#but i think its interesting how she went from someone who ultimately had no controll over the story

[shinobi98]

There might be something to say about how Furina went from an actress/a character in a set narrative that other created (Focalors, the prophecy) and took charge of the narrative stepping into a directing role. Or something.

[max-nexus]

KGTAC Analysis Pages 2120-2228: The Ultimate Analysis of Ultimate Destiny

First Analysis

Previous Analysis

Next Analysis

Welcome to the world's most delayed analysis post ever! Sorry about how long it took, i got busy for a while there. It won't clear up for a bit (Future note: It has somewhat, that's the reason why this came out THIS LATE) but I'll talk about that at the end of this analysis. Also, I'll begin to refer to the original Home-Skillet as Home-Skillet BETA because KGTAC Act 2 has had it's title drop. Like it was so late that my previous draft before uploading went up to 2070, my reason for not updating is College. (Future Note: Another thing is that some of these notes here are from when the pages originally updated, I'll include notes on if i got something wrong in those old ones.)

2120: I was right! Though i still think there needs to be a handle on the sliding door... Wait, is that a couch in the pool?

KGTAC PAGE 2121

2121: Well i had the right idea of the arrangement. Also… Does he have a second pool? I don't think his window would be facing towards the pool. Like unless I've completely misunderstood the angle Fred's room is at. This ain't right. Here are some more images to get my point across. Though i could be misunderstanding things. Due to this line in page 2098 "You continue forward until you take a LEFT (camera's right) at the end of the hallway." This says that he takes a right. Either way this makes no sense. BOTH IMAGES IN ORDER

KGTAC PAGE 2125

2125: Well, i guess he will never find out WHATS IN THE BOX! Although, it doesn't prevent someone else from finding it.

KGTAC PAGE 2126

2126: Wait, did Fred actually go to Easter Island? I kinda just noticed the portrait. 2127: I think this is Sour-Carbonation (Ana Hepburn) Since they use the same color. Its neat that they're using numbers, as they're on the phone (or in this case, the fax machine) (future note: i probably would've put in an image if i got this out ages ago, but since this came out so late, Ana Hepburn got introduced, so everyone reading this already knows who she is, and thus an image is pointless.) 2128: I wonder what's in the package? It's probably SBURB, that's what she gave in the original 2130: Huh, still in shadow. I think the game is probably in the box (due to the fact it'd be weird to mail a game in an envelope, not much packaging to protect it), but i wonder whats in the envelope. It's truly a mystery. (It was in the envelope)

KGTAC PAGE 2134

2134: YESSSS, FLOPPY-DECK BEING USED IN THE PLOT 2135: LETS GO!!!!…. Wait Fred! you need floppy disks!, you need to grab those too! At best that floppy-disk in there is empty. 2136: Nice, He got the floppy(Future note)... I wonder if he could copy items. Y'know like put an item on the FLOPPY DECK to put it in a floppy disk, put the floppy disk in the computer, copy it onto the computer, and copy that stuff onto another floppy. Breaking the law by copyin that floppy and learning a real life duplication glitch.

Image uses frame from KGTAC PAGE 2139

2148: YOU DON'T NEED A KNIFE FOR VANILLA ENVELOPES, EVERY ONE OF THOSE I'VE SEEN CAN BE OPENED BY HAND!!!! 2152: The plan is joever… What, you expected an in-depth analysis of the previous panels. I did too to be honest but everything there was fairly straightforward, nothing cool to point out. I'm honestly a bit surprised. I was looking for it, the best we got was a UPSIDE DOWN FLOPPY DECK!!!

KGTAC PAGE 2141

2158: Neat, Sburb! Published or made by Sky'Acom. Interesting that its not Skaianet, i wonder if this will mean something in the future. 2159: Neato, It also just came to mind that Fred over here never used a computer before so i can't wait for wacky Sburb Shenanigans, especially if no one else really struggles with the controls.

KGTAC Page 2160

2160: OOF, i was so wrong. It's not a copy of PHOTOCHAT, it's theme park... whatever that is... What the hell is "awesome suicide sequence" supposed to mean 2163: Huh, this implies that a family member of his owns GAME BRO, or he himself does. 2167: So.. that was the Intro Flash, fairly different from the original H-S Intro flash, (Future writings) Like it goes for a Normal homestuck-esque logo at the end, meanwhile in the original it was a fake out for the real logo.

H-S BETA PAGE 70 (end frame)

Honestly there's a lot to the original one, sadly there isn't much else to talk about here as its all fairly different but in ways that's more valuable as an interesting comparison between the two versions of Home-Skillet and not for theorizing about what happens next. I guess since i don't think i ever mentioned it. but Home-Skillet Beta Fred has a non-Sylladex inventory system until the author decided to just give Fred a Sylladex. This is very much unlike KGTAC Fred who just... grabs things... some mind bending stuff here i know. Maybe I'll talk about it in the future when there's more to KGTAC H-S, Like when it gets fully past the H-S Beta in terms of content.

ALSO A PIECE OF H-S BETA PAGE 70

2168: ITS HER (also future note, we didn't go instantly to Ana in H-S Beta)

2169: The name gag here is different, also H-S Beta's name gag is similar to Rose's name gag.

H-S BETA PAGE 176

KGTAC PAGE 2169

2170: Nice (i was right)

H-S BETA PAGE 178

KGTAC PAGE 2171

So yeah these rooms are fairly different. The H-S Beta one was very Rose reminiscent, down to the window. I guess to note whats the same we have

The heater

Books under the bed

The bed itself is the same design wise

a general "clown" theme

Honestly i don't have much to say with this room at the moment... The KGTAC version has a big YELLOW SUBMARINE PLUSHIE. Home-Skillet Beta Ana has 2 SBURB Posters and what appears to be a COMMODORE 64 floppy disk drive next to her laptop COMPARED TO G64 FROM GAME DEV TYCOON

I'm using the Game Dev Tycoon one since it gets the point across, and because i thought they looked kinda similar. But yeah... There isn't that much to talk about here beyond this.

GENERAL ANA COMPARISON: I used two panels to compare Ana's sprites from H-S Beta to KGTAC H-S It's so similar i thought they were the same, I had to overlay the two to notice the head is slightly different. (I used XOR on the KGTAC one and overlayed it on the H-S Beta one) The white pixels on Ana are the differences... I wonder why its so similar when Fred got a more notable coat of paint. y'know like slightly different pockets, belt is a few pixels different, etc. where you can tell it was redone a bit, meanwhile it looks like Ana at best got a slightly different head, with everything else being lifted from the original. I'm not judging, I'm just curious as to why its only the head that's different.

KGTAC ANA COMPARED TO HOME-SKILLET BETA ANA

2174: Neat, she still has a bubble deck

KGTAC PAGE 2181

2181: Cool (Just putting this here, i do like this a lot.)

H-S BETA PAGE 184

KGTAC PAGE 2182

2182: Savor this Folks! We got a nice comparison between H-S Beta and KGTAC H-S, We won't know when we'll run out of comparisons til we do. But for actual notes, Its interesting "The Theories Of The Strange" is the same book from H-S Beta, The difference in color is probably more so because of a filter being applied to darken things. on Commander and Sharks, the narration is notably different, The yellow alien used to be called Viola but is now Jacello. The green one used to be called Shark but is now Leonardo Travesty They also weren't Chefs, instead they went around the universe eating new "lifeforms" The closest things to being chefs was making food. In the KGTAC H-S Panel, the yellow text says "From the Edge(s?) of the Universe, the finest silicone based chefs share their secrets" (Wait A MINUTE, I JUST REALIZED "Commanders and Sharks" is a reference to "Commander Cello" and "Sharkalien") 2193: Wow, this is different 2194: Yeah, totally different. It was much bigger in H-S Beta. Like there's nothing here that's shared. Even the portrait is different, like look, that clown is at a different angle.

H-S BETA PAGE 236

KGTAC PAGE 2194

2201: Huh, i wonder why Ana has a keyboard here, In Home-Skillet she played a Saxophone, Here's the flash of that here.

HOME-SKILLET BETA PAGE 193 (FLASH)

2203: … huh 2211: OH! i actually have something to talk about there, something like this happened in the Home-Skillet Beta, but instead it was done by Fred to enter the basement of his house (which we have not heard of in KGTAC Home-Skillet, maybe its that mystery door?)

H-S BETA PAGE 94

KGTAC PAGE 2211

Extra Notes: I forgot Edmond existed. Edmond didn't do anything (since they're dead.) They also weren't prototyped so they never got to do anything, Instead it was a clown in a Birthday hat

HOME-SKILLET BETA PAGE 159 (FLASH)

Also Here is the Page 70 flash on YouTube for easy viewing if you're interested, all of these videos are unlisted since I didn't create Home-Skillet and it doesn't feel right to make them public. Only really putting them here since it shares some relevance with what I'm talking about here and well i haven't gotten any complaints so far.

HOME-SKILLET BETA PAGE 70 (FLASH)

Apologies for how late this analysis was, It wasn't THAT difficult to make this, its just that i didn't have much time due to starting college and being a bit overloaded with classes. Which meant what free time i had i used to game and read instead of hobbies like the analysis. (Like yeah... I had up to Fred's house part of the analysis done like 6 weeks before posting this... I just got the free time to finish this up recently and also that apology for how late it was was written around that same time.... So Yeah!)

What next for the analysis posts: I still want to make these, This post took many hours to make, Probably over 12 hours total (i should probably start keeping track of the time here) Like my final edit here was about 6 hours which was adding new things i noticed, all the flashes, the ending, clearing up anything vague, and fixing minor grammatical errors. I'm just imagining how long this would've taken if the author didn't take a break. I'll still keep making these, but yeah, These posts are definitely going to be rarer as i don't have a summer break's worth of time and due to the way these analysis posts work. (I talk about every page with anything to note, doing multiple re-reads of relevant sections, and generally looking around both fanventures.)

Whats next for my blog: It'll go back to normal with my reblogs, i sorta didn't want to reblog anything until this update came out so i can explain everything here. Hopefully no one here minds that since i have interests outside of KGTAC and Homestuck. (and even then, i didn't reblog Homestuck stuff, since i wanted to explain things first in an update)

Well I hope you all enjoyed the end of this analysis, I did my best to try and keep this as polished as usual. For some final thoughts, THE BOX is probably going to show up later as a Chekhov's gun sort of thing. another thing, WHATS IN THE PACKAGE!?!?! No, seriously, I've got no clue what it could be, it could be a sylladex, but that's sorta a big box, maybe a SYLLADEX STARTER SET (alliteration my beloved) would make sense in the box, we might get more hints later. Outside of theorizing, i do kinda miss the flash files. With flash files, i can grab assets out of them, which can be useful for seeing things you otherwise wouldn't, higher quality assets, and for asset ripping. You can't really do that with a video. Yet another thing to note is that the Act-Act structure for ACT 2 of KGTAC might be rolls, as that's how it was in Home-Skillet Beta (And yes, KGTAC does have ACT ACTS, in Act 1 it was END OF DAY X). Well anyways, if anyone has any questions, theories, or noticed i missed something, I'd like to hear em.

[bindi-the-skunk]

The time of being told "No"

A small gift for @spider-xan as she has given me several ideas for new stories and I hope to bring more of her thoughts to working order if she likes them.

This is based on her idea that it would have been more interesting if Dorian had been JEKYLL'S ex-lover and I added a few small details that she liked so the result is this, enjoy.

0-0-0

Dorian grinned as he made his way down the street to the home of his soon-to-be ex-lover. Already planning his words beforehand on how to break the quiet doctor.

Their time together had been fun, the two weeks had gone by fast enough, the man not being a slouch himself when it came to pleasure, but now it was time to leave.

Offer him one last sweet embrace of passion before he left him naked and crying in the bed as Dorian made his way out of the door, and if he tried to get the immortal in trouble, well, a doctor could not do much against a man of noble blood.

Knocking on the door, waiting patiently for an answer, his twisted thoughts more than doing enough to satisfy him till the creaking of hinges called him back to reality to greet the butler, Poole, if memory served, not that Dorian Gray cared what the help was called, but he offered a polite tip of his hat anyway to hasten his entry inside the home.

The old man offered a frown and a worried look shot through his brown eyes as he laid them on who was standing in the door, weither he knew of his masters activities or simply had better sense than most on the nature of certain people, Dorian knew not and cared not.

"Is Henry in? I wish to talk to him about business" Dorian gave a smile that had made both women and men of every standing imaginable swoon and fall at his feet in a tizzy for whatever he could offer them.

Poole's frown deepened but he nodded "Yes, he is inside his study, but I would not recommend disturbing-"

"Oh, Now Poole, I appreciate your concern, but do let him in" came a soft voice from the hall as Doctor Jekyll appeared from the shadows and went to the butlers side smiling "I believe Miss Mary wanted your opinion on some teas she found at the market, why don't you go enjoy some with her? I can take care of this" Henry put his hand on the older mans back before gently turning Poole to face where the kitchens were.

"If you insist sir…but do let me know if you need anything…I am going to be just inside the kitchen with the door open" Poole said, paternal instincts no doubt in overdrive with his obvious warning of hearing anything less than proper from where he would be sitting.

"Noted and appreciated" was the reply given with another disarming smile from the redheaded man.

Poole headed off and Dorian approached reaching for the buttons on Henry's waistcoat only to have said man back up out of reach.

That was new…playing hard to get was he? Well-

"I think its time we end this"

Dorian's brain shut off for a moment, thinking about what he just heard, how did his line end up in Henry's mouth!? He had everything planned out…how did this little wallflower grow the spine to say such things to him!? This was not right!

"Who are you to say that to me?" Dorian growled, hands reaching up to pearch on his hips to appear bigger, Henry had height on him but the immortal was more muscular "I was hoping to get in one last amusing memory before I left you"

"Amusing? Suppose that is what it was" Henry smiled even wider and Dorian felt his blood boil as the man he had picked out for the doctors popular nature with crowds, but ultimately wallflowery, shy behavior signaled him out as someone who would break down into tears at being dumped, was standing there, clothing on and in perfect order, arms crossed over his chest as he stood to his full height.

"I would not stand there so smugly when I can easily inform others of your…other activities" Dorian threatened, trying to regain some form of control that was slipping like water through his fingers.

"Poole is in shouting distance, I would much rather avoid police in this instance, if there is so much as a button missing on my person, who do you think would look bad in that situation? Let us part ways in a more amicable way, shall we?" Henry bargained, walking over to a window to look outside "I have an amazing lawyer…"

There! A blush, subtle, but there.

"Oh, I see, you are getting rid of me because you have your eyes on another prize" Dorian grinned, this man was just as bad as he was! "Do send him my way when your done"

SLAP

The immortal reached up to his cheek from where Henry had slapped him, his healing abilities meant it did not hurt in the slightest, but just the fact someone had slapped him left Dorian staring in surprise.

Smelling blood Dorian opened his mouth again to get another rise out of Jekyll…

"I would never send him to such a sloppy lover"

"EXCUSE ME!?"

A dark grin spread across Jekyll's features as he also smelled blood in the water, heart pounding in his ears like a war drum "You heard me, your every inch a one trick pony, your handsome and charming, but you possess no desire to ask what anyone wants but yourself, not to mention…well…size does not matter as much as what you do with it…but in your case it might have helped"

Dorian saw red and lunged only to find himself smashing into the window cracking it with his skull as his coat was grabbed and he was thrown like a rag doll into it.

"What…" came Henry's now confused voice as he watched as what looked like sand fell before disapearing as the small cut on Dorian's head disapeared with it "What are you?"

"I'm…complicated" was all Dorian said before bolting for the door leaving a stunned doctor Jekyll behind.

0-0-0-0

Not a long story, but hopefully something that got a chuckle.

[they-them-that]

The Priest was my least favourite part of Fleabag.

I understand that a lot of viewers of the series love the Priest and what he brought to the series. I can see how people enjoyed the romantic dynamic between him and Fleabag and what felt like provided a silver lining in Fleabag's depressing and tense life. Also a lot of y'all have the hots for him which is fair lol. So for any Priest devotees, you may be better off not interacting with this post if you're not open to having me pick him apart. That being said, I'm doing this in a listicle format so prepare yourself lol.

1. He's a priest

The series seems to take a neutral stance on organized Christianity and although I accept all forms of spirituality, the Church itself is a different story. The Church isn't a religion but an industry that is systemically imbedded into European politics that have been used to commit heinous deeds such as colonization, racism, misogyny, homophobia, transphobia, exploitation, and sexual misconduct since its existence. This isn't merely happenstance and there isn't such a thing as a "good Church". The whole system is rooted in hierarchal control that still seeks to disenfranchise marginalized people and extort Christians which has literally taken lives.

Even though every character in Fleabag is meant to be morally grey, the Priest's occupation isn't actually depicted as problematic and his introduction goes out of its way to say "he's not like other priests" (spoiler alert: he is). The only conflict around his lifestyle is that it's a cockblock rather than the fact it's unethical and his "priestliness" is actually used to romanticize him.

2. He's "perfect"

He's not actually perfect but he's written to be. He's "hot, charming, caring but just quirky and snarky enough to be cute and interesting". He's not visibly contentious like the rest of Fleabag's characters which to me, contradicts the whole message of the series. People are messy and make mistakes but the Priest exists as Fleabag's pillar of goodness for our protagonist to seek love and help from. He's "too perfect" that he doesn't even feel real when everyone else in the show does.

When it came to Boo, we got to see what Fleabag loved about her but that she was also deeply flawed. The easy route would be to depict her as a pure and selfless person so we can only think of her as someone "too good to go so soon" but the show went out of its way to portray a complex and authentic character. Something that couldn't be afforded to the Priest in order for him to function as the love interest and ultimate form of guidance.

3. He preyed on Fleabag

Hot take but the confessional scene was not romantic or sexy, it was just predatory. In that scene, Fleabag breaks down and tells the priest how lonely, lost, and sad she feels and that she "needs someone to tell her what to do". What was obviously a call for help from Fleabag had the Priest respond sexually and attempts to dominate her. He's only lucky that Fleabag is attracted to him but it also feels abundant to me that her attraction is guided by her desire for this apparently loving and morally righteous person to heal her. The Priest came onto someone who just revealed was deeply vulnerable and dependant, whether or not he already harboured attraction to them. It simply wasn't the time and it's creepy to me that that was the moment his sexual impulses kicked in... I understand if this tickles your fancy but divorcing this from being a romantic steamy fantasy, the action was deplorable.

4. Romance is overrated

I have a gripe with romance being the ultimatum to a story or character arc. It comes off as epitomizing typically romantic monogamous relationships which are already glamourized in our patriarchal society. It doesn't really make a difference that the two don't end up together in the very last scene, the entire second season has centralized their relationship and the over-importance of finding romantic love. The same was the case for Claire where her happiness was no longer about freeing herself from a toxic partner and matriarchal obligations, but "being with the man she loves". Both the Priest and Klare were non existent in the first season which has made space for the sisters to exist as independent characters with individual needs and struggles. To have both of their finales chalked up to pursuing the right man (again, even if it wasn't end-game) felt like an oversimplification of what these women strived for.

I also found Fleabag's strained but endearing relationship with her sister to be the heart of the series so it was tragic to see it sidelined in favour of the Priest. It was refreshing to see a female-lead show that depicted a woman outside her relationship to a man. We got to focus on Fleabag's platonic, familial, and sexual relationships along with her relationship with herself. Women aren't all just romance but other forms of love have always been undervalued, merely existing in the backdrop or as the lesser relationship. This felt apparent in the way the Priest could notice Fleabag interacting with us to show us he was "special". Viewers saw it as a sign that they were soulmates but I found it upsetting that only a romantic connection could transcend this barrier as if Claire or Boo weren't good enough to access it.

Fleabag felt like the show that brought all these non-romantic relationships to the forefront and avoided cliches of how female-oriented shows are expected to pan out. Yet in the end, it opted for the crowd-pleasing resolution which was introducing a dashing prince for the sad Cinderella. I still love Fleabag and I have great respect for Phoebe Waller-Bridge! Even if I have disdain for the Priest, it doesn't hold back the love many others have for him. But to me, he was the antithesis to what I loved about the first half of Fleabag though that I felt deserved to be critiqued.

[damonalbarn]

Hey I was wondering if you knew the article that Justine spoke about suzi in?!

It was in The Guardian in 2000. Here you go:

Sweet revenge

In the mid 90s, Justine Frischmann and Damon Albarn were the First Couple of Britpop. Then he used a Blur album to rake over their break-up, while she languished in obscurity amid rumours of heroin addiction. Now she's back with a new album, and it's her turn to exorcise her demons.

Caroline Sullivan

Friday March 24, 2000

As Alison Moyet once said, it's hard to write a decent song when you're happy. Rock bands thrive on romantic turmoil in their private lives, without which they would be reduced to padding out lyrics with football scores and the weather.

Thus it was for Blur's Damon Albarn in mid-1998 when he sat down to write what would become the 13 album. His eight-year relationship with Justine Frischmann of the chart-topping Elastica, whom he once described as **"the only person who's ever been completely necessary to me" **had just ended, at her instigation. Pained and humiliated, he decided to exact revenge by exposing their most intimate details to public scrutiny.

The outcome? Embarrassment for Frischmann, a number one album for Blur and a bit of a result for Albarn.

Break-up albums are by definition both embittered and yearning - in the case of Marvin Gaye's vindictive Here, My Dear, they're just plain nasty - but 13 got more up-close and personal than could be considered gentlemanly. Albarn portrayed his former partner as neurotic, even slipping apparent drug references into the single Tender: "Tender is the ghost, the ghost I love the most/Hiding from the sun, waiting for the night to come". Frischmann was the ghost, supposedly, who was on the verge of being consumed by what one music paper euphemistically called "the darkness at the heart of Elastica".

Frischmann's response can be found on a song called The Way I Like It, which appears on Elastica's first album in five years, The Menace (out next month): "Well, I'm living all right and I'm doing okay/Had a lover who was made of sand, and the wind blew him away".

This is unlikely to be her last word on the subject. As she ambivalently begins her first round of interviews since 1996, she's finding that everyone has the same three questions. Why did Elastica nearly sabotage a promising career by taking so long to follow up their million-selling debut? Had Frischmann taken leave of her senses when she walked out on Mr Britpop? And what about the drug rumours?

"One journalist said to me, 'Dahling, I heard you were on heroin - Mahvelous!' " she says with some amusement. "Drugs are around, but I'm not that interested and never have been, although there have been elements of party animal in my band. The rumours are a lot to do with rock'n'roll mythology, where people want to believe you're having a more exciting time than you are."

The only drugs on her person today, as she perches on the edge of an armchair in her publicist's north London living room, are Marlboro Lights. Her other indulgences are two cups of herbal tea and a Cadbury's Flake cupcake, which she nibbles with well-bred pleasure. Her dark eyes are clear, and her long, tanned body is a testament to the virtues of a daily swim in a pool near her Notting Hill home. Only Elastica know whether they really succumbed to heroin and hedonism after their self-titled debut made them more famous than they'd ever expected to be, but if they did, Frischmann, 30, seems little the worse for it.

Given the current predominance of damnable boy bands, the Britpop mid-90s are beginning to seem like a halcyon period for English music. It was a time when the underground went overground, and a self-described "little punk band" like Elastica could sell 80,000 albums in a week.

More than a few loser guitar groups saw Britpop as a licence to print money, but Elastica, led with cool elan by the androgynous Frischmann, were one of its gems. The Blur connection was a marketing godsend (Frischmann and Albarn met on the London indie circuit, she as guitarist in an early line-up of Suede and girlfriend of frontman Brett Anderson, he as a cherubic baggy hopeful), yet the spiky-haired Elastica LP embodied that euphoric time like nothing else.

Frischmann, guitarist Donna Matthews, drummer Justin Welch and bassist Annie Holland were unprepared for the album soaring to number one in its first week. When they signed their record deal, Frischmann, whose great-grandfather was a conductor of the Tsar's orchestra at the Summer Palace in Byelorussia, was five years into an architecture degree at London University. A liberal north London Jewish upbringing - her engineer father built the Oxford Street landmark Centrepoint - had instilled expectations of success, but the reality of being photographed in the supermarket and having her rubbish stolen was a shock. Fiercely independent, she also resented her unsought role as half of Britpop's First Couple.

There was more. Two of Frischmann's musical heroes, The Stranglers and Wire, decided that two Elastica songs were suspiciously similar to two of their own tracks, and won royalties. Meanwhile, there were malicious rumours that Albarn had done much of the work on the record. He hadn't, but he did find Justine's success in America, where she was substantially out-selling Blur, hard to endure.

"It was very hard for him to deal with and he's very confrontational," she says, with the flattering openness of someone who prefers interviews to be more like conversations. She admits she often says too much, but in an era of image control and spin, her honesty makes her a one-off. Not that she's likely to land herself in it too badly - she possesses the intellectual ammunition to look after herself, which must have been instrumental in attracting two of rock's more articulate stars, Albarn and Anderson.

She's been accused of being a professional rock girlfriend, though it was probably they who were lucky to get her. She spent the cab ride over reading the Sylvia Plath letters in Monday's Guardian, and muses on the irony of the poet's subjugating herself to Ted Hughes when she was the more gifted. (Her new boyfriend, by the way, is an unknown photographer, "though that'll probably change, because men seem to get famous when I go out with them".)

"I reacted the way a lot of women do, by being passive," she continues. "He put a lot of pressure on me to give up Elastica. He said, 'You don't want to be in a band, you want to settle down and have kids.' " In so many words? "In so many words. He kept putting on pressure till I started to believe him." She adds bemusedly: "I've met his new girlfriend, and one of the first things she said was that he wanted her to give up travelling with her work to stay home with the baby [Missy, born last autumn]. I'm surprised he's got away with being thought of as a nice person for so long."

After 18 months, during which they did seven American and three Japanese tours, Elastica came off the road to record company demands for an immediate second album. Annie Holland's response was to quit the group, while Donna Matthews became renowned for hard partying on the nocturnal west London scene. They lethargically recorded some demos, but their heart wasn't in it. By 1997, when a second album should have been ready to go, Frischmann and Matthews were barely speaking, and there was nothing useable down on tape.

Holland's replacement, Sheila Chipperfield (of the circus Chipperfields), was deemed not good enough and left by mutual consent. By 1998, their continued lack of productivity was being likened to the Stone Roses' lengthy and ultimately self-destructive holiday between their first and second LPs.

"I didn't think Elastica were going to continue at that point, and we did kinda split up," she says, absently stroking her publicist's cat. Frischmann is a cat person; she's owned a tabby called Benjamin since she was 10. "Unconditional love," she coos. The pet's place in her life is so assured that prospective boyfriends are subjected to his feline scrutiny before she'll go out with them.

On top of everything else, in early 1998 her relationship with Albarn was in trouble. Frischmann retains enough of the indie ethic to detest the phenomenon of celebrity couples, and was dismayed when they became one. "I really hated the tabloid interest, and I went out of my way not to be photographed with him. Only about three pictures of us together exist, I think. In many ways, I think the media interest broke us up, because it made me feel the relationship was quite ugly, and I had to get away from it. There were other factors, too, obviously, because we were together for eight years, and I finally felt it was better the devil you didn't know, really."

Albarn's ego seems to have been severely undermined by having a girlfriend who was nearly as successful as he was, and something of a sex symbol to boot. Despite adopting a resolutely boyish T-shirt-and-jeans uniform, she's thoroughly feminine, a mix that got her voted fifth most fanciable woman in a lesbian magazine.

"I'm completely heterosexual, so I didn't know how to take that. It scares the shit out of me, the idea of being with a girl. I'm glad I've narrowed it down to half the people in the world."

She seems to view Albarn with indulgent exasperation these days, simultaneously praising his intelligence ("The Gallaghers just couldn't compete") and ticking off his flaws. "Damon adores being in the press, and sees all press as good press. He orchestrated that rivalry thing with Oasis. He really wanted kids, and I didn't feel our relationship was stable enough. He was a naughty boy, and he wasn't the right person to have kids with. I had this cathartic moment..."

At which point they split up. Albarn wrote 13 and then met Suzi Winstanley, an artist. "She was pregnant within three months," Justine observes wickedly.

Of the acclaimed 13, she's tactful, describing several songs as "really lovely". She studies her cigarette for a while before adding, "but I'm cynical about selling a record on the back of our relationship". But you're doing the same now. "It's true, but at the time I had no right of reply."

Elastica finally pulled themselves together last year, just as the music industry was about to write them off (their American label had already "very kindly let us go", as she puts it). Holland rejoined, Matthews went to Wales to sort out her life and the band banged out an EP and played the Reading Festival. Things came together quickly after that. They spent the last £10,000 of the recording budget on re-recording a dozen tracks, finishing the album, after years of procrastinating, in six weeks. They've called it The Menace "because that's what it was like to make".

It's dark and resolutely uncommercial - all wrong for 2000's pop-oriented climate. It's unlikely to match the success of the first one, which is fine with them. Call it (though Justine doesn't) their White Album. Its 70s punk aesthetic brings to mind angry girls such as the Slits and the Au Pairs, although the defining mood isn't anger so much as catharsis. None of the songs is specifically about Albarn, she claims. "The dark feeling is due to the sense of isolation, tasting success and getting frightened by it. I was questioning whether I wanted to be in a band any more, and there was no one I could ask for advice. Getting success and everything you ever dreamed about is hard to handle, and makes you question everything."

She's better prepared for success, if it comes again, this time. Already the privacy-preserving barriers are in place. The next interview of the day is with Time Out magazine, which wants a list of her favourite restaurants. "I'm not telling them where I eat," she says reflexively. "I'm gonna lie."

[raggaraddy]

hello, so if you still take requests i want to request yandere reaction where the reader is as possesive as them, or like she willingly do anything for them and obey them. its totally okay if you dont feel like writing it or maybe you dont take request.. its just im craving reading something like that and youre a great writer :)

A/N: Hi, I am still new to writing reactions, so I hope that this is what you wanted or you at least like it.  Thank you for your sweet comments. Enjoy!

Mine

Summary: When another girl gets a little too comfortable with Jungkook your reaction's a surprise to the both of you.

Trigger warnings: Fighting, mentions of abuse, violence.

Jungkook

You had begged Jungkook to take you with him tonight. He'd been so busy with work lately and you'd found yourself missing him too much when he was gone. So when he said he wasn't staying home tonight, but he was instead going out to a bar with some of his friends, you were enthusiastic for him to take you with him. It had used to be the complete opposite. Every time he left you alone, gave you some time to breathe on your own, you were thrilled. But more and more you'd started noticing him in a new light.

Sure he's rough and demanding sometimes. And yeah, he can lose his temper every now and then. But you're not perfect either, and you know it must be hard for him, especially when you behaved so insensitively at first. However, despite your flaws or his, he deeply loves you. He accepts you for who you are and he wants nothing more than to keep you safe. How could you ever find anyone else who cared for you as much as your Kookie did?

The night started as every night out with Jungkook did. He listed out the same rules over that he had said dozens of times before.

You have to listen to everything he says and do everything he says. You don't talk to anyone unless he's with you, and most importantly, you never leave his sight. You had tried to run off a few times in the past, so you knew how deathly serious he was about that last one.

After thoroughly prepping you, and dressing you, and warning you one last time to mind the rules, the both of you finally went to meet his friends.

"Sit. Here." Jungkook pointed to the booth table at the back of the bar. You slid in and he right away pushed in alongside you, nudging you in further and further until you were all but barricaded against the wall. As his friends began to come in one by one, they all joined in a large group. While the night went on, you talked among his friends and their girlfriends. A few people got food, but most people were just drinking to excess. You of course got the choice of soda or water. Every now and then throughout the evening, you could feel JK's attention on you, and you would hug his arm a little tighter to let him know you were paying attention to him too.

At some point, it was Jungkooks turn to buy the next round.

"Y/n." He whispered lowly. Even in the middle of a conversation and with the music playing in the background, his voice caught your focus right away. You looked up to him, a small smile and big eyes. "I'll be back in a few minutes." His lips pressed to your ear, his warm breath blowing along your neck spiking tingles down your side. "If you even try to move while I'm gone, I'm going to pin you to the table by putting this butter knife through your hand." He twirls the point of the dull knife into the table, scratching the wood.

Your smile grows a little bit bigger at his threat. Not because you think he wouldn't do it, but because you know there is no way he would ever need to do it. You're not going anywhere.

Your fingers linger with his, holding on for a few seconds extra as he gets up. While the conversations go on, your concentration keeps flicking to Kookie. Watching every now and then to make sure he hasn't left your sight either.

On one momentary glance, you catch sight of some random woman standing too close to him. They're at the bar, and it's quite crowded so it could be nothing, but she doesn't look like she is ordering drinks. She's completely facing him. Talking to him.

Slowly your frustration starts to build as a few minutes pass and they stay in the same position. You don't know who she is, you've never seen her before. Jungkook's body language expresses that he doesn't know her as well. She, however, is acting way too familiar. Laughing, smiling, flicking her hair and pushing her chest out like some kind of desperate slut.

You're trying to let it pass. But after only about 10 minutes of silent stewing, that's all you can tolerate. You know your Kookie has no interest in any other girls. He's just too innocent to realize that this girl is flirting with him. That, or he is only trying to be polite.

She crosses the line though when she decides to put her hand on his arm.

He might have told you to stay in your seat, and you know he is going to at the very least slap you for willingly going against his rules, but you have had enough and you're not going to allow this bitch to paw all over him anymore.

Shuffling out of the booth, you take heavy, furious steps towards them. The second you're in reach you draw against Jungkooks side, wrapping your arm around his. At the same time, you roughly and forcefully shove the heel of your palm into this girls shoulder, knocking her back and off of him. She stumbles looking shocked and fleetingly frightened. You're not done sending a message yet.

"The next part of you that tries to touch him is going to get stabbed!" You growl. Jungkook leans back a little to look at you. A mix of intrigue and surprise coming together to form a smirk on his face. It's not just from the forceful action you made, but also the confident, ruthless way you spoke to intimidate her.

This woman is dumb though. She either doesn't see or doesn't understand how sincerely you made that threat. "Wow," she scoffs. Yelling, trying to be louder than the music, "Is this your girlfriend? She's a psycho." she mocks, stepping forward, speaking directly to Jungkook. You pull yourself in front of him, dragging his hand around your waist to wrap on your hip, your fingers lacing over the top of his. Even with you standing between them, eyes burning with hostility she still doesn't back down. "If you want a cool girlfriend, you can come home with me, baby." She propositions him, with the cherry on top of calling him baby. Calling your Kookie baby! Who the fuck does this bitch think she is?!

You snap forward and slam your curled up fist into her face as hard as you can. She mustn't have been expecting that at all because she falls like a ton of bricks. Knocking into two or three other people behind her before she ultimately falls on to the floor.

Honestly, you've never hit someone before, and you didn't realize it would hurt so much. So you have to quickly shake your hand feeling the bones bruised and jarred. You regain your composure by the time she can gain hers and looks back up to you. You step over the top of her getting into her personal space. "Go find someone else to be a pathetic whore with." You snap. "He's mine!"

She scrambles out from under you and back to her feet, sensibly darting away. Over your shoulder, you can see Jungkook taking control of the consequences of your interaction, assuaging the bartender's concerns. JK knows them all, so if they know that it's him, they're not going to make a fuss over it, they'll just let it go and assume there was a good reason.

You latch onto him again as he focuses back on you. Grabbing your hands into his shirt, you hold him closer. "Don't let other girls touch you."  You whine, taking the aggression out of your voice when you talk with him, but not the seriousness.

"Why? Because I'm yours?" He looks down with a smug smile, and a salacious glimmer in his gaze. His tongue running over the inside of his cheek.

You're still so pent up and frustrated, you just want to be as close to him as you can be for comfort. You press your whole body flat to him, feeling warmed by the firm shape of his arms and chest. "Yes, you're mine."

He insists on a small amount of space between you two, gripping onto your upper arms harshly he pushes you back. His free hand comes up and his fingers cling into your jaw keeping you still.

This is it. You knew he was going to hurt you for disobeying. But honestly, it was worth it to keep her off of him.

Looking down at you so intensely, he isn't reacting the way you had expected. His eyes are instead filled with an infatuated allure that's making your stomach tingle and your cheeks feel warm. He rests his mouth next to your ear like he had earlier. "That was so fucking hot Kitten." His teeth nip at your ear lobe, making you shiver. "We're leaving. Just wait until I get you alone. I'm gonna prove I'm yours."   

[jeremys-blogs]

She-Ra: Rewriting Hordak

While I consider myself a fan of the Netflix reboot of She-Ra, I fully admit to never really paying that much attention to its 80s original. I certainly knew of it, and I may even have watched an episode or two when I was really young, but it never really got counted as something I was especially knowledgeable about. As such it wasn't until recently that I learned that the relationship between main character Adora and big bad Hordak was very different between the two versions of the story. While the recent interpretation had them as enemies with no real connection or even screen-time, the original Hordak basically served the role that the reboot Shadow Weaver had, that of Adora's adopted parent. At first this was just kind of a "huh" moment for me, but as time went on I started to wonder how the reboot show might have gone if they'd actually kept that angle on the two of them. And as I considered it, I began to basically re-envision the Netflix show and what it would have been like, to the point where I ultimately felt that Hordak, as a character, might have been made a better and more interesting character if they'd done so.

To start off with, let's mark Adora's arrival into Etheria as our point of divergence. Hordak finds her and, instead of wanting her just sent off to the other orphans or given to Shadow Weaver, he decides to become her guardian himself. She is, after all, the only one in that entire world who is in the same position as he is. An alien and outsider to Etheria who is cut off from where they came from. When Hordak looks to this lost infant, he feels like he's looking at not only someone he can shape into a great future warrior for his cause, but possibly the closest thing he can ever have to family. So he takes her in, becomes her personal trainer as she grows, teaching her about all he knows, along with great hopes that she will one day be his right hand. And Adora, ever the dutiful, eager-to-please child she is, grows up in this environment utterly convinced that Hordak, her adopted father, wants what's best for Etheria. A controlled, orderly world instead of the divided, "chaotic" kingdoms of the princesses. The Horde's top cadent, respected by the brass, but envied by her fellow orphans, including Catra.

Then things sort of go in the way they did in the canon show. Adora goes out at Catra's urging, she stumbles onto the sword and into Glimmer and Bow, she realises what damage the Horde is doing and realises that she can't be a part of it. But the difference here is that because of their relationship, Hordak realises Adora's secret identity straight away, and as such becomes torn. Despite the rebellion now having the ultra-powerful She-Ra on their side, he commands that the strongest of the Horde's forces not engage them. He gives the pretence of "wanting to conserve strength for larger battles", but the truth is that he doesn't want to see Adora get hurt. This unwillingness on his part to go all-in on fighting while Adora is with the rebels is exactly the reprieve the latter faction needs to start winning fights, which begins to inspire other princesses to join Bright Moon and their resistance. And all the while, Hordak's position becomes shaky as the likes of Shadow Weaver discovers not only She-Ra's identity, but Hordak's reasons for not wanting to fight her, thus beginning her own plans for power and advancement within the Horde.

But don't think all of this is simply for Hordak's benefit, as Adora's character would be made to go through some changes too in this re-write. You see, I sort of felt that her acceptance into the rebellion happened a bit quickly. Sure, she has the edge of being their legendary hero, but even so, having come from the ranks of their greatest enemy should have given them a bit more pause. Being the adopted daughter of Hordak will definitely do that. Because yeah, being raised in the Horde by one of Hordak's lieutenants is one thing, but being the daughter of Hordak himself? That's another ballpark entirely. And it's something that can be used against her by her enemies. Maybe Catra, in the middle of a fight, lets slip this relationship the two have, right in front of other rebels to try and drive a wedge between them, and puts Adora into having to explain why she never revealed this earlier, putting her under greater suspicion. You could have an entire season-long arc of her slowly winning the trust of the others, all of whom have every right to be suspicious of her, especially given that she herself actually has mixed feeling about waging war against the one who raised her.

Additionally, it's worth noting that Adora's personality is going to differ from her canon self in this version. After all, if you're being raised by a different person, you're going to turn out different. She's still the good, noble and selfless type, but having been brought up by a strict, stern orderly type like Hordak, that kind of thing is going to rub off on her. She'll be far less prone to wanting to break rules, with the obvious exception of defecting from the Horde of course, and maybe that'll be reflected in behaviour like wanting her room in Bright Moon to be neat and tidy all the time. And on top of that she'll be more scientifically-minded. Because Hordak in the canon show (and this one as well), is a tech genius, with mechanical knowledge far above anything Etherian natives have going for them. Being around that sort of environment will make this Adora more of a grease monkey, the kind who rolls up her sleeves and gets stuck into machinery whenever it doesn't work. And hey, maybe that's how the rebels recruit Entrapta in this version, that she and Adora sort of bond or nerd out over machinery and technology while Bow and Glimmer have no idea what they're talking about.

But getting back to Hordak for a moment (in this re-write that's supposedly about him), I mentioned before that Shadow Weaver would be making some kind of power play to undermine her boss's position, and his connection to Adora would give her a prime opportunity to do so. Say something like Glimmer's capture happens here as it does in the show, and Adora goes in to rescue her. The Horde has all the good guys trapped, and victory is within their grasp. Hordak, knowing Adora has no other way out, gives them the chance to escape, for love of her rather than any of her friends. The heroes get out safe and sound, but Shadow Weaver leaps on this, accusing Hordak of sabotaging their war effort. She rallies anti-Hordak forces within the faction, and before long we have a full-on civil war within the Horde, maybe even one so bad that Hordak himself has to flee. And where else can he run except to Adora, asking for her help, sort of like what Shadow Weaver did in the canon show. And Adora now finds herself having to convince her friends and allies that Hordak, at least right now, is not the major threat they need to be dealing with, thus adding to her aforementioned arc of struggling to find trust and acceptance within the rebellion.

So yeah, that'll be a whole arc in this rewrite. Adora convincing the rebellion to help out Hordak and join with him alongside whatever loyalist forces from the Horde he was able to bring with him. As for why he and not Shadow Weaver would be considered the worse option, well, my reasoning is that despite Hordak definitely being a war criminal (in both this and the canon version), he's not as relentlessly obsessed with gaining greater power in the way that Shadow Weaver is. In this version, the latter would never be satisfied until she had more and more, thus making her a more aggressive threat that's been waiting to be off the leash to show it. And as Glimmer's aunt, Castaspella, can attest, Shadow Weaver already betrayed Etheria as a whole to the Horde, so her allegiance is very clearly to herself and her own gains. So, despite obvious tension and mistrust, this coalition bands together to face off against Shadow Weaver and her side of the Horde. It'd be a struggle, but in the end the good guys win out, and as thanks for restoring him to his throne, Hordak agrees to cease hostilities between the Horde and the rest of Etheria.

Now at this point you might be wondering, where's Catra in all of this? And you'd be right, as I've hardly mentioned her. Well, that's because I don't really see this rewrite as changing her all that much. She'd follow most of the same beats as her canon self, with the obvious exception being that the Horde civil war mentioned previously would have her side with Shadow Weaver over Hordak. And that might seem strange, given that the former would be just as much of an abusive and manipulative parent to her here, but Catra has been very consistent in the show with who she treats as a friend or foe. If you stick with the Horde, you're on her side, but if you defect or side with the rebels, you're her enemy. By joining up with Adora, even if it was to win back his old position, Hordak made himself Catra's enemy. But, Shadow Weaver would be brought down and Catra would likely have to flee after that whole debacle, maybe taking up Scorpia's advice from the show to head out to the Crimson Waste to rule the place herself. And I'd imagine she and Adora would maintain their "we used to be friends but are now enemies" dynamic for the most part.

But with the fighting between the Horde and Rebellion over, what's next? Well, I imagine it would be some sort of Cold War scenario between the two sides. There's no outright fighting, but there'd be lots of bared teeth from across a guarded border. Lots of spying and infiltration and manoeuvring. Tensions all around, but for the time being the peace is kept. And with no hostilities, Adora finally works up the nerve to return to the Horde capital and speak with Hordak, at last allowing the two to talk to each other about everything that's happened. Adora calls him out on his conquest of Etheria, while Hordak counters by saying Adora betrayed him by leaving to side with his enemies. Maybe things flare up so much between them that Hordak's health issues come to the forefront and Adora, who perhaps suspected that he was sick, says she can help him with her healing powers. Hordak is loathe to admit to weakness for anyone, but for her he accepts. And it is during Adora's attempts to heal her adopted father that the latter finally opens up to her about how she is the only person he's ever cared for, as well as warning her of the greater danger out there in space.

And yes, this is where that threat, Horde Prime, finally turns up, and with him I feel we need another change to Hordak's character. In-canon, he was utterly devoted to his creator until the end, doing everything he did on Etheria in the hopes of pleasing him and returning to his service. Here, I'd have Hordak utterly loathe his former master, recognising him as an abusive figure in his life and wanting to break free of his control right from the start. His unexpected portalling to Etheria? A chance to finally be rid of Horde Prime, and the opportunity to create a domain of his own, with no plans whatsoever to seek Prime out and go back to him. However, Prime himself has been searching for his wayward creation, and now has found him. So, it's time for the Rebellion and Hordak to team up yet again, perhaps even with Catra and Scorpia coming out from the Wastes with their own forces to create some kind of three-faction coalition against the alien invader. Catra and Adora hash out their own issues in the same way the latter and Hordak did, and together they and everyone else join together to fight their common foe.

But of course, Horde Prime's forces are overwhelmingly powerful, and after being driven back and back, things are so bad that Hordak is captured by his creator. Prime, naturally, wants him to resume his allegiance to him, demanding obedience, and Hordak attempts to play for time being saying he'll do just that. But as a twist of the knife, Prime demands that he prove it by killing Adora (who maybe got captured along with him), his one real tie to this world. Here, Hordak refuses, having finally decided that his daughter matters more to him than even his own life, and Prime responds by dealing with his errant clone, killing him. Yes, you read that right. In this rewrite of Hordak, Hordak himself is killed off. And my main reason for that is that his canon ending, having a sort of happy freedom after everything he did to Etheria, never sat right with me. Mermista even seemed to agree, given that she called the whole thing out at the end. So yes, this Hordak is dead, killed by Prime after having chosen Adora over his master. And perhaps that will be the trigger for Adora. Her adopted father is dead, and she's more driven than ever to fight Prime and end the war once and for all.

As for how Prime gets beaten, I'm uncertain on the details, but the inevitable end of it is that he does eventually fall. But now we have a complication. Because with Hordak dead, the remaining Horde forces of Etheria instead kneel and swear allegiance to Adora, much to her and everyone else's shock. You see, while she's always been titled as a princess, I've always been uncertain what she was a princess of. And then it hit me. If she's the adopted child of Hordak, then she is a princess of the Horde, as well as being his heir apparent. So, with great uncertainty, she accepts this new position, now taking on the mantle and title of Lord Hordak (or Lady Hordak, if you prefer). As the new leader of the faction, Adora can guarantee that not only can there be lasting peace between them and the rest of Etheria, but she can help transition them to be a better people than they were under her father's reign. Additionally, Catra can be invited back to the faction to resume her post as second-in-command, this time to Adora herself, which of course enables the two to continue their relationship. And with all that said and done, the rewrite version of the show comes to a close, with Adora now upon her late father's throne.

Now, I want it on the record that I don't consider my version of events and characters to actually be better, or even as good, as what ND Stevenson and the crew of the show gave to us. I'm actually very happy with the canon show as-is. It was a great cartoon that I was thoroughly engaged by from start to finish, and if I actually had a say in the matter I wouldn't change anything about it. This was just a bit of fun speculation on what kind of direction things might have gone in if the relationship of the 80s version had carried over into the reboot. I hope you all enjoyed reading this, as it was a blast to think about and write 😊

[miraculouscontent]

*rubs hands together*

The first thing to talk about with this episode is the pacing, and I think this might contribute to why people think it’s the best/least bad of Season 4 (personally, I’d rather watch “Furious Fu” but that’s just me; also, this isn’t the only contributing factor as to why I think people might feel this way, but I’ll get there later).

The episode has a very serious pacing issue, particularly with its more intense scenes. There’s only one minute of time dedicated to Ladybug landing on her bed, de-transforming, and her snapping at her friends plus them leaving. More time was spent on Chat Noir and Ladybug in the movie theater and Ladybug storming out.

I particularly remember watching the episode and getting eighteen minutes in, at which point I had the realization of, “It feels like nothing’s happened?”

This episode is supposed to be a big gut punch, but the season has been going by at the speed of sound, like they’re trying desperately to play all their cards at once (Lukanette break-up, Adrimi break-up, then Alya is told Marinette’s secret identity). Instead of letting things build and play out for a while in the interest of suspense, the show just throws whatever will get a big reaction out of the fandom (whether positive or negative) and it doesn’t care how shoddily put together everything is. The first two episodes feel like hastily put together drafts, and while this one is technically more put together, it still feels like a draft.

Let’s just start with Chat Noir, who feels completely out of place in the episode. Not only does he imply that he intentionally calls Ladybug “Bugaboo” (which she has told him to stop doing) in order to get a reaction out of her, but when Ladybug insists that she doesn’t want to talk, he tricks her into thinking that he has a good location to do so (and my heart breaks a little at how readily she trusts him) only to then take her to a romantic movie, then shush her when she calls him out for it because she “said she didn’t want to talk.”

Gee, and people wonder why she didn’t tell him her secret (even outside of “Chat Blanc” existing)?

And... look, I know it’s a joke, but I do not find it funny. The “joke” is basically that Chat Noir is taking advantage of the situation to flirt with Ladybug, and though I find it at least mildly cathartic that Ladybug is unaffected by all the people staring at them while Chat Noir is embarrassed, this episode is coming right after the one where Kagami broke up with Adrien, and here Chat Noir is getting his flirt game on. I already talked about all my problems with “Lies” so I won’t do it again, but I’ll just say that it’s not a mystery why Ladybug doesn’t want to talk to him and would rather avoid her problems.

(Not to mention that Ladybug knows that Chat Noir likes her, so talking about her romantic problems with him is awkward to say the least and would come off as insensitive.)

Honestly, at this point I feel like they must be building to something with Chat, like Ladybug finally going off of him with no mercy and that forces him to give up/fall out of love for her because reverse love square, but if that’s what they intend to go for, then that means Marinette is going to fall for this guy who’s repeatedly disrespected her feelings for multiple seasons, almost abandoned her and let Paris drown because she wouldn’t tell him a secret that wasn’t hers to tell, and just generally all the other things he did????

Ugh, I don’t wanna think about it. Let’s just move on.

Talking about Ladybug and her rant next, it basically summarizes the whole show in a nutshell, but simultaneously casts a shadow of sorts over “Truth” for people who maybe missed the episode entirely (which is also sort of the show in a nutshell). I mean, Ladybug confirming to the audience that she was genuinely in love and happy with Luka (you can’t watch how depressed she was over the break-up and not think that) was great, but Ladybug’s dialog implies that Luka “hated secrets” and that’s why they broke up, when Luka was more just... hurt that she couldn’t be honest with him, and he didn’t actively hate secrets. Marinette broke up with him because she felt like she had to; because she had to keep ditching and lie to him.

In addition, what she says also hints to the audience that they’ve both held and kissed each other, which not only indicates cowardice on the part of the staff (”yeah this happened but--um--off-screen; we’d still like credit tho plz”), but may perhaps go back to the theory I had about how Adrimi and Lukanette were supposed to last longer in Season 4 but their arcs got cut (based on the Adrimi kiss having supposed to have gone off). This could mean that Ladybug’s statement was originally accurate to canon but the scenes got cut and the scriptwriters just awkwardly left it in, which is made more awkward by the cinema scene in “Truth” that felt like Luka and Marinette were kissing for the first time (again, alluding to the whole, “this entire season has been a draft” thing).

Also, if you think about what that actually means - that Luka and Marinette did have successful dates and kisses but they were off-screen - then all it adds up to is that showing Marinette happy and comfortable was something that the series didn’t deem as “interesting/fun enough” to show, because Marinette being happy isn’t something they want to see; only watching her be miserable, which is exactly what Ladybug says, along with how everything was “almost too simple, too easy,” because Marinette isn’t allowed to have nice things without being jammed through the wringer first.

And... sure, let’s say that Chat Noir thought the movie was genuinely a good idea; let’s assume that it could be a joke, him wanting to flirt, and him believing that it’d make her feel better somehow.

If that’s the case, then where’s the apology when it fails miserably? Ladybug goes from her semi-anxious state at the start of the episode (a little scatterbrained but ultimately just looking for a distraction), to outright enraged by the movie, and then to this upon leaving the cinema.

She just got her heart broken from being forced to break up with a boy she genuinely wanted to be with and there’s not a single, “Okay, maybe coming here was a bad idea, I’m sorry,” (which could’ve been seen as another joke with the audience like “lol no duh Chat Noir” so there’s no excuse not to have it) or, “My bad, that was insensitive of me. I really thought this would’ve helped but I wasn’t thinking about what you would’ve wanted.”

No. The only people Chat apologizes to are the other people at the theater because he’s embarrassed by Ladybug’s reactions, yet he himself feels no remorse for taking her there and has the gall to go on now about how he’s “there for her if she wants to talk.”

Again, it’s no wonder Ladybug doesn’t want to open up to him.

And I’m sorry, I just don’t buy that Marinette suddenly has all this free time. It’s one thing for her to have a little more time now that she’s broken up with her boyfriend (likely avoiding spending time with him altogether now), but “Truth” went out of its way to talk about all of the emergencies she had to deal with and how she doesn’t have any spare time. which is causing her to become forgetful and lose track of certain events (patrols with Chat, dates with Luka, etcetera), yet Marinette spends most of “Gang of Secrets” simply sulking on her bed. It’s so jarring to go from “Truth” where she was doing “too much” (which I called them out on for not describing what the “too much” she was doing was) and now “Gang of Secrets” where she’s not doing anything.

It’s almost like they invented that plot point to break Lukanette up and it served no purpose outside of it.

Furthermore, the scenes of her finally talking to Tikki and then deciding to live as Ladybug does nothing outside of making the plot more predictable, the latter because of the “Alya almost sees Ladybug” moment (an obvious indicator that Marinette is losing control and is struggling to maintain her secret identity due to her emotionally breaking down) and the former because of Tikki herself and what she doesn’t say.

Because, really, think about what actually goes on in the scene. Marinette (eyes rimmed red and filled with unshed tears, as she is for a good chunk of the episode) is venting to Tikki about - yes - her love life, but also that she has to lie to everyone in order to keep her identity a secret. The fact that Tikki focuses solely on the note of Marinette’s love life and not say a word about the identity/lying issue or even consider telling Marinette, “hey, this is clearly too much for you, you should tell someone, I think the benefits outweigh the risks right now,” really proves that the episode tried to avoid the topic altogether to try and make the ending more shocking (which ironically made it more predictable).

So yeah, not only does Tikki’s dialog with Marinette provide nothing except for a line about how she can’t help Marinette with love issues due to kwami not falling in love (alright, I guess aros can’t give good love advice then or have any input whatsoever), but Marinette’s line about lying to everyone being why she can’t pursue Adrien nor Luka is repeated in the very last scene of the episode. The only reason that scene and the scene after exist is because the writers needed Marinette to be emotionally devastated enough to leave for her balcony as Ladybug for the almost-reveal to Alya and so Rose would get close enough to the dollhouse to have an almost-reveal with the Miracle Box, making the scene feel further contrived because the emotional punch of Marinette wanting to live as Ladybug lasts for barely any time at all.

And it could’ve served a purpose, like if Ladybug had genuinely left and Alya finds her goggles and towel, recognizing them from a news story about how Ladybug had gone to the swimming pool after losing her temper at the cinema, which could’ve led to Shadow Moth making the girls believe that Ladybug was no longer heroic and had kidnapped Marinette, or... heck, Ladybug coming back inside would’ve been so much less jarring if she came back because she heard the girls’ voices talking about the dollhouse and had to hurry (but of course, then they’d have to point out the ridiculousness of Ladybug not hearing Alya calling her and the girls not hearing Ladybug literally shouting for Shadow Moth to come fight her, even though the kwami heard the girls calling for Marinette from the balcony).

But instead, the entire scene feels off and unnatural, forcing every part of it in order to get to where Marinette has to snap at the girls to make them leave.

(Oh, by the way, just a little detail to add to the annoyance: they bothered putting Tom and Sabine in the episode when the girls are leaving, clearly saddened by something that happened, and neither parent even bothers to go and check on Marinette to see if she’s upset or just to see what might’ve happened. They’re such a “blink-and-you’ll-miss it” moment in the episode and it’s not like I’m surprised because they’ve done this multiple times by now but really?)

As for the girls themselves... oof, where do I even begin?

Alright, first off is the annoyance that they assume Marinette’s problems relate only to lovesickness. Marinette has been an anxiety-prone mess throughout the entire series, and suddenly now the girls care about Marinette’s love problems on an emotional level rather than “we’ll meddle sometimes unless we don’t feel like it and be wholly inconsistent on how much we push for it.”? It’s not that I don’t see how they came to the conclusion (hearing that Luka and Marinette broke up and now seeing Marinette is depressed, it checks out), but considering they bothered noting that Marinette hadn’t told them anything, one would think they’d come to the conclusion of, “okay, we haven’t talked to her, we have no idea of what’s going on, maybe we don’t know her as well as we thought then and shouldn’t make guesses.”

Secondly is the “eternal friendship bracelet,” which comes off as a copy of the “Secrets” game from “Syren” extremely manipulative. Mylene goes on to explain that one is supposed to give a secret to the pearl “mentally,” yet when the girls actually show up to see Marinette, they expect to be told the secret directly. I’ve already talked at length about peer pressure and the mental stress Marinette goes through when they mock her and/or meddle for her, but this idea of, “well we all used this friendship bracelet after we mutually agreed to it so now it’s your turn because we said so!” just comes off really bad. I know the episode is going for this idea that their hearts are in the right place, but they’re really not. It feels like they’re the ones in denial and are trying to compensate by forcing Marinette to prove that they’re friends, unable to handle the idea that they might not be as close to her as they thought.

Thirdly, the show acts as if the girl squad are her only friends when we know that’s not true because we’ve seen episodes like “Befana” (the guys in the class), “Reverser” (Marc), “Ikari Gozen” (Kagami), and “Silencer” (Ivan) that all established Marinette having more friends than just them, but for the sake of “drama” and the depressing line of, “at least I don’t have any more friends to lie to,” the episode just pretends like Marinette’s friends are limited to Luka (who she had to break up with) and the girl squad (who she forced to leave and refuse the friendship of).

Fourthly is the actual set-up and the sheer grossness of it all. The girls call Marinette and leave a message about how they much they love her and how she can talk to them “where and when” she wants, and then - immediately afterwards - decide that they’re going to go straight to Marinette’s house completely unannounced, go into her room completely unannounced (not even knocking, by the way), and when Marinette begs them to leave, Alya basically tells her that she’s overreacting. When Marinette demands that they leave, Alya refuses and makes demands right back that they won’t leave until she tells them what’s wrong.

So much for “where and when” she wanted, right? It’s already one thing for the girls to invade Marinette’s privacy and demand/guilt-trip answers out of her, but it’s another thing to give the illusion of respecting her feelings and personal space only to actively plan to go back on it. I can’t tell if it’s a bad draft that they didn’t catch in quality check (you know, the quality check that they definitely don’t have) or just an intentional way to make them seem more sympathetic so Marinette looks worse for driving them out, but either way, it’s awful and I hate it. I would’ve rather had them be all in on invading Marinette’s privacy and learn a lesson in the end than outright contradict themselves.

There are also little nitpicks I could make (like Juleka’s constant mumbling despite Luka’s crush on Marinette playing a role in the episode, Horrificator getting sidelined due to being mute, and the girls’ akumatization ultimately being for spectacle and nothing else, serving no purpose to the plot and being furthered by the fact that Timebreaker goes after Marinette despite it being a bad idea and Reflekta’s power clearly not lining up with any sort of plan), but the real issue issue here comes down to the fact that these are Marinette’s so-called “friends” and the episode refuses to address their actual issues.

Alix, who is known for making rude comments at Marinette (”Gigantitan,” “Chat Blanc,” “Miraculous New York”) and then gives mixed messages by going along with meddling anyway.

Mylene, who is the closest thing to a background character in the girl squad but nevertheless finds her way into being definite voice against Marinette in “Chameleon.”

Juleka, who blamed Marinette for things she didn’t do in “Reflekdoll” and got huffy with her until Marinette apologized for said things.

Rose, who outright screamed at Marinette in “Chat Blanc” over a freaking stuffed animal, which pressured Marinette enough that she snuck into Adrien’s room to deliver her gift which nearly led to the end of the world.

And, of course, Alya; freaking Alya. I don’t even have to go into every single thing she’s ever done because I have a history of giving her absolutely no mercy.

...But let’s go through some anyway because I want to.

“Copycat” - Alya gives Marinette a script and tells her to memorize it, then immediately pushes the “call” button when Marinette hesitates after Marinette had just told Alya that she’s awful at improv.

“Darkblade” - Alya takes a jab at Marinette when Marinette says that she’s too busy to be class representative, implying that Alya thinks that Marinette does absolutely nothing with her time.

“Gamer” - Alya is busy recording the gaming competition when she and Marinette were supposed to be researching for a term paper. Alya then scolds Marinette for wanting to use the competition to get close to Adrien only to do a 180 and put up a fight about it when Marinette decides to quit.

“Animan” and how “The Puppeteer 2″ follows up on it - oh, I’m not going to touch that particular point right now, but keep those in the back of your mind, because I am going to absolutely go off later

“Simon Says” - Similarly to Marinette’s parents, Alya gives zero damns about whatever might be going on in Marinette’s life that's causing her to miss classes.

"Despair Bear” - Alya laughs at Marinette being forced to kiss Chloe’s cheek and then outright compares Marinette to Chloe after knocking Chloe multiple times during the episode (sure, just compare your “best friend” to her multi-year bully, how "hilarious” of you).

“Gigantitan” - Alya has no qualms about mocking Marinette’s over her failures, even if it embarrasses her and she’s been through enough already.

“Frozer” - Alya tries to find ways for Marinette to prevent herself from third-wheeling for Adrien, but when Marinette tries to show character growth by wanting to go, Alya gets into a shouting match with the other girls over how Marinette has “liked Adrien forever and isn’t going to give up now”.

“Catalyst” - Alya claims that Marinette is only salty over Lila out of jealousy when “Frozer” exists and literally is the prime evidence of Adrien liking another girl and Marinette telling Alya outright and very genuinely that she’s not jealous.

“Chameleon” - Alya doesn’t care about her best friend sitting in the back by herself while Alya herself get to sit next to her boyfriend and everyone else in general gets to sit where they want (Alya even acting confused at the mere suggestion that she’d tried to engineer things to let Marinette sit next to Adrien), then not only believes Lila over Marinette but contradicts herself twice (asking Marinette for proof when she has none herself, then claiming that she wouldn’t let her best friend sit by herself).

“Christmaster” - Alya leaves Marinette to babysit so she and Nino can go out on a date.

“Desperada” - Alya suddenly is for Lukanette for literally one episode and doesn’t know how/doesn’t even try to cover for Marinette’s Adrien blindness despite mocking her for multiple seasons over it.

“Reflekdoll” - Alya invites Adrien to something that’s crucial for Marinette to focus on after Marinette has already told her not to and continues meddling to the point where it gets Juleka akumatized (she also doesn’t get punished for it and the blame gets thrown onto Marinette).

“The Puppeteer 2″ - Alya pushes her luck with Nathalie to try and get Marinette to come with her, Nino, Adrien, and Manon to the museum, then traps Marinette in a room with Adrien to force her to spent alone time with him, even abandoning and forgetting about the child that she offered to watch for Marinette so she and her boyfriend can go off alone.

“Miraculous New York” - Alya is told directly by Marinette that she needs help seeing Adrien as a friend, which leads Alya to do the exact opposite throughout the entire special, at one point shouting at Marinette and pressuring her to chase after a car, in the rain, while there’s a supervillain rampaging through Paris, and all of this right after the scheme that Alya had set up caused both Marinette and Adrien to go missing.

And just saying, as Marinette’s supposed “best friend,” Alya sure doesn’t know how to handle her. It was acceptable back in “The Bubbler” when she asked Marinette about signing the gift too late and the same goes for “Dark Cupid,” but by the time we get to late Season 2/3 and Alya refuses to learn Marinette’s weak spots (unless it’s to mock her) and adjust accordingly (like if she’d already made sure the gift was signed in “Chat Blanc,” which would’ve prevented Adrien seeing Ladybug at all due to the time difference), it starts getting infuriating.

A best friend is supposed to cover for their friend’s weaknesses. Alya doesn’t do that; she meddles and often drives Marinette’s anxiety even further up a wall with absolutely no consideration for Marinette’s feelings (”Dark Cupid,” “The Puppeteer 2,” “Reflekdoll,” “Miraculous New York”).

And here, she and the other girls are rewarded for it. Luka actively resisted his akumatization whereas the girls gave in immediately, yet Marinette still opens up to them in the end, likely because they had pressured her and made her feel bad for the secrets she was keeping while Luka was willing to actually wait for her to be ready to talk to him. I can’t put into words how frustrating it is watching these girls trample all over Marinette’s feelings, not have their worst actions called out, and then jump cut post-deakumatization to Marinette telling them exactly what they wanted to know about her love life.

You know what this entire episode is really missing, outside of a coherent plot, properly-paced development, and a basic understanding of rewarding a character for things they’ve held firmly to?

It’s missing the apology. Chat Noir apologizes to a bunch of moviegoers and Rose apologizes for the broken dollhouse, but no one apologizes to Marinette for how they treated her, especially not the “friends” who got rewarded in the end.

“Sorry, we shouldn’t have told you that we’d respect your feelings and then showed up unannounced to make you talk about them.”

“We’re sorry we came into your room and invaded your privacy. You were right to be mad at us.”

“Oh my gosh, Marinette, we got akumatized and we’re so sorry for literally all five of us going after you and probably scaring the living daylights out of you.”

And as if that wasn’t enough, guess what else this is missing? It’s kind of important and brought up directly in the episode, yet the episode simultaneously goes out of its way not to bring it up again.

It’s the reason why Marinette didn’t tell the girls about her relationship with Luka. It’s not there - it’s missing - and the girls never try to pursue the subject. They talk about how Marinette didn’t tell them but don’t think for a second that maybe it’s them who have failed as friends. Instead, they don’t guess anything about why Marinette wouldn’t tell them (which is already strange considering how much they already assume about her) and jump straight to, “well clearly we just need to push for her to talk to us.”

Gonna just go out on a limb here and say that maybe - just maybe - Marinette didn’t tell them because they are habitually pushy in everything they do.

Because they would’ve teased her relentlessly about, “ohhhh you’ve got eyes for Luka? what about Aaaaaadrien~? aren’t you sooo tooorn between both of these cute guys?”

Because they would’ve meddled to force her and Luka together and gotten on her case when/if she ever had to bail on him.

Because their intrusion on her feelings for Adrien had caused her nothing but problems and she just wanted to be with Luka in peace without them forcing their way into things.

Because--hey, wild thought--maybe they’re not really friends???

But the episode completely avoids it, because that would’ve meant addressing it; it would’ve meant acknowledging that they messed up, which - fun fact - they actually don’t do in the episode.

They invaded Marinette’s privacy, insisted that she tell them how she feels (not about them of course because that would imply that they felt like they screwed up), and in the end it’s Marinette who gives them exactly what they asked of her, and the closest thing we get to acknowledging anything is Alix telling her/joking with her that they’ll help her confess to whoever she likes as soon as she tells them she’s ready.

That’s not an apology. That’s not an acknowledgment of wrongdoing. Even when the five of them are about to get akumatized, it’s not a circle of them saying, “here’s how I screwed up, I could’ve done better but I didn’t and I lost Marinette because of it.”

No. It’s just them talking about how sad the situation is. Mylene has the closest thing to remorse in saying, “I hoped it would work,” but where does it go? A grand total of nowhere, especially because Marinette still takes the bracelet in the end instead of the girls mutually deciding, “okay, maybe the bracelet was a bad idea; how about we all agree on making something together instead, no requirements attached?”

And then the episode has the gall to act as if Alya has gone through character growth when all they did was put Alya through the same thing that Chloe did. I’ll explain that last bit momentarily, but first let’s talk about the whole “growth” thing.

Because there’s no apology or acknowledgement of wrongdoing, all Alya does when she’s finally alone with Marinette is do a 180 from where she was at the start of the episode, going from, “friends have to tell each other everything,” to, “hey, if you don’t want to tell me, then that’s your right.”

The crucial part that’s supposed to go in the middle is missing. Instead of acknowledging her failures, Alya just cuts straight to “””being a better friend,”““ but storytelling doesn’t work that way.

It literally would have taken zero effort to fit an acknowledgement into that scene. “You don’t have to tell me everything, I get that now. All my meddling’s done is hurt you and I’m so sorry. I wouldn’t blame you if you didn’t trust me.”

In a world where Marinette has to apologize for everything, has to learn lessons and suffer because the narrative says so, I will not accept anything less from other characters who are trying to develop and improve. That’s not fair to Marinette, nor has it ever been.

Instead of properly developing Alya, the show does whatever it can to get its audience to root for her as Marinette’s “best friend” (ugh) without having to put in the effort of admitting that Alya hasn’t been Marinette’s “best” friend.

Remember when I brought up Chloe? Yeah, “Malediktator” did a similar thing, showing Chloe doing something awful, then being sad (while not actually acknowledging the thing she did wrong), and in the end she was rewarded with a miraculous prematurely.

One show of character from Chloe and Marinette gave her a miraculous. One show of character from Alya and Marinette told her that she was Ladybug.

(Also, for the record, I think Chloe is far worse than Alya character-wise and I’m not comparing their characters; this is just the simplest comparison I can draw here from a narrative standpoint.)

“Miraculer” is another apt comparison, perhaps even more so. Chloe got Hawk Moth in her head after an akuma landed in her photo of her and Ladybug, but Chloe resisted and fought back, ultimately forcing the akuma out of her and freeing herself from Hawk Moth’s control.

But it wasn’t to develop her character; no, it was to convince the audience of Chloe and Sabrina’s friendship so they’d feel something during Sabrina’s happy flashbacks, then lay the foundation of tricking viewers into believing that Chloe might not go to Hawk Moth’s side.

At the end of the day, it was doing something that’s “never been done before” in order for the character to earn brownie points for something that the writers can just have them do because willpower is an easy thing to just write in. “Gang of Secrets” does the exact same thing when Lady Wifi breaks free from Shadow Moth, with Ladybug even hammering it home by talking about how no one’s ever done it before.

And the pacing is - again - awful. Not only is Ladybug banking on this working when she herself says that it’s never been done, but the conversation between her and Lady Wifi where Ladybug tries to convince her doesn’t even take a minute.

It also has nothing to do with Marinette herself; Ladybug relies on Alya’s adoration/friendship with her as Ladybug (you know, after Alya took a photo of LadyNoir kissing and posted it online without Ladybug’s consent, betrayed her by putting information on the LadyBlog that Hawk Moth was able to take advantage of, and is the only hero outside of Chloe to resist returning a miraculous) in order to break from Hawk Moth’s control, because talking about Marinette with Lady Wifi didn’t even work.

(Ladybug also uses her yoyo as a portal to the Miracle Box when this has never been pre-established to be a thing despite Ladybug acting as if she knew it was; further proof that this episode was rushed.)

And of course talking about Marinette didn’t work, because that would’ve meant convincing Alya that her reason for getting akumatized was “wrong” and the episode didn’t want to do that. It didn’t want someone else actually learning something and feeling bad; surely, this is just Alya being manipulated by Shadow Moth and having the power to break free because Ladybug “needs Rena Rouge” and not because Lady Wifi and her friends are chasing after their supposed best friend and that’s--you know--wrong???

Rena Rouge’s reappearance is also yet another thing the episode refuses to address because it avoids the topic of “but my identity--”. At least “Heart Hunter” had the tact to have Kagami question why Ladybug was giving her the dragon again, but “Gang of Secrets” treads as lightly as possible on any discussion of identities outside of Marinette saying that she can’t, as if it were Marinette who made the choice of concealing her identity and not the basic idea of heroing that has been stressed over and over for the whole show.

Even Plagg of all kwami stated back in “Origins” that no one is supposed to know about secret identities, a rule that continues becoming flaky and muddled with each passing season, almost like they kept attempting to retcon and make the audience dulled to the idea so that the reveal in “Gang of Secrets” would be more acceptable.

But now, with the way they did it and how they don’t even have Tikki comment on the matter, it once again has it look like they’re making it - say it with me, everyone - Marinette’s fault.

Alya says that Marinette has a choice in telling her secret, Marinette insists that she doesn’t and goes on and on about how it’ll change everything, and then just... tells Alya her secret in the end.

And remember all the way back in Season 2? “Sapotis”?

Alya: What were you saying about her secret identity?

Marinette: Ladybug needs it to protect her family and friends. Otherwise the villains could use them to get to her.

Alya: Well, if I knew who Ladybug really was, I'd keep it a secret. I would even help her! Like say, if you were Ladybug, I'd cover for you — when you needed to transform in school, go fight the "baddies", you know?

Marinette: Oh yeah? Well, if I was Ladybug I wouldn't even tell you, to protect you from the "baddies", you know?

Alya: You serious? If I was Ladybug, I'd totally tell you! Because I tell my best friend everything.

And now here we are in “Gang of Secrets,” as if the narrative is saying, “See, Marinette? Alya was right all along, you were just being ridiculous and making yourself suffer for no reason!”

Yet Marinette had a right to keep her secrets. When Alya and Nino learned each other’s identities, Alya took a hit for Nino in “Catalyst” and both of them fell to Scarlet Moth’s akumas. Chloe was a mess and a half because of Hawk Moth knowing her identity. Fu had told Marinette that her miraculous would get taken if she and Chat Noir learned each other’s identities.

The only ones who received no consequences due to someone knowing their identity were Pegase (who Chat Noir and Markov knew), Ryuko (who Chat Noir, Ikari Gozen, and Hawk Moth knew), and Viperion (who Adrien knew). “Chat Blanc” also exists where Marinette got the impression that people discovering her identity would be a disaster, and even all the way back in “Lady Wifi” insisted that not telling anyone her identity was “listening to her head and not her heart,” and the narrative has relentlessly humiliated her for going with her heart, so yeah, probably for the best.

I hate that the episode avoids talking about anything identity-related outside of what comes out of Marinette’s mouth to make it appear like it was her choice all along. I hate that they had Tikki fixate on Marinette’s love problems instead of having her actually support Marinette and admit that Marinette should tell someone before she has a mental breakdown. I hate that the episode inserts Rena Rouge into the plot as if to brush all identity issues away so as to make Marinette’s identity reveal seem less jarring.

Now, of course I’m glad Marinette told someone. Of course I want her to get love and support from someone. Of course I think the benefits outweigh the risks, or I wouldn’t have written multiple fix-its where her identity gets revealed in some way or someone already knows.

But I didn’t want it to be Alya, because I knew how they’d do it. I knew they’d do it wrong and I knew that they wouldn’t have the courage to address Alya’s issues properly.

Those familiar with my blog will know that I’d been taking negative predictions for future seasons for a while and adding them to cards whenever they were proven right. Does anyone remember the Season 4 predictions that were proven correct for “Gang of Secrets,” specifically these ones?

- “Alya will suddenly be portrayed as a good/worthy friend to Marinette in/if there's an episode where Marinette tells her that she's Ladybug”

- “Alya resisting Shadow Moth/fighting back against him will be used to excuse telling Alya Marinette's secret identity“

- “Alya will know that Marinette is Ladybug first because "BFFs" despite being one of the worst candidates for it“

- “The secret that broke Lukanette up will be resolved in episode 3 when Marinette tells Alya“

Each and every one of those were mine, because I knew that whether Season 4 had a proper chronological order or not, the writers would not have the guts to develop Alya first and then have Marinette tell her in a future episode after Alya has properly earned it.

I knew that they wouldn’t take time to develop Alya. I knew that they would have Alya resist Shadow Moth to make Alya look “worthy” of the secret. I knew that Alya would swoop in during the last minute and a half of an episode, insisting that Marinette “didn’t have to tell her anything” when Alya had been pushy and insistent for the entire rest of the episode and the whole series in general, and would ultimately be rewarded with the big secret simply because she’s “the best friend” and that’s it.

The Alya at the end of the episode isn’t the Alya I’ve known for the entire rest of the series before this, or at the very least they turned her into an Alya I don’t recognize.

Alya claims during the ending scene that she knows that Marinette is hiding something beyond her love problems because she - as a reporter and “her best friend” - can sense such things, and all I’m left wondering is

w h e r e ?

Where and when has Alya been suspicious or worried about Marinette keeping a secret from her? What, back in “The Pharoah” where she didn’t immediately disregard Marinette for the role of Ladybug, or “Simon Says” where she vaguely teased Marinette about having a double life, both Season 1 episodes?

Where was Alya in “Truth” saying that she didn’t know Marinette’s secret but knew that she was keeping one? Where was Alya anywhere in Season 3 being concerned that Marinette hasn’t told her something? Where was this “supposedly very observant” Alya when Marinette needed her to out Lila because Lila got her expelled--oh wait, Alya “observed” that Lila did nothing and Marinette was just jealous.

What, is it only now that Alya suddenly “knows” that Marinette is hiding something else? Now, after Alya has already not known that Marinette was literally dating someone, even when Alya had multiples pictures of Marinette and said someone giving each other heart eyes and saw Marinette leaving school with said someone riding on the same bike together, you know, like normal, typical, average friends would?

Where’s the line where Alya acknowledges the problem? Where’s Alya sitting down with Marinette and admitting, “hey, I’m sorry I haven’t noticed this stuff, but I promise I’ll do better starting right now, and that’s how I know now that you’re hiding something else, and I’m sorry it took me so long to realize that it’s been hurting you”?

I can’t tell you where it is, but I can say that it’s certainly not in this episode. 60% of the episode features the Alya we knew from the rest of the series and then switches her out the second she’s de-akumatized for another Alya who hasn’t done anything that the old one has because she pretends like it didn’t happen.

You know how I know? Because of this absolute gut punch of a line that showed that the series wanted to handwave everything away.

“I know how to keep a secret.”

...Really? Does she now? Well, I hope everyone remembered my point about “Animan” and “The Puppeteer 2,” because I’m bringing it right back.

Considering that “Truth” has been burned into all of our memories, we all definitely remember when Truth shoots Alya and questions her on Marinette’s secret, to which Alya states that Marinette’s secret is, “She’s in love with Adrien Agreste.” Now, at the time of Season 4′s airing, this is very much not a secret, as most characters already knew about Marinette’s crush, to the point where it’d been broadcast on television during Season 2.

But do you know when it was actually a secret? Back in Season 1, specifically in the episode “Animan” where Alya told Nino.

And not only did she tell Nino, but she lied to Marinette by claiming that she didn’t, acting as if Nino knew that Marinette had a crush but didn’t know who she was crushing on, which is then directly proven false as Nino accidentally implies that he does know who it is. This is also after Alya had gotten on Marinette’s case for trying to set her up with Nino, and then she had the gall to say that she wouldn’t spill Marinette’s secret because she, and I quote, “doesn't go around making decisions for other people,“ a statement that is directly contradicted by this little thing known as everything Alya has ever said and done in the entire series.

And while Marinette meddling in Alya’s love life actually ended up working out for Alya, Alya meddling in Marinette’s by telling Nino who Marinette is crushing on comes back to bite Marinette - not Alya (because of course) - in the infamous episode of “The Puppeteer 2,” where Marinette realizes that Alya really did tell Nino that she was crushing on Adrien.

Marinette: You told me you wouldn't tell Nino!

Alya: I haven't told him. Right, Nino? I didn't tell you anything. (elbows him)

Nino: She didn't tell me. And besides, I told her I wouldn't tell.

Then, when she’s called out on it, Alya lies again, and shamelessly so.

Marinette: Why did you tell Nino everything? You promised you wouldn't!

Alya: I didn't, I swear! Besides, even if I had told him everything, he would still be clueless. Ugh, who cares anyway? I've set everything up with Nino, who doesn't know a thing, so you can finally pour your heart out to Adrien, girl!

And now, here we are one season later - and not even half of a season if you go by production code order - and Alya claims that she knows how to keep a secret.

No. No, she does not. In fact, she does even worse because she won’t even admit when she’s spilled said secret. I absolutely refuse to accept that Alya is “worthy” or “deserving” of learning that Marinette is Ladybug when she couldn’t even keep a basic secret like who her friend was crushing on.

And no, it didn’t matter that Nino was her boyfriend, or that maybe she thought it would work out because Nino was friends with Adrien. By that logic, Alya would tell Adrien that Marinette is Ladybug if she heard that Ladybug is who Adrien was crushing on and we all know how that would’ve gone.

Marinette has a right to tell her secret to whoever she wants and I’m glad that a burden has been lifted from her, but that doesn’t mean I have to be happy that it’s Alya. That doesn’t mean I have to be happy that, after so many moments of Alya disrespecting Marinette’s feelings, she is the one who gets to hear the big secret that the fandom has been waiting for someone to find out about since the very start of the series.

Luka said it best in “Truth” that the truth is meant to be shared, not taken by force, but Marinette was forced to tell Alya by the narrative because Alya is her supposed “best friend.” It pushed Marinette to her breaking point, forced her to break up with the guy who has respected her agency and feelings since the day they met, and gave her a version of her “best friend” with the same name and face but with none of the responsibility from previous events so that said version was there at the right time and the right place to hear what had to be heard.

And in the end, I end up feeling nothing. Marinette doesn’t even have a “Marinette” reaction to saying it as one would expect; for her to blurt it out and then immediately start panicking until Alya hugs her to calm her down. Instead, Marinette just says it and stares silently at Alya - after blabbing this huge, very big deal of a secret - until Alya goes in for a hug (the “happy/hopeful” ending of which is why I feel like this episode also gets less flak, as the previous two ended off rather depressing/upsetting).

It’s off. Everything is off. The pacing, the delivery, and the logic that the episode uses. The emotion in Marinette’s voice when she’s rambling about how hard it is to keep her secret is so powerful, but then the ending hits and she just says it, breaking the momentum they had going. They pulled the card of Alya walking away too soon when they could’ve saved it, having Marinette go quiet and letting Alya take a few steps away in order to let the moment build before Marinette finally blurts out the secret she’s been painfully holding in.

But they didn’t, and I’m so many levels of dissatisfied. I wasn’t against the idea of Alya learning Marinette’s secret at some point (though honestly, Alix would’ve been a better pick considering that Bunnyx will know eventually anyway, and I say that not even liking Alix!), but not now; not when Alya had so much to work towards.

And now what? What happens now? Now Alya will turn against Lila, not because she learned to have faith and believe in Marinette, but because Marinette is Ladybug, which disproves Lila’s ultimate lie that got Alya’s attention in the first place? Now Alya will be supportive and less teasing/mocking whenever Marinette will be late, not because she understands that Marinette isn’t perfect and has so many other things on her mind, but because she’s Ladybug and has “hero stuff” to take care of? Now Alya will be careful about what she puts on the LadyBlog, not because she respected Ladybug and what Ladybug would want, but because Ladybug is now her best friend and that changes everything?

Because now, Alya has a free pass to all of that, the show making her spontaneously “developed” now so they won’t have to develop her later, and disappointing doesn’t even begin to describe it.

[forestlingincorporated]

Teen Titans #29

So, one of my favorite types of fics to read is Different First Meeting fics between Jason and Tim. I looooove reading Enemies To Caretaker, of which I fed handsomely on fairly recently. Big Brother Jason fics give me warm fuzzies, and Tim Drake needs a hug, and I feel like if these two actually got to know each other and worked past their preconceptions, they’d get along surprisingly well. And Still A Jason!Robin Fanboy Tim Drake is just a fun concept. 

Also, it just FEELS right for the middle siblings to band together after Damian comes along, lets get those abandonment issues in the party. 

So, for mysterious and very secret TimKon Week 2021 reasons, I was rereading some Teen Titans, and I stumbled over the Original Tim+Jason First Meeting, and I just sort of wanted to talk about some interesting things I found in there rereading it after several years. 

First thing right off the bat, when reading fics, normally it’s either the Core Four at the tower that Jason puts to sleep, or it’s Tim alone for the night. In the comic, none of Tim’s close friends are even at the tower, Jason waits for Bart and Cassie to leave, and Conner actually hasn’t come around for an in-universe month, because this is after the Superboy’s Birthright arc where Lex mind controls Conner. 

The people Jason knocks out were his own teammates when he was a Titan. He specifically says he never got to work with Beast Boy or Cyborg directly, so he doesn’t feel bad electrocuting them, but he feels bad putting Raven under much more gently because she used to worry for him. 

Tim has just gotten off the phone with Bruce when Jason shows up. It seems like Bruce might’ve been picking Tim up, but something’s come up with Martian Manhunter going missing, so Tim tells him he’ll catch a ride with Cyborg. 

This is actually really interesting to me, because it’s a small moment of Bruce letting Tim down. It’s a conversation he’s probably had with his biological father many times when Jack’s canceled on him. 

Gonna acknowledge this abomination real quick. This is So Stupid, and I’m glad as a fandom we just all agreed Jason didn’t do this. It makes me ask so many questions. Where did he get that oversized Robin costume? Why’d he tear off his perfectly good clothes? Why did he do this? Why the yellow tights? WHY? 

A lot of things are actually happening here that are actually Really Interesting if you just look past the stupid fucking outfit. Because this comic actually flew really close to greatness, they just ended up dropping the ball by not continuing to do more with it. 

First off, Jason doesn’t beat around the bush. He’s immediately like “yeah, yeah, yeah, Red Hood, whatever, I’m Jason Todd, bitch! Fight me.” 

Secondly, Jason’s done his homework. He knows A LOT about Tim. He knows his name, he knows he has a dad, he knows he went to prep school, and he knows the story of how Tim became Robin. How he GOT that last bit of information, I’d honestly like to know. But even HAVING the information isn’t enough; he’s still letting his preconceived ideas get in the way. The surface level information about Tim’s life only served to fuel his jealousy and anger (thanks, Lazerus Pitt!). He’s so focused on Tim’s privilege that he’s looked past evidence of hardship; if he’s done this much research on Tim, he’s no doubt seen records of multiple boarding schools, lengthy travel records, news reports, a death certificate.... He can’t even bring himself to BELIEVE parts of Tim’s story that aren’t lining up with his world view, like HOW he became Robin. 

Jason has convinced himself that what he’s discovered about Tim and the period of time when Jason was dead - the fact that Bruce was spiraling after his death, that his family mourned him, that Tim had to step up to the plate at a weird suicide prevention buddy system - is all a lie. Despite the fact that he’s beating Tim’s ass, he speaks to him with the assumption that Tim’s a child who’s been manipulated and lied to. 

Meanwhile, it must be SO PAINFUL for Tim to hear Jason say these things: I bet he said the same thing to you he said to me, didn’t he? That you have the talent to make a difference in Gotham. That he needed someone he could trust in his war on crime. That you were one of a kind. The light in his darkness.

Bruce never said any of that to Tim. Bruce rejected Tim, he didn’t want Tim, and begrudgingly accepted Tim. 

Going back to Jason waiting for Tim’s other young teen friends to leave the tower before going in, only drugging his own former teammates, is much of his anger seems directed at THEM, not just Bruce. To Jason, it looks like they didn’t mourn him either, he has no statue. I find it interesting that he smashes Donna Troy’s statue, who died after him, and I believe she came back before he did. 

Unless he was keeping track of the news from the League of Assassins, to Jason, Donna never died. 

And most importantly? Tim shuts Jason down. Tim “Bitch, Please” Drake out here like: you’re a fucking idiot, he loved you to death, he barely let me audition for the role. 

Tim shows some deep resentment towards Jason in this scene. I mean... earned, Jason literally came into his house and starting hitting him, but Tim’s relationship towards the Idea Of Jason has gone through a few changes. At first Jason was ROBIN! THE BOY WONDER! And if maybe Tim thought Bruce wasn’t AS happy with Jason as he was with Dick, there was still SOME hero worship early on. But it only takes Bruce and Alfred and Dick using Jason’s death as a cautionary tale a few times to get Tim to see Jason AS a cautionary tale - the kind of Robin NOT to be. But the more Tim craved Bruce’s paternal attention and approval, and the more Bruce withheld it or made Tim work for it, knowing that Bruce did that, in part, because of his love and grief for his dead son (Tim having an actual living breathing father plays a part, too), and those feelings towards Jason have started to fester.

Jason can’t let it go, though, he thinks the concept of Robin was a mistake and had always been a mistake, and if he can hurt Tim, so can Scarecrow, Penguin, The Joker. 

This is a good time to bring up that one thing I think Jason probably doesn’t know is Tim is injured. It is a little over a month since since Conner shattered Tim’s right arm. Tim is still healing from a comminuted fracture in his forearm. And looking at this picture that is - ah, yes, that is the injured arm Jason is swinging Tim by. Tim is probably healed by now, the cast IS off and he’s a child, but bones don’t fully return to full strength for 3-6 months. 

Jason is conflicted. This is clearly, in part, a fucked up way of “protecting” what he sees as a manipulated child, to convince him to leave Bruce. But there’s also clearly some deep, deep jealousy thrown into the mix to complicate matters and cloud his judgement. Ultimately, Jason isn’t there to kill Tim. Tim would be dead if he was. He’s there to “beat some sense into him,” and he ultimately fails, and fails badly. 

Tim is found by the older Titans, awake by now, though it seems Jason knocked him out to, uh, fuck with the memorial chamber, and Tim... does not beat around the bush. No secret identities here just “yeah, Jason Todd beat the shit out of me.” 

And their reactions are HILARIOUS. 

One more little sidebar, in the comic, Jason gets in with a D.N.A. check that never removed him from its permissions. Usually in fic this is a unique pass code. I’m not sure which version I like better, honestly. There’s something about Jason physically inputting a code that accepts him even though he’s supposedly dead that I really like, and just feels better than a dna scan. A dna scan sounds SAFER, sure, but there’s something about the Titans leaving in an honest SECURITY RISK out of sentiment that I like. 

Lastly, I really like how it ends. Jason honestly thinks Tim IS a good Robin, and it seems like Jason’s done some research on the core four, mentioning Tim’s “real friends” again while the “camera” is on Conner and Cassie, suggesting that Jason KNOWS about them and possibly that targeting the tower while they were gone maybe wasn’t an accident or out of convenience, but fully intentional. And again, Jason’s real problem is highlighted: he feels alone, forgotten, unmemorable, no family, no friends. 

Thank you for coming to my TedTalk. 

[cheelduh]

How to strike your way into someone’s heart (Highschool AU)

Part 2 to this. Can be read alone!

Pairing: Childe x fem!reader

Warnings: A lot of swearing I mean what do you expect they’re all teenagers. Lots of brick slapping. Childe clowns Scaramouche. OH YES this isn’t edited at all lmfao have fun.

Synopsis: It’s your big date with Childe after you lost the bet miserably. You decide to pay the occult club a visit in hopes of finding something that can...ease your concerns. Childe on the other hand has Signora give him a friendly piece of advice, believe it or not. 

Note: SRY THIS TOOK ME LIKE A MONTH

For as long as you can remember, you've never believed in ghosts, demons, or souls that lose their way in the endless void, forced to roam the earth in repentance.

Believing in the unknown takes creativity, adventure, maybe even a little sense of fear. Scratch that—a shitton of fear, because humans love to weave in their insecurities and inability to explain something into something of a phenomenon.

Bad luck lies in this category. Bad luck is simply a way to justify the catastrophe that one cannot admit they have fabricated themselves. Everyone wants a reason as to why shit hits the fan, and it can be anything but their own fault.

Bad luck is nothing but a load of bull to you. That's totally why you're standing outside the calculus classroom during lunch break, which happens to be the official meet spot for the occult club.

You raise a fist to knock, but then falter, thinking over your options once again. Is this what it has come to? Putting your faith into the weird kids that once tried to summon Schrödinger's cat for the physics final.

Fischl kicks the door wide open, a smirk playing at her lips once she spots you. "One cannot refrain from the song of your cogitation. The feline for which thou dwell on—"

A squeak leaves your throat and you flinch back, cutting her off. "You can read my mind?"

"Fischl," An icy eyed boy shows up from behind her and points a thumb back. "Mona needs your help."

Fischl squints at you for a brief moment, and then spins onto her heel to go back into the room.

The blue haired lower class man, Chongyun you guess, narrows his eyes at you. "Is there something I can help you with?"

Finally you manage to speak, palms all sweaty. "Yeah uh, I need your help. You know, with occulty things." You use your hands to articulate your thoughts, but ultimately give up.

You're not sure if it's pity towards your pathetic explanation or simply annoyance, but Chongyun widens the opening. He silently gestures for you to follow.

Stumbling on your feet and putting on your big girl pants, you hurry inside of the room, hoping you aren't seen by Beidou. She wouldn't let you hear the end of this.

The temperature instantly drops, and you have to adjust your sight to navigate. There's heavy incense in the air as well as a a few lighted candles from the dollar store, you guess.

Sitting smack dab in the middle of all the demonic markings is Mona, with a mischievous glint in her eyes. Chongyun has made his way next to her, crossing his arms with a sigh, and Fischl is busy cooing at her bird.

"Well well well..." Mona's amused, eyes almost twinkling as she gets up from the poor desk that had to suffer the wrath of her ass. "If it isn't Y/N."

Mona is a glorified dick wiper in your books. One time, she partnered up with you in chemistry last year and refused to do any work because apparently her "star sign" said she was incompatible with science. You haven't forgiven her since.

"I need your help." You barely manage to choke out the words, reigning yourself in by clenching your fists instead. It'll be unethical to claw her face, especially since you're the one who's come to her.

"Oh?" She smiles wickedly, revelling in every moment of this no doubt. "Why would the high and mighty Y/N need help from the 'Whoroscope whore'?"

Fischl nearly slips out a laugh, trying with her upmost ability to refrain from rolling all over the floor.

You blink away your tears of almost-laughter, casually sliding in twenty mora across the table dividing you two. If she's a whoroscope whore like you say she is, she'll definitely put it in her bra.

Mona raises a brow, but her eyes linger on the bill for a second too much. "What makes you think I'll do it for money?"

"That's simple," You say, rolling your eyes. "When you see mora, you cling to it like a baby clings to a tit. Now just take it and solve my issues."

She fumes a litany of curses but snatches the money up anyways.

"What do you want?"

You breathe in, then out. "I need a talisman."

Mona raises a brow, hand on her hip. "I'm sorry. Did I get that right?"

How dare she. You will your eye into not twitching, the beginnings of fire thrumming through your veins, scalding hot. How dare she make me repeat myself.

"You know, the thing to fend off evil spirits," Your statement hangs heavy in the air as the cogs in their brains click into place. "I need one that can remove the most evilest thing times ten to the power of twenty five on this planet."

Everyone immediately thinks of Hu Tao.

Chongyun is the first to speak from an area of expertise, seemingly shocked at your words. "Are you sure you want a talisman that powerful? How bad is the evil spirit you've come across?"

You glance out the window, through the semi-open blinds. The apprehension curls in your stomach once you spot Childe chasing Aether with safety scissors, and you've never been more sure of than anything in your life.

Gulping, you turn back to the exorcist. "I'm 110% sure."

He doesn't ask any more questions and goes to fetch the talisman.

Mona clears her throat. "So I hear you have a date with Childe today. Quite the character you've taken to."

"Oh please," You hiss through your teeth, your blood pressure going up tenfold, "you're the one that told him our star signs were intertwined and that we're fated lovers."

She shrugs innocently, stance casual unlike your own that is ready to lunge an attack.

"Here you are," Chongyun hands you a talisman, a colourful mix of some charms, some kind of liquid in a bottle, and about a shitton of other things. "You'll need these if you're going to face the most demonic of all evils."

You think of Childe's stupidly handsome smirk, the playful life of his eyes, and how gentle and considerate he is with you. You think about how cruel he is to others, but how loving he can be to you.

"Oh, I will be."

—

Childe is getting his ass handed to him by Scaramouche on the switch. It's just that he can't seem to focus, not with the forthcoming date all over his mind.

He hasn't experienced these kind of jitters in a long time. Has to endure that foolish smile that's about to plaster all over his face.

Scaramouche may be a son of a bitch with an agenda, but he doesn't appreciate his acquaintances safeguarding their personal crap when it starts to leak onto him. Especially when it comes to video games.

"Okay," The short boy sighs, stretching over the staff room sofa to drop his controller on the cushions. "Let's hear it." He can't even properly enjoy his victories when Childe isn't giving it his all.

"Hear what?" Childe lays his head back, relaxing from all the strain of endless gaming during the lunch hour. He seems too relaxed for someone who's broken into the teacher's lounge.

"Why you're so distracted." Scaramouche points out. "Not that I care—hey! I'm serious here!"

Childe's cracking up for absolutely no reason, rudely cutting him off. "I'm sorry—sorry it's just so hard to take you seriously when you're wearing that stupid fucking hat."

"Don't question the drip." The older moves his head to glare at him, but the thin stripe of silk on his hat swooshes with him, and it's enough to have Childe clutching his stomach in pain as he barks out in laughter.

"Grow the fuck up." Scaramouche says, no doubt exasperated from the constant shit he gets.

"Ok—ok I'm sorry."

There's a knock on the door before Scaramouche gets the chance to intimidate him again.

"Fuck shit fuck who is that? Wasn't there a staff meeting?" Childe whisper yells, panic clear in the ocean of his eyes.

Scaramouche shrugs and downs a can of soda with no care in the world.

Childe would be nonchalant too. If it were a normal day, he wouldn't give two shits about getting caught.

However, he's looking forward to that date he has with you today. Detention is going foil all his lecherous plans.

"It's me." The feminine sound of a threat calls out from the other side. "Open the door." The clicks and clacks of her toes tapping the floor indicating her impatience.

The two sigh in relief, Childe getting up to open the door. It's way too early in the afternoon to deal with this crap.

"Surprised to see me?" Signora greets sweetly, and if not for the murderous glint in her eyes, he would smile back.

"Yeah, I didn't say Bloody Mary three times." The ginger replies, keeping a steady eye on the upperclassman in case she pulls a fast one.

The blonde shoves him aside in offence, and prances in like she owns the goddamn place. Scaramouche greets her with the bird.

"There's this rumour going around—I'm sure you've heard..."

"Oh?" Childe pockets his keys, ready for an attack, not even remotely interested in the topic.

"Something about how Y/N gave Mona a visit today" Signora muses, elegantly taking a seat on the arm of the couch, "with your date and all, I just thought you should know."

"Hah!" Scaramouche bursts out in laughter, tears in the corner of his eyes. "I can't believe she went to get a horoscope reading on how shitty your date's gonna be."

"Get castrated." Childe growls, flipping him off on both hands.

"Now now boys," Signora's lips curl, and she clasps both manicured hands together, prepared to break the fight if it ever reaches its peak. "Settle down. You two are comrades."

"As if I'm comrades with this SIMP!" Scaramouche has to wheeze out the words.

The youngest clenches his fists, unclenches, and then lets a smirk grow. "Oh? I'm the simp? What about that time Mona pantsed you in-front of all the freshmen and you fell in love with her."

Scaramouche glares at him, a glare strong enough to have anyone shaking in their shoes. "I'm attracted at her sheer audacity of trying to fuck I, Scaramouche, the 8th harbinger, over. It takes balls."

"Mad respect." Signora leans forward to place her phone on the coffee table, then approaches Childe. "Moving on, the reason I've decided to bestow my precious intel on you is because I have a favour to ask of you."

"What?" He says blankly, confused that she has a request for him out of all people.

"I need you to let me get you ready for this date of yours." She gives him a gaze that is enough to wither away any arguments.

Childe shares a look with Scaramouche as if to say "am I fucking deaf because I sure as shit didn't just hear that."

"You sure as hell did, boys." Signora intercepts the connection of their two brainwaves with a dreaded sigh. "I hate Y/N. This is the only way I can get back at her."

"Hey!" Childe exclaims loudly, waving his hands in the air incessantly. "What makes you think I'll let you shit on my future girlfriend."

"I'll be doing nothing of the sorts." She points out, giving him a sly smile. "I just know she's terrified of what's coming. The better the date is, the more she's gonna hate herself. What more do I need but to sprinkle some inner conflict within her airtight resolve?"

As favorable as the proposal is, Childe  contemplates for a second. Signora...helping him? This could work to his advantage if he plays his cards right.

His inner turmoil takes him into the future, where you two are happily married with eight and a half kids. If you ever managed to find out Signora was the culprit that was finally able to set you two up, you'd never forgive him.

"Nah I'll take a hard pass." He doesn't want to think about divorce and custody battles this early on. He'd rather face the brunt of Signora's wrath.

Scaramouche chooses right then to make a tactical withdrawal out through the window since he doesn't want to be a witness to a murder he hasn't caused.

Surprisingly— "Fine then." Signora shrugs, unbothered when summoning out a minty juul from no where. She's disappointed nonetheless.

Childe tilts his head, perplexed, but decides against mulling over it for too long. Instead, he strides off to the door, wanting to get the last two periods over with so he can run home and freshen up for this date.

"Oh and Childe?" Signora calls out to him, but he barely acknowledges her, only pausing momentarily without looking back. "A piece of friendly advice. A diligent student like Y/N, there's no way she'd be into rash things like fighting. So try and control yourself, hmm?"

He flashes the senior a sheepish smile, the front row tickets to the illegal underground fight-club burning in the back pocket of his pants.

—

Childe conceals near the bushes by the gate, expertly hiding his shaking hands by pretending to look for something in his back. His goal isn't to seem desperate, even though he's raced out here at the speed of light after Havria's dismissal.

It's not like he's trying to eavesdrop or anything. He just wants a little insight on how you're feeling about this, in case the rumors of you visiting the occult club wasn't a farce.

From his peripheral, he spots you and a familiar figure that is Lisa, leisurely walking side by side as you approach the main side walk.

"Ready for your date, Y/N? You've been daydreaming all afternoon." Lisa winks, and dodges the shove you send her way with experience like no other.

"Yes, daydreaming about punching you in the face." Your left eye twitches in annoyance as you fix your hold on your skateboard.

"Well then, I'll be off—ah!"

The gorilla grip you have on her sleeve takes away all the time she has to get on the last bus she's about to miss.

Your utter strength is enough to make Childe's knees weak. How pathetic he thinks.

"Oh no you don't," You say in a sing-song voice, "you got me into this, so you're going to help."

"Help with what?" Lisa fakes a hard pout as she bats her lashes, trying to collect pity points.

"I—" You inhale, loosening your grip on her and averting your eyes nervously to see if anyone's watching. "Don't make me say it."

The older girl motions for you to continue, and you're sure you've suffered more for less at this point.

"I've never...been on a..." The sentence ends in a trailed murmur.

Childe doesn't think he's ever seen you so flustered. He's about to snap a picture for later, but decides against it. They'll be plenty of moments later on to see your cute expressions.

Lisa's grin is both seductive and terrifying, Childe notices. "You've never been on a date?"

"Shut up!" You hiss, dropping your board so you can cover her lips with your palm, eyes darting around your surroundings frantically. "Not so loud."

He has to bite at his fist to hide his amusement.

As if she has a sixth sense, Lisa's eyes somehow find Childe's through the abundance of leaves, and there's a glint in her eyes that nearly makes him shart his pants.

"Of course Y/N," She replies sweetly to you, who is currently unaware of the staring match going on. "I'll teach you everything you need to know...and more."

Childe doesn't know if that's a good or bad thing. Nor does he want to find out.

—

You ponder on what's taking him so long, more on edge than you usually are. Thankfully, Lisa basically pried your hair down from its usual up-do. Said something about how you can hide your lack of shits given as to not offend him.

Except you think you're giving more shits that you expected to. Why else would your heart be pounding so hard?

"What took you so long?" You sense him creeping up on you, ceasing his chance to pounce.

Childe groans playfully and slaps a hand over his face as he comes into view. "How'd you know?"

"You have a douche-styled gait." You reply as you remove your gaze off your phone to approach him.

He's prepared to shoot a witty reply, but it dies halfway through his throat when he procures a good look at you. Your hair frames your face elegantly, eyes shining despite the tiredness that's so clear, all complete with a cooling spring dress that hugs you just right.

Mouth going dry, he forgets how to speak the common tongue, unable to tear his gaze off your form.

You shift in place awkwardly. "Uh are you okay? Looking a little...blank."

"Sorry—sorry just thinking." Childe stumbles over his words like the complete idiot and a half he is, berating himself countlessly on the inside. He regains his confidence once he spots the light dust on your cheeks. "You ready for the best date ever?"

"The best date huh?" It's the first time you smile today, and he swears his heart leaps in his rib cage. You're the prettiest thing he's ever laid his eyes on. "I'm ready. I better not be disappointed."

"I wouldn't dare disappoint, girlie." He feigns mock offence as dramatically as possible. "I'll show you how to have some real fun. Cool keychain by the way, for good luck?"

It's one of the charms Chongyun urged you to carry with you at all times to keep all forms of evil away.

"Yeah...something like that."

The two of you ease into the walk in a relatively comfortable fashion, contributing with lively chatter and a few jabs here and there. It's not awkward at all, not like you thought it would be. Your nerves loosen up, mind diverting from the roots of the stress of high school.

"—And you won't believe what Kaeya did the other day. I'm telling you there's something wrong with him because that SoundCloud rapper wannabe Venti goaded him into birdboxing through the hallways at lunch."

"And the son of a bitch did it?"

"The son of a bitch did it." Childe confirmed, gasping through his laughs as the two of you converse in psychobabble. "And guess who he bumped into?"

You're choking in laughter, tears in your eyes as you hunch over and shake. "He didn't. Childe—no he didn't."

"Straightttt into Diluc. And he had the balls to feel him up because he thought he bumped into a hot bab—"

Childe crashes into a sturdy chest and stumbles backwards towards you, but manages to catch his balance midway. Both of you freeze when faced with a buff guy from another school, bandages on his fist and a crooked smirk on his face.

Fuck. You think. Classic high school cliché.

Realizing he can't risk the remainder of this date when it hasn't even begun, Childe raises a hand in apology, aiming to be the bigger person instead of socking the kid in the face.

"Sorry. I wasn't looking." He offers to the guy, but you can tell he isn't buying any of it. There are about four more kids who group, a setup that isn't going to end in your favour.

"Hey punk. You don't remember me?" The upperclassmen barks out, glaring holes into your date.

You deadpan towards Childe, but he's too is racking his brain to remember. Ends up shrugging with no recollection.

"I have a list of names but they're in my other pants." Shit, what an a-grade reply. Now you know you're done for. "Listen dude, I'm kind of on a date and the vibe is going great. Don't ruin it."

"It's a good thing she's here to watch then!" The guy yells, stomping so that he's right in-front of Childe, ready to pounce. "You humiliated me in front of my gang last week. I'm here to rip you a new one."

Childe blinks, tries to remember, and when he doesn't, he grabs a wad full of cash from the his Fanny pack and throws it at the guy's feet.

Everyone's eyes bulge out of their sockets, including yours at the amount of money placed there casually on the crack of the dirty sidewalk.

"Hopefully this is enough for the damages." Childe offers, aiming to not further escalate the situation albeit how pissed he is right now. If you weren't here...well that would be another, much more violent story.

With a soft tug, Childe brings you close and begins to pass the guy, until he's abruptly stopped by a hand gripping his shoulder tightly.

"I don't think so!" The guys barks, and his lackeys move to surround you two. "You gotta pay taxes too buddy." Oh he's getting way too comfortable now.

A feral smile grows on Childe's face as he looks over his shoulder. "Oh?"

"Yeah shithead." The guy seethes, puffing out his chest to size him up.

Childe itches for a fight. He can no longer keep in the urge and is just about ready to raise a heavy fist, but is beaten by the sound of a loud thwack, and then a painful groan following.

There you are, standing in front of the trembling asshole, spinning your crossbody bag in circles like it's a nunchuck in all it's glory. There's a deadly glint in your eyes, pure, unadulterated vexation in your features.

If Childe could fall for you any harder, it's probably happening now. In that exact moment, his heart beats in his ears uncontrollably, and there's nothing but raw adoration that piles up all at once.

You're an angel of destruction, a force not to be reckoned with, and shit, you're the eye of the fucking storm.

Fire courses through your veins as you pulverize the guy with your bag, swinging with such expertise it has Childe in awe. "He may be an absolute idiot for not remembering—"

"Hey girlie you're killing me here!" Your date snaps out of his astonishment temporarily.

"—but you don't get to call him a shithead, you asshole!" You snarl angrily, gripping the handle of your bag tightly, decking everyone that lunges at you, letting out strings of curses with every hit. Every hit sends a flock of them either stumbling back in pain, or knocked out completely.

Childe doesn't even get a chance to lift a finger by the time you're done violating them with your heavy ass pink bag. Stands there like an absolute loser.

"Apologize." You pant, prepared to send another flurry of attacks at the leader, who is crawling away with a battered face. "Apologize or I'll—I'll fucking Russian neck tie your ass."

"S-sorry!" The guy whimpers out and tries not to piss his pants at the threat.

Childe is still in too much shock at the whole ordeal to reply, short circuiting.

Another thirty seconds pass until he registers the smaller hand waving in front of his face. He catches your cold hand through his haze, brings it closer.

Running a free hand through his locks, he doesn't hide his astonishment. "You're fucking gorgeous, girlie." He whistles lowly, eyeing you with a new kind of regard.

"I-I uh." Your face is all shades of red by now, the adrenaline from kicking ass wearing down. "Let's go."

"How is that bag so heavy?" One of the fallen gasps out in pain, clutching his ribs as he trembles on the floor. "Like a buh-brick."

A part of your zipper in open, and Childe briefly peeks out of morbid curiosity. His jaw slackens. "Is that a...no, it can't be."

"It's a brick." You murmur guiltily, gnawing at your bottom lip. "Just in case." Fingers tentatively play with the straps.

Childe is head over heels by now, all smitten as a foreign warmth bubbles up in his throat, and he's just about sure he'll puke his heart out.

His next words are picked out carefully. "There's an underground fight club going on—"

You lock and aim for his right kidney.

Worth a try, Childe thinks.

"SIKE. Joking—joking. Just a joke." He insists, gloved hands raised by his ears in defence.

Clicking your tongue, you scowl and rush past him.

It hasn't even been an hour and it's been the most exciting date Childe's ever experienced. When he sees your lips twitch, he knows it's the same for you as well.

"Are we going or not?" You mumble, avoiding eye contact, a tinge of red still decorating your cheeks.

Childe crumbles into his hands at your deadly duality. One that comes for his enemies and one that comes straight for his heart.

[ladyartemesia]

Fic recs for taehyung? I love your stuff btw I’ve read them all uwu

As a beacon of extra-ness in an already extra world, I am entirely incapable of just recommending fics like a normal blog. No. I’ve got to wax on like a bloomin connoisseur. I have compiled some (but not all) of my favorite works in several different categories and sorted them accordingly. This crazy list is so long I had to add a “keep reading”... but I simply couldn’t bear to leave any of these off the list. They are all so good!

Fics have been divided into 8 categories. Some are under the cut. 

 ▨ FRIENDS WITH BENEFITS and FRIENDS TO LOVERS ▨  ▨ ARRANGED MARRIAGE ▨ ▨ FANTASY ▨ ▨ ANGST WITH A HAPPY ENDING ▨ ▨ HYBRID and ABO (alpha/omega) ▨ ▨ MULTIPLE PARTNERS ▨ ▨ NEIGHBORS AND ROOMMATES ▨ ▨ TABOO THEMES and DARK FIC (Sex Work/Power Imbalance/Very Unsafe Sex) ▨ ▨

▨ FRIENDS WITH BENEFITS and FRIENDS TO LOVERS ▨

Insomnia by @hobiwonder

This is one of those fics I read and literally could not stop thinking about. It is wildly hot and honestly hilarious. Poor reader cannot sleep and the beautiful bro she’s tutoring offers a rather unconventional solution.

(Ego) Hoe Chronicles: KTH by @suga-kookiemonster

Listen. If you find a niche fan blog devoted entirely to Ego Tae... I’m not gonna say it’s mine. But it’s probably mine. I once told suga-kookiemonster that I would literally read a story about Ego Tae going grocery shopping on a Wednesday night and I stand by that. In this lurid romp, the reader falls into the clutches of everyone’s favorite bohemian sex lord and he rails her into another dimension.

Falling, Falling, Gone by @johobi

Pining (mutual or otherwise) is not really my thing, but I would straight up read Jo’s laundry list if she posted it. As usual I was blown away by how everything she does seems somehow better than any other version of it. This reader is really unique as well, and her relationship with the wildly popular soccer star Tae comes to a sexy and hilarious head at a sort of bachelor auction. With sharp dialogue, delightful subtext, and fantastic side characters, you really shouldn’t miss it. It’s pretty much perfect.

A Friendly Favor by @baeseoul

This is the classic “teach me some sex for another woman” trope and it is done so well. Sweet best friend Tae is looking to benefit from your experience, but his is not the only world about to be thouroughly rocked.

Officer Kim and the Criminal Crush by @ddaengyoonmin

This is one of the best twists on childhood friends to lovers I have ever seen. Tae grows up to become a cop and reader grows up to be a societal menace. I won’t spoil it, but it’s the perfect blend of nostalgia, tenderness, and smut. This fic technically doesn’t have a name so I had to give it one to link it. It’s part of an AMAZING series Zoe did that I also highly recommend.

Out of the Blue by @jimlingss

This is one of those stories that blooms throughout the narrative until you are left with this gorgeous flower at the end. I loved the journey of these two characters. It was real and it perfectly captures the experience of finding your soulmate in the person you least expect.

Sin Pijama by @brilliantlybasicb

This fic is a switch culture fic. It is wild wicked hot and this Tae is unreal. I love the way he lets the reader think she is in control just long enough. It is a wild romp with an adorable sequel and honestly you should read it.

Girls Like You by @jjiminah

I was in jjiminah’s asks IMMEDIATELY about this fic because I had FEELINGS. The reader begins wordlessly teasing and tempting Tae on their morning bus ride every day until he is literally losing his mind. Everything that follows is fire. Jjiminah has hinted she will wrote more for these two and I NEED IT.

Sighs and Sonnets by @btsaudge

This fic is beautiful. Like it’s basically art. This is a bad boy who is bad for you. But he has the soul of a poet and the stroke game of a renaissance master. Bittersweet and seductive, this fic is a full experience.

The Text by @taetaesbaebaepsae

Tae is your friend with benefits but it looks like feeling may have been caught by one or more parties. When you attempt to soothe your aching heart with another pretty boy, Tae decides to stake his claim. This was very sexy. The whole fic was sexy.

▨ ARRANGED MARRIAGE ▨

Monster by @neonlights92

Monster and all of its companion series about each of the boys is one of those fics that I reread constantly and also just think about constantly. This is one of the best mafia AUs out there and it’s characters are vivid and unforgettable. Tae’s stubborn resistance to his lovely new wife in contrast with her quiet, clever strength really brings this story to life. A word of warning. The masterlist links are a bit messed up. To read part two you must click on part three. And to read part three must click on part four. The link to part four is at the bottom of part three (or you can just search it on her site. It is definitely all there though).

Dichotomy by @kpopfanfictrash

There is a reason the incomparable Shanna is on this list three times. She is truly incomparable. This is childhood friends-to enemies-to spouses and it is wonderful. I adore this Tae. He is sharp and vulnerable and occasionally heavy handed, but truly a gem. This fic also features one of the best angry sex scenes I’ve ever run my eyeballs across.

▨ FANTASY ▨

Chism by @kpopfanfictrash

The world-building in this story is genuinely awe inspiring. You could write series upon series within this vivid universe. The god of Winter is missing and Summer’s heat burns unchecked for many years. The reader is a warrior with a unique ability tasked with guarding a very interesting prisoner. This story is so good. I mean it is really bloomin incredible. It’s hard to say what I liked best about it, because it was stellar across the board.

Obsidian by @kpopfanfictrash

In the pantheon of delicious Tae incarnations, Obsidian Taehyung is essentially unrivaled as a grey witch who moonlights as a sexy rock star. His extremely erotic clash with a white witch detective plays out as the two of them track down a sinister killer (with the help of some truly memorable side characters).

Out of this World by @ddaengyoonmin

This one is really unique. Tae is a merman scientist on the water planet of Neptune and when the reader and her misguided crew crash into his sea, he takes it upon himself to improve inter-species relations. This fic features excellent world building alongside several twists and surprises. Clever scientist Tae is downright irresistible.

▨ ANGST WITH A HAPPY ENDING ▨

Picking Flowers by @jamaisjoons

So this story is a journey - truly a beautiful one and it’s a gorgeous addition to the hanahaki genre. There is real pain and I cried real tears, but gosh it was so sexy and so worth it. I was surprised by how truly immersed I ended up in this piece. I lost track of everything else. The end is insanely satisfying, but the journey is really what makes this fic unmissable.

Until Yesterday by @jimlingss

This fic destroyed me slowly then slowly put me together again piece by piece. When I say I went through it - I WENT THROUGH IT. The story is loosely based on the movie “The Vow” and it is just fantastic. Beautiful and tender till the last word.

The Foolish Muse by @bibbykins

This is the story of someone who is deeply in love, but knows they deserve better. It is a sexy and evocative work with allusions to mythology that fit seamlessly into the narrative. I think my favorite part is Tae discovering how much the reader meant to him and what choices ultimately lead them to a really delicious conclusion.

Back to You by @ladyartemesia

The last time I did a fic rec list, it got like 700 notes. Ya girl is not makin the same mistake again. I spent hours on this list. My work is comin along for the ride. Kim Taehyung is the love of your life, until one day he disappears without a trace.

Vacancy by @ppersonna

This one is the only idol AU on the list and I normally don’t read those, but Lindy’s work is too good to miss in any setting. I am thrilled I took a look because what I found was a glimpse into a beautiful relationship that weathers and eventually overcomes the challenges of loving in the limelight. There is a LOT of emotional depth and symbolism which really elevates everything about this lovely story. The reader’s internal struggles in the face of her lover’s fame are extremely well done.

▨ HYBRID and ABO ▨ (alpha/omega)

Eye of the Tiger by @opaljm

I am beyond hype about this story which is (very) loosely inspired by Zootopia and features a cocky tiger Taehyung and a fiesty prey hybrid he needs to fake date in order to keep panther Jimin from murdering him. (Tiger Tae got a tad too frisky around Jimin’s mate and now things are dangerously awkward.) This story is already so freakin good. I cannot wait for the rest.

Silver and Blue by @taetaewonderland

What happens when you get on the wrong side of the right werewolf? Very sexy - very crazy times. Chronologically this is the first of the Silver and Blue series which follows barely civilized were-Tae through his courtship and eventually his relationship with the spunky reader. Holla to all my impreg kink homies. This is the fic for you.

Heat Run by @ladyartemesia

As I said before, the last time I did a fic rec list, it got like 700 notes. Ya girl is not makin the same mistake twice. I spent hours on this list. My work is comin along for the ride. Alpha lawyer V is a man of many secrets, but his well ordered reality spirals wildly out of control when he crosses paths with a fiery omega set on saving the world from his wicked ways.

Beautiful Stranger by @interludemoonchild

This was a wild ride from start to finish. Taehyung is a tiger hybrid shifter who escapes from the circus to be close to a veterinary student he bonded with. There is a lot of interesting twists and surprises in this one. I was definitely screaming at the end.

Don’t Ask, Don’t Tell by @jingabitch

A very young wolf hybrid Taehyung adopts you as his pet human when you are just a kid. After Tae leaves to serve in the military he returns to an adult version of his sweet little princess and chaos ensues. Mind the tags for this one folks. It’s excellent, but there are very triggering themes throughout.

▨ MULTIPLE PARTNERS ▨

Level of Restraint by @lemonjoonah

This is not strictly a Tae fic in that he is only one of three major players in this twisted masterpiece. Lemon is the undisputed queen of the surprise twist and this one is truly brilliant. People dropped this fic in the discord calling it the best fan fiction they had ever read and I am not here to argue with them at all. Fair warning, every word - every inch of this fic is sexy and it’s delicious brand of titillation is wrapped around your psyche good and tight by the end.

Four by @luxekook

The quadruplets next door are fueling your very lurid fantasies. It turns out they have some fantasies of their own... You will need water if you read this fic. This is the original patented Kim Taehyung Horny Hive Mind 4D Experience™

▨ NEIGHBORS AND ROOMMATES ▨

The Heat Wave Series by @curly-bangtan

The original story (chapter 1) in this series is definitely famous, but I don’t know how many people have read all 9 chapters and if you haven’t, you are really missing the incredible journey of two very horny idiots stumbling recklessly towards real and amazing love. Everything is set off when the air conditioner breaks and a pair of wild roommates shed their inhibitions along with their clothes.

Flicker by @chimoona

So this fic started out with adorable neighbor dynamics and ended with erotic rope tying. Baby I was ABOUT IT. This was so bloomin hot and also like sweet and tender. Really a sexy and sentimental treasure.

Not Your Typical Flower Shop Story by @jungtaeyoongles

This story goes from “aww” to “WHAT THE-” real quick. Fast paced plot and twist after twist turn the whole flower shop au upside down and then inside out. I can’t say more because spoilers but like - WOW.

▨ TABOO THEMES and DARK FIC ▨ (Sex Work/Power Imbalance/Very Unsafe Sex)

Extracurricular by @ppersonna

One of my favorite professor-student AUs. The reader writes her gorgeous professor a borderline erotic analysis of several major works of art and he feels compelled to discuss it with her privately. Lindy really outdid herself on this one. It is scorchin. Professor Tae is actually really sweet and somehow that just makes the whole thing hotter.

Akrasia by @nitaescence

This is insanely hot. Emphasis on the insane because it’s basically a super erotic romp where you have sex with a man you don’t know (Taehyung) on a crowded public bus. I literally felt my blood pressure going up the longer I read. Whew.

The Client by @jungkookiebus

This one hit me right in the feels. Taehyung is a sweet and lonely man who has a standing Wednesday appointment with an upscale sex worker. As the story progresses, feelings become involved on both sides. When I say I am checking her page thrice daily for part three... This is so engrossing. And this Tae. I just want to hold him.

Daffodil Dreams by @sombreboy

Tread carefully ladies and gents. This story is excellent, but it is easily the darkest fic on the list and, if you choose to read it, please read the trigger warnings carefully. The reader is a psychologist called in to analyze a very dangerous criminal. As their sessions progress, however, several boundaries are crossed.

Obey by @jjkfire

Taehyung is the most feared and ruthless member of the local mafia and you are the world’s most inept escort. You needed a job, but had no real interest in sex work and you’ve managed to fly under the radar as a glorified waitress until Kim Taehyung himself walks into your agency and decides that you’re the only girl he wants. Oh my gosh I loved this story so much. It was downright amazing and there is a surprise at the end that makes everything even sweeter.

[theredsuzuran]

Yandere Muzan x Reader

I apologize in advance for any grammatical errors, also for my crappy writing I hope It does not bore you lol. Slight mention of gore

It was the time of summer

A multitude of people hovering over one another in the vast space of the lively Asakusa city occupying the streets like tiny ants. Unfortunately it was same monotonous sight for kibutsuji Muzan progenitor of the morbid demon race, who seems to be roaming around uninterestingly looking for a suitable prey to hunt. The fleeting lives of mortals, their compassion, happiness, sorrow, pain held no value to him. They are pests who belong in the dirt or beneath his feet, inferior compare to a perfect being like himself. Nothing more than a tool that he won't hesitate to discard after his desires are fulfilled. All of a sudden his gaze felt upon a petite figure near a tailor shop, a large number of people gathering around her.

What's the matter, mister? Muzan inquired to a man next to him.

"if you are new definitely try her kimonos, now make way" the man said quickly as he rushed to the shop pushing all the people away. He was interested to know what the deal was about so he decided to stay for a while hoping it's worth the wait.

After a long delay muzan finally got the chance to view the women. As their eyes locked the dazzling city lights broader than the day itself felt dull in comparison for a moment, the once monochromatic world seems to change vibrantly with her luminous presence, As if goddess Amaterasu, the diety of sun herself have ascended from the heaven into the mortal realm. The demon lord stood there mesmerized by her breathtaking beauty, how can someone so close to perfection exist alongside those barbarians.

"How can I help you mister?" She questioned politely with her soft vocal. His endless thoughts were interrupted breaking the silence.

"Show me your kimonos"

And so his obsession started..

Days passed since his last encounter with the woman. He have come across numerous marvelous humans in everlasting lengthy life but never have his ruby eyes caught a glimpse of someone as alluring as her. The girl possesses an unique aura that differentiated her from the rest of the crowd, able to draw attention from the cold hearted creator of cannibalistic demons. At first muzan was just curious to know about that woman, possibly persuade her to become one of his underling because of the potentials she may carry. He frequently begun to visit her shop to but or sew different fabrics. Gaining basic information, like her name, likes and dislikes, etc. Her grandfather owned the tailor shop which sold finest quality garments from the beginning and were highly respected for their excellent tailoring. Continued by (y/n) at her family's will, who runs the shop with equal undying devotion.

She treated him with such kindness even though he was a ruthless demon not that she knew about it or let alone the existence of demons. The deepest corner of his dark heart illuminated with pure light whenever she was around and he came to the conclusion that she was the ray of sunshine he desires to perceive. Eversince he was cured from his fatal illness the only goal in his life was to conquer the sun which prevents him to achieve absolute perfection, in order to live an eternal and indestructible life or so he thought until that very day his eyes laid upon you. It would be stupid to think that demons are capable of experiencing love, concepts of feelings are completely foreign in their conciousness, it was more like obsession. His megalomania makes him believe he needs you no he wants you.

Alas, if only it was a fairytale. The king does not always gets what he desires and same goes for the demon lord when he finds out that his beloved darling already has a lover. As he witnessed the sight of you hugging your partner with passion. The way her eyes flutter infront of him when he caresses her cheeks making her turn away bashfully and how she hold his hand with her delicate ones while exchanging vows of love and loyalty towards each other made his blood boiled with fury. If anyone who can hold her fragile frame is none other but the demon lord himself yet there she was sharing intimacy with some filthy creature. His narcissistic self was put down with a lowlife, he cannot accept that his (y/n) was claimed someone else's. It was something he would never allow to happen.

"Kibutsuji san would you like to buy something today as well?" The women who now acknowledge his presence asked him cheerfully.

"Should I visit you later" a force smile graced on his pale features.

"Oh no, it's fine, let me introduce you to my fiancee" she said excitedly.

"Nice to meet you kibutsuji san" your fiancee said

"Pleasure to meet you as well" The demon scoffed under his breath but Kibutsuji was quite adamant he knew it was not hard to turn the tables anytime sooner as with a blink of an eye he can get rid of him by simply ordering his underlings without even hesitating to dirty his hands exclusive for his precious darling. But that was not what muzan was planning to do at all as his mind was engulfed with much sinister thoughts.

To insanity?

"You have been restless for a long time, what's wrong my child?" A man asked with a look of concern written all over his face looking straight at the figure of an anxious woman roaming around impatiently within the house.

"Its been a week father since he last wrote a letter to him" she mumbled softly disappointment painted across her features. The father could not help but laugh a little by her daughter's remark.

"Father please it is serious"

"I am sorry sweetheart but it might be that your fiancee is busy with wedding preparation" which made sense because the wedding would be taking place after three day and it was obvious that he was caught up with the arrangement. However there was a strange feeling inside her stomach which made her believe otherwise.

As the days passed the wedding day came close, with (y/n) still not receiving any message from her lover. Worried her to the core at this point all she wanted was to make sure of his safety as something constantly felt off. The guests came in one by one for the wedding ceremony but there was no sign of the groom.

It was getting unbearable for her to remain confined. Ignoring her father's request to stay inside she went outside in hope to check whether or not her lover was approaching but once again she was greeted with emptiness. Her eyes swell up with tears forming on both corners allowing her body to slowly hit the surface as she convinced herself that her lover will never come. The worst was yet to happen and before she could make any movement the ground beneath her feet started shaking and a shoji door opened consuming her into the darkness.

It was just the start of her miserable life under the demon's control.

"So you are finally awake", a sudden voice came echoing into her eyes as she slowly opened her eyes after regaining her consciousness. She moved her hands upwards in order to ease the headache only to find her hands tied up with shackles, a chilling sensation of overwhelming fear filled her entire senses as she remembered what happened prior.

"Where am I? Why am I chained?" Who are you?" she demanded furiously at the mysterious figure infront her which was now advancing at her direction from the dark corner of the dimly litted room.

"You are quite an impatient one?" The man gripped her chin roughly as her eyes protruded out with bewilderment.

"Can't even remember your daily customer?" A wicked smile curved across his countenance.

"K..Kibutsuji san" she parted her lips. Tears forming in her eyes once again. This made muzan even more irritated as he tightened his grip on her chin. (Y/n) whimpered with pain crying out loud.

"Your shouting won't help dear nobody apart from me can hear you scream" he said bluntly with his cold apathetic voice.

"Why?" (Y/n) lowered her head down holding his hand with her delicate ones trying her best to get a hold of him.

"Pardon?" Muzan inquired as he stared at your quivering form with his souless eyes there was no empathy in them or whatsoever although he felt pity. He cannot deny the fact that he was indeed attracted to her that's the reason why he put her into so much hassles.

"Where is my lover?" She asked sternly with her voice shaking a bit.

"Oh" muzan responded his hand still holding her chin tightly. This made her even more anxious she was unaware of the power he might possess and definitely she didn't had any intentions to risk her life.

"Why can't you humans move on and accept circumstances given before you?" it startled her as she cannot process what he meant.

"I don't.. u..understand" she said.

"Then you have to learn to accept me as your partner" muzan replied coldly (y/n) sat there looking at him with disbelief her heart and soul belonged to someone else and for a long time they have been together it's absolutely impossible to change the reality she was accustomed with just because some maniac wants to make her his partner.

"I can never" she murmured with disgust hinted in her voice. "I love him" throwing daggers in his direction not ready to submit her futile attempts of protest should pissed the demon lord even more but to her surprise she saw him smiling menacingly and in the corner of her eyes she saw the figure of her debilitate lover.

"Start from his fingers" muzan ordered one of his subordinate as they began chopping one of his finger making him scream in pain.

"No! please don't hurt him" trying to break free from the shackles she was tied with realizing it was fruitless she fell on the demon's knee begging with all the strength left within her in a last desperate attempt.

"You left me with no other choice, dear" he explained playing his sick games of manipulation on her. This was exactly what he needed to break her mind and she cannot help but rely on him pleading for his forgiveness feeding on his massive ego providing him ultimate satisfaction to witness the quivering frame of his darling clinging onto his knee in pure submission.

"Please I will do anything you say" she requested shaking like crazy.

"Anything?" Muzan questioned raising his eyebrow

"Yes" she replied without any hesitation.

"Be mine"

She already knew that he wanted this and she readily obliged in order to save her beloved, sacrificing her own life. Her only purpose was now to satisfy the demon lord, he was successful until the very end and it won't take long to make her completely his.

[cursestothemoon]

I LOVE your hc so much😍

Could you do one of Fred or George (I let you choose) falling for a spanish girl who's friend of Fleur? Like they went together to Beuxbatons and she goes for a visit before the wedding and helps around The Burrow with the preparations🙈

Thank you so much💕💕

we are gonna do bOTH 

George:

we are going to you ventured to Hogwarts during the triwizard tournament 

that's when george saw you

immediately smitten 

also i think george would be better at handling his feelings when he really liked a girl

fred would just... stop

anyway

so he starts hanging around you more while fred is talking up the other girls while he is trying to get to you

again hes not going to voice that hes interested 

hes gonna leave that to you

but what he will do is probably more flustering 

is that a word?

anyway 

im talking 

the steamy looks

the uP DOWN EYES

YOU KNOW WHAT IM TALKING ABOUT 

YEAH HES REALLY GOOD AT THOSE 

lingering touches after you two start becoming friends 

if you had an accent

a spanish accent 

...🤭

would not be able to control himself at all 

and you know french and spanish

french from beauxbatons 

spanish because

well

you are spanish 

and sometimes you bust out in either and hes like yeah mhm

its happening 

sTOP YOU GUYS WOULD HAVE THIS CUTE LITTLE ROMANCE AS THE TOURNAMENT WENT ON

FLEUR WOULD HAVE TO COVER FOR YOU WHEN YOU WENT OUT AT NIGHT TO MEET HIM

fleur ships this aggressively 

but then the time came for you to part ways 

and you both agreed that it wouldn't continue because both of you are hopeless romantics at heart and being long distance for so long would be too painful

george is a firm believer in if its meant to happen it will find a way to happen

so cut to a few years from then

bill and fleur are getting MARRIED 

and george remembers you 

obviously

but hes not going to go out of his way to ask fleur about you and all that 

and fleur, in respect to you, inst going to talk about you to him

but she also know you will be at the wedding and she liVES FOR THE MOMENT YOU TWO SEE EACH OTHER AGAIN

lets say you miss the rehearsal dinner 

you've been helping her from back in Spain because you moved their after school and couldn't get away from work long enough to be with Fleur physically and help

still you guys learned how to use the phones and boy have been using them

so you show up for the wedding and you are meeting the groomsman that you are walking down with literally as you guys are about to walk down 

george hears you before he sees you

you're mumbling something in spanish as you make your way to meet with the groomsman you're walking down with

and then you look up

and george is there 

no ear

big smile 

“george...”

“Pretty amazing sight aren't I?”

and you guys would hit it off immediately 

like nothing ever happened 

and the night would end and George would be so sad 

sTOP

“I don't think I can handle saying goodbye again.”

gEORGE

but its ok because you have a secret 😏😏

“We’ll see each other again.”

you guys have one last night together and in the morning you have to leave

much to george’s dismay 

and in the week following he is in a very sensitive mood 

he sighs a lot 

but then one day

hes at the shop late

doing inventory 

and someone walks in

“sorry we’re closed.”

“guess i’ll come back tomorrow”

george nearly hits his head on a shelf when he hears your voice and yelps out a nO

NOT THE REUNION IN THE MIDDLE OF THE STORE 🥺

you just moved to England and he is on cloud 9 at the news

Fred:

alright so again i think fred would see you during the triwizard tournament 

and be like 🚨p r e t t y  g i r l🚨

and you'd be hanging out with the Beauxbatons girls, you know your friends

and everyone thinks they are snooty, which they aren't and that's ridiculous just cuz they don't wanna go out with some guy from a different school doesn't mean they are snooty

gOD

anyway

so fred would be hyper aware of you and how pretty you were but never actually makes a move

he kinda believes the stereotype 

and he just doesn't want to deal with rejection coming from the pretty girl

that doesn't stop you from glancing over at the handsome ginger

not you guys making very scandalous eye contact

but yeah you leave before anything really happens

and fred kinda regrets being a little bitch but you win some you lose some right

over the years his mind does wander at times

and he thinks of you

and he realizes he never even knew your name 

but yeah sometimes when hes bored he’ll think of the pretty foreign girl

then

t h e n 

Fleur starts planning her wedding

she's staying at the burrow with bill and everyone 

and she hits them with

my best friend is coming over to help with the wedding is that alright

and ginny is groaning because she doesn't want to share a room with aNOTHER PERSON

but Bill is like 

im literally getting married in a week or so 

fleur is panicking

pLEASE

and she's like fine

then you show up

you poof yourself right there in the front

and Fleur walks in with you 

and fred needs a moment because pretty foreign girl is now hot foreign woman and he needs a glass of water

again Fleur 

AGGRESSIVELY 

ships this 

you always told her how cute you thought the red head boy was back during the tournament 

and now 

she's played ultimate match maker and is very proud of herself

i love fleur oh my god 

anyway preparations start and you honestly avoid Fred because he makes you nervous 

and you are a grown woman you can't get nervous over some gUY

but you do

and the first time fred actually hears you speak 

up close

directed to him

and you don't have a french accent

no

you have a beautiful, rich spanish accent

he just ❤️👄❤️

obviously Fleur has you two come down the aisle together

Fred did go to her pLEADING one night 

and she pretending like she didn't already have that planned 

and like you didn't come in an hour before to ask the same thing

Fred asks you to dance

that's when you guys really get to talking apart from cute little conversations while tying bows around party favors or arranging chairs

he finds out that you moved into a little flat ridiculously close to his and George’s and he can't help but think its fate 

i firmly believe that Fred will fall in love with you that night 

like that's it 

he’s done for

he might be seeing the flat sooner then he thought

if you catch my drift 😏😏

[sullustangin]

Fearful Avoidant Attachment and the Single Spy

Caveat:  I’m not a counselor of any sort, and I’m applying labels to fictional characters.  Don’t take this too seriously.

This post has been kicking around in different forms in my prompt document for awhile.  I will start posting my Yavin fic this weekend.  A major element of this fic will be the dynamic between Theron and the playable character/love interest.  Their interactions will be informed by how I view his attachments. I’ve put some of this into the fic series already.

“Attachment” in the Star Wars universe is the idea, according to George Lucas, that Jedi should love everyone but not get attached.  “Attached” in this context is possession, greed, being willing to do things for individuals rather than the greater good, and ultimately the fear of loss.  Attachment is a negative concept in Jedi philosophy.

However, I would argue that while this philosophy is in the back of Theron’s head, Jedi attachment concepts are not what makes Theron’s personal life messy.  It’s the personal context surrounding that teaching and his life events that shape this.  So let’s look at real life attachment theory. 

In its most basic form, attachment theory is the idea that children need to develop a positive relationship with a caregiver to turn out ok. If the child is neglected, then they will have problems forming healthy attachments to others.   There’s a lot of caveats to this theory.  Some put the threshold of ‘must have positive relationship by x age’ to age 2 or age 5.  Others state that this is problematic, because if a child loses their caregiver and passes into the hands of a less affectionate or downright abusive caregiver, then their positive attachment formation by age x doesn’t count for much.

There are several different types of attachment that a person can have.  A secure attachment is what most healthy relationships are rooted in. People feel safe and secure within themselves and within the relationship. Jedi can be attached in this fashion, even if they don’t call it this; the Jedi have orderly boundaries and a clear understanding of what their associations entail. They have care systems for younglings and padawans, which were like pre-modern apprenticeships.   They are secure within themselves as Jedi and in their relationships outside the order.  They are at peace.

An insecure attachment has a flaw in it; something is wrong in how the person relates to themselves and others in relationships, platonic, romantic or otherwise.  One type is dismissive or avoidant; the attachments are actively avoided, so the person is often isolated and rejects others and their friendly overtures.  Another type is anxious or preoccupied; people tend to get very clingy or possessive with anyone they latch onto, which can cause the relationship to self-destruct (hi, Anakin).

Then there is fearful avoidant attachment, the label I think fits Theron Shan, our favorite high-quality spy and absolute emotional disaster.  In theory, Theron tries to avoid deep emotional attachments because he’s scared of being left behind or not having those attachments reciprocated. At the same time, he desperately wants those attachments and relationships, but the potential of failure makes him avoid or even sabotage the relationship.  That results in an on-going war between Theron and his feelings. To quote Psychalive, “the person [he wants] to go to for safety is the same person [he is] frightened to be close to. As a result, [he has] no organized strategy for getting [his] needs met by others.”

Why does Theron have attachment issues?

Some accuse Satele Shan or Jace Malcom of being “bad parents.”  There’s a problem with this premise: although there is a biological relationship, neither Satele nor Jace had a parent-child relationship with Theron. Jace didn’t even know Theron existed until the child was 26, so he couldn’t act in any capacity.  Satele gave Theron up to be raised by someone else; she opted out of the role of mother and did not talk to him as mother-and-son until Theron was 26.  There isn’t an abusive or neglectful relationship here because there isn’t a relationship, period.  Much like romantic relationships, it’s better to have no relationship than a bad one. Jace and Satele didn’t raise Theron.  They were strangers to him until he was an adult.  They were never his caretakers.  Who did Theron have attachments to?

Theron was raised by a Jedi named Ngani Zho, who had been Satele Shan’s master when she was a padawan. After Satele gave birth in a cave on some planet, Zho took the child and raised him as his own son.  This was irregular, honestly.  Jedi younglings that express some sort of control over the Force are typically put into a creche at the Jedi Temple; we’ve seen this in the Star Wars prequel films.  Guss Tuno references this in SWTOR, as he was chagrinned to be in class with a bunch of five-year-olds in bathrobes.  Theron was raised by Zho directly and they were constantly traveling, based upon comments we read in The Lost Suns comic and in the novel Annihilation. Theron never entered the creche because he never manifested signs he was Force-sensitive – not even a little like Guss.

Zho traveled with Theron until the boy was an adolescent. Then, Theron was told by Zho to travel to the Jedi Temple at Haashimut to receive more training; he could do no more for him.  The trip through a desert nearly killed the boy.  When Theron had recovered, it fell to Master Till’in to tell him he would not be a Jedi.  Ever.  

Instead of telling Theron or notifying Satele about the boy’s lack of Force aptitude, Zho sent him onward and then disappeared.  There is no indication that Zho told anyone where he was going or why.  When Theron met Zho again at age 23, the Master’s mind was scrambled and confused; he couldn’t give any answers to Theron about anything.  Was there a mission he had been set on?  Or did he just wander off on his own?

For storytelling purposes, it’s convenient to pair Zho’s departure with the aftermath of the Treaty of Coruscant.  In the year Theron turned 13 (3653 BBY), the Great Galactic War ended with the Treaty of Coruscant, wherein the Sith Empire enforced demands on the Republic.  The Sith won. Zho leaving could be tied to this (through a mission or quixotic urge), but the source material isn’t clear on the timing.  

Theron’s life suddenly became very uncertain.  His entire life had been built up to becoming a Jedi.  To some extent, even though he hadn’t done anything wrong, Theron probably felt like he was a failure.  We know he tried to fix this; in The Lost Suns, he acknowledged pursuing access to the Force through the Matukai Force tradition – being an ascetic. In Annihilation, he recalled and took particular umbrage at the “arrogance” of the Jedi – those that made him feel like any other path was second (or third or less)-best. This diminished over time, but the revelation about his lack of Force Sensitivity probably left Theron feeling very insecure about himself and who he was as an adolescent/young teen.

In terms of his relationships, Zho was gone with no forwarding address.  The man Theron called his father was no longer reachable, and for another ten years, there would be no closure as to what happened to him.  Zho had actively endangered Theron by sending him through a desert to Haashimut.  Did he gamble that the boy’s Force Sensitivity would manifest in a life-threatening crisis or something?  Who knows? Theron never went into the Jedi creche, so he didn’t have close peers or friends beyond pen pals at best.  Theron had not spoken to his bio parents at all to this point, and he probably didn’t know many (if any) non-Force Sensitive kids.  With his expulsion from Jedi society, Theron’s entire relationship network was gone.

This is important to understand -- Theron had been raised to not have attachments that would lead to selfishness or fear of loss, but he was raised to be able to love and care for others.  He lived in a structure that fostered good psychological attachments (secure attachments) to the order and to his fellow sentients without possessiveness or jealousy. Theron knew his mother gave him up. He knew one day Zho would give his care over to another Master.  He knew one day, he would leave the Temple to go out into the galaxy.   Theron knew how the galaxy worked and his role in it...

..and then it was torn away from him.  No more masters, no more knowledge of what came next, no way to ever work with his mother as a Jedi.  His life to that point had been an illusion -- he was never able to access the Force, and Zho knew it.  This left Theron as insecurely attached, as nothing that he anticipated for his life would ever happen, and he knew nobody that would accompany him into this new life. 

External to all this, the Republic Theron was raised to serve was on the losing end of war.  How the galaxy worked, as far as Theron knew to that point, was going to change.  After Till’in told Theron the truth, all we know is that he spent some time in Haashimut before going elsewhere. We the viewer have no idea what happened to Theron from adolescence until he was 16, when he entered SIS per Annihilation.  This may be a canon math/timing error, or it could be reasonable; Theron might have been able to get permission to join a government organization at 16.  If Theron was in foster care or a ward of the state or something else, whoever was involved didn’t make an impact worthy of mention thus far in SWTOR canon.

Theron described Zho in The Lost Suns as “never reliable.”  That was a 23-year-old looking back.  Yet, he referred to him as his father in Annihilation three years later, and even eight years later in SWTOR: KotFE, he mentions that “Master Zho would be proud.”  This seems contradictory.  Additionally, in both The Lost Suns and Annihilation, SIS Director Marcus Trant expressed concern about Theron and his issues.  Theron was a workaholic.  Being a workaholic is actually a sign of having attachment issues; a person attaches themselves to work, not people   Theron expressed desires to run away, go on vacation, and do new stuff… but he never did these things – couldn’t get away from the job.

Attachment theory states that a child has difficulty with attachments if they are abused or somehow neglected by their caretaker. The desert march definitely strikes me as falling into one of those categories, but again, Zho’s logic isn’t readily offered up to the viewer, nor are many details about Theron’s life as a traveling youngling.  That all said, Zho’s traumatic departure probably caused attachment issues that had no other herald.

Why do the labels “fearful” and “avoidant” fit Theron?

Theron Shan as the player met him in Forged Alliance SWTOR was a professional.  Flirting was ignored, mildly acknowledged, or, rarely, fully reciprocated. There was no physical contact between Theron and his asset. This doesn’t seem off or irregular until his romance is compared to that of Lana Beniko. She didn’t have the same issues expressing affection for her asset on Imp side; she touched their face and gave them a hug by the time the spies went under deep cover after Rakata Prime. Even if the player did not romance Lana, Lana herself was keen to make a team and bust open the conspiracy; she wasn’t as willing to go it alone.  

Avoidant people tend to refrain from contact, and they like being independent.  They don’t do well in teams.  Sound familiar?  Fearful avoidants also have the concern that they will fail their partner or that their partner will fail them.  If the player was Imp side, Theron was a jerk well into the Rishi storyline.  Eventually, Theron did come around.  His dialogue and follow-up letter reflect the fact that he actually did want these connections and attachments.  He enjoyed the time he had with the player.  

This is particularly pronounced if Theron was romanced by the player on Rishi and Yavin; first physical contact occurred on Rishi with a kiss.  If the player was Pubside, the fade-to-black and his comments on Yavin indicate they had sex.  Those episodes of affection, paired with the Pub post-Yavin letter and dialogue, really emphasize the connection that was formed.  Interestingly, Theron did not get a fade-to-black with the Imperial player. One might argue that he knew they were going to leave him, and so he couldn’t –wouldn’t—get attached.

…. And then Ziost happened. Theron refused to ask for help. He didn’t want to depend on that attachment.  He was distant on Ziost, regardless of how far the relationship went, and if Pubside, he declined a drink afterwards.

Whatever transpired between Ziost and the Eternal Fleet Incident, it’s clear that a romanced Theron and the player never defined their relationship.  There were certain boundaries that never were crossed.  He’d “like to think” the player is dreaming of him, but he didn’t want to presume.  Even after Theron got into a romantic relationship on Odessen, he still struggled with his ability to be attached, as evidence by his letters and expressions of affection and concern throughout the KotFE/KotET expansions.  

One might argue that the traitor element of the Nathema Conspiracy was partially caused by Theron’s attachment issues: his independent streak, his inability to ask for help, his lack of faith in others to do the job right (not telling anyone the truth), his lack of faith in himself (his willingness to understand why the player might dump/exile him). If romanced, he gave one of his Holonet messages the subject line “I love you,” but even then, he did not clue the player into his self-made mission.  Certainly, the Nathema Conspiracy happens because of Theron’s desperate desire to save the galaxy and the player at any cost – including the relationship itself and his life.

For those who let Theron live, the attachment issues have faded as Theron has gotten engaged/married and/or reformed a relationship with his bio parents… or the writers have moved on from Lana and Theron as companions.  Regardless, we have to keep in mind that Theron is closing in on 40, and he has grown as a character since he first appeared in Star Wars media at age 23 (baby and adolescent only in flashbacks).  His issues with his relationships, the Jedi, the Republic, and his bio parents have changed over the course of 17 years.  In the last story patch, people who have romanced Theron received letters from both Theron and his mother about how good the player is for him, and it’s very satisfying to see how far he has come.

How does this label of ‘fearful avoidant’ manifest in your fanworks?

Since not everyone is into fic, I’ll drop this behind a cut. 

Basically, my version of Theron wants love but is terrified of all the feelings and closeness that come with it.  When people get close, he draws away, but still wants them to be close.  Theron has had good relationships, but if it gets too serious, he runs.  That’s the case for his last major relationship prior to my oc; his Mirialan girlfriend was drawing a tattoo to mark their relationship, and she wanted him to meet the parents. Theron noped out of there pretty hard by taking a long mission off Coruscant and sort of forgetting to tell her.  There are several times where he takes a big step with Eva (my oc)– disclosure, physical intimacy, caring for her or letting her care for him – and then he just doesn’t contact her for the next few days.  He dives into work to avoid her.  Toward the end of their initial relationship, that will turn into weeks and months.  He is freaked out when he does things with her that are intimate, sexual or not.  He has a lot of fear that he will be left again, so he leaves first. 

Theron also sets up a lot of rules and boundaries that the partner has to dance around to get in.  After 300,000 words, I just completed a slow burn with the Rishi kiss, because Theron wouldn’t get involved with Eva until after the op to expose the conspiracy was over.  There will be more rules once they get to Yavin.  

When I was doing research on this, I read a clinical study that found that people with avoidant attachment issues are particularly fastidious about safe sex.  They don’t want attachments to their lovers in the form of a disease or a child.  Anxious attachments tend to eschew this and take the risk so they can be bound to someone. This is part of why I gave Theron a male birth control implant, but there will also be reference to his back-up (condoms) and back-up back-up (PreP) to ensure there aren’t any adverse consequences for him.

Theron is often alone, but that doesn’t make him lonely by default.  In part, that might be due to his avoidance of attachments.  Dude can pick up people at a bar and get laid. Theron isn’t adverse to sex, just intimacy.  He can find someone to hook up, but that doesn’t mean there is anything beyond sex attached to it.  Theron can and does get dates, and he can have relationships ... but that doesn’t mean he can make a healthy connection to the other person.  I think his issues are more emotional/internal than they are caused by not getting enough physical contact or affection from others.  People want to love him.  People reach out to him to be friends or have a relationship.  He just doesn’t want it; he avoids it.  I imagine that this is partly the case with Jace and his SIS coworkers.

The last fearful avoidant feature I’ll give Theron in my series is the tendency to idealize relationships after they’re dead and over. When the relationship is no longer available, it is held up and made glorious, partially to enable the person not to pursue a different relationship; it’ll never be as good, so why try?  This also calls in the tendency for fearful avoidants to fear not only screwing up the relationship themselves, but that others won’t live up to their expectations. Theron is a mess after the Eternal Fleet incident and never moves on from Eva.  It’s reasonable when he thinks she’s alive, but for a good two years, he thinks she’s dead… and he can’t.  With anyone else.

Unlike the game, I eventually send Theron to a therapist to deal with the fearful avoidant attachment issues.  I figure if I’m going to give a fictional character a real-world label, I need to give him a real-world solution that might work.

[smolstarthief]

Persona 5/Persona 5 Strikers: Pro-Police or Anti-Police?

Hoo boy... So this honestly has been a LONG time coming on my end because I have seen so much of that debate on social media (Twitter namely) and I can see the points of BOTH sides but there have been moments where it just got out of hand... Especially whenever people tried to put in a more grey/nuanced take only to be slammed and taken out of context. Even repeatedly mentioning the interrogation at the beginning of P5 which, I will admit has gotten tiresome. At least for me, I do still feel for Joker and I wished the game acknowledged his trauma more but there's a thing called, "beating a dead horse" and this is one along with "Haru says ACAB" in Strikers (which was done THREE TIMES in the same arc and it got annoying fast, like shut up already! We get it!). So, let's dive in a little bit:

MAJOR SPOILERS UNDER THE CUT!!!

Persona 5/Persona 5 Royal

Now let me just say I know! Police in Japan are just as bad if not worse than the West and I STILL hate the idea of Makoto wanting to become a cop for such naive reasons (especially with what happened to Sae, her own sister!)... But there are at least some of form of nuances sometimes and by that I mean, I can see what they were trying to do? I do agree that P5/P5S backpedaled SEVERELY by deciding to sweep issues under the rug after addressing them and not continuing from such. In fact I feel like it could have been a hell of a lot better. But P5 did something different compared to previous games and addresses the issues DIRECTLY right at the beginning of said game! It was tense and horrifying, but needed. Of course... They then sweep it under the rug and act like nothing traumatic happened to our protag which is NOT a good look at all and I'm still pissed off about it. In the main game's case, it's portrayed as more black and white with only a SMALL amount of nuance like that cop that was trying to help Futaba when she went out by herself and got lost (which people ignore entirely by the way). So I CAN see where people got the "anti-police" message from... But that's only the tip of the iceberg as it's ACTUALLY more about Systematic Corruption, not exactly or JUST police corruption. Namely in politics with Shido and the Conspiracy (which is apparently still somewhat around in Strikers until Owada's downfall) controlling everything all the way to law enforcement. The force had been basically under his payroll (including the corrupt SIU Director before his death) whether by force or not (mostly not in this case though). Now honestly, the police depicted there are undoubtedly rotten to the core save for a VERY SMALL handful (the cop that was trying to help Futaba which, again, gets ignored by several). Look at the interrogators who ruthlessly beat and drug a minor without any second thought or remorse for example. But again, the black and white narrative the game kept unwittingly doing ended up being to its detriment in a way. I'm not defending those assholes AT ALL! They deserved every punishment given to them! But for a game that goes on about grey morality... It doesn't quite deliver on that. Still though, it does emphasize that it's more of the fault of the whole corrupt system, not just one part of it. There needs to be change and reform which is what our MCs were trying to do in a way (more like inspiring change but still). In the end, it's all about the following:

Corruption and abuse of power.

Again the police depicted in this game were incompetent at best, corrupt at worse with very few silver linings. But it's not just them but rather the one person responsible for the whole mess. Who had them under his payroll? Who controlled them and by extension all of Tokyo? Who was willing to dispose of anyone who "outlives their usefulness" or is perceived as a threat to what he wants (including his own family)?

SHIDO AND BY EXTENSION THE CONSPIRACY

Bottom line: They are definitely a problem but it's not just them.

"But, Joker and his trauma?"

I definitely understand that and still do. I fully believe he has and still has trauma with the police. Easy! But... I do feel like people go too far with it sometimes. It's hard to explain but there have been moments where people either use it as a justification/argument against someone trying to provide a more nuanced view of things or... Dare I say, depict him like a "uwu soft traumatized boi." Like I said, it's hard to explain on my end so feel free to ignore it. Everyone deals with trauma differently so there is STRONG chance that I'm overanalyzing it. I just remember moments where I just feel a little, I guess annoyed? I'm not sure exactly but final thing: I understand what he went through and I can't imagine how long it would take to recover but I hope he DOES overcome it.

"Sae? Akechi?"

Yep, even though their jobs are different, they are by and large members of law enforcement no matter how you spin it. Both were broken in a way. Akechi is pretty easy to explain with how Shido negatively impacted his life but not much about Sae, who dealt with sexism/misogyny at her workplace along with the trauma of her father's (also a cop) death. She no doubt had some idealism only to be hit with the fact that she's gonna have to use underhanded/downright illegal tactics to get by and even rise up the ranks. She, therefore ended up (well, nearly) corrupted herself before coming to her senses. That's honestly one of the BIGGEST REASONS why I felt like Makoto joining the force to become a police commissioner isn't a good, even a downright naïve, idea. I honestly would have been somewhat fine with it if it weren't for that fact among other things. Regardless of her willpower, it will go south fast.

Now... Onto Strikers!

Persona 5 Strikers

Since the game came out and I started playing it, I still feel like the system is still beyond saving, especially when attempting to do it from the inside. But I don't mind the added nuances that P5 didn't do much of. It's still continuing the critiques, just shows more of what does happen within said system and even has an ACTUAL officer (Zenkichi) say, "Yeah, my job sucks, everyone's corrupt, there are much better ways to do things and make a change but not this. I'm only staying because I have a daughter to take care of and it's all I know. I'm no different from them." Was it all handled well? I wouldn't say "yes" (Joker's trauma is BARELY addressed at all of course) but a little better than what P5's narrative did which only addressed the issues but not exactly follow up on them. Now to be fair... In the system, regardless of where you live, any one within it who remotely tries to do something or speak against it either lose their jobs or even go "missing" irl. Those have happened and it's more proof that yeah, it's rotten to the core. There's no denying it but regardless, that's NOT what the game is about at all. At least that's what I feel about it as it's only PART of the narrative. I think Zenkichi puts it best here:

Speaking of Zenkichi... Oh boy... Now I definitely understand some of the criticisms with him but honestly, he was the best written (PT) character I've ever encountered! He was honestly the perfect representation of those that genuinely want to help and do good, only to be held back by an extremely harsh reality. It was already hinted at with Sae but here? It 100 percent confirms just how harsh and even cutthroat it can be if it could break someone's idealism so badly. Even Kaburagi of all people thinks the same thing Zenkichi said:

Then there's his past and it's a tragic one! But let's look more at the decisions he ended up making:

While it was no doubt done to protect his daughter, he ended making a selfish decision along with a selfless one (which was brilliant!) with not only allowing the cover up of his wife's death and denying justice for her, but also ruining an innocent person and their family's lives.

It's horrible, but also... There's a grey area/nuance as with the rest of his character. It was both understandable, but also wrong as he, as Akane's Shadow puts it:

He sacrificed his values, his morals, all for the sake of having a peace of mind. Speaking of Akane, she's also an interesting case in a way that she more or less perfectly represents the more "black and white" views on justice in general. Namely the more toxic/biased kind. Her reasons are also understandable but she was also acting selfishly by only focusing on how SHE was effected by Aoi's death and not even considering those that were also grieving her death and/or that people grieve/handle grief differently than her. But back on topic.

Her own views and beliefs that law enforcement basically SHOULD be dismantled (mostly out of said childish bias and black & white views) and it's framed as WRONG and it's very much correct on that. Chaos and order are two sides of the same coin, one can't exist without the other. When I say ACAB, I'm calling for reform, defund, have the corrupt held accountable for EVERYTHING and even face jail time for their crimes! Defund the police, have the ones that arrest, harm, and even murder out of bias (race, gender, etc.), lose their badges/jobs and locked up, make improvements! It's saying that there IS still corruption out there and there's no denying it. But fully eliminating the law in general will just lead to more problems. Now granted, she's young and clearly doesn't fully understand why those views are ultimately wrong but still... It was a very interesting subject to tackle and I feel like they handled it well.

Now back to Zenkichi, he was at first in denial about his decisions ultimately being the wrong ones too and even tries to justify it. Of course, his Shadow said otherwise and that was when he finally admitted that he really did act no different from the criminals he despised. But it also doesn't mean he can't redeem himself and that's what ultimately leads to his new resolve:

That right there along with everything else! There's the nuance! And ultimately despite some hiccups, Strikers handled the grey morality and nuance beautifully! Especially regarding law enforcement! Dare I say, even better than the base game! It continues the critiques with no problem but also showing different sides and areas of it! There is good and evil, but what about in-between? What about the more greyer area? It still says that there IS corruption, sometimes even beyond saving but... Sometimes a small silver lining is hidden somewhere.

Now, the ultimate question:

Is P5 & P5S (namely the latter) Pro-Police or Anti-Police?

Personally, my answer is this: Neither.

Why? What theme do they both have in common?

JUSTICE

Someone puts it best on Twitter that the games are more pro-justice and I fully agree!

P5/P5S gives the idea about following your OWN justice, your OWN moral code and rules, paving your OWN path and not let others dictate it! That's what the MCs ultimately start to learn in both games. Therefore it's pro-justice. Again, do I agree that the system is beyond saving? Yeah. Do I at least acknowledge and understand what the narratives are trying to say and nuances regardless even if I don't agree with some writing decisions (ex: Makoto wanting to become a commissioner despite everything)? Also yes. But at the same time, don't judge a book by its cover for other people (not just law enforcement and politics mind you). Especially some that genuinely DO want to help at best. That there is nuance and greyness, just have to look closely. Some of the MCs are still TERRIBLY written and executed (even annoying) but the message was still somewhat there.

Final Thoughts

Now I fully understand how you all feel of course! I still believe in ACAB and even I agree that maybe I'm one to talk and have a lot more to learn about the world... This is just my own attempt at putting my own two cents in. If you disagree, that's fine! This is just what I've felt should be at least talked about more often. And I tried to phrase it as best as I can without coming off as insensitive or ignorant and if I did, I sincerely apologize for that! I'm not trying to say, come off as a "bootlicker" or any of the sort. I'm just trying show discuss more of the grey areas and nuances that are, more often than not, constantly overlooked. How one interprets both games is ultimately up to them. You, the player. And this is my own interpretation. Simple as that. I hope you all have a good day/afternoon/evening!

[hatchetfieldtheories]

Ridiculous Hatchetfield Theory: Hatchetfield is the Bad Place.

Ok so I was given the go ahead by a couple of you, so I am going to call this a bonus Ridiculous Hatchetfield Theory – i.e. one from my mind instead of yours (I will get back to your submissions after this!). Obviously here lies spoilers for the Good Place, which is an amazing show that I don’t think I will ever be able to recommend enough. Its short, its hilarious and it fills the empty theology place in my heart. I know a few others have mentioned Hatchetfield / Good Place AUs before and please please please write them because I want to read them!

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The Black and White goes by a few other names: Heaven, Hell, The Good Place… The Bad Place.

The Bad Place was in charge of punishing those who didn’t get into the Good Place, who hadn’t managed to achieve enough points to be considered good people. Usually they found the most hideous way to torture them and that was that.

And then Michael decided to change the system and the Bad Place workers had to actually start thinking about how to torture their humans. Some of the demons were not impressed, wishing they could go back to their old ways of butthole spiders and forcing humans to listen to Sugar Ray. But there were a few who enjoyed the challenge – and the performance – of it all. In particular were a group of demons who came from the “terrifying monsters” department, one of the few departments where they weren’t encouraged to wear their human suits and remained looking like… well their normal demon selves.

They were presented with their case – a group of humans that all knew each other on Earth, all came from the same town – and all had their own issues and vices. The group of demons decided to change things up a bit, instead of telling their humans they had died and gone to the Good Place, they were going to pretend nothing had happened, recreate Hatchetfield exactly how it was in 2017, erase their memories up until that point and leave them to it… for a while.

Eventually they went rogue, naming themselves the Lords in Black and messing with the residents for fun, rather than to improve their morality and ethical standing.

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They quickly discovered one of the residents hated musicals. Pokey was let loose on this one, planning a sudden “meteor crash” that slowly turned the other residents… and later the humans… into singing and dancing zombies. The ultimate musical. That is until they managed to breech the normal boundaries of the town and ran the risk of escaping – one of them, the last one not controlled, noticing a loop in time and space Tinky had put into place.

*snap*

“Give me that doll!”

The chaos that ensued from the miniaturised version of Wiggly was incredible. They thought the humans had a knack for killing each other through song and dance, it was nothing compared to the shoppers frenzy that ensued on the “Black Friday” reboot. But then one of the young ones began to notice things – things she shouldn’t be able to see. They’d hidden Janet away but it seemed she had managed to communicate with one of them anyway… as something called a “Webby”.

*snap*

The next reboot was complete madness. Tinky had taken a special interest in Ted, making him believe he had managed to travel back in time before getting stuck in the past, completely breaking him. Paul, who they had convinced was a clone of himself, killed Emma along with who he thought was an Android Emma (though was a demon in a human suit). Tom was… somehow in love with a car, and the Lords in Black weren’t sure which of them made that happen. And Hannah – Hannah got to meet their new character – Willabella Muckwab. It was going great – until “Webby” managed to make an appearance again.

*snap*

Ted was pretending to be the Hatchetfield Ape-man.

*snap*

Bill and Alice were stood in a fair ground, a gun raised between them.

*snap*

Someone was killing off all the “nerdy prudes” at the high school.

*snap*

They just wondered how long they could keep doing this, rebooting and rebooting, before the Good Place found out.