#but idk if this makes any sense

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[toodrunktofindaurl]

"Death's child"

twitter | bluesky | insta | 🔞 patre*n

[chloesimaginationthings]

William Afton has top tier FNAF parenting skills

[dionysus-complex]

Re: my observation that the average undergraduate now seems to have much greater familiarity with Homeric epic and at least some Greek literature (esp. tragedy) than with the Aeneid or any Roman material, I think there’s a myriad of things at work here but at least one is that we’ve reverted to this weird cultural construct where ancient Greek myth and literature is viewed as universal while Roman literature is viewed as particular and this affects what books are taught e.g. in high school and college English classes but also what gets mined for retellings. and I also think Roman material is often imagined as being more deeply implicated in the ideological framework of patriarchal western imperial society and like, in some cases perhaps that’s fair, but I would argue as a literary historian that Roman poetry is precisely where we see the cracks forming in Roman gendered imperialism just like Greek tragedy is where we see the cracks forming in Athenian gendered imperialism. whether we want to commit to any idea of authorial intent is a different question but imo it’s impossible to read e.g. Roman elegy or pastoral or even Lucan and come away with the pop-culture idea of the iconic masculine Roman subject (hell, I think even the Aeneid questions the conventional notion of masculine Roman virtus that Lucan absolutely shatters, but that’s another discussion)

anyways this also gets combined with a dynamic that’s really maddening to me as a classicist where anything Roman is almost exclusively gendered as masculine in popular culture (see the Roman Empire meme, but also the subculture of Jordan Peterson bros roleplaying as stoics and reading or pretending to read Marcus Aurelius) whereas on the Greek side we have Anne Carson’s Sappho translations and a total saturation of feminist rewritings of Greek myth, Homeric epic, and tragedy. this is actually really weird from the perspective of a Roman social historian, given that women are far more visible in Roman material (esp. from the 1st century CE onward) than they are anywhere in classical Greek society, and it has the consequence that Roman poetry (except, like, Lucretius I guess) gets sidelined because the types of dudes that are going to maybe read Marcus Aurelius or Tacitus are definitely not going to read Catullus or Vergil’s Eclogues or even the Aeneid given that poetry itself is often gendered as feminine in the 21st century popular imagination, and the types of non-classicists who like Anne Carson’s Sappho and feminist approaches to Greek myth are also probably not going to read Roman poetry

[smallblueandloud]

*for the purposes of this poll, "ears pierced" refers to a "standard" lobe piercing, in the middle of the lobe

i'm asking b/c everyone i grew up with who was AFAB got their ears pierced at birth, but i know it's not universal!

[casscainmainly]

Jason and Cass' opposing views on murder is so interesting. Their conflict is not purely moralistic - that is to say, it's not purely that Jason thinks murder is okay, and Cass doesn't. It's their identities, their original and most fundamental worldview. Jason is a murder victim and Cass is a murderer. Yes, Jason kills people as Red Hood, and yes, Cass dies multiple times, but this never truly erases how they see themselves. Jason will always have been murdered, and Cass will always be a murderer. They are unable to fully extricate themselves from those roles, and thus will never approach life or death the same way.

[moonsnqil]

aftg au where neil/nathaniel died in baltimore and andrew knows he's dead, he didnt stop fighting until he had autopsy reports and a closed casket in front of him. andrew knows he died that night but a week later, a week spent rotting and shoving everyone away, he sees neil. blue eyes clear as water, his hair still glows in the sun, when andrew reaches out he knows none of this is real. neil josten is dead, matt has an empty dorm and someone is already adding nathaniel wesninski to a true crime podcast. he knows none of this is real but it's easier to accept a hallucination than it is to accept that he failed, that another person has been snatched away from him. so andrew goes to practice and sometimes he misses balls because neil is on the court aiming left but aaron shot right. he goes to edens and can feel neil's weight behind him as he carries the drink tray back to their table. he watches nicky play games on the xbox and he hears all of neil's commentary. when he's alone, he talks to neil. andrew had always been great at being silent but never with neil. and he knows none of this is real but it's easier to confide in neil now that he's so intimately familiar with his absence. they trade truths and secrets and neil tells him about oklahoma and andrew knows they never talked about oklahoma and he's just remembering a conversation he heard on disney channel when he was eleven. he lights two cigarettes and sees neil smoke it but doesn't dwell on how quickly the flame dies out. he only mentions it once, to bee. when he says "i keep seeing neil" and bee says she understands, people leave traces of themselves all around us, he never brings it up again. it's not like she's wrong on that front either. neil's locker still has an unwashed jersey inside, the phone charger he never used is still shoved somewhere underneath the passenger seat of the maserati, all the clothes andrew bought him are still in a drawer. matt doesn't spend a lot of time in his room anymore. when andrew says "i hate you" and he truly means it, neil says "i know" and his cheeks dimple. andrew knows this isn't normal, nothing about this is okay, his mental stability is a far cry from being good but he thinks maybe having neil beside him, haunting him like this, is better than a reality where andrew is alone. so they follow each other around like ducklings and wymack looks at him like he's a ticking time bomb because in no world does neil josten die and andrew simply moves on. andrew's nightmares have shifted from being seven and begging to watching neil fight for life on a grimy basement floor but it's okay because when he wakes up he gets to hold neils hand and it's a little cold but the divots between his knuckles feel the same as before so he can blame it on the weather. andrew watches neil's banner go up next to seth's on the court and andrew almost wants to laugh because seth is dead but neil is right here, neil is talking about being court, but no that's not right either. neil is dead, andrew knows this. but then how could neil be dead when he's still buying andrew ice cream and pushing all his buttons? they sit a little too close to the edge of the roof nowadays and neil tells him that they could fall but they might not die because it's only four stories so really it's no guarantee. neil tells andrew he has to be careful because what about aaron, what about kevin, his deals and his promises. he keeps his promises, it's what he's good at. he's pretty sure kevin knows something is wrong but is trying to pretend like it's not. they're the same in that regard, really. andrew knows neil is dead, abby's files label him as deceased, but he thinks he likes being haunted. if it means neil is still there, still planning a future and running his mouth, andrew thinks he could convince himself baltimore never happened. maybe neil was never something tangible to begin with.

[chimifuckinchanga]

why is deadpool just straight up the most shippable character of all time. this man can be with anyone and it’s adorable. logan?? goes without saying. spidey?? for sure. vanessa?? totally. cable?? why not.

it’s becoming baffling at this point like. is he drinking magical ship juice. how did this man harness such lovable magnetism

[dubioushonour]

"Can it run DOOM?" - boring, of course it can run DOOM, I've seen everything run DOOM from a knitted blanket to a pregnancy test to DNA

"Can it be used to recreate Bad Apple?" - exciting, imaginative, ALWAYS blows me away with the execution, an eternal banger, I am never expecting it and I am always pleasantly surprised to see Bad Apple in a new medium

[bunnnali]

maybe the term “antisemitism” seems “overused” because theres so much of it

[wardingshout]

Zelda goes mushroom girl

[scriblesandbits]

So god created us in his image, right? And that’s cool and all but what if it turns out god, like, hates his own image??? What then????

[sluttycinderella]

genuinely think dan just jumped at the first opportunity to make an apology video. this fucking theatre kid WISHES he had a legitimate reason to get up in front of his audience and emotionally manipulate them into forgiving him. he lives for the drama.

[forgetful-nerd]

I have no basis for this but I don’t think these two would get along:

“The Leo that felt like he couldn’t return” vs. “The Leo that feels like he can never leave”

[shadebloopnik]

I know this is probably either super suuuuupper obvious or im just reading too much into it, but i LOVE how Jorge changes his voice according to the song in the Ithaca saga

Like yes, we've already acknowledged the difference between the monstrous tone dealing with the suitors vs the airy one he uses with Telemachus, but its MORE THAN that.

If you'd listen closely to how he sings with Telemachus, there's just something different about it, like Jorge is singing in a way that makes him sound older. I suppose this is to help differentiate them too, considering how much Jorge and Mico sound alike, but like, you can hear it right? How his voice has the weight of age in it? Its not super obvious, but its definitely there.

The difference is made so much clearer the moment he speaks to Athena. Like, the difference in tone between his

"Go, tell your mother I'm home, I'll be there in a moment" to Telemachus and his,

"Show yourself, I know you're watching me, show yourself" the shift in tone and modulation of voice is SO GOOD?

He sounds so YOUNG to Athena and I love it.

When he was speaking with Telemachus, he was a father, a father who was way for 20 years, weighted down by the passage of time and it shows in his voice.

But then he turns to meet Athena, this beautiful, immortal Goddess, and its like he was back to his early years. Back to the days where he was her Warrior, training, learning, unburdened by the years. 20 years has passed and yet to this being of whom time holds no power over, he was as young as when he'd taken that boar.

[pendragonsclotpole]

question for my fellow merthur compatriots, i recently started reading a merlin canon fix-it where merlin’s modern name was emrys hunithson, and like i love that name, touching, meaningful. but that and another post on this website has me thinking about the lovely alternatives merlin might use as his name in a modern world.

like yeah, he could go by merlin emrys, merlin hunithson, emrys hunithson

but imagine if he took up the last name pendragon.

1500 years pass and merlin’s traveling the world as merlin pendragon, as emrys pendragon or better yet

ambrose pendragon.

merlin signs all his contracts and credit card receipts with the name a. pendragon.

arthur and the rest of the roundtable + gwen + morgana return but can’t find merlin. WHY?

because they’re looking for the wrong name.