt your trauma bonded girlies down

[communistkenobi]

“transphobia hurts us all” is an analytical statement. It is making a claim about how a specific bigotry operates in the world, and its supposed analytical value is in revealing something about transphobia that appears on the surface to be counter-intuitive - “while you might think transphobia only hurts transgender people, that isn’t the case; it hurts cisgender people too.” The follow-up to this statement, sometimes implied and sometimes explicit, is a moral imperative - transphobia is a social ill that hurts us all, so we should seek to get rid of it.

This analytical-moral chain of logic isn’t unique to this statement; a lot of analyses of the social world come from a broader desire to “figure out what to do.” When we investigate a social phenomenon to uncover its inner workings, and in this investigation we identify the scope and impact of the harm it causes, we are in a better place to understand how to reduce harm in the world. Of particular interest in this investigation of transphobia is highlighting its illegitimacy - if transphobia also harms cisgender people, this is evidence of its illegitimacy as a social force in the world. We have uncovered some fundamental contradiction in the workings of bigotry, and this contradiction provides a rational ground for us to oppose it. Of course transphobia is irrational and must be opposed; it harms other groups of people who are not transgender.

This is also why people object to this statement on analytic grounds - disagreeing with the argument that transphobia hurts everyone is a critique of analysis. Importantly, it is not a dismissal of empirical evidence; we can see many direct real-world examples of cisgender people being targeted for transphobic abuse, such as cis people being attacked in bathrooms for “looking transgender.” A critique of the claim that transphobia hurts us all is a methodological critique, it is a critique of analytical framing; we are operating from the same set of social facts, but reaching different conclusions. The reason for this is because we are using different investigative and theoretical tools in our analysis. And these differences are not trivial; how we define the social phenomena under investigation directly informs how we understand the facts in front of us.

So first, we must settle the problem of definitions - what is transphobia? Simply defining it as a hatred of transgender people is insufficient for all parties. If it does indeed also hurt cis people, then this definition doesn’t do us much analytical good. Where do we go from here? Perhaps a better place to start is to investigate its origins - what assumptions does transphobia operate from? Where do those assumptions come from? This is where we start getting somewhere. Transphobia draws its core assumptions from cissexualism - the belief that there are two mutually-exclusive and irreconcilable sexes, sexes which are immutable and biologically hard-wired, meaning that it is a difference in human beings that exists independent of the social worlds that human beings build. This idea is bound up in many forms of power, one of which being patriarchy; yes indeed there are two sexes, and one of them is better than the other. And because sex is hard-wired, then patriarchy is likewise a simple fact of nature. These assumptions are also bound up in reproduction; one sex impregnates (this is the powerful sex) and one sex gets impregnated (this is the weak sex). These ideas and assumptions structure much of our social world, being embedded in many social, political, and economic institutions, from family to labour to dating to census records to political office, and so on. 

Transphobia is thus an output of these logics - if sex is biological, and sex determines your place in society, then attempting to change your sex means you are thwarting the natural hierarchy of human beings. You are either trying to rise above your station, or abandoning your post. Either option is grounds for punishment. Why would you go against nature? How dare you?

So, transphobia is a bigotry that comes from cissexualism. We could investigate further where cissexualism comes from (and indeed those investigations are taking place), but for our purposes we now have a much more analytically rich definition. Transphobia is a social technology of discipline; it performs a regulatory function for the continuation of cissexualism, much the same way that misogyny is a regulatory apparatus of patriarchy, and homophobia is a regulatory apparatus of heterosexuality. These bigotries perform a very ‘rational’ social function; they reproduce existing forms of power by policing their borders and brutalising anyone who does not behave in accordance with their logics.

We now return to the original question: does transphobia harm everyone? This question now feels methodologically inappropriate, because we are ignoring the role cissexualism plays in producing transphobia. This is as absurd as describing homophobia without mentioning heterosexuality. The question should instead be: does cissexualism harm everyone? The answer of course is yes - we can see how cissexualism produces the social conditions for people to assault someone in a public bathroom for “looking transgender,” for an adult to force a child to report what their genitals ‘really look like’ so they can continue playing soccer, and for a billionaire to spend the latter half of her life dumping money and resources into political legislation that makes it more difficult to, among other things, correct administrative mistakes on your birth certificate. 

But because we are now talking about cissexualism, it is much easier for us to see how its violence is differentially applied across groups. Cisgender people can point to their cisgenderism as grounds for being exempt from transphobia - “don’t target me, I haven’t done anything wrong! I’m following the rules!” Their societal position as cisgender allows them to argue that they are illegitimate targets, that they are being unfairly treated. This animated much of the surrounding discourse around Imane Khelif - I can’t believe JKR is targeting a real woman! Can’t you tell she’s biologically female? Here’s her birth certificate to prove it, and anyway, don’t you know it’s illegal to be transgender where she lives? 

This is a defence that transgender people cannot mount for ourselves - we are by definition fraudsters in the cissexual regime of gender, we are abandoning our stations, we are perverting nature. And in this difference we come to see that it is not transphobia that harms us all, but cissexualism; we are all subject to scrutiny under cissexual surveillance, but cis people can generally pass the test. Transgender people cannot. 

This distinction also has implications for the second sequence in this investigative chain: what do we do about transphobia? Again we see that this call to action is methodologically inappropriate - you cannot “deal with” transphobia in society while leaving the cissexualist structure that produces it intact, in the same way that getting rid of misogyny without first getting rid of patriarchy is impossible. You cannot get rid of an output without destroying the machine that produces those outputs. This is also where many cis people, even those who count themselves as trans allies, become uncomfortable; abandoning the idea of a metaphysical property of being, hard-encoded into their DNA, means abandoning a whole host of other ideas about identity, about social organisation, about institutional operations. Even minor reformist calls by transgender people, such as removing sex markers on birth certificates (which determine your ability to access all kinds of administrative and civil services), is met with intense hostility by cissexuals - how will we run our hospitals, how will we raise our children, how will we track population data, how will we do anything without sex markers? You people are insane! Look how you deny reality! What is wrong with you freaks? Why can’t you just be happy with the way you were born? And on and on, ironically refusing to concede the fact that states, hospitals, child care, and census data are not natural facts of the world and can be changed. Because if those things can be changed, perhaps sex is not this monumental biological destiny after all!

“Transphobia hurts us all” is an analytical statement that advances a set of cissexual assumptions about the world, and as a consequence, it is severely limited in its value for advancing a moral imperative about how to resolve the problem of transphobia. It is not a neutral statement, nor is one that is helplessly subservient to “the hard facts.” We know those facts - describing them is the role of the social scientist. Whether you are in a laboratory or on the street, you are doing social science by analysing social phenomena. And when you say transphobia hurts everyone, you are doing a poor job of it

[glypt0don]

So, this is quite a rant. You can skip to the bottom, if you want to know my opinion but don't want to read that much... But I worked hard on it and I think it's important, so it would make me very happy if you read through the whole text.

So this fits into something I wanted to post about anyway: a broader theme of why do we frame things as wars? Like, why is it culture war, specifically. First I liked the concept, I thought it described something quite complicated reasonably easily. But I pondered on it a bit more and I think there's more going on.

It's pretty trivial, that most societies went through a huge change over the last half century. It's not just feminism. I could make a whole list of things we as a people took on. Anti-racism and civil rights, religious acceptance, global trade, reinterpreting the meaning of peace, connecting the word through the world-wide web, etc. We ( or, as I am barely an adult and have no idea how to change things for the better, I should say you, or maybe chat) decided it was time for change, so change came. You brought it about.

And I agree. Change WAS and IS necessary. What that change should entail, well, we all have our ideas, right? And they have the ugly tendency to differ from each other. The question then is, how do we coincide our contradictory ideas on society? The answer is both worrying and very important.

To be fair, our race doesn't have a great track record on solving these kinds of issues. I dug into my historical knowledge, since, you know, those who don't learn from it, repeat it... The only thing I can compare to what's happening today would be the Reformation (which probably says a lot about my historical knowledge). That's the only time I know, where societal assumptions were altered so much in such a short time. That time it was specifically about the Catholic church (if you don't know, what I'm talking about, you really should, so Google it), and the result was a series of wars, that ultimately may have wiped out about a fifth of Europes population. The wars were of course led by powerful men, who capitalised on the divide to further their own goals.

As back then, now too, we can't rely on institutions to tame the public. Many media and political identities have a direct interest in polarising society. Because that's what happens. All these contentious issues about gender, class, or foreign policy become dividing lines between folks who are supposed to be parts of the same whole (call it community, state, nation or humanity, depending on how wide you can think). You know, how it works, probably saw it a few times, whatever your interests are. It's literally everywhere! We fight it out with the perceived enemy of the week sometimes, when there is an election, something notable happens, or it's simply Pride Month. Then everyone goes back to their respective corners, where they vehemently agree with themselves. We don't talk a lot, just throw words at each other, like Buggs Bunny, playing tennis with a dynamite.

I should say, this post is a notable and refreshing outlier. Thanks, @trans-androgyne , for starting a discussion for a change!

I know, it's a bit like nuclear armament. You can't just stop, because THEY won't, and then they win, and you can't allow that. It's life and death! And I don't have some magic pill to make it all go right, or believe me, I wouldn't sit here, typing this out at 3 in the morning Central European Time. But let me propose this: don't call it a war! Neither culture war, nor gender war, nor anything like that. Because this isn't a war. Just ask anyone in the middle east! They can tell you, what is war, and THIS IS NOT IT! And also, because it may not be guns and destruction yet, but nothing guarantees, that it stays that way. We already had multiple attempted takeovers of capital buildings since this cursed decade began, because our social reality became so fragmented, that you can't accept the results of a popular election anymore. That should raise alarm bells. I know it does, but it can be much worse! Learn from history, do not repeat it! Hit the Wiki page on the Huguenot war! On the siege of Magdeburg. Or, if that's not your cup of tea, watch Civil War! I genuinely think it's the best movie of the year.

Call it Social Discourse! That sounds much more manageable, doesn't it? Or you can come up with something else, as long as it isn't some warmongering bullshit. And maybe the next time you meet someone with sexist, homophobic, racist, or maybe radical left and anarchistic views (whatever you're opposing), don't attack them with your words! Those aren't weapons. Try to talk to them instead! Try talking about feelings! Listen to theirs, make them understand yours! I say feelings, because you both have those. Try finding a common ground, however small, and build up from there. Like Minecraft Skyblock. It can be hard in a challenging way, instead of making you want to shoot yourself in the head. Remember, you aren't fighting a war. You are having a discourse.

All of it is to say, the world and society are changing, wether you like it or not, and we have to change with it, to survive. That is the simple fact. If you call that change a war, that's just gonna make the whole thing unnecessarily painful for everyone involved.

This was sociopolitical advice from a giant armadillo.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[whoreforsexymen]

Guess who just finished acrane and is writing this with actual tears on my face!!! I need some Vander fluff- i think i will emplode- it doesnt even have to be anything specific i just need comfort after that shit storm 😭

Yes my child. Mommy will make good on your request.

And don’t even get me started on S2. I can’t bring myself to watch it yet. I’m still not even over S1 and I KNOW for a fact it’s not even as sad as I’ve learned S2 is.

But shhhhh, Mommy’s got you. Here’s the fluff you asked for.

Piltover’s Got Nothin’ On You | Vander Fluff Flash 🍺🤎

(GIF cred: me <3)

Pairings: Vander x GN!Reader

Pronouns: No pronouns used.

Rating: Slight NSFW because Reader and Vander are presumably half naked in bed, so 18+!! MDNI !! You WILL be blocked

Word Count: 524

Summary: Vander is enjoying a nice cozy morning with you, and reminds you exactly how he feels.

Tags: A little spicy, just because it’s a little maturely themed if you whip out a magnifying glass, Fluff, Tooth Rotting Fluff, Domesticity W/ Vander, OoeyGooeyRomance

Notes: None, just enjoy. Take a breather. 🤍

“Would I lie to you?” The question hung in the air, light yet loaded with meaning. It was enough to send a familiar flutter through your stomach, a soft, nervous twinge that made your heart skip. The sensation was strangely uncomfortable, yet in the most endearing way—like a gentle reminder of how much he could still make you feel, even in the simplest of moments.

You lay atop the man you were speaking to, both of you bare-chested, the warmth of your skin pressing together in an effortlessly comforting way. The coolness of the morning air was a distant contrast to the heat between you, a calm presence that made the moment feel serene to say the least. His steady breathing beneath you gave the moment a gentle rhythm, and for a while, there was nothing but the simple unspoken connection between you both before you responded.

“Maybe. Depends.” You tease, your words playful but laced with a hint of mischief.

His response is immediate—his large hand slipping into yours with a quiet sense of contentment, the warmth of his grip grounding you. There’s a comfort in the way he holds you, as if, in this moment, the world outside doesn’t matter. His touch speaks volumes, the unspoken understanding between you both more powerful than anything words could convey.

“Someone clearly thinks highly of me,” he teases back, a playful smirk tugging at his lips. Before you can answer, he leans down and places a soft, lingering kiss on your forehead, his touch tender and full of quiet affection. The sweetness of the gesture catches you off guard, a simple act that somehow feels like the most genuine expression of his feelings—a quiet reminder of how deeply he cares.

You smile, a soft laugh slipping from your lips.

“All I was saying is that, as much as Piltover has its minor flaws—“ you begin, your voice light with amusement as you’re stopped short.

“Appalling flaws, really. Humongous, towering flaws,” he interrupts playfully, his tone teasing as he presses a gentle kiss to the back of your hand, still held firmly in his.

You can’t help but laugh at his wit.

“Yes, huge, appalling flaws. But despite all that, Topside is stunning at night. The lights here are beautiful, too, but nothing compares to the glow of Piltover.” You add, trying to make your point clear: a city’s beauty can stand on its own, no matter what darkness might lurk behind the scenes.

He regards you for a long while, his gaze lingering on your face with an amusement that never quite fades. The seconds stretch on, almost too long—what might seem like a few moments in the world’s rhythm becomes an eternity in his eyes. Each shift in your expression, each subtle change in your posture, draws him in, holding his attention as if time itself has slowed. And yet, even as eternity unfolds, it’s still not enough. To him, no amount of time could ever truly capture all he wants to see.

“That may be true,” he says, his voice steady, the smirk never quite leaving his face.

“But Piltover’s got nothin’ on you.”

[hypokeimena]

it makes me so so crazy when people are like the existence of magic means that you need to do science to the world harder. this is common in portal power fantasies and also i'm back to reading dogshit hp fic for the fascism essay and it's so common there too. but.

if magic is real i don't know why you'd double down on science (a worldview which doesn't account for magic being real) instead of trying to come up with something interesting to say

scientific rationalism is an incredibly modern worldview and while it's challenging to take yourself out of it bc it's how the vast majority of us were. raised and educated and acculturated. it does feel genuinely disrespectful to the. humanity of people who lived in the past, to me.

like there's plenty of things where historical people were incorrect about the causes or effects of things. but an attempt to make sense of the world that accounts for "things we don't fully understand" is maybe a reasonable approach to bring to things we don't understand yet. including things that are obvious metaphors with some component of truth to them. so like.

do i have ptsd bc of biological changes to my brain. do i have ptsd bc spirits are attacking me. is there a difference.

and it's not like people don't still engage in magical thinking all the time but they pretend it's based on science. like the way people (general people, popular science, not subject matter specialists) talk about chemicals in the brain is absolutely not supported by the actual science, which is a lot better at admitting when it doesn't know something than the popular imagination would like to believe. humans rely on metaphors and stories and things that Feel true in order to make sense of the world and we always have and we always will.

tl:dr you are not better than a peasant from the 1600s because you are lucky enough to have been required to attend a school that taught you the scientific method.

[arcanewhoosh]

The Bolter

2.2k words

Proofread? Y/N

TW: Minor descriptions of injuries

Arcane Series Finale spoilers

If you were to ask the regular citizens of Piltover and Zaun, the regular duration of a search and rescue mission is around seven days. While this was, in a way, correct, but it would only reach that many days if there was enough proof that the missing person was alive.

Standard operating procedure only allows a max of fifty-one hours.

You've been searching for nine days, fifteen hours, and twenty-seven minutes.

We don't have the resources right now, there's been too many casualties.

Alone.

There’re too many places to look through. I'm sorry, I shouldn't have put the thought in your head-

Through every single cooling duct leading into the Hex Gate.

-the fuse assembly could've survived by other means.

"I have to try, Cait." You say as you put on your pack, loaded with first aid supplies and recovery equipment. Caitlyn moves to grab your arm. Her grip firm, but she's not holding you in any way that could actually prevent you from leaving. You still stop and wait for her to finish what she wants to say.

"It's been over a week. You've barely slept the entire time, and I can't keep changing the subject when Vi asks me where you've gone." She tugs at your arm lightly, willing you to sit down on a nearby chair.

It had been ten days since the end of the battle. Ten days since Piltover and Zaun almost met their demise. Ten days since so many lives were lost; all for power.

Vi was -is- a mess. She could barely pull herself up from the ledge you fished her out of back at the top of the tower. Dread had already begun to creep its way across your body as you made your way up to where Jinx and Ekko's balloon had crashed. The feeling only got worse as you climbed higher, seeing no signs of its three occupants. You started running faster up steps, climbing ladders with speed you never thought possible for you. For a moment the dread had ceded, your adrenaline taking over. But then there was the explosion. And then... And then eventually you heard Vi's cries.

Your body stiffens as you shut your eyes, willing the memory away. "You're gonna have to cover for me a bit longer, Cait." You say as you softly pry your arm free of her grasp. "With how loud that explosion was, there's no way the assembly could've just survived."

"If it was anyone else, maybe I would've stopped searching already. But you and I both know this isn't just anyone else, no matter which side you're on." Caitlyn looks at you for a few moments, you know we'll enough that she's already wavering in her previous attempt to dissuade you.

"You wouldn't have mentioned it at all if you didn't think-"

"I know, I know." She finally says. "I wouldn't have given you the schematics for the structure either."

She sighs, an all too familiar indicator that you've won. "Just... Don't push yourself too much. I know I'm the one that gave you hope that she survived, but at some point..." She trails off. You know she wants to say that she doesn't want you to have your hopes crushed, or to put yourself in unnecessary danger. Especially since the inner ducts have been unstable since the explosion.

"I promise, I'll be careful, Cait. You know me." You shrug and smile at her, hoping that the nonchalant display is enough to convince her that you aren't fatigued out of your mind.

The look on her face says she doesn't buy it. But she says nothing about her doubts, instead nodding your way. "Be careful, I'm holding you to that."

"I will."

"Fucking air vents." You curse as you drop your pack by the wall of the duct. The thump it makes echoing around the cavernous tunnel. You've been walking uphill to get back up to the entrance, but the strain from working non-stop for over a week, the sleep deprivation, and the mental exhaustion was bound to catch up. Maybe Cait was onto something with the whole resting thing.

You let out a huff at the thought. You didn't have time to rest, what if Jinx was somewhere hurt, with no one around- she'd find a way to pull herself out of here and escape-- or what if she was trapped somewhere -this is my second sweep of the vents and all the obstructed entrances have been cleared- You lean against the tunnel wall before slumping gingerly to the ground. Your ankle hadn't fully healed from the battle, and you still had bandages all over your midsection from injuries you sustained.

You take a few steadying breaths before pulling out a map of the vents, marking the sections you've done your sweep of. Your vision swims for a moment, and it's enough for you to shut the map and lean you head against the wall. You close your eyes and steady your breathing, willing yourself to hold it together.

You're no use to me dead. She would say right about now. I'm still alive and you still say I'm useless. You'd reply.

"Yeah, but I say it lovingly." She harks back from her chair, tinkering away at her robot bug thing that she and Isha were using for their little fight club. You turn from the pin board you were making- places in Zaun where new checkpoints had been placed. You drop the purple pen you were using-Isha had stolen the red marker you usually use-- to write and make your way over to Jinx.

"Lovingly?" You ask as you turn her chair around, a grin plastered on your face. She rolls her eyes, but her own smile betrays her attempt at brushing you off. "Don't think too hard about it, you might hurt yourself."

"Looks like you've been the one thinking about it." She scoffs at you, turning her chair back to face her work station. Though she doesn't turn fast enough for the pink dusting her cheeks to escape your notice. "I said don't think too much about it."

"Hey." You say softly, turning her chair around again and pulling up a chair for yourself so you were eye-level. She's pouting, so you know you're not in trouble. "I'm sorry for teasing." You take her left hand and place a kiss on her knuckles. She makes a face.

"Ew, don't kiss my hands, they're covered in grease."

"When are they not covered in grease?"

"Didn't you just apologize for teasing?"

"I'm sorry for teasing, again."

"You're lucky-" She clamps her mouth shut. You bite the inside of your cheek to stop yourself from grinning again. The last thing you want is for her to close herself off. You know she's being careful. For someone known to be completely reckless at spontaneous times, she could be just as calculating and reserved. She's slipped a few times already, not explicitly saying I love you, but accidentally implying it or using some variation of the word during a casual conversation. You're no better, but so far, you've been able to avoid slipping.

Maybe you both thought it was too soon to say. Three or four months of you acknowledging that there was something between the two of you might be too soon, but there was a revolution going on, and revolutions are rarely peaceful and without casualties. Who knows what might happen in a few months, weeks, days, or hours. But you don't know what the next few weeks have in store for you.

"I know I'm lucky." You say. Hoping that the implication of, I know I'm lucky you love me, is enough.

But it wasn't, and now I'm here.

You jolt forward, blinking a few times to clear your blurry vision. Had you dozed off? For how long?

You sigh and rub your face with your hands. You do need rest, just for a little bit, then you'd get back to searching for her. You're no use to her dead, after all.

The walk back to your apartment is agonizing. The second you decided that it was time to take a break, your whole body decided that it was the best time for you to feel your exhaustion in its entirety. Your pack was suddenly heavier, your ankle decided to start swelling, and the wound on your side thought it was the perfect time to start bleeding again. Despite your body's attempt to suddenly render you immobile, you're able to meander back to your door after a horrible confrontation with five flights of stairs. Damn that faulty elevator

You decide that having a view from your balcony isn't really all that worth it as you jam your keys into the lock and make your way inside. You stop dead in your tracks as soon as you pass through the door. The lock never clicked open.

You draw your pistol quietly, and scan the open living room and kitchen area of your home. Deeming the areas clear, you start making your way towards the hallway leading to your bedroom, pistol aimed and ready. Who on the Runeterra's green earth would be targeting you? Leftover Noxians? No. Turn coats like Maddie? Unlikely. Someone from the Undercity with a grudge? Unless they figured out who I am, I doubt it.

You hear a creaking sound from a door to your left, and you quickly kick it open and aim your pistol at the intruder.

"Jeez, you'd think a girl would get a warmer welcome after coming back from the dead." The intruder says, leaning back on a chair and idly scanning a vinyl.

You stare, dumbfounded. A part of you fully believing you've started hallucinating from the exhaustion, or the blood loss, you're not sure anymore. Your intruder, however, seemed to find your predicament funny.

"What, got nothing to say to me?" She asks. She finally turns to look at you, but the grin she puts on quickly falters when she notices the blood from your reopened wound seeping through your uniform. And then she's in front of you, one hand cupping the side of your face, the other hovering just above spots of blood on your shirt.

She asks if you're okay, but you're not sure. You still haven't confirmed whether on not you're hallucinating. So you do the only logical thing in the world and wrap your arms around her.

"Jinx?" Your voice cracks as you utter her name, and you wait. Wait for her to disappear, for your tired mind to catch up and be able to distinguish what is real and what isn't, because a part of you was only ever really using the tunnel search as a coping mechanism and that-

"I'm here, it's okay." She says as she wraps her arms around you and returns your embrace. If it were any other day, it would be you comforting her, offering her words of reassurance, support, affirmation. But this isn't any other day. Because you thought for the last ten days, twenty-three hours, and eight minutes, that she had died in an explosion.

But she didn't, and now you're sure that she's alive, that she's here, and alive, and breathing and-

"I love you." The words spill out of your mouth before you can think of anything else. How could you think of anything else? When those words, you realize now, have been long overdue.

She laughs. You realize how much you've missed hearing her laugh once your tears start falling. "I'm sorry." You say. "I thought, you died."

You stop yourself from hissing as her hug tightens and pain shoots up from your side. You could stomach the discomfort for this. You wouldn't let her go for anything, not again. "I'm sorry I took so long, bubs."-Your heart soars at the nickname- "There were a few... loose ends I had to take care of before coming to find you." She wipes away your tears as she says this, her hands carefully brushing your hair out of your face.

"It's okay, nothing else matters no." Just you you wanted to add, but refrain from speaking any further. You pull away just far enough to look at her, still not letting her go. It's her, alright. Her hair is different, and she doesn't have her pants that that one enforcer described as a half-eaten circus tent, but it's her.

"You're not upset?" She has the audacity to ask.

"I spent the last week and a half thinking you were dead, upset is the last thing I'm feeling. Wait no, actually, I spent nine days wandering around the cooling vents to look for greasy ass hand prints on walls."

"Hey."

"And I couldn't find any so you must've washed your hands for once-"

"Okay, smart ass, I get it." She says, rolling her eyes before pulling you in for a kiss. Suddenly all the exhaustion and pain you're feeling is gone, and your mind blanks. The only thought running through your head is Jinx and I missed you, and I love you, I love you, I love you as you pull her closer to you.

"Easy, tiger." She puts a hand on your chest to stop you from chasing after her when she pulls away. You let out a huff. She laughs. "You're bleeding, I need to take a look at that first."

"Since when has me being injured ever stopped you?"

She grins at you. "Being away from me that long has you down bad, huh?"  You grumble something about her being unappreciative, and she responds by pulling your face down and placing a kiss on your nose.

"You're lucky I love you." 

[funnygirlthatbelle]

Okay so I was curious how many of these would actually be good/fun names so let’s rate em.

Alpha- I do not need to explain myself, 0/10

Bravo- this doesn’t really feel like a name, but there’s nothing wrong with it either, 5/10

Charlie- that’s just a nice, solid name, 8/10

Delta- my mind either goes to math, airlines, or covid variants, but it does have a nice ring to it, 4/10

Echo- this would be a very cool name, but I can see the jokes getting old fast, 7/10

Foxtrot- does not register as a name, but calling yourself Fox would be badass, 4/10

Golf- I only just realized that this was golf and not gulf and I’ve been working at an airport for the past two years, 1/10

Hotel- that is just a noun, and the nicknames wouldn’t even be good, 3/10

India- this is a name I’ve heard around, not my favorite but not bad either, 6/10

Juliet- a trans woman naming herself Juliet feels like such a classy power move, 10/10

Kilo- too easy for people to take this as an invitation to talk about weight, 2/10

Lima- certainly not a name I’ve heard before, but follows enough of naming patterns that it’s not gonna stick out as an obviously changed name, 6/10

Mike- I mean, it’s objectively a name, but you went through all the trouble of changing your name only to land on Mike? 5/10

November- I’ve never met a November, but month names are common enough that it would read as fun and unusual but still a name, 8/10

Oscar- a classic name that’s still relatively unique, prepare for the Wilde and the Sesame Street jokes, but I love it, 8/10

Papa- please do not make your name papa, 1/10

Quebec- there’s nothing wrong with this but it doesn’t spark joy for me or feel like a name, 5/10

Romeo- a solid choice, but I can see the jokes getting old really quickly, 7/10

Sierra- hell yeah, 9/10

Tango- by no means the worst of the nouns, but still not great, 4/10

Uniform- this is probably one of the worst nouns, 2/10

Victor- a classic name that doesn’t have an obvious joke attached, 10/10

Whiskey- if you’re down to make a strong impression, you definitely will if your name is whiskey, 5/10

X-ray- please do not name yourself after a form of medical testing, 0/10

Yankee- not that bad in terms of naming conventions, but feels way too ‘murica to be a good name, 1/10

Zulu- following normal naming conventions, this would be cute, but it’s also an ethnicity so that feels like a bad idea, 1/10

That puts our average nato alphabet name at right around a 5.5/10. So yeah, definitely an option to consider if you’re looking for a new name!

if you're transgender and need name ideas, may I direct you toward the nato alphabet because like. delta? november?? echo?? romeo is like the butchest name. please consider foxtrot. being named whiskey would be cool as hell. I know multiple transmascs who were a bit too into english lit and are named victor now. I've met people named sierra who were trans in every direction. maybe don't name yourself golf

[spitdrunken]

Adami (Homicipher MC) x Reader, vaguely implied Scarletella x Reader (but don’t read it for that, lol, it’s very minor), lore and ending spoilers. Notes: Headcanon-heavy, post-maingame story, canon-typical horror themes, temporary character death, implied gore.

The Other World takes after its master.

That doesn’t mean their temperament becomes law in the ever-changing maze of rooms and hallways. It’s only a suggestion, a push that will transform certain inclinations into preferences. If one has desires strong enough in an opposite direction, they can still do whatever they want. But while Mr. Scarletella ruled and influenced the Other World, consent was a surprisingly important factor in the world’s dealings. Being told ‘no’ was enough to send away a good chunk of its inhabitants, though they might turn pushy or become disgruntled.

All of this related to the way Mr. Scarletella himself functioned as an apparition. He could only take someone’s soul, could only hurt someone, if they gave him their name. Agreement was key and this rippled into other aspects of the Other World.

But now, Adami is the one who, after having turned Mr. Scarletella into her servant, is the one most in control of the realm. The changes aren’t as noticeable at first. However, as she loses more and more of her humanity, more and more of her memories, she begins to act solely bashed on her whims, her violent impulses shining through on more than one occasion. She’s not violent all the time. There are moments, though, flashes of utter loss of contact with the world around her where she destroys everything in her path. All the while, her crimson companion only aids her.

In turn, the inhabitants of the Other World grow more volatile, too. They’ve gained the capacity to lie and a stronger inclination towards direct violence. Simply taking what they want becomes the norm, although it doesn’t mean that everyone acts in this manner. Mr. Crawling, who frequently accompanies Adami as well, is someone who remains mild-mannered in the vast majority of situations. Where they’d once been terrifying and unfamiliar to her, the monsters there now either listen to or avoid her like the plague. She never has to fear, can walk around without ever needing to hide. The Other World, once dangerous at every turn, has become her home.

To you, an unsuspecting human dragged in by her grief, all of these machinations and baselines of the past are of no consequence. When you first encounter Adami (Or ‘Ms. Crowbar’, as you call her) does not seem all that different from the other monsters you’ve encountered. She’s unnerving, but not exactly scary.

Ms. Crowbar wears a simple raincoat, suspiciously clean, with strands of silver hair poking past the hood pulled over her head. Gloves hide her hands, though her legs are blotchy in colour like one giant dark-tinged bruise. Her face is as white as the raincoat she’s wearing, an entirely unnatural shade. Her eyes are slightly too big for her face, her lips practically melting into the white of her face. More than anything, her appearance veers into the uncanny valley. And, of course, she’s always carrying her crowbar around with her, either held upright or dragged carelessly behind her, metal scraping over concrete and banging into every loose rock it can find.

During your first meetings, it’s perhaps Mr. Scarletella who puts you more on edge. His aura is definitely the more imposing one of the two. He towers over you, the deadest gaze you’ve ever seen pinning you into place. Absentmindedly, he smiles at nothing at all. That isn’t even mentioning the way he colours the whole world around him. It’s unlike anything you’ve seen before down here. The natural conclusion is that he must be someone especially powerful, a monster to look out for. But, as you quickly discover, he’s always looking at Ms. Crowbar. His eyes only move when she moves, his feet only take another step as soon as she does. He never reaches out without her command. Whether by choice or through force, he is entirely her puppet. She is the one you need to look out for.

As for how that first meeting went… Perhaps you’d been chased by something. What exactly it had been, you’d had no idea. It would’ve been too large of a risk to look over your shoulder when you were certainly running for your life. One moment, you had been in a quiet room. The next, the quick pounding of footsteps was catching up to you, and you’d dashed through door after door on pure survival instinct. With burning lungs and aching muscles, you’d slammed a door and shoved a lock into place. Resting your sweaty back against it, you slid down to your knees. If this isn’t enough to stop them, you’d be as good as dead. You can’t run anymore. You squeeze your eyes shut, cupping your hands over your mouth to muffle the noises of your desperate gasps for air. You await the worst, but nothing happens.

When you finally do open your eyes, that’s when you see the pair of them. Ms. Crowbar looks at you with an unreadable expression and a slight tilt of her head. Her crimson pupils seem to glow in the dark. Besides her, Mr. Scarletella, still and unmoving as a corpse. You have no idea what to think. She takes a step towards you. The first one is slow, though she speeds up afterwards. The woman leans forward and holds out her hand for you to take.

Maybe… She’s actually nice? Or, maybe, she’ll just bash your skull in with the crowbar she’s holding in her other hand. Either way, something about the whole situation makes your skin crawl. Her eyes narrow at your hesitation. She is already retracting her hand when you make up your mind, and grab it while forcing a wobbly smile on your features. You mumble out a ‘thank you’ with your parched throat. Her cold fingers intertwine with yours.

Ms. Crowbar pulls you up with a truly surprising amount of strength for her small stature. You’re yanked to your feet with such force that you’re practically lifted off the ground and barrel into her, eliciting a yelp from the woman. Without thinking, and in order to prevent yourself from falling, you wrap both of your arms around her, one of your legs hooked around hers. It’s like you’re clinging on to her for dear life. Well, not like. You are. Mr. Scarletella’s eyes are burning holes into the side of your head. The hairs at the back of your neck as static, rapidly increasing in volume, creeps at the edges of your hearing.

As you loosen your grip and move to pull away, sputtering out a long string of apologies in every language you can think of, she laughs. It’s a high-pitched giggle, the kind that’s straight out of a horror movie. Her crowbar falls to the ground with a clatter. In a flash, you’re pulled against her even tighter as she pulls you against her body, returning your ‘hug’. You swear you can hear your ribs creaking. Your eyes feel like they’re about to pop out of your head, and you can hardly breathe. The static quiets down. Even after patting her back a couple of times, she holds on for a good few seconds longer. You don’t know whether you should be uncomfortable or entirely relieved.

When she releases her grip on you, you drop back down to the floor. She’d held you so tightly your feet hadn’t been touching concrete anymore. Ms. Crowbar is still smiling. Her entire body sways slightly back and forth. The crowbar is back in her hand.

“Human cute,” she says, though you don’t have the knowledge to understand her garbled language yet. To you, it sounds like nonsense noise. “Me teach you language. Not lots. Little.” She’d grow bored and lose track of things before managing to teach you a lot, anyway.

Much like others had once done for her, she teaches you some basic vocabulary. To be completely honest, she lists everything slightly too fast for you to remember all of it once. Regardless, she teaches you the words for ‘you’ and ‘human’ and ‘me’, as well as pointing at the walls and the floor. After that, she plops down next to you and makes Mr. Scarletella act as, essentially, a mannequin for the next segment. In accordance with her commands, he’ll lower her his head, stick out an arm or a leg, or spread his fingers, all in order to teach you more of the language. His face contorts into all different kinds of expressions, too. The look in his eyes does not once change and he follows all of her instructions without any hesitation. Rather than just focusing on Ms. Crowbar, his eyes occasionally dart to you too as you copy and sound out the words.

It ends as quickly as it all started. She decided to help you on impulse, and it’s also on impulse that she leaves. Your head is left spinning with the new amount of knowledge you’ve been taught, though the prospect of wandering treacherous halls alone after having found some company is even worse. …You’ll try to look for an exit. What else can you do? Being able to make yourself understandable, limited as your means might be, is at least an improvement. You don’t see Ms. Crowbar often. Occasionally, she’ll pop up and you exchange a few words. You’re eager to show your improvement in the language, thanks to some others who did not immediately try to kill you.

(One time, you’d cracked open a door and peered in. Every entrance requires a degree of caution, you think. Ms. Crowbar and Mr. Scarletella had been there, their backs turned towards you. Her crowbar had been raised. Then, she lowered it and hit the crumpled mass on the floor in front of her again, and again, and again, and again. The sickening crunch of every impact made bile rise in your throat. Just as you’d let the door fall shut as quietly as possible, Mr. Scarletella had turned to face you. But they hadn’t followed.)

It takes a while for you to see her again, after that. Bit by bit you make progress through the confusing world, though sheer luck doesn’t seem capable of protecting you much longer. Eventually, you’re cornered, already mentally speaking your last words, when a familiar crimson sheen falls over the world around you. Ms. Crowbar’s weapon connects with the monster’s skull, and it falls to the side. Though the sound isn’t any less disgusting, you can’t help the relief that floods your body.

For a moment, she simply stares at you, red eyes slightly too wide and crowbar raised. The moment passes and she relaxes. She lowers the blood-stained weapon. “Hello,” she says, smiling at you once again. “Other attack. Me kill. Not attack me… Lots time.”

If there are any words in the Other World’s language you know how to say, it’s these. “Thank you!” You exclaim. The smile on your face is nowhere near as forced as when you’d first encountered her. Ms. Crowbar is unnerving. She’s violent, too, clearly. But that isn’t all she is. She’s never been anything but nice to you.

She opens her arms. It takes you second to register that she probably wants a hug. On still-trembling legs, you do exactly that. Ms. Crowbar hums happily before her crowbar taps on your back then drags down along your spine, leaving a trail of blood in its wake. You move to let her go, but she takes hold of your wrist.

“Me teach you language. Me teach you attack.” She turns her head around to look at Mr. Scarletella, ever the silent observer around you, and they exchange a wordless look. Then, she releases you.

A weapon materialises in your hands, appearing out of thin air. You don’t know what to call it. It’s long and blade-liked, allowing you to keep your distance while still being able to attack. Slowly, painfully slowly, Ms. Crowbar lifts her crowbar above her head and lowers it in your general direction. It clicks. As soon as you lift your blade up and block the movement with a dull clang, she grins. The words that pass her lips, although you don’t know what they mean, are spoken in a cloying, slightly demeaning, tone that indicates praise.

Rinse and repeat. Her movements grow faster and more varied as she tries to surprise you. It doesn’t take long before you can’t keep up at all anymore, though you’re eager to learn how to defend yourself even a little. You grow used to the weight of the weapon in your hand. Although you definitely have a few bruises blossoming on your skin, you don’t think you’re completely helpless, either.

(You don’t think either of them agree, though. You’re a cute little plaything to them, perhaps. At some point, Ms. Crowbar had pointed at Mr. Scarletella and ordered you to attack. You’d hesitated. His smile had widened, just a little. He’d disappeared and reappeared right in front of you. A clear invitation. …You hadn’t expected your blade to slice clean through him. The force of your swing sends you nearly topping to the ground and her laughter rings out in the empty room. Your face burns with embarrassment. The only thing that had prevented you from falling flat on your face had been Mr. Scarletella’s umbrella, its inflexible form hooking around you.)

Eventually, Ms. Crowbar grows bored of your training. While you’re panting, she isn’t winded at all. In front of your face, she holds up three fingers.

“Me attack. You run.” She tells you. But you haven’t been taught the word for ‘run’. Why would you assume that this would be any different than what you’ve been doing for a while now? Maybe she’s just telling you to prepare for a particularly strong blow. You ready yourself. When she’s only holding up a single finger, she smiles in a way that exposes teeth. “You want attack? I see. Funny.”

You didn’t stand a chance. You didn’t even see her hand drop to her side before her crowbar had effortlessly smashed into your skull, the world around you exploding into a maddening array of pure agony. Your body flies halfway across the room. Vaguely, you wonder how you’re still breathing. You can’t see anything out of your right eye. Something wet and warm slides down your neck. Ms. Crowbar stands over you, weapon raised. Static fills your ears as your vision flickers out.

As soon as you regain consciousness, you wish you’d never come to again. Your head is pounding, your vision is blurry. Your lips are cracked and your tongue is sticking to the roof of your mouth. Your arms ache. Dried blood covers the side of your face and neck. Your eyes are struggling to focus and, as soon as you get up, you nearly fall right back down again. Your skin looks blotchy. To put it simply, you feel and look like shit. You can’t even remember how you’ve ended up like this. But you grab your weapon, try to remember and trudge onwards. You can’t remember what you are moving towards.

It takes you a little while to stumble across Ms. Crowbar again, though you have no idea how long it’s exactly taken. Everything has become so… Difficult. You hate being here, hate being alone. You don’t know what’s going on anymore. You can hardly recall your own name, much less why seeing her is tying your stomach up in knots. Hasn’t she always been nice to you? When she opens her arms for you, as she usually does, your arms tremble when you return the hug and tears drip down your face. Over shoulder, you make eye-contact with Mr. Scarletella.

“Sad?” He asks, voice too even to sound truly concerned. But you don’t think you’ve ever heard him speak before. Ms. Crowbar wriggles against you, staring at your face for a moment as she catches sight of your tears. She extends her arm, hand dropping on the top of your head as she pets your hair. A little too roughly, for your liking. She leans forward, lips brushing against yours in a quick peck. With a short burst of static, Mr. Scarletella is leaning over the both of you, too. When he reaches out, you feel nothing touching you except for a vague tingling sensation.

“You weak. You cute.” Ms. Crowbar says, every word clearly and slowly enunciated as if she’s speaking to a child. You sniffle. “Me help you. You not worry.” Her cold hand closes around your wrist. “Go with, go with.” She tugs you along, deeper into the maze, her companion walking right besides you. You have no idea where you’re going. But, you suppose, when you were walking alone, you hadn’t either.

[thetarotyapper]

what's december looking like for you? (pick-a-card reading)

1 -> 2

3 -> 4

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

(how to pick a card? observe the given options and choose the one which you feel the most drawn to. select the card based on the number provided below and scroll down to read about the card you have chosen. remember, this is a general reading, so take what resonates! ps.- if you feel drawn to more than one card/image/pile, feel free to read the others too!! if the chosen pile doesn't relate to you, feel free to choose another. the choice is yours<3)　　 　

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

⊹₊⋆ pile 1

there seems to be some sort of conflict you might face and mainly, i'm getting the message here that it will be regarding your family or work. someone might reach out for financial help and you might have doubts whether to help this person or not. you might feel trapped and might feel like there is no other option but to help this person because they might be someone who is close to you. but the choice is yours. if you feel like helping this person will benefit you, go for it. if helping this person only causes you harm, i suggest you retreat. i see that you might need to make this decision quickly because sooner the better. your decision to help this person might shape your coming future. and for some of you, im seeing that you might be going out on a trip or there is some change in your environment because i'm getting a lot of ‘movement’ energy too.

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

✦ . ⁺ pile 2

i'm getting a message that you might have recently (or will) cut out ties with someone and hence, there is a lot of arguments between this person or the people connected with this person. you are someone who is calm and responsible and always thinks about the future, but this person has brought you down and has limited your potential. i'm also sensing that for some of you there might have been (or will be) a disagreement in your workplace and hence you might feel tied down and might feel like people are against your ideas or vision. but whatever or however people might view you, you know your true self and you know what's best for you. whatever your plan is, stand with it because i see you winning and proving people wrong. i also see a period of self-reflection and growth. don't be surprised if new opportunities - in terms of work or romance - will come your way.

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

٠࣪⭑꩜.ᐟ pile 3

so the first thing im getting right off the bat here is that you might have been manifesting something for a very long time. and be prepared because it's going to become true! you're someone who is powerful and independent and i see that you've built yourself to be where you are right now. im getting a lot of feminine energy here so if you're a woman, hi there! you've just created the life you manifested!! literally so happy for you!!! you deserve the good things that are coming your way and you have worked hard for it. you have great discipline and determination and that has helped you climb the ladder. i see you growing emotionally and i see a lot of happiness. your angles and the universe is paying you back for all the good things you've done!! also, flowers seem to play a significant role here. maybe someone might get you flowers or maybe you're into gardening. or maybe you just need to buy flowers for yourself as a reward haha! i see sunflowers and roses so keep this in mind. maybe whenever you see them it might mean something to you or it might indicate that good things - or better even, because the good things are already here - are coming your way. im also getting a strong fire sign energy, especially aries (not sure why). also, you might be living in a place where birds are not seen so often? so if you see a bird - especially a crow or an eagle - it might mean something. i see a lot of warmth and happiness in your life and i see you guys moving forward. i also see a child here. maybe some of you might have kids or are trying to conceive. if this resonates then i see satisfaction and fulfilment.

im so happy for you pile 3, you deserve this!<3

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

𓇼 ⋆.˚ pile 4

oh, wow pile 4! i see that you will be presented with many opportunities regarding work and romance. you might be meeting someone new. if you are in a relationship, i see that you and your partner might take things to the next level - marriage! (if you are looking forward to it). or if you're in a talking stage, i see that you might connect on a deeper level with this person. i also see financial growth and i see that you might be making a lot of impulsive decisions and might invest in materialistic things without thinking too much, but the cards are telling me that you might need to contemplate before spending your money so lavishly. only invest in things that are important and save the rest for the future. this is a very important time for you in terms of finances. i see you will be doing well, but be mindful while purchasing anything. also, if you have been contemplating on an idea or a start-up, it's the perfect time to execute it and take it forward!! im also sensing strong leo energy here.

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

hi loves!! i hope this reading finds you in good health and i hope you are doing well. take care of yourself and i will see you in my next reading. thank you for being here<3

(note: tarot cards provide guidance and possible insights into what could happen based on current energies, thoughts, and actions. the cards can highlight potential paths or outcomes, but they do not predict the future in a fixed way. this is a general reading so take what resonates!)

[aebinspa]

meant to be

PAIRING: karina x y/n reader

SUMMARY: Your life couldn’t have been worse. You aspired to make a living as a photographer, but instead, you found yourself working in a fast-food restaurant alongside a colleague who rarely offered you any good company. Everything changed when the famous model Karina showed up at your workplace. After a few days, she managed to convince the editorial team to hire you as the photographer for her photoshoot. However, your career faced another threat when Karina pressured you to assist her with a strictly confidential operation.

GENRES: angst, lies, loneliness, we will face suffering in this life, but eventually, things will improve, and we will start over again and again, fluff at the end.

WORD COUNT: 6.9k

AUTHOR'S NOTE: english is not my first language! i'm not cut out for writing long stories. i went crazy countless times while writing this one :)) i added a little bit every day and it made the story more confusing. the next five things I write will be fluff, no more angst for a while + thank you for all the support you have shown for what i wrote. i am extremely grateful and happy that someone was able to appreciate them!

Life didn't end when you lost all your friends because of bad choices, didn't know where to put your hands, or stopped recognizing yourself in what you did and said. Life didn't end when you turned twenty. At least that's what you told yourself every morning to convince yourself to get up, when even what had previously seemed sensible lost all meaning.

In the eyes of your parents and your old friends, you had remained imprinted as a sour girl, difficult to manage but who, beyond some character problems, had always shown herself willing to help. Never to be helped. Perhaps this had a powerful impact. In your daily life, no one asked how you were in the morning. Was it more difficult for others to reach out to you and always receive a refusal or was it more difficult for you now to be alone, without anyone? And yet loneliness had always been so dear to you; a space where you could truly be yourself.

After trying to attend political science university for a few months and failing the first exam, you soon realized that it wasn't for you. The only luck was having met a girl who, between one lesson and another, had introduced you to the world of photography.

In photography, you discover a kind of joy that you could share. Often others would ask you for photos and you, with a big smile, couldn't wait to take one. Of course, everything got complicated when you had to come to terms with reality. There was no longer just photography, you also had to think about earning some money.

That's how you ended up working at a fast food restaurant that was open all day and, with the constant fear of running out of money at any moment, you signed up for all the night shifts. Someone had set you up by telling you that they paid more, but only when your first paycheck arrived did you realize that your dear colleague only wanted to get rid of the difficult shifts.

That night, you and Sunwoo, the beloved colleague who had actually made fun of you a few years earlier, were at the counter of the fast food restaurant busy playing UNO. It was more than rare to see customers at two in the morning.

“UNO!” Sunwoo shouted at the top of his lungs. “Fuck you, asshole! I’m tired and you dare win my favorite card game!” you threw the remaining cards of the deck off the counter. Sunwoo huffed and, with an agile leap, got off the counter and went to retrieve the poor cards that were now lying on the floor that was far too clean for the hygiene standards of the place where you worked. “It’s the only card game you know how to play, Y/n”

It was cold outside. A cold that froze the bones. Your winter uniforms didn’t warm you enough and the heating had suddenly stopped working the day before. Sunwoo didn't let it show, but he hated working more than you did. He had a dream more ambitious than yours and unfortunately, every door was closed in his face. The fast food place where he worked with you was the daily confirmation that failure was a constant in his life. And you were experiencing the same situation first-hand.

Sometimes photography gave you work, but you couldn't eat from it. Small jobs are undoubtedly formative, but not appealing to the taste of those big companies that looked at your disastrous portfolio.

While Sunwoo began to sweep the clean floor, you, lost in your thoughts, froze, feelinglessly staring at the street you looked at every night. Suddenly, you saw a black limousine approaching, and, scared that someone important might be there, you shook Sunwoo’s arm and pointed to the car. His eyes widened as well.

But to your surprise, the first person to step out of the car was a man in a tuxedo who then proceeded to open the back door facing the fast-food restaurant. A girl of medium height came out, wearing a black dress that hugged her body in all the right places. When she was closer to the door, you immediately noticed, illuminated by the decadent lights of the place where you were, that she had heavy makeup on her face that beautifully framed her eyes.

The young raven-haired girl sat on the stool in front of the counter. Sunwoo was still speechless. He could only mutter a shy, unprofessional “Ah, hi,” to which the girl responded with a sweet smile. Her gaze shifted to you and you flinched.

“Can I order?” she reached out to grab the menu Sunwoo had sat on earlier. “I guess so.” “The menu with the fattest, greasiest, biggest sandwich you have, please.” Sunwoo snatched the menu out of her hands and shouted “Right away!”, disappearing into the kitchen and leaving you in front of the girl. Outside, you noticed her date glaring at you.

“Not many customers come by, do they?” “We don’t usually see anyone. That’s why your visit surprised us a lot” The girl laughed in a strangely loud way. Strange, I thought she was more composed. “God, please. We will be more or less the same age, don't be so formal,” she wiped her hands on her dress laughing, and then looked at you ready to shake your hand “I'm Karina. It’s a stage name. I model full-time."

You shook hands with her, apologizing for how cold and greasy it might feel. “Well, I… I work here.” The girl smiled at you. “And do you like working here?” “What?”

Sunwoo came with Karina’s order and placed it before her, avoiding her gaze. When he crossed yours, you noticed that the boy had red cheeks. I whispered something to you but you didn’t understand.

It’s been too long since someone asked you what it was like to live a life you no longer wanted. Your mouth dried up and you were unable to answer. Karina shrugged and began eating the sandwich undisturbed.

With her mouth still full from the bite she had just taken, the model opened up to speak. It was evident she was nothing like the stereotype of a typical model; her authenticity was refreshing. Feeling overwhelmed, you moved two stools away from the client, seeking a bit of distance as you listened, intrigued by her unique charm.

"You took those, didn’t you?" Karina found it difficult to eat that part, but she couldn’t help but examine the few decorations in the fast-food restaurant. "Ah, those pictures," you turned your entire body to look at them. "Yes, I took all of them. They’re from our customers who left a special tip." "Special tip?" Karina asked, intrigued. "Yes, for a change of $4, you receive a Polaroid and agree to have it displayed on this wall. It’s not worth much, though, because I’m required to take two pictures for the price of one."

"They are all very pretty. I know some people." "There are a lot of people passing by. Sometimes they tell you their story, take a picture, and then leave, never to return. It’s almost as if-" "Romantic, yes" Karina finished the sentence for you, to your great surprise.

The silence that was created afterward was strangely comfortable. For someone like you who was always uncomfortable when she met strangers, the situation was quite strange. Karina, on the other hand, seemed completely at ease as she was happily humming and chewing at the same time. When the crow finished eating, she got up from her stool, stretched her arms, and put ten euros on the counter.

"Please don't make me change." "Pardon?" "I would like one of those photos. I'm looking forward to experiencing this too." What enthusiasm!

You took the Polaroid and waited for the young woman to pose before taking the picture. Karina made a big heart with her arms and gave you a wink. She is truly a model… "Are you done?" "Done!"

Karina approached you, then stood behind you and waited for the Polaroid to be ready. When she was ready, the girl screamed full of joy. You smiled unconsciously. "I love it, thank you!" she leaned it delicately on the counter and then turned quickly towards you, continuing to talk. "Let’s take the other one! Let’s do it together. Where is that boy? Boy! Boy! Ehiii!" Sunwoo ran out of the kitchen alarmed. "What- what happened?" "Nothing, Sunwoo" You put your hand on your forehead. "Can you take a picture of us? So we can hang it there." Sunwoo looked for your eyes but you avoided him, unable to explain. At which the boy approached the polaroid and urged you to pose. Karina chose the same place where all the other clients had been, saying she would keep the theme, and invited you to place yourself next to her.

Karina was a little taller than you, maybe a few centimeters, but in your eyes there seemed to be a huge difference. You stood closer to her to form the heart and pretended a smile of convenience to allow Sunwoo to take this photo. The proximity to the model sent a bizarre sensation creeping along your spine. Intrigued, you paused to take a closer look at her. In that moment, when no one else was watching, the radiant smile she had worn so confidently faded entirely from her face. Her eyes, once sparkling with warmth, now seemed overshadowed by a deep, unsettling darkness that only amplified her presence. Without warning, the model turned her gaze toward you, her lips curving into a wide grin that revealed a perfect set of thirty-two gleaming teeth. A chill swept over you, wrapping around your body like an icy blanket, leaving you momentarily breathless and disoriented. What the fuck?

"You did such a great job, girls. It's rare for Y/n!" You woke up from the nightmare of falling and responded to Sunwoo with a raised middle finger. "Oh, she's got quite an attitude. I need to leave," Karina said, finally letting go of you after holding you tightly. That girl was beginning to stir strange feelings in you. "The photo turned out just fine. Let me sign it and put the date on it. Come on!" Sunwoo timidly passed the Polaroid to the girl and watched her do everything she said.

With your arms folded you waited for her comfortable finish. Karina approached the corkboard and put your Polaroid on it. He smiled at her and turned, heading for the exit.

"Y/n!" Hearing your name pronounced by the model, you turned to her with an interrogative look. "Tell me" "See you!" and ran off into the limo, leaving behind a trail of expensive perfume and a cheap Polaroid.

That night passed faster than expected and Sunwoo told you - with attached photos - how this fantastic Karina was one of the most popular models in recent years. Besides being beautiful, she was about to debut in the cinema world. The moon was full and the cold was more bitter than usual. An uncomfortable feeling was in your chest, but you let it pass.

While you were going to work the next day, you took some pictures at the illuminated windows of that night. One of the projects you had since moving to that city was to create a collection of photos showing nightlife, although it was difficult to call it "life", of the traders, workers, or people just going out for fun. But you didn’t have enough prestige and money.

When you arrived at work, you greeted Sunwoo coldly, who returned. You worked hard until three in the morning because, as you well know, on Saturday mornings there were waves of guys full of life coming back from bars where they had only drunk, or from discos in the area. You found it a good opportunity to take some pictures for your photo project.

In no time at all it was six o'clock. The sun was beginning to rise and the first rays of sunshine came through the large windows of the structure. You and Sunwoo were getting ready for the end of the shift, but the boy seemed particularly agitated so you told him to leave before you. You would have waited for the other girl to give her the keys and start the shift after. Sunwoo thanked you and ran away. You knew how much he cared about his passion.

The sound of the door creaking open cut through the stillness of the room, jolting you from your thoughts. You glanced at the clock on the wall, your brow furrowing as you noted it was already twenty minutes past the time your colleague was supposed to arrive. Just as you were about to call out, "You’re lat—" your words caught in your throat. Standing in the doorway was not your expected colleague, but the enigmatic man who had accompanied Karina the night before. He stood there, an air of mystery surrounding him, his presence both intriguing and unsettling as he caught your eye.

"How can I help you?" you asked, even though you were pressed for time and the only one in the room. "I was looking for you. It was lucky that I found you right away," the other person replied. You tightened your grip on the broom you had been pretending to sweep with just moments before. "For what purpose?" you inquired.

The man reached into his pocket and pulled out a crisp white card, sliding it across the table to you. You glanced down to see a neatly printed address alongside the name: Vogue, Karina’s Photoshoot. Confusion washed over you as you looked back up at him. "What does this mean?" you asked. He shifted uneasily, avoiding your gaze. "Miss Karina has requested that you oversee her new photoshoot," he explained, his tone heavy with discomfort. "The previous photographer was let go… rather abruptly. I expect you to be at the studio in two days."

Your hands shook as you faced a big opportunity. You nodded slowly, your mouth half open, unsure what to say. The man smiled and walked away, leaving you stunned. The broom fell from your hands and clattered to the floor. Your knees felt weak, and your mind went blank for a moment. You couldn’t think. You wondered how powerful Karina was and what she wanted from you.

The next day you showed up in the hall of the huge palace, waiting fearlessly for someone to come and call you. You had spent the night before reading and browsing photography books or looking at random palettes that could help you match any clothing you found on Karina.

A tall woman approached you slowly, her expression grim as she pointed to a location on the map she had just tossed at you. What a kindness… You quickly walked toward the meeting place and, upon finding the door, opened it carefully. Inside, a crew of about twenty people turned their curious gazes toward you, along with Karina and her manager.

You slowly approached your collaborators and thanked them timidly for their attention. "We will do everything that needs to be done and we will accomplish it together. All we should do is unite everyone’s ideas and give life to some of the most beautiful photos ever made" Karina, sitting in a velvet chair, put her hand in front of her and laughed candidly.

It didn’t take five hours to create everything that needed to be created. The ideas came from everyone like a river in full flow. Fill a room with artists who are also competitive people and you will get the exact personification of an erupting volcano. You were the Vesuvius and the fashion industry was your Pompeii. The next day you swore to finish the project so that you could go on with the production of the photos.

Karina, who should have been bored at least by having spent the day waiting for others to do their jobs, approached you with a remarkable delicacy and touched your shoulder. "Can you come over there?" Karina pointed to a closet nearby; it was her dressing room. "Uhm, sure" There was no reason to say no. You looked over your shoulder before entering the dressing room with the girl with the brown hair. It was the first time you saw her in a suit and all you could think about was how well she wore anything. It must be nice.

Karina invited you to sit in the two-seater chair with her. Hesitantly, you approached and sat face to face with the girl who flashed a smile revealing thirty-two teeth. "I brought you here because—" You interrupted her before she could finish. "Let’s say you fired the photographer from Vogue so I could come here." "An insignificant detail," she replied.

In Karina's eyes, you saw the same darkness you had observed a few days earlier. It made you hesitant to speak, fearing the words wouldn't come out right. "You must help me," she said. "Why should I?" you asked. Karina rose from her chair and stood in the middle of the room, her expression unreadable as she continued to gaze at you.

"You must. And if you don’t, I’ll take the only real opportunity you’ve got in your miserable life off your hands." "What’s the excuse?" the conversation seemed too much for you, so you immediately put yourself on defense. "You are a beautiful girl, you are good at what you do. I like your photos, I am sincere" "But?"

The frigid air enveloped the room, wrapping around you like an unwelcome shroud, making each breath feel laborious and strained. With every second that passed, a chilling sensation crept through your body, as if the very warmth within you was being siphoned away, leaving you increasingly vulnerable to the oppressive cold.

“You must photograph the emerging actress and model Yuna at a moment that could cause a scandal and ruin her career forever.” “This is fucking crazy,” you jumped up and approached Karina, who didn’t move an inch “I’m leaving, I don’t intend to keep this job and do whatever bullshit you came up with. I knew you were crazy, I understood it immediately"

Karina rolled her eyes, grabbed your arm, and pushed you into the seat. “You’re not going anywhere. I’m capable of destroying your present life and your future life. Be careful what you do. Listen to me and calm down” Karina’s hands were extremely cold but your gaze was even more icy.

“Speak then, cheap model” “It will all be anonymous. Become her friend and her photographer. You have one week. The clock runs out before the day you have to send the completed photoshoot to the Vogue editorial office” “It’s called blackmail” “It’s called seizing opportunities. You won’t get them again”

You looked away for a moment before getting up from your chair and moving back to the center of the room. You walked back and forth, occasionally glancing at Karina.

“They’ll kill me anyway when they realize it’s me” “Don’t worry,” Karina stood up to get closer to you, “We’ll use an external computer and no one will ever know” “A person will be involved, I don’t think I’m capable of it” “She won’t die” Karina had an amused grin on her face.

You thought back to Sunwoo and how he loved what he did like no one else. However, the most selfish part of you had surfaced. You wanted to pursue a career in photography, and you were unconcerned about the people who would be affected by your ambition. You would have done anything to make your dream a reality.

“I’m in” You held out your hand to Karina, surprised by your sudden change of heart. When Karina squeezed your hand you noticed it was as cold as yours. And that perhaps you were more similar than you could have imagined.

You never imagined that the next day you would find yourself taking pictures of the woman who had asked you to ruin the life of another model without remorse. You had discovered that all your collaborators considered Karina a sweet, kind, and always available girl, while in your eyes, every time you looked at her, you felt like you were looking at a monster.

Once the photoshoot was over and, therefore, the work you had to do for Vogue, you walked into the Karaoke where Karina had asked you to meet. The room was insolently small - maybe the girl liked everything smaller - and the nauseating smell made you immediately understand what kind of dump it was.

“Don’t you like it here?” asked Karina, who was cross-legged and munching on some chips, which she offered you and you refused. “It’s pretty disgusting” “It’s okay. We won’t be here long”

Karina took her Gianni Chiarini bag and pulled out three photos. One was of Yuna, the other of a girl you couldn’t identify, and in the last photo, there was you.

“What does that mean?” “Yuna is having an affair with this girl.” Karina touched the face print of the girl whose name you didn’t know with her painted nail and then continued. “In case you didn’t understand, your photo is there because I wanted to let you know that I had you followed a week before I showed up at your place of work by a trusted friend of mine.” “What?” you were visibly shocked. “Don’t worry, honey. I will only use the information I have on you if you don’t cooperate.” A disturbing smile made you doubt her sincerity.

“Why are you so mad at this girl?” “Because she can’t keep what’s hers.” “What does that mean translated…?” Karina huffed and put the photos back in her bag. “We grew up in this industry together. We achieved success together. And then she cheated on me.”

You were stunned. “All this just because he didn't hold your hand throughout the journey of your life? Are you crazy-” “She cheated on me countless times. She told my parents that I’m a lesbian, they haven’t spoken to me since that day. And to top it all off, she stopped me from working for a year, taking away the most important collaboration of my life”

You almost felt sorry, but you didn’t say anything. Her eyes radiated something else. Maybe she too was human and was simply tired.

“Become her new fuck buddy. Treat her well and then you can be sure that you’ll end up finding her making out with someone else. Take as many pictures as you can and you’ll be free forever” “I don’t- Who told you I like women?” “My dear friend” “God, fuck Karina” “Um, maybe this collaboration will lead to something good?”

You looked up in shock and found a rather smiling Karina. “Do you start talking about sex when you're done talking about revenge? You’re crazy.” “I can’t help it if revenge turns me on like crazy.” Karina slowly ran her tongue over her upper lip, while you looked at her with wide eyes.

“Are you really… My god, you do this to everyone?” “Everyone who? You’re probably the last woman in three years that I’ve found truly attractive!” You rested your face on the fist you’d created with your right hand.

“Do you feel lonely?” Karina looked at you intently and nodded, gently moving her head. “Me too. That’s why I’ll help you. I see reflected in your eyes the same sadness that I feel." That's what it was.

“Y/n” “Tell me” “Do a good job” “I’ll try”

Karina finished all the chips that were left on the table, while you looked at her intently and prayed that the day you would meet Yuna would never come.

Unexpectedly, you received a call the next day: a very familiar voice invited you to participate in a graphic project that involved twenty different photographers who would take pictures of Yuna during a typical month of hers at the beach. Fans are certainly crazy to buy this, but it's all for the career, right?

Your first encounter with Yuna was ordinary. Where normal means you were struck by how tall and beautiful she was, even though Karina had gotten you used to it well. Yuna walked over to you and pulled you into a tight hug. “Y/n, right? I saw some photos of your portfolio and I loved them. The way you capture what's around is extremely sincere. Thank you for accepting. I am eternally grateful”

Yuna was warm. You noticed it immediately. Her body temperature had nothing to do with Karina's. Yuna's smile, moreover, really showed a sincere kindness. The photos you took were delicate, beautiful, and… real. But you remembered what Karina had told you and quickly came to your senses.

You spent two days taking photographs for one of the most beloved women in the world - that's what the charts said - and on the last evening, Yuna and her manager dragged all twenty of you to a pub.

Yuna, clearly drunk, stood up on a chair and started screaming. “Thank you! You were amazing! This project will come out amazing. Now let’s get our glasses up, we have to celebrate!” As everyone downed a few glasses of beer, you noticed a familiar face looking sweetly at Yuna. It was her girlfriend. You asked the boy next to you to switch seats and, perhaps nodding his head, he permitted you.

"Hi, I'm Y/n" "Ah, nice to meet you, I'm Haseul! Yuna showed me your photos. They're beautiful, congratulations" How cute, I almost feel sorry for using her like that. "I see you're looking at Yuna with sweet eyes… Is there something underneath?" the little laugh you let out right after should have helped break the tension, but it only made it grow even more. Haseul wiped the sweat on her pants and then spoke to you.

"I love her more than anyone else in the world" Ah. "It must be nice to love someone" You ran a hand uncomfortably behind your neck. "It's nice to have someone by your side. We're almost always together. I only have her. After what Yuna went through last year, she's become even stronger" A strong curiosity grew in you.

"What happened to her?" "Her ex-girlfriend cheated on her, Yuna found out and told her parents to shoot her an arrow that would cause her the same pain" "That's not possible" "Plus Yuna lost a very important job with Saint Laurent. She spent sleepless nights because of Karin-" Haseul quickly covered her face with her hands.

"Karina. Are you sure it was her fault?" "Ask anyone you want. She lied to everyone and messed up half the plans of people here just to go out and cheat on her girlfriend. Everyone hates her. She's just a pretty face in this industry"

Your head started to spin, maybe from drinking too much alcohol. “I’m going to get some fresh air!” “Shall I accompany you?” “It doesn’t matter, thanks.”

Outside, on the side of an empty road, you threw up next to a dumpster. Karina had been lying to you. She was evil, she was crazy, and a total dickhead. Everyone knew it but you. Because you had been a normal person until the week before. You had seen the surface, never what was underneath.

You understood that Karina would treat you like Yuna. You understood that the only solution would be to refuse, but your career was at stake.

Yuna came out and walked over to you. “I’m sorry you found out. I know everything. Karina isn’t the only one who can spy on people without being accused.” “Do you know everything?” “From the stupid meeting at the fast food restaurant to the job opportunities she offered you. Her dear friend, aka her manager, is Shin Yuna here’s dearest friend.”

You looked into her eyes. “I’ll have to… No, hurt you. I don’t want to.” I wanted to, but now I don’t want to anymore. “It doesn’t matter. Do it.” “How could I?” Haseul came closer to the two of you. “You can’t hurt us. When you find someone in life who loves you, life has a whole different meaning.”

The cold suddenly hit you. And, strangely, you thought for a second that those two were crazy. “Yuna would lose her job,” you continued “But I will never lose the people I love. And anyway,” Yuna put her arm around Haseul’s waist, “I won’t be in this industry for long.”

Haseul looked you in the eyes and smiled. “Don’t worry.”

As you made your way home, your eyes caught the massive posters of Karina that adorned the streets yet, beneath your admiration, a swirl of conflicting emotions surged inside you; you couldn't shake the nagging feeling that she was not only a bit unpredictable but also a master of deception. Despite all that, you felt an undeniable urge to kiss her.

The karaoke seemed more rotten than usual. Karina didn’t seem to belong there at all. The last day, the decisive one, had now arrived. You sat down, like the last time, in front of the raven-haired girl.

“Hi, Y/n. I see you well. How are you?” “Better than you can imagine” “My ears only want to hear good news”

You took her usual bag of chips from her hands and started munching on them. “What do you think of your modeling job?” “I hate it” Karina, to your surprise, answered without even thinking for a second. “Why?” “There is no sincerity in what I do. But it is the only job that puts me in contact with hundreds of people a week. It makes me feel less alone”

You put the chips on the table and took out the incriminating photos. “Yuna and Haneul, as you asked me and here I have,” you took out the USB stick, “the murder weapon!” Karina looked at you with wide eyes. “Did you… Do it?” “Your charm won me over, unfortunately, I have to admit it” Even though You were ironic, Karina's cheeks turned pink.

Karina pulled out a computer without making eye contact with you. Then she ordered you to open it. In front of your eyes was a fairly famous site where you were supposed to upload incriminating photos of Yuna and Haseul.

“Y/n. I have to tell you something" As you wrote the description of the photos you would publish immediately after, you signaled Karina to continue.

“Maybe it's because I haven't felt someone's affection for a long time, maybe it's because I can't look at myself in the mirror anymore without crying but…” “After Karina, after” “You said…” “Let me talk”

Seeing Karina so vulnerable and with teary eyes made you feel guilty, but what you wanted to do you would have done without complaining. Karina, however, seemed ready to let go of everything, to take a decisive step.

“Karina, kiss me” “Why should I do that? Are you crazy?” “Last time you seemed intent on doing much more!” you raised your voice. “If I kiss you it’s only because I want to show you how I feel!”

You both were incredibly close. The intensity of the conversation had drawn you from the karaoke sofas, and now you stood face to face, the air feeling thick between you. Karina was the first to make a move. She reached behind your neck, gripped your hair tightly, and swallowed hard. You didn't want to initiate the kiss; you wanted her to take the lead. And that’s exactly what she did. Karina leaned in and pressed her lips against yours, but the kiss was tentative, almost shy. She clearly wanted you to respond, but you held back. The kiss ended before it truly began.

“Why?” she asked, embarrassed. You, in response, checked your phone and went back to finishing the article on the computer. You connected your phone to the computer and transferred the photos.

“What about the USB stick?” “I’ll give it to you as soon as I’m finished”

Five minutes passed before you closed the computer. The die was cast. And so is your life and Karina's. There was no turning back, in any way.

“Y/n?” “Done” “Good…” Karina grabbed a blanket and wrapped it around herself. You did the same.

“Why did you lie to me?” “What are you talking about, Y/n? “Tell me the truth. Haseul and Yuna told me everything. I also spoke to other colleagues. All the same version. You’re a liar, Karina.”

Karina looked back at you with a blank stare. “And what are you?” “That’s not the point.” Karina slammed her fist on the table. “From everything they told you, did you only understand that I’m a liar?” “How can I trust you, Karina?”

Karina hugged the blanket and started biting her nails. "You know when I'm lying. You can feel it. You know when I’m not natural. I understood immediately when we met that there was a different connection between us." “Do you say that to everyone?” “You’re not funny, Y/n!” Karina screamed and threw the bag of chips in your direction, making a mess in the room.

“It’s not funny to make fun of people. You used me.” “I didn’t!” “So what did you do, Karina? How would you call what you did?” “I tried to keep you as close as possible… I don’t have anyone. Yuna wanted to leave me and I had sex with someone else the next day! Our relationship was over.” “People can’t love you if you pretend to be someone else.” “Everyone abandoned me. They abandoned me when I pretended to be the sweet and kind Karina and when I was the real Karina!”

Karina seemed to have reached a point of no return, but you could do nothing but pity her. Now you just had to tell her your truth.

“Karina, listen to me. Yuna got what she got because she moved on and recognized that love can be found anywhere. Her career is worth a thousand times more than a career like yours that was built on pain. Just forget about this life. Start over again." “The only one I have is my manager. I have no ambitions, I have no love. I just wanted someone to feel the way I do.” “We all fight for something, Karina! I fight for photography and you’ve been fighting against yourself for too long!”

Karina seemed to be furious. “You don’t understand. I’ve been alone all my life! The only one who’s close to me is my manag-” “No, he’s Yuna’s informant. When he handed me the ticket for Vogue, I immediately understood that he was not on your side, Karina”

“Karina” “I hate you. Will you stop throwing the truth in my face? I know, damn, I know I’m alone. I've never gotten along well with anyone. But with you, I had a good time. Time never seemed to end. You’ll abandon me too. You all do the same when I show you how I am”

You turned the computer towards her. “Karina, I posted the photos. Look at them. First, breathe and then rationalize” Karina did as you said, too vulnerable to go against you.

When she saw the article with the photo of you she couldn’t say a word. She just asked you, in a weak voice, why you did it. “We can start over, Karina. They already had everything. In their eyes, I saw what was missing in ours. Rise from the ashes Karina or die forever, it would make more sense than continuing to pretend to live in someone else’s body”

You got up from the room, knowing that the news with the photo of you and Karina kissing would do more harm to her than to you. You shut the door behind you. You turned around. Outside you waited for Karina, hoping she would come out so you could comfort her. But that didn’t happen.

The news caused a scandal. The billboards with Karina disappeared, her role as the lead actress in that new movie was deleted and for more than a month, all anyone talked about was that photo. No one recognized your face; next to Karina, you looked quite bad. Yuna called you and guaranteed that your name and work would remain in the photo book. The Vogue photos were never published. You stuck them up, with Sunwoo’s help, in the fast food restaurant.

Sometimes someone stopped to observe them and Sunwoo took care of answering their questions. Very naturally, he said that Karina loved coming to this fast food restaurant - before it disappeared - and that you were her favorite.

Six months had gone by, yet the ache in your chest refused to fade, a constant reminder of the unresolved feelings haunting you. Each night, you lay alone in bed, tears soaking your pillow, knowing that no one would come to comfort you—and that no one would offer her the same kindness. In those haunting hours, you grappled with memories and regrets, feeling the weight of your sorrow pressing down on you like a heavy shroud.

“What a beautiful day! Life has never been so beautiful!” “Sunwoo, it’s just your first role in a stupid TV series” “A stupid TV series that you’ll watch!”

You and Sunwoo had become great workmates again. This time, you were the one who requested more hours, and Sunwoo, despite having found a second job, had decided to work alongside you in each of them.

Sometimes you look at the street illuminated by the street lamps. You hadn't been able to move on. After Yuna’s photobook came out, your name appeared on many other projects. You had started working with many more idols. But there was no one like her.

“Still thinking about it?” “My mind is occupied with her, Sunwoo” “You couldn’t contact her?” “No one has her number and no one has been close to her. At least I know she’s not dead” “Yeah…”

It was four in the morning on a random Thursday when a black car pulled up on the road and parked in front of the fast food restaurant. Sunwoo let out a scream and hid behind the counter. “Is that the police? What have you done, Y/n?” “Stop it, you idiot, and get the emergency number ready. You never know”

But a woman with blonde hair, no makeup, and wearing a sweatshirt that looked very expensive, stepped out of the car. At first, you and Sunwoo couldn’t figure out who she was, you could only guess that she was extremely attractive from the way she walked.

When the first light from the fast food restaurant hit her face, Karina revealed herself to you with a shy smile. “Sunwoo…” she waved at the boy. “And well… Y/n… How are you doing?”

Sunwoo let out another scream. This time you did the same. Then you started to cry, unable to control your emotions. Karina threw herself at you and hugged you with teary eyes. After you both calmed down, Sunwoo fried you two large portions of fries and left the place for a moment, pretending to have received a call.

“Y/n. I look at you…” “Terribly, terribly” “Yes, well. You’ve lost weight” You squeezed her hands tightly. Warm tears fell onto Karina's white hands.

“Sorry” “Stop it, it’s okay. Look at me” Karina took your face in her hands and forced you to look at her. Then she continued to speak. “It had to be this way. I was reborn from the ashes, okay? But I want you to do the same. Let’s help each other. We’ve been alone for too long and…”

Karina stopped to look at the road, her eyes shining. “I missed you. The real you is so annoying, sexy, and cute at the same time. I'm happy to hear you're well."

Karina then looked back at you and looked at the palms of your hands. “Come with me. I'm full of money. Let's run away from here, let's go where no one knows us" "Karina" "It doesn't matter if you tell me now. You destroyed my previous life though! I expect you to pick up the broken pieces and put them back together"

She made you laugh and you thanked fate for having met her. You gave her a sweet kiss on the cheek. Karina looked at you with a raised eyebrow.

“Are you just kissing me back?” “Karina, there’s a time for everything” “You know, Y/n, I have a few things I need to tell you about myself. Did you know that I especially love dark chocolate and hate milk chocolate?”

“Karina,” you stood up from the stool and locked your eyes with his. "Tell me, Y/n" “We have all the time to learn to love each other” “And we have all the time to learn to live”

Sunwoo burst into the fast food restaurant, his eyes glistening with tears of joy. He couldn’t contain his excitement as he shared the incredible news: he had secured a role in a film directed by a renowned filmmaker. The moment was electric, filled with laughter and heartfelt congratulations as you both celebrated his achievement. Before leaving this familiar place, you and Karina decided to capture the memory with a photo at the very spot where your journey had begun. As the camera clicked, you were acutely aware that this moment marked a turning point. You stood there, smiling and cherishing the memory, knowing deep down that you were ready to embrace the future and leave the past behind, resolutely moving forward without looking back.

[amoebab22]

I completely agree with this. I feel like this is one of the worst parts about Veilguard. My Inky is in the South, and while I firmly believe Orlais is the devil, it's very weird that Tevinter is just super chill about my elf Rook when my elf Inky had constant micro-aggressions as well as just out and out slurs hurled at her. Also I'm going on a rant about Mythal.

SPOILERS BELOW

Bellara also seems to just...kind of ignore that I'm an elf? Davrin makes more sense. He left his clan and joined the Wardens because he just didn't really vibe with the Dalish. He'd think of himself as a Warden first, I think. Wardens don't seem to give much of a shit about your race or religion or sexuality or whatever. In The Calling, they canonically don't give a fuck about the gay couple in their little group, or that Fiona is a mage and an elf. Absolutely irrelevant. So Davrin could start to fall into that mindset because frankly, it's a nice way to live. It's just not real outside the Wardens.

So when Bellara is like oh my god our gods are evil and Davrin is like eh, fuck 'em, that's actually about the most realistic reaction we've got re: elves. Davrin is just out here like yo I'm a little busy saving the world fuck them gods. Love Davrin.

Also, in Inquisition, there's concern that knowing Corypheus's artifact is Elvhen will cause violence against elves. So knowing it's the Elvhen gods causing all of this? The consequences of that, even if an elf Rook saves the world, should be looming for a Shadow Dragon in particular. Clearly Inquisitor Ameridan's race did nothing for the elves of Orlais. It was covered up over time. His sacrifice meant nothing to the humans. This should make Solas's plans to restore the elves much, much more tempting.

The way the Crows were presented REALLY bothered me as well as someone who romanced Zev. The Crows *tortured* him, sexually assaulted him, made him feel worthless, because it was seen as necessary. Sure, Lucanis being blood family might give him a very different perspective and experience, but Jacobus is just allowed to be a Crow and start his own house when he wouldn't kill? I mean, I totally agree that prolonged, public shaming and imprisonment is worse for this individual, but like.... That's not how the Crows work. They kill stuff for money. Sure, they run Antiva and would be pretty pissed off about the Antaam taking their territory I'm sure, and they might work with Rook since Rook helped Lucanis and he's a big deal to the First Talon. But like... It should be a hard choice to work with them for Shadow Dragon Rook, because SLAVERY.

I feel like the pullback on slavery is to make Solas's actions seem more ambiguous, and to make it seem like there was some equal power between him and Mythal. But I have a very hard time believing he was never Mythal's slave. Also, a spirit of BENEVOLENCE? Get ABSOLUTELY fucked. She was fine with SLAVERY. Thought she could just slowly phase it out, maybe. Yeah, no .

Because here's the thing: slavery is evil. Whatever you have to do to stop slavery, short of participating or killing slaves, is pretty easy to justify. Maybe I'm just John Brown-pilled from living in Kansas a good chunk of my life, but killing slavers and slave owners and freeing slaves is MORALLY CORRECT. FULL STOP. A "kind" master is still a master. Sure, you can give them a chance to free their slaves and make reparations first, but waiting to vote slavery out didn't work. The US had to go to war. Haiti had to rebel (and give basically all its GDP to France for like two hundred years. Fuck Orlais AND France).

The only reason my Inky was able to befriend Dorian, at first, was their shared trauma in going to the future. That changes people (that whole quest fucked me up the first time I did it) and I think my elf Inky was looking for reasons to trust Dorian and ignore the system he participated in. She didn't have to see it so it seemed less real. He's an altus so he doesn't own the estate. He seems open to other opinions! And some part of him knows it's wrong, or he wouldn't be so awkward upon talking to Inky the first time.

But Solas's inherent and never fully overcome distrust of Dorian isn't wrong. Solas needs to see action; words aren't enough. I don't blame him.

This is the same softening we saw of the Templars in DA2 and Inquisition, but if you read The Stolen Throne and The Calling and play DAO, it's very clear that mages are oppressed by the Chantry and live in horrible conditions. The ones in Lake Calenhad are described as pale and kinda sickly looking (or something like that) because they don't get any fucking sunlight. Fiona is happy to go to the circle at first because she was a SLAVE in Orlais (Honestly Loghain's hatred of Orlais is justified even though his actions aren't). If you decide to allow the right of annulment or whatever in DAO, Zevran calls it genocide. Zevran isn't one to mince words. He doesn't pretend he isn't a killer or that he wasn't tortured.

My Inky and my Rook are both 'no gods no masters' types, which is why I think clan Lavellan sent their First on a risky mission supposedly by herself (got real sick of her shit lol). As a result, she heavily sympathizes with Solas's cause, and would have happily joined him in bringing down the Veil if he'd just agreed to spend time making sure as few people died as possible, particularly after she meets the Avvar and sees how spirits really are. She knows Solas better than anyone, and even without a full explanation, she'd know that his reasons for doing this were morally right. He freed her people. He never meant to hurt them. He can't live with his guilt. Inky (who in my game was more like 30 because I don't think she could have made decisions or led on her own at 20, nor would she have been a studied enough mage) wants freedom for everyone. She's chaotic good.

Rook is a Shadow Dragon who killed slavers a little too hard for an organization dedicated to killing slavers (based Rook). They're also chaotic good, and a bit of an idiot, bless them, who kinda sees everything as a nail because they have a hammer. They see slavery, they fight it. Fuck the consequences. Solas did the same.

So why is Rook not bringing up slavery a lot? Why is Rook only finding out that Solas freed slaves on the regular at the beginning of the game? Did Varric just decide that wasn't worth bringing up to a person whose entire life revolves around ending slavery? Why is Rook not having an existential crisis after talking to Solas and finding out the truth of his past in his memories?

Look, all I'm saying is that I don't understand why more people aren't angry with Mythal and why no one is talking about slavery and racism. The whole point of fantasy and sci-fi, and the point of Dragon Age, is to critique modern society through thinly veiled references. That's why people get so passionate about Star Trek. And yeah, yes, it's necessarily going to make a piece of media more niche, or people are going to bitch about it (especially gamer bros my dude calm down, sorry something is very briefly not about you), but it makes a game *good* and lasting

BG3 did a good job of exploring the themes of trauma and power imbalance, and while some characters I think needed more fleshing out (Wyll my beloved, I owe you a lengthy fanfic for the injustice done to you), it was particularly powerful in Astarion. The people are ready for real exploration of real issues. We always have been. Backing off was a mistake.

ANYWAY I have feelings and none of my friends share my special interest. Here you go.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[shizunitis]

How do you think Shen Qingqiu would be affected if he had Xin Mo?

holy fuck i've been thinking about this for months and now that i've been asked i'm kind of lost. anon i love you prepare for a whole lotta yapping

the question is vague enough to both give me room to fuck around and to not know what to focus on. so i'll go with trying to figure out what the chain of events would be, mostly. i'm very sleepy though. that should be taken into consideration.

xin mo uses its masters' trauma and psychological issues against them. which means we just have to take shen qingqiu's issues and ramp them up enough to see what that would do to him. how that change would present itself is highly dependent on how he comes upon xin mo, as well.

first off, what does he want? shen qingqiu wants, in no particular order: to survive, to have luo binghe by his side and safe, and to protect his sect from a wrathful luo binghe.

he dislikes violence but doesn't shy away from it when it's expected of him to be unmoved by it. he's a deeply curious person and likes theorising, cultivation, and feeling powerful and respected. he thinks of himself as a "faker" but is proud of his moral stances, especially when they differ from the original goods'.

his biggest frustration throughout the novel is the fact that he cannot protect luo binghe from the plot and all the suffering that would bring him, and that he is under the control of something so opposed to his own goals as the system.

let's say shen qingqiu were to fall into the abyss and find xin mo himself, and therefore the system's control of him would be weakened, as it was when binghe was down there. this would mean he didn't betray binghe, maybe even took his place. this has to happen because he figures out the system is his biggest obstacle, before he gets to xin mo, or else my whole thing falls apart. maybe shang qinghua plays a part in this, maybe not.

it doesn't matter much how, but if he doesn't come to this realisation at some point, he would not place his target on the system, nor would he get the courage to try to change things according to his own wishes.

so. abyss -> revenge on the system -> find xin mo -> cultivate with it -> get out of the abyss.

first off, the sect wouldn't stand for him using a clearly harmful (to both himself and the world around him) demonic sword, or any sort of demonic cultivation at all, so he'd have to hide it if he were to make his way back. paranoia and fear would probably change him into an overprotective person, someone who slowly becomes less careful about what he has to do in order to protect his people, especially when we factor in how he'd had to, for years, live under the control and supervision of the system.

there is also the problem of getting close to the protagonist again. if he were to make contact, the system would re-activate, and his attempt to kill it would be useless.

he'd draw himself away from the people he cares about so he could watch over them. he would study and try to use the sword to change things in his favour, with the right incentive. the harm brought to his cultivation by the sword would probably force him to become more secretive so he isn't discovered.

he would probably seclude himself away from cang qiong, binghe and most of the world. whether he goes into the demon realm or not doesn't matter. he would rely on only himself, unless he can get shang qinghua involved in his plans. i imagine shang qinghua would be opposed to it, not only because the system would be against it, but because shen qingqiu's death or pain would spell his own destruction (by luo binghe's hand) if he didn't try to stop it.

the threat of huan hua palace and people discovering binghe's true nature would probably allow for the sword to take advantage of him more and more as he uses it to fight against them. i don't think the opm would not go after luo binghe, especially with shen qingqiu out of the picture, so i'm imagining the old fuck would offer luo binghe some sort of help just to get him close. shen qingqiu wouldn't stand for it, and we know that as he gets more desperate, shen qingqiu tends toward pragmatism. he would do what needs to get done, i guess.

"stuck between a rock and a hard place" pretty much describes shen qingqiu in svsss. having that not be the system's fault, for once, would probably push him to the edge enough that he does something extremely stupid and turns the entire cultivation world against him in an attempt to protect binghe from the opm's influence.

i don't think he would go too far, outwardly. he would probably bring more harm unto himself with xin mo than binghe had, and would probably suffer more than anyone else involved. him being so tight-lipped about his own motivations would get him scorned and named a traitor to the human realm. he'd have shen jiu's reputation post-trial, maybe. he would become colder, lifeless, honed-in on his goals.

this was an extremely long-winded way of saying that shen yuan, corrupted by xin mo, would become a husk of his former self. i imagine a moment where he tries to be warm again, that whole fond teacher shtick, and would find himself horrified at how much of an act that is now, rather than acting cold and heartless. i think he'd have turned his caring into caring too much to the point of leaving himself behind.

i had a wip of shen yuan transmigrating into luo binghe and having to lean into xin mo's influence so that he could get luo binghe reinstated into his own body that i put on the shelf at some point. he ended up baiting people into trying to assassinate him, and used their sacrifice as a way to power some sort of revival technique.

shen yuan needs plausible deniability for every action he does, especially ones he sees as morally reprehensible. so. add that to the whole thing above and that's the bulk of it, i think. maybe. god please tell me i make sense i need a shizun headpat

[zanazirafanfic]

I just received the finished Cameo from @noshirdalal, and I am SHAKING. It is SO good.

Here it is in full, for your viewing pleasure. (Transcript, provided by @rockscanfly , under the cut.)

I had asked what Charles might have to say to Arthur, if the two of them discussed how much Dutch was changing. Since Charles had experience watching anger and grief change his father into someone he no longer recognized, I wondered what perspective he might offer.

The answer was delivered even more masterfully than I had hoped - although I'm not surprised by that in the least. The request was also tied to some relevant events in my own life, and I appreciated Charles's cool-headed and truthful words of wisdom as much as I'm sure Arthur did.

(Thank you so much, Noshir, both for your wonderful performance here and for your kind words before. It means more than you know.)

Outlaws for life! 🦬🦌

Transcript:

I’ve been a fool, Arthur. I kept telling myself it was only grief. That Dutch was working his way through the loss of Hosea. That eventually he’d come back around.

This isn’t grief. There is something wrong with him.

I watched him giving counsel to Eagle Flies. The look on his face... That poor boy was so worked up, so angry, so confused, that he didn’t see it. But I saw it: the jackal, leering behind that mask that Dutch wears these days. It's like the man I’ve known is gone.

Your cough is getting worse. And I know you don’t have a lot of time. And I know you’re gonna do everything in your power to save those that need saving.

My father taught me a really important lesson. He was a drunk, and he taught me that you can’t save someone who doesn't wanna be saved. And I wear his lesson on my face.

Be careful, Arthur. I don’t know if Dutch can be saved. And if he can’t, a lot of good people are gonna die.

[towriteloveontheirarms]

Dragonride (Daemon Targaryen x Servant!Reader)

synopsis: It was his wedding night, yet instead of consumating the marriage with his new bride, Daemon chooses to celebrate with someone else.

warnings: power imbalance, smut, p in v, fucking in the bathtub, semi public sex, afab reader

word count: 0.8

taglist: @hopelesswritergall @urmomsgirlfriend1

(If you want to be tagged for a specific character/fandom or in general let me know in my asks, comments or DMs)

Dividers by @saradika

The whole day the castle had been running around. Preparing for the royal wedding that is supposed to bring benefit and safety to runestone. The rogue prince as a lord husband was the perfect promise of that. If only everything would have gone as planned.

All throughout the ceremony servants passed whispers to the farthest back of the castle about the cold distance between the royalty to be wed. How far they were sitting from each other, as if the other were made of poison, as well as the enemies prince Daemon apparently intended to make early on as it seemed.

It is of little surprise when you get tasked with preparing an additional room for the Targaryen to spend the night in.

And just in time. Right as you finish preparing a hot bath for the prince, his heavy boots carry his tall frame into the room.

“Your highness.” You greet him with a bowed head.

Upon the sign of a finger, you rush to help undress him. Steady fingers removing layer after layer of clothes until there is nothing hiding the pale skin from the dim light of the candles. Daemon is silent until the task is done. Yet he gives you a knowing smirk as your eyes accidentally roam over the length between his legs.

“You can go now.” He commands afterwards, already half turned towards the bathtub.

You bow again, however as your hand touches the cold, smooth doorknob, his voice sounds through the room once more.

“Wait a moment.” His voice is disinterested as always and he doesn't look at you as you turn to him anew.

“Yes, your highness? Do you require something else?” You inquire quietly.

“Indeed, I do.” Daemon pauses for you to inquire further or understand what he means without further explanation. 

When you don’t, he speaks up again. One single word. “You.”

Your breath stocks for a moment in your lungs, unable to think clearly as usual at the request. Not a request, more a command. One that leaves no room for arguments.

Who are you to refuse a Targaryen prince anyway. “As you wish, your highness.”

With slightly trembling hands, but deliberate moves, you shed the layers of clothing that hide your body from the blond's sight.

“Have you ever ridden a dragon?” Daemon asks with a mischievous half grin as you approach him. Every step carefully thought through as if he would bite off your head any second.

“I haven't, your highness.” You negate the answer to his question.

“Well, I think it is high time for your first flight.” One large, rough hand comes up to guide you into the borderline scalding water and on top of his lap. “And for the love of the gods, stop ending all of your sentences with your highness.”

“Yes, y-... Yes, of course.” You quickly catch the trip up and correct the mistake.

Still, it earns you a sternly raised brow, which in all honesty only furthered his attractiveness. Lost in thought, it is one of Daemon's hands wandering up your breasts and lays itself snug around your neck, that pulls you back to reality.

“Good. Now show me how good of a dragon rider you can be.” with one swift move Daemon impales you on his cock.

Immediately he sets for a punishing pace. No doubt needing to get rid of some energies that must have collected inside of and burned through him the entire day. The strength with which the prince’s hips meet yours send ripples of pleasure mixed with pain up your spine and all throughout your body. The scalding hot water that surrounds the two of you makes you sensitive to every little change in his touch. Especially now that Daemon grips your waist to hold you still as he fucks up into you so tight, it might as well have left bruises already. The sound of your nails scraping against the bathtub fills the room, only overshadowed by the drawn-out grunts and heavy, shuddered breaths that mingled between you, chasing away the steam of the water below.

It isn´t long until you can´t hold back your own strained moans. Your strength waning with every new assault to your core. And even shorter until you are only held up by Daemon´s hands, your body leaning forward limply. Chest to chest and face nestled in the crook of his neck. On a particularly harsh thrust your teeth graze his ear, being shaken by the body clashing into yours.

Underneath you Daemon growls, the sound is animalistic and sends a whole new wave of heat through your nervous system. The sweat that covers both of your bodies, begins to run down in droplets, mixing with the water, driven by the exertion put on you.

The Targaryen’s thrusts grow erratic from the all but possessive display, bringing the tidal wave of your pleasure down to crash over you.

He released a final few thrusts into your convulsing cunt before pulling out of you completely, leaving behind a trail of sticky seed as evidence of his conquest. The mixed fluids spilling out of you and into the water below.

[sunsetsover]

i went back and watched first ep of thk again this time without being psychologically flashbanged every 2 seconds (which was only semi-successful tbh) and my biggest take away out of everything was that bison really gets off on power.

you can see it clear as day in that very first scene with the guy that they're targeting. this is clearly someone who has money and power - he's picking men out of line up like they're nothing more than clothes on a rack. but the reality is that bison is the one who's really in charge. bison is the one who has all the control. bison literally has this big, powerful man's life in his hands, and he really, really likes that.

you can see it in the look on his face when he shoves the guys face into his chest - he's disgusted, clearly, but he's also smiling. he looks so deeply satisfied, and why would he in a situation like that if not for the fact that he knows he has all the power in the world in that moment and is almost a little turned on by it. it doesn't matter that the other guy thinks bison's some weak little guy to be bought and given commands. it doesn't matter he's sitting there all smug thinking he's in control. bison knows the truth. that's enough. it's probably why he can so easily play along - that knowledge. that power. because really, what does it matter how rich or powerful someone is now that bison has him in his clutches? and what is that if not complete and total power?

you can see this desire for power and control bleed into other dynamics too. i think it's why he's so 'difficult' with fadel. fadel clearly loves and cares about him, and his concern is well meaning, but he does treat bison like a child. and to a certain degree it's probably warranted (i mean look at what happened at the karaoke bar). but at the same time between him and the little bit we know so far about their mother, bison's completely smothered. and sheltered (the guy doesn't even know how to cook a burger. they literally run a diner). and i think that has less to do with bison being inherently untrustworthy or reckless, and more to do with the fact that he just doesn't want to do what he's told. and i imagine in turn that made his mum - and by extension fadel - tighten the reins on him.

because bison, at least so far, seems to have really no control or even any say over his own life. he just does what he's told, either his mother or by fadel. he has no other choice really - it seems he has nothing and no one else. he's effectively trapped (which i think will be the catalyst in his and kant's relationship, bc kant is also trapped in a situation he can't get out of, but i digress) so he's rallying against their control over him in whatever little ways he can - causing problems, being difficult, being purposefully obtuse. i think bison is someone who knows he doesn't have any real power, and so uses what he does have to his advantage. he plays dumb and weak and naive and sweet to manipulate people and situations so he can get what he wants for a change. that's his power. and it seems effective enough, and he probably likes the little things that it can get him, but i think what bison really likes is the fact that he can make people bend to his will. sure he has to work for it, but the fact that he can have people dancing to his tune while being completely unaware of what he's doing is what he really likes. i think that's where bison's true power lies. and i think that that power goes straight to his head.

which brings us to kant. kant, who - at least in my opinion - bison thought was just another guy with a big ego who just expected bison to lay down and take it. like idk i just got the impression that bison was not super impressed w kant at first. and bison does try briefly to wrestle kant for the dominance/power that kant obviously thought was his to take (like the tapping to see who was going to go to who, and getting in each others face to see who was going to break and kiss the other first) but soon enough bison just lets him have it bc ultimately it's not that important. they weren't supposed to ever see each other again. he was gonna get off either way. but even so bison gave as good as he's got, making sure kant knew he wasn't just gonna lie down and take it. and i think that at some point bison kinda realises hey this guy is actually listening. hey he's kinda malleable actually. hey he's kinda putting on a lil show for me, taking his shirt off nice and slow. hey this is a lot more fun than i thought it would be. but at the end of the day he doesn't get his shit rocked by kant the way kant clearly gets his shit rocked by bison. bison literally put that man to sleep. kant's lying on his sofa all but twirling his hair afterwards. in comparison bison doesn't even seem particularly bothered about the whole thing until kant shows up at the diner.

but anyway my point is we pretty much know bison's desire for power is going play out in his dynamic with kant bc of the whole bdsm thing. imo this is going to be even more important if it does turn out that he knows/suspects kant's motives - which, after a second watch, i am a lot more likely to believe. it was just so obvious. of all the things bison could've been doing right then, he just so happened to be cleaning the windows? with a big mirror right next to him? yeah ok sure. but don't expect me to act surprised if we find out down the line that bison was behind the scenes puppeteering this whole thing with kant - and with his family too.

because really the question is if he suspects kant's intentions - which he clearly did, no matter how briefly - why would he not tell fadel? why would he not seek help? and i think the answer to that lies - again - in the fact that bison wants power. any thread of it he can grab onto he does with both hands, whether that be that killing or domming or pissing people (fadel) off. playing games with people's minds and lives in that way - even those of the people closest to him, even his own - really doesn't seem like that much of a stretch judging by his behaviour so far. i think he'd probably be rubbing his hands together like an evil little fly at the thought of everyone thinking he was dumb or naive or a liability when the whole time he's the one pulling all the strings. he's the one who has everyone's lives in his hands. he's the one keeping all of their asses out of prison while at the same time he's got the guy who's supposed to be his downfall tied up in knots (both literally and metaphorically)

and even if that isn't the case and bison really does have no clue what kant's up to, i still think he's loving the fact that kant is so desperate and eager to win him over. bc ulterior motives or not kant really was sooooo dickmatised by bison. even before chris got on his ass he was telling his bestie abt it like 'i didn't even get his name 🥺️ it's like i slept w a ghost 🥺️ he only exists in my memory 🥺️' like he was down horrendous for bison the moment he got him in that hotel room, and bison KNOWS it. he knows the power he holds over kant, and he loves that shit. he loves that kant ate that shitty burger just to stay on his good side and he loves that kant is so doggedly persistent in trying to be his boyfriend and he loves that when his big brother tried to scare him off kant didn't run or give up but instead asked him 'well how can i get him off our backs?'

and sure we know why. but does it really matter? bison just loves the fact that he can tease kant and not give him what he wants and still kant will just grin and continue to chase him, drooling like a cartoon dog who's just caught scent of a freshly cooked steak. it doesn't really matter why: bison loves power and he loves how eager kant is to give it to him. that's why it's really not that shocking their relationship veers into bdsm territory. kant already seems more than willing to give bison whatever he wants, and what bison really wants is power (and freedom, but we haven't really seen the depth of that particular want just yet). of course kant's going to give him that power, no matter what that looks like.

(but while we're on the topic, i'm really interested to see the dynamics kant and bison adopt the next time they have sex. we know they venture into bdsm territory eventually, but if bison introduces that into their sexual relationship right away (excluding their first time obv) i'm gonna be really side eyeing that little guy bc it's like oh? why are so desperate to be in charge? is it bc you know that guy thinks he's playing you and you wanna see how far he'll go to get what he wants? is it bc the idea of you having this man - this man who thinks he's playing you for a fool - blindfolded and tied to your headboard makes you feel drunk with power? is it bc the idea of hurting this man who's trying to hurt you and him wholeheartedly LETTING you gets you off like nothing else? bc if that really is the case we're reaching unprecedented levels of horny i fear)

anyway this post was just supposed to be a little thing about bison getting off on power i didn't meant for it to turn into a character study/ted talk on his relationship dynamics but here we are lmfao anyway i love bison already i wanna dissect him in a lab <3

[vigilskept]

i know it would've been difficult for them to tackle, but it absolutely kills me thinking about the missed opportunities of getting into religious angle of everything that's going on in veilguard.

because it's insane, right? that there are gods in this game. and the game will tell you over and over that they aren't gods, that they're Just Mages, but that's actually not precisely true. they're something very different from what a tevinter magister is, at least, and not only on a power-scale.

powerful spirits are gods in this setting. that was the religion ascribed to by most of humanity, before andraste. the avvar and chasind still ascribe to that belief.

a lot has been said already about how the game fails to engage with belief for dalish characters, and i agree. i think the game also really fails its andrastian characters here though because this is actually huge.

it's not just whether the golden/black city is/was the seat of the maker. it's the very meaning of what god is that's at stake here.

the maker has abandoned humanity. only through the pleas of his prophet andraste is he willing to consider the idea of offering a second chance to his creation. he will not respond to your prayers, and he will not give you answers. his will is inscrutable, to be interpreted only through the words of his prophet which have been changed over the centuries.

and if you are a mage, you are taught that this maker has cursed you. your very being is a curse.

and then you meet elgar'nan. and then you meet ghilan'nain.

they are not your maker. not really. not even if you're an elf.

but these gods are knowable. they will speak to you, personally. they may even do so with kindness. they will tell you what you could do to please them, and even offer you something in return.

and what they ask is terrible. maybe even unfathomable. but in a world where exalted marches have been called in the name of the maker and entire circles annulled, isn't that enough to give you a little pause?

[rokkit-story-time]

"L-look, I just... I wanted to chill out for a few days, yeah? Cats are a good form for that!"

I nodded slowly as I kept petting. The slow, gentle strokes along his fur seemed to be helping. "And now you've forgotten... how your power works?"

"No!" It was less a shout and more a whine. I decided to assume it was the cat body changing the quality of the voice. "I... I don't have a 'default' or anything, you know? I don't just 'shift back' to my original self, I actively turn *into* it each time. A-and now I'm..." They tuck their nose between their paws. "...I can't picture what I looked like clearly enough to change..."

Oh. "I have some pictures of us from a year or two back. Would that help?"

He looked up at me and blinked, then lowered his head back onto the couch. "Yeah... yeah that should be enough to go off of. Now all the panic feels a little silly..."

I didn't reach for my wallet right away. "I mean, you couldn't have known when I'd come over."

"Yeah, I guess, but even if it was a little uncanny, I could've turned back into something with hands and sent you a message asking..."

"...so why didn't you?" There was something else here. I could feel it. So I started nudging. "And before you say you were panicking too much, you've been silent for *days*. That doesn't seem like a short-term lapse in judgement."

"W-well, I was still enjoying being a cat up until yesterday!" The protest was weak; there *was* something else going on. "A-and..."

"And... you didn't want to change back?" I offered.

"No! M-maybe?" They tensed like they wanted to flee, but slowly relaxed again under my continued reassuring scritches. "I want to change back into a *human* again, b-but..."

I looked at them with a smile and nodded. "But...?"

They looked at me, then shifted to rest their chin on my leg. "...remember last year? At that club event?"

They paused, so I nodded and continued for them. "I wanted a possible hookup and you decided the discount was worth it, so we ditched the faux-het-couple routine by you turning into a girl." I tried to keep any smugness out of my encouraging smile. They were different that night, and no amount of excuses had made me forget just how.

"W-well, I, um... th-that was the first time I'd ever done that." They refused to look at me, but I nodded anyway. "But it... w-wasn't the last? I-I mean, it was the last in... in public..."

They seemed to have trouble continuing, so I offered another nudge. "...but sometimes you'd do it again in private...?"

"...yeah. I... I tried out different looks and body types. A few of them I really liked. And sometimes, I... I caught myself wishing I could wear a look all the time. While going about my life, you know?"

"...why can't you~?"

They raised their head, and even the cat features managed to look utterly incredulous. "What, do you want me to out myself as a shifter!? Or are you suggesting I fake my own death or something?"

I couldn't help but laugh as I shook my head. "Nothing that dramatic! C'mon, you can be subtle. Call up a therapist, talk about your feelings a bit, get a prescription for some new medication..."

"...so like... actually transition...?"

I nodded. "If that's how you feel, then yeah." My smile widened as I scritched under their chin for a moment. "In case it wasn't clear, I'm here for you and will always support you fully. And I say you should do what feels right!"

"M-maybe. But that whole plan feels, I dunno... a little disingenuous?"

"So you can pass better than most and won't actually need any HRT or any surgery. Does that change who you want to be?"

She laid there for a long moment before responding. "...no..."

I nodded, still alternating between head scritches and long pets down her body. "...have a name in mind~?"

"...Coral..."

"Damn, you picked a pretty one~" I flopped back against the couch. "You've really been thinking about this ever since that night at the club, huh?"

"...yeah..." She was silent for a few more moments before speaking up again. "...sorry. I... I should've talked to you about it before now. I kept meaning to! But there was always some excuse I'd give myself, and then I wouldn't be able to speak up, and..."

I just nodded. "I get it. Kind of a shame, though... I could've asked you out waaay sooner."

"You... what!?" Watching the cat body language take over as she suddenly leapt up and backwards made it *really* hard not to laugh, but I held it down.

"Well yeah, remember how I kept saying I wanted to make sure I only left with the cutest girl at the club? Well, the cutest girl at the club that night was *you*. But I couldn't just say, 'hey you should turn yourself into a girl more so we can date' or anything. Glad I didn't too, or I wouldn't get the chance to see what other cute looks you've grown attached to~"

"Y-yeah, I-I guess you're right!" The panic in Coral's voice was similar to when I'd first gotten there, but somehow much more gay this time. "I uhhh, I should probably go change then!"

I patted my pocket as she dashed for the stairs. "Need that picture~?"

She stopped. "...no. Not right now, at least." She looked back at me with what I could only assume was the cat version of an emotional smile. It was *adorable*. "Thank you~"

I just nodded again as she turned and zoomed up the stairs, excited to see what she might look like when she came back down.

Your friend, a shapeshifter (a secret you've kept since childhood) hasn't answered your texts in days, so you head to their home. Upon arriving, you find that they're in the middle of an existential crisis; they can't remember how to turn back into their original, human form.