#but i'll try to keep them as material? as possible

[lambdas-interests]

I think I'm gonna do that one exercise of "write a list of 10 things you'd like to have/have done in the next twelve months and then focus on one and create a checklist to make it happen". could be a nice source of motivation before starting the new academic year

[thinkinonsense]

Bewitched

˖⋆࿐໋ james logan howlett ✦ bridgerton au series

bewitched masterlist

cw: 1800s mentality on marriage and women, pinning, bickering, enemies to lovers

pairing: viscount!logan howlett x fem!reader

a/n: as of right now, i'm not sure how long this series will be but i'm so excited for it! i tried to make the reader as universal as possible but i did have to give her some sort of last name, so if that isn't your thing, you can always change it to fit. after the set up, i'll probably drop the last name.

bridgerton lore: ton (high society), debuting (when you begin dating/looking for a partner), spinster (an unmarried woman)

main masterlist

in early june, everyone returned back to england for this season and whispers of a french woman joining the ton spread around. one morning at breakfast, marie howlett was reading one of the gossip columns aloud to her family when her eldest brother, james walked into join them at the table.

"it says she's staying with her aunt, lady worthington. she is four and twenty and the only child. her passions are literature and painting. apparently, the queen has one of her paintings in her home..."

"she sounds lovely. doesn't she, james?" their mother said, hoping her boy was listening.

"she's a spinster." he says, eating some of the fruit on the table. "that's not viscountess material."

"the queen seems to find her to be diamond material." marie jabs.

james has never fallen for one of the diamonds. sure, their beauty is prominent and sometimes they can hold an intellectual conversation but for the most part they are simply shoved forward so the queen can take credit for their marriage.

"i have more important priorities this season."

"well, this season you should prioritize finding a viscountess." their mother bit at him.

during this time every year his mother gives james the same speech over and over again. the marriage speech. ever since his father died during battle, james has been plagued with not only his grief but also the weight of replacing his father and eventually having to find a replacement for his mother as well. instead of focusing on marriage, james kept himself busy either working or traveling and keeping his family afloat.

"mama, i promise i will find a wife at some point." james sighs. "i just haven't met anyone that can handle being my viscountess."

"what about the red headed girl from last season? you seemed to fancy her quite a bit."

"she married lord summers this past spring."

"and the munroe girl?"

"she's interested in mister brooks."

all his mother does is sigh in response to the news. he takes this as the perfect chance to escape the interrogation.

luckily for james, there was always an excuse to avoid marriage. in the past he's gotten close to making that walk down the aisle but something always held him back. he's never believed much in love or marriage past it's convenience. sure, he believed it was the blueprint of life, to take a wife and start a family but his marriage is seen as a much bigger deal.

all the mamas in the ton were practically throwing their daughters in his direction. at balls, he's always forcing marie to dance with him because if not, he will be forced to socialize with these young unintellectual girls who only value him for his money and title. james didn't want to have to nurture these girls. he would take care of his wife but he wanted someone who was independent from him.

ever since his father died in the war, james has always been guarded of his feelings. especially, when it came to love. when he went with his mother to identify his father's body, james swore on that day that he would never let love destroy him like it did his mother.

"remember, marie is debuting tonight at the first ball of the season." his mother called after him. "don't be late."

"i wouldn't miss it." he smiles at his little sister before dashing out the door and back to his study.

˖⋆࿐໋

a rainbow of silks are spread across your bed as you try to figure out what to wear tonight. if your mother was here, she would know exactly what would look best on you. it's only been three months since her passing yet the ache in your chest grows stronger day by day.

"what are you thinking of wearing tonight?" your aunt asks, lingering in the doorway.

"i'm not sure yet." you sigh, picking at the pretty gowns. "i like the light blue one."

arguably, it was the prettiest in the pile. so simple, you hoped to blend in among the wash of colors in the room tonight. the boning of the corset poked the left side of your ribs a little but beauty is pain.

as you got ready, the nerves started to kick in. by now you should be on your second or third child and pregnant with the next. why was love taking so long to find you?

ever since you were a little girl, you were a hopeless romantic. dreaming of your first kiss and getting married to your knight in shining armor. back home, there was a cruel joke that you were the girl before the wife. you get just close enough before they end it. afraid that the curse would travel with you.

"don't worry." you aunt hums, brushing your hair. "the queen picked you as her diamond for a reason."

"i know, i know." you nod, avoiding your reflection in the mirror. "i just wish mother was here with me."

"i do too, dear."

"she should've seen me married."

a small tear rolls down your pink painted cheeks. it feels like you let her down by not taking a husband before her illness got worse.

men have it so easy. there's no pressure from society put on them. you can marry at fifty to a nineteen year old if you so please because you know that they will marry you out of fear and desperation.

"who says she can't?" your aunts smile reflected in the mirror. "she's still looking down on you, probably working on sending you a lord or a duke for a husband as we speak."

"amusing." you giggle.

"imagine a viscount or a prince!"

both of you laugh at the possibility. viscounts and princes were usually swept up quickly in high society. all of them probably have pregnant wives by now.

"don't get too ahead of yourself."

˖⋆࿐໋

the queens ball was unlike anything you had ever seen. beautiful gardens, bright lights, and people gathered everywhere. inside the ballroom, the chandelier lights almost blind you.

like a hawk, lady chamberlain spots you two. she is an older lady and a close family friend. you haven't seen her since you were a little girl, surprised that she was able to recognize you.

"lady worthington and miss bowery, lovely to see you here!" the woman smiled, wrapping her arms around both of you.

"hello, lady chamberlain." you smile, feeling slightly at ease seeing a familiar face here.

"you look marvelous, sweetie." she smiles, taking in your appearance. at least someone appreciated all the bells and whistles that went into your dress for this evening. "truly like a diamond."

"thank you." you curtsy. a warm rose color rises to the surface of your cheeks at her compliment.

"let's go find that viscount i've told your aunt about." she says.

suddenly, she's pulling you and your aunt over to meet everyone.

quite some time has passed and yet you've only met barton's and a few lords. from one eligible bachelor to the next, it was the same process. you introduce yourself, dance, ask a bit about each other, jump into talks of marriage and children. it was all a bit overwhelming to say the least.

there's no news on a prince yet but lady chamberlain was holding out for a viscount while your aunt held out for a duke. meanwhile, you just needed someone with charm and charisma to save you from these godawful men of the ton.

"i'm going to get a drink." you announce, one the music ends.

in one of the dim corners of the room there was a refreshment table where you poured a hefty amount of wine into your glass and down as much of it –in a very unlady like manner– as you could before another person could find you.

it wasn't long until someone behind you clears their voice loudly.

"i was unaware that they taught women to drink like soldiers in france..."

you spin around quickly to face the man in front of you. he is gorgeous and... huge. dawned in white puffy shirt and a tight black vest with detailed buttons. he towered over you intimidatingly with a small smirk creeping on his lips from shocked expression.

"i-i deeply apologize, my lord. it was just grape juice." you laugh nervously, avoiding his piercing stare.

"hm..." he hums, lifting his hand up and letting his thumb swiftly glide under your lip to catch the bit of liquid there. you watch in awe as he licks the bit of wine off his thumb with a soft groan. "they must make 'grape juice' different in france."

never in your whole life have you been left so speechless. a gentleman has never done more so than touch your hand, let alone act so scandalous. with a satisfied smirk, the man walks away to join a small group of young women. thank goodness that no one seemed to have noticed.

"miss bowery!" lady chamberlain called after you. "i want you to come meet the howletts."

swiftly, you get back to her as she approach a mother and daughter. both of them were stunningly and wore expensive looking gowns with luxurious jewels. lady chamberlains wide smile only made you grow more anxious.

"meet lady howlett and her daughter, the honorable, marie howlett." lady chamberlain introduced.

"lovely to meet you." you say, bowing gracefully before them.

"where is viscount james?" lady chamberlain asks.

"oh! he should be around here somewhere..." the woman looked behind the two of you until she flagged someone down. “there he is!”

the moment that you looked up at the viscount, you feared your heart might explode right then and there. silently pray to the gods above that he won't mention your previous encounter.

"miss bowery, this is my son, viscount james logan howlett." lady howlett announces proudly.

"what a pleasure to meet you, miss bowery." james smirked, trying to get a rise out of you.

"as is it for me, my lord." you curtsy politely, feeling hot under his gaze.

a cloud of lust fogs james mind at the words, my lord fell from your pretty, slightly berry colored lips. the lower his eyes drift from your face, the tighter his trousers get. every exquisite curve is highlighted by the way that the silk fell on your frame, reminding him of the goddesses he had only seen in the finest of paintings.

"might you wish to accompany me to a dance?" he asks, extending his hand to you.

you nod, offering him your gloved hand in return.

the two of you make your way to the dance floor with everyone else. the orchestra begins and you quickly fall in sync with each other.

"how are you enjoying england?" james asks.

"it's quite lovely." you lie.

"better than france?" he questioned with a small tilt of his head.

"no." you giggle softly. "nowhere on earth is better than home."

"i suppose i cannot argue with that."

"have you journed to france?"

"once. when i was younger, i went with my father. he loved france."

"that's why my mother left england. she fell in love with my father when she visited france."

"they must be true romantics."

"oh, most definitely." you smile.

carefully, logan spins you twice. never letting you stumble over your own two feet like most men would.

"i truly am sorry for earlier, my lord. that was completely unacceptable for a–"

"it's alright, sweetheart." the viscount cut you off with a chuckle. "your secret is safe with me."

james looks down to see your big round eyes sparkle up at him with great appreciation. there's a unique feeling blooming deep in his chest that he can't quite put his finger on.

"i heard from some mamas that you are seeking to wed this season." you say, looking elsewhere as the two of you pull apart.

"seeking is such a complex word." he sighs amusingly.

"i imagine it would be difficult to find a future viscountess."

"you have no idea."

all around you, you can see the women openly fawning over the viscount. some fan themselves while other clutch their jewels with either anger at you or lust for him. any of those women would duel to be in your shoes right now.

"do you have a desire to be viscountess?" his question made your heartbeat increase, pounding in your chest.

as a young girl, you watched your family struggle in order to survive so it would be a lie to say that you don't dream of having a title. you have a father back in france to take care of in his elderly age. but love was your main desire. you would marry a sweet common man as long as he loved you.

"i desire to be loved." you tell him.

the answer caught james off guard. the women of the ton had no issue telling him to his face that they want his tittle or money. none of those women actually cared about love.

"well, my darling, you are quite the fool to be seeking out something as pure as love in a place such as this." james says, pulling you so close that you can feel his heartbeat in his chest and his eyes darken.

"don't be so cock-sure, viscount howlett. i am no fool at all." you glare angrily up at him. "i wish you well on your journey to find such a bird-witted viscountess."

the song ends and you are quick to make an exit. hot on your heels, james follows you outside. perhaps you shouldn't have insulted the viscount to his face but you didn't quite care anymore. this night has been a bust and you aren't any closer to marriage then you were before walking in here.

"miss, bowery..." a man calls, capturing your attention. "would you accompany me to a dance?"

based on the man's appearance, he seems even more important that the viscount. he was definitely the opposite of james. this man wore light grey in places where james wore black. this man had a sweet smile where james had a scowl.

"her dance card is full." the voice behind you threatened.

the gentleman's face fell a little.

"actually, i have one last spot open on my dance card." you smile, showing him the tag tied to your right wrist which had exactly one spot open. "i would love to accompany you..."

"prince harrison." he grins.

you hum, offering your hand. the prince leans down and kissed your gloved fingers before sweeping you off to the dance floor again.

james fumed as he watched you walk away with the prince. lady howlett spots her son alone and walks over to him.

“please tell me that you did not scare off this seasons diamond, james.” lady howlett asked in a low whisper.

“i’m gonna call a carriage” he growls, annoyed.

“dear!”

his mother called after him but he couldn’t care to turn around and stay here any longer.

˖⋆࿐໋

on the carriage ride alone, james is stuck with the image of you. your beauty and the pain in your eyes when james called you a fool. oddly enough, james enjoyed the way you bit back at him. he just wishes that he hadn’t offended you.

apparently you must not be that hurt if you accepted a dance from harrison of all people. not because he wanted to court you but because harrison was barely considered a prince and was a poor excuse of a man. never having to lift a finger a day in his life. never knowing a single struggle. the prince was insufferable.

perhaps it was in james best interest to forget about the beautiful woman he met this evening. she is this seasons diamond after all, desired by too many. james wasn't known to chase the things he desired.

──★

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[astralibrary]

hi @marykedoesart, this is my gift to you for @natsume-ss' spring exchange!

you said you like tanuma/natsume and heartfelt, emotional themes so i went very symbolic with this, haha. i really love the idea of using imagery from the fish pond in tanuma's backyard to represent these two and their dynamic, so that became the concept i ran with. i'll explain my whole thought process below, but in the meantime i hope you like it! 💖

pls bear with me here bc this is going to be very long and wordy lol

so there's a definite theme of separate worlds here; while the environments are both pretty abstract, the idea was that tanuma is sitting in his house looking out towards his backyard where the pond is, representing the "real world," whereas natsume is in a more fantastical underwater setting, representing the world of youkai. also there's the implication that he's sitting at the bottom of the pond, aka completely immersed in that other world, while tanuma can only perceive hints of it in the reflected light & shadow on the wall.

tanuma's side is lit by the glow of the setting sun, and natsume's by an otherworldly blue light. also, there's their clothes: tanuma is in his regular school uniform while natsume is in a yukata, something that pretty much all humanoid youkai wear.

next, their poses; they're both sitting exactly the same way as a reflection of each other but natsume has his head bowed while tanuma is looking up; this is meant to represent their different approaches to their relationship. natsume is definitely more closed off, both as a defense mechanism and because he wants to protect tanuma & keep him away from the dangers of youkai. tanuma, though, is open and contemplative, maybe even hopeful; he wants to be let in and he wants to help, even if it is dangerous.

the lighting reinforces these conflicting attitudes, with tanuma's side being brighter and warmer while natsume's is darker and colder, representing this sort of "optimism vs pessimism" dynamic.

so now, the fish. the bridge between their different worlds, basically. on natsume's side it's a real fish while on tanuma's it's a shadow cast on the wall, which is obviously the original conceit of the scene in the source material: natsume can literally see the fish, while tanuma can only see its shadow. still, even if it manifests differently, it still exists to both of them, so it's a connection between them concerning youkai.

so they're both in their separate worlds, but because of this connection they affect each other, maybe in small ways at first; as the fish crosses over the barrier it leaves little effects, little disturbances behind. on natsume's side, bubbles drift up towards the surface, little pockets of air like little lifelines showing the way, and on tanuma's side little droplets fall and create ripples in the reflected water, these small things that grow and grow outward until they're not so small anymore. little feelings that bubble up and ripple out, hoping to reach the other in their own way.

the fish brings these feelings across the barrier, endlessly looping around them as they endlessly call out to each other, trying to navigate this relationship they have; it's possible to bridge the gap between them as long as they look and listen and learn to embrace the things that make them different just as much as those that bring them together.

and that's about it! my goal was to make a symbolic piece about their struggle to understand each other but with a hopeful note, so hopefully that comes across! i hope my explanation at least sort of made sense and wasn't too confusing! (to be completely transparent i only had about half of that in mind while i was drawing it, the rest sort of came together as i was writing this. neat!)

and finally, here's a still frame in the original higher resolution so you can see it a bit nicer! 💖

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[dollfacefantasy]

SLATED FOR SURRENDER ♡

pairing: satoru gojo x fem!reader x suguru geto

summary: satoru and suguru know you hate being excluded more than anything. that's why tying you up and leaving you to watch them have fun seems like the perfect punishment when you misbehave.

cw: nsfw (18+), smut, p in v, blowjobs, threesome, bondage, neglect kink, praise/degradation

kinktober slot: day 3 - bondage

"Ow, Satoru! You're tying them too tight!" you whine, squirming as one of your boyfriends binds your hands together behind your back.

His nimble fingers tie the rope into tight knots around your wrists. Your legs had already been taken care of, the same material keeping your calves attached to your thighs while you sat on your knees.

"It's a punishment. Not exactly supposed to be a paradigm of comfort," he retorts, giving the restraints a sharp tug.

You go to whine again, but your other boyfriend cuts you off.

"Ease up, Satoru. She'll be miserable enough from everything else," Suguru commands from where he stands at the foot of the bed.

Playfully scoffing, Satoru's eyebrows raise. "Going soft on her?" he teases.

"Keep running that mouth, and I'll tie you up right next to her," Suguru smirks.

Grinning, the light-haired man finishes tying the rope into place, and then gives you a loud, wet kiss on the cheek. You squirm and make a face, pulling away as much as you can without toppling over. Satoru cackles at your discomfort and prances over to Suguru. He snakes behind the other man and rests his chin on his shoulder.

"Isn't she precious?" he coos obnoxiously.

Suguru continues to act unamused by his counterpart's antics, but a little smile worms its way onto his face.

"Of course she is," he agrees, "Wrapped up for us like a little present."

You feel your cheeks heating up from the way they talk about you, the words so condescending but enticing. Arousal had already begun gathering between your thighs when the rough bindings slid around your limbs. Their tones only made it worse.

Casually, Suguru begins removing his top. He pulls the loose, black garment over his broad shoulders, his dark locks swishing with the movement. The shirt falls to the floor and leaves his toned chest and abdomen exposed to your eyes.

"Already getting down to it? Alright," Satoru says with a big, cocky grin. He starts stripping his own clothes away as Suguru's eyes flit between the two of you.

They'd already undressed you before tying you up. You kneel completely bare to them in the center of your shared bed. Your nipples stood perky and eager for their attention; your eyes glazed over with desire.

And it's obvious to them. That's why they mock you so.

"Well if our little brat thinks she can have fun on her own, it's only fair that we show her we can do the same," Suguru says, voice cool and smooth.

"I didn't mean to!" you defend.

"Oh, come on. At least keep your dignity," Satoru taunts, "You didn't mean to put your hand in your pants? Didn't mean to start rubbing that pretty little pussy? Didn't mean to start cryin' out 'Toru! Sugu! oh it feels soooooo good.'"

He mimics your tone and exaggerates his expression before breaking into another fit of laughter. Your lip wobbles in a pout.

"He's telling the truth, sweetheart," Suguru chides, "Don't lie or you'll only get yourself in more trouble. You know you're not supposed to play without us, but you did it anyway."

"But you don't have to be mean to me about it," you whimper, trying to sound as pathetic as possible in a bid for mercy.

It doesn't land.

Satoru's smile grows wider and more devious while Suguru continues to look smug.

"We're not being mean. We're correcting your bad behavior. You know we still love you," the dark-haired man says.

With that, he turns his head and locks Satoru in a kiss. The other man moans lowly and eagerly reciprocates. He puts his arms around Suguru, deepening the exchange. You're forced to watch your two lovers be so affectionate without you.

Hands roam over each other's bodies. Soft sighs puff out against their faces. Satoru's bright blue eyes peek open to glance over at you, the glimmer of arrogance shining out at you.

They pull back a bit, still going in for little pecks. Suguru noses at his cheek and leaves a few smooches there as well.

"I want you to get me ready for her," he murmurs, low enough that you can't hear it.

You don't see the way Satoru's eyes glimmer either. He chuckles against Suguru's neck and traces his tongue over the contour of his throat. His movements begin trailing downward, lips gliding over his collarbone and across his chest. Each kiss is open-mouthed, needy, full of adoration for the other man's sculpted figure. He continues South to his v-line, pulling down his boxers and kissing to the base of his cock.

Wrapping his hand around it first, he gives a few strokes. He beckons it to rise to full attention, watching in awe as it fills out like he hadn't seen it happen hundreds of times before. Tentatively, he brings the tip to his lips. He drags it back and forth across the soft skin. His lips occasionally pucker into a kiss on the slit.

He keeps this teasing up for the purpose of torturing you. As much as you want to, you can't tear your eyes away from the pair of them, and he knows that. The sooner he gets to blowing Suguru, the sooner the teasing would be over, and Satoru was never one to long for that unless he was the victim.

"Toru," you plead, tone whiny and full of need.

He chuckles against the dick at his mouth but lets Suguru handle you. The man above's pupils flit to you, a concoction of sinister lust swirling within them.

"You wanna keep being a bad girl and see where that gets you?" he says, the lilt in his voice making it clear it would get you nothing good.

"I'm not-" you whimper before being promptly cut off.

"Only bad girls interrupt. So tell me, do you want to keep being bad?"

Instead of verbalizing your agreement, you shake your head. Suguru accepts it, knowing being excluded makes you pouty. Sometimes he'd make you use your words, but he lets the silent promise fly for now. He didn't think you'd be interjecting again.

Down below on his knees, Satoru continues to lavish attention on the cock before him.

"S'pretty. Big and warm," he mumbles before finally parting his lips and engulfing the head. He sucks it inside, flicking his tongue gently.

"The perfect size for your mouth," Suguru sighs. 

One of his hands finds the back of Satoru's head, urging him to take it deeper. He responds by bobbing a little bit, still doing a bit of teasing on his own to Suguru. This was as much as he could get away with.

Fingers clasp the snowy locks between them, pulling tenderly and causing the man on his knees to whimper. It's the feeling he needs to convince him to actually start.

He slides his head forward, taking the shaft into his mouth. It's heavy on his tongue, nice and thick. He moves in even closer so that it's heading towards his throat. Satoru was a pro at this by now, knew just how to hollow his cheeks and breathe through his nose. Knew all Suguru's favorite moves.

Moving in until a soft gag tickles the back of his throat, Satoru holds himself there for a moment. The point of his nose brushes against the coarse, black hair that lies there. He tilts his head as much as he can in this position, looking up at Suguru with his icy eyes watering and full of love. Suguru takes his bottom lip between his teeth and loosens his hold on Satoru's head. His hand sweeps over the soft tresses.

"Good boy. Always taking it so well for me," he coos.

That earns a satisfied moan out of Satoru. Suguru can feel the delicate vibrations reverberating around his length. Then Satoru pulls back, feeling content with the praise he received. He takes a quick breather. His hand jerks Suguru's length for the moments it's missing his mouth.

He then goes back in and bobs his head at a faster pace. He slurps noisily and allows his pretty eyes to fall shut.

Your expression is becoming more agitated by the second. This was cruel and unusual. Way beyond what your crime deserved. Bound and left to suffer alone. It's hard to hold in your protests and complaints, but you manage. You didn't want to risk this spanning longer than it had to.

Suguru's lust-lidded eyes float up to your form on the bed. He can see the shine of slick coating your inner thighs, his cock kicking in Satoru's mouth at the thought. He knows you're struggling, but he doesn't say anything yet. Continuing to pet his boyfriend's hair as he sucks him off, he lets you marinate in your punishment a little longer.

After letting Satoru enjoy himself for a few more suckles, he guides him off and back to his feet.

"Think she's waited long enough?" he asks.

Satoru feigns a small pout. "I don't know... she doesn't seem very sorry."

"I am!" you say quickly, eyes wide and begging.

Both of their faces set into smug looks. They approach the bed, dividing their pair into two as they each head to their own side.

"What'd I say about interrupting?" Suguru teases.

"I- I didn't. You guys were done," you protest.

"Were we? That's not really for you to decide," Satoru says opposite him. Your head whips back and forth. Like a game of mean kids throwing the ball to each other over your head, you try to keep up with being in the middle.

"You were," you try again before just giving up, "I'm sorry. I didn't mean to."

Low laughter sounds on both sides of you, and you feel your body burning up with embarrassment. Suguru reaches out for you from where he stands. He drags you close to him, laying kisses upon your neck once your back and arms rest flush against his chest.

"You're right. You didn't," he mumbles against your skin, "If you did, I would've just let Satoru finish me off. Wouldn't do what I'm about to."

Confusion clouds your mind for a second, but any question you had is answered the moment he pushes you forward and your cheek hits the blankets.

Suguru stares at your exposed cunt for a moment, taking in how soaked you'd become from watching. He drags two of his fingers over your slit. Your sticky nectar coats his fingertips.

"Pretty girl. You're aching for some attention, aren't you?" he coos.

"Yes," you whimper, "I'm so sorry. I'll never do it again, just please-"

Your words morph into a squeak when you feel the leaky, wet tip of his cock pushing at your hole. Squirming a bit out of instinct, your restraints keep you pliant and in place for Suguru to fill completely.

A whine bubbles from your lips, drifting out into the lustful air of the bedroom. He slides with no resistance. You were eager to take him, your walls already doing their best to suck him in further.  

"That's it," you hear him mutter from behind.  

His hand comes to the place where your wrists meet at the small of your back. He hooks his fingers over the strong rope and gives a little tug. You hiss at the jolting movement, but it drags you further back onto his cock so you can't complain too much.

"Please, Sugu... need it so bad," you plead.

He responds with a deep grind of his hips. Your eyes roll back, and you turn your face more against the mattress.

"I got it, baby. You just take it like a good girl," he directs before pulling his hips back and snapping them forward.

That's when he starts to fuck you. Your body bounces on the bed, hips involuntarily meeting his thrusts with each rock. He had you like a puppet on a string because of your bindings. Tugging the rope brought your upper body toward him, easing up on it dropped you back down.

His cock feels so fucking good after being teased for so long. You're tempted to get lost in the sensation, but you can't because as you're about to, a hand cups your jaw and tilts your head upward.

Satoru grins down at you. At some point, he'd removed his boxers too because his long length stands proud before you, drippy and hard.

"Don't forget about me, princess. You wouldn't want anyone being excluded, right?" he says.

You open your mouth to argue with him, but before you can get a word out, he slides his shaft right in between your lips.

You practically choke on it, a flood of warm tears lining the edges of your eyes. He laughs at how you sputter. You're still moaning from Suguru drilling you seconds later, so he knows you can't be too upset.

"What was that? Couldn't understand you," he mocks, "You know you're not supposed to talk when your mouth is full."

You glare up at him, but seconds later, you begin to reluctantly suck anyway. The sight of your defiant eyes looking at him while you took his cock nearly had Satoru cumming on the spot. His palm cups the back of your head for support while you gargle and whimper around him.

Suguru continues pounding against your ass. His grip on the rope tightens as the coils in his belly do. He could barely stand seeing you like this without blowing his load. Completely at their mercy, unable to do anything but take what they give you. Fuck. He wasn't going to last much longer.

His free hand smacks your ass, a loud clap ringing through the bedroom. You whine, but it doesn't deter your work on Satoru any. You're still determined to get his cock as far down your throat as possible. As much as he could annoy you, you never got tired of sucking on his pretty shaft.

"Fuck, baby..." the man in your mouth groans, tilting his head back.

"Such a good girl, being so good for me and Satoru," Suguru praises.

You nod as best you can. It was getting harder to focus on Satoru when Suguru's dick was sending sparks of straight ecstasy up your spine with every thrust.

He can feel you getting tighter, and he knows the end is approaching. Your whimpers rise in pitch, and more drool leaks from your mouth, smearing against Satoru's pelvis. The other man's hips twitch as well. Soon you'd all arrive at the high.

Satoru's the first to go. His hips buck forward without restraint. The sudden motion nearly lodges him in your esophagus, but he couldn't help it. He holds your head there against his body as he drains himself in your mouth, whimpering the whole time. He cums so fucking much you can barely take it. Your head shifts with the urge to pull back, but he doesn't let you till he's absolutely finished.

You gasp for air once you're finally allowed that privilege. Having swallowed as much of his release as you could, some still dribbles from your lips.

Satoru sinks over to the unoccupied top of the bed, watching lazily as you and Suguru keep at it. You look absolutely wrecked, but that doesn't stop the man inside you from thrusting as hard as physically possible.

He yanks you back up to him by the ropes, his other arm snaking around to your front. His hand wraps around your throat. The position keeps your head right next to his, letting him hear every single sound you make. He lets go of the ropes and uses those fingers to twirl around your clit, which earns him a whole new symphony of whimpers.

"See? Isn't it much better when I do it for you?" he grunts, still drawing back to the initial reason for your bindings.

"Uh- uh huh," you choke out.

"That's right," he says.

He's about to ask if you're gonna cum, if you're gonna squeeze around him and milk him dry. But you beat him to it.

Your release slams into you like a bullet train, blowing you away and nearly making you black out. You shriek and convulse in his hold. His fingers never stop flicking at your sensitive bundle of nerves. They keep going back and forth until your body quakes in random intervals.

You're practically limp, only supported by the muscular arms of your boyfriend. He holds his hips against your ass when he cums. A harsh sigh puffs from his lips, and he buries his face against your neck. He loses himself in your warmth as he spills himself inside you.

His chest puffs against your back as you both ride out the pleasure. Satoru watches from where he rests against some pillows, basking in the beauty of his lovers.

When you both start to come down, Suguru untangles from you and pulls out slowly. You topple forward onto the bed, eyes drooping shut with contented exhaustion. You're ready to drift off, but the feeling of your body being moved around prevents you from doing so.

Suguru's fingers work on untying Satoru's knots, a more frustrating task than he'd like to admit. Meanwhile, by your head, Satoru leans over and kisses behind your ear onto your cheek.

"You still there, baby?" he asks, so softly you barely recognized he was the same person from a few minutes ago.

His long fingers brush against your cheek while he nuzzles his nose against your own. "Think you should take a bath before you knock out. You might be a little sore from the rope," he coaxes.

"I'm only gonna be sore cause you tied it too tight," you respond, shooting him a little side eye.

He laughs, already starting to help you up despite your non-answer. "Is that right? Guess I'll have to make it up to you somehow, maybe let you and Suguru tie me up next," he says, his voice low and playful.

Suguru shakes his head in amusement. "Just focus on her for right now," he says, also guiding you to the bathroom. Though the idea sounded good, it would be something the three of you decided on later when you all weren't thoroughly worn out.

[just-jordie-things]

K so like its night time and y/n is cuddling with megumi and yuji barges in and sees them both and is like “You’re cuddling with megumi are you guys dating?! :O” then the next day everyone is just asking you “aRe YoU rEaLlY dAtInG mEgUmI???” By the way i love your posts❤️

megumi is just so perfect for secret dating bc he would beg you to keep your relationship a secret, like, right off the bat. like before you're even official- probably before he's even confessed.

omg.

megumi coming to you in a panic and it worries you bc you don't often see him stressed and the boy looks like he's about to pop a blood vessel and you're being so sweet to him meanwhile he's grabbing you by the hands and making you swear to not speak a word of this to yuji or nobara- and definitely not gojo. poor confused you are like "ok sure but what are you talking about??" oops megumi forgot about the part where he's supposed to tell you how much he likes you and thinks that you should give him a chance at making you happy- but we all know that goes well because you're literally in love with him already adlhgkajflkgh

and for a while you're pretty good at sneaking around, because it's sort of fun actually. every secret look or note passed has your heart racing and you wouldn't have it any other way, as long as you have each other.

but after a few months the two of you get fully settled with one another and you start to slip up. with megumi pulling your chair out for you or holding the door for you but not the others, you start to get a few questioning looks. and you might have called him megs in front of the others one time- he might not forgive you for that one because now everyone calls him that to get on his nerves... oops.

it's not like either of you are trying to get caught, you both enjoy the benefits of dating in secret so much, you don't necessarily want to give that up. the others will definitely berate and interrogate you one day for keeping your relationship a secret for so long, but... it's just so nice.

"maybe we tell them when we graduate?" you hum, trying to brainstorm with your boyfriend to find the proper way to break the news.

megumi's chest rumbles under your cheek when he groans. if it were up to him, no one would ever know. surely he could have a successful relationship with you that way, right? it's been easy enough to cover it up so far, surely you could elope and build a life together in secret as well? shit, would gojo take it personally if he didn't tell him he was getting married? suddenly his mind is swarming with what a secret private wedding would look like, meanwhile you're laying against him in sielnce waiting for his response.

"megs..?" you call softly, trying to draw him out of his thoughts.

"maybe we fake our deaths. relocate. how's italy sound?"

you chuckle, tilting your head back to peer up at him.

"you're afraid of gojo, aren't you?" you hum knowingly. megumi glances down at you briefly, looking away as soon as you wiggle your eyebrows. you chuckle again.

"i'd be open to other places, too" he continues his thought.

"i think we should just rip it off like a bandaid," you ignore his getaway plan. "tell them we're together and have been all year. then if they have questions-"

"i'm not answering their questions" his voice is a mere whisper, as not to disturb the calming atmosphere you've created, but his words are final. you tap your finger against his chest a few times.

"i'll answer the questions then, you can just... stand there"

"do i even have to be there?"

"i don't think they'll believe me if you aren't" you giggle at the idea of trying to convince them that yes that stoic moody boy is actually a complete romantic towards you and you never thought a love like yours could be possible.

"are you saying our friends don't think i'm boyfriend material?" he asks, and you know he's baiting you, but you're honest with him anyways.

"that's exactly what i'm saying," you say, grinning up at him despite the scowl of fake hurt on his face. "but i know otherwise"

"fine. we'll tell them. and then you can answer the questions. and i'll... be there. for emotional support"

you giggle some more, tucking yourself further against him while he stares at the ceiling in despair. he already knows all of the questions your friends are going to ask and he can't help but dread them in advance. still, it will be nothing compared to the interrogation he'll surely receive from his guardian, later, when you aren't around to protect him (and his dignity)

"it'll be nice to be able to just say we're going on a date instead of you faking to be sick and me pretending i'm on an assignment. sneaking around was fun and all but..." you trail off, and megumi averts his gaze from the plain ceiling, peeking down at you where you nuzzle into the soft fabric of his sweatshirt. he knows you're going to fall asleep on him, because you always do, but he doesn't mind. even if it makes his arm fall asleep. "i don't want to hide how much i love you anymore"

and then his escape plan sounds silly when you put it like that. so he hugs you tighter against him as you start to drift off- he can tell as your head feels a little heavier against his collar- and he brushes his lips over the crown of your head.

"i love you too, sweetheart," he murmurs. "we'll tell them as soon as you want"

he just wasn't expecting the moment to be ruined by his door slamming open and your friends inviting themselves in, only to be shocked at the scene they interrupted.

queue the noisy accusations and questions. megumi tries not to say i told you so as you tiredly sit up and rub your eyes so you can answer all of your friends' curiosities, while he pulls the blanket over his head and tries to pretend he wasn't there.

of course he doesn't want to hide that he loves you... but for fucks' sake do they have to do this here and now????

[petew21-blog]

Best tutor ever

Jimmy, 23 y.o., law student

Jimmy struggled at university, because of his model side job. He really loved it, but he also wanted to be a great lawyer.

Eventually his parents found out. His father was furious and got one of the law professors Harrison to tutor Jimmy.

Although the professor didn't really like Jimmy, he helped him to get better. To improve. And eventually he found out that this young man, he assumed was just another jock, was a great young man.

They always went over the study materials and then had some bonding time talking about school, politics, their youth.

Jimmy eventually passed all exams needed. He went back to Mr. Harrison to thank him.

They went for a hug

Mr. Harrison:"Oh, Jimmy. I'm so happy. You're gonna be a great lawyer."

Jimmy:"Thank you, Mr. Harrison. You're the reason why I didn't fail. I would like to give you something. What would you like? A bottle of whiskey, vacation to Bahamas, new car? I think I owe you so much for helping me secure my future."

Mr. Harrison:"Slow down. You should only thank yourself. And do not give me anything. I'd desire to be young again as you to enjoy life, but that's not possible. So I'll at least enjoy helping young students like you to achieve their goals."

Jimmy smiled:"Ok, well I'll try to think of something"

Mr. Harrison couldn't sleep properly. It felt as if the night lasted an eternity.

He woke up the next morning. As he was used to, he would always rub his beard in the morning.

But while doing so, his fingers only traced a smooth face.

"What is this?"

His eyes opened. Something happened. He was still in his bed. But he felt different.

He looked at his arms. They were lighter, less hairy. But the skin looked tighter. He touched his left arm with his fingers and squeezed his stronger biceps.

Right at that moment, he noticed his fingers. They were longer, thinner. He knew his hands. He used them everyday at work, for everything. But these were not the hands he knew. They were younger. Different. There were no skin marks, the skin wasn't cracked. It looked young.

He looked down and noticed his lean chest. He used to be slim when he was young, but the stress from work made him gain weight and get that dad body. But this was a surprising change. His fingers traced his chest over the shirt.

Next was his belly. He was used to not be able to put some clothes over his belly. Not even being able to see his penis over it. But he even had ABS now!

He pushed away the covers. He uncovered his legs. He was so skinny now. The legs were longer than his. His legs were hairy

His knees didn't hurt. He was taken back by all of this happening.

He headed to the bathroom. He was surprised by a reflection of a young handsome man. He saw some resemblance with his younger self, but this body was different. He never had long hair.

He couldn't keep his new hands of his face, examining every part, every ridge of his face.

He still couldn't believe that this was happening. He was young again! His chin was so smooth! He was falling in love with his new appearenc.

He took of his shirt. His eyes fixated on his abs. On his nipples. His body had so many birthmarks.

He found his son's tighter shirt that would fit him better. Thanfully no one was home today. He would have a lot of trouble explaining how all ofnthi happened.

Even putting clothes on was a new surprisinf experience, it was so erotic for him to just brush over his body everytime he accidentally touched himself.

"I look amazing!" he said to his reflection

"Wow. This is my new voice. Hi, I'm Mr. Harrison. I'm young. I am young again!"

His phone vibrated. It was Jimmy.

Mr. Harrison:"Hello?"

Jimmy:"Hello there. How are you enjoying your new gift?"

Mr. Harrison:"Did you do this? How is this possible?"

Jimmy:"Don't worry about that. You wanna come celebrate with me? We could go to a beach to show of our bodies. You got long hair like me, don't you?"

Mr. Harrison:"Yeah. Well... ok. I think I'll go. But wait, Jimmy. What if I run into someone from my family?"

Jimmy:"Don't worry about it. I made sure that you'll get to enjoy everything. See you at the beach!"

Jimmy hanged up the phone. He went to his son's room and grabbed his swimshorts and a towel. He rushed down the stairs and took his son's shoes. He looked at himself in the mirror and smiled. He was ready to go, but someone spoke up behind him.

"Going somewhere?"

Mr. Harrison turned around to face an older man. He was wearing glasses, had a beard... fuck... he kind of looked like his old self. But not entirely. His eyes were different. His nose smaller. Almost as... Oh no.

Mr. Harrison:"Elijah?!"

Elijah:"Since when are you calling your father by his first name? You wanna tell me where you're headed?" He said as he sipped his morning coffee.

Mr. Harrison couldn't believe what he was seeing. His son was now old and he was young. "Beach... I'm heading to... the beach"

Elijah:"Are you ok, young man?"

Mr. Harrison:"Yeah, sorry. I... have to go... I'll be home soon. Bye."

Elijah sipped his coffee again and dialed a phone number.

"Hey. Haha. Yeah, we talked. He's confused. But don't tell him yet. Let him be confused for a while. He doesn't need to know we made a deal. He really deserves being young. Oh and try to get him to experiment. You know, he never got the chance to explore his sexuality when he was young. Ok, great. Have a great day, Jimmy."

Another anonymous story from Inbox 😊

What about a story were a really geeky teacher/professor ends up tutoring a kid and as a reward the teacher/professor is tranformed into a person the kids age.

Screenshots directly form the short f2m body swap movie on YouTube: Soliloquy of Morgan. Check it out :)

[monimccoythings]

The Beast Within

Sooo I was trying to write a feral!Logan but this oneshot crossed my mind and I just went along with it. I'll write the feral!logan I want to write when I finish the Wolverine's 1988 run. I think I remember mentioning back in my Retired!Logan headcanons that shall danger come for his family he would be ready and waiting. I wanted to dwell on that.

Summary: You awake only to find yourself and your daughters tied up by some unknown men that wnat to roleplay their wildest and scariest fantasies. Your only hope to survive lies on your husband; a man that gang would soon know they shouldn't have messed with.

Word count: 3087

tags: slight feral!logan, a bit of horror, gn!reader, happy ending, Logan loves his family and will kill for them. A bit ooc Wolverine.

tw: blood, death, attempted rape, non-con elements, kidnapping, swear words.

It had all happened so quickly. One moment you were entering your home with your daughters in tow, and the next, you were being knocked out by some masked men.

When you opened your eyes, you found yourself unable to move, having been tied to a chair, the cords against your wrists and ankles cutting into your blood flow. Yet you didn't fear for your life.

Desperately you looked around for Laura and your youngest child. Silently praying those assholes hadn't reached them. You nearly bursted into tears when you saw Laura tied to the couch, still knocked out like a light, but fine nevertheless; but that relief was short lived when you saw one of the men holding your youngest in his arms.

"Well, look who's finally up! I'm so glad you could join us."

You mentally counted them, There were about five burly men. All masked, to conceal their identities. A shiver ran down your spine when you saw they were all armed.

"Why are you doing this? What do you want?" Your mind went overdrive with the amount of possibilities. Where they from an anti mutant group? Have you been found out?? Logan had made sure your tracks were covered so nobody would know who and what he and the children were. Where they robbers, then?

"Hmm why would people do what they do?" The supposed leader of the group dramatically pondered. "Us humans always worry about norms, etiquette, social behavior, we repress ourselves..." you let the man rant about how our real animal natures were suppressed by society, you didn't care too much for that, too busy finding different ways to free yourself and save your kids.

"So, to answer your question. We do this for fun. Because we can. Because we aren't afraid to show who we really are." You felt the blood in your veins freeze when you felt the disgusting hand come near your crotch. These people were insane. If they were just robbers, you could just let them take whatever they wanted and wait until they left. Material things could be replaced, but his words implied something much much worse for you.

"Please, just take what you want and leave!" You knew you had to do something, anything just to keep those men away from your babies, just buy enough time for Logan to-

Logan! Yes, he would sense something was wrong, and come for you all! You just-

The man licked a long streak from your collarbone to your cheek, his hungry depraved eyes mirroring those of his accomplices.

"Oh, we are going to take it indeed." He licked his lips in anticipation, his fingers lazily undoing the buttons of your shirt. You felt the cold air in your exposed skin.

"Listen. My husband will come soon. You need to leave now that you can-"

He forcefully grabbed your chin, forcing you to look into his empty cold eyes. You didn't find any source of empathy or humanity there. His free hand started to unbutton your jeans.

"Then, he can watch."

The lights went out after that, startling the man and his crew. Some let out a few curses.

"Shut the fuck up! It's just the fucking lights!" The man bellowed towards the rest of the group. He signaled with his head towards the most dimwitted looking member. "Beta! Go check the fuse box!"

The man obediently complied with his orders. The fact that you could barely see, didn't do well for your nerves. They could strike any moment.

Minutes passed and the dude nicknamed 'Beta' hadn't returned. Which was weird, because the fusebox was in a small broom closet at the other end of the cabin, and the cabin wasn't really Charles Xavier's Mansion. You could tell that the man giving the orders was already starting to lose his patience.

"Dumb fuck, can't do shit by himself..." He mumbled. "Gamma! Go tell that stupid bitch to hurry the fuck up!" He turned towards you a terrifying smile on his face "I just can't wait to see the look in your eyes when we break you and the kids."

That was enough for you to lunge towards him, parental instincts activating like crazy. Unfortunately there was little you could do with your limited mobility. He grabbed a fistful of your hair and pulled painfully, you felt tears burning at the corner of your eyes but you refused to give him the pleasure of watching you cry.

"Listen here you little slut. Only I get to bite, only I get to kick, and when I'm done with you l, you'll be-"

"Alpha, he ain't here!" 'Gamma''s voice could be heard from the hall. That only fueled 'Alpha's' impatience.

"I ask him a simple task and he fucking gets lost! Look better or none of you are having a piece of this whore!!"

His eyes turned back to yours. A hungry, wicked look crossed them. His mouth went towards your neck, as much as you tried to resist you couldn't pull away from his strong hold in your hair. You let out a scream when he bit you, praying that he hadn't bitten hard enough to draw blood, but that only seemed to encourage him, just as his tongues was lapping at the bruising bitemark you heard someone scream from the end of the hall.

"OH FUCKING SHIT!!"

*bang*

*bang*

And then nothing. That seemed to alert the group, the leader, Alpha, immediately pulling away and releasing you from his vice grip.

"The fuck was that!?" He commanded "Beta! Gamma! Answer now!"

No answer.

With your heart in your throat you quickly took deep breaths, trying to recover a sense of calmness and normalcy that you knew was long lost. But you had to. Your kids were still unconscious you needed to protect them.

"Sigma. Get out and secure the perimeter."

'Sigma' didn't look very convinced but as long as he released your little baby girl everything would be fine. You could practically feel the hesitation in him as he lowered your daughter onto the nearest armchair and quietly exited the living room, gun in hand.

"Whatever the fuck is trying to screw with us, is going to learn this 'pack' doesn't go down easily."

Minutes passed of eery silence, each minute felt like agonizing hours. You thought it would never end until you heard a blood curling scream followed by the sound of glass breaking and something splattering against the walls.

That's when you heard it. An animalistic snarl. It was faint, but it was definitely there and filled your heart with hope like no other. This time you were surely going to cry from joy.

He had arrived.

You were saved.

Tears fell freely down your cheeks, you couldn't help the broad smile that formed in your features.

"Oh God he's here. He's here..." You repeated over and over like a mantra, as if you couldn't quite believe it.

"The fuck is this bitch talking about??" He backhanded you so roughly that you thought you saw stars, the sharp pain in your cheek was nothing compared to the huge relief you were feeling.

'Alpha' turned towards the last remaining member of his 'pack'. "What are you waiting for, dumbass?? Lock the fucking doors!"

The other guy didn't move for a few seconds, obviously scared at this dramatic turn of events. The tension between him and the leader was so thick you could cut it with a knife. You were sure he was wondering why he should risk his life for a plan that was going awry with each passing second. Maybe he was also considering shooting down 'Alpha' and be done with it.

Before he has time to live up that fantasy, he found himself looking straight at the end of 'Alpha's' Magnum. This was no longer a fun game for them. It had stopped being a game when 'Beta' hadn't returned.

"Lock. The fucking. Doors." 'Alpha's' voice was unusually quiet and full of promises of a world of pain if he disobeyed his orders. There was no other choice but to follow his lead, as always.

With trembling hands, the poor guy put the safety lock as best as he could. Once done, he breathed a sigh of relief, believing him safe.

Until a massive arm, broke through the glass of the door and grabbed him by the neck, lifting him a couple of inches off the ground. The man kicked and struggled, trying in vain to reach for his gun. When the hand released him, he hurriedly went for it before he was grabbed again but was stopped by three metal claws piercing through his skull, killing him instantly. The man fell to the ground like a ragdoll.

"Shit." 'Alpha' whispered, feeling for the first time that night true fear. "Shitshitshitshitshit!" His panic grew as he saw the killer of his 'packmate' kick the doors open as if it was nothing.

You couldn't see him, but you knew he was pissed like he had never been before.

*BANG*

*BANG*

*BANG*

'Alpha' fired bullet after bullet towards him. A single shot would have taken down a grown man. But this wasn't a normal man. Oh no, they had just gone after the family of one of the most dangerous men to ever live.

Logan slowly stepped into the moonlight and your breath caught in your throat. From his beard, to his clothes, blood was dripping, but not from the gunshotwounds, those were already healed. His sharp teeth, bared in a feral snarl were stained with blood, having used them to tear through flesh and bone. The icing on the cake were his eyes, those eyes that looked at you with so much tenderness and lust, that crinkled with happiness when they saw his little ones run towards him; they were just empty, void of any rational thought.

You shuddered at his primal display.

The man known just as 'Alpha' took a step back. For all his talk about how he didn't repress from his animal urges and how he was an alpha male, he found himself small and insignificant in the presence of a real animal. Every adamantium coated bone in Logan's body exuded dominance, power, strength; it was overwhelming. 'Alpha' knew if he didn't play his cards well he would end up like the rest of his 'pack' or worse.

Cold sweat formed on your forehead when the gun pointed towards you.

"One more step, and I'll shoot." His voice was deadly quiet, but you could hear the fear hidden behind all that bravado.

Logan stopped, a low growl building up in his throat. His eyes quickly darted towards yours and returned towards his enemy. You knew you had little time, as long as the 'Alpha' kept his eyes locked on Logan's; he wouldn't dare shoot you unless he wanted to have the slowest and most painful death there was, he just needed to think for a better plan of action, which gave you a wonderful opportunity to ponder about how you were going to get out safely, you had to act fast enough to give Logan some margin.

As quiet as you could muster, you started balancing yourself from side to side. Each second that passed increased your chances of ending up with a hole in your chest. A couple of swings more and-

"AAAAAAAAARRRGGGGHHH"

'Alpha' roared in pain when Laura out of nowhere, sunk her teeth and bone claws on his leg. Unfortunately, as a reflex, he accidentally pressed the trigger.

You would never be sure about how you got so lucky that night, as you fell sideways with the chair, the bullet barely grazed your shoulder. You had evaded death miraculously and there was a new hole in the wall.

Logan didn't waste his opportunity. Before 'Alpha' had the chance to kick Laura off his leg, he freed his claws and with a swift motion slashed his yugular vein with two clean cuts.

The blood splattered on his chest and face like a fountain. Alpha's body went limp and fell lifeless to the side. You let out a sigh in relief, as tears ran again freely down your cheeks.

The nightmare was over.

But not for Logan.

For a couple of seconds, he just stood there, breathing heavily, and coated in blood. Laura stood at his feet, looking at him apprehensively, as if sensing there was something wrong.

"Logan." You called for him reassuringly, but he didn't even look at you. You doubted he had heard you. His fists were clenching and unclenching, his knuckles were turning white. The veins in his arms bulged against the swollen muscles. His breaths came out in short puffs of air. Whatever he was feeling right now, you needed to pull him out of it.

His head turned sharply when he heard your youngest stirring. He looked at his bloodied hands and finally looked at you with a mixture of panic and dread. He didn't know what to do.

"Laura. Laura, sweetheart, untie me." She snapped out from her stupor and quickly tore through the cords, freeing you at last. You massaged your wrists, hoping to return your bloodflow back to normal. As much as you'd have loved to rest there was no time to lose.

You understood Logan's fear. It was already painful enough for him to have Laura watching him when he was like that, he didn't want the other one to go through the same trauma.

You quickly rushed towads him and he flinched back, still in shock. "It is okay, Logan. We're safe. You saved us. I'm going to take the girls to her room okay? He barely nodded, his eyes unfocused. You would deal with him later, now the kids were a top priority.

You would heal together, later.

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

He had scrubbed the floors clean until he thought he was going to pass out from the chemicals. He had hidden the bodies or whatever remained of them in a place where he knew nobody would ever look for them. Not that they'd be missed, he supposed.

It scared him how good he was at this. He should have gotten used to it by now, after all, he was the best at what he did, and what he did wasn't very nice.

It had been to good to be true. A sweet dream before waking up and facing reality. He had gotten sloppy and his family had paid the price. He didn't even know what those had wanted, nor did he care. One single look through the window and all sense of rationality had left his brain leaving only the animal that deep down he knew he was.

What would you think of him now? Did you regret marrying him? Knowing what he did was one thing, but actually witnessing it was another. What had transpired tonight would surely define your relationship for the rest of your lives

And Laura? He had worked so hard to erase the violence and trauma of her earlier years, to give her a normal childhood with a family. And he had just pulled her back.

He buried his face in his hands, grabbing chunks of his hair. He was a monster, an animal, a mindless-

He jumped and turned around with a snarl on his face and his claws ready when he felt a hand on his shoulder. Logan's tense muscles visibly relaxed when he saw it was just you, but he was still restless.

"Logan, it's okay. It's just me" You knew exactly was was crossing his mind. After years of knowing each other, you knew that the legendary Wolverine, the man that would take his secrets to his grave, could be easily read like an open book if you got close enough.

"Honey, this is not your fault. You came and saved us. We're here because of you." You couldn't bear the thought of him punishing himself over something that wasn't even his fault to begin with.

"I should have been there with you. I should have arrived sooner, then you wouldn't have to go through-" His gruff voice sounded so broken, so terrified, there was nothing you wanted more than to cradle him in your arms. "I'm a monster." He quietly whispered.

"You are not a monster. You. Are. Not. Not a monster, neither an animal." You cupped his face in your hands, looking into his eyes sternly.

"I-I lost control. I saw you there tied up and I lost it. Laura saw it, and our little-"

"Shhhh... They are alright. They are okay in their bedroom. Laura knew you were protecting us, she has always known." You ran your fingers through his wild hair, marvelling at how his tufts stayed up no matter the situation.

You gently guide him back into the house. You don't look at the toppled chair, or the hole in the wall, or the mountain of cleaning products. Neither of you wanted to think about that. When you reached the bedroom, you undressed each other, taking your time, memorizing every string of clothing. Your discarded attires formed a dirty and bloody pile in the corner.

Tenderly, like treating a very vulnerable creature, you cleaned his face, chest and hands with a towel. You could feel the raw power stored in that massive torso and hands, you knew what he could do with those. But you also knew how careful and soft he was around you and the girls.

You put on your comfiest pijamas and got ready for bed, leaving the mess of that night for the next day. Before he climbed in with you, Logan stopped and takes a step back.

"What's wrong?" You asked.

"Wait here." He hurriedly exited your bedroom, leaving you alone, baffled at his behavior. The last thing you wanted was to be left alone after that night.

Your initial confusion gave way to tenderness when you saw him return holding a daugther on each of his thick arms. Laura blinked groggily at you, annoyed at having been woken up from her slumber. You quickly craddled her in your arms, kissing her forehead.

Holding your youngest baby girl to his chest he got in bed, his free arm pulling you and Laura closer, trapping you in an embrace. He kissed your head, his soft breaths along with those of your daughters were enough to lull you to sleep.

You were safe.

Nobody was going to get you.

He would make sure of that.

[tiredofthehumanlife]

Before proceeding: Luke's a tad wild one might say. Crazy, possibly. Spooky, mayhaps.

Bestfriend!Luke coming over to your cabin to walk you to dinner. You know this and you know all about his crush. You know all about his fantasies, and his tendency of thievery. You may or may not have left your underwear purposely hanging on the rim of the hamper. You may or may not have moved the hamper closer to the spot that Luke usually sat at while he waited for you to get ready.

When Luke actually made it over you were still in the bathroom so he sat down in his usual seat. Luke continued his conversation with you through the door. His eyes caught on the hamper, more specifically the clothing on the rim. A very small voice in the back of his head said take them. Luke wanted to say he was better than that as a person. However, then he'd be a liar as well as a thief. When you left the bathroom you smiled at the now missing underwear. You didn't tell Luke you knew.

Until a few days later when you realized you rather liked that pair. How would you bring that up to Luke. He'd be so embarrassed you know about his feelings towards you, and the underwear thing too. But alas that was one of your favorite pairs so you bring it up when you're left alone with him.

Luke's laying on his back. You hoped he wouldn't run away with leaves and sticks still stuck to his shirt. You were sat next to Luke, leaning back on your palms as you both sunbathe.

"Oh hey you know that underwear you took?" You ask before looking over at the tree off to the side. You heard Luke quickly sitting up. He started talking but his voice cracked immediately. He cleared his throat and started again.

"um sorry what?" You know Luke's under the impression you had no idea. All things considered you were the mastermind behind it all. You certainly hoped he still had them and hadn't thrown them in a wood chipper while you weren't looking. You weren't going to entertain his I have no idea what you're talking about shtick.

"yeah well I want it back because those are one of my favorites but I'll give you a different pair. Tradesies." You keep your attitude nonchalant so you don't freak him out. Or freak him out less. His open and closes his mouth trying to find his words. When Luke finally finds it all he can force out is a tiny sorry that makes him sound like a kicked puppy.

"Luke, it's fine. I don't mind at all. In all honesty I left them there on purpose." This seems to confuse him even more and all of a sudden he's opening and closing his mouth again. You roll your eyes and move back to watching the trees sway in the wind. You felt him pulling your hand away from the ground. You shifted your weight to your other hand and watched him brush the pebbles off your palm. Luke reached into his pocket and pushed the folded material into your hand. He kept it covered with in case of onlookers but no one was around.

You wrapped your next pair in wrapping paper with a pretty bow on the top and a small note. Scribbled on it was a simple enjoy, love. and your signature at the bottom. You left your early birthday present on his bed just before curfew. The next morning Luke seemed quite cheery and you noticed his hand had a tendency to move back to his pocket. You shared a knowing look as he continued his conversation.

[emelinstriker]

Shockwave ♤ Kiss The Spark

Might be my last TFP X Reader one-shot I'm dropping for now. I've got several other one-shots and even a full book that was in the works, but whenever I'll finish any, I have no idea.

[TL;DR] You really do be worrying your beloved cyclops scientist with the risks you take. And he finds it illogical.

♤ ~ Comfort ~ ♤

It was a lazy day for the two of you. Megatron was busy leading the Decepticon cause, as usual, and left Shockwave to his tools. Said mech was trying to work on basically recreating a predacon while you were watching him. It did make him a little uncomfortable with how you were basically staring at him, but he would never out right say it.

You were just supposed to be a random human he could study and experiment on after you were kidnapped by Knockout months ago. But now you were the lover of the warship's scientist. Basically his Conjunx Endura, and he did show some affection towards you while feeling some sort of emotion despite having undergone shadowplay. At first it felt like you were treated like a pet, which you technically were in the Decepticon's optic, but it was obvious he was lying to himself over time as you began to worm your way into his spark.

Despite the months of love and care, he slowly started neglecting you due to the cause being his main priority. Sure, he did give you food and your own box corner that felt like a small apartment, but his affection towards you decreased and you were missing it. You were missing the freetime you had and spent simply roaming around the Nevada desert whenever you landed. You wanted to relive that.

"Hey, Shocky?" He didn't bother turning around to face you as he continued working, not answering. But you knew he was listening. "When do you have time to hang out again?" You asked with a hopeful gaze at the back of his helm.

He ceased his movements for a moment, turned his optic toward you and said, "Most likely when I am finished with this project. I do not know how long it will take. It would be most logical of you to simply wait."

You frowned at his response and started to make your way towards the door. "Oh, okay... I'll leave you to it then..." The giant metal doors slid opened for you and closed once you passed the threshold. Shockwave knew you left but didn't bother stopping you as the project took priority. However, that doesn't mean he didn't feel more empty when you were out of the room.

And it finally seemed too much after two agonizing hours of not having you around him. He told himself he would do a quick check-up on you to ensure you were all fine. So, he left the project on his table before making his way to the bridge where he knew Soundwave would possibly still be with you.

Unsurprisingly, he was right. Well, half right. Soundwave was at the bridge, but you were nowhere to be found. Of course there had to be a reason for it, and who would know better than the slender mech himself. "Soundwave," the cyclops started as he approached the other working Decepticon, "where is (Y/N)?"

The TIC ceased his movements before typing away again, revealing groundbridge coordinates on the screen. The coordinates seemed to lead into town, close to a few stores but far away enough for a small groundbridge to go undetected. Soundwave turned his helm towards the mech behind him as he slightly lifted a servo at the screen to point at it. Shockwave gave him a puzzled look- Or at least as puzzled as one could look with a single optic for a faceplate. "Why did you send them there?"

Instead of answering with more movements, Soundwave decided to simply play a voice clip he recorded of you in your own words. "Hey, Sounders, could I maybe go to town? I need to see if I can buy some material for [...]. I know it sounds weird, but hear me out-" The audio abruptly cut of before you could explain any further. And there was information missing, most likely to keep whatever you were planning a secret from the scientist. It seemed illogical for you to be plotting something behind his back however. Thus he didn't question the TIC any further about the audio.

"When will they return?" Soundwave played another clip in response, "I'll call you when I got everything, alright? Shouldn't take more than two hours max."

And as if on cue, a sudden personalized ringtone rang out on the bridge with an image of you on the screen. Their optics glanced at the screen before Soundwave answered the call. You sounded like you were out of breath. And Shockwave was able to feel your anxiety through your bond.

"H-Heya, Sounders!" You dramatically exhaled a large portion of air before continuing in a rather quick way. "Please don't tell Shocky, but I kinda ran into some trouble and am being chased by a gang with weapons. I managed to escape unscathed, but I sadly didn't get some other things." You took another deep breath. "And as much as I wanna grab some extras, I don't think I'd be alive on my way back if I did that. At least I got enough for one."

As both mechs became concerned, Shockwave decided to speak up. "(Y/N), are you in a safe location? Do you require a groundbridge immediately?"

The voice caught you by surprise, but you were also a little relieved to hear him. "I-I'm not far enough from people yet. I'm across the street from the gang right now and they seem to have lost me. But there's an alleyway here." You then proceeded to walk down the dark alley. "I don't think there's a second gang in here so I should be-" You cut yourself off as you looked behind you with wide eyes. The fear you gave off reached the scientist instantly.

"(Y/N)? Are you alright? What happened?" Your sudden silence made them even more worried. The silence wasn't there for long though as harsh winds clashed with your phone, indicating that you were running.

"They found me! I-I can't run any longer! My bags are- are slowing me down! And they want my bags and my money! But I need them! And whAT THE FUCK- WHY?!"

Turns out the alley had a deadend.

The two mechs could faintly hear one guy say something, but it was inaudible. But they could hear one who was closer. "You're right. Why should we just take their belongings if we could have some fun with them as extra?"

While the cyclops was able to feel your hopeless anxiety already, the call managed to catch the sounds of your sniffles. You hiccuped as you whispered into your phone, "I need you, Shockwave." You usually weren't scared of most things- Hell, you made a giant alien robot fall in love with you and managed to befriend others on the warship, deeming them as family! And they wanted to cyberform the earth! But being in this situation, alone, far away from your family, with just some useless things you bought... It scared you.

And this was something that truly angered Shockwave for once. The fact that you used his actual name instead of a nickname told him how trapped you truly felt.

It sent him over the edge.

"Soundwave. Groundbridge to their coordinates. Now", he commanded firmly.

The masked mech, despite being kind of surprised by the taller mech's sudden show of emotions, did as he was told. The scientist didn't waste time in running towards the now open swirly green portal. He didn't even bother transforming and using his holoform.

These humans deserved to suffer.

By his true form's servos.

You were backed up into the deadend when you noticed a familiar green light pop up behind you. Out of instinct you moved aside as the gang stared at it, not knowing if this were special effects to scare them off. That's when you saw Shockwave step out of the portal. He took a moment to take in his surroundings before spotting you next to his pedes, shivering from shock, but still smiling up at him with teary eyes. "H-Hi, hun..."

"Go home, sweetspark. I'll meet you there."

He said. Then he watched as you somewhat clumsily sprinted through the groundbridge, two bags in hand, before he turned back towards the group of humans.

"It would be illogical of me not to dispose of lifeforms that pose a threat to my sparkmate."

What was mercy? In that moment, he couldn't recall.

While waiting, you were next to Soundwave, being comforted by his tendrils as you held onto one like a big teddy bear. Your bags were sitting behind you. Shockwave finally returned a few minutes later, groundbridge closing behind him. His servo and pedes were completely bloody. You also spotted a bit of blood on the rest of his frame- even a tiny bit on the side of his helm. He walked up to your still slightly shaken form. "Did they harm them in any way?" He asked the other mech, who previously ran a scan on you as safety precaution.

Soundwave responded with a simple "Negative" audio as he retracted his tendrils from you, now that your biggest comfort was here. You reluctantly let go of the tendril when a servo gently wrapped itself around you instead, picking you up. The purple mech didn't say another word to the shorter mech and simply walked off, all the while placing you on his shoulder pad. Sure, you were now a little bloody too, but you could just wash your clothes. While Shockwave felt the comforting relief through your bond, he still was upset about your reckless logic.

"You left the ship without my authorization or knowledge." Most would view his monotone yet commanding voice as a sign of pure anger, but you knew that he was actually worried sick.

"B-But I-" "You could have been hurt and I would not have been able to protect you. From now on, you are to stay on the warship if I'm.not accompanying you", he stated firmly, placing you on the table and coldly turning away towards his project.

Now that you were finally back in the lab, he wouldn't need to worry about you being hurt anymore, despite his spark not wanting to shut up about the slight bit of worry. However, due to you still being upset about the previous situation, you couldn't help but tear up again. You honestly didn't mean to make him mad and worried. He could feel it.

"I-I'm so s-sorry", you whispered as you hiccuped. "I-I just w-wanted to make y-you a gift..."

This caught the scientist's attention as his ear fins moved. A gift... for him? You went through the lengths of sneaking out(, despite Soundwave's knowledge of course), going to town alone, and running away from a street gang... just to make him a gift? So, naturally he demanded for an explanation for this stunt you tried to do.

You pulled your bags closer to your body as you sniffled, rummaging through one of them. "I-I bought materials f-for a self-made gift..." You then pulled out some purple fabric from the bag. Almost the same shade of purple as his frame. "I-It was supposed to be a plush toy version... of you..." A small, sheepish smile made its way onto your lips. The tears may have stopped flowing, but you still didn't feel quite comfortable in what you were presenting him. It wasn't even finished, after all. And you weren't even sure if he would like it.

"Giving me a toy version of myself is illogical." For a second, a frown replaced your smile. Thinking he didn't like the idea, you slowly starting lowering your arm in disappointment, wanting to put the fabric away again so he wouldn't have to see it.

"O-Oh, sorry... I thought-" "But, I appreciate the sentiment", Shockwave quickly added as he approached you with his servo. One digit gently trailed up and down your arm in a comforting manner. "You may still continue creating it. I am not stopping you." Him using a gentler, lower tone made you smile again. You wrapped your arms around his digit and lightly cuddled into it, saying a small "Thanks" in return.

You swore your Conjunx's optic was glowing brighter than usual.

You managed to craft a rather big plush version of Shockwave. You were able to wrap both of your arms around it and cuddle with it like a big stuffed animal. It was still severely small in the scientist's optic, but he refused to handle it any less gentle than you when picking it up. It was so much softer than you, which amazed him.

A few days after you finished up the plushie, Shockwave asked you to wait for him in his habsuite.

Turns out he wanted you to touch his spark again. It's been a long time since you've last done so, which was when you became Conjunx Endura just a couple of months ago. And due to the bond mostly being a one-sided receiving one, he wanted to show you how much he appreciated you in his life. And touching his spark was the only way for you to receive his side of the bond.

You're the only one he's ever shown his spark to in such an intimate light. And you could feel how much he adored having you be this close to him, touching the very culmination of his being ever so gently. You even gave his spark some light kisses, making him ex-vent.

Content with your moment together, he gently positioned his servo against your small back, pulling you a little closer down onto his chassis.

He wouldn't trade you for anything, not even his loyalty to Megatron and the Decepticon cause.

[ Masterlist ]

[mncxbe]

Hello if possible maybe Akutagawa, Chuuya and Dazai when reader drags them out to a lingerie store with them and gives them free reign of what they can pick out for reader

oh my I absolutely love this prompt. I hope you like it♡♡

Victoria's secret

𝑨𝒌𝒖𝒕𝒂𝒈𝒂𝒘𝒂, 𝑫𝒂𝒛𝒂𝒊, 𝑪𝒉𝒖𝒚𝒂 𝒙 𝒇𝒆𝒎!𝒓𝒆𝒂𝒅𝒆𝒓

𝑮𝒆𝒏𝒓𝒆: fluff/ a little bit of dirty talk♡

𝑨𝒌𝒖𝒕𝒂𝒈𝒂𝒘𝒂

let's start off with our favourite mafioso

you're on a date in town and suddenly spot a newly opened Victoria's Secret store and you just have to take advantage of the situation

as soon as you enter the shop Akutagawa blushes so much and although he tries to hide it you notice

please don't tease him about it too much he'll straight up leave

he's a big fan of black or white laced lingerie and slip dresses, anything elegant and cute; but also has a thing for body harnesses and leather accessories (the port mafia influences)

he ends up buying you a few items that he carefully picked and you both like

One day you're walking around town after Akutagawa finished work. It was late afternoon and the city was bathed in a shimmer of gold and orange hues. Just as you were about to leave the crowded boulevard you were on, a glowing sign caught your eye; it was a newly open Victoria's secrets store.

Without a warning you seized your boyfriend's wrist and dragged him towards the shop.

"We have to go in there Ryu. Come on" you said in a chipper voice.

At first Akutagawa was confused by your sudden actions and words, but then his gaze fell upon the magenta glass that made up the exterior walls of the shop and the 'newly opened' banner that hanged below the store's name; his body grew stiff.

"There's no way I'm going in there" he said in an annoyed voice, causing you to turn and face him.

"Aww come on Ryu they just opened and-"

"No. I'm not stepping foot in that place for nothing. Please, let's keep walking"

"But we'll only stay for a minute" you pressed as you clinged to his arm, leaning closer to whisper in his ear. "I'll let you choose something nice for me, ok? Whatever you want and I promise I'll wear it next time we-"

"Ok ok I got it" he interrupted, trying to conceal the blush that began to tint his face with the back of his hand. "Let's go then."

With that, Akutagawa walked towards the store with you following close behind. A sense of uneasiness creeped into your boyfriend's body as he entered the store; the place was packed with drawers upon drawers of lingerie, faceless mannequins wearing matching colourful sets and flimsy nightgowns and clothing racks bearing dresses.

You spared Akutagawa a quick glance. His face was contorted in a doubtful expression, nose scrunched in disgust.

"I really can't understand how anyone could enjoy... this?" he said, motioning towards the display. "Anyway, let's see what we can find for you."

There weren't many people in the store so you could easily move around maze of shelves and boxes. Akutagawa's demeanour slowly relaxed as he kept digging through the drawers packed with lingerie, carefully considering each piece; at some point you left to look around the store yourself.

Around twenty minutes later he returned to you carrying a baby pink bag.

"All done love. We can leave now." he said, handing you the bag.

You eagerly reached for it, attempting to remove the fluffy material that had been placed on top of the items but he brushed your hand away.

"Wait until we get home, ok? Be patient"

You let out a displeased groan but ultimately closed the handbag. Fingers gently intertwined, you made your way back to your apartment.

Once inside you seated yourself on your cushioned sofa and eagerly opened the bag. It contained two sets of laced lingerie: one of them was fully back and the other one was white, adorned with black and silvery rose patterns. The fabric was soft and lightweight, like a leaf.

"Wow Ryu they're beautiful. I love them so much" you beamed, pulling him into a tight hug. "You're amazing love"

"Wait, there's more." he said in a suggestive voice, reaching inside the pocket of his coat to procure a package. "I just couldn't help myself when I saw it."

You raised an eyebrow at him as you began to unwrap the light pink paper; it opened like a cherry blosson, revealing a strappy bodysuit. The thing lines of leather were bound together by shining circles of metal A blush rose to your cheeks.

"I- uh. It's really pretty love. I didn't know you liked this stuff tho"

"I love it, darling" he said in a honeyed voice, a hint of desire flashing in his eyes. "Now go ahead and try it on dear. The night is still young."

𝑫𝒂𝒛𝒂𝒊

he's such a tease

he doesn't have that much money so he'll only buy you one or two sets but they're picked so carefully

but if he has more cash one week he'll surely get one of those silly animal print panties from the sales section

I feel like Dazai likes beige lingerie the most or those white see-through pieces with butterfly patters♡

trying on the clothes once you get back home is a must; like you're putting on a fashion show for him

It was a wonderful Sunday afternoon and your lovely boyfriend decided to skip work again to join you for a cup of coffee in town.

"Ah my bella if you keep tempting me with all these hangouts I'll surely lose my job" he said in an overly dramatic voice.

"You know the Agency needs you, so don't stress it. Plus, I hardly ever get a free day from work myself. Let's just enjoy it ok?"

Your remark caused a smirk to rise to Dazai's lips. The two of you quietly sipped your coffee before resolving to take a walk around town. As you strolled around the busy city, you suddenly spotted a lingerie store and an idea popped into your mind.

"Say, Osamu" you began in a tender voice "Don't you think you deserve a reward for skipping work today?"

"Oh really? And what exactly do you have in mind, bella?" he replied with a miscievous smile on his face.

You pointed at the lingerie store. "I'll let you buy anything you want me to wear."

Your sweet boyfriend could barely contain his excitement as he took your hand in his and began walking towards the store. "Well then let's hurry bella. I only have an hour until I have to get back to the office."

You've been in a Victoria's Secret shop before, but none of them was as large as this one; hundreads of drawers and clothing racks decorated the sides of the store while the middle was occupied by beautifully dressed mannequins and islands of boxes. People flocked around the cash register, carrying handfuls of garments.

Dazai whisteled in surprise. "There's surely many things I can choose from. If you want to you can go look around too."

You gave him a reassuring nod and with that, your boyfriend left. Around half an hour later, he returned with a couple of garments.

"I found these but I wanted to check with you if you like them." he said in a sweet voice. However, the glimmer of amusement in his eyes didn't go unnoticed. He held a see-through white bra adorned with drawings of vines and pink and red flowers in front of you.

"Look how pretty this is. You know what a perfect view I'll have when I use your tits to-"

"Osamu!" you exclaimed, covering his mouth with your hand. "You can't say that. We're in public"

Your boyfriend only chuckled at your reaction, gently removing your hand from his face.

"Ok ok I'll stop. But you got the point. You'd look amazing in this."

Then he cast aside the set and showed you a beautiful cream coloured silky dress; its cleavage was laced and it had two thin straps for your shoulders.

"I remembered you were looking for one of these a few weeks ago. Do you like it?"

A wide smile rose to your lips as you ardently nodded. It was indeed a lovely dress, which reminded you of a pearl; the material was soft and elegant and the colour perfectly complemented your chestnut hair and brown eyes.

"I love it honey. Let's get them"

"As you wish my darling" he beamed, walking towards the register.

That evening Dazai made sure you put on a show; he made you wear the things he got you, matching them with accessories you already had.

"Wow you look ravishing, dear. Do a twirl"

You obeyed and quickly spun around once, earning a smile from your partner.

"Now I also got you something else. I slipped it to the cashier when you weren't looking. Promise not to laugh, ok?"

"Um.. ok?" you said with a sceptical look on your face.

Dazai took out a pair of tiger print panties with 'Bite me!' on the front. You burst into laughter upon seeing them.

"I just couldn't resist they look so silly. Plus, they were on sale."

"But Osamu how will they even fit me? They look like they're from the kid's section" you said between ragged breathes, wiping a tear of joy from the corner of your eye.

"Well, there's only one way to find out if they'll fit. Go change bella♡"

𝑪𝒉𝒖𝒚𝒂

this man when I tell you~ he's the definition of lemme spoil you babygirl

he's more than happy to oblige you

walks so proudly in the store and immediately starts picking up things from you

unlike Dazai, he doesn't care about the price; if he likes a £200 matching he'll get it so he probably ends up buying half of the store

while he picks up the pieces the likes he keeps telling you how beautiful you'll look in them and how he cannot wait to get home to try out some of the things he got you

Chuya likes black or burgundy lingerie the best, but also anything with straps

"Chuu" you cried out, pulling at your boyfriend's arm "Come on the shop's going to close soon."

You somehow managed to convince Chuya to come with you to the newly opened Victoria's Secret in town by promising him that he can pick anything he wants for you.

"I'm coming darling." he said as he languidly opened the glass doors of the store. "After you, my lady"

You entered the shop, barely able to conceal your excitement. It was packed with people and garments of all colours: elegant lingerie and nightgowns, shoeboxes and bottles of perfume.

"Woah! I didn't expect it to be this big" you exclaimed "What do you think, Chuu?"

Your boyfriend's gaze lazily wandered around the room; he seemed utterly unimpressed by the store.

"I mean, it wouldn't be my first choice for a shop. I prefer things from Bluebella or Bordelle, maybe even Fleur Du Mal. But I'm sure I'll be able to find something for you in here too" he said with a wink as he began walking around the store.

Naturally, you didn't know any of the brands he mentioned but you assumed they were luxurious; Chuya had an eye for expensive things.

Your boyfriend seem carefree as he carefully explored each mannequin and drawer.

"Wow look at this" he said as he held a pair of wine red see-through panties before you "You'd look absolutely ravishing in these."

His hand then travelled along the expanse of a mannequin's chest. It was wearing a matching set of black lace lingerie; the panties were connected to the bra by two leather straps, bound in the middle by a heart shaped metal. One of his fingers hooked under the iron heart, gently pulling at it.

"Oh darling what I'd do to you in this. Imagine how pretty you'd look wearing this and one of my leather chokers. My, my doll we must get this" he said in a teasing voice, causing your cheeks to turn a light shade of pink.

You only had about half an hour until the store closed for the day, but that didn't stop Chuya from buying you six sets of lingerie, two red bodysuits, a silky slip dress and two bottles of perfume. You stepped out of the shop, yoir boyfriend carrying six little pink bags.

"Darling we shouldn't have gotten all those things. They were way too expensive and-"

"Shh dear let me spoil you today, alright? You deserve it." he cooed at you, leaning in to place a feathery kiss on your lips. "Besides, you can make up for it tonight."

"And what exactly do you mean my that?" you said back, copying his alluring tone.

A smirk rose to his lips as his free arm snaked around your lower back, pulling you closer to him His breath was hot against the shell of your ear as he spoke, causing a shiver to run down your spine:

"I think you know exactly what I mean, dear. It involves you wearing that beautiful bodysuit I got you"

[nyxyxx]

Godly Desires - Part 2 -

So yeah here's the second part. A little rough but the next few should get more interesting. I. II. III. IV.

As usual this story will contain yandere themes and religious themes so please proceed with caution.

"For you"

-

An apple? You blinked twice, confused. You hesitantly reached up towards the mitachurl's hand and took the apple in both of yours. After gazing at it for a while, as if looking for permission - you took a bite of the apple. It was delicious. It tasted so real it almost entirely discarded your belief that this was a dream.

You sat in the hilichurl camp there for a while, as they kept gifting you with seemingly random food and materials, but they seemed overjoyed with it regardless. It was an odd feeling. Despite the fact that they were known as dangerous monsters, they showed such kindness to you. You were almost compelled to just live among them for as long as they'd allow you to stay - but you knew you had to keep going.

You had to continue down the path, to find out how exactly you got here, and why. So, after a long time of playing with the hilichurls, you said your goodbyes, and they said goodbye too - or at least you think they were saying goodbye. You weren't exactly the most knowledgable on hilichurlian.

You walked down along the beach, trying to figure out where in Teyvat you could be. It didn't take very long for you to notice the tip of a very recognizable cathedral. So you were in Mondstadt. That made sense, you supposed. It was where the traveler first woke up, so it would make sense that you would appear here too - except you were on the opposite side of Monstadt.

It would take a while for you to reach Mondstadt just by walking, and you weren't even sure what you should do when you got there, but you might as well start now. You turned back towards the hills and kept walking, resting by trees when it got too dark, or hanging out in more hilichurl camps - where they always seemed to welcome your presence.

It was safe to say that you did not go hungry. Though, you could really use a change of clothes. They were starting to feel all gross. You luckily were by a lake, and well - you might as well take this opportunity to bathe and wash those clothes.

You were a little worried about being spotted, but figured you were in a quiet enough area that it was unlikely. Or if it were monsters, you had little fear of being attacked by them. So you carefully stripped down and submerged yourself in the lake, trying to adjust to the cold temperature of the water.

When you were finished washing yourself - you reached back up to the rocks to grab your clothes to wash them as well, only to find that they were gone. Wait...gone??? Panic began to set in as you realized that you were currently naked and stuck in some lake in the middle of nowhere. What were you going to do...?

You stared at the water for a while, tucking yourself as closely to the edge of the water as possible, as you just thought mindlessly over what you were going to do next. That is, until you heard a voice.

"Excuse me, by any chance do these clothes belong to you?" A voice called out, and you instinctively hid yourself lower into the water. "My bad, I don't mean to invade your privacy. I'll just leave these here." The man said, before you listened to his footsteps get more distant. You slowly lifted your head up to look, only to find the man in the distance standing behind a tree, facing the other way, waiting for you.

You looked back to the ground and found your clothes returned, though in a slightly worse condition, but regardless, you hastily threw it all on no matter how wet they were going to get. Once you were done, you ran over to the man in the distance, who slowly turned his head.

"An animal must have stolen them," he began, "I was out for a walk and saw them on the ground by the grape vines. The animal must've left them there after it realized there was no food in them." He smiled.

You were sure you knew who the man was, but that suspicion was only confirmed when you glanced down, and saw the pyro vision hanging from his belt. "...Diluc?"

"Ah right, yes I'm Diluc Ragvindr, at your service." He seemed a little surprised that you knew his name, but internally, his mind was on fire. You, of all people, knew his name. He could barely contain his joy, although it was nearly impossible to tell from the outside.

"Oh. Nice to meet you. Thank you for helping me there." You said, a little taken aback. at your service? what did he mean by that? Regardless, you felt like you might as well thank him for helping you.

"Please do not mind it, I am only doing what should be done." He said, only showing as slight smile. "If you would like to thank me properly, how about I invite you for a drink?" He asked. He hoped you'd say yes.

"Oh sure. Lead the way then." You failed to notice just how exuberant he actually was that you agreed. It has been a while since you've last talked to - or even seen - someone, so you were a little bit lonely. You also figured that you could get some helpful information from him, so you might as well take this opportunity.

-

soon we're actually gonna get into the more entertaining parts but that's it for now. The next part is gonna have a lot more Diluc which is nice but also terrifies me I'm so not prepared to write him. Taglist @mmeatt; @iamapotatoe; @clavichordcleffa

[lesbianslvt666]

ellie has a huge crush on a flirty classmate who always wears very short skirts and one day they get together for a physics assignment and ellie asks the reader into her room and things get heated between them, something like ellie fucking the nonstop reader for hours straight omg 😮‍💨

Thinking thots rn

Not proofread

This was hard for Ellie, eight am classes were proven to be quiet the difficult task lately.

As soon as you entered the classroom your pretty scent illuminated and clouded all her senses.

Today your skirt was even shorter than the last one. You gave her a pretty smile and sat down to your now official seat.

To right next to her.

For the past two years Ellie had been hiding this little crush she had on you, at first it was easy, having only one class with you a week and with you seating to the opposite corner of the classroom, always paying attention and sometimes talking to your friends.

Ellie was in trance as soon as she saw you, pretty face, beautiful hair that seemed to change almost every month. And those skirts, good Lorde give her straight.

Ellie wasn’t the only one who notice how every semester your skirts got shorter and shorter, however she was always trying not to be a creep, keeping her eyes from wondering too long and trying to pay attention in class.

Just like today. Physics was one of Ellies favourite subjects, and DR. Lasky was her favourite professor, still, she hadn't heard a thing until now, the whole classroom booing at him.

"boohoo! Is your fault, none of you are paying attention to my class, therefore, I'll be the one to pick each other's partners!" his mischievous smile while saying that made Ellie and you chuckle at the same time, both looking at each other in surprise and when you caught her eyes, both turn back to look at the Lasky.

Warm cheeks and fast beating hearts connected.

This always happens at class, somehow both of you speak at the same time or laugh at the same small details. It made Ellies mind go wild and as Dina once told her "bitch you delulu" while rolling her eyes when Ellie told her you had said the same answer as her at the same time.

"okay, I'll do this with closed eyes" he picked two random people from the list of students and wrote them in the whiteboard.

One pair, two pairs.

Your name.

Followed by hers.

"fuck" she said under her breath, not looking at you.

"so I need this finished by Friday, today is… Tuesday second, so…" he said writing in big bold red letters "Friday 5th" I won't receive any, and I mean it! Homework after this date…" his voice steady while picking up his things, the assignment written beneath the date.

"hey, umm… Ellie right?" you pretty voice fogged every outside noise. She looked to where you were sitting, and to her surprise you were closer to her, leaning on her chair thinking she could hear you better this way.

Her blood flush from her neck to her ears, you were so close to her…

"yeah, that’s… um, that’s me!" she said with an awkward smile that melted our heart… and your panties…

"look, I was thinking if maybe we could start today? I have to finish another assignment for the week, so, it would be a relive if we could finish this first" your rant was followed by a sigh that ended your sentence and Ellie could picture you in other ways only with that

"yeah, um sure, like right now its fine? This was my last class of the day so…" her eyes fell to your legs again, she couldn’t stop herself, she wanted to squeeze them hard…

"umm, sure, I just… I do have another class, 'tsa short one, but if you send me your location I get to your place as soon as I am out, you have my number right?" you told her hurriedly, trying to get to your next class as soon as possible.

"yeah, yeah I have it, I texted you some study material the other week so…" she was a bit disappointed you even asked…

"perfect, fuck.. Umm, see ya' Ells. And um… text me your location!" your words hurry and your demeanour apologetic. You were sorry you had to leave her like that, but you'll make it up to her…

When Ellie arrived to her place she sent you her location and left her phone on her bed, she was kind of disappointed at how awkward she was around you.

She put some music and cleaned a bit, she wanted to give you a good impression, but her cleaning session was cut short when she heard the doorbell.

She opened the door to a smiling dripping you, clothes so wet they were sticking to your skin, your white shirt letting her know you weren't wearing a bra.

"hey… can I come in? is cold out here…" you said apologetically, soft smile clouding your features.

And she let you in, taking your bag and dragging you to her bathroom.

"let me get you a towel, and some clothes" she tossed you a towel a bit harder than she intended, the cloth falling in your head which only made you laugh hard, her cheeks went bright red, you looked spectacular…

"what, why? What happened to you?" her voice muffled by rooming around her closed trying to get you something comfortable to wear.

"one of your shirts is fine, I mean, it's only you and I right" you told her when you saw her compare her clothes, trying to find something that would fit you, due to her being taller than you.

She looked back at you, you were taking your clothes off without a second thought, fuck…

"so basically I went to my class and as soon as entered the classroom the teacher called on sick, I thought of getting something nice for us to eat but it's raining in the city right now so before I could get to the restaurant I like to order take out, the rain washed me over, so yeah…" you took Ellies shirt from her hand, she was looking at you and you didn’t mind.

As on queue the heavy droplets of water started to poor down, the sound relaxing to you.

You seamed clueless to Ellies crush on you but you truly did noticed, how she always looked at your legs, or at your breast, that’s why you always sat beside her, how you waved your hair a bit when you sit down, how you cross your legs in a way she could easily see you, how you always gave her something to think about… and now, how she was eating you all…

So you didn’t mind giving her a show…

Sitting on her bed while looking at her, she travelled to your eyes and shied, oh not right now…

"look at me Ellie…" you didn’t expecting your voice to come out so needy, and Ellie followed your command. You opened your legs for her, her shirt covering your nipples riding up until your panties were at her focal point, she almost fell to her knees.

"can I taste?" her voice somehow seemed more demanding than yours, as if both papers were inverse.

She was making it hard for you, hard for you to resist. Your hand travelled to your covered tit, toying with your nipple. "yes Ellie, fuck…" her hand now touching your lips on top of your underwear, she was going to go insane, the fabric so soaked with your sticky essence, tight on your cunt.

The hand that was on your boob made its way to her face, grabbing her by her chin and pushing her down to her knees, her face in direct contact with your heating pussy.

"don’t be shy now angel…" she took the words out of your mouth because she latched on to your clothed cunt, sucking on it through the cottony material.

You were squirming, moaning her name shamelessly, you knew she lived alone so you didn’t hid from her, how good she was making you feel.

She took your panties off and without wasting another second she went back to her place, the place where she belongs.

In between your thighs.

And she sucked and pull and massage your pussy for what it felt like hours to no end, the pleasure was getting too unbearable, a glowing feeling at the pit of your stomach signalling you that you were about to cum. To Ellie, the signal came from your twitching cunt, how you were closing on nothing, clenching empty.

So she gave you what you needed, one finger in, your pussy sucked it all the way, your moans filling the room and the squelching sounds mixing with it. Ellie felt high, the way you said her name while harshly pulling on your tits, face relaxed, eyes shut and mouth wide open.

While fingering with her tatted hand she took your face with her free one, veiny fingers guiding you to where she wanted you.

right beneath her.

"open your eyes angel" and so you did, you mouth still wide from the pleasure, and she took it as an opportunity, a glob of spit falling form her pretty lips to your hot tongue.

Your eyes rolled back on your head, how fucking dare she be this hot…

One orgasm, two orgasm, one water brake.

"so, I was thinking, maybe we could continue this until the rain is over…" you said sitting on her lap, both completely naked, glistening thighs from both of your wetness…

She smiled at you, her arm hugging you at your waist making you giggle. She unlocked her phone and opened the weather app. "here says that the rain will be over till tomorrow eight am" she said, smirk spreading all over her face.

this was shorter than expected... sorryyyyyyy

[atheneum-of-you]

• 𝐓𝐚𝐫𝐨𝐭 𝟏𝟎𝟏 •

When we think about deity or spiritual communication, many people's first thought is tarot. And while there are a plethora of ways to communicate with entities without it, tarot remains one of the most popular.

This guide will be separated into 3 core sections; The makeup of tarot decks, the meanings of the suits, and how to read the cards. This will be long but I'll try to break everything down as digestible as possible.

𝟎𝟏. 𝐓𝐡𝐞 𝐃𝐞𝐜𝐤𝐬

𝐓𝐚𝐫𝐨𝐭?

Tarot is well known as a great starting point for entity communication, and easily accessible. There are millions of different styles of decks, but throughout all of them the meanings stay essentially the same. This means you can essentially use the same guidebook/guide for almost every deck. Some decks do have specialized cards that they add to their major arcana, or some will rename suits (the suit of pentacles may be called the suit of coins or the air of cups may be called chalices, etc). But for the most part, things are fairly similar.

𝐓𝐡𝐞 𝐂𝐚𝐫𝐝𝐬

𝐓𝐡𝐞 𝐅𝐨𝐨𝐥'𝐬 𝐉𝐨𝐮𝐫𝐧𝐞𝐲

A tarot deck will typically have 78 cards, with 2 types. The Major Arcana, and the Minor Arcana. The Major Arcana is made up of 22 cards, numbered 0-21 starting with The Fool. These 22 cards can be considered the most important cards in the deck, even if they're not drawn during your readings.

The cards detail a story, aptly named The Fool's Journey, which paints the picture of a fool (0) on a journey enduring trials and life lessons until he rejoins The World (21) with newfound knowledge and understanding of themself.

The Fool's Journey represents us, the holders, and our journey through life and drawing a Major card during readings are typically important and indicative of a pivotal moment in the reading. Readings can actually be conducted entirely with just the Major Arcana because of how significant they are.

𝐓𝐡𝐞 𝐌𝐢𝐧𝐨𝐫 𝐀𝐫𝐜𝐚𝐧𝐚

The Minor Arcana make up the bulk of a tarot deck, with 56 cards divided into 4 suits. Swords, Wands, Cups, and Pentacles. Despite the suit names, each suit is made up of 14 named cards. 1-10, the page, the knight, the king, and the queen. This is the standard for each suit.

If the Major Arcana is the Fool's journey, then the Minor Arcana are the details of that journey. Each suit represents a different aspect of a person's life. It can also be representative of the 4 core elements, involve numerology, and align with astrology, however for this guide we'll stick with the meanings of the cards themselves and how to read them.

𝟎𝟐. 𝐓𝐡𝐞 𝐌𝐞𝐚𝐧𝐢𝐧𝐠𝐬

I won't go over the meanings of all 78 cards simply because this post would be egregiously long, however I will go over the meanings of the Minor Arcana suits.

☆ Pentacles Sensation and the Material

This suit deals with the material world, both internally and externally. This includes finances, stability, and health.

☆ Swords Thinking and Truth

This suit deals with logic and ambition, as well as shedding light on situations for conflict and communication.

☆ Cups Feeling and the Unconscious

This suit represents your emotions and relationships, as well as peeks into your Intuition.

☆ Wands Intuition and Will

This suit represents your drive and passion, as well as your internal introspection.

𝟎𝟑. 𝐑𝐞𝐚𝐝𝐢𝐧𝐠 𝐭𝐡𝐞 𝐂𝐚𝐫𝐝𝐬

So you know the makings of your deck, and you know their meanings. But how do you read the cards? I'll ask some questions to my own deck, draw cards, and discuss how I decipher them!

𝟏 𝐂𝐚𝐫𝐝

"What is an emotion I should be aware of today?" This is the question I've decided to ask for this example! When suckling the cards, I keep this question in mind, but also like to clarify my meaning. "What emotion should I be conscious of today, positive or negative? What do I need to become aware of?" These kinds of questions while shuffling can help get a bit more of an accurate read on your original question. The card I drew for this was:

The Nine of Wands reversed

This card represents exhaustion and emotional burnout. This is a very clear sign that I need to take a moment to relax, and not force myself to do everything all at once, lest I burn myself out and kill my passion. This resonates because it's what's kept me from posting as often as I'd like. Now that I've recuperated though, my cards want me to remember not to reach that point again. To take breaks.

𝟑 𝐂𝐚𝐫𝐝𝐬

As I write this, I've done my "daily reading." This is a simple 3 card reading I try to do every morning just to get a feel of my day and the mindset I should try to keep throughout it. The cards I drew were:

The King of Pentacles

The Emperor

The Ace of Cups

Lucky for this example, we've got a Major card! So how do we read this?

Well the King of Pentacles represents abundance, while also representing accountability. This tells me that I need to be aware of my resources, and treat them with care. The King of Pentacles represents a sort of provider, and as a provider it's important to be responsible with the assets you have and provide for others.

Next we see The Emperor. This is another card that represents an authority figure and responsibility. So we see a recurring theme between these two cards already. The Emperor represents a firm hand and the creator of structure.

Finally we see the Ace of Cups. This card represents something completely different than the other 2 cards; instead focusing on the emotional path of life and the joys that come with it. The cards can also represent the start of a new beginning.

It can be confusing to decipher the meanings of these cards when reading just the meanings, so this is where we start to look at the core of these cards, and apply them to our original question/intent.

The King of Pentacles

Responsibility and abundance

The Emperor

Responsibility and authority

The Ace of Cups

The joys of a new beginning and emotional fulfillment

When we look at my original sentiment "how will my day go today?" we can see that it speaks of being responsible, especially as someone considered an authority figure (i.e. the owner of my discord server or even a blog many people come to for guidance and help). Lately I've noticed I haven't been wholly responsible and it's led me to neglecting this blog in a way I don't enjoy and procrastinating a lot of work on my server. The cards are telling me to take responsibility for the communities I've cultivated. But the Ace of Cups tells me this reading isn't a condemnation, but rather, the start of an exciting new beginning. That is time to shed my old insecurities and fears and to start anew!

𝐌𝐮𝐥𝐭𝐢𝐩𝐥𝐞 𝐌𝐞𝐚𝐧𝐢𝐧𝐠𝐬 𝐚𝐧𝐝 𝐑𝐞𝐥𝐚𝐭𝐢𝐨𝐧

Sometimes your readings will have multiple meanings, and it will be up to you to decipher which meaning is relevant to what you asked, or if all of them should be headed.

We'll use my 3 card reading as an example.

While this reading represents my need to take responsibility, it can take on other meanings as well. One meaning can be about the relationships I currently have, as the Ace of Cups can also represent the start of a new love. This can change the meaning of me being the responsible party, and instead represent my newfound partner, who is a very large figure of authority.

It can also represent my father, who loves me dearly but is incredibly stern with me.

It's important to see which meaning resonates with you most. For me, the third message doesn't resonate very well, so I won't consider it the intended message. The first two meanings however resonate deeply, and while the first one is much more in depth, I can pull clarifying cards for the second.

𝐂𝐥𝐚𝐫𝐢𝐟𝐲𝐢𝐧𝐠 𝐂𝐚𝐫𝐝𝐬

Clarifying cards are simply additional cards you draw to clarify your main reading. Sometimes things will seem a bit confusing, or you'll need some extra information. Clarifying cards are used exactly for that. We'll continue off of my previous example in terms of my reading representing my partner, and see what additional information we can gather. Once again, I speak my intentions into my shuffling. "Can I please have some clarification on the meaning of that reading in terms of me and X? Any clarification would be greatly appreciated." The cards I drew was yet another Major Arcana:

The Chariot reversed

This card speaks about a lack of control and direction. This card once again resonates, as for the past week or so I've been incredibly insecure and spiraling over the specifics of this relationship and the aspects of it I can't control. This card reminds me to understand that I can't control every situation and narrative, and part of life is the unknown and the scary.

With this, we've gotten 3 meanings of one reading, 2 of which resonated, and managed to break them down effectively!

Tarot is much easier than you may think, especially when getting down the basics! You don't need to memorize every card right off the bat, using your guidebook or an online guide works perfectly fine. After a while, you'll naturally start to recognize the meanings of each card.

I hope this has helped you understand tarot a little better! Feel free to ask me any questions at all, and safe travels ♡

[runningfrom2am]

cold nights // part twenty-nine

summary: you were back in the capitol, and you would be damned if you didn't try your hardest to make it worthwhile.

pairing: coriolanus snow x fem!reader

wc: 4.2k

masterlists / nav / requests

tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, depictions of mental illness, also she's is very smart (as she should), district twelve!reader.

a/n: ahh shit really hits the fan in this one oops

my asks are also open to talk about this series! (i do have emoji anons open now too!)

send me any and all of your thoughts! here!

series masterlist // playlist

"Coryo." You hum, knocking on your boyfriend's doorframe.

He looks up from his desk, smiling as he sees you standing in the door. You were still wearing what you had worn to class that day, a button up shirt he had bought for you with the orange skirt Tigris made, short and simple as if it was made by your own mother. It matched perfectly with his own mother's scarf that you always wore out, that was left draped over your shoulders. You were looking at him like you needed something, and it just made him light up.

"Love," He closes his book and stands up. "What do you need?" He asks, quickly pushing up his unstyled hair out of his face- the curls were beginning to come back, but they weren't quite as long as they once were. When he's with you, which is almost always, he makes a very conscious effort to keep it up and away from his face.

Your hands are tucked behind your back, nervously twisting your fingers. "Why must you assume that I need something?" You giggle.

"Because I know that look." He pokes your nose as he gets close enough to do so, now standing a foot away and looking at you expectantly.

"Okay, fine." You sigh. "I was wondering if you had any plans for Halloween."

"Hallo-what?" He asks, tilting his head at you. Your jaw drops.

"Halloween." You say again, wondering if it was possible he just misheard you.

He laughs, eyebrows raised in clear confusion.

"You don't know what Halloween is? You don't celebrate here?" You gasp.

"No, sorry."

"Oh my god, okay. Well, we must do something." You clap excitedly.

"Slow down, darling. You're gonna have to tell me what it is before I can agree." He chuckles, holding a hand out you to stop you before you got too excited.

"Okay, okay." You agree. "So, it's a holiday, similar to Christmas if you have that."

"Of course we have Christmas."

"How was I supposed to know?" You laugh. "Anyway, it's mostly for little kids, but still. Basically, on the last day of the month everyone dresses up in costumes of monsters or animals or different jobs- whatever you want, and the kids go knocking door to door and adults will give them treats."

"Treats." He states, but it comes out more like a question.

"Yes. Like cookies, or candy if you have it, really anything." You grin, nodding at him excitedly. "My Ma usually makes fudge."

"Okay..." Coryo laughs. "So... sorry, I'm confused. What do we do? Hand out candy to kids who won't come because no one's heard of it here?"

"That's the best part!" You clap. "We aren't parents; old enough to be stuck handing out candy, and we aren't young enough to go trick or treating, so we get to have the most fun."

"Okay..." He urges you on.

"We get to have a party!"

"A party." He eyes you a little bit skeptically.

"Yes!"

"Since when do you like to party?" He seems wholly unconvinced.

"I don't, but it's tradition! I always have fun, I just don't drink much anymore. It'll be good to make friends, Coryo. Please?"

"Anymore?" He laughs, but quickly shakes his head to stay focussed on what you were asking of him. "Love, I wish we could but I don't know where we'd have a party, we can't have it here."

You frown, thinking for a moment. "Oh! I'll call Sej." You grin, already bounding off down the hall toward the phone.

That was that, he couldn't change your mind even if he desired to- but really, if a party would make you happy, then you would get a party. He would make sure of it.

You had spent weeks handing out invitations to the other people in your classes, most of which, as you noticed, ended up in the trash cans or littering the halls. You didn't let it bother you, Coryo insisted that people just didn't tend to hold on to those kinds of things and it didn't mean they wouldn't come. (What you didn't know, was his near-constant cleanup efforts of asking anyone he knew or had classes with to come to his "costume party"- and people didn't like to say no to Coriolanus Snow.)

You had come up with a plan. Coryo would say it was his party, and he would be hosting it at the Plinth's estate. You couldn't run the risk of putting your name on the idea, especially after your interview assuring parents that you were just there to learn- not fraternize. You didn't mind, you knew more people would want to come if it was his party, and that it wasn't a "Halloween" party. Just a costume party that happened to land on the district holiday that none of these kids nor their parents knew about. Hopefully.

You were incredibly excited. You spent the days after Sejanus's parents left town over there making decorations, and begrudgingly, Coryo joined you after realizing you weren't only there to drop things off.

He never pictured himself spending so much money on orange and black coloured paper, but here he was. The list of things he would do for you is growing by the day, surprising even himself.

You had put a lot of time into your costumes, with Tigris's help over the last couple of weeks. It wasn't anything crazy, just a white dress and some small angel wings, and for Coryo a gray shirt with leather straps, some light chain mail on the shoulders, and silver sleeves. You were very proud of them, but you hadn't shown him yet. You would be Romeo and Juliet, and you thought it was just perfect.

You smile as you knock on his bedroom door, already in your costume. You would get there a little early to help Sejanus with some final touches, but you did have a lot of people confirm with Coryo that they were coming. You were excited.

He opens the door, his breath dying out in his throat as he takes in your outfit. He must have died and gone to heaven. "Well hello, angel." He grins as he regains himself, opening the door fully for you to come in.

"Do you like it?" You ask, giving a quick spin even as you're holding his matching costume behind your back.

"You look beautiful." He says quietly, nodding as he eyes how the white satin clings to your figure. He couldn't think of a more fitting costume for you; although to him, you always looked like an angel. But now, more beautiful than ever. Ethereal. "It's stunning, love."

"Thank you!" You smile, pulling his forward and holding the folded mix of fabrics up to him. "This is yours."

"Mine?" He asks, a confused smile on his face as he grabs it and unfolds it carefully. "What is it?"

"You're a knight!" You say, clapping your hands together excitedly. "Well, you're Romeo as a knight. And I'm Juliet." You grin, holding the hem of your dress and prompting him to look at it again.

"Romeo and Juliet." He chuckles, nodding slightly as he looks between the two.

"Yeah!" You smile excitedly. "Romeo! Here's drink. I drink to thee."

He laughs, nodding as he closes the door behind you and pulls off his shirt to put on the costume you made for him. "I love it, Y/N/N. Thank you."

"Of course." You nod excitedly. "I've always wanted to do a couples costume."

"Is that a thing?" He asks, getting ready to pull it over his head.

"Yes. It's so sweet! Couples will wear matching costumes and that's how you know they're together, I always loved looking at other peoples." You explain. "My parents always do matching costumes. One year, they both dressed up as cats. My mom made the ears out of felt, and they carried Tybs to the door with them to hand out candy. It was so cute. Like I said, they do matching costumes every year."

In your rambling, you don't notice how he freezes up completely, face falling. Hesitantly, he pulls it over his head. "How do I look?" He asks, gluing a smile back on.

You smile, nodding at him. "So handsome, Coryo." You confirm. "Tigris helped me make it."

"It's... a little uncomfortable." He tells you, pretending to adjust the light chainmail that hung over his chest.

You frown, reaching out to help him adjust it for a moment. "Is that better?"

He hates to do this- it fits perfectly, but he can't have people knowing you're together. Not yet. "Uh..." The hopeful look in your eyes breaks his heart. "Yeah, that's better." He nods, relieved by the smile that returns to your face.

"Are you ready to go, then?" You ask, tilting your head at him.

"Just give me ten minutes, love. Would you mind gathering up our drinks?" He asks, kissing your forehead.

"Of course, Romeo." You giggle, turning on your heel and leaving, closing the door gently behind you.

He hates himself for what he knows has to do.

When you got to Sejanus's house, you were practically vibrating with excitement as you ran around hanging up decorations and placing and replacing drinks and snacks on the tables, moving them around.

"Sej?" You ask, standing on a stool to be able to reach up above a doorframe.

"Yeah?" He calls back from across the room, turning to look at you.

"I'm out of tape, could you grab me another roll? We brought some, it's in the kitchen. Coryo will tell you which bag." You explain and he nods, giving you a quick thumbs up as he walks by and down the hall. 

Walking into the entrance to the kitchen, his eyes go wide.

There's Coryo, holding out the front of his shirt over the sink and pouring a glass of red wine down the front. Extremely, very intentionally.

"Uh... what are you doing?" He asks, and Coryo's head snaps up, eyes panicked.

"Uh, shit, I..." He laughs slightly, placing the glass down quickly and turning on the tap. "I tripped and, god I don't really know. I'm just trying to get this out..."

Sejanus nodded slightly, trying to hide how unconvinced he was. "I don't know if that will come out." He states.

"Shit..." Coryo sighs, albeit dramatically. If Sejanus hadn't just seen him do what he just did, he would be convinced. Coryo would make a good actor. "Well... Do you have something else I could wear?"

"Yeah... uh, yeah. Just go into my closet and help yourself." Sejanus tells him, gesturing down the hall.

"Thanks," Coryo says, brushing past him eagerly all ready to go and change into something else.

Your friend swallows, watching him as he disappears down the hall. Sejanus knew you had spent hours putting together that costume for him, could he even tell you that he saw Coryo ruin it on purpose? It would break your heart- but he did really want to know why.

Sejanus couldn't tell you. You were having fun, or at least trying to, and he didn't want to ruin that. People were talking to you, and to him, which was kind of new territory for the both of you. Your interview and your kindness in classes and to everyone you met did wonders for your reputations as "District kids". Surprisingly, your classmates had lots of questions and none of them seemed to have any real problems with you in a less pressurized setting. The alcohol was likely a contributing factor.

"Yes! Well, we'd go to the lake a lot. Oh! So, one time, my brother and I spent all day dragging this old barrel up a cliffside just to hang it off a tree at the top. We just spent our time doing the most random stuff." You giggle over the music, clutching your glass to your chest as you continue on a conversation with Hilarius, who you saw as a new friend even though Coryo wasn't his biggest fan. You had probably a little bit too much to drink, spurred on by your nervousness.

"A barrel..?" Hilarius laughs, tilting his head at you. 

"Well, yeah, what kind of stuff did you do for fun, then?" You ask over the loud music.

"Chess, I suppose. Reading, I don't know. Fun wasn't really on the schedule." He explains.

"Well, I'd rather drag a barrel up a hill than do nothing, wouldn't you?" You laugh.

"Touché." He tilts his glass at you before taking a sip.

"Y/N, can I steal you for a second?" You hear Sejanus say in your ear, suddenly beside you and you nod, politely dismissing yourself from the conversation.

You follow him down the hall to an empty corner. He couldn't take it anymore, he had to tell you. "I'm sorry about Coryo's costume, I know you worked hard on it." He says honestly.

"It is okay. Spills happen." You smile.

"Well, yes..." He agrees, looking around quickly to make sure he can't spot Coryo's blonde hair in the vicinity. It was a rare moment he wasn't with you, so now was his only shot. "But... it wasn't an accident."

"What do you mean?" You ask, tilting your head at him with a slightly nervous smile.

"Y/N I... I watched him pour the wine on it. Like, very intentionally."

You don't know what to say, slightly shocked. After a moment of him watching your expression evolve, you begin to laugh. "No, no. Sej, I love you, but how much did you drink before we got here? Because he wouldn't-"

"Nothing." He answers shortly, giving a firm shake of his head. "Not a drop, Y/N/N. I swear."

Your smile fades slightly at his abrupt statement. "Well..." You say quietly. "Why would he do that?"

"I don't know, but I know better than to be the one to bring it up to him. You should ask."

"I mean, he said it wasn't very comfortable before we left the house. Maybe he just didn't want to hurt my feelings." You smile to yourself, nodding as you decide.

"By ruining something you made for him? Yeah, that'll spare your feelings." Sejanus scoffs, looking past you once more to make sure Coriolanus wasn't nearby.

"He tried to spare them, I assume." You sigh, giving him a reassuring smile in hopes that he won't let it worry him. "It's okay. Thank you, Sej, for telling me, but it's really not a big deal."

The knowledge that Coryo ruined his costume on purpose was eating you alive. The feeling of dread sat deep in your chest where it apparently couldn't be drowned out with more wine or posca or anything that you could find or was offered to you. It made you so horribly sad, that even though you couldn't seem to find your boyfriend in any room of the large house you weren't sure if you even wanted to.

Talking to strangers helped, meeting new people. Some people you shared classes with, and you could mostly discuss that. It was a lot of explaining and reexplaining that people in the Districts were more or less normal, just with less access to resources. You got a few laughs out of that, but a surprising amount of understanding nods. Maybe all hope wasn't lost.

You were here to have fun. It wasn't like Halloween parties back home, and the sheer volume of boys in their own father's old peacekeeper uniforms was chilling to you. Even back home, where you knew those old uniforms were lying folded up in an attic somewhere, very few kids would dare touch them even to make a joke out of it. You couldn't take it anymore, deciding to just step out onto the back patio to get some fresh air.

The air hits your lungs and brushes over your skin, instantly giving you chills but you don't mind. Hearing talking over to your right, you take a look only to see Coryo with a few of your classmates, smiling as he leaned back against the wall of the house. A couple of faces you recognized, and one you didn't.

You smile as you walk over to them, squeezing in next to Coryo. "Clemmie, Livia. It's good to see you." You smile at them, and Clemmie gives a polite nod while Livia just takes another sip out of her glass while the other boy with them just continues talking.

"I don't believe we've met, sorry." You smile at him during a break in his story, extending a hand to him. "My name is Y/N. What's yours?"

He laughs, hesitantly shaking your hand. "Festus. Festus Creed." He tells you.

"Lovely to meet you, Festus." You grin. "Are you a friend of Coryo's?"

"Yeah, you could say that." He chuckles and you look up at your boyfriend who suddenly looks annoyed, rolling his eyes.

"I just love meeting his friends." You smile excitedly. "Are you studying at the university? I haven't seen you before." You say, folding your arm around Coryo's and he tenses up, not so subtly shaking you off.

You look up at him for a moment, a confused smile on your face from his actions.

"Would you mind giving me some space?" He asks coldly, almost glaring at you. Your eyes flick to his, but it's dark. They're cold, icy blue even in the poor lighting. His cheeks are flushed, but maybe that's from the chill.

"Oh, sorry." You laugh nervously, taking a step back and abandoning your conversation. "I... um, I'm gonna go get some water. It was nice to see you." You wave quickly to his friends, turning and heading for the door.

"Sorry, apparently my tribute gets touchy when she drinks." You hear Coriolanus laugh behind you as you enter the house again. It was met by laughs from the rest of the group he was with, and your heart dropped practically out of your chest and onto the floor. You wouldn't have been shocked if you looked down and saw your white dress absorbing the remains of your heart.

Your white feather angel wings catch on the curtain of the door as you close it behind you, and you want to scream and rip them off as you feel tears well up in your eyes. You look around for your best route of escape, feeling the familiar tightness in your chest begin to build.

You'll have to go along the wall- clinging to the outside of the room as you avoid the chaos of the middle in an effort to make it up to Sejanus's room. You'd be alone there.

Tears stream down your cheeks as you keep your head up, eyes locked on the entrance to the foyer with the large staircase, which you know you can take to get to your friend's room. Your fight or flight is kicking in, you think, as the music and laughter and voices fade into nothing. You almost expect the familiar clang of a metal weapon to sound out in front of you as it slams into the wall- but you have to make a very conscious effort to remind yourself that you aren't in the arena anymore. Even if it felt like it more and more with every step.

Shutting the door to Sejanus's bedroom, you quickly shuffle over to his bathroom and lock yourself in, freezing when you catch a look at yourself in the reflection. She was hardly a reflection of you; tear-stained cheeks, angel wings- when you knew that these days you were just about the farthest thing from it. You had changed. You hardly recognized her, and that's the thing that forced you to look away.

You don't even hear someone enter the room until there's knocking on the bathroom door. "Y/N? Are you in there?" Lyssie asks, concern dripping through her tone.

You sniff, quickly wiping your eyes. "Yeah! Yeah, I just need a moment." You choke out, trying and failing to keep your voice steady.

"Are you okay?" She asks through the door, wiggling the handle now. "What happened?"

"I'm fine just fine." You insist, laughing nervously as you look down at how badly your hands are shaking.

"Can I come in? Can you open the door for me?"

God, how you wished it was Lucy Gray on the other side.

But Lucy Gray isn't here. Lysistrata Vickers is all you have- so with shaky hands you reach for the door and unlock it, letting her in. She won't hurt you, you're sure.

Her eyes are already wide with worry as she gets her first glimpse at you. "Oh, Y/N, what's wrong?" She asks, stepping in and quickly closing the door behind herself. "Here, sit down..." She nods to the floor, which has clearly been recently cleaned. Even so, she pulls a towel from the rack and lays it out for you to sit on.

"I'm just a little too drunk." You sniff, trying to dismiss her worries, and slide down against the wall on top of the towel she laid for you as sobs take over you.

"Want to tell me what happened?" She asks again, hurriedly reaching for a smaller towel and wetting it with what you assume is cold water, wringing it out before joining your side on the floor.

"Nothing." You shake your head and bring your hands up to cover your face as you cry into them. "I can't... I can't tell you."

"Okay, that's okay..." She soothes you. "Here, this will help. Can you move your hands for me?"

She doesn't want to touch you, no one really does. You lower your hands, squeezing them tight together in your lap as she carefully reaches up to dab the cloth across your forehead. It does feel good on your burning skin.

You focus on taking deep breaths, trying not to embarrass yourself any further.

"There you go..." She smiles. "You're good at this."

You laugh through your tears. "Well, it comes with my title, I guess." You sniff, wiping your cheeks again.

"I'd bet..." She hums. "But you're doing great."

You just nod slightly, running through lines in your head out of nervous habit. "I love him, oh, I love him; but he won't let himself be loved."

You don't even realize you're saying it out loud to yourself until Lysistrata speaks. "Is it... Is this about Coriolanus?" She asks, and you don't want to tell her that it's a quote from a story of her namesake because ironically, she is right, and ironically, that was the only line you could think of when you strained to remember any of it.

You nod slightly, biting into your lip and letting your shoulders shake with the latest round of sobs.

"Oh, I'm sorry..." She gently rubs your shoulder. "He's... He's not very sensitive to people's feelings. I know that. Just try not to take it personally. It's not your fault."

"How could it be anyone else's?" You sniff. "I embarrass him... But I try so hard to be good. I try so hard..." You cry, wet eyes making it hard to see.

Lyssie looks at you, a little confused. "What did he say?" She asks.

"That..." You hiccup, trying to breathe through it so you can explain better. "That I needed to give him space, all I was doing was standing next to him." You sniff again, wiping your eyes. "And he called me his tribute to his friends- it made me feel just sick... And earlier Sej told me that he ruined the costume I made him on purpose, we were supposed to match! Now I just look like I'm desperate for people to like me- dressing up as an angel when everyone here knows what I did! I don't know what I did wrong... Why does he hate me now?"

She watches you silently, trying to put together the pieces. 

"I don't understand." You say again, shaking your head. "He told me he loved me this morning! I don't know what I did to change that..."

"Sorry, he said he loved you?" Lyssie asks, eyes wide.

You nod slightly, looking over at her. Why does she seem so shocked?

"Wait, Y/N..." She pauses, shaking her head slightly. "Are you guys like... together?"

"Mhm." You swallow, wiping under your eyes. "But apparently not anymore."

"Oh my god, I had no idea." She stammers out, snapping out of her shock to pat the cloth on your head again.

"You didn't?" You sniff. "He didn't tell you?"

"No." She shakes her head, but quickly continues. "I'm sorry, he doesn't tell much to anyone, though..."

You let out a shaky breath, leaning your head back against the wall. "I should have known this couldn't work. I feel so stupid."

"He shouldn't have led you on like that..." She replies quietly. "I don't know a whole lot about you, but I know you're not stupid. I also know that Coriolanus always gets what he wants, one way or another."

"I just want to go home..." You cry, shaking your head. "I want to go home."

Lyssie looks back to the door, gently dabbing the damp material across your forehead. "I'm going to go get Sejanus, okay? Can you hold this on your head for me?" She carefully passes the cloth into your shaking hands and you nod, leaning your head down against it instantly.

She gets up and leaves, carefully and quietly closing the door behind herself. If one person in this city knew even a little bit about what you were feeling or how to help, it would be Sejanus Plinth.

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[moodymisty]

𝕽𝖊𝖒𝖊𝖒𝖇𝖊𝖗 𝕺𝖓𝖑𝖞 𝕸𝖊

[ 𝕸𝖔𝖔𝖉𝖞𝕸𝖎𝖘𝖙𝖞'𝖘 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙| 𝕬𝖔3 ]

Part 1 of 5 - Part 2

Author's Note: It's here! The first chapter of the Yandere Salamander/Fem!Reader/Yandere Night Lord love triangle(corner) fic! It's going to be 4 chapters (5 actually you'll see tehe) and I drafted a good portion of it in advance so it should be smooth posting? We'll see. Enjoy!

Summary: A Night Lord becomes interested in you while you stand under the eyes of your Salamander guardian, and you find yourself stuck between two titans.

Relationship: Yandere!Salamander/Fem!Reader/Yandere!Night Lord

Warnings: Hints of nsfw at points, Yandere, Size differences, Very toxic suffocating relationship(s), Some knight/princess dynamics, Demeaning language, Both these guys have hero complexes, Violence blood and bruises and possibly death to say without spoilers

Word Count: 2068

Word travels fast aboard even the largest of ships, you had learned quite quickly.

Space marine legions are not fond of working with one another, was what you had learned first. Many times even different squads within this same Legion can butt heads, as different styles of commanding and battle conflict with one other. Salamanders often try and remain cordial when problems within them arise, but friction was and is inevitable.

The second, was Vulkan was apparently quite firm with his legion that they were to welcome their temporary allies with respect. At least that is what you’ve heard from any Salamander that you’ve heard mumbling as you pass by, or any that have given you a moment of their time. That’s all you know, and these tidbits of knowledge fail to put together a full picture that you can understand. Their lips have been quite tight other than the bare minimum they believe you need to know.

Or what you can get from them if you ask very nicely; Much like the Commissars and Lords you've dealt with over the years, it seems Salamanders aren't immune to a bit of flattery also. You just need to make sure he doesn't find out, as you know how displeased he gets whenever he finds out you went wandering around chattering with his brothers.

Speaking of...

You can ask him about it; You just need to wait for him.

He always visits you in the librarium, once his second round of training is concluded. He then goes for his five hours of rest, and the cycle restarts. Though even if it isn't that time, you know he still keeps a keen eye on you.

You don’t wish to bother him with an issue as seemingly meaningless as gossip, but none of your fellows have been able to piece together what's happening, as none of the Salamanders have loosened their lips about it in the slightest.

It's made you more than a bit unnerved; Knowing that something is wrong but no one will tell you what it is. The tenseness in your neck is worse, and sirens and calls once normal now make you jolt when they sound off.

The large piece of parchment in front of you remains nearly empty, apart from the crude outline. Commander Artellus's face is fresh in your mind, but you for some reason can't put it to parchment.

You hear the sound of harsh, heavy boots on the ground, and turn to see who you've been waiting for coming towards you. You shift in your seat and turn to see him coming.

“Ralkan; You’re back,”

You smile wide at him, a put down the pen you'd been fruitlessly trying to use. The way his eyes look down at you is warm, his helmet hanging on the side of his hip. He stands close to where you sit alone at the massive table, covered in a mess of materials. The ink in your well shakes with waves, when he steps closer.

“You should have been there this time. I feel like I'm missing something now without your curious looks.”

You smile even wider and laugh, remembering the time. He had outpreformed Salamanders his senior, and you wondered if he was overdue for an ascension in rank, or if he was simply showing off.

“I'll come next time. As long as your battle brothers don’t mind me seeing your training again.”

He places a massive gauntlet on your shoulderblades, thumb against the side of your neck.

"They won't, I am sure of it. Though I hope you'll reserve your cheering only for me again."

His hand brushes along the upper half of your back before it slides away, his chainsword hanging neatly on his back. He looks out the massive window to the vast reaches of space directly in front of your makeshift desk for a moment, before pulling his bolter off his thigh and checking it.

He’s always meticulous. He’s been trained into flawless discipline, and it shows in every aspect of his existence. From the way he keeps his thoughts closed to the way each piece of armor and each weapon must be meticulously maintained.

You can hear the mechanics of his armor shift as he moves, but you can only tolerate few more beats of the near silence before you can’t help it anymore. Your pen twirls in your hand as a soothing gesture before you speak up.

“Ralkan?”

You look up to him, sniffling from the disturbed dust in your nose. He turns to look at you as you abandon your parchment, and finally put pen down and place your ink stained hands in your lap.

You hesitate for a moment, pursing your lips and looking away from his hard gaze as he turns back to you.

“What is happening?”

He is genuinely confused by your question for a moment, before he realizes what it is you're asking about, and his face stiffens. But still he doesn't answer. It irks you; Thinking that he’s trying to keep this all from you. You add on to your earlier question.

“I know that you are going to be fighting alongside another legion, but why are all of you acting like it's something you're all dreading?”

Perhaps you might simply be a guest aboard this ship, gifted from Terra to a legion eager to put their deeds to written memory, but you wish to know more than the servitors do. You pull your hands from your lap and lightly slap the table with them, gripping the edge.

“Ralkan, Who are the Night Lords?”

It is so instantly apparent that you struck something in him, as his body visibly tenses and his face briefly flashes with anger as a legion's name other than his own leaves your tongue.

He makes eye contact with you, the burning red of his eyes making your curiosity waver. But you still want to know- need to know. He takes a step closer, and his left hand rests against the surface of the table. He lets out a tense breath.

“The Night Lords are the 8th legion. They," Ralkan tries to find the words, pausing for a moment. "The way they wage battle is in near direct opposition to us Salamanders."

He speaks the name with a stern, cold demeanor. It fills you with a hesitant sort of interest.

These legions; Have they really developed cultures so unique that they find themselves unrecognizable to each other?

“They have no respect. They will cull entire cities for the slightest infraction.” He looks to you, and he catches that your curiosity it still taking hold; You lack the fear that he's trying to instill in you.

He takes a step forward, and you can hear his armor hiss and grind as he lowers to a knee, now only a head taller than you as you sit. He puts his hand on your shoulder again, but it lacks the gentleness it had the last time, as he grabs tight and forces you to face him. You wouldn’t be able to pull away even if you wanted to; And while he is still trying to be gentle, his gauntlet still yearns to bruise your skin underneath your clothing. The seams of his armor dig into your flesh even through the fabric.

“They are going to be crawling over the ship soon. Do not let them even see you. You cannot run from them and they will know it.” His hand makes sure you can’t look even the tiniest bit away from him. “They will take advantage of your weakness. You must stay here, in your quarters, or close to me. I was charged with protecting you, and I will see it through.”

There’s not many places on this ship you go, at least without him. He is your guard, or perhaps more accurately your handler. He is in charge of making sure you don’t wander where you don’t belong, as even if the Salamanders have been welcoming to a remembrancer on their ship, they have their limits. For your safely and their privacy.

This ship- A world for giants, it isn't meant for someone like you either. Ralkan makes it a bit easier to navigate.

Though out of all the titles he's been given, he seems to enjoy calling himself your knight first and foremost. You assume it’s simply a part of their culture, you’ve heard other Salamanders call themselves knights as well. The tone is different, but you assume it’s simply Ralkan’s own brand of oddity. Perhaps he isn't fully cognizant of the intimate undertone behind saying such a thing to you.

Stuck in his grip, your nose wrinkles as you try to say something in defiance, to learn a bit more, but you know this it all you'll get from him. Even if you ask sweetly.

“I just wanted to know what was happening. I'll," You turn your face away from him and blow air from between your tight lips. "I'll stop the questions about it."

There isn’t much you can say otherwise in the matter anyhow. You want to trust him, and to listen to him, but perhaps it’s simply curiosity that makes you hesitate on the matter. Or naivety he probably assumes, as much as that irritates you.

He lets out an audible sigh of relief, and loosens the hand on your shoulder, it drifting up your neck before it cups your jaw. The other joins it on the opposite side, holding your face in his gauntlets. They're so gentle, even with cold ceramite between your skin and his.

“You know I do this to protect you, yes?” He continues, his eyes soft as they gaze over you. “I only want for you to be safe here. With me. I have seen these astartes before; I know what they are capable of.”

His eyes are warm, brow softened. You always enjoy when he looks at you this way, even if you might fear of what lays between you being far beyond the supposed title of knight and his charge. 

He leans forward, and his forehead touches your own. You feel like he wishes to do more, but is forcing it back. Your bare hand lays overtop of his gauntlet, and you smile at him.

But after a moment, he leans back away from you.

“I must leave now. My brothers and I are part of the battalion that is due to greet our temporary allies.” 

You so desperately don’t want him to leave, but at the same time, you wonder if the weight on your chest will finally dissipate if he does.

He rises, and in doing so also removes his hands from your jaw. His cape shifts behind him just barely brushing against the floor, and you swear you can hear the crackling of a vox channel in his helmet. His battalion must be calling for him.

“I will return soon. Please, do not forget what I have said.” You nod in understanding, and pick up your pen. He smiles at you after you do, and turns to leave. You turn to watch for a moment, until he's out of your sight. You turn back to face the table and let out a sigh, rubbing your jaw.

You didn’t want him to leave, but at times Ralkan can be so, suffocating. His very energy is that way, many of the astartes are, but Ralkan seems to have his grip around you particularly tight.

You sum it up to him being dedicated to the safely of their brand new remembrancer. The sheen of a new toy that hasn't worn off yet. Or perhaps him simply wishing to make sure you don't deviate from the path, and tread where you aren't welcome.

You assume the ladder, though the way he looks at you fills you with doubt.

You aren't opposed to him being fond, but he is so overwhelming. You might consider yourself lucky you think you feel the same way, as you don't know if you'd be able to get free of his grip if you didn't.

You don’t forget his words, but as you write word after word, and the drawing of Commander Artellus's face slowly forms, your mind begins to fall into the paper, and his voice becomes little more than a tickle in the back of your mind.