#but i think it's important to understand why he's acting the way he is
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cayleeuhithinknott · 22 hours ago
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❛ TEASE ❜
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𝒊𝒏 𝒘𝒉𝒊𝒄𝒉
chris teaches you a lesson for teasing him all day.
based on this
cw: SMUT, unprotected p in v, use of pet names, degrading, oral (m receiving), not proofread LMAO, choking, spanking, teasing, lowk cringe
THE PHOTOS LINKED ARE JUST FOR BETTER UNDERSTANDING! THEY DO NOT REPRESENT YOU AS THE READER! :)
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all day.
it’d been all day that you’d been torturing poor chris. the texts, photos
all of it. and you knew exactly what you were doing. you loved knowing you were getting him all hot and bothered while he was out doing important things. you got a rush of confidence out of it.
it all started at around 11 this morning. you’d sent him a text, along with an image. last night, you two had fucked, and of course he left his signature bruises on your neck and collarbone. so, why not tease him with a photo of that?
you
miss u. a lot.
attachment: 1 image
u marked me up so good last night baby
chris💗
i miss you too angel
i should be home around 5
definitely wasn’t the reaction you’d expected. he was too
chill. you’d figured you go ahead and bump it up a notch. so, then, at around 1:30, you got into position on your bed, only wearing a shirt and underwear, and snapped a photo before sending another daunting message. and you were bold with it.
you
wish u were here to fuck me til im crying :(
attachment: 1 image
chris💗
baby stop.
i’m about to go into a meeting and i’m fucking bricked. watch yourself. im serious. drop the lil teasing act or im gonna fuck it out of you
finally, he was showing something of a reaction. and you meant every word. so finally, at around 4:30, when he was soon to be home, you set up for the final message. you put on chris’ favorite red set and sat on the couch in front of the mirror, snapping another photo. surely, this’d get him going.
you
i’m waiting for u baby
attachment: 1 image
too bad ur all talk :(
chris💗
you say that.
i’ll be home in 5.
oh shit. okay, now, you were definitely feeling a little nervous. usually, teasing him like that got you a little confidence boost. but now? now was different. like you were waiting for your impending doom. but
maybe there was a little confidence left in you.
you heard the door slam and giggled to yourself, knowing you had gotten under his skin. sitting on the couch, you pretended to be engrossed in something on your phone, your heart racing with anticipation. chris' heavy footsteps approached, and you could feel his anger radiating from him. he stood before you, his frame blocking your view of anything else.
“you’ve been a naughty girl today, haven't you?" he growled, his voice deep and menacing.
you looked up at him, feigning innocence, but the mischievous glint in your eyes gave you away. "maybe a little," you replied, biting your lip. yeah, some of that confidence was still lingering.
but it was quickly lost when, with lightning speed, chris grabbed your wrist and pulled you up from the couch. you let out a startled gasp as he roughly spun you around, pressing your body against the armrest. the sudden dominance took your breath away, and you felt a rush of excitement mixed with fear.
"you think you can tease me all day and get away with it?" he whispered harshly into your ear, his hot breath sending shivers down your spine. "you’ve been a very bad girl, hm? and bad girls get punished, don’t they?”
before you could respond, chris’ hand firmly gripped your throat, applying just enough pressure to make you aware of his strength. your eyes widened, and you struggled to breathe, but the sensation of his rough fingers against your skin sent a surge of pleasure through your body.
you whimpered softly, torn between fear and arousal. just the way the both of you liked.
“please...chris..." you managed to whisper, your voice hoarse.
“oh, you want me to stop?" he mocked, tightening his grip slightly. "you’ve been begging for this all day, haven't you? teasing me, making me hard as a rock, and then leaving me hanging."
you nodded, unable to speak, as his other hand reached down and grabbed your ass, squeezing it possessively. he ground his bulging erection against your ass, making his intentions clear.
"you like it when i get mean, don't you, you little slut?" he hissed, his lips brushing against your ear.
you whimpered again, unable to deny the truth. chris knew exactly how to push your buttons, and your body betrayed your submissive nature. he released your throat, leaving you gasping for air, and forcefully ripped off the bottom half of your lacy red set, exposing your bare ass.
“bend over the couch," he commanded, his voice filled with authority.
trembling, you obeyed, resting your upper body on the soft cushions. chris wasted no time, adjusting your hips and revealing your wet pussy, glistening with anticipation. he admired his work, smirking at the sight of your arousal.
"fucking soaked
pathetic." he teased, running his fingers along your slit.
you whimpered in response, your face flushing with embarrassment. chris’ fingers probed your entrance, teasing you, but not entering. he wanted to drive you wild with need.
“please, chris," you begged, your voice trembling. "i need you inside me."
"not yet," he growled, slapping your ass with an open palm, leaving a stinging sensation. "you’ve been a little fuckin’ tease, and y’need to be taught a lesson.”
chris delivered another sharp smack, making you cry out in a mix of pain and pleasure. he continued to spank you, each strike leaving a warm glow on your ass.
you squirmed, trying to escape the stinging pain, but chris held you firmly in place. “you like that, don't you, you dirty girl?" he taunted, his voice thick with desire. "you love it when i mark your pretty ass."
you could barely form words, your mind clouded with lust and shame. chris’ hand reached between your legs, his fingers replacing the sting of his palm with a different kind of heat. he rubbed your clit, making you moan and squirm.
"please, let me cum," you begged, your voice desperate. you were embarrassed as shit. on the brink of an orgasm from simply his words, spanking you, and him measly rubbing your clit? if that doesn’t scream to him what he does to you, then you don’t know what will.
“not yet," he repeated. "i haven't even started fucking you yet. and when I do, i’m gonna keep goin’ until you’re beggin’ even more. that’s what you wanted, isn’t it? after fuckin’ teasing me all day?"
the explicit words sent a jolt of excitement through your body. chris fingers worked their magic, bringing you to the brink of orgasm, only to pull away at the last moment. you whined in frustration, craving release.
"please, chris, i-i can't take it anymore," you pleaded, your voice breaking.
"that’s what you get for teasing me," he said, his voice softening slightly. "but i’m not done with you yet. i want you to remember this lesson every time you feel me inside you."
chris positioned himself behind you, his hard length pressing against your entrance.
you could feel his cock, throbbing with desire, as he slowly pushed into you, filling you inch by inch. you whinily moaned, your body welcoming the invasion, as he began to thrust, his movements slow and deliberate.
"y’feel so fucking good," he grunted, his voice strained. "y’know i’m gonna make you wait, baby. I want you to beg for it. you—shit—fuckin’ humiliated me while i was in a meeting—makin’ me rock fuckin’ hard. so i think it’s your turn to be embarrassed, don’t you?”
chris’ words sent a shiver through you, and you knew he was going to take his time, pushing your limits. the pleasure was almost unbearable, and you struggled to hold back your orgasm, knowing he wanted to control your release.
"oh fuck," you cried out, your body on fire, every nerve alight with pleasure.
chris leaned over you, his chest pressing against your back, his breath hot on your neck. "you like it like this, don't you?" he grunted between thrusts. "fuck—you like bein’ embarrassed like the whore you are?”
you could only nod, your words lost in the moans and cries of pleasure as he pounded into you, his pace relentless. his hands gripped your hips tightly, leaving marks on your skin, but you didn't care. the pain only added to the intensity of the pleasure.
“you’re mine," he growled, his voice raw. “my little—mmh—slut.”
"please, chris, let me cum," you begged, your voice desperate.
he reached around, his fingers finding your swollen clit, rubbing it in firm circles. "cum for me, baby," he ordered, his voice harsh.
your release hit you like a tidal wave, your body shaking as you cried out, your pussy clenching around his cock. chris grunted, his thrusts becoming more erratic as he too approached his climax.
“that’s it, that’s m’girl, take it all," he grunted, his hips slamming into you one final time as he emptied himself deep inside you.
as your breathing slowed, chris withdrew, leaving you feeling empty and satisfied all at once. you turned to face him, your eyes meeting his, both of you panting, the air thick with the scent of sex.
"that," he said, his voice hoarse, "is what happens when you tease me, baby. but i think you enjoyed it, didn't you?"
you smiled, your cheeks flushed, knowing full well that you had.
maybe now you had your plans for tomorrow all sorted out for while chris was out working.
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a/n: hello hellooo! this kinda sucked IDK WHY MY WRITING IS SO LIKE CRINGY but oh well! hope you enjoyed anyway
tags: @sturniolo04 @admeliora94 @claireezz10 @strnilolover @snuffbut @frattboychris @marrykisskilled @mqttittude @purpledragon222
dividers: @bernardsbendystraws
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poetry-protest-pornography · 2 days ago
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Talking with @respectthepetty about the finale, and I think I've figured out my biggest sticking point.
We see the incredible care and love that Kan shows his patients, and Tew's mom in particular. We see him ask her for confirmation multiple times. He brushes her hair, asks her if she has any worries, promises to take care of Tew for her.
He calls her Mom. She cradles his cheek. He sits with her while she falls asleep.
We see this scene play out, we feel Kan's compassion for her, we feel his need to help.
And when he and Tew have their confrontation, he says all of this. He talks about how much it hurts to see people struggle with unbearable pain, how the system doesn't care about how well or how poorly people are living, doesn't care about what people want for their life. He gives an impassioned defense of the need for euthanasia to be made legal.
He tells Tew that his mother died the way she wanted to, that she passed peacefully and on her terms. He tells him that she wanted him to be happy.
And we don't see Tew truly understand any of that. We don't get to see him even really process any of it.
I didn't need or expect Tew to become a supporter of euthanasia, or to even fully forgive and understand what Kan did and why he did it. But it seems like what we got instead was Tew accepting his feelings for Kan, and acknowledging that.
So that "I love you" felt... Misplaced.
What good does a confession do when you've got the man you're in love with handcuffed, on your way to turn him into the police.
(The confrontation itself was beautifully done and it hurt all my feelings. But I'm not sure it was in the right place? There was no room to see them struggling with and processing it. Kan's sad nod of acknowledgement and no response was the correct response, but it was also mine, quick I think is not the desired effect.)
Also, Kan volunteerimg to turn himself in, without arguing for his patients who need him -- in his hospital that is desperately short staffed, in which he is the only palliative care doctor; a point that has been made over and over in the series -- also felt off.
I would've been happier with an ambiguous ending, maybe even the exact same one, where we didn't see the cuffs, and weren't sure what was next for them.
(from my understanding, this is basically the opposite of the source material? There's also the comments from the screenwriter that have kind of left an annoyed filter over all my thoughts about the show, but I digress)
Honestly, I may have been okay(er) with the outcome if we had had more of their relationship development on screen, more of them trying to understand each other (that felt very one sided in the end).
Idk.
The show was beautiful, beautifully acted, and had some very important things to say, and it made its arguments well considering the lines they had to tow. But the politics and the moral struggle of the show were embodied in Kan and Tew, and the culmination of that struggle feels like it wasn't given enough space.
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kvetchlandia · 1 day ago
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So...
I went today to see "A Complete Unknown," the new James Mangold flick about Bob Dylan's early years in the Village, from his arrival in New York City in Jan, 1961 until he went electric at the Newport Folk Festival in July, 1965.
I've been a Dylan nut since I was a little kid. This, I'm sure, has little to do with any genius or musical/artistic insight on my part. Rather, it's probably just a bit of luck that fell my way in having an older sister with excellent musical taste who first turned me on to Bobby.
Don't worry, I'm not going to give away anything, for those of you who might find yourself reading this and who want to see the film but haven't done so yet. I'll limit my comments to a few, very general points.
I've read some reviews that are critical of the film for compressing some events, combining others and flipping some chronologies, as well as for leaving out some people who were important parts of the Village scene in the early 60s. I think such criticisms are silly. We're watching a piece of dramatic art based in reality, not a documentary on that reality. Four and a half years of life can't be squeezed into a bit more than two hours of screen time without taking such license. We're not going to sit through those years in real time. The screen writers and the director have to make choices and they did so in order to tell the story they wanted to tell.
The only criticism I'll share, and I feel sharing it won't in any way way interfere with anyone's enjoyment of the film, is that I wasn't particularly happy with the way Suze Rotolo was portrayed. For those who aren't Dylan fanatics and who don't have a clue who Suze Rotolo was, she was Bobby's first love and muse after arriving in the Village. In fact, at Bob's request (he was involved with the making of the film), Suze's name wasn't even used, because even though she has passed, she was always a very private individual and all these years later, Dylan still wanted to respect that privacy. In the film, she's known as Sylvie Russo. In any case, Suze was a very strong, politically active young woman, a red-diaper baby (as am I), an activist in the Congress of Racial Equality and an artist in her own right. She's the person who introduced Bob to politics, getting him so involved that he was both a participant in the Freedom Summer integration and voter registration drives in the Jim Crow South in 1963 and a singer at Martin Luther King, Jr's March on Washington for Job's and Freedom, also in 1963. It was though her influence that Dylan wrote many of his most powerful early political songs. Due to their rocky relationship and ultimate breakup, she was also the subject of some of his most beautiful ballads from that period. I just don't think any of that comes through particularly well in the film. The writers and director chose to focus more on his time with Joan Baez. I understand why they made that decision. I just think they could have managed to do so without giving such short shrift to Suze.
As far as the acting goes, Monica Barbaro is fantastic as Joan Baez and she also does a superb job of singing in Joanie's style. Edward Norton is very good as Pete Seeger. Scott McNairy is heartbreaking in his few scenes as Woody Guthrie, already deeply disabled by Huntington's Disease when Dylan first visits him shortly after arriving in New York in 1961. Timothée Chalamet, of course, has to carry the weight as Bob. He's pretty effective. He doesn't have Dylan's charisma nor is he as stunning looking as the Dylan of 1965 was, but he still pulls it off.
All right, I've said enough. Go see it. You'll like it.
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bonebabbles · 13 hours ago
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TEQ: 16
Yikes, Tigerheartstar is acting REALLY awful here.
Ridgeglow chases a squirrel towards the border, and Tawnypelt catches it. They fight because that prey's really important to SkyClan right now, but Birchfeather breaks it up. Looking out for her grandson, Tawnypelt secretly chases a rabbit over the border for them to catch.
Unfortunately, Yarrowleaf, Biggest Snitch in the Five Clans, tattles. In the following argument with her leader, Tawnypelt accuses Tigerheartstar of having abandoned his kid.
Tigerheartstar: "I didn't abandon him, I'm just trying to manipulate him into returning home. If he failed the trail he would have been forced to come back, don't you WANT him to have no other choice but to come crawling back to ShadowClan?"
Tawnypelt: "Wow I never thought of it that way." bruh.mp3
He punishes her with night guard duties because "If I don't then people will think im playing favorites with my kin" and she feels she deserves it. And then she starts feeling like only Crowfeather understands her??
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like... what. Where did that come from. Hello?
this is related to what I mean about how sudden TawnyCrow Romance really gets in the way of other, more interesting feelings these characters could be having. A massive shame when we're talking about Tawnypelt.
She left her mother and brother to join her murderous father in TigerClan, and then committed so hard to that choice that she was totally without family in ShadowClan for years. Even Rowanclaw started off as a foe, only becoming friendly with her after the Great Journey.
What sort of "understanding" is Crowfeather even offering here? Why is "understanding" even something she's after, when what's so much important to her is pride? I could understand affection, or respect, or even just the craving of familiarity, a desire to relive her youth... but this paragraph feels like a complete nonsequitor.
Mad King Cherith your fireballs are ice cold. The pathetic flames sputter and wheeze as they fail to even singe the hairs upon my arms.
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ultimate-marysue · 1 day ago
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I’m hoping you can answer a question for me. I need a Jason Todd expert, and you seem like one.
I’ve seen two big posts recently. One argued that Jason and Tim can’t stand each other, don’t trust each other, and can barely work together (if at all). The other says that in the new canon, Jason and Tim are basically best friends, and Tim is Jason’s favourite sibling. Both posts cited a bunch of different runs and authors/artists, and called the other side misinformed.
So, I ask you: what is the actual relationship between Jason Todd and Tim Drake? Are they close friends and brothers, friendly/neutral acquaintances, or enemies?
I hope you can answer me, or if not point me in the direction of somebody who can. Thanks!
Hey! I wouldn't call myself the Jason expert (that's @glitter-stained ) but I'm currently writing a fic about the relationship between these two so I feel like I can explain the two conflicting versions.
The most important take away is: people are really unhappy with current canon for a variety of reasons, one of the most notable ones being Jason's writing in general (RHATO specifically). This means canon has lost a lot of power after New 52 because characters act, well, out of character and fans point out how it doesn't make sense.
As for canon: yes, they are good siblings that get along pretty well with varying degrees of sassiness depending on the run. This happens after Jason "makes amends" with the family at some undisclosed time in new 52. This new canon is way more wholesome and it shows the members of the family getting along way better than their pre-New 52 counterparts ever did. My favorite comic depicting this good relationship is Knight Terrors: Robin, but the most canon option is RHATO (which has plenty of moments between the two) as pictured below or even Chip Zdarsky's Batman run where everyone gets along pretty well.
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So, it's canon right? Yes, but what is canon if fans don't accept it? The first thing I said is how people are dissatisfied with New 52 and RHATO specifically, which happen to be where the examples of these two getting along come from. I'm not going to get into why they think Jason or Tim are out of character cause that's its own post, but in the relationship between them it's pretty easy to point out: it's just not earned.
Tim and Jason have genuine gripes with one another and opposing morals most times. We don't get to see a moment where post Red Robin, Tim decides maybe sometimes killing is the answer, even if not for him. We don't get to see him learn that Jason wasn't an idiot disobeying Batman and that he was tricked by his mother. Jason doesn't know about Tim's 16th birthday and thus assumes that he just blindly idolizes Batman. He thinks his Robin run was just like his own and doesn't understand just how much shit Bruce put him through, thus assuming he's a bit spoiled.
Fans don't think either of these characters could just turn around and suddenly start liking each other the second Jason gets admitted into the family (something that also happens without much of an actual explanation?? At least not a satisfying one). It's not even that they necessarily have a personal vendetta (at least not Jason, and Tim is a very forgiving character), so it's not something out of the picture. A lot of their problems with each other stem from Bruce and his teachings and the language around Jason after his death.
In conclusion: it's not like the characters can't overcome their differences and come to find friendship or siblinghood in one another, it's more so that it requires more development. This has always been DC's weakest point, relationships and characters changing suddenly to suit a new direction disregarding their actual personality and values. So, it is canon, but a lot of people argue it shouldn't count if characters don't behave like themselves. There's a dissonance between the original characters and their current iterations that has not been bridged with character development.
But by all means, it is actually canon! People just have genuine gripes with how current canon disregards the previous canon. It's like getting attached to a character but suddenly it becomes this unrecognizable caricature that has barely anything to do with the OG but you're meant to acknowledge it as the same person. So, yeah, fans aren't happy, but I guess everyone gets along now.
Again, not a lore expert, but I hope I could explain why you could find two post with plenty of evidence arguing for opposing points.
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citrusandrottefruit · 2 days ago
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Diagnosed with Hanahaki, a genetic autoimmune disease, as a child, Steve has learned to live with it. Along the way, he finds a family and falls in love with Eddie. He is never cured, but he lives.
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6
The conversation with Jonathan and Nancy couldn't be called easy, but it was manageable enough for Steve to do it at a time that wasn't even planned. Maybe it was the lack of planning that made it easier, maybe it was the practice he'd been getting over the last few weeks. 
Jonathan apologized profusely, for the pictures he'd taken in '83, for the punch, and for having gotten together with Nancy before she and Steve had actually broken up. Nancy was a little more complicated. Her apologies only came after a lot of pointing out, about all the times she hadn't noticed what was going on with Steve, and she ended up feeling so bad and guilty that Steve almost had to console her.
Luckily, Jonathan had the good sense to try to hold back their emotional response for later, and they both tried to act normally. The next time they met, it was impossible for Steve to help but notice how worn out they both looked, with even bigger bags under their eyes than usual. So, they had to talk a second time, just to make sure that no, Hanahaki didn't start because of either of them and with everything related to the Upside Down happening, they were far from having caused his health to worsen.
It was a lie, but there was no point in wanting them to blame each other after all this time, especially just because of Hanahaki. Steve wished things between the three of them had been simpler, but the illness had nothing to do with it. And after all, compared to everything that had happened, it wasn't that important.
In the midst of all this, he kept talking to Eddie. He shared the fact that his parents' marriage seemed to have improved after his mother was diagnosed and he had never been able to understand that.
He told her how his mother seemed like the protagonist of a dramatic movie, always suffering with such elegance. He remembered one week, when she was bedridden at home, he had to get up very early to get her makeup and help her brush her hair, even though a nurse would come in later and do exactly the same thing.
When he asked about it, his mother said, “I don’t want to be seen like that, Steve.” 
At the time, he didn’t understand, but he was happy to be of service. Months later, when he was diagnosed, he remembered that day and was even more confused, because it was so tiring just to exist, how could he care how shiny his hair looked? When his cheeks were flushed and his lips were soft? 
It took him years to realize why it felt so good to try to take care of his appearance when there was so little he could do for his own body. It was comforting.
But he didn’t share that memory with Eddie. Not yet. 
He just kept talking about his parents. About how Mrs. Harrington liked to have romantic dinners regularly and she had mentioned about ten honeymoons. It was one of her favorite topics of conversation, and she especially loved trying new hobbies or even sports during those trips. His father was okay with it, just so she would be happy.
“I don’t think she wanted to be a mother, just my father’s wife.”
“Absurd!” Eddie exclaimed, anger hidden under theatrics. He let go of the steering wheel for a moment before gripping it tightly, pulling the van into the center of the correct lane. That day, Steve had his monthly checkup and Eddie asked to accompany him, promising a movie afterwards, in a neighboring city. “How could anyone choose your father over you?”
And there it was, once again, Eddie’s ability to make the wounds that Steve hadn’t even mentioned hurt less.
“It’s just that she’s always been in love with him. When I was a kid, I thought it was the most romantic thing in the world. I even wanted to have the same thing.” He laughed thinking about the absurdity of it. “To love so much that even if that person made me feel so much pain, they would also make me very happy.” Steve sighed, serious again. “But I still want someone who would stay with me on a romantic night or sleep in an uncomfortable chair in the hospital.”
Before Eddie had time to say anything, he turned up the volume of the music.
A few hours later, he confessed that Mr. Harrington was that person to his mother, but not in the right way. Because he indulged in his illness almost like a hobby, very involved in it until he was not around Mrs. Harrington and something else caught his attention. 
Steve noticed this when his father called and informed him, very casually, that she was in the ICU. He would spend a fortune to make her live well, yet he seemed barely able to realize that her life was in danger.
A few days later, with the test results in hand and feeling stronger, he invited the kids over for a movie night at his apartment. Hopper offered to help tell them and was so worried that he decided to spend the night at a diner when Steve refused. Joyce, less extreme, promised to be just a phone call away. 
Jonathan and Nancy weren’t there, because they all figured the kids would be less upset if it wasn’t obvious that they were the last ones to find out. 
Guys.” Steve clapped his hands together, then put them on his hips, standing in front of the TV. “I have an announcement to make.” 
“Are you serious?” Mike yelled. “We’re here for the movies!” 
“Shut up, idiot.” 
“We’re here for the movies,” Dustin interjected into the fight that was already starting to form between Max and Mike. “But we’re going to listen to Steve.”
“You’d hear it anyway, you know, we have three adults here to keep you brats in check.” Robin stood next to Steve and began clapping her hands until everyone was quiet. “Steve.” 
Then she went to join Eddie, who was standing behind the kids, silent and watchful. 
It was good to have them both there, someone to look at without letting himself be consumed by terror.
“This has nothing to do with the Upside Down, but it’s very important, so I’ve already talked to Hopper and Joyce too and I don’t want you to get upset, okay? I’m going to talk to everyone about this in the way I thought would make this easier.”
At this point, no one seemed more scared than Max or Dustin. Even Mike, who was trying to keep his expression irritated, looked worried and was the only one who had the courage to speak up.
“Why make such a mystery? Just say it.”
“I’m sick. Hanahaki.”
There were no more movies for the rest of the night, just tears, screaming and hugs. Max barely left Steve’s side and Dustin kept checking his pulse, as if he couldn’t see with his own eyes that Steve was alive. They also had to explain Hanahaki to El and she was so upset that she joined Max. Lucas did too, after a few minutes. He and Will were the quietest, looking too shaken to know how to react.
Dustin got irritated and started talking nonstop about the health care system. Eddie, finding resonance in Dustin’s feelings, also started roasting the pharmaceutical industry.
They all slept together, huddled together, in the living room.
In the middle of the night, Mike, having the same thought as his sister, asked if Nancy had anything to do with it and after being assured that she didn't, Steve realized that he would once again need to educate the people he loved about how Hanahaki really worked and about his family.
When everyone finally left in the early evening of the next day, he only had a few hours before he realized that he would probably need to have a walkie-talkie on him at all times, because everyone wanted to make sure he was okay.
The next time he and Eddie were alone together, Steve continued to talk.
It was a little embarrassed that he confessed that, although he had always wanted his parents’ love, he was relieved by the huge distance between them, because he wouldn’t have to worry about being the cause of his mother’s downfall. Because he couldn’t even imagine what it was like to be so loved by someone who had a disease so influenced by emotions. It seemed terrifying.
“I must be very selfish.”
“For wanting to preserve yourself? Everyone wants that, it’s not selfish, it’s human.”
“I didn’t give you that option.”
Eddie grabbed Steve by the shoulders so they were face to face.
“You did. You practically put a warning sign on your forehead. We all chose to stay here. Because you’re part of our lives and we love you, Hanahaki isn’t going to change any of that.”
Careful with every move he made toward Steve, Eddie leaned in until he could put his head in the crook of Steve’s neck, for the first time in a long time looking like he was the one who needed comfort.
Steve couldn’t describe how happy he was that he could still provide that and tightened his arms around Eddie.
“If it were up to me, you know where we’d be right now. You’re the one being so careful about this, so I don’t regret it. Don’t ever insinuate that you’re selfish for allowing us to feel the joy of being in your life.”
Steve didn't know if he could ever stop feeling guilty, but he would try.
One afternoon, when Steve came home from his shift at Family Video, he found Eddie standing at his door, a folder full of papers in his hand. He didn’t say anything, just waited for Steve to come in and followed.
“I did some research,” he announced and waved the papers. “Dustin helped me a lot, because he’s much better at research than I am.”
And Eddie launched into a somewhat confusing monologue about how 4.4 out of every 500,000 people had the Hanahaki gene and only a few of them actually had a real chance of developing the disease, and even in those cases, environmental factors were very important. In conflict zones, for example, the chances of acute and fatal manifestations were up to 300% higher than in other patients. 5 to 10% of carriers would be lucky enough to only have mild symptoms even under periods of intense stress, but without proper treatment, even those people would be at very serious risk.
Almost all of Hanahaki’s patients who survive the first two years require at least one transplant at some point in their lives. He talked about the complications, the lacerations of internal organs, the blood clotting problems, the cirrhosis, the hypertension, the encephalopathy.
“Steve, I said I’d do my research, and I did. I’m not a smart guy, not that smart.” He held up a piece of paper at random. “I’ve never been interested in medicine, and I’ve never been good at science, so there are some things I may not have understood that well, but I’ve learned a lot. I’m not going into this blind. I know what the expectations are here, I’m a grown man and I can make my own decisions. And I want you. I’ve wanted you, somehow, since high school, I wanted you when I saw how the kids adored you, I wanted you when you came to me even though everyone thought I was a murderer. I wanted you when I saw you take off your shirt, when you jumped in the lake, when you fought the Demobats, when you walked with me through hell. When you pulled me out of there. I’ve wanted you constantly, all the time, for all these months.” He took a deep breath. “I want you. I love you.”
Steve knew that no matter how happy he was, there would always be things that would hurt him. He would always have scars on his lungs, roots tangled in his ribs, internal bleeding, shortness of breath, injuries
 There would always be a million problems, one after the other. Maybe he only had a few years left.
But Eddie knew that too. He knew that sometimes he would need to take care of Steve, and that he would need to learn to control his anger better, that he would always have to be careful when he communicated a problem, that he would need to offer reassurance and remind Steve that he was loved. He knew it would be hard. He knew the risk of coming out of this with a broken heart.
Even knowing the potential disaster, Steve kissed Eddie knowing it would be worth it.
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grapejuicegay · 2 years ago
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A... rather personal defense of Pran
I've seen a lot of people being confused about Pran's behaviour and rather upset by him. But like @waitmyturtles said in their review, "I see Pran dealing with something really complicated." Which, yes. That's what this post is about. I just don't think it's about Singapore.
It's about Pran's OCD. I think there was a consensus last week with the way Pran talked about it that it was a recent diagnosis. And I think this episode just confirmed that for me.
This is where the personal part begins - I was diagnosed with OCD in 2020, in the very first few months of covid. When I told people about it I got about the same response that we had to Pran - it's not surprising but it's good that it's an official diagnosis now.
Such a diagnosis is almost a relief when you get it because suddenly a lot of things start making sense. But it also comes with a very fun challenge - learning to deal with it. Because while you understand why you get so much more anxious and overthink more than most people, you're also suddenly more aware of your thought patterns. You have to be, to find a way to work through them, to not give into the intrusive thoughts. But looking at the intrusive thoughts is one of the best ways to let them take over. You do have to look at them though, because you have to learn to recognise them. Because you cannot deal with them until you do. It's a rough cycle.
I was a few years older than Pran when I was diagnosed, and in a very different place in my life. The pandemic that we didn't know a lot about at that time looming over our heads did not help my anxiety, but the lockdown gave me something really special - time and space to work through it all. I wasn't in college so I didn't have the constant looming threat of deadlines and figuring out my future in that very moment. I also didn't have the very unique set of stressors Pran lives with - friends and family from whom you're hiding a relationship that if revealed could potentially lead to very severe consequences, consequences that in the past have been the worst of his anxieties come to life. Nor a relationship to maintain while being overtly aware at all times that this is not the kind of relationship your partner would really want, that they're only in this because of you.
And there is the sacrifice of it all. There is the thing that keeps coming up again and again - that Pat does so much for him. That Pat helps him all the time, that Pat's sacrificed so much for him, that Pran isn't sure he's good enough or ever will be.
Add to that the regular reminders from Pat that he overthinks. They're meant in a very good way and they do help in the moment, I'm not denying that at all. But it's also a fact that Pran struggles with. It adds to his concern that he's a burden on Pat with the way he thinks, that Pat has to do so much work because of Pran's brain, something Pat had no say over (something Pran had no say over but it's harder to see it like that in the moment).
I've had my diagnosis for the past 3 years now. And it hasn't been until the past year that I've finally started feeling confident in myself and my ability to regulate my anxiety, to finally start feeling like I have control over my brain. Because as much as knowing the diagnosis helps, the work you have to do afterwards is no joke.
So yes, Pran is going through something very heavy, but it's not the prospect of going to Singapore (I don't believe that exists just yet, but it's coming soon). Pran is in the process of figuring out how to make his brain work in his favour instead of actively against him. He's learning to rely on people when he needs to while fighting off constant reminders that he's a burden.
And we've seen Pran make a lot of progress. Any points at which he talks about being anxious are progress. Any time he lets himself be upset is progress. Any time time he says any of his worries out loud (even if he can't say them directly to Pat yet), he has fought his way through who knows how many intrusive thoughts to get to that point. And in the same regard - he probably feels guilty about having Pat say "I can't live without you" first. Because he's likely just as aware that Pat has done so much for him that this is just another thing he's adding on top of that.
But - and I think this is very big - he knows that he needs Pat to say it first, to give him permission to feel this, that this isn't too much for him to ask for. This is him asking for help to express himself when he feels like too much. It helps them both in the long run. And I do think it's a very important step to get what we saw in ep 12 - a Pran that demands love, that demands to be babied. This is him giving himself permission through the hardest part of learning his diagnosis.
I love that we get this between ep 11 and 12 because with this ep 12 also becomes a hug, a way of telling us things may be rough for him but he gets through it. He'll get where he needs to be, wants to be. Just give him some time. Because just like with the parents, sometimes time is just what you need.
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imtheiliad · 7 months ago
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i made a short post here referring to my own experiences and wanted to expand on it, you can reblog both of these posts btw. I am only writing this all down because the way some of you have spoken about chris and his decision very much bothers me. trust when i tell you i do not want to completely lay out my trauma on the internet for all of you to read, but if it makes one of you understand why this works, why it is important, then it will have been worth it to me.
When I was 12 my father was diagnosed with frontal temporal dementia. the adults in my family and his doctors decided that it was best for him to be moved to a a full time care facility. The next year, and after hearing, seeing, and understanding my father's condition and where it would go, I, at thirteen years old, made the decision to say goodbye to him, that I did not want to hear about what levels of deterioration he had reached. I wanted to remember him as he was when he remembered me, and all the adventures and fun things we did together.
I made that decision. I made it because it was easier than watching him deteriorate, forget who his sister, his brother, my brother, my mother, and me. And I knew that at twelve and thirteen. It was never a decision I ever thought I would have to make, it wasn't a decision I should've had to make.
Now, the important part, over the next few years my decision was questioned and ignored by the adults in my life and even my brother, some of the questioning I can understand now that I am older, but it should have never reached the level it did. My aunt and uncle would openly discuss his condition over dinner when he came to visit, and I would run away to the restaurant bathroom and cry my eyes out until my mom came to get me. I was forced into visiting him in his care home, which ended with it causing far more harm than good. Only then was my decision somewhat respected, it took me being retraumatized for it to be taken seriously.
Despite all of that, I do not regret that decision.
I can't know how I would be different if none of that happened. But at this point in my live, eleven years and some therapy later, I am fairly certain I would be less traumatized, carry less resentment and anger, if maybe my mom had spoken up at those dinners and made arrangements to get updates without me next to her trying to enjoy my pizza. Had I not had to see my own father forget my name and then have some sort of mini medical emergency. Had my brother heard me in a way only a sibling could.
So, yes, Christopher at thirteen made a indefinite and truly most likely temporary decision to remove himself from an environment where he doesn't fully trust his sole and primary caregiver. He knows his dad loves him, Eddie made that so clear. And it could really be 5 minutes, 5 days, 5 weeks, and so on and so forth until Christopher is ready to come home. And him knowing that Eddie respected his decision and loves him no matter what is what is going to make that time shorter. If he had walked out with his father begging him to stay, to forgive him before he was ready, the chances of him coming back would in my opinion would be far slimmer than the circumstances under which he did leave.
with that i leave you this, "yeah people go away. and it's sad. and it hurts. but you know, not everyone goes away forever. sometimes they come back. and as much as we miss them, that's how happy we are to see them again."
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ahalliance · 2 months ago
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how do i turn qantoine’s spontaneous marriage proposal to qetoiles into evidence of his early-days fear of qfrench drifing away and keeping secrets from one another
#the conversation takes place in antoine’s vod: L’ANNIVERSAIRE DE TALLULAH at 41 mins ish#like . okay . its such a fucking crazy moment to me that still lives in my head bc it’s a a joke . but it’s also not#he asks etoiles directly after spiderbit wedding . ‘don’t you want to get married?’#after it gets mentioned*#etoiles turns him down bc he ‘doesn’t have time to fuck [he] needs to kill everyone’#and antoine says ‘well but— just a marriage’ like it’s the act itself that is the most important to him not anything that could come with it#the confirmation of partnership . of having someone to rely on . something that feels to him maybe more certain and solid than the#friendships antoine had at that point . like if he felt things were slipping and he was being left behind he wanted the certainty of#something like a marriage that is traditionally considered More important and certain .#and i think the end of their conversation is notable in how antoine brings up the notion of betrayal — he getting betrayed by others and how#he’s fed up with it . after etoiles says no to the marriage (though specifying that he’s gonna think about it) antoine brings the whole#betrayal thing up after a pause . he doesn’t necessarily consider etoiles as having betrayed him but it’s that lack of certainty#certainty that etoiles has refused to give him that makes him start to open up about how he’s tired of people promising him things (or#seeming to promise him things) only to leave him out and in the dark . and there’s an insecurity there that really shines if you take this#moment into consideration with the Larger Shifting his character is going through .#like tldr ; qantoine has begun to realise that his friends are starting to form deeper bonds with other people and thus keep secrets with#them which to him means leaving him behind . taking notice of this he brings this up to his friends in . not exactly direct ways . he#talks about how he doesn’t like secret keeping but doesn’t seem to push much further and he also tries to remedy the issue#of feeling left behind by doing shit as discussed above ^ however on account of the InHuman i’m not sure he understands what he’s doing very#well . and as we know antoine doesn’t make much progress and ends up retreating into himself and beginning to keep his own secrets . to do#his own shady shit . to work in the shadows and not be honest with any of his friends either . to hold them at arm’s length despite how much#he still cares . the only person he puts his full trust into anymore is pomme . not ayp who he deems too underhanded . not bagz who he sees#as having started the whole ‘secret keeping’ stuff in the first place . and not etoiles who’s actively going down a path with the codes and#resistance that he cannot follow#that was NOT a short tldr . why the fuck am i writing dissertation length tags about MINECRAFT BLOCKS#god whatever who cares i get joy out of this thats what matters#anw if you read this far holy shit ur insane . thank you#i am going to bed now godbless !#jay rambles#qfrench.posting
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joycrispy · 1 year ago
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Awhile ago @ouidamforeman made this post:
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This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...
It. It kind of fucks. Severely.
And in a delightfully Pratchett-y way, I'd dare to suggest.
I'll explain:
As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.
Crowley, of course, is the serpent of Eden.
(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)
Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:
"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV
Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.
(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.
...Put a pin in that. We're coming back to it.)
So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.
But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:
The Sword was never intended to guard Eden while Adam and Eve were still in it.
Do you understand?
The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.
The flaming sword was given to be used against them.
So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.
That's how it's supposed to go. It is written.
...But, in Good Omens, they're not just the Serpent and the Sword.
They're Crowley and Aziraphale.
(author begins to go insane from emotion under the cut)
In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.
It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.
...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.
And the Serpent--
(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)
--just goes ahead and falls in love with him about it.
As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:
"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll
The first to ask questions.
Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).
And Aziraphale loves him for it, too. Loves him back.
And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--
(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)
--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.
To write a story about the Serpent and the Sword falling in love is to write a story about transgression.
Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.
It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.
And then you keep writing.
And what emerges hits you like a goddamn truck.
(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).
It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)
...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:
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I love this shot so much.
Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.
You know what a shot like that establishes? Likeness. Commonality. Kinship.
"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.
But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.
Godfathers. Sort of.
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thehmn · 7 months ago
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I wanted to make this post because we don’t see a lot of asexual characters in western media and despite him being from a hugely popular show (Seaside Hotel) you’re unlikely to know of his existence if you’re not from Denmark.
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His name is Hjalmar Aurland and he’s one of the more sympathetic and realistic asexual characters I’ve seen. He lives in a time and place where asexuality as a concept doesn’t exist yet so he’s never labeled as such but rewatching the show made me realize that he acts exactly like the asexual people I personally know. Asexuality can mean a lot of things but his specific brand isn’t naive to sex nor is he repulsed by sex, sexual desire or thoughts simply doesn’t come naturally to him.
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He can be convinced to have sex with his wife Helene but only if she appeals to their emotional bond. Just so you don’t get the wrong idea, he’s not being forced or emotionally blackmailed to sleep with her. It’s simply that he understands sex is a way to show emotional love too and he wants to express that love for Helene when it’s important to her, and seeing as sex isn’t unpleasant to him, just kinda boring, he’s willing to do that for her.
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Unfortunately that isn’t enough for Helene and despite her love for Hjalmar she starts an affair with the dramatic and emotional actor Edward Weyse. He has a string of relationships, marriages and divorces behind him because despite what it may look like from the outside Edward doesn’t really want shallow sexual relationships. He just can’t help himself and keep falling in love with women left and right, fully and wholeheartedly, only to be dumped or dump them once the initial excitement has passed.
So Helene and Edward’s affair that was only meant to satisfy their carnal desires quickly becomes romantic. Helene feels torn between him and Hjalmar who she still loves and Edward understands the difficult situation they’re both in while also feeling jealous of Hjalmar. And Hjalmar? He doesn’t catch on for years. He’s not stupid but his brain just doesn’t jump to sex. He just assumes they’re good friends and why shouldn’t his wife be allowed to have friends, even male ones? Things get really complicated when Helene gets pregnant and she has to have sex with Hjalmar so he won’t wonder how it happened. Edward even has to join in on the seduction, reminding Hjalmar how much Helene loves him, even though it breaks Edward’s heart to do so.
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But like I’ve said Hjalmar isn’t stupid. He saw the signs but chose to ignore them until one night when Helene accidentally says Edward’s name. It breaks the dam in Hjalmar’s denial and he has to face that deep down he always knew. Overcome by sadness and betrayal he wanders off into the night in nothing but his nightgown and gets a room at a different hotel where he can think in peace. Eventually he agrees to return to the first hotel with Helene and Edward and decides to take control of the situation.
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He sits them both down and tells them that he understands that the three of them share a bond and that there are things he can’t really do for Helene so from now on he wants their relationship to be open and honest. He wants Helene and Edward to keep seeing each other and Edward is welcome in their house, but Hjalmar wants to be allowed to call Edward by his first name and makes it very clear that Helene and Edward’s children “belong to him” because he still thinks of himself as their dad and loves them as his own children. Both Helene and Edward agrees to it, though the emotional Edward is very flustered and confused by the acceptance and love he’s being shown by Hjalmar.
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This is obviously a very tv drama situation but I was so stuck by how much Hjalmar acts like my asexual friends. Having a lover for your partner isn’t the most common solution but it’s an idea I’ve heard a lot of asexual people be open to under the right circumstances and of course that’s the most dramatic solution for a romantic tv drama.
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Hjalmar is defined by so much more than his sexuality though. His main characteristic is his passion for social justice and equality, and other than some early show weirdness before they really cemented the characters, Hjamler is the only character who floats freely between the men and women. He’s just as likely to sit with the men as he is the women, often appearing in otherwise entirely female spaces. It’s never questioned or even brought up, not because he’s a “safe asexual” but because he cares and think their worries are as important as the men’s. He’s often called a pessimist by the other men when in reality he is determined to be hopeful and compassionate and spread the love he feels the world is lacking as WWII draws closer.
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So yeah, I just wanted to share this sweet ace guy with you because you probably wouldn’t have known about him otherwise.
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clumsycapitolunicorn · 1 year ago
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sunniques · 8 months ago
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— 𝐩𝐱𝐧𝐞 đšđ« đČđšđźđ«đŹ ?
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âžș PAIRING: lee heeseung x female reader
âžș GENRE: stepbrother au, smut
âžș SUMMARY: the story of how your stepbrother’s girlfriend realizes her boyfriend has never really been hers.
âžș CW/TW: stepcest, infidelity, possessiveness, heeseung can lift reader, cucking kink, voyeurism, masturbation (f), oral sex (f), fingering, face sitting, unprotected sex, creampies
âžș WC: 4.6k
NOTE: don’t like, don’t read.
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A lot of people find your relationship with your stepbrother cute. How could they not? He’s always so doting and protective like a real brother would be. In spite of being only slightly older, Heeseung takes on a very important role in your life. He constantly goes out of his way to take care of you, making sure you have anything you could possibly need.
Heeseung’s girlfriend never thought too much about the relationship between you two. It was natural that he took the naive college freshman under his wing and constantly had you by his side. Mina found it endearing, actually. The way he worried about you like a mother hen who wasn’t ready for her young chick to go into the world alone is adorable and a good sign. After dating so many inconsiderate losers, she thinks she’s finally chosen the right guy.
But somewhere along the way, Mina starts to grow tired of it. Time has gone by, and you’re no longer a naive freshman who can’t get around without her boyfriend’s help. Of course family is important, but it’s not like you’re entirely helpless. And yet, that’s exactly the way Heeseung acts. He’s always ready to drop everything when you need him. On several humiliating occasions, he’s even left her half naked on his bed just to go to you because you bought something you couldn’t figure out how to put together, or because you wanted to hang out with him.
It’s hard for Mina to admit that she’s a little jealous. Especially because it all seems so ridiculous. There’s no way her boyfriend actually wants you like that. But as time goes on, she thinks that maybe she’s not all that crazy. Especially with the affectionate way her boyfriend looks at you. Despite all this, Mina doesn’t say anything. At least, not until Heeseung starts to bring you along to what were meant to be dates.
“Babe, why do you keep bringing your stepsister? i thought we were going on a date?” It’s hard for her to not sound bitter and annoyed.
“Her roommate is going to visit her parents, and I don’t want Y/N to be alone.” His tone is kind and gentle like always, but it’s also firm and leaves no room for arguments.
What’s worse is that Mina can’t bring herself to hate or blame you. In a way, she understands why her boyfriend is always so concerned about you. You’re so nice and trusting that it would be way too easy for someone to take advantage of that. There’s also the fact that you’ve been more than willing to let them have some alone time, but Heeseung never lets you leave.
It’s all so strange and frustrating that Mina feels like she has to take matters into her own hands. So she does.
The key to Heeseung letting you go is getting you a boyfriend—or at least getting you to start dating. It’s easy enough to find a guy who’s interested in you. That’s never been a problem for you, and all it takes is her showing your picture to the cute guy in her communications class for her plan to fall into place. As luck would have it, you’re also into meeting the guy and going out with him.
Little did Mina know, setting you up with him would be a mistake that would cost her everything.
On the night you’re meant to meet up with her classmate, Mina excitedly goes to her boyfriend’s apartment. It’s been a long time since she got to be alone with Heeseung, and she was going to make the most of it.
She’s dressed in tiny tank top and a cute little skirt that Heeseung loves—it barely hides the lingerie she’s wearing underneath. Mina quietly lets herself into her boyfriend’s apartment using her spare key. Quietly, she tiptoes to his room only to find the door wide open. What she doesn’t expect is to find you sitting on his the edge of bed while Heeseung kneels in front of you.
Mina feels like a bucket of cold water has been dumped on her as his pretty hands rub your soft thighs. You look incredible, clad in a cute little dress with your makeup and hair done to perfection. It’s a mistake for Mina to keep watching, but she can’t find her voice at the moment.
“Seungie, what’s wrong?”
God, Mina hates that you call him that. Mostly because she can tell how much Heeseung likes it.
“Why didn’t you tell me you were going out to meet some guy?” Heeseung sounds almost venomous, but it’s like you don’t hear it. “Who is he? How’d you meet him?”
You tilt your head, pretty lips pulled down in a confused frown. “Didn’t Mina tell you? She set me up with a guy from her class. He’s really cute!”
A chill goes down Mina’s spine. She can see Heeseung’s back tense when you tell him how your date came to be. The air feels almost murderous as he gently squeezes your thighs.
It kills Heeseung that he was almost too late in stopping you from meeting some strange guy in the pretty little dress you have on. He softly rubs your thighs, eyes simmering with anger and desire he doesn’t care to hide. Not anymore.
“Oh, angel.” Your stepbrother murmurs, hands slowly trailing up to your thighs. “You know you’re my favorite girl, right?”
An unsuspecting smile graces your lips. “Yeah. And you’re my favorite guy.”
Heeseung hums in satisfaction as his fingers ghost the edges of your dress. He watches your eyebrows furrow, but you don’t say anything. As always, you have blind trust in your stepbrother. That’s all the indication he needs to get up and push you down on his bed. Heeseung hovers over you, loving how you’re staring up at him with sparkling, wide eyes. He swoops down to capture your lips in a searing kiss.
Your heart is racing in your chest as Heeseung forces his tongue into your mouth. Despite the initial shock, you quickly melt into the kiss. He swallows your moans, pulling you closer as he deepens the messy kiss. You mewl into his mouth, carding your fingers through his hair with desire you had never realized you had for him.
Meanwhile, Mina can only watch as her boyfriend kisses you with a passion that he clearly never felt for her. It feels like her heart is ripping in half as Heeseung begins to undress you. Tears well up in her eyes when he groans at the sight of the lingerie adorning your body. Mina can see how hard he is from where she’s standing, and the desire in his eyes is very different from the way he looks at her.
“Can’t believe you got all pretty for some other boy.” Heeseung spits as he starts to undress. “Were planning on letting him fuck you?”
You shake your head and go to speak, but you can’t when Heeseung roughly pulls off your lingerie then his own underwear. His cock is thick and big, possibly the biggest you’ve ever seen. It’s twitching and leaking as he looks at you with his dark eyes.
“W-We shouldn’t be doing this.” You whine as Heeseung shoves your thighs to your stomach and licks a broad stripe up your wet pussy.
Your stepbrother groans at your sweet taste, thrusting his tongue into your dripping hole. He laps up the juices leaking out of your slit, circling his tongue on your clit for good measure. The noise you let out is downright pornographic and pure music to Heeseung’s ears.
“Seungie!” You keen as you spread your legs and tangle your hands in his messy hair. “I– Fuck!”
Heeseung pulls back with a wet slurp to spread your cunt open with his big hands. “God. You have the prettiest pussy I’ve ever seen, angel. Just had to taste it.”
Each one of his words is like a dagger to Mina’s heart and confidence. Wet tears trickle down her face, but she doesn’t say anything as you pull on her boyfriend’s hair. Heeseung only moans and dives back into your slick cunt. He greedily laps up everything that drips out of you, sucking and kissing your clit.
“We shouldn’t be doing this, Hee.” You repeat through a needy mewl, making no attempt to stop him. In fact, you buck your pussy into his mouth as he sucks on your sensitive bud.
“Shh, angel.” Heeseung shushes as he flicks his tongue across your swollen bud. “Just relax and let me eat you out. Been wanting to do this for so long.”
Mina swallows thickly, the hurt slowly being replaced by something else. Her eyes grow bigger when she realizes which feeling is taking over. She shifts slightly, feeling a familiar wetness begin to pool in her panties. Mina feels sick that the sight of her boyfriend cheating on her can turn her on, and she thinks that she should leave right now and never return.
But she stays.
Mina licks her lips and continues to watch. Even she can’t help but think how hot you look, whimpering and writhing as Heeseung pushes your thighs apart so he can bury his face deeper in your pussy. He flicks his tongue, slowly descending until he’s lapping at your hole, slowly fucking the wet muscle in and out. Your eyes roll back as your stepbrother eats your pussy like it’s the best thing he’s ever tasted.
The sounds coming from your pussy and the way Heeseung messily eats you out has Mina’s own cunt clenching with need. She can feel her underwear start to stick to her cunt as she watches her boyfriend lap up your arousal like a starved man. Mina bites her lip, feeling sick and twisted for being turned on by your pretty moans.
Heeseung suddenly pulls away, but not before he slaps your thigh playfully. He goes to lay on his back all while wearing a filthy smirk. “Sit on my face.”
You bite your lip as a hot flash of arousal pulses through your body. Both your and Mina’s cunts throb at the suggestion. Heeseung sees your hesitation, but doesn’t back down.
“C’mon, baby. Be a good little stepsister and ride my fucking face.” He growls out with dark eyes.
With your pussy dripping, you crawl over to him and kneel over his face. Mina watches with heated eyes as you slowly lower your cunt on her boyfriend’s face. The heat in her stomach grows when she hears Heeseung groan in satisfaction.
“That’s it. I want your pretty pussy suffocating me.”
With that, your stepbrother grabs your hips and pulls your cunt down onto his face with a groan. Mewling quietly, you rub your cunt all over his mouth. Every time he moans or grunts, it sends little vibrations through your pussy. The delicious feeling has you grinding down on his tongue as you chase that feeling. Heeseung eagerly fucks his wet muscle into your hot cunt, already addicted to your sweet taste.
Mina swallows thickly when he sees Heeseung thrusting into the air as he eats you out. His cock is leaking and throbbing with need. Fuck. How she’d like to go and lick all that up, to have him fuck her mouth as he fucks you with his tongue. Mina rubs her thighs to soothe the growing ache in her pussy as she watches you ride Heeseung’s face.
Your eyes roll back when your stepbrother slaps your ass. A loud squeal spills from your lips as Heeseung keeps fucking his tongue up into your cunt. He grabs your ass and kneads it roughly. With one last groan and flick of his tongue, he sits up and takes you with him. The effortless display of strength turns both women on, one containing her moan while the other cries out as she’s pressed back into the mattress.
“Such a sweet little cunt.” Heeseung moans as he buries his face back into your dripping cunt. “Shit, Y/N. You’re fucking soaked down here.”
“Heeseung!” You cry out as he pries your thighs further apart. Your stepbrother shakes his head to grind his tongue against your sensitive cunt.
“Fuck, you have the hottest little pussy.” Heeseung lifts his head with a groan, lips shiny with your arousal. “Missed eating some good pussy. It’s been so long.”
Mina feels pathetic that her cunt throbs at his degrading words. She bites her lip, hands trailing up her thigh and to her soaked underwear. It’s so filthy and humiliating, but the ache in her pussy is getting to be too much. She slowly rubs circles on her covered cunt as she keeps watching her boyfriend cheat on her.
“Fuck, Seungie.” You mewl desperately. “S-Shouldn’t like having your face buried in my cunt.”
Heeseung smirks into your wetness. He gently circles his tongue on your clit, kissing it tenderly before he gently starts to nip at it with his teeth. Mina shoves her panties aside when you moan out in pleasure. Now she’s furiously rubbing at her bare pussy, wanting to see you cum on her boyfriend’s face.
“But you do, baby. You like me fucking you with my tongue, and I fucking love eating this sweet little pussy.”
Your hips buck up at the words, grinding your cunt against his mouth as you moan for him. Juices drip out of you lewdly, leaking down to your ass and onto Heeseung’s sheets. Your head is swimming with pleasure, and you have to remember that this is all so very wrong.
“You like that?” Heeseung teases you, loving how you’ve turned into putty in his hands. “Answer me, Y/N. Do you like your stepbrother telling you how much he loves tasting your juicy cunt?”
Your back arches when Heeseung sucks your puffy bud into his mouth. “God—yes! Feels so fucking good, Hee! Love having your mouth on my pussy.”
Heeseung growls, the vibrations making your cunt throb as he sucks and licks your swollen clit. Eager to have you cum on his tongue, he slips two fingers into your fluttering hole. Mina follows in suit, unable to take her eyes off the erotic sight of you getting ate out and fingered. Fuck. This was better than any porn she had ever watched. Her hand is dripping with her own arousal, and she can’t even feel disgusted anymore that she’s so turned on by the entire situation.
“Mmmh, shit, Hee.” You whine as the tips of his fingers brush against the gummy spot inside you. “You’re gonna make me cum.”
“Do it, baby. Cream all over my tongue.” He purrs in delight. “Be a good girl and cum for me.”
Heeseung flattens his tongue on your clit while his fingers grind into the spongy spot in your cunt. Your back arches off the bed, orgasm whiting out your thoughts as you cum around his long fingers.
Mina has to cover her mouth as Heeseung moans along with you. By now she’s shoved her fingers into her sopping pussy, the squelching sound is drowned out from the sounds coming from your own pussy. The filthy sight is driving her wild, and she’s so delirious with arousal that she wishes Heeseung would just fuck you already.
“You’re amazing, angel.” Your stepbrother praises with his fingers still buried knuckle deep in your pussy as he softly strokes your velvety walls. “So soft and wet. It makes me want to shove my dick into your tight little hole.”
Heeseung slowly pulls his fingers out of you, and you can only watched with a lidded gaze as he moves his body between your thighs. His cock is twitching and leaking as he grabs the base. He smacks his cock down on your slippery pussy, dragging his drooling tip up and down your slit slowly. Mina has to press her hand into her mouth harder to stifle her filthy moans. The sight of her boyfriend pressing his drooling cockhead into your soaking pussy is so hot she might just cum all over her fingers.
“S-Seungie—fuck. We shouldn’t.” You whimper as he leans forward and braces his arms by your head.
You and Mina both know you don’t really mean your words. It’s clear that you want your stepbrother to split you open on his big cock. That becomes obvious when you don’t try to stop him as he shoves his cock into your pussy until he bottoms out completely, balls pressing against your ass. Shuddering with pleasure, you scratch your nails up his arms as you sink into the bed.
“Pretty pussy was meant to take my cock.” Heeseung growls, already drunk on the feeling of your cunt wrapped around his dick. “Fuck. I know it’s wrong, baby, but I just couldn’t help myself. Your hot little cunt was just begging for my dick. Doesn’t it feel all nice and full having your pussy stuffed with your stepbrother’s big cock?"
Mina starts fucking herself harder when you nod desperately. Your hands go to tangle in his hair as you grind your hips up to meet his thrusts. “Yes! Fuck! Love my stepbrother’s cock stretching me open! Feels so fucking good, Hee!”
Mina knows better than anyone how good you must feel. Although, she imagines you feel must better than she ever did because from the way Heeseung’s fucking you, she can tell he’s doing it with much more enthusiasm and passion. Even his moans are more guttural and full of more pleasure than she’d ever heard. They’re deep as he pulls out until just his tip is spearing you open. Then, he pushes forward, thrusting his cock deep into your fluttering walls.
“That’s it. Tell me how good it feels.” Heeseung leans down, lips brushing against yours. “Don’t be shy, angel. Let me know how much you like this cock fucking you.”
You gasp wantonly and pull him down further to press your lips together. He groans and licks into your mouth easily, tongue slipping past your lips as his cock thrusts deep into your hot, wet cunt. Your hips buck up to meet his, loving how his dick rams into your sweet spot over and over until your sight is painted with pretty little stars.
“Fucking love it, Hee.” You moan between sloppy kisses. “God—I love your cock!”
The coil in Mina’s stomach is close to snapping. By now, her juices are dripping down to her wrist. Luckily, the lewd squelching and sound of skin slapping together drown out any noise she’s making. Heeseung is fucking you so hard and good that she can smell the musky scent of sex from where she’s standing. The erotic aroma turns her on even more, pussy clamping down on her fingers in desperate need of release.
“Tight little pussy feels so good.” Heeseung moans out between the quick pecks he’s giving you. “God, I love you, Y/N. So fucking much.”
Your heart races as Mina’s breaks all over again. It hurts, but somehow that just turns her on even more. She keeps fingering herself as tears pool in her eyes.
With a low moan, your pussy clamps down on Heeseung’s dick tightly as you go to eagerly kiss him. A soft I love you, too goes unnoticed by Mina, but not by your stepbrother. He groans into your mouth, cock throbbing inside you.
“Mmmh.” Heeseung hums against your lips before he trails wet kisses down your neck. “I love my gorgeous girl. That’s why this feels so good. Even your tight little pussy knows how much I love you.”
His gorgeous girl? Mina thinks deliriously, orgasm dangerously close. It’s something he never referred to her as.
You cry out loudly when Heeseung bites your neck and sucks the skin into his mouth. His hips rock against yours, balls smacking against your ass as his pelvis grinds down on your swollen clit.
“Seungie!” You whine in ecstasy. “I’m getting close.”
Your stepbrother doesn’t let up. In fact, his thrusts seem to get faster and rougher. His cock pistons in and out of your cunt, creating sloppy wet sounds as you get even wetter. His eyes are dark as he pulls back to look at you, all pretty squirming and trembling on his cock.
“Cum for me, baby. Cover my cock with your sweet cream so I can fill you up.” Heeseung pants. “Cum on my cock, angel.”
His teeth sink into your neck again, and it pushes you over the edge. Your hot cunt throbs as you squeeze down on his cock. Somehow your pussy only gets tighter and tighter as you get fucked through your orgasm. You tighten your legs around his waist until he can barely pull out, rutting his cock in short shallow thrusts as your climax starts to taper off.
“So fucking tight.” Heeseung hisses by your ear. “Shit, baby. Get ready. I’m about to creampie your cute little pussy. Fuck, fuck, fuck!”
With a strangled grunt, he buries his cock to the hilt and shoots his load deep inside your fluttering walls while your pussy softly milks him for every drop of his hot cum. Mina reaches her own climax when she sees her boyfriend cumming inside you. She has to stifle her moans as she trembles and shakes outside the room that’s filled with the smell and sounds of hot sex.
“You’re taking it so well, angel.” Heeseung kisses your jaw tenderly as his fat tip spurts rope after rope of his thick cum into your clenching heat. “Milking my cock like I knew you would.”
He grinds his hips down, cock pulsing as he finishes stuffing you full of his hot, sticky load. Your stepbrother fucks his cum inside a bit more before reluctantly pulling out. Heeseung’s cock throbs as he watches his seed drip from your messy pussy.
He licks his lips, heated gaze never leaving your body. “Let’s do it again.”
You don’t try to protest as your manhandles into a different position. Mina is still coming down from her high when she realizes her boyfriend is still hard and about to fuck you again. She knows she shouldn’t feel excited or aroused by the fact, but she does. Especially when your face is shoved into one of Heeseung’s pillows just before his big cock rails back into your needy pussy.
Heeseung starts fucking you so hard his headboard slams into the wall repeatedly. The harsh sound pairs well with the plop plop plop sound coming from your cunt.
“God, Y/N. You’re so fucking good for me.” Heeseung groans when you clench down on him.
You moan loudly, bouncing yourself back on his cock. “Fu-Fuck, Seungie. This is wrong. We s-shouldn’t be doing this.”
“I know.” Your stepbrother smacks your ass, not sounding the least bit remorseful. “It’s so dirty baby, but I couldn’t help myself. Had to get my dick wet using your pretty little pussy.”
“Mmmh!” You whine out mindlessly, face turned to the side with your ass raised in the air for Heeseung to fuck deeper into your wet hole. “Feels so fucking good!”
“Yeah, it does.” Heeseung’s laugh sounds almost mean as he speeds up his thrusts to fuck his cock harder into your sopping cunt. “Your cute little pussy is the best I’ve ever had.”
His words shouldn’t please you as much as they do, but those lewd words turn you on so much that you can’t stop your cunt from tightening around him as he keeps spearing into you like an animal in heat. They also shouldn’t turn on Heeseung’s girlfriend but that’s exactly what they do. She isn’t angry, only extremely aroused as your ass bounces back on your stepbrother’s pelvis.
“Fuck!” Heeseung groans, fucking his cock right into your g-spot. “You’re so fucking hot, angel.”
You are. So hot that Mina finds herself wishing she could eat Heeseung’s cum out of your pretty cunt. She just knows you taste good, and mixed with her boyfriend she’s sure you must taste even better.
“Seungie, please!” You cry out, dizzy with arousal.
“Shit.” He growls, slipping a hand underneath your hips to rub fast circles on your clit. “Gonna make you cream on my cock again.”
“Heeseung!” You squeal as he picks up his pace, ramming into your squelching pussy as he rubs soft circles into your swollen clit.
Your stepbrother shoves his cock deep into your cunt and grinds, making you squirm and whine as his dick rubs against the spongy spot in your pussy. Your hands twist in the sheets. He flicks and pinches your puffy clit. God, do you look good, and so does Heeseung. Mina is groping one of her tits while the other hand goes to play with her pussy again. Briefly, she thinks she wouldn’t mind having a video of you two fucking so she can watch it over and over again.
“Hee, I’m gonna cum.” You moan against the pillow.
“Do it, baby.” He encourages you, free hand coming down to slap your ass hard. “Cum all over my cock. Want to feel your hot cunt squeeze me.”
It’s not long before your orgasm hits. You’re screaming into your pillow as your cream coats Heeseung’s big cock. Your pussy clamps rhythmically around his dick. Mina can’t see you, but with the way your toes are curling she can tell your eyes are rolling to the back of your head in pure ecstasy.
“Oh, baby. You feel so fucking good.” Heeseung praises you. His hands move to slap your ass again, making you squeal and tighten again. “Fucking work your little pussy on my cock. Fuck. Need to fill you up again.”
“Want you to stuff me full.” You whine back at him, pussy fluttering at the thought of Heeseung’s cum filling your cunt again.
“Yeah?” Your stepbrother laughs, sounding way too delighted. “Want me to creampie your hot little cunt again?”
“Please!” You whine as Heeseung’s fingers slide over your hip to start working soft circles into your clit again. You writhe back on him, feeling yourself get even wetter at the filthy thought of him shooting his hot load inside you.
“Cum inside me, Hee.” You pant, mewling when his fingers rub your clit even faster. “Want it so bad. Want to feel it.”
“Oh, fuck.” Heeseung groans, hips snapping hard against your ass when he feels how tight you’ve gotten. “You ready, baby? Fucking take it. Take your stepbrother’s cum in your needy little cunt.”
You moan loudly when you feel his hot cum filling your pussy, stuffing you so full it drips out around his cock. Heeseung ruts his spent cock into your sloppy pussy as he pinches your clit, watching as your back arches as a fourth orgasm sweeps through you. You lazily fuck your cunt back into him, loving the feeling of his cum dripping out of you and coating your thighs.
Heeseung pulls out of your warm cunt with a low groan. He’s quick to pull you against his chest and lays you down with him. His face is buried in your hair, eyes closed in bliss as you both try to catch your breaths. You feel his smile in your hair as he cuddles you and murmurs sweet praises against your temple.
Through your drooping eyes, you catch sight of Mina. Her eyes widen when you two make eye contact. You can’t hide your smirk when you see that she was masturbating to the sight of Heeseung fucking you raw. Instead of saying anything, you give her a seductive wink. Mina clenches around her fingers because the wink is full of understanding and promises.
It’s clear that Heeseung was never hers, but maybe you wouldn’t mind sharing.
5K notes · View notes
arminsumi · 1 year ago
Text
★ Satoru's undercut
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★ Synopsis : He fears the hairdresser like it's the dentist. One day, he accidentally gets an undercut style. He would have thrown a tantrum if it weren't for your positive response — because all he really cares about is that you enjoy his haircut.
★ Content : soft fluff, romantic tension, some mutual pining??
★ Library ★ reblog for a cake slice! 🍰
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"This will ruin my life..."
"It will not ruin your life."
"I'm gonna die!"
"You're not gonna die."
"Yes, I'm gonna die! They're gonna cut my head off."
"They're not gonna cut your head off."
Satoru had a haircut appointment which you were accompanying him to as per his desperate demand request. Suguru was there also, helping Shoko with something technical on her phone. He laughed when Satoru was whining to you.
The four of you were on the train; Suguru and Shoko stood tightly packed with their backs facing other people as if they were the group shield. And Satoru sat next to you, clinging to your arm as if he were a kid on his way to the dentist.
"Don't laugh. You know I feel the same about hairdressers as people feel about dentists!" he pouted.
"Satoru, you're so weird." you said.
“I'm not!”
You shook your head at him. Satoru grumbled.
"No one understands me!" he said dramatically.
Suguru commented, "I do understand why you dislike hairdressers, Satoru; most of them don't cut your hair how you want."
Shoko nodded and chimed in, "— yup, and you usually leave with a fake smile and say "oh wowww... I love it!" but you actually hate it." then she went back to frowning at her phone with Suguru.
“My hair is important, I can't afford to have a bad haircut." Satoru said.
"Haha, you make it sound like if you have a bad haircut it could cost you millions." you laughed.
Satoru sat up straighter and spoke seriously, "It may as well cost me millions!"
You didn't understand why Satoru was being so dramatic.
****
The hairdresser looked at you, Shoko and Suguru and then wondered why so many people were accompanying this grown man to his haircut, as if he were about to get a root canal for the first time.
Suguru whispered into her ear, and she blushed at his alluring charm like anyone would.
"He's scared of bad haircuts... so please do your best, he has a girl to impress. See that one sitting there?” Suguru pointed to you, “Yeah, that's the one."
He accidentally flustered her, and he smirked about it when he returned to you and Shoko.
"Suguru, your head looks as big as a bubble about ready to pop." you joked, noticing his smug demeanor as he took a waiting seat with you.
"I think I just flustered the hairdresser on accident." he said.
Shoko chuckled, "Is it ever an accident? I think you do it on purpose — oh, Y/n, I think Satoru is trying to get your attention. Give him some comfort."
Satoru recoiled when the cold blade of the scissors touched his neck, and looked distressed when the hairdresser touched his hair.
You knew he was highly sensitive to touch, especially his hair — he hated people touching his hair (reason X for hating hairdressers). The only person who was allowed to touch his hair was you. Suguru and Shoko needed a "valid reason" for touching Satoru's hair.
But you could comb your fingers through his hair any time, any place for no reason and Satoru would go limp with a smile on his face, completely melting for the act of affection.
Sometimes when it was just you and him alone together in his apartment, especially during his sleepless nights, Satoru would lay his tired head on your lap and ask you to play with his hair. Each stroke of your hand mellowed him out. He especially loved the feeling of your fingers running through his hair when it was fluffy and long.
So really, he feared not the hairdresser or even the bad haircut, but the fact that it might be too short or not fluffy enough for you to enjoy. It had to be just right. He had to maintain his fluffy hair for you.
He wanted to make sure that when you saw him at every party and get-together, you'd think "Wow, Satoru's hair looks so good.". He wanted you to compliment his hair and make him feel good and blushy.
And most of all, he just wanted to please your eyes. He wanted you to be starstruck when you looked at him.
So, a good haircut was critical.
****
Satoru's panic calmed after you took the empty seat next to him. He watched in admiration as you struck up a friendly conversation with the hairdresser. She turned out to be kind. She was an apprentice (picture nervous Satoru stiffening his shoulders when he learned this) and her mother owned the establishment next door.
Satoru was mostly quiet and focused on his reflection in the mirror. He squinted in suspicion when the lady brought out a hair buzzer.
But then you distracted Satoru by asking about what the four of you were doing after this. He stuttered a bit, half-looking at the hair buzzer and jumping a little when it turned on.
You talked so much that Satoru was completely distracted, and the lady could work. Though, it was hard, because Satoru didn't really specify what he wanted... so she winged it.
She thought hey, this guy would look good with an undercut. So, she cut an undercut for Satoru, and looked at you and smirked. His girlfriend will appreciate it, she thought as she looked at you and Satoru talking with hearts in your eyes.
You weren't his girlfriend. But you may as well have been. The two of you were anyways soulmates since kindergarten. Sure, you went away for five years to work abroad, but the link between you and Satoru wasn't broken by the distance.
****
Satoru gasped and nearly fainted when he saw how short his hair had been buzzed at the bottom. His neck felt exposed and suddenly it felt more drafty.
"What the—"
"— oh, you look hot, Satoru." You said.
He immediately shut up and went red in the face.
"Thanks, yeah it looks... yeah." Satoru hesitantly complimented the hairdresser's work.
She beamed proudly and wrapped up the haircutting session. Satoru took off the black dressing gown and stood up and shimmied the white hair off his pants.
"The cat is shedding." you joked, making Satoru grin with sealed lips.
You picked a white strand of his hair off the back of his shirt when he stood in line to pay at the checkout. He didn't notice. Such a cute boy.
Satoru was just grumbling to himself about how he'd need a scarf or turtleneck to compensate for his "practically naked" hairstyle now.
You stared at his undercut and felt your heartbeat get a bit frantic.
Then you kept staring as you left the barber shop.
Satoru wrapped an arm around your shoulders out of habit, as if he were your boyfriend, so the hairdresser felt sure that you two were dating and said something as you two left that really made you and Satoru blush;
"Your girlfriend loves it." she winked.
"I'm not his—"
"She's not my—"
"She sure does! Thanks for everything, see ya." Shoko cut off you and Satoru from responding and shoved the two of you out the door.
****
That comment lingered in the back of yours and Satoru's minds for the rest of the day.
On the train home, you grazed your fingers over Satoru's undercut and it elicited the funniest reaction out of him; he shivered like a cat that had just been scratched in a sweet spot.
"Haha, does that feel good?" you asked.
"It does. But my neck feels naked." Satoru shrugged.
Oh my god, do that again, he thought. It felt so good.
"Aw, then Y/n should wrap her arms around your neck." Suguru said in a flirtatious murmur.
Shoko laughed and propped a cigarette between her lips.
The four of you got off the train, you parted ways. Suguru and Shoko lived in different places and had to wait for their respective trains to take them home. So, you said your goodbyes and went with Satoru.
When you and Satoru moved out of your university housing, you both decided to live on the same street. You can say it was for X reasons, like oh it's a good neighborhood or oh the prices are great or oh the apartment walls aren't thin... but let's be honest; you and Satoru just didn't want to live too far from each other. You were inseparable, even cry-babies whenever the two of you were separated.
Satoru was always clinging or touching you in some way – hanging off your shoulders, resting his chin on the top of your head, draping an arm around you, holding your hand, snuggling into your neck. The closeness brought him more comfort than his own bed. He even claimed once that he could fall asleep on you more readily than on his bed.
Sometimes he was just shy of kissing you when you two met up, or when he knocked on your apartment door some mornings. His lips would graze over yours by accident in some circumstances, and though the two of you would laugh it off, there was an unmistakable spark in the air between you and him.
****
“Do you like it?” Satoru asked.
“I love it. You look really good.” You replied.
Satoru smiled to himself, hiding his face in your lap.
The TV was playing the most recent episode of that trashy romance soap opera – the episode where the two love interests kissed in the rain. Satoru stared hard at their lips connecting, and thought of why he hasn’t attempted to kiss you again. He didn’t want to ruin anything, so he kept his confession to himself even if it was obvious that he liked you.
You noticed he went a bit silent as you ran your fingers through his hair. He made a soft, long groan when your fingertips tickled up the back of his neck and over his prickly undercut.
“You sound like a cat.” You laughed.
His eyes were closed, brows relaxed into a sleepy arch. Whenever he got drowsy in your lap, his lips would part and show his two front teeth.
****
After getting an undercut hairstyle, Satoru was living in heaven with how much attention you gave his hair. Every day you’d find an excuse to play with his hair.
It made his heart beat harder and his mind go blank whenever you touched his neck and hair. He’d get shivers and close his eyes each time you did it, and would even stop talking mid-sentence.
In time it grew out. He refused to go back to the hairdresser, and instead insisted that you cut his hair for him. At first, he attempted to do it himself, but then he wimped out as soon as he held the scissors to his hair.
So, after he practically begged you on his knees and voiced his fear for the hairdresser, you agreed.
Cutting Satoru’s hair was a whole event. You invited Suguru and Shoko over to your apartment, and the four of you were laughing in the cramped bathroom together.
You had no idea what you were doing, and the online tutorials didn’t help much.
Satoru was dramatic when he thought you were cutting it too short or jagged, and he was so very picky that it drove you nuts to the point of putting the scissors down and leaving. But then he hugged your legs and apologized cutely, so you came back. Suguru and Shoko had to get it on camera because it was pure comedy.
“Alright, fairy princess. How did I do?” you asked Satoru.
He checked himself out in the mirror. His jawline and shorter hair drove you a bit wild, it was hard to contain yourself.
“It’s okay.” He replied cheekily.
“Just “okay”?! I put my soul into this!”
He grinned. “I’m just teasing.” He said, “I like it. Now let’s test it out.”
You looked confused. “Test it out?”
“Play with my hair.” He explained, “And tell me you like how it feels or else I’ll cry.” He added dramatically.
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© arminsumi
I do not permit the copying/reposting/translation/plagiarism of my works. Do not steal what I've worked hard to create.
This is fictional work.
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inhonoredglory · 1 year ago
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Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
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We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light
. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
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Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
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And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
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Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
____
In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
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lena-thinks-too-much · 2 months ago
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It is so, so important to me that people understand that Tim didn't figure out the bats because Dick was a "Show off". Like yes, Dick Grayson is the most flamboyant, dramatic ass man you will ever meet.
But the quadruple somersault? There's no way that was because dick was just showing off. Because you're telling me Bruce Wayne, who's so committed to hiding his identity that he literally acts like a completely different person out of the mask in public just to ward suspicion, would miss the fact that Robin regularly uses the flying Grayson's trademark move? There's literally no way.
In the comics we see Tim explain his deductive process to Dick and Alfred and they're both surprised impressed whatever. We don't see him explain it to Bruce. I think Bruce would be surprised and shocked that a 9 year old was able to put the pieces together but I don't think he'd be surprised that the quadruple somersault gave it away.
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So if Bruce was possibly aware of such an obvious give away, why let it continue?
I'll tell you why.
It really comes down to the physics
So Dick was 9 when he started out right? That means the most he'd have likely weighed was 43kgs or roughly 95lbs in freedom units.
But Dick and both of his parents are gymnasts who tend to be smaller. So he was likely less than that.
In physics, rotating objects build up angular momentum (this is how bikes stay up right for example). The more rotation, the more momentum. And objects with less mass build up that momentum much faster than those that are heavier.
Robin constantly has to fight people who are nearly 3 times his size. I teach 8 year olds, they're tiny. A quadruple somersault for a small boy that weighs less than a hundred pounds is a brutal weapon. Especially if you add in the acceleration from gravity as he drops in from above.
And I can guarantee you this logic tracks because Dick literally utilizes this idea, without the somersault, in the 2009 teen titans cartoon.
Yeah, that's right. We're talking about the infamous knee drop.
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Like it is borderline savage. Add in a quadruple somersault and the resulting force is nearly fatal. It's likely the main reason Batman would ever allow him to do it with the cape on.
Also, Dick landing feet first on the penguin in the first image probably gave the guy severe back issues
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