#but if I don't at least I did my favourite

[sugar--brown]

Aw... sorry! Don't worry as the self-proclaimed queen of fluff, my focus is more on "how do I fix my blorbos?"

So! Imagine...

Nastya is floating into space aimlessly, alternating between hazy consciouness and death. She is just cold all the time now, space is pretty lifeless and lonely in comparaison of her family. Especially without her coat. She hasn't had a clear thought in years... or is it centuries?

Until she crashes on the windshield of a ship. Like a cute little space starfish. But not on any ship. On Silvana! Where Carmilla is currently the captain.

Turns out, Carmilla has found the little piece of metal with the numbers the cyberians had engraved on Aurora. She would never forget them. Ever. And of course, she was worried for her little moonshine!

So, when Carmilla had detected Nastya (don't ask how), she came to pick her up. What happened? Had she been airlocked? That was unusual, usually it was Toy Soldier who was the target...

It's hard to have answers from a popsicle Nastya, so Carmilla puts her daughter on bed rest until she is better. With lots of fluffy blankets and her favourite space hot chocolates.

But of course, Nastya is not going to be better. The moment her thoughts are clear enough, she shuts down. Because her life is over. Her Aurora is dead, she abandonned her family and band, her planet doesn't exist anymore, her relationship with her mom is rocky... what could she looks forward to?

After lot of soft persuasion, treats, and soothing songs, Carmilla is able to convince Nastya to at least explain what is going on in her head.

Nastya doesn't say "I'm scared of changes and organic beings in general because the first time I came in contact with them it traumatized me, so I snapped when the last bit of her homeplanet disappeared" because she is not aware that this is the problem. Instead she says to Carmilla the same thing she said to Jonny before shutting down again.

Carmilla is distressed to hear that, a love so pure and wonderful which lasted for milleniums couldn't shatter like this! Especially not between Aurora and Nastya. So, she goes to speak to Aurora. Nastya refusing to leave the Silvana.

Carmilla talks woth her oldest, in a way she never did before. It's raw, it's hard, but it's geniune. Carmilla talks about how Nastya still considers herself as cyberian, how herself had been negligent of the mechs' mental healths, how her relationship with Loreli went... Aurora also talks, which became small miracles lately. She talks about how she feels like Nastya loved her only because she had been abused and not because of who she was. She talks how hurt to realize that Nastya only saw her as a machine. She talks how she will never act as an organic being because it is wrong of her.

And oh boy! Carmilla and Aurora have a lot to talk about.

Meanwhile, Nastya is still in bed aboard Silvana. Refusing to move a finger. Which doesn't please Silvana.

Silvana is not everyone. They (let's use they as their pronouns) are a sentient ship just like Aurora, or maybe not in details but close enough! And they are offended about how Nastya talked about Aurora. They have a conscious! They are not an object that you can change entierly by switching pannels and bolts! How dare this little princess to imply it's the case! Silvana was expecting more than that when she listen Carmilla's tales about The Mechanisms.

Silvana is less soft and accomadating than Carmilla. They are not a mom. They are a spaceship able to travel between dimensions! So, she forces Nastya to talk.

And when Nastya finally snaps and says what she has buried deep down... She breaks down. She screams, she cries, she destroys things... she is messy. In a way she never really had been. Just like any organic beings. Or at least any immortal organic beings.

Silvana is surprisingly great at helping realised that Aurora is still Aurora even if she changes. Just like Nastya isn't the same than years ago. That running away is just hurting herself. And the love of her life.

I will not pretend that everything is perfect right away. And certainly not that everything goes back to how it was.

But, gradually and with a lot of errors, Nastya and Aurora reconnects. It took a stupidly long time! But they have the eternity to fall in love again. In a new way. A more geniune one. It feels like a new relationship, one based on the love they have for the real person their partner is, not what they represent.

It's slow, painful, and ridiculously messy, but they succeed. Nastya went In.

Just in time for a certain Pilchard to put a computer virus in Aurora, making Nastya succomb to it just the way she would have when she had this unique connexion to her love back in the days.

It's no wonder Out happened when you really think about it. Nastya doesn't like organic life because it's complicated, it can break, sometimes it's even unfixable.

quote from gender rebels

Nastya is in love with Aurora, and in saying that she is saying "you are not organic life, I can deal with you because you are metal and algorithm and predictable" - we can see this in bedtime story when she says she'll tweak Aurora's story creation algorithm

screenshot from A Bedtime Story

Aurora is not inorganic. She is not ai. She is a space moon made of flesh and blood and teeth and bone. She is not an ai. She is a body that was taken and stripped of autonomy, of the right to self identify, of the right to think- to be imperfect and organic.

The metal is a veneer that hides how messy and traumatized and unfixable she is. From the outside she is a starship. From the inside she can still bleed.

And this makes them fundamentally incompatible. But yet, they are in love.

And really, it's no wonder Nastya fell in love with Aurora. Let's take a look at Nastya's home planet, or at least home society:

"Terminals were scattered across the planet. There was one on every street corner, one beneath every lamppost and one in every commune block." "The midwife-machine performs a series of programmed manœuvres to quieten [the baby]. It cradles it and hums at several pitches until it finds one that seems most soothing. Mechanical arms stroke the baby’s flesh even as others start the process of implanting augmented reality interfaces into its nervous system." "The Czar an atrophied frame, never present in the real world and worn to dust by the chemical compounds that kept his brain alive so it could live forever in a perfect virtual paradise. The Rabotnik a copy, a mind preserved unchanging in the instant before its death and placed in an everlasting metal frame." (Cyberian Demons)

Its safe to say the world Nastya was born into, from the very minute she was born, was ridden with technology. She has augmented reality interfaces inplanted into her from birth. It would stand to reason that being taken from this society, wherein technology is everywhere, inside and out, would stand for a bit of a shock.

Aurora too had been augmented by the Cyberia.

While it is stated that the last time Nastya had used the ports themselves was directly before her death — "The last time she had used the ports, her tutor had ripped them out of her as the rebels stormed the palace" — Aurora is laced with Cyberian technology. I'd imagine she has something of a 'bluetooth wireless connection' with Aurora, rather than the physical data transfer of files between the ports and Nastya, it may as well be similar enough.

Imagine being Nastya, going from Cyberia, wherein there is augmented reality contantly, transplanted onto a ship with metal blood, a jonny, and a vampire. To Aurora, where the only bits of augmented reality run through Aurora.

Of course she'd fall in love with her. Aurora is familiarity. Aurora isn't organic. Aurora isn't human.

And of course when the undeniable part of aurora that is organic, that is a flesh moon plated in metal with her brain hooked to machines, when so much has broken and been replaced, when, presumably, aurora is less of an algorithm, nastya leaves with the brand cyberia left on her.

Because Aurora healing, becoming more of herself and less of a starship, is messy, and organic, and human.

and hard for nastya.

‘Think how long she’s been flying you around. Think how many bullet holes you’ve punched through her and how many atmospheres you’ve dropped her through. Think how many alterations and improvements we’ve made, Tim to her guns and Ashes to her storage and Brian to her engines and the Toy Soldier to who knows what. How much do you think is left of her after all she’s brought you through?’ Nastya held up the ancient, battered piece of hull plating. Just visible under the grime and scars of particles of space junk was a fragment of the Aurora’s original logo and serial number. Jonny honestly couldn’t remember the last time he had seen a version that hadn’t been painted by the Mechanisms themselves. ‘So she’s free, now.’ Nastya gestured around at the spaceship they were standing in. ‘This Aurora can take you where you want to go. I’m going to take my Aurora somewhere else.’

Aurora was ship of theseus'd. Aurora was improved. Aurora was no longer cyberian. (both literally, and metaphorically)

So nastya left.

[empressofthewind]

Rating Reactions to Seeing Shinigami for the First Time

A comprehensive (and probably biased) list :-)

~~~

Chapter 1 - Light

Falls on the floor and screams, then recomposes himself and very unconvincingly pretends he expected this. This is the first we get to see of Light's Perfectly Normal And Chill Guy persona and I have to say it's not a strong introduction to his acting skills. He gets points for entertainment value though, and also for managing to scream without attracting the attention of his family???

Rating: 8/10

~~~

Chapter 7 - Kiichiro Osoreda

This is the guy who performs the bus-jacking that forces Raye to show his ID. It's a very entertaining scene, but he's being controlled and his reaction is therefore inauthentic, which makes it difficult to give him an accurate rating.

Rating: 0/10

~~~

Chapter 26 - L

This one doesn't technically count because L is merely hearing about Shinigami rather than seeing one, but it's too good not to include. He silently falls off his chair while actively solving a murder case in which the main cause of death has been heart attacks. Naturally the entire task force panics and thinks he's dying, and he does nothing to assuage these concerns. Absolutely iconic of him. Also makes for brilliant foreshadowing.

Rating: 10/10

~~~

Chapter 46 - Misa

We don't get to see Misa's very first reaction to meeting Rem, but we DO see their reunion during the Yotsuba arc, and she is horrified. She screams just like Light and L did, and her fear persists as long as Rem's hand is covering her mouth. She reacts pretty much how I would expect the average person to.

Rating: 5/10

~~~

Chapter 53 - Soichiro

Another pretty standard reaction. Falls backwards, screams and immediately reaches for his gun. Nothing remarkable about it.

Rating: 3/10

~~~

Chapter 53 - Aizawa

Exact same reaction as Soichiro, but he gets extra points because this panel of them both panting on the floor is utterly delightful. The eyes?? The pose???? They look like a pair of petrified crabs. I'm obsessed.

Rating: 8/10

~~~

Chapter 53 - L (again)

L has heard that Shinigami exist and already knows that there's a "monster" attached to the notebook, so he's not surprised at all by the time he actually sees Rem. Instead, he starts having such an intense and paralysing epiphany that he doesn't even notice Light taking the Death Note from him. The least dramatic reaction so far but incredibly on-brand for him in every way.

Rating: 6/10

~~~

Chapter 70 - Rod Ross

Freaks out once he actually sees Sidoh, but he's incredibly relaxed about the notebook flying beforehand. His line "I wouldn't be surprised if it's alive" is hilariously ironic given that the notebook does turn out to have a living component to it, and this does, in fact, surprise him.

Rating: 7/10

~~~

Chapter 70 - Kal Snydar

One of my favourite reactions purely for the implication that Rod might have recruited an 8-foot-tall man in a monster costume. Perfectly reasonable assumption to make.

Rating: 9/10

~~~

Chapter 70 - Mello

Much like L, everyone around him is panicking, but he stays impressively nonchalant. Immediately starts plotting ways to manipulate the demon creature for his own gain. This is essentially L's reaction if he was 90% more unhinged.

Rating: 10/10

~~~

Chapter 101 - Near

Only character to look genuinely happy about seeing the Shinigami which is an instant 10 for me. He gets an extra point for having the most precious smile ever <3

Rating: 11/10

[skemford]

So far Arcane S2 is looking cool. Almost all characters are complex and it's impossible to look at them through "good vs bad" lenses.

There are certain takes from fandom/community that i don't agree with... but alas, i don't consider my opinions to be 100% correct either.

More thoughts about some characters (Cait, Vi, Isha, Sevika) in Arc 1 under the cut (beware of spoilers):

- Cait loosing herself while going through the grief is written in a realistic way. She's a privileged girl who never experienced major losses, lost an important person (a mother) and she's supposed to keep a facade of a stoic leader for the sake of her community. I felt truly uncomfortable when she decided to use the ventilation system to poison the air of Zaun & her degrading rhetoric (both toward citizens of Zaun and to Vi) was terrible. Her perspective can be understood but it cannot be redeemed with a couple of empty words. I'm curious to see where her dictatorship arc will lead her and how it ends. Honestly a lot of people underplay police brutality that was shown through her.

- Vi taking the role of enforcer was shocking to me considering everything that happened to her in the past. Gassing up her own people while wearing the uniform of her oppressor felt OOC but i can understand that she's motivated by endless grief and her fear of loosing Cait too. At least she did acknowledged that some things are wrong once she's face to face with a child protecting Jinx. Her role was more passive than in S1 so hopefully she'll shine in arc 2 and 3.

- Isha (little girl that follows Jinx) is a plot device that may die sooner or later. I'm not sure what i feel about her but i cannot hate her either, she did nothing wrong. I don't understand those who are mad about the scene where this child is protecting Jinx; Jinx unwillingly saved her life and was a bit soft while Isha saw only brutality from Vi & Cait. This is a matter of perspective, really. Outside of this, i think that some people are forgetting that she's younger than Powder was in S1.

Did she gave Jinx a couple of sympathetic points? Maybe. But Jinx herself was a bit calmer than in S1. A moment before meeting Isha she's walking around the city and reflects on what Silco's death led to.

- Sevika didn't switched her opinion on Jinx "abruptly". She was loyal to Silco and his absence made her acknowledge how much work she was forced to do for him. In her perspective Jinx was a brat who had it easier and created mess that Sevika was supposed to clean... turns out, it wasn't like this. Her "grief talk" with Jinx about Silco shows that Jinx was under the pressure too. Sevika's loyalty lies with her beliefs about what's the best for Zaun and its people and Jinx may be the hope that they'll need (which was shown in Arc 2 teaser). You can argue that she was brutal in S1 but she's not "a villain". Wanting to fight for your freedom from Topsiders is way more complicated.

On less serious note:

- Caitvi hugs and kiss were sweet. Let's hope that it'll happen again. If it's possible after everything :)

- My favourite fight is Sevika vs Smeech. I loved visuals, music and seeing Sevika getting her own screentime.

- Vi vs Jinx fight was on entirely another level in terms of animation, I'm excited to see what's in store for unreleased episodes.

[hurricane-eva]

Trove

I made a LOT of scribbled notes as I watched this one!

*It opens with CLICKY PEN!!

Favourite lines

Morse: "Nothing suspicious?" Max: "Only you."

Max:"I'm a pathologist, not a road sweeper"

Bright: "This... girl competition, or whatever it is"

Morse: "Venerable the Bede may have been but not clairvoyant"

Max: "He had a fractured everything"

Morse: "A man can't serve two masters. Sooner or later you'll have to choose."

Thursday: "Go home" Morse: *does not go home*

Morse: "I suspect the truth is I was myself all too much"

Morse: "Everyone's someone."

Morse: "A bunch of overgrown schoolboys playing with the dressing-up box?"

Music

I am, as @itsa-me-cavaradossi knows, NOT good at recognising the opera tunes in these episodes, let alone their relevance to the scenes, but I DID RECOGNISE BRINDISI FROM LA TRAVIATA so I'm pretty proud of myself. (Just don't ask me how it's relevant. I know it's a drinking song, that's all I know. ALL I KNOW.)

Word I Didn't Know and Had to Look Up:

"Murophobic" means afraid of mice and rats.

"Salmagundi" is a cold dish or salad made from different ingredients which may include meat, seafood, eggs, cooked and raw vegetables, fruits, or pickles. (I wrote it down and now I don't remember how in the world this word was even used in the episode or who said it)

Monica

MONICAAAAAAAAAHHHH *incoherent morsica noises*

Morse

The PTSD in this episode is soooo OUCH. (Also catnip for Eva.) The backfiring car and just how OUT OF IT he is several times.

Copley-Barnes

Yuck. I had to google to make sure I was remembering right about this dude showing up in OG Morse (I was) and that it was the guy I thought it was (also it was) and that his daughter Imogen was the "Im" turning cartwheels in the garden in this episode and HOO BOY DOES THAT GIVE ME THE ICKS.

Question

What does Bright mean when he says "I ask with no side"?

And now for spoilers:

Sex with daughters is the sick theme here, it seems. I wonder if they did that parallel with Infernal Serpent on purpose.

Oh, and I know the glasses off before suicide was also a nod to OG Morse, but I can't remember which episode. I wanna say it was the creepy church episode in season 1, but don't quote me on that. As much as I roll my eyes at much of OG Morse, I *love* the easter eggs and connections and I'm glad that I've seen it so I can at least have that background.

[hinamie]

bunch of portraits

[sysig]

I really like @theratpy​‘s Dr. Zo :D I like him for normal reasons don’t even worry about it don’t read into it at all haha (Patreon)

Bonus Ratticus

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[bluespiritshonour]

I'm kicking, screaming, crying, throwing up, pulling my hair out by the roots—

Exile by Taylor Swift is such a Maiko-coded song. Like, it doesn't get more perfect. Literally every single line of that song fits with Maiko perfectly ugh!!!

The way I'm feeling right now has no solution, no relief. It's like how you want to crush cute things cause there really isn't any response that would deal with the stimulus called cuteness? I'm going crazy because I can't express how much I love this song and I love maiko and sometimes words aren't necessary. Sometimes it's just the vibes and exile is so maiko in vibes—I feel like I've understood a lot of things I feel like throwing up.

It's like Zuko and Aang looking at the dragon flames and understanding firebending. I listen to exile and it's just—maiko in my head...just pictures and vibes and feels. No words apart from the ones in the song and they fit, okay?

[rainintheevening]

It makes me sad when people leave Peter Pettigrew out of their Marauders fanart or videos or whatever. He was one of them. He was a Marauder.

[originallymarysue]

Chapter 7 is here!

Summary: The crew are going shopping today! Hopefully nothing goes wrong and no arguments happen for once!

[herestoburiedsecrets]

One of the things I really love about Pat's character is the way that in both the episodes that centre him (1x3 - Happy Death Day and 4x7 - It's Behind You) focus on the way that Pat is honoured and loved through Daley and the rest of his family. We see a lot of instances throughout the show of that being a father is a core part of Pat's personality, and by putting an emphasis on the ways that Pat lives on through his family the show further highlights this. Daley seems to show this the most, which is not that surprising given Carol was cheating on Pat for most of the marriage. The fact that they all visit Button House on Pat's death day and the way Daley mimics his dad in the home video is genuinely so heartwrenchingly beautiful, and I love it so much. It is so fitting for the character, and a really beautiful way to explore Pat's past!

[starryalpacasstuff]

Last Twilight; Mee's legacy continues

I know that we're all mad at how episode 11 went. Believe me, I am too. I'm not going to be talking about the issues in the episode, several others have already done so, and far more eloquently than I could. Because despite the episode's failings, there are still some things about this episode that I think deserve to be talked about.

I've loved keeping up with Mee's story as the show has progressed (written about it here and here). I thought that Mee's story ended in episode 9, but it continues to be present in the narrative. The most obvious clue to this is, obviously, Porjai's daughter, whom they named Mee. In addition to that, episode 11 focuses on highlighting the fact that Day 's blindness is not something that can be cured, just as Mee could never return to her life before she was cursed. Just as Mee had hoped that the last twilight would allow her to return to her normal life, Day hoped, even fully believed that the surgery would allow him to become "normal" again (the medical inaccuracies of the process aside). In the end, neither can return to a sense of "normalcy", as Mee turns to stone and Day's surgery fails. Both stories are haunted by a sense of grief, helplessness, and hope that is given and taken away. But the end of Mee's story isn't written as tragic, it's written as joyful. The exact same ending could have been written as tragic and solemn, but it wasn't. In the end, Mee was able to revel in the fact that she would never turn invisible again, despite turning to stone. And that's what I'm hoping that Day's final arc will resemble. Because we know that Day is still insecure about his blindness, and about people's pity for him. His buying that cane was a massive step in the right direction, because it showed that he was willing to "announce to everyone that he's blind", to be less afraid. But, as the breakup showed us, he's still insecure about his blindness. If the theory is right, episode 12 should show us Day accepting his blindness, and maybe even celebrate it as a part of him, as Mee does.

Mee's story has run parallel to Day's since they began to read it. Mee's story is over now, but Day's isn't. We see that Mee continues to have a presence in Day's life, be it metaphorically, through her story predicting his, or literally, through Porjai's daughter. Besides fixing a lot of the damage that was done in episode 11, if there's one thing I'd like from episode 12, it's one final call back to Mee's story.

[ifindus]

More ScotNor AU please 😍

Love your art style very much!

Thank you! 😍✨

I have another ScotNor AU from when I spent a month in Orkney researching herring fishing in Scotland during the 1800s 🙈

Scotland is a fisherman and one day Norway shows up, sailing across the sea with this old boat and starts selling his herring at the docks - always catching more than the other boats. Scotland does not like this new guy who is not even local, and they strike up this sort of rivalry (because Norway can be snarky when he wants to), sending a few remarks each other's way when they cross paths at the docks or on the sea. Norway has good knowledge of the ocean and knows good herring spots, and Scotland ends up following him there some days. Then, one day, there is a sudden storm and they are too far from land. They get tossed around by the waves, and Norway's boat ends up shattering, flinging him into the dark water. Scotland manages to save him, and together they get his boat under control.

and that's all I have so far 😅

[helenofblackthorns]

after I'm done Sword Catcher the plan is to start my tda reread turned reading for the first time. I cannot go into 2024 as a tsc fan who has not read half of the series with the exception of a few passages and vaguely knowing the plot. this has to end NOW

[jackredfieldwasmyjacob]

i'm giving guadalajara too much shit but los pueblos negros (the black villages) are genuinely really freaking cool

also! my first experience with them was through an andrea compton video, cause she is from one of these villages!!! for those who don't know her, andrea compton is one of the most belovedests spanish youtubers, one of the ogs as well and i love her very much. anyways, she lived here until high school, where she went to live with her father in my hometown lol, in suburban madrid. so. pretty big change. i unfortunately cannot find her video, she might have just deleted it at this point - i watched it at least 10 years ago - but i found what her village is if you want to look it up, it's called roblelacasa, and as of 2016 it has 22 inhabitants. i remember she told in the video that she had to go to another village to go to school, and that in said school there were 6 kids in total, of course with different ages all together in the classroom.