#but i think its a lot more interesting to think of what this says about his actual abilities as a leader

[jane-the-geek]

Here’s a quick review of the amazing opening of Arcane season 2:

Vi seems to be struggling with her identity / Loss of identity

Vi is wearing the tank top that I believe is the one she wears under her enforcer uniform. That’s the outfit she’s wearing throughout the opening.

Jinx, who was hiding behind, rises and steps into the light—maybe a way of showing that she’s grown symbolically, that she’s now 'bigger.'

Ekko with his shadow resembling a clock winding back time.

Caitlyn is shown in her turtleneck (also what she wears under her enforcer outfit ? ), With a curtain to suggest a stage, she takes a deep breath before stepping into the light with a fake smile. Honestly, if I analyze it, we can say without much risk that she's in inner conflict, that she has to step into the spotlight and is showing a different face from how she really feels.

There’s so much to say about the other scenes, but others will handle that perfectly; I have a special focus on CaitVi (😂). Here they are again in the same outfits—the turtleneck and tank top. It’s an interesting way to present them, and there’s a lot that could be said, which I won’t go into, but I wanted to point it out. Cait and Vi are more vulnerable in these outfits; it’s very intimate, as are all the shots with them in this opening. We’re really in deeply intimate territory.

The looks are very intense, filled with hatred or something else? (my poor babies).

At first, I thought they were kissing, but now I think they’re fighting. They could be kissing or strangling each other in that shot; it’s hard to tell. In both cases, it’s very interesting because this little backlit scene with its colors is very intense. And, as I read elsewhere, very lesbian flag.

And Caitlyn is still struggling, with her shadow looking like the Evil Queen, I think (lol 😆). And the effect on her hands gives the impression that she has blood on them.

And I really like this shot because that's my Caitlyn; she has the look of someone who’s realizing, who understands. And maybe she’s coming back to her senses? So, there you have it—just my initial thoughts. I was so awestruck by this new opening that I just had to watch it again and again.

[spiderace]

This is an interesting point about art.

People in 2024 will say that for e.g. far right art can't be good, but the thing is, people who believe terrible things have made great art since always. Ayn Rand genuinely moves people. I don't get it, I find her prose dull, but she does. Hitler wrote a bestseller. Thomas of Aquinas blamed women for many of his problems and is still more revered than not. And of course every year another Joss Whedon turns out to have been terrible all along and we all have to discover that we didn't REALLY love everything he did for twenty years. I'm not even going to address the elephant in that room, but you all know its looming sorting-hat-shaped shadow.

The reason most extremist art is terrible now is, I think, that extremists are no longer willing to traffic in implication. For example, I'm a Christian (I love you gay Methodists), and I like the Conjuring movies even though the Warrens were terrible.

These movies are explicitly pro-Christian. They believe in an afterlife, heaven, hell, demons exorcism. On the culturally conservative end, they're about a loving cis heterosexual married couple with a beloved daughter, and they never mention or acknowledge that LGBT people exist that I can recall.

Right-wing Christians will not watch or accept these films, because they are horror films, or because they don't adhere strictly to the doctrine of a given denomination. For a movie to be publicly acceptable as a Christian film by contemporary American Christianity, it has to either be a Bible story or be God's Not Dead, a movie where (spoilers!) an atheist left-wing college professor gets hit by a car and Christians coerce him into converting in order to ensure that he goes to Heaven.

This creates a bizarre environment where left-wing films are unacceptable because they have left-wing implications, but films with right-wing implications are unacceptable because they are not right-wing enough.

As a horror fan, this is not only bizarre but hilarious. Many horror fans will watch something based on a vibe regardless of its philosophical implications, because you don't have to agree with a film in order for it to scare you. I think this is why The Conjuring franchise is so popular even though I suspect horror fans lean further left than a lot of other filmgoers.

So the ultimate result of this is that fundamentally conservative art is more likely to be observed and discussed by people further to the left than the artist, just like this social media post. This is important, because ideas should be seen and discussed so that we can openly decide which ones are hot garbage, just like the original anonymous message. And I think it's also important because if we only acknowledge and boost what we disagree with that actually has artistic merit, the overall marketplace of ideas still benefits by examining different perspectives without admitting the ones that amount to inarticulate screaming at a minority group.

This is especially important to me because it's how I was de-radicalized as a young person from my very right-wing conservative upbringing - by interacting with critical examination of ideas in art as well as by meeting real people that did not reflect the demonized image of minorities that I grew up around. I think both of those things are important to those that process. And that can't happen unless someone drags forward anonymous pieces of artful hate into the light of day so that we may submit them to the dissecting pins and scalpel of real criticism.

Normally, I just block people and leave their nonsense unposted... but this is art.

[thefaiao]

Interesting year. I find myself thinking about the future a lot now. I think we've arrived at a breaking point for social media. Sure it was getting bad before, I got that much, but I think it is finally actually coming apart at the seams. I still enjoy tumblr because the people here are now a little older than when I first used it at the peak of its popularity, and therefore a little wiser and with more interesting things to say overall. The lack of younger talent does hurt it a fair bit. Twitter's been complicated for a long time. I remember when I first started focusing heavily on it in 2017 it felt like a cool place to be, and I think that still kind of carries it to this day. I think the biggest detractor for Bluesky is that it just feels lame. It's just twitter again, the same mistakes, the same everything, but more controlled. Maybe that's exactly what people want, but as someone who isn't from the USA it doesn't feel that appealing. Maybe more and more it is harder for people with interesting non-UScentric things to say to find a place to organize in social media. "Freaks" is a good term. Bluesky just feels like twitter but with no freaks, to me. Maybe I'm wrong and I'm willing to eat my words on this but I think other freaks like me probably share the same sentiment. It really would be nice to have something new and cool. I end up finding myself at a crossroads where none of the options make sense. Ended up spending a few years not engaging much with twitter or tumblr, basically just getting my shit together, then had a great year this year with a lot of drawing. Now I'm not sure what's next. I have made great friends and use Discord plenty, but there's something about a public forum that I desire. I wish I had my game ready already so I didn't have to worry as much. It'd be easier to platform myself and perhaps at least toss my hat into the ring to make things better. Make another site? Just one more site bro please? Just one more? It does sound a bit delusional. But even then there must be a way to get something better. I believe there is something better than what we have right now, there just has to be, and I'm sure I'm not the only one thinking that.

[rainbowsky]

On GG's album, and hints of what was to come

As everyone here likely already knows, I'm completely losing it over the news of a full album from GG. There's a lot more to all of this that I haven't yet discussed, so let's dig into it. I have thoughts...

Disclaimer: Most of what's discussed here is rumor and interpretation, and could be inaccurate. We'll find out what's really happening soon enough!

I never dared dream that GG would put out an album. I have been begging for crumbs of a song for years now, it would have seemed completely outrageous to dare to dream of an entire album!!!

But now that it's on its way, and I've heard more info/rumors about the release (more on that in a bit), I can look back over the past year and see some signs that have been there all along, of what's to come.

More on the release

Promo has already begun, and we now know more about the release schedule based on what's posted on the streaming platforms.

The songs will be released in 3 waves, with the first wave happening on the 12th, the next one on the 19th and the final one on the 26th.

The physical album is going to be coming in December, and there are some tantalizing rumors about what that will include:

The album cover was drawn by GG.

A Xiao Zhan Studios red gift box containing various items including postcards, t-shirts etc.

There will be a CD version and a limited edition vinyl version.

A music video is also rumored to have been completed. This has been confirmed, and will be premiering on the 12th.

Clues we've had all along

What's interesting to me is that for months I've been posting updates about changes to XZ Studio's business license, that have been clues to what GG might be up to.

In January a license was obtained to establish a domestic performance agency.

In March that license was expanded to include services for film production and live performances.

In June there were some legal trademark applications made, pertaining to office supplies, calendars and paper gift wrapping.

And now we know that he's releasing an album, at least some editions which will likely be sold with bonus gifts, paper products and packaging (I think this is a very credible rumor because if he's going the physical album route, it's likely designer GG will want to do special editions like this).

Licenses recently purchased protect the studio's exclusive rights to produce and sell such items.

We also know GG and his studio love to produce stunning high quality videos. Was there ever any doubt that he'd make a music video? Maybe even more than one.

Licenses purchased earlier this year give the studio the right to produce such commercial videos.

And there's another license that is associated with live concert performances! I think it's highly likely we'll see a concert from him in the coming year or two.

Generous GG

As Fat Shrimp mentioned, the songs will be free on streaming. This has made a big impression on some fans, and there has been a lot of discussion about it, and about how much this album will have cost to produce, for GG to give it away for free (here's a compilation of some of the comments via Nili, and another from Estefanita).

People have expressed so many thoughts about this. Everyone agrees that it's almost unheard of to give an entire album for free. One or two songs, maybe, but just as a teaser for the full album - which must be paid for.

A lot of people have talked about the 'old days' (ack, I feel old!) when people would buy physical albums, often after having heard only one or two singles on the radio (although where I'm from people could go into a record store and listen to the full album before buying).

They say that he's opening himself up to that evaluation before people are expected to commit to paying for it, and that it's very generous and honorable, but that it will also open him up to being heard more by passersby who wouldn't otherwise be willing to pay for the music - therefore expanding his possible audience.

I personally think there are a few possible factors contributing to why he chose to share his album for free:

To me, this feels almost like GG's bigger 'debut' as an independent solo singer. He's finally releasing music entirely on his own terms. He wants to share and celebrate that with the world, as a gift to the world and to the fans. "I'm here. Please enjoy."

He's inviting people to listen to his music and judge for themselves whether it's worthy of their investment. It goes along with his personality as someone who wouldn't want people to associate any sort of 'buyer's remorse' with something he's sold them. He's always saying, "people are free to like or to hate," and this is his way of giving people that choice without judgment. "Listen and if you like it, buy it. If you don't, that's fine too." By doing this he's likely to build a bigger audience than by doing a traditional release, because everyone has a chance to hear and evaluate him without any up-front investment.

He wants to avoid any possibility of a repeat of what happened with Spotlight, where he was criticized because fans were buying dozens of copies as a means of boosting sales, and then bragging that their idol was the biggest seller of all time. He doesn't want fans to spend all their money on his songs or on boosting his 'sales', nor does he want any perception that the success of his album was bought by fans.

He could be bargaining on making more overall sales via charging for only the physical copies than by selling both, due to the expanded interest a free release is likely to generate.

He has confidence in what he's created, and is happy to share it openly.

He's doing this out of the joy of it more than anything else, and money isn't a central factor for him.

To me this approach, along with the stated plans for rolling all of this out, feels like a marketing plan, and we all know GG has a professional background in that kind of thing.

Yes, all those other elements of artistry, generosity and magnanimity come into it as well, of course. Marketing is treated as a dirty word, but we must remember that every marketing plan is based deeply in the values and intent of the individual/organization doing the marketing, and is focused on their goals.

I feel that his plan will have considered the factors I mentioned, and will be aligned with his values, intentions and goals.

This is just my take on it, of course. Only GG and his studio really know for sure what his plans and goals are.

Can't wait!!!

Whatever his feelings or plans are, I can't wait to hear this album, I can't wait to buy it, and I can't wait to see what kind if interest and critique it generates!!

I also hope that this is just the beginning - that he will be releasing more music, and hopefully doing concerts in the future.

[greenknighteitm]

Edited: to @holycrapitis i'm going into this with the Idea that Trump is guilty. I am interested in this evidence you say that exists of him not doing these crimes and the evidence of democrat crimes. I will be honest to you, I will fact check it, because of the rampant propaganda everywhere, rMost(I don't think any but I could be wrong. Im being lazy and not reading to make sure) of it directed at you isn't about the charges.

It seems like it's a confusing mess of policies... It seems a felon would need a waiver, not sure how one would get one. But it seems likely a waiver wouldn't work with how many felonies he has, tho I can't say I'm terribly informed on the exact charges to say that with certainty since this was just a quick google.

I would tend to agree with this person but as far as I know people used maruijana could be felons and I don't think those people should be disqualified depending on their other qualites.

Like I think this blank kind of statement does a lot of harm to minorites, which isn't that the kind of thing leftists, even democrats, are trying to avoid?

But it's possible that Trump is legally not allowed for different reasons, I wish it said what ones.

So onto the person I reblogged from.

The majority of people who voted probably aren't Communists, like the cold war propaganda is still very much in effect. And kamala definitely isn't, especially economically, and generally I don't think politicians Democrats are communist and are probably mostly still running on the ideas of the cold war. Theres definitely some outliers who are closer but definitely no elected.

And as the past shows, communists aren't necessarily going to be socially leftist (equality for all, in everything, raise people and lower people to become equal, etc . Because a lot of people who are rich become rich of the exploitation of others. We should give the value back to those who are exploited.) And I'm sure there's people on the social left who think kamala still isnt far enough, which might be.

Hmm there's got to be some words to define socially left other then being equal...

Anyways people know Trump was legally elected, but legal doesnt mean good. As far as I know, which to be fair isn't much, in the echo chambers who want trump to be president the idea was that trump was elected but was illegally changed. But I'm not in those circles so it's possible another narrative was that he would've if Democrats didnt make the votes turn their way, in legal ways.

AFAIK which honestly isn't much again since scrolling down theories on why we lost is psychlogically damaging no matter what side it is or even what it is I think

The theories I have heard say that Republicans gerry mandered the hell out of counties to get the results we got. But idk if that's an actual theory because then leftists are just being hypocrites(which I feel can be a good reaction if you feel like your in danger) about the electoral college since in the situation where its just Gerrymander at fault Trump would have still have the popular vote. So I think a more reasonable theory would be it had an effect, but not to the point where kamala won. The biggest effect was propaganda, in all of its forms. Even from people who don't know they are. If it's content showing a specific opinion, it's propaganda to someone. To educate you need good faith back to back conversation and research between people. At least in my opinion. With that definition intent definitely matters IMO since like an ad is explicit propaganda while a lot of content is implicit propaganda.

TBH I'm not liking this narrative that people who voted for Trump understand the consequences and believe the same things Trump does. Especially if they were like me and tuned out politics when he was elected like I did with biden, which I'm ashamed about. There's too many variables for me to believe that they all hold the same beliefs as trump.

Hold some of them? Believe lies about about both? Both? All the above? Yeah, sure. But I think it's crucial to not stereotype people who think different. It allows for dehumanization I feel which won't help us to grow this nation and have its citizens mature. Not to say the country is immature, in the traditional sense, where I think thats viewed as a bad thing, more that there's more progress to be made and when we think more globally, we realize there's so much more room to grow.

Want to say thanks to @holycrapitis for catching my attention and getting some of my thoughts together. I think when something like this happens, where the candidate you wanted to win doesn't, it activates the same emotions as grief does. So I've kinda been avoiding the topic. I'm sorry to those who were on the other side and got hurt even more by those who won while you were grieving four years ago no matter how much I disagree with you and how much I think these beliefs will hurt this country and my friends and family.

Its a shame I don't see this kind of empathy more. We should always start with this kindness. But it's what tribalism does. It dehumanizes the "them" and says its for the good of all, that it is justified, etc. Its never justified. It only hurts everyone.

[utilitycaster]

a not-as-quick-as-originally-intended clarification at least on my personal thoughts re: the Apex War, and this campaign overall:

I agree that it would have been nice for C3 to have been more rooted in Marquet; I have said this frequently and I still hope we get to see Marquet in future stories. However, while I want Apex War lore because it's interesting to me, the fact is, there's no way to fix the fact that we spent this campaign without any strong understanding of the Apex War when it is a core element of the backstory of a significant villain (Otohan) and when Matt is invoking it to underscore the show of unity.

For what it's worth, I think there's two separate "what I wish this campaign could have been" versions and I feel like a lot of people are conflating them.

One is, for lack of a better way to put it, a more Mighty Nein-style campaign that delved into the culture and place and conflicts of Marquet by focusing on the characters first and foremost, the way Campaign 2 delved into Wildemount. I would have loved this very much. This would not have supported the moon plot, however.

Another is one that honors Matt's vision of the nigh-millennium-long-plot Ludinus hatched and the secrets of Ruidus and all of Exandria coming together, and is simply...better. The Apex War should have impacted Imogen and Ashton, growing up in its aftermath, and could have been a part of their backstories. FCG's chassis being found could have been tied to it. This in turn would have set up Otohan in more depth. And that could have been handled with very little extra effort - literally just a call to Laura and Taliesin with a lore dump, and a few more hints in the Bassuras arc.

I think the fact that Bells Hells are a group from across Exandria - representation from all continents but the Shattered Teeth, multiple people with ties to several continents, and even an extraplanar member - is not a bad thing for a story about the world uniting against the threat of Predathos! It's extremely fair to be disappointed and let down (especially if you are from a culture on which Marquet is based and was hoping to see it) but actually I'm here to say the fact that C3 isn't like C2 is not bad, in this case. It's that the Apex War clearly has backstory and lore that would inform the story and certainly informs how Matt is playing it, and literally no one else has access to that information, including the players. I would love to go back and get it because I love the world of Exandria and its lore, but from a narrative perspective the ship already sailed. So my complaint isn't "why wasn't this solely about Marquet" in this case - it's "there was clear setup for this story that would have made it better, and there wasn't an effort to limit what the players played or seed it into the plot so that it would actually come up."

[panvani]

@gorps I think that's a pretty reasonable response to the opening of the game and, while not the intended one, fairly obvious. It's a bit difficult to sum up what Signalis is * about * to someone who's never experienced the game (because it's very much a game you experience) but it might be good to start by saying that Signalis is a game about a truth that is too horrifying to comprehend and, to that end, tends to involve a lot of misdirection in its storytelling.

The purpose of using the trappings of East Germany is fairly obvious to me, having played the game multiple times, and it basically comes down to the game wanting to signal a dystopian setting that coincides with Germany and (as mentioned in the tags of a different post) the two aesthetic archetypes for that are East Germany and the Third Reich. Signalis did not choose this latter option for obvious reasons. Beyond aesthetics, however, the setting does not sincerely attempt to imitate East Germany or the USSR, and these aesthetics are inherently farcical, beginning with the assumption that you are dealing with a setting that is overseen by a "government" as opposed to a carceral institution or a family.

A common misinterpretation (or at least I'll confidently call it a misinterpretation) of Signalis is that it's necessarily about a society or an institution rather than an individual. Signalis is a very personal and a very individual story that encompasses a number of themes, notably the alienation of racial minorities in Germany. Yuri Stern has stated that their identity as a Malaysian-Chinese-Austrian person living in Germany affects the themes of their work, and Signalis establishes a pretty extensive library of geometric and linguistic symbols to communicate this idea.

Like I said, I don't think reading the trappings of Signalis as anti-communist is like, wrong, per se, so much as short-sighted or missing the forests for the trees. The game is much more about racist, psychiatric, and domestic violence within modern day Germany and has really no interest in commenting on the USSR or communism as a system.

[the-s1lly-corner]

Making flower crowns for various crps (1/?)

I'm making these like. No bake granola balls and omg I tried some before I put it up and it's so good I'm so excited to try them when they're ready

Characters: slenderman, splendorman, ticci toby, masky, hoodie

Notes: reader is gn, this may be split into 3 parts for the characters , we will see, writing this while in a massive motivation slump chat i am struggling

CWs: none

SLENDERMAN

he already knows what youre doing long before you approach him with the crown... he does feign some level of surprise just for you albeit in the form of lightly raising his brows- he... doesnt emote that often...

he wears it for a while just for you, though he does eventually hang it somewhere so it can dry out and be preserved. he WILL raise hell if someone comes into his woods and steals it like they do his pages. it was a gift you made for him, hes not going to let some wandering hiker steal it from him

just say the word and he will bring you flowers to make more crowns, or better yet take you to where a lot of flowers tend to grow in the woods!

leaves flowers in your room or at your home for you whenever he gets the chance to gather some

SPLENDORMAN

oooooooo did you make that for him? give him a second to make one for you so the two of you can match! no really he only needs a minute or two, hes for the speed and efficiency to make one much much faster than you ever could- whether from experience or excitement or simply being built different... you werent sure!

will loop it around his hat so it rests on the brim.. will point out the specific flowers you wove into it and asks if the choices were intentional... even if they werent hes going to compliment your choices and if youre interested ramble about the meanings of the flowers you did choose

he loves daisies and sunflowers! they look so... "happy" as he puts it!

will dry the crown out so he can keep it long term

MASKY

why would you make him this? not to make him sound ungrateful, he moreso means it in a confused sense because... what use is there to wear this? it is nice, though....

dont even try to snatch it back off of his head hes going to either evade you or grip it to his head in his hands- possibly the most... expressive... youve seen him be in response to non-dangerous things

keeps it stashed away somewhere when he needs to take it off to go into the woods and do his work

he... finds himself making one for you... the process is actually quite calming for him... half of the flowers he picks are actually weeds- not that he cares about the difference. a flower is a flower regardless of where it grows

HOODIE

he likes it! you... think... the mask makes it hard to tell and he just... let you put it on top of his head- you get the feeling that he already knew you were making the crown

keeps it in a safe space, but somewhere visible so you know that he didnt through it out or trash it or whatever- he knows you put time and effort into this and hes going to let you know that hes not going to disregard it... will dry it out like his boss

one night he comes home with all sorts of plants- flowers, weeds, grass, everything he could get his hands on- in his arms and dumps them in front of you- and he starts signing...

...he wants you to show him how to make a crown too!

TICCI TOBY

initially acts like its not that big of a deal or that its really something hes interested in it... but hes shutting you down when you offer to take it back

wears it even when he goes out in the woods, will throw hands if someone snatches it off of his head or damages it in some way. he does NOT care if theyre just flowers!

attempts to dry the crown out, likely fails somewhere down the line and he feels so distraught- he knows that it was going to happen eventually but god does it do nothing to take away the disappointment.. his ass does not know how to effectively preserve plants

you both sit together making crowns

[factual-fantasy]

27 Asks! Thank you! :}} 🤡

I'm on the fence about it..

While I've poured a lot of effort into my redesigns and would love to show them off.. at the same time I don't want a repeat of Octonauts were everyone just disrespects my boundaries and copies my designs line for line. And sometimes worse, copies them and claims that they made the designs themselves.

TADC is pretty popular right now so I just think posting full ref sheets is not a good idea 💀

@beryl-shade @chickenheadguy

Yeah for a while there I didn't know anything about the game and only had OCs. Buuuuut I wanted to make proper grounded lore for my cookies, aaaand I loved the canon cookies designs so much that I just bit the bullet and dowloaded OvenBreak, Kingdom and Tower of Adventures.

I didn't like the gameplay for OvenBreak and abandoned that game pretty quick. I became OBSESSED with Kingdom and I still haven't tried Tower of adventures-

I have a very bad perception of time.. but my guess is I've been playing CookieRun: Kingdom for at least 2-3 weeks or so.. ? Its been a blast so far :)))

@wolfie-777

I've been drawing for as long as I can remember.. so I cant pin point exactly what my first OC was.. but in this OC challenge here, you can see one of the oldest that I can remember! :0 (There's no way he was ACTUALLY my very first one <XDD )

I've been to many different doctors in attempt to find the problem. <:( They believe they've found it. So now its just a matter of trying to treat it. 😔

@sergioho45

Only if they come with syrup and butter 👁️👁️

Thank you <:')) I've been doing my best to take it easy and stay away from Tumblr for a bit.. I'm hoping I get my confidence back soon and can return with some more TADC stuff <:}}}

@pewpewae (Referencing this post)

Thank you.. that means a lot to me 🥹💞💞

@caprico54

THEY WHAT

@milmaxtor

THANK YOU!! :DD AND AWWWW I WANT TO KISS THE KITTY ON THE FOREHEADDDD

@captain-skyler1987

YOU ARE THE COW??

@spookycolorooooo

Awe! Thank you! :}} AND AWW THEY'RE SO CUTEEE 😭😭😭

(Referencing this post)

There's also evidence to suggest that he wasn't dubbing my comic "for fun" or just as a "gift". It looks more like he was using it to expand his portfolio. Pretty scummy.

Also thankfully I haven't had any of his supporters flood my ask box, But I'd been on the look out for them.

@youlikwjazz004

I've watched a few of the movies but I don't really remember them <:/ my only opinion is "WOW that thing is very weirdly shaped" XDD

@lostlornghost

I'm not sure what I'm supposed to do with this information <XD

@misscherrypie

<:'}} Thank you so much! Your guys's support means the world to me😭😭

@knifecatss

The first thing that came to mind is that she loves to eat! XDD

@zboigames

While I'm glad you likes my Mario stuff, the ask button and my pinned post says I don't take requests!

@milmaxtor

AWWW I LOVE HER SHES SO SILLYY!!!

Realllll 😭😭for me I'd want the cautious and swift dark cacao warriors to be playable considering their role in beast yeast..

@ardent-38

Thank you! :DD Also I have not seen that movie <:((

(Also you thought of me? Awe,,🥹🥹)

So am I <XD I present to you!,

A crunch bar! :))

:Dd Thank you! I hope your Halloween/Friday was good too! :))

🥺...... Dark Cacoaaaaaa.....

(Link in asks)

Oh no... the lore is getting complicated...

Wait, don't you mean OvenBreak? They don't look like that in CookieRun: Kingdom..

Yeah so I've seen, but I'm not interested in Golden Cheese 😅 I like Dark Cacoa :)))

GAH! I BEEN BOOPED!

[suffarustuffaru]

Genuine question do you think there's a chance that Julius could be into Subaru? Because I only really hear about Subaru being into Julius when it comes to Juilsuba

(no arc 5+ spoilers in this post)

short answer: yes, i think there’s a chance. a pretty good chance. but whether you want to interpret julius as being Romantically into subaru is up to you. however theres no denying that subaru is special to julius and that julius Loves this guy.

long answer: so i will give the following disclaimer to this, which is that i can only really speak for my own interpretations of the text. for this ask i talked a bit with a few different mutuals about this (bc while i really enjoy julius and julisuba A Lot i wouldnt consider myself an Expert so—peer reviewing it is :3) but—yes im speaking for my opinions here, so in general i recommend looking over the text/media yourself to see what you think too 👍👍

and i think in general like. i wish we saw more subaru ships from the non-subaru lens of it!! :o speaking as someone whos made shippy content from both subarus pov and the other pov, while im not perfect with it either, i just think that it’s always important to get that other pov. and sometimes its kind of a forgotten part !! :< i just think its interesting 1. seeing someone fall in love from subaru, 2. getting that outside pov of subaru, and 3. it makes the dynamic truly equal to focus on the other side of it too 👍 i dont have a lot of julisuba content atm (this will change eventually) but in the past ive rambled a bit about julius’s side of julisuba in one of my….. bdsm……………… posts :3 but anyway ill summarize what i think is going on with julius’s side here:

for julius, his prim and proper knightly persona is pretty like. i get the vibe that hes really Cultivated himself into this over time, especially bc he wasnt involved with nobility until his parents died and his uncle took him in and joshua started trying to shape julius too into what he is now. julius used to be a bit of delinquent (dont know How delinquent he was exactly but just that he was) and of course theres a big switch into julius learning noble and knightly ways and norms, julius trying to keep that armor around his heart, according to subaru. it’s learned behavior and now he struggles a little taking it off. being a knight is entrenched into julius’s familial and personal values, and julius Always strives for perfection. julius seems so put together that we kinda forget he too has his flaws but similar to subaru, he can be a bit pushy, a bit oblivious, a bit reckless. looking at the world in slight rose colored tint. pushing for More. accidentally stepping over others, maybe, but striving for strength in their own ways. Greedy. they’re kindred spirits in that way.

on the flipside of that, subaru inspires imperfection out of julius. repeatedly. subaru inspires julius to get that part of him from his childhood where he was this earnest overzealous passionate little kid and let it out again instead of being prim and proper 24/7. “juli”.

julius steps in to save subaru during arc 3 also bc julius sees himself in subaru—a passionate kid who fumbles in every single direction but that heart is there, and subaru is a walking whirlwind bc unlike julius, he can’t slap a prim and proper persona over it. he wears everything on his sleeve. he’s misguided, in the wrong, but still. his Heart is a tempting sight, and it hits julius a little personally. subaru was a mirror of julius, the part of julius that julius tried to hide a little all while subaru Offends the knights and says shit like how the knights cling to their father’s names (when julius almost kinda does cling to his family name and his knightly ideals to make himself into something Bigger and Grander), but of course julius has Morals and cant let subaru get hurt to the other knights. and sacrifices his reputation in the process—

(these are from the Arc 3 interlude that shows Julius’s side of the duel aftermath)

“did you find his tarnishing of your knightly pride unforgivable to that extent”…… and of course julius readily accepting punishment 👀👀

“the very symbol of his pride as a knight”…. yeah that duel meant several things to julius, and it sets up the entirety of julisuba from here on out. julius treasures idealism—

(hooray juliemisuba crumbs!!) but… julius noting how this duel wasn’t enough to break subarus spirit 👀👀 “It would not be such a bad thing to trade swords with a fool full of idealism once more.” “As for an annoyance… perhaps he was that, a little bit.” fucking hilarious but also so true—bc julius himself is Also a fool full of idealism. naturally, he takes a liking to subaru quickly which then leads to him declaring subaru his friend in later arc 3 <3

“It is truly in Lady Emilia’s nature to cause pain in others…. That very nature is what allows her to live as nobly and beautifully as she does. I do not deign to wish her to change. Thus, all I can do is hope that she lives more righteously, more genuinely, without anything to be ashamed of.” / “Does that go for the boy, too?” / “It goes for everyone…. It is for that very reason I wield a sword.”

It goes for everyone, julius says. these are values he treasures most in himself and in others, and once he sees it in others, he finds himself drawn to them. (though def interesting how julius doesnt 100% answer ferris’s next question on subaru straightforwardly…) julius comments on emilia here, but its also like. why does julius, the upstanding picture of a knight, follow anastasia, a cutthroat business woman? (other than her being the absolute coolest and the ana camp being a whole family <3)

its bc of greed and ambition. the strive for something greater, to dedicate your life to your passions and devotions. theres a whole ss about how julius is told by ana that she wants the best knight possible and bc of his own insecurity assumes she Must mean reinhard—but no. julius is the finest knight for a reason—bc he painstakingly shapes himself to be that way. of course he sees a similar sort of trait in subaru, how subaru shapes himself to be something greater too, and julius finds himself a littleeee starry eyed. perhaps. pun intended.

anyway. this is my long winded way of saying—yeah, julius is drawn to subaru for a lot of reasons. julius quickly finds himself attached to subaru in arc 3, and subaru coaxes out julius’s imperfection while encouraging julius’s passions.

as far as i know (of course feel free to add onto this if im missing stuff), there isnt anything in canon that reads as particularly homoerotic about subaru from julius’s pov. at least not to the same level as subaru repeatedly checking out julius’s body and saying julius is oh so handsome LMFAO. (though julius’s rainbow spirits are super cool.) so i cant definitively go “julius is 100% romantically into subaru”. especially as im asexual myself so personally romance is fun to me but not always a requirement for every ship’s depiction (or at the very least i Love exploring ships having different dynamics across different iterations of them)—so this is more so me going “theyre so intimate with each other in their own ways !!! i love viewing them from multiple angles !!!” <3 but their friendship and what they have in canon is extremely good foundation for romance. and julius likes subaru a Lot!! theyve gone through quite a bit together and theres More to come !!

[crowthis]

PFC Eugene B. Sledge

Co. K, 3rd Bn., 5th Marines

First Marine Div.

c/o FPO San Francisco Calif.

Dec. 7, 1944

Dear Pop,

I received the packages of nuts & laundry powder & brushes. They really make my washing a lot easier. The Hersheys, cheese crackers, more cookies, cocoa, and Georgia Cottage earth arrived. The latter I sprinkled around my bunk & I feel like I'm once again on family ground. I really I certainly got a kick out of the crow foot & feathers & attached cards.

I read "Song to Remember" in a movie magazine this morning. It was the gist of the movie of the life of Fred Chopin. It was very interesting & I enjoyed it. Every one in my tent gets a lot of pleasure from the magazines you & Mummie have sent. I lay in my bunk by the hour & read. You & Mummie can rest assured that I've enjoyed your packages equally as much as you did sending them. I certainly appreciate it and all the love they represent.

If you can't find me some sort of 98[cent] watch & if my wrist watch is repaired please send the latter to me as I do need some sort of watch. Be sure & insure it. Do you remember the small pipe you had with the metal filter & shaped [picture of pipe]. I liked it for its strait, screw on stem, small squatty bowl & metal filter. I thought if you could find it I'd like it if you don't use it. The pipe I have [picture of pipe] is from Sid & pretty nice but I prefer a metal filter & don't like a tall bowl. I guess I'm lowly for asking for anything after all the wonderful packages. I hope you don't think I'm greedy. Tell Mom all the contents of the packages have been fresh and good & all the packages arrived in fine shape. All the boys say I'm really blessed with devoted parents. I inform them thats very very true. I got a nice package from Uncle Woolsey & I wrote him last nite.

Well Pop I have run out of news. As I look over at my bunk with a copy of Field & Stream & a box of cookies on it I feel the need to remove my shoes & relax. This rest snows me but I guess we really earned it. My love to you & Mummie.

Devotedly, Gene

(over)

P.S. Give Floyd my regards & the same to the Wares. Tell them I hope I'm back home hunting with you in the big field next Dec. 7. I got a nice letter from Ed yesterday & I wrote last nite. I hope the rest of the little ducks get along O.K.

Love, Gene

Two packages just arrived. One from Mom & one from Mrs. Butler. Some cheese crackers & a flashlight and some lifesavers were in the boxes. Pop please cease sending baby canned food. It's too rich for me & besides the mortar section takes great glee in "Say Sledgehammer did you get any baby food today?" I can take teasing but thats too much. Be careful how you tell Mummie because I don't want to hurt her & besides everything else is swell. I wrote you about it for I know you'll understand. Now don't let Mummie misunderstand & get her feelings hurt. Tell her its too rich for me, it really is. Everything else is just what I like.

Love, Gene

[worshipme]

"yeah, it's real cute. unfortunately, i didn't have my phone on me so i didn't get to snap a photo. i'm sorry." he apologizes for not being able to capture the moment with a kiss to the top of her head. he knows how rare it sounds right now, but tyler hopes its something that'll become a common sight in their future. they'll have many opportunities then to snap as many photos as they'd like.

he starts the first episode and sets the remote down by his side so that he could grab a few doritos for himself. "oh you'd definitely be able to pull off the outfits. maybe we can move that up to another contender for next halloween's costumes." he suggests. tyler knows that there's a lot of things in his life that he isn't sure of, but the one certainty was that he was going to do whatever he can to make next year's halloween where him and yaz are together a plausible reality.

"they definitely count. i mean, anything that's japanese animation is anime. and even if they weren't animes?" he pauses to give her frame a little squeeze of reassurance. "i'd still give you brownie points." while the episode plays, tyler cozies up next to yaz. it's almost as if he's trying to press himself completely up against her so that every single part of him was touching some part of hers. he was needy in that regard.

"wait, i almost forgot..." tyler's suddenly piping up. he grabs the remote, pauses the episode, and holds it up to his mouth. "yaz, it's been a long while since we've seen you and your partner out on the court together. what do you have to say about his performance now?" he holds the 'microphone' up to her lips now with a wide smile on his face. of course, this was something that he had done a long time ago when they first got involved with each other. the 'post-sex interview' as he had dubbed it. it was what got him to really see her smile and laugh for the first time. which... now that he thinks about it... was probably the true start of when he started being interested in yaz for more than just the physicality of their relationship.

who: tyler && yaz ! [ @itsyazmin ]

where: nyc

there were times when tyler’s felt like the entire world was against him and today certainly felt like one of those days. he had woken up later than he normally would on a sunday because he had trouble sleeping the night before. that caused him to miss out on breakfast just so that he could make it to mass on time (there was nothing he hated more than arriving late to mass and having everyone take a peek at who had entered in late because the door was squeaky and loud). but the most terrifying fact of all: he was going to tell yaz today.

he stands in front of his mirror and adjusts the sleeves of his button-up before smoothing the fabric out. he knows the odds weren’t looking good for him. she was going on casual dates with others and had even called their friendship cordial. whatever he was going to say today would ruin that, but he’d rather see his feelings through than letting them fade into oblivion with the ‘what if’ lurking in the air. tyler runs his hands through his hair before going between taking his glasses off, putting them back on, taking them off again… before he finally settles on keeping them on. there wasn’t time for him to fuss about getting his contacts in, and frankly, he thinks the glasses are the selling point of his “sunday’s best” fit.

“okay socksock, remember what i said for later today.” he tells his cat who has been sitting at his feet patiently. “best behavior… i really like this girl. i don’t wanna ruin it if god blesses me today and answers my prayer.” he fixes his collar one last time, pats down the pockets of his slacks to make sure he’s got everything else he needs, and then lets out a sigh. tyler crouches down and scratches right under socksock’s chin. “wish me luck.” he whispers to her, leaving her with a peck on top of her head before he’s standing back up straight. tyler heads for the front door and makes sure to grab his leather jacket hanging up on the coat rack.. in case yaz gets cold.

then, tyler’s standing outside of yaz’s door and feels a chill even though he’s currently wearing the jacket. what if today was the last time they’d hang out like this because his feelings would ruin it? he gulps. but what if today was the start of something new? that thought is enough for him to ring the doorbell and wait patiently for her. whichever it was, that wouldn’t stop tyler from having fun today. they were going to get food, then have their furbabies meet… then he’d tell her. yeah… that’s the plan.

[theculturedmarxist]

>Would a party that declares independence from the culture war even be possible?

I think so. We have to remember that the "culture war" is itself just a proxy for the class war being waged against working people.

For example, in my state a few years ago there was a bunch of bullshit over the "bathroom bill." Dem-controlled Charlotte passed a bill saying that people can use the bathroom of their presented gender, and then Rep-controlled Raleigh countermanded it with a bill of their own saying the opposite. There was a lot of gnashing of teeth over the assault on trans rights and so on, but all of this was in service of covering up what the bill was really about. The second half of the bill not dealing with bathrooms dealt with preventing municipalities from setting minimum wages, safety requirements, and other such things for contract workers.

Another example is this recent shit out of Florida and other places attacking what books school libraries are allowed to have on their shelves, generally having to do with LGBTQ&c content. It's really such nonsense, because how many children are actually being "exposed to" that kind of thing from their school libraries to begin with? But recently I saw an article that tallied up the amount schools have spent having to fight these regulations or the evangelical groups suing them into the billions of dollars. Once again the trans issue is just a cover for reactionaries to attack working people, this time by draining public schools of resources and covering them in acrimony.

Remember also that this "culture war" is happening in a more or less vacuum of working class material interests. Both parties use it as a scapegoat to prevent having to offer working people anything. In either case, if a voter isn't offered something positive to vote for, they'll at least vote against something negative. The average person probably doesn't know a trans person or deal with them in such a substantial way to really have to think about them at all, but when used as a means to threaten their child, either in the sense of "you don't want some DEMOCRAT to trans your beautiful girl into an ugly MAN do you?" or "you don't want some REPUBLICAN to KILL your beautiful trans child do you?" then it becomes a serious issue.

For the most part I really don't think the average person gives much of a shit. Returning to my state's circumstances, right now much of the Western portion is still devastated by hurricane Helene. If a trans person showed up on the remains of someone's doorstep, home destroyed, no power, no heat, no water, no food, with clothes and food and water for them and their children, do you think they're going to turn their nose up? Maybe a few, but I think most people would kiss the feet of the person that kept their children from starving.

And I think that's what we see pretty regularly—people are more concerned with having their material needs met over the ideological source of having those needs met. The average American voter isn't represented by either party because neither one materially meets any of their needs and they have no interest in trying to. In fact, I think if you described the ideal socialist program to the average American they would unequivocally support it.

To provide one such example, when the Amazon Union had its first organizational success after several failures, the union rep was interviewed and talked about what made this time succeed after all the other times failed. Basically he said that the union DID for the workers in the lead up to the vote, providing them with food and weed in addition to their ideological aspirations.

Contrast to the interview with the worker from (iirc) a failed unionization attempt at an auto plant in Kentucky. Ideologically she backed the union 100%. She wanted the union, thought it would be a tremendous help to herself and the other workers there, yet she voted against it. Essentially what she said was "I wanted the union, but I have cancer and the employer threatened to cut our healthcare if we unionized, and that would kill me."

And that's the major stumbling block for the socialist movement in the US right now is that it lacks the ability to materially provide what it ideologically aspires towards. It isn't a defect in theory or lack of zeal, it's just materially unable to. So in spite of a lot of theoretical support for socialism and its ideals, that support hasn't translated into success for the movement, in large part because even when socialists are successful at the polls, the political system as a whole is designed to make translating that success into the sort of material changes which would threaten to unseat the bourgeois parties.

One such example is that the socialists actually did win in Nevada a few years ago. Socialists within the Democratic Party managed to unseat the bourgeois party representatives, and the party responded by basically robbing and starving them of resources, and all the experienced bureaucrats the party's representatives rely on to function all quit. The result was that last year all the elected socialists got unseated in turn by Democrat regulars because they weren't able to parlay their electoral success into actual material gains.

In my opinion the threat of actual material improvements for the working class and what that would entail is what freaked the Democrats out so badly about Bernie Sanders. As much as they squealed and cried about Trump, Sanders actually terrified them. It wasn't his label as a socialist, because to Americans the "Socialist" label is meaningless, just a stand in for whatever scary Bad Thing. What horrified them was a socialist politician getting within spitting distance of having the power to actually provide people with material improvements to their lives. The Democrats aren't afraid to promise or "fight for" a $15 minimum wage or "access to health care," but they are deeply terrified of someone actually providing it.

And I think that is shown both historically with groups like the Black Panthers and the violent reaction generated by their childhood lunch programs, but more recently with the success of the Amazon Union.

The real impediment to socialist political success is that political success itself is insufficient to materialize concrete gains for the people that vote for them, and getting bogged down in "culture war" superficialities exacerbates that. That isn't to say that trans people or their needs should be abandoned, but rather that they need to be a) put in the proper context and b) can't be combated on bourgeois terms.

In 2020 and 2024 both, the Democrats offered trans people nothing except the threadbare hope that by voting for them, they'd be spared the worst predations of the Republicans. The proper socialist position would be that merely being spared from harm isn't enough. Trans people suffer particularly from poverty for example, so merely keeping their circumstances from worsening is insufficient, but that they needs must be improved.

In the current calculus of the American political system, this is theoretically appealing to the average voter. As long as helping trans people doesn't come at their own expense, Americans would generally support such a thing. The problem is whether explicitly known or not, voting for a socialist proposing such a thing would be a losing proposition even if they won. I frequently hear people that they intellectually support third party candidates for example, but "they can't win." Even if a socialist were able to win election to legislature, they would be hamstrung by the fact that they're an enemy of "both sides" with a material interest in seeing them ejected in short order. There are some exceptions like Sawant or Sanders, but that's the general rule.

What I think this means is that at this stage there's an overemphasis on winning political power and trying to beat the bourgeois parties at their own game. I think the social and political organization of the working class is too immature for that at this stage. Rather we must develop the sort of ecosystem of material benefit and support which solves people's problems outside of a hostile electoral system. This doesn't mean electoral politics should be abandoned completely, but rather than winning elections as an end in itself must be de-emphasized.

Returning to the problem of trans poverty for example. I think what would enhance a socialist party's success would be starting a program of partnership with amenable unions to secure trans people positions within them and their industries. This would solve multiple problems at once by providing this theoretical union with members that have incentives to participate and support it, if only out of their own self interest. They'd be indebted to the party for the assistance and if not ideologically converted at least incentivized to support the party in turn. Ideally this would also help the union and the party foster a mutually supportive relationship which would further the goals of both.

The point being, as long as socialist orgs are focused primarily on political contests they can't win, the development of broader working class organization is going to remain retarded. All the small, disparate working class elements existing in the US have to start developing networks of mutual aid and coordination, pooling their resources to in order to provide actual material support to workers outside of whatever crumbs they're able to wrest from the bourgeois state, because otherwise we're resigning ourselves to a Sisyphean political struggle we're unlikely to win.

[hainethehero]

No hate, genuine question. Why do yous think bucktommy was such a good relationship? Tommy bought him tickets to basketball when its established he doesn't like basketball and buck didn't even know if Tommy was gay or bi after 6 months like that doesn't seem like they knew each other at all what makes it seem like they have such a good relationship?

Genuine answer, I liked that Buck finally had someone that was upfront with him and really interested. Before then, it was mostly him chasing interests.

As for the basketball tickets etc., it was terrible writing. The writers clearly got direction from whoever (showrunner, execs etc) to just half-ass it. The writing was just terrible bc Tommy up until then was very in love with Buck, and even Oliver said, they were in the early stages of learning/exploring each other.

And again, there was clearly a miscommunication between the show & the interviews that Tim and Oliver did.

Tim said he liked Lou a lot and felt like Tommy was the perfect guy to set up Buck's queer storyline and relationship with. He also said he wanted to give the relationship respect and didn't want to make a big deal about it because a lot of shows do that, when queer couples should be treated not as something gratuitous and showy, but as something natural. He also said that he wanted to change up the fact that Buck has always been on a rollercoaster of relationships and has never quite settled and he wanted the opposite of that to happen with Tommy.

Oliver said that he wanted to do the same and be respectful of showing a genuine queer relationship. He even said that Buck and Tommy were taking things slow and getting to know each other and exploring this new territory for Buck. He even said he wanted a slow burn where the desire just builds etc.

Then, in the show, after season 7, there were barely any Buck and Tommy scenes. Yes, Buck and Tommy were there for Christopher's birthday, but that was more about Eddie. There was no genuine effort to develop their relationship. Most of season 8 was about Bathena & Henren, (not even Eddie or Chimney got enough screentime tbh). But they clearly showed through the writing and the pacing that the Buck/Tommy relationship was no longer something they wanted to spend time and energy on. The discrepancies then, are the difference in the interviews and then the show. People genuinely thought they were going to do what they said (see interview above & Google the rest of interviews bc there were a lot with the same sentiment expressed about being respectful about Buck and Tommy.) But they clearly didn't and went with the, "oh we were tricking you and rly just going to break them up so that Buck can kick off his yt boy angst" arc.

Honestly I'm still confused af:

Why did they dive into this plot if Tim and Oliver knew they were just going to half-ass it?

Did Oliver just not like Lou and ask Tim to end it abruptly?

If Oliver/the cast didn't like Lou, why did they keep him on?

If they did like Lou, why did no one defend him when he was getting sent death threats, petitions to get him off the show, degrading comments about his looks, name-calling etc?

And if Tim and Buck were genuinely truthful, that they wanted to be respectful in developing and building this queer relationship, why did they let it get railroaded by sloppy writing, bullying from stans, no promotion of the relationship ship whatsoever and minute long scenes where there's no deep conversations or focus on their dynamic?

If the 911 cast didn't like Lou so much, whyd they keep him on? Why did they continue the storyline? Why lie in interviews and say things like slow burn, instead of being brave and saying, well, i don't like the direction my character is going in, so we're scrapping Buck and Tommy?

It all just seems like blatant cowardice to me, from the entire cast, but specifically Tim and Oliver. And now that they broke up, Oliver's brilliant response is, "i want Buck to fuck this guy and that girl, and that girl and this guy and this girl..." like, CLEARLY he did not give a f--k about the relationship, so he should've expressed that earlier, instead of making stuff up about slow burn and desires, and getting over hurdles together.

So to answer your question, we were expecting what Tim and Oliver alluded to, (and up until 8x05 they seemed smitten with each other, even with boils on Buck's face- and then immediately broken up next ep) and instead got shitty pacing, little to no development of the relationship, and weak, half-assed writing that seemed more from a middle-schooler than an actual writer.

[libraryspectre]

I wanted to talk about the Black Parade uniforms and it kind of turned into an entire essay. My ideas on the intention behind each costume and their cohesion as a group really evolved over the course of writing this, and I think it brought into focus a lot of things I knew subconsciously but hadn't articulated. I also noticed a lot of details I had never seen before. This has futher convinced me that 1) costume design and what you can say with it is really fascinating and 2) this is S-tier costume design of all time. And it's really long so I'm putting the rest under the cut.

What I would have loved is a Weezer-style picture of the five of them standing side by side, full bodies visible, but unfortunately that doesn't seem to exist. They're either covering each other up, or posed in such a way that details aren't visible or cut is hard to compare, so I'll have to provide a variety of visuals. This weirdly blurry poster is the closest thing I could find to a Weezer picture, so take them in as a group and refer back as necessary. I want to start by saying, obviously, that they look amazing both individually and as a set. "Dark marching band of death" is a really fun concept that is very well executed. But this isn't their first time doing a look as a group - think back to Revenge for a minute, when they really started to think about their costuming as a band. Gerard has talked about how then, they were kind of closing ranks against the vitriol coming their way. They needed to feel like a team, a gang, and dressed like one. I think some of this mentality has carried over into the Black Parade uniforms - they're less defensive, (there's no bulletproof vests), but in taking on new, nameless identities they have removed themselves as individuals from the equation, which is protective in its own way. What's left are stage personas, and the more you look the more you see that these were designed by someone who is very familiar with the history of the band and how each member presents themselves on stage. It's absolutely genius costume design, because when everyone is in uniform, the little differences are more noticable and tell you so much about the intention behind each variation.

Before we really start, I have to confess that I have no history in costuming or even a lot of familiarity with marching or military bands. I can only say I find costuming interesting, so I've read a little about it, and I went to high school in America and almost all my friends were in marching band. Someone who is more educated in these things could probably give more specific insights and have a better vocabulary to talk about it, but do not underestimate me. I am deeply obsessed with MCR and got A's in English, so let's find some meaning in symbolism! But please remember that with all art, there is no one interpretation. And remember going forward that these costumes were designed by Colleen Atwood, based on sketches she was given by Gerard, so there's no telling what elements were brought in by her and what elements Gerard had planned originally. If anyone has sources on that, PLEASE let me know because I'm very curious about the design process.

Also, I'll be using the uniforms as they appear in the WTTBP video as the standard, with acknowledgements toward variations seen in posters and the FLW video. It's worth noting that in many live performances they wore different, less unique jackets, and often forewent the pants for black jeans. This is almost certainly because they were easier to perform in and they didn't want to subject the originals to the sweat and rowdiness of regular shows. Ok, here we go! Here are some pics to refer back to throughout.

Starting with the band as a whole, I want to point out two things: first, marching bands evolved from military bands. The individual costumes vary in how "military" they look, but you can definitely see the influence when you look at them as a set. I imagine they leaned into that a bit because of the military elements on the record - the suggestion in Mama that the patient was a soldier, maybe even a war criminal. We also know they've done military aesthetics before, in The Ghost of You music video, and that the band was formed in response to 9/11. Suffice to say, the military is on the mind, and this is a continuation of that.

They also look a bit like skeletons. Obviously they would occasionally do the face paint, but the uniforms themselves suggest a ribcage with the horizontal silver lines, and at some angles the stripes on the pants also really contribute to the image. I know most people have already realized this, but I wanted to point it out explicitly because it took me an embarassingly long time to see it.

Alright, I'm gonna talk about them individually now, going from my personal least to most favorite. Taste aside, they're all individually really interesting.

5. Bob

(I can't find another good Bob picture, just scroll up to the blurry one)

It's not just because I don't like Bob, I genuinely like this one much less than all the others. It might be because it's less tailored - the others look much sharper, he looks almost rumpled in comparison. The lose fit might be because as a drummer, he needed better range of movement, but I'm not a drummer so I don't know. The cut of his jacket looks kind of naval to me, which is interesting. His stripes are also very minimal compared to the others. Overall, his looks the least like it's part of a set. I don't necessarily think they meant to set him apart, but maybe they did, considering he's the only non-original member (I'm counting Frank as an original member) and the only one not from New Jersey (which, I only point out because they ALWAYS point that out to people who mention they're a Jersey band. We're from Jersey, Bob is from Chicago.) Maybe it was a subconscious thing, or maybe as the drummer his costume was designed to make the most of what would be visible sitting and partially obscured by the drum kit. It does have a very dramatic collar. That's probably also part of the reason they gave him a more distinctive haircut for this - I'm not gonna talk about hair much, but it's worth mentioning. Overall, I don't have a ton to say about Bob because I don't think of him much (sorry, but not really).

4. Frank

Frank's is really interesting. His is the least traditional-looking, which is why it's here in the ranking, but I like it and I think there's a good reason for that. Those stripes on the sleeve are a really strong look, and the material of the silver has kind of a tarnished/dappled look you can see better in other photos. I've seen people say it's a subtle camo pattern, but I'm honestly not sure - I think he's supposed to look a little less new and shiny. The blockiness of it widens him and gives him a lot of presence that might be lost if he was dressed more like the others, and it compliments his performance style well. That's particularly important in the WTTBP video - on that float, he simply doesn't have room to be as wild and energetic as his standard performance was at the time, so this uniform helps him stand out and draw attention to what thrashing he is able to do. As far as bucking tradition, he also is the only one without shoulder tabs (those little loops). There's something funny about that - those tabs are meant to hold loops and eupalletes that would signify rank, placement, or achievement, which apparently you could not give to Frank if you tried. I think this lack of traditionality is reflective of Frank's more punk sensibilities, having come up in the Jersey scene. His playing style evolved over time as he and Ray influenced each other, but at the start he was very much their punk guitarist and coming up in that scene continued to influence how he conducted himself as a musician. I think this uniform marks him as a non-conformist even within the group.

He also has that patch with a red cross on the sleeve, the only bit of color on any of them. I don't know what to make of that, maybe it's just for the Catholic vibes.

Honestly, Frank's feels the most like what people would expect from an "emo" marching band uniform. Especially considering the poster, where he's found a hole to stick his thumb through. I don't think he's wearing it in the video, but in that poster he has this belt with some kind of weapon?? Maybe?? We get it, he's a dangerous little man.

3. Mikey

Mikey's uniform is by far the most military - it's not just the medal, it's also the cut of the jacket. And he's the only one with a fun little belt, which helps keep the silhouette look nice and tailored even though the jacket flares a little at the waist. We all know the medal is a reference to his death in The Ghost of You video (there's no way they didn't know we would make that connection) and it wouldn't surprise me if the rest of his uniform looks more military because it was built around that idea. But also consider Mikey's stage presence at the time - due to his discomfort on stage, he used to be really stoic, standing in the back, getting the job done with little showmanship. I think that presentation lends itself well to a classic military figure. Mikey is also pretty thin, and the long jacket and it's strong, solid construction keeps him from looking too Victorian-orphan waifish (especially with how pale they all are), and more like a dead soldier boy.

Additionally, Mikey's costume leaning so hard into the military side helps them look more military as a group. It keeps the association in your mind when you look at the others. Also, he's wearing a little necklace here, which I've never noticed before, is he wearing that in the videos?? I think it's an anchor, which is fun considering he died on a beach.

2. Gerard

Yes, Gerard's is #2 in my ranking. I'm sorry, I might have a slight bias knocking it down from #1. But maybe not, let me defend myself when I get there. Anyway, Gerard's is the most classically marching band, which makes sense considering he's the frontperson. In fact, he has one of those braided loops on his shoulder we talked about earlier, demonstrating.....something, it seems to vary a lot, but we're probably meant to think leadership. He's not wearing it the WTTBP video, but it's there in Famous Last Words. He also has that fancy little star thing on the shoulder, which definitely seems to suggest rank. Otherwise, his uniform is very basic. He's the template that the others' uniforms are variations of. And it's a great look! He's also got nice big buttons compared to the others, three whole rows of them, which is a nice touch to make it look a liiiiittle more feminine. Because, of course, the back of the jacket is corseted, in a genious stroke of gender that puts the entire outfit in a new context. I think this is a good example of how Gerard likes to play with androgony by balancing masc and femme elements. The cut of his jacket makes his shoulders look wide and his waist narrow, but not so narrow it looks terribly feminine (just a little, taken on its own). A lot of this is achieved by the piping - notice how on Bob, Mikey, and Frank, the top row of piping (I might be using that word wrong but let's go with it. I'm talking about the silver stuff across the chest) is pretty much the same length as the bottom row? On Gerard, they start out wide way up on his shoulders and get progressively narrower at the waist. It's still a mostly masculine silhouette, but then you have the counter balance of the big buttons and his little white pixie cut, both of which lean just a little further toward femme than masc. It's an androgynous look that leans toward masc as a whole, until he turns around and, boom, corseted back. Showstopping. He also had those black leather gloves that give some nice formality, and maybe a touch of impersonality. They make it so that when he's in full uniform, the only skin you can see is that of his face. They're like an edgier version of the usual plain white marching band gloves.

1. Ray

Going purely by aesthetics, Ray's is my favorite. It's the fancy one, most obviously distinct by the flourishes around the buttons on his jacket. He Mikey are the only ones with pure silver shoulder loops, and Ray has more silver piping on his jacket than the others. In some pictures he's wearing this really ornate knotted tassle thing? You can see it in one of the group pictures above. He isn't wearing it in any of the videos, which makes sense as it could be really annoying while playing. The cut of his jacket at the bottom also looks formal to me, but I'm not sure why. Overall, the ornanamentation could be a reflection of his playing style - the same caveat here applies to Frank, in that they influenced each other through their parnership as guitarists, (and Ray has a lot of influences from different genres), but at the start he was their metal guitarist, and the guitars in metal are often complicated and showy. And he's their soloist, they need to show him off a little.

Additionally, the construction here is giving him an absolutely wild silohette. Like Gerard, the piping on his jacket gets progressively narrower to suggest a smaller waist, but without the really long stripes at the top to make the shoulders look broader. Those vertical lines across the front add to the effect because they're curved inward - which is interesting, because everyone else's uniforms are composed of entirely straight lines and sharp angles. And his jacket is cut REALLY high on the side. I can't tell if Ray's pants are more high-waisted than the others, or if it just looks that way because of the cut of the jacket. You see the stripe of the pants go all the way up his hip, and since he's already tall with long legs, it really accentuates that. It's hard to tell, but I think his pants are even a little more form-fitting than the others. The other day I saw people commenting on a gif of Ray in the WTTBP video about how they never noticed how long his legs are - this is why!

We talk about how part of what makes Ray such a compelling performer is how he moves, and I think this costume was designed to compliment fluid motion. The tailoring and curves of the piping avoid making him look too rigid or blocky, as a marching band uniform could easily do, and the high cut of the jacket lets the line of his legs continue uninterrupted. Honestly, this is a favorite look for Raygirls (gender neutral) for a reason - I think they knew exactly what they were doing putting him in a pretty, well-tailored uniform that accentuates his movement. (Caveat here that I'm a Raygirl (gn) so I'm definitely biased, and they all look great in their uniforms, but I do think Ray's is.....uniquely flattering, and I don't think it was an accident).

Conclusions

So now that we've talked about all of them, I think we have some interesting contrasts to make. Gerard and Mikey both have very classic looks, but Gerard's is more marching band and Mikey's is more military. Mikey and Bob both have very military looks, but Mikey's has a much more solid construction. Gerard and Ray are both on the marching band side of the spectrum, but Gerard's is classic while Ray's is ornate. My favorite contrast is between the guitarists - Frank's is blocky and rigid and tarnished, Ray's is curved and fluid and shiny.

The interplay between similarity and contrast is what makes this so compelling as a group costume - just by looking you can tell who's the leader, who's the tragic figure, who's the outcast, who's the rebel, who's being spotlit.

In closing, thank you Colleen Atwood and Gerard Way for designing these and the rest of the band for wearing them, I will never get tired of looking at them.

[strangefa11]

This question may have a more obvious answer because I don't remember a lot of TMA.

How did Tim and Danny end up in Jon and Martin's care? What was their adjustment period like?

Furthermore, what was Jon and Martin's adjustment period like after ending up somewhere new? Do either of them have any of powers from their previous life?

Sorry if these are too much. I just really like your AU 😅

it’s not too much at all!! This did turn out super long though so there’re some details I had to skip… oops… but anyway I tried to go in chronological order. I hope this answers your questions tl;dr at the end :3

Okok so after MAG 200 Jon and Martin arrive somewhere else along with the fears. Their bodies come with them, so still have all their scars and marks (and also Jon is bleeding out lol). The somewhere else they end up in is similar to their original universe in some ways but also very different in others, for instance the Magnus Institute doesn’t exist. Because of the differences the fears also manifest differently than they used to, almost exclusively as (mostly) physical monsters rather than the more insidious metaphysical presence that they have in the podcast. Also no Leitners but I think that’s more because the fears only just arrived so they haven’t had time to appear yet (hint hint).

Jmart still have their connections to their entities as well as their abilities but those are also different, they focus more on the physical aspects of the entities as well. Jon isn’t omniscient anymore, he still Knows things occasionally but in general his abilities are a little more related to watching than archiving (the reason for that is an explanation all on its own so I’ll skip it for now in the interest of not making this TOO long). He also heals from being stabbed pretty immediately but I think that’s more of a one time thing than a consistent ability afterwards.

Martin’s abilities are mostly more specifically centred around fog and physical isolation than emotional distance. They're also a lot weaker than Jon’s (another explanation I’ll save for later lol)

They manage to get themselves together and get jobs and a home etc etc the specifics of all that don't really matter. They meet Tim a few years later while he's being chased by a monster (I think it's probably a Dark monster). They save him (Jon melts it or something).

Through talking to Tim they learn a few things 1) he’s definitely the somewhere else version of their Tim Stoker 2) he’s in foster care with his brother 3) he encountered the monster after sneaking out. After learning these things Jmart naturally do the responsible adult thing and help him sneak back into the house after making him promise not to sneak out again.

Obviously Tim wants to know more about the monster that tried to eat him so after some convincing they tell him he can visit them at the library Martin works at.

Tim starts visiting them semi-regularly, sometimes Danny comes along. Jmart tell him a little about the fears but not about their past at first. Eventually they learn from Tim that the foster home isn't great. It’s not outright abusive but the couple is very conservative christian and it’s just not a good fit. Tim doesn’t want to move, though, because he’s worried he and Danny will be separated.

They don't actually adopt Tim and Danny until after they’ve already gotten to know them fairly well, and they start with fostering them. So the adjustment period is a little more natural. I will say they definitely get to know and bond with Tim a lot faster than Danny. Danny definitely follows Tim’s lead though so he’s more inclined to trust them when he sees that his big brother likes them.

There’s a bunch more I could say about the specifics of the fear mechanics in the new world and the details of Tim and Danny’s history but this is already way longer than I planned so I’m gonna cut it here for now :’)

TL;DR: The fears are a little different in the new universe but Jmart do still have their fear abilities, they rescue Tim from a monster and eventually adopt him and Danny from their less than ideal foster home.